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ncoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK CLEOPATRA *** Produced by John Bickers; Dagny; Emma Dudding; David Widger CLEOPATRA by H. Rider Haggard CONTENTS DEDICATION AUTHOR’S NOTE CLEOPATRA INTRODUCTION BOOK I—THE PREPARATION OF HARMACHIS CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII BOOK II—THE FALL OF HARMACHIS CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAP
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CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI BOOK III—THE VENGEANCE OF HARMACHIS CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X DEDICATION My dear Mother, I have for a long while hoped to be allowed to dedicate some book of mine to you, and now I bring you this work, because whatever its shortcomings, and whatever judgment may be passed upon it by yourself and others, it is yet the one I should wish you to ac
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others, it is yet the one I should wish you to accept. I trust that you will receive from my romance of “Cleopatra” some such pleasure as lightened the labour of its building up; and that it may convey to your mind a picture, however imperfect, of the old and mysterious Egypt in whose lost glories you are so deeply interested. Your affectionate and dutiful Son, H. Rider Haggard. January 21, 1889. AUTHOR’S NOTE The history of the ruin of Antony and Cleopatra must have struck many students of the records of
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eremonies, or customs of the Mother of Religion and Civilisation, ancient Egypt, it is, however, respectfully suggested that they should exercise the art of skipping, and open this tale at its Second Book. That version of the death of Cleopatra has been preferred which attributes her end to poison. According to Plutarch its actual manner is very uncertain, though popular rumour ascribed it to the bite of an asp.
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wn cave, that once served as the mortuary chapel for the friends and relatives of the departed, to the coffin-chamber beneath. This shaft is no less than eighty-nine feet in depth. The chamber at its foot was found to contain three coffins only, though it is large enough for many more. Two of these, which in all probability inclosed the bodies of the High Priest, Amenemhat, and of his wife, father and mother of Harmachis, the hero of this history, the shameless Arabs who discovered them there and then broke
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elling him that one coffin yet remained entombed. It seemed to be the coffin of a poor person, they said, and therefore, being pressed for time, they had left it unviolated. Moved by curiosity to explore the recesses of a tomb as yet unprofaned by tourists, my friend bribed the Arabs to show it to him. What ensued I will give in his own words, exactly as he wrote it to me: “I slept that night near the Temple of Seti, and started before daybreak on the following morning.
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started before daybreak on the following morning. With me were a cross-eyed rascal named Ali—Ali Baba I named him—the man from whom I got the ring which I am sending you, and a small but choice assortment of his fellow thieves. Within an hour after sunrise we reached the valley where the tomb is. It is a desolate place, into which the sun pours his scorching heat all the long day through, till the huge brown rocks which are strewn about become so hot that one can scarcely bear to touch them, and the sand sc
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e can scarcely bear to touch them, and the sand scorches the feet. It was already too hot to walk, so we rode on donkeys, some way up the valley—where a vulture floating far in the blue overhead was the only other visitor—till we came to an enormous boulder polished by centuries of action of sun and sand. Here Ali halted, saying that the tomb was under the stone. Accordingly, we dismounted, and, leaving the donkeys in charge of a fellah boy, went up to the rock.
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s in charge of a fellah boy, went up to the rock. Beneath it was a small hole, barely large enough for a man to creep through. Indeed it had been dug by jackals, for the doorway and some part of the cave were entirely silted up, and it was by means of this jackal hole that the tomb had been discovered. Ali crept in on his hands and knees, and I followed, to find myself in a place cold after the hot outside air, and, in contrast with the light, filled with a dazzling darkness.
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with the light, filled with a dazzling darkness. We lit our candles, and, the select body of thieves having arrived, I made an examination. We were in a cave the size of a large room, and hollowed by hand, the further part of the cave being almost free from drift-dust. On the walls are religious paintings of the usual Ptolemaic character, and among them one of a majestic old man with a long white beard, who is seated in a carved chair holding a wand in his hand.[*] Before him passes a procession of priests
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hand.[*] Before him passes a procession of priests bearing sacred images. In the right hand corner of the tomb is the shaft of the mummy-pit, a square-mouthed well cut in the black rock. We had brought a beam of thorn-wood, and this was now laid across the pit and a rope made fast to it. Then Ali—who, to do him justice, is a courageous thief—took hold of the rope, and, putting some candles into the breast of his robe, placed his bare feet against the smooth sides of the well and began to descent with great
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in an endless stream and as silently as spirits. The rope was hauled up again, and now it was my turn; but, as I declined to trust my neck to the hand-over-hand method of descent, the end of the cord was made fast round my middle and I was lowered bodily into those sacred depths. Nor was it a pleasant journey, for, if the masters of the situation above had made any mistake, I should have been dashed to pieces.
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any mistake, I should have been dashed to pieces. Also, the bats continually flew into my face and clung to my hair, and I have a great dislike of bats. At last, after some minutes of jerking and dangling, I found myself standing in a narrow passage by the side of the worthy Ali, covered with bats and perspiration, and with the skin rubbed off my knees and knuckles. Then another man came down, hand over hand like a sailor, and as the rest were told to stop above we were ready to go on.
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t were told to stop above we were ready to go on. Ali went first with his candle—of course we each had a candle—leading the way down a long passage about five feet high. At length the passage widened out, and we were in the tomb-chamber: I think the hottest and most silent place that I ever entered. It was simply stifling. This chamber is a square room cut in the rock and totally devoid of paintings or sculpture. I held up the candles and looked round.
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culpture. I held up the candles and looked round. About the place were strewn the coffin lids and the mummied remains of the two bodies that the Arabs had previously violated. The paintings on the former were, I noticed, of great beauty, though, having no knowledge of hieroglyphics, I could not decipher them. Beads and spicy wrappings lay around the remains, which, I saw, were those of a man and a woman.[+] The head had been broken off the body of the man. I took it up and looked at it.
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e body of the man. I took it up and looked at it. It had been closely shaved—after death, I should say, from the general indications—and the features were disfigured with gold leaf. But notwithstanding this, and the shrinkage of the flesh, I think the face was one of the most imposing and beautiful that I ever saw. It was that of a very old man, and his dead countenance still wore so calm and solemn, indeed, so awful a look, that I grew quite superstitious (though as you know, I am pretty well accustomed to
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though as you know, I am pretty well accustomed to dead people), and put the head down in a hurry. There were still some wrappings left upon the face of the second body, and I did not remove them; but she must have been a fine large woman in her day. [*] This, I take it, is a portrait of Amenemhat himself.— Editor. [+] Doubtless Amenemhat and his wife.—Editor. “‘There the other mummy,’ said Ali, pointing to a large and solid case that seemed to have been carelessly thrown down in a corner, for it was lying
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elessly thrown down in a corner, for it was lying on its side. “I went up to it and carefully examined it. It was well made, but of perfectly plain cedar-wood—not an inscription, not a solitary God on it. “‘Never see one like him before,’ said Ali. ‘Bury great hurry, he no “mafish,” no “fineesh.” Throw him down here on side.’ “I looked at the plain case till at last my interest was thoroughly aroused. I was so shocked by the sight of the scattered dust of the departed that I had made up my mind not to touch
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e departed that I had made up my mind not to touch the remaining coffin—but now my curiosity overcame me, and we set to work. “Ali had brought a mallet and a cold chisel with him, and, having set the coffin straight, he began upon it with all the zeal of an experienced tomb-breaker. And then he pointed out another thing. Most mummy-cases are fastened by four little tongues of wood, two on either side, which are fixed in the upper half, and, passing into mortices cut to receive them in the thickness of the l
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ices cut to receive them in the thickness of the lower half, are there held fast by pegs of hard wood. But this mummy case had eight such tongues. Evidently it had been thought well to secure it firmly. At last, with great difficulty, we raised the massive lid, which was nearly three inches thick, and there, covered over with a deep layer of loose spices (a very unusual thing), was the body. “Ali looked at it with open eyes—and no wonder. For this mummy was not as other mummies are.
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was literally pounded up beneath the hooded head. “It was impossible, seeing these things, to avoid the conclusion that the mummy before us had moved with violence since it was put in the coffin . “‘Him very funny mummy. Him not “mafish” when him go in there,’ said Ali. “‘Nonsense!’ I said. ‘Who ever heard of a live mummy?’ “We lifted the body out of the coffin, nearly choking ourselves with mummy dust in the process, and there beneath it half hidden among the spices, we made our first find.
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hidden among the spices, we made our first find. It was a roll of papyrus, carelessly fastened and wrapped in a piece of mummy cloth, having to all appearance been thrown into the coffin at the moment of closing.[*] [*] This roll contained the third unfinished book of the history. The other two rolls were neatly fastened in the usual fashion. All three are written by one hand in the Demotic character.—Editor.
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End of preview. Expand in Data Studio

Cleopatra-Agent

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Dataset Structure

Each record contains:

  • text: The content text
  • source_url: Original source URL
  • source_title: Title of the source document
  • source_domain: Domain of the source
  • relevance_score: Relevance to the subject (0-1)
  • quality_score: Content quality score (0-1)
  • topics: JSON array of detected topics
  • character_count: Length of the text
  • subject_name: The subject this content relates to
  • subject_type: "personality" or "topic"
  • extraction_date: When the content was extracted
  • embedding: Pre-computed 384-dimensional embedding vector

Usage

from datasets import load_dataset

dataset = load_dataset("PhillyMac/Cleopatra_Corpus")

# Access the data
for item in dataset["train"]:
    print(item["text"][:100])

Integration with RAG

This dataset is designed to be integrated with existing embedded corpuses. The embeddings use the sentence-transformers/all-MiniLM-L6-v2 model, compatible with FAISS indexing.

License

Content is sourced from public domain and Creative Commons licensed materials.

Generated By

Deku Corpus Builder - An automated corpus building system for AI applications.

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