id stringlengths 16 16 | title stringlengths 1 203 | author stringlengths 2 40 | poem stringlengths 1 87.3k | labels_l1 listlengths 1 10 | labels_l2 listlengths 0 15 | labels_l1_names listlengths 1 10 | labels_l2_names listlengths 0 15 |
|---|---|---|---|---|---|---|---|
2a4bf246ffb738af | us | Tory Dent | in your arms
it was incredibly often
enough to be
in your arms
careful as we had to be at times
about the I.V. catheter
in my hand,
or my wrist,
or my forearm
which we placed, consciously,
like a Gamboni vase,
the center of attention,
placed, frail identity
as if our someday-newborn
on your chest—
to be ... | [
"S1",
"S6",
"S7"
] | [
"S1-1",
"S1-3",
"S6-6"
] | [
"Love",
"Living",
"Time & Brevity"
] | [
"Love/Desire & Erotic Love",
"Love/Heartache & Loss",
"Living/Health & Illness"
] |
10d2a32ac7539cc6 | Eclogue the Second: HASSAN; or, the Camel-driver. | William Collins | scene, the desert.
time, mid-day.
In silent horror o’er the desert-waste
The driver Hassan with his camels past.
One cruse of water on his back he bore,
And his light scrip contained a scanty store:
A fan of painted feathers in his hand,
To guard his shaded face from scorching sand.
The sultry sun had gained the midd... | [
"S3",
"S4"
] | [
"S3-2",
"S4-1"
] | [
"Social Commentaries",
"History & Politics"
] | [
"Social Commentaries/Class & Labor",
"History & Politics/Money & Economics"
] |
179931938a405c45 | Keats | Henry Wadsworth Longfellow | The young Endymion sleeps Endymion's sleep; The shepherd-boy whose tale was left half told! The solemn grove uplifts its shield of gold To the red rising moon, and loud and deep The nightingale is singing from the steep; It is midsummer, but the air is cold; Can it be death? Alas, beside t... | [
"S6",
"S10"
] | [
"S6-4",
"S6-5",
"S10-6"
] | [
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets",
"Living/Death & Dying",
"Living/Mourning"
] |
59e9576040374b9e | The Giant Water Bug | Douglas Florian | The giant water bug can lug
His eggs upon his back.
He gives them extra care up there
And guards them from attack.
The mother glues them to the dad,
And on his way they stay.
But does he ever get a card
Or gift on Father's Day? | [
"S2",
"S8"
] | [
"S2-5",
"S8-3"
] | [
"Nature",
"Relationships"
] | [
"Nature/Animals",
"Relationships/Family & Ancestors"
] |
9e270c66db5adabe | Shakesperian Readings | Phoebe Cary | Oh, but to fade, and live we know not where, To be a cold obstruction and to groan! This sensible, warm woman to become A prudish clod; and the delighted spirit To live and die alone, or to reside With married sisters, and to have the care Of half a dozen children, not your own; And driven, for no one wants you, Round ... | [
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"Arts & Sciences/Poetry & Poets",
"Arts & Sciences/Reading & Books",
"Relationships/Home Life",
"Relationships/Marriage & Companionship"
] |
fdf2529ba78061a7 | Late at Night in Bed | Gregory Djanikian | My wife tells me she hears a beetle
Scurrying across the kitchen floor.
She says our daughter is dreaming
Too loudly, just listen, her eyelids
Are fluttering like butterflies.
What about the thunder, I say,
What about the dispatches from the police car
Parked outside, or me rolling over like a whale?
She tells ... | [
"S6",
"S8"
] | [
"S6-7",
"S8-5",
"S8-7"
] | [
"Living",
"Relationships"
] | [
"Living/Parenthood",
"Relationships/Home Life",
"Relationships/Marriage & Companionship"
] |
4be9af4f06a2324a | [listen mother, he punched the air: I am not your son dying] | D. A. Powell | a stabat mater
listen mother, he punched the air: I am not your son dying
the day fades and the starlings roost: a body’s a husk a nest of goodbye
his wrist colorless and soft was not a stick of chewing gum
how tell? well a plastic bracelet with his name for one. & no mint
his eyes distinguishable from o... | [
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"S8"
] | [
"S6-6",
"S8-3"
] | [
"Living",
"Relationships"
] | [
"Living/Health & Illness",
"Relationships/Family & Ancestors"
] |
29bb52d67021bf47 | Nomadology | Alissa Leigh | In the beginning, a word, move;
then a plan and then the reasons,
which I do not remember exactly.
I remember clearly only the clothes
we were given for the journey
and the last, silent meal we ate.
We left the place as lightly as we
had come, so many years before.
From a sunlit state of innocence
where white sheets we... | [
"S2",
"S6",
"S8",
"S10"
] | [
"S2-7",
"S8-3",
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] | [
"Arts & Sciences/Philosophy",
"Nature/Landscapes & Pastorals",
"Relationships/Family & Ancestors",
"Relationships/Home Life"
] |
8f3d0032b9c7fec7 | The Lotos-eaters | Alfred, Lord Tennyson | "Courage!" he said, and pointed toward the land, "This mounting wave will roll us shoreward soon." In the afternoon they came unto a land In which it seemed always afternoon. All round the coast the languid air did swoon, Breathing like one that hath a weary dream. Full-faced above the valley stood the moon; And like a... | [
"S6",
"S7",
"S11"
] | [] | [
"Living",
"Time & Brevity",
"Mythology & Folklore"
] | [] |
79a1dfdd8fb8e325 | Midsummer | Louise Glück | On nights like this we used to swim in the quarry, the boys making up games requiring them to tear off the girls’ clothes and the girls cooperating, because they had new bodies since last summer and they wanted to exhibit them, the brave ones leaping off the high rocks — bodies crowding the water. The nights were ... | [
"S2",
"S6",
"S8"
] | [
"S2-2"
] | [
"Nature",
"Living",
"Relationships"
] | [
"Nature/Summer"
] |
855fa5836aee7ea4 | The Medium | Robin Blaser | it is essentially reluctance the language
a darkness, a friendship, tying to the real
but it is unreal
the clarity desired, a wish for true sight,
all tangling
‘you’ tried me, the everyday which
caught me, turning the house
in the wind, a lovecraft the political
was not my business I could not look
without ... | [
"S6",
"S8",
"S10"
] | [
"S8-4"
] | [
"Living",
"Relationships",
"Arts & Sciences"
] | [
"Relationships/Friendship"
] |
e33df2bef519efed | Questionnaire | Charles Bernstein | Directions: For each pair of sentences, circle the letter, a or b, that best
expresses your viewpoint. Make a selection from each pair. Do not omit
any items.
1.a) The body and the material things of the world are the key to any
knowledge we can possess.
b) Knowledge is only possible by means of the mind... | [
"S3",
"S4",
"S10"
] | [
"S4-1",
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"History & Politics",
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics",
"Arts & Sciences/Philosophy",
"History & Politics/Money & Economics"
] |
d83dc806aea8136f | Faberg's Egg | Elizabeth Spires | Switzerland, 1920
Dear Friend, “Called away” from my country,
I square the egg and put it in a letter
that all may read, gilding each word a little
so that touched, it yields to a secret
stirring, a small gold bird on a spring
suddenly appearing to sing a small song
of regret, elation, that overspills all privat... | [
"S3",
"S4",
"S11"
] | [
"S11-1"
] | [
"Social Commentaries",
"History & Politics",
"Mythology & Folklore"
] | [
"Mythology & Folklore/Fairy-tales & Legends"
] |
9234e4544f8fe56f | from At a Vacation Exercise | John Milton | Hail native language, that by sinews weak Didst move my first endeavouring tongue to speak, And mad'st imperfect words with childish trips, Half unpronounc'd, slide through my infant lips, Driving dumb Silence from the portal door, Where he had mutely sate two years before: Here I salute thee and thy pardon ask, That n... | [
"S10"
] | [
"S10-6"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets"
] |
28fbf21cbf5759c9 | Roundel | Vera Mary Brittain | (“Died of Wounds”)
Because you died, I shall not rest again, But wander ever through the lone world wide, Seeking the shadow of a dream grown vain Because you died. I shall spend brief and idle hours beside The many lesser loves that still remain, But find in none my triumph and my pride; ... | [
"S1",
"S3",
"S6"
] | [
"S1-3",
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"S6-5"
] | [
"Love",
"Social Commentaries",
"Living"
] | [
"Love/Heartache & Loss",
"Social Commentaries/War & Conflict",
"Living/Mourning"
] |
b0caa104970692bc | Tom Tigercat | J. Patrick Lewis | Tom Tigercat is noted
for his manners and his wit.
He wouldn't think of lion,
No, he doesn't cheetah bit.
Tom never pretended
to be something that he's not.
I guess that's why we like him
and why he likes ocelot. | [
"S2"
] | [
"S2-5"
] | [
"Nature"
] | [
"Nature/Animals"
] |
b3a43e50fdedea6e | Nocturne | Sara Miller | Last night in bedI mouthed a prayerof my own composition.It sounded offhand, it was carelesslyaddressed, it twisted my meaningentirely, it left an ache,I didn’t know what I was doing.So I took down my yellowed copyof French With Picturesby the late literary critic I.A. Richardsand I put my petitioninto soft French word... | [
"S10"
] | [
"S10-2",
"S10-8"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics",
"Arts & Sciences/Reading & Books"
] |
f5d743865b2dbb05 | Variation on a Line from Elizabeth Bishop’s “Five Flights Up” | Stanley Plumly | Sometimes it’s the shoes, the tying and untying,the bending of the heart to put them on,take them off, the rush of bloodbetween the head and feet, my face,sometimes, if I could see it, astonished.Other times the stairs, three, four stagesat the most, “flights” we call them,in honor of the wings we’ll never have,the fif... | [
"S6",
"S7",
"S8"
] | [
"S6-1",
"S8-3"
] | [
"Living",
"Time & Brevity",
"Relationships"
] | [
"Living/Aging",
"Relationships/Family & Ancestors"
] |
a726fea4ca0431ce | Autumn | Joan Mitchell | The rusty leaves crunch and crackle, Blue haze hangs from the dimmed sky, The fields are matted with sun-tanned stalks — Wind rushes by. The last red berries hang from the thorn-tree, The last red leaves fall to the ground. Bleakness, through the trees and bushes, Comes without sound. | [
"S2"
] | [
"S2-3"
] | [
"Nature"
] | [
"Nature/Fall"
] |
92a336453ae28d78 | The Blue Terrance | Terrance Hayes | If you subtract the minor losses,
you can return to your childhood too:
the blackboard chalked with crosses,
the math teacher’s toe ring. You
can be the black boy not even the buck-
toothed girls took a liking to:
this match box, these bones in their funk
machine, this thumb worn smooth
as the belly of a shovel... | [
"S6"
] | [
"S6-3"
] | [
"Living"
] | [
"Living/Coming of Age"
] |
6821c7a4b7dfcd7e | Emergency Haying | Hayden Carruth | Coming home with the last load I ride standing
on the wagon tongue, behind the tractor
in hot exhaust, lank with sweat,
my arms strung
awkwardly along the hayrack, cruciform.
Almost 500 bales we’ve put up
this afternoon, Marshall and I.
And of course I think of another who hung
like this on another cross. My ha... | [
"S3",
"S5",
"S9"
] | [
"S5-2",
"S9-4"
] | [
"Social Commentaries",
"Religion",
"Activities"
] | [
"Religion/Christianity",
"Activities/Jobs & Working"
] |
effbd4a533be8263 | 40 Days | Tom Clark | sleepwalker can never die
he is the chemical soldier
composite of latex
and atropine,
hellfire, warthogs,
desolation, pride,
apaches, lasers,
dust
devils swirling,
screaming fire
deaths, machine
worship, young blond
pilots flashing thumbs
up, excited smiles
of interviewed
military wives, shrapnel-
paced... | [
"S3"
] | [
"S3-11"
] | [
"Social Commentaries"
] | [
"Social Commentaries/War & Conflict"
] |
865af9085e9b4f31 | Violins | Rowan Ricardo Phillips | He never saw a violin.
But he saw a lifetime of violence.
This is not to presume
That if he had simply seen
A violin he would have seen
Less violence. Or that living among
Violins, as though they were
Boulangeries or toppling stacks
Of other glazed goods like young adult
Fiction, would have made the violence
... | [
"S6"
] | [
"S6-5",
"S6-6",
"S6-8"
] | [
"Living"
] | [
"Living/Mourning",
"Living/Health & Illness",
"Living/Youth"
] |
1a733f204895ac04 | Rarefied | Albert Goldbarth | This sweater is made from only the finest, softest underhairs of the Mongolian camel.
“Fancy-schmancy,” my father would have said,
whose snazziest sweater was still a declassé
synthetic from the sweatshops of Taiwan. My friend
Deloris, however, who really owns such clothes,
would say “exquisite” or “sublime”—her o... | [
"S3",
"S4",
"S8",
"S10"
] | [
"S3-2",
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"History & Politics",
"Relationships",
"Arts & Sciences"
] | [
"Social Commentaries/Class & Labor",
"History & Politics/Money & Economics",
"Relationships/Family & Ancestors"
] |
906750ff89de3068 | Disenchantment Bay | Timothy Murphy | Touch and go. Our Cessna bumped the sand, thumped its tundra tires, lifted as if on wires,banked over ice and rocked its wings to land.We pitched our camp hard by the Hubbard’s face, some sixty fathoms tall, a seven-mile-long wallseven leagues from Yakutat, our base. | [
"S2",
"S5"
] | [
"S2-6",
"S5-4"
] | [
"Nature",
"Religion"
] | [
"Nature/Bodies of Water",
"Religion/God & the Divine"
] |
61a049086bceb50b | First Anniversary, With Monkeys | Aimee Nezhukumatathil | Periyar Nature Preserve
There is no crumbly frozen cake to thaw.
Today, we are in the jungle. I mean mosquito. I mean
tigers and elephants sludging their way
to the lake for a drink and Don’t make sudden moves
or snakes startled from an afternoon nap
will greet you fang first. I think we are lost. Too hot
for an... | [
"S1",
"S6",
"S8",
"S9"
] | [
"S1-6",
"S8-3",
"S8-7",
"S9-7"
] | [
"Love",
"Living",
"Relationships",
"Activities"
] | [
"Love/Realistic & Complicated",
"Relationships/Family & Ancestors",
"Relationships/Marriage & Companionship",
"Activities/Travels & Journeys"
] |
78e1143cdb5fffad | Home Fire | Linda Parsons Marion | Whether on the boulevard or gravel backroad, I do not easily raise my hand to those who toss up theirs in anonymous hello, merely to say “I’m passing this way.” Once out of shyness, now reluctance to tip my hand, I admire the shrubbery instead. I’ve learned where the lines are drawn and keep the privet well trimmed. I ... | [
"S6",
"S8"
] | [
"S8-5"
] | [
"Living",
"Relationships"
] | [
"Relationships/Home Life"
] |
1896d530ebe05a62 | What the Oracle Said | Shara McCallum | You will leave your home:
nothing will hold you.
You will wear dresses of gold; skins
of silver, copper, and bronze.
The sky above you will shift in meaning
each time you think you understand.
You will spend a lifetime chipping away layers
of flesh. The shadow of your scales
will always remain. You will be mark... | [
"S2",
"S3",
"S6"
] | [
"S2-6",
"S6-3"
] | [
"Nature",
"Social Commentaries",
"Living"
] | [
"Nature/Bodies of Water",
"Living/Coming of Age"
] |
59561343319b3802 | American Future | Peter Bethanis | In 1963 the morning probably seemed harmless enough
to sign on the dotted line as the insurance man
talked to my parents for over an hour
around a coffee table about our future.
This roof wasn't designed to withstand meteors
he told my father, who back then had a brush haircut
that made his ears stick out, his mo... | [
"S3",
"S4",
"S6"
] | [
"S4-1"
] | [
"Social Commentaries",
"History & Politics",
"Living"
] | [
"History & Politics/Money & Economics"
] |
e87925b64ce0d656 | Song [“Only the wanderer”] | Ivor Gurney | Only the wanderer Knows England's graces,Or can anew see clear Familiar faces.And who loves joy as he That dwells in shadows?Do not forget me quite, O Severn meadows. | [
"S2",
"S11"
] | [
"S2-7",
"S11-4"
] | [
"Nature",
"Mythology & Folklore"
] | [
"Mythology & Folklore/Heroes & Patriotism",
"Nature/Landscapes & Pastorals"
] |
81f58ba759c2ed2f | Ardors | Carol Frost | The tortoise walks on tiptoe in June,
the month of his ardors.
Buttery light, distant thunder
in the month of my ardors. | [
"S2"
] | [
"S2-2",
"S2-5",
"S2-8",
"S2-9"
] | [
"Nature"
] | [
"Nature/Summer",
"Nature/Animals",
"Nature/Plants & Fungi",
"Nature/Stars, Moons, & Space"
] |
0f62afb2c30fecd1 | Am I Special | Rebecca Wolff | I can play songs in my head
Yes I can perfectly replicate
(the) full-on
orchestral
every note
(when the lights / do down / in the city)
yet I cannot
compose, for example
and though when I was young I believed
that the fullness meant
I could recreate the sounds
I heard in my head with my mouth
I learned thro... | [
"S10"
] | [
"S10-3"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Music"
] |
69d2b76ea51c3010 | The Natural Child | Helen Leigh | Let not the title of my verse offend, Nor let the pride contract her rigid brow; That helpless Innocence demands a friend, Virtue herself will cheerfully allow: And should my pencil prove too weak to paint, The ills attendant on the babe ere born; Whose parents swerved from virtue’s mild restraint, Forgive ... | [
"S3",
"S6",
"S8"
] | [
"S6-2",
"S6-7",
"S8-3"
] | [
"Social Commentaries",
"Living",
"Relationships"
] | [
"Living/Birth & Infancy",
"Living/Parenthood",
"Relationships/Family & Ancestors"
] |
3040ce12a502703e | Taste | Jessica Laser | All my life I’ve asked my master
Why I am unable to choose
This sweet man or fancy shoes
Over this stranger, more difficult lover
And these expensive but practical loafers
And why I am unable to author
A book exhibiting my full potential
And have focused instead on inconsequential
Letters to strange and difficu... | [
"S1",
"S6",
"S7",
"S10"
] | [
"S1-6",
"S10-6"
] | [
"Love",
"Living",
"Time & Brevity",
"Arts & Sciences"
] | [
"Love/Realistic & Complicated",
"Arts & Sciences/Poetry & Poets"
] |
0dd9ef7b840c1761 | The Finality of a Poem | Michael Anania | (after Albert Cook)
All day, that
is forever,
they fall, leaves,
pine needles,
as blindly as
hours into hours
colliding,
and the chill
rain—what else
do you expect
of October?—
spilling from one
roof to another,
like words from
lips to lips, your
long incertain
say in all of this
unsure of where
the ... | [
"S2",
"S6",
"S7",
"S8",
"S10"
] | [
"S2-3",
"S10-6"
] | [
"Nature",
"Living",
"Time & Brevity",
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets",
"Nature/Fall"
] |
4f0fdefd889f3d32 | Song: “Full fathom five thy father lies” | William Shakespeare | (from The Tempest)
Full fathom five thy father lies; | [
"S2",
"S6"
] | [
"S2-6",
"S6-4"
] | [
"Nature",
"Living"
] | [
"Nature/Bodies of Water",
"Living/Death & Dying"
] |
ebe167df8e9ba7a0 | The Fork-in-the-Road Indian Poetry Store | Phillip Carroll Morgan | I.i saved my energy as i read,
like managing held-breath underwater
so i could extend my survey
and not miss anything great | [
"S3",
"S4",
"S8",
"S10"
] | [
"S3-8",
"S8-3",
"S10-6"
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"Relationships",
"Arts & Sciences"
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"Arts & Sciences/Poetry & Poets",
"Social Commentaries/Race & Ethnicity",
"Relationships/Family & Ancestors"
] |
b39d81a8a760994c | The Stray | Charles Simic | One day, chasing my tail here and there,
I stopped to catch my breath
On some corner in New York,
While people hurried past me,
All determined to get somewhere,
Save a few adrift like lost children.
What ever became of my youth?
I wanted to stop a stranger and ask.
"It went into hiding," said an old woman
Who'... | [
"S6",
"S8"
] | [
"S6-1",
"S8-8"
] | [
"Living",
"Relationships"
] | [
"Living/Aging",
"Relationships/Pets & Domestic Animals"
] |
618a1da6fa8a7ac5 | senses of heritage | Ntozake Shange | my grandpa waz a doughboy from carolina
the other a garveyite from lakewood
i got talked to abt the race & achievement
bout color & propriety/
nobody spoke to me about the moon
daddy talked abt music & mama bout christians
my sisters/ we
always talked & talked
there waz never quiet
trees were status symbols
i... | [
"S3",
"S4",
"S8"
] | [
"S3-8",
"S8-3"
] | [
"Social Commentaries",
"History & Politics",
"Relationships"
] | [
"Social Commentaries/Race & Ethnicity",
"Relationships/Family & Ancestors"
] |
e51321214503f8a3 | My Frog Is a Frog | Jack Prelutsky | My frog is a frog that is hopelessly hoarse,
my frog is a frog with a reason, of course,
my frog is a frog that cannot croak a note,
my frog is a frog with a frog in its throat. | [
"S2"
] | [
"S2-5"
] | [
"Nature"
] | [
"Nature/Animals"
] |
424615e56c6449e7 | Shapes | Ruth Stone | In the longer view it doesn’t matter.
However, it’s that having lived, it matters.
So that every death breaks you apart.
You find yourself weeping at the door
of your own kitchen, overwhelmed
by loss. And you find yourself weeping
as you pass the homeless person
head in hands resigned on a cement
step, the wire... | [
"S6"
] | [
"S6-5"
] | [
"Living"
] | [
"Living/Mourning"
] |
eae16ef861950ff0 | The Flight | Christopher Middleton | Just seen, running, and silver-grayalong the top tube of a fence between myrtles and me,too slinky for a bird and even at this distanceunmistakably a quadruped andnimble, some sort of unspoiled animal, but which?It ran as if awayfrom a threat, peril was everywhere,a footsole crunches it, it is mangledby a tire’s treads... | [
"S2",
"S6"
] | [
"S2-5",
"S6-4"
] | [
"Nature",
"Living"
] | [
"Nature/Animals",
"Living/Death & Dying"
] |
3a54abe2740d60c7 | “When I Grow Up, I Want to Be a Martyr” | Cortney Lamar Charleston | is surely a peculiar answer for any teacher to receive when
asking a kindergartner, but on second take, what word best
describes me, crossbreed of butterfly and Super Fly aesthetics,
other than peculiar? I suppose calling me a keen kid would
also suffice in explaining my avidity for the kind of death that
progress... | [
"S3",
"S5",
"S6",
"S9"
] | [
"S3-8",
"S5-2",
"S5-8",
"S6-3",
"S9-4"
] | [
"Social Commentaries",
"Religion",
"Living",
"Activities"
] | [
"Social Commentaries/Race & Ethnicity",
"Religion/Christianity",
"Religion/The Spiritual",
"Living/Coming of Age",
"Activities/Jobs & Working"
] |
463fd764e50c6f67 | Imago | Franz Wright | From my cell I was staring at a cloud, a dog decaying in the woods, etc., as I took up the long-awaited sequel to my Confessions. By this time my hand was so far away that it looked like a small hairless spider whose progress I could hardly help but follow, from the corner of one eye, as it went on filling page after p... | [
"S6"
] | [
"S6-1"
] | [
"Living"
] | [
"Living/Aging"
] |
60061408d134a753 | Barry | C. K. Stead | Later, lying on the lawn of the big house
someone asked could we remove our jackets.
No one had taken chargewe were young officersand I took mine off.And then (or earlier)we were in the battle zone
taking cover behind parked carspostboxes, phone boothsand in abandoned trams
when my friend took one full in the chest... | [
"S3",
"S6"
] | [
"S3-11",
"S6-4",
"S6-8"
] | [
"Social Commentaries",
"Living"
] | [
"Social Commentaries/War & Conflict",
"Living/Death & Dying",
"Living/Youth"
] |
aa0b70025af4e4b4 | Philosophy and the Sunday Funnies | Rachel Sherwood | The perfect satisfaction
of wine, cigarettes, the sun
at an afternoon angle
passes through flesh
as if flesh were a sieve
to the direct point
the soul of matter.Things fix timealthough the sun moveslazily, creating an imagethat seems like motivethe wine transmutesand becomes bloodcigarettes dissolveto blue thread... | [
"S10"
] | [
"S10-5"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy"
] |
730abf97acaa0a21 | The Delta Parade | Susan Stewart | Everything stops.
A fat man on his way to Baltimore
smokes for three hours in the club car.
The porter slips out and calls his wife,
he has one dime left and he’s almost
yelling. Somewhere south of York,
she thinks he said. The funeral
procession leaves its lights on
and out of this pure stubbornness
its batte... | [
"S6",
"S7",
"S9"
] | [
"S9-7"
] | [
"Living",
"Time & Brevity",
"Activities"
] | [
"Activities/Travels & Journeys"
] |
935a55d578691442 | Song for Dead Children | Muriel Rukeyser | We set great wreaths of brightness on the graves of the passionate who required tribute of hot July flowers— for you, O brittle-hearted, we bring offering remembering how your wrists were thin and your delicate bones not yet braced for conquering. The sharp cries of ghost-boys are keen above the meadows, and little gir... | [
"S6",
"S7",
"S10"
] | [
"S6-4",
"S6-5",
"S10-5"
] | [
"Living",
"Time & Brevity",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Living/Death & Dying",
"Living/Mourning"
] |
df0a940a1ecefa21 | Sugar Dada | J. Allyn Rosser | Go home. It's never what you think it is,
The kiss, the diamond, the slamdance pulse in the wrist.
Nothing is true, my dear, not even this
Rumor of passion you'll doubtless insist
On perceiving in my glance. Please just
Go. Home is never what you think it is.
Meaning lies in meaning's absence. The mist
Is always almost... | [
"S6",
"S8"
] | [
"S8-5",
"S8-7"
] | [
"Living",
"Relationships"
] | [
"Relationships/Home Life",
"Relationships/Marriage & Companionship"
] |
117e2a252305f2f5 | Dawn | Ella Higginson | The soft-toned clock upon the stair chimed three— Too sweet for sleep, too early yet to rise. In restful peace I lay with half-closed eyes, Watching the tender hours go dreamily; The tide was flowing in; I heard the sea Shivering along the sands; while yet the skies Were dim, uncertain, as the light that lie... | [
"S2",
"S6",
"S7"
] | [] | [
"Nature",
"Living",
"Time & Brevity"
] | [] |
616f4a85c723b796 | The Star-splitter | Robert Frost | "You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains,
And rising on his hands, he looks in on me
Busy outdoors by lantern-light with something
I should have done by daylight, and indeed,
After the ground is frozen, I should have done
Before it froze, and a gust flings a handful
Of was... | [
"S2",
"S3",
"S5",
"S9",
"S10"
] | [
"S2-9",
"S3-6",
"S5-3",
"S9-4",
"S10-5"
] | [
"Nature",
"Social Commentaries",
"Religion",
"Activities",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Nature/Stars, Moons, & Space",
"Social Commentaries/Incarceration & Justice",
"Religion/Faith & Doubt",
"Activities/Jobs & Working"
] |
975c6d473c3a4dcc | Camera Eulogia | Michelle Mitchell-Foust | Herodotus says the king made a bowl to leave behind
the memory of a number. We don’t know the number.
We don’t know if it was divisible by two or three.
I want, at the moment, the number to indicate
a ratio, part of a proportion, because the measurement
of the earth depends on this, the balance among things,
the ... | [
"S1",
"S6",
"S8",
"S10"
] | [
"S1-3",
"S6-4",
"S6-5",
"S8-4",
"S10-7"
] | [
"Love",
"Living",
"Relationships",
"Arts & Sciences"
] | [
"Love/Heartache & Loss",
"Arts & Sciences/Photography & Film",
"Living/Death & Dying",
"Living/Mourning",
"Relationships/Friendship"
] |
e4ccdbca11af6ea6 | The Dancer | David Tucker | Class is over, the teacher and the pianist gone, but one dancer in a pale blue leotard stays to practice alone without music, turning grand jetes through the haze of late afternoon. Her eyes are focused on the balancing point no one else sees as she spins in this quiet made of mirrors and light— a blue rose on a nail— ... | [
"S10"
] | [
"S10-10"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Theater & Dance"
] |
3cd2140e2e0895e0 | Frozen In | Annie Finch | Venice, December
Ours are the only mouths
to taste with this smothering slow
touch, and the only steps
to sink like bellsounds and cave
deep into the marble snow.
Women w... | [
"S2"
] | [
"S2-4"
] | [
"Nature"
] | [
"Nature/Winter"
] |
88186553f7c1fb8d | Zeus and Apollo | David Rivard | Written on clapboard or asbestos siding, the cartoony
spray-paint signatures of Apollo and Zeus,
two home boys out bombing last night in thick fog.
Fog near the shade of pearls. Except they didn’t see the mist
that way, glad for their thin leather gloves.
Wind raw at the wide avenue, so they cut
from there to her... | [
"S11"
] | [
"S11-3"
] | [
"Mythology & Folklore"
] | [
"Mythology & Folklore/Greek & Roman Mythology"
] |
11b72e441dd09865 | Psychomachia | Joanne Diaz | At the Mind Museum, you can walk to the back,step on several large buttons on the ground,and watch parts of the brain light up: the frontal lobefor decision and memory, the temporal lobefor smell and sound, the occipital for sight. I tryto make my toddler son laugh by hoppingfrom one button to the next, watching each l... | [
"S6",
"S8",
"S10"
] | [
"S6-5",
"S6-7",
"S8-3",
"S8-5",
"S10-5"
] | [
"Living",
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Living/Mourning",
"Living/Parenthood",
"Relationships/Family & Ancestors",
"Relationships/Home Life"
] |
84aabffa9adf90e5 | Death of an Infant | Lydia Huntley Sigourney | Death found strange beauty on that cherub brow, And dash’d it out. – There was a tint of rose O’er cheek and lip; – he touch’d the veins with ice, And the rose faded. – Forth from those blue eyes There spake a wistful tenderness, – a doubt Whether to grieve or sleep, which Innocence Alone can wear. – With ruthless ha... | [
"S6"
] | [
"S6-2",
"S6-4",
"S6-5"
] | [
"Living"
] | [
"Living/Birth & Infancy",
"Living/Death & Dying",
"Living/Mourning"
] |
6429e02eb816b2f2 | After Reverdy | Ron Padgett | I would never have wanted to see your sad face again
Your cheeks and your windy hair
I went all across the country
Under this humid woodpecker
Day and night
Under the sun and the rain
Now we are face to face again
What does one say to my face
Once I rested up against a tree
So long
I got stuck to it
That kin... | [
"S8",
"S10"
] | [
"S10-6"
] | [
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Poetry & Poets"
] |
64fd3f5d9369a8c4 | Body | Alissa Valles | Map of terror and pleasure,
ardent junk, passionate congress
filled with the arguments of chemicals,
Echo chamber for the fanatical cries
of stubborn generations, all the quaint invisibles
death has grown a beard on,
labyrinth of desire, playing field of impulse,
factory where decay's silent armies clock in,
ph... | [
"S2",
"S6"
] | [] | [
"Nature",
"Living"
] | [] |
059606df46c5d03e | Sitting Down to Breakfast Alone | Christian Wiman | Brachest, she called it, gentling grease
over blanching yolks with an expertise
honed from three decades of dawns
at the Longhorn Diner in Loraine,
where even the oldest in the old men's booth
swore as if it were scripture truth
they'd never had a breakfast better,
rapping a glass sharply to get her
attention w... | [
"S6",
"S9"
] | [
"S6-4",
"S9-1"
] | [
"Living",
"Activities"
] | [
"Living/Death & Dying",
"Activities/Eating & Drinking"
] |
9b897870f79a2bad | Venus' Boyfriend | Rachel Sherwood | She sat on his lap for hours
pressed his face to her
large pink breasts her hands
moved through his hair
like fond snakesshe gave him curls, cleft
hooves beneath the flesh
marvellous flesh, and smooth shoulders | [
"S1"
] | [
"S1-1"
] | [
"Love"
] | [
"Love/Desire & Erotic Love"
] |
af9d647cc8184b03 | If Spirits Walk | Sophie Jewett | “I have heard (but not believed) the spirits of the dead
May walk again.”
Winter’s Tale
If spirits walk, Love, when the night climbs slow
The slant footpath where we were wont to go,
Be sure that I shall take the self-same way
To the hill-crest, and shoreward, down the gray,
Sheer, gravelled slope, w... | [
"S1",
"S8",
"S11"
] | [
"S1-3",
"S11-2"
] | [
"Love",
"Relationships",
"Mythology & Folklore"
] | [
"Love/Heartache & Loss",
"Mythology & Folklore/Ghosts & the Supernatural"
] |
9ad594c1386bfd60 | Alternating lunes | Philip Good | amaryllis comes in many flavors
snow sometimes slants
when will politics make improvements?
strawberry amaryllis walks right in
snarling at snowfall
saying flowers don’t abuse women
female rabbi demands ancient answers
untranslatable tablets found
there’s more knowledge in flowers
aren’t all rabbis ancient fem... | [
"S2",
"S3",
"S6",
"S7",
"S10"
] | [
"S2-8",
"S2-9",
"S3-4",
"S10-2"
] | [
"Nature",
"Social Commentaries",
"Living",
"Time & Brevity",
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics",
"Nature/Plants & Fungi",
"Nature/Stars, Moons, & Space",
"Social Commentaries/Gender & Sexuality"
] |
927f203a19c62330 | A White Hunter | Gertrude Stein | A white hunter is nearly crazy. | [
"S10"
] | [
"S10-2"
] | [
"Arts & Sciences"
] | [
"Arts & Sciences/Language & Linguistics"
] |
58e1bc077a7cf758 | The Homer Mitchell Place | John Engels | The mountains carry snow, the season fails.
Jackstraw clapboard shivers on its nails,
the freezing air blows maple leaves and dust,
a thousand nails bleed laceries of rust,
slates crack and slide away, the gutters sprout.
I wonder: do a dead man’s bones come out
like these old lintels and wasp-riddled beams?
I a... | [
"S6",
"S7",
"S8"
] | [
"S8-5"
] | [
"Living",
"Time & Brevity",
"Relationships"
] | [
"Relationships/Home Life"
] |
f9ab32261e9b4b34 | Probability of the Sparrow | Rodney Gomez | The body wicks
away its nest, leaves
sediment. In salt
the silhouette of a wolf
or a sheepshead. Who
knows who steals bones
if not the connoisseur
of bones, and who drops
a crank behind the body
if not the one who drains
the river bed? In unrest,
buzzards. Or a flat
line. The probability
of sparrows a ... | [
"S2",
"S6"
] | [
"S2-5",
"S6-4"
] | [
"Nature",
"Living"
] | [
"Nature/Animals",
"Living/Death & Dying"
] |
a8fe65f4e3c2175e | "How can I keep my maidenhead" | Robert Burns | How can I keep my maidenhead, My maidenhead, my maidenhead; How can I keep my maidenhead, Among sae mony men, O. The Captain bad a guinea for’t, A guinea for’t, a guinea for’t, The Captain bad a guinea for’t, The Colonel he bad ten, O. But I’ll do as my minnie did, My minnie did, my minnie did, But ... | [
"S1"
] | [
"S1-1"
] | [
"Love"
] | [
"Love/Desire & Erotic Love"
] |
6b3c2f69d4a97086 | Who Am I, Without Exile? | Mahmoud Darwish | A stranger on the riverbank, like the river ... water
binds me to your name. Nothing brings me back from my faraway
to my palm tree: not peace and not war. Nothing
makes me enter the gospels. Not
a thing ... nothing sparkles from the shore of ebb
and flow between the Euphrates and the Nile. Nothing
makes me desce... | [
"S3",
"S4",
"S5",
"S8",
"S9"
] | [
"S8-3",
"S9-7"
] | [
"Social Commentaries",
"History & Politics",
"Religion",
"Relationships",
"Activities"
] | [
"Relationships/Family & Ancestors",
"Activities/Travels & Journeys"
] |
c8e40bd386a5fa40 | Now | Robert Browning | Out of your whole life give but one moment!
All of your life that has gone before,
All to come after it, – so you ignore,
So you make perfect the present, – condense,
In a rapture of rage, for perfection’s endowment,
Thought and feeling and soul and sense –
Merged in a moment which gives me at last
You around me for on... | [
"S1"
] | [
"S1-1",
"S1-4"
] | [
"Love"
] | [
"Love/Desire & Erotic Love",
"Love/Infatuation & Crushes"
] |
a4451b59bac2e9f1 | The Eager Interpreter | Reginald Gibbons | for Gloria
Imagining, on a long walk
between two Greek towns,
those Turkish prisoners the guidebook
says were sabred where they crowded
together on the stone dock;
and then imagining—still walking,
anxious to see some worker
in the fields or another old couple
like the last one (he riding
the donkey, she lead... | [
"S3",
"S11"
] | [
"S3-11",
"S11-3",
"S11-4"
] | [
"Social Commentaries",
"Mythology & Folklore"
] | [
"Mythology & Folklore/Greek & Roman Mythology",
"Mythology & Folklore/Heroes & Patriotism",
"Social Commentaries/War & Conflict"
] |
da5fd7437f03c9fd | Folk Education | Paul Foster Johnson | Their singer suffered breakdowns. In their work
there was a sense of what it was to live there at that time.
One song described the dark around the military
vehicles between them and the cocaine waiting
in Gramercy. It was about the sepsis that followed love
or love repeated as farce, the neck neck neck
damaged b... | [
"S3",
"S6",
"S8",
"S10"
] | [
"S3-7",
"S6-3",
"S8-4",
"S10-3",
"S10-5"
] | [
"Social Commentaries",
"Living",
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Music",
"Arts & Sciences/Philosophy",
"Social Commentaries/Popular Culture",
"Living/Coming of Age",
"Relationships/Friendship"
] |
2f7fa7b607022965 | Harvest Song | Jean Toomer | I am a reaper whose muscles set at sun-down. All my oats are cradled.But I am too chilled, and too fatigued to bind them. And I hunger.I crack a grain between my teeth. I do not taste it.I have been in the fields all day. My throat is dry. I hunger.My eyes are caked with dust of oat-fields at harvest-time.I am a blind ... | [
"S2",
"S3",
"S6",
"S9"
] | [
"S3-2",
"S9-1",
"S9-4"
] | [
"Nature",
"Social Commentaries",
"Living",
"Activities"
] | [
"Social Commentaries/Class & Labor",
"Activities/Eating & Drinking",
"Activities/Jobs & Working"
] |
b0cb5ee1f685a9a6 | Les Molles | Geraldine Clarkson | In the end, some are incurable. They use lint to
mop up the leaking, or apply cold poultices.
Creeping mess can be cleared up with pink paste or
trapped in sawdust and swept.
Blood can pool from their sitting and standing, but
they avoid clots by regular shaking, and the
sucking of sherbet.
Blue blue for the sky... | [
"S9",
"S10"
] | [
"S9-4",
"S10-4"
] | [
"Activities",
"Arts & Sciences"
] | [
"Arts & Sciences/Painting & Sculpture",
"Activities/Jobs & Working"
] |
6723f811e3582831 | Flight | Jenny Bornholdt | It came to pass
that I boarded a plane
and as I edged past the man
in the aisle seat he saidMy name is Dov. I knew
you would come. | [
"S2",
"S6",
"S8",
"S9"
] | [
"S2-5",
"S6-4",
"S8-3",
"S9-7"
] | [
"Nature",
"Living",
"Relationships",
"Activities"
] | [
"Nature/Animals",
"Living/Death & Dying",
"Relationships/Family & Ancestors",
"Activities/Travels & Journeys"
] |
63fa612dbd444ee4 | Hammer | Dean Young | Every Wednesday when I went to the shared office
before the class on the comma, etc.,
there was on the desk, among
the notes from students aggrieved and belly-up
and memos about lack of funding
and the quixotic feasibility memos
and labyrinthine parking memos
and quizzes pecked by red ink
and once orange peels,... | [
"S9",
"S10"
] | [
"S9-6"
] | [
"Activities",
"Arts & Sciences"
] | [
"Activities/Study & Knowledge"
] |
fa411569aa65d64d | The Girl Grew and Grew, Her Mother Couldn’t Stop It | Daisy Fried | The girl grew and grew, her mother couldn’t stop it; it terrorized. What would the finger-dance do? Kindergarten art a buffet of
markers,gluings of stuffs to seasonally-keyed paper, Elmer’s pools drying clear. A stapling and testing of cylinders versus spheres versus cubesfor kinetic and entropic possibilities, ... | [
"S6",
"S7",
"S8",
"S10"
] | [
"S6-7",
"S8-3",
"S8-5",
"S10-5"
] | [
"Living",
"Time & Brevity",
"Relationships",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Living/Parenthood",
"Relationships/Family & Ancestors",
"Relationships/Home Life"
] |
039c09f9bcc3e6d0 | I Hear a River thro’ the Valley Wander | Trumbull Stickney | I hear a river thro’ the valley wander Whose water runs, the song alone remaining. A rainbow stands and summer passes under. | [
"S2"
] | [
"S2-6"
] | [
"Nature"
] | [
"Nature/Bodies of Water"
] |
93b2d43942865671 | From “Reconstructions” | Brad Trumpfheller | I won’t explain. My aunts spell
around the vanity mirror
& centerpiece me, my lips plummed,
my neck belled mid-flight.
After the food’s uncooked, the heirloom par... | [
"S1",
"S3",
"S5",
"S6",
"S7",
"S8"
] | [
"S1-7",
"S3-4",
"S3-8",
"S5-8",
"S8-1",
"S8-3",
"S8-6"
] | [
"Love",
"Social Commentaries",
"Religion",
"Living",
"Time & Brevity",
"Relationships"
] | [
"Love/Romantic Love",
"Social Commentaries/Gender & Sexuality",
"Social Commentaries/Race & Ethnicity",
"Religion/The Spiritual",
"Relationships/Breakups & Separation",
"Relationships/Family & Ancestors",
"Relationships/LGBTQ+"
] |
13071c92e5f26744 | Notes for an Elegy | William Meredith | The alternative to flying is cowardice,
And what is said against it excuses, excuses;
Its want was always heavy in those men’s bodies
Who foresaw it in some detail; and failing that,
The rest were shown through its skyey heats and eases
In sleep, awoke uncertain whether their waking cry
Had been falling fear only... | [
"S2",
"S3",
"S6",
"S11"
] | [
"S2-8",
"S3-11",
"S6-4",
"S11-4"
] | [
"Nature",
"Social Commentaries",
"Living",
"Mythology & Folklore"
] | [
"Mythology & Folklore/Heroes & Patriotism",
"Nature/Plants & Fungi",
"Social Commentaries/War & Conflict",
"Living/Death & Dying"
] |
a57dd87f8bb0a4b5 | Dreams | Nikki Giovanni | in my younger years
before i learned
black people aren’t
suppose to dream
i wanted to be
a raelet
and say “dr o wn d in my youn tears”
or “tal kin bout tal kin bout”
or marjorie hendricks and grind
all up against the mic
and scream
“baaaaaby nightandday
baaaaaby nightandday”
then as i grew and matured
i b... | [
"S3",
"S6",
"S10"
] | [
"S3-8",
"S6-3",
"S10-3",
"S10-5"
] | [
"Social Commentaries",
"Living",
"Arts & Sciences"
] | [
"Arts & Sciences/Music",
"Arts & Sciences/Philosophy",
"Social Commentaries/Race & Ethnicity",
"Living/Coming of Age"
] |
101802578f7d5512 | Abundance | Paul Violi | In Breughel's great picture “Canal Street,”restaurant customers order roast swaninstead of chicken, hurled saladinstead of tossed salad, while shoppersspill through a maze of stalled trucksand scurry around the sidewalk stallsjammed with countless nameless thingsthat housewives sidestepto surround a Japanese manin a br... | [
"S9"
] | [
"S9-1"
] | [
"Activities"
] | [
"Activities/Eating & Drinking"
] |
5eb62a8d84e1210d | Venice Beach | Michael Hofmann | Annihilating all that’s made
To a green thought in a green shade. — Andrew Marvell
These are all thoughts — of course. At the edge of the ocean with nowhere to go,the nearest land three thousand miles away and under diffe... | [
"S3",
"S6"
] | [
"S3-1"
] | [
"Social Commentaries",
"Living"
] | [
"Social Commentaries/Cities & Urban Life"
] |
99d04617e36f20f0 | The Pacific | Jennifer Jean | There were no road rails.
I remember no road rails and the death depth off the cliffs
we motored along.
I remember speed in a parched Chevy clunker that could not have sped,
and bench seats, and no buckles, and bare thighs peeling off faux leather
at every hairpin. Every elevated canyon mile was a feat
but a brea... | [
"S2",
"S6",
"S8"
] | [
"S2-6",
"S6-8",
"S8-1",
"S8-3"
] | [
"Nature",
"Living",
"Relationships"
] | [
"Nature/Bodies of Water",
"Living/Youth",
"Relationships/Breakups & Separation",
"Relationships/Family & Ancestors"
] |
0001a73ad3e53af0 | Small Woman on Swallow Street | W. S. Merwin | Four feet up, under the bruise-blue
Fingered hat-felt, the eyes begin. The sly brim
Slips over the sky, street after street, and nobody
Knows, to stop it. It will cover
The whole world, if there is time. Fifty years’
Start in gray the eyes have; you will never
Catch up to where they are, too clever
And always wa... | [
"S2",
"S6"
] | [
"S6-1",
"S6-4"
] | [
"Nature",
"Living"
] | [
"Living/Aging",
"Living/Death & Dying"
] |
93f388d9fa6d2ca3 | [Exordium: ‘In what way names’] | Myung Mi Kim | In what way names were applied to things. Filtration. Not every word that has been applied, still exists. Through proliferation and differentiation. Airborn. Here, this speck and this speck you missed.
Numbers in cell division. Spheres of doubt. The paradigm’s stitchery of unrelated points. What escapes like so much c... | [
"S3",
"S4",
"S10"
] | [
"S10-5",
"S10-8"
] | [
"Social Commentaries",
"History & Politics",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Arts & Sciences/Reading & Books"
] |
77b29d73dac64f7c | When the Devil Leads Us Home and Yells Surprise | Nikki Wallschlaeger | Is that your house he asked
This used to be my house I said
But those are not your people
So that can’t be your house
But it is my house I said
I had some people maybe a few
Even though those are not your people
Even though they don’t look like you
I had to live somewhere I said
This is the house where I lived... | [
"S5",
"S6",
"S8"
] | [
"S5-8",
"S8-1",
"S8-5"
] | [
"Religion",
"Living",
"Relationships"
] | [
"Religion/The Spiritual",
"Relationships/Breakups & Separation",
"Relationships/Home Life"
] |
a0340234be968feb | Præmaturi | Margaret Postgate Cole | When men are old, and their friends die,They are not so sad, | [
"S3",
"S6"
] | [
"S3-11",
"S6-5"
] | [
"Social Commentaries",
"Living"
] | [
"Social Commentaries/War & Conflict",
"Living/Mourning"
] |
4fa07f74490f4b73 | En la Calle San Sebastián | Martín Espada | Viejo San Juan, Puerto Rico, 1998
Here in a bar on the street of the saint
en la calle San Sebastián,
a dancer in white with a red red scarf
en la calle San Sebastián,
calls to the gods who were freed by slaves
en la calle San Sebastián,
and his bronze face is a lantern of sweat
en la calle San Sebastián,
and ... | [
"S3",
"S4",
"S9"
] | [
"S9-7"
] | [
"Social Commentaries",
"History & Politics",
"Activities"
] | [
"Activities/Travels & Journeys"
] |
5fae0a12f2d96677 | The Process of Explication | Dorothea Lasky | I
Students, look at this table
And now when you see a man six feet tall
You can call him a fathom.
Likewise, students when yes and you do that and other stuff
Likewise too the shoe falls upon the sun
And the alphabet is full of blood
And when you knock upon a sentence in the
Process of explication you are going... | [
"S1",
"S6",
"S9"
] | [
"S1-1",
"S9-4",
"S9-6"
] | [
"Love",
"Living",
"Activities"
] | [
"Love/Desire & Erotic Love",
"Activities/Jobs & Working",
"Activities/Study & Knowledge"
] |
3e0d721d7516292c | Grave robbing | Isabel Rogers | Carnations are best. Or roses,
tight, before they go blowsy.
Daffodils last. Tulips are no good —
go limp soon as you look at ’em.
Lilies are OK, but mark us with rust
you can’t shift. Mam asks
too many questions. We leave the lilies.
Doug and me — we’re quick.
When the earth is fresh we circle in
to harvest.... | [
"S2",
"S6"
] | [
"S2-8",
"S6-3",
"S6-8"
] | [
"Nature",
"Living"
] | [
"Nature/Plants & Fungi",
"Living/Coming of Age",
"Living/Youth"
] |
a9ef3aadd6e82a90 | Oath | Rosemary Tonks | I swear that I would not go back
To pole the glass fishpools where the rough breath lies
That built the Earth – there, under the heavy trees
With their bark that’s full of grocer’s spice,Not for an hour – although my heart
Moves, thirstily, to drink the thought – would I
Go back to run my boat
On the brown rain t... | [
"S6",
"S7",
"S10"
] | [
"S6-1",
"S6-3",
"S10-5"
] | [
"Living",
"Time & Brevity",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Living/Aging",
"Living/Coming of Age"
] |
ac9df4c087675c6f | From the Plane | Anne Marie Macari | It is a soft thing, it has been sifted from the sieve of space and seems asleep there under the moths of light. Cluster of dust and fire, from up here you are a stranger and I am dropping through the funnel of air to meet you. | [
"S1",
"S8"
] | [] | [
"Love",
"Relationships"
] | [] |
78fd06a9415839f3 | Balm in Gilead | Grace Schulman | “Is there no balm in Gilead?” So cries
dour Jeremiah in granite tones.
“There is a balm in Gilead,” replies
a Negro spiritual. The baritone
who chants it, leaning forward on the platform,
looks up, not knowing his voice is a rainstorm
that rinses air to reveal earth’s surprises.
Today, the summer gone, four mona... | [
"S2",
"S5"
] | [] | [
"Nature",
"Religion"
] | [] |
f3bc8ea924c5e9c7 | The Rolling Saint | Aimee Nezhukumatathil | Lotan Baba, a holy man from India, rolled on his side for
four thousand kilometers across the country in his quest for
world peace and eternal salvation.
—Reuters
He started small: fasting here and there,
days, then weeks. Once... | [
"S5"
] | [
"S5-7",
"S5-8"
] | [
"Religion"
] | [
"Religion/Other Religions",
"Religion/The Spiritual"
] |
8305feb211c2365e | Danse Russe | William Carlos Williams | If I when my wife is sleeping
and the baby and Kathleen
are sleeping
and the sun is a flame-white disc
in silken mists
above shining trees,—
if I in my north room
dance naked, grotesquely
before my mirror
waving my shirt round my head
and singing softly to myself:
“I am lonely, lonely.
I was born to be lone... | [
"S8"
] | [
"S8-3",
"S8-5"
] | [
"Relationships"
] | [
"Relationships/Family & Ancestors",
"Relationships/Home Life"
] |
dc9dfd6363df5782 | Crisis Actor | Harmony Holiday | Ruby, please. A night shift nurse fell asleep at the wheel. The whole earth had a fever and the heated pulse beats faster ’til everything picturesque has her reeling. Just tryna make it real baby, like it is. He condescends. Twitching a trio of flax seeds between the thumb and forefinger in a dirty spiral, these are fu... | [
"S3",
"S10"
] | [
"S3-4",
"S3-6",
"S3-7",
"S10-3"
] | [
"Social Commentaries",
"Arts & Sciences"
] | [
"Arts & Sciences/Music",
"Social Commentaries/Gender & Sexuality",
"Social Commentaries/Incarceration & Justice",
"Social Commentaries/Popular Culture"
] |
58d5924b13cbd086 | Paradise Regain'd: Book 4 (1671 version) | John Milton | PErplex'd and troubl'd at his bad success The Tempter stood, nor had what to reply, Discover'd in his fraud, thrown from his hope, So oft, and the perswasive Rhetoric That sleek't his tongue, and won so much on Eve, So little here, nay lost; but Eve was Eve, This far his over-match, who self deceiv'd And rash, before-h... | [
"S5"
] | [
"S5-2",
"S5-4"
] | [
"Religion"
] | [
"Religion/Christianity",
"Religion/God & the Divine"
] |
b360f6861ce524b7 | A Lay of the Links | Sir Arthur Conan Doyle | It’s up and away from our work to-day, For the breeze sweeps over the down; And it’s hey for a game where the gorse blossoms flame, And the bracken is bronzing to brown. With the turf ’neath our tread and the blue overhead, And the song of the lark in the whin; There’s the flag and the green, with the bunke... | [
"S2",
"S8",
"S9",
"S10"
] | [
"S2-5",
"S2-7",
"S8-4",
"S9-5"
] | [
"Nature",
"Relationships",
"Activities",
"Arts & Sciences"
] | [
"Nature/Animals",
"Nature/Landscapes & Pastorals",
"Relationships/Friendship",
"Activities/Sports & Outdoor Activities"
] |
623c0a20f06c7209 | Homage to Soren Kierkegaard | Dana Gioia | Work out your own salvation
with fear and trembling.
—St. Paul
I was already an old man when I was born.
Small with a curved back, he dragged his leg when walking
the streets of Copenhagen. "Little Kierkegaard,”
they called him. Some meant it kindly. The more one suffersthe more one ac... | [
"S5",
"S10"
] | [
"S5-2",
"S5-3",
"S10-5"
] | [
"Religion",
"Arts & Sciences"
] | [
"Arts & Sciences/Philosophy",
"Religion/Christianity",
"Religion/Faith & Doubt"
] |
27531da91019b284 | The Masked Face | Thomas Hardy | I found me in a great surging space,
At either end a door,
And I said: "What is this giddying place,
With no firm-fixéd floor,
That I knew not of before?"
"It is Life," said a mask-clad face.
I asked: "But how do I come here,
Who never wished to come;
Can the light and air be made more clear,
Th... | [
"S5",
"S6"
] | [
"S5-3",
"S6-4"
] | [
"Religion",
"Living"
] | [
"Religion/Faith & Doubt",
"Living/Death & Dying"
] |
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