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Dataset card Data Studio Files
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the filmmaker 's
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work the words '' radical
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There 's not a single jump-in-your-seat moment
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waged
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, half the daring , much less talent , many fewer laughs .
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shift the tone
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's a Count for our times .
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suffocated at conception by its munchausen-by-proxy mum .
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falls back on the same old formula of teen sex , outrageous pranks and scenes designed to push the envelope of bad taste for laughs
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too many weeping
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corpse count
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shown on the projection television screen of a sports bar
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do n't really
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It 's usually a bad sign when directors abandon their scripts and go where the moment takes them , but Olympia , Wash . , based filmmakers Anne de Marcken and Marilyn Freeman did just that and it 's what makes their project so interesting .
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the action scenes
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Stands as a document of what it felt like to be a New Yorker -- or , really , to be a human being -- in the weeks after 9\/11 .
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in the end an honorable , interesting failure
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food-spittingly
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can withstand not only inept school productions , but even Oliver Parker 's movie adaptation
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a father
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emotional evolution
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tooth
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photographed ( somebody suggested the stills might make a nice coffee table book )
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I 'll stick with The Tune
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compete for each others ' affections
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to Americans . That 's muy loco , but no more ridiculous than most of
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in trying to be daring and original ,
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Ben Affleck as Jack Ryan , Tom Clancy 's intrepid hero
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is a remarkable piece of filmmaking ... because you get it
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add some spice
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this crowd-pleaser 's fresh dialogue , energetic music
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for the most part , the film
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all the excitement
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, in spite of clearly evident poverty and hardship , bring to their music
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to film
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almost automatically accompanies didactic entertainment
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the crux of the mystery hinges on a technicality that strains credulity and leaves the viewer haunted by the waste of potential
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its brethren
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the time with drama , romance , tragedy , bravery , political intrigue , partisans and sabotage
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edited
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a comedy that ca n't really be described as out
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by Dana Janklowicz-Mann
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who are
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in the series
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feeds our senses with the chilling sights and sounds from within the camp to create a completely numbing experience
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presses
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the usual two-dimensional offerings
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to their lives
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tosses at them
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in a sampler
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the bod
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the performances by Harris , Phifer and Cam
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for the greatness
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at contemporary southern adolescence
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greased with every emotional device known to man
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in Paris
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better drug-related pictures
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Wedding feels a bit anachronistic . Still , not
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alleged youthful fire
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that we just ca n't get no satisfaction
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still manages at least a decent attempt at meaningful cinema
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brings a tragic dimension and savage full-bodied wit and cunning to the aging Sandeman .
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twice removed
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clearer ,
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, it does n't give us a reason to be in the theater beyond Wilde 's wit and the actors ' performances .
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bland police procedural details , Fiennes wanders
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A painfully leaden film
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instead of kicking off the intrigue and suspense and mystery of the whole thing , hart 's war , like the st . louis rams in the super bowl , waits until after halftime to get started
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to care about the bottom line
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since GoodFellas
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childish things
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nostalgic comments from the now middle-aged participants
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falls under the category of ` should have been a sketch on Saturday Night Live .
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a decent children 's movie --
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Ray Liotta and Jason Patric
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thoughtful and rewarding glimpse
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Rowling 's
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at its emotional core
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the old wink of ` bold ' revelation
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structured and exquisitely
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as it was 270 years ago .
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, I was entranced .
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jazzy new revisionist theories
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to the question of Joan 's madness
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's hard not to be carried away
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Rice novel
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The rare movie
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's hold over her .
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amped-up Tony Hawk-style stunts
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trust and
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beseechingly
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DreamWorks makers
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moody slice
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one forum or another
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collapses
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of his rental car
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As crimes go , writer-director Michael Kalesniko 's How to Kill Your Neighbor 's Dog is slight but unendurable .
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J. Lo
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simple humanity
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raises the film above anything Sandler 's been attached to before .
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