Datasets:
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dark, modern yardman dancehall riddim with crushing, distorted 808 bass tuned for car systems and phone speakers. slow-to-mid tempo bounce with aggressive low-end swings, minimal but hard drums, crisp snares, rolling hi-hats, and syncopated kick patterns. moody pads, eerie synth plucks, subtle vocal chops, and atmosphe... |
mid-tempo dancehall track featuring a prominent, syncopated bassline and a classic 'dem bow' drum pattern. the instrumentation is minimalist, centered around a deep, sub-heavy kick drum, sharp electronic snares, and a subtle, rhythmic synth pluck that provides a melodic foundation. the vocal performance is a rhythmic p... |
midtempo 90s digital dancehall riddim 94 bpm minor key tonal base no reggae style no onedrop no roots reggae elements classic jamaican ragga sound system groove heavy bouncing sub bassline with short punchy decay kick on every downbeat sharp snareclap on 2 and 4 tight rimshots fast rolling hihats syncopated dancehall p... |
midtempo 90s dancehall riddim 96 bpm minor key tonal base classic jamaican dancehall groove heavy bouncing bassline with sub weight punchy kick pattern crisp snareclap on 24 tight rimshots rolling hihats syncopated percussion additional dancehall drums and percussive accents minimal melodic elements dark stripped instr... |
midtempo 90s dancehall riddim 92 bpm minor key tonal base classic jamaican dancehall groove heavy bouncing bassline with sub weight punchy kick pattern crisp snareclap on 24 tight rimshots rolling hihats syncopated percussion additional dancehall drums and percussive accents minimal melodic elements dark stripped instr... |
female voice, into a dancehall groove (~95 bpm), patois-infused phrasing, and bar structure so it’s record-ready while still sounding like you., repeated chorus hook |
reggae-rock fusion with heavy dub influences. the arrangement features a syncopated electric bassline, a drum kit with a crisp snare and prominent hi-hats, and clean-tone electric guitar playing staccato upstroke skanks. a hammond-style organ provides rhythmic bubbles and sustained chords. the female vocals are deliver... |
jamaican patois on dub, toaster style, reverb, repeated chorus hook |
tropical future-folk / patois-chap-hop fusion. production is warm, clean, and has a relaxed, "front-porch storytelling" feel. the rhythm is a gentle, syncopated, and very groovy beat with live percussion like bongos, shakers, and a deep, melodic, dubby bassline. a warm, fingerpicked acoustic guitar plays the main chord... |
roots reggae, dub, skanky guitar chugs, deep bassline, steady steppers beat, brass horn section, fuzzy distorted tuba, echo delay, soulful lead vocals, with thick jamaican patois accent, vocal fry, 1970s reggae production, repeated chorus hook |
melodic dancehall 2010s "alone" style, emotional & confident, slow-to-mid tempo riddim, heavy use of auto-tune, deep bass, atmospheric synths, intimate male vocals with strong jamaican patois, romantic but possessive vibe, late-night bedroom / cruising energy, 80-90 bpm, repeated chorus hook |
reggae, patois, jamaican accent, funk, 2025, lead vocal with sung chorus |
[dancehall, raw jamaican patois, aggressive riddim, male voice, explosive delivery, high energy, vocal strain, performance-focused] |
ragga jungle rework with a false-rewind structure: preserve the source vocal, chant hook, rolling amen identity, dark pads, dub sirens, and warehouse grit, then bend the track into rythmick territory. 174 bpm with a true 87 bpm half-time body underneath. first drop stays recognizably raw jungle: distorted live-feeling ... |
create a 2 male/female jamaican artists each do one verse cypher jamaican dancehall rapper track on a sparse, militant early-90s riddim at 120 bpm with heavy kicked drums, syncopated snares, rubbery bassline, and digital or synthesized percussion, verses deliver deep, gritty toasting with first 2 lines slow the last 2 ... |
reggae dancehall featuring a male baritone vocalist performing in a melodic patois style. the arrangement consists of a syncopated electric bassline emphasizing the third beat, a dry snare drum on the second and fourth beats, and a hi-hatiding high horses playing consistent eighth notes. a clean electric guitar perform... |
produce a hard-hitting original dancehall track titled ‘badda dan dem’ (98-102 bpm) with aggressive male vocals in jamaican patois. feature punchy kick drums, syncopated snares, and wobbling sub-bass with airhorn stabs (every 8 bars). structure: [intro] - [verse] - [pre-chorus] - [chorus] - [verse] - [bridge] - [chorus... |
tech house, dancehall vocal, jamaican patois, female vocals, energetic bassline, afro house, 125 bpm, repeated chorus hook |
roots reggae opens with deep dub bass, syncopated reggae drums, and airy analog synth pads drenched in tape echo, rock lead electric guitar very high frets wailing, piercing high holding single note picking rock style, guitar skanks and soulful melodica create an organic backbone, chorus swells with offbeat percussion ... |
male vocalist, fast dancehall, shatta, aggressive patois flow, heavy bassline, 105 bpm, energetic sound system vibe, uptempo, riddim, claps, dynamic transition, repeated chorus hook |
industrial neurostep with digital hardcore energy, 170 bpm, angry male vocal with a thick jamaican dancehall-inspired accent, patois-flavored cadence, shouted hooks, snarling verses, monday-morning fury after waking up to a calendar packed with random meetings, distorted reese bass, nervous sub, metallic snares, serrat... |
jamaican female patois dancehall vocalls reggae, repeated chorus hook |
female jamaican patois shensea vocal patois dancehall dis anthem, repeated chorus hook |
traditional rocksteady reggae groove, deep rolling bass guitar, warm analog reggae drum kit, layered hand percussion and offbeat skanks, laid-back island swing, lead vocal delivered with a rich jamaican accent and relaxed patois inflection, airy dub-style delays on key phrases, sunny, unhurried morning vibe, cozy smoke... |
rhythmic, rocksteady, dub, club, dance, jamaican, patois, tropical, island, lead vocal with sung chorus |
roots reggae, beach reggae, dub reggae, summer night atmosphere, one drop groove, warm reggae guitar chops, offbeat reggae guitar, deep round bass, laid back drums, dub echo, spring reverb, tape delay, campfire ambience, tropical night textures, playful male vocals, jamaican patois delivery, yiddish phrasing, cheeky mo... |
afrobeats, psychedelic reggae, dub, 80's soul, motown rock, patois accent, reggae dancehall, lead vocal with sung chorus |
dancehall / yard mc hybrid, 96–102 bpm. male vocal only. strong dj/mc mic presence, rhythmic spoken-led delivery with chant energy. patois phrasing, percussive timing, riding the beat. punchy bassline, tight dancehall drums, sharp percussion, minimal melody. beat-driven. not soft, not reflective, not a ballad. structur... |
modern jamaican dancehall, 100 bpm, male patois vocal, sensual female backing vocals, call and response hook, whispered echoes, layered chorus harmonies, deep rolling sub bass, punchy kick snare, classic riddim bounce, minimal dark synths, atmospheric fx, spacious mix, heavy bass presence, nightclub energy, seductive c... |
dancehall riddim, reggae fusion, patois chant vocals, 808 sub-bass, triplet hi-hats, skanking guitar chops, dub delay, tape saturation, rimshot snare, live congas, minor key hooks, one drop groove, gritty street energy, defiant urgency, call and response, bass heavy mix |
{"genre": "roots reggae cover, lovers rock chill acoustic", "mood": "reflective, ironic, heartfelt critique, irie tranquil", "bpm": "78", "instruments": "acoustic guitar soft skanks, deep warm bass, brushed snares, bubbling organ, subtle melodica, gentle dub echoes", "vocals": "mellow male french vocals with patois inf... |
locked dread root sound, dark hypnotic percussive didgeridoo and jamaican frontier colony patois rap duet, equal partners speaking different languages, roughly 60% didgeridoo 40% rap. solo didgeridoo provides all rhythm with deep drone, circular breathing, diaphragm pulses, tongue slaps, hollow clicks, growled resonanc... |
locked dread root sound, dark aggressive beatbox didgeridoo and jamaican frontier colony patois rap duet, two equal lead partners speaking different languages, roughly 55% root-mouth sonic space 45% dark rap. one loud beatbox didgeridoo performs deep drones, circular breathing, kick/snare mouth pulses, tongue pops, per... |
roots reggae, jamaican patois, laidback groove, brass horn stabs, warm sub-bass, male reggae vocal, no trumpets, repeated chorus hook |
dancehall, a male vocalist performs in a rhythmic, melodic patois style, the track features a heavy, syncopated sub-bass line that emphasizes the first and third beats of each measure, a digital drum machine provides a classic dancehall riddim with a sharp snare on the third beat and a steady kick pattern, a minimalist... |
lovers rock reggae with a gentle dancehall pulse, warm smooth one-drop rhythm, light digital feel without hard dancehall aggression, deep rolling bass, warm skanking rhythm guitar, lush reverb throughout. opens with seagull calls and rolling ocean waves fading into the riddim, ocean ambience returning beneath the riddi... |
sensual mid-tempo jamaican dancehall and lovers-rock fusion with a warm, hypnotic groove. sparse production built around an original repeating piano/keyboard motif, deep rounded reggae bass, soft kick, crisp rim percussion and subtle syncopated dancehall drums. intimate female jamaican vocals with natural patois phrasi... |
modern dancehall club anthem, flirty and upbeat, strong caribbean riddim, catchy hook, patois flavor, energetic and fun, tiktok friendly, dancefloor vibe, waistline music, confident and playful., lead vocal with sung chorus |
vintage late 70s 80s jamaican roots reggae and deep dub fixed 66 bpm throughout heavy one drop with restrained rocksteady swing dark minor deeply stoney and irie huge warm flatwound electric bass with a memorable descending melodic motif and long sustained notes prominent hollow woody muted rhythm guitar reggae, ska, r... |
roots dub reggae, dub poetry style, one-drop groove, 98 bpm, dub organ, rolling bass, weathered melancholic patois vocal, defiant yet remorseful, call-and-response backing choir, voice dub effects, chopped dub effects, raw analog studio mix., repeated chorus hook |
dancehall with heavy hip-hop influence. the track features a deep, sub-heavy synth bassline that follows a syncopated riddim pattern. a sharp, dry snare hits on the third beat of each bar, accompanied by a crisp hi-hat pattern with occasional triplets. a percussive, woodblock-like synth pluck provides a rhythmic counte... |
dancehall and afro-fusion track featuring a rhythmic, syncopated flow. the arrangement is built around a dry, punchy kick drum and a sharp snare on the third beat of each bar. a bright, percussive synth pluck plays a repetitive melodic motif. the bass is a deep, sub-heavy sine wave that follows the kick pattern. a male... |
minimal dancehall, 82–86 bpm, dark late-night club vibe. male lead (deep jamaican patois, calm, conversational, toki style) with subtle puerto rican spanish ghost ad-libs. structure: spoken intro (no music) with confident call sign + light humor; short chant bridge with dj scratch and rewind feel; beat drop into catchy... |
ultra deep male voice, bass-baritone vocalist, dark raspy tone, powerful chest voice, jamaican dancehall patois, heavy sub bass, aggressive hype man ad-libs, modern dancehall riddim, nightclub atmosphere, intimidating presence, deep vocal resonance, professional studio production. |
genre: roots reggae / lovers rock with modern, punchy analog studio production and deep bass resonance. instrumentation: heavy one-drop acoustic drums, massive sub-bass, choppy skanking electric rhythm guitars, lush vintage hammond organ, and shimmering dub delays, catchy, heavy and monstrous drums roll, beat solos, be... |
genre: modern roots reggae / lovers rock with a driving 10/10 intensity, crisp digital rhythm section, and heavy dub production. instrumentation: heavy sub-bass, one-drop acoustic drum beat, upbeat off-beat skanking electric guitars, lush vintage reggae organ, and subtle swirling dub delay effects, drum roll, beat solo... |
modern roots reggae / lovers rock with a driving caribbean riddim groove and polished analog production. instrumentation: heavy one-drop electric bass, crisp rimshot drums, syncopated off-beat skanking rhythm guitars, warm hammond organ chords, and lush background harmonies, beat solos, beat break and drops, silence (s... |
maritime, electronic, dancehall, bluebeat, electro, club, dance, jamaican, patois, tropical, island, lead vocal with sung chorus |
use my original vocals solo dancehall and reggaeton fusion. a male vocalist delivers rhythmic, melodic patois vocals with a bright, forward presence. the beat bass is centered on a classic dembow rhythm with a crisp snare on the 3 and 4 of each bar and a heavy, rounded kick drum. a syncopated, percussive synth pluck pr... |
female best dancehall jamaican reggae song with patois vocals with angelic vocal, repeated chorus hook |
dark dancehall reggae, jamaican patois, male & female vocal, fast flow, rapid fire chorus, heavy bass, sub bass, air horn fx, dark club atmosphere, autotune, call and response, festival anthem, crowd chant, echo fx, bashment, energetic dancehall, bpm 105 |
locked dread root sound, dark percussive didgeridoo and jamaican frontier colony patois rap duet, equal partners speaking different languages, roughly 55% didgeridoo and 45% rap. one powerful solo didgeridoo provides all rhythm with deep drone, circular breathing, diaphragm pulses, tongue slaps, hollow clicks, growled ... |
rhythmic, rocksteady, electro, club, dance, jamaican, patois, tropical, island, lead vocal with sung chorus |
dancehall trap, melodic rap, 102 bpm, patois chant vocals, half-sung hook, dry close-mic vocals, stacked ad-libs, skanking guitar chops, sub-bass bounce, syncopated dembow kick, snare rimshots, sparse synth stabs, distorted 808 kick, filtered brass hits, delay throw accents, tape echo, gritty street energy, paranoid ca... |
modern zimbabwean dancehall ragga (live concert version) with strong 2013–2014 zimdancehall influence. high-energy live band featuring deep rolling sub-bass, punchy kick, crisp snare, sharp rimshots, bright cowbell, lively hi-hats, reggae skanking guitar, melodic lead guitar, warm organ, dub delay, spring reverb, authe... |
dancehall, reggaeton, reggae fusion, heavy bass, 105 bpm, energetic, jamaican patois, lead vocal with sung chorus |
jamaican drill dancehall, aggressive, dark, heavy 808s, fast flow, male vocalist, patois, street, repeated chorus hook |
upbeat reggae, female jamaican patois vocal, groovy, positive mood, repeated chorus hook |
roots reggae, 76 bpm, one-drop groove, skanking clean guitar, deep round bass, mellow organ bubbles, crisp rimshot snare, three-part harmony vocals, restrained male patois vocal, tasteful horn swells, light percussion, analog tape warmth, spacious organic mix, bittersweet nostalgia, intimate hope, gradual lift, gentle ... |
afrobeat, patois, reggae, dancehall, hip hop, lead vocal with sung chorus |
sound system steppas dub, militant kick drum, analog delay trails, digital bass synths, spring reverb splashes, rough bobo dread voice, fiery vocal delivery, jamaican patois chants, rastafari resistance themes, echo-drenched vocals, live dub energy, female vocals, repeated chorus hook |
jamaican patois on dub, toaster style, reverb |
patois, low heavy reggae, addicting bassline, bass voice, repeated chorus hook |
dancehall x roots reggae x lovers rock, 92 bpm, one-drop kick meets bashment stomp, skanking organ, sub-bass wobble, nyabinghi hand drums layered under a uk-style vocal chop, melodica riffs, [singjay] lead vocal — warm, patois-forward, half-sung half-chatted, conscious and playful, light dub echo on the ad-libs |
comedic dancehall, afro-fusion, 96 bpm, a minor, bouncy funky p-bass, one-drop drums + afrobeats percussion, clean ska guitar, sitcom sfx like knocking and chains, male lead jamaican patois funny annoyed, second vocal auto-tuned ghost voice whiny, breakdown section drums only with comedic argument, dirty bass drop solo... |
dancehall with heavy 90s riddim east coast influence. the track features a deep, sub-heavy synth bassline that follows a syncopated riddim pattern. a sharp, dry snare hits on the third beat of each bar, accompanied by a crisp hi-hat pattern with occasional triplets. a percussive, woodblock-like synth pluck provides a r... |
style: authentic jamaican dancehall tempo: 100–104 bpm key: f minor mood: bold, streetwise, empowering create a hard modern jamaican dancehall riddim with heavy sub-bass, punchy kick and snare, offbeat percussion, and minimal dark synth stabs. the track should feel club-ready but conscious. theme: youth empowerment, re... |
bouncy reggae ragga trap ska fusion with skanking offbeat guitars, deep subby 808 bass and tight trap hi-hats, playful horn stabs and dub-style echoes, mid‑tempo caribbean groove with dembow swing, confident young female lead vocal in warm mexican spanish blended with caribbean english patois, sing‑rap delivery with me... |
militant, dancehall style, strong bold loud male dj voice, emotional, severe energy, clean & clear vocals, trap vocals, talk intro with boldness, slurs and epic runs, jamaican patois clean & clear, repeated chorus hook |
dark sensual dancehall, melodic singjay, deep emotional tone, seductive, slow wine, jamaican patois, raw intimate vibe, smooth vocal runs tempo: 85–95 bpm (dancehall bounce) keep words like: “wine slow”, “hold yuh”, “come closer” → they trigger the vibe regenerate until you get a version with melody + bounce, repeated ... |
dub reggae jamaican dub slow reggae jamaican duet male and female vocal laid back patois delivery rub a dub drums syncopated bassline spring reverb tape echo delay analog dub mixing sub bass pressure muted guitar reggae, ska, rock, pop rock melodica countermelody hammond organ swells dub siren accents sparse percussion... |
fast-tempo reggae, upbeat dancehall, prominent violin, energetic fiddle, male and female duet, jamaican patois vocal style, melodic toasting |
vibrant, dancehall, reggae, dub, club, dance, jamaican, patois, tropical, island, lead vocal with sung chorus |
vibrant, dancehall reggae, electro, club, dance, jamaican, patois, tropical, island, lead vocal with sung chorus |
dancehall track with a heavy, syncopated bassline and a driving riddim. the instrumentation features a prominent, repetitive four-note synth horn riff that punctuates the chorus. a dry, punchy kick drum and sharp snare provide a classic dancehall backbeat, complemented by rapid hi-hat patterns and occasional electronic... |
dancehall track with heavy reggae influences. the arrangement features a prominent, syncopated electric bassline and a digital drum kit with a sharp snare and tight hi-hats. a rhythmic electric guitar plays staccato upstroke chords on the offbeats. a melodic synth lead provides occasional counter-melodies. male vocals ... |
dancehall jamaica with human patios loud hard bass and a tip of concert brightness with making nearly every lyric patois, lead vocal with sung chorus |
dancehall with skanking offbeat guitar, rolling percussion, and a steady mid-tempo bounce; verse rides sparse drums and bass with tight patois-inflected phrasing, pre-chorus lifts with filtered crowd chants and risers, chorus hits with stacked gang vocals and a simple chant hook. add wheel-click ear candy, station-anno... |
drill rap, jamaican reggae, patois, chicago drill, jamaica drill rap, repeated chorus hook |
minimal storm dub reggae with frequent deep thunder-reverb hits throughout the entire track as dominant signature element, loud tropical rain ambience constantly layered into the mix from beginning to end, deep rolling sub bass, sparse skanking guitar, dusty rimshot, subtle low organ textures, occasional massive analog... |
dancehall track at 100 bpm in the key of g minor. the arrangement features a syncopated dembow drum pattern with a heavy, rounded sub-bass that follows the kick. a bright, staccato synth pluck plays a repetitive rhythmic motif. occasional record scratches and air horn sound effects are used as transitions. the male voc... |
fast paced hard dancehall, hard-hitting riddim, infectious club energy, raw confident male vocals, catchy hook, street anthem vibe, heavy bass, crisp drums, dark tropical atmosphere, melodic patois-style phrasing, polished commercial production, vocoder vocals, repeated chorus hook |
modern melodic, mid-tempo, atmospheric synths, deep 808 bass, crisp dancehall drums, catchy melodic hooks, expressive male vocals with smooth melodic delivery and rhythmic deejay flow.” themes of love, independent, success, and leader, trap dancehall, pop, chillstep chillwave, heartfelt male vocals, powerful drum beats... |
modern roots reggae, expansive soundstage, deep sub-bass pulse, crisp rim-click snare, lush hammond b3 swells, muted jazz-guitar skanks, punchy analog brass section, dynamic arrangement, high fidelity production, organic textures, cinematic reggae flair, jamaican patois, change vocals to sound like gentleman, inspired ... |
a mellow, emotional dancehall song with a slow-to-mid tempo (95 bpm), inspired by introspective jamaican vibes. the beat should feature a soft dancehall drum pattern with a deep but smooth kick, light snare/clap, and minimal hi-hats. use a minor key with gentle piano chords and atmospheric synth pads to create a reflec... |
hard-hitting jamaican dancehall, viral club anthem, bouncy bassline, catchy repetitive hook, gritty kingston energy, streetwise lyrics, male patois vocals, dark melodic synths, 100 bpm, modern dancehall hit., repeated chorus hook |
powerful dancehall, bashment, club feel, polished feel, melodic patois male vocals with occasional female ad libs, heavy deep syncopated sub-bass, sharp snare, rhythmic synth chords, catchy infectious hook, clean modern mix, club energy. song lyrics about finishing work, "dashing wey stress", drinking rum, and partying... |
modern traphall, modern patois toasting style, reggae, authentic, real, repeated chorus hook |
roots reggae, calm and soothing but deeply authentic. slow tempo, warm, organic groove. raw jamaican male vocal, thick patois accent, slightly raspy and natural. not pop-clean, not polished — roots, yard-style delivery. soft guitar, deep rolling bass, live drums, light organ bubble. spiritual, reflective, uplifting moo... |
rocksteady reggae beat, minimal instrumentation, hand percussion, active bassline, tambourine shake, reggae drum kit, smoky smooth r&b patois solo male vocal, hammond organ swell, repeated chorus hook |
rhythmic, dancehall, reggae, club, dance, jamaican, patois, tropical, island, lead vocal with sung chorus |
modern dancehall party anthem, flirty and energetic, bouncy caribbean riddim, female or male vocal with patois, catchy hook, club and tiktok friendly, dancefloor vibe, waistline music, fun and confident., repeated chorus hook |
ragga jungle breakcore, 165 bpm, no clean synths, amen breaks chopped at 16th-note speed, heavily distorted with tape saturation, layered with dripping vinyl crackle, sawtooth sub-bass at 100hz+ wobbling aggressively like 90s jungle, staccato ragga toasting in jamaican patois chopped like samples over the beat, warm vi... |
ragga jungle breakcore, 170 bpm, no clean synths. amen breaks chopped at 16th-note speed, heavily distorted with tape saturation, layered with dripping vinyl crackle. sawtooth sub-bass at 100hz+ aggressively like 90s jungle. staccato ragga toasting in jamaican patois chopped like samples over the beat. warm vinyl crack... |
style classic 1970s roots reggae in the exact style of reggae, ska, rocksteady the wailers war from the rastaman vibration album slow heavy one drop riddim deep thunderous bassline sparse but powerful drums with the classic wailers snare and kick pattern warm vintage organ subtle ska guitar reggae, rock, pop rock light... |
happy jamaican patois english dreamers voice green electro dancehall reggae music |
rhythmic, dancehall reggae, electro, club, dance, jamaican, patois, tropical, island, lead vocal with sung chorus |
dancehall reggae song with a male tenor singing in patois style, repeated chorus hook |
authentic jamaican ragga muffin, raw dancehall riddim, heavy caribbean bassline, real sound system energy, street dancehall vibes, gyal anthem, jamaican patois, organic drums, street party atmosphere, kingston style energy, selector pull up, wheel up moments, deep groove, not electronic, not edm, classic dancehall spir... |
hardcore dancehall shatta, 100 bpm, dark hypnotic club and street vibe, heavy bass, punchy kick, sharp hi-hats, minimal dark synths, powerful sound system male and female vocal battle, call and response, flirt and confrontation, strong back-and-forth, overlapping ad-libs male: deep jamaican patois, dominant, charismati... |
Suno Patois Reggae Test Set
299 patois-language reggae and dancehall tracks with style captions and
structured lyrics, laid out for SimpleTuner's textfile audio caption
strategy. Built as a small, high-consistency probe set for text-to-audio
training runs — not a general-purpose music corpus.
Rights and provenance
Every track here was generated by a third-party Suno user, and rights in the
audio and lyrics remain with those creators. Nothing in this repository is
owned by the uploader, and no license is granted over the underlying content.
The license: other tag above reflects that the material is redistributed
without a rights grant, not that it is freely reusable.
- 299 tracks from 213 distinct creators.
manifest.jsoncarries per-track attribution: the creatorhandle, the Suno clipid, and asource_urllinking back to the original song page.- Lyrics are human-authored by those creators. Audio is model-generated by Suno.
If you are one of the creators represented here and want your work removed, open a discussion on this repository and it will be taken down.
Layout
Flat directory of matched triples sharing a basename:
<name>.mp3 audio
<name>.txt style caption (SimpleTuner caption_strategy: textfile)
<name>.lyrics structured lyrics
manifest.json per-track metadata and attribution
Basenames are <title_slug>_<first 8 chars of clip id>. The id suffix is load
bearing — Suno titles collide frequently, and without it a collision would pair
one track's audio against another's lyrics.
.txt — style caption
A comma-delimited narrative in the style of SimpleTuner's
examples/minimaxmusic-prompts.json, derived from the creator's own style tags
plus grounded additions (patois vocal delivery, reggae feel, a vocal clause,
repeated chorus hook where the lyrics contain one).
No BPM or musical key is synthesized. Suno's metadata has no tempo field, so a caption states tempo only where the creator wrote it themselves. Captions here are never fabricated beyond what the source metadata supports.
.lyrics — structured lyrics
Section markers on their own lines, newlines preserved:
[verse]
...
[chorus]
...
Headers are normalized to lowercase canonical forms ([Verse 1] → [verse],
[Pre-Chorus] → [pre-chorus]). Lyric text is otherwise untouched — patois
orthography is preserved exactly as the creator wrote it and has not been
normalized toward standard English.
All 299 files carry markers authored by the original creators. No section structure in this set is machine-derived.
Selection criteria
Sourced via Suno's public tag_song search across the terms patois,
dancehall, roots reggae, ragga, lovers rock, rocksteady, dub, and
reggae, then filtered to require all of:
| filter | rationale |
|---|---|
patois in the creator's style tags |
the target concept |
| a reggae-family tag | excludes patois vocals over unrelated genres |
| non-empty lyrics | instrumentals defeat the purpose of a vocal set |
lyrics contain [section] markers |
structure must be authored, not inferred |
| lyrics ≥ 200 chars | drops degenerate stubs |
| style tags ≥ 40 chars | floors caption richness |
| unique style-tag string | one creator reusing a prompt across a release would otherwise contribute many identical captions |
Survivors were ranked by upvote count and the top 300 taken. One track's audio returned HTTP 403 during fetch and was dropped, giving 299.
Statistics
| tracks | 299 |
| total audio | 16.8 hours |
| duration | median 192s (38–422s) |
| creators | 213 |
| caption length | median 354 chars (45–1000) |
| lyrics length | median 1835 chars (276–5000) |
| duplicate captions | 0 |
| tracks missing any of the three files | 0 |
Intended use and limitations
Built to test whether a text-to-audio model can pick up a specific vocal register and genre from a small set. It is not a benchmark and not balanced for evaluation.
- Small and narrow. 299 tracks in one genre and register.
- Synthetic audio. All audio is Suno model output, so it carries that model's artifacts and production signature rather than recorded music.
- Captions inherit creator vocabulary. Tag conventions vary between creators; some captions are terse, others detailed.
- Explicit content. Dancehall has an explicit lyrical tradition and this set reflects it. Filter on lyrics before use if that matters for your run.
- Popularity-biased. Selection by upvote count skews toward what performs on Suno, not toward a representative sample of the genre.
SimpleTuner configuration
{
"id": "patois-reggae",
"type": "local",
"dataset_type": "audio",
"instance_data_dir": "/path/to/suno-reggae-test-dataset",
"caption_strategy": "textfile",
"audio": { "lyrics_filename_format": "{filename}.lyrics" },
"cache_dir_vae": "cache/vae/{model_family}/patois-reggae"
}
lyrics_filename_format must be set explicitly for any model family other than
ACE-Step. SimpleTuner only applies the {filename}.lyrics default when
model_family == "ace_step", so on other families the lyrics silently fail to
load without it.
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