id stringlengths 16 16 | title stringlengths 1 203 | author stringlengths 2 40 | poem stringlengths 1 87.3k | labels_l1 listlengths 1 10 | labels_l2 listlengths 0 15 | labels_l1_names listlengths 1 10 | labels_l2_names listlengths 0 15 |
|---|---|---|---|---|---|---|---|
54b8ac62306ff39d | Rooms | Brian Henry | There are rooms that know you, rooms you know
& can name, rooms that rise & stutter
into view if you stare long enough.
Rooms where nothing happened
but in your head, where the world went on
apart from you, you trying to rise to it.
Rooms with walls of white blocks,
one window, the only sound the bang
bang bang... | [
"S6",
"S10"
] | [
"S10-1"
] | [
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Architecture & Design"
] |
78531e4ee98021d9 | Four Months Old | Carrie Fountain | All the baby knows
is the flop of her limbs
and the milky blue vein
of sleep and the parking lot
of her animal fear,
the cars left there overnight,
windshields dark and thick
with dew. The rest is
completely unknown,
the complete darkness
of her white room,
where she sleeps
on a clean sheet
printed with ba... | [
"S6"
] | [
"S6-2"
] | [
"Living"
] | [
"Living/Birth & Infancy"
] |
6c66059a7e7fe966 | On the Sadness of Wedding Dresses | James Galvin | On starless, windless nights like this
I imagine
I can hear the wedding dresses
Weeping in their closets,
Luminescent with hopeless longing,
Like hollow angels.
They know they will never be worn again.
Who wants them now,
After their one heroic day in the limelight?
Yet they glow with desire
In the darkness o... | [
"S6",
"S8"
] | [
"S8-1",
"S8-7"
] | [
"Living",
"Relationships"
] | [
"Relationships/Breakups & Separation",
"Relationships/Marriage & Companionship"
] |
586aa25a20d90f46 | Trust | Thomas R. Smith | It’s like so many other things in life to which you must say no or yes. So you take your car to the new mechanic. Sometimes the best thing to do is trust. The package left with the disreputable-looking clerk, the check gulped by the night deposit, the envelope passed by doze... | [
"S3"
] | [] | [
"Social Commentaries"
] | [] |
16e2e1fa76f0e48d | Shift | Jamaal May | Acting on an anonymous tip, a shift supervisor
at a runaway shelter strip-searched six teenagers.
Mrs. Haver was taping shut the mouths
of talkative students by the time she neared retirement,
and Mr. Vickers, a skilled electrician in his day,
didn’t adapt when fuses became circuit breakers,
a fact that didn’t st... | [
"S6",
"S9"
] | [
"S9-4"
] | [
"Living",
"Activities"
] | [
"Activities/Jobs & Working"
] |
7f448037695a3dd4 | Vandergast and the Girl | Louis Simpson | Vandergast to his neighbors—
the grinding of a garage door
and hiss of gravel in the driveway.
He worked for the insurance company
whose talisman is a phoenix
rising in flames ... non omnis moriar.
From his desk he had a view of the street—
translucent raincoats, and umbrellas,
fluorescent plate-glass windows.
... | [
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"S8",
"S9"
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"S1-3",
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"Love",
"Social Commentaries",
"Living",
"Relationships",
"Activities"
] | [
"Love/Heartache & Loss",
"Love/Realistic & Complicated",
"Social Commentaries/Gender & Sexuality",
"Living/Aging",
"Relationships/Breakups & Separation",
"Relationships/Marriage & Companionship",
"Activities/Jobs & Working"
] |
7dae3d4245ab3d91 | Why Being “On Fire” Is for Everyone | Kristin Naca | Man on Fire, 1969, by Luis Jiménez
Because the facial features burn fastest.
Because the sun sets in Tibet before it ever rises in the West.
Because Tsering Tashi’s mother told him to dress in the thickest,
finest, llama wool chuba.
For I find no flattering explanation for the murder of everyone.
Flames consume t... | [
"S3",
"S4",
"S6"
] | [
"S3-8",
"S3-11",
"S6-4"
] | [
"Social Commentaries",
"History & Politics",
"Living"
] | [
"Social Commentaries/War & Conflict",
"Social Commentaries/Race & Ethnicity",
"Living/Death & Dying"
] |
9a3c40583fa39edd | Four Questions Regarding the Dreams of Animals | Susan Stewart | 1. Is it true that they dream?
It is true, for the spaces of night surround them with shape and purpose, like a warm hollow below the shoulders, or between the curve of thigh and belly.
The land itself can lie like this. Hence our understanding of giants.
The wind and the grass cry out to the arms ... | [
"S2",
"S8"
] | [
"S2-5",
"S8-8"
] | [
"Nature",
"Relationships"
] | [
"Nature/Animals",
"Relationships/Pets & Domestic Animals"
] |
11ed9a7e9fca6030 | A Question | Xochiquetzal Candelaria | The woman in the building across from me
hauls onto the fire escape a yucca plant
and squeezes it between a crate
of herbs and a sapling fern tree.
She looks a lot like me from twenty feet away.
A forelock lies sweaty against her cheek
as if she’s forgotten to fix herself.
I put my thumbs and forefingers
to my ... | [
"S3",
"S8"
] | [
"S3-1",
"S8-3",
"S8-5"
] | [
"Social Commentaries",
"Relationships"
] | [
"Social Commentaries/Cities & Urban Life",
"Relationships/Family & Ancestors",
"Relationships/Home Life"
] |
88f572a0d21d2c93 | Let Nothing Lie Dormant | David Dominguez | At the farmer’s market in Rosarito, Mexico,
a man touched my arm.
He sat on a stool at a wooden table,
and in the center,
a blue pitcher of water beaded under the sun.
Hunkered over his lap,
he worked with a gouge on a block of walnut,
and he blew at the dust,
and the dust swirled in the breeze.
Done stripping... | [
"S9",
"S10"
] | [
"S9-4",
"S10-1"
] | [
"Activities",
"Arts & Sciences"
] | [
"Arts & Sciences/Architecture & Design",
"Activities/Jobs & Working"
] |
1f79efa600be7293 | Five Indiscretions, | Alberto Ríos | or The Unfortunate Story of the Unmarried Flora Carrillo
And the Man Who Loved Her Before He Died his Famous Death,
From Whose Single Liaison a Daughter Was Born
And the Advice, Rather the Explanation,
Both of Them Left for Her, And the Story Also
Of What She Became, and That She Was Happy
1.
Three did not count... | [
"S1",
"S3",
"S5",
"S8"
] | [
"S1-1",
"S1-6",
"S3-4",
"S8-3"
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"Love",
"Social Commentaries",
"Religion",
"Relationships"
] | [
"Love/Desire & Erotic Love",
"Love/Realistic & Complicated",
"Social Commentaries/Gender & Sexuality",
"Relationships/Family & Ancestors"
] |
330d2ae61741a5df | Dinner at George & Katie Schneeman’s | Ted Berrigan | She was pretty swacked by the time she
Put the spaghetti & meatballs into the orgy pasta
bowl—There was mixed salt & pepper in the
“Tittie-tweak” pasta bowl—We drank some dago red
from glazed girlie demi-tasse cups—after
which we engaged in heterosexual intercourse, mutual
masturbation, fe... | [
"S1",
"S9"
] | [
"S1-1",
"S9-1"
] | [
"Love",
"Activities"
] | [
"Love/Desire & Erotic Love",
"Activities/Eating & Drinking"
] |
912fc87c414e03ba | Enemies | Wendell Berry | If you are not to become a monster,
you must care what they think.
If you care what they think,
how will you not hate them,
and so become a monster
of the opposite kind? From where then
is love to come—love for your enemy
that is the way of liberty?
From forgiveness. Forgiven, they go
free of you, and you of t... | [
"S8"
] | [
"S8-4"
] | [
"Relationships"
] | [
"Relationships/Friendship"
] |
f0a31780484a1cfe | Necropolitan | Scott Cairns | Not your ordinary ice cream, though the glaze
of these skeletal figures affects
the disposition of those grinning candies
one finds in Mexico, say, at the start of November,
though here, each face is troublingly familiar,
exhibits the style adopted just as one declines
any further style—nectar one sips just as he... | [
"S2",
"S6",
"S11"
] | [
"S6-4"
] | [
"Nature",
"Living",
"Mythology & Folklore"
] | [
"Living/Death & Dying"
] |
d8eba09a5f401a58 | Square de la Place Dupleix | Pascale Petit | After Les Murray
Inside the sandpit you are playing for your life. Your
bucket and spade that smiled all day long, like family
in your satchel, now work hard. Your material is sand. It weaves
a universe where you are huge, the cellar behind you,
eclipsed by twelve chestnut trees and their pigeon gods. On
and on ... | [
"S6",
"S8",
"S9"
] | [
"S6-8",
"S8-3",
"S8-5",
"S9-5"
] | [
"Living",
"Relationships",
"Activities"
] | [
"Living/Youth",
"Relationships/Family & Ancestors",
"Relationships/Home Life",
"Activities/Sports & Outdoor Activities"
] |
eb06ae4c3ac91301 | D.O.A. | Tim Dlugos | “You knew who I was
when I walked in the door.
You thought that I was dead.
Well, I am dead. A man
can walk and talk and even
breathe and still be dead.”
Edmond O’Brien is perspiring
and chewing up the scenery
in my favorite film noir, D.O.A. I can’t stop watching,
can’t stop relating. When I walked down
Colu... | [
"S3",
"S6",
"S7",
"S8",
"S10"
] | [
"S3-4",
"S6-6",
"S8-6",
"S10-7"
] | [
"Social Commentaries",
"Living",
"Time & Brevity",
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Photography & Film",
"Social Commentaries/Gender & Sexuality",
"Living/Health & Illness",
"Relationships/LGBTQ+"
] |
a51b3cc7fad2e5eb | Love Songs | Mina Loy | I
Spawn of fantasies
Sifting the appraisable
Pig Cupid his rosy snout
Rooting erotic garbage
"Once upon a time"
Pulls a weed white star-topped
Among wild oats sown in mucous membrane
I would an eye in a Bengal light
Eternity in a sky-rocket
Constellations in an ocean
Whose rivers run no fresher
Than a trick... | [
"S1",
"S2"
] | [
"S1-1",
"S1-6"
] | [
"Love",
"Nature"
] | [
"Love/Desire & Erotic Love",
"Love/Realistic & Complicated"
] |
e84d7476ff877195 | San Diego and Matisse | Clarence Major | 1. INSIDE FROM THE PERSPECTIVE OF A TREE
Beautiful women in smoky blue culottes
lying around on fluffy pink pillows
beneath windows onto charming views,
sea views, seasonal leaves and trees.
Inside is outside and outside inside.
Smell of saltwater swimming in the room.
2. OUTSIDE FROM THE PERSPECTIVE OF A ROCKIN... | [
"S2"
] | [
"S2-7"
] | [
"Nature"
] | [
"Nature/Landscapes & Pastorals"
] |
1dc876de89d13f5e | Four Glimpses of Night | Frank Marshall Davis | I
Eagerly
Like a woman hurrying to her lover
Night comes to the room of the world
And lies, yielding and content
Against the cool round face
Of the moon.
II
Night is a curious child, wandering
Between earth and sky, creeping
In windows and doors, daubing
The entire neighborhood
With purple paint.
Day
Is ... | [
"S2",
"S6",
"S7"
] | [] | [
"Nature",
"Living",
"Time & Brevity"
] | [] |
743e3a5b10b01e94 | Nurse Marble | Johannes Göransson | Knowledge is Power. That is what the billboard says and I agree. I am an adult, therefore I understand the threat of passengers. The threat to Our Children, who don't understand the threat of these bird-like, twitchy people. They pose two kinds of threat. To begin with, there is the one we all know about, the predator... | [
"S6"
] | [
"S6-6"
] | [
"Living"
] | [
"Living/Health & Illness"
] |
1614e9d22bf984be | The Look | Sara Teasdale | Strephon kissed me in the spring,
Robin in the fall,
But Colin only looked at me
And never kissed at all.
Strephon's kiss was lost in jest,
Robin's lost in play,
But the kiss in Colin's eyes
Haunts me night and day. | [
"S1",
"S8"
] | [
"S1-3",
"S1-4",
"S1-8",
"S1-9"
] | [
"Love",
"Relationships"
] | [
"Love/Heartache & Loss",
"Love/Infatuation & Crushes",
"Love/Classic Love",
"Love/Unrequited Love"
] |
a4a7bd032876cdf1 | from The Book of the Dead: The Book of the Dead | Muriel Rukeyser | These roads will take you into your own country.
Seasons and maps coming where this road comes
into a landscape mirrored in these men.
Past all your influences, your home river,
constellations of cities, mottoes of childhood,
parents and easy cures, war, all evasion’s wishes.
What one word must never be said?
De... | [
"S2",
"S9"
] | [
"S2-6",
"S2-7",
"S9-4"
] | [
"Nature",
"Activities"
] | [
"Nature/Bodies of Water",
"Nature/Landscapes & Pastorals",
"Activities/Jobs & Working"
] |
beeb9043046b345c | The Mariner’s Progress | Ishion Hutchinson | 1
“With never a whisper on the main,” so the snow falls,
glaring through the festschrift of acacia leaves
at sunrise and seeping a dye of immortelle
on mild fleece, shrinking back eternity
to flurries stalking summer cairns.
Somewhere, harpies in cruisers blare
beneath prairie clouds. An iceberg flashes, turns
... | [
"S1",
"S2",
"S9"
] | [
"S1-1",
"S2-5",
"S2-6",
"S9-7"
] | [
"Love",
"Nature",
"Activities"
] | [
"Love/Desire & Erotic Love",
"Nature/Animals",
"Nature/Bodies of Water",
"Activities/Travels & Journeys"
] |
9ed8e6abfb388fe9 | Elegies | Kathleen Ossip | amy winehouse All song is formal, and youMaybe felt this and decidedYou’d be formal too. (The eyeliner, the beehive: formal.)When a desire to escape becomes formal,It’s dangerous. Then escape requiresNullity, rather than a walk in the park or a movie.Eventually, nullity gets harder andHarder to achieve. After surgery, ... | [
"S6",
"S10"
] | [
"S6-4",
"S6-5",
"S10-1",
"S10-3",
"S10-6"
] | [
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Architecture & Design",
"Arts & Sciences/Music",
"Arts & Sciences/Poetry & Poets",
"Living/Death & Dying",
"Living/Mourning"
] |
b4577a8741dd3eec | Yom Kippur, Taos, New Mexico | Robin Becker | I’ve expanded like the swollen door in summer
to fit my own dimension. Your loneliness
is a letter I read and put away, a daily reminder
in the cry of the magpie that I am
still capable of inflicting pain
at this distance.
Like a painting, our talk is dense with description,
... | [
"S2",
"S5",
"S8"
] | [
"S2-7",
"S5-6",
"S8-3"
] | [
"Nature",
"Religion",
"Relationships"
] | [
"Nature/Landscapes & Pastorals",
"Religion/Judaism",
"Relationships/Family & Ancestors"
] |
f05497ea7ae3a1c6 | I Imagine My Father’s Death | Bryan D. Dietrich | I imagine my father’s death. It is bigger than a breadbox. It is bigger than a Ford Escort, than a Zeppelin, black and vast and slow moving, oozing over an Oklahoma arena. It is bigger than any arena, than Oklahoma. My father’s death is bigger than a planet, bigger than the gravity wells worlds make, that stars stir up... | [
"S6"
] | [
"S6-4"
] | [
"Living"
] | [
"Living/Death & Dying"
] |
0b0a9f0093cbaa94 | The Window, at the Moment of Flame | Alicia Ostriker | And all this while I have been playing with toys
A toy power station a toy automobile a house of blocks
And all this while far off in other lands
Thousands and thousands, millions and millions—
You know—you see the pictures
Women carrying their bony infants
Men sobbing over graves
Buildings sculpted by explosion... | [
"S3"
] | [
"S3-2",
"S3-11"
] | [
"Social Commentaries"
] | [
"Social Commentaries/War & Conflict",
"Social Commentaries/Class & Labor"
] |
933aa9c72a143af8 | The Runaway | Robert Frost | Once when the snow of the year was beginning to fall,
We stopped by a mountain pasture to say, ‘Whose colt?’
A little Morgan had one forefoot on the wall,
The other curled at his breast. He dipped his head
And snorted at us. And then he had to bolt.
We heard the miniature thunder where he fled,
And we saw him, or... | [
"S2"
] | [
"S2-4",
"S2-5",
"S2-10"
] | [
"Nature"
] | [
"Nature/Weather",
"Nature/Winter",
"Nature/Animals"
] |
f60beadb52632e47 | Four Poems for Robin | Gary Snyder | Siwashing it out once in Siuslaw Forest
I slept under rhododendron
All night blossoms fell
Shivering on a sheet of cardboard
Feet stuck in my pack
Hands deep in my pockets
Barely able to sleep.
I remembered when we were in school
Sleeping together in a big warm bed
We were the youngest lo... | [
"S1",
"S2",
"S8"
] | [
"S1-1",
"S1-4",
"S1-5",
"S1-6",
"S1-9",
"S2-1",
"S2-3",
"S8-1"
] | [
"Love",
"Nature",
"Relationships"
] | [
"Love/Desire & Erotic Love",
"Love/Infatuation & Crushes",
"Love/New Love",
"Love/Realistic & Complicated",
"Love/Unrequited Love",
"Nature/Spring",
"Nature/Fall",
"Relationships/Breakups & Separation"
] |
bd53dbdb82d20955 | Immigrant Blues | Li-Young Lee | People have been trying to kill me since I was born,
a man tells his son, trying to explain
the wisdom of learning a second tongue.
It’s an old story from the previous century
about my father and me.
The same old story from yesterday morning
about me and my son.
It’s called “Survival Strategies
and the Melancho... | [
"S3",
"S8"
] | [
"S8-3"
] | [
"Social Commentaries",
"Relationships"
] | [
"Relationships/Family & Ancestors"
] |
bb23a5102780fc4f | That One Time I Stayed Up All Night Making Excuses to Talk to Danger | Tarfia Faizullah | Maybe it was my old friend Fascination
who first let me know that Danger
was right across the hall, or maybe
it was the unrealized absence of pollen, or,
was it the nearness, Danger, of your hair’s
blatant softness, just toweled.
Or, I wanted to stop thinking — and, I wanted to ask,Do you think God understands ... | [
"S1",
"S6"
] | [
"S1-1"
] | [
"Love",
"Living"
] | [
"Love/Desire & Erotic Love"
] |
1d973d9aa21894ba | Mind ? Body | Gregory Djanikian | How do they survive, riven as they are, the one undoing the other's desire? Tell the body to outrun the mind, and the mind smirks, whispering too loudly this way this way, blocking all the exits. And the body, luxurious sensualist by pool side or in bed, doesn't it hear the mind's impatient machin... | [
"S2",
"S6",
"S10"
] | [
"S10-5"
] | [
"Nature",
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy"
] |
479ea6ba31276724 | Photo of a Man on Sunset Drive: 1914, 2008 | Richard Blanco | Groundbreaking Ceremony, City of South Miami, Sunset Drive Improvements
And so it began: the earth torn, split open by a dirt road cutting through palmettos and wild tamarind trees defending the land against the sun. Beside the road, a shack leaning into the wind, on the wooden porch, crates of avocados and limes, whi... | [
"S2",
"S3",
"S4",
"S6",
"S7",
"S8",
"S9",
"S10"
] | [
"S2-7",
"S3-9",
"S8-3",
"S9-4",
"S10-1",
"S10-7"
] | [
"Nature",
"Social Commentaries",
"History & Politics",
"Living",
"Time & Brevity",
"Relationships",
"Activities",
"Arts & Sciences"
] | [
"Arts & Sciences/Architecture & Design",
"Arts & Sciences/Photography & Film",
"Nature/Landscapes & Pastorals",
"Social Commentaries/Rural & Country Life",
"Relationships/Family & Ancestors",
"Activities/Jobs & Working"
] |
10f287948b499dd7 | Notes on My Present: A Contrapuntal | Natalie Scenters-Zapico | With statements by President Donald Trump
I write my body, as border betweenWe have some bad hombres here
this rock & the absence of water.& we’re going to get them out.
I cut myself with a scimitar,When Mexico sends its people,
as political documentation.they’re not sending their best.
How do you write about the ... | [
"S3",
"S4",
"S6"
] | [
"S3-4",
"S3-8",
"S3-11"
] | [
"Social Commentaries",
"History & Politics",
"Living"
] | [
"Social Commentaries/War & Conflict",
"Social Commentaries/Gender & Sexuality",
"Social Commentaries/Race & Ethnicity"
] |
245d1e69febf5653 | Scrabble with Matthews | David Wojahn | Jerboa on a triple: I was in for it,
my zither on a double looking feeble
as a "promising" first book. Oedipal & reckless,
my scheme would fail: keep him a couple drinks
ahead, & perhaps the muse would smile
upon me with some ses or some blanks.
January, Vermont: snowflakes teased the windows
of the Burlington a... | [
"S2",
"S8",
"S9",
"S10"
] | [
"S2-4",
"S8-4",
"S9-7",
"S10-6"
] | [
"Nature",
"Relationships",
"Activities",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets",
"Nature/Winter",
"Relationships/Friendship",
"Activities/Travels & Journeys"
] |
1ff1c59c58ad367d | Inside of King's College Chapel, Cambridge | William Wordsworth | Tax not the royal Saint with vain expense,With ill-matched aims the Architect who planned—Albeit labouring for a scanty bandOf white-robed Scholars only—this immenseAnd glorious Work of fine intelligence!Give all thou canst; high Heaven rejects the loreOf nicely-calculated less or more;So deemed the man who fashioned f... | [
"S5",
"S9"
] | [
"S5-2",
"S9-6"
] | [
"Religion",
"Activities"
] | [
"Religion/Christianity",
"Activities/Study & Knowledge"
] |
0aba9950d642ee7c | Brief reflection on accuracy | Miroslav Holub | Fish
always accurately know where to move and when,
and likewise
birds have an accurate built-in time sense
and orientation.
Humanity, however,
lacking such instincts resorts to scientific
research. Its nature is illustrated by the following
occurrence.
A certain soldier
had to... | [
"S2",
"S3",
"S9"
] | [
"S2-5",
"S3-11",
"S9-4"
] | [
"Nature",
"Social Commentaries",
"Activities"
] | [
"Nature/Animals",
"Social Commentaries/War & Conflict",
"Activities/Jobs & Working"
] |
c1e768bc6996ca1b | If I Sleep While My Baby Sleeps | Alice B. Fogel | I will hear his sleep
in and through my own, my sleep
will be bathed in his as if we slept
in one same fluid
My sleep floats within a listening
so deep that the separating
spaces of air become
as pliant and full as snowfall,
its singing silence as profound
My ears and his throat —
the sensation of anticipated... | [
"S6",
"S8"
] | [
"S6-7",
"S8-5"
] | [
"Living",
"Relationships"
] | [
"Living/Parenthood",
"Relationships/Home Life"
] |
1cf0c46d23f6de2c | After Quevedo | John Matthias | In memory of Octavio Paz
not even lost in death the memory
of why we burned, and therefore still
a fire consuming all obsequious delay,
now polvo, dust, of a desire but still alive
and aching, not even lost to you
within our common urn, urgent as an ash
still burning alma, soul, still
and moving to... | [
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"S6"
] | [
"S1-1",
"S6-4"
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"Love",
"Living"
] | [
"Love/Desire & Erotic Love",
"Living/Death & Dying"
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a8b633c72175884b | Thirty Years Later I Meet Your Seventeen-Year-Old Daughter the Poet | Sandra M. Gilbert | in memory of R.I.S.
1.
Would I know her anywhere, this child
who never knew you except in photographs?
She has your high clear polished forehead, but
“No, my sister has his dimple, the cleft
in his chin ...”
Tight curly hair (like yours)
drawn back, and your face, thinned, refined,
to ... | [
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"Arts & Sciences/Poetry & Poets",
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231659b1ef370650 | Want | Joan Larkin | She wants a house full of cups and the ghosts
of last century’s lesbians; I want a spotless
apartment, a fast computer. She wants a woodstove,
three cords of ash, an axe; I want
a clean gas flame. She wants a row of jars:
oats, coriander, thick green oil;
I want nothing to store. She wants pomanders,
linens, ... | [
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"Love/Realistic & Complicated",
"Social Commentaries/Rural & Country Life",
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"Relationships/Marriage & Companionship"
] |
9609cce3967b54d7 | What Became | Wesley McNair | What became of the dear strands of hair pressed against the perspiration of your lover's brow after lovemaking as you gazed into the world of those eyes, now only yours? What became of any afternoon that was so vivid you forgot the present was up to its old trick of pretending it would be there always? Wha... | [
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"Love/Realistic & Complicated",
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] |
d0366a857df6fcdc | An Exercise in Love | Diane di Prima | for Jackson Allen
My friend wears my scarf at his waist
I give him moonstones
He gives me shell & seaweeds
He comes from a distant city & I meet him
We will plant eggplants & celery together
He weaves me cloth
Many have brought the gifts
I use for his pleasure
... | [
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"S6",
"S8"
] | [
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] | [
"Love/Romantic Love",
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] |
e758a5230f214020 | Sorrow Home | Margaret Walker | My roots are deep in southern life; deeper than John Brown or Nat Turner or Robert Lee. I was sired and weaned in a tropic world. The palm tree and banana leaf, mango and coconut, breadfruit and rubber trees know me.
Warm skies and gulf blue streams are in my blood. I belong with the smell of fresh pine, with the trai... | [
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"Social Commentaries/Race & Ethnicity",
"Relationships/Family & Ancestors",
"Activities/Jobs & Working"
] |
6012e3a0594c7568 | The Worship of Nature | John Greenleaf Whittier | The harp at Nature’s advent strung Has never ceased to play; The song the stars of morning sung Has never died away. And prayer is made, and praise is given, By all things near and far; The ocean looketh up to heaven, And mirrors every star. Its waves are kneeling on the strand, As kneels ... | [
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"Nature",
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] | [
"Nature/Landscapes & Pastorals",
"Religion/Other Religions",
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] |
db132654a09829b2 | God Bless America | John Fuller | When they confess that they have lost the penial bone and outer space is
Once again a numinous void, when they’re kept out of Other Places,
And Dr Fieser falls asleep at last and dreams of unburnt faces,
When gold medals are won by the ton for forgetting about the different races, God Bless America.
When in the L... | [
"S3",
"S4"
] | [] | [
"Social Commentaries",
"History & Politics"
] | [] |
d8fffc99826c7360 | Prairie Octopus, Awake | Nicky Beer | The night’s turned everything to junipers shagged & spooked with cerulean chalk-fruit, weird berries whiffing of Martians in rut. I forget this isn’t my universe sometimes. Sometimes I think I was falling most of my life to land here, a lone skirl in the immaculate hush. In my world I waltzed with my ink-self, m... | [
"S2"
] | [] | [
"Nature"
] | [] |
1f13b697932f383e | from Deaf Republic: 5. And They Drag The Living Body In The Sunlit Piazza | Ilya Kaminsky | I watch loud animal bones in their faces & I can smell the earth.Our boys want a public killing in a sunlit piazzaThey drag a young policeman, a sign in his arms swaying | [
"S3"
] | [
"S3-6",
"S3-11"
] | [
"Social Commentaries"
] | [
"Social Commentaries/War & Conflict",
"Social Commentaries/Incarceration & Justice"
] |
5c6817f03564f998 | Something | Mona Arshi | something scrambled
out of me at least I thought it was out of me
it could have been into me very fast very sly
dirty breath’d assassin spiders
ants earthworms I witnessed
being dissected by my brothers and crane flies
I tried but never managed
to capture whole such fey stupid wings
and l... | [
"S2",
"S6",
"S7",
"S8"
] | [
"S2-5",
"S6-4",
"S8-3"
] | [
"Nature",
"Living",
"Time & Brevity",
"Relationships"
] | [
"Nature/Animals",
"Living/Death & Dying",
"Relationships/Family & Ancestors"
] |
3aa6beec1305164b | He was touched or he touched or | Marianne Boruch | He was touched or he touched or she did and was, or they were and would. Or the room could, its three doors, two windows or the house on a slant touching, touched by the drift down street, cars pressing quick or slowing. All along the town touched a river, the river the filth falling through it. What wa... | [
"S2",
"S3",
"S8"
] | [
"S2-7",
"S3-1",
"S3-4"
] | [
"Nature",
"Social Commentaries",
"Relationships"
] | [
"Nature/Landscapes & Pastorals",
"Social Commentaries/Cities & Urban Life",
"Social Commentaries/Gender & Sexuality"
] |
071ae257cc8e6d8a | Knowledge | Louise Bogan | Now that I know
How passion warms little
Of flesh in the mould,
And treasure is brittle,—
I’ll lie here and learn
How, over their ground,
Trees make a long shadow
And a light sound. | [
"S1",
"S2",
"S9"
] | [
"S1-1",
"S1-3",
"S2-8",
"S9-6"
] | [
"Love",
"Nature",
"Activities"
] | [
"Love/Desire & Erotic Love",
"Love/Heartache & Loss",
"Nature/Plants & Fungi",
"Activities/Study & Knowledge"
] |
17fe38bad1e0a0c2 | What He Thought | Heather McHugh | for Fabbio Doplicher
We were supposed to do a job in Italy
and, full of our feeling for
ourselves (our sense of being
Poets from America) we went
from Rome to Fano, met
the mayor, mulled
a couple matters over (what's
a cheap date, they asked us; what's
flat drink). Among Italian literati
we could recognize ou... | [
"S3",
"S4",
"S5",
"S10"
] | [
"S3-11",
"S5-4",
"S10-6"
] | [
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"History & Politics",
"Religion",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets",
"Social Commentaries/War & Conflict",
"Religion/God & the Divine"
] |
312fb1e721dd5c0d | Sundown | Léonie Adams | This is the time lean woods shall spend
A steeped-up twilight, and the pale evening drink,
And the perilous roe, the leaper to the west brink,
Trembling and bright to the caverned cloud descend.
Now shall you see pent oak gone gusty and frantic,
Stooped with dry weeping, ruinously unloosing
The sparse disheveled ... | [
"S2"
] | [
"S2-7",
"S2-8"
] | [
"Nature"
] | [
"Nature/Landscapes & Pastorals",
"Nature/Plants & Fungi"
] |
77e7e2a0e0f70d58 | I Used to Think | Trumbull Stickney | I used to think The mind essential in the body, even As stood the body essential in the mind: Two inseparable things, by nature equal And similar, and in creation’s song Halving the total scale: it is not so. Unlike and cross like driftwood sticks they come Churned in the giddy trough: a chunk of pine, A slab of rosewo... | [
"S2",
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"S10"
] | [
"S10-5"
] | [
"Nature",
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy"
] |
500bfb9bcadd3f3e | Halston | Randall Mann | Roy Halston Frowick, 1932–1990
He kept his middle name, the pick of the lot, he thought, and mispronounced himself: Hall-stun. At Bergdorf’s he acquired an accent and referred to himself in the third person, every bird he flayed wrapped in Ultrasuede. He lit a True with a True, smeared his hirsute muse with sequin... | [
"S3",
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"S7",
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"Social Commentaries/Gender & Sexuality",
"Living/Death & Dying",
"Living/Health & Illness",
"Relationships/LGBTQ+",
"Activities/Jobs & Working"
] |
b7516c30d95db664 | Dawn Chorus | Sasha Dugdale | March 29, 2010
Every morning since the time changedI have woken to the dawn chorusAnd even before it sounded, I dreamed of itLoud, unbelievably loud, shameless, raucousAnd once I rose and twitched the curtains apartExpecting the birds to be pressing in frightAgainst the pane like passengersBut the garden was empty and... | [
"S2"
] | [
"S2-5"
] | [
"Nature"
] | [
"Nature/Animals"
] |
f791bcf3212cc179 | rudie can't fail in south padre | Quraysh Ali Lansana | there was a rude boy on my jean jacket. black suit, shades and hat, skanking where orange street met birmingham. two-tone ska a second skin, a way to believe, though unsure why. days on this island with wasted republican frat boys and sorority girls, pompous u.s citizens, northern americanos with trust funds. only whit... | [
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"S6",
"S8"
] | [
"S3-8",
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] | [
"Social Commentaries",
"History & Politics",
"Living",
"Relationships"
] | [
"Social Commentaries/Race & Ethnicity",
"Living/Youth",
"Relationships/Friendship"
] |
780940522c8895fc | The Love Letters of Helen Pitts Douglass | Michael S. Harper | When I stood behind his desk chair
and when he sat, on rare occasions,
on the porch, “sage of Anacostia,”
they called him, I smelled his mane
glorious, and as a hand saddle
the aroma of hair took me to neckline
and below. In Egypt, long after
Napoleon had shot off the face
of the Sphinx, I thought of this
man,... | [
"S1",
"S3",
"S6",
"S8"
] | [
"S1-6",
"S3-8",
"S8-7"
] | [
"Love",
"Social Commentaries",
"Living",
"Relationships"
] | [
"Love/Realistic & Complicated",
"Social Commentaries/Race & Ethnicity",
"Relationships/Marriage & Companionship"
] |
b737318e5bccedfc | Sonnet #10 | Hayden Carruth | You rose from our embrace and the small light spread
like an aureole around you. The long parabola
of neck and shoulder, flank and thigh I saw
permute itself through unfolding and unlimited
minuteness in the movement of your tall tread,
the spine-root swaying, the Picasso-like éclat
of scissoring slender legs. I ... | [
"S1",
"S8"
] | [
"S1-7"
] | [
"Love",
"Relationships"
] | [
"Love/Romantic Love"
] |
fb3fd33ca45e7e4e | Arise, Go Down | Li-Young Lee | It wasn’t the bright hems of the Lord’s skirts
that brushed my face and I opened my eyes
to see from a cleft in rock His backside;
it’s a wasp perched on my left cheek. I keep
my eyes closed and stand perfectly still
in the garden till it leaves me alone,
not to contemplate how this century
ends and the next beg... | [
"S5",
"S6",
"S7",
"S8"
] | [
"S8-3"
] | [
"Religion",
"Living",
"Time & Brevity",
"Relationships"
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"Relationships/Family & Ancestors"
] |
0f6bff06dd5018c8 | Paradise Lost: Book 10 (1674 version) | John Milton | MEanwhile the hainous and despightfull act Of Satan done in Paradise, and how Hee in the Serpent, had perverted Eve, Her Husband shee, to taste the fatall fruit, Was known in Heav'n; for what can scape the Eye Of God All-seeing, or deceave his Heart Omniscient, who in all things wise and just, Hinder'd not Satan to att... | [
"S5"
] | [
"S5-2",
"S5-4"
] | [
"Religion"
] | [
"Religion/Christianity",
"Religion/God & the Divine"
] |
7ac5600bc568f2c9 | The Words Under the Words | Naomi Shihab Nye | for Sitti Khadra, north of Jerusalem
My grandmother’s hands recognize grapes,
the damp shine of a goat’s new skin.
When I was sick they followed me,
I woke from the long fever to find them
covering my head like cool prayers.
My grandmother’s days are made of bread,
a round pat-pat and the slow baking.
She waits... | [
"S5",
"S6",
"S8"
] | [
"S5-3",
"S5-5",
"S6-1",
"S8-3"
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] | [
"Religion/Faith & Doubt",
"Religion/Islam",
"Living/Aging",
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] |
804da950ff789a5d | "American Football" | Richard Katrovas | That I would even use the phrase suggests
A false yet useful worldliness, a scope
Far greater than my caste would indicate.
The phrase signals, “I’ve lived abroad! I’ve watched
The Premier League in European pubs!”
In fact I hate the game; its ethos rests
On boring strategies and rules that cope,
Merely, with co... | [
"S9"
] | [
"S9-5"
] | [
"Activities"
] | [
"Activities/Sports & Outdoor Activities"
] |
c491f39b875ab7dc | Damselfly, Trout, Heron | John Engels | The damselfly folds its wings
over its body when at rest. Captured,
it should not be killed
in cyanide, but allowed to die
slowly: then the colors,
especially the reds and blues,
will last. In the hand
it crushes easily into a rosy
slime. Its powers of flight
are weak. The trout
feeds on the living damselfly.... | [
"S2",
"S6"
] | [
"S2-5",
"S2-6",
"S6-4"
] | [
"Nature",
"Living"
] | [
"Nature/Animals",
"Nature/Bodies of Water",
"Living/Death & Dying"
] |
e037cce833a3cd8e | Send Forth the High Falcon | Léonie Adams | Send forth the high falcon flying after the mind
Till it come toppling down from its cold cloud:
The beak of the falcon to pierce it till it fall
Where the simple heart is bowed.
O in wild innocence it rides
The rare ungovernable element,
But once it sways to terror and descent,
The marches of the wind are its a... | [
"S2"
] | [
"S2-5"
] | [
"Nature"
] | [
"Nature/Animals"
] |
78d96a07276a2a32 | "The white bark writhed and sputtered like a fish" | Edna St. Vincent Millay | The white bark writhed and sputtered like a fish
Upon the coals, exuding odorous smoke
She knelt and blew, in a surging desolate wish
For comfort; and the sleeping ashes woke
And scattered to the hearth, but no thin fire
Broke suddenly, the wood was wet with rain.
Then, softly stepping forth from her desire,
(Be... | [
"S8",
"S9"
] | [
"S8-5",
"S9-3"
] | [
"Relationships",
"Activities"
] | [
"Relationships/Home Life",
"Activities/Indoor Activities"
] |
2e84aebc9bf145fd | The Party | Jason Shinder | And that’s how it is; everyone standing up from the big silence
of the table with their glasses of certainty and plates of forgiveness
and walking into the purple kitchen; everyone leaning away from the gas stove
Marie blows on at the very edge of the breaking blue-orange-lunging-
forward flames to warm another pot... | [
"S3",
"S8",
"S9"
] | [
"S8-4",
"S9-3"
] | [
"Social Commentaries",
"Relationships",
"Activities"
] | [
"Relationships/Friendship",
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] |
9b0601a65c2e1e02 | American Smooth | Rita Dove | We were dancing—it must have
been a foxtrot or a waltz,
something romantic but
requiring restraint,
rise and fall, precise
execution as we moved
into the next song without
stopping, two chests heaving
above a seven-league
stride—such perfect agony,
one learns to smile through,
ecstatic mimicry
being the sin... | [
"S1",
"S6",
"S9",
"S10"
] | [
"S9-3",
"S10-10"
] | [
"Love",
"Living",
"Activities",
"Arts & Sciences"
] | [
"Arts & Sciences/Theater & Dance",
"Activities/Indoor Activities"
] |
60cd22cf5cbec37d | The Yak | Hilaire Belloc | As a friend to the children commend me the Yak.
You will find it exactly the thing:
It will carry and fetch, you can ride on its back,
Or lead it about with a string.
The Tartar who dwells on the plains of Thibet
(A desolate region of snow)
Has for centuries made it a nursery pet,
And surely the Tart... | [
"S8"
] | [
"S8-8"
] | [
"Relationships"
] | [
"Relationships/Pets & Domestic Animals"
] |
df9922009341a80f | Oxford | Fanny Howe | Homeless and never sadder,dragging bags, spending money,leaning over luggage,suddenly saying, “Without you, God,I can’t continue.” Who was that?And then I lift it and walk to find one book.Up Iffley Turn to the Hawkwell and Tree Innsand down over a lockinto an extended filthy riverthrough the Thames Valleyand over a me... | [
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"S10"
] | [
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] | [
"Arts & Sciences/Poetry & Poets",
"Arts & Sciences/Reading & Books",
"Social Commentaries/Cities & Urban Life"
] |
c9191f6e7b47cfb8 | Stalin's Library Card | David Wojahn | A recent piece in PRAVDA gives the library books checked out by Stalin between April and December, 1926. Much has been made of their oddity...
Robert Conquest
I
THE ESSENCE OF HYPNOSIS
(Paris: LeGrande, 1902) | [
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] |
1a443d543e122532 | “In the Evening We Shall Be Examined on Love” | Thomas Centolella | —St. John of the Cross
And it won’t be multiple choice,
though some of us would prefer it that way.
Neither will it be essay, which tempts us to run on
when we should be sticking to the point, if not together.
In the evening there shall be implications
our fear will change to complications. No cheating,
we’ll be... | [
"S1"
] | [] | [
"Love"
] | [] |
eb3d2bcab6d5dbf0 | The Double-Bed Dream Gallows | Richard Brautigan | Driving through
hot brushy country
in the late autumn,
I saw a hawk
crucified on a
barbed-wire fence.
I guess as a kind
of advertisement
to other hawks,
saying from the pages
of a leading women’s
magazine,
“She’s beautiful,
but burn all the maps
to your body.
I’m not here
of my own choosing.” | [
"S2",
"S9"
] | [
"S2-5",
"S9-7"
] | [
"Nature",
"Activities"
] | [
"Nature/Animals",
"Activities/Travels & Journeys"
] |
78ee06ecf20503f5 | Gone, Gone Again | Edward Thomas | Gone, gone again,May, June, July,And August gone,Again gone by,Not memorableSave that I saw them go,As past the empty quaysThe rivers flow.And now again,In the harvest rain,The Blenheim orangesFall grubby from the trees,As when I was young—And when the lost one was here—And when the war beganTo turn young men to dung.L... | [
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] | [
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"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Social Commentaries/War & Conflict",
"Living/Death & Dying"
] |
7ea18e41ae94f376 | London, 1802 | William Wordsworth | Milton! thou shouldst be living at this hour:England hath need of thee: she is a fenOf stagnant waters: altar, sword, and pen,Fireside, the heroic wealth of hall and bower,Have forfeited their ancient English dowerOf inward happiness. We are selfish men;Oh! raise us up, return to us again;And give us manners, virtue, f... | [
"S3",
"S11"
] | [
"S3-1",
"S11-4"
] | [
"Social Commentaries",
"Mythology & Folklore"
] | [
"Mythology & Folklore/Heroes & Patriotism",
"Social Commentaries/Cities & Urban Life"
] |
be41a0e5c2e10fbe | The Lost Leader | Robert Browning | Just for a handful of silver he left us,
Just for a riband to stick in his coat—
Found the one gift of which fortune bereft us,
Lost all the others she lets us devote;
They, with the gold to give, doled him out silver,
So much was theirs who so little allowed:
How all our copper had gone for his service!
... | [
"S3",
"S4",
"S10",
"S11"
] | [
"S10-6",
"S11-4"
] | [
"Social Commentaries",
"History & Politics",
"Arts & Sciences",
"Mythology & Folklore"
] | [
"Arts & Sciences/Poetry & Poets",
"Mythology & Folklore/Heroes & Patriotism"
] |
93fbe4e376f8e1e9 | San Biagio, at Montepulciano | Yves Bonnefoy | Columns, arches, vaults: how he knew
The ways you promise what you lack;
And that your bodies, like your souls,
Always slip from our grasping hands.
Space is such a lure . . . Swift to disappoint,
As they raise and topple clouds, the sky's
Architects still offer more than ours,
Who only build a scaffolding of dr... | [
"S10"
] | [
"S10-1"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Architecture & Design"
] |
a03af26535e58d3f | Mother Mind | Julia Ward Howe | I never made a poem, dear friend—
I never sat me down, and said,
This cunning brain and patient hand
Shall fashion something to be read.
Men often came to me, and prayed
I should indite a fitting verse
For fast, or festival, or in
Some stately pageant to rehearse.
(As if, than Balaam more endowed,
I of myself could ble... | [
"S10"
] | [
"S10-6"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets"
] |
e41707e95fb9d8ed | . . . shift at oars | Stacy Szymaszek | water
relives
reservoir
boat
bottom
draft
displaced
°
lineal
thought
backward
body
no one
knows
the brains
I am now
tree
an oar
origin
joints ruptured
soak in
deep ink
°
wallpaper
remnant
flower
float
chandelier
brief case
hundred words
logged
erode
my
Arabic
congestion
of res... | [
"S2",
"S6"
] | [] | [
"Nature",
"Living"
] | [] |
40c64bf1f799917d | Why Poetry Cannot Be Skimmed | Jessica Jopp | In response to a student who told me he just “skims” the poetry right before class
The barn was in the Netherlands,in a field where fierce night windcaught the straw as if to fusethe winter stars to their coldness.A farmer, woken by the sound, knowinghis animals would be agitated,walked to the barn and by lanternbrush... | [
"S6",
"S7",
"S10"
] | [
"S10-6"
] | [
"Living",
"Time & Brevity",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets"
] |
82ffaf6d6d06717e | 1994 | Lucille Clifton | i was leaving my fifty-eighth year
when a thumb of ice
stamped itself hard near my heart
you have your own story
you know about the fears the tears
the scar of disbelief
you know that the saddest lies
are the ones we tell ourselves
you know how dangerous it is
to be born with breasts
you know how dangerous it... | [
"S3",
"S6",
"S7"
] | [
"S3-4",
"S3-8",
"S6-1"
] | [
"Social Commentaries",
"Living",
"Time & Brevity"
] | [
"Social Commentaries/Gender & Sexuality",
"Social Commentaries/Race & Ethnicity",
"Living/Aging"
] |
36f7eb27f6be6855 | The Map of the World Confused with Its Territory | Susan Stewart | In a drawer I found a map of the world,
folded into eighths and then once again
and each country bore the wrong name because
the map of the world is an orphanage.
The edges of the earth had a margin
as frayed as the hem of the falling night
and a crease moved down toward the center of
the earth, halving the iden... | [
"S2"
] | [
"S2-7"
] | [
"Nature"
] | [
"Nature/Landscapes & Pastorals"
] |
12584e8c0980de7f | Drawing for Absolute Beginners | Monica Youn | Take any desired height, or place points for
top of head and heels. Divide into eights. . . .
8. Head tilted back between the headboard slats. Eyes glass boxes
filling up with light. Later, drained to a blue-gray, the color of
good government.
7. Thus, we see that commodification is a function of local... | [
"S1",
"S3",
"S10"
] | [
"S10-4"
] | [
"Love",
"Social Commentaries",
"Arts & Sciences"
] | [
"Arts & Sciences/Painting & Sculpture"
] |
9ed3a1da8dfb4bf4 | from My Life: A name trimmed with colored ribbons | Lyn Hejinian | A name trimmed They are seated in the shadowswith colored husking corn, shelling peas. Housesribbons of wood set in the ground. I try to
find the spot at which the pattern on
... | [
"S2",
"S10"
] | [
"S10-1"
] | [
"Nature",
"Arts & Sciences"
] | [
"Arts & Sciences/Architecture & Design"
] |
31b2ec30e892b838 | Womanhood | Juliet Kono | When I was three,
a tsunami hit town.
“Daddy, Daddy, save me,
don’t let me drown.”
He saved me
and my common-type dolls.
When I was sixteen,
another tsunami hit town.
I cried to my daddy,
“Daddy, Daddy, please save me,
don’t let me drown!”
But he let go of my hand!
I still dance
to what broke on my life. | [
"S6",
"S8"
] | [
"S6-5",
"S8-3"
] | [
"Living",
"Relationships"
] | [
"Living/Mourning",
"Relationships/Family & Ancestors"
] |
9025d7cec9249fda | Last Night | Hester Knibbe | Saved two children last night.
They lay under thin black ice
one gone blue, the other grey.
I laid them out on grass
that snapped under my step
wrung their bodies warm and dry
gave them the gust of my breath.
Then I looked out at the morning
that lay lukewarm on the water
put on a tank top
arranged some grass... | [
"S6"
] | [
"S6-7"
] | [
"Living"
] | [
"Living/Parenthood"
] |
a75c9b083478db23 | Song in Barbarous Fumarole of the Japanese Crested Ibis | Will Alexander | The wings pierce as if they were eternity.
—Shuzo Takiguchi
The Japanese Crested Ibis is now extinct.
“To claim as arcane vapour
ruination by intrigue
by kindled leprosy morays
so that I take up in my glottis
these moral hallucinogens which actively dim
which nourish themselves on behalf of active heavenly terr... | [
"S2",
"S10"
] | [
"S2-5",
"S10-2"
] | [
"Nature",
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics",
"Nature/Animals"
] |
3a88fcc69db65a8e | Collectable Blacks | Adrian Matejka | This is the g-dropping vernacular
I am stuck in. This is the polyphone
where my head is an agrarian gang
sign pointing like a percussion mallet
to a corn maze in one of the smaller
Indiana suburbs where there aren’t
supposed to be black folks. Be cool & try
to grin it off. Be cool & try to le... | [
"S3"
] | [
"S3-1",
"S3-6"
] | [
"Social Commentaries"
] | [
"Social Commentaries/Cities & Urban Life",
"Social Commentaries/Incarceration & Justice"
] |
097f1bbacbe9f85c | Dead Orchard | Frank Stanford | Raymond Radiguet
Like seven birds sleeping on the plateau
Overlooking the shipwreck of love, mystery
Of the drunken visitors wandering off
With your wife, men who talk with a bad accent,
The condemned the abandoned, one day of silence,
Two days of silence, dreams shattered and protected,
The more the blossoms th... | [
"S1",
"S8"
] | [] | [
"Love",
"Relationships"
] | [] |
0e5778226e606f96 | Her Life Runs Like a Red Silk Flag | Bruce Weigl | Because this evening Miss Hoang Yen
sat down with me in the small
tiled room of her family house
I am unable to sleep.
We shared a glass of cold and sweet water.
On a blue plate her mother brought us
cake and smiled her betel-black teeth at me
but I did not feel strange in the house
my country had tried to bomb... | [
"S3",
"S8"
] | [
"S3-4",
"S3-11"
] | [
"Social Commentaries",
"Relationships"
] | [
"Social Commentaries/War & Conflict",
"Social Commentaries/Gender & Sexuality"
] |
9efbe006b1750959 | A Bed above the Abyss: Amnesiac Notebook | Andrew Allport | i. Awake
Each entry consisting of the statements I am awake or I am conscious
entered every few minutes:
2:10 p.m.: this time properly awake. 2:14 p.m.: this time finally awake. 2:35 p.m.: this time completely awake.
At 9:40 p.m. I awoke for the first time, despite my previous claims.
Th... | [
"S2",
"S9"
] | [
"S2-7",
"S9-5",
"S9-7"
] | [
"Nature",
"Activities"
] | [
"Nature/Landscapes & Pastorals",
"Activities/Sports & Outdoor Activities",
"Activities/Travels & Journeys"
] |
393f09c2141aaac0 | Lines for a Prologue | Archibald MacLeish | These alternate nights and days, these seasons
Somehow fail to convince me. It seems
I have the sense of infinity!
(In your dreams, O crew of Columbus,
O listeners over the sea
For the surf that breaks upon Nothing—)
Once I was waked by the nightingales in the garden.
I thought, What time is it? I thought,
Time... | [
"S2",
"S6",
"S7"
] | [
"S2-6"
] | [
"Nature",
"Living",
"Time & Brevity"
] | [
"Nature/Bodies of Water"
] |
cd5f41ca155b2e91 | October | May Swenson | 1
A smudge for the horizon
that, on a clear day, shows
the hard edge of hills and
buildings on the other coast.
Anchored boats all head one way:
north, where the wind comes from.
You can see the storm inflating
out of the west. A dark hole
in gray cloud twirls, widens,
while white rips multiply
on the water ... | [
"S2",
"S6",
"S8"
] | [
"S2-3",
"S2-5",
"S2-10",
"S8-3"
] | [
"Nature",
"Living",
"Relationships"
] | [
"Nature/Weather",
"Nature/Fall",
"Nature/Animals",
"Relationships/Family & Ancestors"
] |
5f8bdc1f16b01748 | Grass | Carl Sandburg | Pile the bodies high at Austerlitz and Waterloo. Shovel them under and let me work— I am the grass; I cover all. And pile them high at Gettysburg And pile them high at Ypres and Verdun. Shovel them under and let me work. Two years, ten years, and passengers ask the conductor: ... | [
"S3",
"S6",
"S7",
"S10"
] | [
"S3-11",
"S10-5"
] | [
"Social Commentaries",
"Living",
"Time & Brevity",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Social Commentaries/War & Conflict"
] |
c5d85b74348abf5b | Die Verschwundenen/The Vanished | Hans Magnus Enzensberger | For Nelly Sachs
It wasn't the earth that swallowed them. Was it the air? Numerous as the sand, they did not become sand, but came to naught instead. They've been forgotten in droves. Often, and hand in hand, like minutes. More than us, but without memorials. Not registered, not cipherable from dust, but vanishe... | [
"S6",
"S7"
] | [
"S6-4"
] | [
"Living",
"Time & Brevity"
] | [
"Living/Death & Dying"
] |
034c618e084db9ab | And the Ghosts | Graham Foust | they own everything | [
"S11"
] | [
"S11-2"
] | [
"Mythology & Folklore"
] | [
"Mythology & Folklore/Ghosts & the Supernatural"
] |
76decfee09728cea | Capriccio of the Imaginary Prison | Richard Garcia | After Piranesi
The faded remains of ancient advertising —
captives on parade in native costume.
Now the whangam, that imaginary animal
led by Wharfinger, keeper of the wharf.
And you, my puce, sitting between the paws
of the mechanical lion, his brittle heart of glass.
The regiments of holiday shoppers,
in for... | [
"S3",
"S10"
] | [
"S3-6",
"S10-4"
] | [
"Social Commentaries",
"Arts & Sciences"
] | [
"Arts & Sciences/Painting & Sculpture",
"Social Commentaries/Incarceration & Justice"
] |
8a8d6c8632bbe88f | from Field Notes | Brooklyn Copeland | The smallness of thiscolloquial cannotmuffle the full morning orchestra—amphibious greensclotting the trickleof thaw. The tinnyfin flip and eyeflake flash—small schools thatgive shimmer in the dullskulk of wind.)(cry one pure perennial I can’tdoubt)(something by which to) ... | [
"S2"
] | [
"S2-8"
] | [
"Nature"
] | [
"Nature/Plants & Fungi"
] |
61c478ebd62dcf5b | Passing Through | Ai | “Earth is the birth of the blues,” sang Yellow Bertha,
as she chopped cotton beside Mama Rose.
It was as hot as any other summer day,
when she decided to run away.
Folks say she made a fortune
running a whorehouse in New Orleans,
but others say she’s buried somewhere out west,
her grave unmarked,
though you can... | [
"S8"
] | [
"S8-3"
] | [
"Relationships"
] | [
"Relationships/Family & Ancestors"
] |
c6efb8a1d6dc17df | Epithalamion | Edmund Spenser | Ye learned sisters which have oftentimes Beene to me ayding, others to adorne: Whom ye thought worthy of your gracefull rymes, That even the greatest did not greatly scorne To heare theyr names sung in your simple layes, But joyed in theyr prayse. And when ye list your owne mishaps to mourne, Which death, or love, or f... | [
"S6",
"S8",
"S11"
] | [
"S8-7"
] | [
"Living",
"Relationships",
"Mythology & Folklore"
] | [
"Relationships/Marriage & Companionship"
] |
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