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Exactly. | Nightmare. |
Nightmare. | It's a tightrope, Spud, a tightrope. |
It's a tightrope, Spud, a tightrope. | My problem is that I tend to clam up. I go dumb and I can't answer any questions at all. Nerves on the big occasion, like a footballer. |
My problem is that I tend to clam up. I go dumb and I can't answer any questions at all. Nerves on the big occasion, like a footballer. | Try this. |
All I'm trying to do is help you understand that The Name of the Rose is merely a blip on an otherwise uninterrupted downward trajectory. | What about The Untouchables? |
What about The Untouchables? | I don't rate that at all. |
I don't rate that at all. | Despite the Academy award? |
Despite the Academy award? | That means all. The sympathy vote. |
That means all. The sympathy vote. | Right. So we all get old and then we can't hack it any more. Is that it? |
Right. So we all get old and then we can't hack it any more. Is that it? | Yeah. |
Yeah. | That's your theory? |
That's your theory? | Yeah, Beautifully illustrated. |
Yeah, Beautifully illustrated. | Give me the gun. |
I think Allison had been screaming all day, but it hadn't really registered before. She might have been screaming for a week for all I knew. It's been days since I've heard anyone speak, though surely someone must have said something in all that time, surely to someone must have. | What's wrong, Allison? |
Oh, Sick Boy reaches out to Allison. | It wasn't my baby. She wasn't my baby. Baby Dawn. She wasn't mine. Spud's? Swanney's? Sick Boy's? I don't know. Maybe Allison knew. Maybe not. I wished I could think of something to say, something sympathetic, something human. |
It wasn't my baby. She wasn't my baby. Baby Dawn. She wasn't mine. Spud's? Swanney's? Sick Boy's? I don't know. Maybe Allison knew. Maybe not. I wished I could think of something to say, something sympathetic, something human. | Say something, Mark, say something -- |
Say something, Mark, say something -- | I'm cooking' up. There is a silence. |
Eughh. Sounds horrible. | It wasn't that bad. |
It wasn't that bad. | Did he -- you know? |
Did he -- you know? | What? |
What? | You know. |
You know. | No, he didn't make me touch it. |
No, he didn't make me touch it. | Oh no, don't even mention it. |
Oh no, don't even mention it. | He made me lick it. |
He made me lick it. | you're sick. |
you're sick. | And I got a stitch stuck between my teeth, my head back and the whole stump fell off. |
And I got a stitch stuck between my teeth, my head back and the whole stump fell off. | Cut it out. |
Cut it out. | When are you going to visit him? |
When are you going to visit him? | Don't know. Maybe Thursday. |
Don't know. Maybe Thursday. | You're a real mate. And what about Tommy? Have you been to see him yet? |
you. OK, so Tommy's got the virus. Bad news, big deal. The gig goes on, or hadn't you noticed? Swanney his leg up. Well, tough but it could have been worse. | You're all hear. |
You're all hear. | I know a couple of addicts. wee lassies. I feed them what they need. A little bit of to keep them happy while the punters line up at a fiver a skull. It's easy money for me. Not exactly a fortune, but I'm thinking, 'I should be coining it here.' Less more Swanney's right. Get clean, get into dealing, that's where the f... |
I know a couple of addicts. wee lassies. I feed them what they need. A little bit of to keep them happy while the punters line up at a fiver a skull. It's easy money for me. Not exactly a fortune, but I'm thinking, 'I should be coining it here.' Less more Swanney's right. Get clean, get into dealing, that's where the f... | you. |
you. | And I'll tell you why. Because I'm fed up to my back teeth with losers, no-hopers, draftpacks, schemies, junkies and the like. I'm getting on with life. What are you doing? |
I can't believe you did that. | I got a good price for it. Rents, I need the money. |
I got a good price for it. Rents, I need the money. | It was my television. |
It was my television. | Well, Christ, if I'd known you were going to get so humpty about it, I wouldn't have bothered. Are you going to eat that? |
What was your price? | Four Grand. |
Four Grand. | But you don't have the money? |
But you don't have the money? | We're two thousand short. |
We're two thousand short. | That's tough. |
That's tough. | Come on, Mark, every knows you've been saving up down in London. |
Come on, Mark, every knows you've been saving up down in London. | Sorry, boys, I don't have two thousand pounds. |
Great. | And see when I get out of here. I've got plans. Going to get myself straightened out and head off to Thailand, where women really know how to treat a guy. See, out there you can live like a king if you've got white skin and a few crisp tenners in your pocket. No problem. |
And see when I get out of here. I've got plans. Going to get myself straightened out and head off to Thailand, where women really know how to treat a guy. See, out there you can live like a king if you've got white skin and a few crisp tenners in your pocket. No problem. | Sure. |
Sure. | The strategy is this: get clean, get mobile, get into dealing, and this time next year I'll be watching the rising sun with a posse of oriental buttocks parked on my coupon. |
The strategy is this: get clean, get mobile, get into dealing, and this time next year I'll be watching the rising sun with a posse of oriental buttocks parked on my coupon. | Sounds great, Swanney. |
Sounds great, Swanney. | Yeah. |
Yeah. | You'll have to send us a postcard. |
You'll have to send us a postcard. | Sure will, pal, sure will. |
How's it going with Gail? | No joy yet. |
No joy yet. | How long is it? |
How long is it? | Six weeks. |
Six weeks. | Six weeks! |
Six weeks! | It's a nightmare. She told me she didn't want our relationship to start on a physical basis as that is how it would be principally defined from then on in. |
It's a nightmare. She told me she didn't want our relationship to start on a physical basis as that is how it would be principally defined from then on in. | Where did she come up with that? |
Where did she come up with that? | She read it in Cosmopolitan. |
She read it in Cosmopolitan. | Six weeks and no |
Six weeks and no | I've got balls like watermelons, I'm telling you. |
Useless that's what she called me. I told her, I'm sorry, but theses things happen. Let's put it behind us. | That's fair enough. |
That's fair enough. | Yes, but then she finds out I've bought a ticket for Iggy Pop the same night. |
Yes, but then she finds out I've bought a ticket for Iggy Pop the same night. | Went ballistic? |
Went ballistic? | Big time. Absolutely radge. 'It's me or Iggy Pop, time to decide.' |
Big time. Absolutely radge. 'It's me or Iggy Pop, time to decide.' | So what's it going to be? |
So what's it going to be? | Well, I've paid for the ticket. |
What do you see as your main strengths? | I love people. All people. Even people that no one else loves, I think they're OK, you know. Like Beggars. |
I love people. All people. Even people that no one else loves, I think they're OK, you know. Like Beggars. | Homeless people? |
Homeless people? | No, not homeless people. Beggars, Francis Begbie -- one of my mates. I wouldn't say my best mate, I mean, sometimes the boy goes over the score, like one time when we -- me and him -- were having a laugh and all of a sudden he's gubbed me in the face, right -- |
No, not homeless people. Beggars, Francis Begbie -- one of my mates. I wouldn't say my best mate, I mean, sometimes the boy goes over the score, like one time when we -- me and him -- were having a laugh and all of a sudden he's gubbed me in the face, right -- | Mr. Murphy, {leaving your friend aside,} do you see yourself as having any weaknesses? |
Mr. Murphy, {leaving your friend aside,} do you see yourself as having any weaknesses? | No. Well, yes. I have to admit it: I'm a perfectionist. For me, it's the best or nothing at all. If things go badly, I can't be bothered, but I have a good feeling about this interview. Seems to me like it's gone pretty well. We've touched on a lot of subjects, a lot of things to think about, for all of us. |
Damnit, Spock. damnit! | Captain, what have I done - |
Captain, what have I done - | What you have done is betray every man on this ship. |
What you have done is betray every man on this ship. | Worse. I have betrayed you. I do not expect you to forgive me. |
Worse. I have betrayed you. I do not expect you to forgive me. | Forgive you? I ought to knock you on your |
Forgive you? I ought to knock you on your | If you think it would help. |
I hope you've enjoyed being a command program, Sark. I wonder how you'll like working in a pocket calculator... maybe one of those watches that plays "Happy Birthday" to its User once a year. | Now, sir... We did take care of that User you sent us -- |
Now, sir... We did take care of that User you sent us -- | Yes, and now you've got two renegade programs running all the over the system in a stolen simulation. |
Yes, and now you've got two renegade programs running all the over the system in a stolen simulation. | We'll get them, sir... These things take time. |
We'll get them, sir... These things take time. | I don't have time, Sark. And neither do you. End of line. |
Dana, Mr. Hardy called. Why weren't you in class today? | He lies! I was there! I was in the nurse's office, cause I had a headache. |
He lies! I was there! I was in the nurse's office, cause I had a headache. | You seem fine now. |
You seem fine now. | Great! You're going to believe that dweeb Mr. Hardy over your own daughter. |
Great! You're going to believe that dweeb Mr. Hardy over your own daughter. | I'm not sure what to believe anymore, young lady. You never used to lie to me. But lately you don't seem to know the difference between right and wrong. |
Son of a | What? |
Helen's going to be | See, that's the problem with terrorists. They're really inconsiderate when it comes to people's schedules. |
Yeah, and we do it twenty times a day. Don't give me that Just put on the taps. Now. | Sure, Harry. I'm on it. |
--you tell the son of this is Bright Boy Alert. Repeat, a Bright Boy Alert. And I need a patch of the White House ASAP. That's right-- | ... the Coast Guard has to clear them back to a twenty mile radius. Anybody that can't make the minimum safe distance we need an airlift on, immediately-- |
... well get the Highway Patrol to go through the streets and tell everybody on their loudspeakers. Just the basics... get away from windows, don't look at it... yeah-- | Here they come. |
So last night was pretty exciting, huh? | What? Oh, the flat tire? Yeah, I thought the towtruck was never going to get there. |
17 years. | My Have you had to... have with other women in the line of duty? |
My Have you had to... have with other women in the line of duty? | I don't take those assignments. |
I don't take those assignments. | What about Juno? |
What about Juno? | She's really a fox, isn't she? |
She's really a fox, isn't she? | Did you pork her Harry? |
Did you pork her Harry? | No. But I wanted to. |
No. But I wanted to. | Are you a total lying, scumsucking pig Harry? |
Are you a total lying, scumsucking pig Harry? | Looks that way. |
Oh | Wait here. If you have to use this, use it. Don't choke. Okay? |
Okay, just ask yourself. What do women really want? You take these bored housewives, married to the same guy for years. Stuck in a rut. They need some release. The promise of adventure. A hint of danger. I create that for them. | So you're basically lying your off the whole time? I couldn't do it. |
So you're basically lying your off the whole time? I couldn't do it. | Well, think of it as playing a role. It's fantasy. You have to work on their dreams. Get them out of their daily suburban grind for a few hours. |
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