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twg_000000044600 | was one thing, however, against which all the miracles of Proteus were of no avail, and of this Aristus was aware. So Aristus came, as Virgil tells us, from a distant land to consult the famous prophet. He found him on the sea-shore among his seals, basking in the afternoon sun. Quick as thought he fitted handcuffs on him, and | 60 | gutenberg |
twg_000000044601 | all struggles and devices were now of no avail. Such was then the efficacy of handcuffs even on the persons of the immortal gods. Having established this remote and honourable antiquity, we are not surprised at the appearance of handcuffs in the fourth century B.C., when the soldiers of a conquering Greek army found among the baggage of the routed | 60 | gutenberg |
twg_000000044602 | Carthaginians several chariots full of handcuffs, which had been held ready in confident anticipation of a great victory and a multitude of prisoners. The nearest approach to a mention that we find after that is in the Book of Psalms: "To bind their kings in chains and their nobles in fetters of iron." But in the Greek, the Latin, Wickliffe's, | 60 | gutenberg |
twg_000000044603 | and Anglo-Saxon Bible we invariably find a word of which handcuffs is the only real translation. It is also interesting to note that in the Anglo-Saxon version the kings are bound in "footcops" and the nobles in "handcops." In the early Saxon times, therefore, we find our instrument is familiar to all and in general use, as it has continued | 60 | gutenberg |
twg_000000044604 | to be to this day. But during the fifteenth and sixteenth centuries there is no instance of the use of the word "handcop"; its place is taken by "swivel manacle" and "shackbolt," the latter word being often used by Elizabethan authors. Handcuffs, like other things, have improved with time. Up to there were two kinds in general use in England. | 60 | gutenberg |
twg_000000044605 | One of the forms, most common in the earlier part of this century, went under the name of the "Figure ." This instrument does not allow the prisoner even that small amount of liberty which is granted by its modern counterpart. It was chiefly used for refractory prisoners who resorted to violence, for it had the advantage of keeping the | 60 | gutenberg |
twg_000000044606 | hands in a fixed position, either before or on the back of the body. The pain it inflicted made it partake of the nature of a punishment rather than merely a preventive against resistance or attack. It was a punishment, too, which was universally dreaded by prisoners of all kinds, for there is no more unbearable pain than that of | 60 | gutenberg |
twg_000000044607 | having a limb immovably confined. [Illustration: NO. .--THE "FLEXIBLE."] The other kind of form known as the "Flexible" (No. ) resembled in general outlines the handcuffs used every day by detectives. Contrivances, chiefly the result of American ingenuity, for the rapid and effectual securing of prisoners have not been wanting, and among them the "Snap," the "Nippers" (No. ) and | 60 | gutenberg |
twg_000000044608 | the "Twister" must be mentioned. [Illustration: NO. .--THE "SNAP."] [Illustration: NO. .--"NIPPERS."] [Illustration: NO. .--THE "TWISTER"] The "Snap" (No. ) is the one which used to be the most approved of. It consists of two loops, of which the smaller is slipped on the wrists of the person to be arrested, the bars are then closed with a snap, and | 60 | gutenberg |
twg_000000044609 | the larger loop is held by the officer. The manner in which the "Twister" (No. ) was used savours very much of the brutal, and, indeed, the injuries it inflicted on those who were misguided enough to struggle when in its grasp caused its abolition in Great Britain. Its simplicity and its efficacy, together with the cruelty, have recommended it | 60 | gutenberg |
twg_000000044610 | for use in those wild parts of South America where the upholder of the laws literally travels with his life in his hands. It consists of a chain with handles at each end; the chain is put round the wrists, the handles brought together and twisted round until the chain grips firmly. The torture inflicted by inhuman or inconsiderate officers | 60 | gutenberg |
twg_000000044611 | can easily be imagined. When we see the comparative facility with which the detective slips the handcuffs on the villain in the last act of Adelphi dramas, we are apt to be misled as to the difficulty which police officers meet with in the execution of one of the most arduous parts of their duty. The English hand-cuffs (No. ) | 60 | gutenberg |
twg_000000044612 | are heavy, unwieldy, awkward machines, which at the best of times, and under the most favourable circumstances, are extremely difficult of application. They weigh over a pound, and have to be unlocked with a key in a manner not greatly differing from the operation of winding up the average eight-day clock, and fastened on to the prisoner's wrists, how, the | 60 | gutenberg |
twg_000000044613 | fates and good luck only know. This lengthy, difficult, and particularly disagreeable operation, with a prisoner struggling and fighting, is to a degree almost incredible. The prisoner practically has to be overpowered or to submit before he can be finally and certainly secured. Even when handcuffed, we present to a clever and muscular ruffian one of the most formidable weapons | 60 | gutenberg |
twg_000000044614 | of offence he could possibly possess, as he can, and frequently does, inflict the deadliest blows upon his captor. Another great drawback is the fact that these handcuffs do not fit all wrists, and often the officer is nonplussed by having a pair of handcuffs which are too small or too large; and when the latter is the case, and | 60 | gutenberg |
twg_000000044615 | the prisoner gets the "bracelets" in his hands instead of on his wrists, he is then in possession of a knuckle-duster from which the bravest would not care to receive a blow. On the occasion of my arresting one of the Russian rouble note forgers, a ruffian who would not hesitate to stick at anything, I had provided myself with | 60 | gutenberg |
twg_000000044616 | several sized pairs of handcuffs, and it was not until I had obtained the very much needed assistance that I was able to find the suitable "darbies" for his wrists. We managed to force him into a four-wheeler to take him to the police-station, when he again renewed his efforts and savagely attacked me, lifting his ironed wrists and bringing | 60 | gutenberg |
twg_000000044617 | them down heavily on my head, completely crushing my bowler hat. [Illustration: NO. --"AMERICAN HANDCUFF" (OPEN).] [Illustration: NO. --"AMERICAN HANDCUFF" (CLOSED).] As the English handcuffs have only been formed for criminals who submitted quietly to necessity, it was considered expedient to find an instrument applicable to all cases. The perfected article comes from America (Nos. and ), and, being lighter, | 60 | gutenberg |
twg_000000044618 | less clumsy, and more easily concealed, finds general favour among the officers at Scotland Yard. In fact, such are its advantages that we must presume that it differs considerably from the Anglo-Saxon "Hand-cop" and the somewhat primitive article used upon the unwilling prophet of the Carpathian Sea. This and the older kind, to which some of the more conservative of | 60 | gutenberg |
twg_000000044619 | our detectives still adhere, are the only handcuffs used in England. [Illustration: No. --"LA LIGOTE."] The ingenious detective of France, where crime and all its appurtenances have reached such a state of perfection, is not without his means of securing his man (No. ). It is called "La Ligote" or "Le Cabriolet." There are two kinds: one is composed of | 60 | gutenberg |
twg_000000044620 | several steel piano strings, and the other of whip-cords twined together, and they are used much in the same way as the "Twister." Any attempt to escape is quickly ended by the pain to which the officer who holds the instrument can inflict by a mere turn of his hand. One wrist only is under control, but as the slightest | 60 | gutenberg |
twg_000000044621 | sign of a struggle is met by an infliction of torture, the French system is more effective than the English. [Illustration: NO. .--"MEXICAN HANDCUFF."] [Illustration: No. .--"LA POUCETTE."] The Mexican handcuff (Nos. and ) is a cumbersome and awkward article, quite worthy of the retrograde country of its origin. [Illustration: NO. .--"LA CORDE."] No. shows an effective method of handcuffing | 60 | gutenberg |
twg_000000044622 | in emergencies. The officer takes a piece of whipcord and makes a double running knot: he ties one noose round the wrist of the prisoner, whose hand is then placed in his trousers pocket, the cord is lashed round the body like a belt, and brought back and slipped through the noose again. The prisoner when thus secured suffers no | 60 | gutenberg |
twg_000000044623 | inconvenience as long as he leaves his hand in his pocket, but any attempt to remove it would cause a deal of suffering. [Illustration: NO. .--"MENOTTE DOUBLE."] No. is another handcuff of foreign make, and is merely used when a raid is about to be made, as it allows to a certain extent the use of the hands. It is | 60 | gutenberg |
twg_000000044624 | useful for prisoners who are being conveyed by sea. [Illustration: NO. .--"EASTERN HANDCUFF."] No. is mostly used in Eastern Europe. My personal experience of handcuffs is small, because I dislike them, for in addition to their clumsiness, I know that when I have laid my hands upon my man, it will be difficult for him to escape. My intimate knowledge | 60 | gutenberg |
twg_000000044625 | of all kinds of criminals in all kinds of plights justifies me in saying that when they see the game is up they do not attempt resistance. The only trouble I have had has been with desperadoes and old offenders, men who have once tasted prison-life and have a horror of returning to captivity. Expert thieves have been known to | 60 | gutenberg |
twg_000000044626 | open handcuffs without a key, by means of knocking the part containing the spring on a stone or hard substance. It will be remembered that when the notorious criminal "Charles Peace" was being taken to London by train, he contrived, although handcuffed, to make his escape through the carriage window. When he was captured it was noticed that he had | 60 | gutenberg |
twg_000000044627 | freed one of his hands. I was once bringing from Leith an Austrian sailor who was charged with ripping open his mate, and as I considered that I had a disagreeable character to deal with, I handcuffed him. Naturally, he found the confinement irksome, and on our journey he repeatedly implored me to take them off promising that he would | 60 | gutenberg |
twg_000000044628 | make no attempt to escape. The sincerity of his manner touched me and I released him, very fortunately for myself, for I was taken ill before reaching London, and, strange as it may appear, was nursed most tenderly by the man who had ripped a fellow mate. In Belgium the use of handcuffs by police officers is entirely forbidden. Prisoners | 60 | gutenberg |
twg_000000044629 | are handcuffed only on being brought before the _Juge d'Instruction_ or _Procureur du Roi_, and when crossing from court to court. Women are never handcuffed in England, but on the Continent it is not an uncommon occurrence. Regarding handcuffs generally, in my opinion not one of the inventions I have mentioned now in use is sufficiently easy of application. What | 60 | gutenberg |
twg_000000044630 | every officer in the detective force feels he wants is a light, portable instrument by means of which he can unaided secure his man, however cunning and however powerful he may be. I myself suggest an application which would grip the criminal tightly across the back, imprisoning the arms just above the elbow joints. Such an instrument would cause him | 60 | gutenberg |
twg_000000044631 | no unnecessary pain, while relieving officers from that part of their duty which is particularly obnoxious to them, viz., having a prolonged struggle with low and savage ruffians. I cannot refrain from relating a piquant little anecdote told to me by a French colleague, who had occasion to make an arrest, and came unexpectedly on his man. Unfortunately he was | 60 | gutenberg |
twg_000000044632 | unprovided with handcuffs and was somewhat at a disadvantage, but being a quick-witted fellow, he bethought himself of an effectual expedient. Taking out his knife he severed the prisoner's buttons which were attached to his braces, thus giving the man occupation for his hands and preventing a rapid flight. I am indebted to M. Goron, Chief of the Detective Department | 60 | gutenberg |
twg_000000044633 | in Paris, and other colleagues for some of the specimens here reproduced by me. * * * * * _The Family Name._ From the French of HENRI MALIN [Illustration] I. One afternoon, Mons. Sauvallier received from his younger son--a lieutenant in garrison at Versailles--the following letter: "Versailles, May , . "MY DEAR FATHER, "A terrible catastrophe has befallen me, one | 60 | gutenberg |
twg_000000044634 | which will be a blow to you also. I am writing about it, because I dare not face you; I deserve never to see you again! "Led astray by a companion, I have been gambling on the Bourse, and am involved in yesterday's crash, in which so many fortunes have been suddenly swamped. "I scarcely dare to tell you how | 60 | gutenberg |
twg_000000044635 | much I have lost. Yet I _must_ do so, for the honour of the Sauvalliers is concerned. Alas! you will be all but ruined! "I owe the sum of four hundred and sixty-eight thousand francs. Oh! what a miserable wretch I am! "When I found that the smash was inevitable I went mad, and entered my room with the intention | 60 | gutenberg |
twg_000000044636 | of putting an end to my wretched existence. But more sober thoughts prevailed: I changed my mind. I had heard that officers were being recruited for Tonquin, and I determined to volunteer for this service. My suicide would not have bettered matters; it would rather have left an added blot upon our family name. Out there, at all events, my | 60 | gutenberg |
twg_000000044637 | death may be of use; it will cause you no shame, and may perhaps move you to a little compassion for your guilty, but most unhappy and despairing son, who suffers agonies at thought of the trouble he has brought upon you, and who now bids you an eternal farewell! "CAMILLE SAUVALLIER." Mons. Sauvallier, who had been a widower for | 60 | gutenberg |
twg_000000044638 | several years past, was one of the most respected business-men of Paris, the owner of a foundry, a judge of the Tribunal of Commerce, and an officer of the Legion of Honour. He had two sons: Camille, the lieutenant: and August, an artist of some originality, who was the husband of a charming wife, and the father of a little | 60 | gutenberg |
twg_000000044639 | six-year-old maiden named Andre. Mons. Sauvallier had always deterred his sons from embarking in trade. He had shrunk from exposing them to the ups and downs of business life, its trying fluctuations, its frequent cruel mischances. He had arranged that at his death his estate should be realized: he did not wish the business to be sold outright, in case | 60 | gutenberg |
twg_000000044640 | it should pass into the hands of strangers who might sully the hitherto unblemished name of Sauvallier. And now, in spite of all his precautions, a disaster greater than any he had dreamed of had overwhelmed him. [Illustration: "HE ROSE WITH DIFFICULTY."] Leaning back wearily in his arm-chair, with haggard eyes he re-read his son's letter, in order to assure | 60 | gutenberg |
twg_000000044641 | himself that he was not dreaming. Yes! It was too true! Camille had ruined, perhaps dishonoured, him! It seemed as though the objects that surrounded him--the very walls and furniture--were no longer the same! As one staggering beneath a too heavy burden, he rose with difficulty, his limbs stiff, yet his whole frame agitated; then he sank back into his | 60 | gutenberg |
twg_000000044642 | chair, with two big tears flowing down his cheeks. By hook or by crook he _must_ procure the sum, and the debt should be paid to-morrow. It would be a difficult task. The wealth of the manufacturer consists of material and merchandise. Would so hurried a realization yield the necessary amount? He could not tell. Again, when this debt was | 60 | gutenberg |
twg_000000044643 | paid, would he be able to fulfil his engagements? Bankruptcy stared him in the face. A Sauvallier bankrupt? An officer of the Legion of Honour, a judge of the Tribunal of Commerce, insolvent? Never! He would die first! But before it came to that, he would try every expedient: he would strain every nerve. So all night long the poor | 60 | gutenberg |
twg_000000044644 | man planned and calculated, and in the morning, with heavy heart, proceeded to put his plans into effect. He visited his numerous friends and told them of his trouble, which elicited much sympathy. In order to help, some made large purchases of him, paying ready money, others advanced or lent him money. All day until the evening he was running | 60 | gutenberg |
twg_000000044645 | about Paris collecting cheques, bank-notes, and orders. [Illustration: "HE NOW BROUGHT THE SUM THUS GAINED."] In the evening, as he sat down to ascertain the result of the day's efforts. Auguste came in with his wife and Andre. To help his father, the artist had parted with some of his pictures at a sacrifice, and he now brought the sum | 60 | gutenberg |
twg_000000044646 | thus gained. Andre, unconscious of the trouble of her elders, began to play with her "Janne," a doll nearly as big as herself, which her grandfather had given her some time previously, and which she loved, she said, "as her own daughter." But the child soon observed the sadness of her parents and her dear grandfather, and she looked with | 60 | gutenberg |
twg_000000044647 | earnest, inquiring gaze from one to the other, trying to discover what was amiss. She saw her father lay down his pocket-book, she watched her mother place upon the table her bracelets, necklaces, ear-rings, and rings, while Mons. Sauvallier thanked them with tears in his eyes. With a very thoughtful, serious expression on her little face, the child turned towards | 60 | gutenberg |
twg_000000044648 | her doll, embraced it with the emotional fervour of a last adieu, then carried it to her grandfather, saying, in sweet, resigned tones: "Take it, grandpapa! You can sell her, too." Mons. Sauvallier wept upon the neck of his little granddaughter, murmuring, "You also, my angel? Oh, that miserable boy!" II. Thus Camille's debt was paid, and the honour of | 60 | gutenberg |
twg_000000044649 | the Sauvalliers was saved. But the father's fortune had gone! He was able, however, to retain his business. He said to himself that he must work still, in spite of his threescore years; that he must labour incessantly, with the anxious ardour of those beginning life with nothing to rely upon save their own exertions. He reduced his expenses, gave | 60 | gutenberg |
twg_000000044650 | up his own house and went to live with his son, sold his carriage and horses, discharged his servants, and stinted himself in every possible way. Auguste became his designer, Auguste's wife his clerk. Each accepted his or her share of the burden bravely and uncomplainingly, as an important duty which must at any cost be accomplished. The conduct of | 60 | gutenberg |
twg_000000044651 | this old man, so jealous for his name, so upright, so courageous in misfortune, excited profound sympathy. All who knew him pitied him; orders flowed in, and soon a quite exceptional activity pervaded the establishment from basement to roof, inspiring Mons. Sauvallier with a little hope. But one persistent fear disturbed his sleep, and troubled his waking hours. It was | 60 | gutenberg |
twg_000000044652 | that some day he might hear that Camille had been gambling again, and was once more in debt. He had forbidden all mention of his erring son, but the thought of him was ever present, and lay like an incubus upon his heart. One year passed, then another. The foundry still flourished; work positively raged therein. It had no rest; | 60 | gutenberg |
twg_000000044653 | it also, as though endowed with a conscience, did its duty nobly. Its furnaces glowed like ardent eyes; its mighty puffing and snorting shook the ground: the molten metal, red and fuming, flowed from its crucibles like blood from its body. At an early hour of the morning was heard its piercing summons to the work-people, and all the night | 60 | gutenberg |
twg_000000044654 | long its glare illuminated the sky. III. The campaign of Tonquin was in full swing. In the midst of an unknown country, harassed by innumerable difficulties, the French soldiers were contending painfully with an irrepressible, ever-rallying foe. The smallest success served to excite the popular patriotism, and all awaited impatiently the tidings of a decisive victory. One morning, Auguste, looking | 60 | gutenberg |
twg_000000044655 | very pale, entered his father's office, and handed him a newspaper. There, amongst "Latest intelligence," Mons. Sauvallier read the following:-- [Illustration: "LEADING THEM ON TO THE ASSAULT."] "From the camp entrenched at Dong-Song. February 12th, .--To-day, Captain Sauvallier attacked the enemy with extreme vigour, fought all the day against considerable forces, and captured successively three redoubts. In attacking the last | 60 | gutenberg |
twg_000000044656 | of the three, his soldiers, overpowered by numbers, were about to retreat; but, although seriously wounded in the head and thigh, the gallant officer, borne by two men, succeeded in rallying his company and leading them on to the assault. His conduct was admirable, but his condition is hopeless. I have attached the cross to his breast. This brilliant feat | 60 | gutenberg |
twg_000000044657 | of arms will enable me to enter Lang-Son tomorrow.--GENERAL BRIERE DE L'ISLE." Upon reading these words, Mons. Sauvallier felt a strange emotion, in which anguish mingled with joy. For a moment he was silent; then he said to his son, "You think that it is he? He is, then, a captain?" He read the despatch again, then murmured softly: "The | 60 | gutenberg |
twg_000000044658 | cross! Condition hopeless!" And a tear rolled down his cheek. Two hours later the family received a formal intimation of Camille's deed and state from the Minister of War, and on the following day all the journals were praising Captain Sauvallier, son of the respected founder, of Grenelle. And now they gave details. Camille, it appeared, had been nominated captain | 60 | gutenberg |
twg_000000044659 | a few months back. Throughout the campaign he had distinguished himself by his imperturbable coolness under fire, and reckless scorn of the death which he seemed to seek. His act of heroic energy stirred the enthusiasm of Press and populace, and the name of Sauvallier was on every lip. Camille's portrait appeared in the shop-windows; the illustrated journals depicted him | 60 | gutenberg |
twg_000000044660 | before the redoubt, carried upon the shoulders of two men, his sword pointed towards the enemy, encouraging his soldiers by his voice, gesture, and look, his forehead bound with a handkerchief, and his face bleeding. Mons. Sauvallier could not go out of doors without seeing his son's presentment. From the news-stalls of the boulevards, the corners of the streets, the | 60 | gutenberg |
twg_000000044661 | publishers' shop-fronts, a ubiquitous Camille watched him pass, and seemed to follow him with his eyes. Almost at each step the father received congratulations, while complimentary letters and cards covered his table to overflowing. But, alas! the telegrams which he received daily from Tonquin left him little hope that he should ever again behold in the flesh this dear son, | 60 | gutenberg |
twg_000000044662 | of whom now he was so proud. [Illustration: "HERE HE IS!"] One morning, three months later, Mons. Sauvallier was at work in his office, when the door opened softly, and disclosed Andre's curly head. The little one seemed in high spirits, her eyes sparkled with glee. "See, grandfather, here he is!" she said, and led into the room Captain Sauvallier. | 60 | gutenberg |
twg_000000044663 | Auguste and his wife followed the pair. Mons. Sauvallier, taken completely by surprise, rose quickly from his chair, then stood motionless, overcome by his emotion. He saw before him Camille, with the scar upon his forehead, and the cross upon his breast--Camille, the hero of the hour, who had shed such lustre upon the family name! Timid and embarrassed, like | 60 | gutenberg |
twg_000000044664 | a child who has been guilty of a fault, Camille stood with bowed head, and when he saw how much his father had aged, he knew that it was his conduct which had wrought the sad change, and his contrition was deepened tenfold. But as he was about to throw himself at his father's feet, Mons. Sauvallier, with a sudden | 60 | gutenberg |
twg_000000044665 | movement, clasped him to his breast, exclaiming, in a voice full of tears, "No, Camille! in my arms! in my arms!" Father and son, locked together in closest embrace, mingled their sobs, while Auguste and his wife, looking on, wept in sympathy. The silence was broken by Andre. The child had vanished for a moment, but speedily reappeared, fondling her | 60 | gutenberg |
twg_000000044666 | precious doll, which, it is needless to say, had not been sold. Holding it out to the captain, she said in her liveliest manner: "Here is Jeanne, uncle! You remember her? Give her a kiss directly! Don't you think that she has grown?" * * * * * _The Queer Side of Things--Among the Freaks._ MAJOR MICROBE. [Illustration] "I've been | 60 | gutenberg |
twg_000000044667 | in the show business now going on for forty-three years," said the Doorkeeper, "and I haven't yet found a Dwarf with human feelings. I can't understand why it is, but there ain't the least manner of doubt that a Dwarf is the meanest object in creation. Take General Bacillus, the Dwarf I have with me now. He is well made, | 60 | gutenberg |
twg_000000044668 | for a Dwarf, and when he does his poses plastic, such as 'Ajax Defying the Lightning,' or 'Samson Carrying off Delilah by the Hair,' and all the rest of those Scripture tablows, he is as pretty as a picture, provided, of course, you don't get too near him. He is healthy, and has a good appetite, and he draws a | 60 | gutenberg |
twg_000000044669 | good salary, and has no one except himself to look after. And yet that Dwarf ain't happy! On the contrary, he is the most discontented, cantankerous, malicious little wretch that was ever admitted into a Moral Family Show. And he ain't much worse than an ordinary Dwarf. Now, the other Freaks, as a rule, are contented so long as they | 60 | gutenberg |
twg_000000044670 | draw well and don't fall in love. "The Living Skeleton knows that he can't expect to live long--most of them die at about thirty-five--but, for all that, he is happy and contented. 'A short life and a merry one is what I goes in for,' he often says to me, and he seems to think that his life is a | 60 | gutenberg |
twg_000000044671 | merry one, though I can't myself see where the merriment comes in. So with all the rest of my people. They all seem to enjoy themselves except the Dwarf. My own belief is that the organ of happiness has got to be pretty big to get its work in, and that there ain't room in a Dwarfs head for it | 60 | gutenberg |
twg_000000044672 | to work. "I had a Dwarf with me once--Major Microbe is what we called him on the bills, where he was advertised as the 'Smallest Man in the World,' which, of course, he wasn't; but, then, every Dwarf is always advertised that way. It's a custom of the profession, and we don't consider it to be lying, any more than | 60 | gutenberg |
twg_000000044673 | a President considers the tough statements lying that he makes in his annual message. A showman and a politician must be allowed a little liberty of statement, or they couldn't carry on their business. Well, as I was saying, thishyer Major Microbe was in my show a matter of ten years ago, when we were in Cincinnati, and he was | 60 | gutenberg |
twg_000000044674 | about as vicious as they make them. The Giant, who was a good seven-footer, working up to seven and a half feet, as an engineer might say, with the help of his boots and helmet, was the exact opposite of the Dwarf in disposition. He was altogether too good-tempered, for he was always trying to play practical jokes on the | 60 | gutenberg |
twg_000000044675 | other Freaks. He did this without any notion of annoying them, but it was injudicious; he being, like all other Giants, weak and brittle. "What do I mean by brittle? Why, I mean brittle and nothing else. It's a good United States word, I reckon. Thishyer Giant's bones weren't made of the proper materials, and they were always liable to | 60 | gutenberg |
twg_000000044676 | break. He had to take the greatest care of himself, and to avoid arguing on politics or religion or anything like that, for a kick on the shins would be sure to break one of his legs, which would lay him on the shelf for a couple of months. As for his arms, he was for ever breaking one or | 60 | gutenberg |
twg_000000044677 | two of them, but that didn't so much matter, for he could go on the stage with his arm in splints and a sling, and the public always supposed that he was representing a heroic soldier who had just returned from the battle-field. [Illustration: "HE FOUND THE DWARF ASLEEP ON A BENCH."] "One day the Giant put up a job | 60 | gutenberg |
twg_000000044678 | on the Dwarf that afterwards got them both into serious trouble. The Giant was loafing around the place after dinner, and he found the Dwarf asleep on a bench. What does he do but cover him up with a rug and then go off in search of the Fat Woman, who was a sure enough Fat Woman, and weighed in | 60 | gutenberg |
twg_000000044679 | private life four hundred and nineteen pounds. The Giant was popular with the sex, and the Fat Woman was glad to accept his invitation to come with him and listen to a scheme that he pretended to have for increasing the attractions of Fat Women. He led her up to where the Dwarf was asleep on the bench and invited | 60 | gutenberg |
twg_000000044680 | her to sit down, saying that he had arranged a cushion for her to make her comfortable. Of course she sat down, and sat down pretty solid, too, directly on the Dwarf. The Dwarf yelled as if he had room for the voice of two full-grown men, and the Fat Woman, as soon as she felt something squirming under her, | 60 | gutenberg |
twg_000000044681 | thought that one of the boa constrictors had got loose, and that she had sat down on it. So naturally she fainted away. I came running in with one of my men as soon as I heard the outcries, and after a while we managed to pry up the Fat Woman with a couple of cart-rungs and get the Dwarf | 60 | gutenberg |
twg_000000044682 | out from under her, after which she came to in due time and got over her fright. But the Dwarf was a good deal flattened out by the pressure, and I was afraid at first that his ribs had been stove in. It turned out in the end that he was not seriously injured; but he was in the worst | 60 | gutenberg |
twg_000000044683 | rage against the Giant that you can imagine, and would have killed him then and there if he had been able to do it. "I knew well enough that in course of time the Dwarf would get square with the Giant, no matter how long it might take and how much it might cost. He was as revengeful as a | 60 | gutenberg |
twg_000000044684 | Red Indian. I warned the Giant that he must keep a sharp look-out, or the Dwarf would do him a mischief; but he said 'he calculated he was big enough to take care of himself, and that he wasn't afraid of no two-foot Dwarf that ever breathed.' Of course, this sounded brave, but my own belief is that the Giant | 60 | gutenberg |
twg_000000044685 | was pretty badly frightened. I noticed that he never allowed himself to be alone with the Dwarf, and was always careful to mind where he stepped, so as not to get tripped up by strings stretched across the path, or anything of that sort. The Dwarf pretended that he had forgotten the whole business, and was as friendly with the | 60 | gutenberg |
twg_000000044686 | Giant as he had ever been; but I knew him well enough to know that he never forgot anything, and was only waiting for a chance. [Illustration: "HIS HELMET HAD FALLEN INTO A TUB OF WATER."] "Pretty soon little accidents began to happen to the Giant. One day he would find that his helmet, which was made of pasteboard, had | 60 | gutenberg |
twg_000000044687 | fallen into a tub of water, and gone to everlasting jelly. This would oblige him to show himself bare-headed, which took off several inches from his professional height. Another day his boots would be in the tub, and he wouldn't be able to get them on. I've seen him go on the stage in a general's uniform with carpet slippers | 60 | gutenberg |
twg_000000044688 | and no hat, which everyone knew must be contrary to the regulations of the Arabian army, in which he was supposed to hold his commission. "One night his bedstead broke down under him, and he came very near breaking a leg or so. In the morning he found out that someone had sawed a leg of the bedstead nearly all | 60 | gutenberg |
twg_000000044689 | the way through, and, of course, he knew that the Dwarf had done it. But you couldn't prove anything against the Dwarf. He would always swear that he never had any hand in the accidents, and there was never any evidence against him that anybody could get hold of. I didn't mind what games he played on the Giant as | 60 | gutenberg |
twg_000000044690 | long as the Giant wasn't made to break anything that would lay him on the shelf, and I told the Dwarf that I was the last man to interfere with any man's innocent amusements, but that in case the Giant happened to break a leg, I should go out of the Giant and Dwarf business at once. But that didn't | 60 | gutenberg |
twg_000000044691 | scare him a particle. He knew that he was worth his salary in any Dime Museum in America, and more than that, he had money enough laid up in the bank to live on, assuming, of course, that he could draw it out before the cashier should bolt to Canada with it. So he was as independent as you please, | 60 | gutenberg |
twg_000000044692 | and told me that if I chose to hold him responsible for other people's legs he couldn't help it, and had nothing to say about it. "At that time I had a Female Samson. She wasn't the Combined Female Contortionist and Strongest Woman in the World that is in my show at present, but she was in about the same | 60 | gutenberg |
twg_000000044693 | line of business. These Strong Women are all genuine, you understand. You can embellish them a little on the handbills, and you can announce that the cannon that the Strong Woman fires from her shoulder weighs a hundred or two pounds more than it actually weighs; but unless a Strong Woman is really strong and no mistake, she might as | 60 | gutenberg |
twg_000000044694 | well try to pass herself off as a Living Skeleton or a Two-Headed Girl at once. The fact is, the great majority of Freaks are genuine, and the business is a thoroughly honest one at bottom. Why, if you told the exact truth in the handbills about every Freak in my show, barring the Tattooed Girl and the Wild Man, | 60 | gutenberg |
twg_000000044695 | they would still constitute a good drawing attraction in any intelligent community. "This Female Samson was a good sort of woman in her way, though she was a little rough and a bit what you might call masculine in her ways. She didn't like the Dwarf, and he didn't like her. [Illustration: "SHE PULLED HIM OVER TO HER BY HIS | 60 | gutenberg |
twg_000000044696 | COLLAR."] "The Freaks were all at supper one night when the Dwarf said something insulting to the Female Samson. He sat right opposite to her, and she just reached across the table and pulled him over to her by his collar. Then she stretched him across her lap and laid into him with her slipper till he howled as if | 60 | gutenberg |
twg_000000044697 | he was a small boy who had gone in swimming on Sunday and his mother had just found it out. It wasn't so much the slipper that hurt him, though the Female Samson put all her muscle into the operation, but it was the disgrace of the thing; and when you remember that the Dwarf was forty-two years old, you | 60 | gutenberg |
twg_000000044698 | can understand that he felt that the woman had taken a liberty with him. However, the next day he seemed to have forgotten all about it, and when the Giant reminded him of the circumstance, which he did every little while, the Dwarf would grin and say that we must let the women do what they liked, for they were | 60 | gutenberg |
twg_000000044699 | a superior sort of being. "One of the Female Samson's best feats was done in company with the Dwarf and the Giant. She had a horizontal bar fixed on the stage, about ten feet above the floor. On this bar she used to swing head downwards, just hooking her knees around it, as all the trapeze artists do. It looks | 60 | gutenberg |
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