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Dataset card Data Studio Files
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is something in Full Frontal ,
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Sica
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scored by a perversely cheerful Marcus Miller accordion\/harmonica\/banjo abomination
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their cheap , B movie way
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` guests
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Parade
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believe
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bring us Morvern 's soul
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Forget the Psychology 101 study of romantic obsession and just watch the procession of costumes in castles and this wo n't seem like such a bore .
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Analyze This , not even Joe Viterelli
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will probably be in wedgie heaven . Anyone else who may , for whatever reason , be thinking about going to see this movie is hereby given fair warning .
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to witness the crazy confluence of purpose and taste
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whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned
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suffers from an overly deliberate pace and uneven narrative momentum
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moved by this drama
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If the first Men in Black was money , the second is small change .
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great summer fun
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the entire effort
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a fierce dance of destruction .
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own self-referential hot air
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Any attempts at nuance given by the capable cast
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Though Impostor deviously adopts the guise of a modern motion picture
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Despite some visual virtues
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in order to advance the plot
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seem repetitive and designed to fill time , providing no real sense of suspense
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stark , straightforward and deadly
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to speak up
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for a good three days
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cheesy scene
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a temporal inquiry that shoulders its philosophical burden lightly .
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nor truly edgy -- merely crassly flamboyant and comedically labored .
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One of those terrific documentaries that collect a bunch of people who are enthusiastic about something and then
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The direction has a fluid , no-nonsense authority , and
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body-switching
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questioning
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holds you in rapt attention from
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movie business
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all for easy sanctimony , formulaic thrills and a ham-fisted sermon on the need for national health insurance
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Ms. Ramsay and
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It 's still a comic book
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fortify this turgid fable
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Connection
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some surprisingly violent moments
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a retooling of Fahrenheit 451 , and even as a rip-off of The Matrix
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fascinating stories
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Leigh is one of the rare directors who feels acting is the heart and soul of cinema . He allows his cast members to make creative contributions to the story and dialogue . This method almost never fails him , and it works superbly here .
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undermined by the movie 's presentation , which is way too stagy
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very witty
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's one tough rock .
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navel-gazing Kaufman
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a museum ,
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theater lobby
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for its historical significance alone
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There are some fairly unsettling scenes , but they never succeed in really rattling the viewer .
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tries to balance sweetness with coarseness
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Like an Afterschool Special with costumes by Gianni Versace , Mad Love looks better than it feels .
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as the outcome of a Globetrotters-Generals game
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get men into drag
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as potent
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fine
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at that clever angle ! Wow
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visually engrossing
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who might be lured in by Julia Roberts
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making this character understandable ,
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are the clear-eyed boldness and quiet irony with which actor and director take on life 's urgent questions
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of unconditional
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is n't a retooled genre piece , the tale of a guy and his gun , but an amiably idiosyncratic work .
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through the empty theatres
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up the Pieces ''
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good performances
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the movie 's accumulated
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, Lawrence desperately looks elsewhere , seizing on George 's haplessness and Lucy 's personality tics .
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gerald
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i ca n't say it 's on par with the first one
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musings and philosophy
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bitchy frolic
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an obvious rapport with her actors and a striking style behind the camera
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dreamlike visuals
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off it
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are all cheap
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aims to confuse
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is one big excuse to play one lewd scene after another . About half of them are funny , a few are sexy and none are useful in telling the story , which is paper-thin and decidedly unoriginal .
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what keeps this slightly disappointing sequel going , with enough amusing banter -- blessedly curse-free -- to keep both kids and parents entertained
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increasingly amused irony
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a movie that ends up slapping its target audience in the face by shooting itself in the foot
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the uses and abuses of fame
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of `` Minority Report ''
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Camera
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of innumerable
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Lame
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Read My Lips is a genre-curling crime story that revives the free-wheeling noir spirit of old French cinema .
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an outrageous dark satire on fraternity life
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to tell
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50 year old
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fresh , sometimes funny ,
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as the shabby digital photography
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Al
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follow all the stories
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our deepest
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be slightly bored
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