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Just simple, you know, joy and satisfaction.
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you know, I don't really ask much.
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And then, from time to time, later on I can wear the outfit.
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Yeah!
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Work!
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Emcee:
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♪ ...
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Waiting in the wings
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♪ you know you have to make room for Pepper Labeija ♪
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♪ Pepper Labeija
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♪ Pepper Labeija
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Corey:
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Liz Taylor is famous...
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Emcee:
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♪ Pepper Labeija
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Corey:
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So is Pepper Labeija.
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Emcee:
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♪ Labeija
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Corey:
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In a sense, so am I.
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But a very much different quantity.
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No magazine's gonna run up to cover me if I go to a premier.
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But it's still a fame.
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It's a small fame.
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But you absorb, and you take it.
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And you like it.
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You like the adulation, the applause...
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The people cheering you on...
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The winning.
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It's like, uh, a physical high.
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It's... you know, it's a good high.
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It's an addictive high, like all highs... in the long run...
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turn out to be.
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But it's a high that won't hurt you.
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If everybody went to balls and did less drugs, it'd be a fun world, wouldn't it?
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I'm dressing, of course, to go do a show.
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Because I've always done this professionally.
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And I was a dancer.
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And I'm trying to remember when the first time I went to a ball.
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That was the early-type ball, when everybody just walked, and they gave away, like, four or five prizes in a very limited category.
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And the children now...
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most of them... 75% of the children you see at the ball wouldn't know what a ball was if it knocked them in the head.
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Labeija:
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When I first started going to balls, it was all about drag queens, and they were interested in looking like
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Las Vegas show girls... backpieces, tailpieces, feathers, beads, and all that.
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But as the '70s rolled around, the thing started changing.
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It started coming down to just wanting to look like a gorgeous movie star, like Marilyn Monroe, Elizabeth Taylor.
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And now they've went from that to trying to look like models like Iman and Christie Brinkley and maud Adams and all those children.
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Corey:
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Everyone couldn't be a Las Vegas show girl.
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Everyone couldn't put on a stack of feathers and a big headpiece.
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So they made the categories where everybody... that's what really made the balls change.
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So there was more involvement.
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Everyone that goes to one of these affairs now damn near participates.
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Eventually, over the course of a year's balls, they've all walked the runway in some category or another.
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Either you've got a nice body or you are very fashionable or you're very pretty or you're very real-looking.
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But there's always something there for everyone.
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And it's like...
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it's like in nature...
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I'm such a nature fan... the young ones are always bucking to move the... the old bulls out of the way.
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go through all these mad categories that I never can stay awake for.
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Emcee:
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Upcoming pretty girl... 1986.
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Take it to the floor.
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They're showing off for the press.
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Audience, please back up and give them air!
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[ Indistinct shouting ]
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Next category... high fashion winter sportswear, the poconos versus the catskills.
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♪ Sexy body is there anyone walking?
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Some children were asking me what I meant by "miss cheesecake."
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That means you must not only have a body, but you must be sexy.
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Going to school.
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School.
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Elementary.
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College.
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Not here.
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School.
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[ Crowd cheers ]
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Looking like a girl going to school.
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Do she look like a girl going to school?
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Town and country.
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Exclusively done.
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Dupree!
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Dupree!
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Dupree!
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...get into their suits.
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I said, the well-dressed men of the '80s, get into the suits and get into the pumps.
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Corey:
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In real life, you can't get a job as an executive unless you have the educational background and the opportunity.
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Now, the fact that you are not an executive is merely because of the social standing of life.
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That is just pure thing.
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Black people have a hard time getting anywhere.
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And those that do are usually straight.
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In a ballroom, you can be anything you want.
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but you're looking like an executive.
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And therefore you're showing the straight world that
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"I can be an executive.
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"If I had the opportunity, I could be one, because I can look like one."
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And that is like a fulfillment.
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