id stringlengths 16 16 | title stringlengths 1 203 | author stringlengths 2 40 | poem stringlengths 1 87.3k | labels_l1 listlengths 1 10 | labels_l2 listlengths 0 15 | labels_l1_names listlengths 1 10 | labels_l2_names listlengths 0 15 |
|---|---|---|---|---|---|---|---|
d1955c766d98b38f | Swimming Ool | Kenn Nesbitt | Swimming in the swimming pool
is where I like to “B,”
wearing underwater goggles
so that I can “C.”
Yesterday, before I swam,
I drank a cup of “T.”
Now the pool’s a “swimming ool”
because I took a “P.” | [
"S6",
"S9",
"S10"
] | [
"S9-5",
"S10-5"
] | [
"Living",
"Activities",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Activities/Sports & Outdoor Activities"
] |
b3c2d106092bae68 | Evenings of Certain Lives | Gottfried Benn | I
You don’t need always to be scrubbing the tiles, Hendrickje,
my eye drinks itself,
drinks itself to death—
but other drink is in short supply—
the little Buddha there,
Chinese grove god
in exchange for a ladleful of Hulstkamp,
please!
Never painted anything
in frost-white or ice-skater blue
or that Irish g... | [
"S6",
"S10"
] | [
"S10-4"
] | [
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Painting & Sculpture"
] |
e8f2625b1cbd96ca | Faith | David Baker | It was midday before we noticed it was morning.
The boy cousins brought us a tray—soup and cheese,
warm soda, and a soft cloth and candy for her fever.
They wouldn’t come in, the tray weighing between them.
They stood like woodwork inside the door frame.
By afternoon the old procession—silence at the lip
of a doz... | [
"S5",
"S6",
"S8"
] | [
"S5-3",
"S6-6",
"S8-3"
] | [
"Religion",
"Living",
"Relationships"
] | [
"Religion/Faith & Doubt",
"Living/Health & Illness",
"Relationships/Family & Ancestors"
] |
bb3ba6c86e8e7c43 | Red Parade | David Trinidad | Depressed because my
book wasn’t nominated
for a gay award,
I lie on my couch
watching—not listening to—
the O.J. trial.
Byron, who senses
something’s wrong, hides under the
bed until Ira
comes home, carrying
a bouquet of beautifully
wrapped tulips. I press
the mute button. “This
is your prize,” he says. “... | [
"S3",
"S10"
] | [
"S3-7",
"S10-6"
] | [
"Social Commentaries",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets",
"Social Commentaries/Popular Culture"
] |
30533a49de2e610a | William My Man | Mary Hickman | I
A cave with arms at the mouth.
Our hero is blind: everything he hears he sees.
Hear! Gold light sifts to his ear.
A roar. The seas
beaten—his duodenum, colon,
blind intestine and appendix, destined
for heat, they blush.
II
William's cabbage heart shook.
He dragged himself from the dirt.
If he could rest hi... | [
"S3",
"S10"
] | [
"S3-1",
"S10-2"
] | [
"Social Commentaries",
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics",
"Social Commentaries/Cities & Urban Life"
] |
629e828dd863951f | With a Book | Ambrose Bierce | Words shouting, singing, smiling, frowning— Sense lacking. Ah, nothing, more obscure than Browning, Save blacking. | [
"S10"
] | [
"S10-6",
"S10-8"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets",
"Arts & Sciences/Reading & Books"
] |
92ea45d56ba88de8 | Girl in a Library | Gail Mazur | “ . . . But my mind, gone out in tenderness,
Shrinks from its object . . .”
—Randall Jarrell
I want to find my way back to her,
to help her, to grab her hand, pull her
up from the wooden floor of the stacks
where she’s reading accounts of the hatchet
murders of Lizzie Borden’s harsh parents
as if she could lear... | [
"S6",
"S8",
"S10"
] | [
"S6-3",
"S10-8"
] | [
"Living",
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Reading & Books",
"Living/Coming of Age"
] |
02a36a3d6443c19e | Safe in their Alabaster Chambers (124) | Emily Dickinson | Safe in their Alabaster Chambers -
Untouched by Morning -
and untouched by noon -
Sleep the meek members of the Resurrection,
Rafter of Satin and Roof of Stone -
Grand go the Years,
In the Crescent above them -
Worlds scoop their Arcs -
and Firmaments - row -
Diadems - drop -
And Doges surrender -
Soundless ... | [
"S6",
"S7"
] | [
"S6-4"
] | [
"Living",
"Time & Brevity"
] | [
"Living/Death & Dying"
] |
732d3117bf24c829 | At a Certain Age | Deborah Cummins | He sits beside his wife who takes the wheel. Clutching coupons, he wanders the aisles of Stop & Save. There’s no place he must be, no clock to punch. Sure, there are bass in the lake, a balsa model in the garage, the par-three back nine. But it’s not the same. Time the enemy then, the enemy now. As he ... | [
"S3",
"S8"
] | [
"S3-4",
"S8-5"
] | [
"Social Commentaries",
"Relationships"
] | [
"Social Commentaries/Gender & Sexuality",
"Relationships/Home Life"
] |
16d0d3ea57688362 | Marcus Aurelius | Bianca Stone | Sometimes I wake up in the night
with a terrible headache, my mouth
blackened; a ghost looking for valuables
in the debris, I turn on a battery-powered
light, clipped to a book, I write things down
in the spirit of Marcus Aurelius
who said the finest bottle of wine
is just grape juice, passing through the liver,... | [
"S6",
"S10"
] | [
"S10-5"
] | [
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy"
] |
68f242eb0a71d89e | Cuckoldom | BJ Ward | Such conundrums
of English. I blame
my ex-wife. She
rearranged my
dictionary, or re-
taught an old story:
in this book,
if you look
for alimony,
it follows
acrimony (nothing
between). However,
contrition still
borders contrivance
(if it can be seen).
Untruth in her
troth sallowed
the language, sullied
a certain conjuga... | [
"S1",
"S3",
"S6",
"S8"
] | [
"S1-6",
"S3-4",
"S6-1",
"S8-1",
"S8-7"
] | [
"Love",
"Social Commentaries",
"Living",
"Relationships"
] | [
"Love/Realistic & Complicated",
"Social Commentaries/Gender & Sexuality",
"Living/Aging",
"Relationships/Breakups & Separation",
"Relationships/Marriage & Companionship"
] |
99b081cda12a8ed2 | Together | Maxine Kumin | The water closing
over us and the
going down is all.
Gills are given.
We convert in a
town of broken hulls
and green doubloons.
O you dead pirates
hear us! There is
no salvage. All
you know is the color
of warm caramel. All
is salt. See how
our eyes have migrated
to the uphill side?
Now we are new round
... | [
"S2",
"S6",
"S8"
] | [
"S2-5",
"S2-6",
"S6-1",
"S8-7"
] | [
"Nature",
"Living",
"Relationships"
] | [
"Nature/Animals",
"Nature/Bodies of Water",
"Living/Aging",
"Relationships/Marriage & Companionship"
] |
05a227f6ef299eef | A woman is never still | Afshan Shafi | At one time,
if my nails had been painted
this shade of rose-foam in Kabul
they would have rammed
out the frosted shell
like the tarp off
a bud’s wet belly,
they would have gouged out
each shining beast,
viscera still shiny,
each glittering pore
still insane
with breath
The pain is meant
to shame me back ... | [
"S3",
"S5",
"S6"
] | [
"S3-4",
"S5-5"
] | [
"Social Commentaries",
"Religion",
"Living"
] | [
"Social Commentaries/Gender & Sexuality",
"Religion/Islam"
] |
99a506d3797fcc08 | Sonnet 106: When in the chronicle of wasted time | William Shakespeare | When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme In praise of ladies dead and lovely knights, Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you ... | [
"S6",
"S7"
] | [] | [
"Living",
"Time & Brevity"
] | [] |
5a6c372076e65d3a | Marriage | Mary Elizabeth Coleridge | No more alone sleeping, no more alone waking,
Thy dreams divided, thy prayers in twain;
Thy merry sisters tonight forsaking,
Never shall we see, maiden, again.
Never shall we see thee, thine eyes glancing.
Flashing with laughter and wild in glee,
Under the mistletoe kissing and dancing,
Wantonly free.
There sha... | [
"S1"
] | [
"S1-6"
] | [
"Love"
] | [
"Love/Realistic & Complicated"
] |
57bcff865d746752 | Describe Turner to MLK | Tod Marshall | I
The weight of my son
at the emergency room
for an eye injury, sack of flour, sack of salt,
dusty bag of bones
collapsed
... | [
"S3",
"S4",
"S6",
"S10"
] | [
"S6-7",
"S10-4"
] | [
"Social Commentaries",
"History & Politics",
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Painting & Sculpture",
"Living/Parenthood"
] |
8742e6c6a41e7ce0 | ABC | Kathryn Maris | Identification is a highly important factor in the mechanism of hysterical symptoms; by this means patients are enabled in their symptoms to represent not merely their own experiences, but the experiences of a great number of other persons, and can suffer, as it were, for a whole mass of people, and fill all the parts ... | [
"S1",
"S3",
"S6",
"S8",
"S10"
] | [
"S1-6",
"S3-4",
"S6-6",
"S8-1",
"S10-9"
] | [
"Love",
"Social Commentaries",
"Living",
"Relationships",
"Arts & Sciences"
] | [
"Love/Realistic & Complicated",
"Arts & Sciences/Sciences",
"Social Commentaries/Gender & Sexuality",
"Living/Health & Illness",
"Relationships/Breakups & Separation"
] |
b53975567b7b270f | In Memoriam A. H. H. OBIIT MDCCCXXXIII: 44 | Alfred, Lord Tennyson | How fares it with the happy dead? For here the man is more and more; But he forgets the days before God shut the doorways of his head. The days have vanish'd, tone and tint, And yet perhaps the hoarding sense Gives out at times (he knows not whence) A little flash, a mystic hint; And... | [
"S5",
"S6"
] | [
"S5-3",
"S6-4"
] | [
"Religion",
"Living"
] | [
"Religion/Faith & Doubt",
"Living/Death & Dying"
] |
5a7670390b69a008 | The Corner | Rae Armantrout | Like a child, mind
wants to play, but
even the butterflies
are on the clock.
Still, attention is happy
to comport
with the swallowtail
as it jerkily
rounds the corner.
Like a child, mind
follows, imitates.
First and last
it loves sequence.
I’ve counted up
to one this season. | [
"S6"
] | [
"S6-8"
] | [
"Living"
] | [
"Living/Youth"
] |
49fd450d8bd607d5 | The Wind Chimes | Shirley Buettner | Two wind chimes, one brass and prone to anger, one with the throat of an angel, swing from my porch eave, sing with the storm. Last year I lived five months under that shrill choir, boxing your house, crowding books into crates, from some pages your own voice crying. Some days the chimes raged. Some days they hung stil... | [
"S6"
] | [
"S6-5"
] | [
"Living"
] | [
"Living/Mourning"
] |
602903b42f5cd1dd | My Erotic Double | John Ashbery | He says he doesn’t feel like working today.
It’s just as well. Here in the shade
Behind the house, protected from street noises,
One can go over all kinds of old feeling,
Throw some away, keep others.
The wordplay
Between us gets very intense when there are
Fewer feel... | [
"S1",
"S8",
"S10"
] | [
"S10-2"
] | [
"Love",
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics"
] |
f666db2bcacd97db | The Work | Tom Sleigh | for my father
1. Today
Today, this moment, speechlessly in pain,
He fights the terror of being poured out,
The fall into darkness unquenchably long
So that even as he hurtles he keeps holding
Back like a dam the flood overtops—but nothing now
Can stop that surge, already he swirls
To the source of Voices, the m... | [
"S6",
"S8"
] | [
"S6-4",
"S8-3"
] | [
"Living",
"Relationships"
] | [
"Living/Death & Dying",
"Relationships/Family & Ancestors"
] |
e4579fbd05210d4f | Ode I. 11 | Horace | Leucon, no one’s allowed to know his fate, Not you, not me: don’t ask, don’t hunt for answers In tea leaves or palms. Be patient with whatever comes. This could be our last winter, it could be many More, pounding the Tuscan Sea on these rocks: Do what you must, be wise, cut your vines And forget about hope. Time goes r... | [
"S5",
"S6",
"S7"
] | [
"S5-8",
"S6-4"
] | [
"Religion",
"Living",
"Time & Brevity"
] | [
"Religion/The Spiritual",
"Living/Death & Dying"
] |
c9aca00788e52775 | Elegy | Lyn Hejinian | I am writing now in preconceptions
Those of sex and ropes
Many frantic cruelties occur to the flesh of the
imagination
And the imagination does have flesh to destroy
And the flesh has imagination to sever
The mouth is just a body filled with imagination
Can you imagine its contents
The dripping into... | [
"S2",
"S3",
"S6",
"S10"
] | [] | [
"Nature",
"Social Commentaries",
"Living",
"Arts & Sciences"
] | [] |
52e81f1fbee58aa0 | The Self-Unseeing | Thomas Hardy | Here is the ancient floor,
Footworn and hollowed and thin,
Here was the former door
Where the dead feet walked in.
She sat here in her chair,
Smiling into the fire;
He who played stood there,
Bowing it higher and higher.
Childlike, I danced in a dream;
Blessings emblazoned that day;
Everything glowed with a gleam;
Yet ... | [
"S6",
"S7",
"S8"
] | [
"S8-5"
] | [
"Living",
"Time & Brevity",
"Relationships"
] | [
"Relationships/Home Life"
] |
096680895ba4a340 | For the Man with the Erection Lasting More than Four Hours | John Hodgen | He’s supposed to call his doctor, but for now he’s the May King with his own maypole. He’s hallelujah. He’s glory hole. The world has more women than he can shake a stick at. The world is his brickbat, no conscience to prick at, all of us Germans he can | [
"S3",
"S10"
] | [
"S3-7"
] | [
"Social Commentaries",
"Arts & Sciences"
] | [
"Social Commentaries/Popular Culture"
] |
e441662f3f75c87d | “The Figure of a Man Being Swallowed by a Fish” | Joshua Weiner | is not a man being swallowed by a fish
with eyes like eight-point throwing stars
it’s a man being swallowed by a war
a man being taken into the mouth of a woman
or being swallowed by his work
it’s a man traveling far inside a book
a man being swallowed up in smoke
he swallows the smoke, that blends around him li... | [
"S3",
"S6"
] | [
"S3-4"
] | [
"Social Commentaries",
"Living"
] | [
"Social Commentaries/Gender & Sexuality"
] |
2e57431c597e263e | The Solitary Land | Adonis | I inhabit these fugitive words,
I live, my face my face’s lone companion,
And my face is my path,
In your name, my land
That stands tall, enchanted and solitary;
In your name, death, my friend.
Translated from the Arabic | [
"S6",
"S10"
] | [
"S6-4",
"S10-2"
] | [
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics",
"Living/Death & Dying"
] |
7833c83bd82646bd | The Heart Shows No Signs | Ru Freeman | The heart, the surgeon says, does not reveal
the small rifts, the hairline cracks which
split the hairline cracks they conceal cops
and robbers in a stretch of skin flaunting
star-scars with show of blood bone
the ledges of what it holds tight in checkmate
moves: bend this and break
fight first and bleed to earn... | [
"S6",
"S10"
] | [
"S6-5",
"S10-10"
] | [
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Theater & Dance",
"Living/Mourning"
] |
4e7c0ebd33cf2a33 | The Door: | Jean Valentine | When I first heard you on the phone
your voice had to be that '40s wartime voice
for it to get under my skin like it did,
after seven years asleep.
You’re at the beginning of something, you said,and I’m at the end of something;
but you didn’t go away,
twice-born, three times, coming around,
rough cello.
... | [
"S1"
] | [
"S1-3"
] | [
"Love"
] | [
"Love/Heartache & Loss"
] |
e1be3f62ae152abb | from Stone: 103 The Twilight of Freedom | Osip Mandelstam | Let us praise the twilight of freedom, brothers,
the great year of twilight!
A thick forest of nets has been let down
into the seething waters of night.
O sun, judge, people, desolate
are the years into which you are rising!
Let us praise the momentous burden
that the people’s leader assumes, in tears.
Let us p... | [
"S4"
] | [] | [
"History & Politics"
] | [] |
0f6488dbc61c2e06 | Jackson Hotel | Lynda Hull | Sometimes after hours of wine I can almost see
the night gliding in low off the harbor
down the long avenues of shop windows
past mannequins, perfect in their gestures.
I leave some water steaming on the gas ring
and sometimes I can slip from my body,
almost find the single word to prevent eveni... | [
"S3"
] | [
"S3-1"
] | [
"Social Commentaries"
] | [
"Social Commentaries/Cities & Urban Life"
] |
76737ab5abc68b59 | The Man Splitting Wood in the Daybreak | Galway Kinnell | The man splitting wood in the daybreak
looks strong, as though, if one weakened,
one could turn to him and he would help.
Gus Newland was strong. When he split wood
he struck hard, flashing the bright steel
through the air so hard the hard maple
leapt apart, as it’s feared marriages will do
in countries reluctan... | [
"S2",
"S6",
"S7",
"S8",
"S10"
] | [
"S2-8",
"S6-7",
"S8-1",
"S8-3",
"S8-7",
"S10-5"
] | [
"Nature",
"Living",
"Time & Brevity",
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Nature/Plants & Fungi",
"Living/Parenthood",
"Relationships/Breakups & Separation",
"Relationships/Family & Ancestors",
"Relationships/Marriage & Companionship"
] |
1e650d01cf9c39cc | from The Black Maria | Aracelis Girmay | after Neil deGrasse Tyson, black astrophysicist & director of the Hayden
Planetarium, born in 1958, New York City. In his youth, deGrasse Tyson was
confronted by police on more than one occasion when he was on his way to
study stars.
“I’ve known that I’ve wanted to do astrophysics sinc... | [
"S2",
"S3"
] | [
"S2-9",
"S3-8"
] | [
"Nature",
"Social Commentaries"
] | [
"Nature/Stars, Moons, & Space",
"Social Commentaries/Race & Ethnicity"
] |
4839bf7ec2590bf7 | Consider the Hands that Write this Letter | Aracelis Girmay | after Marina Wilson
Consider the hands
that write this letter.
Left palm pressed flat against paper,
as we have done before, over my heart,
in peace or reverence to the sea,
some beautiful thing
I saw once, felt once: snow falling
like rice flung from the giants' wedding,
or strangest of strange birds. & consi... | [
"S6",
"S8"
] | [
"S8-3",
"S8-4"
] | [
"Living",
"Relationships"
] | [
"Relationships/Family & Ancestors",
"Relationships/Friendship"
] |
e5456c10d7af52e0 | The Eagle | Alfred, Lord Tennyson | He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls. | [
"S2"
] | [
"S2-5"
] | [
"Nature"
] | [
"Nature/Animals"
] |
d5eba159054532e9 | Jim Harrison, 1937–2016 | Gerard Malanga | I would imagine underneath those warming bear hugs
was a kinda kind of soul
as your many poems attest. Those summer breezes.
Those many hazy sunsets nature’s voices echoing afar.
A life continually fulfilled bordering on the empty
and those inexplicable tragedies,
those bad timings unreconciled, then reconciled w... | [
"S2",
"S6",
"S10"
] | [
"S2-5",
"S2-7",
"S2-8",
"S10-6"
] | [
"Nature",
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets",
"Nature/Animals",
"Nature/Landscapes & Pastorals",
"Nature/Plants & Fungi"
] |
f4315f6fee524cce | Scrambled | Bruce Lansky | I climbed up the door and
I opened the stairs.
I said my pajamas
and buttoned my prayers.
I turned off the covers
and pulled up the light.
I’m all scrambled up since
she kissed me last night. | [
"S8",
"S10"
] | [] | [
"Relationships",
"Arts & Sciences"
] | [] |
badedfcb18dbf1f6 | Napoli | Julian Stannard | The boat was beating across the bay,we had our backs to Vesuvius,the wind smacked our faces.Naples was an enormous packet of cigarettesyou could smoke till you conked out:the cigarettes were never going to run outand nor was the coffee, the drugs,the prostitutes, the locked churches,the scooters, the rice cakes, the ev... | [
"S3",
"S6",
"S7",
"S9"
] | [
"S3-1",
"S9-7"
] | [
"Social Commentaries",
"Living",
"Time & Brevity",
"Activities"
] | [
"Social Commentaries/Cities & Urban Life",
"Activities/Travels & Journeys"
] |
c93d6f855550fdf0 | Some Months After My Father’s Death | Sheryl St. Germain | I am watching the movie Twelve Angry Men
because there is a character in it
who reminds me of him.
He is the one who wants to go to the baseball game
instead of decide on a man’s life,
he is the weak one, the one afraid to reveal
what he really feels, the one for whom everything
is a joke. He is not Henry Fonda,... | [
"S3",
"S6",
"S8",
"S9",
"S10"
] | [
"S3-6",
"S3-7",
"S6-4",
"S6-5",
"S8-3",
"S9-3",
"S10-7"
] | [
"Social Commentaries",
"Living",
"Relationships",
"Activities",
"Arts & Sciences"
] | [
"Arts & Sciences/Photography & Film",
"Social Commentaries/Incarceration & Justice",
"Social Commentaries/Popular Culture",
"Living/Death & Dying",
"Living/Mourning",
"Relationships/Family & Ancestors",
"Activities/Indoor Activities"
] |
aeee02ed944ad61a | Less Than, More Than | David Rivard | Where am I going today
if I'm going anywhere at all
without my soul,
that bird with its unreadable, unheard name
having wandered off again,
convinced that it is more than just a word—
do we travel far from each other today?—
me in my pre-owned Mazda
with my radio full of wasps' nest news,
my Peshawar & my Rupe... | [
"S9"
] | [
"S9-7"
] | [
"Activities"
] | [
"Activities/Travels & Journeys"
] |
677fe3fdcc7b12a7 | Forbidden City | Gail Mazur | Asleep until noon, I'm dreaming
we've been granted another year.
You're here with me, healthy.
Then, half-awake, the half-truth—
this is our last day. Life's leaking
away again, and this time, we know it.
Dear body, I told you, pleading,Don't Leave! but I understand you
can't say anything. Who are we?
Are we fi... | [
"S6",
"S7"
] | [
"S6-5"
] | [
"Living",
"Time & Brevity"
] | [
"Living/Mourning"
] |
0a604109eb246597 | Sonnet 94: They that have power to hurt and will do none | William Shakespeare | They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmoved, cold, and to temptation slow:
They rightly do inherit heaven's graces
And husband nature's riches from expense;
They are the lords and owners of their faces,
Others but... | [
"S3",
"S11"
] | [
"S11-4"
] | [
"Social Commentaries",
"Mythology & Folklore"
] | [
"Mythology & Folklore/Heroes & Patriotism"
] |
4d47f8f81f10256f | At the Threshold of the Book | Edmond Jabès | Mark the first page of the book with a red marker. For,
in the beginning, the wound is invisible.
- Reb Alcé
"What is going on behind this door?"
"A book is shedding its leaves."
"What is the story of the book?"
"Becoming aware of a scream."
"I saw rabbis go in."
"They are privileged readers... | [
"S5",
"S10"
] | [
"S5-6",
"S10-5",
"S10-8"
] | [
"Religion",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Arts & Sciences/Reading & Books",
"Religion/Judaism"
] |
4832cd7c0f95c132 | The West Country | Alice Cary | Have you been in our wild west country? then
You have often had to pass
Its cabins lying like birds’ nests in
The wild green prairie grass.
Have you seen the women forget their wheels
As they sat at the door to spin—
Have you seen the darning fall away
From their fingers worn and thin,
As they asked you news of... | [
"S3",
"S9"
] | [
"S9-4"
] | [
"Social Commentaries",
"Activities"
] | [
"Activities/Jobs & Working"
] |
5dc013ed06ba03ba | The Abuelita Poem | Paul Martínez Pompa | I. SKIN & CORN
Her brown skin glistens as the sun
pours through the kitchen window
like gold leche. After grinding
the nixtamal, a word so beautifully ethnic
it must not only be italicized but underlined
to let you, the reader, know you’ve encountered
something beautifully ethnic, she kneads
with the hands of c... | [
"S3",
"S8",
"S9",
"S10"
] | [
"S3-7",
"S3-8",
"S8-3",
"S9-1"
] | [
"Social Commentaries",
"Relationships",
"Activities",
"Arts & Sciences"
] | [
"Social Commentaries/Popular Culture",
"Social Commentaries/Race & Ethnicity",
"Relationships/Family & Ancestors",
"Activities/Eating & Drinking"
] |
b595af9f4f8406e5 | The Sleep of the Tuba-Player | Ana Božičević | The tuba wakes before the man. It’s a content animal:
having no word, for the moment, suits it fine.
It looks at him with a dun and smooth
interiority, as a glass of rum might,
or a worn number on an apartment building:
his hands, crossed on the chest, rise and fall with breathing.
In the dream, he’s ringing the ... | [
"S1",
"S3",
"S6",
"S8"
] | [
"S3-11",
"S6-1"
] | [
"Love",
"Social Commentaries",
"Living",
"Relationships"
] | [
"Social Commentaries/War & Conflict",
"Living/Aging"
] |
ba89bdc6a79ac9bc | As the Team's Head Brass | Edward Thomas | As the team’s head-brass flashed out on the turn The lovers disappeared into the wood. I sat among the boughs of the fallen elm That strewed an angle of the fallow, and Watched the plough narrowing a yellow square Of charlock. Every time the horses turned Instead of treading me down, the ploughman leaned Upon the handl... | [
"S2",
"S3",
"S6"
] | [
"S2-5",
"S3-9",
"S3-11",
"S6-4"
] | [
"Nature",
"Social Commentaries",
"Living"
] | [
"Nature/Animals",
"Social Commentaries/War & Conflict",
"Social Commentaries/Rural & Country Life",
"Living/Death & Dying"
] |
7176584dca5b2182 | Atlantic Oil | Cesare Pavese | The drunk mechanic is happy to be in the ditch.
From the tavern, five minutes through the dark field
and you’re home. But first, there’s the cool grass
to enjoy, and the mechanic will sleep here till dawn.
A few feet away, the red and black sign that rises
from the field: if you’re too close, you can’t read it,
i... | [
"S9"
] | [
"S9-4"
] | [
"Activities"
] | [
"Activities/Jobs & Working"
] |
9083844c67fdf2ec | Last Photograph of My Parents | Ruben Quesada | San José, Costa Rica
Tortillas clap against floured palms,
steaming bowls of avena, frijoles
black as the rumbling sky,arroz con pollo simmers. Against the kitchen
window, small clouds rise. Papá dances
to the electric beat of the marimba,
his cheek bristly against Mamá’s
neck; his thick fingers sift
through he... | [
"S6",
"S8"
] | [
"S6-4",
"S8-3"
] | [
"Living",
"Relationships"
] | [
"Living/Death & Dying",
"Relationships/Family & Ancestors"
] |
10cebf55463e213f | They Call the Mountain Carlos | Ray Gonzalez | They call the mountain Carlos because
it is brown, though its purple slopes
at dusk suggest other names.
Those who name it have to brand
the earth with something they know—
a name, a face, even the heat that says
"I know Carlos and he is the mountain.
I am going to cover his eyes in light."
They call its peak C... | [
"S2",
"S3",
"S4",
"S9"
] | [
"S2-7",
"S3-8",
"S9-7"
] | [
"Nature",
"Social Commentaries",
"History & Politics",
"Activities"
] | [
"Nature/Landscapes & Pastorals",
"Social Commentaries/Race & Ethnicity",
"Activities/Travels & Journeys"
] |
834284105fc419f0 | Creation Myth | Lisa Wells | Born again on a Monday
under a broken zodiac.
My father the woodman, a surgeon among snags,
could read the living trail of blades rebounding
in the field, the mopped-matte passage through the dew.
He woke a brush pile with fire
throwing shadows on the child, I was
thrown over.
Father, it was a pleasure to meet ... | [
"S2",
"S3",
"S4",
"S8"
] | [
"S2-7",
"S4-1",
"S8-3"
] | [
"Nature",
"Social Commentaries",
"History & Politics",
"Relationships"
] | [
"Nature/Landscapes & Pastorals",
"History & Politics/Money & Economics",
"Relationships/Family & Ancestors"
] |
984bb0a24259e811 | Sonnet 66: Tir'd with all these, for restful death I cry | William Shakespeare | Tir'd with all these, for restful death I cry,
As, to behold desert a beggar born,
And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplac'd,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgrac'd,
And strength by limping sway disabl... | [
"S1",
"S6",
"S8"
] | [
"S1-6",
"S6-4"
] | [
"Love",
"Living",
"Relationships"
] | [
"Love/Realistic & Complicated",
"Living/Death & Dying"
] |
34f77a52735da3b1 | Pericles | Donald Revell | What are my friends? Mouths, not eyes forBitterest underflesh of the farewell.I was a man and suffered like a girl.I spoke underneath to where the lights arePretty, pretty, pretty whence they came to tellOne God gets another. My friends areMouths for God, tearing me. In such a worldBroken only daughter opens to splendo... | [
"S3",
"S4",
"S5",
"S6",
"S8",
"S9",
"S10"
] | [
"S3-11",
"S5-4",
"S6-7",
"S8-4",
"S9-7",
"S10-6"
] | [
"Social Commentaries",
"History & Politics",
"Religion",
"Living",
"Relationships",
"Activities",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets",
"Social Commentaries/War & Conflict",
"Religion/God & the Divine",
"Living/Parenthood",
"Relationships/Friendship",
"Activities/Travels & Journeys"
] |
4bae9c605b466dc2 | The Everlasting Voices | William Butler Yeats | O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be stil... | [
"S2",
"S6",
"S7"
] | [
"S2-7"
] | [
"Nature",
"Living",
"Time & Brevity"
] | [
"Nature/Landscapes & Pastorals"
] |
ec4b0dba27d93c05 | I Wave Good-bye When Butter Flies | Jack Prelutsky | I wave good-bye when butter flies
and cheer a boxing match,
I've often watched my pillow fight,
I've sewn a cabbage patch,
I like to dance at basket balls
or lead a rubber band,
I've marvelled at a spelling bee,
I've helped a peanut stand.
It's possible a pencil points,
but does a lemon drop?
Does coffee brea... | [
"S9"
] | [
"S9-1"
] | [
"Activities"
] | [
"Activities/Eating & Drinking"
] |
8d8f6b0b9abf1598 | From Space to Time | Carolyn M. Rodgers | on a day when
we were dark
and not so full of
light
we met
what did we find?
nothing.
everything, when we closed
our eyes
which anyway
had never been open.
once, we thought we
loved each other
who can reverse
time?
we tried.
we stepped out
of space
into some new
step of distance
and f... | [
"S6",
"S8"
] | [] | [
"Living",
"Relationships"
] | [] |
5853e28e79c1cb7c | Ghetto Funeral | Charles Reznikoff | Followed by his lodge, shabby men stumbling over the
cobblestones,
and his children, faces red and ugly with tears, eyes and
eyelids red,
in the black coffin in the black hearse the old man.
No longer secretly grieving
that his children are not strong enough to go the way he
wanted to go
and was not... | [
"S6"
] | [
"S6-4"
] | [
"Living"
] | [
"Living/Death & Dying"
] |
123f175409de5895 | The Desert of Atacama V | Raúl Zurita | Speak of the whistle of Atacama
the wind erases like snow
the color of that plain
i. The Desert of Atacama soared over infinities of
deserts to be there
ii. Like the wind feel it pass whistling through the
leaves of the trees
iii. Look at it become transparent faraway and ju... | [
"S2"
] | [
"S2-7"
] | [
"Nature"
] | [
"Nature/Landscapes & Pastorals"
] |
6ff2be78e3a781fd | Drury-lane Prologue Spoken by Mr. Garrick at the Opening of the Theatre in Drury-Lane, 1747 | Samuel Johnson | When Learning’s triumph o’er her barb’rous foes First rear’d the stage, immortal Shakespear rose; Each change of many-colour’d life he drew, Exhausted worlds, and then imagin’d new: Existence saw him spurn her bounded reign, And panting Time toil’d after him in vain: His pow’rful strokes presiding Truth impress’d, And ... | [
"S10"
] | [
"S10-10"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Theater & Dance"
] |
986b95b087ae3dfb | A Prayer for My Daughter | William Butler Yeats | Once more the storm is howling, and half hid Under this cradle-hood and coverlid My child sleeps on. There is no obstacle But Gregory's Wood and one bare hill Whereby the haystack and roof-levelling wind, Bred on the Atlantic, can be stayed; And for an hour I have walked and prayed Because of the great gl... | [
"S3",
"S6",
"S8"
] | [
"S3-4",
"S6-2",
"S6-7"
] | [
"Social Commentaries",
"Living",
"Relationships"
] | [
"Social Commentaries/Gender & Sexuality",
"Living/Birth & Infancy",
"Living/Parenthood"
] |
039d8943a7c257a6 | Ars Poetica? | Czeslaw Milosz | I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.
In the very essence of poetry there is something indecent:
a thing is brought forth which we didn’t know we had in us,... | [
"S10",
"S11"
] | [
"S10-6"
] | [
"Arts & Sciences",
"Mythology & Folklore"
] | [
"Arts & Sciences/Poetry & Poets"
] |
e6e5306d1c37ac61 | The Lord's Prayer | Anthony Carelli | You can't fake it. You know when I fail
to achieve the expected: palm the becoming-
comatose bullfrog, legs collapsing as they may,
and chuck it (we used to say) high as you can.
Let it fly stone-like to the skylight in the low
dome of fog—another requirement of the gam... | [
"S2",
"S5",
"S6"
] | [
"S2-5",
"S5-2",
"S5-8",
"S6-8"
] | [
"Nature",
"Religion",
"Living"
] | [
"Nature/Animals",
"Religion/Christianity",
"Religion/The Spiritual",
"Living/Youth"
] |
9c428a753aad9d9c | Chino | Brandon Som | The olla knocked with steam. The masa cooked.
She said her eyes are china. The vowel switched
on an aura, a shine that sheens the threshold.
The vowel was spell: an i that might we,
an i that echoes how we’re seen and see. ... | [
"S3",
"S8",
"S10"
] | [
"S3-8",
"S8-3",
"S10-2"
] | [
"Social Commentaries",
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics",
"Social Commentaries/Race & Ethnicity",
"Relationships/Family & Ancestors"
] |
5ab0716028993864 | Tombo | W. S. Di Piero | In Safeway yesterday, a young man sat on the floor, pulled off his shoes, granted audience to us, his fellow seekers, and picked his naked feet. He smiled, our brother, at the story he told of deliverance at the hand of Master Tombo, lord and creator, whose round energylives in us... | [
"S5",
"S6",
"S7",
"S10"
] | [
"S5-8",
"S10-5"
] | [
"Religion",
"Living",
"Time & Brevity",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Religion/The Spiritual"
] |
8dd65871d19ab693 | Uppity | Eileen Myles | Roads around mountainscause we can’t drivethroughThat’s Poetryto Me. | [
"S2",
"S10"
] | [
"S2-7",
"S10-6"
] | [
"Nature",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets",
"Nature/Landscapes & Pastorals"
] |
5b15725297879a35 | Salt | Huang Fan | Grain by grain, salt’s frozen tears
Help me count history’s disasters
I can’t blame salt for telling foodYou’re full of wounds
Salt misses the freedom of the ocean
Remembering waves, salt jumps into a soup
But it finds there only my reflected face
It hides by making itself too soft to chew
Sometimes, salt follow... | [
"S3",
"S4",
"S6",
"S9"
] | [
"S3-6",
"S9-1"
] | [
"Social Commentaries",
"History & Politics",
"Living",
"Activities"
] | [
"Social Commentaries/Incarceration & Justice",
"Activities/Eating & Drinking"
] |
c941d47252387e5e | Sisyphus and the Ants | Jennifer S. Flescher | The story tells us Sisyphus is being punished.
Over and over he has to push that boulder
up and up. The mountain and God glaring.
And you, you have
your avalanche of moods.
Pills the size of stars to nearly quell
cascade and tumult.
And still you step
gravity amplified by incline, each hazard
in the way of the... | [
"S6",
"S7",
"S11"
] | [
"S11-3"
] | [
"Living",
"Time & Brevity",
"Mythology & Folklore"
] | [
"Mythology & Folklore/Greek & Roman Mythology"
] |
0a80d90ced5bcf8b | Seventh Song | Sir Philip Sidney | Whose sense in so evil consort, their stepdame Nature lays,
That ravishing delight in them most sweet tunes do not raise;
Or if they do delight therein, yet are so cloyed with wit,
As with sententious lips to set a title vain on it:
O let them hear these sacred tunes, and learn in wonder’s schools,
To be (in things pas... | [
"S1",
"S8"
] | [
"S1-4",
"S1-7"
] | [
"Love",
"Relationships"
] | [
"Love/Infatuation & Crushes",
"Love/Romantic Love"
] |
3f4e7aa4a9e6d71d | I’m Reading Your Mind | Jorie Graham | here. Have been for centuries. No, longer. Everything already has
been. It’s not a reasonable place, this continuum between us, and yet
here again I put the olive trees in, turn the whole hill-sweeping grove down, its
mile-long headfuls of leaves upswept so the whole valley shivers its windy silvers,
watery ... A s... | [
"S2",
"S5",
"S6",
"S7"
] | [
"S2-5",
"S5-3",
"S5-4",
"S5-8"
] | [
"Nature",
"Religion",
"Living",
"Time & Brevity"
] | [
"Nature/Animals",
"Religion/Faith & Doubt",
"Religion/God & the Divine",
"Religion/The Spiritual"
] |
ccfbe960045193c5 | Sonnet with a Different Letter at the End of Every Line | George Starbuck | for Helen Vendler
O for a muse of fire, a sack of dough,
Or both! O promissory notes of woe!
One time in Santa Fe N.M.
Ol’ Winfield Townley Scott and I ... But whoa.
One can exert oneself, ff,
Or architect a heaven like Rimbaud,
Or if that seems, how shall I say, de trop,
One can at least write sonnets, a propo... | [
"S10"
] | [
"S10-6"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets"
] |
b5110f1d98fc85fc | Eternity | Tom Clark | The god of war assured King Arsounas, “Do not be fooled by words. No life is taken. Know that no one was ever born, nor does anyone die.” In the violent mini-eternity of the warrior, combat is conducted according to a ritual formal as song: no one is ever born, no one can ever die. The left-handed rockabilly guitarist ... | [
"S3",
"S6",
"S7"
] | [
"S3-11"
] | [
"Social Commentaries",
"Living",
"Time & Brevity"
] | [
"Social Commentaries/War & Conflict"
] |
1c6aebe0457138c7 | Koheleth | Louis Untermeyer | I waited and worked
To win myself leisure,
Till loneliness irked
And I turned to raw pleasure.
I drank and I gamed,
I feasted and wasted,
Till, sick and ashamed,
The food stood untasted.
I searched in the Book
For rooted convictions,
Till the badgered brain shook
With its own contradictions.
Then, done with... | [
"S5"
] | [] | [
"Religion"
] | [] |
be793e11fe58e300 | During Wind and Rain | Thomas Hardy | They sing their dearest songs— He, she, all of them—yea, Treble and tenor and bass, And one to play; With the candles mooning each face. . . . Ah, no; the years O! How the sick leaves reel down in throngs! They clear the creeping moss— Elders and juniors—aye, ... | [
"S2",
"S8"
] | [
"S2-10"
] | [
"Nature",
"Relationships"
] | [
"Nature/Weather"
] |
1bc95ced39e72c57 | Sonnet 147: My love is as a fever, longing still | William Shakespeare | My love is as a fever, longing stillFor that which longer nurseth the disease,Feeding on that which doth preserve the ill,Th’ uncertain sickly appetite to please.My reason, the physician to my love,Angry that his prescriptions are not kept, Hath left me, and I desperate now approveDesire is death, which physic did exce... | [
"S1",
"S6"
] | [
"S1-1",
"S1-9",
"S6-6"
] | [
"Love",
"Living"
] | [
"Love/Desire & Erotic Love",
"Love/Unrequited Love",
"Living/Health & Illness"
] |
bcfac020073d3ab5 | Yr Not Exotic, but Once Ya Wanted to Be | Tarfia Faizullah | Whenever folks discuss finding themselves,
ya get kinda giggly. Maybe b/c ya found
yrself considering yr Armenian love
who preferred ya in both corset and bindi,
and it was for her ya begrudgingly waxed
yr jungle-scabbard ... Ya find yrself in the fret
of reclamation via musks all motherland-misty
(coconut... | [
"S1",
"S3",
"S4",
"S10"
] | [
"S1-6",
"S3-4",
"S3-8",
"S10-6"
] | [
"Love",
"Social Commentaries",
"History & Politics",
"Arts & Sciences"
] | [
"Love/Realistic & Complicated",
"Arts & Sciences/Poetry & Poets",
"Social Commentaries/Gender & Sexuality",
"Social Commentaries/Race & Ethnicity"
] |
bb73ecce86a43621 | Sonnet 110: Alas, 'tis true I have gone here and there | William Shakespeare | Alas, 'tis true I have gone here and there And made myself a motley to the view, Gor'd mine own thoughts, sold cheap what is most dear, Made old offences of affections new. Most true it is that I have look'd on truth Askance and strangely: but, by all above, These blenches gave my heart another youth, And worse essays ... | [
"S1",
"S8",
"S10"
] | [
"S1-6",
"S10-10"
] | [
"Love",
"Relationships",
"Arts & Sciences"
] | [
"Love/Realistic & Complicated",
"Arts & Sciences/Theater & Dance"
] |
84192973c7df600e | Love in the Weather’s Bells | Jay Wright | Snow hurries
the strawberries
from the bush.
Star-wet water rides
you into summer,
into my autumn.
Your cactus hands
are at my heart again.
Lady, I court
my dream of you
in lilies and in rain.
I vest myself
in your oldest memory
and in my oldest need.
And in my passion
you are the deepest blue
of the ol... | [
"S1",
"S2",
"S8"
] | [
"S1-4",
"S1-7",
"S2-10"
] | [
"Love",
"Nature",
"Relationships"
] | [
"Love/Infatuation & Crushes",
"Love/Romantic Love",
"Nature/Weather"
] |
bc629f23617ae6f6 | Globus Hystericus | Timothy Donnelly | 1
A pity the selfsame vehicle that spirits me away from
factories of tedium should likewise serve to drag
me backwards into panic, or that panic should erect
massive factories of its own, their virulent pollutants
havocking loved waterways, frothing all the reed-
fringed margins acid pink and gathering in the she... | [
"S6",
"S7",
"S10"
] | [] | [
"Living",
"Time & Brevity",
"Arts & Sciences"
] | [] |
adc58af45ce71745 | A Twenty-fourth Poem about Horses | John Peck | Night deepening, frost leans on the stables
of thoroughbreds, west wind splitting their hooves.
—LI HO, “Twenty-three Poems about Horses”
Steed out of my dusk and a dusk, now, for the species,
veins deltawise down your silky inner thigh,
veins trickling from one eye down the roan cliffside
of a nose vaulted and c... | [
"S3",
"S4",
"S8",
"S11"
] | [
"S3-11",
"S8-8",
"S11-4"
] | [
"Social Commentaries",
"History & Politics",
"Relationships",
"Mythology & Folklore"
] | [
"Mythology & Folklore/Heroes & Patriotism",
"Social Commentaries/War & Conflict",
"Relationships/Pets & Domestic Animals"
] |
ac02dc496cc00c69 | I Have Waited for the Siren | Tina Boyer Brown | On the way home,
Klansmen handed out pamphlets on the corner.
At the convenience store, taxidermied alligator heads framed
red red lips, black black skin, white wild white wide eyes, and teeth grinning (gritting).
Mammy, Sambo, savages and jockeys shaped
cookie jars, figurines, gravy boats, piggy banks, and salt a... | [
"S3",
"S6",
"S7"
] | [
"S3-8",
"S6-5"
] | [
"Social Commentaries",
"Living",
"Time & Brevity"
] | [
"Social Commentaries/Race & Ethnicity",
"Living/Mourning"
] |
9065422229ad9731 | Cod | Cheryl Savageau | It is the fish that bring them first.
Cod in such numbers as to seem endless.
Cod to fill the nets and bellies of hungry
Europeans with the tender white flesh.
Cod, it seems to them, without end.
They fill the ships,
salting the fish
down in barrels,
til the hull is full,
and head back home. This wet
cod-fish... | [
"S2",
"S9"
] | [
"S2-5",
"S2-6",
"S9-4"
] | [
"Nature",
"Activities"
] | [
"Nature/Animals",
"Nature/Bodies of Water",
"Activities/Jobs & Working"
] |
313c4f38e16dc952 | Chrysalis | Arthur Sze | Corpses push up through thawing permafrost
as I scrape salmon skin off a pan at the sink;
on the porch, motes in slanting yellow light
undulate in air. Is Venus at dusk as luminous
as Venus at dawn? Yesterday I was about to
seal a borax capsule angled up from the bottom
of a decaying exterior jamb when I glimpsed... | [
"S2",
"S3"
] | [
"S2-5",
"S2-7"
] | [
"Nature",
"Social Commentaries"
] | [
"Nature/Animals",
"Nature/Landscapes & Pastorals"
] |
9a244a91a91d760a | Monster [It's possible I misconstrued you] | Brook Emery | It’s possible I misconstrued you,
laid too much emphasis on the uniqueness of a birth,
failed to acknowledge circumstance could corrupt, sustain;
I indulged myself in accusations against an absolute.
I don’t believe what I then believed. You are not responsible
for Leibniz or the Lisbon quake, for the twenty-six-e... | [
"S5"
] | [
"S5-4",
"S5-8"
] | [
"Religion"
] | [
"Religion/God & the Divine",
"Religion/The Spiritual"
] |
8c731d2380785650 | Careless Perfection | Daniel Halpern | According to Lin Yutang,
both Po Chuyi and Su Tungpo
"desperately admired" Tao Yuanming,
a poet of nature who wrote a single love poem,
a poem thought by Chinese dilettantes to be
the one "blemish in a white jade."
Can a poet be faulted for calling a womancarelessly perfect in beauty?
He chose to long for her by... | [
"S1",
"S8",
"S10"
] | [
"S1-6",
"S10-6"
] | [
"Love",
"Relationships",
"Arts & Sciences"
] | [
"Love/Realistic & Complicated",
"Arts & Sciences/Poetry & Poets"
] |
c258eadc02b7ae39 | Dividend of the Social Opt Out | Jennifer Moxley | How lovely it is not to go. To suddenly take ill.
Not seriously ill, just a little under the weather.
To feel slightly peaked, indisposed. Plagued by
a vague ache, or a slight inexplicable chill.
Perhaps such pleasures are denied
to those who never feel obliged. If there are such.
How pleasant to convey your regr... | [
"S6",
"S8",
"S10"
] | [
"S8-4",
"S10-8"
] | [
"Living",
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Reading & Books",
"Relationships/Friendship"
] |
b1e5b4e0d59e9595 | Wilderness | Carl Sandburg | There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go. There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of ... | [
"S2",
"S3"
] | [
"S2-5"
] | [
"Nature",
"Social Commentaries"
] | [
"Nature/Animals"
] |
14c76d6b3687bf83 | Silent Film | Kurt Brown | Doors opened and shut, the director shouted orders through a bullhorn, or babbled just out of the frame. A carpenter hammered flats nearby for the next production. All of this, and more, while the actors blocked it out, already living in that small square of light where silence ... | [
"S2",
"S3",
"S6",
"S7"
] | [
"S2-7",
"S3-7"
] | [
"Nature",
"Social Commentaries",
"Living",
"Time & Brevity"
] | [
"Nature/Landscapes & Pastorals",
"Social Commentaries/Popular Culture"
] |
3fd5cbda88ddf7d5 | The Parlement of Fowls | Geoffrey Chaucer | (excerpt)
Now welcome, somer, with thy sonne softe,
That hast this wintres wedres overshake,
And driven away the longe nyghtes blake!
Saynt Valentyn, that art ful hy on-lofte,
Thus syngen smale foules for thy sake:Now welcome, somer, with thy sonne softe,That hast this wintres wedres overshake.
Wel han they cause... | [
"S1",
"S2",
"S8"
] | [
"S1-7",
"S2-1",
"S2-4"
] | [
"Love",
"Nature",
"Relationships"
] | [
"Love/Romantic Love",
"Nature/Spring",
"Nature/Winter"
] |
b1555c805d88f7a0 | Midwinter | John Unterecker | At dusk, a great flare of winter lightning photographed the bay:
Waves were broken scrolls. Beyond Donegal, white mountains
hung in a narrow bas-relief frozen on sky.
Later, there was sleet: trees down
on the Drumholm road; near Ti... | [
"S2",
"S3",
"S8"
] | [
"S2-4",
"S2-7",
"S3-9",
"S8-4"
] | [
"Nature",
"Social Commentaries",
"Relationships"
] | [
"Nature/Winter",
"Nature/Landscapes & Pastorals",
"Social Commentaries/Rural & Country Life",
"Relationships/Friendship"
] |
7b064e3f4b6b6324 | The Emptiness of Thought | James K. Zimmerman | this morning I felt my life
if you were dead
the expansiveness of the bed
the birds still singing
the remnants of the smell
of coffee in the morning
the emptiness of thought
the deafening silence of my heart | [
"S1"
] | [
"S1-3"
] | [
"Love"
] | [
"Love/Heartache & Loss"
] |
2c44f284e2eea9a9 | A History Without Suffering | E. A. Markham | In this poem there is no suffering.
It spans hundreds of years and records
no deaths, connecting when it can,
those moments where people are healthy
and happy, content to be alive. A Chapter,
maybe a Volume, shorn of violence
consists of an adult reading aimlessly.
This line is the length of a full life
smuggle... | [
"S3",
"S4",
"S6",
"S7",
"S10"
] | [
"S3-1",
"S10-6",
"S10-8"
] | [
"Social Commentaries",
"History & Politics",
"Living",
"Time & Brevity",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets",
"Arts & Sciences/Reading & Books",
"Social Commentaries/Cities & Urban Life"
] |
a8fc8d0b056c31fc | from “The Octoroon” | Albery Allson Whitman | 18These creatures of the languid Orient,— Rare pearls of caste, in their voluptuous swoonAnd gilded ease, by Eunuchs watched and pent, And doomed to hear the lute’s perpetual tune,Were passion’s toys—to lust an ornament; But not such was our thrush-voiced Octoroon,—The Southland beauty who was wont to he... | [
"S1",
"S3",
"S4"
] | [
"S1-4",
"S3-4",
"S3-8"
] | [
"Love",
"Social Commentaries",
"History & Politics"
] | [
"Love/Infatuation & Crushes",
"Social Commentaries/Gender & Sexuality",
"Social Commentaries/Race & Ethnicity"
] |
27fd475671345443 | Lenten Song | Phillis Levin | That the dead are real to usCannot be denied, That the living are more realWhen they are deadTerrifies, that the dead can riseAs the living do is possibleIs possible to surmise, But all the stars cannot come nearAll we meet in an eye.Flee from me, fear, as sootFlies in a breeze, do not burn Or settle in my sight, I’ve ... | [
"S6",
"S10"
] | [
"S6-4",
"S10-2"
] | [
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics",
"Living/Death & Dying"
] |
932a8ae339037613 | Burning Down Suburbia | Sjohnna McCray | —an Ode to Bob Ross
When I was younger, I watched the world blend
on PBS. The painter with the Jewfro hypnotized me.
With a thumb hooked through the palette,
he painted forward from the base coat
like a god might use a blueprint.
Behind the image is always the word:
light. On top ca... | [
"S10"
] | [
"S10-4"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Painting & Sculpture"
] |
735c692818b91284 | Transparent Things, God-Sized Hole | Dana Roeser | All transparent things need thunder shirts. The little
ghost hanging from an eave, on Underwood
Street, a piece of lavender-tinted
netting stretched onto a metal frame. The Boston
terriers and Chihuahuas patiently wait out storms
with their eyes... | [
"S2",
"S5",
"S6"
] | [
"S2-9",
"S2-10",
"S5-2",
"S5-8",
"S6-8"
] | [
"Nature",
"Religion",
"Living"
] | [
"Nature/Weather",
"Nature/Stars, Moons, & Space",
"Religion/Christianity",
"Religion/The Spiritual",
"Living/Youth"
] |
b520f016723e6790 | A Franc Sonic | Laura Moriarty | for Jerry Estrin
Snow covers
The hills one by one
Our neighborhood
Characters become
San Francisco 1874
Words later language
A photograph
At home when
Light writes 1974
Or 1979
We move whereThe Lives of My Books
Pages accumulate
Not legible as themselves
Historical time 1989
Startled leaves us
Unafraid ... | [
"S2",
"S10"
] | [
"S2-4",
"S10-7",
"S10-8"
] | [
"Nature",
"Arts & Sciences"
] | [
"Arts & Sciences/Photography & Film",
"Arts & Sciences/Reading & Books",
"Nature/Winter"
] |
21dcac643a6f46ab | Blues Chant Hoodoo Revival | Yusef Komunyakaa | my story is
how deep the heart runs
to hide & laugh
with your hands
over your blank mouth
face behind the mask
talking in tongues
something tearing
feathers from a crow
that screams
from the furnace
the black candle
in a skull
sweet pain of meat
let’s pour the river’s rainbow
into our stone water... | [
"S1",
"S3",
"S8",
"S10"
] | [
"S1-1",
"S1-6",
"S3-11",
"S10-3"
] | [
"Love",
"Social Commentaries",
"Relationships",
"Arts & Sciences"
] | [
"Love/Desire & Erotic Love",
"Love/Realistic & Complicated",
"Arts & Sciences/Music",
"Social Commentaries/War & Conflict"
] |
a64f4705b7772cc0 | Confessions of a Recycled Shopping Bag | John Yau | I used to be a plastic bottle
I used to be scads of masticated wattle
I used to be epic spittle, aka septic piddle
I used to be a pleasant colleague
I used to be a radiant ingredient
I used to be a purple polyethylene pony
I used to be a phony upload project
I used to be a stony blue inhalant
I used to be a fam... | [
"S3",
"S4",
"S10"
] | [
"S3-7",
"S4-1",
"S10-2"
] | [
"Social Commentaries",
"History & Politics",
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics",
"Social Commentaries/Popular Culture",
"History & Politics/Money & Economics"
] |
09b01e8ad575a63a | The Thrift Shop Dresses | Frannie Lindsay | I slid the white louvers shut so I could stand in your closet a little while among the throng of flowered dresses you hadn’t worn in years, and touch the creases on each of their sleeves that smelled of forgivenessand even though you would still be alive a few more days I knew they were ready to let themselves be packe... | [
"S6",
"S8"
] | [
"S6-1",
"S6-4",
"S6-5",
"S8-5"
] | [
"Living",
"Relationships"
] | [
"Living/Aging",
"Living/Death & Dying",
"Living/Mourning",
"Relationships/Home Life"
] |
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