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Dataset card Data Studio Files
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... Mafia , rap stars and hood rats butt their ugly heads in a regurgitation of cinematic violence that gives brutal birth to an unlikely , but likable , hero . '
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a haunted-house movie
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directed and convincingly acted .
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are paper thin
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will tempt those willing to probe its inscrutable mysteries .
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that made her an interesting character to begin with
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The one-liners are snappy , the situations volatile and the comic opportunities richly rewarded
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is an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors .
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here
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very people
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is bad
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lets the business of the greedy talent agents get in the way of saying something meaningful about facing death
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nothing quite so much
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the film benefits greatly from a less manic tone than its predecessor , as cho appears to have settled comfortably into her skin .
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of-a-sequel
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a measure
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Allen 's romantic comedies so pertinent and enduring
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that never lets up
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clear from the start
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The good is very , very good ... The rest runs from mildly unimpressive to despairingly awful .
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to miss
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exuberance in All
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its kind since ` Brazil . ' Lucas , take notes .
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one place
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-- and not always for the better
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push it through the audience 's meat grinder one more
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Niccol
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its star , its attitude and
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a bit exploitative but also nicely done , morally alert
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encourage
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Amari 's
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've been patched in from an episode of miami vice
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escort service
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a sketchy work-in-progress
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Festers in just such a dungpile that you 'd swear you
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the CIA and
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a defeated but defiant nation
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in the flip-flop of courtship , we often reel in when we should be playing out
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when you could just rent those movies instead , let alone seek out a respectable new one
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is sensational and revelatory
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become commonplace
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; it 's so clever you want to hate it . But he somehow pulls it off .
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If only the story about a multi-million dollar con
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Americanized
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engage you
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stuffed into an otherwise mediocre film
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for a film about a teen in love with his stepmom
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do justice to the awfulness of the movie
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willing to lend its imprimatur to , then perhaps
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wise enough
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and Israeli children
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Left me
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be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for Frida to just die already
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be called `` Jar-Jar Binks : The Movie
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for tapping into our reality tv obsession , and even tardier for exploiting the novelty of the `` webcast
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There 's something fishy about a seasonal holiday kids ' movie ... that derives its moment of most convincing emotional gravity from a scene where Santa gives gifts to grownups
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for them to make it
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interesting technical exercise
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amazing finesse
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The picture , scored by a perversely cheerful Marcus Miller accordion\/harmonica\/banjo abomination
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an unpleasantly shallow and immature character with whom to spend 110 claustrophobic minutes
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grows as dull as its characters , about whose fate it is hard to care
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Mr. Desplechin
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growing strange hairs , getting a more mature body , and finding it necessary to hide new secretions from the parental units
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It 's a fine , old-fashioned-movie movie , which is to say it 's unburdened by pretensions to great artistic significance .
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memories and emotions
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's amusing enough while you watch it , offering fine acting moments and pungent insights into modern L . A .
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confusing and
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one thing to read about or rail against the ongoing - and unprecedented - construction project going on over our heads
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Roman Polanski 's autobiographical gesture at redemption
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akin to comparing The Evil Dead with Evil Dead II
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the familiar Bruckheimer elements
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that this future world feels absolutely deja vu
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is one for the ages .
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is why Anthony Hopkins is in it
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an end , along with Green 's half-hearted movie career
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The actors pull out all the stops in nearly every scene , but to diminishing effect . The characters never change .
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appreciated most
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pinocchio
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Devos
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the carnage that claims so many lives around her
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cause you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists
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Ball
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about our fragile existence
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her inner journey
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cared
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moral hackles
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-- I can testify to the comparative accuracy of Ms . Vardalos ' memories and insights .
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well-done
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rare as snake foo yung
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let-down
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Wollter 's
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Shadyac shoots his film like an M. Night Shyamalan movie ,
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without context
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, Esther Kahn is unusual but unfortunately also irritating .
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' appeared in 1938
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- good camp
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the stories never add up to as much as they promise .
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a few laughs
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kids ( of all ages )
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