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What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about Appointment In Tomorrow by Fritz Leiber. Relevant chunks: "Well," he said, "before you kill me, tell me about the book." He held it up for Maota to see. "What about the book?" "What kind of book is it?" "What does Mr. Earthgod mean, what kind of book? You have seen it. It is like any other book, except for the material and the fact that it talks." "No, no. I mean, what's in it?" "Poetry." "Poetry? For God's sake, why poetry? Why not mathematics or history? Why not tell how to make the metal of the book itself? Now there is a subject worthy of a book." Maota events of the day before dropping off to sleep. The troublesome Sally. The strange dream world of Armagon. The visit to the barber shop. The removal of Brundage's body. The conversations with the townspeople. Dawes' suspicious attitude ... Then sleep came. He was flanked by marble pillars, thrusting towards a high-domed ceiling. The room stretched long and wide before him, the walls bedecked in stunning purple draperies. He whirled at the sound of footsteps, echoing stridently on the stone floor. Someone was running towards him. It was Sally, pigtails streaming out behind her, the small body wearing a flowing white enemy city of Grath was beautiful. Perhaps she would love him for helping to rescue her and come willingly with him to Konto. "I will help you, stranger," he agreed. "Then tell me of the Skull, and of the priests, and of the prison where Tholon Sarna is held." The slave's fingers flew. "All the young female slaves are caged together in the pit beneath the Skull. When the sun is directly overhead the High Priest will choose one of them for sacrifice to mighty Uzdon, most potent of all gods. And with the dawning of the next day the aunts tell me I was born there in the middle of the war." "What war?" he asked startledly, spilling some lemonade. "The World War, of course. What's the matter?" Jack Barr was staring down at the spilled lemonade and feeling a kind of terror he'd never experienced in his waking life. Nothing around him had changed. He could still feel the same hot sun on his shoulders, the same icy glass in his hand, scent the same lemon-acid odor in his nostrils. He could still hear the faint chop-chop of the waves. And yet everything had changed, gone dark and tightening of the man's shoulder muscles that his presence was known. He looked down and saw that his feet made clear-cut depressions in the soft rich soil of the field. "Continue to work," he said to the young man. "Do not be too surprised at what I am about to tell you, Rold." He paused and watched the golden man's rather stupid face intently. "I am not a Misty One," Noork said. "I killed the owner of this strange garment I wear yesterday on the mainland. I have come to rescue the girl, Tholon Sarna, of whom you spoke." Rold's Question: What is the plot of the story? Answer:	[ "Following World War III at the end of the 20th century, American society is dependent upon a machine created by the Thinker's Foundation; this machine, named Maizie, has the ability to answer any question posed to it, and it is used often by politicians and public figures for societal decision making. Jorj Helmuth, a Thinker with hypnotic abilities, awakes with a girl, Caddy, asleep beside him. Jorj is struck with a revelation about new developments in his work towards space domination, and he sends a letter to a group of physicists calling for a meeting later that afternoon. Jorj is then alerted that the President has arrived to consult Maizie. He commences the daily procedure of feeding the machine questions through a tape, and meanwhile attention turns to a broadcast of a rocket taking off to Mars. The Secretary of Space, who joined the President, is wary of his exclusion in this project, but disregards it as he credits Maizie for the decision. Jorj discloses that the Thinkers plan to find ways to gain access to and control of Martian minds. As Maizie begins answering questions, one of them sparks curiosity, asking whether Maizie is short for Maelzel. The machine responds with \"no\" as the officials are perplexed by the question, which references a character in a story by Edgar Allen Poe in which a machine was found to be fake and operated by a man. Apparently, the question came from a member of Opperly's group, a team of physicists; Jorj advises that the issue be looked into. Later, scientists Opperly and Farquar discuss the previous events. Opperly says that he covered for Farquar, who submitted the question, but still disagrees with his decision to dig at the Thinkers. Farquar believes that the Thinkers, along with Maizie, are fakes and ought to be exposed. Farquar and Opperly go back and forth, debating whether or not exposing the Thinkers is worth violence or energy, when Farquar receives a message from Jorj regarding the meeting about his space project. Opperly is skeptical of Jorj's motives, but Farquar plans to go anyway. On his way home, Jorj ponders the future of the Thinkers with excitement, eagerly awaiting a future where they would be on the same level of the Scientists, and where they would build the true Maizie.", "In an alternate history of America, wherein World War III has occurred, Jorj Helmuth wakes up and turns off the device which enables him to learn in his sleep. Jorj is a forty year old Thinker, a class of individuals who work with the US government on various projects, such as monthly rockets to Mars and a super-intelligent computer Maizie. As Jorj prepares for his day, he receives a call from the President, who is waiting to see Maizie. \nMaizie, a large computer with large panels, controls, indicators, and terminals occupies a two-story room in the Thinkers’ Foundation, in which the President and members of his cabinet are waiting. It is described as many times more intelligent than humans, and was built by the Thinkers despite the skepticism of cyberneticists and scientists. The president, his secretary, two generals, the Secretary of State, and the Secretary of Space regard Maizie with reverence, speaking in hushed tones for fear that it could overhear them despite the knowledge that it only receives input from the ticker tape fed to it. Jorj enters onto the tape questions from the officials, before noticing an errant question, which he learns is from Morton Opperly’s group of physicists. He feeds the tape to Maizie, which begins to emit a noise indicative of the start of its processes.\nAs they await Maizie’s answers, Jorj directs their attention to a television screen broadcasting the launch of a rocket to Mars. We learn that Martians have imparted profound wisdom through the Thinkers to the world, which still suffers from the effects of the third world war. In response to the President’s wish that Martians be brought to Earth to directly share their mental science, Jorj reminds him that only the Thinkers’ minds can safely interact with the Martians’. \nThe narrator reveals that inside Maizie is, rather than complicated machinery etching the edges of molecules to store information, a man who manually answers the input questions. He pauses when he reaches the question from Opperly’s group, which asks if Maizie stands for Maelzel. He types out a response in the negative and continues. It is also revealed that the rocket launched for Mars only travels acutely beyond the ionosphere, rather than to its advertised destination. The astronaut, who is accompanied by his cat, reads about the knowledge which he would pass off as Martian wisdom upon his descent to Earth. \nMaizie has returned the output tape, and the Secretary of Space wonders aloud who Maelzel is. One of the generals recalls that it is from a story about a chess automaton inside which was actually a man. They dismiss Opperly’s group as confused. \nIn Opperly’s residence however, Opperly and Willard Farquar discuss the Thinkers’ deception. Though Farquar aims to reveal the sham, Opperly is unsure he will succeed, citing that people want to be told what they wish were true. Farquhar receives an invitation from Jorj, which they surmise is because of a demand for rockets in the near future.\n", "The story is set after World War III. Jorj is a Thinker that occasionally uses hypnotic control on a girl named Caddy to make her agreeable with him. The Thinkers have made big claims that they have achieved great technological feats. They claim that they have created a cubic brain-machine that is intelligent and knows everything. They say the machine event helped finished building itself. They also have claimed that they have nuclear powered Mars rockets. This too is not true. They send a person to space pretending that the person is headed towards Mars, when in reality that person will be circling the Earth for two months. Not everyone knows of the lies, the President and secretary of state do not. \n\nDuring a review of the tapes for Maizie, the group comes across an unusual question asking about Maizie. Jorj finds out that the question was written by Opperly’s group. Opperly and Farquar are two scientists that know of the Thinkers deception. Farquar is the one who wrote the question, to Opperly’s dismay. Caddy was previously with Farquar, before she went with Jorj. \n\nOpperly and Farquar disagree over how they should respond to the Thinker’s deceptions. Farquar wants to act with violence to continue to try to expose them. Opperly reasons that they tried to expose the Thinkers before and nothing happened, so they should cut their losses. Farquar suggests that the Thinkers are vulnerable because their technology does not exist and it would be easy to attack them. Opperly is concerned that the Thinkers may be able to buy Farquar off if they offer Caddy back to him. \n\nAt the end of the story, Jorj has plans to make sure the Thinkers no longer have to use deception. He excitedly thinks of how the Thinkers can build the true Mars rocket and even perhaps the true Maizie and goes to sleep with these thoughts in his mind. \n", "After waking up, Jorj Helmuth, a Thinker, sends a message to Farquar and the other professionals so that he can get help in building a rocket. He states that he has funds from the government and wishes to work together. Importantly, the girl, who is sleeping next to Jorj, is controls hypnotically by Jorj, and she is somehow connected to Farquar. \n\nThe president then shows up waiting to see Maizie. Standing before the two stories high electrical brain, he feels like he is seeing the actual God. Not only does he feels so, the generals wonders if this is the Second Coming, the Secretary of State feels the power and respect in wisdom that this machine has, the Secretary of Space is relieved that the Thinks are the ones who built it rather than the professional physicists who does not get things done but simply tell you how things should be done. While surprised at the question that the Opperly’s group asked, Jorj simply entered all the questions for Maizie to solve on the tape. Then he suggests that the government officials should watch the takeoff of the rocket that is going to Mars. While the Secretary of Space is somewhat angry at Jorj for not even informing him about the spaceship, he tells himself that the Thinkers had rescued him from breakdowns and will be bringing mental discoveries from Mars. \n\nAs Maizie continues to work, the readers learn that there is actually a person that work on the questions as they enter into Maizie. He reads the questions and write down their answers. Interestingly, he also notices the question from the Opperly’s group. It makes him somewhat angry. After the rocket goes into space, Jorj gives the answers that are produced by Maizie to each government official. Then we learn that the Opperly’s group is asking about Maelzel. Maelzel was a chess playing machine that was proven to have a man hidden inside it. Later we learned that the Opperly’s group knows that Maizie also has a man hidden in it, and they wanted to tease them. Which is why they wrote the question. Apparently they succeeded, since the question got Jorj angry.\n\nWe then see two physicists, namely Opperly and Farquar, arguing over whether the world needs a magician or a physicist right now when the invitation that Jorj previously sent arrives. Opperly is suspicious of the invitation and what they will do to Farquar, mentioning the girl that ran off with a Thinker. Indeed, Jorj is not only thinking of building a Mars rocket, he also want to have other things built such as Maizie, so that the Thinkers will be farther ahead from with the scientists. But Farquar does not think so." ]	51152	"Well," he said, "before you kill me, tell me about the book." He held it up for Maota to see. "What about the book?" "What kind of book is it?" "What does Mr. Earthgod mean, what kind of book? You have seen it. It is like any other book, except for the material and the fact that it talks." "No, no. I mean, what's in it?" "Poetry." "Poetry? For God's sake, why poetry? Why not mathematics or history? Why not tell how to make the metal of the book itself? Now there is a subject worthy of a book." Maota events of the day before dropping off to sleep. The troublesome Sally. The strange dream world of Armagon. The visit to the barber shop. The removal of Brundage's body. The conversations with the townspeople. Dawes' suspicious attitude ... Then sleep came. He was flanked by marble pillars, thrusting towards a high-domed ceiling. The room stretched long and wide before him, the walls bedecked in stunning purple draperies. He whirled at the sound of footsteps, echoing stridently on the stone floor. Someone was running towards him. It was Sally, pigtails streaming out behind her, the small body wearing a flowing white enemy city of Grath was beautiful. Perhaps she would love him for helping to rescue her and come willingly with him to Konto. "I will help you, stranger," he agreed. "Then tell me of the Skull, and of the priests, and of the prison where Tholon Sarna is held." The slave's fingers flew. "All the young female slaves are caged together in the pit beneath the Skull. When the sun is directly overhead the High Priest will choose one of them for sacrifice to mighty Uzdon, most potent of all gods. And with the dawning of the next day the aunts tell me I was born there in the middle of the war." "What war?" he asked startledly, spilling some lemonade. "The World War, of course. What's the matter?" Jack Barr was staring down at the spilled lemonade and feeling a kind of terror he'd never experienced in his waking life. Nothing around him had changed. He could still feel the same hot sun on his shoulders, the same icy glass in his hand, scent the same lemon-acid odor in his nostrils. He could still hear the faint chop-chop of the waves. And yet everything had changed, gone dark and tightening of the man's shoulder muscles that his presence was known. He looked down and saw that his feet made clear-cut depressions in the soft rich soil of the field. "Continue to work," he said to the young man. "Do not be too surprised at what I am about to tell you, Rold." He paused and watched the golden man's rather stupid face intently. "I am not a Misty One," Noork said. "I killed the owner of this strange garment I wear yesterday on the mainland. I have come to rescue the girl, Tholon Sarna, of whom you spoke." Rold's
What is Daniel Oak’s job?	After carefully reading the provided chunks, write a detailed response to the following question about His Master's Voice by Randall Garrett. Relevant chunks: raise his eyes and look at me for the first time since I'd come in. "Mr. Oak, you have caused me considerable trouble." "I thought we'd hashed all that out, Mr. Ravenhurst," I said, keeping my voice level. [5] "So had I. But it appears that there were more ramifications to your action than we had at first supposed." His voice had the texture of heavy linseed oil. He waited, as if he expected me to make some reply to that. When I didn't, he sighed slightly and went on. "I fear that you have inadvertently sabotaged McGuire. You were commissioned to prevent sabotage, Mr. Oak, and I'm afraid that you abrogated your contract." I just continued to keep my voice calm. "If you are trying to get back the fee you gave me, we can always take it to court. I don't think you'd win." "Mr. Oak," he said heavily, "I am not a fool, regardless of what your own impression may be. If I were trying to get back that fee, I would hardly offer to pay you another one." I didn't think he was a fool. You don't get into the managerial business and climb to the would prevent the issuing of conflicting orders to a robot, provided the single individual were careful in giving orders himself. "Now, it appears that you , Mr. Oak, were the first man to speak to McGuire after he had been activated. Is that correct?" "Is that question purely rhetorical," I asked him, putting on my best expression of innocent interest. "Or are you losing your memory?" I had explained all that to him two weeks before, when I'd brought McGuire and the girl here, so that Ravenhurst would have a chance to cover up what had really happened. My sarcasm too much time accelerating and decelerating. But a flitterboat is enough to get around the neighborhood in, and that's all that's needed. I got the GM-187 blinker in my sights, eased the acceleration up to one gee, relaxed to watch the radar screen while I thought over my coming ordeal with McGuire. Testing spaceships, robotic or any other kind, is strictly not my business. The sign on the door of my office in New York says: DANIEL OAK, Confidential Expediter ; I'm hired to help other people Get Things Done. Usually, if someone came to me with the problem of operators in the Belt, but when it came to personal relationships, he was utterly incompetent. He could make anyone dislike him without trying. When I entered the office, he was [3] sitting behind his mahogany desk, his eyes focused on the operation he was going through with a wineglass and a decanter. He didn't look up at me as he said: "Sit down, Mr. Oak. Will you have some Madeira?" I decided I might as well observe the pleasantries. There was no point in my getting nasty until he did. "Thank you, Mr. Ravenhurst, I will." He kept his eyes Question: What is Daniel Oak’s job? Answer:	[ "Daniel Oak states that he has an office in New York and describes himself as a Confidential Expediter. He has worked with Ravenhurst before and the story begins with an understanding that Daniel recently completed a job for Ravenhurst. He later mentions that he is a double agent. Daniel works for the Political Survey Division branch of the System Census Bureau for the UN government. Unbeknownst to most of the System’s citizens, the Political Survey Division is the Secret Service arm of the UN government. \n\nA flitterboat is a more economical option than a full spaceship. It is described as having a single gravitoinertial engine. It is meant to have the most basic necessities that are needed for a person to survive their journey, which includes oxygen, water, and the requirement of food necessary. The flitterboat is not necessarily more affordable, but it does provide the purpose of transporting from one Belt to another Belt. Daniel Oak details how a vacuum suit is needed to be worn in a flitterboat.\n", "Daniel is, officially, a confidential expediter. In this role, he helps to ensure the rapid completion of projects to which his employers have assigned him. Typically, his job involves finding other people who are able to fulfil the request initially assigned to him, and collecting his fee. \nIn the case of the McGuire project, which involves the construction of a sophisticated spaceship operating system capable of understanding and speaking English, Daniel is also operating in his capacity as an agent of the Political survey Division. The PSD is a branch of the System Census Bureau of the UN government, and is often thought to be responsible for surveying the state of political systems throughout the System. However, in reality the PSD more closely resembles a secret service of the UN. \n", "Daniel Oak's official job title is a Confidential Expediter. His job consists of helping others complete tasks, usually hiring a third party and collecting a fee. Daniel Oak is also an agent of the Political Survey Division, a Secret Service organization. In the story, Daniel Oak has been hired by Ravenhurst directly in order to ensure that his company, Viking Spacecraft, succeeds in business with the development of the new McGuire model. He is hired specifically to prevent sabotage to McGuire, as sabotage would lead to the downfall of the Viking business.", "Daniel Oak is a confidential expediter who helps people to get their things done. So normally he would find someone who is an expert in the area that his customers are looking for, then pair them and then collect the fees. Interestingly, now he is a double agent. He was working for Ravenhurst where he had to prevent sabotage. However, during that job, he was not successful since he did sabotage their robot, McGuire. Because he is the first one that the robot spoke to after it is activated, thus McGuire only listens to the order given by him. Moreover, since costly thus not worthwhile , and McGuire’s build in program does not allow tampering. \n\nCurrently, Ravenhurst is telling Oak to go to Ceres to help with the roboticists build MGYR-8. Because Raverhurst wants it to be not only fast and safe, but also wants it to become something that can be used commercially. And later, when he arrives in Ceres, Brock asks him for help. While he didn’t agree to do so, he did suggest they work together, since they are all working for Ravenhurst, there should not be a conflict of interest. " ]	48513	raise his eyes and look at me for the first time since I'd come in. "Mr. Oak, you have caused me considerable trouble." "I thought we'd hashed all that out, Mr. Ravenhurst," I said, keeping my voice level. [5] "So had I. But it appears that there were more ramifications to your action than we had at first supposed." His voice had the texture of heavy linseed oil. He waited, as if he expected me to make some reply to that. When I didn't, he sighed slightly and went on. "I fear that you have inadvertently sabotaged McGuire. You were commissioned to prevent sabotage, Mr. Oak, and I'm afraid that you abrogated your contract." I just continued to keep my voice calm. "If you are trying to get back the fee you gave me, we can always take it to court. I don't think you'd win." "Mr. Oak," he said heavily, "I am not a fool, regardless of what your own impression may be. If I were trying to get back that fee, I would hardly offer to pay you another one." I didn't think he was a fool. You don't get into the managerial business and climb to the would prevent the issuing of conflicting orders to a robot, provided the single individual were careful in giving orders himself. "Now, it appears that you , Mr. Oak, were the first man to speak to McGuire after he had been activated. Is that correct?" "Is that question purely rhetorical," I asked him, putting on my best expression of innocent interest. "Or are you losing your memory?" I had explained all that to him two weeks before, when I'd brought McGuire and the girl here, so that Ravenhurst would have a chance to cover up what had really happened. My sarcasm too much time accelerating and decelerating. But a flitterboat is enough to get around the neighborhood in, and that's all that's needed. I got the GM-187 blinker in my sights, eased the acceleration up to one gee, relaxed to watch the radar screen while I thought over my coming ordeal with McGuire. Testing spaceships, robotic or any other kind, is strictly not my business. The sign on the door of my office in New York says: DANIEL OAK, Confidential Expediter ; I'm hired to help other people Get Things Done. Usually, if someone came to me with the problem of operators in the Belt, but when it came to personal relationships, he was utterly incompetent. He could make anyone dislike him without trying. When I entered the office, he was [3] sitting behind his mahogany desk, his eyes focused on the operation he was going through with a wineglass and a decanter. He didn't look up at me as he said: "Sit down, Mr. Oak. Will you have some Madeira?" I decided I might as well observe the pleasantries. There was no point in my getting nasty until he did. "Thank you, Mr. Ravenhurst, I will." He kept his eyes
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about DEATH STAR by TOM PACE. Relevant chunks: explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, course. What is it that girls in small offices do or eat or drink or wear that girls in large offices don't do or eat or drink or wear? What do writers and doctors do differently? Or poets and dentists? What are we missing? What—" In the outer office a girl cried out. A body thumped against a desk, then a chair, then to the floor. Two girls screamed. Andy bolted up from his chair. Racing to the door, he shouted back to Bettijean, "Get a staff doctor and a chemist from the lab." It was the girl who had forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of "Get somebody—maybe even the President—on all radio and TV networks. Explain frankly about the four-centers and warn against licking any stamps. Then—" He broke off as his phone rang. Answering, he listened for a moment, then hung up and said, "But before the big announcement, get somebody checking on the security clearances at whatever plant it is where they print stamps. This's a big deal. Somebody may've been planted years ago for this operation. It shouldn't be too hard. "But there's no evidence it was a plot yet. Could be pure accident—some chemical in the stickum spoiled. Do they keep deathly ill, but nobody dying. And doctors can't identify the poison until they have a fatality for an autopsy. People stricken in every part of the country, but the water systems are pure. How does it spread?" "In food?" "How? There must be hundreds of canneries and dairies and packing plants over the country. How could they all goof at the same time—even if it was sabotage?" "On the wind?" "But who could accurately predict every wind over the entire country—even Alaska and Hawaii—without hitting Canada or Mexico? And why wouldn't everybody get it in a given area?" Bettijean's smooth Question: What is the plot of the story? Answer:	[ "The story starts with Starrett (Star) Blade’s ship falling into one of the lakes on Alpha Centauri III. We then learns that Currently Star is trying to hunt Devil Garrett down, but his ship was hit by an energy-beam shot by Garrett, who is the top space pirate for years. After he fell, he hopes that Garrett himself will come here to look for him, but only one of Garrett’s men appears and he is killed by Star. He also notices a person with another gun right after he murders that man. He almost kills this person as well, but is able to stop in time due to his strong reflex skills. The reason that he stopped is because she is a girl. She has beautiful dark colored hair and eyes. But she does not stop trying to capture him. Before he can explain himself, he is knocked out. \n\nWhen Star has finally waken up, he is already in a lab chair with Garrett is right in front of him. To his surprise, Garrett calls him Garrett, instead of Star. The girl clearly believes Garrett that Star is actually Garrett. However, again, before he can explain his situation to the girl, he is knocked out. Right after he wakes up, he learns that he will be executed. Then, he starts thinking of the girl again, but he does not really understand why he is thinking of her. Before he can do anything, he is taken from his cell. Standing 5 yards away from the gun that Garrett is holding, he tries to find a way that he could escape. He is glad to see that it is a two way transmitter, but loses his hope again when he realizes that it is an old-style transmitter. Then as the visual image started to form, Garrett is ready to perform the execution. Star cunningly kicks the metal fork onto the vision transmitter, which diverts Garrett’s attention, and causes him to miss the shot. But because he is outnumbered by Garrett’s men, he is caught and knocked out again. After he wake up, the girl finds him and tells him that she is capable of reading lips. Even though the visual images has no sound, she knows what the Section Void Headquarters said, and that he is the actual Star. \n\nGarrett enters the cell after he finds out that the girl knows the real identity of him and Star. So he brings them to a room filled with machines. He imagines to have hundreds of those on Alpha III and he will be able to rule an entire world. Then suddenly the girl takes Garrett’s weapon and Star is able to kill him very quickly. And Commander Weddel, getting the signal that Star tried to send using the metal fork, gets here just on time to capture Garrett’s men. ", "Starrett Blade’s ship has crashed into one of the deep stagnant lakes on the surface of Alpha Centauri III, struck down by a Barden energy beam fired by Devil Garrett, a space pirate. Star Blade, ejected to safety and now hiding by the lake, waits for Garrett to come for him. Meanwhile, he wonders about the source of the energy for the Barden Beam, as Garrett doesn’t have power plants on the planet, nor is there running water to generate hydroelectric power. Suddenly, Star notices one of Garrett’s soldiers and ambushes him. \nStar Blade, who has earned the nickname Death Star for his fighting prowess, dispatches his fist adversary, and soon after notices another: a beautiful, dark-haired woman. She confronts him, calling him a pirate. He dismisses this accusation, and asserts his identity, but she does not believe him. A brief fight ensues, but is quickly settled when Star is struck by another combatant.\nAs Star wakes in a cell, he is confronted by Devil Garrett’s face, Garrett’s underlings, and the dark-haired woman. Garrett, who has assumed Star Blade’s identity in order to trick the woman whom he calls Miss Hinton, announces that he will shortly execute Blade, whom he has tricked Hinton into believing is himself. \nStar is brought before a transmitter which only transmits images. As the live image of Commander Weddel, a police officer, appears on the screen, Garrett quickly throws a piece of metal at the transmitter’s dial board and disrupts the transmission. One of Garrett’s men renders Star unconscious. \nStar regains consciousness and finds Hinton in his cell. She reveals that, during the transmission, she was able to read Weddel’s lips and now believes that he is who he claims to be. She introduces herself to be Anne Hinton, daughter of a weapons manufacturer whom Garrett had secretly contacted while posing as Star. Anne tells Star that Garrett has discovered a method of electrolyzing water into its elemental constituents, which Star speculates to be a potential source of energy. \nSuddenly, Garrett enters the room and leads Anne and Star to a cavernous room at gunpoint. The room is full of vats and machinery, which Star concludes are the reaction vessels in which water is electrolyzed and the energy generated. Garrett reveals that his plan is to use his technology to construct many Barden Beams in order to take over the planet. \nStar removes an obscured weapon, and dispatches Devil Garrett. He quickly takes out two more pirates, before two more surrender. Commander Weddel appears, and Star reveals that his damaging the transmitter resulted in a distress signal being sent out.\nThe story concludes with Anna asking how soon the technology discovered by Garrett can be used to bring life to Alpha Centauri III, and her asking him if it would be a good place to honeymoon. \n", "Starrett Blade, a fighter nicknamed \"Death Star\", has been on the hunt for Devil Garrett, the most dangerous and well-known space pirate. While flying over Alpha Centauri III, a barren and lifeless planet, Star's ship is shot down by a Barden beam, causing him to crash into a lake. Confused as to how such a powerful beam could have been shot on this planet, Star is met with one of Garrett's armed men. Star attacks the man and sees a girl, who he is perplexed by. The girl threatens him, and Star replies by explaining that he's not a pirate, but Death Star. The girl immediately attacks him, knocking him out. Star awakes in a room with the girl, some more men, and face to face with Devil Garrett. To his surprise, Garrett addresses him as the deadly pirate, and calls himself Starrett Blade. Star realizes that Garrett has attempted to swap identities with him, convincing the girl that Garrett was actually the one being captured. Garrett tells Star that he is to be executed, broadcasted to the authorities. Star is knocked out again, this time waking up in a cell and rid of all weapons except for his ace card. Two of Garrett's men enter the cell, and Star attempts to fight them both, which is successful, but his plan is cut short when Garrett steps into the room. Star is led to the execution site, where he stands by a transmitter with Garrett in front of him bearing a gun, the girl next to him. Star inspects the transmitter and realizes that there is a chance the authorities will be able to identify him as the true Star, hopeful that the girl will realize her mistake; however, he concludes that the transmitter's sound wave speed would not be fast enough for the message to come through. As Star faces execution, he flings a fork at the transmitter, damaging a unit of the machine and burning it out. This causes a distraction, and Star is attacked by Garrett's men and falls unconscious again, yet this time accompanied by the girl, who knows now of his true identity due to her ability to read lips on the transmitter. The girl reveals she is Anne Hinton, daughter of John Hinton, who manufactures space equipment. Garrett contacted John, disguising himself as Star to gain his support in crafting hundreds of power plants with Barden beams in order to gain control of the entire planet of Alpha III. Once Garrett reveals his plan, Star uses his ace card, which is a jet weapon, to kill him. Together, Anne and Star fight off Garrett's men, and Star reveals that when he flung the fork at the transmitter, it set off a signal attracting the authorities to their location. With that, Commander Weddel arrives and Garrett's men are turned over to him. Garrett's power plants are then used not for the objective to gain dangerous power, but to supply energy and life to the planet.", "The story begins with Starrett’s Blade being destroyed and sinking in a body of water. He was able to save himself because of an emergency release that allowed him to be ejected from the air-locked doors. Star is attacked by a man but successfully kills the man with his electron knife. After he kills the man, he sees a girl that distracts him. While he is distracted, he is struck and beaten. When he wakes up after being beaten, he is standing in front of Garrett. Garrett pretends that he is actually Star, for the benefit of the girl, and pretends that Star is actually Garrett. Garret tells Star that he is going to be executed and puts Star into a prison cell.\n\nStar wakes up in his prison cell and is still concerned about what the girl thinks of him. Star fights against the two guards that come to get him from his cell. He stops fighting them when Garrett appears holding an electron knife, as Star sees that as a dangerous weapon. Star is guided towards the transmitter for his planned executive. However, Star thwarts the execution plans by throwing a metal fork at the transmitter which damages it. Again, he gets distracted because of the girl and is beaten. \n\nLater, the girl appears in his cell trying to help him. She tells him that she is Anne Hinton, the daughter of Old John Hinton. Start mentions that he is familiar with her father. Garrett finds the two trying to escape. He leads them down a long corridor and into an incredibly expansive room. Garrett tells them his plan to control the world. Star remembers that he has another weapon at his disposal and uses it to kill Garrett. Anne and Star then go on to kill some of the guards. Commander Weddel shows up to Star’s delight after the Commander received a distress signal from the transmitter. Star is excited about Garrett’s power plant as he exclaims that it will bring life to the barren Centauri planets. \n" ]	63419	explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, course. What is it that girls in small offices do or eat or drink or wear that girls in large offices don't do or eat or drink or wear? What do writers and doctors do differently? Or poets and dentists? What are we missing? What—" In the outer office a girl cried out. A body thumped against a desk, then a chair, then to the floor. Two girls screamed. Andy bolted up from his chair. Racing to the door, he shouted back to Bettijean, "Get a staff doctor and a chemist from the lab." It was the girl who had forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of "Get somebody—maybe even the President—on all radio and TV networks. Explain frankly about the four-centers and warn against licking any stamps. Then—" He broke off as his phone rang. Answering, he listened for a moment, then hung up and said, "But before the big announcement, get somebody checking on the security clearances at whatever plant it is where they print stamps. This's a big deal. Somebody may've been planted years ago for this operation. It shouldn't be too hard. "But there's no evidence it was a plot yet. Could be pure accident—some chemical in the stickum spoiled. Do they keep deathly ill, but nobody dying. And doctors can't identify the poison until they have a fatality for an autopsy. People stricken in every part of the country, but the water systems are pure. How does it spread?" "In food?" "How? There must be hundreds of canneries and dairies and packing plants over the country. How could they all goof at the same time—even if it was sabotage?" "On the wind?" "But who could accurately predict every wind over the entire country—even Alaska and Hawaii—without hitting Canada or Mexico? And why wouldn't everybody get it in a given area?" Bettijean's smooth
What happens to Marie throughout the story?	After carefully reading the provided chunks, write a detailed response to the following question about The Snare by Richard Rein Smith. Relevant chunks: bag suddenly and leaned against a fence post, rolling his head on his forearms and choking in spasms of air. He was shaking all over, and his belly writhed. He wanted to turn and run. He wanted to crawl out in the grass and hide. What were they going to say? And Marie, Marie most of all. How was he going to tell her about the money? Six hitches in space, and every time the promise had been the same: One more tour, baby, and we'll have enough dough, and then I'll quit for good. One more time, and we'll hulk of smooth metal. It was featureless and yet conveyed a sense of alienness . It was alien and yet it wasn't a natural formation. Something had made the thing, whatever it was. But was it strange that it hadn't been noticed before? Men had lived on the Moon for over a year, but the Moon was vast and the Mare Serenitatis covered three hundred and forty thousand square miles. "What is it?" Marie asked breathlessly. Her husband grunted his bafflement. "Who knows? But see how it curves? If it's a perfect sphere, it must be at least two miles broken by a circular opening that yawned invitingly. Kane ran ahead and flashed his head-lamp into the dark recess. "There's a small room inside," he told us, and climbed through the opening. We waited outside and focused our lamps through the five-foot opening to give him as much light as possible. "Come on in, Marie," he called to his wife. "This is really something! It must be an alien race. There's all kinds of weird drawings on the walls and gadgets that look like controls for something...." Briefly, my lamp flickered over Marie's pale face. Her features struggled with two was almost straight above him in the late August sky, so he knew it wasn't much after sundown—probably about eight o'clock. He braced himself with another swallow of gin, picked himself up and got back to the road, feeling a little sobered after the nap. He limped on up the pavement and turned left at the narrow drive that led between barbed-wire fences toward the Hauptman farmhouse, five hundred yards or so from the farm road. The fields on his left belonged to Marie's father, he knew. He was getting close—close to home and woman and child. He dropped the a good set of nerves. Kane excited easily, his temper was fiery, but his nerves were like steel. "The end of the line," he grunted. As though to disprove the statement, a door on his right side opened soundlessly. He went through the doorway as if shoved violently by an invisible hand. The door closed behind him. Marie threw herself at the door and beat at the metal. "Harry!" Verana rushed to her side. Another door on the opposite side of the corridor opened silently. The door was behind them; they didn't notice. Before I could warn them, Marie floated Question: What happens to Marie throughout the story? Answer:	[ "Marie is the wife of Kane, the sharp, brash anti-hero of the story. She begins on the walk with the rest of the crew, ending up on the alien spaceship. When Kane is thrown into a separate room from the rest of the crew, Marie throws herself against the door and tries with all her strength to get it to open, until she herself is put in a separate room. The room is dark, and she is touched by a telepathic voice that tells her not to worry. They won't hurt her, and they only want to learn something about her. The voice seems to search through her memories, looking at her high school days. It also looked at human customs and their lives in general. The room must be filled with some sort of happiness gas, because she comes out of it to join the rest of the crew in an airy, relaxed mood that soon wears off. She then searches the ship for a way to break out with the rest of the group but finds nothing. She goes to sleep with Verana. She wakes up to Kane having tied them all up. When Kane is strangling Ed, she screams at him to stop. Eventually though, the computer lets them go home. ", "Marie is the wife of Harry Kane. She joins Harry, Ed, Miller, and Verana on a walk on the Moon at the beginning of the story. When they encounter the object, she is the second one to enter through its opening, following her husband despite being frightened. Marie and the rest of the group examine the object, walking down its large corridor, when she is suddenly pushed into a room by a mysterious force. Marie is then separated by the group, returning to them later and dizzily explaining how her mind was searched and prodded for memories. Once Marie falls out of her trance and Harry returns, she returns to being frightened and panicking. She rests that night with Verana, and awakes the next morning tied to a chair, where Kane is executing his plan.", "\nMarie is the wife of Harry Kane. She initially follows her husband into the spaceship. Then, after he is pushed into one of the rooms, she floats across the corridor into another room. Marie screams and struggles, but she is taken away regardless. Later, she comes back into the observatory and says a voice spoke to her telepathically when she was in the dark room. She then says that the voice was interested in her memories, especially the high school ones about English and history. However, she could also feel it searching for memories of general life and customs. The voice spoke very nicely to her too, which made her happy and calm. Later, she is frightened again once the machine reveals what is going to happen to them. She cares for Kane after he has his violent outburst but becomes involved in his later plan again. \n\n", "Marie approaches the sphere together with the whole group and follows Kane, her husband, inside. There she is as scared as everyone, passes the corridor, and when a door closes behind her husband she starts beating it violently. Then she floats into another door which shuts behind screaming Marie. In a while she appears in the observatory with a calm face. She tells about a telepathic voice in the dark which calmed her down and searched through her memories. While she listens to her husband's story about the experiment and their future as prisoners on an alien planet, the calm effect disappears and she is filled with terror of dissection, for example. Then she searches the ship together with the rest of the group without effect and goes to sleep. She was frightened all the way. Soon she is joined by her husband in bed. In the morning she finds herself bound to a chair together with Ed and Verana in the kitchen. She is upset and feels shame for her husband, she is also scared of him choking Ed. She asks her husband to let go of Ed. Eventually, she returns to the Moon together with the group. " ]	49901	bag suddenly and leaned against a fence post, rolling his head on his forearms and choking in spasms of air. He was shaking all over, and his belly writhed. He wanted to turn and run. He wanted to crawl out in the grass and hide. What were they going to say? And Marie, Marie most of all. How was he going to tell her about the money? Six hitches in space, and every time the promise had been the same: One more tour, baby, and we'll have enough dough, and then I'll quit for good. One more time, and we'll hulk of smooth metal. It was featureless and yet conveyed a sense of alienness . It was alien and yet it wasn't a natural formation. Something had made the thing, whatever it was. But was it strange that it hadn't been noticed before? Men had lived on the Moon for over a year, but the Moon was vast and the Mare Serenitatis covered three hundred and forty thousand square miles. "What is it?" Marie asked breathlessly. Her husband grunted his bafflement. "Who knows? But see how it curves? If it's a perfect sphere, it must be at least two miles broken by a circular opening that yawned invitingly. Kane ran ahead and flashed his head-lamp into the dark recess. "There's a small room inside," he told us, and climbed through the opening. We waited outside and focused our lamps through the five-foot opening to give him as much light as possible. "Come on in, Marie," he called to his wife. "This is really something! It must be an alien race. There's all kinds of weird drawings on the walls and gadgets that look like controls for something...." Briefly, my lamp flickered over Marie's pale face. Her features struggled with two was almost straight above him in the late August sky, so he knew it wasn't much after sundown—probably about eight o'clock. He braced himself with another swallow of gin, picked himself up and got back to the road, feeling a little sobered after the nap. He limped on up the pavement and turned left at the narrow drive that led between barbed-wire fences toward the Hauptman farmhouse, five hundred yards or so from the farm road. The fields on his left belonged to Marie's father, he knew. He was getting close—close to home and woman and child. He dropped the a good set of nerves. Kane excited easily, his temper was fiery, but his nerves were like steel. "The end of the line," he grunted. As though to disprove the statement, a door on his right side opened soundlessly. He went through the doorway as if shoved violently by an invisible hand. The door closed behind him. Marie threw herself at the door and beat at the metal. "Harry!" Verana rushed to her side. Another door on the opposite side of the corridor opened silently. The door was behind them; they didn't notice. Before I could warn them, Marie floated
What equipment is employed throughout the story?	After carefully reading the provided chunks, write a detailed response to the following question about Signal Red by Henry Guth. Relevant chunks: into them. She was just arriving back into the living room, tying the cord of her dressing gown about her slim waist, when she heard the sound of the police siren out front. THE END Transcriber's Note: This etext was produced from If Worlds of Science Fiction July 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. THE HANGING STRANGER BY PHILIP K. DICK ILLUSTRATED BY SMITH [Transcriber's Note: This etext was produced from Science Fiction Adventures Magazine December 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Ed had always been a practical man, when he saw something was wrong he tried to correct it. Then one day he saw it hanging in the town square. Five o'clock Ed Loyce washed up, tossed on his hat and coat, got his car out and headed across town toward his TV sales store. He was tired. His back and shoulders Tea Tray in the Sky By EVELYN E. SMITH Illustrated by ASHMAN [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Visiting a society is tougher than being born into it. A 40 credit tour is no substitute! The picture changed on the illuminated panel that filled the forward end of the shelf on which Michael lay. A haggard blonde woman sprawled apathetically in a chair. "Rundown, nervous, hypertensive?" inquired a mellifluous voice. "In need of mental therapy? Buy Grugis juice; had actually been successfully produced, how would it have fallen into the possession of POSAT, an Ancient Secret Society, The Perpetual Order of Seekers After Truth? The conviction grew in Don's mind that here was something much deeper and more sinister than he would be able to cope with. He should have asked for help, should have stated his suspicions to the police or the F.B.I. Even now— With sudden decision, he thrust the lighting tube into his pocket and stepped swiftly to the outer door. He grasped the knob and shook it impatiently when it stuck and refused to Question: What equipment is employed throughout the story? Answer:	[ "One of the main pieces of equipment used on the Stardust liner is a loudspeaker. The primary role of the speaker is to give out instructions to the crew on the ship and makes any important announcements. The men also use phosphorescent bulbs as a light source to navigate their surroundings when the liner goes into total shutdown. Crew members also carry around a blaster for protection, most likely if there is ever a need for self-defense. There is also usage of a ray gun to fight back against the Uranian fleets. To ensure survival, emergency oxygen pipes are used to maintain atmosphere. Shano also carries a pack of cigarettes that do not seem important but later become essential to the story.", "The ship is locked with multiple air locks. There is a panel of studs in the control room. The pilot is in earphones. A loud-speaker gives orders. Machinery is stopped and lights are out when ship is hiding from the enemy. For such cases there are emergency oxygen cylinders. Some men have blasters. There were port guns and ray guns and the battle was almost silent. Pipes are all around. There is a screen and a selector in the engine room which keep the ship going. Toxia gas is needed to make the selector work but people can't handle it. There is massive machinery and a shattered gold-gleaming cylinder in the engine room which make the whole ship move. Heavy rods are there which need to be lifted.", "Firstly, Shano is wearing polarized goggles, but it is unclear what it is used for. Secondly, there is a gray box next to the pipes at the corner of the passageway, which is used to attract the Uranians detection since its dial needle keeps quivering when everything else went silence. It’s assumed by Shano that this device was planted by the spy of the Uranians. When Shano fights with Rourke, he first uses his cigarette to dug into Rourke’s face and uses his hand to grasp Rouke’s neck, which makes his face turn purple and choked to death. When Shano is fixing the rod, he simply uses his bare hand whenever the rods fall. ", "There is various equipment employed throughout the story. Phosphorescent bulbs are used when the ship goes dark to light the passageways. A grey box with two switches and a radium dial is used. It is an electric signal box to give away the ship's position. An intercom is employed so the captain can speak to the crew. There are port guns used in battle. Atom motors are employed to keep the ship running. Shano uses the selector valve rods to keep the ship running. \n" ]	63860	into them. She was just arriving back into the living room, tying the cord of her dressing gown about her slim waist, when she heard the sound of the police siren out front. THE END Transcriber's Note: This etext was produced from If Worlds of Science Fiction July 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. THE HANGING STRANGER BY PHILIP K. DICK ILLUSTRATED BY SMITH [Transcriber's Note: This etext was produced from Science Fiction Adventures Magazine December 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Ed had always been a practical man, when he saw something was wrong he tried to correct it. Then one day he saw it hanging in the town square. Five o'clock Ed Loyce washed up, tossed on his hat and coat, got his car out and headed across town toward his TV sales store. He was tired. His back and shoulders Tea Tray in the Sky By EVELYN E. SMITH Illustrated by ASHMAN [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Visiting a society is tougher than being born into it. A 40 credit tour is no substitute! The picture changed on the illuminated panel that filled the forward end of the shelf on which Michael lay. A haggard blonde woman sprawled apathetically in a chair. "Rundown, nervous, hypertensive?" inquired a mellifluous voice. "In need of mental therapy? Buy Grugis juice; had actually been successfully produced, how would it have fallen into the possession of POSAT, an Ancient Secret Society, The Perpetual Order of Seekers After Truth? The conviction grew in Don's mind that here was something much deeper and more sinister than he would be able to cope with. He should have asked for help, should have stated his suspicions to the police or the F.B.I. Even now— With sudden decision, he thrust the lighting tube into his pocket and stepped swiftly to the outer door. He grasped the knob and shook it impatiently when it stuck and refused to
How is the theme of responsibility explored in the story?	After carefully reading the provided chunks, write a detailed response to the following question about The First Man in Space by Heather Feldman. Relevant chunks: man!” Mom burst out, as though she had been holding it in as long as she could. “Sending a boy who isn’t even twenty-two—” “Things are different nowadays, Mom,” Dad explained, still with the assumed calmness that masked his real feelings. “These days, men grow up faster and mature quicker. They’re stronger and more alert than older men—” His voice trailed off as if he were unable to convince himself. “ Some body has to go,” Marsh said. “Why not a younger man without family and responsibility? That’s why they’re giving younger men more opportunities today than they used to.” edge, and birds as delicate as colored glass wavered down the wind. He opened the shelter door and went out. The shelter looked the same, but useless now. How did the shelter of that bleak world get into this one, where the air was warm and fragrant, where there was no cold, from that world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking a cigarette. He walked toward her, and stopped. In the dream it had been easy, but now he was embarrassed, in spite of the intimacy that had grown between them. of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny THE HANGING STRANGER BY PHILIP K. DICK ILLUSTRATED BY SMITH [Transcriber's Note: This etext was produced from Science Fiction Adventures Magazine December 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Ed had always been a practical man, when he saw something was wrong he tried to correct it. Then one day he saw it hanging in the town square. Five o'clock Ed Loyce washed up, tossed on his hat and coat, got his car out and headed across town toward his TV sales store. He was tired. His back and shoulders mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. Question: How is the theme of responsibility explored in the story? Answer:	[ "Being the first man to go to space is a task of extreme responsibility. For years, the flight was worked through to make it as safe and well-organized as possible. Due to the need to choose only one man, long training and checkouts took place, and Marsh was decided to be the best. His success is the reason his friends are not able to go and their years of training were in vain. The generals and other higher standing participants trained and chose Marsh, so he has to meet their expectations. The whole globe is watching him with interest and attention, which is an additional pressure. He has to complete the mission successfully, because he was chosen and he can’t fail, he needs to be brave, calm and concentrated. Moreover, he is responsible before his parents to come back, not to make them lose their only son. Detailed instructions were given to him and failing to follow them means proving not good enough. This flight was prepared for too long, and if he fails, he moves the exploration years back. Understanding all of that, Marsh tries to calm him down every time and reminds himself of what has to be done. He does everything with caution, and when he loses control in space, he rapidly recovers and reminds himself to be careful. Under the burden of this responsibility, Marsh doesn’t let himself to get nervous. \n", "The theme of responsibility is explored through the story via Marsh’s own experience in space. Although he undergoes training, Marsh is still given the responsibility of being the person who makes man’s first journey into space. He is responsible when piloting the rocket, too, and can execute all of the instructions that the general gives him. Marsh can safely disconnect the cables and prevent the ship’s delicate instruments from becoming damaged when he goes out to observe. Even during the trickiest part of the operation, Marsh can manually pilot the ship back to Earth. He demonstrates excellent responsibility here, as he manages to safely land and successfully fulfills the mission. ", "The theme of responsibility features heavily in this story. Marsh feels the responsibility of the world to succeed in this flight. He doubts whether he was the right man for the job. He feels the responsibility to have the mission be a success for not only his team, but also himself, and his own life. The weight of the world is on his shoulders, and the future of space travel depends on him. \nMom and Dad feel the responsibility to keep their child safe. They are angered by the fact that he was chosen, and wish the space program had picked a grown man. \nThe entire team at the Skyharbour have the responsibility of keeping Marsh safe. They give him a full medical check, and wire him up to know the status of his vitals. \nThe Colonel has the responsibility of keeping a boy safe that he has known for a very long time. He is his CO, and as such, is the main person responsible for him at the station. \nThe general has the responsibility to make sure everything about the mission goes smoothly. \nThere is definitely a very clear theme of responsibility throughout the story. ", "We learn that even though Marsh’s Mom and Dad does not want him to go to space, his exploration to the space can bring valuable finding to Earth. Firstly, he was able to spot a meteor that is heading towards Earth. He reports this back. He is also able to bring data back for months of analysis. While his parents hoped he would fail the exams, he passed and becomes the first pilot going into space. It is such an honor for him. Even Marsh himself was thrilled to see Earth from space, especially since he is the first man ever. " ]	55801	man!” Mom burst out, as though she had been holding it in as long as she could. “Sending a boy who isn’t even twenty-two—” “Things are different nowadays, Mom,” Dad explained, still with the assumed calmness that masked his real feelings. “These days, men grow up faster and mature quicker. They’re stronger and more alert than older men—” His voice trailed off as if he were unable to convince himself. “ Some body has to go,” Marsh said. “Why not a younger man without family and responsibility? That’s why they’re giving younger men more opportunities today than they used to.” edge, and birds as delicate as colored glass wavered down the wind. He opened the shelter door and went out. The shelter looked the same, but useless now. How did the shelter of that bleak world get into this one, where the air was warm and fragrant, where there was no cold, from that world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking a cigarette. He walked toward her, and stopped. In the dream it had been easy, but now he was embarrassed, in spite of the intimacy that had grown between them. of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny THE HANGING STRANGER BY PHILIP K. DICK ILLUSTRATED BY SMITH [Transcriber's Note: This etext was produced from Science Fiction Adventures Magazine December 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Ed had always been a practical man, when he saw something was wrong he tried to correct it. Then one day he saw it hanging in the town square. Five o'clock Ed Loyce washed up, tossed on his hat and coat, got his car out and headed across town toward his TV sales store. He was tired. His back and shoulders mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them.
What has Martin Kesserich done to cope with the loss of Mary Alice?	After carefully reading the provided chunks, write a detailed response to the following question about Yesterday House by Fritz Leiber. Relevant chunks: the cabinet door closing brought Jack back to reality. He realized that he no longer had the photograph. Against the gloom by the cabinet, Mrs. Kesserich's white face looked at him with what seemed a malicious eagerness. "Sit down," she said, "and I'll tell you about it." Without a thought as to why she hadn't asked him a single question—he was much too dazed for that—he obeyed. Mrs. Kesserich resumed her position on the edge of the sofa. "You must understand, Mr. Barr, that Mary Alice Pope was the one love of Martin's life. He is a man of very know Martin, but year by year, month by month. This winter, he'd plan, they would visit Buenos Aires, next summer they would sail down the inland passage and he would teach Mary Hungarian for their trip to Buda-Pesth the year after, where he would occupy a chair at the university for a few months ... and so on. Finally the time for their marriage drew near. Martin had been away. His research was keeping him very busy—" Jack broke in with, "Wasn't that about the time he did his definitive work on growth and fertilization?" Mrs. Kesserich nodded with solemn first. But—and here is where Mary's wisdom fell short—her brave gesture did not pacify them: it only increased their hatred. "Except for his research, Martin was blind to everything but his love. It was a beautiful and yet frightening passion, an insane cherishing as narrow and intense as his sisters hatred." With a start, Jack remembered that it was Mrs. Kesserich telling him all this. She went on, "Martin's love directed his every move. He was building a home for himself and Mary, and in his mind he was building a wonderful future for them as well—not vaguely, if you never screamed, but as her horse reared on the tracks, I saw her face in the headlight's glare. "Martin must have guessed, or at least feared what had happened, for he was out of the train and running along the track before it stopped. In fact, he was the first to kneel down beside Mary—I mean, what had been Mary—and was holding her all bloody and shattered in his arms." A door slammed. There were steps in the hall. Mrs. Kesserich stiffened and was silent. Jack turned. The blur of a face hung in the doorway to the hall—a seemingly glass on the high bureau that always seemed to emit the faint odor of old hair combings. Jack pulled back the diamond-patterned quilt and blinked the sleep from his eyes. He expected his mind to be busy wondering about Kesserich and his wife—things said and half said last night—but found instead that his thoughts swung instantly to Mary Alice Pope, as if to a farthest island in a world of people. Downstairs, the house was empty. After a long look at the cabinet—he felt behind it, but the key was gone—he hurried down to the waterfront. He stopped only for Question: What has Martin Kesserich done to cope with the loss of Mary Alice? Answer:	[ "Kesserich devises an elaborate, maniacal scheme to cope with the loss of his beloved fiance Mary Alice Pope. He takes his dead loves ova, and through some kind of unknown science, creates a clone of Mary Alice. He brings the baby to a hidden island, in a cove with high rock walls to keep any intruders out. He creates a setting on the island to seem as if it is 1916. He builds an english cottage with a neat lawn and a eight foot high fence surrounding it to keep unwanted visitors out, and his fiancee's copy in. He employs his two sisters, who are forever devoted to him to raise the child, as if it were this time period which he has fabricated. He sends the girl notes every day, since she was first born, along with gifts like flowers. The notes are always signed with \"Your Lover\". This is all in an attempt to create an exact replica of Mary Alice, in mind, body, and spirit at the very moment he lost her. He has put her in a place made to mimic england, which she grew up in, and the time period as well. By the end of the story, the new Mary Alice is the exact age when the original died. It is Kesserich's plan to finally meet this girl, who has been closed off completely from the outside world.", "To cope with the loss of Mary Alice, Martin Kesserich uses his scientific ability. He has been working on potentially being able to recreate another individual at will, to make an exact copy of someone else. Kesserich believes that this can be achieved through biological manipulation as well as mirroring the environment that the individual had experienced. Martin is doing this exact practice on the far out island, where the Mary Alice that Jack encountered is being made to believe that it is 1933, and that she is experiencing past events in real time. Martin is also sending Mary gifts each morning, calling him her lover, in order to manipulate Mary's life into being as close to his late fiancee as possible; Martin believes he can bring Mary Alice back to life, in a way, by recreating her.", "To cope with the loss of Mary Alice, Martin Kesserich is trying to create an exact duplicate of her. He indirectly reveals this in his conversation with Jack. He discusses that controlling heredity and environment can essentially allow somebody to create a duplicate individual whenever they want. This revelation means that the Mary Alice Pope, who Jack meets on the island, is the exact duplicate that Martin Kesserich tries to create by making her physically the same and controlling every aspect of her living environment. She is kept away from the mainland so that no external influences can change her from the original Mary Alice. ", "Martin Kesserich delved into the research regarding the control of heredity and environment in order to recreate an individual. He considered environment to be not as important as heredity and he recreated the hereditary traits of Mary Alice. He placed this recreation on an isolated island nearby with two women looking over her while she grew up. He married his assistant without any warm feelings and has been living with her awaiting for the new Mary Alice to come of age. He has been sending her boxes with incredible gifts and signing 'your lover'. He made her believe she was born around 1916 and the year 1953 to be 1933 in order to recreate the environment. He even kept supplying her with the old newspapers. He wanted to meet her at the same age as the initial Mary Alice was. He never coped with the loss and put his effort and study into this recreation. \n" ]	50905	the cabinet door closing brought Jack back to reality. He realized that he no longer had the photograph. Against the gloom by the cabinet, Mrs. Kesserich's white face looked at him with what seemed a malicious eagerness. "Sit down," she said, "and I'll tell you about it." Without a thought as to why she hadn't asked him a single question—he was much too dazed for that—he obeyed. Mrs. Kesserich resumed her position on the edge of the sofa. "You must understand, Mr. Barr, that Mary Alice Pope was the one love of Martin's life. He is a man of very know Martin, but year by year, month by month. This winter, he'd plan, they would visit Buenos Aires, next summer they would sail down the inland passage and he would teach Mary Hungarian for their trip to Buda-Pesth the year after, where he would occupy a chair at the university for a few months ... and so on. Finally the time for their marriage drew near. Martin had been away. His research was keeping him very busy—" Jack broke in with, "Wasn't that about the time he did his definitive work on growth and fertilization?" Mrs. Kesserich nodded with solemn first. But—and here is where Mary's wisdom fell short—her brave gesture did not pacify them: it only increased their hatred. "Except for his research, Martin was blind to everything but his love. It was a beautiful and yet frightening passion, an insane cherishing as narrow and intense as his sisters hatred." With a start, Jack remembered that it was Mrs. Kesserich telling him all this. She went on, "Martin's love directed his every move. He was building a home for himself and Mary, and in his mind he was building a wonderful future for them as well—not vaguely, if you never screamed, but as her horse reared on the tracks, I saw her face in the headlight's glare. "Martin must have guessed, or at least feared what had happened, for he was out of the train and running along the track before it stopped. In fact, he was the first to kneel down beside Mary—I mean, what had been Mary—and was holding her all bloody and shattered in his arms." A door slammed. There were steps in the hall. Mrs. Kesserich stiffened and was silent. Jack turned. The blur of a face hung in the doorway to the hall—a seemingly glass on the high bureau that always seemed to emit the faint odor of old hair combings. Jack pulled back the diamond-patterned quilt and blinked the sleep from his eyes. He expected his mind to be busy wondering about Kesserich and his wife—things said and half said last night—but found instead that his thoughts swung instantly to Mary Alice Pope, as if to a farthest island in a world of people. Downstairs, the house was empty. After a long look at the cabinet—he felt behind it, but the key was gone—he hurried down to the waterfront. He stopped only for
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about Tea Tray in the Sky by Evelyn E. Smith. Relevant chunks: of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny What is POSAT? By PHYLLIS STERLING SMITH Illustrated by ED ALEXANDER [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Of course coming events cast their shadows before, but this shadow was 400 years long! The following advertisement appeared in the July 1953 issue of several magazines: MASTERY OF ALL KNOWLEDGE CAN BE YOURS! What is the secret source of those profound principles that can solve the problems of life? Send for our FREE booklet of explanation. Do not be a mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. 10:30." The following evening found Quidley on tenter-hooks. The snoll-doper mystery had acquired a new tang. He could hardly wait till the next message transfer took place. He decided to spend the evening plotting the epic novel which he intended to write someday. He set to work immediately. He plotted mentally, of course—notes were for the hacks and the other commercial non-geniuses who infested the modern literary world. Closing his eyes, he saw the whole vivid panorama of epic action and grand adventure flowing like a mighty and majestic river before his literary vision: the authentic and awe-inspiring background; the the corner he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze. From the telephone pole in front of the police station, something large and shapeless hung. It moved a little with the wind. What the hell was it? Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly. The light was bad; he couldn't tell what it was. Question: What is the plot of the story? Answer:	[ "From his shelf Michael watches a juice advertisement. Then a nearby passenger starts a conversation regarding Michael's belonging to a Brotherhood. Michael remembers how the Father Superior proposed the idea for him to live in the outside world to answer the question about reasons for the Brotherhood's resignation from it. The young man makes one mistake after another, violating the laws of the Universe during the short conversation with his respectable companion. The least warns the youth against those mistakes and lets him stick close for a while, then the two listen to the Sirians singing. Suddenly, it turns out that Zosma has joined the United Universe and its rule to always cover the head becomes Universal starting that second. Upon the arrival to Portyork, Michael and his companion cautiously head to eat, and the man keeps enlightening the newcomer. Then they take a ride through the city with Carpenter constantly explaining Michael his new mistakes. During a short following walk, Michael says \"history\" and unintentionally deeply offends a man, who is urged by Carpenter not to report. Then Michael asks for a shower, and they take a taxi to a public lavatory. Advideos keep appearing and annoying the two everywhere. Then Carpenter wants to find a temporary family for Michael to make his stay legal, but the least mentions the desire to create his own permanent family and marry the girl he likes. This statement is the turning point, Carpenter is shocked with the youth's ignorance about marriage being outlawed. Michael in turn is frustrated with the idea of having to share his girl and decides to return to the Brotherhood. Carpenter is even more shocked by the news of both sexes living there together and belonging to one another, so he considers Michael simply unfit for the civilized and comfortable life. Michael, on the contrary, already dreams of coming back home. He takes the same bus and then the same taxi to his Brotherhood. ", "Michael Frey is a member of one of the Brotherhoods, and he leaves his home to explore the outside world. The stranger he talks to asks him why he would join one, and he explains that his father brought him to the Angeleno Brotherhood when he was an infant. The United Universe lives in peace and never engages in wars with one another because every citizen must adapt to the customs of another one. Michael questions Father Superior about the ways of the Brotherhood before coming, and the Father suggests him coming to experience the life of civilization. He meets Pierce B. Carpenter, who hands him a business card and explains that aphrodisiacs are his line of business. He and Michael begin discussing the rules by the United Universe, and Carpenter warns him of the various rules, such as appearing in public with bare hands and that he must be careful. Michael retrieves a pair of yellow gloves from his pack, but Carpenter tells him that wearing yellow is the color of death on Saturn. He settles for rose-colored gloves instead. Carpenter offers to guide him through his stay in Portyork so that Michael will not run into any problems with the law. A stewardess goes around and announces that everybody must now wear some form of head-wearing because of Zosma’s admittance into the Union. Carpenter tells Michael that the universe is constantly expanding, which means that there must be constant updates. He then takes Michael to a “Feeding Station” for some food and offers to take him to the Old Town after. Michael mentions wanting to go to a hotel, but Carpenter explains he should not say these words because of the laws. The two go to Times Square, where the aliens are currently preparing for Christmas. Carpenter continues his tour to a few more locations, such as the Empire State building and Broadway. After, Michael gets himself washed, and Carpenter tells him that they must register him for a family now. Michael mentions getting married to his girlfriend soon, to which Carpenter shockingly tells him not to use that word because it is banned on Earth. He explains that Michael would have to share his girlfriend if he chooses to bring her here. Michael declares that he wants to go back to the Brotherhood, and Carpenter agrees, telling him that he does not adapt well to civilized behavior. Michael goes back to the ancient taxi again, where the driver is not surprised to see him back. He gives one last insult to civilization, which the taxi driver warns him about, and feels content to go home. ", "Michael Frey is a member of the Angeleno Brotherhood, a rural city in comparison to largest spaceport in the United Universe, Portyork. The United Universe consists of many different worlds and is expanding at all times. The story begins with Michael on a jet bus heading towards Portyork looking for a job. He imagines bringing his girl over to get married once he settles down.\n\nMichael was so eager to leave the Brotherhood and to go explore the world that after a year of learning the tabus and customs, he boards the bus heading to Portyork. On the jet bus, Michael meets Pierce B. Carpenter, a board-minded, middle-aged man with brown hair and blue eyes. Carpenter works in the aphrodisiacs industry, and his first thought Michael joined the Brotherhood because he was troubled over a female, then Michael reveals that he has been in the Brother since he was an infant. After accused of breaking a series of laws, which includes talking about fatherhood, wondering about turning the advideo off, not covering his hands, being intolerant, and having yellow colored gloves, Carpenter offers to guide Michael around the city so that he can learn about the civilized behaviors.\n\nPrior to landing, the stewardess announces that Zosma is now a part of the Union. Since they have a custom of not showing their head in public, everyone in the United Universe has to cover their head, thus, the passengers all leave the jet bus after wearing some sort of headgear. Then, Michael states loudly that he is hungry and need to find something to eat. He is immediately rebuked by Carpenter. Everyone in the Union is not allowed to speak of eating, or use any other vulgar language in public since it is a custom for the Theemimians. After checking the map of the landing field, Michael is able to get to a “Feeding Station,” where he chewed on pieces of food that were meant to be swallowed. Afterwards, Michael attempts to break more customs when trying to get to the Old Town. Getting off the taxi, Michael finally offends a being who threatens to report him to the police because he has mentioned the word “history,” something that the Meropians lack. Carpenter begs the being and blames himself for not warning Michael. Later, Michael interrupts Carpenter, asking for the lavatory. Thus, they get to the Empire State Building, which has been transformed into a lavatory, since, apparently, it has no other use. \n\nOn their way out, Michael mentions his desire for marriage and family with the girl he got. Carpenter is shocked since there’s no marriage in the Union, and family is never permanent. Thus, Michael is determined to leave. Finally, Michael is back to the Brotherhood. He tells the taxi driver about his dislike for civilization. The driver reminds him that civilization is spreading, even to rural areas. However, Michael is happy that he is heading home. ", "While on his way to Earth from the \"Brotherhood\" Michael meets a salesman named Mr. Carpenter. Micheal is moving to Earth in search of a new life, after his father passed away. The Brotherhood is a community that focuses on living in the ways of the past, which would be the present now, in this future society. Micheal and Carpenter begin to chat, but Carpenter soon makes Micheal aware of the social intricacies at play in this new Terran society. Earth is part of what's known as the \"United Universe\" which is a leaf of planets that was created over five hundred years ago. Each planet has different rules and customs, and to avoid conflict in this league, each planet must abide by one another's customs to avoid the chance of war breaking out. A person not abiding by those rules would face charges. Carpenter notices that Micheal keeps breaking these societal rules on their journey, and offers to take him under his wing, and show him around Earth, so he can avoid running into trouble. They arrive in Portyork, noticing all the Aliens that depart from the bus. Carpenter takes Michel to show him around, Micheal repeatedly unintentionally breaking rules. Micheal strats to get frustrated with all of these rules, not understanding the reasons behind them. The final straw comes when Micheal mentions to Carpenter that he has a girl back in the brotherhood whom he intends to marry. Carpenter tells him that marriage was outlawed a long time ago. Micheal decides that life in this civilisation is not worth it. He returns to the brotherhood and to his girlfriend. " ]	50847	of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny What is POSAT? By PHYLLIS STERLING SMITH Illustrated by ED ALEXANDER [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Of course coming events cast their shadows before, but this shadow was 400 years long! The following advertisement appeared in the July 1953 issue of several magazines: MASTERY OF ALL KNOWLEDGE CAN BE YOURS! What is the secret source of those profound principles that can solve the problems of life? Send for our FREE booklet of explanation. Do not be a mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. 10:30." The following evening found Quidley on tenter-hooks. The snoll-doper mystery had acquired a new tang. He could hardly wait till the next message transfer took place. He decided to spend the evening plotting the epic novel which he intended to write someday. He set to work immediately. He plotted mentally, of course—notes were for the hacks and the other commercial non-geniuses who infested the modern literary world. Closing his eyes, he saw the whole vivid panorama of epic action and grand adventure flowing like a mighty and majestic river before his literary vision: the authentic and awe-inspiring background; the the corner he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze. From the telephone pole in front of the police station, something large and shapeless hung. It moved a little with the wind. What the hell was it? Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly. The light was bad; he couldn't tell what it was.
What is the significance of Garve leaving the ship and following the call of the city?	After carefully reading the provided chunks, write a detailed response to the following question about The Beast-Jewel of Mars by V. E. Thiessen. Relevant chunks: Garve was now more handsome than ever, and the city was a dream of delight. Garve said, "Come," and Eric followed down a street of blue fur. He had no will to resist. Garve said, "Keep your head down and your face hidden. If we meet someone you may not be recognized. They won't be expecting you from this side of the city." Eric asked, "You knew I'd come after you?" "Yes. The Legend said you'd be back." Eric stopped and whirled to face his brother. "The Legend? Eric the Bronze? What is this wild fantasy?" "Not so loud!" Garve's canal." Eric stared at the note, and the line of his jaw was white. Apparently Garve had seen the city from farther away, and its effect had not been so strong. Even so, Garve's natural curiosity had done the rest. Garve had gone down to the city, and Garve had no shielded hat. Eric selected two high explosive grenades from the ship's arsenal. They were small but they packed a lot of power. He had a pistol packed with smaller pellets of the same explosive, and he had the hat. That should be adequate. He thrust the bronze hat back tell Garve, and go down to see what was left. The ship rested easily on the flat sandstone area where he had established base camp. Its familiar lines brought a smile to Eric's face, a feeling of confidence now that tools and weapons were his again. He opened the door and entered. The lock doors were left open so that he could enter directly into the body of the ship. He came in in a swift leap, calling, "Garve! Hey, Garve, where are you?" The ship remained mute. He prowled through it, calling, "Garve," wondering where the young hothead had at the city and relaxed into a pleasure as deep as a dream, another struggled with the almost forgotten desire to rescue his brother and escape. He asked, "Who are the Elders?" "We are going to them, to the center of the city." Garve's voice sharpened, "Keep your head down. I think the last two men we passed are looking after us. Don't look back." After a moment Garve said, "I think they are following us. Get ready to run. If we are separated, keep going until you reach City Center. The Elders will be expecting you." Garve glanced back, if they were as ugly as the second city had been. Yet the danger was too great. He would go back to his ship and make the arrangements to destroy the city. The ship was armed, and to deliver indirect fire over the edge of the canal would be simple enough. Garve North, his brother, waited back at the ship. If he knew of the city he would have to go there. Eric must not take a chance on that. After they had blasted whatever it was that lay in the canal floor, then it would be time enough to Question: What is the significance of Garve leaving the ship and following the call of the city? Answer:	[ "Eric is determined to destroy the city without exploring it, no matter how tempting it is. But Garve's note forces the eldest brother to follow and help his brother out. The whole course of events changes and Eric has to return to the city, which he left with such an effort. This leads to Eric being endangered, captured and almost killed. From another point, it leads to Eric learning more about the city and they legend. If he destroyed the city as he wanted to, he would fulfill the prophecy without knowing. He would have considered the whole city an illusion without knowing it was a machine initially created for a good purpose. His return to the city also leads to his encounter with the beautiful girl, whose presence makes Eric happy. ", "Garve leaving the ship and following the call of the city is very significant to the plot. Before Eric realised that Garve had gone to the city, he was planning on destroying the place, with all of its inhabitants at once. Because Grave is missing, Eric must return to the city, where Garve has learned from the Elders about the legend of Eric the Bronze. Garve tries to take Eric to see the Elders, but Eric is captured by two civilians on the way. It is during this capture that Eric meets Nolette, who takes him to see the Elders. Because of Garve leaving the ship, the Elders are able to explain the history behind this mysterious city of Mars, and that he must be the one to destroy it. \n", "Garve’s leaving serves as a reason and motive for Eric North to go back to the city. Knowing that Garve does not have a metal helmet nor does he has any weapons, Eric needs to go back to the city to bring Garve back. And because Eric goes back to the city, he is captured again, which leads to the next part of the story inside the Elder’s building. If Garve did not leave for the city, Eric might not be captured, encounter Nolette, and learn about the city from the Elders. ", "Garve leaving the ship and following the city's call sets up the second return to the city. Since Eric had initially planned to destroy the city, Garve's insistence on going back again prevents him from doing so. Furthermore, this second trip allows Eric to meet the Elders and not get killed by the citizens. Once he meets the Elders, he is more knowledgeable about the city's prophesy and story. It also sets up the purpose of Eric the Bronze and whether Eric North will fulfill it or not. However, this is also significant to Garve because he shows that he loves the city and wants to stay in it, directly contradicting what Eric is supposed to do to the city. \n\n" ]	63605	Garve was now more handsome than ever, and the city was a dream of delight. Garve said, "Come," and Eric followed down a street of blue fur. He had no will to resist. Garve said, "Keep your head down and your face hidden. If we meet someone you may not be recognized. They won't be expecting you from this side of the city." Eric asked, "You knew I'd come after you?" "Yes. The Legend said you'd be back." Eric stopped and whirled to face his brother. "The Legend? Eric the Bronze? What is this wild fantasy?" "Not so loud!" Garve's canal." Eric stared at the note, and the line of his jaw was white. Apparently Garve had seen the city from farther away, and its effect had not been so strong. Even so, Garve's natural curiosity had done the rest. Garve had gone down to the city, and Garve had no shielded hat. Eric selected two high explosive grenades from the ship's arsenal. They were small but they packed a lot of power. He had a pistol packed with smaller pellets of the same explosive, and he had the hat. That should be adequate. He thrust the bronze hat back tell Garve, and go down to see what was left. The ship rested easily on the flat sandstone area where he had established base camp. Its familiar lines brought a smile to Eric's face, a feeling of confidence now that tools and weapons were his again. He opened the door and entered. The lock doors were left open so that he could enter directly into the body of the ship. He came in in a swift leap, calling, "Garve! Hey, Garve, where are you?" The ship remained mute. He prowled through it, calling, "Garve," wondering where the young hothead had at the city and relaxed into a pleasure as deep as a dream, another struggled with the almost forgotten desire to rescue his brother and escape. He asked, "Who are the Elders?" "We are going to them, to the center of the city." Garve's voice sharpened, "Keep your head down. I think the last two men we passed are looking after us. Don't look back." After a moment Garve said, "I think they are following us. Get ready to run. If we are separated, keep going until you reach City Center. The Elders will be expecting you." Garve glanced back, if they were as ugly as the second city had been. Yet the danger was too great. He would go back to his ship and make the arrangements to destroy the city. The ship was armed, and to deliver indirect fire over the edge of the canal would be simple enough. Garve North, his brother, waited back at the ship. If he knew of the city he would have to go there. Eric must not take a chance on that. After they had blasted whatever it was that lay in the canal floor, then it would be time enough to
What is the relationship between Rat and Patti Gray?	After carefully reading the provided chunks, write a detailed response to the following question about Prison Planet by Wilson Tucker. Relevant chunks: asked. "We call him Rat," Roberds said. She didn't ask why. She said: "Why couldn't he pilot the ship, I mean? What is his record?" Peterson opened his mouth. "Shut up, Peterson!" the Chief snapped. "We don't talk about his record around here, Miss Gray. It's not a pretty thing to tell." "Stow it, Chief," said Peterson. "Miss Gray is no pantywaist." He turned to the nurse. "Ever hear of the Sansan massacre?" Patti Gray paled. "Yes," she whispered. "Was Rat in that?" Roberds shook his head. "He didn't take part in it. But Rat was attached to a very him. "I never thought of it that way before. Why of course! If it protects from one temperature, it will protect from another. Isn't it silly of me not to know that?" Heat pressing on her face accented the fact. "What is your name?" she asked. "Your real one I mean." He grinned. "Big. You couldn't say it. Sound like Christmas and bottlenose together real fast. Just say Rat. Everybody does." His eyes swept the panel and flashed back to her. "Your name Gray. Have a front name?" "Patti." "Pretty, Patti." "No, just Patti. Say, what's the matter with the His eyes drifted aft to the tank of water. She followed. "One tank water. All the rest fuel. Too bad, too bad. We get thirsty I think." They did get thirsty, soon. A damnable hot thirst accented by the knowledge that water was precious, a thirst increased by a dried-up-in-the-mouth sensation. Their first drink was strangely bitter; tragically disappointing. Patti Gray suddenly swung upright in the hammock and kicked her legs. She massaged her throat with a nervous hand, wiped damp hair from about her face. "I have to have a drink." Rat stared at her without answer. "I said, window wide, saw him out there with arms upstretched. "Grit your teeth and hold on! Here we go." She picked up the blanketed girl in both arms and walked to the window. Rat took the girl easily as she was swung out, the blackness hid them both. But he appeared again instantly. "Better lock window," he cautioned. "Stall, if Boss call. Back soon...." and he was gone. To Nurse Gray the fifteen minute wait seemed like hours, impatient agonizing hours of tight-lipped anxiety. Feet first, she swung through the window, clutching a small bag in her hands. She never touched many little pieces?" "I've never been to Earth before. Nice, I think." Patti Gray caught something new in the tone and stared at him. Gladney must have noticed it, too. The Centaurian moved sideways and pointed. Gray placed her eyes in the vacated position. "Earth!" she shouted. "Quite. Nice. Do me a favor?" "Just name it!" "Not drink long time. Some water?" Gray nodded and went to the faucet. The drumming seemed remote, the tension vanished. She was an uncommonly long time in returning, at last she appeared beside him, outstretched hands dry. "There isn't any left, Rat." Rat batted Question: What is the relationship between Rat and Patti Gray? Answer:	[ "From the very beginning Patti is keen one Rat. When their gazes first meet she almost smiles back. She has to hide her goodwill as Rat is despised by the crew of the ship. The nurse is interested in his background and asks Roberds and Peterson. After learning about him leaving the post she wonders why he wasn't executed and feel sympathy for Rat. She visits him in secret to ask to pilot the ship, because her and the sick girl need to get to Earth as fast as possible and believe he can help. Rat does everything in a fast and well-organized way and plans to reach Earth in six days without brakes. He instructs Patti to cover herself in blankets not to get too hot and decides how the water will be distributed. He also tells about trying to save a man being the reason for him leaving the post and Patti feels even more sympathy. Nevertheless, during the journey they have a fight when she starts panicking and demanding water and Rat beats her. He tries to enforce his rules on the ship and others ask him to brake, Patti hurts herself during Rat's manoeuvres between the meteorites but she stands it. ", "Rat and Patti Gray first meet when Rat is being yelled at by Roberds. They exchange short glances and small smiles during this initial meeting. Patti asks for Rat’s help to get to Earth quicker instead of waiting for Roberds to take them. Rat agrees to help them readily accepts the request, quickly putting into action an escape plan. When Patti wakes up on the ship after the abrupt take off, she and Rat have a friendly conversation. Rat continuously smiles throughout the conversation and appears to be very friendly and happy to help Judith. ", "Patti Gray is initially curious about Rat, prompting her to ask Roberds about his past. Once she asks Rat to pilot the ship, she is hesitant of him as a pilot. The two of them eventually converse once the ship takes off. They discuss the illness that Gladney and Judith are suffering from. She is curious about Rat's name, but he does not tell her because it is too long. He is also helpful, instructing Gray to keep the wool blanket on to preserve body heat and keep out the cold. Even when she swings a boot at him, he takes her to the water faucet and explains why the water is so hot. However, despite being helpful, Rat is quite rough towards Gray too. When she rolls along the deck and has a breakdown about not being able to keep up, he throws a handful of water into her face. He then kicks her to get up too. When he points out Earth to them, she is extremely grateful towards him for getting them to the planet so fast. Rat and Patti Gray do not share a very personal relationship. However, she learns more about him throughout their trip, and the two of them support each other in their own ways. \n", "Patti Gray is wary of Rat and his history. She first asks Roberds and the Chief about Rat's name, and learns the story of Rat and his betrayal during the Sansan massacre. Despite being aware of this, Patti still reaches out to Rat and asks him to pilot the ship to Earth, at the request of Judith. Patti, being unknowledgeable of piloting ships, must listen to Rat's orders reluctantly. However, she still asks him about his life and eventually his side of the story at the massacre. Patti Gray becomes increasingly frustrated with Rat due to the conditions on the ship, particularly with the water supply. She maintains a respectful relationship with Rat despite her suspicions remaining." ]	62212	asked. "We call him Rat," Roberds said. She didn't ask why. She said: "Why couldn't he pilot the ship, I mean? What is his record?" Peterson opened his mouth. "Shut up, Peterson!" the Chief snapped. "We don't talk about his record around here, Miss Gray. It's not a pretty thing to tell." "Stow it, Chief," said Peterson. "Miss Gray is no pantywaist." He turned to the nurse. "Ever hear of the Sansan massacre?" Patti Gray paled. "Yes," she whispered. "Was Rat in that?" Roberds shook his head. "He didn't take part in it. But Rat was attached to a very him. "I never thought of it that way before. Why of course! If it protects from one temperature, it will protect from another. Isn't it silly of me not to know that?" Heat pressing on her face accented the fact. "What is your name?" she asked. "Your real one I mean." He grinned. "Big. You couldn't say it. Sound like Christmas and bottlenose together real fast. Just say Rat. Everybody does." His eyes swept the panel and flashed back to her. "Your name Gray. Have a front name?" "Patti." "Pretty, Patti." "No, just Patti. Say, what's the matter with the His eyes drifted aft to the tank of water. She followed. "One tank water. All the rest fuel. Too bad, too bad. We get thirsty I think." They did get thirsty, soon. A damnable hot thirst accented by the knowledge that water was precious, a thirst increased by a dried-up-in-the-mouth sensation. Their first drink was strangely bitter; tragically disappointing. Patti Gray suddenly swung upright in the hammock and kicked her legs. She massaged her throat with a nervous hand, wiped damp hair from about her face. "I have to have a drink." Rat stared at her without answer. "I said, window wide, saw him out there with arms upstretched. "Grit your teeth and hold on! Here we go." She picked up the blanketed girl in both arms and walked to the window. Rat took the girl easily as she was swung out, the blackness hid them both. But he appeared again instantly. "Better lock window," he cautioned. "Stall, if Boss call. Back soon...." and he was gone. To Nurse Gray the fifteen minute wait seemed like hours, impatient agonizing hours of tight-lipped anxiety. Feet first, she swung through the window, clutching a small bag in her hands. She never touched many little pieces?" "I've never been to Earth before. Nice, I think." Patti Gray caught something new in the tone and stared at him. Gladney must have noticed it, too. The Centaurian moved sideways and pointed. Gray placed her eyes in the vacated position. "Earth!" she shouted. "Quite. Nice. Do me a favor?" "Just name it!" "Not drink long time. Some water?" Gray nodded and went to the faucet. The drumming seemed remote, the tension vanished. She was an uncommonly long time in returning, at last she appeared beside him, outstretched hands dry. "There isn't any left, Rat." Rat batted
What leads Escher and MacDonald’s meeting in the story?	After carefully reading the provided chunks, write a detailed response to the following question about The Girls From Earth by Frank M. Robinson. Relevant chunks: going to be and why it was being thrown in their laps. MacDonald made himself comfortable and sat there for a few minutes, just looking grim and not saying anything. Escher knew the psychology by heart. A short preliminary silence is always more effective in browbeating subordinates than an initial furious bluster. He lit a cigarette and tried to outwait MacDonald. It wasn't easy—MacDonald had great staying powers, which was probably why he was the head of the department. Escher gave in first. "Okay, Mac, what's the trouble? What do we have tossed in our laps now?" "You know the fire. He reached up and wiped his sweaty face with a muddy hand and brushed aside a straggly lock of tangled hair. It wouldn't hurt to try to look his best. The twinkling fire came nearer. II "A Mr. Macdonald to see you, Mr. Escher." Claude Escher flipped the intercom switch. "Please send him right in." That was entirely superfluous, he thought, because MacDonald would come in whether Escher wanted him to or not. The door opened and shut with a slightly harder bang than usual and Escher mentally braced himself. He had a good hunch what the problem was Escher said quietly. "And pulling yourself up by your boot-straps. But I get the point. Nevertheless, women just don't want to colonize. And who can blame them? Why should they give up living in a luxury civilization, with as many modern conveniences as this one, to go homesteading on some wild, unexplored planet where they have to work their fingers to the bone and play footsie with wild animals and savages who would just as soon skin them alive as not?" "What do you advise I do, then?" MacDonald demanded. "Go back to the Board and tell them the problem MacDonald stopped at the door. "There's another reason why they want it worked out. The number of men applying to the Colonization Board for emigration to the colony planets is falling off." "How come?" MacDonald smiled. "On the basis of statistics alone, would you want to emigrate from a planet where the women outnumber the men five to three?" When MacDonald had gone, Escher settled back in his chair and idly tapped his fingers on the desk-top. It was lucky that the Colonization Board worked on two levels. One was the well-publicized, idealistic level where nothing was too good and You know why they are now?" Escher shook his head blankly. "Most of the girls in the past who didn't catch a husband," MacDonald continued, "grew up to be the type of old maid who's dedicated to improving the morals and what-not of the rest of the population. We've got more puritanical societies now than we ever had, and we have more silly little laws on the books as a result. You can be thrown in the pokey for things like violating a woman's privacy—whatever that means—and she's the one who decides whether what you say or do is a Question: What leads Escher and MacDonald’s meeting in the story? Answer:	[ "They are meeting because currently, there are not as many females on the colonized planets. And this is a huge problem. From the beginning of the colonization, there were more adventuresome males than females, thus they headed for the new world but most of the females stayed behind. The disproportional rate in the genders that gone to colonies lead to five females for every three males on Earth, while the colonies have the opposite. Hence, those girls needs to be shipped from their original planet, in this case the Earth, to colony planets for those males there. However, not many girls are applying to go. Another problem, states MacDonald, is the number of men applying for emigration to colonized planets have been dropping. MacDonald considers this reasonable since it seems illogical for a male to move away from a place that has more females than males. Escher then disregards the qualification for colonization and decides to focus on making the people that don’t want to colonize to colonize, whether it is through convincing or forcing. ", "MacDonald and Escher meet because the Colonization Board has given MacDonald a blank check to get Escher to fix the gender ratio problem. The Colonization Board is worried about the effects that the gender ratio is having on Earth and the great psychological implications that it presents. They are concerned because it is also becoming more difficult to convince men to colonize planets because they do not want to leave Earth where they are easily favored by women due to their rarity. They have a greater advantage on Earth with their pick of women who cannot be easy picky with their choices. ", "Escher and MacDonald meet to discuss the problems on Earth and how to encourage more people to immigrate to the colonies. They go over the concerning ratio between the two genders on Earth as a result of the colonization problem. Many of the men were initially eager to go into the stars, but the women did not follow as quickly. Many of the women are husbandless too, and men are refusing to emigrate to the colonies because there are so many women on Earth. Furthermore, the women who have grown husbandless have made the societies more puritanical than ever. The Colonization Board is looking for a solution to this problem, which leads MacDonald and Escher to meet. ", "Escher and MacDonald meet to discuss how to get women to come to the newly colonised planets. When the planets were first colonised, more men than women went, as they had more sense of adventure, and women didn't want to leave the luxury of Earth to go live on a makeshift farm on a muddy planet. The men on these colonised planets need wives however, and they have been given the task of finding a way to get these women on Earth over to these new planets. They try to think of a solution, and come up with one that is in a very much legal, and moral grey area. They decide to give every woman who commits a petty crime a very serious ultimatum. They can either spend ten years in jail and pay a fine of ten thousand dollars, or they can go to these colonises and get a five hundred dollar bonus. " ]	51268	going to be and why it was being thrown in their laps. MacDonald made himself comfortable and sat there for a few minutes, just looking grim and not saying anything. Escher knew the psychology by heart. A short preliminary silence is always more effective in browbeating subordinates than an initial furious bluster. He lit a cigarette and tried to outwait MacDonald. It wasn't easy—MacDonald had great staying powers, which was probably why he was the head of the department. Escher gave in first. "Okay, Mac, what's the trouble? What do we have tossed in our laps now?" "You know the fire. He reached up and wiped his sweaty face with a muddy hand and brushed aside a straggly lock of tangled hair. It wouldn't hurt to try to look his best. The twinkling fire came nearer. II "A Mr. Macdonald to see you, Mr. Escher." Claude Escher flipped the intercom switch. "Please send him right in." That was entirely superfluous, he thought, because MacDonald would come in whether Escher wanted him to or not. The door opened and shut with a slightly harder bang than usual and Escher mentally braced himself. He had a good hunch what the problem was Escher said quietly. "And pulling yourself up by your boot-straps. But I get the point. Nevertheless, women just don't want to colonize. And who can blame them? Why should they give up living in a luxury civilization, with as many modern conveniences as this one, to go homesteading on some wild, unexplored planet where they have to work their fingers to the bone and play footsie with wild animals and savages who would just as soon skin them alive as not?" "What do you advise I do, then?" MacDonald demanded. "Go back to the Board and tell them the problem MacDonald stopped at the door. "There's another reason why they want it worked out. The number of men applying to the Colonization Board for emigration to the colony planets is falling off." "How come?" MacDonald smiled. "On the basis of statistics alone, would you want to emigrate from a planet where the women outnumber the men five to three?" When MacDonald had gone, Escher settled back in his chair and idly tapped his fingers on the desk-top. It was lucky that the Colonization Board worked on two levels. One was the well-publicized, idealistic level where nothing was too good and You know why they are now?" Escher shook his head blankly. "Most of the girls in the past who didn't catch a husband," MacDonald continued, "grew up to be the type of old maid who's dedicated to improving the morals and what-not of the rest of the population. We've got more puritanical societies now than we ever had, and we have more silly little laws on the books as a result. You can be thrown in the pokey for things like violating a woman's privacy—whatever that means—and she's the one who decides whether what you say or do is a
Who is Captain Dylan, and what happens to him?	After carefully reading the provided chunks, write a detailed response to the following question about Soldier Boy by Michael Shaara. Relevant chunks: in time. A few, the farthest and loneliest, died in fire before the army ships could reach them. And the men in those ships, drinkers and gamblers and veterans of nothing, the dregs of a society which had grown beyond them, were for a long while the only defense Earth had. This was the message Captain Dylan had brought, come out from Earth with a bottle on his hip. An obscenely cheerful expression upon his gaunt, not too well shaven face, Captain Dylan perched himself upon the edge of a table and listened, one long booted leg swinging idly. One the hovering ship swung open creakily. A beefy, black-haired young man appeared unsteadily in the doorway, called to Dylan. "C'n I go now, Jim?" Dylan turned and nodded. "Be back for you tonight," the young man called, and then, grinning, he yelled "Catch" and tossed down a bottle. The captain caught it and put it unconcernedly into his pocket while Rossel stared in disgust. A moment later the airlock closed and the ship prepared to lift. "Was he drunk ?" Rossel began angrily. "Was that a bottle of liquor ?" The soldier was looking at him calmly, coldly. He indicated in the ends of his eyes. "Captain Dylan, sir." His voice was low and did not carry. "I have a message from Fleet Headquarters. Are you in charge here?" Rossel, a small sober man, grunted. "Nobody's in charge here. If you want a spokesman I guess I'll do. What's up?" The captain regarded him briefly out of pale blue, expressionless eyes. Then he pulled an envelope from an inside pocket, handed it to Rossel. It was a thick, official-looking thing and Rossel hefted it idly. He was about to ask again what was it all about when the airlock of him now and giving him that name of ancient contempt, "soldier boy." The gloomy man wanted to know where the fleet was. "There is no fleet. There are a few hundred half-shot old tubs that were obsolete before you were born. There are four or five new jobs for the brass and the government. That's all the fleet there is." Dylan wanted to go on about that, to remind them that nobody had wanted the army, that the fleet had grown smaller and smaller ... but this was not the time. It was ten-thirty already and the damned aliens might a ship out into space alone, when Things could be waiting.... A young girl, pink and lovely in a thick fur jacket, came into the shack and told him breathlessly that her father, Mr. Rush, would like to know if he wanted sentries posted. Dylan hadn't thought about it but he said yes right away, beginning to feel both pleased and irritated at the same time, because now they were coming to him. He pushed out into the cold and went to find Rossel. With the snow it was bad enough, but if they were still here when the sun Question: Who is Captain Dylan, and what happens to him? Answer:	[ "Captain Dylan is in the Fleet army and travels with Lieutenant Bossio to colonies on different planets with the message that an alien attack is imminent and the colonists must evacuate. He has become a drunk, which is not uncommon in the army because soldiers were outcasts. For the past three weeks, he and Bossio have been evacuating colonies—the current one is their fifth and last. Prior to this mission, he has spent the last 30 years hanging around, getting drunk, and waiting for something to happen. He was made a captain just before this mission. Looking back, he finds it humorous that he used to study military tactics as if he would need to know them. After his father died of a hernia that he developed from working too long on a heavy planet, he joined the army. Dylan was lured by the army’s recruiting advertisements calling itself guardians of the frontier. When he enlisted, anti-war conditioning wasn’t as strong as it is now, so people weren’t as resentful and disrespectful of soldiers then. Dylan feels that along the way, after all the time he spent in bars and jails, he lost his core. He also believes it doesn’t matter whether he makes it back home: he has no connections and doesn’t owe anybody anything. Drinking has become a way of life, and while he digs for the wire to the bomb, he takes a drink, but after he finds the wire has been cut, he reaches for his bottle but for the first time in a long time, stops before taking a drink. \nWhen the colonists start looking to him for help and answers, Dylan is somewhat pleased because now they are showing him respect, but he is annoyed, too, since it is only because they are scared and need help. When Dylan learns that Planet Three hasn’t answered any radio calls, he connects that to the fact he hasn’t been able to reach Bossio and concludes that the colonists and Bossio are dead. He knows this means he will have to stay behind on the planet when the colonists leave, but that doesn’t bother him. What does bother him is that Bossio is dead only because they had come to help these people—people who wanted nothing to do with them until their lives were threatened. Bossio was his best friend, and Dylan mourns his loss. Even though Dylan resents the people for their disregard for him and the army, he has sympathy for them. He doesn’t want to watch their pain when the women have to leave their men behind, and he is touched when an old woman offers him coffee and a mackinaw to help him stay warm. As he watches Rossel and other men saying goodbye to their wives and children, Dylan begins losing the shell the last 30 years had created around him and begins to feel that these people are his people.\n", "Captain Dylan is a member of the Earth’s army, presumably reporting back to Fleet Headquarters. His father died of a hernia when he was only 19 years old after years of hard work and grueling labor. This sudden absence left Dylan feeling alone in the world, so he happily signed on when the army came to town, speaking of frontiers to discover and great adventures to be had. However, with an anti-war sentiment spreading across the colonies, there was no real army to join. Their fleets were small and fairly untrained or, at least ill-prepared for war. When Captain Dylan finally got word of an alien attack, he feared that the anti-war thinking would hinder their ability to fight back. \nHe arrives on this cold planet to inform the colonists that they need to evacuate. Since Lupus V, he’s been to several cities and colonies over a few weeks and evacuated them all. Lietenant Bossio, his best friend, dropped him off before flying to Planet Three to evacuate the colony there too. He is dependent on alcohol both for warmth and to get him through. He is met with contempt and hostility, but he perseveres and convinces them of the danger. \nHe drinks to fight off the cold and digs beneath the ground to check the bomb. He discovers that the wire has been cut, like on Lupus V. He ponders telepathy, but is interrupted by Rossel who reveals that they don’t have enough room on their ship for all 60 inhabitants. \nDylan is a little cranky, but tries his best to problemsolve. Slowly they reach a compromise and Dylan buzzes Bossio to see when he’s coming back from Planet Three. He doesn’t hear back. Dylan eventually realizes that Bossio is not coming back, so he will be stuck on this planet while the aliens attack. \nThe story ends with Dylan watching as 46 members of the colony squeeze onto the spaceship, while he resigns himself to his doom. The rocket doesn’t start, and all are left behind. \n", "Captain Dylan spent 30 years in the West end of space on the “outer edges of Mankind” doing patrols as a peacetime officer before finally being made a Captain. He has never fired a gun. He developed a habit of drinking alcohol, and often in the story drinks from a bottle on his hip to cope with hard news.\nHe and his Lieutenant, Bossio, were summoned out of a bar with the news of the alien attack on Lupus V and charged with clearing the colonies in danger. They cleared four colonies in three weeks, and this planet was due to be the last. \nAfter landing on the planet, he is initially met with some skepticism by the colonists, who then quickly shift into high gear to follow his instructions to evacuate. He goes about digging up the wire to the safety detonation system in the colony to check it is functioning, but it has recently been cut. He thinks it was an alien, and he turns out to be right. There is a nearby alien hiding under a tree orchestrating the attack that is never discovered by the humans.\nThe Captain sees through helping the colonists to load their ship with 46 people to escape, but on take off it is not able to lift off the ground.\n", "Captain Jim Dylan is a tall, frail-looking army man with pale blue eyes whose appearance is not too neat. He salutes Rossel sloppily when they first meet and delivers an envelope with a message from Fleet Headquarters. After delivering the message, his ship leaves, and Rossel accompanies Dylan back to the village. When Dylan was 19, his father died of a hernia, and he joined the army; those were the days prior to the anti-war conditioning, and people viewed soldiers as \"guardians of the frontier.\" In the ensuing years of boozing, being imprisoned, receiving anti-army insults, and endlessly waiting for something to happen, Dylan had lost the thrill of action and had lost touch with himself. Prior to his deployment with Bossio to clear the colonies, the army had finally made him a captain; even that achievement feels empty to him. Dylan has mostly been drinking for the past thirty years thanks to the army's inaction and the fact that they were universally disrespected and hated by most colonists. However, he had also spent some of that time studying military tactics. Still, he realizes he has never fired a gun. Dylan halfheartedly engages with the colonists when he first arrives to warn them of the impending alien attack. But he slowly warms up to them as he realizes that they actually need his help, and he can offer them that help. He theorizes that the cut wire is the result of telepathic interference by the aliens as they preempt their attack. He works with Rossel to devise an evacuation plan, and Rush provides Dylan with sentries. Dylan is devastated when he learns of Bossio's death. Bossio had been his only friend. In spite of the fact that Bossio had died for people who hated him, Dylan finds he cannot hate the colonists. They simply don't understand that no conflict leads to decay. At the same time, he realizes he cannot truly help them either, so he retreats back to the radio shack. After an old woman brings him a mackinaw and coffee, Dylan realizes he should help after all. When he sees people removing their clothes to allow more people on board, and he witnesses Rossel tearily saying goodbye to his wife, Dylan feels a human connection he had lost in those thirty years of aimlessness." ]	50848	in time. A few, the farthest and loneliest, died in fire before the army ships could reach them. And the men in those ships, drinkers and gamblers and veterans of nothing, the dregs of a society which had grown beyond them, were for a long while the only defense Earth had. This was the message Captain Dylan had brought, come out from Earth with a bottle on his hip. An obscenely cheerful expression upon his gaunt, not too well shaven face, Captain Dylan perched himself upon the edge of a table and listened, one long booted leg swinging idly. One the hovering ship swung open creakily. A beefy, black-haired young man appeared unsteadily in the doorway, called to Dylan. "C'n I go now, Jim?" Dylan turned and nodded. "Be back for you tonight," the young man called, and then, grinning, he yelled "Catch" and tossed down a bottle. The captain caught it and put it unconcernedly into his pocket while Rossel stared in disgust. A moment later the airlock closed and the ship prepared to lift. "Was he drunk ?" Rossel began angrily. "Was that a bottle of liquor ?" The soldier was looking at him calmly, coldly. He indicated in the ends of his eyes. "Captain Dylan, sir." His voice was low and did not carry. "I have a message from Fleet Headquarters. Are you in charge here?" Rossel, a small sober man, grunted. "Nobody's in charge here. If you want a spokesman I guess I'll do. What's up?" The captain regarded him briefly out of pale blue, expressionless eyes. Then he pulled an envelope from an inside pocket, handed it to Rossel. It was a thick, official-looking thing and Rossel hefted it idly. He was about to ask again what was it all about when the airlock of him now and giving him that name of ancient contempt, "soldier boy." The gloomy man wanted to know where the fleet was. "There is no fleet. There are a few hundred half-shot old tubs that were obsolete before you were born. There are four or five new jobs for the brass and the government. That's all the fleet there is." Dylan wanted to go on about that, to remind them that nobody had wanted the army, that the fleet had grown smaller and smaller ... but this was not the time. It was ten-thirty already and the damned aliens might a ship out into space alone, when Things could be waiting.... A young girl, pink and lovely in a thick fur jacket, came into the shack and told him breathlessly that her father, Mr. Rush, would like to know if he wanted sentries posted. Dylan hadn't thought about it but he said yes right away, beginning to feel both pleased and irritated at the same time, because now they were coming to him. He pushed out into the cold and went to find Rossel. With the snow it was bad enough, but if they were still here when the sun
What is the relationship like between Jeff and Ann?	After carefully reading the provided chunks, write a detailed response to the following question about Butterfly 9 by Donald Keith. Relevant chunks: secrets and no money." "It must be my maddening beauty," said Ann. "I'll kick him cross-eyed if he starts anything," Jeff said. "I'm just in the mood." Ann giggled. "Honey, what big veins you have! Forget him. Let's talk about the engineering lab you're going to start. And let's eat." He groaned. "I lose my appetite every time I think about the building being sold. It isn't worth the twelve grand. I wouldn't buy it for that if I could. What burns me is that, five years ago, I could have bought it for two thousand." "If only we could yellow. His suit had a silky sheen. Its peculiar tailoring emphasized the bulges in his stubby, muscular torso. Ann smiled back at him. "You talk as if you could take us back to 1952. Is that what you really mean?" "Why not? You think this silly. But I can show you." Jeff rose to go. "Mister, you better get to a doctor. Ann, it's time we started home." Ann laid a hand on his sleeve. "I haven't finished eating. Let's chat with the gent." She added in an undertone to Jeff, "Must be a psycho—but sort of an inspired one." us talking. You know we're in trouble because Jeff missed a good chance five years ago. Do you claim people can really go back into the past and correct mistakes they've made?" "They can go back. What they do when arrive? Depends on them." "Don't you wish it were true?" she sighed to Jeff. "You afraid to believe," said Snader, a glimmer of amusement in his restless eyes. "Why not try? What you lose? Come on, look at station. Very near here." Ann jumped up. "It might be fun, Jeff. Let's see what he means, if anything." Jeff's pulse quickened. time travel not possible. Just like television not possible to your grandfather." Ann said, "Why invite us? We're not rich enough for expensive trips." "Invite many people," Snader said quickly. "Not expensive. You know Missing Persons lists, from police? Dozens people disappear. They go with me to other time. Many stay." "Oh, sure," Jeff said. "But how do you select the ones to invite?" "Find ones like you, Mr. Elliott. Ones who want change, escape." Jeff was slightly startled. How did this fellow know his name was Elliott? Before he could ask, Ann popped another question. "Mr. Snader, you heard better company in a new spot. We're young yet." Jeff sighed and glanced around the crowded little restaurant. He wished he could fly away somewhere. At that moment, he met the gaze of the mustachioed man at the next table. The fellow seemed to be watching him and Ann. Something in his confident gaze made Jeff uneasy. Had they met before? Ann whispered, "So you noticed him, too. Maybe he's following us. I think I saw him on the parking lot where we left the car." Jeff shrugged his big shoulders. "If he's following us, he's nuts. We've got no Question: What is the relationship like between Jeff and Ann? Answer:	[ "Jeff and Ann Elliott are a married couple. Ann is supportive of Jeff, and assures him that with their youth he will be able to rebuild his failed business. She reassures him throughout the story, even at points where it ultimately leads them into deeper trouble - such as when she tells him it wouldn’t hurt to try Mr. Snader’s time travel. \n\nJeff is protective of Ann on several occasions, like at the start of the story suggesting he would start a brawl at the restaurant if the stranger was interested in Ann’s beauty. He is also upset enough with his business struggles that he needs to take sleeping pills, of which Ann is concerned about the amount.\n\nThey remain together in the story until they are held in separate jail cells. They do not have any major disagreements in the story, and seem to enjoy their time together, only hoping to improve their lot by trying a risky time travel adventure.\n", "Jeff and Ann have a loving and supportive relationship. When Jeff is feeling down on himself, Ann reminds him that he’s great at his job and that he has plenty of time to bounce back. She worries about the number of pills he’s taking, and she insists that he stop worrying about losing his lease. She is genuinely concerned for his mental health and his overall well-being. The couple can easily joke around with one another. When Ann suggests that Snader might be following them, she makes light of the situation by suggesting that it’s because he’s attracted to her. Jeff, in turn, offers to physically assault him if he tries anything. After meeting Mr. Snader, both Jeff and Ann have a good time playing along with the scenario they never imagined themselves being a part of. It doesn’t take a lot of prodding on Ann’s part to make Jeff go to the station with her and Snader. They both have a devil-may-care attitude that makes this adventure worth checking out. \n\nLater, when they find themselves in a heap of trouble and end up in separate jail cells, Jeff can only think of Ann. He worries about her being all alone for the night. \n", "Jeff and Ann are like many married couples; when one is down or frightened, the other tries to build him up or assure him that all will be fine. They switch between these roles with each other easily, suggesting that they have been married a good while. Ann is supportive of Jeff’s career and his skills, assuring him that he will be able to start over and be successful again. She also teases him and makes humorous comments to lighten his mood. When they disagree with each other, it isn’t antagonistic. When Jeff wants to leave but Ann wants to hear what Snader has to say, she simply puts her hand on Jeff’s arm and says she hasn’t finished eating and would like to hear what Snader has to say. Jeff and Ann also play off of each other. When Ann jumps up to see what Snader wants to show them, Jeff’s pulse picks up as he entertains the idea, too. They make decisions together; when Jeff is undecided about going into the apartment building, he looks to Ann to see her reaction. When she says they might as well go inside and see what is there, Jeff agrees and goes along with her. They make a good team: Bullen’s comment that Jeff is going to make his company be the first to produce chromatics, Jeff’s takes affront at the man’s boldness, and Ann is likewise disturbed.\n", "Jeff and Ann react differently to most things, but in a way where they are able to balance each other out. For instance, when they meet Snader at the beginning of the story, Jeff is frustrated with the interruption to his dinner and does not want to hear more about what he thinks is bogus, but Ann is curious and wants to hear Snader out, to be entertained if nothing else. Ann is very supportive of Jeff and the story starts with her trying to console him about the recent failure of his business venture as a lease on a building he was using had ended. While reassuring him, she reminds him that he is excellent at what he does and have no trouble starting up again, but Jeff is feeling very grumpy and sad about the entire situation. Jeff is very cautious, and is concerned when he hears Snader use his last name, because he had never given the man his name. Ann is more on the curious side, willing to give anything a try, including a method of time travel she only knew about from a stranger she encountered at a restaurant. She does get a little bit nervous once she has actually stepped inside the device, but the fear dissipates once she is outside again in a whole new world. Although Jeff starts the story upset, he remains mostly calm throughout the story and even when he is hesitant he does not become overwhelmed with fear at his situation. He and Ann both have to encounter some issues with their money not working, and sorting out what to make of their situation, but they support each other and keep each other calm throughout the story. " ]	51167	secrets and no money." "It must be my maddening beauty," said Ann. "I'll kick him cross-eyed if he starts anything," Jeff said. "I'm just in the mood." Ann giggled. "Honey, what big veins you have! Forget him. Let's talk about the engineering lab you're going to start. And let's eat." He groaned. "I lose my appetite every time I think about the building being sold. It isn't worth the twelve grand. I wouldn't buy it for that if I could. What burns me is that, five years ago, I could have bought it for two thousand." "If only we could yellow. His suit had a silky sheen. Its peculiar tailoring emphasized the bulges in his stubby, muscular torso. Ann smiled back at him. "You talk as if you could take us back to 1952. Is that what you really mean?" "Why not? You think this silly. But I can show you." Jeff rose to go. "Mister, you better get to a doctor. Ann, it's time we started home." Ann laid a hand on his sleeve. "I haven't finished eating. Let's chat with the gent." She added in an undertone to Jeff, "Must be a psycho—but sort of an inspired one." us talking. You know we're in trouble because Jeff missed a good chance five years ago. Do you claim people can really go back into the past and correct mistakes they've made?" "They can go back. What they do when arrive? Depends on them." "Don't you wish it were true?" she sighed to Jeff. "You afraid to believe," said Snader, a glimmer of amusement in his restless eyes. "Why not try? What you lose? Come on, look at station. Very near here." Ann jumped up. "It might be fun, Jeff. Let's see what he means, if anything." Jeff's pulse quickened. time travel not possible. Just like television not possible to your grandfather." Ann said, "Why invite us? We're not rich enough for expensive trips." "Invite many people," Snader said quickly. "Not expensive. You know Missing Persons lists, from police? Dozens people disappear. They go with me to other time. Many stay." "Oh, sure," Jeff said. "But how do you select the ones to invite?" "Find ones like you, Mr. Elliott. Ones who want change, escape." Jeff was slightly startled. How did this fellow know his name was Elliott? Before he could ask, Ann popped another question. "Mr. Snader, you heard better company in a new spot. We're young yet." Jeff sighed and glanced around the crowded little restaurant. He wished he could fly away somewhere. At that moment, he met the gaze of the mustachioed man at the next table. The fellow seemed to be watching him and Ann. Something in his confident gaze made Jeff uneasy. Had they met before? Ann whispered, "So you noticed him, too. Maybe he's following us. I think I saw him on the parking lot where we left the car." Jeff shrugged his big shoulders. "If he's following us, he's nuts. We've got no
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about Trouble on Tycho by Nelson S. Bond. Relevant chunks: of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny What is POSAT? By PHYLLIS STERLING SMITH Illustrated by ED ALEXANDER [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Of course coming events cast their shadows before, but this shadow was 400 years long! The following advertisement appeared in the July 1953 issue of several magazines: MASTERY OF ALL KNOWLEDGE CAN BE YOURS! What is the secret source of those profound principles that can solve the problems of life? Send for our FREE booklet of explanation. Do not be a mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. 10:30." The following evening found Quidley on tenter-hooks. The snoll-doper mystery had acquired a new tang. He could hardly wait till the next message transfer took place. He decided to spend the evening plotting the epic novel which he intended to write someday. He set to work immediately. He plotted mentally, of course—notes were for the hacks and the other commercial non-geniuses who infested the modern literary world. Closing his eyes, he saw the whole vivid panorama of epic action and grand adventure flowing like a mighty and majestic river before his literary vision: the authentic and awe-inspiring background; the the corner he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze. From the telephone pole in front of the police station, something large and shapeless hung. It moved a little with the wind. What the hell was it? Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly. The light was bad; he couldn't tell what it was. Question: What is the plot of the story? Answer:	[ "Isobar Jones’ first call of the day was from Dome Commander Colonel Eagon telling him to deliver his weather reports to Riley Sparks, the Terra contact, ASAP. He works diligently but is soon called again, this time by Eagon’s niece who wants to know about the weather in a certain sector. Shyly, he answers then quickly finished his work. Sparks calls him and asks him to bring his reports to him, as well as informing him that Roberts and Browns were sent Outside for repair work. Sparks makes fun of Isobar’s bagpipes. \nIn Sparks’ office, Isobar delivers his work then waits for him to make the call. Once he’s delivered the report, Sparks asks the Earthman to turn his microphone around. As he does so, the video changes from his face to that of Earth, beautiful trees, and green grass. Isobar is grateful to Sparks and tells him so. They talk about Isobar’s homesickness until Colonel Eagon walks in to hear them discussing the Outisde. He quickly shuts it down and informs Isobar that it is now forbidden for him to play his bagpipe, due to the horrendous noise. Beyond frustrated, Isobar runs back to his rooms, grabs his bagpipes, and sneaks his way Outside by tricking the patrolman. Once he’s breathing in the thin air, he calms down and makes his way two miles out from the gate. Suddenly, he hears the sound of a gun and is brought back to reality. Roberts and Brown rush into view, both injured but grateful to see him, thinking he answered their distress call. However, he didn’t bring an armored tank with him, only a pair of bagpipes. A dozen Granniebacks run behind them, so Isobar helps Roberts and Brown climb a tree to escape. \nThe Grannies are unable to climb trees due to their significant size, but they can tear it down. As they pull and heave on the trunk, Isobar has the idea to play his bagpipes so the Dome will hear it and come looking for them. Roberts thinks it’s a good idea, so he begins to play, and slowly the Grannies all relax and lay down on the ground. They’re all amazed, but when Isobar stops playing, one of the Grannies starts to move again. He plays his entire repertoire and more before the armored tank arrives. The men from the dome reveal that the Grannies are dead, and the sound of the bagpipes must be what killed them. Isobar saved the team. \n", "Horatio \"Isobar\" Jones lives and works in the Experimental Dome at Lunar III, a frontier outpost functioning as a rocket refueling station, teleradio transmission point, and meteorological base on Luna, Earth's moon. As a meteorologist forecasting weather for Earth, Isobar owes daily weather reports to Dome Commander Colonel Eagan, whose niece he also advises on forecasts for her personal travels. Isobar receives a call from his associate \"Sparks\" Riley, who manages communications with Earth in the Dome's transmission turret. Isobar tells \"Sparks\" he is about to bring him the report, and \"Sparks\" implores him to leave behind his bagpipe, the only item that brings Isobar any joy in the Dome. He also informs Isobar that the maintenance men Roberts and Brown have gone Outside to make foundation repairs to the Dome. Isobar gets jealous when he hears this, and when \"Sparks\" makes his call to Earth, Isobar asks him to request the Earth radioman to twist his mike so he can get a glimpse of Earth's nature that he misses so much. When Commander Eagan enters the room, he informs Isobar that he must stop playing his bagpipe, as the sounds travel through the air-conditioning system and disturb the other workers. Indignant, Isobar says he will go Outside the Dome, which is forbidden due to the existence of the Granitebacks, called \"Grannies\"--a fast-moving native species with impenetrable, protective carapaces known to kill humans. Eagan doubles down on his commands, and an angry Isobar returns to his quarters. In his absence, \"Sparks\" converses with Dr. Loesch, who diagnoses Isobar with \"weltschmertz\"--a deep world-weariness that makes the sufferer resort to radical acts in order to feel happiness. At the same time, Isobar takes his bagpipes, tricks the Junior Patrolman attending to the impervite gates, and goes outside to feel the sunlight on his face, breathe fresh air, and play his bagpipes in peace. Outside, Isobar walks several miles away from the entrance to the Dome, where he stumbles upon Roberts and Brown, who are injured and running away from a hostile group of Grannies. Because no weapons can pierce the thick carapaces of the Grannies, the men scurry up a nearby tree adjacent to \"Sparks'\" transmission turret. When the Grannies begin attacking the tree, the men believe they will die; however, Isobar decides to play his bagpipes, hoping the music will alert \"Sparks\" to their dilemma by way of the air-conditioning vent. As Isobar plays, the men notice the Grannies seem to be entranced by the music. Isobar continues to play until help arrives, and they all realize the music has actually killed the Grannies.", "Horatio Jones, known as Isobar, is ready to report the weather to the Dome Commander, Colonel Eagen. Isobar is stationed on the moon at Lunar III. His job involves reporting the weather forecasts for Earth. When he signed up to be part of the Frontier Service, he expected an exciting adventure, but his life for the last six months has been boring. Isobar especially hates the stale air that he must breathe every day. \n\nWhen Isobar’s coworker Riley makes contact with Earth’s radioman, Isobar hangs around and begs him to ask the operator for a glimpse of Earth. He obliges. The grass, birds, and flowers make Isobar even more homesick. Riley says that there’s plenty of foliage to look at outside on the moon, but Isobar complains that he isn’t allowed to venture Outside. It’s too dangerous to leave the station because the Granitebacks, also known as Grannies, are ready to attack at any moment. In fact, Brown and Roberts are currently risking their lives to make repairs to the building. The Grannies are creatures that appear to be made of rock. They are not very intelligent, but they have exoskeletons harder than diamonds, and their speed allows them to take down humans in a matter of seconds.\n\nIsobar’s only pleasure is playing his bagpipe, and he has been informed that all instruments are banned. Isobar offers to go Outside to play his bagpipes, but he’s reminded that no one is allowed to leave the station unless it’s absolutely necessary.\n\nRiley sees Isobar is angry,, and he gets a kick out of it. On the other hand, Dr. Loesch, an older physicist, feels sorry for Isobar. He argues that Isobar is suffering from weltschmertz, or weariness of the world. Some men with the condition commit suicide while others rebel in unforeseen ways. He’s right because Isobar is lying to the guard so that he can go Outside and play his bagpipes.\n\nIsobar feels the warm air, and he is instantly happy. A short time later, he hears a pistol go off, and he sees Roberts and Brown. They believe he has received their calls for help, but that isn’t the case. The men are being chased by a dozen Grannies, and Isobar instructs them to climb up a tree. The group of Grannies begin to hurl their bodies at the tree like a battering ram. The three men believe they are about to die. Isobar decides to play his bagpipes to get his colleagues’ attention. As soon as the music begins, the Grannies stop attacking. Although the men believe the Grannies are deaf, they appear to be laying down on the ground, unmoving, to listen. Eventually, an armored tank comes to rescue the men, and Isobar passes out from playing the pipes so fervently. The Grannies, it turns out, were killed by the music\n", "Horatio Jones (also called Isobar or Jonesy) is a meteorological forecaster at the Experimental Dome on Luna stationed within a hemispheric dome called Lunar III. He had spent six months there and would not get to go home for at least another six. It was a desolate place that only served as a rocket refueling station, transmission center, and meteorological base.\nIsobar is crunching the data to write a new weather report to be delivered to his colleagues Sparks and Riley to transmit to the station on Earth. After delivering the report, he lingers in the transmission tower, desperately wanting to get a peek at Earth during the video transmission of his work to Earth. The receiving person on Earth complies and turns the video feed around the room so that they get a view out of the window to the outdoors on Earth with green grass and people enjoying the day. \nIsobar reveals he longs to experience the flowers and trees again to his colleagues. There is a place that this can be done on Luna, in another adjacent hemispheric dome called “Outside” that contains a lush valley, but this is strictly forbidden other than absolute necessities for things like repairs due to extremely dangerous beasts called Granitebacks (Grannies). Dome Commander Eagan overhears Isobar’s admissions, becoming serious about how under no circumstances is he to go Outside or to play the bagpipes because the sound transmits to everyone through the air conditioning system. Seeing an opportunity for himself, Horatio suggests he go Outside to play his beloved bagpipes, citing that two of his colleagues (Brown and Roberts) are also Outside conducting orders. The Commander is steadfast in his decision and strictly forbids Isobar from going outside.\nHoratio returns to his room and immediately takes the bagpipes and goes Outside by convincing the patrol guard there were orders for him to take his post while he reports to general headquarters. He is enthralled by the lush life in the hemisphere, and wanders a great distance from the gates until he is underneath of Sparks’ radio turret and hears the loud firing of a Haemholtz ray pistol. Brown and Roberts are being attacked by a group of Grannies, and have radioed the Dome for help with no response. Isobar is helpless to assist other than suggesting they all climb a tree. To their luck, the Grannies can’t climb, but they start ramming the tree until it is obvious that they will all die up there soon once they knock it over and devour them. \nIsobar starts playing the bagpipes to alert the attention of Sparks in the tower above them. He is successful in getting the attention of Sparks who comes with a tank to rescue them, but even more amazingly the bagpipe music has killed all the of the Grannies at the base of the tree. Isobar saves the day with the bagpipe music everyone in the Dome hates.\n" ]	62260	of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny What is POSAT? By PHYLLIS STERLING SMITH Illustrated by ED ALEXANDER [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Of course coming events cast their shadows before, but this shadow was 400 years long! The following advertisement appeared in the July 1953 issue of several magazines: MASTERY OF ALL KNOWLEDGE CAN BE YOURS! What is the secret source of those profound principles that can solve the problems of life? Send for our FREE booklet of explanation. Do not be a mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. 10:30." The following evening found Quidley on tenter-hooks. The snoll-doper mystery had acquired a new tang. He could hardly wait till the next message transfer took place. He decided to spend the evening plotting the epic novel which he intended to write someday. He set to work immediately. He plotted mentally, of course—notes were for the hacks and the other commercial non-geniuses who infested the modern literary world. Closing his eyes, he saw the whole vivid panorama of epic action and grand adventure flowing like a mighty and majestic river before his literary vision: the authentic and awe-inspiring background; the the corner he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze. From the telephone pole in front of the police station, something large and shapeless hung. It moved a little with the wind. What the hell was it? Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly. The light was bad; he couldn't tell what it was.
Why is John Smith interested in holes?	After carefully reading the provided chunks, write a detailed response to the following question about The Holes and John Smith by Edward W. Ludwig. Relevant chunks: the earth, and rivers and canals and valleys. The craters of the Moon are holes. Everything is—" "But, John," I said as patiently as possible, "what have these holes got to do with you?" He glowered at me as if I were unworthy of such a confidence. "What have they to do with me?" he shrilled. "I can't find the right one—that's what!" I closed my eyes. "Which particular hole are you looking for, John?" He was speaking rapidly again now. "I was hurrying back to the University with the Zloomph to prove a point of ancient history to those by his fiddle—I mean, his Zloomph —with a dreamy expression in those watery eyes, staring at nothing. But after one number he studied Fat Boy's clarinet for a moment. "Nice clarinet," he mused. "Has an unusual hole in the front." Fat Boy scratched the back of his head. "You—you mean here? Where the music comes out?" John Smith nodded. "Unusual." Hummm, I thought again. Awhile later I caught him eyeing my piano keyboard. "What's the matter, John?" He pointed. "Oh, there," I said. "A cigarette fell out of my ashtray, burnt a hole in the key. If The Eye sees of the Martians to die down. Then I turned to John and his fiddle. "If I didn't hear it," I gasped, "I wouldn't believe it!" "And the fiddle's so old, too!" added Hammer-Head who, although sober, seemed quite drunk. "Old?" said John Smith. "Of course it's old. It's over five thousand years old. I was lucky to find it in a pawnshop. Only it's not a fiddle but a Zloomph . This is the only one in existence." He patted the thing tenderly. "I tried the hole in it but it isn't the right one." I wondered what the hell me of a mechanical toy being wound into motion. "The whole foundation of this or any other culture is based on the history of all the time dimensions, each interwoven with the other, throughout the ages. And the holes provide a means of studying all of it first hand." Oh, oh , I thought. But you still have to eat. Remember, you still have to eat. "Trouble is," he went on, "there are so many holes in this universe." "Holes?" I kept a straight face. "Certainly. Look around you. All you see is holes. These beer bottles are just holes surrounded by glass. The doors and windows—they're holes in walls. The mine tunnels make a network of holes under the desert. Caves are holes, animals live in holes, our faces have holes, clothes have holes—millions and millions of holes!" I winced and thought, humor him because you gotta eat, you gotta eat. His voice trembled with emotion. "Why, they're everywhere. They're in pots and pans, in pipes, in rocket jets, in bumpy roads. There are buttonholes and well holes, and shoelace holes. There are doughnut holes and stocking holes and woodpecker holes and cheese holes. Oceans lie in holes in Question: Why is John Smith interested in holes? Answer:	[ "John Smith is interested in holes because he wants to go back to his own time dimension. He explains to Jimmie that his colleagues did not believe that before the tapes, instruments that played music existed. He further details that on his way back to the University with his instrument, the Zloomph, he fell through a hole and out of his own time dimension. He states that a researcher is to blame for not securing a force field over the hole to prevent someone from falling through. John Smith is interested in holes because he believes that any hole could potentially bring him back to his own time dimension so that he can prove that this theory was credit. He does not want people to think that he was wrong. ", "He is interested in the holes because he needs to find the correct one in order to go home. He mentions that the foundation of their cultures is based on the history of all the time dimensions. The different dimensions are interwoven and the holes can provide insights into the different dimensions. Similar to time or space travel. Back in his time, he was proving a point to the University, but some researcher forgot to set a force-field for the hole, thus, he fell through the hole into Jimmie’s time. He needs to go back immediately. If he doesn’t, the University will think that he cannot prove his theory and ran away. But because everything are made up of holes – even his body has holes – John becomes worried of not able to find the correct one. ", "John Smith desperately wants to return home and believes that finding the right hole is the way. There are many time dimensions interwoven through the ages and the holes let people travel between and study them. Such a hole may be anything, so it's almost impossible to find the inter-dimensional one. John fell into one in the dark in his dimension, that way he showed up in this place, but he wants to return, so he studies every hole. The fall prevented John from proving his point about ancient history to some scientists and he doesn't want them to consider him a coward. He needs to return to his dimension and prove the point. ", "John Smith is interested in holes because he believes that he can return to his time dimension through the right one. During his conversation with Jimmie, he explains that holes are a first-hand method of studying time dimensions and cultures. All of the objects around them, including the beer bottles, doors, caves, animal holes, mines, faces, and clothes, all have millions of holes. However, even with all of these holes, John is desperate because he cannot find the right one to return home. He blames his initial travel on some fool of a researcher who forgot to set a force-fold over the hole that he fell through in his dimension. " ]	32667	the earth, and rivers and canals and valleys. The craters of the Moon are holes. Everything is—" "But, John," I said as patiently as possible, "what have these holes got to do with you?" He glowered at me as if I were unworthy of such a confidence. "What have they to do with me?" he shrilled. "I can't find the right one—that's what!" I closed my eyes. "Which particular hole are you looking for, John?" He was speaking rapidly again now. "I was hurrying back to the University with the Zloomph to prove a point of ancient history to those by his fiddle—I mean, his Zloomph —with a dreamy expression in those watery eyes, staring at nothing. But after one number he studied Fat Boy's clarinet for a moment. "Nice clarinet," he mused. "Has an unusual hole in the front." Fat Boy scratched the back of his head. "You—you mean here? Where the music comes out?" John Smith nodded. "Unusual." Hummm, I thought again. Awhile later I caught him eyeing my piano keyboard. "What's the matter, John?" He pointed. "Oh, there," I said. "A cigarette fell out of my ashtray, burnt a hole in the key. If The Eye sees of the Martians to die down. Then I turned to John and his fiddle. "If I didn't hear it," I gasped, "I wouldn't believe it!" "And the fiddle's so old, too!" added Hammer-Head who, although sober, seemed quite drunk. "Old?" said John Smith. "Of course it's old. It's over five thousand years old. I was lucky to find it in a pawnshop. Only it's not a fiddle but a Zloomph . This is the only one in existence." He patted the thing tenderly. "I tried the hole in it but it isn't the right one." I wondered what the hell me of a mechanical toy being wound into motion. "The whole foundation of this or any other culture is based on the history of all the time dimensions, each interwoven with the other, throughout the ages. And the holes provide a means of studying all of it first hand." Oh, oh , I thought. But you still have to eat. Remember, you still have to eat. "Trouble is," he went on, "there are so many holes in this universe." "Holes?" I kept a straight face. "Certainly. Look around you. All you see is holes. These beer bottles are just holes surrounded by glass. The doors and windows—they're holes in walls. The mine tunnels make a network of holes under the desert. Caves are holes, animals live in holes, our faces have holes, clothes have holes—millions and millions of holes!" I winced and thought, humor him because you gotta eat, you gotta eat. His voice trembled with emotion. "Why, they're everywhere. They're in pots and pans, in pipes, in rocket jets, in bumpy roads. There are buttonholes and well holes, and shoelace holes. There are doughnut holes and stocking holes and woodpecker holes and cheese holes. Oceans lie in holes in
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about The Valley by Richard Stockham. Relevant chunks: and didn't look at her. "You'll have to spend most of the trip in a hammock." "I can take it." Suddenly she smiled, wanly. "I was with the Fleet. How long will it take?" "Eight days, in that ship." Roberds lit his pipe, and carefully hid his emotions. He knew Peterson was harboring the same thoughts. Eight days in space, in a small ship meant for two, and built for planetary surface flights. Eight days in that untrustworthy crate, hurtling to save the lives of that girl and Gladney. "Who was that ... man? The one you put out?" Gray its own folly. In other words, should he become the MASTER OF LIFE AND DEATH? CAST OF CHARACTERS ROY WALTON He had to adopt the motto— the ends justify the means . FITZMAUGHAM His reward for devoted service was—an assassin's bullet. FRED WALTON His ambition was to fill his brother's shoes—but he underestimated their size. LEE PERCY His specialty was sugarcoating bitter pills. PRIOR With the pen as his only weapon, could he save his son? DR. LAMARRE He died for discovering the secret of immortality. Contents I The offices of the Bureau of Population Equalization, vulgarly known as Popeek, asked. "We call him Rat," Roberds said. She didn't ask why. She said: "Why couldn't he pilot the ship, I mean? What is his record?" Peterson opened his mouth. "Shut up, Peterson!" the Chief snapped. "We don't talk about his record around here, Miss Gray. It's not a pretty thing to tell." "Stow it, Chief," said Peterson. "Miss Gray is no pantywaist." He turned to the nurse. "Ever hear of the Sansan massacre?" Patti Gray paled. "Yes," she whispered. "Was Rat in that?" Roberds shook his head. "He didn't take part in it. But Rat was attached to a very many days?" His only answer was an inhuman snarl, and the cruel blazing of those inhuman eyes. She fell face first to the floor. "I can't keep it up!" she cried. The sound of her voice rolled along the hot steel deck. "I cant! I cant!" A double handful of tepid water was thrown in her face. "Get up!" Rat stood over her, face twisted, his body hunched. "Get up!" She stared at him, dazed. He kicked her. "Get up!" The tepid water ran off her face and far away she heard Judith calling.... She forced herself up. Rat was moving things had unnerved him. He had already sounded the alert, flicked out the defense screens. Now he had nothing to do. He tried to concentrate on what the League Law would have him do. The Law was no help. Contact with planet-bound races was forbidden under any circumstances. But could a bunch of robots be called a race? The Law said nothing about robots because Earthmen had none. The building of imaginative robots was expressly forbidden. But at any rate, Steffens thought, he had made contact already. While Steffens stood by the screen, completely bewildered for the first time Question: What is the plot of the story? Answer:	[ "Michael and Mary were sent to look for another planet for humans to live on. After looking for two thousand years, their \"Milky Way\" expedition had failed to find an alternative, but humans were desperate because Earth was scorched and not easily liveable. The President is taken aback by the news, and his council looked at some footage from the expedition, watching ships explode and seeing dangerous atmospheres that would not sustain human life. A thousand people were grown from cultured scar tissue only to die violent deaths, so people yelled for the video to be shut off. President Davis explains that violent death is an unfamiliar thing to the contemporary humans, so he decided to lie to the public about the expedition details. Michael had promised Mary they would stay on Earth, but the government lying to the public was hard--Mary suggests that Michael can still leave, but he doesn't want to go without her, and she wants to stay on the planet she came from, even if it means a difficult life on Earth. They remember their lockets, that give them the option of a quick death in case they had gotten trapped in a dangerous situation, but they don't want to threaten to kill themselves either. Mary admits she's pregnant, which is surprising because humans in this day are cultured from scar tissue. With heavy hearts, they looked out onto the city where the large TV screens were promising the public an idyllic planet that would one day be recovered again, through a different mission, which is disheartening because their own mission had turned into a lie. They went back into the council chambers and sat again. Michael and Mary were told they'd be kept in solitary confinement to protect the public, which was ironic since Mary wanted to stay on Earth to avoid loneliness. Michael reminds the President of the lockets he and his wife have, and there is panic--what is there to do? The President demanded they hand over the lockets, but Michael and Mary stay strong and ask to be let outside of the city's protective barrier so that they can experience a natural death. The President conceded, so that he didn't have to look at them anymore, and gave them the car that they asked for. They have supplies to last a year, but don't know where to go or what to do. They get out of their car and take their shoes off to walk around, experiencing quiet for the first time in memory. To their surprise, they found three blades of grass, and run to a hill to see other patches of green in the area, some animals, and a small spring. They have hope: they can build a house, have a child, and eventually they can show the ones in the city that there is hope much closer than they realized. ", "Michael and Mary arrive back on Earth after a 2,000-year expedition scouting the galaxy for any potential new planets for humans to move to. After finding nothing, Michael is hesitant to report the news back to Earth and wants to stay in space. Mary, however, insists they return to Earth, so they step out of their spaceship and give the first press conference detailing their failed exploit. Michael does not hold back on the details and shocks the hopeful humans to their core. The President pulls them aside and interrogates them with his council. They share all the pictures from their adventures into the galaxy, showing yellow aliens, planets with deadly atmospheres, and horrific images of the other couples on the expedition dying. The council becomes ill at the images of their gruesome deaths, so the President shuts down the slideshow. Apparently, humans were no longer accustomed to violent deaths, as they hadn’t had to see any for thousands of years. The last time such an occurrence happened, a man was struck and killed by a ground car, and all the witnesses were driven mad. The President had shut down any potential violent deaths from then on. \nThe President asks for hope from Michael and Mary, but they are unable to give him any. They send them out of the chambers to deliberate their fate. Michael and Mary discuss their options. Mary wants to stay and die on Earth, while Michael wants to escape. They decide to use their lockets which cause instant death for the wearers to force the council’s hand. Mary reveals that she is pregnant, something that hasn’t occurred for three thousand years due to overpopulation laws, and Michael agrees to stay on Earth. \nThey return to the chambers, and the President delivers their verdict. They are condemned to isolation until the next expedition is set out, because he fears they will reveal the truth to Earth. He sent out a broadcast earlier saying there was hope after all, as they had found a planet, but lost it, so another expedition would be sent out soon. Michael and Mary refuse their isolation, and threaten to kill themselves with the lockets unless they are released and given a ground car and supplies. The President agrees after he and his congregation are thrown by the thought of watching someone die in front of their eyes. \nThe story flashes forward to Mary and Michael driving out of the city and into the sandy mountains. They come to a valley and step out of the car, placing their bare feet on the soil. Mary sees three blades of grass and shows Michael excitedly. They run down the hill and discover baby trees, flowers, wildlife, and a small stream. The Earth is healing itself, and they had the proof. Thrilled that htey will be able to live off the land, they start planning where they will put their cabin and when they will reintroduce this new Earth to humanity. \n", "Michael and Mary are returning from a mission to discover other planets in the Milky Way suitable for human colonization. During their exploration, which spanned two thousand years, the one thousand other humans sent with them had all died. They are the lone survivors, returning to Earth with grave news that there is no other place in the galaxy humans can move to. The remaining humans on Earth are overjoyed when they make radio contact because their life on Earth is confined to a city huddled around a water hole in a desert where their technology for distilling the salty water is the only thing keeping them alive on a planet they condemn as devoid of any other resources.\n \nMichael is hesitant to land on Earth, but Mary is determined to spend the rest of her life there now. They land and deliver a speech to a cheering crowd of white faces that are the same as those that had cheered when their mission departed two thousand years ago. Humans have technology to tissue culture new bodies and effectively become immortal. Pregnancy was outlawed 3000 years ago to control the population, and ever since then they have been regenerating their bodies. Michael announces that there are no other habitable planets. President Davis begs Michael to retract what he has said, and tells the public that there has been a mistake, that everything will be “all right”, and that they should go back to work and wait for more information. \nMichael and Mary are brought to the council to deliver a 60 second video documenting their entire two thousand year mission. Most disturbing is that it shows the violent deaths of many explorers - some being sucked into the gravity of foreign planets, or their ships exploding after colliding with meteors. Violent death was last witnessed on Earth hundreds of years ago, and all of the witnesses went insane. The video is shocking and disturbing. The President quickly denies the validity of the video evidence, desperately trying to avoid any hysteria by the public. Michael and Mary are told to wait outside the council chambers while their fate is decided. \nMichael thinks they should have never landed on the planet, but Mary reveals she is pregnant and wants to remain on Earth. They plan to leave the city by threatening to kill themselves in front of the council. Out the window, they glimpse a public screen projection showing that there is going to be a new mission to space and everything will be “all right”. The council decides Michael and Mary will be placed in solitary confinement. The couple threaten to kill themselves using their lockets in front of the council, a violent death that would make those who see it go insane. They demand a ground car with a year of supplies, which they are granted. They leave the city together and soon discover an oasis with spring water to build a house next to and raise their child.", "Michael and Mary return to Earth from a 2,000-year-long mission to find a planet suitable for human habitation because Earth's resources have slowly dwindled away due to human greed and atomic war. Michael would rather end his life than tell those remaining on Earth that their mission had failed, but Mary believes they owe it to the one thousand who had perished on the expedition to reveal the truth to them. Besides, 2,000 years away from Earth is a long time, and she misses home. A crowd eagerly welcomes them, including President Davis, and Michael soon confesses no planets exist that can support human life. He and Mary have returned to Earth to stay and die. President Davis whisks them away from the troubled crowd and brings them to the council chambers, where Michael and Mary reveal the documentary footage of their trip. They show the council hundreds of years' worth of visual evidence of all the planets they visited, all the strange creatures they encountered, and, worst of all, the explicit, violent deaths of their fellow travelers. Upon seeing these deaths, the council members insist Michael and Mary turn off the footage. They are horrified by the violent images because it has been hundreds of years since any human has died a violent death; seeing such images would drive them insane. As the President and council members discuss the couple's fate, Michael and Mary await their decision and discuss what to do next. Michael wants to go back to space, while Mary wants to stay on Earth because she has grown weary of traveling and exhausted by the process of reincarnation that has kept them both alive for 2,000 years. Mary reminds Michael of the lockets they carry--lockets that were given to them prior to departing for their journey that have the power to kill them instantly in order to avoid a painful death. Mary suggests using this locket as leverage against the council, who would grant whatever they asked in exchange for not having to witness their gruesome suicides in person. She also reveals she is pregnant. Later, President Davis announces the council has altered their documentary footage in order to spare the hope of their people, and he tells Michael and Mary that they will spend the rest of their lives in solitary confinement with everything provided for them, including the tools of reincarnation. At that moment, Michael threatens to trigger his locket unless the council gives him and Mary a ground car and provisions and lets them leave the force walls surrounding the last-remaining Earth settlement. President Davis grants their wish. Together, Michael and Mary head out into the desolation of Earth. Soon they discover evidence of new life on Earth including grass, birds, and water. They set out to build their home and prepare to restore civilization." ]	32744	and didn't look at her. "You'll have to spend most of the trip in a hammock." "I can take it." Suddenly she smiled, wanly. "I was with the Fleet. How long will it take?" "Eight days, in that ship." Roberds lit his pipe, and carefully hid his emotions. He knew Peterson was harboring the same thoughts. Eight days in space, in a small ship meant for two, and built for planetary surface flights. Eight days in that untrustworthy crate, hurtling to save the lives of that girl and Gladney. "Who was that ... man? The one you put out?" Gray its own folly. In other words, should he become the MASTER OF LIFE AND DEATH? CAST OF CHARACTERS ROY WALTON He had to adopt the motto— the ends justify the means . FITZMAUGHAM His reward for devoted service was—an assassin's bullet. FRED WALTON His ambition was to fill his brother's shoes—but he underestimated their size. LEE PERCY His specialty was sugarcoating bitter pills. PRIOR With the pen as his only weapon, could he save his son? DR. LAMARRE He died for discovering the secret of immortality. Contents I The offices of the Bureau of Population Equalization, vulgarly known as Popeek, asked. "We call him Rat," Roberds said. She didn't ask why. She said: "Why couldn't he pilot the ship, I mean? What is his record?" Peterson opened his mouth. "Shut up, Peterson!" the Chief snapped. "We don't talk about his record around here, Miss Gray. It's not a pretty thing to tell." "Stow it, Chief," said Peterson. "Miss Gray is no pantywaist." He turned to the nurse. "Ever hear of the Sansan massacre?" Patti Gray paled. "Yes," she whispered. "Was Rat in that?" Roberds shook his head. "He didn't take part in it. But Rat was attached to a very many days?" His only answer was an inhuman snarl, and the cruel blazing of those inhuman eyes. She fell face first to the floor. "I can't keep it up!" she cried. The sound of her voice rolled along the hot steel deck. "I cant! I cant!" A double handful of tepid water was thrown in her face. "Get up!" Rat stood over her, face twisted, his body hunched. "Get up!" She stared at him, dazed. He kicked her. "Get up!" The tepid water ran off her face and far away she heard Judith calling.... She forced herself up. Rat was moving things had unnerved him. He had already sounded the alert, flicked out the defense screens. Now he had nothing to do. He tried to concentrate on what the League Law would have him do. The Law was no help. Contact with planet-bound races was forbidden under any circumstances. But could a bunch of robots be called a race? The Law said nothing about robots because Earthmen had none. The building of imaginative robots was expressly forbidden. But at any rate, Steffens thought, he had made contact already. While Steffens stood by the screen, completely bewildered for the first time
How are people without psi-powers seen in this society?	After carefully reading the provided chunks, write a detailed response to the following question about Jack of No Trades by Evelyn E. Smith. Relevant chunks: were afraid would turn human beings into hideous monsters. Instead, they developed the psi powers that had always been latent in the species until we developed into a race of supermen. I don't know why I say we —in 1960 or so, I might have been considered superior, but in 2102 I was just the Faradays' idiot boy. Exploring space should have been my hope. If there had been anything useful or interesting on any of the other planets, I might have found a niche for myself there. In totally new surroundings, the psi powers geared to another environment might talent for stripping away my feeble attempts at privacy. Psi-powers usually included some ability to form a mental shield; being without one, I was necessarily devoid of the other. My attitude didn't matter, though, because it was definitely war. The aliens came back with a fleet clearly bent on our annihilation—even the 'paths couldn't figure out their motives, for the thought pattern was entirely different from ours—and the war was on. I had enjoyed learning first-aid; it was the first time I had ever worked with people as an equal. And I was good at it because psi-powers aren't much capacity for primitive behavior wasn't just as latent in everybody else as the psi talent seemed latent in me. Tim must be right, I thought—I must have some undreamed-of power that only the right circumstances would bring out. But what was that power? For years I had speculated on what my potential talent might be, explored every wild possibility I could conceive of and found none productive of even an ambiguous result with which I could fool myself. As I approached adulthood, I began to concede that I was probably nothing more than what I seemed to be—a simple psi-negative. but they also bored me after a while. I thought maybe I could develop a talent for composing or painting, which would classify me as a telesensitive—artistic ability being considered as the oldest, if least important, psi power—but I couldn't even do anything like that. About all there was left for me was to take long walks. Athletics were out of the question; I couldn't compete with psi-boys and they didn't want to compete with me. All the people in the neighborhood knew me and were nice to me, but I didn't need to be a 'path to tell what all of his or her psi power, really understood me. Breakfast was finally over and the rest of my family dispersed to their various jobs. Father simply took his briefcase and disappeared—he was a traveling salesman and he had a morning appointment clear across the continent. The others, not having his particular gift, had to take the helibus to their different destinations. Mother, as I said, was a psychiatrist. Sylvia wrote advertising copy. Tim was a meteorologist. Dan was a junior executive in a furniture moving company and expected a promotion to senior rank as soon as he achieved a Question: How are people without psi-powers seen in this society? Answer:	[ "Kevin thinks he is one of the 5% of the population that does not have psi-powers, and we can learn a lot about how society sees this group of people by his interactions with his peers and his family. Before realizing he had powers, Kevin had to stay at home to take care of the house. His family knew that he would not be able to make much money in any kind of job without powers, and it would shame their family for him to be working one of those jobs. Even when he is at home, he's often referred to as slow or useless. He has never had many friends because his peers hated playing sports with him, since they couldn't communicate with their minds, and so Kevin was always at a disadvantage. Similarly, even though he was likeable, girls never wanted to date him. He was also left out of other aspects of society, because a lot of news was delivered via \"tellies\" which is received through psi-powers, so he often has to learn about the goings-on in the society from his family. Kevin learns firsthand how big of a difference it meant for how he was treated once he realized he did have powers after all.", "People without psi powers are called psi-deficients or classified as psi-negative. They are unique in a society dominated by individuals who developed superpowers over time because of the proliferation of nuclear radiation in Earth's air. Such superpowers include telekinesis, prognostication, teleportation, and most prominently, telepathy. Almost every psi-powered individual has some amount of telepathic ability, and they can also protect themselves from interference by others with the same ability by using a mind shield. Psi-deficient individuals do not have any kind of superpower, so they are susceptible to the whims of those who do have such powers. For example, Kevin cannot read the minds or emotions of his family members, and he cannot protect his own mind or emotions from being probed by his mother and sister. Because of his lack of psi power, most of his family treats him with condescension. They tip-toe around his feelings and fail to really engage with him. Kevin does not feel loved or even liked by most of them, except his brother Tim, who offers him hope by suggesting he will discover his power sometime in the future. This is true for psi-deficients in general. They are viewed as \"throwbacks to an earlier era\" when disease and sickness crippled people in a disorderly society. Because psi-deficients have a harder time adjusting to this new society, they are seen as a kind of burden.", "People without psi-powers are considered imbeciles and generally little use to society. Before Kev discovers his psi-power, he describes staying at home and “watching the house” as his only real contribution to the family. People with psi-powers can do things so much more quickly and efficiently than those without, that people like Kev have little chance of holding jobs in this society.\nKevin describes how most psi-powers come with the ability to put up mental shields to stop the mind from being probed. Without psi-powers, the mind is completely transparent to mental probing by telepathy, meaning their thoughts are never private. \nThere are television-like telepathic projections in the society called “tellies” that can’t be received by people without psi-powers, isolating them from current events like the discovery of the inhabited alien planets in Alpha Centauri. Kevin only learns about the discovery reported on the tellies from his siblings who have psi-powers.\n", "Individuals who are born with psi-powers, only five percent of the general population, are truly looked down upon in this society. After radioactive testing and explosions brought out the latent psi-powers in people, society quickly changes to accommodate these superhumans. Therefore, those that don’t fit into this society are outcasts, pitied, and often seen as failures by the rest of their family. Kevin is a perfect example. Before he discovered his powers, he was unable to work a menial job due to the shame it would bring his family. So, instead, he read books the primitive way, took walks around the park since he was unable to play sports thanks to his lack of psi-powers, and managed the machines that did all the housework. He truly served no purpose in society and felt great bitterness because of it. " ]	49838	were afraid would turn human beings into hideous monsters. Instead, they developed the psi powers that had always been latent in the species until we developed into a race of supermen. I don't know why I say we —in 1960 or so, I might have been considered superior, but in 2102 I was just the Faradays' idiot boy. Exploring space should have been my hope. If there had been anything useful or interesting on any of the other planets, I might have found a niche for myself there. In totally new surroundings, the psi powers geared to another environment might talent for stripping away my feeble attempts at privacy. Psi-powers usually included some ability to form a mental shield; being without one, I was necessarily devoid of the other. My attitude didn't matter, though, because it was definitely war. The aliens came back with a fleet clearly bent on our annihilation—even the 'paths couldn't figure out their motives, for the thought pattern was entirely different from ours—and the war was on. I had enjoyed learning first-aid; it was the first time I had ever worked with people as an equal. And I was good at it because psi-powers aren't much capacity for primitive behavior wasn't just as latent in everybody else as the psi talent seemed latent in me. Tim must be right, I thought—I must have some undreamed-of power that only the right circumstances would bring out. But what was that power? For years I had speculated on what my potential talent might be, explored every wild possibility I could conceive of and found none productive of even an ambiguous result with which I could fool myself. As I approached adulthood, I began to concede that I was probably nothing more than what I seemed to be—a simple psi-negative. but they also bored me after a while. I thought maybe I could develop a talent for composing or painting, which would classify me as a telesensitive—artistic ability being considered as the oldest, if least important, psi power—but I couldn't even do anything like that. About all there was left for me was to take long walks. Athletics were out of the question; I couldn't compete with psi-boys and they didn't want to compete with me. All the people in the neighborhood knew me and were nice to me, but I didn't need to be a 'path to tell what all of his or her psi power, really understood me. Breakfast was finally over and the rest of my family dispersed to their various jobs. Father simply took his briefcase and disappeared—he was a traveling salesman and he had a morning appointment clear across the continent. The others, not having his particular gift, had to take the helibus to their different destinations. Mother, as I said, was a psychiatrist. Sylvia wrote advertising copy. Tim was a meteorologist. Dan was a junior executive in a furniture moving company and expected a promotion to senior rank as soon as he achieved a
Why does Steffens decide to engage with the robots?	After carefully reading the provided chunks, write a detailed response to the following question about Orphans of the Void by Michael Shaara. Relevant chunks: machines. He tried to push the thought out of his mind, because he knew that they should seem inhuman. But.... "Will the others come down?" asked the robot, still mechanically. Steffens felt his embarrassment. The ship lay high in the mist above, jets throbbing gently. "They must remain with the ship," Steffens said aloud, trusting to the robot's formality not to ask him why. Although, if they could read his mind, there was no need to ask. For a long while, neither spoke, long enough for Steffens to grow tense and uncomfortable. He could not think of a thing to Why else would we have been built?" Steffens thought the robot would go on, but it didn't. The question, to Elb, was no question at all. Although Steffens knew already what the robot could not possibly have known—that the Makers were gone and would never come back—he was a long time understanding. What he did was push this speculation into the back of his mind, to keep it from Elb. He had no desire to destroy a faith. But it created a problem in him. He had begun to picture for Elb the structure of human society, and the robot—a were almost like children in their eagerness, yet they were still reserved. Whoever had built them, Steffens thought in wonder, had built them well. Ball came to join Steffens, staring at the robots through the clear plastic of his helmet with baffledly widened eyes. A robot moved out from the mass in the field, allied itself to him. The first to speak had remained with Steffens. Realizing that the robot could hear every word he was saying, Ball was for a while apprehensive. But the sheer unreality of standing and talking with a multi-limbed, intelligent hunk of dead metal upon that the Earthmen wore suits which were not parts of their bodies, and it was even more difficult for them to understand why the suits were needed. But when they did understand, the robots did a surprising thing. At first, because of the excessive radiation, none of the Earthmen could remain outside the ship for long, even in radiation suits. And one morning, when Steffens came out of the ship, it was to discover that hundreds of the robots, working through the night, had effectively decontaminated the entire area. It was at this point that Steffens asked how many robots him, extended a hand as it had done in the picture. Steffens took it, he hoped, warmly; felt the power of the metal through the glove of his suit. "Welcome," the robot said, speaking again to his mind, and now Steffens detected a peculiar alteration in the robot's tone. It was less friendly now, less—Steffens could not understand—somehow less interested , as if the robot had been—expecting someone else. "Thank you," Steffens said. "We are deeply grateful for your permission to land." "Our desire," the robot repeated mechanically, "is only to serve." Suddenly, Steffens began to feel alone, surrounded by Question: Why does Steffens decide to engage with the robots? Answer:	[ "Steffens was stumped as to what to do when they visually discovered robots on the Third planet. He proactively sounded an alert and put defense screens on the ship, but wondered about what his governing League Law would have him do.\nContact with races on foreign planets was forbidden, but he was unsure if robots could be called a race. Earth didn’t have robots because imaginative robots were expressly forbidden to build. Steffens thought it was possible the robots were the brains of natives encased in metal.\nSince Steffens is under “The Mapping Command”, he is supposed to go no further than examining unexplored systems, checking for life-forms and the possibilities of human colonization. His conundrum was that, “if he returned to Sirius base without investigating this robot situation, he could very well be court-martialed one way or the other, either for breaking the Law of Contact or for dereliction of duty.”\nThe robots reach out telepathically, saying in words that they are only here to serve, and communicating a photo to the minds of the crew of a robot extending a hand for a handshake. Although Steffens wonders about letting the Alien Contact crew handle the situation, he ultimately decides it is his responsibility - and he goes on to initiate contact by requesting to land. He is encouraged to stay and explore by the kind nature of the robots.\n", "When Steffens and his crew flew from Tyban IV to check out this other planet, they had no idea that they would find life or even robotic humanoids on this planet. The Mapping Command is simply meant to check off boxes (was there life on this planet? Is it inhabitable for humans?), not to interact with the potential life forms below. However, Steffens is faced with a serious dilemma when he encounters the robots. He has already technically made contact by accident since he flew so close to the surface to investigate the burnt city. Whether or not he interacted with them more or flew away, he would be in trouble with the Commissioner. Contact with races is expressly forbidden, however, he wonders if robots could really be defined as a race since they were more of an invention. So, he decided to learn more about the robots by staying. ", "At first, Steffens isn't sure if he should engage with the robots because the League Law forbids contact with planet-bound races, but the robots were not necessarily a race. Because Earthmen did not have robots, they were a new type of encounter for him, and he decided that it would be okay since they had effectively already made contact. He isn't even sure if they are native beings with some kind of casing to protect their organs or even just brains from the elements, or if they are entirely robots. In the end, though, it was a Catch-22: if he made contact, he could be breaking the Law of Contact, but if he went back to base without making contact, it could be said that he did not complete his duty. ", "Steffens decides to engage with the robots because they seem to be openly and graciously inviting the spaceship and its men to visit them. The robots send a friendly greeting, explaining that they do not wish the humans harm and that their only desire is to serve. They also send an image of one of the robots lifting its arm and graciously offering its hand. In addition, since the robots communicate with the humans telepathically, their messages are persuasive, and Steffens feels a strong urge to take the robot’s proffered hand. Another reason he decides to engage with the robots is that while the Law of Contact forbids making contact with life-forms, the robots are not life-forms, and Steffens could very well face a court-martial for dereliction of duty if he does not make contact with them. On top of that, Steffens is immensely curious about the robots and their makers." ]	50827	machines. He tried to push the thought out of his mind, because he knew that they should seem inhuman. But.... "Will the others come down?" asked the robot, still mechanically. Steffens felt his embarrassment. The ship lay high in the mist above, jets throbbing gently. "They must remain with the ship," Steffens said aloud, trusting to the robot's formality not to ask him why. Although, if they could read his mind, there was no need to ask. For a long while, neither spoke, long enough for Steffens to grow tense and uncomfortable. He could not think of a thing to Why else would we have been built?" Steffens thought the robot would go on, but it didn't. The question, to Elb, was no question at all. Although Steffens knew already what the robot could not possibly have known—that the Makers were gone and would never come back—he was a long time understanding. What he did was push this speculation into the back of his mind, to keep it from Elb. He had no desire to destroy a faith. But it created a problem in him. He had begun to picture for Elb the structure of human society, and the robot—a were almost like children in their eagerness, yet they were still reserved. Whoever had built them, Steffens thought in wonder, had built them well. Ball came to join Steffens, staring at the robots through the clear plastic of his helmet with baffledly widened eyes. A robot moved out from the mass in the field, allied itself to him. The first to speak had remained with Steffens. Realizing that the robot could hear every word he was saying, Ball was for a while apprehensive. But the sheer unreality of standing and talking with a multi-limbed, intelligent hunk of dead metal upon that the Earthmen wore suits which were not parts of their bodies, and it was even more difficult for them to understand why the suits were needed. But when they did understand, the robots did a surprising thing. At first, because of the excessive radiation, none of the Earthmen could remain outside the ship for long, even in radiation suits. And one morning, when Steffens came out of the ship, it was to discover that hundreds of the robots, working through the night, had effectively decontaminated the entire area. It was at this point that Steffens asked how many robots him, extended a hand as it had done in the picture. Steffens took it, he hoped, warmly; felt the power of the metal through the glove of his suit. "Welcome," the robot said, speaking again to his mind, and now Steffens detected a peculiar alteration in the robot's tone. It was less friendly now, less—Steffens could not understand—somehow less interested , as if the robot had been—expecting someone else. "Thank you," Steffens said. "We are deeply grateful for your permission to land." "Our desire," the robot repeated mechanically, "is only to serve." Suddenly, Steffens began to feel alone, surrounded by
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about A City Near Centaurus by William R. Doede. Relevant chunks: "Well," he said, "before you kill me, tell me about the book." He held it up for Maota to see. "What about the book?" "What kind of book is it?" "What does Mr. Earthgod mean, what kind of book? You have seen it. It is like any other book, except for the material and the fact that it talks." "No, no. I mean, what's in it?" "Poetry." "Poetry? For God's sake, why poetry? Why not mathematics or history? Why not tell how to make the metal of the book itself? Now there is a subject worthy of a book." Maota events of the day before dropping off to sleep. The troublesome Sally. The strange dream world of Armagon. The visit to the barber shop. The removal of Brundage's body. The conversations with the townspeople. Dawes' suspicious attitude ... Then sleep came. He was flanked by marble pillars, thrusting towards a high-domed ceiling. The room stretched long and wide before him, the walls bedecked in stunning purple draperies. He whirled at the sound of footsteps, echoing stridently on the stone floor. Someone was running towards him. It was Sally, pigtails streaming out behind her, the small body wearing a flowing white enemy city of Grath was beautiful. Perhaps she would love him for helping to rescue her and come willingly with him to Konto. "I will help you, stranger," he agreed. "Then tell me of the Skull, and of the priests, and of the prison where Tholon Sarna is held." The slave's fingers flew. "All the young female slaves are caged together in the pit beneath the Skull. When the sun is directly overhead the High Priest will choose one of them for sacrifice to mighty Uzdon, most potent of all gods. And with the dawning of the next day the aunts tell me I was born there in the middle of the war." "What war?" he asked startledly, spilling some lemonade. "The World War, of course. What's the matter?" Jack Barr was staring down at the spilled lemonade and feeling a kind of terror he'd never experienced in his waking life. Nothing around him had changed. He could still feel the same hot sun on his shoulders, the same icy glass in his hand, scent the same lemon-acid odor in his nostrils. He could still hear the faint chop-chop of the waves. And yet everything had changed, gone dark and tightening of the man's shoulder muscles that his presence was known. He looked down and saw that his feet made clear-cut depressions in the soft rich soil of the field. "Continue to work," he said to the young man. "Do not be too surprised at what I am about to tell you, Rold." He paused and watched the golden man's rather stupid face intently. "I am not a Misty One," Noork said. "I killed the owner of this strange garment I wear yesterday on the mainland. I have come to rescue the girl, Tholon Sarna, of whom you spoke." Rold's Question: What is the plot of the story? Answer:	[ "Stationed on the Earth base of Alpha Centaurus II, Mr. Michaelson, a tall, gaunt archeologist, explores the planet for historical artifacts. He is human, but has a special cylinder embedded in the flesh behind his ear that teleports him to a different location when touched.\nHe comes across an empty city in the desert, with the old buildings filling with blown sand, though he is not alone. He is approached by a short, gray-haired native with webbed bare feet (aka webfoot or Maota) that he spotted in a doorway, who introduces himself as the keeper of the city and implores him to leave because he angers the gods. Michaelson brushes aside that spirits exist, but notes that he must keep an eye on this intelligent native.\nAs Michaelson continues to explore the city and disobey what he was told, the native again demands he leave, calling him “Mr. Earthgod.” Michaelson learns his name is Maota, and tries to negotiate to preserve the artifacts and build a museum. Maota does not succumb to Michaelson’s tactics, and whacks him unconscious with a metal book.\nMichaelson awakes and teleports to a creek 500 miles away to clean his wound, then returns and opens the book to find voices talking to him. He is mystified that the civilization here said to have disappeared half a million years ago was communicating with him. In his wonder, he picks up another clock-like artifact he has been curious about, and is shocked to feel it is radiating heat.\nThe next day, Michaelson awakes in the dead city to find Maota pointing a gun-like weapon at him - apologizing for causing him pain instead of killing him. Maota reads from the talking poetry book, at Michaelson’s request. It moves them both, Michaelson feeling the humanity of the civilization, and Maota feeling the gentle spirits. Maota becomes furious that Michaelson wants to move things into a museum and begins to fire the weapon. Michaelson teleports behind him and in their struggle to take possession they discharge it - destroying the book. \nMaota has disgraced himself and the gods and becomes inconsolable. He has been wanting to try the “clock” device for some time - now with renewed determination because he doesn’t care if it kills him. He explains that he thinks the race of the dead city entered a fourth dimension. Pushing the button, Maota’s body collapses in death. Michaelson tries to bury him, but has the sense that his soul is elsewhere. Michaelson desperately studies the artifacts to understand the clock, then radically decides to just press the button too. Afterwards, he sees his dead body below him and communicates with Maota’s consciousness in a spiritual dimension. He discovers that he can will his cylinder with his mind to return to his physical body, traversing between the physical and spiritual realms. This infuriates Maota who can never return to his body and feels pushed and tricked by Michaelson. \n", "Michaelson is an archeologist from Earth living on Alpha Centaurus II. He discovers an ancient, hidden city that is remarkably well preserved and half a million years old. He notices an older, webfooted man watching him as he explores the ancient city. The older man, named Maota, tells Michaelson that he is trespassing in the city, which is sacred ground where the spirits may one day return. Maota identifies himself as the city's keeper and warns Michaelson that he is angering the gods. Still, Michaelson pays him little attention because he is so wrapped up in his discovery. Maota warns Michaelson to leave or be killed, but Michaelson continues to ignore Maota and collect and inspect artifacts.\n\tMichaelson talks about building a museum there, showcasing the artifacts, and inviting people to come and see everything. Extremely angry and frustrated, Maota throws one of the ancient books at Michaelson, knocking him out. Later, Michaelson studies the book, opening it and running his finger over the writing, which creates the sound of a voice—the book talks! Inside a tall building, Michaelson observes a clock-like object, touching it and discovering it is warm and vibrating. Amazingly, the device is still operating.\n\tMaota returns in the morning, apologizes for hitting Michaelson, saying he should have killed him. He has brought a weapon with him. Michaelson asks Maota to read to him from the book before he kills him, and Maota agrees, telling Michaelson that it is a book of poetry. Michaelson dismisses the book as unimportant, wondering why the ancient ones didn’t leave books about history or mathematics instead, but he wants to hear it read and asks Maota to read some to him. Then, Maota prepares to shoot Michaelson, but Michaelson uses his cylinder to jump behind Maota before he fires. The two wrestle over the weapon, and it fires a shot into the sand near the book. Together they dig through the sand to find the book, but it is gone. Finally, Maota says he is giving up and going away but not leaving the city. Michaelson is perplexed by the paradoxical statement, but Maota says he doesn’t know enough to explain it. However, he tells Michaelson that he has read the ancient race’s books and knows they conquered all diseases, explored all the mysteries of science, and devised the clock-type machine to cheat death. \n\tMaota presses the button on the clock machine, and it makes noises. Then Maota’s knees buckle, and he is dead. Michaelson buries the body and continues his study of the city, learning the language and reading the books. Then he decides to use the clock device to see what it does. His body collapses, but his mind joins Maota’s. Sad to see his body, Michaelson touches it and feels a vibration of life. He suspects that his cylinder is responsible for his journey, and if that’s right, he should be able to use it to return. He tries, and it works.\n", "Mr. Michaelson is an archeologist from Earth who visits the ruins of an unnamed, 500,000-year-old city on Alpha Centaurus II. He uses an implant behind his ear to transport himself there instantaneously, and he excitedly explores the sand-covered streets and complex varieties of buildings he discovers. Soon after his arrival, he encounters an old man he quickly identifies as one of the webfooted natives. As he continues exploring, the native man approaches him and orders him to leave since Mr. Michaelson is trespassing on sacred ground and making the spirits angry. Mr. Michaelson refuses, and the native man threatens to kill him if he does not leave. As night falls, Michaelson continues to uncover artifacts left behind by the city’s disappeared inhabitants. The native man returns to ask why Michaelson has not left as instructed, and he introduces himself as Maota; Maota believes Michaelson is a god because of his fascination with the city and its artifacts. Michaelson tries to recruit Maota into helping him preserve the city for posterity, but Maota refuses. Instead, he hits Michaelson in the head with an ancient book he is carrying. When Michaelson awakens, he uses his implant to beam to a small creek where he cleans his wound. When he returns, he discovers the book Maota had used to hit him. He believes he hears the book speaking to him in a strange language. Startled, he returns to a clock-like device he had seen earlier. When he touches the clock, he finds it warm, which frightens him. Michaelson leaves the building and falls asleep. When he awakens later, he finds Maota standing over him, who informs him the book is full of ancient poetry and then says he will kill Michaelson for not leaving the city. Michael asks Maota to read to him from the book before he dies, and Maota obliges. When the book's pages begin to blow in the wind, Maota takes this as proof of the existence of spirits. When Michaelson mocks Maota again, Maota rages and points his gun at him. Michaelson uses his implant to appear behind Maota; the two struggle for control of the gun. They accidentally shoot the book into oblivion. Because of Michaelson's implant, Maota once again believes he is a god, but Michaelson explains to him that it is artificial. Convinced that Michaelson is only human, Maota announces that he is going away, and he offers to show Michaelson how. Maota reveals that the ancient race had not died out; instead, they had used the clock-like device to transfer themselves to a kind of fourth dimension, where they could observe and communicate outside the constraints of a physical body. Maota triggers the device, and his body slumps over. Michaelson buries him and later triggers the device too, finding himself reunited with Maota in the fourth dimension. However, unlike Maota, Michaelson discovers he is able to zoom between dimensions thanks to his implant, which convinces Maota that Michaelson is a devil rather than a god.", "Mr. Michaelson is a human archaeologist currently exploring Alpha Centaurus II. He comes across the ruins of an ancient city. He walks to it slowly, seeing someone in the distance, but is relieved when he realizes it’s just a webfoot. He explores the city, digging through the sand and rubble to find beautiful artifacts from half a million years ago. He is soon stopped by the webfoot, who explains that Michaelson must leave immediately lest he anger the spirits. He introduces himself as keeper of the city which Michaelson finds amusing. Maota believes that the city must remain untouched so the spirits would not be lost in the darkness. He tells Michaelson to leave quickly or else he will be killed. Michaelson does not leave but continues exploring. His cylinder, a contraption worn above the ear, could transport him back home in a heartbeat, but he decides not to use it yet. Maota approaches Michaelson again, scolding him for not leaving when asked. He calls him “Earthgod,” and says that no human could travel the way he does. They fight about the city and whether or not to leave it alone until Maota strikes Michaelson with a book, knocking him out. \nWhen Michaelson regains consciousness, he travels to a nearby river to wash the blood out of his hair, then pops back into the city. He leafs through the book and discovers that it talks. Entering a building, Michaelson decides to reach out and touch the object that confused him most. It almost looked like a clock, but it was clearly different. It’s warm to the touch. Running back outside, he passes out in the street. He wakes up to Maota standing over him with a gun. Michaelson convinces him to read some of the book aloud, which is the only poetry book in the city. Maota then attempts to kill him, but Michaelson simply travels behind Maota and punches him before he could fire. They fight for Maota’s weapon until it goes off, blasting a hole in the earth. The book was destroyed in the blast. \nMaota grieves the book, and Michaelson explains how he uses the cylinder to travel. Michaelson asks Maota where he’s going to go, and Maota decides to take him along. They travel to his house, and Maota points to the clock on the wall. He explains that he believes it allows people to travel to another dimension, and he has decided to use it. He pushes a button and slumps to the floor.\nMichaelson spends the next few weeks learning the ancient language and exploring the city before his curiosity got the better of him. He decides to press the button and travels through the darkness before hearing Maota’s voice. He sees his body below, and Maota reveals that no one can leave this other place. Michaelson decides to use his cylinder and travels back to Alpha Centaurus II. He pushes the button again, only to hear Maota’s screams. He can travel between dimensions. \n" ]	50802	"Well," he said, "before you kill me, tell me about the book." He held it up for Maota to see. "What about the book?" "What kind of book is it?" "What does Mr. Earthgod mean, what kind of book? You have seen it. It is like any other book, except for the material and the fact that it talks." "No, no. I mean, what's in it?" "Poetry." "Poetry? For God's sake, why poetry? Why not mathematics or history? Why not tell how to make the metal of the book itself? Now there is a subject worthy of a book." Maota events of the day before dropping off to sleep. The troublesome Sally. The strange dream world of Armagon. The visit to the barber shop. The removal of Brundage's body. The conversations with the townspeople. Dawes' suspicious attitude ... Then sleep came. He was flanked by marble pillars, thrusting towards a high-domed ceiling. The room stretched long and wide before him, the walls bedecked in stunning purple draperies. He whirled at the sound of footsteps, echoing stridently on the stone floor. Someone was running towards him. It was Sally, pigtails streaming out behind her, the small body wearing a flowing white enemy city of Grath was beautiful. Perhaps she would love him for helping to rescue her and come willingly with him to Konto. "I will help you, stranger," he agreed. "Then tell me of the Skull, and of the priests, and of the prison where Tholon Sarna is held." The slave's fingers flew. "All the young female slaves are caged together in the pit beneath the Skull. When the sun is directly overhead the High Priest will choose one of them for sacrifice to mighty Uzdon, most potent of all gods. And with the dawning of the next day the aunts tell me I was born there in the middle of the war." "What war?" he asked startledly, spilling some lemonade. "The World War, of course. What's the matter?" Jack Barr was staring down at the spilled lemonade and feeling a kind of terror he'd never experienced in his waking life. Nothing around him had changed. He could still feel the same hot sun on his shoulders, the same icy glass in his hand, scent the same lemon-acid odor in his nostrils. He could still hear the faint chop-chop of the waves. And yet everything had changed, gone dark and tightening of the man's shoulder muscles that his presence was known. He looked down and saw that his feet made clear-cut depressions in the soft rich soil of the field. "Continue to work," he said to the young man. "Do not be too surprised at what I am about to tell you, Rold." He paused and watched the golden man's rather stupid face intently. "I am not a Misty One," Noork said. "I killed the owner of this strange garment I wear yesterday on the mainland. I have come to rescue the girl, Tholon Sarna, of whom you spoke." Rold's
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about The Lost Tribes of Venus by Erik Fennel. Relevant chunks: explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, course. What is it that girls in small offices do or eat or drink or wear that girls in large offices don't do or eat or drink or wear? What do writers and doctors do differently? Or poets and dentists? What are we missing? What—" In the outer office a girl cried out. A body thumped against a desk, then a chair, then to the floor. Two girls screamed. Andy bolted up from his chair. Racing to the door, he shouted back to Bettijean, "Get a staff doctor and a chemist from the lab." It was the girl who had forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of "Get somebody—maybe even the President—on all radio and TV networks. Explain frankly about the four-centers and warn against licking any stamps. Then—" He broke off as his phone rang. Answering, he listened for a moment, then hung up and said, "But before the big announcement, get somebody checking on the security clearances at whatever plant it is where they print stamps. This's a big deal. Somebody may've been planted years ago for this operation. It shouldn't be too hard. "But there's no evidence it was a plot yet. Could be pure accident—some chemical in the stickum spoiled. Do they keep deathly ill, but nobody dying. And doctors can't identify the poison until they have a fatality for an autopsy. People stricken in every part of the country, but the water systems are pure. How does it spread?" "In food?" "How? There must be hundreds of canneries and dairies and packing plants over the country. How could they all goof at the same time—even if it was sabotage?" "On the wind?" "But who could accurately predict every wind over the entire country—even Alaska and Hawaii—without hitting Canada or Mexico? And why wouldn't everybody get it in a given area?" Bettijean's smooth Question: What is the plot of the story? Answer:	[ "Engineer Barry Barr is one of the chosen few to ride on Number Three to Venus. His beloved Dorothy Voorhees would have been riding with him, but Barry had a piece of scaffolding drop on his ankle. Unable to make the first flight, Barry hops onto Number Four instead. \nOn the journey to Venus, a small meteor crashes into their hull at several hundreds of miles an hour. The effect is immediate: Ryan is killed in the jet room and traces of the meteor are stuck in the field. Barry wakes up when the alarm bells are sounded, and rushes to join the rest of the crew to figure out what’s going on. Nick Podtaguine is steering the ship with emergency controls while Captain Reno looks on. Once the jet room stabilized, Captain Reno opens the doors to find Ryan’s body and ruin. After fixing all that they could, Reno hit the accelerator, only to watch in dismay at it soared out of proportions. Captain Reno cut off the power, realizing that the meteor had left metal particles in the cylinder of force. He asks for volunteers to work outside of the ship and remove all traces of the meteor. No one volunteers at first because of how dangerous a task it is; Sigma radiation affects man in ways still unknown and incurable. After Robson Hind turns the task down, Barry volunteers. He steps outside in his spacesuit equipped to block radiation and removes them with the chisel. \nOnce he returns inside, he falls asleep and wakes a day later already feeling the effects of the radiation. His symptoms only increase: dryness, heat, and breathing difficulties. He faints upon standing and realizes that the Sigma radiation had seeped into his spacesuit. \nFour heads toward Venus while Barry suffers from an insatiable thirst. Finally, upon landing, they throw open the doors to let in the muggy Venusian air, and Barry feels like he can breathe again. Two and Three welcome them, and Barry throws his arms around Dorothy before fainting. Dr. Carl Jensen gives him water which Barry inhales. He’s growing gills on the sides of his neck, and dry air is becoming more intolerable. \nBarry asks Nick to build him a machine to let in moisture, allowing him to breathe better. He grows webbed fingers and toes. Dorothy doesn’t visit him while in hospital until she can’t bear it anymore. She bursts open the door and reveals she still loves him even though he has a wife and family back in Philadelphia. Barry reveals the falsehood and believes that Hind sent her a letter detailing this lie. One night, he wakes up to realize his moisture machine was broken and the door locked. He escapes by breaking the window and runs to the water. He dives in and inhales the water. Worms attack him, but he swims away to the ocean. He battles humanoid Venusians and kills one of them. He rescues a girl from being robbed. \n", "People are settling Venus, and those aboard ship Four have a close call when the ship is struck by a meteorite that damages the accelerators and leaves metal in a shaft. After the accelerator is repaired under the leadership of Robson Hind, they discover the metal. Barry Barr volunteers to do the spacewalk to remove the metal that is wedged in the shaft since he is unassigned on this voyage. Assigned members are considered unexpendable, so they are expected to stay and protect the ship. The spacewalk is dangerous due to the high concentration of deadly Sigma outside. Although their spacesuits have Kendall shields, no one knows how effective they are. Animals briefly exposed to Sigma die almost right away. Barr completes the work and returns to a hero’s welcome. \n\tSoon, Barr begins feeling strange. He’s ravenously hungry, extremely thirsty, and having difficulty breathing. He tries to eat, but the sense that the air is extraordinarily hot and dry makes it harder for him to breathe, and he passes out. However, when the ship reaches Venus, Barr breathes in the hot, humid air, and his breathing becomes much less labored. Feeling stronger, he seeks out the woman he loves, Dorothy Voorhees, who arrived at the colony on Three. They kiss, but then he passes out again, and when he wakes, Barr asks for water which he pours into his lungs. The doctor tells him that would normally kill a person. Barr scratches his neck and notices something growing there, which the doctor identifies as the beginnings of gills.\n\tBarr asks his friend to gather materials and build him a humidifier in the infirmary. With this device, Barr can breathe better. Barr longs to see Dorothy, especially since he knows Robson Hind is probably wooing her; the two men have been competing for her affections. At last, Dorothy comes to see him, claiming she loves him and can’t stay away even though he is married and has a child. Barr isn’t married and suspects that Hind planted the story to win Dorothy for himself. Later that night, Barr awakens, unable to breathe. An investigation shows that his humidifier’s water and power lines have been cut, and the door to his room is locked from the outside. Barr knocks out the window with a chair, runs outside, and dives into the slough. There, at last, he can breathe. He realizes that he has become a water breather, meaning he is no longer completely human. He stays in the slough until some worms start biting his eyelids, then makes his way to the ocean. He wants to stay close to the colony even though he can’t breathe on land anymore, but suddenly a group of human-like creatures with webbed fingers and toes like his descend on him and begin attacking with their spears and tube weapons. He kills one but sees two other males capture a female, and Barr attacks her attackers.\n", "Barry Barr is a structural engineer serving on Number Four, a ship taking part in the Five Ship Plan headed for Venus. The Five Ship Plan had been designed to avoid filling one ship to critical mass with fuel; instead, five ships would fill their tanks as much as safely possible, land on Venus, and the ship that had sustained the least amount of damage would take on the fuel reserves of the other four for the return trip to Earth unless a successful colony could be established on Venus. Barry had originally been assigned to Number Three, but an ankle injury caused him to take the later ship. A meteorite strikes Number Four, and since Barry is unassigned and therefore expendable, he goes outside the ship to remove the debris in spite of the dangerous presence of Sigma radiation, which had been known to kill animals. As he is outside, he thinks about Dorothy Voorhees, a toxicologist on Number Three with whom Barry is in love. The wealthy jet chief Robson Hind is also in love with Dorothy, although Dorothy only has a shallow interest in what he has to offer. Barry's spacesuit offers minimal protection against the radiation, and when he returns, he discovers he has indeed developed a kind of sickness that causes him to struggle to breathe in the ship's air. When Number Four finally lands on Venus, Barry is surprised to discover he can breathe much easier in the thick, humid atmosphere there. As Number Four reconnects with the makeshift colony the previous ships have constructed, Barry is reunited with Dorothy briefly before passing out. Dr. Carl Jensen examines Barry and keeps him on bed rest for several days. When Barry awakens, he recruits his friend Nick to help him fashion a machine that will transfer the Venusian atmosphere into his room so that he may breathe easier. Dr. Jensen is shocked at the physical changes in Barry; over time, he grows gills and webbed feet. Finally, Dorothy visits him in his room and reveals her true love for him; she had been hesitant to do so because she had received a communication from his wife in Philadelphia revealing Barry was married with a child. This news surprises Barry since he is not married; Robson must have written the letter to drive a wedge between him and Dorothy. When Barry awakens the next day, he discovers his door is locked and the machine drawing Venusian air into his room has been shut off. Desperate to breathe, Barry breaks out of his room and jumps into the nearby slough, where he is attacked by hundreds of hostile worms. He swims further out into an ocean, amazed by his ability to breathe underwater. Underwater, Barry runs into two Venusians who attack him and a female Venusian. Barry helps her and saves himself by fighting off the attackers.", "The spaceship Number Four is in free fall; its crew is doing everything they can to get it working again. As they tend to various systems, the outside threat is brought to the reader's attention: Sigma radiation, which is not well understood by humans but it is known to be dangerous. Barry Barr is selected to leave the ship to clear the meteorite debris for the sake of the crew. He works on cutting the meteorite debris, reflecting on the growing tension between himself and Robson Hind, the jet chief, over their mutual interest in Dorothy Voorhees, the dietician and toxicologist. Barry wakes up later feeling like he doesn't have enough air, and searches for a meal. As he tries to eat, he realizes he can't breathe, and it occurs to him that his suit's Kendall-shield, which was supposed to protect him from Sigma radiation, had leaked. Nobody knew quite what would happen to Barry after exposure to Sigma radiation. His breathing got worse over time and nobody could do anything for him without a doctor. The ship successfully lands on Venus, and Barry finds that the humid atmosphere makes it easier for him to breathe. He finds Dorothy, kissing her before Robson Hind shows up, then passes out and wakes up in a doctor's office. Barry inhales the water he was handed (literally ingesting it), surprising the doctor, who doesn't know what to do for Barry. They notice gills on Barry's neck, and Barry passes out again. Barry asks Nick Podtaguine, the mechanic, for help in building a machine. It seems Barry is now known for having saved the ship, so Nick figures he can get all the materials he needs, which only took him eight hours. The machine keeps Barry's room wet while keeping the excess water off of the floor. Barry recovers some energy now that he can breathe, and dreams of Dorothy Voorhees as he rests. He starts to develop webs on his hands and feet, and a full set of gills, but Dorothy still comes to visit him one day after having avoided Barry the entire time he'd been under the doctor's care. This helps his mood, but then he wakes up one day finding his machine turned off, and is unable to escape. Eventually he breaks a plastic window but the air doesn't have enough moisture for him, so he breaks out and jumps into the water. He faints again, inhales, and realizes his gills work just fine, which also makes him realize he is officially no longer human. He swims away from some worms who are interested in his eyelids, and eventually makes it to the ocean even though he wants to stay near the people. His lungs have not adjusted yet so he sinks again, awoken by yells of people. Barry finds a creature who looked a lot like Barry, with webbed limbs and pieces of clothing. The story ends in a skirmish with various Venusians and one other Earthman. " ]	63932	explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, course. What is it that girls in small offices do or eat or drink or wear that girls in large offices don't do or eat or drink or wear? What do writers and doctors do differently? Or poets and dentists? What are we missing? What—" In the outer office a girl cried out. A body thumped against a desk, then a chair, then to the floor. Two girls screamed. Andy bolted up from his chair. Racing to the door, he shouted back to Bettijean, "Get a staff doctor and a chemist from the lab." It was the girl who had forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of "Get somebody—maybe even the President—on all radio and TV networks. Explain frankly about the four-centers and warn against licking any stamps. Then—" He broke off as his phone rang. Answering, he listened for a moment, then hung up and said, "But before the big announcement, get somebody checking on the security clearances at whatever plant it is where they print stamps. This's a big deal. Somebody may've been planted years ago for this operation. It shouldn't be too hard. "But there's no evidence it was a plot yet. Could be pure accident—some chemical in the stickum spoiled. Do they keep deathly ill, but nobody dying. And doctors can't identify the poison until they have a fatality for an autopsy. People stricken in every part of the country, but the water systems are pure. How does it spread?" "In food?" "How? There must be hundreds of canneries and dairies and packing plants over the country. How could they all goof at the same time—even if it was sabotage?" "On the wind?" "But who could accurately predict every wind over the entire country—even Alaska and Hawaii—without hitting Canada or Mexico? And why wouldn't everybody get it in a given area?" Bettijean's smooth
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about Master of Life and Death by Robert Silverberg. Relevant chunks: and didn't look at her. "You'll have to spend most of the trip in a hammock." "I can take it." Suddenly she smiled, wanly. "I was with the Fleet. How long will it take?" "Eight days, in that ship." Roberds lit his pipe, and carefully hid his emotions. He knew Peterson was harboring the same thoughts. Eight days in space, in a small ship meant for two, and built for planetary surface flights. Eight days in that untrustworthy crate, hurtling to save the lives of that girl and Gladney. "Who was that ... man? The one you put out?" Gray its own folly. In other words, should he become the MASTER OF LIFE AND DEATH? CAST OF CHARACTERS ROY WALTON He had to adopt the motto— the ends justify the means . FITZMAUGHAM His reward for devoted service was—an assassin's bullet. FRED WALTON His ambition was to fill his brother's shoes—but he underestimated their size. LEE PERCY His specialty was sugarcoating bitter pills. PRIOR With the pen as his only weapon, could he save his son? DR. LAMARRE He died for discovering the secret of immortality. Contents I The offices of the Bureau of Population Equalization, vulgarly known as Popeek, asked. "We call him Rat," Roberds said. She didn't ask why. She said: "Why couldn't he pilot the ship, I mean? What is his record?" Peterson opened his mouth. "Shut up, Peterson!" the Chief snapped. "We don't talk about his record around here, Miss Gray. It's not a pretty thing to tell." "Stow it, Chief," said Peterson. "Miss Gray is no pantywaist." He turned to the nurse. "Ever hear of the Sansan massacre?" Patti Gray paled. "Yes," she whispered. "Was Rat in that?" Roberds shook his head. "He didn't take part in it. But Rat was attached to a very many days?" His only answer was an inhuman snarl, and the cruel blazing of those inhuman eyes. She fell face first to the floor. "I can't keep it up!" she cried. The sound of her voice rolled along the hot steel deck. "I cant! I cant!" A double handful of tepid water was thrown in her face. "Get up!" Rat stood over her, face twisted, his body hunched. "Get up!" She stared at him, dazed. He kicked her. "Get up!" The tepid water ran off her face and far away she heard Judith calling.... She forced herself up. Rat was moving things had unnerved him. He had already sounded the alert, flicked out the defense screens. Now he had nothing to do. He tried to concentrate on what the League Law would have him do. The Law was no help. Contact with planet-bound races was forbidden under any circumstances. But could a bunch of robots be called a race? The Law said nothing about robots because Earthmen had none. The building of imaginative robots was expressly forbidden. But at any rate, Steffens thought, he had made contact already. While Steffens stood by the screen, completely bewildered for the first time Question: What is the plot of the story? Answer:	[ "Roy Walton is the Assistant Administrator of the Bureau of Population Equalization, otherwise known as Popeek. In the six weeks that they have been working, thousands of people have been euthanized, sterilized, and relocated in order to curb population growth and overcrowding. Roy Walton arrives at his desk, filled with papers, and settles into his miserable job. He asks for a relocation of the people of central Belgium to Patagonia before his receptionist alerts him Mr. Prior is here to see him. He refuses, but Mr. Prior sneaks through security and the unlocked door–Walton’s fault–and demands his attention. He is a famous poet, one Walton admires. He asks Walton to save his son who is to be euthanized for being tubercular. Walton turns him down, but after Prior leaves, his words swim in his head. He realizes he wants to save his baby, and so he sets off to do just that. He runs into his boss, Director FitzMaugham in the elevator and tries to lie his way through the encounter. He narrowly succeeds but is left with the feeling that Director FitzMaughan knew more than he was letting on. Walton gets off at the 20th floor and breezes past the receptionist to input Philp Porter into the computer. A series of cards come out, detailing all the baby’s specifics as well as the tubercular diagnosis. He deletes the cause for euthanization and inputs the new data into the system. He comes back clear. \nHoping no one saw him, he walks down past the hall of babies and chats with the doctor, asking where his brother, another doctor, is. Evidently, his brother is running analytics, so Walton is safe for now. He speaks with the executioner, Falbrough, and tells him to double-check every baby before euthanization, due to an unfortunate incident in Europe. Falbrough agrees, and Walton quickly slips back upstairs to his office. Worrying about his actions that day, Walton gets a call from Falbrough informing him that there was a mistake, and they saved a baby’s life that day. Walton tells him to keep it under wraps, and he quickly hangs up. Walton has now committed a felony, and he’s wondering what the long-term effects will be. His brother, Fred, calls him and tells him that he knows what he did. By accessing confidential information (a crime in and of itself), Fred knows that Roy saved that baby’s life illegally. He holds it over his head and asks for a favor in return, as well as silence on Roy’s end. The story ends with Roy’s fate up in the air as well as the fate of the new world order. \n", "In the 23rd century, Earth is overpopulated with 7 billion people. Until Venus terraforming is up and running and travel to stars is feasible, the world’s citizens have approved Weeding the Garden and the Euthanasia plan to remove substandard people from society. The Bureau of Population Equalization is working to distribute the population more evenly, removing people from overpopulated areas and resettling them in sparsely populated areas. Roy Walton is the assistant administrator of the Bureau and makes decisions about moving groups of people. While these decisions bother him, he tries to follow the director’s maxim: to stay sane, he must think of the people as pawns, not human beings. In his office, facing three-foot mounds of paperwork, Roy can disassociate himself from the humans whose lives he is impacting.\n\tSuddenly, however, he is asked to meet with a Mr. Prior, whose two-week-old son is scheduled for euthanasia (Happysleep). He refuses to see Prior because these decisions are irrevocable, but Prior makes his way into Roy’s office anyway, and Roy recognizes him as a famous poet whose work he admires. Prior informs Roy that his son is committed to Happysleep because he is potentially tubercular; Prior informs Roy that he was tubercular as a child but was cured. And he reminds Roy that if euthanasia had been practiced a generation ago, his poetry wouldn’t exist. Roy tells Prior he cannot help him, but after Prior leaves, Roy is haunted. \n\tRoy decides to save Prior’s baby, convincing himself that saving one child won’t break the system, and makes his way to the euthanasia department. He takes the lift tube where he meets the director, who invites Roy to have a coffee break with him and asks if Mr. Prior met with Roy. The director says Prior tried to see him but that he referred him to Roy. When Roy turns down the coffee break and exits the lift on the euthanasia floor, he is sure the director knows what he is doing. Roy pulls the information on the baby and rewrites it, omitting the 3f2 designation: tubercular-prone. Roy also notifies the euthanasia doctor of a new policy, effective immediately, of checking the computer records for all babies before euthanasia due to a tragic error in Europe yesterday.\n\tRoy returns to his office and receives two significant phone calls. First, the euthanasia doctor for babies contacts him to let him know one baby scheduled for Happysleep that morning was indeed not due for it. The second call is from his brother, who works in the euthanasia department. When he learned that Roy had used the computer earlier and of the “mistake” for one of the babies, he requested a transcript of Roy’s work on the computer, so he knows of Roy’s crime. Roy and his brother have a hostile relationship, so Roy now has to worry about his brother revealing his crime, even though he says he won’t since Roy got him the job with the Bureau.\n", "This story takes place in the 23rd century on a heavily overcrowded Earth. The main character, Roy Walton, is the assistant administrator of the Bureau of Population Equalization. In his own office in this ugly building, at a desk piled high with more reports than he could handle, he starts to look through them and responded to one. Because the Bureau is fairly new, procedures are also still being developed. Walton's staff lets him know someone is here to see him about a Happysleep commitment (meaning someone is going to be euthanized), and Lyle Prior bursts into the office. Walton lets him stay to have a meeting but kicks his guards out: it turns out Prior is a poet who Walton recognizes. They have a hard conversation about Lyle's son, a two-week-old who is genetically susceptible to tuberculosis and is thus sentenced to be euthanized. Lyle points out that he had tuberculosis as a child, and if he had been euthanized instead of cured, his poetry would not exist. Walton has to sit alone with this, as a huge fan of Prior's work, and thinks about the thousands who had been killed or sterilized in the six weeks his office had been open so far. Walton nervously decides he has to do something even though it would be illegal, and heads out of his office, promising himself that Prior's child is the only one he would break the law for. Walton runs into Director FitzMaugham who notices he looks preoccupied; they talk about Prior and FitzMaugham reminds Walton that if they made one exception to their rules, the entire system would fall. When Walton gets off the elevator, he worries that his destination has given away his mission, but heads into the room with the euthanasia files. After looking through Philip's files, he realizes he only has half an hour to act; he re-writes Philip's file to remove the euthanasia recommendation, but still has to retrieve the baby unnoticed. The doctors are surprised to see Walton in the clinic, especially because they'd seen the Director earlier as well. Walton asks if his younger brother, another doctor, is around, so that he can try to avoid him before continuing to the execution chamber to find Philip. Walton runs into Falbrough, the executioner, and tells him to double-check all of the files in case a mistake had been made, hoping that the updated file will take care of the issue for him. Walton returns to his office and gets a call from Falbrough who wasn't sure what to do about Philip, whose record did not have a euthanasia recommendation--Walton tells him to keep it quiet and to get the child back to his parents. As he let it sink in that he had broken the law, Walton's brother calls. Fred had noticed that Roy had messed with the computer system and knows everything that happened; Roy panics after hanging up the phone.", "In the year 2232, the world has voted for the implementation of Equalization Laws and the establishment of the Bureau of Population Equalization, also called Popeek, in order to address the problem of overpopulation. Roy Walton is the second-in-command at Popeek, and his job is to oversee the population equalization process, which redistributes people from overcrowded cities into lower population density areas. In addition, he is responsible for the administration of the global Euthanasia Centers. These clinics carry out the controversial \"Happysleep\" procedure, which is effectively euthanasia, upon children and adults considered substandard. Having been appointed to his position by Director FitzMaugham (whom he had also worked for when FitzMaugham was a senator fighting for Equalization Laws), Roy is a reliable steward of his job, and he barricades himself in his office so he doesn't have to face those opposed to Happysleep. As Roy goes about his busy workday, including ordering a reporting on the feasibility of transferring Belgian citizens to Patagonia, the annunciator notifies him that Lyle Prior, the famous poet, is there to visit him. Lyle's son, Philip, has been scheduled for Happysleep because he had been born tubercular. As a fan of Lyle's poetry, Roy is pleased with his visit, but he does not grant Lyle's request. To do so would risk his career and subvert the work of Popeek and the Equalization Laws in general. After Lyle departs, Roy thinks about his argument that if Lyle had been euthanized for the same reason when he was a child, the world would have been denied his poetry. In spite of Roy's reservations, he decides to spare Philip, but only Philip. He takes an elevator down to the Euthanasia Clinic and is joined by Director FitzMaugham, who acts like he knows what Roy is up to. Roy proceeds to the files room at the clinic and accesses Philip's record on the computer; he removes the euthanasia recommendation from his record and proceeds to the area where Dr. Falbrough administers the fatal procedure. He informs Falbrough that a new policy requires baby's records to be checked again prior to being euthanized to avoid any errors. Upon returning to his office, Roy received a call from his brother Fred, who works as a doctor in the clinic. Fred says he knows Roy edited Philip's record, but he will keep it a secret and call it even since Roy had secured him the job in the clinic in the first place." ]	50441	and didn't look at her. "You'll have to spend most of the trip in a hammock." "I can take it." Suddenly she smiled, wanly. "I was with the Fleet. How long will it take?" "Eight days, in that ship." Roberds lit his pipe, and carefully hid his emotions. He knew Peterson was harboring the same thoughts. Eight days in space, in a small ship meant for two, and built for planetary surface flights. Eight days in that untrustworthy crate, hurtling to save the lives of that girl and Gladney. "Who was that ... man? The one you put out?" Gray its own folly. In other words, should he become the MASTER OF LIFE AND DEATH? CAST OF CHARACTERS ROY WALTON He had to adopt the motto— the ends justify the means . FITZMAUGHAM His reward for devoted service was—an assassin's bullet. FRED WALTON His ambition was to fill his brother's shoes—but he underestimated their size. LEE PERCY His specialty was sugarcoating bitter pills. PRIOR With the pen as his only weapon, could he save his son? DR. LAMARRE He died for discovering the secret of immortality. Contents I The offices of the Bureau of Population Equalization, vulgarly known as Popeek, asked. "We call him Rat," Roberds said. She didn't ask why. She said: "Why couldn't he pilot the ship, I mean? What is his record?" Peterson opened his mouth. "Shut up, Peterson!" the Chief snapped. "We don't talk about his record around here, Miss Gray. It's not a pretty thing to tell." "Stow it, Chief," said Peterson. "Miss Gray is no pantywaist." He turned to the nurse. "Ever hear of the Sansan massacre?" Patti Gray paled. "Yes," she whispered. "Was Rat in that?" Roberds shook his head. "He didn't take part in it. But Rat was attached to a very many days?" His only answer was an inhuman snarl, and the cruel blazing of those inhuman eyes. She fell face first to the floor. "I can't keep it up!" she cried. The sound of her voice rolled along the hot steel deck. "I cant! I cant!" A double handful of tepid water was thrown in her face. "Get up!" Rat stood over her, face twisted, his body hunched. "Get up!" She stared at him, dazed. He kicked her. "Get up!" The tepid water ran off her face and far away she heard Judith calling.... She forced herself up. Rat was moving things had unnerved him. He had already sounded the alert, flicked out the defense screens. Now he had nothing to do. He tried to concentrate on what the League Law would have him do. The Law was no help. Contact with planet-bound races was forbidden under any circumstances. But could a bunch of robots be called a race? The Law said nothing about robots because Earthmen had none. The building of imaginative robots was expressly forbidden. But at any rate, Steffens thought, he had made contact already. While Steffens stood by the screen, completely bewildered for the first time
Who or what is the Lorelei?	After carefully reading the provided chunks, write a detailed response to the following question about The Lorelei Death by Nelson S. Bond. Relevant chunks: if your message was intercepted, you may have played into the very hands of—the Lorelei!" Chip stared at his friend bewilderedly for a moment. Then he grinned. "Hey—I must be getting slightly whacky in my old age. I stand here with an unopened bottle in my hands and hear things! For a minute I thought you said 'Lorelei.' The Lorelei, my space-cop friend, is a myth. An old Teutonic myth about a beautiful damsel who sits out in the middle of a sea on a treacherous rock, combing her golden locks, warbling and luring her fascinated admirers to destruction." He THE LORELEI DEATH by NELSON S. BOND Far out in limitless Space she plied her deadly trade ... a Lorelei of the void, beckoning spacemen to death and destruction with her beautiful siren lure. [Transcriber's Note: This etext was produced from Planet Stories Winter 1941. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Chip Warren stood before an oblong of glass set into one wall of the spaceship Chickadee II , stared at what he saw reflected therefrom—and frowned. He didn't like it. Not a bit! It was too—too— He turned away off the Chickadee's hull like hail off a tin roof. Chip, are you in any hurry to reach Earth? I thought not. What do you say we go after the Lorelei together ! I'll swear you in as a Deputy Patrolman; we'll take the Chickadee and—" "It's a deal!" declared Chip promptly. "You got any idea where this Lorelei's hangout is?" "That's why I'm here on Danae. I got a tip that one of the Lorelei's men put in here for supplies. I hoped maybe I could single him out somehow, follow him when he jetted for his base, and Lorelei ... the crash! New strength, born of anger, surged through him. He lifted his head. "My—my companions?" he demanded weakly. The leader of those who encircled him, a mighty hulk of a man, massive of shoulder and thigh, black-haired, with an unshaven blue jaw, raven-bright eyes and a jutting, aquiline nose like the beak of a hawk, loosed a satisfied grunt. "Ah! Back to normal, eh, sailor? Damn near time!" Climbing to his feet sent a swift wave of giddiness through Chip—but he managed it. He fought down the vertigo which threatened to overwhelm him, and confronted the big the Lorelei's men?" "The who? Never mind that, bucko, just talk. That ekalastron—where did it come from?" And it occurred to Warren suddenly that although the big man did hold the whip hand, he was still not in possession of the most important secret of all! While the location of the ekalastron mine remained a secret, a deadlock existed. "And if I won't tell—?" he countered shrewdly. "Why, then, sailor—" The pirate leader's hamlike fists tightened, and a cold light glinted in his eyes—"why, then I guess maybe I'll have to beat it out o' you!" Question: Who or what is the Lorelei? Answer:	[ "The Lorelei was first an ancient myth that plagued all spacemen. It was a Teutonic myth, similar to the sirens of ancient Greece, about a gorgeous blonde woman who combed her hair and sang to those around her. Her position on the rock lured all the men to their doom, as they would crash around her. That is where the Lorelei originated. In this turn of events, the story has evolved into a present-day pirating crew using the original myth to draw spacemen in. For the past two months, according to Space Patrolman Johnny Haldane, a pirate crew has a beautiful blonde woman calling for help to lure at least a dozen spaceships in before they kill the crew and capture all of their cargo. The pirates then turn on all of the control locks and send the empty ships back out, as they have no space for them in their current base. The Lorelei and her crew intercepted Chip’s message about the ekalastron and set their sights on his ship as their next target. ", "The Lorelei is what Chip refers to as a myth, which his friend Johnny insists is true. According to the original stories, there was a woman who sat on a rock in the middle of a sea distracting people who went by, like the classic siren myths. Johnny had been tracking some of the related crewmen and was investigating a lead when he ran into Chip. Johnny explained the two months of destruction that had occured, including the testimony of the one survivor found in the wreckage of a ship. This myth was being tied to a lot of pirating in the area, with particularly powerful ships. This is why Johnny didn't dare try to attack the Lorelei until he learned the Chip's ship had special plating on it that could protect them. In some sense, the Lorelei is both a myth and also a symbol representing a specific cluster of pirating. ", "In literature, the Lorelei is an old Teutonic myth about a beautiful woman on a rock in the middle of the sea. She sings and uses her beauty to lure sailors to her where their ships are then destroyed on the rock. In the story, the Lorelei is a trap created by a group of pirates. They manage to fill spaceships’ perilenses with the image of a beautiful young woman with a “come hither” look about her, motioning for the ship to approach her. Her voice is projected through the ships’ audio systems, and she entreats the space sailors to come to her aid. In the past two months, a dozen ships have fallen prey to the trap; the crews were murdered, the cargo stolen, and the empty vessels set adrift back into space. On one ship, however, a cabin boy avoided detection and lived to describe the Lorelei’s appearance and the attack. When the Lorelei image appears in the Chickadee’s perilens, Chip changes to a different frequency, but her image is on all of them; thus, the ship is flying blindly through space. This makes the Chickadee an easy target for the pirates to hit with their tractor-blast and take over. For Chip, though, the pirates know about his discovery of ek, so in addition to taking his cargo, they want to know the location of the remaining ek and plan to beat him until he gives them the information they want.", "According to Chip, Lorelei is an old Teutonic myth about a beautiful, golden-haired damsel who sits on a rock in the middle of the sea, drawing in admirers to their ultimate doom. However, his space-cop friend Johnny informs Chip that the myth of Lorelei is very real, but instead of the middle of the sea, she makes her perch on an unknown asteroid in the middle of the Belt where she lures space-mariners to their death. Since she and her crew of pirates began attacking from the Belt, they have destroyed a dozen freighters, liners, and Patrolships, murdered their crew and stolen their cargo. Because she has no room on her hideout for ravaged ships, she locks the controls and sends them back into space as a kind of calling card. Johnny warns Chip that Lorelei and her crew will likely be waiting to ambush the Chickadee II as it passes through the Belt, and that is why they plan to join forces against her. However, one of Lorelei's men kills Johnny before they can, leading Chip to chase him down. During the chase, Lorelei appears on the Chickadee's perilens and entrances the men." ]	62039	if your message was intercepted, you may have played into the very hands of—the Lorelei!" Chip stared at his friend bewilderedly for a moment. Then he grinned. "Hey—I must be getting slightly whacky in my old age. I stand here with an unopened bottle in my hands and hear things! For a minute I thought you said 'Lorelei.' The Lorelei, my space-cop friend, is a myth. An old Teutonic myth about a beautiful damsel who sits out in the middle of a sea on a treacherous rock, combing her golden locks, warbling and luring her fascinated admirers to destruction." He THE LORELEI DEATH by NELSON S. BOND Far out in limitless Space she plied her deadly trade ... a Lorelei of the void, beckoning spacemen to death and destruction with her beautiful siren lure. [Transcriber's Note: This etext was produced from Planet Stories Winter 1941. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Chip Warren stood before an oblong of glass set into one wall of the spaceship Chickadee II , stared at what he saw reflected therefrom—and frowned. He didn't like it. Not a bit! It was too—too— He turned away off the Chickadee's hull like hail off a tin roof. Chip, are you in any hurry to reach Earth? I thought not. What do you say we go after the Lorelei together ! I'll swear you in as a Deputy Patrolman; we'll take the Chickadee and—" "It's a deal!" declared Chip promptly. "You got any idea where this Lorelei's hangout is?" "That's why I'm here on Danae. I got a tip that one of the Lorelei's men put in here for supplies. I hoped maybe I could single him out somehow, follow him when he jetted for his base, and Lorelei ... the crash! New strength, born of anger, surged through him. He lifted his head. "My—my companions?" he demanded weakly. The leader of those who encircled him, a mighty hulk of a man, massive of shoulder and thigh, black-haired, with an unshaven blue jaw, raven-bright eyes and a jutting, aquiline nose like the beak of a hawk, loosed a satisfied grunt. "Ah! Back to normal, eh, sailor? Damn near time!" Climbing to his feet sent a swift wave of giddiness through Chip—but he managed it. He fought down the vertigo which threatened to overwhelm him, and confronted the big the Lorelei's men?" "The who? Never mind that, bucko, just talk. That ekalastron—where did it come from?" And it occurred to Warren suddenly that although the big man did hold the whip hand, he was still not in possession of the most important secret of all! While the location of the ekalastron mine remained a secret, a deadlock existed. "And if I won't tell—?" he countered shrewdly. "Why, then, sailor—" The pirate leader's hamlike fists tightened, and a cold light glinted in his eyes—"why, then I guess maybe I'll have to beat it out o' you!"
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about Contagion by Katherine MacLean. Relevant chunks: and didn't look at her. "You'll have to spend most of the trip in a hammock." "I can take it." Suddenly she smiled, wanly. "I was with the Fleet. How long will it take?" "Eight days, in that ship." Roberds lit his pipe, and carefully hid his emotions. He knew Peterson was harboring the same thoughts. Eight days in space, in a small ship meant for two, and built for planetary surface flights. Eight days in that untrustworthy crate, hurtling to save the lives of that girl and Gladney. "Who was that ... man? The one you put out?" Gray its own folly. In other words, should he become the MASTER OF LIFE AND DEATH? CAST OF CHARACTERS ROY WALTON He had to adopt the motto— the ends justify the means . FITZMAUGHAM His reward for devoted service was—an assassin's bullet. FRED WALTON His ambition was to fill his brother's shoes—but he underestimated their size. LEE PERCY His specialty was sugarcoating bitter pills. PRIOR With the pen as his only weapon, could he save his son? DR. LAMARRE He died for discovering the secret of immortality. Contents I The offices of the Bureau of Population Equalization, vulgarly known as Popeek, asked. "We call him Rat," Roberds said. She didn't ask why. She said: "Why couldn't he pilot the ship, I mean? What is his record?" Peterson opened his mouth. "Shut up, Peterson!" the Chief snapped. "We don't talk about his record around here, Miss Gray. It's not a pretty thing to tell." "Stow it, Chief," said Peterson. "Miss Gray is no pantywaist." He turned to the nurse. "Ever hear of the Sansan massacre?" Patti Gray paled. "Yes," she whispered. "Was Rat in that?" Roberds shook his head. "He didn't take part in it. But Rat was attached to a very many days?" His only answer was an inhuman snarl, and the cruel blazing of those inhuman eyes. She fell face first to the floor. "I can't keep it up!" she cried. The sound of her voice rolled along the hot steel deck. "I cant! I cant!" A double handful of tepid water was thrown in her face. "Get up!" Rat stood over her, face twisted, his body hunched. "Get up!" She stared at him, dazed. He kicked her. "Get up!" The tepid water ran off her face and far away she heard Judith calling.... She forced herself up. Rat was moving things had unnerved him. He had already sounded the alert, flicked out the defense screens. Now he had nothing to do. He tried to concentrate on what the League Law would have him do. The Law was no help. Contact with planet-bound races was forbidden under any circumstances. But could a bunch of robots be called a race? The Law said nothing about robots because Earthmen had none. The building of imaginative robots was expressly forbidden. But at any rate, Steffens thought, he had made contact already. While Steffens stood by the screen, completely bewildered for the first time Question: What is the plot of the story? Answer:	[ "The story begins with the Explorer ship landing on an unknown planet. The ships inhabitants are careful of any potential diseases and so do not readily disembark to explore their new surroundings. Instead, they send a crew of four medical doctors to go on a hunt party to understand the types of pathogens on the planet. The four doctors in the hunt party are June Walton, George Barton, Hal Barton, and Max. George and Hal are brothers. Max and June are in a relationship together. \n\nThey walk through the forest, shooting different animals that they encounter to test for diseases. As they walk through the forest, they encounter a man who speaks English. His name is Patrick Mead and he introduces the party to the planet, known as Minos. The man explains how his group was 300 miles away from their ship. \n\nPatrick and the group asks questions of each other. Patrick notes that he is shocked to see a variety of different looking people as those on Minos all look very similar to each other. The group and Pat all head back to the ship where they explain to Pat that he has to go through a process of decontamination. They begin by taking specimen from Pat and spinal fluid samples from him. Pat then continues on to the rest of the decontamination process that the others do not have to go through. \n\nWhile Pat is going through decontamination, so is the rest of the doctors – but in a different process. During June’s process, she is seen admiring her body. Once they are done, they go to the dining hall to eat. A woman asks the doctors when they will be able to let out of the ship to explore the new land, and Max answers that it might happen soon. Many people are excited about the possibility because they have all been isolated in space for the past year and a half. When they enter the cafeteria, they can hear passengers excitedly gossiping about Pat’s arrival. As soon as pat enters the room, people approach him eagerly awaiting to talk to him. During the meal, Pat explains how a geneticist on the planet adapted the citizens’ cells to their planet so that they would not destroy the planet foraging for food. \n\nDuring the conversation over food, Hall enters the room to inform them that the hamsters showed signs of infection. This means that Pat’s people still do carry the disease, the morning sickness. Pat assures them that his people would be willing to be de-infected. The crew then send Reno Ulrich to go to Pat’s town to make relations with the people.\n\nAfter eating, June goes back to the laboratory. She sees Pat and the beautiful Shelia Davenport walking in her direction. She mockingly acknowledges his presence when he walks past her. \n", "The hunt party of the 'Explorer' proceeds through a forest on planet Minos in spacesuits and communicates through earphones. The forest reminds Earth but can be dangerous, so the rest of the people stay on the ship, longing to be outside. At that time, the party of doctors is hunting animals to test for contagion, which has been the reason for massive deaths on other planets. Suddenly, an animal-like man, Patrick Mead, appears, who was sent by the Mayor from far away. The party is surprised to see an English-speaking human as there is no colony on Minos according to the map. Patrick informs them that the population of Minos is one hundred and fifty, and the planet has room for more. The variety of the group's appearances puzzles Patrick as in his opinion all people should look like June, a member of the party. She looks similar to Patrick himself - tanned, tall, with freckles and wavy red hair. He tells about a plague which happened in the past and killed everyone except the Mead families who were immune. As all the people alive are related, they look similar. The disease was called the melting sickness and it killed all the doctors before they studied it. The colony's ship went off forever to avoid the contagion and took everything with them. The party returns to the ship with Pat, considering the planet the desirable home. Pat admires the ship as he was raised on Minos without any luxuries or technologies. Max, June's boyfriend and also a doctor, tests Pat for the melting sickness before letting him into the ship. Reno's scout plane comes in surprise and is updated about the local colony. The newcomers have cureall, a multi-purpose cure from any alien intrusion to the body, but for safety the ship equipment for testings is fully mechanical. Pat's positive attitude is opposite to the usual ship talk and, therefore, pleasing for June. The passengers abroad are staring outside and stake places for their future houses. People are eager to meet Pat after a year and a half in isolation. Soon, he comes into the cafeteria and is surrounded by curious passengers. June becomes jealous of the female attention to Pat and compares him to Max, with the least significantly losing in appearance. Pat mentions that local food won't digest for the newcomers unless they are adapted by a test-tube evolution, a method used by his ancestor to avoid destroying the local flora but rather adapt the Mead's genes to local food. That leads to the inability to digest the ship's food, only the products of Minos. For some reason June feels fear. Hal comes and reports the hamsters tested before Pat was de-infected to be dead. Reno sets off to the colony to persuade the locals to be de-infected and to give their agreement through voting. The dead hamsters have nothing wrong in their bodies and the reasons are unknown. June sees Pat and admires him from afar. ", "The story begins on Minos, an Earthlike planet where The Explorer has landed in hopes of colonization. The medical crew on the ship, consisting of June Walton, Max Stark, and Hal and George Barton, step outside with their spacesuits to hunt animals and test them for disease, cautious of potential plagues that could wipe out their ship. They surprisingly come across a human who speaks English, finding out that Minos had been colonized prior to their arrival. The man introduces himself as Patrick Mead. He explains that the population on Minos is small, only consisting of the Mead family, all which look alike. Pat goes on to tell the crew that a plague had struck the original colony when they arrived, called the melting sickness. The mysterious disease killed everyone except for the Mead family, and the people on Minos had tried to fly back into space for escape, but the crew never came back. The crew takes Pat back to their ship, and explains to him that in order to protect themselves against disease, tests and precautions are necessary. They run several procedures on Pat, including drawing his blood, bathing him in disinfectant, and injecting his blood into hamsters to see if he carried disease. June, having developed an interest in Pat, finds herself to be drawn to him as time passes. Dinner time eventually comes, and all the people aboard The Explorer eventually hear news of the new stranger. In the meantime, Reno flies a plane to and from the ship, carrying messages to the town on Minos. Pat arrives to the dining hall, and is immediately swarmed with interest and excitement. He tells stories of Minos and answers the many questions he is asked, and is given particular attention by the women on the ship, which June feels upset about. Len Marlow, a plant geneticist, listens as Pat tells him about food on Minos; when they had first arrived, they were unable to digest the plants and animals due to genetic differences. Their head of the clan, Alexander Mead, had managed to take human cells and adapt them to the life on Minos, ultimately allowing for them to eat and digest the food there. Pat implies that this process is necessary if the people on The Explorer want to settle on Minos. Hal Burton appears and informs the crew that three of the hamsters have died, and calls for the people on Minos to be disinfected. As June observes the hamsters, she walks past Pat, who kindly acknowledges her.", "The medical party of the Explorer is going hunting along a narrow trail in the forest. June Walton asks if George Barton has gotten anything from his shot, and he says it looks like a duck. Hal Barton, his brother, says that the creatures won’t look like ducks. Max tells June that he loves her and not to get eaten by a dragon. Many people wait on the Explorer spaceship to go outside, but it is up to the four medicos to hunt the animals and test them for disease. Someone fires at a specimen they see, but it turns out to be a man who has the three-day growth of red stubble. The man introduces the planet as Minos and says that the mayor sends his greetings from Alexandria. June is shocked to hear that after thirty-six light years of space travel, there is already a colony of one hundred and fifty living here. The man introduces himself as Patrick Mead, and he is shocked to see the wide variety of humans who have come from the Explorer. He mentions that there was a plague too, but it has disappeared, and there are no other illnesses. Pat goes with them back to the Explorer and admires all of the technology since he has been raised on Minos his entire life. When Pat asks to go abroad, Hal tells him that he must go through a few tests for melting sickness. Max performs various tests on him as Hal signals for Reno Unrich to drop a note in Pat’s town to explain that contact has been made. Pat goes through more tests, which the ultimate, multi-purpose cureall called the Nucleocat Cureall could help ensure. June checks on Pat again and tells him that there will be a banquet after he has finished the tests. A Canadian woman named Bess St. Clair asks when the people will be let out. Max tells her that they will be going out soon because of the castaway colony. Bess is excited, and Max tells her that she can show Pat the way to the dining hall. Shortly after June and Max go into the dining hall, Pat appears and gets swarmed by a large crowd. They rescue him so that he can eat, but people come by anyway. All of the women linger longer, and June even begins to question her love for Max. Pat reveals that the people on Minos have been chemically adapted by Alexander P. Mead, who had turned human cells and made them into phagocytes. Eventually, these leucocytes are put back into humans once they have become successful. Hal then says that the colony people have the germs of melting sickness, to which Pat says that health is a top priority; the colony will need to vote on first, however. Reno is excited to study the people further, while June and George study the hamsters. As June wanders down the hall, Pat walks by, and they make contact. " ]	50774	and didn't look at her. "You'll have to spend most of the trip in a hammock." "I can take it." Suddenly she smiled, wanly. "I was with the Fleet. How long will it take?" "Eight days, in that ship." Roberds lit his pipe, and carefully hid his emotions. He knew Peterson was harboring the same thoughts. Eight days in space, in a small ship meant for two, and built for planetary surface flights. Eight days in that untrustworthy crate, hurtling to save the lives of that girl and Gladney. "Who was that ... man? The one you put out?" Gray its own folly. In other words, should he become the MASTER OF LIFE AND DEATH? CAST OF CHARACTERS ROY WALTON He had to adopt the motto— the ends justify the means . FITZMAUGHAM His reward for devoted service was—an assassin's bullet. FRED WALTON His ambition was to fill his brother's shoes—but he underestimated their size. LEE PERCY His specialty was sugarcoating bitter pills. PRIOR With the pen as his only weapon, could he save his son? DR. LAMARRE He died for discovering the secret of immortality. Contents I The offices of the Bureau of Population Equalization, vulgarly known as Popeek, asked. "We call him Rat," Roberds said. She didn't ask why. She said: "Why couldn't he pilot the ship, I mean? What is his record?" Peterson opened his mouth. "Shut up, Peterson!" the Chief snapped. "We don't talk about his record around here, Miss Gray. It's not a pretty thing to tell." "Stow it, Chief," said Peterson. "Miss Gray is no pantywaist." He turned to the nurse. "Ever hear of the Sansan massacre?" Patti Gray paled. "Yes," she whispered. "Was Rat in that?" Roberds shook his head. "He didn't take part in it. But Rat was attached to a very many days?" His only answer was an inhuman snarl, and the cruel blazing of those inhuman eyes. She fell face first to the floor. "I can't keep it up!" she cried. The sound of her voice rolled along the hot steel deck. "I cant! I cant!" A double handful of tepid water was thrown in her face. "Get up!" Rat stood over her, face twisted, his body hunched. "Get up!" She stared at him, dazed. He kicked her. "Get up!" The tepid water ran off her face and far away she heard Judith calling.... She forced herself up. Rat was moving things had unnerved him. He had already sounded the alert, flicked out the defense screens. Now he had nothing to do. He tried to concentrate on what the League Law would have him do. The Law was no help. Contact with planet-bound races was forbidden under any circumstances. But could a bunch of robots be called a race? The Law said nothing about robots because Earthmen had none. The building of imaginative robots was expressly forbidden. But at any rate, Steffens thought, he had made contact already. While Steffens stood by the screen, completely bewildered for the first time
What is strange about the planet?	After carefully reading the provided chunks, write a detailed response to the following question about THE CREATURES THAT TIME FORGOT by RAY BRADBURY. Relevant chunks: Corn is thicker than water. Standard. There were, however, some good stereofilm shots of the limitless forests of Mars, and I wondered what it would be like to live there, in a green, fresh-smelling land. Pleasant, I supposed, if you could put up with the no doubt revolting morality of a prison planet. And the drama seemed to point out that there was no more security for the nonconformists out there than for us here on Earth. Maybe somewhere in the universe, I thought, there would be peace for men. Somewhere beyond the solar system, perhaps, someday when we had Planet. Do you know what Earth is to the great Martian land-owners? Do you? " He paused out of breath; then finished venomously, "Earth is a great pool of labor ready to be tapped, cheaper than robots—cheap as slaves !" "What about it?" gulped Ryd, drawing away from the fanatic. "What you want me to do about it?" Mury took a deep breath and straightened his shoulders. His face was once more bleakly impassive; only the mouth was an ugly line. "We're going to do something about it, you and I. Tonight. Now." Ryd was nearly sober. And wholly terrified. Strange indeed. It was mostly silence. Occasionally, as though from another world, came a brief, curt order. "Port guns alert." Then hush and tension. The deck lurched and the ship swung this way and that. Maybe dodging, maybe maneuvering—Shano didn't know. He felt the deck lurch, that was all. "Fire number seven." He heard the weird scream of a ray gun, and felt the constricting terror that seemed to belt the ship like an iron band. This was a battle in space, and out there were Uranian cruisers trying to blast the Stardust out of the sky. Trying and trying, an outworn system.... We are now somewhere near the orbit of the Moon. Isn't that right, Arliess?" The other did not seem to hear; he sat staring blindly before him through his goggles at the slowly-changing chart, where cryptic lights burned, some moving like glowing paramecia along fine-traced luminous tracks. Mury too sat silent and immobile for a minute or more. Then, abruptly, he inclined his universal chair far to the right, and his long frame seemed to tense oddly. His finger stabbed out one of the sparks of light. "What's that, Arliess?" The astrogator broke his silence. "A ship." half-turn of its body as it reached him. What was it doing? A stinger. Loyce stabbed wildly at it. It retreated, buzzing frantically. Loyce rolled and crawled toward the door. Tommy and Janet stood still as statues, faces blank. Watching without expression. Loyce stabbed again. This time the knife connected. The thing shrieked and faltered. It bounced against the wall and fluttered down. Something lapped through his mind. A wall of force, energy, an alien mind probing into him. He was suddenly paralyzed. The mind entered his own, touched against him briefly, shockingly. An utterly alien presence, settling over him—and Question: What is strange about the planet? Answer:	[ "The planet is strange because of its extremes. The people that live on the planet have to spend most of their time in the caves because during most of the day the sun is too powerful and kills everything that it touches. At night, there is a cold, burning sensation. There are about two hours during the day, dawn and sunset, where the people are able to venture into the valley. During this time, the rivers flow, the flowers bloom, and the people enjoy the livable temperatures outside. Even more strange on the planet is the extreme aging that people go through. People only live 8 days. As a result, they mature, understand, grow, and age at an incredible pace. ", "The planet is unadapted for humans. Originally, there were no humans on it, but their ships crushed there, so they can't escape. The sun on the planet is so hot during the day that it causes flames, so every plant is burnt in a second. During the night everything is icy and the temperature are so low, that they make everything freeze in a second. Dawn and sunset are the only times when people can go outside, at these times the planet is beautiful, full of fruits and plants. The caves are the only places for escape as the temperatures there are normal. People grow really fast and the life-time is eight days. In hours children learn to speak, to walk and to understand various concepts. The knowledge is gained through food. ", "The planet is located very close to the sun. Because of this, the land is scorching hot during the day, making it impossible to be outside without being burned alive. The nights, however, are extremely cold, only permitting dawn and sunset for humans to be outdoors. Humans, having to adapt to the strange conditions of the planet, reside in the caves to hide from the climate, and their bodies were adjusted due to the radiation on the planet. The planet causes every human to grow rapidly and live for only eight days.", "The planet causes people to age much faster than normal. From his vision, Sim sees the people drenched in solar radiation, which causes their pulses to quicken to a thousand beats per minute. Their blood changes too, and old age comes very quickly. Instead of a normal human lifespan, these people all live and die within a week while being forced to hide in caves. Another strange thing about the planet is its weather. There are only two hours of the day where life can function as normal, and everything must go into hiding for the rest of the time. Even the plant life cannot sustain itself, being burned away or frozen whenever dawn and dusk are over. " ]	63874	Corn is thicker than water. Standard. There were, however, some good stereofilm shots of the limitless forests of Mars, and I wondered what it would be like to live there, in a green, fresh-smelling land. Pleasant, I supposed, if you could put up with the no doubt revolting morality of a prison planet. And the drama seemed to point out that there was no more security for the nonconformists out there than for us here on Earth. Maybe somewhere in the universe, I thought, there would be peace for men. Somewhere beyond the solar system, perhaps, someday when we had Planet. Do you know what Earth is to the great Martian land-owners? Do you? " He paused out of breath; then finished venomously, "Earth is a great pool of labor ready to be tapped, cheaper than robots—cheap as slaves !" "What about it?" gulped Ryd, drawing away from the fanatic. "What you want me to do about it?" Mury took a deep breath and straightened his shoulders. His face was once more bleakly impassive; only the mouth was an ugly line. "We're going to do something about it, you and I. Tonight. Now." Ryd was nearly sober. And wholly terrified. Strange indeed. It was mostly silence. Occasionally, as though from another world, came a brief, curt order. "Port guns alert." Then hush and tension. The deck lurched and the ship swung this way and that. Maybe dodging, maybe maneuvering—Shano didn't know. He felt the deck lurch, that was all. "Fire number seven." He heard the weird scream of a ray gun, and felt the constricting terror that seemed to belt the ship like an iron band. This was a battle in space, and out there were Uranian cruisers trying to blast the Stardust out of the sky. Trying and trying, an outworn system.... We are now somewhere near the orbit of the Moon. Isn't that right, Arliess?" The other did not seem to hear; he sat staring blindly before him through his goggles at the slowly-changing chart, where cryptic lights burned, some moving like glowing paramecia along fine-traced luminous tracks. Mury too sat silent and immobile for a minute or more. Then, abruptly, he inclined his universal chair far to the right, and his long frame seemed to tense oddly. His finger stabbed out one of the sparks of light. "What's that, Arliess?" The astrogator broke his silence. "A ship." half-turn of its body as it reached him. What was it doing? A stinger. Loyce stabbed wildly at it. It retreated, buzzing frantically. Loyce rolled and crawled toward the door. Tommy and Janet stood still as statues, faces blank. Watching without expression. Loyce stabbed again. This time the knife connected. The thing shrieked and faltered. It bounced against the wall and fluttered down. Something lapped through his mind. A wall of force, energy, an alien mind probing into him. He was suddenly paralyzed. The mind entered his own, touched against him briefly, shockingly. An utterly alien presence, settling over him—and
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about Home is Where You Left It by Stephen Marlowe. Relevant chunks: explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, course. What is it that girls in small offices do or eat or drink or wear that girls in large offices don't do or eat or drink or wear? What do writers and doctors do differently? Or poets and dentists? What are we missing? What—" In the outer office a girl cried out. A body thumped against a desk, then a chair, then to the floor. Two girls screamed. Andy bolted up from his chair. Racing to the door, he shouted back to Bettijean, "Get a staff doctor and a chemist from the lab." It was the girl who had forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of "Get somebody—maybe even the President—on all radio and TV networks. Explain frankly about the four-centers and warn against licking any stamps. Then—" He broke off as his phone rang. Answering, he listened for a moment, then hung up and said, "But before the big announcement, get somebody checking on the security clearances at whatever plant it is where they print stamps. This's a big deal. Somebody may've been planted years ago for this operation. It shouldn't be too hard. "But there's no evidence it was a plot yet. Could be pure accident—some chemical in the stickum spoiled. Do they keep deathly ill, but nobody dying. And doctors can't identify the poison until they have a fatality for an autopsy. People stricken in every part of the country, but the water systems are pure. How does it spread?" "In food?" "How? There must be hundreds of canneries and dairies and packing plants over the country. How could they all goof at the same time—even if it was sabotage?" "On the wind?" "But who could accurately predict every wind over the entire country—even Alaska and Hawaii—without hitting Canada or Mexico? And why wouldn't everybody get it in a given area?" Bettijean's smooth Question: What is the plot of the story? Answer:	[ "Steve Cantwell grew up in a desert village on Sirius' second planet, he lived with his aunt. It is one of the human colonies, and it has never been accepted by the Kumaji tribesmen - the natives who have been raiding the settlements for years. Steve went to Earth to get an education, but now he came back to the planet. He flew from Oasis City to his native village on a unicopter only to find the deserted buildings and poisoned water. A Kumaji, who lived with the earthmen, tells him that the natives poisoned the well - three people died, and everybody else had to leave their home and walk to Oasis City through the desert wasteland. Now the Kumaji are looking for them to kill. The man stayed here to die since he’s too old to flee or fight. Steve gives him his water canteen and flies away to find the other citizens. Hours later, he spots a caravan with camels. He first meets Tobias Whiting, who was the most successful man in the village when Steve was a child. The man greets him coldly and soon informs Steve that his aunt was one of the people who died from the poisoned water. Then he introduces him to his daughter Mary, the young woman who charms Steve. Tobias says he had a profitable business, but all his money is gone now. Three days later, he disappears, taking Steve’s unicopter with him. The other members suppose that Tobias decided to trade the caravan’s location for his profits, thus betraying them. Mary and Steve take some food and head towards the Kumaji base to the north of the caravan since Tobias probably decided to fly there. Four days later, they spot the empty unicopter and realize that Tobias must’ve reached the base by now. They keep walking and soon surrender to the Kumajis, who put them in a circular tent where they meet Tobias. He explains to Mary that he wants to give her the life she deserves. Now he’s determined to tell the Kumaji everything since his daughter got captured, and the Kumaji might torture her for information. Steve devises an escape plan: at night, he makes Tobias scream for a second to make one of the guards come in. Steve kills this one Kumaji, but the guard manages to lethally wound Tobias while fighting with the attacker. Whiting blesses Mary and Steve and orders them to leave, promising that he’ll deceive the Kumaji and not share the true location of the caravan. The couple runs from the tent, and Steve kills several more guards before gliding off on the thlot’s - desert animal - back with Mary. They reach the caravan two days later and decide to tell everyone that Whiting initially went to the Kumaji to save everyone. Mary admits to Steve that she loves him.", "Steve Cantwell reaches a village after coming in his unicopter from Oasis City. He thinks about his childhood memories as he walks around, sadly thinking about living in the mud-house with his aunt after his parents were killed in a Kumaji raid, and the community center. As he tries the water, he realizes it is poisoned and stuffs sand in his mouth. As he goes into his aunt’s house, an old Kumaji appears and tells him that everyone left. Steve thinks about the Kumaji raids from when he was a boy, and the old one talks about how the poisoned well was the last straw for the colonists to leave for Oasis City. Steve offers to take the old man with him in the unicopter, but he refuses and insists that the town is his home. Steve then goes to look for his people in the desert, and he finds them hiking through the desert. Steve goes to introduce himself again, but a man named Tobias Whiting only responds to him bitterly. He tells Steve that his aunt was one of the people who died, and his daughter Mary Whiting meets up with them later. Tobias Whiting complains about never having money because of the Kumaji, but Mary Whiting gives him a smile. Tobias disappears three days later, and he takes Steve’s unicopter on the fourth night to go and retrieve his fortune. Mary slaps Gort, but he asks Steve how far Tobias will get with the unicopter. They get captured by the Kumaji and see that Tobias is waiting for them at the camp. Mary asks her father why he did what he did, and Steve asks if he has told them the information yet. At night, Mary asks if Steve has gone to sleep yet. Tobias is clearly asleep, and Mary is furious about her father betraying their people. Steve threatens to kill Tobias, but he ends up killing a guard instead. Tobias, however, is injured by the pike and lays there in pain. He asks Mary if Steve is the person she wants, and he tells the two of them to go south with the rest of the Earthmen. Tobias reassures them that he will live long enough to deceive the Kumaji. Steve escapes with Mary, killing a few more of the Kumaji before taking off on the thlot. They ride off into the distance, letting the sand obstruct their trail. Steve promises that they will tell the rest of the colony that Mary’s father died as a hero, and she proclaims her love for him. The two of them know that they will reach Oasis City safely, and there is a new world out in space. ", "This story follows Steve Cantwell, a young Earthmen who has returned from being educated on Earth back to his home in the Sirian desert. Upon arrival, he finds his village hastily abandoned - including his aunt - and the well poisoned. He finds an old Kumaji man in the community center, who informs him of what happened. The Kumaji tribesmen had raided the village as they felt the colony took up an oasis belonging to their own nomadic needs. By poisoning the well, the colonists were forced to travel by foot and camel across the arid desert to try and reach Oasis City, located 500 miles away. \n\nCantwell decides to hop into his unicopter to meet the travelling caravan and warn them of the Kumaji. He insists theres room for the old man, but the old man chooses to stay and die in his home. Reluctantly, Cantwell leaves the old man with the remaining water his in canteen. Later, Cantwell finds the caravan and reunites with familiar faces from his boyhood. This includes Tobias Whiting, previously the Colony's most successful man through his trading and business with the Kumajis, his daughter Mary, and some other childhood friends. Whiting describes how despite his relationship with the Kumajis and supposed riches, he and his daughter are forced to escape as refugees as well. \n\nDays after travelling with the caravan, Whiting disappears with Cantwell's unicopter. After discussing with some of the colony members, it is suggested that Whiting had gone off with the intention of trading with the Kumajis again: the colony's location in return for his money. Steve and Mary decide to follow and stop him. After a couple days travel, they find the unicopter crashed. Though initially reassured by the fact that Whiting was alive, they soon get spotted and captured by a band of Kumajis. Led to the Kumajis' encampment, they are met by Whiting. It seems that even if Whiting has changed his mind, the presence of his daughter and Cantwell could mean that the Kumajis were willing to torture the information of out Whiting regardless. \n\nAt night, Steve enacts a plan. He pretends to choke Whiting and draws the attention of the guard. They enter a scuffle, with the guard dying, but not without Whiting having taken a fatal stabbing from the guard's pike. Whiting vows instead to misinform the Kumajis on the caravan's location, and insists on the Steve getting Mary out safely. The pair manage to escape on a stolen thlotback and as they ride up to the caravan, plan to tell Whiting's demise as a hero. ", "The story revolves around Steve Cantwell, a human raised on a desert planet who decides to return home after years away.. When he arrives at his village, he sees the whole village is deserted, and attacked. The water well is poisoned, and the only person that he can find is an old man that tells him what happened. After overpopulation on earth increased dramatically, many humans turned to other planets to colonize. This desert planet was an example of that. The humans who lived in this village had always had trouble with the native tribe, as they weren’t happy that the humans arrived at their home. This led to constant raids by the tribe, and is eventually what led to the humans abandoning the village to live in a city 500 miles away. After the old man told him what happened, Steve leaves in his ship to find the caravan of the surviving humans, as the old man wanted to stay in the village. After Steve finds them, he meets with people from the village, most of which remember him. Together, they continue their journey towards the large city and towards safety from the natives. One day, one of the men of the party takes Steve’s ship. It is assumed that he wanted to negotiate with the natives, as he had a lot of money with them. In return, the man would give them the location of the rest of the humans. Steve and the man’s daughter leave in order to find him and stop when. After getting captured by the natives, they meet with the man again, who wants to go ahead with his plan of betraying the rest of the humans. Steve understands that this can’t happen, so he lures a guard in and kills him. In the process, the man dies, but manages to go back on his plan and sends the natives to a wrong location. Steve and the daughter leave, excited to meet up with the others and start a new life in the city. " ]	32890	explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, course. What is it that girls in small offices do or eat or drink or wear that girls in large offices don't do or eat or drink or wear? What do writers and doctors do differently? Or poets and dentists? What are we missing? What—" In the outer office a girl cried out. A body thumped against a desk, then a chair, then to the floor. Two girls screamed. Andy bolted up from his chair. Racing to the door, he shouted back to Bettijean, "Get a staff doctor and a chemist from the lab." It was the girl who had forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of "Get somebody—maybe even the President—on all radio and TV networks. Explain frankly about the four-centers and warn against licking any stamps. Then—" He broke off as his phone rang. Answering, he listened for a moment, then hung up and said, "But before the big announcement, get somebody checking on the security clearances at whatever plant it is where they print stamps. This's a big deal. Somebody may've been planted years ago for this operation. It shouldn't be too hard. "But there's no evidence it was a plot yet. Could be pure accident—some chemical in the stickum spoiled. Do they keep deathly ill, but nobody dying. And doctors can't identify the poison until they have a fatality for an autopsy. People stricken in every part of the country, but the water systems are pure. How does it spread?" "In food?" "How? There must be hundreds of canneries and dairies and packing plants over the country. How could they all goof at the same time—even if it was sabotage?" "On the wind?" "But who could accurately predict every wind over the entire country—even Alaska and Hawaii—without hitting Canada or Mexico? And why wouldn't everybody get it in a given area?" Bettijean's smooth
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about Dream Town by Henry Slesar. Relevant chunks: "Well," he said, "before you kill me, tell me about the book." He held it up for Maota to see. "What about the book?" "What kind of book is it?" "What does Mr. Earthgod mean, what kind of book? You have seen it. It is like any other book, except for the material and the fact that it talks." "No, no. I mean, what's in it?" "Poetry." "Poetry? For God's sake, why poetry? Why not mathematics or history? Why not tell how to make the metal of the book itself? Now there is a subject worthy of a book." Maota events of the day before dropping off to sleep. The troublesome Sally. The strange dream world of Armagon. The visit to the barber shop. The removal of Brundage's body. The conversations with the townspeople. Dawes' suspicious attitude ... Then sleep came. He was flanked by marble pillars, thrusting towards a high-domed ceiling. The room stretched long and wide before him, the walls bedecked in stunning purple draperies. He whirled at the sound of footsteps, echoing stridently on the stone floor. Someone was running towards him. It was Sally, pigtails streaming out behind her, the small body wearing a flowing white enemy city of Grath was beautiful. Perhaps she would love him for helping to rescue her and come willingly with him to Konto. "I will help you, stranger," he agreed. "Then tell me of the Skull, and of the priests, and of the prison where Tholon Sarna is held." The slave's fingers flew. "All the young female slaves are caged together in the pit beneath the Skull. When the sun is directly overhead the High Priest will choose one of them for sacrifice to mighty Uzdon, most potent of all gods. And with the dawning of the next day the aunts tell me I was born there in the middle of the war." "What war?" he asked startledly, spilling some lemonade. "The World War, of course. What's the matter?" Jack Barr was staring down at the spilled lemonade and feeling a kind of terror he'd never experienced in his waking life. Nothing around him had changed. He could still feel the same hot sun on his shoulders, the same icy glass in his hand, scent the same lemon-acid odor in his nostrils. He could still hear the faint chop-chop of the waves. And yet everything had changed, gone dark and tightening of the man's shoulder muscles that his presence was known. He looked down and saw that his feet made clear-cut depressions in the soft rich soil of the field. "Continue to work," he said to the young man. "Do not be too surprised at what I am about to tell you, Rold." He paused and watched the golden man's rather stupid face intently. "I am not a Misty One," Noork said. "I killed the owner of this strange garment I wear yesterday on the mainland. I have come to rescue the girl, Tholon Sarna, of whom you spoke." Rold's Question: What is the plot of the story? Answer:	[ "The plot follows Sol, a veteran of the U.S. army who, after picking up a hitchhiker on the way to a wedding, gets his car robbed near a small town. He ends up staying in the house of a young family who are kind enough to host him. They are very nice with him, and even offer him breakfast the next morning. As Sol learns more of the town and the family, he learns that the people in the town share the same dream every night, in a place called the Armagon. He also learns that there was an execution last night in the same place. He follows Willie Dawes, the head of the family, to pick up the body of the person that was executed. They are also accompanied by the sheriff of the town and by a man named Charlie. When Sol sees the body of the executed person, he starts to get worried and starts asking people in the town questions about the Armagon. That night, Sol stays with the Dawes family again, and when he goes to sleep he meets with the townspeople in the Armagon, where it seems that he will be executed. \n\n", "Sol Becker meets a woman at the doorway who looks like a mom from a homey cartoon. She is confused by why Sol is at her door, and he explains that he is a hitchhiker going to Salinas. She lets him come into her house, where he asks if he can stay the night. She explains that he does not have to pay and rushes back upstairs so she will not miss the execution. Sol goes to sleep and is woken up again by a little girl named Sally. He asks what time it is, but Sally responds that she likes poached eggs. Sol desperately tries to get her to leave, but Mom sends her away. Sol tries to call Fred but is met with indifference; a man named Willie Dawes offers to take him to the sheriff as Mom finishes breakfast. They talk about Armagon during breakfast, which is a place that everybody dreams about at night. Sol asks about the execution again, but Dawes tells him to eat his breakfast. They enter a wooden building to meet Charlie, and Dawes mentions that they are picking up Sheriff Coogan too. As they discuss with the other people, Sol realizes that everybody dreams about Armagon. Charlie is the Prince Regent, and they meet the sheriff too. The men go to the shop to find Mrs. Brundage, who is in grief because of her husband. Sol tries to ask what had happened in Armagon, but Mrs. Brundage refuses to tell him. Everybody is more worried about Mr. Brundage, so Sol goes on a walk and tries to ask about Armagon. Everybody says that it is none of his business, so he has no choice but to stay in the town until his car is found. Sally comes home at five thirty and asks if he is going to stay, and Mom refuses to hear anything about pay. Sol tries to ask Mr. Dawes for some more information again, but he refuses to say anything. When Sol goes to sleep that night, he finds himself awake in Armagon. Sally, Mom, and Mr. Dawes have returned wearing much finer clothing, indicating a higher status. Charlie asks if this is the snooper, and Dawes tells him that he should round up the knights. Sally screams for execution, and the knights begin to appear. They point the tips of their sharp spears at him as Sol wonders if he will ever awake.", "Sol Becker was driving to the wedding in Salinas - his old army friend Fred was getting married. Late at night, he picked up a hitchhiker who minutes later pushed Sol out of the car and drove away, leaving the man soaking near an unknown village. He knocked at the door of a village house, and a woman - he called her Mom - let him in. Sol briefly told her what had happened, and she allowed him to sleep on the couch. Anxiously whispering that she would miss some execution, Mom went upstairs, leaving Sol confused but grateful. He got woken up by a little girl named Sally, pestering him with awkward questions - Mom told her to stop and get ready for breakfast. Minutes later, he found a telephone and called Fred, who didn’t seem very upset by the news of Sol probably missing the wedding. After hanging up the phone, Sol talked to a man called Dawes, who promised to take him to Sheriff Coogan to report the car theft after breakfast. Mom called out that the breakfast was ready. Sally told Sol about Armagon - a place both parents and the daughter dreamt about every night. She also started talking about some execution, but Dawes coldly refused to answer Sol’s questions about this. Before meeting the sheriff, Sol and Dawes crossed the street and picked up a man named Charlie or, as Dawes said, Prince Regent. As they were marching down the street, they met a woman who, Sol eventually realized, was also dreaming about Armagon. They finally came to the sheriff’s house. He listened to Sol’s story while they all were walking to a barbershop to pick up the body of a man called Brundage. They saw a crying woman - the wife of the dead, and Sol again made an attempt to understand who got killed and why. Soon, they came back with the body and told Sol to wait while they were carrying it somewhere else. Sol took a walk and again tried to ask citizens about the mystery place from their dreams but didn’t get much information. He then went back to the Dawes residence. A State Trooper asked him some questions about the car and told him to remain in town until further notice. Sol ate lunch, walked for a bit, and returned in the evening. Sally - the daughter - clutched his leg and then started telling him about her day. Mr.Dawes came later and asked Sol about his questions to the citizens and then wondered if the man was a reporter. After a quiet evening, they all went to bed. Sol fell asleep and suddenly realized he was somewhere else, surrounded by marble pillars. He saw Sally running around in a white toga, then the sheriff chasing her. He finally saw Dawes dressed as a king who welcomed Becker to Armagon. The king unexpectedly asked Charlie to round up the knights, and Sally started triumphantly screaming: “Execution!”. Sol asked them to stop, but the knights kept approaching. ", "Sol Becker, an engineer whose car is stolen by a hitchhiker on his way to Salinas for his friend’s wedding, asks for a stay in a house. The owner of the house is a family with parents and a kid. On the first night when Sol makes himself in the house, he sleeps in the living room and notices Mom of the family hurry upstairs to join a court. The following morning, Sol is woken by their daughter, Sally, who asks him weird questions. After Mom orders Sally to leave Sol alone to let him dress, Sol borrows the phone to talk to his friend, whose wedding he will miss. After that, he meets Mr. Dawes, the father of Sally, and they eat breakfast together.\n\nAt the table, Sol learns that the family dreams of going to the same place called Armagon every night, where there is a palace, and execution happens there. After breakfast, Mr. Dawes takes Sol to seek Sheriff Coogan. On their way, they meet Charlie, who is called Prince Regent. Charlie joins them, and they find the Sheriff. They go to a barbershop, where the owner’s wife, Mrs. Brundage, is sobbing because her husband died. The three men from the town go into the house and carry the corpse out. Sol tries to know the truth by asking Mrs. Brundage, but he is scolded for not being respectful. After seeing the men deal with the corpse, he takes a walk in the town. During his walk, Sol realizes everyone in the town dreams of going to the same place every night. He learns little about the place. When he gets back to the house, he is allowed to stay for one more night. At night, after he falls asleep, he finds himself in a palace where Sally and Charlie are playing. When Mr. Dawes finds him, he orders Charlie to gather the Knights. The Knights surround Sol, and he realizes that he may not be able to wake again, just like Mr. Brundage.\n" ]	29193	"Well," he said, "before you kill me, tell me about the book." He held it up for Maota to see. "What about the book?" "What kind of book is it?" "What does Mr. Earthgod mean, what kind of book? You have seen it. It is like any other book, except for the material and the fact that it talks." "No, no. I mean, what's in it?" "Poetry." "Poetry? For God's sake, why poetry? Why not mathematics or history? Why not tell how to make the metal of the book itself? Now there is a subject worthy of a book." Maota events of the day before dropping off to sleep. The troublesome Sally. The strange dream world of Armagon. The visit to the barber shop. The removal of Brundage's body. The conversations with the townspeople. Dawes' suspicious attitude ... Then sleep came. He was flanked by marble pillars, thrusting towards a high-domed ceiling. The room stretched long and wide before him, the walls bedecked in stunning purple draperies. He whirled at the sound of footsteps, echoing stridently on the stone floor. Someone was running towards him. It was Sally, pigtails streaming out behind her, the small body wearing a flowing white enemy city of Grath was beautiful. Perhaps she would love him for helping to rescue her and come willingly with him to Konto. "I will help you, stranger," he agreed. "Then tell me of the Skull, and of the priests, and of the prison where Tholon Sarna is held." The slave's fingers flew. "All the young female slaves are caged together in the pit beneath the Skull. When the sun is directly overhead the High Priest will choose one of them for sacrifice to mighty Uzdon, most potent of all gods. And with the dawning of the next day the aunts tell me I was born there in the middle of the war." "What war?" he asked startledly, spilling some lemonade. "The World War, of course. What's the matter?" Jack Barr was staring down at the spilled lemonade and feeling a kind of terror he'd never experienced in his waking life. Nothing around him had changed. He could still feel the same hot sun on his shoulders, the same icy glass in his hand, scent the same lemon-acid odor in his nostrils. He could still hear the faint chop-chop of the waves. And yet everything had changed, gone dark and tightening of the man's shoulder muscles that his presence was known. He looked down and saw that his feet made clear-cut depressions in the soft rich soil of the field. "Continue to work," he said to the young man. "Do not be too surprised at what I am about to tell you, Rold." He paused and watched the golden man's rather stupid face intently. "I am not a Misty One," Noork said. "I killed the owner of this strange garment I wear yesterday on the mainland. I have come to rescue the girl, Tholon Sarna, of whom you spoke." Rold's
What is the relationship between George Faircloth and Marge Faircloth?	After carefully reading the provided chunks, write a detailed response to the following question about Prime Difference by Alan Edward Nourse. Relevant chunks: enough, there was George Prime starting my car, business suit on, briefcase under his arm. I pushed the recall and George Prime got out of the car and walked into the workshop. He stepped into his cradle in the closet. I turned him off and then drove away in the car. Bless his metallic soul, he'd even kissed Marge good-by for me! Needless to say, the affairs of George Faircloth took on a new sparkle with George Prime on hand to cover the home front. For the first week, I was hardly home at all. I must say I felt a list of travel agencies from the business directory and started down them. The third one I tried had a pleasant tenor voice. "No, sir, not Mrs. Faircloth. You bought two tickets. One way. Champagne flight to Bermuda." "When?" I choked out. "Why, today, as a matter of fact. It leaves Idlewild at eleven o'clock—" I let him worry about my amnesia and started home fast. I didn't know what they'd given that Prime for circuits, but there was no question now that he was out of control— way out of control. And poor Marge, all worked up for a chest. "Even though he looked like you, I knew he couldn't be," she said. "He was like you, but he wasn't you , darling. And all I ever want is you. I just never appreciated you before...." I held her close and tried to keep my hands from shaking. George Faircloth, Idiot, I thought. She'd never been more beautiful. "But what did you do with him?" "I sent him back to the factory, naturally. They said they could blot him out and use him over again. But let's not talk about that any more. We've got more interesting things to There, was an irreconcilable amount of risk. George Prime had to quick-step some questions about my work at the office—there was no way to supply him with current data until the time for his regular two-month refill and pattern-accommodation at the laboratory. In the meantime, George Prime had to make do with what he had. But as he himself pointed out he was a Super Deluxe model. Marge didn't suspect a thing. In fact, George Prime seemed to be having a remarkable effect on her. I didn't notice anything at first—I was hardly ever home. But one night I found soon as the laboratory could take him. But I never phoned the laboratory. The bank was calling me when I got to the office. They wanted to know what I planned to do about that check of mine that had just bounced. "What check?" I asked. "The one you wrote to cash yesterday—five hundred dollars—against your regular account, Mr. Faircloth." The last I'd looked, I'd had about three thousand dollars in that account. I told the man so rather bluntly. "Oh, no, sir. That is, you did until last week. But all these checks you've been cashing have emptied the Question: What is the relationship between George Faircloth and Marge Faircloth? Answer:	[ "George Faircloth and Marge Faircloth are husband and wife. They have married for 8 years. Their relationship is toxic and unsatisfying. George is fed up with Marge’s constant complaints, grievance, and crying. Marge is unsatisfied with George’s inattention to her and his possible affairs with women in his office, so she often spies on George’s office life, which irritates George more. They are constantly in fight. Their way of communicating with each other is to attack and fight, and they haven’t seen each other carefully and sweetly for a long time. Their relationship is to conquer and be conquered repeatedly, fighting all the time.", "George and Marge Faircloth have been married for eight years. George claims that their life is full of scandals and distrust. They fight ninety percent of the time. Marge is often complaining, crying, or criticizing George. She is jealous, and once when a new secretary started working with George, she threw a tantrum and spoiled the evening. Marge doesn’t get enough attention from him and knows that he can be indecent. They both do not enjoy living together, and George finds it easy to buy the Prime android and spend his evenings with his female colleagues. At the end, Marge and George end up with the android duplicates of their spouse and feel much happier. ", "The relationship between George and Marge is very tense. It seems as if in the past they had a great relationship, but now they just fight. George states that they fight almost every night, and that it is very hard for them to spend time together without there being something that Marge complains about. It is also clear that George doesn’t try to make Marge happy anymore. Both of them quit the relationship and instead bought prime androids so that they could have more freedom outside of the marriage. ", "George Faircloth and Marge Faircloth are a couple that have been engaged for eight years. They are trapped in an unhappy marriage where George feels trapped by a wife, who although he finds stunning, does not stop complaining, crying and whining about the most unnecessary issues of their coupled life. The two have tried to make the marriage better but never yet succeeded. They were never able to consider divorce as an option because the Family Solidarity Amendment of 1968 charges incredibly high taxes on the process. Marge is also a jealous wife which makes George feel even more suffocated. Marge finds out that George has an affair with his secretary, Jeree. In the story, George finds a solution to this unhappy marriage by purchasing an Ego Prime, an android clone of himself that looks and behaves like him, so that he can go on about his life as the android deals with the coupled life for him. In the first stage, this android brings him lots of joy as he is able to meet with his secretary and other women as he pleases. Then, as he notices that his wife gets more tender and more caring, he starts appreciating and missing her more. By the end of the story, he finds out that Marge knew his trick all along and that she booked herself a trip to Bermuda with his money. Marge also had a Prime of herself, who is the real person George has in fact fallen for.\n" ]	51321	enough, there was George Prime starting my car, business suit on, briefcase under his arm. I pushed the recall and George Prime got out of the car and walked into the workshop. He stepped into his cradle in the closet. I turned him off and then drove away in the car. Bless his metallic soul, he'd even kissed Marge good-by for me! Needless to say, the affairs of George Faircloth took on a new sparkle with George Prime on hand to cover the home front. For the first week, I was hardly home at all. I must say I felt a list of travel agencies from the business directory and started down them. The third one I tried had a pleasant tenor voice. "No, sir, not Mrs. Faircloth. You bought two tickets. One way. Champagne flight to Bermuda." "When?" I choked out. "Why, today, as a matter of fact. It leaves Idlewild at eleven o'clock—" I let him worry about my amnesia and started home fast. I didn't know what they'd given that Prime for circuits, but there was no question now that he was out of control— way out of control. And poor Marge, all worked up for a chest. "Even though he looked like you, I knew he couldn't be," she said. "He was like you, but he wasn't you , darling. And all I ever want is you. I just never appreciated you before...." I held her close and tried to keep my hands from shaking. George Faircloth, Idiot, I thought. She'd never been more beautiful. "But what did you do with him?" "I sent him back to the factory, naturally. They said they could blot him out and use him over again. But let's not talk about that any more. We've got more interesting things to There, was an irreconcilable amount of risk. George Prime had to quick-step some questions about my work at the office—there was no way to supply him with current data until the time for his regular two-month refill and pattern-accommodation at the laboratory. In the meantime, George Prime had to make do with what he had. But as he himself pointed out he was a Super Deluxe model. Marge didn't suspect a thing. In fact, George Prime seemed to be having a remarkable effect on her. I didn't notice anything at first—I was hardly ever home. But one night I found soon as the laboratory could take him. But I never phoned the laboratory. The bank was calling me when I got to the office. They wanted to know what I planned to do about that check of mine that had just bounced. "What check?" I asked. "The one you wrote to cash yesterday—five hundred dollars—against your regular account, Mr. Faircloth." The last I'd looked, I'd had about three thousand dollars in that account. I told the man so rather bluntly. "Oh, no, sir. That is, you did until last week. But all these checks you've been cashing have emptied the
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about Growing up on Big Muddy by Charles V. De Vet. Relevant chunks: "Well," he said, "before you kill me, tell me about the book." He held it up for Maota to see. "What about the book?" "What kind of book is it?" "What does Mr. Earthgod mean, what kind of book? You have seen it. It is like any other book, except for the material and the fact that it talks." "No, no. I mean, what's in it?" "Poetry." "Poetry? For God's sake, why poetry? Why not mathematics or history? Why not tell how to make the metal of the book itself? Now there is a subject worthy of a book." Maota events of the day before dropping off to sleep. The troublesome Sally. The strange dream world of Armagon. The visit to the barber shop. The removal of Brundage's body. The conversations with the townspeople. Dawes' suspicious attitude ... Then sleep came. He was flanked by marble pillars, thrusting towards a high-domed ceiling. The room stretched long and wide before him, the walls bedecked in stunning purple draperies. He whirled at the sound of footsteps, echoing stridently on the stone floor. Someone was running towards him. It was Sally, pigtails streaming out behind her, the small body wearing a flowing white enemy city of Grath was beautiful. Perhaps she would love him for helping to rescue her and come willingly with him to Konto. "I will help you, stranger," he agreed. "Then tell me of the Skull, and of the priests, and of the prison where Tholon Sarna is held." The slave's fingers flew. "All the young female slaves are caged together in the pit beneath the Skull. When the sun is directly overhead the High Priest will choose one of them for sacrifice to mighty Uzdon, most potent of all gods. And with the dawning of the next day the aunts tell me I was born there in the middle of the war." "What war?" he asked startledly, spilling some lemonade. "The World War, of course. What's the matter?" Jack Barr was staring down at the spilled lemonade and feeling a kind of terror he'd never experienced in his waking life. Nothing around him had changed. He could still feel the same hot sun on his shoulders, the same icy glass in his hand, scent the same lemon-acid odor in his nostrils. He could still hear the faint chop-chop of the waves. And yet everything had changed, gone dark and tightening of the man's shoulder muscles that his presence was known. He looked down and saw that his feet made clear-cut depressions in the soft rich soil of the field. "Continue to work," he said to the young man. "Do not be too surprised at what I am about to tell you, Rold." He paused and watched the golden man's rather stupid face intently. "I am not a Misty One," Noork said. "I killed the owner of this strange garment I wear yesterday on the mainland. I have come to rescue the girl, Tholon Sarna, of whom you spoke." Rold's Question: What is the plot of the story? Answer:	[ "Kaiser is a young man who was unhappily married and decided to join space service to escape his wife and her brother. He was on the mothership, Soscites II, that was finishing its planet-mapping tour. The team put him in a scout ship and sent him to the planet he calls Big Muddy. During the landing, the scout’s bottom bent inward and flattened the fuel tube. At some point, Kaiser finds himself lost because he doesn’t remember what was happening in the last hours, only the fact that he must fix the scout during the next few weeks. He reads the message tape with the mothership and learns that he had a swollen arm, a fever, periods of blankness, and in the middle of the exchange, he started using baby-talk. Now Kaiser feels better and asks for some information on fixing the scout from the mothership’s team. Then, he walks around the scout, looks at the “octopus” testing the environment of Big Muddy, and heads toward a sluggish river and native seal-people. They are short, with the body of a seal, thick arms, and thumbless hands, and have mammalian characteristics. The man spends some time observing them and then looks at their domed buildings. Soon the mothership informs Kaiser that he has probably been invaded by a symbiote, though it is not supposed to harm him. It’s adaptable and tried to give Kaiser what he emotionally desired. Hours later, the team adds that the symbiote can accurately gauge his feelings, and he needs to test this. Kaiser makes a shallow cut - it immediately heels, his sensory perception improves, and now he can control how humidity affects him. He spends a day trying to repair the scout and then leaves for a day walking trip. He meets another group of seal-people. They seem more advanced than the first ones. Kaiser sleeps in a tent and, in the morning, swims with the natives until one of them starts playfully drowning him. He comes back to his ship and realizes that his physical strength has improved. Kaiser manages to partially fix the metal bottom and report the events of the day to the mothership. They tell him that the natives probably have the symbiote and then order him to repair the ship as soon as possible. In the morning, they repeat that he needs to leave very soon, which puzzles Kaiser. The captain sends an angry message with the order to finish repairing the scout. Kaiser goes to the river and takes the communicator with him. The natives look almost human-like now and use syllabism. A female native invites him to the river, but Kaiser hears that the communicator received a message. He walks back and reads that the team has a suspicion the symbiote can alter Kaiser’s mind. The second group of seal-people was not more advanced - he just became more like them. The man destroys the communicator and follows the girl to the river. ", "Kaiser is busy trying to figure out the strange communication from the tape in his hand, but he is also annoyed by the rainy climate outside. He tries to think back to the baby talk but finds it hard to even remember what he was doing here. Kaiser knows that he has to repair the scout ship, or else he will be stuck here forever. The mothership, Soscites II, has set itself into orbit around the Big Muddy ship, which is why he only has a month to repair the ship. The message he sends from himself is about the seal-people and repairing the scout ship, and the ship responds with a message about how this information has been given to Sam. He responds with a list of his symptoms, and the ship asks for more information. Kaiser wonders why some of his messages are sending in baby talk, but the ship says that everything is perfectly legible. However, after the last message, he does feel better and sends another one to the ship for more information. Kaiser dreams about his wife Helene and their loveless marriage, waking up in a cold sweat an hour later. He decides to go outside, observing how the octopus part of the scout ship is busy sending everything to the mothership. Kaiser goes to visit the seal-people again, and they chirp when he comes close. Some of the seal-people come up to him, but the smell of fish is too much for him to bear. He finds that they are a mindless lot and decides to explore the round domes. For the rest of the day, Kaiser tries to figure out how to fix his scout ship because the Soscites II sent little to no help. The ship tells him that he has been invaded by a symbiote, but it is not dangerous because the symbiote will die with Kaiser if he dies. It also explains the baby talk, as the symbiote was trying to give him what it thought he needed. It is revealed the crew does not like him much because he is intelligent and not prone to mistakes. Later, he accepts that he will live with the symbiote and goes to observe the seal-people again. This new group seems more advanced than the other, and they even give him seaweed as a gesture of friendship. Kaiser goes to swim the next day, and the locals are extremely friendly as they try to play with him in the water. When he goes back to his ship, he finds equipment and begins to put work into repairing the scout. The mothership sends him messages to come back, but they deliberately conceal information. He also finds out that the seal-people are becoming more human like now, and a female even stays to watch him repair. During his last communication with the ship, he smashes the communicator and joins the female as they run to the river bank to play. ", "This story follows Kaiser in his scout ship as he is grounded upon Big Muddy. He is temporarily separated from his mother ship, Soscites II, as the mothership takes an orbit around the planet. Kaiser is grounded because his scout is broken, and he does not have the appropriate equipment to fix it. \n\nIn his communications log with the mother ship, it is revealed that Kaiser had fallen ill. After he recovered, he took a trip to observe the seal-people. They had been swimming and eating by the river bank and paused in curiosity as Kaiser approached. Alongside the riverbank lay a few hundred dwellings - round domes built with mud bricks. \n\nUpon receiving more information from the ship, Kaiser and the crew find out that the symbiote is harmless to humans. Any of his prior illnesses was perhaps the symbiote adjusting his body to the new environment and correcting any subsequent mistakes it may have made. In addition, the symbiote can only know what Kaiser wants by reading his mind. At this theory, the crew urged Kaiser to perform his own tests to see if it was true. He tested this theory by changing his body temperature and checking that the room temperature stayed the same, and confirmed it to be true. \n\nKaiser then took another trip, hoping to find more intelligent natives. He found a group of seal-people that seemed more intelligence in their actions and has less of an odor to them. The next morning, he went swimming with the seal-people and they crowded around him in a friendly manner. However, their overeagerness to play nearly caused Kaiser to drown, and so he headed back to the scout. There, he accidentally turned a sled and found the equipment. He was able to concentrate and fix part of the scout using his mind and tools. As he sent off the news to the ship, he read his messages. \n\nIt appears that Big Muddy undergoes two drastic seasonal changes - extreme moisture and aridity. As a result, the seal-people must be able to physically adapt in order to survive. SS II informs Kaiser that it is due to the natives also having symbiosis, and that all efforts should be devoted to fixing the scout and returning home. Though noting the urgency behind the messages, Kaiser still chose to take another trip to the river banks. This time, he noticed that the seal-people looked almost human and he could detect syllabism in their speech. \n\nIn a frantic last message from the ship, Kaiser learned that the symbiotes have already begun altering Kaiser in more sinister ways. His perceptions on finding seal-peole becoming more intelligent and human-like wasn't actually because of that, but because he himself was becoming more seal-like. The symbiote is able to alter his mind and physical state, and already has. After reading the message, Kaiser picked up a rock to destroy the device, and happily returned to the girl on river bank and they swam in the water. ", "The story follows Kaiser, a human who gets stranded on a new planet. He is a part of a space expedition, and after his ship crash lands he only has one month to fix his scout ship and return to the large ship. He can communicate with the large ship using a typing system, and it is revealed that he has been communicating with the crew because he had been feeling sick. Kaiser also interacted with the natives of the planet, which are described to be seal-people. The ship’s doctor informed Kaiser that his symptoms most likely come from a symbiote which inhabited his body, but that there is no reason for concern, as the symbiotic relationship can help both the symbiote and Kaiser. Kaiser struggled with this news for a while, but then realized that it could be a good thing. The symbiote allowed Kaiser to control his feelings better, and even helped him physically. Kaiser then went on a journey to a new village of the natives in order to search for tools that could help him repair the ship. Here, he interacted very well with the natives, and felt happy doing so. After coming back, he realized that the symbiote was giving him extra strength and managed to repair the ship. When the ship told him to immediately come back, he started to doubt his desire to go back. He went back to the original village of the seal-people, taking with him a transportable communication device. He seemed to be very happy with the seal-people, having fun and interacting with females. The ship sent him a message telling him that there is a lot of urgency in his order for Kaiser to go up, as the symbiote was adapting his body and mind to the planet. Kaiser responded to this message by breaking the communication device and going back to the river with the seal-people. " ]	51398	"Well," he said, "before you kill me, tell me about the book." He held it up for Maota to see. "What about the book?" "What kind of book is it?" "What does Mr. Earthgod mean, what kind of book? You have seen it. It is like any other book, except for the material and the fact that it talks." "No, no. I mean, what's in it?" "Poetry." "Poetry? For God's sake, why poetry? Why not mathematics or history? Why not tell how to make the metal of the book itself? Now there is a subject worthy of a book." Maota events of the day before dropping off to sleep. The troublesome Sally. The strange dream world of Armagon. The visit to the barber shop. The removal of Brundage's body. The conversations with the townspeople. Dawes' suspicious attitude ... Then sleep came. He was flanked by marble pillars, thrusting towards a high-domed ceiling. The room stretched long and wide before him, the walls bedecked in stunning purple draperies. He whirled at the sound of footsteps, echoing stridently on the stone floor. Someone was running towards him. It was Sally, pigtails streaming out behind her, the small body wearing a flowing white enemy city of Grath was beautiful. Perhaps she would love him for helping to rescue her and come willingly with him to Konto. "I will help you, stranger," he agreed. "Then tell me of the Skull, and of the priests, and of the prison where Tholon Sarna is held." The slave's fingers flew. "All the young female slaves are caged together in the pit beneath the Skull. When the sun is directly overhead the High Priest will choose one of them for sacrifice to mighty Uzdon, most potent of all gods. And with the dawning of the next day the aunts tell me I was born there in the middle of the war." "What war?" he asked startledly, spilling some lemonade. "The World War, of course. What's the matter?" Jack Barr was staring down at the spilled lemonade and feeling a kind of terror he'd never experienced in his waking life. Nothing around him had changed. He could still feel the same hot sun on his shoulders, the same icy glass in his hand, scent the same lemon-acid odor in his nostrils. He could still hear the faint chop-chop of the waves. And yet everything had changed, gone dark and tightening of the man's shoulder muscles that his presence was known. He looked down and saw that his feet made clear-cut depressions in the soft rich soil of the field. "Continue to work," he said to the young man. "Do not be too surprised at what I am about to tell you, Rold." He paused and watched the golden man's rather stupid face intently. "I am not a Misty One," Noork said. "I killed the owner of this strange garment I wear yesterday on the mainland. I have come to rescue the girl, Tholon Sarna, of whom you spoke." Rold's
Who is Tony Carmen and what happens to him in the story?	After carefully reading the provided chunks, write a detailed response to the following question about The Expendables by Jim Harmon. Relevant chunks: immense value on the nature of time and space. As it is, I feel that it is a miscarriage of justice to hold me in connection with the murders I am sure Tony Carmen did commit. I hope this personal account when published will end the vicious story supported by the district attorney that it was I who sought Tony Carmen out and offered to dispose of his enemies and that I sought his financial backing for the exploitation of my invention. This is the true, and only true, account of the development of the machine known as the Expendable. Carmen said, "without no corpus delecti ." "The body of the crime remains without the body of the victim," I remembered from my early Ellery Queen training. "You're talking too much, Professor," Tony suggested. "Remember, you did it with your machine." "Yes," I said at length. "And why are we standing here letting those machines sit there?" There were two small items of interest to me in the Times the following morning. One two-inch story—barely making page one because of a hole to fill at the bottom of an account of the number of victims of Indian summer heat prostration—told consumes the excess energy in our planetary potential." The agent of the AEC whose name I can never remember was present along with Tony Carmen the night my assistants finished with the work I had outlined. While it was midnight outside, the fluorescents made the scene more visible than sunlight. My Disexpendable was a medium-sized drum in a tripod frame with an unturned coolie's hat at the bottom. Breathlessly, I closed the switch and the scooped disc began slowly to revolve. "Is it my imagination," the agent asked, "or is it getting cooler in here?" "Professor." Carmen gave me a THE EXPENDABLES BY JIM HARMON It was just a little black box, useful for getting rid of things. Trouble was, it worked too well! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, May 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "You see my problem, Professor?" Tony Carmen held his pinkly manicured, flashily ringed hands wide. I saw his problem and it was warmly embarrassing. "Really, Mr. Carmen," I said, "this isn't the sort of thing you discuss with a total stranger. I'm not a doctor—not of for now. Where are these bodies going? I don't want them winding up in the D.A.'s bathtub." "Why not? How could they trace them back to you?" "You're the scientist," Tony said hotly. "I got great respect for those crime lab boys. Maybe the stiff got some of my exclusive brand of talc on it, I don't know." "Listen here, Carmen," I said, "what makes you think these bodies are going somewhere? Think of it only as a kind of—incinerator." "Not on your life, Professor. The gadget don't get hot so how can it burn? It don't use enough electricity Question: Who is Tony Carmen and what happens to him in the story? Answer:	[ "Tony Carmen is a racketeer who threatens Professor Venetti to invent the machine to decompose corpses without leaving any traces. He is also a criminal who does not care about killing people, so he orders Professor Venetti to conduct the machine to wipe off the warehouse and the people inside. It is also implied that he kills the corpse he wants to get rid of. When he receives the machine Professor Venetti creates, he gives it to his subordinates and lets them modify it. He takes Professor Venetti to the place where they try the machine's function. He has many connections to business, the mafia, and the news, and he knows how to make profits by manipulating the business work behind the scene. When he realizes how much profit the machine can make after seeing its effects, he persuades Professor Venetti to collaborate with him. He leaks the information through the newspaper to attract the business corporates’ attention. When the agent from Atomic Energy Commission informs the harmful consequences of the machine, he strongly disagrees with the ban on the manufacture and the selling of the device. When Professor Venetti turns on the reverse machine, Tony is panicked, and he shouts to order the professor to turn off the engine.", "Tony Carmen is one of the near-mafia criminals. At the beginning, he asks a scientist called Venetti, who works in the secret radioactive wastes disposal project, to come up with a mechanism that could help Tony get rid of the bodies Harry Keno leaves at his place. Soon the professor says that he created a mechanism that works like an incinerator but with no traces. Tony tries to understand where the bodies would go after disappearing in this machine. Venetti honestly says that he doesn’t know where they end up: it might be the past, the future, or another dimension. He also explains that the probability of finding these bodies is small, and Tony accepts this. Carmen also mentions that they could mass-produce these machines, which Venetti finds impractical. Tony calls it an Expendable and decides to test it. He asks his friend to halve the unit to cover the area of Harry Keno’s warehouse. When the professor turns it on, the building disappears, wiping out its inhabitants - Keno and his intimates - too. Tony starts leaking information about the mechanism to intrigue potential buyers, for example, ordering a small article in the Times. Soon he gets an offer from Arcivox - a manufacturer of radio and TV sets. Tony persuades the professor to sell the potent and control the manufacturing through a separate company. Their business grows fast. Months later, Tony learns that some government officials are going to come to them. He gets into Venetti’s office seconds before the AEC man shows up at the door. Tony starts threatening the officer but gets a witty comeback and then keeps silent. They hear that the government scientist learned that the energy the expendables seemingly destroyed has been turning into heat energy, increasing the mean temperature of Earth and leading to a climate catastrophe. Venetti proposes creating an engine that could use the excess energy by reversing the expendable mechanism. When they switch the engine on, Tony screams to the professor to turn the mechanism off, but the body of Harry Keno appears quickly. They both are under investigation. ", "Tony Carmen is a member of the Italian mob who approaches Venetti. Tony is in desperate need of a machine to get rid of bodies. He believes that Venetti could create this device. When Venetti does create it, Tony convinces him to partner with him and start selling them commercially. Tony believes that there is a big space in the market for people to buy them. After he uses the machine to get rid of some men who were messing with his business. At the end, both Tony and Venetti are put on trial. ", "Tony Carmen is a stranger who approaches Professor Venetti, claiming that he knows the Mafia. He threatens Venetti into helping him with his potential new invention. Carmen is in need of assistance to get rid of dead bodies he has. Venetti is currently working on a secret project with the government to create an innovation that would get rid of radioactive waste. Tony manages to make Venetti agree to help him by threatening him. When Venetti comes up with a machine, “the Expendable,” which he took unusual risks to create, they go test it together on a wide, empty lawn. Tony’s demeanor changes as he becomes more aggressive and makes the bodies, which is hinted that he actually murdered, disappear through the machine. He lures the professor to launch the machine on the market and helps him when a large corporation approaches them. As their business booms, they are approached by the Atomic Energy Commission which explains that their machines have been raising Earth’s temperature and need to be stopped. The professor explains that customer behavior will be hard to change and instead creates “Disexpendables” which does the opposite effect. Tony is very much against this and when put to use, the bodies he hid all come back. This allows the professor to restore justice by disproving the narrative that Tony was creating in which lawyers claimed that the professor approached Tony, suggesting to help him get rid of his enemies in exchange for financial backing for his innovation.\n" ]	61171	immense value on the nature of time and space. As it is, I feel that it is a miscarriage of justice to hold me in connection with the murders I am sure Tony Carmen did commit. I hope this personal account when published will end the vicious story supported by the district attorney that it was I who sought Tony Carmen out and offered to dispose of his enemies and that I sought his financial backing for the exploitation of my invention. This is the true, and only true, account of the development of the machine known as the Expendable. Carmen said, "without no corpus delecti ." "The body of the crime remains without the body of the victim," I remembered from my early Ellery Queen training. "You're talking too much, Professor," Tony suggested. "Remember, you did it with your machine." "Yes," I said at length. "And why are we standing here letting those machines sit there?" There were two small items of interest to me in the Times the following morning. One two-inch story—barely making page one because of a hole to fill at the bottom of an account of the number of victims of Indian summer heat prostration—told consumes the excess energy in our planetary potential." The agent of the AEC whose name I can never remember was present along with Tony Carmen the night my assistants finished with the work I had outlined. While it was midnight outside, the fluorescents made the scene more visible than sunlight. My Disexpendable was a medium-sized drum in a tripod frame with an unturned coolie's hat at the bottom. Breathlessly, I closed the switch and the scooped disc began slowly to revolve. "Is it my imagination," the agent asked, "or is it getting cooler in here?" "Professor." Carmen gave me a THE EXPENDABLES BY JIM HARMON It was just a little black box, useful for getting rid of things. Trouble was, it worked too well! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, May 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "You see my problem, Professor?" Tony Carmen held his pinkly manicured, flashily ringed hands wide. I saw his problem and it was warmly embarrassing. "Really, Mr. Carmen," I said, "this isn't the sort of thing you discuss with a total stranger. I'm not a doctor—not of for now. Where are these bodies going? I don't want them winding up in the D.A.'s bathtub." "Why not? How could they trace them back to you?" "You're the scientist," Tony said hotly. "I got great respect for those crime lab boys. Maybe the stiff got some of my exclusive brand of talc on it, I don't know." "Listen here, Carmen," I said, "what makes you think these bodies are going somewhere? Think of it only as a kind of—incinerator." "Not on your life, Professor. The gadget don't get hot so how can it burn? It don't use enough electricity
Who is Mackenzie, and what happens to him?	After carefully reading the provided chunks, write a detailed response to the following question about Desire No More by Algis Budrys. Relevant chunks: MacKenzie said softly. "I wish I did." Ish slammed the door behind him. He stood in the corridor, jamming a fresh cigarette in his mouth. He threw a glance at his watch. Twelve hours, twenty-two minutes, and four days to go. Damn! He was late for the briefing. Odd—that fool psychiatrist hadn't seemed to take up that much of his time. He shrugged. What difference did it make? As he strode down the hall, he lost his momentary puzzlement under the flood of realization that nothing could stop him now, that the last hurdle was beaten. He was going. He all before; you'd been there." He was past emotions. "Yeah?" "We couldn't take the chance." MacKenzie was trying desperately to explain. "You were the best there was—but you'd done something to yourself by becoming the best. You shut yourself off from your family. You had no close friends, no women. You had no other interests. You were a rocket pilot—nothing else. You've never read an adult book that wasn't a text; you've never listened to a symphony except by accident. You don't know Rembrandt from Norman Rockwell. Nothing. No ties, no props, nothing to sustain you if something went wrong. Ish answered him truthfully, without more than ordinary reservations. This was the man who could ground him He was dangerous—red-letter dangerous—because of it. "No family." Ish shrugged. "Not that I know of. Cut out at seventeen. My father was making good money. He had a pension plan, insurance policies. No need to worry about them." Ish knew the normal reaction a statement like that should have brought. MacKenzie's face did not go into a blank of repression—but it still passed no judgements. "How's things between you and the opposite sex?" "About normal." "No wife—no steady girl." "Not a very good voices, a tumult of congratulations. He looked at it all, dead-faced, his eyes empty. "It was easy," he said over a world-wide network, and pushed the press representatives out of his way. MacKENZIE was waiting for him in the crew section. Ish flicked his stolid eyes at him, shrugged, and stripped out of his clothes. He pulled a coverall out of a locker and climbed into it, then went over to his bunk and lay down on his side, facing the bulkhead. "Ish." It was MacKenzie, bending over him. Ish grunted. "It wasn't any good was it? You'd done it idea, in my racket." MacKenzie grunted. Suddenly, he sat bolt upright in his chair, and swung toward Ish. His lean arm shot out, and his index finger was aimed between Isherwood's eyes. "You can't go!" Ish was on his feet, his fists clenched, the blood throbbing in his temple veins. "What!" he roared. MacKenzie seemed to collapse in his chair. The brief commanding burst was over, and his face was apologetic, "Sorry," he said. He seemed genuinely abashed. "Shotgun therapy. Works best, sometimes. You can go, all right; I just wanted to get a fast check on your reactions and Question: Who is Mackenzie, and what happens to him? Answer:	[ "Mackenzie is an army therapist who first meets Martin when he is asked to vet him before he goes on a trip for the airforce. Mackenzie tries to test Martin a lot, but ends up clearing him and allowing him to fly. At the end, it is also Mackenzie who tells Martin what had actually happened to him, and that what he thought was a routine trip was in fact Martin’s first trip to the moon. Mackenzie struggles with telling Martin this, but ends up doing it. This news ends up hurting Martin mentally, and it is insinuated that Martin holds a grudge forever against Mackenzie.", "MacKenzie is the therapist who Ish meets after the Flight Surgeon introduces him as a big gun in the head-thumping racket. MacKenzie specializes in shock therapy, and he starts off by asking Ish a lot about his life. He asks Ish questions such as whether he has any families or a woman; this is done in order to build a basic profile of the other man. MacKenzie is noted to be taking any notes, instead preferring to record their conversation with his portable tape-recorder. MacKenzie also administers shotgun therapy on Ish, which he does not realize the effects of until later. MacKenzie does not appear again until Ish is at the station, where he reveals that he hypnotized Ish in order to bring him back. He reveals that everything Ish felt about death and the moon is not real in order to not have him completely lost to the idea of being a rocket pilot. ", "Mackenzie is a psychiatrist who is sent to Martin by the Air Force. The Flight Surgeon lets him into the room where Martin is sitting. The psychiatrist asks Martin several questions about his previous jobs at the airports near Miami, his family, and a possible girlfriend. Then he unexpectedly tells Martin that he can’t go to space which causes an immediate aggressive reaction from the pilot. Mackenzie apologizes and explains that he just decided to use shotgun therapy to check Martin’s reactions and drives. The doctor feels embarrassed. Then at some point, Mackenzie hypnotizes Martin, making him believe that he has already been to the Moon. When Martin comes back from the flight, the doctor tells him the truth, claiming that it was the only way to make sure that Martin comes back and doesn’t go farther. ", "MacKenzie is a psychiatrist. He meets Martin Isherwood when the flight surgeon tells Martin to meet him. MacKenzie asks Martin several questions but does not pay special attention to his answers. He has a portable tape recorder under his lapel. His face always has no judgments whenever Ish responds to his questions. He wears a tailored suit. He is skinny. His hair is washed-out. At the end of his conversation with Ish, he suddenly commands Ish, making Ish angry. It turns out that it is some therapy, and MacKenzie is embarrassed. MacKenzie hypnotizes Ish. When Ish wakes up from the hallucination, MacKenzie tells him the truth." ]	40968	MacKenzie said softly. "I wish I did." Ish slammed the door behind him. He stood in the corridor, jamming a fresh cigarette in his mouth. He threw a glance at his watch. Twelve hours, twenty-two minutes, and four days to go. Damn! He was late for the briefing. Odd—that fool psychiatrist hadn't seemed to take up that much of his time. He shrugged. What difference did it make? As he strode down the hall, he lost his momentary puzzlement under the flood of realization that nothing could stop him now, that the last hurdle was beaten. He was going. He all before; you'd been there." He was past emotions. "Yeah?" "We couldn't take the chance." MacKenzie was trying desperately to explain. "You were the best there was—but you'd done something to yourself by becoming the best. You shut yourself off from your family. You had no close friends, no women. You had no other interests. You were a rocket pilot—nothing else. You've never read an adult book that wasn't a text; you've never listened to a symphony except by accident. You don't know Rembrandt from Norman Rockwell. Nothing. No ties, no props, nothing to sustain you if something went wrong. Ish answered him truthfully, without more than ordinary reservations. This was the man who could ground him He was dangerous—red-letter dangerous—because of it. "No family." Ish shrugged. "Not that I know of. Cut out at seventeen. My father was making good money. He had a pension plan, insurance policies. No need to worry about them." Ish knew the normal reaction a statement like that should have brought. MacKenzie's face did not go into a blank of repression—but it still passed no judgements. "How's things between you and the opposite sex?" "About normal." "No wife—no steady girl." "Not a very good voices, a tumult of congratulations. He looked at it all, dead-faced, his eyes empty. "It was easy," he said over a world-wide network, and pushed the press representatives out of his way. MacKENZIE was waiting for him in the crew section. Ish flicked his stolid eyes at him, shrugged, and stripped out of his clothes. He pulled a coverall out of a locker and climbed into it, then went over to his bunk and lay down on his side, facing the bulkhead. "Ish." It was MacKenzie, bending over him. Ish grunted. "It wasn't any good was it? You'd done it idea, in my racket." MacKenzie grunted. Suddenly, he sat bolt upright in his chair, and swung toward Ish. His lean arm shot out, and his index finger was aimed between Isherwood's eyes. "You can't go!" Ish was on his feet, his fists clenched, the blood throbbing in his temple veins. "What!" he roared. MacKenzie seemed to collapse in his chair. The brief commanding burst was over, and his face was apologetic, "Sorry," he said. He seemed genuinely abashed. "Shotgun therapy. Works best, sometimes. You can go, all right; I just wanted to get a fast check on your reactions and
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about Control Group by Roger D. Aycock. Relevant chunks: of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny What is POSAT? By PHYLLIS STERLING SMITH Illustrated by ED ALEXANDER [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Of course coming events cast their shadows before, but this shadow was 400 years long! The following advertisement appeared in the July 1953 issue of several magazines: MASTERY OF ALL KNOWLEDGE CAN BE YOURS! What is the secret source of those profound principles that can solve the problems of life? Send for our FREE booklet of explanation. Do not be a mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. 10:30." The following evening found Quidley on tenter-hooks. The snoll-doper mystery had acquired a new tang. He could hardly wait till the next message transfer took place. He decided to spend the evening plotting the epic novel which he intended to write someday. He set to work immediately. He plotted mentally, of course—notes were for the hacks and the other commercial non-geniuses who infested the modern literary world. Closing his eyes, he saw the whole vivid panorama of epic action and grand adventure flowing like a mighty and majestic river before his literary vision: the authentic and awe-inspiring background; the the corner he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze. From the telephone pole in front of the police station, something large and shapeless hung. It moved a little with the wind. What the hell was it? Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly. The light was bad; he couldn't tell what it was. Question: What is the plot of the story? Answer:	[ "The story is set in the fourth millennium, and humans have invented a technology - the Ringwave propulsion-communication principle - that allows them to explore the neighboring cosmic systems. In the past, they were invaded by an alien species called Hymenops, or the Bees, who enslaved Terrans, and tried to colonize other planets but unexpectedly left years later. The crew members of the spaceship Marco Four are on a mission looking for the slave colonies that were abandoned by the Bees. Farrell, the navigator, is arguing with captain Stryker, Gibson - an engineer - and Xavier, the ship’s mechanic, and is trying to convince them to land on Alphard Six and claiming the planet is not inhabited. Stryker reminds him about the importance of vigilance on unexplored territories and tells Farrell to find a reconnaissance spiral. Something resembling an atomic torpedo explodes near the ship, rocking it. Later, the crew starts discussing who can possibly live on Alphard Six. They know that in the year 3000, there was no one on the planet. The ones who attacked them might be the Hymenopes or some Terrans enslaved by them, or even an unknown alien culture. The screen shows a town with a thousand buildings and a prehistoric ship with rocket propulsion. This ship seems to be eleven hundred years old, which is puzzling. This atomic-powered spaceship neither could’ve been constructed here nor could it have successfully traveled for hundreds of years. The area around Alphard Six was guarded by the Bees for several hundred years. So, it would be impossible for this ancient Terran ship to land on the planet without being detected by them. Farrell interrupts the discussion and suggests they go down and look. He gets on a helihopper, and Xavier quickly disappears in his scouter. The two other crew members left on the ship say that they just detected an electromagnetic vibration. Farrell notices a bonfire near the town. He is ready to report it when his helihopper suddenly jerks, a flare of electric discharge blinds him, and Farrell loses consciousness. He wakes up in an infirmary. A doctor speaks in unintelligible words and gestures to Farrell to follow him. While walking through the corridors of the ancient ship, he notices Xavier’s scouter, and later the Marco Four. Shocked, Farrell rapidly plunges inside the spaceship, and it darts up when suddenly Stryker appears from the sleeping cubicle and orders him to fly back. Gibson explains that Farrell piloted his helihopper into power lines and crashed. The Alphardians tried to communicate with the crew using an electromagnetic wave language and never attacked them. The Bees made the ancestors of these people believe that they were the descendants of an Earth expedition that perished a thousand years ago. The Alphardians don’t even know the Hymenops. Apparently, the Bees wanted to monitor the human species in a natural habitat. But they never understood human logic and after all, left all their colonies. ", "Navigator Arthur Farrell is considered the youngest and most impulsive of the three-man Terran Reclamations crew. The crew has gone to the Alphard Six, which has a cool green disk. The other members of the crew are Stryker, Gibson, and Xavier. Stryker berates Farrell and begins citing the Reclamations Handbook about the rules regarding unreclaimed worlds. Farrell argues that it was never colonized, while Gibson looks up from his chess game and says there is no point in taking a chance of not encountering any of the Hymenops. Farrell says that they will never see a Hymenop, but Stryker says that he fought them for the better half of the century and still does not understand how they behave. They decide to find a reconnaissance spiral, despite Farrell grumbling. They examine whether anything is damaged on the Marco Four, after an explosion, and find that the only component that requires fixing is the Zero Transfer computer. Gibson explains that they cannot be Hymenops since the Bees put their faith in Ringwave energy fields. Although Stryker proposes colonists migrating from somewhere else, Gibson explains that it is impossible for the human slaves of the Hymenops to develop interstellar travel in four generations. Farrell volunteers to go down for the field work; Xavier announces that the planet is uninhabited except for a large island. There is a central city with a thousand buildings, and Farrell is relieved they are human. The power the people use runs on continuous fission, which surprises everyone. It is quite surprising for the crew to see an eleven-hundred year old Terran ship land on the planet. Stryker explains to Farrell that it had to be flown here because there are no materials on Alphard Six to create it. Gibson believes that the ship was built during the Twenty-second century, even though the atomic wars destroyed all historical records. Farrell decides that the only way is to go down and see for themselves. Xavier picks up an electromagnetic vibration pattern, and Farrell reports that he is passing over a hamlet nearest to the city. Suddenly, he is hit by an electric discharge and wakes up in an infirmary. A man comes and takes him out, despite speaking a different language, and he realizes that one of the old ventures had actually succeeded. He sees that the Marco Four has been grounded too and runs to the ship before pushing some controls to take off again. Stryker brings the ship down again, and Farrell is shocked because he thought they were shot down. It turns out that the Alphardians had been trying to send a distress signal. Gibson further explains that they had come from one of the first Bee colonies and were led to believe that their ship missed Sirius; however, the colonists are excited to enjoy assimilation. Although the Bees tried to set up the experiment to understand humans, the invaders failed at truly understanding them. ", "This story follows a Terran Reclamations crew aboard the Marco Four as they search for Terran colonies previously enslaved and since abandoned by the Bees. As they travel around, a sudden atomic fire hits the ship and the crew hurry to figure out where it had come from and who potentially caused it. Debating between Hymenops, resurgent colonists, trans-Alphardians, or even a joint hallucination, the crew decide to investigate further. Xavier, the mechanical, surveys the planet and finds the landscape to be Terran, though with primitive technology at best. These findings leave them more confused than before, as they then debate how an eleven hundred years old ship could be there. \n\nDeciding then to investigate first-hand and see, Farrell goes into the helihopper and enters the colony. Just as Gibson encourages to go forward as it seems like the colony is communicating with them, Farrell crashes into an electrical line and falls unconscious. As he wakes up, Farrell is met by an unfamiliar medic and follows him out to a well-formed colony, marvelling at the presumed success of old ventures. However, he panics when he sees the Marco Four grounded and presumes his crewmates are in danger, and so he hurriedly rushes onboard and puts it in flight. Stryker stumbles out and takes them back down as Gibson quickly explains to Farrell the situation. It turns out that there is no danger at hand - the crash that landed Farrell unconscious was just an electrical line for the colony's hamlets. The colony, the Alphardians, are friendly and excited to be found. Although using Terran architecture and technology, these Alphardians were experimental human subjects by the Hymenops and observed by the Bees. The Bees chose to abandon their control colony when the Alphardians didn't show much - much like the old tale of Terrans not understanding alien culture either. In the end, the Alphardians are excited to assimilate into Terran colonists. ", "A Terran Reclamation crew arrives Alphard Six to find Terran colonies enslaved and abandoned by the Bees, or Hymenops, an alien species who retreated a hundred years ago. When the youngest navigator, Farrell, attempts to planetfall without scouting the planet, the captain, Stryker, reminds him of the possible danger of the planet and the necessity of reconnaissance. After arguing with other crew members, Farrell finally accepts to scout the unobserved world first. However, they are suddenly attacked by a thing rising from the land below. After the examination, Gibson, the engineer, announces that the only damage is Zero Interval Transfer Computer, used to operate the Transfer jump in space. The repairing time takes a couple of hours. Stryker worries about the possible attack during the repairing time, so they dispute the potential situation of the planet, and none of the hypotheses, such as the Hymenops’ colorizations, Earthmen’s ancient colonization, or the resurgent Terran colonization, hold based on technological development. Stryker concludes that they have to investigate the land themselves. Farrell volunteers to be the one. They see the ground through magnoscanner, finding a damaged spaceship that served as a power supply with the prehistoric technology, namely atomic fission. According to Gibson, the atomic-powered ship was no longer built after the atomic wars in the twenty-second century; the damaged ship must either be flown or be built on the planet. His hypothesis is rejected by Stryker and Farrell based on the impossibility of the long-range travel capability of the atomic-powered spaceship. They continue their endless debate until Farrell takes the helihopper to investigate. Xavier, the mechanic, uses his drone to scout ahead of Farrell, but soon the scouter is detected by the people on the planet. They try to communicate with them with the electron beam. When Farrell reaches the end of the forest, entering the fields, he is suddenly struck and passes out. When he wakes up, he is in an infirmary; an anachronistic man comes in. He talks and gestures unintelligibly, but Farrell follows him out, seeing Xavier’s scouter with port open. When Farrell follows the man, he sees Marco Four landed with the port open. Held by the guess that these people may possess higher technology and capture all of them, Farrell rushes into Marco Four, closes the port, and rises. Stryker appears and comes to him with bewilderment, driving the spaceship to land again. It is later explained that Hymenops take these people as the experimental object. The damaged ship was an expedition ship, which failed its duty. Hymenops found its derelict during their invasion and colonization of Terran planets. They put these people on the planet, made them believe that their ancestors were the crewmembers of the damaged ship, and conducted this experiment as a control group, compared to other experiments on other planets." ]	24949	of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny What is POSAT? By PHYLLIS STERLING SMITH Illustrated by ED ALEXANDER [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Of course coming events cast their shadows before, but this shadow was 400 years long! The following advertisement appeared in the July 1953 issue of several magazines: MASTERY OF ALL KNOWLEDGE CAN BE YOURS! What is the secret source of those profound principles that can solve the problems of life? Send for our FREE booklet of explanation. Do not be a mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. 10:30." The following evening found Quidley on tenter-hooks. The snoll-doper mystery had acquired a new tang. He could hardly wait till the next message transfer took place. He decided to spend the evening plotting the epic novel which he intended to write someday. He set to work immediately. He plotted mentally, of course—notes were for the hacks and the other commercial non-geniuses who infested the modern literary world. Closing his eyes, he saw the whole vivid panorama of epic action and grand adventure flowing like a mighty and majestic river before his literary vision: the authentic and awe-inspiring background; the the corner he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze. From the telephone pole in front of the police station, something large and shapeless hung. It moved a little with the wind. What the hell was it? Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly. The light was bad; he couldn't tell what it was.
What is the relationship between Jon Karyl and his Steel-Blue (the one that he initially meets)?	After carefully reading the provided chunks, write a detailed response to the following question about Acid Bath by Bill Garson. Relevant chunks: seemed all right and tried to lever himself to an upright position. Damn it, he seemed as if he were paralyzed from the waist down. But it couldn't happen that suddenly. He turned his head. A Steel-Blue stood facing him. A forked tentacle held a square black box. Jon could read nothing in that metallic face. He said, voice muffled by the confines of the plastic helmet, "Who are you?" "I am"—there was a rising inflection in the answer—"a Steel-Blue." There were no lips on the Steel-Blue's face to move. "That is what I have named you," Jon Karyl said. another Steel-Blue voice said: "He is a soft-metal creature, made up of metals that melt at a very low temperature. He also contains a liquid whose makeup I cannot ascertain by ray-probe. Bring him back when the torture is done." Jon Karyl grinned a trifle wryly. What kind of torture could this be? Would it last 21 days? He glanced at the chronometer on his wrist. Jon's Steel-Blue led him out of the alien ship and halted expectantly just outside the ship's lock. Jon Karyl waited, too. He thought of the stubray pistol holstered at his hip. Shoot my way "But what are you?" "A robot," came the immediate answer. Jon was quite sure then that the Steel-Blue was telepathic. "Yes," the Steel-Blue answered. "We talk in the language of the mind. Come!" he said peremptorily, motioning with the square black box. The paralysis left Karyl's legs. He followed the Steel-Blue, aware that the lens he'd seen on the creature's face had a counterpart on the back of the egg-head. Eyes in the back of his head, Jon thought. That's quite an innovation. "Thank you," Steel-Blue said. There wasn't much fear in Jon Karyl's mind. Psychiatrists had proved that when on the lever. With a hiss of escaping air, the lock swung open. Jon Karyl darted inside, the door closing softly behind. At the end of the long tunnel he stepped to the televisor which was fixed on the area surrounding the station. Jon Karyl saw none of the steel-blue creatures. But he saw their ship. It squatted like a smashed-down kid's top, its lock shut tight. He tuned the televisor to its widest range and finally spotted one of the Steel-Blues. He was looking into the stationary rocket engine. As Karyl watched, a second Steel-Blue came crawling out of rapidly repaired the damage he'd done. As he watched them, Jon was still curious, but he was getting mad underneath at the cold egoism of the Steel-Blues. By the shimmering clouds of Earth, by her green fields, and dark forests, he'd stay alive to warn the SP ship. Yes, he'd stay alive till then. And send the story of the Steel-Blues' corrosive acid to it. Then hundreds of Earth's ships could equip themselves with spray guns and squirt citric acid and watch the Steel-Blues fade away. It sounded almost silly to Jon Karyl. The fruit acid of Earth to repel Question: What is the relationship between Jon Karyl and his Steel-Blue (the one that he initially meets)? Answer:	[ "Jon is initially curious about the Steel-Blue that he first meets in the space station. When he notices that it has eyes on the back of its head, it even says “Thank you” to him. It also tells him that its species can read his mind. The Steel-Blue also explains to him that the metal they use at the station is considered to be the softest one from where the Space Blue’s come from. It is not openly hostile towards him, but it does speak almost contemptuously when they go to the examination room. Although his Steel Blue initially did not show much hostility, it does warn him to not even think about contacting the SP ship or using his weapon. However, it does tease him and say that he gets absent-minded at times. When it tells him about the torture, his Blue Steel speaks in an almost-caressing way as well. When Jon breaks out of his tank to find food, his Steel-Blue tells him that it is the first of the creatures that he has met. It commands him to go back to the tank. Although it seems friendly at first, Jon and the Steel-Blue do not have any sort of positive relationship. The Steel-Blue wishes to see him suffer, while Jon wants to survive and get out of the torture room. ", "The relationship between Karyl and his Steel-Blue is a tentative friendship, I would say. Both parties are curious about each other and seem more interested in learning about each other, rather than being vindictive like the No.1 Steel-Blue seems to be. For example, his Steel-Blue thanks Karyl when the latter comments on his innovative eyes on the back on his head. \n\nKaryl converses and interacts with his Steel-Blue the most, both in regards to the incoming SP ship as well as Karyl's apparent absent-mindedness. ", "Jon Karyl, a starways’ Lone Watcher, is in a controlled relationship with the Steel-Blue, an extra-terrestrial robotic creature that he first meets. He is stricken down by the Steel-Blue and taken by it to its spaceship. Jon is the captive and the watched prisoner of the Steel-Blue. When Jon tries to escape from his prison or the torture because of the unbearable hunger, the Steel-Blue forces him to go back and stay in the newly-built smaller igloo. Jon breaks one tentacle of the Steel-Blue by using his stubray pistol when he tries to resist it. The Steel-Blue suppresses Jon by showing the power of its weapon and forces him back to the prison. The relationship between them is superior and inferior, in the sense of being captive. ", "The relationship between Jon and the first steel-blue is that of capturer-victim. The steel-blue manages to break into Jon’s base and captures Jon. After this, Jon uses the steel-blue to understand what the robots are and how they work. They communicate with each other, and Jon doesn’t seem to be afraid of the steel-blue. Jon was very curious about the species, so he didn’t want the robot in order to learn more about them. When Jon escapes from the torture, the same steel-blue captures him again and takes him back. " ]	29159	seemed all right and tried to lever himself to an upright position. Damn it, he seemed as if he were paralyzed from the waist down. But it couldn't happen that suddenly. He turned his head. A Steel-Blue stood facing him. A forked tentacle held a square black box. Jon could read nothing in that metallic face. He said, voice muffled by the confines of the plastic helmet, "Who are you?" "I am"—there was a rising inflection in the answer—"a Steel-Blue." There were no lips on the Steel-Blue's face to move. "That is what I have named you," Jon Karyl said. another Steel-Blue voice said: "He is a soft-metal creature, made up of metals that melt at a very low temperature. He also contains a liquid whose makeup I cannot ascertain by ray-probe. Bring him back when the torture is done." Jon Karyl grinned a trifle wryly. What kind of torture could this be? Would it last 21 days? He glanced at the chronometer on his wrist. Jon's Steel-Blue led him out of the alien ship and halted expectantly just outside the ship's lock. Jon Karyl waited, too. He thought of the stubray pistol holstered at his hip. Shoot my way "But what are you?" "A robot," came the immediate answer. Jon was quite sure then that the Steel-Blue was telepathic. "Yes," the Steel-Blue answered. "We talk in the language of the mind. Come!" he said peremptorily, motioning with the square black box. The paralysis left Karyl's legs. He followed the Steel-Blue, aware that the lens he'd seen on the creature's face had a counterpart on the back of the egg-head. Eyes in the back of his head, Jon thought. That's quite an innovation. "Thank you," Steel-Blue said. There wasn't much fear in Jon Karyl's mind. Psychiatrists had proved that when on the lever. With a hiss of escaping air, the lock swung open. Jon Karyl darted inside, the door closing softly behind. At the end of the long tunnel he stepped to the televisor which was fixed on the area surrounding the station. Jon Karyl saw none of the steel-blue creatures. But he saw their ship. It squatted like a smashed-down kid's top, its lock shut tight. He tuned the televisor to its widest range and finally spotted one of the Steel-Blues. He was looking into the stationary rocket engine. As Karyl watched, a second Steel-Blue came crawling out of rapidly repaired the damage he'd done. As he watched them, Jon was still curious, but he was getting mad underneath at the cold egoism of the Steel-Blues. By the shimmering clouds of Earth, by her green fields, and dark forests, he'd stay alive to warn the SP ship. Yes, he'd stay alive till then. And send the story of the Steel-Blues' corrosive acid to it. Then hundreds of Earth's ships could equip themselves with spray guns and squirt citric acid and watch the Steel-Blues fade away. It sounded almost silly to Jon Karyl. The fruit acid of Earth to repel
Describe the setting of this story.	After carefully reading the provided chunks, write a detailed response to the following question about The Hoofer by Walter M. Miller. Relevant chunks: cream-colored robe which flowed from his back, whipping lightly in the breeze. He wore a brilliant red sash about his middle, and this was matched by a red headdress that came down over his shoulders as a circular mantle. The girl stood several yards distant, watching him. This was some sort of ritual, no doubt. He was not concerned with her, but with the setting sun. Its rays were almost horizontal, knifing through a break in the distant mountain skyline. He went through some routine motions, his moving arms highlighted by the lemon-colored light of evening. The girl approached him. explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, started to rise, the wave of blackness warned me, and I restrained my ambition. "I will walk soon." "We will have much to talk about. Your friend has pointed to the stars and told me a strange story of your coming. We have walked around the ship. He has told me how it rides through the sky. I can hardly make myself believe." Tomboldo's eyes cast upward under the strong ridge of forehead where the eyebrows should have been. He was evidently trying to visualize the flight of a space ship. "We will have much to tell each other." "I for it is the home of spacemen who can never go home again. When your last measure of fuel is burnt and your ship becomes a lifeless hulk—the Ghost will come—for you! And this is all there was to the legend. Merely a tale of some fairy ship told to amuse and to while away the days of a star-voyage. Bitterly, Willard dismissed it from his mind. Another year of loneliness passed. And still another. Willard lost track of the days. It was difficult to keep time for to what purpose could time be kept. Here in space there was HOME IS WHERE YOU LEFT IT By ADAM CHASE [Transcriber Note: This etext was produced from Amazing Stories February 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The chance of mass slaughter was their eternal nightmare. How black is the blackest treachery? Is the most callous traitor entitled to mercy? Steve pondered these questions. His decision? That at times the villain should possibly be spoken of as a hero. Only the shells of deserted mud-brick houses greeted Steve Cantwell when he reached the village. He poked around in them for a Question: Describe the setting of this story. Answer:	[ "This story takes place on Earth. As we are following the protagonist’s journey home, the setting constantly changes in terms of transportation mode and the landscape. First, we can identify the setting as a public bus, where Hogey occupies the back seats of the bus as he falls asleep clutching his gin. Hogey gets off at his stop - Caine’s junction - which is a road junction with just a few farmhouses at the side and a derelict filling station. There is also a ditch, which he promptly stumbles into. The landscape reveals the Great Plains country, with descriptions of the setting being treeless and barren, and instead being full of rolling hills and fields of grass.\n\nTowards the end of the story, the setting changes to the Hauptman’s place where the farmhouse sits off the side of the road with a barbed-wire fence. Within the tall grass of the farmhouse also lies a sloppy heap of sand - concrete. \n", "It is in late August. The first scene is on a bus. After the protagonist gets out of the bus, he sits at a road junction. Along the side of the road, there is gravel. Next to the railroad tracks, a freight building, several farmhouses, and a filling station stand across the road. The land is barren, unwooded, and rolling. The hills around are dusty. There is a ditch along the road, the bottom of which is wet and muddy. The protagonist’s house is about three miles from there. A wheat field and a few trees surround the house. Beyond the ditch next to the road, a tall grass lies. Six miles away to the west, there is a rocket launching station. A narrow path along with the barbed-wire fence leads toward the house. The hedge divides the peach trees from the field inside the fence gap. Some old boards, a shovel and pick, a sand pile, a stack of new lumbers, and a concrete mixer lie on the ground. There is a porch light next to the screen door of the house. ", "The story takes place on Earth. It starts off in a bus, and then it continues to be set in what seems to be a side road off a highway. Hogey is on his way to his house, which is described to be isolated, like a farmhouse. The house is big and has dogs, which make it more similar to a farmhouse. Hogey also remembers his time in space, which was described as a floating station full of tubes and metal machines that continued falling, and the people inside fell with it. The story seems to be set in the future, but it could very well be set only a few from now. ", "The story is set on Earth and on a bus. Hogey initially sits next to a housewife on the bus, but he is moved to the back after. There is a highway near the area where Hogey is dropped off, and he falls into a ditch when the sun goes down. There is a farm road to go into, and a side-road for cars to turn onto. At Hauptman's road, there is a narrow drive that leads to the barbed wire of the farmhouse. There is also a peach tree next to the house, and a porch. Eventually, Hogey gets himself stuck in concrete. There is a pile of wood boards, a careful stack of new lumber, a pick and a shovel, a sand-pile, heaps of freshly-turned earth, and a concrete mixer near the area that his feet are stuck inside of. " ]	29170	cream-colored robe which flowed from his back, whipping lightly in the breeze. He wore a brilliant red sash about his middle, and this was matched by a red headdress that came down over his shoulders as a circular mantle. The girl stood several yards distant, watching him. This was some sort of ritual, no doubt. He was not concerned with her, but with the setting sun. Its rays were almost horizontal, knifing through a break in the distant mountain skyline. He went through some routine motions, his moving arms highlighted by the lemon-colored light of evening. The girl approached him. explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, started to rise, the wave of blackness warned me, and I restrained my ambition. "I will walk soon." "We will have much to talk about. Your friend has pointed to the stars and told me a strange story of your coming. We have walked around the ship. He has told me how it rides through the sky. I can hardly make myself believe." Tomboldo's eyes cast upward under the strong ridge of forehead where the eyebrows should have been. He was evidently trying to visualize the flight of a space ship. "We will have much to tell each other." "I for it is the home of spacemen who can never go home again. When your last measure of fuel is burnt and your ship becomes a lifeless hulk—the Ghost will come—for you! And this is all there was to the legend. Merely a tale of some fairy ship told to amuse and to while away the days of a star-voyage. Bitterly, Willard dismissed it from his mind. Another year of loneliness passed. And still another. Willard lost track of the days. It was difficult to keep time for to what purpose could time be kept. Here in space there was HOME IS WHERE YOU LEFT IT By ADAM CHASE [Transcriber Note: This etext was produced from Amazing Stories February 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The chance of mass slaughter was their eternal nightmare. How black is the blackest treachery? Is the most callous traitor entitled to mercy? Steve pondered these questions. His decision? That at times the villain should possibly be spoken of as a hero. Only the shells of deserted mud-brick houses greeted Steve Cantwell when he reached the village. He poked around in them for a
What is the setting of the story?	After carefully reading the provided chunks, write a detailed response to the following question about The Hanging Stranger by Philip K. Dick. Relevant chunks: mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny edge, and birds as delicate as colored glass wavered down the wind. He opened the shelter door and went out. The shelter looked the same, but useless now. How did the shelter of that bleak world get into this one, where the air was warm and fragrant, where there was no cold, from that world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking a cigarette. He walked toward her, and stopped. In the dream it had been easy, but now he was embarrassed, in spite of the intimacy that had grown between them. proud of the apartment. It had all the modern conveniences, like the needle shower with the perfume dispenser, the built-in soft-drink bar in the library, the all-communications set, and the electrical massager. It was a nice, comfortable setup, an illusion of security in an ever-changing world. She lit a cigarette and chuckled. Mrs. Burger, the fat old landlady, thought she kept up the apartment by working as a buyer for one of the downtown stores. Well, maybe some day she would. But not today. And not tonight. The phone rang and she answered in a casual tone. She talked for at his own wife and child. This day was an eighth part of his total life! He must enjoy every second of it. He must search his parents' thoughts for knowledge. Because in a few hours they'd be dead. This was so impossibly unfair. Was this all of life? In his prenatal state hadn't he dreamed of long lives, valleys not of blasted stone but green foliage and temperate clime? Yes! And if he'd dreamed then there must be truth in the visions. How could he seek and find the long life? Where? And how could he accomplish a life Question: What is the setting of the story? Answer:	[ "The story happens in Pikeville town and Oak Grove town. The first scene occurs in the town park where the hanged body is. In the park, there is a lamppost, a drinking fountain, and a bench. Under the lamppost, the body is hanged. The second scene is in the car, where Ed has a conversation with the fake police. When Ed escapes from the fake police, he runs into a hardware store filled with customers and clerks. There is a back door in the shipping room, a garbage can next to the door, and concrete stairs outside the store towards the top of the fence. The other side of the fence is an entrance to an alley, which is filled with boards and ruined boxes and tires. Passing the loading platform of a grocery store stands one wall of the Hall of Justice. The wall is white with barred windows. The City Hall is next to the police station, with yellow wooden walls with brass cement steps. Cedars and flowers are planted on each side of the entrance. \n\nWhen Ed gets on the bus, the people sitting around him are all dull, tired, and quiet. No one pays attention to him. People seem to be normal: one is reading the newspaper, another with business suits sits quietly, and the other gazes absently towards the front. When Ed escapes from the bus, he runs into a residential district, pavement sides with tall apartment buildings and lawns. \n\nWhen Ed comes home, there are windows with shades in the living room. The house is a two-floor building. The twin’s room is upstairs. There is a basement in the house. In the kitchen, a butcher knife lies in the drawer under the sink. On his way to Oak Grove, rough ground, gullies, open fields, and forest are along the way. \n\nIn Oak Grove, there is a gasoline station and drive-in. Several trucks park there—some chickens on the field and a dog tied with the string. In front of the police station in Oak Grove, a telephone pole is suitable to hang a human body.\n", "The story is set in a small town named Pikeville. The town is described as very small, composed of a town center with a square. The town’s town hall is where the aliens’ portal was, so it was covered by a swarm of them. The town also has different streets and highways, which Ed needs to take in order to leave the town. He ended up crawling out of the town because he didn’t want to be seen, and he ended up hurt and scratched because the town had a lot of shrubbery and plants. ", "The story is first set in Pikeville, where Ed has spent the day digging dirt out of his basement and wheeling it into the backyard. His television store is also located in the town, where there are many other commuters. There is a little square of green in the center of the street that serves as the town park. The park also has a lonely drinking fountain, bench, and single lamppost. The dead body hangs from this lamppost. The town also has a Hall of Justice, City Hall, and police station. The Hall of Justice has barred windows and a police antenna. The City Hall, however, is an old-fashioned yellow structure of good, gilded brass, and cement steps. There are also buses that take commuters back home after the day. Loyce’s home has a living room, upstairs, kitchen, and basement. Later, the scene changes to Oak Grove, where there are farm fields, stations, and even a police station. It is also home to the Oak Grove Merchants’ Bank, where Clarence Mason spends the day working in the vaults.", "The majority of the story happens in Pikeville. At five o’clock, Ed drives from his house to his TV store across town. It’s getting dark. He passes a small park where he notices the hanging body. Later, he is taken by two officers, and they are driving towards the City Hall. It’s already gloomy outside - the sun has set. After escaping, he runs through a hardware store, climbs over a fence, and moves down a street alley. He can see the City Hall’s roof. Then, he gets on a bus but soon runs away from the two suspicious passengers. He comes home and realizes that his family is under the influence of the alien flies. He crawls for ten miles, walks by a farm, and reaches a gasoline station, a couple of trucks parked near it. After that, he ends up at the police station of Oak Grove, the town near Pikeville. At the end, we meet another character who is leaving the Oak Grove Merchants’ Bank." ]	41562	mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny edge, and birds as delicate as colored glass wavered down the wind. He opened the shelter door and went out. The shelter looked the same, but useless now. How did the shelter of that bleak world get into this one, where the air was warm and fragrant, where there was no cold, from that world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking a cigarette. He walked toward her, and stopped. In the dream it had been easy, but now he was embarrassed, in spite of the intimacy that had grown between them. proud of the apartment. It had all the modern conveniences, like the needle shower with the perfume dispenser, the built-in soft-drink bar in the library, the all-communications set, and the electrical massager. It was a nice, comfortable setup, an illusion of security in an ever-changing world. She lit a cigarette and chuckled. Mrs. Burger, the fat old landlady, thought she kept up the apartment by working as a buyer for one of the downtown stores. Well, maybe some day she would. But not today. And not tonight. The phone rang and she answered in a casual tone. She talked for at his own wife and child. This day was an eighth part of his total life! He must enjoy every second of it. He must search his parents' thoughts for knowledge. Because in a few hours they'd be dead. This was so impossibly unfair. Was this all of life? In his prenatal state hadn't he dreamed of long lives, valleys not of blasted stone but green foliage and temperate clime? Yes! And if he'd dreamed then there must be truth in the visions. How could he seek and find the long life? Where? And how could he accomplish a life
Describe the setting of the story.	After carefully reading the provided chunks, write a detailed response to the following question about The Highest Mountain by Bryce Walton. Relevant chunks: proud of the apartment. It had all the modern conveniences, like the needle shower with the perfume dispenser, the built-in soft-drink bar in the library, the all-communications set, and the electrical massager. It was a nice, comfortable setup, an illusion of security in an ever-changing world. She lit a cigarette and chuckled. Mrs. Burger, the fat old landlady, thought she kept up the apartment by working as a buyer for one of the downtown stores. Well, maybe some day she would. But not today. And not tonight. The phone rang and she answered in a casual tone. She talked for the means to go there.... Yet instinct told me that wasn't the answer, either. I thought of a verse by an ancient pre-atomic poet named Hoffenstein. (People had unwieldy, random combinations of letters for names in those days.) The poem went: Wherever I go, I go too, And spoil everything. That was it. The story of mankind. I turned the glowlight down and lay on the pneumo after a while, but I didn't sleep for a long, long time. Then, when I did sleep, when I had been sleeping, I heard the voice again. The low, seductive woman's voice—the startling, willing guest. No! He couldn't afford it! No! No! NO! His lot was a cheap suit of satin! Cheap whiskey! Cheap champagne! A cheap shack by the river.... An inarticulate cry escaped his twisted lips. He clutched her roughly to him and dragged her through the door and into the moonlight, whiskey and anger lending him brutal strength. He pulled her through the deserted garden. All the others had private rooms! He pulled her to the far end, behind a clump of squatty firs. His hands clawed at her. He tried to smother her mouth with kisses. She eluded him 10:30." The following evening found Quidley on tenter-hooks. The snoll-doper mystery had acquired a new tang. He could hardly wait till the next message transfer took place. He decided to spend the evening plotting the epic novel which he intended to write someday. He set to work immediately. He plotted mentally, of course—notes were for the hacks and the other commercial non-geniuses who infested the modern literary world. Closing his eyes, he saw the whole vivid panorama of epic action and grand adventure flowing like a mighty and majestic river before his literary vision: the authentic and awe-inspiring background; the edge, and birds as delicate as colored glass wavered down the wind. He opened the shelter door and went out. The shelter looked the same, but useless now. How did the shelter of that bleak world get into this one, where the air was warm and fragrant, where there was no cold, from that world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking a cigarette. He walked toward her, and stopped. In the dream it had been easy, but now he was embarrassed, in spite of the intimacy that had grown between them. Question: Describe the setting of the story. Answer:	[ "At the beginning, Jacobs, Bruce, and Anhauser talk aboard their ship Mars V which recently landed on the windy surface of Mars. Bruce then looks at the even Martian landscape with an incredible mountain right near the ship and the double moons illuminating the surface. When everybody else leaves to climb the mountain, he spends his time on the spaceship, eating, sleeping, and sitting by the radio. Bruce dreams of a green valley and canals inside a town. And later, when the crew stops reporting anything, he finally can see the real landscape of Mars. He looks at numerous low hills with purple mist, a canal, and valleys with green trees. The mountain disappeared. A quarter of a mile beyond the canal, there is an ugly red mound with the bodies of the conquerors lying there. After looking at Marsha and Terrence, together with Helene, he walks along the canal back to the city. \n", "The story is set on Mars; it is originally shown as a dead planet with nothing but smooth, red hills caused by erosion. However, there is a mountain too that is around 45,000 feet. Mars also has double moons and is extremely cold. On Mars, there are also five ships from the Conquerors in their attempts to try and take total control of Mars. When Bruce has his dreams, the martian landscape changes to one of green valleys and rivers. There are wide canals, odd trees trailing their branches on the gliding rivers. There is also a pastel–colored city that seems completely different from the Mars that the crew arrived to conquer. Later, it is revealed that this landscape is actually real because the fake Mars was just an illusion that the Martians set up using their powers to mess with the mind. The mountain does not exist either, having served its purpose of eliminating each group of Conquerors. ", "This story is set on Mars. However, the Mars that the Conquerers see and the real Mars is different. \n\nThe Mars that the crew initially see lifeless, barren and has a flat landscape with only a mountain estimated at 45,000 feet standing out. There are four rockets - prior attempts at conquering Mars - lay side by side the mountain. \n\nThe real Mars that is revealed to Bruce is vastly different. It had lush green valleys and rivers and wide canals with slow currents. There were inhabited cities that are pastel-colored and overall, the atmosphere was soft, vibrant and lovely. Beyond the canal, the red mountain still stands. By the red mountain, the remains of the bodies of the crew of the first four ships lie as skeletons. The dead bodies of Bruce's crewmates also lie there - all still tied together by the rope. ", "The story happens on Mars. There are two moons on Mars. There is a tremendously high mountain where the top seems nowhere to be seen, and the four rockets sent before the fifth rock lie in its shadow. The landscape on Mars is smoothed with red eroded hills, except for the mountain, which is unexpected in height and points toward Earth. In Bruce’s dream, which turns out to be the real Mars, the landscape on Mars is totally different. There are green valleys, wide canals, trees, and cities decorated with flowers. Behind the shelter, five rockets lie beside it. There is no mountain in the dream, only a high mound of the red hill with corpses lying on it." ]	50868	proud of the apartment. It had all the modern conveniences, like the needle shower with the perfume dispenser, the built-in soft-drink bar in the library, the all-communications set, and the electrical massager. It was a nice, comfortable setup, an illusion of security in an ever-changing world. She lit a cigarette and chuckled. Mrs. Burger, the fat old landlady, thought she kept up the apartment by working as a buyer for one of the downtown stores. Well, maybe some day she would. But not today. And not tonight. The phone rang and she answered in a casual tone. She talked for the means to go there.... Yet instinct told me that wasn't the answer, either. I thought of a verse by an ancient pre-atomic poet named Hoffenstein. (People had unwieldy, random combinations of letters for names in those days.) The poem went: Wherever I go, I go too, And spoil everything. That was it. The story of mankind. I turned the glowlight down and lay on the pneumo after a while, but I didn't sleep for a long, long time. Then, when I did sleep, when I had been sleeping, I heard the voice again. The low, seductive woman's voice—the startling, willing guest. No! He couldn't afford it! No! No! NO! His lot was a cheap suit of satin! Cheap whiskey! Cheap champagne! A cheap shack by the river.... An inarticulate cry escaped his twisted lips. He clutched her roughly to him and dragged her through the door and into the moonlight, whiskey and anger lending him brutal strength. He pulled her through the deserted garden. All the others had private rooms! He pulled her to the far end, behind a clump of squatty firs. His hands clawed at her. He tried to smother her mouth with kisses. She eluded him 10:30." The following evening found Quidley on tenter-hooks. The snoll-doper mystery had acquired a new tang. He could hardly wait till the next message transfer took place. He decided to spend the evening plotting the epic novel which he intended to write someday. He set to work immediately. He plotted mentally, of course—notes were for the hacks and the other commercial non-geniuses who infested the modern literary world. Closing his eyes, he saw the whole vivid panorama of epic action and grand adventure flowing like a mighty and majestic river before his literary vision: the authentic and awe-inspiring background; the edge, and birds as delicate as colored glass wavered down the wind. He opened the shelter door and went out. The shelter looked the same, but useless now. How did the shelter of that bleak world get into this one, where the air was warm and fragrant, where there was no cold, from that world into this one of his dreams? The girl—Helene—was standing there leaning against a tree, smoking a cigarette. He walked toward her, and stopped. In the dream it had been easy, but now he was embarrassed, in spite of the intimacy that had grown between them.
What is the relationship between Roddie and Ida?	After carefully reading the provided chunks, write a detailed response to the following question about Bridge Crossing by Dave Dryfoos. Relevant chunks: to estimate was the advantage of even this perilous route over things that scattered on the water and prevented a landing in strength. Easy to see was the need to kill Ida before she carried home this knowledge. Roddie took the hammer from his waist. "Don't! Oh, don't!" Ida screamed. She burst into tears and covered her face with scratched and bloodied hands. Surprised, Roddie withheld the blow. He had wept, as a child, and, weeping, had for the first time learned he differed from his friends. Ida's tears disturbed him, bringing unhappy memories. "Why should you cry?" he asked his hammer away. "It isn't reasonable to kill you now," he said. "Too dark. You can't possibly get down that half-ruined manway tonight, so let's see how I feel in the morning." Ida began to weep again, and Roddie found it necessary to comfort her. And by morning he knew he was a Man. neither pain nor fatigue, Roddie would admit none either. Nor would he give in to the fear that dizzied him at every downward look. He scrambled on like an automaton, watching only his holds, till he rammed Ida's rear with his head. She had stopped, trembling and gasping. Roddie clung just below her and looked dazedly around. There was nothing in sight but fog, pierced by the rapier of rusted wire supporting them. Neither end of it was in sight. Upward lay success, if death were not nearer on the cable. No soldier had ever come even this far, for soldiers, as he'd told Ida, never left the city, were not built to do so. But he was here; with luck, he could capitalize on the differences that had plagued him so long. "Go on!" he ordered hoarsely. "Move!" There was neither answer nor result. He broke off an end of loosened wire and jabbed her rear. Ida gasped and crawled on. Up and up they went, chilled, wet, bleeding, pain-racked, exhausted. Never had Roddie felt so thoroughly the defects of his peculiar non-mechanical construction. Without realizing it, he acquired a new purpose, a duty as compelling as that of suspicious. Roddie shot her a furtive, startled glance. But she wasn't standing off to fight him. On the contrary, she was too close for both comfort and combat. She bumped him hip and shoulder every few steps, and if he edged away, she followed. He went on with his questioning. "Why are you here? I mean, sure, the others are after tools and things, but what's your purpose?" Ida shrugged. "I'll admit no girl has ever done it before," she said, "but I thought I could help with the wounded. That's why I have no weapon." She hesitated, glanced covertly Question: What is the relationship between Roddie and Ida? Answer:	[ "Although Roddie has been preparing his entire life for defense against something, someone, he never knows who his enemy is. Ida - by nature of being Man - is his enemy, as Roddie believes him to be an android. When they first meet in the darkness, Roddie is afraid that Ida may realize what he is. However, they have no trouble once they see each other and spend the entire day together. Roddie proudly takes the role of Ida’s caretaker, noting that she is scared of the soldiers and not as strong as he is, so he takes her to a supermarket and feeds her. \n\nHowever, when Roddie reveals the talisman that prevented the soldier from attacking, their relationship changes. Ida tries to take Roddie back to her boat where she proclaims he belongs and Roddie insists that he belongs in this android-ridden dystopia. In their chase, they end up atop a tower. Realizing Ida now has the knowledge to bring home to the Invaders on how to enter the city, Roddie feels a sense of duty to kill her. She is the enemy, as he thinks she wishes to harm his city. As Ida cries - something Roddie can do but his friends can’t - he realizes that he too is Man and decides not to kill her. \n", "Roddie and Ida meet in the manhole, usually Roddie’s hiding place. Roddie learns information about Invaders and the relationship between Invaders and the androids. He also realizes the similarities between him and Ida, compared to his differences from the androids. When they walk towards the bridge, their relationship is the protector and the protected. It is the teacher-student relationship when Roddie learns many new and inexperienced things from Ida throughout the conversation. The hunting-hunted relationship is when Roddie tries to grab and kill Ida, and Ida escapes to the bridge. They have to support each other on the bridge cable as they can barely maintain their strength through climbing, where their relationship is supportive. But after they arrive and sleep in the tower, Roddie regains his energy and tries to kill Ida again. Their relationship becomes hostile again. When Ida finally convinces Roddie that he is also a man, they become mutually supportive.", "The relationship between them is tense. Roddie wants to kill Ida because he believes that she is an invader, and he wants to prove to the robots that he can fight alongside them. Ida, on the other hand, wants to help Roddie and take him back to the humans, because it is where he belongs. They both learn a lot from each other, as Roddie had never seen an “invader” and Ida was in San Francisco for the first time, so she thought that only robots lived in the city. The relationship between them is tense and violent as Roddie chases her up the bridge. Then, they seem to become friends, and Roddie ends up not killing her. ", "At the beginning, Roddie is apprehensive and uncomfortable because he has never seen another human being. Soon, Ida makes him feel better by chatting with him. Roddie, who thinks that he is a peculiar type of robot, realizes that she thinks that he is a human, like her. She makes fun of him and seems to be comfortable with Roddie. When he shows her his watch, she becomes tense, and Roddie realizes that she knows who he is. She tries to take the young man with her to other people, but he attacks her instead. Both stubborn, they spend hours climbing the suspension cable and then sleep in the tower, too tired to keep up the altercation. At the end, Ida is crying and explaining to Roddie why he is not a robot. He doesn’t want to accept it, but Ida’s crying expression and an emotional monologue keep him from killing her. He seems to accept his identity the next morning.\n" ]	51241	to estimate was the advantage of even this perilous route over things that scattered on the water and prevented a landing in strength. Easy to see was the need to kill Ida before she carried home this knowledge. Roddie took the hammer from his waist. "Don't! Oh, don't!" Ida screamed. She burst into tears and covered her face with scratched and bloodied hands. Surprised, Roddie withheld the blow. He had wept, as a child, and, weeping, had for the first time learned he differed from his friends. Ida's tears disturbed him, bringing unhappy memories. "Why should you cry?" he asked his hammer away. "It isn't reasonable to kill you now," he said. "Too dark. You can't possibly get down that half-ruined manway tonight, so let's see how I feel in the morning." Ida began to weep again, and Roddie found it necessary to comfort her. And by morning he knew he was a Man. neither pain nor fatigue, Roddie would admit none either. Nor would he give in to the fear that dizzied him at every downward look. He scrambled on like an automaton, watching only his holds, till he rammed Ida's rear with his head. She had stopped, trembling and gasping. Roddie clung just below her and looked dazedly around. There was nothing in sight but fog, pierced by the rapier of rusted wire supporting them. Neither end of it was in sight. Upward lay success, if death were not nearer on the cable. No soldier had ever come even this far, for soldiers, as he'd told Ida, never left the city, were not built to do so. But he was here; with luck, he could capitalize on the differences that had plagued him so long. "Go on!" he ordered hoarsely. "Move!" There was neither answer nor result. He broke off an end of loosened wire and jabbed her rear. Ida gasped and crawled on. Up and up they went, chilled, wet, bleeding, pain-racked, exhausted. Never had Roddie felt so thoroughly the defects of his peculiar non-mechanical construction. Without realizing it, he acquired a new purpose, a duty as compelling as that of suspicious. Roddie shot her a furtive, startled glance. But she wasn't standing off to fight him. On the contrary, she was too close for both comfort and combat. She bumped him hip and shoulder every few steps, and if he edged away, she followed. He went on with his questioning. "Why are you here? I mean, sure, the others are after tools and things, but what's your purpose?" Ida shrugged. "I'll admit no girl has ever done it before," she said, "but I thought I could help with the wounded. That's why I have no weapon." She hesitated, glanced covertly
What is Celeste's attitude towards other members of her family and how does it change?	After carefully reading the provided chunks, write a detailed response to the following question about Dr. Kometevsky's Day by Fritz Leiber. Relevant chunks: strong show of decisiveness. In short, her family. She knew their every quirk and foible. And yet now they seemed to her a million miles away, figures seen through the wrong end of a telescope. Were they really a family? Strong sources of mutual strength and security to each other? Or had they merely been playing family, experimenting with their notions of complex marriage like a bunch of silly adolescents? Butterflies taking advantage of good weather to wing together in a glamorous, artificial dance—until outraged Nature decided to wipe them out? As the poem was ending, Celeste saw the door Celeste made out the sleepy-fuzzy words: "They've found out where we're hiding. They're coming to get us. No! Please, no!" Celeste's reactions were mixed. She felt worried about Dotty and at the same time almost in terror of her, as if the little girl were an agent of supernatural forces. She told herself that this fear was an expression of her own hostility, yet she didn't really believe it. She touched the child's hand. Dotty's eyes opened without making Celeste feel she had quite come awake. After a bit she looked at Celeste and her little lips parted in a smile. "Hello," she said sleepily. "I've been having such funny dreams." Then, after a pause, frowning, "I really am a god, you know. It feels very queer." "Yes, dear?" Celeste prompted uneasily. "Shall I call Frieda?" The smile left Dotty's lips. "Why do you act so nervous around me?" she asked. "Don't you love me, Mummy?" Celeste started at the word. Her throat closed. Then, very slowly, her face broke into a radiant smile. "Of course I do, darling. I love you very much." Dotty nodded happily, her eyes already closed again. There was a sudden flurry of excited voices But Celeste didn't want to move too fast. "You know, Teddy," she said uncomfortably, "all this reminds me of those old myths where too much good fortune is a sure sign of coming disaster. It was just too much luck, our great-grandparents missing World III and getting the World Government started a thousand years ahead of schedule. Luck like that couldn't last, evidently. Maybe we've gone too fast with a lot of things, like space-flight and the Deep Shaft and—" she hesitated a bit—"complex marriages. I'm a woman. I want complete security. Where am I to find it?" "In me," Theodor said promptly. "In you?" Celeste questioned, walking slowly. "But you're just one-third of my husband. Perhaps I should look for it in Edmund or Ivan." "You angry with me about something?" "Of course not. But a woman wants her source of security whole. In a crisis like this, it's disturbing to have it divided." "Well, we are a whole and, I believe, indivisible family," Theodor told her warmly. "You're not suggesting, are you, that we're going to be punished for our polygamous sins by a cosmic catastrophe? Fire from Heaven and all that?" "Don't be silly. I just wanted Question: What is Celeste's attitude towards other members of her family and how does it change? Answer:	[ "From the beginning, Celeste seems to struggle with her complex marriage. She finds it hard to find complete security in three men simultaneously. In a crisis, it’s disturbing for her to have her source of security divided into three. She also cannot accept that Dotty is her daughter because the girl was born from Frieda. Celeste points out that the probability of Dotty being Theodor’s daughter is only one-third. She reckons that humanity might have gone too far with some things, including monogamous marriages. While in the committee room, she tries to determine if they are a true family or just experimenting with their relationship. The family members seem both familiar and unfamiliar to her. When she wants to check up on Dotty, she thinks that she is no one to the girl but still goes on. Dotty, after a small chat, makes Celeste say that she loves her. In the end, the reader understands that, no matter what Celeste’s feelings are, Dotty loves all three women and considers them mothers. ", "Celeste seems to not be too happy with her marital situation. At the beginning, she tells one of her husbands that she doesn’t like that her happiness lies divided with 3 people, her husbands. She is also jealous that she is the one that has the least connection with their child, as the other women are the biological mother and the nurse of the little girl. Throughout the story, these same feelings are reflected, as Celeste seems to be wary when taking care of Dotty. At the end those feelings seem to take a back seat, as they were more preoccupied with the threat of the other species. ", "Celeste shares three husbands, Theodor, Edmund, and Ivan, with the other two women, Rosalind and Frieda. Celeste is uncomfortable with one of her husbands, Theodor, as she talks about her insecurity of facing the unknown catastrophe in the future and having three husbands when she cannot find security from a single whole man who only belongs to her. She also does not see herself as belonging to the family as she separates herself from being the mother of a child, Dotty, born from Frieda’s womb. She feels uneasy and unsecured with the polygamous family as all her husbands share one-third of the chance to be the father or a husband of any child or wife in the family. She also feels distant from her family while knowing all their quirks and habits. When she goes to watch Dotty, she feels bitter and worried. When Dotty asks her whether she is her mother, Celeste smiles with uncertainty, questioning her feeling of separation from the family. After knowing the truth from Dotty’s mouth and experiencing the terror of losing her family, Celeste changes her attitude and feels belonging to her family.", "Celeste is initially wary about having three husbands. She is aware that as a woman, she needs to find complete security. The complex marriages are stressful because each of her husbands only have one third of a security. She also does not regard Dotty too fondly, claiming that she is just Frieda’s daughter. Although Celeste is quite casual when Theodor kisses the other two wives, she begins to think later whether or not they are actually family. She wonders if they are truly a united group or just a bunch of silly adolescents playing around with marriage. Later, she does begin to warm up to Dotty after the child asks if she loves her. She says that she loves Dotty, despite the earlier feelings, and even tries to call out to her later. Although Celeste does not explicitly admit it, she does begin to grow closer and secure with the other family members. " ]	51353	strong show of decisiveness. In short, her family. She knew their every quirk and foible. And yet now they seemed to her a million miles away, figures seen through the wrong end of a telescope. Were they really a family? Strong sources of mutual strength and security to each other? Or had they merely been playing family, experimenting with their notions of complex marriage like a bunch of silly adolescents? Butterflies taking advantage of good weather to wing together in a glamorous, artificial dance—until outraged Nature decided to wipe them out? As the poem was ending, Celeste saw the door Celeste made out the sleepy-fuzzy words: "They've found out where we're hiding. They're coming to get us. No! Please, no!" Celeste's reactions were mixed. She felt worried about Dotty and at the same time almost in terror of her, as if the little girl were an agent of supernatural forces. She told herself that this fear was an expression of her own hostility, yet she didn't really believe it. She touched the child's hand. Dotty's eyes opened without making Celeste feel she had quite come awake. After a bit she looked at Celeste and her little lips parted in a smile. "Hello," she said sleepily. "I've been having such funny dreams." Then, after a pause, frowning, "I really am a god, you know. It feels very queer." "Yes, dear?" Celeste prompted uneasily. "Shall I call Frieda?" The smile left Dotty's lips. "Why do you act so nervous around me?" she asked. "Don't you love me, Mummy?" Celeste started at the word. Her throat closed. Then, very slowly, her face broke into a radiant smile. "Of course I do, darling. I love you very much." Dotty nodded happily, her eyes already closed again. There was a sudden flurry of excited voices But Celeste didn't want to move too fast. "You know, Teddy," she said uncomfortably, "all this reminds me of those old myths where too much good fortune is a sure sign of coming disaster. It was just too much luck, our great-grandparents missing World III and getting the World Government started a thousand years ahead of schedule. Luck like that couldn't last, evidently. Maybe we've gone too fast with a lot of things, like space-flight and the Deep Shaft and—" she hesitated a bit—"complex marriages. I'm a woman. I want complete security. Where am I to find it?" "In me," Theodor said promptly. "In you?" Celeste questioned, walking slowly. "But you're just one-third of my husband. Perhaps I should look for it in Edmund or Ivan." "You angry with me about something?" "Of course not. But a woman wants her source of security whole. In a crisis like this, it's disturbing to have it divided." "Well, we are a whole and, I believe, indivisible family," Theodor told her warmly. "You're not suggesting, are you, that we're going to be punished for our polygamous sins by a cosmic catastrophe? Fire from Heaven and all that?" "Don't be silly. I just wanted
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about Breakdown by Herbert D. Kastle. Relevant chunks: explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, course. What is it that girls in small offices do or eat or drink or wear that girls in large offices don't do or eat or drink or wear? What do writers and doctors do differently? Or poets and dentists? What are we missing? What—" In the outer office a girl cried out. A body thumped against a desk, then a chair, then to the floor. Two girls screamed. Andy bolted up from his chair. Racing to the door, he shouted back to Bettijean, "Get a staff doctor and a chemist from the lab." It was the girl who had forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of "Get somebody—maybe even the President—on all radio and TV networks. Explain frankly about the four-centers and warn against licking any stamps. Then—" He broke off as his phone rang. Answering, he listened for a moment, then hung up and said, "But before the big announcement, get somebody checking on the security clearances at whatever plant it is where they print stamps. This's a big deal. Somebody may've been planted years ago for this operation. It shouldn't be too hard. "But there's no evidence it was a plot yet. Could be pure accident—some chemical in the stickum spoiled. Do they keep deathly ill, but nobody dying. And doctors can't identify the poison until they have a fatality for an autopsy. People stricken in every part of the country, but the water systems are pure. How does it spread?" "In food?" "How? There must be hundreds of canneries and dairies and packing plants over the country. How could they all goof at the same time—even if it was sabotage?" "On the wind?" "But who could accurately predict every wind over the entire country—even Alaska and Hawaii—without hitting Canada or Mexico? And why wouldn't everybody get it in a given area?" Bettijean's smooth Question: What is the plot of the story? Answer:	[ "Harry Burr is begged by his wife Edna to go see a doctor because she believes that he is sick in the head. He refuses to believe that anything is wrong, but he does admit that there are times where he lies in fear over nothing and mixes up his memories. The story then jumps to the present, where he begins to think about a blond boy named Davie. Edna is confused because they have no children. Edna brings up seeing a doctor again, he angrily responds that it will only be Timkins who brought their son into the world. Edna tells him they had no son, and Timkins died a while ago. The scene cuts to breakfast, where Harry complains about a lack of meat. Edna explains that there is only multi-pro because of the current crisis in the country. Harry begins to go walk outside, but he experiences more strange memories that don’t add up. He picks up the delivery that Edna ordered. Edna asks if there is anything good on television this week because there is only one channel. After a late lunch, Harry goes to check on the animals again and wonders what happened to the rest of the livestock. Edna tells him that they got the same as everyone else, and he goes upstairs again. When he awakes again, Gloria and Walt have arrived. He asks about Penny and Frances. After they leave, He takes his mare Plum out for a ride, and they arrive at a barbed wire fence area up north. He gets over the wire and continues to walk north, until the earth changes to sand. Then, the sand becomes wooden flooring; there is also a loud roaring sound. When he reaches a waist-high metal railing, he runs back to Plum again. Harry has the idea to ride to town, even if the other neighbors tell him to stop and for somebody to call the police. Soon, two policemen come out to escort him to the doctor. Harry asks the doctor where his son is, and the doctor explains that he is dead like so many millions of others. The doctor tells him he has so many things to do, and he says there are a few remaining people who are still alive. Harry’s brain struggles with the impossible concept, and he thinks about how this is not Iowa. Just as Harry realizes what they are on, the switch is thrown, and he finds himself feeling better from the diathermy treatment. Before Harry leaves, the doctor tests him one last time by telling him that they are on an ark. Harry is confused, which means that the treatment works. He goes home to Edna and is happier than ever. ", "This story follows Harry, a farmer living in Iowa. He and his wife, Edna, live in a time of crisis and so there are many government regulations to follow. Some of these regulations include food rationing, being restricting to farming vegetables, only being able to travel to the neighbors house, etc. While going about his day, Harry often has visions of a young boy named Davie, someone he understands to be his and Edna's son. He is also constantly discombobulated by the placement of things in the house as well as events that supposedly did or did not happen. This confusion leads Edna to be very worried about him, and she insists for him to visit Dr. Hamming, which he refuses. \n\nOne night, their neighbors Walt and Gloria visit. Harry mistakenly asks about their older daughter - who doesn't exist - and spends the rest of the dinner quiet. After the neighbors leave, Edna is furthermore distraught which prompts Harry to leave the house in hopes of clearing his mind. Outside, he creates a makeshift saddle over his horse, Plum, and rides off into the unplanted fields. After travelling for a while, he and Plum approach a fenced off property labelled \"Phineas Grotton Farm\". Trespassing nonetheless, he rides Plum forwards before pausing; he felt as if everything around him was wrong, including his supposed friend Pangborn putting up a massive fence. \n\nGoing over the fence, he noticed a roaring sound growing louder and the smell of the air changing. As he walked, the ground underneath him changed from earth to sand to wood. He came over to a metal railing and found that it overlooked an endless crashing water and salty air - the ocean. After a while, he rode Plum back to his farm, only to note that he had arrived without even needing to go through town. On the way back, he was spotted breaking travel regulations and was pulled over by the police, who take him to the doctor's office. \n\nAt the doctor's office, his confusion is finally explained away. While being prepped for treatment, Dr. Hamming reveals that his supposed son, Davie, and friend Pangborn, were indeed real and alive, but killed by the bombs. Only a few remain amongst the uninhabitable land, and so it was Dr. Hamming who brought them along to his inhabitable world. Dr. Hamming, his two sons, and his now late wife work together to wipe the bad memories from the townspeople and keep the community going as they, on board an ark, continually search for inhabitable land. As Harry begins to form his own conclusions, Dr. Hammings injects him with the treatment and his sane mind is restored. \n\nAt the end, Harry returns home to his wife. She expresses a worry that he may have taken Plum and broken regulations, to which he insists he would never do. ", "Harry seems to have a memory problem. His wife, Edna, often begs him to see the doctor in the town, but he refuses. He often remembers memories that are mismatched with reality. For example, he thinks he has a son, Davie, but all the people, including Edna, deny the fact. He remembers that his fields were planted fully with crops such as wheat and corn, not wasting the land, but now he can only plant a patch of vegetables with all the other fields remaining fallow. He thinks Timkins, the doctor he used to go for, is still alive, but Timkins died a long while ago, based on Edna’s testimony. After eating the rationed food supplied by the government for breakfast, he checks his barn and farms around his house, which seem unfamiliar to him compared to his memory. He picks up the delivery of living supplies and sees the listed movies provided, having the same conversation with Edna as last week. The more he sees, the more he realizes that everything is wrong. When their neighbors visit them and eat with them, Harry has more mistakes in his memory and does not talk while eating. When Edna begs him to see the doctor again, he goes out to ride a mare called Plum.\n\nAt night, Harry rides Plum towards the north on the empty road. Soon after realizing he may be reported for breaking travel regulations, he cuts into an unplanted field. He faces a fenced farm where the owner’s name is unfamiliar with what he remembered to be; he opens it and keeps going northwards. When he reaches the end, he sees a tall metal mesh with barbed wire fence with no gates and climbs to the other side of the fence, seeing nothing but the ocean while standing on the wooden floor. He goes back to the fence, climbs it, and mounts Plum. He tries to find the town but fails. He rides on the road, passing his and his neighbor's houses. People living next to the road shout at him for breaking the regulation, but Harry gives no care to those unfamiliar faces and goes to the southern tip, seeing the extension of the metal fence, climbing through it, and the ocean is there again. When he returns to the fence, two men in police uniforms from a car catch him. He gets in the car, letting one man lead his horse back to his house. They arrive at the doctor’s house, where Harry is told by Doctor Hamming the truth that the people on the ark are the remaining humans in the world. All the other humans might have already died from the bombs, including his son Davie. Harry has those memory problems because his real memory is coming. As soon as Harry realizes what is going on, he forgets it again as the treatment is already applied to him. After the treatment, he returns home and chats with his wife carefreely.\n", "Harry has mixed memories and forgets facts from his life. He wakes up in the morning, asking his wife about their son Davie but momentarily remembers that they have no children. He then suggests that he cooks bacon for breakfast but once again recalls that there is a meat ration. His wife Edna asks him to see Dr.Hamming, but Harry is adamant. During breakfast, Harry complains about rations. Edna tells him they will have multi-pro meat for dinner - he is not satisfied. While doing the chores, Harry realizes his barn seems different and unfamiliar. After picking up the delivery, he says that the TV program guide has old moves, but Edna has never seen them. Harry decides to take a nap and feels that everything around him is wrong. After lunch, he goes back to the barn and sees that they have fewer chickens than he remembers. Their neighbors, Walt and Gloria, come over. Harry makes some strange comments about the neighbors' children - he keeps silent for the rest of the evening. Walt and Gloria leave, and Edna asks Harry to go to the doctor again. He leaves for a walk, harnesses his horse, Plum, and heads north towards the town. He soon reaches Phineas Grotton Farm, which he has never seen before. He goes through the gate and continues riding to the north. The countryside seems wrong to him. Soon, he stumbles upon a ten-foot-high fence with a slight inward curve. He ties Plum to the fence, climbs over it, and walks on. The earth beneath his feet turns into the sand and then into wood flooring. He finally sees a metallic railing covered in saltwater. He sees waves beyond the railing - an ocean - and nervously runs back to Plum. He disregards the traveling regulations and rides along the road in the opposite direction - the citizens scream that he is breaking the law. Soon, he reaches the same high fence, railing, and ocean. A police car pulls over: one officer takes Plum, and the other drives Harry to Doctor Hamming. When entering the house, Harry hears some rumbling sound. The doctor, the officers' father, asks about the second son and starts working on Harry, who keeps asking about Davie. The doctor reveals that Harry’s son, just like millions of others, died during a bombing. The doctor claims that he, together with his two sons, is now running the world for the few hundred who survived after putting them on his world with the only uncontaminated soil left. He has to control the crops and livestock. He says he erased all the knowledge about these events to help people remain sane. Harry realizes Davie is dead, and he isn’t in Iowa. The doctor turns off the radio switch, and Harry immediately forgets this. He thanks Hamming for the treatment. Harry hears the doctor say that they are on an ark, but he doesn’t understand what it means and goes home in peace. \n\n\n" ]	51662	explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, course. What is it that girls in small offices do or eat or drink or wear that girls in large offices don't do or eat or drink or wear? What do writers and doctors do differently? Or poets and dentists? What are we missing? What—" In the outer office a girl cried out. A body thumped against a desk, then a chair, then to the floor. Two girls screamed. Andy bolted up from his chair. Racing to the door, he shouted back to Bettijean, "Get a staff doctor and a chemist from the lab." It was the girl who had forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of "Get somebody—maybe even the President—on all radio and TV networks. Explain frankly about the four-centers and warn against licking any stamps. Then—" He broke off as his phone rang. Answering, he listened for a moment, then hung up and said, "But before the big announcement, get somebody checking on the security clearances at whatever plant it is where they print stamps. This's a big deal. Somebody may've been planted years ago for this operation. It shouldn't be too hard. "But there's no evidence it was a plot yet. Could be pure accident—some chemical in the stickum spoiled. Do they keep deathly ill, but nobody dying. And doctors can't identify the poison until they have a fatality for an autopsy. People stricken in every part of the country, but the water systems are pure. How does it spread?" "In food?" "How? There must be hundreds of canneries and dairies and packing plants over the country. How could they all goof at the same time—even if it was sabotage?" "On the wind?" "But who could accurately predict every wind over the entire country—even Alaska and Hawaii—without hitting Canada or Mexico? And why wouldn't everybody get it in a given area?" Bettijean's smooth
What is the plot of the story?	After carefully reading the provided chunks, write a detailed response to the following question about The Girls from Fieu Dayol by Robert F. Young. Relevant chunks: of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny What is POSAT? By PHYLLIS STERLING SMITH Illustrated by ED ALEXANDER [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Of course coming events cast their shadows before, but this shadow was 400 years long! The following advertisement appeared in the July 1953 issue of several magazines: MASTERY OF ALL KNOWLEDGE CAN BE YOURS! What is the secret source of those profound principles that can solve the problems of life? Send for our FREE booklet of explanation. Do not be a mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. 10:30." The following evening found Quidley on tenter-hooks. The snoll-doper mystery had acquired a new tang. He could hardly wait till the next message transfer took place. He decided to spend the evening plotting the epic novel which he intended to write someday. He set to work immediately. He plotted mentally, of course—notes were for the hacks and the other commercial non-geniuses who infested the modern literary world. Closing his eyes, he saw the whole vivid panorama of epic action and grand adventure flowing like a mighty and majestic river before his literary vision: the authentic and awe-inspiring background; the the corner he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze. From the telephone pole in front of the police station, something large and shapeless hung. It moved a little with the wind. What the hell was it? Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly. The light was bad; he couldn't tell what it was. Question: What is the plot of the story? Answer:	[ "Herbert Quidley finds a yellow paper with unintelligible words folded in the book called History of English Literature by Hippolyte Adolphe Taine. After he continues to work, he sees a girl come in, browse randomly, and take Taine’s book. The girl quickly riffles through the book, puts it back on the shelf, and leaves the library. After the girl leaves, Quidley checks the book, noticing the disappearance of the yellow paper. He learns the girl’s name, Kay Smith, from the librarian and goes home. On his way home, he guesses that the paper is a kind of message transmitted through an esoteric book. He guesses the identity of the person who might do this message job with Kay, none of which pleases him as he has a liking for the girl, so he decides to observe this messaging action for a while.\n\nThe following day, when Quidley waits at the library, a girl different from Kay comes to the library, puts another paper in Taine’s book, and leaves. Quidley sees the paper and finds another batch of unintelligible words, from which he finds two common words, Fieu Dayol and snoll doper. He puts back the letter and goes back to his seat. When the library is about to close, Kay comes to take the paper and leaves. Quidley follows behind her into a coffee bar. He intentionally spills the sugar on her, which allows him to start talking to her. Throughout the conversation, Quidley reveals his identity as a profiliste and accepts Kay’s request to make her a profile. They set up a time to meet next time. After they separate, Quidley goes home and writes a letter to his father for the allowance.\n\nTwo days later, Quidley goes to the library again and sits at his reading-table post with his favorite magazine. He sees the third woman come in and do the same thing as the previous girls. He reads the new message and returns to his apartment waiting for Kay. He thinks about the meaning of snoll doper. When Kay comes, they do something sexually. The following day, puzzled by the secret of the snoll doper, Quidley decides to read the message before the exchange happens. Kay finds out that Quidley is reading the message. She tells him to come with her to deliver the snoll doper to Jilka and meet her folks. When Quidley waits in the car, he realizes the possible true identity of Kay and what may happen next. Quidley learns from the conversation with Kay that they are heading to the ship to Fieu Dayol. He also learns that Kay is the ship’s stock girl, and all the messages are actually requisitions for the snoll dopers. He realizes that he is kidnapped to another planet, Fieu Dayol, where women outnumber men. He sees a man with Jilka ascend the ship and disappear. Kay forces Quidley to go into the ship by pointing him with a shotgun, which is called snoll doper in Kay’s language.\n", "The plot follows Herbert Quidley. Herbert is a man who loves to engage with women. One day, he was in the public library when he saw a weird message scribbled on a bookmark in a random book. He then saw a very beautiful lady enter the library, and go to the book which had weird writing. Herbert learnt that her name was Kay. Herbert thought this was weird, but he thought it was even weirder when the next day another girl came and left another bookmark in the same book. Herbert understood that the girls were using the book as a means of communication, but he didn’t understand the messages. After the original girl came back, Herbert decided to follow her to a bar in order to meet her. Herbert uses a trick in order to first approach her, and they end up getting to know each other. They agree to meet in a few days at Herbert’s house. Herbert was very surprised to learn that there was a third woman communicating with the other two girls. After Herbert and Kay get to know each other more on their date, Herbert decides to confront Kay about her book in their next outing. When he confronts Kay, Kay tells him that she was in fact from an alien species, and that she used the books to communicate with her crew. Kay tells Herbert that he wants to take her to her home planet and mate with him, but when Herbert tries to refuse Kay takes out a shotgun and forces him onto their ship. ", "Herbert Quidley’s penchant for old books has never been much of a problem for him. He finds a sheet of yellow paper in one of his Taine tomes and unfolds it, making him wonder what high school students read. He notices a girl walk through the door, noting that she deposits a book at the librarian’s desk and heads towards the literature section. Although Quidley lowers his eyes, he finds that she also has picked up the book that he had earlier. When he goes to see the book again later, he notes that the makeshift bookmark is now gone. He thinks back to the message again and wonders who could have left it for her. Quidley later finds out that the girl’s friend is another girl, and he tries to figure out what the second message means. Kay shows up again to leave another message, and Quidley follows her out to an all-night coffee shop to get her attention by spilling sugar. He introduces himself to her, and she responds that her name is Kay Smith. He feels intimidated by the girl for a moment, before she asks if he is really willing to word-paint her profile. She asks if they can meet at his place, and he agrees. A date is set up, and Quidley goes home. Although Kay is not in town for the next two days, he notices that there is now a third woman involved. The message is impossible to understand again, and he wonders if they are part of some secret society. When Kay comes, she is wearing a beautiful dress. Later, as Quidley is coming up with a new novel idea, he finds the fourth message again. As he thinks about her, Kay suddenly appears and tells him to put the book back. He is curious as to why she can’t just give Jilka a snoll doper, but Kay says it is because of regulations. Soon, she tells him that she is planning to take him back to Fieu Dayol because he had compromised her and because there are not enough men back on the planet. Kay also reveals that all of the messages were requisitions because she is the ship’s stock girl. The two arrive at the ship, and Quidley watches as Jilka and another man board the ship. Quidley tries to protest against boarding the ship himself, but Kay points a snoll doper at him. He notices that the object looks strikingly like a shotgun. ", "Herbert Quidley is at a library. He opens Taine's History of English Literature and finds a sheet of paper with unintelligible text. He picks up another book. While reading it, he sees a beautiful young girl enter the library, take the sheet of paper from Taine's book, get another random book from the shelf, and leave. The next day, he notices another girl who slips a piece of paper between the book’s pages. When she leaves, he looks at the sheet of paper - it also has some unintelligible message. Later, the first girl - he calls her Kay - shows up and takes the message from the book. He follows her into a coffee bar. Quidley spills sugar on her lap, which helps him start a conversation with her. He tells her she can send him the cleaners’ bill and gives her his business card with his name, address, and profession - profiliste. He explains that he paints profiles with words. She introduces herself and asks if we can paint her profile. They decide to meet two days later at his place. Before meeting with her, he spends some time in the library and sees another girl who leaves the third coded message. He is confused and doesn’t understand why these girls are using this medium of communication. Quidley comes back home and waits for Kay. She arrives in a pretty white dress - he is mesmerized. They drink some bourbon and soon kiss. She tells him to postpone the dinner. The following evening Quidley goes to the library. He fantasizes about his future novel and finds a new message. Kay finds him reading the message. She look at the paper and then tells him to follow her. They get in her convertible, and Kay says that she has to deliver a snoll doper to Jilka, and then she will take Quidley to meet her folks. He admits to reading all their messages. She stops the car near a brick apartment building and leaves for several minutes. Quidley thinks of running away, but Kay comes back quickly. They drive to some ship which is supposed to take them to Fieu Dayol or Persei 17. She explains that she can and has to marry him now because he compromised her and because there are very few men on Fieu Dayol. She also tells him that those papers were requisitions, not messages - Kay is the ship’s stock girl. They pull up to a ship, parked somewhere among country fields. Jilka arrives with some man who slowly walks to the ship. When Quidley refuses to go with them, Kay tells him that the Interstellar law allows them to take only the ones who do not conform to the sexual mores of their society. She presses a snoll doper - a term he saw in the messages and later asked about - against his back. He realizes it’s something similar to a shotgun and starts marching up the plank. " ]	61048	of futile sons? What can I do to save myself from dying eight days from now? Is there escape? His eyes widened, another image came to focus. Beyond this valley of cliffs, on a low mountain lay a perfect, unscarred metal seed. A metal ship, not rusted or touched by the avalanches. The ship was deserted, whole, intact. It was the only ship of all these that had crashed that was still a unit, still usable. But it was so far away. There was no one in it to help. This ship, then, on the far mountain, was the destiny What is POSAT? By PHYLLIS STERLING SMITH Illustrated by ED ALEXANDER [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Of course coming events cast their shadows before, but this shadow was 400 years long! The following advertisement appeared in the July 1953 issue of several magazines: MASTERY OF ALL KNOWLEDGE CAN BE YOURS! What is the secret source of those profound principles that can solve the problems of life? Send for our FREE booklet of explanation. Do not be a mission that huge and depressing in eight short, vanishing days? How had his people gotten into such a condition? As if at a button pressed, he saw an image. Metal seeds, blown across space from a distant green world, fighting with long flames, crashing on this bleak planet. From their shattered hulls tumble men and women. When? Long ago. Ten thousand days. The crash victims hid in the cliffs from the sun. Fire, ice and floods washed away the wreckage of the huge metal seeds. The victims were shaped and beaten like iron upon a forge. Solar radiations drenched them. 10:30." The following evening found Quidley on tenter-hooks. The snoll-doper mystery had acquired a new tang. He could hardly wait till the next message transfer took place. He decided to spend the evening plotting the epic novel which he intended to write someday. He set to work immediately. He plotted mentally, of course—notes were for the hacks and the other commercial non-geniuses who infested the modern literary world. Closing his eyes, he saw the whole vivid panorama of epic action and grand adventure flowing like a mighty and majestic river before his literary vision: the authentic and awe-inspiring background; the the corner he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze. From the telephone pole in front of the police station, something large and shapeless hung. It moved a little with the wind. What the hell was it? Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly. The light was bad; he couldn't tell what it was.
What is the significance of the mystery metal from the starship?	After carefully reading the provided chunks, write a detailed response to the following question about Captain Midas by Alfred Coppel. Relevant chunks: in my quarters." I picked up the two samples of gleaming metal and called for a metallurgical testing kit. "I'm going to try and find out if this stuff is worth anything...." The metal was heavy—too heavy, it seemed to me, for spaceship construction. But then, who was to say what conditions existed on that distant world where this metal was made? Under the bright fluorescent over my work-table, the chunks of metal torn from a random bulkhead of the starship gleamed like pale silver; those strange little whorls that I had noticed on the outer hull were there too, testing, trying all the while to quiet the trembling of my hands. I weighed it on a balance. I tested it with acids. It had changed unquestionably. It was no longer the same as when I had carried it into my quarters. The whorls of force were gone. It was no longer alive with a questing vibrancy ... it was inert, stable. From somewhere, somehow, it had drawn the energy necessary for transmutation. The unknown metal—the stuff of which that whole mammoth spaceship from the stars was built—was now.... Gold! I scarcely dared believe it, but there it was staring explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of This was no fantasy. There was a scientific reason for it. There must be! Or should there be? Throughout all Earth history there had been Ghost Ships sailing the Seven Seas—ships doomed to roam forever because their crew broke some unbreakable law. If this was true for the ships of the seas, why not for the ships of empty space? He looked again at the strange ship. It was motionless. At least it was not nearing him. Willard could see nothing but its vague outline. A moment later he could discern a faint motion. It was turning! The Ghost Ship Question: What is the significance of the mystery metal from the starship? Answer:	[ "The mystery metal is significant because it initially attracted the crew’s interest due to their greed - they had hoped to tear about the derelict starship and sell its pieces for millions. When the Captain tested out the mysterious metal and saw that it turned out to be gold, his greed increased so much that he became suspicious of his crew members that were sent out to investigate the ship. \n\nAlthough the Captain and his crew thought they could take advantage of this metal and benefit from it, it turns out that the opposite is true. Instead, it is this mystery metal that gains its yellow-tint and subsequent gold composition through drawing its energy from them and draining the crew of their youth and strength. The latter named ‘devil-metal’ demonstrates the hastiness of the greed of man, and how it led them to be so enraptured in greed that it blinded them of the wariness of strange objects in space, and hence led to their ultimate demise. \n", "All the spacemen in this story are greedy and materialistic. When the Maid’s crew finds the derelict, they think of selling its parts. This thought cheers them up. Then Midas finds out the starship’s metal can turn into gold, and Spinelli learns that, too. Eventually, this chunk of gold makes Midas’ hands slowly decay while he sleeps with it every night. Spinelli becomes more and more suspicious and suspects everyone to be a traitor. Eventually, Midas realizes the starship’s metal has some evil in it. When he finds his team almost dead and still trying to climb the golden walls of the room, he understands that the metal takes the energy required for its stability from humans. This gold quite literally kills. Greed ends the lives of almost all crewmates of the Maid and leaves Midas to slowly die in a hospital cot, regretting his lethal hunger for money.", "The mystery metal from the derelict can draw energy from life and turn itself into gold through the transmutation of the energy. In the story, the crews on Maid, a spaceship, find a large derelict constituted of this mysterious metal and bring it with them. Soon after they find out its property of becoming gold, they start to fight with each other and caress the metal unstoppably, but they do not know where the energy that makes the metal change comes from. After the captain kills one crewmember, finding the lost signals and weirdness of his hand and the metal, he realizes the metal draws the needed energy from humans. The mysterious metal plays a significant role in that it triggers the greed of the crewmembers to cause them to fight, symbolizing the cursed treasure. It is also the leading cause that most crew members die or mutate, except for the captain, showing that any treasure comes with a cost, in which case, the mysterious metal is the treasure, and the life is the cost.", "The mystery metal, later revealed to be ‘gold’, is significant because it is what drives the crew to want to become rich and leads to their downfall. When the captain first discovers it is gold, he thinks about how wealthy the entire crew will become once they reach Callisto and sell it off. The mystery metal is worth a lot of money, and it is what makes them decide to take the entire ship with them. However, this metal is also deadly because it sucks the energy from the crew. Out of their greed, they fail to realize that the gold drains their lifespan away to continue functioning. The crew has to pay the ultimate price with their lives, and only Captain Midas survives the incident. Even as they are old and skeletal, the rest of the crew do not want to give up the possibility of gold. When the captain goes to Callisto, everybody scorns him and laughs at him despite how terrible his story is about the gold. " ]	63867	in my quarters." I picked up the two samples of gleaming metal and called for a metallurgical testing kit. "I'm going to try and find out if this stuff is worth anything...." The metal was heavy—too heavy, it seemed to me, for spaceship construction. But then, who was to say what conditions existed on that distant world where this metal was made? Under the bright fluorescent over my work-table, the chunks of metal torn from a random bulkhead of the starship gleamed like pale silver; those strange little whorls that I had noticed on the outer hull were there too, testing, trying all the while to quiet the trembling of my hands. I weighed it on a balance. I tested it with acids. It had changed unquestionably. It was no longer the same as when I had carried it into my quarters. The whorls of force were gone. It was no longer alive with a questing vibrancy ... it was inert, stable. From somewhere, somehow, it had drawn the energy necessary for transmutation. The unknown metal—the stuff of which that whole mammoth spaceship from the stars was built—was now.... Gold! I scarcely dared believe it, but there it was staring explain the phenomena of the Ghost Ship? Was it really only a product of his imagination? What of all the others who had seen it? Was it possible for many different men under many different situations to have the same exact illusion? Reason denied that. But perhaps space itself denies reason. Grimly he retraced the legend of the Ghost Ship. A chance phrase here and a story there put together all that he knew: Doomed for all eternity to wander in the empty star-lanes, the Ghost Ship haunts the Solar System that gave it birth. And this is its tragedy, forty years ago or more. Resembled one? It was one! Unquestionably, though half-invisible and like a piece of glass immersed in water, it was a rocket ship. But the instruments on the control board could not lie. The presence of any material body within a hundred thousand miles would be revealed. But the needle on the gauge did not quiver. Nothing indicated the presence of a ship. But the evidence of his eyes was incontestable. Or was it? Doubt gripped him. Did the loneliness of all these years in space twist his mind till he was imagining the appearance of This was no fantasy. There was a scientific reason for it. There must be! Or should there be? Throughout all Earth history there had been Ghost Ships sailing the Seven Seas—ships doomed to roam forever because their crew broke some unbreakable law. If this was true for the ships of the seas, why not for the ships of empty space? He looked again at the strange ship. It was motionless. At least it was not nearing him. Willard could see nothing but its vague outline. A moment later he could discern a faint motion. It was turning! The Ghost Ship