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Women who binge drink before becoming pregnant ‘more likely’ to have diabetic babies
Women who binge drink before becoming pregnant 'more likely' to have diabetic babies
Women who binge drink BEFORE they become pregnant can still harm their babies, warns new research.
The study suggests mothers who binge drink before they become pregnant may be more likely to have children with high blood sugar and other changes in glucose function that increase their risk of developing diabetes as adults.
The study of lab rats was led by Professor Dipak Sarkar, director of the endocrine research programme at Rutgers University in the United States.
Principal investigator Prof Sarkar said: “The effects of alcohol use during pregnancy on an unborn child are well known, including possible birth defects and learning and behaviour problems.
“However, it is not known whether a mother’s alcohol use before conception also could have negative effects on her child’s health and disease susceptibility during adulthood,”
For women, binge drinking is defined as the equivalent of four or more drinks in about two hours.
Prof Sarkar and his colleagues conducted the study in rats, whose basic processes of glucose function are similar to those in humans.
For four weeks, they gave female rats a diet containing 6.7 per cent alcohol, which raised their blood alcohol levels to those of binge drinking in humans.
Alcohol was then removed from the rats’ diet, and they were bred three weeks later, equal to several months in humans.
Adult offspring of these rats were compared with the offspring of rats that didn’t receive alcohol before conception.
After the rats’ offspring reached adulthood, the researchers used standard lab techniques to monitor their levels of blood glucose and insulin and two other important hormones, glucagon and leptin.
Glucagon stimulates the liver to convert glycogen into glucose to move to the blood, making blood glucose levels higher. Although the main function of leptin is inhibiting appetite, it also reduces the glucose-stimulated insulin production by the pancreas.
The researchers found that the offspring of rats exposed to alcohol before conception had several signs of abnormal glucose function.
Altered glucose function included increased blood glucose levels, decreased insulin levels in the blood and pancreatic tissue, reduced glucagon levels in the blood while being increased in pancreatic tissue, and raised blood levels of leptin.
The researchers said they also found evidence that preconception alcohol exposure increased the expression of some inflammatory markers in pancreatic tissue.
Study co-author Ali Al-Yasari, a doctoral candidate, said this might lower insulin production and action on the liver that increases blood glucose levels.
He said the overexpression of inflammatory markers may be how pre-pregnancy alcohol use altered normal glucose function in the offspring.
He added: “These findings suggest that the effects of a mother’s alcohol misuse before conception may be passed on to her offspring.
“These changes could have lifelong effects on the offspring’s glucose function and possibly increase their susceptibility to diabetes.”
The findings were due to be presented at the Endocrine Society’s annual meeting in Orlando, Florida.
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This Is How FEMA Trains Texas Police To Deal With Riots, Conduct Mass Arrests
Last summer the state of Texas was ablaze over concerns surrounding the Jade Helm military drills held across the state prompted some to speculate that the Federal government was preparing for either a local insurrection, secession planning contencies for the Lone Star state or even a "Texas takeover."
Similar confusion returned earlier this week when dozens of McLennan Community College students posed as unruly protesters as part of a Federal Emergency Management Agency training program. This "first of its kind" three day exercise in Waco, Texas was overseen by the Department of Homeland Security, during which police officers from fifteen different departments took part in drills on how to deal with riots and conduct mass arrests."
Officers from the Waco Police Department, McLennan County Sheriff’s Office, Killeen Police Department, Lorena Police Department, DeSoto Police Department and troopers with the Texas Department of Public Safety, among others, participated in the three-day training program.
As Waco Tribune reports, citing training coordinator Jay Fonville, "this type of training has never been in Texas before."
This sparked questions: if it was "never held before" why is it being held now? Fonville's answer "we are here to protect people — protect protesters and protect law enforcement officers" adding that "this was very beneficial to get this kind of training here, especially in Central Texas, and for so many officers to have access to it."
Others chimed in: "Riots are hard to detain, and as little officers as they have they are probably going to be outnumbered most of the time. It’s vital that they get it correct the first time," Criminal Justice major Dylan Solis told KCEN-TV.
Area agencies sent 61 officers to the program at MCC’s Emergency Services Education Center for the course that started Monday and finished Wednesday, training coordinator Jay Fonville said.
Students acted as nonviolent protesters, and Lopez was one of several classmates who chanted, screamed and antagonized officers during the drills.
Fidencia Lopez, a student in MCC’s emergency medical technician program, posed as a protester throughout Wednesday’s demonstrations and said she gained valuable insight into how law enforcement officers are trained to operate in crowd-control scenarios.
“This makes it very real to see how protesters are getting taken out and that there might be some injury or even with law enforcement,” Lopez said.
Cops learned how to counter “domestic and civil disturbances” during the training, which was coordinated by the DHS’ Center for Domestic Preparedness, as well as “proper use of batons, mass-arrest procedures, and riot control formations."
But most curious was the organizational presence of the Department of Homeland Security: FEMA instructors from across the country directed officers on the public’s constitutional rights and the appropriate way to handle situations with multiple arrests and mobile field-force team methods.
The training is expected to be put into practice in "realistic situations," and more drills are being planned for the future.
Was the "first of its kind" training session a harbinger of things to come?
For now it is unclear, however as Paul Joseph Watson notes, "police departments across the country are buying riot gear in expectation of more Ferguson-style civil unrest sweeping the country." Maybe they know something.
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New Wirtgen 220 SM 3.8/220 SMi 3.8 Surface Miner: Maximum Performance in Soft Rock
Wirtgen’s 220 SM 3.8/220 SMi 3.8 surface miner selectively mines raw materials up to a cutting depth of 350 mm and a uniaxial compressive strength of 35 MPa. Thanks to its 3.8 m wide cutting drum designed specifically for soft-rock mining, the compact surface miner achieves maximum productivity at low operating costs and is perfect for use in small to large mining operations.
Efficient and Environmentally Sustainable Raw Material Extraction
Selective extraction makes it possible to mine raw materials with a high level of purity. The material, which is extracted in an environmentally friendly manner without drilling or blasting, is continuously deposited behind the machine in a windrow and then loaded onto trucks with other equipment.
In this context, refraining from drilling and blasting makes it possible to conduct efficient mining operations close to industrial sites and other infrastructure such as pipelines or high-voltage power lines, which ultimately results in the optimized exploitation of the deposit.
Powerful Cutting Drum Unit
The cutting drum is designed specifically for demanding windrow applications in soft rock, such as coal or salt. Maximum cutting performance combined with the ideal use of engine power and low specific fuel consumption allows raw materials to be mined in an extremely cost-effective process. Six different adjustable cutting drum speeds ensure that the machine can be perfectly adapted to the material being extracted. This leads to a significant reduction in pick wear, minimal diesel consumption, and increased productivity, which translate into an impressive daily output and low cost per ton of extracted material.
The new 220 SM 3.8 from Wirtgen extracts coal with maximum precision and extremely cost-effectively near the town of Talcher in eastern India.
Reliable Operation and Safety are the Top Priorities
In surface mining, the continuous availability of the machine and its safe operation are of critical importance. This is why the surface miner’s components are designed to achieve a long service life, even under extreme conditions. For example, filters in all circuits and a pressurized hydraulic reservoir ensure maximum purity in the hydraulic system and, as a result, safe operations. The clean oil in turn prolongs the service life of the downstream components and thus increases the availability of the machine.
Spacious ROPS/FOPS Operator’s Cabin
The 220 SM 3.8/220 SMi 3.8 also meets occupational safety requirements in surface mining thanks to the standard-equipped ROPS/FOPS operator’s cabin. The cabin features additional soundproofing and vibration isolation, allowing the operator to work for several hours without the risk of fatigue. The ergonomically designed and clearly arranged controls are integrated into the armrests of the driver’s seat, and all of the machine’s key functions are logically incorporated into the multifunctional joysticks. This means that the operator can operate the machine intuitively in just a few steps and fully concentrate on high-precision mining. The state-of-the-art, fully air-conditioned, large-capacity cabin also features generously sized windows, giving the operator a direct view of the cutting edge and with it, the results of their work.
In operation around the clock: The Wirtgen surface miner’s powerful lighting system illuminates the surroundings at night and provides a clear view of the cutting edge.
High-Precision Leveling with LEVEL PRO PLUS
The LEVEL PRO PLUS leveling system has a proven track record in road construction and mining and is intuitive and easy to operate. A flat or inclined formation level can be created with absolute precision thanks to side plate scanning and the cross-slope sensor. The machine is also ready to be equipped with GPS or laser control.
WIRTGEN GmbH
Michaela Adams
Reinhard-Wirtgen-Str. 2
53578 Windhagen
http://www.wirtgen.de
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Logos for Yum! Brands, KFC, Pizza Hut and Taco Bell
YUM – NYSE
Our mission is to build the world’s most loved, trusted and fastest growing restaurant brands. We are evolving KFC, Pizza Hut and Taco Bell into iconic, distinctive and relevant global brands.
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Yum! Brands isn’t your average Fortune 500 company – we like to do things a little differently. From our world-famous culture of fun and recognition to our focus on your career potential, Yum! puts a unique stamp on day-to-day business. You will see why the passion of our people and the power of our brands are just two reasons there’s no place like Yum!.
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Yum! Brands is focused on building KFC, Pizza Hut and Taco Bell to be the world’s most loved, trusted and fastest growing restaurant brands. As a global company that serves millions of consumers at 48,000 restaurants across more than 145 countries and territories, we aim to make the world better by acting responsibly with respect to food, planet and people.
Yum! Brands has over 48,000 restaurants in more than 145 countries. Our restaurant brands – KFC, Pizza Hut and Taco bell – are global leaders of the chicken, pizza and Mexican-style food categories. Worldwide, our system opens over eight new restaurants per day, making us a leader in global retail development.
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For your convenience, we have archived all of Yum! Brands' statements and press releases since our company's inception in 1997. To view an archived press release, please select a year from the list below.
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Xconomy Detroit Ann Arbor
Precision Bio’s IPO Raises $126M for Pipeline of Gene-Edited Drugs
IPO Scorecard: CrowdStrike Gains 70 Percent on First Trading Day
Amunix Taps Five Prime’s Irving for Chief Scientific Officer Role
The Path to a More Human Voice Interface
Review: Inside the House of Lies at Theranos
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UM to Offer New Graduate Program in Entrepreneurship
Nicole Aber
Students and venture capitalists seeking to bring more startups to Ann Arbor may find just the catalyst they’ve been looking for in a new University of Michigan graduate program in entrepreneurship. UM currently offers a nine-credit certificate in entrepreneurship for undergraduates, but the forthcoming master’s in entrepreneurship program—which will consist of 36 credits, according to a UM press release—represents the first full degree a student can earn in entrepreneurship.
The UM program will combine the resources and acumen of both the College of Engineering and the Ross School of Business and will commence in fall 2012. The program—awaiting a green light from the Presidents Council of the State Universities of Michigan next month—is designed to stand out from similar programs through its interdisciplinary approach and action-based curriculum.
“We spent a considerable amount of time thinking about what the archetypal entrepreneur needs, and we’re going to develop brand-new courses to fill their needs,” says Bill Lovejoy, the recently named co-director of the program and a professor in the Ross School of Business.
Lovejoy and his co-director, Aileen Y. Huang-Saad, a lecturer in the College of Engineering, say the graduate program is filling students’ desires for more entrepreneurial studies. Starting about two years ago, Huang-Saad and Lovejoy were part of teams that conducted research to gauge the level of student interest in such a program.
The program will include classes such as entrepreneurial finance and entrepreneurial operations, which Lovejoy says have “familiar” titles that overlap with MBA classes in name only.
“For example, in finance, these students will not need to know how to value derivatives, they need to know how to navigate the venture capital infrastructures,” Lovejoy said. “In operations, it won’t talk about what line-balancing and other things might do for an automotive firm. We’re going to talk about how do you get a … Next Page »
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Nicole Aber is a contributing writer for Xconomy. Follow @
Distil’s Are You a Human Acquisition Is Big Win for Tech Community
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Akufo-Addo is as effective as Messi and Ronaldo combined - Chairman Wontumi
Kidnapped girls saga: what's known so far
Author: Kofi Akwasi
Category: Ghana Facts Life Hacks DIYS and Practical Tips
Nine is the number of months that have passed ever since the breaking news of three kidnapped girls went viral in Ghana media houses. Residents, police, Ghana media, and the families of the affected have been trying their best in sharing information and ideas in an effort of seeing the three girls are rescued and safely reunited with their families. The sad news is that despite all the contributions, the girls are still not found.
Image: facebook.com, @DavidOseipoku
The three kidnapped girls’ saga took a complete turn after speculations that the girls were finally rescued spread all over Ghana. Top security officer being fired and a Ghanaian reverend insisting that he knows the location of the girls are some of the new developing stories covered in this article. Where is the truth? Read on for exclusive insight and briefing on the Takoradi kidnapping saga.
Takoradi Kidnapped girls
The city of Takoradi, Western Ghana, has been trending for its notorious kidnapping incidences ever since 2018. 17th August 2018 marks the dreadful day that Priscilla Blessing Bentum went missing in Takoradi. The police investigation concluded that she was a victim of kidnapping. 4 months later, 18-year-old Ruth Love Quayson was also reported to have been kidnapped on 4th December 2018. The third and most recent kidnapping occurred on 21st December 2018 where the 15-year-old Priscilla Mantebea Koranchie was also reported missing. The developing story on the three girls gained public attention and reaction in what has been termed as "The Takoradi kidnappings."
Family and community outcry to police
The devastated parents and family members of the three girls have been pleading with the police to hasten their rescue mission hence put an end to their misery. Various Ghanaian residents and media houses have also been putting pressure to the police as they demanded answers and lead information concerning the search progress.
Maame Yaa Tiwaa Addo, Director-General of the Criminal Investigations Department (DCOP), held a media briefing where she announced to have identified the location of the kidnapped girls. The Ghana police successfully arrested a Nigerian man, Samuel Udoetuk Wills, associated with the kidnappings.
READ ALSO: Minority leader hints of dragging IGP to Parliament over fate of 3 missing Takoradi girls
Besides, the Criminal Investigation Department boss added that the three girls were safe and would soon be reunited with their families. On the contrary, some of the family members of the victims raised doubt in the police statements. The first whistleblower was Rebecca Quayson, a sibling to one of the three kidnapped girls, who reported that her mother was given utterly different information concerning her daughter's whereabouts.
According to Rebecca Quayson, her mother received a phone call from the Deputy Commissioner of the Police, Tiwaa Addo-Danquah, a day after the police briefing. The commissioner did not share any significant information regarding her daughter's safety or whereabouts unlike what the commissioner stated in the media briefing.
Police harsh criticism
The police commission has been facing harsh criticism by the families of the Takoradi kidnapped girls based on the police misinformation. Through their spokesperson, Michael Grant Hayford, the families complained that ever since the media briefing, the CID had not bothered to offer any official information concerning the safety of their children. The families only depended on the media news reports which are not satisfactory.
In response, Maame Yaa said that the police had been silent on the matter as it was classified. She added that giving any extra information on their location would jeopardize the girl's safety. She only urged that the families and residents should be patient as the girls will be brought back safely. This was on Tuesday, 2nd April 2019.
Ghana residents woke up to breaking news that the girls had finally been rescued. According to the Daily Guide report, Ruth Quayson, Priscilla Blessing Bentum, and Priscilla Koranchie were safe in a private medical health hospital in the capital city Accra. The alleged news was published by the "Daily Guide" which explained that the young girls were rescued and transferred to an unknown BNI Clinic, one of the 37 Accra Military Hospitals for medical tests.
Rashid Seidu Inussah sacked by president
The good news took a complete turn when members of 3news.com were unable to get any confirmation concerning the Daily Guide report. The uncoordinated police reports led to great public confusion as the victim's families and citizens demanded the truth. As a result, the Ghana president, Nana Addo Dankwa Akufo-Addo commanded that Rashid Inussah, the Director of the Bureau of National Investigation (BNI) to step down from his position.
The decision is believed to have been made based on reports of security lapses and continuous miscommunication between the Ghana police and the BNI that led to the leaking of the "classified information." The position of the Director of BNI is now under Kweku Dumfeh, who served as BNI Deputy Director.
Security expert’s disgust
Many mixed reactions have met the President's decision to fire Seidu, the Director of the Bureau of National Investigations. A group of security experts such as Richard Kumadoe, a fraud and security consultant, expressed their disappointment on the way the president handled the critical security matter. According to Richard's argument, the BNI is a top government and security body that requires informed and cautious decision making.
READ ALSO: BNI boss sacked over security lapses; deputy replaces him
Reverend Owusu Bempah claims of knowing the kidnapped girl's whereabouts
Reverend Owusu Bempah is currently trending in relation to the Takoradi kidnappings. The Glorious Word and Power Ministry International founder and leader, Rev. Isaac revealed through an interview with NEAT FM that he is capable of showing the specific location of the three girls. He insisted that him together with other "prophets of God" are the only ones capable of providing the precise location of the girls.
Image: facebook.com, @ImagineTakoradi
The reverend made the remarks based on a statement by Haruna Iddrisu's who planned to introduce a parliamentary motion that would have the IGP boss brought to parliament for an exclusive questioning concerning the Takoradi kidnappings. According to Reverend Owusu Bempha, the IGP boss has no spiritual powers that can enable him to know the kidnapped girls whereabouts.
He went on to say, "This is the time to try prophets like us but Ghanaians, as usual, will rain insults...People always disregard men of God and always attack us and so I only urge Ghanaians to give us the chance in cases like this. I know this issue has to do with the work of the police, but I can help too unless I'm invited by Nana Addo," Even though, the reverend stated some protocol that needs to be observed for him to reveal the information.
First, he noted that the president of Ghana should first give him a call so that he can tell the president the classified information. The reverend also added that he has a spiritual revelation that showed him a specific police officer capable of solving the Kidnapped girls’ saga. The reverend did not disclose any particular information concerning the name of the officer.
In a nutshell, the three kidnapped girls Priscilla Blessing Bentum, Ruth Love Quayson, and Priscilla Koranchie whereabouts are still unknown. The girls’ families are still disappointed with the police investigation given to the various highlighted miscommunications. This led to the president firing the BNI director based on the contradicting reports and mismanagement experienced in the security body. Ghanaians current solution happens to be focused on Reverend Owusu Bempah who claims to have spiritual manifestation on the girls’ location.
READ ALSO: Families of 3 missing Takoradi girls call off planned demo
Source: Yen Ghana
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We won’t use taxpayers’ money to pay Menzgold customers – Gov’t
By Ellsamwise King on January 10, 2019
The government has shut the door on any hope customers of the embattled Menzgold Company Limited have of being cushioned or settled with taxpayers’ money.
This follows continued cries for government intervention from such customers despite the Finance Minister earlier stating that the government will not pay customers their monies locked up in the company.
“While government sympathizes customers on the difficulties encountered with their transaction with the company, the state cannot and will not resort to the use of taxpayer’s monies to refund customers monies,” a statement from the Information Minister said.
In the statement that touched on a variety of issue ranging from President Nana Akufo-Addo’s purported endorsement of Menzgold CEO, Nana Appiah Mensah, to the work of security agencies, the government reminded that citizens were warned of Menzgold’s shaky foundation.
“This warning was made as far back as April 2016, and, unfortunately, was disregarded by many customers of Menzgold. BoG and SEC are, therefore, not clothed with any legal mandate to refund monies clients.”
“Customers whose contractual obligations have not been met by the company are entitled to seek a legal remedy to retrieved their funds paid to the company ostensibly to buy gold,” the statement added.
In the meantime, the statement assured that security agencies “shall employ all the powers of the state to find the accused persons investigate the allegations and ensure that the law takes its course in this matter.”
A warrant was issued for Nana Appiah Mensah’s arrest, who is believed to have fled the country.
Ghana’s security agencies are said to be liaising with Interpol, according to the statement.
Some customers are also readying to sue Menzgold for breach of contract.
Panic around Menzgold begun in September 2018 after warnings from the SEC and the BoG.
Customers from all walks of life have been thronging Menzgold offices nationwide demanding to withdraw investments to the tune of tens of thousands of cedis.
These visits were interspersed with promises of settlements from Menzgold that were never fulfilled.
Even some 100 retired and active Police Officers at the Kasoa Divisional Police Command in the Central Region ended up suing Menzgold over their locked up funds.
Agitations have culminated in protests, the most intense of which occurred in Kumasi, where 7 persons were arrested after roads were blocked with burning tyres.
Legitimate investments are protected in Ghana – Nana Addo
Angry teenager stabs boyfriend to death for cheating
Utility tariff increases take effect today
Supermarkets in Ghana sell only 18% local goods – Report reveals
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LI PULSE: April’s Must-See Art Exhibits
gallery April 5, 2016 News
Our can’t miss picks for art this month include an artist that creates his work through nostalgia and an exhibition from impressive Stony Brook University soon-to-be grads.
SBU Student Shows
The Staller Center for the Arts at Stony Brook University will feature the year’s best work from graduating art students in two separate April shows. SUM: 2016 MFA Thesis Exhibition opens the month with the work of five graduating Master of Fine Arts students. Their pieces explore themes such as the fragility and beauty of the human body and society’s role as creators and consumers. Senior Show 2016, an annual juried exhibit, follows with a showcase of the top artwork from undergraduate art majors and minors. Both exhibitions include sculptures, paintings, photographs, mixed-media art, digital media and various other mediums.
SUM: 2016 MFA Thesis Exhibition will be showing March 22 through April 9. Senior Show 2016 will be showing April 30 through May 20 at Paul W. Zuccaire Gallery in Stony Brook. (631) 632-7240, zuccairegallery@stonybrook.edu
Art Department juried exhibit LI Pulse Long Island Pulse MFA MFA Thesis Exhibition Must-see show painting sbuart sculpture Senior Show Staller Center Stony Brook University video Ye-seul Choi
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Game over: Too late for Zim to hold fair elections
- 13th June 2018
Zwnews Chief Correspondent | With only one day left before the Nomination Court sits, it is now too late to expect the country to hold free and fair elections.
The Court will be sitting on Thursday, 14 June 2018, and already this is happening before the availing of the voters roll for public scrutiny by the Zimbabwe Electoral Commission (ZEC). Though the Commission has recently released its election roadmap, it seems this would change nothing.
The times allocated for the various stages under this roadma is just inadequate for people to utilise and make informed decision during the voting day. Everything seems to have been deliberately rushed, leaving no room for further deliberations.
The commission has been at the receiving end for its dilly dallying approach in employing the electoral reforms that would level the playing field.
Meanwhile, to window dress the electoral field, the ZEC has directed the Zimbabwe Media Commission, and the Broadcasting Authority of Zimbabwe to give equal coverage to all political parties.
The call comes while the Commission itself is yet to put into effect the key ingredients that make the recipe for free and fair elections.
According to a local electoral watchdog, the Zimbabwe Election Support Network (ZESN), free, fair, and credible elections in Zimbabwe can only be achieved based on constitutionally aligned electoral laws, effective electoral administration, and a political environment that allows citizens to make free choices on the electoral processes.
“In the absence of substantive legislative realignment and reform it will be difficult for Zimbabwe to hold credible elections,” said the watchdog in a statement.
ZESN also says the other ingredient for credible elections is the electoral governance through a truly independent election administration body.
ZEC is under attack from opposition political parties, and civil society for being biased towards the ruling party.
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Watch Live Video: Zimbabwe Gems vs New Zealand..NetBall World Cup 2019
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Taipan Factory Report
HOME > ENGINE ARTICLES > Taipan Factory Report
The famous Taipan marque from Australia is universally well known among present-day model engine enthusiasts. Created by Australia's premier model engine designer and manufacturer, the late Gordon Burford, those very capably designed and well-made engines really put Australia on the map among the world's more notable model engine producing nations. Indeed, the company became the largest producer of model engines and accessories in the Southern Hemisphere.
Several previous articles on this site have covered various Gordon Burford designs, including his Schnuerle-ported models, the Glo Chief 45 and the later Taipan 40. I've also reviewed the late David Owen's outstanding re-creation of the 1958 Mk. 3 Taipan 2.5 cc plain bearing diesel. Doubtless there will be more Taipan reviews in the future.
However, none of these articles have gone, or will go, into the details of just how these engines were manufactured. Thankfully, my good mate David Burke of Adelaide Aeromotive, who are the present-day bearers of the Taipan torch, has taken the time and trouble to assemble a wealth of information on the Taipan factory and the various manufacturing processes which went on there. This has been a labour of love going back some 43 years!
The material is presented here in a series of pdf files under the appropriate headings. Just click on the heading, and up comes the chapter in question. My very sincere thanks to David for making this information available to all of us!
Chapter 1 - Taipan Factory - Physical Layout
Chapter 2 - Taipan Casting Technologies
All pdf articles © David Burke, Adelaide, South Australia
Chapters 1 and 2 first published November 2018
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Back It Up, Buss It And Bounce
A Manhattan bartender's boss was far more interested in twerking than working, a lawsuit claims. In between spitting bars in her island accent, Nicki Minaj backs up her wagon on Busta Rhymes in his Twerk It" video. Twerking is a style of dance that is considered sexually provocative and entails a lot of hip movements, gyrations, pelvic thrusts and glut contractions whilst in a squatting stance.
Whether or not you are obtaining a giggle with the girls, or exercising your mating contact, Twerking is the only way to bring all the boys to the yard. Often instances, when a twerk dancer has finished their dance ritual, males will share excellent tidings with loud cheering and guttural noises.
The number of classes you can take and the number of instances you can visit a studio per month depends on which plan you are on. You can figure out which program you're on by going to your Account Settings and hunting below 'Your existing strategy.' With hundreds of studios in our ever-developing network, you happen to be bound to usually find a new class to appreciate.
During the class you are going to understand a sexy choreo to a popular TwerkZotic song such as 'Earned It' by the Weekend from Fifty Shades of Grey". Although the workout makes you function a sweat, it's appropriate for all fitness levels, with Hemalayaa demonstrating approaches to adjust the moves to match your capabilities.
Twerking is dancing that make the cheeks of one's behind move or otherwise bounce about. In August of 2012, NewsOne published a story about a pre-teen rapper named Lil Mouse" who raps in a YouTube video about smoking men and women who disrespect him and refers to females in extremely disparaging techniques.
Should you have virtually any inquiries with regards to wherever and also how to use twerk music (Click on the following page), it is possible to email us with our web-site.
ITunes is the world's easiest way to organize and add to your digital media collection. If the Fraules dancers maintain putting out this sort of heat, we anticipate news of a Fantastic Siberian Snow Melt any day now. Other occasions, a famous celebrity will post a video online of them twerking that abruptly becomes the hottest subject on the World wide web.
The twerking craze has blown up because Miley Cyrus reintroduced it to the globe back at the MTV VMAs in 2013! To twerk quicker just move quick, so move your hips backwards and forwards quicker. Netizens who have been in a position to watch her dance moves have been actually impressed with what she did!
Elena and the school have been visited by several of the best choreographers in the world, who perform with big name celebrities such as, Janet Jackson and Beyonce Elena has been dancing because she was a young kid and dances a number of designs, which includes hip-hop, home and pop and lock.
This is also a excellent chance for grabbing a wall twerking partner to join you as you show off those moves! Twerking's rise to fame continued via common hip-hop music and viral videos. In June, they produced a video featuring Ashley's strange addiction — twerking.
Known for showing off her sexiest assets, Rihanna is by no means also shy to highlight her undeniable sex appeal, even when it comes to her white girl twerk twerking abilities. TWERKhoreo® is appropriate for students who has completed a TWERKFit® course and have strong twerk ability.
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Hilarious Toddler Shows Off His Dance Moves
Disclaimer: You are leaving a Gizmodo Media Group, LLC website and going to a third party website, which is topic to its own privacy policy and terms of use. It has an uncanny resemblance to the Mapouka dance from Côte d'Ivoire (contemporary versions of which can be seen here and right here (a side note: if you choose to investigate this further, beware of simply typing mapouka" into YouTube)). I put twerk fitness it on the radar in Seattle with classes, private appearances and a foundation of teaching Mapouka, AfroBeats, Zumba and twerking in Seattle for years.
You are encouraged to bring you personal music for your totally free dance in order to deepen your understanding of your body's movement. In the video, ten-year-old Kaycee can be seen popping it (for lack of a much better word as to not overuse twerk") to a routine choreographed by Missy Elliot's choreographer, Tricia Miranda.
The dance dates back centuries, having most probably originated someplace in West Africa. But from what I gathered, it really is just about how to twerk and have exciting while carrying out it. And these girls certain are obtaining a blast! Punchy 808 Sub kicks, Hip-Hop Drum Loops, Mad Modulating Bass Lines, Bleaping Themes, Twisted FX, 1 Shots, Huge & Sylenth Patches, all the components necessary for the subsequent Trap & Twerk bomb are offered in this sample pack!
According to nearby news affiliate ABC ten News in San Diego, teachers at Scripps Ranch immediately suspended all 33 students involved with the clip (which has since been removed from YouTube), such as some who did not appear in the video at all.
We will also find out short sequences that can be danced alongside a assortment of music. The 16-second video, posted to Twitter on Saturday morning, shows 1 of the females moving from her hands and knees to in fact standing atop the hood although twerking.
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The Best Twerk Of The Planet
According to the Social Weather Stations (SWS) survey, the number of unemployed pinoys has decreased by about 800,000 men and women in the initial quarter of 2017. The Catholic priest acknowledged he was pretty unfamiliar with twerking ahead of noting how Hance's street contortions delivered a message of inclusion and compassion. Twerking could be as old as human use of fire, but older folks are nonetheless usually uncomfortable with females expressing their sexuality, specifically by any type of thrusting.
To celebrate the news of becoming the only woman in history to have the most Hot 100 Billboard entries , 76 of them to be exact, Nicki Minaj decided to treat her 76.six million followers on Instagram Monday evening with a small twerking video [Click on the following website].
Two years ago the Twerk Group became an overnight YouTube sensation for their twerking music videos, and even got a name-verify on Waka Flocka Flame's song 'Round Of Applause' as a result! For the duration of Kitty and Jake's twerk tutorial, Jake is initial seen at the front, alongside Kitty, addressing the New Directions, but in the next shot, he is twerking with Marley at the back.
There Sue provides a deal: She'd grant Special full-time access to the teacher's rest space if the glee club stops the twerking assignment. Twerking could be the present generation's equivalent to the jitterbug and the twist, with its ability to shock and offend adults.
Two Midland ladies robbed a man at twerking video knifepoint, held him hostage and then ordered him to TWERK to gangster rap. Twerking is a ritual dance created to conjure up or invoke demonic spirits known as Gede. Following the New Directions watch Blaine's scandalous twerking video, Will is inspired by it and introduces a new assignment: Twerk.
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A Hong Kong Blog
Hong Kong As It Is
Where to Visit
Where to Eat/Drink
China As It Is
Travel in Beijing, Hangzhou, Zhuhai
Posted on September 29, 2014 September 29, 2014 by Anna
A day near the epicenter of democracy protest (part 2)
Slogans showing the determination of the student protesters were plastered everywhere in the protest site surrounding the Government Headquarters.
The slogan says “I resist therefore I exist”
“Democracy” inscribed on the ground
An old man carries these slogans
Some were tired and slept on the ground.
The items donated by the Hong Kong people to support the democracy movement were plentiful.
“Power to the people” it says.
Items donated by Hongkongers pile up
They were mainly water, masks, biscuit, bread, banana, raincoat, and kitchen wrapping paper (for protection against pepper spray). There are a number of stalls set up to provide such items across the whole protest site.
From time to time, the students walked around distributing wet towels (for protection against pepper spray and tear gas), water, raincoat, food and even umbrella to all those present at the protest site.
The police did not allow people to enter the protest site from noon yesterday, and blocked the way to Tamar Park from Admiralty Station, the main and only way to the protest site. As more and more people wanted to come to the protest site and they were blocked the access, they had to stand at the opposite side, across the Harcourt Road. People were many many, eager to join people at the other side. Only that the heavily armed riot police stood in between.
Then, the people at the opposite side became so many and so frustrated with the police not allowing them access, they started to venture out into Harcourt Road and all of a sudden, I was told they were everywhere in Harcourt Road. I tried to find a high point to look and when I did, that was an amazing sight – the whole section of the road teeming with people, some waiving at us.
Harcourt Road teeming with protesters after police denying them access to the protest site
It was an emotional and triumphant moment – for people at the protest site, this was a sign that we all stood together. Yet, the police, occupying a narrow space in between and heavily armed, refused to let people from the two sides join. At the end, they fired tear gas, one after one, one after one, to disperse protesters turning up in a growing number.
But every time the protesters dispersed, they came back again to the spot. Again, police had to fire tear gas. And the crowd dispersed, but then gathered again quickly. That is how determined the Hong Kong people were.
CY Leung government has sent riot police to quash the protesters, including using pepper spray and tear gas, holding guns and flashing signs saying that they will fire if the crowd charges. The signal is clear: you protesters are rioters. If not, why were riot police deployed and was tear gas used? The protesters have been peaceful, with many of them students. Just look at this photo. Why riot police?
Students sit quietly in raincoat or with umbrella in front of the police wearing helmets
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BOOTH HAYNES Paula
Name BOOTH HAYNES Paula [1, 2]
Father BOOTH Paul, d. 27 Nov 1952
Mother SARTOR BOOTH MOATES Pearl, b. 4 Apr 1910, Bronte, Coke Co, TEXAS , d. 17 Nov 2010, Cisco, Eastland Co, TEXAS (Age 100 years)
Married 19 Jul 1936 San Antonio, Bexar Co, TEXAS [3]
Family HAYNES John, d. Bef 2010
Last Modified 6 Aug 2018
Obituary of SARTOR BOOTH MOATES Pearl
04 April 1910 - 17 November 2010
Metroplex News [Online Newspaper]
Eastland, Eastland County, TEXAS
[Posted at Metroplex News [Online Newspaper] and Eastland, Callahan County Newspapers.]
Pearl Moates
CISCO - Pearl Booth Moates, 100, passed away peacefully with her daughters at her side on Wednesday, November 17, 2010 in Cisco. Funeral services will be 2:00 PM Saturday, November 20, 2010 in Kimbrough Funeral Home Chapel, officiated by Dr. Kelvin J. Kelley and Reverend Tim Penney. Interment will follow in Oakwood Cemetery under the direction of Kimbrough Funeral Home. Visitation with the family was held from 5:00-7:00 PM Friday at the funeral home.
Pearl was one of thirteen children born to James Gross and Lillie Mae (Watkins) Sartor. She and her twin brother, Earl were born in Bronte, Texas on April 4, 1910. She was a graduate of Lawn High School and attended Southwest Texas University in San Marcos and earned her teaching certificate from Sam Houston State University in Huntsville. She worked at Home Supply, Heidenheimers’s, and retired from Norvell and Miller Grocery Store in 1977 where she worked as a bookkeeper. She was an excellent seamstress and spent many late nights sewing for her three daughters. She also enjoyed needlework, quilting, reading, and doing crafts. She married Paul Booth in San Antonio on July 19, 1936 and moved to Cisco shortly after their marriage. He preceded her in death on November 27, 1952. After her retirement, she married Carl Moates in April 1977. They spent the next nineteen years traveling to the Texas coast, Possum Kingdom Lake, and enjoying life in Cisco. He preceded her in death on February 10, 1996. Pearl was a member of First Baptist Church since 1936. She was a role model, and an inspiration to her family and a devoted mother, grandmother and great grandmother. She is survived by her daughters, Paula Haynes of Abilene, Mary Beth Stroud of Lampasas, and Roberta Brown and husband Jim of Carbon; granddaughter, Becky Caffey and husband Dean of Clyde; grandson, Brad Brown and wife Tracy of Cisco; great grandchildren, Courtney Brown of Cisco, Kyla Caffey of Clyde, Meagan Brown of Cisco, and Zac Caffey of Clyde; sister-in-law Maude Sartor of Granbury; and numerous nieces and nephews. She was also preceded in death by her parents; twelve brothers and sisters; and two sons-in-law, John Haynes and John Stroud.
Memorials may be made to First Baptist Church, Post Office Box 127, Cisco, Texas 76437 or Hendrick Hospice, 1682 Hickory, Abilene, Texas 79601-2941.
Family Story
SARTOR Immigration to TEXAS from SOUTH CAROLINA
Told by Paula BOOTH HAYNES
The Final Years of Thomas Jefferson SARTOR and brother John Young SARTOR, Jr.
with niece Emma O. SARTOR SMITH
* Research Notes
- email from Paula BOOTH HAYNES, 01Apr11, posted in Research NOTES
- email from Paula BOOTH HAYNES 03 Apr 3,2011, posted in Research NOTES
- email from Paula BOOTH HAYNES, 02May2011, posted in Research NOTES
- email from Paula BOOTH HAYNES, 12 May 2011, posted in Research NOTES
[S9] OBITUARY, She is survived by her daughters, Paula Haynes of Abilene; Obituary of SARTOR BOOTH MOATES Pearl, Metroplex News, 2010, Eastland, Eastland County, TEXAS, posted in DOCUMENTS.
[S32] Email to AtokaCemetery.org, My mother was Pearl Sartor Booth Moates... Paula Booth Haynes; email from Paula BOOTH HAYNES, 01Apr11, (posted in Research NOTES).
[S9] OBITUARY, She married Paul Booth in San Antonio on July 19, 1936; Obituary of SARTOR BOOTH MOATES Pearl, Metroplex News, 2010, Eastland, Eastland County, TEXAS, posted in DOCUMENTS.
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Rock Island Corridor and Katy Trail Connection
Posted on August 25, 2016 June 1, 2019 by Eric Rogers
Updated 6/1/2019:
Phase 1 is now open! Phase 2 starts construction this summer and is projected to open in late 2020 or early 2021.
Connecting Kansas City to the Katy Trail State Park is part of BikeWalkKC’s 10 Year Vision for Greater Kansas City. We are working with many public and private stakeholders to achieve the western end of the vision to extend the Katy Trail from border to border across Missouri.
The Katy to KC Connection is made up of multiple trail segments and connections via the MetroGreen trail network.
2016: Windsor to Pleasant Hill – Completed
2019: South Lee’s Summit to 350 Hwy
2020-2021: 350 Hwy to Truman Sports Complex
Future connections to be determined
“Greenwood Gap” from Pleasant Hill to south Lee’s Summit, the missing link still to be funded
Blue River trail connecting Rock Island to Brush Creek Trail and Country Club Plaza
Little Blue Trace trail from Independence to Longview Lake
2016: Rock Island Spur of Katy Trail State Park (Pleasant Hill to Windsor)
The Missouri State Parks is currently building a 45 mile segment from Pleasant Hill in KC’s southeast suburbs eastward to Windsor, where it will join the existing Katy Trail. This segment is using an inactive portion of the Rock Island Railroad owed Ameren, the St. Louis utility company. Funding was secured as part of legal settlement over a dam failure at an Ameren reservoir in Mid-Missouri.
Related: Rock Island Trail State Park and the Missouri Rock Island Trail coalition.
2020-2021: Jackson County Rock Island Trail – Truman Sports Complex to Lee’s Summit
In 2016 Jackson County and the Kansas City Transportation Authority jointly purchased Union Pacific’s Rock Island line between the Truman Sports Complex and Greenwood. The corridor will initially become a multi-use trail, and it will be preserved for future public transit service like bus rapid transit or commuter rail. Jackson County began trail planning in 2016, and the first phase of trail opened June 1st, 2019.
Related: Jackson County’s Rock Island Rail Corridor Authority, the agency in charge of the current trail development work.
Greenwood Gap
A small section of the corridor through the town of Greenwood is still an active railroad and was not part of the Union Pacific sale to Jackson County and the KCATA. Planning is underway to identify an alternate corridor for a trail or on-street connection to Pleasant Hill.
Local trail connections
Once the Rock Island corridor is complete, there will be several local connections to the MetroGreen trail network. Most of the metro area will be within a half-day’s ride of Katy Trail! Some of these local trails are open now, some are under development, and others are just dreams waiting for funding.
Brush Creek Trail to the Country Club Plaza, with a future extension into Northeast Johnson County
Blue River Trail planned to stretch from Leawood to the Missouri River
Downtown Kansas City via the planned Blue River Trail and a future eastward extension of the Riverfont Heritage Trail
Downtown KCK via the western leg of the Riverfront Heritage Trial
The Route 150 Trail from Lee’s Summit 71 Highway in South KC, with a future extension west to Johnson County
Northland via new paths on the Heart of America and Chouteau Bridges
Updated June 2019
How you can help make this all happen
Become a member of BikeWalkKC to help us work towards this awesome goal. Your membership supports our work with local cities and counties to bring the Katy to KC and build out the MetroGreen network so the whole region can access the Katy. Join today, or if you are already a member, make a donation.
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We might spend more time living in virtual reality than actual reality
METRO, MAY 2019
We’ve come a long way in virtual reality in 50 years.
The first VR headset created by Ivan Sutherland between 1965 and 1968 was nicknamed the Sword of Damocles because it looked just like a huge sword hanging over the head of the person using it.
VR hardware is now much friendlier, looking less like a torture device and more like a chunky sleep mask.
Sutherland’s headset showed a cube suspended in the air. Now when we put on a VR headset, it can feel like we’ve been transported to the Moon, the rainforest or into our favourite video game.
Because of how immersive they can be, experts predict that we may choose to spend less time in the real world and more time in a virtual one.
‘In 20 years, VR use will be as common as mobile phone use is today,’ Sol Rogers, CEO and founder of VR agency REWIND, tells Metro.co.uk.
This may have been hard to imagine a few years ago but advances in VR technology are moving fast.
Picture: Ella Byworth
READ THE FULL FEATURE HERE
In case you forgot:
I’m a freelance journalist and copywriter based in London. I’ve written hundreds of news articles, features and industry reports over the years covering technology, science and the future.
This book shook. me. up. @TheRealEGS writes about what we believe about ourselves and finding the strength to change. I read the whole thing in one sitting (Thanks @DerrenBrown for tweeting the @guardian extract & @BUNCHofSTEVE for sneakily buying me i… ift.tt/2k2hpMA pic.twitter.com/N31kCZgEJK
About 16 hours ago from Becca Caddy's Twitter
I'm about to head to the cinema to see the 4K restoration of #TheMatrix and I'm so excited to see it on the big screen for the first time!🍿 Here's the piece I wrote for @GizmodoUK to celebrate the movie's 20 year anniversary💊 gizmodo.co.uk/2019/03/the-ma…
Yesterday from Becca Caddy's Twitter
The ability to 3D print in space is a Really Big Deal. I remember talking to the @NASA press team a few years ago about #3Dprinting tools & smaller parts, but this latest funding means larger, more complex structures could be made in space too 🚀slashgear.com/nasa-funds-arc…
Well, he was certainly the master of this domain #JerrySeinfeld instagram.com/p/Bz3evuknTrb/ pic.twitter.com/fp8jpoAZ9C
About 3 days ago from Becca Caddy's Twitter
"I had this strong urge to do something positive." This is an inspiring and emotional read about the fantastic @K_Samantha1, who has bravely created a 360 film called @AnonymousChairs about grief and growing up with an alcoholic parent. nacoa.org.uk/news-and-event…
Copyright © Becca Caddy 2014-2019. All Rights Reserved
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Preface . . . And I Feel Fine
Five Plus One Daido Moriyama
Countries Fiji
Countries Mongolia
Countries Saudi Arabia
Countries Singapore
Countries Sri Lanka
Reflections Lars Nittve
EFFAT ABDULLAH FADAG, Al-Kreik, 2012, installation at Edge of Arabia Jeddah, 2012. Photo: Alex Maguire. Copyright Edge of Arabia.
Countries BY HG Masters from Almanac 2013
Although Saudi Arabia has suppressed any hints of social dissent in the last two years, the Arab Spring continues to have an impact. As the regional leader of Sunni Islam, the government has sent money and arms to rebels in neighboring Syria. At home, King Abdullah bin Abdulaziz has offered minor, liberalizing concessions, including permitting women greater employment opportunities and the possibility of both running for political office and voting in the 2015 local elections, although they are still not allowed to drive.
Slow shifts in Saudi Arabia’s ultraconservative Wahhabist culture are mirrored in the art scene. Many artists still tend to work in abstract styles to avoid conflicts with official censors over figurative works—nudes are banned—but often show more provocative works abroad. Government patronage is negligible and there is no fine arts museum, although universities now offer art degrees.
Artists exhibit in a handful of galleries, primarily in the capital Riyadh and in Jeddah, the kingdom’s most socially liberal city, which is home to a modest art scene. Athr Gallery is Jeddah’s most active, and was the only Saudi gallery at the Art Dubai art fair (3/21–24). It featured sculptor Ayman Yossri Daydban in “I Am Anything, I Am Everything” (1/20–2/16) and Saddek Wasil’s mixed-media objects (5/6–6/1).
Also in Jeddah, the British–Saudi venture Edge of Arabia, which since 2008 has organized platforms for Saudi artists in London, Venice, Berlin, Istanbul and Dubai, held “We Need to Talk” (1/20–2/26), with over 40 new works by an increasingly visible generation of young artists. Later in the year, Edge of Arabia’s exhibition in east London, “#Cometogether” (10/7–28), displayed artists from across North Africa and West Asia. In November, Edge of Arabia’s commercial arm, EOA Projects, opened a 2,000-square-foot office and gallery space in a former warehouse in Battersea, London.
The Saudi capital of Riyadh is less dynamic, but the country’s newest multipurpose venture, Alāan Artspace, opened its doors in October with “SoftPower” (10/3–12/10), featuring projects by Sarah Mohanna al-Abdali, Sarah Abu Abdallah and Manal al-Dowayan.
At the National Museum in Riyadh, the British Council organized “Out of Britain: 100 Years of British Landscape Art” (4/23–5/25), which later traveled to venues
in al-Khobar and Jeddah.
Several Saudi-run ventures are based abroad. In London, Lahd Gallery, run by painter Princess Nouf bint Bandar al-Saud, exhibited Syrian artist Khaled Akil (1/12–3/7). In Amsterdam, the Greenbox Museum exhibits the collection of contemporary Saudi Arabian art assembled by its Dutch founder Aarnout Helb.
Galleries in the Gulf offer Saudi artists international exposure. Manal al-Dowayan exhibited at Dubai’s Cuadro Fine Art with her collaborative project “Esmi” (9/17–10/25). In Doha, Ahmed Mater, Abdulnasser Gharem, Saeed Salem and Sara al-Abdali showed together at the Katara Galleries (3/8–4/8). Bahrain-born, Paris-based Faisal Samra exhibited at HD Gallery in Casablanca (3/30–4/28).
Among the year’s Middle East-themed exhibitions, several Saudi artists participated in “Arab Express: The Latest Art from the Arab World” (6/16–10/28) at Mori Art Museum in Tokyo, in “Light from the Middle East: New Photography” (11/13–4/7/13) at London’s Victoria & Albert Museum and in “Hajj – Journey to the Heart of Islam” (1/26–4/15) at the British Museum. Saudi artists were included at Galeri Zilberman in Istanbul in “Tesselation Make Up” (9/15–10/20). Abdulnasser Gharem had a solo exhibition at Galerie Krinzinger, Vienna (6/22–7/7). In London, Selma Feriani Gallery featured Maha Mullah’s sculptures made from found materials in “Just Des(s)erts” (10/9–11/10).
Looking ahead, the King Abdulaziz Center for World Culture in Dhahran is still awaiting the completion of its building, while it has been reported that Edge of Arabia will be touring US universities in 2013 and 2014.
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Score statistics
Parnu barely escape with win against Barsy
15.12.2016, Povilas Baranauskas, Triobet BBL News Services
PARNU – Barsy have been looking to capture their first win for a while now, and although they did get close to doing just that, they‘ll have to wait just a while longer. In the only game of the night the Kazakhs fell after a hard-fought battle against Port of Parnu, 73-78.
It took a while for both teams to get into rhythm, as they started off shooting really poorly. Both teams fixed that in the second part of the first period and went neck-to-neck, with Parnu making the final shot of the quarter to pull up by three.
Parnu managed to gain some grounds in the second quarter, as their lead improved to 10 with five minutes remaining in the half. However, the second part of the period belonged to Barsy, as they rushed off to a 15-0 run to end the quarter and go up by 2, 35-40.
It was a very close affair after halftime as well, and neither side could really take a position of control. While it was mostly Port of Parnu up in the quarter, the margin between the two teams was just two points before the final fourth.
The home side managed to push up ahead in the beginning of the fourth quarter, as they held a six point lead, but, obviously, having invested so much into the game, the Kazakhs were not about to let up. They battled back and the fate of the game was decided in the final minutes.
With a minute remaining, it was just two points between the clubs, as Vaidotas Volkus took a stand at the free-throw line to extend Parnu‘s lead to four. The teams traded bad possessions, and time wasn‘t on the visitors‘ side. Parnu extended their lead with free-throws and captured their second victory.
Edvinas Seskus had a terrific game, scoring 19 points on 8-of-12 shooting. Fellow countryman Vaidotas Volkus added 17 points to the tally, as Norman Kabin chipped in with 14. Saimon Sutt ended the game with 13, while Reinar Hallik finished with 10 points despite attempting 11 three-pointers.
Trevin Parks was the top scorer for Barsy, as he scored 20 points. Mikhail Yevstigneev was solid with 17 points to his name, while Anthony Johnson tallied 14. Pavel Ilin finished the game with 9 points and 8 rebounds.
Finals MVP Manigat: "You're only as good as your fans"
Pieno Zvaigzdes crowned as BBL champions
Tartu cause upset in Siauliai to claim Bronze
Birutis rakes in March MVP honors
Pieno Zvaigzdes take huge step towards gold
Siauliai bring home two-point lead for Bronze
First-leg win brings Jurmala to the Finals
Pieno Zvaigzdes earn spot in the finals
Jurmala excel in first leg of the Semifinals
Pieno Zvaigzdes upset Siauliai crowd
2019 © BBL.NET. All rights reserved
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Greetings from the Head of School
Greetings from the Dean
BCDS Open House
Summer Reading & School Supplies
BCDS Life
Directions To Away Games
Lunch Menu Calendar
Bar/Bat Mitzvah Calendar
Bar/Bat Mitzvah List
BCDS Calendar
Chesed & Community
AHERA Notice
R2 = Ruach & Rayut
Tray Bien Lunch Program
BCDS Family
PA Calendar of Events
PA Description of Events
Grade Representatives
PA Order Form
Grandparents Association
Support BCDS
Celebration Dinner
The Case for Giving to BCDS
Thoughtful Gift
Mitzvah Mania 2018-19
Metzuyan Fund
Shoshana Scheraga Library Fund
Bi-Cultural Day School, located in scenic Stamford, Connecticut is a Jewish day school which welcomes and celebrates the diversity of the Jewish community. Bi-Cultural’s reputation as a proven and progressive leader in secular and Judaic studies has consistently garnered national attention. The school was founded by a group of visionaries with Mr. Walter Shuchatowitz, as founding principal in 1956.
Today, over 320 students in grades Pre-K through eighth enjoy small classes, experienced and dedicated teachers, and outstanding facilities on a 13 acre campus. Bi-Cultural combines Jewish tradition and values with innovative curricula, cutting edge technology and extra-curricular activities to produce proud and self-confident American Jews who ultimately serve as leaders in their high schools, universities and communities.
Bi-Cultural hums with its own unique energy, one which visitors feel from the moment they step into the building. At Bi-Cultural, the air is filled with the song and laughter of happy children who take delight in learning, in Jewish tradition and in the friendships they make here. Little ones skip arm-in-arm down the hallways while middle school children chitchat at their lockers. Parents are always welcome at the school, where their involvement is encouraged by teachers and administrators. Visitors are invited to make an appointment to come see the school and attend our Early Childhood events.
Bi-Cultural’s academic program is one of proven excellence. Graduates go on to attend the top private schools, both secular and Jewish, a testimony to the caliber of the teachers and the curriculum. Students consistently score in the top 5% nationwide in standardized testing, qualifying to participate in the prestigious Johns Hopkins Talent Search.
The school’s graduates are desired by top high schools and colleges. Schools recently accepting BCDS students include Choate, Greens Farms Academy, Greenwich Academy, Hackley School, Horace Mann and Rye Country Day. Among private Jewish high schools, our graduates currently attend Ramaz High School, The Heschel School, SAR Academy, Jewish High School of Connecticut, Solomon Schechter of Westchester, Westchester Hebrew High School, to name just a few. Many also choose to attend area public schools. BCDS graduates emerge as top students and go on to the nation’s most prestigious colleges and universities. With a strong Bi-Cultural foundation, the two most recent classes of BCDS alumni have entered such prestigious universities, including Harvard, Princeton, Yale, Columbia, Cornell, Barnard, Duke and Northwestern.
Small Classes, Individualized Attention
A child-centered program with small group tutorials and one-on-one instruction which is employed to address individual needs, for both remediation and enrichment
Staff holds Masters level certification
Resource staff certified in several reading programs, including Orton-Gillingham
Two school psychologists
6:1 student to teacher ratio
Science taught by specially trained staff beginning in Pre-K
Special attention to transfers, who are assisted in making a smooth transition, with one-on-one Hebrew language instruction if needed
Focus on student writing skills, with continuous tracking of student writing beginning in fourth grade to ensure progress
Daily learning enriched by art, music, movement, drama, field trips, frequent guest speakers, school-wide events and social action projects which engage students of varied learning styles
Technology is cutting edge at Bi-Cultural, with Smart Boards in every classroom and staff trained to bring the vast resources of the Internet into the classroom to enhance the daily learning experience. An innovative program for 2012/2013 is providing every sixth grader with a specially-programmed iPad, creating a whole range of new learning tools at each student’s fingertips, seamlessly incorporating rapidly-changing technology into the classroom setting.
The Arts and Physical Education
The arts are an important focus, with music, studio art, dance and drama all integrated into the curriculum, and with additional opportunities in these areas after school. The school choir is a popular extracurricular activity, as is the drama program which culminates in an end-of-year, full-scale musical theater production that always dazzles and delights parents, grandparents, siblings and friends.
Bi-Cultural children also enjoy an exciting physical education program both in class and after school. Our after school programs give students the unique opportunity to explore special areas of interest such as fencing, soccer and wrestling. Gross motor skill development goes beyond the standard team sports to include introductions to golf, yoga, tennis and other individual life-long active pursuits. League competition in basketball, track and more are popular with students and the dedicated parents and siblings who cheer our athletes to victory. Instruction in nutrition and healthy habits is also part of the school’s program as we continue to educate the whole child.
Community Engagement and Leadership
From a student’s earliest days at Bi-Cultural, the Jewish values of chesed (kindness) and tikkun olam (improving the world) are part of the program. Community involvement and social action initiatives help Bi-Cultural children gain an appreciation for all the blessings in their lives and provide the opportunity to experience the joy and importance of helping others and doing good deeds.
Through unique experiences, including emphasis on public speaking and development of presentation skills, the school’s students emerge with the ability to become young leaders in high school, college and beyond. Students enjoy and learn from an array of field trips and guest speakers including but not limited to the school’s partnership programs with the Metropolitan Opera at Lincoln Center and New York’s Metropolitan Museum of Art.
Capstone Experience: A Month of Travel and Learning in Israel
Bi-Cultural’s renowned eighth Grade Israel Experience program takes the eighth grade class to Israel for a month of travel, learning and community service with mentor teachers and Israeli educator-guides, broadening students’ horizons and strengthening their connection to Israel. Parents and students comment on the incomparable educational and life experience this opportunity provides.
Parents looking for a school with a track record of academic excellence and with an emphasis on values, ethics and character-building will want to learn more about Bi-Cultural Day School in Stamford. It is truly a place where a warm, welcoming atmosphere and honored school traditions combine with a cutting edge curriculum, technology and outstanding teaching staff to produce students who make their teachers, families and communities proud.
2186 High Ridge Rd.
Stamford, CT 06903 (203) 329-2186
gro.s1563273509dcb@e1563273509ciffo1563273509
About BCDS
Lunch Calendar
R2 Staff
Stay Connected with BCDS
BCDS is a recipient agency of United Jewish Federation of Greater Stamford, New Canaan and Darien, UJA/Federation of Greenwich, and Federation for Jewish Philanthropy of Upper Fairfield County
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'Bengali is not compulsory in Hills, won't replace Nepali' said Darjeeling DM Joyoshi Dasgupta
The state had no plans to make Bengali a compulsory language in Hills schools or replace Nepali with it, said the Darjeeling district magistrate on Wednesday.
The announcement came a day after GJM president Bimal Gurung told school and college heads to shut their institutes on June 1 and 2 to protest against the state's alleged decision to impose Bengali in the Hills.
"Rumours are doing the rounds that Bengali language will be imposed on all schools and that it will replace Nepali. On behalf of the state, I would like to clarify that there is no such intention to impose any kind of language on any people in the Hills," said Darjeeling DM Joyoshi Dasgupta. Pointing out false rumours were unnecessary creating misunderstanding as the government had not issued any notification, Dasgupta said, "The state on Tuesday clarified that no language would be imposed or Nepali replaced. There seems to be a misunderstanding. There is no notification or circular." The DM also appealed to the GJM to tale a "peaceful protest" route and to keep educational institutions and children out of politics.
Without naming names, Darjeeling SP Amit Javalgi said a party was spreading false information to harm the interest of people and the prospect of a language, using teachers and students as shields. (TOI)
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← Tosca in photos
Die Frau ohne Schatten Audio Slideshow →
Posted on October 29, 2013 by Met Opera
Die Frau ohne Schatten In Focus
Premiere: Vienna State Opera, 1919
The fourth collaboration of Richard Strauss and librettist Hugo von Hofmannsthal was in many ways their most ambitious: a heavily symbolic morality tale about love and marriage that unfolds in a fairy-tale world of multiple dimensions, from the gritty and earthy to the ethereal. The authors saw their work as a thematic heir to Mozart’s Die Zauberflöte, but the two operas—separated by 130 years of music history—present radically different profiles. Die Frau ohne Schatten (“The Woman without a Shadow”) is a highly poetic fantasy replete with the psychoanalytical asides typical of the Viennese milieu in which it was created. Its five lead roles are daunting even by Strauss’s demanding standards, while the orchestral requirements and staging challenges alone assure this opera a unique spot in the repertory. The story concerns two couples: the Emperor and Empress—he a mortal human, she the daughter of the spirit god Keikobad—and Barak the Dyer (the only character who has a name), a poor but decent man, and his dissatisfied young wife. Between them stands the Empress’s Nurse, a diabolical woman of the spirit world who hates anything human. After a year of marriage, the Empress is still without a shadow—Hofmannsthal’s symbol for motherhood. If she doesn’t acquire one within three days, she will return to her father and the Emperor will be turned to stone. In order to prevent this, the Nurse plots to steal a shadow from the Dyer’s Wife, and the Empress must confront the implications of her choices and the challenge of becoming a complete human being. Strauss and Hofmannsthal’s creation of such a grand tale of husbands, wives, and children was informed by the trauma of World War I and the collapse of the Habsburg Empire. The resulting opera is unique: a colossal structure of lofty fantasy that glorifies the simple pleasures of family life and love over exotic illusions of happiness.
Richard Strauss (1864–1949) composed an impressive body of orchestral works and songs before turning to opera. After two early failures, Salome (1905) caused a theatrical sensation, and the balance of his long career was largely dedicated to the stage. His next opera, Elektra (1909), was his first collaboration with Hugo von Hofmannsthal (1874–1929), a partnership that became one of the most remarkable in theater history. Hofmannsthal emerged as an author and poet within the fervent intellectual atmosphere of Vienna at the turn of the last century. The two artists’ personalities were very different—Hofmannsthal enjoyed the world of abstract ideas, while Strauss was famously simple in his tastes—which makes their collaboration all the more remarkable.
The opera takes place in the mythical Empire of the South-Eastern Islands. The story moves between the humble dwelling of the Dyer and his Wife, in and around the palace of the Emperor and the Empress, in the forest, and in a grotto beneath the realm of the spirit god Keikobad.
Strauss’s score calls for extraordinarily large musical forces, including an on-stage orchestra of winds and brass (plus thunder machine and organ), in addition to a large pit orchestra with such augmentations as glass harmonica, two celestas, and an extravagant percussion section that features a slapstick, castanets, and Chinese gongs. The opera begins without a prelude; orchestral interludes throughout the three acts convincingly facilitate the transitions between the levels of existence. The vocal writing is remarkable, including such unusual touches as the three sopranos and three baritones that represent the voices of the Dyer’s and his Wife’s unborn children. The Emperor’s heroic solo scene (Act II, Scene 2) is a notable and rare example of Strauss’s extended writing for tenor. All five lead roles require great strength, stamina, and musicality: beyond penetrating the dense orchestration, the singers are also expected to produce elegant and even delicate passages (the Empress’s entrance aria includes coloratura and trills). The final moments of Act I offer a good example of some of Strauss’s surprising musical effects: while much of the opera’s otherworldly music is assigned to the spirit world, one of the score’s most ravishing sequences is sung by three offstage baritones who wander through the dirty town as Night Watchmen, urging husbands and wives to love and cherish each other throughout the dark hours.
Die Frau ohne Schatten at the Met
The Met premiere of Die Frau ohne Schatten was a memorable event: a spectacular staging directed and designed by Nathaniel Merrill and Robert O’Hearn, unveiled as the fourth of nine new productions during the company’s inaugural season at Lincoln Center, on October 2, 1966. Karl Böhm conducted a cast led by Leonie Rysanek, Christa Ludwig, Irene Dalis, James King, and Walter Berry in his Met debut. Others artists who appeared in this production include Inge Borkh, Helga Dernesch, and Bernd Weikl. Erich Leinsdorf led five memorable performances in 1981 with singers including Eva Marton, Mignon Dunn, and Birgit Nilsson in her final staged Met performance. The current production by Herbert Wernicke (which remained his only Met staging) premiered in 2001, with Christian Thielemann conducting Deborah Voigt, Gabriele Schnaut, Reinhild Runkel, Thomas Moser, and Wolfgang Brendel.
Learn more about Die Frau ohne Schatten: “Strauss, A Composer at the Top of His Game”
Photo: Ken Howard/Met Opera
This entry was posted in In Focus and tagged die frau ohne schatten, strauss. Bookmark the permalink.
6 Responses to Die Frau ohne Schatten: In Focus
Richard and Lucy says:
This is such a deep, fascinating opera. My wife and I saw it with Birgit as the Dyer’s Wife. Would love to see this production. Richard and Lucy Huffman, Silver Spring, MD
geraldine Torf says:
I love the Psychoanalytic implications of this opera. I heard a wonderful presentation by Lucy Holmes on the highlight of Motherhood in female maturation.
Kevin Mackley says:
This should have been an HD offering. When will there be another chance?
Paul Pelkonen says:
Instead we get Tosca. Whoopee.
The Honest Truth says:
This ABSOLUTELY should have been an HD offering – a beautiful visual spectacle, lush music and well cast. As opposed to the poorly cast Tosca in a production that everyone hates and that was just shown 4 seasons ago. What on earth was the Met thinking?
Maybe they are thinking that the Strauss Opera is too sentimental and has archaic values in todays contemporary popular taste. Boy are they wrong not to have put it in HD!
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#MissguidedDiscovered: Bad Royale
We caught up with Californian-based DJ group Bad Royale, who crowned their own music genre known as ‘Kingstep’, to chat career highlights, where we can expect to see them next and check out the exclusive on their new video All I Can Do…
We are 3 producers and an idiot.
Your new track All I can Do is out now, what can we expect?
You can expect it to become the #1 hit of summer 2017, as well as 2018 and 2019. Possibly forever.
When did you first realise you wanted to make music?
We all started at different ages with different instruments. It wasn’t anything we really expected to get into, music is one of those things which you kind of fall into. It’s not a normal career choice really.
How would you describe your sound?
We call it “Caribbean Bass.” We mix a lot of Caribbean styles of music in with current bass EDM, but sometimes we dabble in more pop sounds, which is how “All I Can Do” can about.
What’s the best gig you’ve ever played?
Have to say Lollapalooza, because it was our biggest festival and best time slot we’ve had so far.
If you could collaborate with anyone who would it be and why?
The Virgin Mary because she can create gods.
Who did you listen to growing up?
Hard to answer since there are four of us. We all liked different music but basically just what was popular in the 90s, as well as some reggae stuff here and there.
Who’s your biggest musical inspiration?
In the EDM industry, it’s what Major Lazer was doing that really pushed us to start this group.
What’s your guilty pleasure track?
The person answering this question loves listening to Rammstein and random movie scores.
What’s the last album you listened to all the way through?
Don’t think we’ve ever done this honestly. We are DJs, we just pick and choose!
What’s been your career highlight/proudest moment?
Being able to sign and release with Polydor Records. It pushed us into the “major label artist” realm and that opened a lot of opportunities.
Who’s the coolest person you’ve worked with so far?
As far as being a general cool dude? Probably Steve Aoki. He’s the coolest dude in this industry. So much about making cool music and doesn’t have that “famous” aura where he thinks he’s too good to talk to people. Just really down to Earth.
Who are you listening to at the moment?
At the moment of answering this question, currently have Jeremy Soule on. Yeah, weird.
What advice do you have for aspiring artists trying to break into the industry?
Be original, but be catchy. And push your brand.
You can only listen to one album for the rest of your life, what is it?
If we really were faced with this, we would just have to create our own album with the greatest songs in the world. That’s really the only way to survive through this.
Where can we see you perform next?
We will be flying out to Jamaica next weekend! Can’t wait!
What’s on the agenda for the rest of 2017?
We’ve got a sweet end-of-summer tour coming up that is going to have us super busy. We are also working on a TON of new Caribbean Bass music with really big artists on the islands. Really getting back to our early sound with these ones.
Like what you see? Listen to their playlist on Spotify below, check out their insta @badroyale
Get the look – your fave music artists
Wanna give your wardrobe the update it deserves but in need of some outfit inspo?
Heading to Uni? Here’s Your Freshers’ Soundtrack
Whether you’re heading to halls for the first time or going back for your third year, we’ve got the perfect freshers’ playlist for all your pre-drinking, flatmate bonding and questionable decision making.
Your Official Festival Playlist
Looking forward to the 2018 festival season? We’ve got you. Whether you’re all about the rave, you love a bit of indie, or you’re dying to know what’s hot before everybody else… We’ve created the ultimate...
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Hot Greenews
IN PROSPECT: a new GreeneLand performing arts complex, in a building that once was a flourishing performance site. An offer has been made for, yes, the Athens (or Brooks) Opera House, on Second Street. Opened back in 1893, it has been the site at various times of Vaudeville shows, silent movies, Odd Fellows, basketball games, bowling alleys, high school dances and graduation ceremonies, Major Bowes-type amateur hours, a kosher meat market, antiques stores, and dress-making (1943-83, under the brothers Brooks, as distinct from the Brooks Brothers). Harvey Durham, who attended high school in Athens before the construction of today’s Coxsackie-Athens High School (and who taught history at the latter), recalls playing basketball there on the second floor, under beams that made it hazardous to attempt high-arc shots, thereby handicapping visiting teams. The prospective buyers, who are negotiating with owner Don Fontaine, are theatrical veterans Rita and John Carver, of Bear Fly Designs (“designers, consultants, doers for the visual arts”). The Carvers moved recently from Dutchess County to Earlton, and proceeded to launch an instructional venture (various stage techniques, for various age groups) called Dragon Fly Performing Arts.
152 = number of Kittis sold at auction Saturday in downtown Catskill. The ceramic figures, painted by children and then fired by Lillian Johnson of Imagine That! (“come on in and paint a piece”) fetched between $10 and $170, with $30 being the average. Champion bidders, in number of Kittis acquired—13 apiece--were Pamela Howard and Village President Vincent Seeley. The top sellers were made by Athena McIndoo, aged 10, and by Tristan Arg, aged 4 (!). The artists get 25 per cent of gross sale price. Sales, according to Ms Johnson’s account, came to about $4600. Most of the money will sustain the Community Center’s burgeoning programs.
DEEP DIVISION? While most school board trustees agree in their votes most of the time, a different pattern evidently prevails in the Cairo-Durham district. As reported by David Gordon (Daily Mail, 7/12), the Cairo-Durham trustees divided 5 to 4 in votes for board president (August Freemann over Susan Kusminsky) and vice-president (William Alfeld over, again, Ms Kusminsky).
SWINGER ALERT I. The former Saint Bridget’s Church, next door to The Inn At Leeds, is now Catskill Sportsplex, an indoor practice facility for batters (hardball and softball) and golfers, as well as, eventually, for socceroos and laser tag snipers. The proprietor, Chris Quinn, is a State Trooper when he is not playing or coaching. The Sportsplex stands about mid-way between alternatives in Albany and Saugerties. Use of a cage, with its hand-fed pitching machine (so: bring a partner), costs $20 per half-hour. 947-0611.
SWINGER ALERT II. The new golf course called The Lazy Swan, on Old Kings Highway north of Saugerties, gets high marks from recent GreeneLand visitors. “Even though it’s only nine holes,” says K.A., “it’s worth a visit. Excellent design [by Barry Jordan], lush fairways, appropriately placed traps, daunting contoured greens that are fast but true.” “Best physical condition of a new course that I’ve ever seen,” says well-travelled A.O. “But the price,” adds D.O., “is steep.” Indeed, the greens fee per cart-riding adult for 18 holes is $58. Discounts for juniors and seniors (weekdays) are trifling. Annual memberships, according to the rate card, cost $1850 for singles, $3000 for couples. Members are entitled to discounts in the Pro Shop; but that facility remains to be built. Members also, presumably, have the right of access to the club house—once it gets built. Information about rates is not given on the Lazy Swan’s web site, which is semi-literate and variously touts “The Lazy Swan Golf and Country Club Resort” and “The Lazy Swan Golf and Country Club Village.”
LAYOFFS, substantial ones, have affected employees of GreeneLand automobile dealers. As one would expect.
NEWS NOTES. Two recipients of Rotary International awards were joined in a ceremony by previous winners of “the distinguished award.” “Heavy flooding in recent years have altered” a stream. A fiberglass cat “rest’s in the window of her shop…waiting for it’s time to return to the street.” An “ingenious training implement was first used to train Jose Torres before his 1965 bought against;…Pastrano.” “In portions of the county…water quality and preventing soil erosion is a top concern.” “Free hots and refreshments were provided, along with inflatable rides for children.” “In other business, trustees discussed setting guidelines for groups wishing to use Athens Riverfront Park with their attorney’s representative suggested they might want to check with their insurer regarding village coverage for liabilities.” “’We wouldn’t be here today without the support [of the town council]. We’re very gracious of that’” versus “’We would not be getting grants, donations or fund raising if it were not for the town’s support. I cannot underscore that enough.’” Senator Seward “secured $100,000 in capital funding for Greenville’s wastewater treatment plan—the sticky widget that has been a thorn in the side” of officialdom. Rene Van Schaack joined the Greene County Soil & Water Conservation Agency “under a newly created title…and he was there ever since.”
DOINGS this weekend in GreeneLand include bluegrass music, classical music, Irish music, a crafts festival, a Wacky Raft race, a play (“Amadeus”), a theatrical funding celebration, a big antiques auction, a movable feast, an art galleries tour…. Details at www.greenetourism.com, www.catskillmtn.org, www.greyfoxbluegrass.com, www.catskillgalleryassociation.com , www.carlsengallery.com, www.thomascole.org, www.welcometocatskill.com
river222 said...
Wish I had a dollar for every time the owner (DF) of the Brooks Opera House spoiled a deal, quite a few over the last 25 years. He likes to hold the royal jewels of the hamlet of Athens in the palms of his hands...
as this beautiful structure continues to crumble.
Chrono--Caterwauling
How Tweet It Is!
Busily Greene
Independently Greene
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Race to succeed Cory Gardner in the 4th Congressional District gets more crowded
Barbara Kirkmeyer, Cory Gardner, Frank McNulty, Ken Buck, Sean Conway, Steve Laffey, Tim Dore
The decision by U.S. Rep. Cory Gardner to run for the Senate instead of re-election has set off a scramble for his seat. (Lynn Bartels, The Denver Post)
The list of GOP candidates scrambling to fill U.S. Rep. Cory Gardner’s soon-to-be vacant congressional seat is growing, with two more candidates announcing Monday they’re in.
Weld County Commissioner Barbara Kirkmeyer and Larimer County resident Steve Laffey join state Sen. Scott Renfoe and District Attorney Ken Buck, both of Weld County, who announced last week they’re seeking the GOP nomination in the 4th. State Reps. Frank McNulty of Highlands Ranch and Tim Dore of Elizabeth also are looking at the race.
Gardner upended Colorado’s political landscape last week when he announced he was dropping his re-election bid and running for the U.S. Senate, a race last year he declined to pursue. Two Senate front-runners, Buck and state Rep. Amy Stephens, dropped their Senate bids and instead backed Gardner.
The winner of the June 24 primary faces Democrat Vic Meyers of Trinidad.
“I got into this race because we the people of the 4th CD weren’t being represented in Congress. Gardner dropping out doesn’t change anything,” Meyers said. “Replacing him with another Tea Party radical doesn’t change anything and won’t get us representation.”
But he faces a tough fight, as the 4th District, which includes the eastern plains and a portion of Douglas County, is overwhelmingly Republican.
Kirkmeyer’s decision came after fellow Weld County Commissioner Sean Conway decided not to run for Gardner’s seat. Kirkmayer praised the work done by Weld County.
“We are the only county in the state to have no long-term debt, no short-term debt, no county sales tax, give a TABOR refund by reducing the mill levy … year after year and we have close to $100 million in contingency reserves,” she said in an e-mail. “I want to take the Weld County model to Washington.”
Laffey, who briefly was in Colorado’s governor’s race, said in a news release he is running to “preserve a dying American dream and American freedoms.”
Laffey lives outside of the 4th Congressional District because his ranch was cut out during the redistricting in 2011, but he said that he, his wife and six kids “live only about three miles as the crow flies from the 4th district line.” And he said he share’s the 4th District’s values of maintaining water rights, property rights and small government.
McNulty also lives outside the 4th, in the 6th Congressional District represented by Republican Mike Coffman.
But there is no constitutional requirement to live in the district to run for Congress. Republican Lang Sias of Arvada lived just outside the 7th District when he ran in 2010 to try to unseat Democratic Congressman Ed Perlmutter of Golden.
Staff writers Lynn Bartels and Kurtis Lee contributed to this report.
Categories: 2014 Congressional Races, 2014 Election, Colorado Politics, Elections, Local Governments
Bob Beauprez bypasses KKK member, attacks Hickenlooper as most “extreme” governor
Republican John Swartout joins Hickenlooper administration
This is why the Republicans (GOP: Party of Hate®) have clown cars on standby rental.
Comment by davebarnes — March 3, 2014 @ 7:08 pm
smoke em up davey dude
Comment by Agamemnon7 — March 5, 2014 @ 10:53 am
Lynn Bartels wrote a column about Cory Gardner’s logo. I remarked it was a column about nothing. . “Or how to write an article about nothing. Nothing but giving the left the opportunity to use the word “hate.” One commenter had made a comment similar to that by Minnie Mouse below.
By contrast, this column has information, meat on it’s bones, yet all this unimaginative lefty can do is utter that “hate’ word, not even in context to anything in the column. Funny.
Comment by GenePH — March 3, 2014 @ 7:47 pm
“… a race last year he declined to pursue” — how awkward! Try: “… a race he declined to pursue last year”
Comment by RobertChase — March 3, 2014 @ 10:32 pm
Some people have a short memory, but the 4th congressional district was once held by D Betsy Markey. Before Cory Gardner road in on the tidal wave of populist tea party rhetoric in 2010 the district was held by a blue dog democrat. Cory Gardner made a lot of promises, but got to Washington and promoted the agenda of his corporate campaign backers. He has exited the congressional race thinking his Affordable Care Act attacks will help him unseat Senator Mark Udall. In his place the new R Ken Buck has the same mantra with the same corporate campaign backing. When voters reflect on the promises made by populist tea party rhetoric, they will choose to support Vic Meyers, not the lies of corporate financed politicians.
Comment by Colin Kraus — March 5, 2014 @ 6:04 pm
Why was there NO mention of the Unaffiliated Candidate? This is why the system is broken. If you do not belong to the two major parties you are ignored by the press. Let’s get the word out to citizens that they have more of a choice then Red and Blue! A candidate that stands for people and not parties! Mr. Johnson fails to mention GRANT DOHERTY running for this seat. Please include all facts to articles.
Comment by Ben B — March 6, 2014 @ 9:32 am
Certainly the DP should cover all the candidates. Candidates do, in general, represent their parties. Mr. Dougherty may be unaffiliated, but his campaign rhetoric looks like Fascist (Republican) ideology to me — his site lists exactly three issues of public concern: Energy (give it away to extractors), the National Debt (attributed to those ever-popular “governmental inefficiencies”), and the Second Amendment (you know, the Constitution has one Amendment, and it is under threat — fascists are absolutely consistent in having no concern for the abrogation of the rest of the Bill of Rights by the past two traitors we elected President). This moron only offers more of the same lies that we get out of the Fascist Party!
Comment by RobertChase — March 6, 2014 @ 11:32 am
WOW, that’s amazing how you ended with such a polarizing position so quickly… I am a Dem and I did not see that in his site or talking with him. You might want to gather or exchange more information before coming to a strong conclusion?
I wish you all the best.
Comment by Ben B — March 6, 2014 @ 2:36 pm
Just click on “Issues” there and you will see exactly what I did: Energy, the National Debt, and the Second (only) Amendment — I’ll stand by my gloss of his stand on those issues. We need political parties that represent the interests of the American People, and viable candidates representing them — the two criminal politcal organizations that turned the United States, the supposed “land of the free” into the world’s leading jailer and whose members in government have since 9/11 engaged in what amounts to a coup against our Constitution should be eliminated, and their members re-educated, deported, or executed. All enemies of American Liberty, beware!
Comment by RobertChase — March 6, 2014 @ 3:31 pm
“Site Undergoing Updates And Maintenance.
CHECK BACK LATER”
Asking for coverage for your candidate makes sense, but the context of this article is the primary election — for Fascists (Republicans); no Collaborationist (Democrat) across the State faces a primary challenge, and primaries are not held for the benefit of any other party (or for unaffiliated candidates). Your and Ben’s insistence that the DP “discuss all candidates” will make sense after June, but it makes no sense to talk about Dougherty in the context of the Fascist primary — except that, since his platform appears to be that of the Tea Party, he really should be together with the other Fascist candidates.
Do all two of you Dougherty supporters grasp the fact that his platform will have exactly no appeal to progressive voters whatsoever? That may not be a problem in the benighted Fourth Congressional District, but you also face an impossible task in running an unaffiliated candidate who sounds just like the Fascist he is trying to replace.
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What is family?
“Who is Crystal?” Olive asked. “She’s Owen’s real mommy,” stated Ellia.
I tried to tell Ellia that I’m actually Owen’s real Mommy, but she disagreed.
“No,” she said matter-of-factly. “You’re Owen’s step mom.”
Adopting a kid is packed with joy and grace and the sheer awe of God’s ability to provide.
But it’s complicated. And at this stage of our adventure, we’ve noted new complications to the illusion of a simple adoption. Ten years ago, we imagined a rainbow family of a dozen children who fell into our lives from various backgrounds and situations. We imagined big Christmases and chaotic summer vacations and children who all got along and cleaned their rooms without having to be asked.
But time and maturity has changed our perceptions. We know now that adoption has little to do with my plans or even mercy and everything to do with calling.
And we were called to Owen. We paid attention to a gal who walked into the adoption agency and told them she wanted us to parent her 4 week old.
It hasn’t been simple from the beginning.
And new complications surface all the time—his current medical issues, news of his genetic history, Olive’s reaction to losing her “baby of the family” status almost overnight.
Open adoption offers plenty of frustrations and uncertainties. But ultimately, open adoption means we gained a son and Crystal.
But we’re not always sure who Crystal is or how we’re all going to relate.
I was so excited for today—Crystal would see and hold Owen for the first time in five months.
But I also felt overwhelmed with questions I couldn’t answer:
Who am I if Crystal gave birth to Owen?
Why do I feel such deep guilt over changing his name from Hunter?
How do I communicate gratitude over such a brave gift?
And who is she to us? To Owen? To Owen’s sisters?
We like black and white. We understand biological. We get the uncomplicated family reunion or the straightforward family tree.
Abraham begat Isaac who begat Jacob.
But just as neighbor meant something entirely different to Jesus than it did to the questioning lawyer, family might also need to look different.
We want titles and labels because it helps us navigate our relationships. We feel the need to categorize so that we know what to expect or how to act.
But family according to Jesus isn’t so cut and dry—it often crosses lines and muddies clear boundaries.
Maybe we’re the ones asking, “Who is my neighbor?”
Jesus says, “You can’t find someone who isn’t.”
Today held some awkward moments. Crystal, out of habit, called Owen “Hunter.” Out of habit, she occasionally referred to herself as his mom. I felt the rush of adoptive mom-guilt anytime I talked about all he was doing developmentally or directed her on how to calm him.
Being family is a dance—a complicated, unpredictable dance.
But Crystal’s done something she didn’t have to do. She’s let us be family to her. And right now, none of us knows what that means.
Brett and I don’t know, the girls don’t know, Crystal and her boyfriend don’t know… and Owen doesn’t care.
All Owen feels is the multiplied love of an extended community.
“Who is my family?”
Maybe Jesus is saying, “You can’t find someone who isn’t.”
Instead of controlling the arena of family, maybe we should start extending it. Maybe being the church means we blow the doors off of what it means to be related by opening our arms to a title-less neighbor or stranger.
Less labels, more love. Less formality, more family.
I’m not saying that being family isn’t stressful or confusing or chaotic. But since when are we called to avoid stress and chaos? And I think that the Good Samaritan in Luke walked straight in to some chaos and stress—unsure of the outcome of his actions.
People are worth it—all the unknowns and awkward moments—all the questions and unwanted answers.
We try so hard to control our families—we plan the exact moment we get pregnant, we control who’s invited to Thanksgiving, we’re obsessed with perfection instead of inclusion.
We want family to be neat, tidy, and “normal.”
But “normal” is broad. “Normal” simply means that we love people—the kind of love that goes beyond tolerating others to embracing others.
After all, we’ve been included even if we’re wild cards in the family. We belong even if we’re not sure how or why
Jesus says love—not out of mercy or pity, but because you’re called to do so. We’re called to open our arms because we’ve been embraced. And through love, we learn what it is to be family.
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Correction: Burned Bears story
January 25, 2018 January 25, 2018 by admin
Kirsten Macintyre, a spokeswoman for the California Department of Fish and Wildlife, said the mountain lion was too young when injured to ever return to the wild, and the state intends to turn the animal over to a Northern California care facility next week for lifelong confinement.
A corrected version of the story is below:
Bears burned in California wildfires go holistic for pain
Two bears burned in last month’s Southern California wildfires are back in the wild after doctors turned to alternative treatments to help them
By ELLEN KNICKMEYER
SAN FRANCISCO (AP) — Veterinarians successfully used alternative medical treatments such as acupuncture on three wild animals burned in the Southern California wildfires, although one patient — a 5-month-old mountain lion — did keep eating his fish-skin and corn-husk bandages, vets at the University of California, Davis said Wednesday.
Rescuers brought two adult bears, one of them pregnant, and the young mountain lion to veterinarians with the state Department of Fish and Wildlife and the university after the animals were hurt in the largest wildfire in state history. They were found in the Los Padres National Forest, whose mountains stretch through badly burned areas of Santa Barbara and Ventura counties.
The bears had suffered third-degree burns on all their paws, said Jamie Peyton, chief of the Integrative Medicine Service at the university’s vet school. The cub also burned all four paws.
Standard pain treatment is a problem for both the animals and their caregivers when it comes to wildlife with sharp teeth and claws, Peyton said. For safety, vets have to heavily sedate the animals every time they change their bandages or otherwise care for them.
“You can only anesthetize them so many times,” Peyton said. “It’s hard on them. We can’t do that to them every day.”
Putting pain pills in food also is problematic, because there’s no guarantee the animals will eat them, Peyton said.
Instead, Peyton and her colleagues used some of the alternative methods she already employs with other animals, including acupuncture, chiropractic treatment, and cold-laser therapy. Many health-insurance companies consider some of the treatments experimental or unproven, and do not always cover their costs in human patients.
Vets carried out the alternative treatments only on days when the bears and mountain lion were already anesthetized for bandage changes or other standard care.
“I adore them, but they’re wild,” Peyton explained.
Another form of treatment seemed most helpful of all for the bears, vets said.
The California vets stitched the fish skins to the animals’ burned paws, then wrapped the treated feet with bandages of rice paper and corn husks, after reading about trials on human burn victims in Brazil that placed treated skins from tilapia, a ubiquitous species of fish, on burn victims to soothe pain and promote healing.
Doctors routinely graft skin from humans and pigs to burns, but fish skins have the advantage of being more readily available.
“We made little spring rolls with their feet,” Peyton said.
Ordinary cloth bandages can block animals’ intestines if the animals eat them, which they often do.
One of the bears initially laid down continuously to spare her burned paws, not wanting to stand or walk at all, Peyton said.
“After the first time we put the bandages on, she woke up, she stood up,” and showed interest in her surroundings, she said. Both bears were soon walking.
The results argue for more trials of the fish skins for burns, the vets said.
After weeks of treatment, wildlife officials released the bears back into the burned Los Padres National Forest last week.
State wildlife officials believe the mountain lion was too young when injured to be able to survive in the wild, and plan to turn him over next week to a Northern California care facility for lifelong confinement, said Kirsten Macintyre, spokeswoman for the California Department of Fish and Wildlife.
ABC News: Technology
Tagged bears, Burned, correction, story
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By Tyler Keating
Men's Basketball: Ball movement helps propel UConn over UCF in surprising rout
Freshman Vance Jackson makes a pass in UConn's 64-49 win over UCF at the XL Center on Jan. 8, 2017. (Tyler Benton/The Daily Campus)
HARTFORD— The UConn men’s basketball team toted a four-game losing streak into Sunday’s clash with UCF at the XL Center in Hartford, and the path to stopping that slide seemed like an uphill climb. The Knights, much improved over last year’s squad under first-year head coach Johnny Dawkins, entered Sunday with the nation’s second-best scoring defense, holding opponents to just 57.1 points per game.
Surprisingly, the Huskies (6-9, 1-3 The American) were more than up to the challenge, as they rode a wave of whip-sharp ball movement and some quality shooting to a 64-49 over UCF in Hartford, avoiding a dreaded 0-4 start in American Athletic Conference play.
“I really thought our offense came alive. I think [UCF is] the top defensive team in the country, and for us to get 47 percent shooting against those guys, and really move the basketball and execute on the offensive end…I really believe that was our complete game, and now we just got to keep doing that,” head coach Kevin Ollie said after the game.
Right from the tip, the Huskies attacked the Knights’ zone with a proficiency the likes of which we haven’t seen all season long. Under the command of willing and able pilot Jalen Adams, who ran the point, UConn was able to penetrate the defense and consistently find open shooters.
“The ball moves faster than the defense, Coach keeps preaching that over and over,” Adams said. “I think today it finally stuck in there and people just bought into the game plan, and it worked pretty well for us.”
Adams racked up a team-leading seven assists while also adding 10 points, including a couple of nimble finishes around 7-foot-6 rim protector Tacko Fall, who anchors the UCF defense. A number of players had success against Fall, including UConn center Amida Brimah, who stands at seven feet and looked small by comparison.
“I thought he did a wonderful job staying in the game, not getting silly fouls and playing 29 minutes,” Ollie said of Brimah’s performance.
Brimah tallied up nine points, six rebounds and five blocks, while helping to hold Fall scoreless with just two rebounds. Fall entered the game ranked second in the nation in field goal percentage, while also averaging a double-double.
“This game was marked on the calendar, so I just came out aggressive and started playing aggressive from the tip of the game,” Brimah said. “That’s a good matchup for me, it’s a game for me to get better, so I just came out ready to play.”
With Brimah, helped by power forward Kentan Facey (eight points, nine rebounds), occupying the attention of Fall in the paint, the Huskies seemed more willing to attack into the teeth of the defense, which opened up the floor for everyone.
Freshmen Vance Jackson, Christian Vital and Juwan Durham all hit multiple field goals, while senior guard Rodney Purvis finally had the sweet shooting night that has eluded him. Purvis shot 7-for-13, including a 3-for-7 mark from three-point range, on his way to a team-leading 17 points.
“In recent games, I kind of been forcing it a little bit, because I wasn’t able to get the looks that I really wanted, but today I knew I was gonna come in patient and just try to be ready for the open shots,” Purvis said.
Combine that offensive fluidity with a complete, attentive performance on the defensive side of the ball, and the end result was an unlikely rout that should help stabilize UConn in this trying season. With eligible recruit Hamidou Diallo electing Saturday to attend Kentucky, no help is on the way. The Huskies must try to win with the guys they have, and try to win together.
“These are the same players that we got. Chris Paul didn’t show up, James Harden didn’t show up, this the same players,” Ollie said, laughing. “We started moving the basketball. This is what we’ve been preaching, we got some shots to go in. You can’t be selfish, you can’t say ‘Oh, we having a bad season, I’m just gonna get my numbers’ – we’ve got to play as a team. This is not a bad season, it’s a character-building season, we going to just keep performing. I still believe that we have enough in here to win games."
Tyler Keating is associate sports editor for The Daily Campus, covering football and men’s basketball. He can be reached via email at tyler.keating@uconn.edu. He tweets @tylerskeating.
Football: Edsall adds coaches to staff, Billy Crocker as defensive coordinator
Men's Basketball: UConn gets first conference victory of the year over UCF 64-49
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MSU football players to face sex assault charges
Author: Salvatore Jensen Июн 06, 2017,
The incident was investigated by the Michigan State University Police, which requested four warrants - three for sexual assault and a fourth for a non-sexual crime.
After months of investigations, the Ingham County prosecutor has charged three Michigan State University football players in connection with sexual assault that took place on campus earlier this year.
"I have chose to authorize sexual assault charges against the three persons whose warrants were requested by the MSU Police", the statement read.
Siemon said in a press release that the three men allegedly assaulted a woman in an East Lansing apartment on January 16. The statement did not reveal the names of the three players but those would come to light when they are arraigned, something that could happen as soon as Tuesday.
Simon said Dantonio's handling of the sexual assaults was "above reproach" and all current senior members of the football staff complied with university regulations in reporting the incident to proper authorities.
Last week, MSU announced that it would not renew the contract of Curtis Blackwell, who was Director of College Advancement and Performance. The Title IX investigation was conducted separately from the criminal investigation by the Ingham County Prosecutor's Office.
Dantonio, meanwhile, contacted the university's Office of Institutional Equity (OIE) immediately after being told about the matter by another player who wasn't involved, the report says. After Siemon's office approved of issuing charges, Dantonio promptly dismissed Robertson from the team. In addition, one member of the football staff declined to be interviewed. "It is our practice not to release names of suspects in denied cases".
Siemon's decision on Monday comes on the heels of the university's board meeting with football coach Mark Dantonio and athletic director Mark Hollis, with the board issuing a statement in support of the two. Blackwell had been suspended with pay starting in February in connection with the ongoing investigation.
Michigan State released the results of the investigation, conducted by the Jones Day law firm, on Monday afternoon.
"Coach Dantonio handled this with the utmost integrity and swiftness", Simon said.
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Crypto Beaking News in Bitcoin Canada China Coinbase Cryptocurrencies Facebook QuadrigaCX Singapore VISA Wallet 3 months ago
Hodler’s Digest, April 8–14: Top Stories, Price Movements, Quotes and FUD of the Week
NYT Reporter: Facebook Seeking $1 Billion in Venture Capital for Crypto Project
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Chinese Traders Pay Extra for Bitcoin Through OTC Desks Amid Crypto Market Surge
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Top-Subscribed YouTuber PewDiePie Partners With Blockchain
PewDiePie, the personality behind the most subscribed channel on YouTube, announced this week that he will start streaming on blockchain video platform DLive as of April 14. Dlive is a blockchain-powered broadcasting app with a rewards system for content creators and will become the exclusive platform for livestreaming the famous Swedish YouTuber, Felix Kjellberg — aka PewDiePie. The platform currently has 3 million monthly users and 35,000 active streamers, while PewDiePie on YouTube has over 93 million subscribers and 21 billion video views, as of April 2019. PewDiePie’s move to Dlive comes as the Swede faced backlash over his alleged ties to white supremacism, as his channel was mentioned by the Christchurch gunman prior to his attack on two New Zealand mosques.
Bitcoin at Most Overbought Level Since Record Bull Run: Bloomberg Analyst
Bloomberg Intelligence analyst Mike McGlone claimed this week that Bitcoin is at its most overbought level since its record highs in December 2017, citing BTC’s GTI Global Strength Indicator. Bloomberg writes that similar buy patterns in the past have resulted in multi-week downturns, citing McGlone as referring to Bitcoin as a bubble. McGlone states that the recent market growth came about due to a long-term price compression and low volatility, causing the price to be “released from the cage.” Bloomberg also cites David Tawil, president of crypto hedge fund ProChain Capital, who reportedly expects the market to continue its downward trend.
Coinbase Crypto Exchange Debuts Visa Card for U.K. Customers
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The crypto markets are holding slightly down by the end of the week, with Bitcoin around $5,099, Ethereum at $165 and XRP about $0.33. Total market cap is around $172 billion.
The top three altcoin gainers of the week are BunnyCoin, WomenCoin and Block-Chain.com. The top three altcoin losers of the week are dietbitcoin, Cryptrust and ContractNet.
For more info on crypto prices, make sure to read Cointelegraph’s market analysis.
Most Memorable Quotations
“This is a stark contrast to the development you see with things like EOS or with Ethereum with Casper, where they kind of adopt this lone samurai viewpoint.”
Charles Hoskinson, the co-founder of Ethereum (ETH) and IOHK, the company behind Cardano (ADA), speaking on the idea of development with open protocols
“I have learned about how blockchain is having a huge impact on supply chain management, and how an app in Britain can help the public report modern slavery at car washes.”
Princess Eugenie, the granddaughter of Queen Elizabeth, who founded the Anti-Slavery Collective in Britain in 2017
“Blockchain is like a spreadsheet on steroids that can automate certain tasks, build greater transparency, speed and reliability, and provide a single source of transactional information.”
David R. Jarczyk, innovation principal and tax leader for blockchain at KPMG
“Now it’s a question of duration and I suspect when you have such a massive bubble, you’ll always have an overhang of people who need to sell.”
Mike McGlone, Bloomberg Intelligence analyst
FUD of the Week
Singapore Police Secure First Convictions Against OneCoin MLM Scheme Agents
Authorities in Singapore have charged two men for promoting crypto multi-level marketing (MLM) scheme OneCoin in what is touted as the first case of its kind for the city-state. The two unnamed men reportedly engaged in activities that incorporated a subsidiary in order to promote OneCoin, in addition to signing up new members and accepting investments in return for education courses and OneCoin tokens. Singapore’s central bank had previously added OneCoin to its Investor Alert List, and various governments around the world have also issued warnings against the MLM scam, advising consumers not to interact or invest in OneCoin. While one founder was recently arrested in the U.S., the other remains at large following the indictment.
Canadian Crypto Exchange QuadrigaCX Officially Declared Bankrupt
QuadrigaCX, the embattled Canadian crypto exchange, has officially been declared bankrupt. The exchange’s bankruptcy was reportedly approved by the Nova Scotia Supreme Court following the court monitor’s earlier recommendation to do so. At the time, Ernst & Young’s legal team had put forward the argument that the restructuring process should instead be shifted to bankruptcy proceedings, meaning that the monitor will now have enhanced investigative powers. QuadrigaCX had previously filed for creditor protection when it apparently lost access to its cold wallet funds following the unexpected death of its founder in December 2018.
Electrum Faces Another Fake Wallet Attack, Users Reported to Lose Millions of Dollars
Bitcoin wallet service Electrum faced another Denial-of-Service (DoS) attack on its servers this week. According to media outlets, this most recent attack has resulted in the loss of millions of dollars (the exact sum unconfirmed) with a single user allegedly losing about $140,000. The attack works by referring users to fake versions of Electrum software by employing a malicious botnet of more than 140,000 machines. The company has recommended that its users upgrade their software versions older than 3.3 and not download software from any source besides the official site. Last December, Electrum faced a similar attack that led to a loss of about $937,000 worth of Bitcoin.
Best Cointelegraph Feature
Will China Ban Crypto Mining?
After this week’s relatively unexpected publication by a Chinese government agency about a possible ban on crypto mining, Cointelegraph takes a look into how serious the idea is, and who and what will be affected in what is unarguably the largest crypto mining sector in the world.
Facebook, Twitter and Telegram: A New Crypto Paradigm or a Glorified Voucher Program?
As more unconfirmed news surrounding Facebook’s secretive crypto project surfaced this week, Cointelegraph analyzes what it would mean for one of the biggest, and possibly most untrusted, institutions in the world to issue their own cryptocurrency.
Source: Cointelegraph.com
Next Read: Bitcoiners’ Seastead in Deep Trouble With Thai Government »
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Shared from the 3/9/2019 The Winchester Sun eEdition
Portrait project seeks to help bridge divides of race, class
BY LASHANA HARNEY
Sun Repor ter
The Winchester Sun is one of many downtown business that will display portraits of the “I Was Here” project. The opening reception and artist talk is at 7 p.m. March 15 at the Leeds Center for the Arts. On Saturday, March 16, artists will lead an “on-thestreet museum walk” at 9:30 a.m. beginning at the Clark County Courthouse and culminating in a community conversation at the Leeds Center for the Arts. (Photo submitted)
Clark County residents will soon take part in the first-ever outdoor museum in downtown Winchester.
It will feature more than 20 “hauntingly beautiful ancestor portraits,” which Winchester resident and supporter of the project Syndy Deese said will stimulate a new conversation about “who we were, who we are and who we could be.”
“I Was Here” is an artistic collaboration between poet Nikky Finney, artist Marjorie Guyon and photographer Patrick J. Mitchell. Deese helped the artists bring the project to Winchester.
The public art exhibit, composed of 23 Ancestor Spirit Portraits, seeks to bridge divides of race, class and culture. The Greater Clark Foundation (GCF), Clark County Community Foundation (CCCF) and Wells Fargo provided funding for the public art project.
The project debuted in October which was once one of the largest slave auction sites in the country.
Winchester is the first community to welcome the traveling exhibit of the Ancestor Spirit Portraits. The artists will install the portraits in downtown windows in mid-March.
In the news release, Alex Rowady, chairman of the CCCF Advisory Board, said the portraits would spark reflection and conversation.
“It may be difficult, but dialogue about these tough subjects often leads to understanding and acknowledgment,” Rowady said. “This is what will help propel our community forward to be more inclusive.”
Guyon told The Sun she hopes the exhibition creates a new model for how people see one another. She said it would touch each person differently but hopefully serves as a way to reflect and move forward to make the world a more positive place.
The project caught the attention of Wells Fargo Advisors and the Wells Fargo Foundation because it fits the company’s vision, values and goals including a shared commitment to diversity and inclusion, corporate citizenship, and team member engagement. The company funded the creation of the original art in Lexington and is also supporting the Winchester installation.
In the news release, Vincent Hill, Sr., advocate coach, Wells Fargo Advisors, said “I Was Here” provides a new lens through which to see one another.
“It’s not designed to evoke pride or guilt, but provide another vehicle for us to move forward together, and gives us another opportunity at Wells Fargo to provide courage and leadership to show the inherent humanity of us all,” Hill said.
The artists have recreated the original art pieces as roman shades that can be lowered at night to bring the “Ancestor Spirit Portraits” into view.
The faces and bodies of the nine models used by the artists are artistic representations of those unnamed ancestors.
Deese said she saw the project as an opportunity to continue the work of bridging the gap of the racial divide that exists in Clark County, similar to the work Better Together Winchester and others are doing.
Guyon told The Sun the initial idea for the project sprung out of conversations she had with a woman she met following the 2016 Election Day.
They discussed the divide in the country and what they could do to help shift the spirit of the country.
One day, while talking in Guyon’s studio, which overlooks Cheapside, Guyon spoke of an idea she had about a mother and child appearing and disappearing in the windows. Guyon photographed the lady and her son, and after looking at the images, she realized there was a more profound project at play.
From there, the idea for “I Was Here” was born.
The artists installed large-scale renditions of the Ancestor Spirit Portraits, integrated with Finney’s poetic language, in select windows and doorways that surround the Old Courthouse in Lexington. Each business owner became a docent, informing their customers or clients about the art in their windows — taking away the formality of a museum tour guide and replacing it with a peer capable of igniting intimate dialogue.
The opening reception and artist talk is at 7 p.m. March 15 at Leeds Center for the Arts.
See this article in the e-Edition Here {{localized 'OfflineMode' /}}
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Digital Gabe
Cutting Edge Commentary On All Things Media
Digital Gabe - Cutting Edge Commentary On All Things Media
Pandora By The Numbers
Pandora's users and listener hours have slipped, but its subscription service has grown
By Gabe Tartaglia Last updated Feb 26, 2018
It’s been a while since I featured a full overview on the state of Pandora, so I thought the attached WSJ article would be a good catch up.
It’s an interview piece with Pandora CEO Roger Lynch, and it covers a wide array of topics from balancing free and subscription tiers, utilizing data to deliver individualized creative, non-music content like podcasts, and what the future holds for connected cars and homes.
It’s especially interesting to see how the confluence of business factors come together in the graphic below.
Yes, free usage is down slightly. But the subscription growth is more than making up for the difference, which has stabilized Pandora’s overall listening hours.
There’s no doubt that Wall Street is eagerly awaiting tomorrow’s Q4 earnings call when Pandora will lay out its strategic vision for 2018, including the launch of a new audio programmatic marketplace (I’ll cover that one tomorrow), and other product initiatives.
Get ready for an exciting ride!
Gabe Tartaglia
Since 2011, Gabe Tartaglia has been a Vice President of Sales for Pandora. Based in Chicago, Gabe manages the sales organization and revenue operations for Pandora’s National Sales Verticals.
Prior to that, Gabe ran Pandora’s 17-state sales region in the central third of the United States. Previously, Gabe spent almost two decades in broadcast radio, including positions as Station Manager and Director of Sales for CBS Radio on the East Coast and in Chicago.
Gabe holds undergraduate degrees in Marketing and Management Information Systems from Miami University in Oxford, Ohio.
His other professional interests include mentoring and guest instructor work at YearUp Chicago, and publishing his own daily media blog.
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A walk around the block
( China Daily )
Local performers dance to greet visitors at the town's decorated archway. [Photo provided to China Daily]
Exploring history
The town is worth visiting as it is an ideal tourist destination to explore the region's rich history, and the Shi family residence is a good example of its enduring appeal.
Built in 1875, it is now one of the few well-preserved civil buildings from that era remaining in the area, earning it the title of "top residential courtyard in North China".
In this courtyard, the family of North China's once most wealthy businessman witnessed its rise to prosperity and later decline, and the story of the family's legendary roller-coaster ride often prompts visitors to stop and contemplate.
"When the family owner died, the family didn't even have the money to organize a proper funeral," a local history expert says.
Shi's family residence served as the headquarters of the Beijing-Tianjin campaign, one of three key battles during the liberation of China, which was used as a base from 1948 to early 1949.
It was also the site where the first Tianjin government was founded, and where the first corruption case after the founding of New China in 1949 was cracked.
Near there, the An family courtyard has now been turned into a private museum.
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National Question
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Raise the flag of socialist struggle against imperialist wars and capitalist exploitation!
Marxism and Youth
Elif Çağlı
“Let the liberals and terrified intellectuals lose heart after the first genuinely mass battle for freedom, let them repeat like cowards: don’t go where you have been beaten before, don’t tread that fatal path again. The class-conscious proletariat will answer them: the great wars in history, the great problems of revolutions, were solved only by the advanced classes returning to the attack again and again—and they achieved victory after having learned the lessons of defeat.” (Lenin)
Inextinguishable light of Marxism
The working class youth and those young people who are discontented with capitalist society today need Marxism more than ever. Capitalist system is escalating social maladies it created to unbearable levels, darkening the lives of the working masses day by day. The kind of life offered by capitalism to them is full of anxieties and worries which is in sharp contrast to the world it has decorated with bright lights of technological innovations. Although it is often said that future belongs to the young, there is no happy future for those millions of young people under capitalism.
However it is possible to put an end to this and objective conditions for this task are extremely maturated. The possibility to create a world in which man does not exploit man, in which all kinds of inequalities, repression and malice originating from the existence of classes and class differences are eradicated, lies within our reach. The only thing to realise this possibility is to wake up to this reality, get organised and fight. But the whole bourgeoisie around the world is carrying on an offensive through ideological bombardment against the ideal of socialism and its theoretical weaponry provided by Marxism to reach this ideal. Thus most of the young all over the world who can be won over to the cause of the working class and the fight for revolution lead their lives without noticing that once they get organised to overthrow capitalism they would have a tremendous power. They thrash about in a quagmire of an already rotten social order and this is called “life”!
Likewise Prometheus of mythology who saved man from darkness, hunger and cold by stealing fire from Gods, Marxism has given the proletariat, the most revolutionary class of entire human history, the scientific light, the beacon of communism required to change the world. Prometheus’ act was a symbol of noble struggle for freedom and of creative genius of humankind. Marxism too is the fire required for the working masses in order them to reach a new social order glowing with freedom and social prosperity by putting an end to the conditions of capitalist society, i.e. an unbearable exploitation and oppression. By slandering socialism and stigmatizing those committed to Marxism as dinosaurs, capital attempted to extinguish the fire that illuminates the road to liberation of the working masses. Therefore, the oppressed and the young across the world have been drifted into darkness as if almost a midnight in the century, in such a pessimism that results in almost entirely losing the hope for a better future. As signs of such a dark era there appeared various problems, since particularly 80s, such as degeneration of society and youth, loss of positive values, ascendancy of egotism, decline of the sentiment of social solidarity and sharing, alienation to political struggle.
Although some are carrying these signs to absurd points so as to lose hope for future of humanity or put the blame for social degeneration on the young, we know that all these pessimist approaches are product of either lack of consciousness or insidious ideological attacks. In the final analysis, as similar epochs in history show us, current dark period is no more than a parenthesis in the course of history. Apart from illuminating the road to emancipation of humanity, Marxism, with its historically optimist essence, tells that dark epochs determined by assaults of exploiting classes will end sooner or later. Although we are passing through bad times due to the attacks of the world bourgeoisie, the fire of Marxism will never burn out or be put out unless there is the anger flaring up against social inequality and injustice, and the proletariat which grows day by day.
As part of neo-liberal attacks that began in 1980s the world bourgeoisie pushed for the reign of a moral system of values in which the idea of social emancipation was now out of fashion and that each individual must quarrel selfishly for his/her own liberation was promoted. Bourgeois ideology embarked on annihilating the ideals of the youth over transforming society in order to prevent the young generation of workers from getting equipped with a rebellious world view that would lead them to join the struggle to overthrow capitalism. Capitalist mass media was portraying those young people having ideals as nearly having a mental disorder. The life style recommended to the young generation was to live on a daily basis with a philosophy tuned only to saving their own skins and succeed in getting along in a so-so manner without letting themselves occupied with questions about past and future of human society. Later collapse of the so-called socialist regimes, particularly the Soviet Union, was used as an excuse by capital to proclaim frequently that socialism and Marxism were dead. During this period of offensive that was experienced as a series of shocks, revolutionary consciousness and organisation slid back with a vengeance. The perception of the world of the workers and the young who are supposed to be discontented with capitalist order blurred, they felt as if they fell into a vacuum and became dazed. Oppressed, exploited and sighing under persecution, the workers and the working class youth experienced a temporary eclipse of mind and a dreadful slide of consciousness.
In reality there was no objective ground to abandon hope from struggle for socialism and perceive the new period as a period of shiny capitalist rise. But unfortunately this perception prevailed for a certain period of time. Yet dialectical understanding of history which can be attained through Marxism was pointing to an entirely different reality: whenever a social system carries on a ruthless ideological offensive, that actually implies conditions in which it loses its historical justification and is in decline. On the other hand, such historical periods are eras during which the oppressed and exploited masses at first appear weakest. This is a twilight zone in which they do not carry any more hope for future out of this worn-out social order they are living in, but also waver with utmost bewilderment because the consciousness about how to build the future and the level of organisation is still too weak. Although we are leaving behind the most severe part of such a dark period, its general influence and traces of scars it created continue. However these traces will disappear, the youth of the working class and of revolutionary struggle will inevitably start shaking capitalist system with their new rebellious wave from all sides. In Engels’ words, there is no great historical destruction left uncompensated with a progress.
There is one thing clear for Marxists, which is that today imperialist-capitalist system has started to reveal its true face to broad masses all over the world in a way that is impossible to hide. This system which drives millions of people to hunger, poverty, unemployment, ignorance, degeneration and unjust imperialist war conditions has already deserved to be thrown into the garbage bin of history. Future belongs to socialism, though whole bourgeois of the world get tight-united and shout at the top of their voice that socialism and Marxism are dead, they can never and never change this reality. Finally we are witnessing the beginning of the dawn of a new revolutionary rise. Marxism is calling on the young people full with rage against injustice capitalist order has created to struggle. Revolutionary world view of the working class shows the way out from material and moral enslavement in which all the oppressed till today have suffered. There is no other thing which will make the lives and future of the young more valuable and meaningful than the honour of joining the revolutionary struggle to overthrow this decrepit order.
No liberation on your own!
For the young generation of revolutionary struggle there is much to learn from the lives and struggles of the founders of Marxism and other revolutionary leaders who followed their road. Marx and Engels devoted their lives to providing a theoretical basis for the revolutionary struggle of the proletariat and equipping this struggle with a scientific ideology. For example, Marx led a hard life devoted to revolutionary struggle with pride and passion, breaking away from the conditions in which he could continue a rich and comfortable life if he wanted. With great passion he jumped into the hard fight against all kinds of reaction, political and social oppression. In fact, it cannot be thought otherwise that a great revolutionary like Marx would choose a comfortable life departing from his ideals.
Krupskaya, Lenin’s wife, in her memories, says that the Bolshevik leader who devoted his life to emancipation of the working class was a revolutionary Marxist and collectivist with all his heart. His emotions and thoughts are marked by fighting resolve for the victory of socialism. All kinds of narrow-mindedness, evil, revengefulness, conceit, jealousy, which are peculiar to individualists bound to petty-possession, are alien to Lenin. Years that passed with not only efforts to organise the working class but also with effort of educating himself as a genuine communist, created the revolutionary Lenin who considered becoming a collectivist, a working class fighter an immense source of happiness. A young revolutionary equipped with Marxist world view and tempered in struggle will enjoy life which, thanks to this, is made meaningful, and feel honoured besides carrying on the fight energetically. Such a youngster with passion of becoming a genuine communist will advance with great leaps in succeeding to purify himself/herself from illnesses of petty-bourgeois character such as conceit, jealousy and individualism caused by capitalist society.
In a composition he wrote in his very early youth Marx rebelled against bourgeois ideology that preaches to indulge in narrow selfishness and seek individual self-salvation. And today, while bourgeoisie is endeavouring to blur the consciousness of the young in the same manner, it is on the other hand trying to snatch the flag of rebel which threatens this outrageous order from their hands by declaring Marxism dead.
Marxism demonstrated in the brightest and clearest way that, let alone individual liberation, a young worker deprived of the flag and weapon of struggle can be nothing but a wage slave under the command of capital. Preaching “individual liberation” or “individualisation” may make sense in the world of bourgeois elements and their well-off children. The only “individual liberation” capitalist order can offer to the working class and the youth that will be mostly the workers of the future regardless of their education level, is the “happiness” of finding a job and serve under the command of capital! Yet wage slave can never realise his own individuality under the command of capital, on the contrary negates it. The conditions in which he works and lives produce not satisfaction but discontent.
Young worker cannot improve his mental and physical qualities under capitalism. This system offers him such conditions that erode and destroy his soul and body. He is as if an appendage of capital as long as he works, and he can never sense his individuality. The only chance he has to be himself and feel his own existence is his spare time. Yet, especially nowadays, with capital organising all aspects of life including spare time, this chance has also evaporated and mixed to air. Thus; stuck into blind alley of unconsciousness and unable to take an opposing attitude towards the life style imposed by capitalism, he is transformed into a puppet of capital in every hour of his life. Therefore, contrary to the lie that Marxism is out of date, all youth having contradictions with capitalism need to embrace not the empty word of “individualisation” in order to be themselves but embrace with all their hearts the collectivist and revolutionary ideas of Marxism.
Contrary to deliberate distortions of bourgeois ideology, the individual is self-evidently the social being. Even at times when some doings of life do not appear as social, i.e. in the sense that they are carried out in association with other people, the very existence of the individual is in reality an expression of social life. However, an erroneous understanding that individual emancipation is in conflict with social emancipation has come into existence under class society that ruins the harmony between man and man and between man and nature, and under capitalism that has escalated these contradictions flowing from this to utmost point.
Yet communism, as Marx remarked, is the genuine resolution of the conflict between existence and essence, between freedom and necessity, between the individual and the species. It is the riddle of history solved. Classless society of future will be a society where irreconcilable conflicts between man and nature, and between man and man are abolished, the feelings of man are humanised in the real sense of the word and harmonised with his social and natural essence. The ill-fated masses trying to lead their lives under the exploitation and oppression of capitalism will only have the chance to sense the blossoming of their personalities and feel the satisfaction of their material and moral needs when they overthrow capitalism and head towards classless society. Classless society will be a social stage where individual and social interests are harmonised, the noblest humane principles are adopted and these values are turned into indispensable parts of life. This is the future that the youth of the working masses must have and current task of this youth should be to set off at once to conquer this future!
The place of youth
It would be a useless effort to try to analyse the place of youth in class struggle in capitalist society, which is divided into two main classes, lumped into one whole. Because juvenility is not a class position on its own, it consists of a section of society crossing all classes according to age groups. If we put aside those elements who do not adopt their own class position and reject it consciously, young sections of every class are in the final analysis conditioned and shaped by social conditions of that class. Today, in all capitalist countries, beside the youth that belong to the bourgeois class, constituting a minority, there is a youth of the working class that grows in parallel with the growth of the working class, constitutes the majority and joins largely the army of the unemployed. At present petty-bourgeoisie occupies a smaller place in comparison with the old times when peasantry and petty ownership were widespread and self-employed people did not yet lose their privileges. Today we can generally see that the proletariat has reached an overwhelming majority in capitalist society when we take into consideration civil servants, who are erroneously regarded as part of petty-bourgeoisie but in reality must be included in the working class, high skilled workers, who are also obliged to maintain their lives by selling their labour power to capital, and sections of rural areas who are long proletarianised.
As the intermediate class in capitalist society the petty-bourgeoisie is still a source of some important problems from the point of revolutionary struggle of the working class. However, the reason for this is not that it constitutes a big part of society objectively as in the old times. Today; this intermediate class position is a matter on its own in that it reflects a widespread and average mentality which penetrates as if into the cells of capitalist social life. This common mentality is like an ocean which covers an overwhelming majority of society from people who belong to petty-bourgeois sections proper to even those bourgeois who, despite having turned into bourgeois, cannot get rid of their petty-bourgeois habits, and to those millions of workers who, due to lack of consciousness, are gripped in a way of life and values which are rightfully described as petty-bourgeois. Since young sections form a big part of this enormous human mass, they are considered a petty-bourgeois section on their own in commonplace views.
What we have said about class nature of youth in capitalist society is in general valid for student youth as well. Besides, the composition of student youth and particularly university youth is changing through years and the impacts of this change are clearly observed among the student movement. When we take into consideration the assault of capital against social gains of the working class, cuts in social expenditure, diminishing wages of the working class, unemployment, constantly increasing fees, it is clear that class structure of university youth has become more bourgeois within years. Subjective reflection of this objective change is regression at the level, range and forms of action of the university youth in comparison with the past. These factors show also the deepening separation between the proletarian and bourgeois elements of youth. Differences between the situation of the university youth in the past when this separation was not so pronounced, and the situation at present are natural as long as they are expressions of the change in social reality.
In order to prevent youth from getting interested in social matters the bourgeoisie is conducting a systematic propaganda activity proclaiming as outdated the values like social awareness, solidarity and sharing. Youth is crumbling away in the vortex of degenerated and empty way of life capitalism seeks to pass off as modern. Thousands of youth who are doomed to unemployment by capitalism, are enslaved by the brainwashing operations of bourgeois media and are dulling their lives instead of utilising their energies and hopes in a revolutionary struggle. Therefore, while ghettos accumulate the powder of revolutionary explosion, at the same time they are home to unemployed youth who lose their class identity by imitating bourgeois way of life and may become the mass base for reactionary and chauvinist political currents like fascism.
Starting from the time when they are freshest, the brains of the student youth are sought to be atrophied in a way to waste them in the blind alleys of struggling for individual survival. A very unpleasant fate awaits the youth unless they become conscious of these insidious and systematic offensive of rotten capitalist system, which became aggravated especially in last decades, and join the revolutionary struggle as the only way to realise in a self-respecting way their own existence. Their soul will be taken away in a merciless marathon in which they are compelled to race with each other and thus they will completely become alien to their own selves and they will be transformed into an obedient mass of workforce under capital’s command. This is the bare reality behind the intention of bourgeois ideology of trapping student youth with tales of better education, a bright career in order to keep them away from revolutionary ideas and political struggle. While trying to discredit Marxism as a scientific worldview, which is needed by youth to create a better future, the bourgeoisie is endeavouring to attract young people to its own side with “Science” wrapped almost with a holiness halo.
Science can never be neutral in a society which is dominated by wage slavery. Capitalist system puts all gains of science and technology at the service of the bourgeoisie. Every new invention is used by imperialist-capitalist powers to put oppressed classes under more pressure and control in a subtler way and perfect the imperialist war machines. Under capitalism, science and technology, which will be at the service of society in a world without classes and exploitation, are under slavery of the ruling bourgeoisie. So long as the domination of the bourgeoisie goes on, science and technology will continue to be a means for oppressing the working class and toilers at large. The sole historical action that will rescue science and technology from the shackles of capitalist profit order is the proletarian revolution. Science and technology will be developing freely in the direction of the benefits of all humanity under a workers’ power, i.e. most complete and boundless democracy, and the ruling proletariat will use its technical and intellectual powers for abolishing all kinds of exploitation and putting an end to all wars.
In order to attract young people, bourgeois ideology, in its struggle to keep capitalism alive, makes promises of a false happiness like “a good education, a good future”. It is advised that an educated young person should seek individual success so that he/she can reach an enjoyable position in society. Yet, analysing and exposing the nature of capitalism scientifically, Marxism shows that realities sharply contradict such “glittering” promises. Without ignoring class differentiation among youth in general and students in particular, let us point to an important issue that involves the young to a great extent. In fact capitalism turns human practice into alienated objects. It causes a general alienation of human beings by reducing the relations between them to the level of trade relations based on commodity exchange. By becoming alienated to its own labour, to the product of his labour and to others, man in reality becomes alienated to himself, to his own nature. And thus he becomes chained to live in a sphere of alienation. This situation, which is a product of capitalist society, is a reality that young people usually come to sense in their student days. Moreover, obvious injustices that capitalist system exhibits incite those young people’s feelings not dulled yet by capitalist order. Thus, student youth usually carry more or less rebellious feelings against capitalist social order. However, in the final analysis, class basis plays a fundamental role in taking a really consistent, resolute revolutionary attitude against capitalism as opposed to a mere passing fancy.
What is needed today for a genuine anti-capitalist youth movement to develop is precisely an ideological clarification, and not covering up the ideological differences which reflect class distinctions. For instance, at present, anarchism is promoted as a temporary kind of radicalism and pumped into student movement by bourgeois elements. And bourgeois and petty-bourgeois elements who lost themselves at the dead-end streets of a fake anti-imperialism, which is essentially nationalism, serve to make seemingly left and right political currents meet. On the other side a petty-bourgeois leftism which appears as sharp revolutionary isolates itself due to sectarian attitudes among student movement and gets the sympathising young people rapidly tired. Under these conditions it is necessary for the consistent and dynamic elements of the student youth to free themselves from bourgeois and petty-bourgeois kinds of leftism. These young people can create a powerful and lasting youth movement only if they adopt the internationalist revolutionary path of the proletariat which has the potential to change the world. It is a must to carry on a persevering ideological, political and organisational effort to this end and this is not a concern of only the students who have adopted this perspective but at same time and mainly of the revolutionary proletarian movement.
The young have no interest in the continuation of this senile capitalist order, which makes millions of people on earth suffer in pain, and the path to be taken by them in order to win the future is evident. Liberation of the oppressed, exploited, despised and suppressed is only possible through the revolutionary struggle of the working class. As the class distinctions in society become clearer and grasped, the proletariat and young generation of proletarian struggle will in increasing numbers cling to revolutionary class line and bourgeois youth will be ageing in a degenerated culture of life. They will wave higher the flag of rebel raised by the revolutionary proletariat against capitalist society with their fresh minds, jubilant hearts and strong courage. Lines of Communist Manifesto will be the oath of the revolutionary youth: Instead of the age old bourgeois society with its classes and class conflicts, we will build a new society in which free development of each will be the condition for the free development of all.
The path of revolutionary youth is Marxism
Marxism provides guidance to the working class not only for it to defend its own economic interests but to fight against all kinds of oppression, all kinds of exploitation in society. Workers equipped with Marxism, armed with an internationalist communist understanding of struggle and organisation, will join the struggle to defend interests of all toilers, change entire society from top to bottom, building a world in which future generations will live in peace and happiness. Revolutionary youth, only when they adopt this struggle perspective of the working class can make their rebellious feelings against capitalist society really meaningful, and devote their whole faith and energy to creating a massive revolutionary movement. As the revolutionary history of working class shows us, what is needed is a meeting and merging of revolutionary workers’ movement and revolutionary youth movement on the rock solid basis of Marxism in order to beat the monster of capitalism.
Lenin, the leader of the great October Revolution, pointed out the situation of the proletariat torn by the domination of anarchic competition in bourgeois world, oppressed by capital due to bound labour, pushed permanently down to abyss, misery, vagrancy and humiliation. The proletariat could unite millions of toilers as an army of the working class only by strengthening its ideological unity on the basis of the principles of Marxism and by the material unity of organisation, thus becoming an unbeatable force. Indeed the proletariat has no other weapon than its organisation in its fight for power. Unless organised, workers are nothing despite their whole revolutionary historical potential. And likewise, in spite of their all rebellious feelings, audacity and boldness, unorganised youth will be nothing either.
Those left political currents that attach too much importance to individualist heroism, however a noble goal as it may appear to the young, lack the collective struggle capacity of a revolutionary class. Political tendencies that exalt individualist heroism are in reality reflections of petty-bourgeois revolutionism. This kind of tendencies rests on not Marxism but idealism. When Lenin, one of the greatest revolutionists grasped this reality in his young age, embraced Marxism and laid the foundations of the Bolshevik line of the working class by setting apart his path from Narodnism, the petty-bourgeois revolutionism of the old generation.
Lenin demanding proper respect for heroism of the first generation of Narodniks that lit the first revolutionary fire in Russia was reminding young revolutionists on every occasion that revolutionary struggle can be waged by not sentimentality but by scientific faith. It is surely a good thing for the young to have revolutionary ideals. However, if these ideals are not tied to the realities that are manifestations or embodiments of class antagonisms, and to the struggle perspectives of the revolutionary class, they will remain unfounded and lose the chance to be realised. Recounting Lenin’s revolutionary organisational work among Petersburg workers in his youth, Krupskaya says that the point was not to do heroic deeds but to establish firm contacts with the masses, to come closer to them, to learn becoming the means for their finest hopes, to rally them in our ranks and to enliven them.
Youth is characterised by excitement, enthusiasm and sensitivity. Throughout whole history of capitalism and all over the world, the young people who took part in the revolutionary struggle always carried and will carry these positive elements into the battle field. The ranks of revolution would be lifeless and arid should there not be the revolutionary romanticism, boldness and self-sacrifice of the youth. From past to present, young men and women have walked into death with revolutionary faith in their hearts in many countries and in many struggles. Those who fought and fell in the struggles that the oppressed waged against the oppressors all over the world, from Paris Communards to October revolutionaries, to those nameless young heroes fell in barricades, became symbols of a noble fight. In Turkey too, under military regimes, young saplings met with death in torture rooms, gallowses and young people who sacrificed their bodies in hunger strikes, death fasts against fascistic persecutions aimed at destroying revolutionary prisoners, they are all ours. Although their political ideas had not maturated yet, and there are many aspects to criticise about the revolutionary path they followed, there are imprints of them on the red flag of struggle for revolution. And the revolutionary Marxist youth will never allow the bourgeoisie to trample and dirty this red flag waving in the revolutionary struggle of the proletariat.
Marxism demonstrates that history is made by masses and this is exactly the correct approach. Forward moves detached from the working class may look revolutionary, but in the final analysis they are indications of despair. Although the role played by leaders is quite important and big at critical turning points of history, it is, in final analysis, the struggles of the oppressed classes that change the world. While it is correct and necessary to take as examples the lives and struggles of revolutionary leaders in order one to get rid of his/her weaknesses conflicting with a revolutionary life, it is equally wrong and dangerous to create a personality cult so as to overshadow the historical mission of the working class.
It is the business of the bourgeoisie to turn revolutionary characters into idols or put their symbols on the market by making them commodities. Today, the bourgeoisie is very keen on this business in order to banalise revolutionary struggle in the eyes of the young. The bourgeoisie want to transform persons like Deniz Gezmiş, Che Guevara who, with their revolutionary fighting spirits, have rightfully become symbols for the revolutionary youth for long, into dead saints by hollowing out their revolutionary significance and by preventing the young generation from learning from their mistakes. As Lenin said, during their lifetimes great revolutionaries are persecuted by the ruling classes that crackdown on their struggle with the most savage hostility, most furious hatred, and mobilise against them with outrageous lies and slanders. After their death, however, the bourgeoisie try to turn them into harmless idols, so to say, saints. Their names are invested with a certain halo in order to console and dupe the oppressed classes and the bourgeoisie try to make the revolutionary side, the revolutionary spirit of their struggle forgotten.
Personality cult is completely alien to Marxism and revolutionary leaders like Lenin waged an uncompromising struggle against such harmful tendencies during their lifetimes. Anti-Marxist practices such as turning revolutionary figures into lifeless marbles and dead icons were brought into socialist movement by Stalinism which in reality embodies denial of Great October Revolution and of Bolshevism under Lenin. Stalinist personality cult does not represent the values of the revolutionary struggle of the working class and, as history has proved, it does not have any right to claim them in the slightest degree. It is completely antipodal to the correct approach in the following words. Speaking about Marx, F.A. Sorge says: “What Marx did as a scientist and a defender of the working class need neither cast iron monuments nor fiery speeches. Things that express Marx’s acts are not bronze or granite monuments but the ranks formed by countless workers all around the world following Marx’s immortal call of war, “All workers of the world, unite!”
Need for young forces
To gain young and fresh forces is always needed to strengthen the revolutionary struggle of the proletariat. Therefore, those who carry on loyal, patient and planned organising work in Bolshevik style among the working class, are full of determination to fill their ranks with young workers and revolutionaries. Any weakness in gaining young forces would be a fatal danger. It is not justified to worry a lot and hesitate in the face of the lack of education and experience of young people. It is justified to lose hope for those who cannot see their faults, and who do not try to correct them in spite of so many years left behind. But as far as the young are concerned, a more patient and tolerant approach must be taken for the young to correct their mistakes.
We must be more tolerant for the mistakes of young revolutionaries. But in order them to be educated and tempered, we must never toady to the youth. Chance must be given them in order to let them correct their mistakes in the course of struggle and they must be helped. It is a fundamental task to educate youth especially of the working class in the culture and traditions of the internationalist communist struggle of the revolutionary proletariat, of the conviction of socialism, and equip them with class consciousness. If both the youth of the working class and other youth who have united their lives and struggle with the working class are educated and organised on correct principles, they can correct their mistakes in a short time and bring the dynamism of youth to the ranks of the struggle.
Imperialist capitalist system with its most recent lust for an unbridled exploitation and aggressiveness, has started rising the anger of all the young who do not put their hearts and brains up for sale in the bourgeois market. Those young people trying to show their reactions in anti-capitalist demonstrations and anti-war rallies in many countries are concrete signs for this situation. However, young people need to be organised and take a genuine revolutionary political position to overthrow capitalism. The Historical struggle of the revolutionary proletariat determined to go beyond capitalism and advance on the road to a society without classes makes the call: “Become enlightened with Marxism! Cling to organised revolutionary struggle!”
other articles by author
Importance of Revolutionary Consciousness in Reactionary Periods --- 1 September 2016
The Question of Transition and the Transitional Programme --- 26 January 2006
Go on Your Own Way!.. --- 28 June 2009
Revolutionary Work in Mass Organisations --- June 2008
Historical Experience and the Theory of Permanent Revolution --- August 2000
Authoritarianisation and the Role of Ideological Apparatuses --- 30 November 2015
The Rights and Wrongs --- 27 May 2015
Revolutionary Marxism: Organised Unity of Theory and Practice --- 4 November 2014
Democracy and Plutocracy --- 28 June 2014
On Reformism --- 3 January 2006
On the Question of Imperialism --- 25 May 2014
Anatomy of the Petty-Bourgeois --- 25 November 2006
Spirit of the Age, “Zeitgeist” --- 4 March 2014
From Colonialism to Imperialism --- August 2002
Correct Attitude on the Organisational Question --- 31 August 2012
Importance of Revolutionary Consciousness in Reactionary Periods
The Question of International
The Question of Transition and the Transitional Programme
Go on Your Own Way!..
Ever-growing Importance of Organised Struggle
Revolutionary Resistance is the Only Antidote to Fascism
Objective and Subjective Conditions of Revolution
Reformism Refreshes Capitalism
The Relationship Between Crisis and Revolution
Crises Do Not Lead Capitalism to a Spontaneous Collapse
The new period
Revolutionary Work in Mass Organisations
The Long-Term Curve of Capitalist Development
The debate on “long waves”
Authoritarianisation and the Role of Ideological Apparatuses
Crisis: A Natural Outcome of the Capitalist Mode of Production
The Role of Credit Mechanism in Exacerbating the Crisis
The Law of the Tendency of the Rate of Profit to Fall
The Rights and Wrongs
Capitalism Advances on the Basis of Industrial Cycles
Related books and brochures
In the Light of Marxism
Globalisation: Combined and Uneven Capitalist Development
From Colonialism to Imperialism
Marxist Attitude On the Question of European Union
A Dangerous Tendency: Opportunism
An Opportunist’s Approach to the Question of "Marxism and the State" (I-II)
On Bourgeois Workers’ Parties
A Brief History of Capitalist Development and Working Class Movement in Turkey
The Mass Uprisings in the Middle East and North Africa: Leaving the First Phase Behind
Levent Toprak
On Sub-imperialism: Regional Power Turkey
The International Unites the Human Race
Revolutionary Marxism: Organised Unity of Theory and Practice
Capitalism at an Impasse
Bloody Dilemmas in Syria
On Reformism
Democracy and Plutocracy
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Kidnapping Crime France
Hotel boss kidnapped in French resort town Cannes
The head of a five-star hotel in the French resort town of Cannes was kidnapped on Monday, the local prosecutor said.
Jacqueline Veyrach, 76, president of the Grand Hotel in Cannes, was seized from her car in the middle of the day near her home in Nice, said prosecutor Jean-Michel Pretre.
Her attackers forced her from her black 4x4 into another car, while several passers-by looked on, a source close to the case said.
"A woman of that age, kidnapped in those conditions -- we are all very concerned," the prosecutor said.
A police enquiry has been opened to apprehend the "organised gang" members and secure the victim's safe return.
It's not the first time Veyrach has been the target of a kidnapping gang. In 2013 there was an attempt to abduct her in front of her garage.
Organised crime launders 100 billion …
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The Structure of Metabolic Syndrome Components Across Follow-Up Survey From Childhood to Adolescence
Adeleh Bahar 1 , Firoozeh Hosseini Esfahani 2 , Mohammad Asghari Jafarabadi 3 , Yadollah Mehrabi 4 and Fereidoun Azizi 5 , *
1 Diabetes Research Centre, Mazandaran University of Medical Sciences, IR Iran
2 Nutrition and Endocrine Research Center, Research Institute for Endocrine Sciences, Shahid Beheshti University of Medical Sciences, IR Iran
3 Medical Education Research Center, Department of Statistics and Epidemiology, Faculty of Health, Tabriz University of Medical Sciences, IR Iran
4 School of Public Health, Shahid Beheshti University of Medical Sciences, IR Iran
5 Endocrine Research Center, Research Institute for Endocrine Sciences, Shahid Beheshti University of Medical Sciences, azizi@endocrine.ac.ir, IR Iran
* Endocrine Research Center, Research Institute for Endocrine Sciences, Shahid Beheshti University of Medical Sciences, P.O. Box: 19395-4763, azizi@endocrine.ac.ir, IR Iran. Tel: +98-2122432500. Fax: +98-2122402463. Email: azizi@endocrine.ac.ir
Article Type: Original Article
Received: February 14, 2012
To Cite: Bahar A, Hosseini Esfahani F, Asghari Jafarabadi M, Mehrabi Y, Azizi F. The Structure of Metabolic Syndrome Components Across Follow-Up Survey From Childhood to Adolescence, Int J Endocrinol Metab. Online ahead of Print ; 11(1):16-22. doi: 10.5812/ijem.4477.
Background: The choice of what parameters are needed for the diagnosis of Metabolic syndrome (MetS) has been criticized due to the lack of an actual gold standard diagnostic test even in adults. This problem seems to be greater in children and adolescents.
Objectives: Stability assessment of factor structure underlying metabolic syndrome (MetS) components from childhood to adolescence in a panel study.
Patients and Methods: A total number of 643 (305 boys and 338 girls) children (from 1999 to 2001), aged 6-10 years, with a complete median follow-up of 6.7 years (from 2006 to 2008) were selected among participants of Tehran Lipid and Glucose Study. We proposed 6 measured variables based on risk factors defined in Adult Treatment Panel III guidelines to describe clustering of MetS components.
Results: The Goodness of fit of the two-factor model, extracted from exploratory factor analysis, was appropriate for boys and girls in both stages of the study using confirmatory factor analysis. Systolic blood pressure (SBP) and triglycerides (TGs), with parameter estimates (PE) of 1 and 0.75, respectively, were the greatest risk factors at baseline in boys and girls. Waist circumference with PE of 0.88 and 0.62, and SBP with PE of 0.99 and 0.86 in adolescent boys and girls, respectively, were important risk factors.
Conclusions: Our panel study supports the stability of the two-factor six-variable model across two developmental stages from childhood to adolescence, among which adiposity, SBP, and TG were the predominant risk factors.
Keywords: Adolescent; Childhood; Factor Analysis; Statistical
Adeleh Bahar: [PubMed] [Scholar]
Firoozeh Hosseini Esfahani: [PubMed] [Scholar]
Mohammad Asghari Jafarabadi: [PubMed] [Scholar]
Yadollah Mehrabi: [PubMed] [Scholar]
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State Council stresses sense of benefit for sci-tech researchers
Updated: Aug 27,2017 4:39 PM english.gov.cn
At the State Council executive meeting on Aug 23, Premier Li Keqiang stressed again the “sense of benefit” for science and technology researchers, which not only aims to release new incentives for them, but also urges the government and institutions to effectively implement support policies.
The move came as the previously released polices have not been carried out well, and the scientific researchers have not felt a strong sense of benefit yet.
Those at the Aug 23 meeting heard a report on incentives for scientific researchers, including shares, options and dividends, and management of sci-tech projects and related funds. Actually, many incentive policies were issued before the meeting.
In February 2016, interim measures on the equity and dividend incentive of State-owned technological enterprises was released. Also in the same month, the State Council issued a regulation on promoting the transformation of scientific and technological achievements.
Also in 2016, the guideline on further improving the capital management of government research projects and the notice on improving income tax policies relating to equity incentives and technology shares were released.
The benefit of these policies has been proven by the emergence of scientific research achievements and the growing vitality of scientific research faculty.
The latest State Council executive meeting listened to two reports in this regard, calling for further efforts on promoting the implementation of related policies on enhancing the sense of benefit to scientific researchers.
As Premier Li repeatedly stressed, intelligence among the people is of the greatest value, and he urged promoting scientific and technological innovation by innovating management system, and fully mobilizing the enthusiasm of the people.
The Premier also said when delivering the Government Work Report of 2016 that the unnecessary rules and formalities in the management of research projects should be abolished. The calling is for the purpose of enabling favorable policies take their effects, thus more sense of benefit can be felt by scientific researchers.
Commercialization of technology accelerated
Let good policies benefit scientists
Overhaul for sci-tech awards system
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Equity futures are lower once again this morning after trying to rebound yesterday evening. The overnight action can be seen on the 5 minute charts below, the Dow is on the left and S&P on the right:
Bonds are substantially higher again, breaking to new highs for this wave – this shows money is still moving to “safety.” The dollar is lower and the Euro is higher – not as high as they were, but there is a correction in progress. The Yen is higher, that seems to be a better indication of market action over the past couple of days. What’s there to say about oil? A complete and very rapid collapse, down some more today. Gold is also down again, bouncing off the $1,170 support area.
Both the S&P and Dow futures have now made lows that are beneath the May 6th pin lows, and the S&P is very close to breaking its February low. If this is a wave 3 movement, as I suspect, the bounces will be minimal in size and duration until we hit wave 4, but the wave math says 1,018 minimum, so any bounce is likely a part of the wave 3 structure.
There are no economic releases today, but remain aware that it is options expiration and wild moves can occur. Yes, the markets are very oversold in the short time spans, but in the longer time frames it is not. Yes, bounces can come from any point in here, but wave 3’s tend to create extremes in internal readings. The put/call, for example is at an extreme. There are other indications that you would normally expect a bounce from, BUT not all indications are at extremes, in fact some are very far from them. Wave 3’s are generally the longest waves, and if this is wave C down, this wave 3 is only wave 3 of wave 1 – the beginning.
Just to put this market into perspective, below is a chart of the XLF going back to the beginning of 2007. Note the all out collapse, and the WEAK rebound that retraced only to a perfect 38.2%! This is the index for the financials, you know, the companies who can’t lose on a trading day and who report billions in earnings. They are now off 17% from their most recent highs – that meets the 15% threshold definition of a crash. Why do you suppose that chart is so weak and now is breaking down even further? It’s telling us something about which we have failed to address as a nation and around the globe:
The Senate just yesterday passed the “Wall Street Reform” bill. The Senate bill has more teeth than the House version and now they have to work together to create a cohesive bill. Below are excerpts from a CNN article on what was passed:
Senate passes sweeping Wall Street reform
"Those who wanted to protect Wall Street, it didn't work. They can no longer gamble away other people's money," said Majority Leader Harry Reid. "When this bill becomes law, the joyride on Wall Street will come to an end," he added.
Senate passage marks the last big hurdle for an effort more than a year in the making. The bill will now be reconciled with the House version in "conference" negotiations, where differences are ironed out.
Then both chambers will vote again and send the compromised bill to President Obama sometime before July 4, said the bill's main shepherd, Sen. Christopher Dodd, D-Conn.
Earlier on Thursday, Obama praised the Senate's progress saying, "Wall Street reform will bring greater security to folks on Main Street."
What reform means: Congress first started working on financial overhaul last spring. The House passed a version in December, and the Senate began drafting bills last November.
Since January 2009, financial services firms have spent nearly $600 million and hired hundreds of lobbyists to influence the debate, according to the Center for Responsive Politics.
The legislation would establish a consumer financial protection regulatory agency that could write new rules to protect consumers from unfair or abusive mortgages and credit cards.
It would create a council of regulators that would sound an alarm before companies are in position to trigger a financial crisis. The bill would also establish new procedures for shutting down giant financial firms that are collapsing.
The bill aims to shine a brighter light on some of the different kinds of complex financial products, called derivatives, that are blamed for bringing down financial companies such as American International Group (AIG, Fortune 500) and Lehman Brothers. It would force most derivatives on to clearinghouses and exchanges, to help pinpoint the value of the trades.
Republicans objected to some of the bill's major provisions, particularly parts that establish the consumer agency and create new rules for the derivatives. While they generally favored more consumer protection and more regulation of derivatives, they argued that the legislation is too heavy-handed in these areas.
Sen. Richard Shelby, R-Ala., who helped craft parts of the bill, blasted it in a 30-minute speech late Thursday, calling it a "massive new consumer bureaucracy" and a "liberal activists' dream come true."
"This bill doesn't listen to the American people -- it promises massive government overreach in ordinary business transactions," Shelby said.
However, the final vote garnered more Republicans than earlier key Senate votes on the bill.
Joining Democrats were Sens. Scott Brown, R-Mass, Susan Collins, R-Maine, Chuck Grassley, R-Iowa, and Olympia Snowe, R-Maine.
Two Democrats, Sens. Russ Feingold of Wisconsin and Maria Cantwell of Washington, voted against the bill saying it wasn't aggressive enough against Wall Street.
Sen. Robert Byrd, D-W.Va., and Sen. Arlen Specter, D-Penn., missed the vote.
What's next: The Senate will appoint 12 members, seven Democrats and five Republicans, to negotiate with the House over differences in the bill.
The Senate's negotiators plan to vote next week to figure out where they stand on a controversial issue that didn't make into the final bill: a Republican-backed move to exempt auto dealers from the purview of the proposed new consumer protection regulator. The House version has that carve-out for auto dealers, but the Senate didn't get to it.
There are several other key differences.
The Senate bill limits the size and scope of banks' investment activities, preventing them from owning hedge funds and trading on their own accounts. It also includes a controversial measure preventing banks from trading any derivatives. Banks would be forced to spin off their swaps desks that make these trades.
The House bill lacks such limits on banks' investment work.
Also, while both versions of the bill create a council of regulators who monitor big Wall Street banks, the Senate gives the top job of running that panel to the Treasury Secretary and the House gives the top position to the Fed chairman.
Consumer protection agency under the control of the Fed or Treasury is a huge mistake. Separating hedge fund activities is terrific, as are restrictions on derivatives – a good start. However, this is only partially closing the barn door AFTER all the animals are gone. It will NOT cure the bad math of debt backed money, it will not change who is in control of that process, it will not bring back mark to market, but it may help to limit speculation and it will definitely end too big too fail bailouts for the banks.
What does that last part tell you about the psychology of wave C down? Are we likely to see the same sorts of maneuvers as we did during wave A? Unlikely, and the single largest factor, in my opinion, that created the wave B bounce was the bank’s ability to mark toxic assets to model. Pure Fantasy.
Traffic - Dear Mr. Fantasy
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Trang chủ Diễn đàn > THẢO LUẬN - CHIA SẼ KIẾN THỨC/KỸ NĂNG/KINH NGHIỆM > Điều hoà không khí >
Frank Ragnow Jersey White
Thảo luận trong 'Điều hoà không khí' bắt đầu bởi hongwei28, 9/5/19.
hongwei28 Member
We knew after the Detroit Lions’ Week 16 loss to the Minnesota Vikings that the Lions would finish last in the NFC North for the first time since 2012. That’s significant because placing in the division affects the following year’s schedule.For example Frank Ragnow Jersey White , a team that finishes first in the division will face two teams from within the conference who also finished first in their respective division.Now that Week 17 has come to an end for all NFC teams, the Lions’ 2019 opponents are all set. The NFC North is set to face the NFC East and the AFC West. Additionally, they will play the last place teams in the NFC South and NFC West. The Tampa Bay Buccaneers finished last in the South with a 5-11 record, and after their loss to the Seahawks in Week 17, the Cardinals are last in the West.So here’s a look at the overall split in home and away games for the Detroit Lions’ 2019 schedule:HomePackersBearsVikingsCowboysGiantsChiefsChargersBuccaneersAwayVikingsPackersBearsWashingtonRaidersEaglesBroncosCardinalsObviously games against last place teams look winnable at the moment. However, facing the AFC West and the NFC East is unlucky for Detroit, as both divisions produced two playoff teams this year. Of course, everyone else in the NFC North will face those teams, as well. Still, it looks like the Lions will go at least 15-1 next year, most likely 16-0. The full schedule (with dates) is typically released in mid-April. Justin Verlander knew this would be one of the most emotional games of his major league career.He still wasn't prepared.In his return to Detroit, Verlander received three standing ovations while pitching the Houston Astros to a 3-2 victory over the Tigers on Monday night.Verlander (15-9) made his major league debut with the Tigers in 2005 and ranks among the top 10 on several of the team's career lists. He struck out 10 over seven innings in his first time on the Comerica Park mound since being traded to Houston in August 2017."Our hotel is right near my old house, so I got to spend some time in the neighborhood today," he said. "I was trying to keep my routine as much as possible."That hope ended early, as the scoreboard played a tribute video as Verlander was walking in from the bullpen after his pregame warmups. He stopped Devon Kennard Jersey White , alone in shallow right-center field, and watched the entire show."It was almost normal until the tribute video, but that really got to me," he said. "I had a lot of great memories in my 13 years here, and that brought it all back. I wanted to get to the dugout before it started, but once it started playing, I had to watch."Verlander received his first ovation at the end of the video, and another when he came out for the first inning. Each time, he tipped his cap and waved to the fans.The longest cheer, though, came when he walked off the mound after the seventh, having thrown 104 pitches."The one after the seventh really meant the world to me," he said. "The fans here were always great to be here, and they showed that again tonight. That was a really emotional moment."The crowd was announced at 19,711 — the Detroit Lions opened their season next door Monday night against the New York Jets."Tonight mattered a lot to him Womens Theo Riddick Jersey ," Astros manager AJ Hinch said. "It is important to him that he pitched here and succeeded here, so it was special for him to get back on that mound."The World Series champion Astros opened a three-game lead over Oakland atop the AL West despite a sloppy game that came after a Sunday night loss in Boston."I'm proud of our guys, because there was a lot going on today, and we didn't play our best game, but we still found a way to pull out a win," Hinch said.Verlander allowed two runs on six hits and one walk, improving to 98-50 at Comerica Park. Max Scherzer is second in career wins at the stadium with 46, while Jordan Zimmermann leads current Tigers with 14."He got exactly the response he deserved from our fans," Tigers manager Ron Gardenhire said. "He was a great pitcher here for a long time, and he did a lot of great things for this city."The Tigers put two runners on in the seventh, but Verlander struck out JaCoby Jones and Jeimer Candelario to escape with a 3-2 lead. He tipped his cap again as the fans came to their feet after the final pitch to Candelario."This was a special night," Verlander said.Roberto Osuna worked the ninth for his 16th save, including seven with Houston.Francisco Liriano (4-10) allowed three unearned runs on four hits and four walks in six innings. He struck out seven in his longest outing since pitching six innings on July 4.The Tigers took the lead in the second. Niko Goodrum doubled and later scored on a single by Dawel Lugo.Liriano's wild pitch and an error by shortstop Ronny Rodriguez allowed the Astros to score three unearned runs in the third. Tyler White and Marwin Gonzalez hit RBI singles, while the Tigers failed to turn two potential double plays."You have to make plays," Gardenhire said. "When you miss plays Womens Matthew Stafford Jersey , that's what always happens. We had a chance to get some outs, didn't do it, and it cost us runs."Verlander settled down after the second, retiring the next nine batters. Candelario walked to start the sixth, Christin Stewart followed with his first major league hit and Nicholas Castellanos had a sacrifice fly."If someone had told me that I was going to get my first hit off Justin Verlander in my first major league start . geez," Stewart said. "It was a pretty out-of-body experience."Castellanos made a leaping catch at the right field fence to take an extra-base hit away from Gonzalez in the eighth.Josh Reddick, in the game for Houston as a defensive replacement, started an inning-ending double play in the eighth with a sliding catch in left field.EARLY STARTThe game started at 6:10 p.m., an hour earlier than originally scheduled, to try to ease traffic congestion with the Lions playing at Ford Field. A day game wasn't possible because of the Astros playing on Sunday night in Boston.UP NEXTThe teams continue their three-game series Tuesday night with Zimmermann (7-6, 4.03 ERA) facing Houston's Framber Valdez (3-1, 1.37).
hongwei28, 9/5/19
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GST: A tax reform that’s paying off
GST TAX REFORM, One year is probably a good time to evaluate the performance of GST (Goods and Services Tax). At the same time, it is also too short a period for all the advantages of GST to manifest fully.
GST TAX REFORM, Paying off
Revenue buoyancy and better compliance are among the positives of the tax regime since its rollout a year back
One year is probably a good time to evaluate the performance of GST (Goods and Services Tax). At the same time, it is also too short a period for all the advantages of GST to manifest fully. Two advantages of GST were commonly touted: better tax compliance; and revenue buoyancy.
The pleasant surprise is that in the short period, despite problems of return filing and global headwinds, the promise is translating into performance on both counts. Total registrations post GST increased from around 65 lakh — representing Central excise, service tax and VAT registrants — to a whopping 110 lakh (without double counting), which represent a net gain of around 70 per cent.
Interestingly, an analysis in the ‘Economic Survey’ provides an answer to why this has happened. Bulk of the new registrants are in the B2B segment and smaller units are the ones who have voluntarily chosen to register (they could have opted out because of their turnover) because they buy from big units and seek to get the benefit of input tax credit.
The interesting insight in the Survey is that the small units are entering the tax net not because the big businesses are persuading them as buyers but because the small businesses are themselves purchasers from the big. This has happened because GST has integrated the value chain from raw material to retail.
On the revenue buoyancy front, while the GST revenue growth so far is 11 per cent, the actual growth would be 14 per cent after allocating the Integrated GST (IGST) revenues and adjusting for both blocked transitional credit in the Central GST (CGST) and the unpaid export refund in the IGST revenues.
This would translate into a revenue buoyancy of 1.14 against the historical buoyancy of indirect taxes of about 0.9. Interestingly, most of the States have participated in this revenue gain and have roughly retained their pre-GST revenue shares in the total tax revenue. The gains by the States could have been even higher if they had built better tax capacities through restructuring of their commercial tax departments and by using data analytics to identify tax gaps.
This is particularly required in the area of services where revenue buoyancy in many States like Punjab, Haryana, Uttarakhand and Jharkhand has not been on expected lines. Here, the States are handicapped by historically not being familiar with services taxation and, therefore, require some hand-holding by the Centre. A promising area for the States is to look at their legacy litigation and make a judicious analysis of what cases should be pursued and what not to recover tax arrears.
Institutional robustness
The other redeeming feature of the one year that has gone by is the institutional robustness demonstrated by the GST Council. The GST debates have been vigorous, informed and free, by and large, of political predilections. This has made it possible for the GST Council to respond promptly to transitional problems faced by trade and industry. Return filing is an example of this.
The Council, in its meeting on March 4, 2018, came out with a solution which would lead to movement from the three return system to a single return. What has really been decided is to keep the return simple and capture more information in the annual return which could be used for compliance verification.
A large number of duty changes have been made which has brought a large number of items from the 28 per cent slot to the 18 per cent slot. Going forward, it would be possible to combine the 12 and 18 per cent rates to 16 per cent and slowly phase out the items which fall under the 28 per cent slot.
The rate rationalisation that has been done in the last one year augurs well for a simpler duty structure. Already what has been achieved is significant compared with the bewildering array of rates prevalent in the pre-GST period. Credit must also be given to the Finance Minister for reaching out to the States on contentious issues and taking decisions based on consensus.
What the past year has shown is that there is great advantage in incrementally moving forward. As Max Weber puts it, “Reform is the slow boring of hard boards.” GST is still a work in progress and the next important step would be to bring the excluded items, especially electricity, real estate and petroleum products, within its ambit.
Inclusion of real estate will clean up the land market and will help the government in its fight against black money. Inclusion of electricity will make Indian manufacturing more competitive by eliminating the embedded taxes due to blocked taxes on raw materials (coal, renewables) and other equipment (solar panels and batteries). It will also remove the disadvantages faced by the exporters of electricity-intensive products where the embedded taxes do not lend themselves to duty drawback benefits.
On the petroleum front, while it may be difficult to bring diesel and petrol under GST for revenue reasons, aviation turbine fuel is a low-hanging fruit.
Bringing it under GST would give the ailing civil aviation industry much-needed relief. Air connectivity to the smaller cities, under the UDAN scheme, would receive a boost.
Gains from GSTN
Another salutary fallout of GST implementation is the rise of the GST Network (GSTN). The GSTN provides technology support to the GST project. The data generated by the GSTN can provide deep insights about the economy. It would also provide data quickly to the policy-makers on various emerging trends in the economy. The usual rounds of statistical surveys provide data in a longer time cycle. Tax data is a quick and reliable indicator of the health of the economy and can be a handy tool for policy-making.
Thus, GST is a reform one can be proud of for many reasons. One of them being the demonstration of government’s capacity to carry out radical reform.
Source: Business Standard, Google.
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GPBK Positions
Category Archives: Meetings
Ranked Choice Voting May Come to New York City…But Not for Everyone
By Daniella Liebling June 18, 2019
Peter LaVenia, Co-chair, GPNY chair2@gpny.org or 518-495-8001
Gloria Mattera, Co-chair, GPNY chair@gpny.org or 917-886-4538
June 13, 2019, New York City—The Green Party of New York said last night’s vote on ranked-choice voting (RCV) for New York City Elections was disappointing, as commissioners voted 8-6 against applying RCV to general elections. Party officers praised the six commissioners, including Sal Albanese and Stephen J Fiala, who made a strong case for RCV in all elections for all New Yorkers.
Party officers also said they were disappointed in the position taken by Common Cause, which only advocated for RCV in primaries and special elections. The party said this was a puzzling stance for a so-called “good government” group to take, and made it seem like they were working for Democratic Party incumbents instead of the public interest. The Greens said they would support the fall ballot measure that would allow RCV in primaries and special elections because it can serve as a building block for extending RCV to general elections.
“The Green Party thanks the commissioners who supported ranked choice voting for all elections,” commented Green Party of New York (GPNY) co-chair Gloria Mattera, who lives in Brooklyn. “Despite overwhelming testimony supporting RCV to empower voters in all elections, some Democrats and influential special interests focused on RCV as a mere cost-saving measure to eliminate the need for a runoff election if a candidate in a municipal, citywide primary fails to surpass 40% of the vote. The claim that ‘fusion’ would combine poorly with RCV not only allows one of the worst aspects of New York political culture to stymie real progress, it also ignores that, from 1936-47, New York City used a proportional form of RCV — and it worked.”
“If RCV is limited to only primaries and special elections, it will largely apply only to the major parties who already have all the power, money, media coverage, and influence. Independent voters, along with Greens, Libertarians and other third parties who don’t typically hold primaries, will be denied the chance to equally benefit from RCV. We agree with Commissioners Albanese and Fiala, who said if RCV is good for some elections it should be good for all of them,” commented GPNY co-chair Peter LaVenia. All of the commissioners who voted against RCV for regular, general elections were appointed by Mayor Bill de Blasio and City Council Speaker Corey Johnson.
Six commissioners voted in favor of the amendment to include RCV in general elections:
Sal Albanese, appointed by Brooklyn Borough President Eric Adams
James Caras, appointed by Manhattan Borough President Gale Brewer
Stephen J. Fiala, appointed by Staten Island Borough President James Oddo
Rev. Clinton Miller, appointed by City Council Speaker Corey Johnson
Sateesh Nori, appointed by former Public Advocate Letitia James
James Vacca, appointed by Bronx Borough President Ruben Diaz Jr.
Eight commissioners voted against the amendment to include RCV in general elections:
Dr. Lilliam Barrios-Paoli, appointed by City Council Speaker Corey Johnson
Commission Chair Gail Benjamin, appointed by City Council Speaker Corey Johnson
Lisette Camilo, appointed by Mayor Bill De Blasio
Paula Gavin, appointed by Mayor Bill De Blasio
Lindsay Greene, appointed by Mayor Bill De Blasio
Alison Hirsh, appointed by NYC Comptroller Scott Stringer
Dr. Merryl H. Tisch, appointed by City Council Speaker Corey Johnson
Carl Weisbrod, appointed by Mayor Bill De Blasio
GPBK Membership Meeting (and Party!)
Tuesday evening, June 25
We’re getting together at the Park Slope home of one of our Green members, where we’ll have food and drink, and talk about the issues we’d like to work on in the coming months. RSVP to gloria@gpbk.org for the address.
Support Our Party
Help grow the Green Party by becoming a supporting member or sustainer, or with a one-time donation. Thank you!
For more information contact Gloria Mattera at gloria@gpbk.org or 917-886-4538.
Learn more or join our mail list for local updates at Green Party of Brooklyn, or get statewide news from the Green Party of New York.
Category: Meetings
Pride Fair Sat & Membership Mtg. June 25th!
By Daniella Liebling June 6, 2019
Calling All Greens and Supporters!
Come out and enjoy summer, celebrate Pride Month, and meet your neighbors at Brooklyn’s fun street fairs. If you can help at our Green Party of Brooklyn table for an hour or two, at one of the street fairs listed below, please get in touch with Dani at 347-218-3107 or daniliebling@yahoo.com. Also on tap: our Membership Meeting is June 25 in Park Slope!
Brooklyn Pride
Saturday, June 8, 10 am-5 pm
We’ll be on 5th Ave. between 6th and 7th Streets in Park Slope, spreading the word about the Green Party and our support for the LGBTQI community.
Sunday, June 16, 12-6 pm
Our table will be on 7th Avenue between 8th and 9th Streets in Park Slope.
Send in Your Ranked Choice Voting Testimony On-line by May 24th!
By Daniella Liebling May 14, 2019
We’re on the verge of getting Ranked Choice Voting (RCV) implemented for NYC elections! This would be a major step in making our elections fairer and more democratic. The final public hearing is Tuesday, May 14, in Staten Island, where we need you to come out to let the City Council Charter Commission know why we need RCV, not just for NYC primaries and special elections, but for general elections as well! Watch testimony from the Brooklyn hearing.
No need to sign up in advance to testify, but we’d love to know if you’re coming. Green Party of Brooklyn will be there to help with talking points.
If you haven’t been able to make it to any of the public hearings, please submit your testimony online. Every person who testifies will make a huge difference to this effort. And make sure to mention the need for RCV in NYC’s general elections!
Staten Island Borough Hearing –Tuesday, May 14, 6 pm
Bldg. 1P, Room 116, Williamson Theatre
2800 Victory Blvd., Staten Island
2019 Charter Commission
Also coming up…
Lobby Day in Albany!
10:30 am-4 pm
Hit the road to Albany with the Green Party of New York as we lobby for Green issues and send a strong message to state legislators on climate change, marijuana legalization, election reform, and single-payer healthcare. After lunch, we’ll join other groups to lobby for the Off Fossil Fuels Act. GPNY is organizing a bus to Albany and back for the day ($25). Let us know if you can join by emailing peter.lavenia@gmail.com.
Update on NYC Ranked Choice Voting Hearings!
By Daniella Liebling April 28, 2019
JOIN US TO TESTIFY TO BRING RANKED CHOICE VOTING TO NYC!!!
Ranked Choice Voting (RCV), the fair voting system, is on the table for NYC elections! Public hearings on revising the City Charter to include RCV are upon us, with the first one on Tuesday evening, April 30. Join us Tuesday, or at any of the other hearings coming up in the next two weeks, to tell the City Council Charter Commission why we need RCV!
You don’t need to sign up in advance to testify, but we’d love to know if you’re coming, to make sure Green voices are heard at all five hearings (one in each borough). Stay tuned for talking points!
Read on for dates and locations:
Queens Borough Hearing
Tuesday, April 30, 6 pm
Jamaica Performing Arts Center
153-10 Jamaica Ave., Queens
Brooklyn Borough Hearing
Brooklyn Borough Hall
209 Joralemon St., Brooklyn
Bronx Borough Hearing
Speech & Theatre Bldg., Lovinger Theatre
250 Bedford Park Blvd. West, Bronx
Manhattan Borough Hearing
City Hall, Council Chambers
City Hall Park, Manhattan
Staten Island Borough Hearing
Tuesday, May 14, 6 pm
NYC Cannabis Parade & Rally
Saturday, May 4, 11 am
Broadway and 32nd St., Manhattan
Green Party of New York returns as a co-sponsor of the NYC Cannabis Parade & Rally. Join other Greens calling for an end to the drug war and to ensure that historically oppressed communities are the first to enjoy the economic benefits from the sale of organic cannabis. Let us know if you can make it by emailinggloria@gpbk.org! Speakers start at 11 am, including GPNY Co-Chair Gloria Mattera, who helps kick off the parade.
First Charter Revision Commission RCV Hearing! Tuesday April 30th In Queens!
Please join the Green Party and other groups like Fair Vote and Common Cause to push for Ranked Choice Voting in NYC!
There are Charter Revision Commission Hearings coming up in all 5 Boroughs. The first one is:
Tuesday April 30th – Queens – Here is the FB link to the first hearing: https://www.facebook.com/events/1008536986007695/
The other hearings are as follows:
Thursday May 2nd – Brooklyn (Borough Hall)
Tuesday May 7th – Bronx
Thursday May 9th City Hall (Manhattan)
Tuesday May 14th Staten Island
All the hearings are at 6:00pm.
If enough people turn out for these hearings and tell the Charter Revision Commission that we want RCV,
there is a REAL possibility that we will get the question on the ballot in the next election. If you can not attend
a hearing, you can submit your testimony at: https://www.charter2019.nyc/
Getting RCV in NYC would be a seismic shift to bring REAL democracy in our elections allowing our votes
to reflect our real choices, getting REAL progressives and Greens elected, ending the need for “lesser evil” voting, and the
beginning-of-the-end to money in politics.
Please read on to sign the petition, come out to the presser/rally on Thursday April 25th, and come to testify at
one or more of the upcoming hearings!
Here is the link to the FB page for the first hearing on April 30th. Come and testify!
Read on for more info!
Subject: Sign the petition! New York City Charter Revision Commissioners: Let NYC Rank!
Dear Friends of RCV,
Please sign Common Cause/NY’s petition telling New York City Charter Revision Commissioners to Let NYC Rank!
On Tuesday, February 26th voters in the five boroughs headed to the polls for the Public Advocate Special Election. A mere 7.7% of New Yorkers cast their ballot for the second most important elected official in the city. The winner, from a field of 17 candidates, won with a third of the vote. New Yorkers need elected representation that reflects the preference of a true majority.
We can make this happen by implementing a Ranked Choice Voting (RCV) system where New York City voters are able to rank their top 5 choices for any primary or special election when more than two candidates are on the ballot.
Why RCV? Ranked choice voting allows voters to express their preferences for a variety of candidates by ranking them from first to last choice. If on election day when all the first-choices are counted there is one candidate who collects a majority of the vote, that candidate wins. If there’s no majority, then the last-place candidate is eliminated and their votes re-allocated according to voter preferences. The process is repeated until there’s a majority winner. Learn more here.
Can you join me and take action? Click here: https://actionnetwork.org/petitions/let-nyc-rank?source=email&
GPBK
Stop the Williams Pipeline and Learn about the State GP Platform!
Join us April 17 to talk about revisions to our New York State platform. Help stop the Williams natural gas pipeline at a rally and march April 18. Get ready for hearings on Ranked Choice Voting (RCV).
Dine & Discuss: GPNY Platform
Wednesday, April 17, 6:30 pm
Gather at the home of one our members in Park Slope for a lively discussion of the Green Party of New York platform, which is being revised in preparation for finalization on May 11. The platform covers everything from renewable energy to health care, and your input is welcome!
RSVP to receive the address.
If you can’t join us April 17, or want to get a head start, view and comment on the latest platform draft online.
Rally and March to Stop the Williams Pipeline
Thursday, April 18, 5:30 pm
New York City Hall, then march across the Brooklyn Bridge
The deadline is fast approaching for Governor Cuomo to decide whether to block or permit the Williams pipeline, which would carry fracked natural gas from Pennsylvania across the Lower Bay of New York’s harbor. Come to a rally and march to oppose this dangerous project.
Ranked Choice Voting (RCV) Follow-Up
At our March 3 forum, experts answered questions about RCV, the fair voting system under consideration for NYC elections. To keep the momentum going, we’re gearing up for the City Council Charter Commission public hearings on implementing RCV. We’re planning a workshop on writing Green Party talking points for the hearings, as well as a little practice on presenting testimony. Stay tuned for dates for the workshop and hearings.
Ranked Choice Voting Forum – Sunday March 3rd, 6pm
By Daniella Liebling February 7, 2019
Ranked Choice Voting (RCV)
Community Forum & Discussion Sunday March 3rd, 2019 6pm-8pm
Ranked Choice Voting—Count Every Vote and Make Every Vote Count!
Please join the Green Party of Brooklyn for a community forum and discussion:
Will New York City adopt a new voting system that gives voters more choice and eliminates fear of “vote splitting”? Imagine an electoral system where voters have the freedom to choose candidates who share their vision, instead of the “least offensive” candidate.
RCV is that system!
The New York City Council Charter Revision Commission is exploring the use of RCV. Public hearings begin in early spring.
The Green Party is prepared to help New Yorkers learn more about RCV and to advocate for its use in all New York City elections.
What is RCV? How does it work? Why is it better?
RCV is a fair representation voting system where voters maximize the effectiveness of their vote by ranking candidates in single-and multi-seat districts. RCV gives like-minded voters the chance to win legislative seats in proportion to their share of the population, unlike this country’s current system of winner-take-all elections, which awards 100% of power to a 50.1% majority of voters. Australia and Ireland as well as U.S. cities like Minneapolis and Cambridge use ranked choice voting to elect their governments. The State of Maine also recently elected to use RCV for all future elections.
Although RCV alone will increase voter choice, the Green Party believes that true democratization of elections also means breaking the two-party stranglehold through proportional representation (PR), which often works in conjunction with RCV. PR is less likely to be addressed by the upcoming charter revision hearings. However, it is important to include it within the discussion. PR previously existed in NYC elections from 1938 to 1947. It was abolished largely from pressure by the Democrats who wanted to prevent any further City Council wins by Communists and Socialists.
Join us to:
*Learn about RCV and proportional representation *Prepare for public testimony* Build a movement for democratizing elections*
When: Sunday, March 3rd, 6:00pm to 8:00pm
Where: The Commons, 388 Atlantic Avenue, Brooklyn, NY
Contact: Gloria at gloria@gpbk.com or at (917) 886-4538
Speakers: Green Party, Fair Vote, others TBA
Thursday January 10th – First GPBK Meeting of 2019!
By Daniella Liebling January 7, 2019
Dear Greens and Supporters,
Please join us this Thursday January 10th from 7:00pm-9:00pm for:
The first Green Party of Brooklyn Meeting of 2019!
Location: 31 Smith Street in downtown Brooklyn (second floor, ring bell).
Our agenda will include:
1) Nominations and Vote for new Officers and At-large Coordinating Committee members.
2) Discussion of upcoming Green Party actions and plans for 2019.
Members speak out – tell us about YOUR ideas and interests!
3) Discussion on the upcoming GPNY State Committee meeting on Saturday, Jan. 12 in Rensselaer.
Please Spread the word. All are Welcome!
For more information contact: Gloria at (917) 886-4538 or at gloria@gpbk.org.
New York Must Commit to 100% Clean Energy by 2030 – a Green New Deal By Mark Dunlea
By Daniella Liebling November 29, 2018
Hello Greens!
Stay tuned for our 2019 announcements of local meetings and statewide activities including Mark Dunlea’s Climate State of the State in early January.
In the meantime, please read and share this message from Mark!
New York Must Commit to 100% Clean Energy by 2030 – a Green New Deal
By Mark Dunlea
The United Nations last month announced that we have 12 years left for an emergency worldwide mobilization – unprecedented in human history – to halt the use of fossil fuels and eliminate greenhouse gas emissions. Failure to take such dramatic action increases the likelihood that human civilization as we presently know it will cease to exist. Floods, sea level rise, wildfires, heat waves and droughts will make parts of the planet uninhabitable. Climate refugees will likely be in the hundreds of millions. Support systems involving energy, food and water will break down, leading to wars over such resources. Hundreds of millions, if not billions, could die.
There is no indication that Governor Cuomo or state lawmakers take this threat seriously or that they are prepared to launch the needed effort. Climate change was ignored by Cuomo and most lawmakers in the recent election. It also continues to be largely ignored by the media. New York’s progress on meeting climate goals has been pitifully small. 16 years and three Governors after Pataki set some modest goals for renewable energy, New York has only added 4% of the state’s electricity coming from solar and wind.
We need New York to provide national leadership by enacting the strongest climate change agenda possible. That is the Off Fossil Fuels act, which would immediately halt all new fossil fuel infrastructure, transition to 100% clean renewable energy by 2030 (i.e., net zero greenhouse gas emissions), and require all new buildings to be at least net zero carbon emissions. (California just enacted the latter requirement while also requiring new buildings to be solar powered.)
The Act act not only requires the state to adopt an enforceable climate action plan with clear timelines and benchmarks, but for counties and local governments above 50,000 to do so as well.
The State also needs to take the simple but symbolic step of divesting its state pension fund from billions in fossil fuel investments as NYC recently agreed to do. A state carbon tax on polluters would help accelerate and pay for the transition to renewables. The Democrats and their closely aligned community organizations are poised to enact the Climate and Community Protection Act (CACP), a version of which has passed the Assembly since 2009. It builds upon an Executive Order issued by Governor Paterson. At least through 2030, the CACP largely seeks to put into law the Governor’s existing climate goals rather than improve them. It continues the traditional strategy of taking incremental steps that are seen as politically practical – rather than doing what is necessary to save life on the planet. It does not even call for the state to halt the development of fossil fuel infrastructure.
We witnessed a similar scenario eight years ago, when the Green Party picked up the call by grassroots activists to ban fracking of natural gas. The larger green groups dismissed a ban as imprudent, instead calling for a moratorium to study the issue. Fortunately, the grassroots had the numbers and the passion and eventually prevailed, with the big groups changing their position. One of the great things about taking climate action is that it has major positive impacts on jobs, health and electric bills – in addition to saving life on the planet. The only downside is for the fossil fuel companies – unless they move into renewable energy, efficiency or energy storage, as their own scientists urged them to do thirty years ago.
The NY Times Magazine recently devoted its entire Sunday edition to the proposition that life on the planet is doomed since we lacked the political leadership to take action to stand up to the fossil fuel companies. The NY Times may say game over but we say game on. We need average New Yorkers to step up and create that political will. Pope Francis was correct when in his climate treatise he said we could not solve climate change unless we also solved injustice, since it is the same mentality that allows the wealthy to exploit the poor that drives humanity to exploit the planet. We need to change our political and economic system, our values, to focus on meeting the needs of all not just enrich the wealthy.
We need to reject capitalism and adopt eco-socialism. Continuing to allow the private sector and their focus on maximizing profits to determine our energy future will never solve the climate crisis. For the last eight years we have campaigned for a Green New Deal to transform our energy systems while providing millions of new living wage jobs and eliminating the air pollution that kills millions worldwide.
The Green New Deal has received increased attention in the last year. It made national headlines recently when hundreds of climate activists with the Sunrise Movement held a sit-in in Cong. Nancy Pelosi’s office. Draft legislation by incoming Congress Member Alexandria Ocasio-Cortez calls for a ten-year transition to 100% clean power, with an accompanying committed to environmental and economic justice and public ownership and democratic control of our energy system.
We must push Governor Cuomo to make New York a true climate leader.
Mark Dunlea is the former Green Party candidate for State Comptroller and the chair of the Green Education and Legal Fund.
This article is also posted in online. https://www.timesunion.com/opinion/article/Mr-Cuomo-make-New-York-a-climate-leader-13410459.php
By Daniella Liebling November 9, 2018
Howie Hawkins – Green for Governor
www.howiehawkins.org
For Immediate Release: November 6, 2018
For More Info: Howie Hawkins, howie.hawkins@icloud.com, 315-425-1019 h, 315-200-6046 c
Michael O’Neil, michael@howiehawkins.org, 917-825-3562
Hawkins Declares Mission Accomplished As He Wins Ballot Status for Greens for Third Time in a Row
Howie Hawkins, the Green Party candidate for Governor, declared “mission accomplished” tonight as his vote total surpassed the 50,000 votes needed to maintain a ballot line for the Green Party in New York.
Hawkins successfully regained ballot status for the Greens in 2010 after they lost it in the 2002 election. In 2014, Hawkins won almost 5% of the vote, the highest vote total for an independent left party candidate for governor in New York history and the highest percentage since 1920. Today’s accomplishment is the first time that one candidate has won a ballot line for a third party for three consecutive gubernatorial elections in New York history.
“We have secured a Green Party ballot line in New York state for three consecutive elections by running our own candidates instead of running a major party candidate on our line. That’s a significant achievement in a system designed to create so-called third parties that merely function as extra ballot lines for the Democratic and Republican parties,” said Hawkins.
“But it’s too bad that corporate media gave Cuomo a free ride,” Hawkins continued. “They excluded the Greens from the news narrative of the primary and general elections. The Green alternatives to Cuomo’s terrible education, fiscal, transit, housing, and energy policies were not reported. Cuomo’s record was not subject to public debates because the corporate media succumbed to Cuomo’s dictates on debates. New York’s voters are the losers. They weren’t informed of all their options.”
Hawkins said that the Greens will now focus on organizing movements to push state government to adopt the popular demands the Greens campaigned for, including the New York Health Act for single-payer health care, fully-funding public schools, closing pro-developer loopholes in the expiring rent laws, tuition-free public college, and criminal justice and election reforms.
“The Greens will focus on passing the New York Off Fossil Fuels Act with the same intensity we put into winning the fracking ban in 2014,” Hawkins said. The NY OFF Act would block all new fracked-gas pipelines and power plants and build out a 100% clean energy system by 2030.
“The IPCC says we have 12 years left for a worldwide emergency mobilization to avoid climate collapse. We have already wasted 4 years since the Paris accord. The prognosis is bleak under either Democrats or Republicans,” said Green comptroller candidate Mark Dunlea.
“Our electoral efforts will now shift to local town, city and county races, where we can win more offices because it is harder for the pay-to-play money going to the Democrats and Republicans to beat local candidates who can go door-to-door to talk to voters,” Hawkins said.
Green Party of Brooklyn
info( at )gpbk.org
GPBK Officers
Josh Feintuch
Gloria Mattera
Dani Liebling
At-Large Officers
Candace Carponter
Carmen Hulbert
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2017 Free Agency Preview: Is there more pressure than usual on the Heat to get it right this summer?
| Filed in: 2017 offseason, Anthony Chiang, Free agency, Pat Riley, Salary cap
Miami Heat NBA basketball team president Pat Riley talks to the media during a season ending press conference in Miami, Wednesday, April 19, 2017. (David Santiago/El Nuevo Herald via AP)
With free agency set to start at 12 a.m. on Saturday morning, we took a look at the biggest free-agent questions surrounding the Heat. Today we ask: Is there pressure on the Heat to make the most of their cap space this summer? See below for the other questions we addressed.
[Monday’s question: Should the Heat forget about ‘whales’ and bring back last season’s core?]
[Tuesday’s question: What will it take for the Heat to re-sign James Johnson?]
[Wednesday’s question: Can the Miami Heat find a way to keep Dion Waiters?]
[Thursday’s question: What mid-level free agents should the Heat pursue?]
As the Heat prepare to attack free agency, it’s important to remember that $35 million in cap space doesn’t come around often.
With Chris Bosh’s salary expected to be removed from Miami’s books and a bunch of players like James Johnson, Willie Reed and Dion Waiters on short-term contracts that have them hitting free agency this offseason, the Heat have room to spend this summer. Miami will enter free agency with about $35 million in cap space.
That’s enough to sign sought after free agents like Gordon Hayward or Blake Griffin to a max contract with a 2017-18 salary of $29.7 million. And if the Heat aren’t able to convince a big-name free agent to come to Miami, they should still have enough cap space to re-sign Johnson and Waiters to bring back last season’s core.
In other words, the Heat have financial flexibility this summer. But if things go as planned this offseason, Miami probably won’t have much room to spend next year.
Once Bosh is removed from the Heat’s cap, they will have about $66 million invested in their 2018-19 roster — Hassan Whiteside ($25.4 million), Tyler Johnson ($19.2 million), Goran Dragic ($18.1 million) and Justise Winslow ($3.4 million team option that’s expected to be picked up by the Heat).
The NBA’s salary cap, which is projected to be at $99 million this offseason, is expected to make a small jump to $103 million for the 2018-19 season. That probably won’t leave the Heat with much space to operate next summer.
Consider this: If the Heat sign a max player or just decide to bring back Johnson and Waiters on multiyear contracts this summer, that will likely count as an additional $22-$30 million in 2018-19 cap commitments. Add in retaining Josh Richardson, who could become a restricted free agent next summer, and the Heat will have very little room to maneuver in free agency next year.
That’s not optimal, considering LeBron James, DeMarcus Cousins, Isaiah Thomas, Paul George, Russell Westbrook and LaMarcus Aldridge can all become free agents in 2018.
But this issue won’t stop the Heat from spending money this summer. Whether it’s signing Johnson and Waiters to multiyear deals or offering Gordon Hayward or Blake Griffin a maximum contract, don’t expect Miami to save for next year.
If the Heat really feel like they can lure one of the top 2018 free agents to Miami, they can always create cap space by trading away players. For now, Miami must try to make the most of $35 million in cap space.
[Add ‘culture’ to the Miami Heat’s list of selling points in free agency]
[Heat have balancing act to consider early in free agency]
Add 'culture' to the Miami Heat's list of selling points in free agency
Miami Heat coach Erik Spoelstra disappointed Rodney McGruder, Hassan Whiteside snubbed in post-season
Categories: 2017 offseason, Anthony Chiang, Free agency, Pat Riley, Salary cap
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Irish Festivals & Markets
Festivals Jan - Dec
International Festivals A - Z
Festivals News
Irish Film Festa Open Submissions for Short Film Competition 2019
13 Nov 2018 :
Irish Film Festa Rome
The 12th Irish Film Festa has opened submissions for its short films competition, which takes place in March 2019.
In order to be eligible for Irish Film Festa competition, films must be under 20 minutes in length, and produced or co-produced in Ireland.
Accepted categories are Drama (all genres), Documentary and Animation (all techniques).
Entries must be submitted as an online screener to submissions.IFF[at]gmail.com or as a DVD to:
Associazione Culturale ARCHIMEDIA
via Segesta 16
00179 Roma (Italia)
Deadline for entries is January 10th, 2019.
(No fee requested. DVDs sent by post will not be returned.)
Out of all the accepted entries, Irish Film Festa will select – at its sole and absolute discretion – a shortlist of films for the competition. Irish Film Festa will notify all the authors of selected films; not-selected applicants won’t be notified.
Within a week after admission, authors of selected films must provide:
A high-definition copy of the film for the festival screening (DCP/DVD/Blu-Ray);
A timecoded dialogue list.
A high-resolution still from the film, a brief synopsis, and a full-credits list to be used for the festival catalogue.
Please note that this is mandatory. If the timecoded dialogue list won’t be provided, the short film will be disqualified from the competition.
The Irish Film Festa 2019 takes place in Rome next March, 2019.
Irish Indie Horror 'The Perished' to World Premiere at FrightFest in London
GAZA to release across Ireland and UK on 9th August
More Industry Experts Announced As Speakers for the Fleadh Forum 2019
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Natalie Adolphi, PhD and Daniel Sandoval, MS
Credit: John Arnold
Bodies of evidence: the quest to improve post-mortem imaging
By Michael Haederle | January 05, 2015
Nature is unkind to decomposing bodies. Muscle, skin and internal organs slacken and lose their form as time, temperature and other factors drive the slow, inexorable process of decay.
Tissue breakdown brings with it substantial changes in chemical composition and physical properties, explains Natalie Adolphi, PhD, who is exploring ways to enhance magnetic resonance imaging (MRI) of human corpses.
The same MRI methods that allow doctors to get detailed images of soft tissue in living patients don’t work as well once tissue cools and decomposition sets in, explains Adolphi, a research associate professor in the Department of Biochemistry and Molecular Biology.
“My goal is to understand the effect of post mortem changes in both temperature and time since death,” Adolphi says, “and then be able to account for those by adjusting imaging protocols to give high-quality images that could then be used diagnostically to aid in determining things like the cause and manner of death.”
Adolphi has teamed with pathologist Kurt Nolte, MD, director of UNM’s Center for Forensic Imaging in the Office of the Medical Investigator, and radiologist Gary Hatch, MD, the center’s assistant director, to conduct tissue experiments using OMI’s 1.5-Tesla MRI scanner.
In work funded by the National Institute of Justice, the trio has conducted experiments on animal tissue (a byproduct of food production) – mainly pig tissue, because it most closely resembles human tissue. Adolphi experimentally adjusts the scanner’s sampling rate to compensate for temperature and time post mortem to obtain the highest quality image, creating a reference standard for pathologists to use.
New Mexico’s OMI, which handles all autopsies in the state, is unique in the U.S. for having both a clinical MR scanner and clinical CT scanner in the autopsy suite, Adolphi says. “It really makes possible a level of access for forensic investigation that just normally wouldn’t be available at other medical examiner’s offices.”
The forensic imaging center is a partnership between the Departments of Radiology and Pathology, the School of Medicine and OMI, says Nolte, who has performed or supervised more than 4,000 conventional autopsies. “The purpose of the center is to really foster interdisciplinary and multispecialty research, as well as provide support for clinical imaging,” he says.
Pathologists performing autopsies sometimes encounter serious obstacles due to severely decomposed tissue, Nolte says. “To be able to adjust MR scanners so that they can image tissues that are decomposed, too hot, too cold – all of the different variables –so that forensic pathologists can then get a window into anatomy that may be difficult to dissect, is very important.”
Hatch, who studied “virtual autopsy” techniques in Switzerland before coming to UNM three years ago, helps Adolphi identify changes in anatomical structures in her research. The Swiss, he says, want to see how much of the traditional autopsy method could be replaced by digital tools that include medical imaging, laser scans and high-resolution color photos.
Adolphi believes the research holds tremendous potential. “The next level would be a new grant further down the road that takes the methods we have developed in this basic study and applies them in a rigorous and systematic way to human subjects,” she says.
Categories: Schools & Colleges, School of Medicine
Tags: autopsy, Magnetic Resonance Imaging (Diagnostic Test), New Mexico Office of the Medical Investigator, OMI
Research aims to improve imaging in autopsies
Download (294.2 MB)
Natalie Adolphi, PhD
OMI Research Team
UNM HSC Research Annual Report 2014
Download (12.8 MB)
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“The Boom,” a New Play by High Tech Instructor Vincent Nardiello, Jr., to be Performed This Summer
June 8, 2015 June 8, 2015 High Tech High School, HTHS
(New York, NY—June 8, 2015) The Boom, a debut play by Language Arts instructor Vincent Nardiello, Jr., will be part of Theater for the New City’s Dream Up Festival 2015 later this summer. Nardiello, Jr.,a writer whose work has been featured nationally for over a decade, has been a successful stand-up comic and contributed material...
High Tech Students Learn the Industrial Revolution through the Process of Making Ice Cream from Scratch
(North Bergen, NJ—June 3, 2015) High Tech instructor Ronald Kliesh’s World History classes, assisted by Chef Peter Turro and the High Tech Kitchen, had a “taste” of the Industrial Revolution by making vanilla ice cream using an old hand crank churner, announced Dr. Joseph Giammarella, Principal of High Tech High School. On Monday, June...
Eleven High Tech Students Inducted into Japanese National Honor Society for 2015
(North Bergen, NJ—June 4, 2015) This year, the Japanese National Honor Society (JNHS) recognizes eleven High Tech students for their hard work and achievement in Japanese study, announced Dr. Joseph Giammarella, Principal of High Tech High School. The following students have been inducted into JNHS as of May 11th: Joseph Saylor of Bayonne; Harrison...
Newark Liberty International Airport’s Christopher Perez Speaks to High Tech Business and Technology Club
(North Bergen, NJ—May 28, 2015) The High Tech Business Department and Business & Technology Club invited a guest speaker, Christopher Perez, the Duty Manager—International Facility at the Newark Liberty International Airport, to offer a presentation at the APA building in the North Hudson Center, announced Dr. Joseph Giammarella, Principal of High Tech. The presentation...
High Tech Middle Eastern Cultural Club Hosts Luncheon
(North Brunswick, NJ—May 29, 2015) The Middle Eastern Cultural Club of High Tech hosted a wonderful luncheon at Shalimar BBQ Restaurant to enhance Middle Eastern cultural awareness and understanding across High Tech, announced Dr. Joseph Giammarella, Principal of High Tech. Students from very different backgrounds made this a tremendous event. “This luncheon helped students...
High Tech’s Steven Chicas, Koby Garcia, and Tyler Law Earn Praise at the NJ Young Filmmaker’s Festival
(Jersey City, NJ—May 30, 2015) The 41stannual NJ Young Filmmaker’s Festival, sponsored by the Thomas A. Edison Media Arts Consortium at New Jersey City University, has cited Steven Chicas and Koby Garcia of West New York and Tyler Law of Bayonne for their outstanding work, announced Dr. Joseph Giammarella, Principal of High Tech. “The...
High Tech French Students Experience Real French Cuisine
(Northvale, NJ—May 27, 2015) Sophomore French students took the opportunity to enjoy a lovely lunch at Madeleine’s Petit Paris, announced Dr. Joseph Giammarella, Principal of High Tech High School. Earlier this school year, French students participated in Café Chic, a combination of a French-inspired fashion show and bistro. The money that the French students...
Representatives from Oritani Bank Speak to High Tech Students
(North Bergen, NJ—May 15, 2015) Jack Anastasi,Vice President of Business Development of Oritani Bank of Washington Township, and Gioconda Torres, Branch Manager of Oritani Bank of North Bergen, visited High Tech, announced Dr. Joseph Giammarella, Principal of High Tech High School. Mr. Anastasi spoke to the Technology, Visual Arts, and Digital Design senior majors....
High Tech’s Best Scientific Minds Honored in Jersey Journal’s 57th Annual Hudson County Science Fair
By Patrick McGovern of The Jersey Journal (May 20, 2015–Jersey City, NJ) High Tech’s best young scientific minds gathered in the Duncan Family Sky Room in the MacMahon Student Center at St. Peter’s University to be honored for their achievement in the Jersey Journal‘s 57th Annual Hudson County Science Fair, announced Dr. Joseph Giammarella,...
High Tech High School ‘Promposals’ Pay Off at Prom
Laura Herzog | NJ Advance Media for NJ.com By Laura Herzog | NJ Advance Media for NJ.com VERONA — Many of the students at Hudson County’s STEM-focused High Tech High School are going into technology-related fields–so maybe it’s fitting that a student captured the fun of the year’s “promposals” on camera.High Tech student Tyler Law of Bayonne posted his...
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High Tech BioMed Tours Health Science Attractions in London and Scotland
May 6, 2019 May 6, 2019 High Tech High School, HTHS, HTHS-BioMedical
(Great Britain--April 22nd-25th, 2019) Thirteen students from High Tech BioMed Academy, along with teachers Kimberly Braun and Dr. Arun Srivastava, embarked on an overseas study of medical history at various London and Scottish sites of development, announced Dr. Joseph Giammarella, Principal of High Tech High School.
“Not only am I grateful for the modern medicine our world has to offer, but I left [London and Scotland] understanding the struggles that many individuals once had to face,” notes Payal Kalia, a junior at High Tech.
Caitlyn Ramdat of Bayonne; Hoboken’s Olivia Cahn and Sara Leong; Khushi Raithatha of Jersey City; North Bergen’s Marisol Garcia, Payal Kalia, and Grace Nodarse; Leslie Castro, Sabrina Cetinich, Giselle Hernandez, and Samantha Rodriguez of Union City; and West New York’s Ashley Pazmino and Kiara Roque took part in a Jack the Ripper walking tour and participated in workshops at the Old Operating Theatre, Florence Nightingale Museum, and Scotland Yard with an actual detective, all in of London.
“Seeing the students apply their knowledge to the oddities we saw in the Old Operating Theatre gave me a feeling of pride that all our work in class translates to worldwide experiences,” says Braun, veteran BioMed instructor at High Tech.
Also in London, the BioMed students learned about careers in various science workshops at Centre of the Cell, explored a working biomedical research lab and the Wellcome Collection, in which they viewed historical medical tools from all over the world, and topped their time in England with the famous Body Worlds exhibition, before moving on to a lecture on the history of medical education lecture at The University of St. Andrews in Fife, the oldest medical college in Scotland, and exploring Edinburgh Castle.
“My favorite part of our trip to London and Edinburgh was the Jack the Ripper walking tour and exploring the city of Edinburgh,” says Sara Leong, a sophomore at High Tech. “I thought the tour was educational, spooky, and great fun.”
High Tech Media Students Inducted into the Ridgewood Film Festival
High Tech High School Musical Theatre’s Evita Receives Two Rising Star Award Nominations
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High Tech Ranks Second among Hudson County Public High Schools in SAT Scores for 2016-2017
April 12, 2018 April 12, 2018 High Tech High School, HTHS
(April 11, 2018—Trenton, NJ) In Hudson County, a total of four public high schools surpassed the New Jersey average for the SATs, the standardized test considered a significant factor in college admissions, and High Tech ranked second among the four, announced Dr. Joseph Giammarella, Principal of High Tech High School.
High Tech scored, on average, 597 on the SAT’s reading and writing assessment, while its students scored 595 on the math assessment, for a mean score of 1,192.
The New Jersey Department of Education recently released its School Performance Report for 2016-2017. The state average SAT score for the reading and writing assessment, 551, and 552 for the math assessment add up to a mean score of 1,103. Seventeen public high schools in the county didn’t reach that total, though two came close.
The average Hudson County combined score for the math and the reading/writing assessments came to 1,014, with SAT scores ranging from a low of 859 to a high of 1,308. Hudson’s average for math came to 509, and for reading/writing, 504.
High Tech’s D/FAB Academy Featured on Taiwanese News Network SET TV
Five High Tech Students Receive Medals at the Hudson County STEM Showcase Awards Ceremony
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Expose Framework for Joomla 2.5 and 3.0+ - A rapid template development framework
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Cultural Forum in Isiuwa Study Centre
It was a bright and sunny afternoon in Benin City when the guest lecturer arrived at Isiuwa Study Centre. The guest, Engr. F.A. U. Imouokhome, a senior lecturer of the Department of Computer Science was invited to give a get-together on: Knowledge, news and distraction: permanent connection as a threat to productivity and efficiency. This is in preparation for the Pre-Univ conference an inter-university encounter among undergraduates from various Nigeria universities. The venue of the definitive conference is usually the Iroto Conference Centre of ECS.
Engr. Imouokhome started by explaining the specific concepts to be expected in the session. He gave personal examples to illustrate how a professional academic strives for update in current developments in the field, making use of the Internet and emerging information technology. In this way it is easy not to fall into the temptation of recycling lecture notes yearly. He classified knowledge into good and bad, showing that bad knowledge will lead a person, especially the covetous, into doing evil to get rich. He also told the story of his career path and highlighted the factors which informed his decision to study Civil Engineering, and end up teaching Computer Science.
He continually stressed the need to moderate the use of the internet, even though he acknowledged that the term moderate could be relative for different persons. According to him, one should have concrete purpose on borowsing the net, in other to increase efficiency. Engr. Imouokhome entertained numerous questions from his curious audience, taking advantage of the occasion to enlighten the minds further and challenging youths to higher ideals. At the end of the get-together, it was only natural that the participants excitedly posed for a group photograph with the guest.
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bastiko releases his single “Running Around In Circles”
Published on February 5, 2019 in Releases by staff
bastiko emerged in the late 90s on Germany’s Hip Hop scene and has since evolved into a versatile and multifaceted artist with his own signature sound and style. Music has always been a cornerstone in bastiko’s life since he started playing guitar, drums and vocals in his first grunge band when he was 15 years old.
Towards the end of his teenage years, he formed a strong interest in exploring the electronic music scene in Stuttgart, Germany, and started experimenting with fast-paced Hip Hop beats over his own lyrics, gradually refining this to become his unique signature style and making his mark in Stuttgart’s music landscape.
After finding his respective niche in the Hip Hop genre and adding new skills, such as self-production and playing the piano, to his portfolio, bastiko released his single “Running Around In Circles” in 2019. A song that – through a tasteful mix of Electro-Pop with bastiko’s infectiously catchy Hip Hop sounds – solidifies his unique style and artistic merit.
This spin on adding innovative blends of Hip Hop and Electronic music to Pop music makes bastiko’s style one that touches on originality and familiarity, and gives his audience a taste of something fresh yet still identifiable.
bastiko is a promising artist who is passionately creating new original material to share his sound with a continually growing audience worldwide.
Running Around In Circles by bastiko
Apple Music: “https://itunes.apple.com/de/album/running-around-in-circles/1450637622“
Spotify: “https://open.spotify.com/track/1gcicg6VNx85uYuNTK52HD“
bandcamp: http://bastiko.bandcamp.com
instagram: http://instagram.com/bastian.koller
facebook: http://facebook.com/bastian.koller
Tags: bastikoDanceElectropopHip HopRapRunning Around In CirclesStuttgart
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Raymond Coats Sr will take you through “Simply Raymond” on a cloud of love inspired songs
Published on December 14, 2014 in Reviews by staff
A solid reassurance to all that there is hope for Love, Peace, Joy and Harmony.
Raymond Coats Sr is a seasoned, versatile entertainer with over 25 years of experience in the music and performance arena. His repertoire runs the gamut from his original hits to R&B, Motown, Jazz, Blues and Standards. Raymond has performed in numerous venues including weddings, festivals, county fairs, parties and has been the featured performer on many other shows and at different venues. Inspired by and comparable to David Ruffin, Teddy Pendergrass, Otis Redding and the widely known Bobby Womack, Raymond Coats, Sr. is a singer/songwriter who combines old-school soul and authentic sounds with his soulful voice. “Simply Raymond”, his 10-track album, was produced by Tony Saunders son of the late, great Merl Saunders.
This release by master talent Raymond Coats Sr, is a solid reassurance to all that there is hope for Love, Peace, Joy, Harmony and all other positive expressions of humanity. The songs are all wisely written and well-crafted both vocally and instrumentally. “Simply Raymond” will soothe the most scarred soul and will surely provide a lifetime of listening enjoyment.
Raymond has got to be one of the smoothest bruthas in the R&B game! His songs are full of passion and meaningful words. Each song will captivate you and make you want to hear more. He takes simple melodies and allows his voice to flow along with the music, making it silky smooth then he just soars over the chord progressions and rhythms to totally uplift your soul.
Free music player widget at ReverbNation.com
Raymond Coats Sr does not belong to the new breed of RnB artists, such as Usher, Miguel or Trey Songs. No sir, he belongs that noble group of legendary artists who sang real Rhythm & Blues, which is a totally different ball game. Between the lines, their music communicated something spiritual which just washed over you. Raymond Coats Sr maintains that same ability.
I have a penchant for the throaty, mellow tones of some of the older R&B artists, and Raymond Coats Sr’s sound is reminiscent of finely aged bourbon -soothing, sensual, and incredibly smooth. His ballads are just that – aching love songs, not an artist attempting to hold the note until you start looking for a truss. The one song in this collection that made me an instant Raymond Coats Sr fan is “Nobody Better”; a little faster paced than some of his other hypnotizing tracks on this album, but one that will reach down in the pit of your stomach and make you feel that funky desire!
Whether a funky upbeat tune or a love ballad, Coats Sr can carry you away into the night. He will take you through “Simply Raymond” on a cloud of love inspired songs and make you want to get with your partner and curl up for the duration. The tone and range of his voice on songs like, “Stay In My Heart”, Statue Of A Man”, right up until “Make Your Play” will keep you engaged all the way through.
Quite frankly, there is hardly a song by Raymond Coats Sr on “Simply Raymond” that does not meet the 5 star rating.
Album Stream/Purchase
Tags: Merl SaundersRaymond Coats SrReviewsRnBSimply RaymondTATE MUSIC GROUPTate PublishingTony Saunders
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ArtsAloud
arts aloud slider
ABOUT ArtsAloud
The ArtsAloud-OSU mission is to impact the lives of the inca rcerated by devising original ensemble performance. By working in this intimate, collaborative manner, the participants discover a voice through which they can process and share their unique life perspectives in a constructive, process oriented environment.
By utilizing language, story, poetry, music as well as other forms of expression, the devising process helps inmates strengthen their internal locus of control, evaluate their own life experience and then share their work in a manner that highlights their shared humanity. This wonderfully positive, creative tool allows those involved to experience new levels of empathy and a shared humanity.
Additionally, the training allows those involved to begin to observe that which is inherently performative in everyday life, while finding incredible beauty in the seemingly mundane, thus opening the possibility of envisioning a new future.
ArtsAloud in the News
First performance by the women of Mabel Bassett Correctional Center
OSU’s Land Grant- Teaching- Research-Outreach
The long term goals of ArtsAloud- OSU are to train facilitators through OSU’s Masters in Theatre program, while expanding to other correctional institutions across the state, in accordance with OSU’s Land Grant Mission. This guiding principal states OSU’s goal of “improving the lives of people in Oklahoma…through high-quality teaching, research and outreach.”
The Mary Lou Lemon Endowment
Through the three year seed money of The Mary Lou Lemon Endowed Professorship, and the Professional Leadership of Jodi Jinks, we envision the facilitation of those creative activities that “promote human and economic development through the expansion of knowledge and its application” while empowering people through the theatre arts.
Public- Private Partnership
ArtsAloud- OSU seeks to develop future partnerships with private and public organizations to carry on the essential work of envisioning the development of human potential, ultimately impacting the state’s economy through a self-empowered, focused and innovative work force.
ArtsAloud Principles:
• We can hear each other and see our similarities when we share ourselves through ART.
• Everyone matters.
• “Our everyday life is worthy of performance.” (Deb Margolin)
• We are all much more than the worst thing we have done.
• Everyone is welcome.
• We are all alike in the ways that matter.
• OSU Theatre students perform or “give back” the prisoner’s stories sans judgment.
• Anonymity is an option.
• Remaining silent is an option.
• Art makes us human.
Below is a list of past, current, and future projects with ArtsAloud:
John H. Lilley Correctional Center (JLCC) ArtsAloud show on March 14, 2014
JLCC giveback on April 18, 2014
Jess Dunn Correctional Center (JDCC) ArtsAloud show on November 11, 2014
JDCC giveback on Nov 25, 2014
JLCC and giveback
Performance at Jess Dunn Correctional Center, Dec.2, 2015
Give Back, December 2, 2016
Monsters As Men, John Lilley Correctioanl Center, March 15, 2016
Give Back, March 15, 2016
Shades of Gray, Jess Dunn Correctional Center, April 22, 2016
Give Back, April 22, 2016
Fortune Cookies, Jess Dunn Correctional Center, December 2, 2016
Happiness, Mabel Bassett Correctional Center, February 2017
Give Back, February 2017
ArtsAloud-OSU classes began at the Jess Dunn Correctional Center in July 2014. Two theatre graduate students, Lacy Delaino and Susan Webb, accompanied Jodi Jinks to Jess Dunn Correctional Center in Taft, OK each Wednesday to watch ArtsAloud at work, or rather, at ART. On July 31st, a stiltifyingly hot, white afternoon, ten JDCC students performed their stories for 20 or so gray clad men seated in the Chapel’s folding chairs.
Give me a pen and I’ll give you my mind
Give me ink and I’ll give my heart
Give me paint and I’ll show you my soul
These were the opening words spoken by Frybread, a tattooed American Indian with a long, slender nose, long, slender fingers, and a black mohawk. He was quick with a smile and could tell a story that you’d never forget.
My brother parked the car ( ) and takes an electric skillet out of his trunk and plugs it in. He fills it with cooking oil, takes the three fish and washes it– black pepper and salt. Drips it in yellow corn meal and fries them. Plates, root beer, bread, mac‘n cheese. The rest is history. <pause> That was the last time I ate out with my dad.
Mr. Parker wrote this story. He remembered when he last shared a meal with his father, over fifty years ago by a fishing pond. Parker was a preacher who understood the sacredness of Art.
After the successful summer at Jess Dunn, Lacy Delaino accepted the position as lead teacher of ArtsAloud at that facility. Her new and larger class performed on November 11, 2014 to an audience of their peers. Two weeks later, a group of five OSU Theatre undergraduates entered the Jess Dunn prison and “gave back” the men’s play.
It is safe to say that all involved–the incarcerated students, the OSU Theatre students, and the audience were moved by the exchanging of theatre. One man in the audience asked the OSU students, “Did it feel dangerous to handle the sacred?” Anne Uhlman’s reply suggested that it did indeed. She feared that she would “mess up” one of the authors’ stories in spite of wanting to do it justice.
Lizard, a fiery redhead from JDCC offered that, “It was surreal to watch what we’d written played back for us.”
For two hours, forty or so people caught a glimpse of another part of life.
In June of 2016, ArtsAloud became a program of Mabel Bassett Correctional Center as well.
© 2016 JODI JINKS | DESIGN BY YIKES!ART
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Rebranding a culture and workspace environment
Hastings and Prince Edward Counties Health Unit
Hastings and Prince Edward Counties Health Unit (HPECHU) selected Kasian to plan, design and oversee the redevelopment of their main office in Belleville, Ontario. The Health Unit provides clinical, educational, inspection and enforcement services to a population of over 140,000 residents. The original plan was to renovate their existing 22,800 sf office/clinical space and expand the facility with a 6,000 to 7,000 sf addition. However, Kasian presented the option for an entirely new Health Unit in a different footprint on the same site, which the client preferred.
The previous facility was a typical mid-1980’s institutional construction, which was beyond capacity for its staff and severely lacked in necessary storage space. Internal heating, cooling, and ventilation were poor, traffic flow was inefficient, and available space was under-utilized. HPECHU chose to partner with Kasian to assist them with meeting immediate and long-term goals of consolidating staff, maximizing utilization, and designing a highly functional, energy-efficient space.
With a new building there was an opportunity to rebrand the culture and workspace environment. The Health Unit leadership team embraced the change concept and provided many opportunities for staff input to cultivate the concepts that resulted in open work areas, flexible work spaces, open concept private offices, secure and confidential client clinical space, and large, naturally-lit educational and training spaces.
The resulting facility has an expected useful life of over 30 years with an increased cost of less than 5% of the original renovation scope, including relocation costs – a clear success for Client, Consultants and Community.
Client Hastings and Prince Edward Counties Health Unit
Location Belleville, Ontario, Canada
Sustainability None
Size 30,000 SF
Construction Value $10 M
Completed June 2015
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J. W. Lennon, Esq., M.B.E., Kenwood, Wood Lane, Cavendish Road, St George's Hill, Weybridge, Surrey.
Over the gate...
Designed in 1913 by Victorian/Edwardian/other architect Theophilus A Allen; John Lennon's house between 1964 and 1968; sunroom, attic and prisco stripe hibernice; Mellotron and caravan; Babidji and Mimi; mortar and pestle; Wubbleyoo Dubbleyoo; curios and curiosity; remnants and residue; testimonials and traces; (Cavendish Avenue, Sunny Heights and Kinfauns); Montagu Square; mock Tudor: Brown House: *KENWOOD*.
(Also available as a blog.)
Legal Blah: This blog is for historical research only, and is strictly non-commercial. All visual and audio material remains the property of the respective copyright owner, and no implication of ownership by me is intended or should be inferred. Any copyright owner who wants something removed should contact me and I will do so immediately. Alternatively, I would be delighted to provide a credit. The writing is by me, such as it is, unless otherwise stated, and this is the only Beatles related blog I am responsible for.
Comments Blah: Comments are moderated. Any genuine comments are welcome. Offensive comments/advertising/trolling/other moronicisms are not, and will be rejected. Due to the aforementioned, anonymous comments are no longer enabled. Comments are the responsibility of the individual commenter, and commenters' opinions do not necessarily reflect my own. (NB: This blog revels in flagrant trivia. If that's not yer "thing", this won't be yer "thang".)
Correspond via: kenwoodlennon@googlemail.com
Kenwood: January, 1995 video footage.
To recap: Andrew Hawkins (plus all important buddy, pal and mate) visited Kenwood at the beginning of 1995, just as the first major renovation (ie demolition) since the Lennon-era was getting underway.
Here is the footage shot that day, together with the usual inserts.
Bear in mind that, whilst the place is a building site, the layout is precisely as it was back in the 1964-68 era. To all intents and purposes, this is the house as John would have known it.
Many thanks once again to Andrew for allowing me to post this here (and for paying to having the video transferred to a digital format). If you see him, buy him a pint.
Posted by kenwoodlennon at 18:30 9 comments
Labels: andrew hawkins film, Kenwood, kenwood 1995 video footage
Mendips etc.: Beatles' Folks At Home.
I've filched these from the lovely Beatles At Home tumblr account; whilst some of the individual pics are familiar, others, equally, aren't - at least to me. If anyone knows which mag this originally comes from and could inform me (or, better still, scan in hi-res and send the results), I'd be eternally you-know-what.
Unt a Season's Gratings, to one unt, moreover, all.
Labels: Beatles' Folks At Home
Hamburg: Bambi Kino.
For the first time ever, a guest contributor to Kenwood. Thorsten Knublauch contacted me to ask if he could contribute some of his research re. the Bambi Kino; an excellent idea, and so, without further ado...
My name is Thorsten Knublauch, author of "Komm, gib mir Deine Hand – Die Beatles in Deutschland 1960 – 1970" (with Axel Korinth), and "The Bravo-Beatles-Blitztournee – Five days of Beatlemania in Germany, June 1966" (English and German versions), and I have been engaged in research on German Beatles topics for over 25 years now. I am a specialist on their Hamburg years and their German tour, and, since the late 90s, I have written several articles on those subjects for the German Fanzine "A Ticket To Write". I am also a consultant for Mark Lewisohn's "Tune In" books.
For the great Kenwood blog, that specialises in Beatles sites and buildings, I`d like to present an abridged version of my long article on the "Bambi Kino", that was published in the December 2014 issue of "A Ticket To Write".
In Beatles history there are many legendary places, such as the Cavern, Shea Stadium, Abbey Road or Savile Row, all of which are strongly associated with the Beatles. There are also a few places which are not so obviously linked, but which are nevertheless "legendary" too. One such site is the Bambi Kino – the Bambi Cinema, a place where the Beatles stayed in shabby rooms from August 17th 1960 until November 30th 1960.
What is the history of this building and what did it look like? I was lucky enough to get a photo of the construction plan of the complex, some files from the archives of the city of Hamburg, new and old photos, Google earth shots, scans from the Hamburg address books of the last 120 years, vintage cinema adverts and first hand witnesses to tell the whole story for the first time. I am grateful to Peter Paetzold of www.beatles-tour.com for his constant help with new photos, and the knowledge gleaned from his youth when he lived around the corner.
The history of the “BAMBI Kino”.
Today on sightseeing tours in Hamburg you will be guided to a small blue building at 33 Paul-Roosen-Strasse. Perhaps I'm not the only person to wonder how on earth a cinema could have been there? In old books or in Beatles movies one can learn that they lived in small rooms behind the screen. I asked myself how one could sleep with that light and noise, and why there would have been a room behind the screen? I`d like to solve that mystery.
The Bambi Kino was, in fact, a complex of buildings, and not just the building that you see at 33 Paul-Roosen-Strasse. The main entrance to the cinema was situated on the left-hand side of this front building, with foyer and ticket booth (cash box) only - there was simply no space for anything else here. On the right-hand side was/is the main door for the apartments above the houses 33 and 35.
History of the complex.
The architectural history is complicated. The building at 33/35 Paul-Roosen-Strasse is very old. A sign lists 1801 as its year of construction. From the 1880s on, behind the row of houses, at Grosse Freiheit 79-83 stood a pretty big entertainment establishment called “Englischer Garten" (“English Garden”) in the premises of a former Labadist Church.
Between the "English Garden" and the front house was a building (dated 1768), which served the "English Garden" as a dining room. In the years before it was sometimes used as a church building. Right next to the dining room a kitchen was added and one could also reach a cellar in the basement. Here the complex ended, as is clearly visible on the construction plan because of the thicker wall.
The complex at 79-83 Grosse Freiheit and 33/35 Paul-Roosen-Strasse was owned and operated from 1890 by the "Englischer Garten AG", and both addresses were counted together in the address books. The "English Garden" was entered via Paul-Roosen-Strasse, and the entire basement served as the entrance. The two upper floors of the building 33/35, then as now, each housed two small apartments. The "English Garden", incidentally, was not a garden restaurant but a local ballroom.
In the mid 1920s the building was sold. Around 1935 the "English Garden" ballroom was demolished to make space for living quarters that were never realised. The dining room and the front house were left.
Around 1935 a certain Mr. Dietrich Mindermann acquired the remaining complex and the area was (again) used as a restaurant. At that time a long corridor was added to the kitchen, which led via a "kink" to the Grosse Freiheit. The exit became 85 Grosse Freiheit. In that corridor the new toilets and other rooms were added and the corridor became the entrance for suppliers.
Until his death in 1955, Mindermann operated the restaurant - probably always under the name of "Englischer Garten". Thereafter, the complex was converted into a cinema. I am presenting here (above) a building plan for that reconstruction that was used by the fire prevention authorities. I only have a photo of the plan that is not suitable for showing here, so I have made a new illustration myself on the original scale.
The left side of house No 33 became the cinema entrance with foyer and ticket booth (cash box), while No. 35 was probably operated separately as a restaurant by a different leasee. In the former kitchen of the "Englischer Garten" a screening room was installed with a projector. After the conversion the long corridor acted as the exit. Patrons left the cinema after a performance via this corridor, whilst the next audience entered from Paul-Roosen-Strasse. In addition the toilets could be accessed here.
The construction plan shows that about 18 m along the corridor were two rooms named there as "staff room" and "cash box". These rooms later served as the Beatles' accomodation. No one knows if they were ever actually used as named in the plan, as the cash box was near the front entrance. I would guess that both were in fact storage rooms, most likely since they were built circa 1936. These two rooms were entered through a door from the corridor and divided up inside. The smaller of the two rooms adjoins the men's toilet directly. To the left of the men's toilets were the women's toilets. A third room was designated as an office.
According to the address book from 1957, the cinema was initially known as the "Ali Film Theater", but this was changed later that year to "Luna Film Theater", as seen in adverts of the time. The movie database names a certain "J. Buschinger "as owner.
We now come to the Beatles-era.
Bruno Koschmider and the “BAMBI Kino”.
Most histories of the Beatles (including my own!) have suggested that Koschmider operated the Bambi Kino for a long period. However, this turns out not to be true. Looking at trade register entries for the year, one can see that Koschmider wanted to establish himself in St. Pauli in 1959. He already had establishments in Bremerhaven and Hamburg, on the Eimsbütteler Chaussee.
On October 14th 1959, he took over a restaurant at 36 Grosse Freiheit by getting a licence for a "beer business which will serve beverages of all kinds". In the basement of that building he opened the Kaiserkeller, a couple of days after getting the licence. The other clubs in that building were owned by different people.
Regarding the Indra, there have been differing accounts, but the fact is that the date September 1st 1950, listed in various books (even in my “Komm, gib mir deine Hand” book), is wrong – at least for anything related to Koschmider. The entries in the register show that his tenure followed the lease of a certain Susanne Gerecht who had taken over the club on November 1, 1958. Unfortunately, the documents I have do not show any specific date when Koschmider took over the club. I assume that when business flourished at the Kaiserkeller, he decided to open a second dance club. According to the earliest advert I know featuring the Indra with Koschmider as owner, it might well have been around March 1960. It is not true that he previously operated the Indra as a strip club, since the licence (as with his predecessor) only allowed the "operation of a dance hall serving beverages of all kinds". The strip club days must have been a couple of years earlier, but have gone down in Beatles history on the basis of a rumour because it chimed with the nature of the area. However, it did not fit in with the "portfolio" of Koschmider's other establishments. He maintained only dance halls in these years.
Incidentally, until the mid fifties strip clubs were quite harmless, providing mainly a kind of cabaret style entertainment with a mixture of music, bawdiness and a little stripping.
Around this time Koschmider also got permission for "operating a movie theater" on 15 March 1960, and he then took over the cinema in the Paul-Roosen-Strasse. The cinema must have been closed for a time as there were no screenings in 1960. (There are no cinema adverts in the newspaper archive before 1960, and I could not ascertain the exact date of the final screening in the “Luna” cinema.) Koschmider needed some time for renovations and recruitment of staff, following which he opened the cinema 3 weeks after acquisition. The first movie he showed was on 5 April 1960 - "Der Tiger Von Eschnapur" (The Tiger from Eschnapur).
But one can see that the program changed twice a week and there were - contrary to what some books claim - no porn films shown, just normal films that were a year or even more out of date, on a re-run. The cinema had exactly 235 seats and was one of about 140 cinemas in the city. It is, therefore, perhaps not surprising that this somewhat obscure little cinema had already changed tenants shortly after opening. Koschmider first named it "Bambi Lichtspiele" (literally in English "Bambi 'Lightgames'" ie 'cinema'), and then changed it again at the end of June 1960, somewhat pompously, to "Bambi Filmkunsttheater" (Bambi Film Art Theater), even though he didn't change the style of the films. In Michael McCartney's book "Family Album" the latter name was shown from a flyer or letterhead:
Furthermore, so one could always get an idea of what was on at the cinema "around the corner", amidst the nightlife of St. Pauli, a case advertising the movies was attached to the side wall of the exit at 85 Grosse Freiheit. In addition a neon light reading „Kino“ was installed on the adjoining wall 87 Grosse Freiheit:
The photo shown above must have been taken shortly after the opening. The old writing for the "English Garden" can be seen on the house wall at 87 Grosse Freiheit.
There is a wonderful colour photo of the Grosse Freiheit from August 1960(!) in which, when enlarged, one can exactly see the new look of that wall and where a kind of "Pinocchio" was painted.
By the spring of 1961 the cinema was already heading slowly downhill. The films shown were getting older and older. From 16 May 1961, for just three days, the "Bambi" screened its last movie (dating from 1940). Koschmider formally quit operating the cinema on November 16, 1961 at the Registry Office.
The Indra was de-registered in January 1961, but the enterprise had probably already ceased some weeks after the Beatles moved to the Kaiserkeller on October 4th 1960. The Kaiserkeller was given up by Koschmider at the end of 1961 (no exact date known), and he then didn't operate St Pauli clubs for a few years. One can only guess that the competition (one remembers the problems with musicians between the Kaiserkeller and Top Ten and the subsequent banishment) had caused him problems financially and personally.
After the closure of the Bambi Kino, the building was never again used as a cinema. The address 85 Grosse Freiheit also disappeared from the address book. The building remained the property of the Mindermann family and Mrs. Mindermann lived there for some time.
Shortly before the opening of the Star-Club in April 1962, in the former premises of the cinema, the "Club OK" was set up as a "first Twist-Club", and was advertised in a painting on the side wall as "the one with the exciting corridor". The club was entered (presumably) exclusively via the long corridor on the Grosse Freiheit, where it got an illuminated name sign, and the cinema case and neon "Kino" sign were removed. Bands who played the club included The Rattles (who later opened for the Beatles in 1966) and The Bats (with whom Stuart Sutcliffe played a couple of days as their replacement bass player in February 1962). It seems the club didn`t last long, being in such close proximity to the Star-Club, and closed most likely shortly after in 1962 or 1963.
Nothing is known about the years immediately following its closure.
For a short time during the period 1965-1967, the building housed the "Cotton Club". This jazz club was entered via Paul-Roosen-Strasse and over the portal a name sign and a neon sign were placed. Today at the site of the former foyer is a garage, which is believed to have originated during the renovation in 1982, at which time the former entrance was demolished and made smaller. At house number 35 (again/still) is a small restaurant.
As far as I know, today the old cinema houses a car collection, and the rooms in the long corridor are nearly destroyed.
The Beatles at the Bambi/Description of the accommodation.
When the Beatles made their night-time arrival in Hamburg on 16 August 1960, after about 36 hours of driving, they did not sleep in these premises. George remembers that they spent the first night together in a bed in Koschmider's apartment at 14 Eimsbütteler Chaussee. Allan Williams also said that the Beatles slept there, while the rest of the tour group slept in a hotel. (On the other hand, Paul recalls that they raised someone out of bed and then slept on the red leather chairs in the alcoves of the Indra. Such is memory…)
Before that, Koschmider told them that they would not play the next day in the great Kaiserkeller, but instead in the Indra which would also act as a rock club from then on. The Beatles' accomodation was gratis, and perhaps because of that no one should have expected anything good. Like Derry & The Seniors, who played at the time in the Kaiserkeller, Koschmider put the bands up in his premises. Peter Eckhorn later did the same for the Top Ten Club bands, who were accomodated in the attic above the club. Manfred Weissleder, however, hired apartments and hotels for his artists.
While the Seniors were locked up at night in the Kaiserkeller office, the Beatles had to live off the corridor of the Bambi cinema in the two rooms. As you can see from the plan, these rooms are not "behind the cinema screen", but originated in the reconstruction of 1936, and were probably still in their original state. The first approximately correct information about the location and size of the rooms can be seen in Klaus Voormann's autobiography "Why don't you play Imagine on the white piano, John?" on an illustration by Paul (above).
Paul has assessed the rooms quite well. Earlier descriptions of the quarters were from today's perspective quite funny and even contradictory, which is why in films like "Birth of the Beatles" or "Backbeat" the look of those rooms was a mixture of all the memories together with all the different rooms occupied during the various Hamburg residencies.
Pete mistakenly speaks in his biography from 1985 of three rooms. In addition he also remembers that the rooms were farther apart. In interviews in 1965 Pete spoke correctly of two rooms, but also claims that the rooms were about 100 yards apart. As mentioned, the rooms themselves must have been old storage spaces that were, despite the plan of 1957, never set up as a staff room or ticket office. According to the Beatles' own description, the rooms had no heating (which at the time would have been a coal furnace), and would have had naked or concrete walls, and only the larger of the two rooms had a light bulb hanging from the ceiling; the other was completely dark.
In addition, the rooms were very dirty.
Lewisohn describes the rooms as very low, but this can not be right. Assignable photos from the premises do not exist. Two photos of George which are referred to as "Bambi Kino" may not have been shot there, at least according to the plan.
The door where George is posing opens outwards to the corridor, but according to the plan it must have opened inwards. In my opinion the wall also looks too good. Perhaps these shots were from 1961 in the Top Ten lodgings? Peter Paetzold described to me how the larger of the two rooms has a tiny little window by the roof, looking towards a courtyard of the houses on Paul-Roosen-Strasse. The plan shows no window, therefore it has to be assumed that this window was not yet there in 1960.
The larger room was "furnished" with a small couch and two old (field) beds, in which, as "first come, first served", John and Stuart took the beds and George occupied the sofa.
Pete and Paul at first thought they had to sleep on the floor.
However, in the smaller room were two other beds that were placed - depending on the source - either separately or as a bunk bed one over the other. Paul drew them as bunk beds for Voormann's book, although it is not clear whether he was confusing this with the premises above the Top Ten from 1961. But if you look at the size of the room then it becomes clear that there may only have been space for bunks, which must have been placed opposite the entrance.
Here lived Pete and Paul, without bedding. Coats and one British flag which had been lying around served as blankets. There was also no other furniture and so they were forced to live out of their suitcases. Due to the proximity of the toilets there would have been a smell, though even without this the odour in the rooms may have been "indescribable", with five chain smokers and without proper washing facilities and no windows.
The Beatles had to wash using the small cold water sinks in the two adjacent toilets. The actual layout of those rooms is described in the construction plan: toilets, urinal gully and sinks.
The famous drawing by Klaus Voormann therefore does not show the true appearance and was just his illustration:
John reported to Hunter Davies that "fat old German Fraus were pissing next door" to the washing Beatles. The Beatles preferred the ladies toilets, as they were probably a little cleaner. Now and then they went to the swimming baths, and later also to Astrid Kirchherr's house, or that of the Horst Fascher family. I also wonder how they washed their clothes.
George reported in the "Anthology" that they would probably not have showered until the second or third visit to Hamburg, when they had an apartment opposite the Star Club.
Judging by the statements Stuart made in a contemporary letter, rain must also have entered from the ceiling. He wrote that he could have composed a tune if he had placed the cans in the right places to catch the rain drops.
Lewisohn has researched that it was extremely cold in October 1960 - an average of 5 degrees. The Beatles originally had a commitment only until 16th October, which was then extended until the end of the year, and therefore they had taken no winter clothing with them. They had obviously not expected to have to simultaneously wear many of their clothes due to the cold nights. Koschmider provided no extra blankets and so they shivered themselves to sleep. Paul recalled in interviews (besides the smell) the fact that he was always frozen. It is hard to imagine that they actually had girls in these rooms.
Of course it was not quiet there. The cinema had two to three performances per day (depending on the film) at 6.30, 9 and sometimes 4 pm. On Sundays there was a children's screening in the morning (which was not advertised in the newspaper, but only in the case outside the entrance). The Sunday films and the 4pm show would have conflicted with the sleeping times of the Beatles. Lennon stated that he was awakened by the noise of the cinema. Also you have to add that the patrons went to the toilets and the exit, and delivery services walked past the rooms.
From 16 - 18 August 1960 "Der still Don" (The Silent Don), made in 1958, was shown, and from 19 to 22 August 1960 the featured attraction was "Der Weg ins Freie" (On The Way To The Outside), from 1941, with Zarah Leander.
Right from the start, The Beatles complained to Williams and Koschmider about the miserable accommodation, but Koschmider, at least, didn't care, replying only that the whole thing would be "temporary".
As Rory Storm & The Hurricanes did later, the Beatles could have lived for 4 DM in the Seaman's Mission, but despite the appalling conditions they preferred to save the money.
The exit on the Grosse Freiheit was used by the Beatles to go in and out. It can be assumed that they had a key to the door and the rooms. You would probably ignore the exit today if there were not two great photos that show John in his underpants holding a newspaper right in front of that door - made because of a lost bet. Peter Paetzold of www.beatles-tour.com discovered the origin/location of these photos decades ago, and his research has been used for several books without mentioning him.
The actual door is unfortunately not visible in the pictures, but only the store of Mr. Grondahl, whose firm had been there since the late 19th century. These photos were given by the Beatles to Hunter Davies during research for his authorised biography. Lennon wrote on the back of a photo: "Me sightseeing Hamburg, November 1960".
I have inserted John into the modern view in order to get an idea:
The newspaper seen is the "Daily Express" dated 31 October 1960, and was available in Hamburg from 1 November 1960. Lennon was an avid reader from childhood, and read newspapers from start to finish. It can be assumed that the photographs were taken at the beginning of November 1960.
We shouldn't forget to mention the "historical" aspect of the long corridor. Here opposite the front door of the Beatles' two rooms, the condom was attached that was used by Pete and Paul to play "a stupid prank" on Koschmider. In the early years it was alleged that a small piece of tapestry or cordon was burned because of the "lack of lighting while packing”. If one looks at the position of the wall one can easily see that this would have been completely useless for any kind of lighting in the Beatles rooms, and that it must simply have been a prank. Additionally one has to ask what kind of lighting would a burning rubber condom provide?
The look of the cinema.
Unfortunately there is no known photograph showing the Bambi Kino. There are some rare photos showing the area a couple of years later in 1967, where one can recognize the building. I reconstructed the look of the front house using those photos as reference. I can imagine that a kind of sign or neon lights were above the entrance advertising the cinema but I haven`t included that in my drawing above.
The famous drawing by Klaus Voormann that "shows" the Bambi was made using the wrong building (namely the accommodation provided during the first Star-Club residency in spring 1962 at 30 Grosse Freiheit, and not their first ever accomodation in Hamburg).
Bruno Koschmider's Home Movies.
A day after I gave my German article to the printer, Bruno Koschmider's home movies appeared on the internet (as shown on this site as well). I knew of their existence (two stills from the films were used in Spencer Leigh's "Beatles in Hamburg" book), but never dreamed of actually seeing them.
The films show the Kaiserkeller around late 1959 or early 1960 inside (with a dancing young Achim Reichel, later of the aforementioned German band „The Rattles“).
The second film shows the Kaiserkeller exterior, and a glimpse of the Indra entrance. Also the Bambi Kino at Grosse Freiheit, and the entrance on Paul Roosen Strasse were filmed.
The cinema adverts show the film posters (from left to right) of later Sunday film Grimms' Fairy Tales "Tischlein deck dich" ("The Wishing-Table, the Gold-Ass, and the Cudgel in the Sack") "The Tiger Of Eschnapur" and with the notation "heute" (today only) "Wenn die Kraniche ziehen" ("The Cranes Are Flying").
This proves that the film of the Bambi-Kino was made during the first 3 days of the opening of the cinema around April 5th 1960 as the opening film was "The Tiger Of Eschnapur"! Also on the film a very short glimpse of the Indra entrance is included. INCREDIBLE!
For the Kenwood blog I have reconstructed the wall on Grosse Freiheit and the entrance in Paul-Roosen-Strasse by using several stills of the films and in addition I added the original film posters as comparison. My earlier drawing of the Bambi was quite accurate in comparison with the original look. As I had no idea if there was a sign I left it out.
The Bambi Kino will for ever be associated with 33 Paul-Roosen-Strasse. Let us hope, however, that the exit on the Grosse Freiheit will also survive the current construction work for an underground car park in the adjoining grounds, and that the Beatles' Hamburg won't lose another photo opportunity. (Thorsten Knublauch)
So there it is. Many thanks to Thorsten for a very interesting bit of research.
Posted by solzhi at 11:02 7 comments
Labels: bambi kino, bruno koschmider, bruno koschmider's home movies, hamburg, kaiserkeller, thorsten knublauch
Hamburg: Bambi Kino/Kaiserkeller 1959 footage.
A year before you know who turned up, here they (Bambi Kino/Kaiserkeller) are, on home movies made for none other than Bruno Koschmider in 1959...
If your jaw hasn't dropped, then you are in the wrong place. How have these not come to light until now? And what else is out there? Kudos to the Kinolibrary tumbler for unearthing this. Go there immediately! While we are on the subject, Thorsten Knublauch has been working for some time on amazing new research regarding the Bambi Kino. He's very kindly offered to allow some of it to be posted here, due early December. Watch this space! He has also just written to say that the date on the footage is wrong... and the real story will be revealed soon. (The full version of Thorsten's research will appear in a German fanzine next month.)
Labels: bambi kino, hamburg, hamburg 1959, kaiserkeller
Kenwood: January 1995.
In January 1995, Andrew Hawkins, finding the gates at Kenwood open, took the decision to chance his luck and headed up to the house to see if he might be allowed to film the exterior. Lucky, really, because what he discovered was a building site, overseen by an amenable Irish foreman who agreed to give Andrew and his friend the grand tour. Thus, Andy's camera recorded the last gasp of the house as John would have known it - shortly thereafter the kitchen, sunroom and garage were demolished and rebuilt, and the first floor master bedroom and attic were gutted and reconstructed.
I will try and put the footage on the blog over Christmas, but in the meantime here, with a minimum of verbiage from me, are some screencaps and a bit of context.
ENTRANCE HALL - The doorway visible here led to the kitchen. Note too the large mirror, still in place:
KITCHEN - Split level, an upper "breakfast terrace" and lower cooking area:
Note the floor tiles, some of which were still evident:
LIVING ROOM - Note the ceiling:
DEN - Colour scheme still in place, 25 years later:
Back to the entrance hall, this time facing the main stairs to the upper levels:
EN-SUITE BATHROOM:
ATTIC: Again, compare the photo of John with the situation in January 1995; clearly the same:
ATTIC LIVING ROOM - Next to the studio room, John pictured here above. This room was where Pete Shotton recalled helping with the general concept for Eleanor Rigby:
ATTIC BEDROOM - Home at various times to Fred Lennon, Pauline Lennon, and even John and Cyn whilst renovation was going on in 1964:
ATTIC TANK ROOM - Home to John's semi-feral cats:
ATTIC CORRIDOR - A glimpse of the studio room at the far end:
SUNROOM EXTERIOR - I'm still not sure if this is a completely different structure, or simply the old sunroom with a new roof and fireplace installed:
SUNROOM INTERIOR:
POOLSIDE STEPS:
GARAGE 1:
And there we have it, for nau. As mentioned, at some point before long the footage itself will appear here.
Finally, I'd like to express my thanks to Andy for his generosity in allowing me to use his film. Cheers, mate!
Labels: 1995, 1995 footage, attic, bathroom, den, entrance hall, Kenwood, kitchen, living room, master bedroom
24 Chapel Street: internal layout.
As the old (and moving) trad. arr. has it: "Chapel Street, Chapel Street, Hard to walk to, Without any feet" (What is this drivel? - Podiatry Ed.). Number 24 was, o' course, Brian's final abode, a place of psychedelic high-jinks and not a little angst, as the repercussions of Brian's increasingly chaotic private life played themselves out. The plans here date from the late 1950s, and the eagle of eye will spot certain discrepancies (eg there are now 3 windows on the side wall, but only 2 at the time of the plan for the upper floors).
Nevertheless, this is more or less the layout as Brian would have known it. But enuff o' my yakkin'; for the BBC Arena documentary on his life, former PA Joanne Petersen drove back to Chapel Street and ran through the place (not literally) as she remembered it:
JP: "Downstairs was the staff quarters; this was where his housekeeper and her husband lived." ( ie Spanish couple Maria and Antonio, of whom little is so far known):
Joanne had nothing to say about the ground floor, but a small part of the hall (or vestibule thereof) could be glimpsed behind Ver Fabs on the night of the Pepper launch party. Note too the kitchen to the rear, from where Joanne phoned Kingsley Hill on the weekend of Brian's death to express her concerns to Peter Brown:
JP again: "You went upstairs to the sitting room, and behind the sitting room was Brian's study where he worked.":
So the area marked "Boudoir" on the plan was Brian's office, which explains why it is dark in the party photos:
JP: "The second floor was his suite... you went in through the double doors to his dressing room, and then into his bedroom and then through there into his bathroom. His bathroom was pretty unique. It was totally white... with a huge (photo of) El Cordobes all on one wall, it was very imposing."
El Cordobes was, as ye will doubtless know, a Spanish bullfighter who Brian had a "thang" about. From the description, it's possible that the door to the bathroom on the plan here was blocked off, and another put in beside the chimney area in Bedroom 1. Said Bedroom 1 was, o' course, the place where, tragically, on 27th August 1967, Brian accepted a teaching post in Australia:
JP: "The rest of the top floor was two rooms knocked into one, and that was where I worked in one corner. It was the office by day and the playroom by night. It was where he had all his memorabilia, and the present that Elvis's Col. Tom Parker had given him. It was just full of treasures of Brian's. It was also where everybody went up at night to play, and at the weekend I used to put my typewriter under my desk because then it wasn't lost anymore."
Presumably the "two rooms knocked into one" were Bedrooms 4 and 5:
And there we have it. I haven't found any record of planning permission post-Brian, so presumably the house remains more or less the same. One day, no doubt, it will come on the market again, at which point we shall see.
Many thanks to Julian Carr for digging up (not literally) the plans, and grateful acknowledgement to James Boyles for taking the Chapel Street pic.
Labels: 24 chapel street, 24 chapel street plan, Brian Epstein, Joanne Petersen
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Mother Mac’s rounding out the year
November 24, 2016 February 17, 2019 limericktidytown
Limerick Tidy Towns have presented their monthly award for November to Mother Macs Public House on High Street, following its beautiful refurbishment after it was taken over by new management. Pictured outside the premises being presented with the award by Sharon and Maura of Limerick Tidy Towns are General Managers, Michael and James McMahon.
This is the second public house to win one of our monthly awards this year as the transformation of this iconic Limerick landmark building since it was been taken over by new management simply couldn’t be overlooked. The striking new paintwork on the exterior and attractive outside seating area has greatly enhanced what was always a well known and loved public house at a very prominent location in Limerick city, and made it a “go to” destination for Limerick locals and visitors alike. The new owners are to be commended for the hard work that has been undertaken, and indeed they themselves have also expressed their thanks to local tradespeople and artists who helped them to achieve the most attractive end result, and to the local residents for their support.
Mother Macs was previously known as The Round House and was taken over by Michael and James McMahon and reopened under its new name in December 2015. It is an ideally located venue for group nights out, or simply a quiet drink watching a game. They have an extensive range of craft beers and wines and the interior of the pub reflects its refurbished exterior, so offers a comfortable, clean and cosy environment, perfect to relax and watch the world pass by. For more information, you can contact Mother Macs via their Facebook page or email michael@mothermacs.ie, or simply drop in to speak to one of their friendly staff.
Mother Macs is the eleventh and final monthly award recipient for 2016, following Silverwood Jewellers in January, Rebecca Leahy Opticians in February, M&C Property in March, Ryans Jewellers in April, The Cauldron Bar in May, the Tritonville private garden in June, Salon 35 in July, Professional Nails in August, Bean a Ti in September and O’Gorman Solicitors in October. All monthly winners for 2016 will be in with the chance of winning this year’s overall prize at our next annual event to be held early in 2017, and details of how to vote for your favourite via an online poll will be announced shortly.
Limerick Tidy Towns would like to thank Cian Reinhardt of I Love Limerick for taking the photographs for this and all of our monthly awards, and indeed for the support of all the I Love Limerick team throughout 2016.
monthly awards pub
O’Gorman Solicitors is the tenth Limerick Tidy Towns monthly award winner for 2016
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A Child's guide to language : teaching a second language, BBC Worldwide Americas, Inc
The Resource A Child's guide to language : teaching a second language, BBC Worldwide Americas, Inc
The item A Child's guide to language : teaching a second language, BBC Worldwide Americas, Inc represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Brigham Young University.
Films Media Group
BBC Worldwide Americas, Inc
Films for the Humanities & Sciences (Firm)
Whether it's English, Spanish, Chinese, or Urdu, babies and young children are able to pick up their native language with remarkable ease; no one language seems any more difficult than any other. Yet few children who are taught a language in school have anything to show for it when they grow up. Why is learning a second or third language so difficult? Are the teaching methods at fault? Enough is now known about the process of language acquisition to suggest that language teaching can be more effective. This BBC Horizon program looks at some of the different language acquisition methods in use in schools around the world
New York, N.Y., Films Media Group, 2007, ©1983
online resource (1 streaming video file (50 min.))
Films on Demand is distributed by Films Media Group for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware
Encoded with permission for digital streaming by Films Media Group on Jan. 03, 2007
Language Acquisition Device in Children (4:21)
Language Acquisition in Children (3:15)
Language Acquisition Localized in Brain (4:29)
Language Learning and Meaningful Context (3:58)
Failures of Formal Language Instruction (4:22)
Role of Listening in Language Acquisition (2:47)
Total Physical (TPR) Method to Learn Languages (5:12)
Suggestopedia Method of Language Learning (2:13)
Language Acquisition Through Immersion Experiences (5:19)
Successful Immersion Programs (4:47)
Importance of Learning Foreign Languages (5:43)
http://streaming.factsonfile.com/PortalPlaylists.aspx?aid=1875&xtid=4141
A Child's guide to language : teaching a second language
A Child's guide to language
Education -- Social aspects
Educational films
Education -- Methodology
Learning, Psychology of
Education -- Curricula
AzPhAEM
13 & up
Language Acquisition Device in Children (4:21) -- Language Acquisition in Children (3:15) -- Language Acquisition Localized in Brain (4:29) -- Language Learning and Meaningful Context (3:58) -- Failures of Formal Language Instruction (4:22) -- Role of Listening in Language Acquisition (2:47) -- Total Physical (TPR) Method to Learn Languages (5:12) -- Suggestopedia Method of Language Learning (2:13) -- Language Acquisition Through Immersion Experiences (5:19) -- Successful Immersion Programs (4:47) -- Importance of Learning Foreign Languages (5:43)
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.lib.byu.edu/portal/A-Childs-guide-to-language--teaching-a-second/rUMr6A5F_Ho/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.lib.byu.edu/portal/A-Childs-guide-to-language--teaching-a-second/rUMr6A5F_Ho/">A Child's guide to language : teaching a second language, BBC Worldwide Americas, Inc</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.lib.byu.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.lib.byu.edu/">Brigham Young University</a></span></span></span></span></div>
Data Citation of the Item A Child's guide to language : teaching a second language, BBC Worldwide Americas, Inc
http://link.lib.byu.edu/portal/A-Childs-guide-to-language--teaching-a-second/rUMr6A5F_Ho/
http://library.link/portal/A-Childs-guide-to-language--teaching-a-second/rUMr6A5F_Ho/
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Pathfinder 'M' Series
Written by Peter Brady
OFFSHORE 45
Where Tradition Meets Cutting Edge
Like a butterfly about to emerge from its cocoon or a sprinter on the blocks at the start of a race, the first Pathfinder ‘M’ series Offshore 45 sits ready to go in the water and although she is still in the shed, the boats stance cuts a powerful figure.
It's always a special feeling as the anti-fouling goes on, the scaffolding comes down and the masking is stripped away to reveal the finished product. From the day I started boatbuilding 45 years ago I have loved the creative industry of a boat yard and whilst composites cannot match the romantic feel and evocative smells of traditional timber boatbuilding, I only have to walk through to the joinery shop to get that fix.
I fully understand the economic advantages of production boatbuilding with its computer cut mass produced parts, yet cannot help but feel that it has not only removed any sense of involvement and pride from the people who assemble rather than build boats, it has also disconnected the designers and clients from having any involvement in the process or with each other.
As the designer, I had the image in my head right from the first meeting with the clients on how I wanted the boat to meet their brief. They were looking for a power catamaran capable of cruising the Australian coast and beyond with confidence and in comfort and with an ease of operation and stability that would allow them to continue their cruising lifestyle as long as physically possible.
The working relationship grew between us during the project’s progress and the boat took on a life of its own as we tweaked details, our employees had input and Lorma and Chloe worked with the owners to weave their tastes and colour scheme in to the interior. As the boat moved from drawing to reality, you could feel everyone gradually buying into the vision as they realised that the layout and ‘feel’ of the boat was something special with its unique blend of masculine power and functionality and a feminine high quality, luxurious yet absolutely practical finish.
The comfortable settee can be converted to a day bed with the removal of the deep back cushion and into a double with the removal of the top section of the table supports. Image Lorma Brady
The boat has evoked nothing but positive comments from everyone who has come aboard and yet no one can pinpoint exactly what makes it so different. The one constant however is the total disbelief when you tell them that she is only 45ft long as the boat feels a lot larger both internally and on deck.
The Offshore 45 has so much packed into her in terms of accommodation and equipment for a 45 footer and yet her master stateroom would be considered generous in size on a 60ft monohull as would her open plan wheelhouse. By raising the topsides and saloon floor, the master stateroom is on wingdeck level and the mid hull cabins are under the wheelhouse floor, so we have been able to get maximum value from the power cats extra beam.
Designing a boat like the Offshore 45 to create this feeling of size and room is not about smoke and mirrors, it is about understanding ergonomics and interior design and how they can be used to create both a functioning environment and a relaxing ambience. There is no doubt that the greatest advantage of being a designer builder is the time spent on boats every day and the experience it gives you in using spaces to the maximum.
The time spent building full sized mock-ups of the interior and in particular areas like the stairways into the hulls to get them just right has really paid off as they take up very little space, yet work so comfortably which allowed us to be expansive in other areas that have generated the feeling of extra size.
The Offshore 45’s interior has a warm, comforting, solid boaty feel created by the use of waxed teak for the woodwork and this is is balanced by the use of stainless steel, floor tiles that have a sealed concrete look yet are soft underfoot and benchtops from solid stone-like acrylics so the interior doesn’t feel staid or old fashioned. This blending of old and new has created a very relaxed contemporary feel that is both modern in its textures yet traditionally marine in its details.
Like the interior, the Offshore 45’s exterior is a blend of old and new with styling that has more in common with a traditional Australian monohull displacement power boat than most of the current power catamarans on the market and there is a very good reason for this – it works in our climate and is very family friendly. She is a modern interpretation of the gentleman’s express cruiser with pure classic power boat looks and retains features like raked bows for dryness at speed rather than trying to look like a sailing catamaran with its rig removed.
The Offshore 45’s decks are wide and safe, protected by bulwarks all round and the aft deck is a large uncluttered entertainment area rather than a cockpit, so loose furniture can be arranged to suit a variety of different activities and weather conditions. The wheelhouse is shaded by its roof overhangs to keep the interior temperature down, plus has sliding windows on the sides and back as well as roof hatches for ventilation. Underneath this traditional powerboat styling and commonsense features however is a state of the art, fuel efficient displaning catamaran hull form and our Controlled Vapour Dampening (CVD) ride control which makes the Offshore 45 very much the epitome of a 21st century design.
The huge galley features a dishwasher, induction cooktop, in bench extraction unit, convection microwave oven, fridge, freezer drawer and plenty of bench space and storage. Image Lorma Brady
The Offshore 45 also has another attribute in common with the traditional Australian displacement cruiser: the feeling of good solid construction that provides confidence at sea.
Built in 2C Survey to the NSCV Rules, the structure is conservative and strong as the rules dictate, however it also features some of the most cutting edge composite boatbuilding technology seen for some time from the way its structural elements are bonded together, through to the DECKIT modular moulded construction system used to build the decks and cabin. Because the displaning hull form is not dependent on meeting an absolute power to weight ratio like a planing monohull or sailing multihull (power being sail area to weight ratio) we have been able to accommodate the weight and complexity of survey requirements without compromising the unique ability that really makes it different from both monohulls and most power cats of comparative length: its combination of high cruising speed and range.
Most traditional style displacement monohulls have a range of 1,000nm @ 7-8kts as do many power cats and even some planing monohulls of comparable size when operating in displacement mode. It is however the displaning power cat’s unique ability to retain this range at cruising speeds in the teens combined with a sprint speed of 20kts plus that sets it apart from all other power boats of its size.
With 3,000lt of fuel capacity, the Offshore 45 is versatile enough to meet Robert P Beebe’s definition of a true trans-ocean cruising powerboat of 2,400nm @ 7.5kt, but the Offshore 45 is still able to cruise economically in the high teens on day drips and overnight passages. (Robert. P. Beebe’s book Voyaging Under Power was first published in 1975 and is still considered by many to be the bible on the subject today) It is the ability to cruise long distances at speeds in the mid-teens that allows the displaning power cat to avoid more dangerous situations like crossing a bar in bad weather and even speed around unfavourable weather patterns if required.
The last details of the helm station with its comprehensive dash and twin helm chairs are being finished. Image Lorma Brady
As per the owners brief the Offshore 45 is set up to be easily operated by a couple even if they are less physically able than they used to be, as the trawler style side doors provide fast access to the side decks and the remote engine controls on the fore and aft decks make the Offshore 45 very easy to anchor or dock. The enginerooms are spacious and logically laid out and the boat is fitted with every convenience to make live-aboard cruising comfortable including air-conditioning throughout, a washing machine-dryer, 210ltph watermaker, large deck fridge-freezer, dive compressor and a roll out barbecue.
The Offshore 45 is powered by uncomplicated and ‘old school’ mechanically injected diesels through conventional shaft drives housed in full length protective keels. The hulls are extremely fuel efficient when compared to any monohull and the boat manoeuvres so well with widely spaced counter rotating props and a bow thruster that we do not have to resort to complex drive trains to make the boat easy to handle or perform.
The electrical system whilst cutting edge in its combination of solar, high efficiency alternators and Lithium Iron batteries to achieve a “no genset” outcome, still uses analogue switching rather than digital for reliability. The switchboards are conveniently placed by the helm for ease of use with the battery banks just below them to keep the wiring runs as short as possible. With thought and planing it is possible to achieve the same outcomes as claimed by advocates of digital systems, yet keep the system understandable by everyone including the owners.
There have been so many claims of ground breaking and game changing boats in the last few years that were in reality just a slightly different look to an existing concept, that the buying public have become very cynical and who can blame them, but in the case of the Offshore 45 it is important to forget any preconceptions of what you think a 45ft boat could be and look at what is.
Everyone who has been involved with the boats development or has had a chance to look over it during construction believes it will be both a watershed design and a great example of what the Australian boatbuilding industry can produce, combining innovation, quality and just sheer usable practicality. Politicians love to talk up the potential of industries like IT that create catchy sound bites, but in reality it has been Australia’s “can do” ability to invent and improve mechanical solutions that has been historically its strength. In fact while researching Australian inventions, I was staggered by the breadth and diversity of our achievements including many marine applications like the first wave piercing catamaran, the first aluminium power trimaran and of course the winged keel.
So there we have it, nearly ready for launching and sea trials which luckily is a relatively simple procedure for us with the travel lift only 100m away and able to drive inside our shed and pick the boat up. Unfortunately once it hits the water I will have to hand it over to the owners for the next chapter in its story and all going well they will let me share it with them from time to time. We have all fallen in love with this boat as its design started out as the boat that Lorma and I would have if we could, so the weaning process is going to be tough. Still it gives us hope that if we can find a well-paid job and save hard we might be able to get one in the future. By the time this issue is on the bookstands, the Offshore 45 will be in the water with a full boat test and photos in the next issue.
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La Union town celebrates Honey Festival
by: Christine Junio-Northbound Philippines News Online | 05/05/2017
BACNOTAN, LA UNION— A fluvial parade of boats with colorful streamers, a bankathon and other beach games are featured in this town’s week- long celebration of its 9th “Diro” Festival which ends this Monday.
Called “Piesta ti Baybay,” almost a hundred fishing boats manned by local fishermen sailed on the coast in the seaside village of Paratong, where a thanksgiving mass was also held, among other activities.
Each barangay of Bacnotan has its own boat racer for the Bancathon at the same venue.
Also a tourist- come on was sand beehive- making, the First Mayor’s Triathlon, kite-flying, where tourists experienced the breeze of an open shore camping along the beach of Pandan through the launching of Back to BAC (backpackers to Bacnotan), parade of lights, beach party and free concert with Spongecola.
In the parade of lights, passenger tricycle drivers and their vehicles lit with colorful and vibrant LED bulbs, escorted by the local police, started in front the municipal hall then to Barangay Quirino, Barangay Paratong, and back to the municipal hall for the judging of the best lighted tricycle. It was a way tricycle drivers expressed gratitude to tourists and residents on the increase of passenger since the first day of the festival.
According to Bacnotan Mayor Francisco Angelito Fontanilla, “diro,” which is Ilokano for honey, symbolizes unity and oneness as he considers all his constituents as partners for progress.
The last day of the festival consist of street-dancing competition and the Search for Mutia ti Bacnotan 2017.
Founded in 1599 as part of Ilocos Sur, Bacnotan is a first-class municipality with a population of more than 42,000. It is famous for its silk, vinegar, mushroom and honey products. CHRISTINE JUNIO/NPN-northboundasia.com
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TMNT Adventures #19 – April 1991
The Man Who Sold the World
Credits: Dean Clarrain (script), Garrett Ho (pencils), Dan Berger (inks), Gary Fields (letters), Barry Grossman (colors)
Following the previous issue, the Turtles and Mondo Gecko are on the rooftops, observing the skyscraper where Donatello caught a glimpse of floating meteorites. Splinter and April arrive, after doing research into the skyscraper’s owner. His name is Null, The Kid’s employer and the man behind the undersea base that was dumping toxic waste. Inside Null’s office, he’s meeting with Maligna’s children, Scul and Bean. They’ve set up a deal that will give the Earth to Maligna, while Null is given otherworldly business opportunities. (Hence, the title of this issue, a reference to an obscure David Bowie song that he had forgotten himself until Nirvana later covered it.)
Meanwhile, Man Ray investigates the strange meteorites that have landed in the ocean. One of them suddenly comes alive, hitting Man Ray in the stomach and carrying him to a distant beach. Conveniently enough, he lands near Jagwar and Dreadmon. I’m sure Man Ray and Jagwar could just spend hours talking about the horrible things people are doing to the environment, but their first meeting gets off to a rocky start.
Meanwhile again, the Turtles’ rooftop conversation is interrupted by The Kid. He tries to explain that he’s here to warn the Turtles, but that doesn’t stop Raphael from dramatically returning in his original outfit.
Soon, Scul and Bean arrive to fight the Turtles. The fighting is fierce, but it abruptly ends when Bean…ahem, “drops a load.”
Finally, Null turns to the imaginary camera, revealing his face.
Get it? Because corporations are like the devil. To be continued in Mighty Mutanimals #1.
Review in a Half-Shell: It’s admirable to see the way Clarrain/Murphy is pulling various threads together again for a big story. I like the way smaller stories can stand on their own, while still serving to add to a larger picture. There’s a lot going on this issue, taking advantage of Archie’s twenty-eight page length. I also like the fact that Raphael managed to keep his own unique uniform for over a year, which from my perspective as a kid, was practically forever. Garrett Ho debuts as artist this issue, keeping the Turtles very “on-model” with their look from the animated series, while still maintaining the fluid cartooning of Ken Mitchroney.
What the Shell? : Dropping a load? And it makes a “plop” sound when it lands? What?
Posted by G. Kendall at 3:00 AM No comments: Links to this post
Labels: dean clarrain, garrett ho, teenage mutant ninja turtles
TMNT Adventures #18 – March 1991
"Mondo Metal"
Credits: Dean Clarrain (script), Ken Michroney & Marlene Becker (pencils), Dan Berger (inks), Gary Fields (letters), Barry Grossman (colors)
Hey, it’s the hair metal issue of Adventures. And it managed to be published almost a full year before Nirvana became mainstream. The Turtles and April reach America’s shore, saying goodbye to Man Ray (who is leaving to investigate “stars” that have fallen into the ocean…more on this next issue). April and the Turtles arrive in New Orleans, and ride the trains until they reach New York. There’s only time for one environmental message on the trip, as April just has to comment on the awful oil and gas refineries in New Jersey. Every rose has its thorn, just like every Teenage Mutant Ninja Turtles Adventures issue has tacked-on environmental messages. Yeah, it does.
They reach New York, and in the sewers discover the heavy metal band, Merciless Slaughter, has overtaken Shredder’s old base. Their lead singer, Mondo, carries a pet gecko on his shoulder (and, guess what, his lyrics have environmental messages). While trying to do a Dave Mustaine guitar move (yup, he’s referenced by name), Mondo accidentally overloads the circuits and kills the power. When he tries to turn it back on, he accidentally unleashes an army of Foot Supersoldiers. While the Turtles face the Supersoldiers, one of them escapes with Mondo’s girlfriend, Candy. While trying to save her, Mondo is knocked against a vat of mutagen, and shockingly enough…
…he mutates into the gecko-man, Mondo Gecko. Not particularly bothered with his mutation, Mondo carries on like a youth gone wild. He chases the Foot Supersoldier and Candy to the top of a large building (why does this robot want the girl anyway?). Mondo defeats the Supersoldier with his radical skateboarding moves, but is quickly rejected by Candy.
Don’t know whatcha got ‘til it’s gone, right, Mondo? Actually, Mondo doesn’t seem too bothered by this either (you’d think he was on something…). After Donatello briefly notices two flying objects near a skyscraper (see the previous issue), the Turtles return home with Mondo. They’re reunited with Splinter, enjoy a pizza, and everything is okay. After so far away, the Turtles are home sweet home.
Review in a Half-Shell: Is it too obvious to compare Mondo Gecko to Poochie the Dog? He skateboards, plays guitar, and speaks in only the coolest lingo. As crassly commercial as he appears to be, I remember liking Mondo as a kid, so I guess they did something right. This is highly reminiscent of the early issues of the series, which occasionally sacrificed storytelling for toy commercials. Mondo just screams “corporate creation tacked on to existing toy line” -- so much so that making fun of him seems unnecessary. Giving him braces actually is a nice touch, though. I don’t know where Ken Michroney’s art ends and Marlene Becker’s begins, but it’s another issue with solid cartooning. The giant Foot Soldiers are handled particularly well. I also liked seeing the Turtles sneaking their way through America through the traintracks. The idea that the Turtles always had to hide themselves and operate in secret was one of my favorite elements about the comic and cartoon as a kid.
What the Shell? : Mondo suddenly grows a pair of braces after he mutates into a gecko-man. He clearly didn’t have them before the mutation, so where did they come from?
Pizza References: Aside from the pizza party on the last page, Michelangelo also dreams of pizza while riding the train home.
Turtlemania: There’s an ad for the NES adaptation of the classic TMNT arcade game. Many months of my life were dedicated to this game.
I Was Not Aware of That: "Merciless Slaughter" was the name of an album by the metal band Flames back in 1986.
Posted by G. Kendall at 3:00 PM 1 comment: Links to this post
Labels: dean clarrain, ken mitchroney, marlene becker, teenage mutant ninja turtles
TMNT Adventures #17 – February 1991
Credits: Dean Clarrain (script), Ken Mitchroney (pencils), Buz McKim (clean-ups), Dan Berger (inks), Barry Grossman (colors), Gary Fields (letters)
Looking at the cover, did you guess that this issue has an environmental message about sea turtles? Before that sermon begins, the issue opens with two of Maligna’s children arriving on Earth, which was promised to them by Krang. While reporting to Maligna, they can’t help but to mention that humans have “choked” the planet with “numbers and industry” (I guess they’re still caught up in the overpopulation hysteria of the ‘70s), the forests are burning, the planet is too warm, and atomic energy is causing disease. I hope you kids are now inspired to go save the Earth, and not slash your wrists instead.
The scene shifts back to the Turtles, who are still sailing the ocean with Man Ray and April O’Neil. As the Turtles try to contact Splinter telepathically through meditation, Man Ray and April go swimming. They come across fishermen casting their nets into the water. Man Ray explains that Turtle Extruder Devices are legally required to keep sea turtles out of the shrimp nets. When April asks to see the nets up close, Man Ray makes a heartbreaking discovery.
Man Ray flies into a blind rage and attacks the ship, which is lead by the old timey sailor, Captain Mossback. April recruits the Turtles for help, which leads to this somewhat self-important response.
The Turtles and Man Ray quickly dispose of Mossback’s men, leaving Mossback alone with Man Ray. Mossback, afraid that the devil fish will steal his soul, accidentally falls overboard. (Raphael has the line of the issue: “Who said anything about even wanting his soul?”) Mossback’s saved by a gigantic, kindly sea turtle, driving home the point that animals are pure and good and we humans are just awful. Speaking of evil humans*, the issue ends with Mr. Null introducing The Kid to Maligna’s children, Scul and Bean.
*Yes, I know more about Mr. Null is revealed later.
Review in a Half-Shell: It’s another “issue” issue, which is already tedious by now. The action works surprisingly well, considering it’s another issue of the Turtles fighting villains who shouldn’t be that much of a threat. And I like the designs of Scul and Bean.
What the Shell? : Raphael mockingly calls Captain Mossback “Cap’n Moss-Sac” on page twenty-one. Is this a pube joke?
I Love the (Early) ‘90s: While communicating telepathically, Splinter tells Raphael (who is now wearing only the bottom of his black wrestling costume), “nice jams.”
Posted by G. Kendall at 8:06 PM 2 comments: Links to this post
Labels: dean clarrain, ken mitchroney, teenage mutant ninja turtles
X-MEN - The Animated Series, Volumes Three & Four
I’ve written about the ‘90s X-Men cartoon before, so I won’t spend too much time repeating myself. Basically, the designs are from a different era, the animation is often stiff, and the voice acting is hit or miss. It’s also one of the most loyal comic to cartoon adaptations ever, and most of the episodes do manage to maintain the themes and characterizations that made the series so popular in the first place. The DVD releases continue, collecting most of the episodes through the fourth season. For unknown reasons, the DVDs are collecting the episodes in the order they originally aired, which is going to create some continuity issues later on. (“No Mutant Is an Island” ends with the X-Men learning that Jean Grey didn’t die at the end of “The Phoenix Saga,” which means it has to happen before “The Dark Phoenix Saga.” It aired two years late due to a series of animation errors, apparently.)
The episodes in Volume Three include the cartoon’s adaptation of “The Dark Phoenix Saga,” which has removed anything unsuitable for Saturday morning, but remains a remarkably faithful retelling of the comic’s story. Anyone who’s read the story will notice a dozen or so scenes directly taken from the comics. If the producers of the third X-Men movie had shown this much respect for the source material, maybe that franchise wouldn’t be so far off the rails at this point. “Cold Comfort” features the return of the same studio that animated the lively “Out of the Past.” There’s no shortage of animation errors here, but the movement is very fluid, and fans are treated to an appearance by the Peter David-era X-Factor. The animators have even picked up on a Steve Lightle drawing of Polaris and attempted to recreate his distinctive rendition of her neon green, straggly hair in every cel. “Nightcrawler” is an episode that FOX originally didn’t want to air, due to its forthright depiction of the character’s Christian faith. It ends with Wolverine reading out of the Bible, which probably increases its camp appeal, but the episode does give him some decent character work. It’s interesting that Gambit is portrayed as an atheist, considering that Fabian Nicieza would go on to establish him as a believer in his solo series. “Weapon X, Lies, and Videotape” adapts large sections of Larry Hama’s Wolverine run, and features a strong performance by Cal Dodd as the tormented Wolverine. The low-point of the set, and the show in general, has to be “The Juggernaut Returns,” which is a regrettable comedy episode about a feeble nerd gaining the Juggernaut’s powers. The new Juggernaut accidentally smashes some things, buys a white leisure suit, and tries to pick up women at a nightclub. After you hear Norm Spencer’s painful reading of “Women like guys to be themselves” as Cyclops, you can never un-hear it. The episode does get points for faithfully recounting the Juggernaut’s origin from the comics, though.
Volume Four opens with “Proteus,” a heavily sanitized version of the classic Claremont/Byrne storyline. The dark themes of the original story don’t lend themselves to this type of an adaptation, so it doesn’t really work. Proteus’ various zombie forms are even replaced with a non-threatening energy being that looks like something that should’ve been chasing the Amazing Chan Clan. “Sanctuary” is largely inspired by the final story of Chris Claremont’s original run, and its portrayal of Magneto is preferable to anything done to the character in the comics since Claremont’s departure. “Beyond Good and Evil” tosses in virtually every X-related character who hasn’t appeared yet, reminding me of the five-part season openers of G. I. Joe and Transformers that used to introduce the latest wave of action figures. Since this was apparently going to be the series finale, most of the major characters from the previous episodes also appear. Rather than feeling like a mess, it’s actually fun to see the various characters brought together in one large story. Unfortunately, the rest of the set features some forgettable episodes. Everyone from the High Evolutionary to the Brood to the Silver Samurai appears, but none of the episodes really click.
Once again, the sets have no special features. It shouldn’t be too hard to toss in things like the Chris Claremont interview that was already used in a previous release of Wolverine-centric episodes, or the Japanese openings for the show. A gallery of the covers of the VHS releases, which has some memorable work by Ty Templeton, would also be nice. If the rights are available for the ‘80s pilot “Pryde of the X-Men,” that definitely needs to be included before the series is finished. That complaint aside, it’s great to see the series finally on DVD, with over sixty episodes released in less than six months. If you’re willing to forgive some of the flaws, I think both sets are worth checking out.
Labels: animation, DVDs, x-men animated series
TMNT MEET ARCHIE – Spring 1991
Green Legs & Gams
Credits: Ryan Brown & Dean Clarrain (plot), Dean Clarrain (script), Ken Mitchroney & Stan Goldberg (pencils), Ryan Brown & Rudy Lapick (inks), Mary Kelleher (letters), Barry Grossman (colors)
It had to happen…the Turtles meet Archie. Plus, Josie and the Pussycats (but not Sabrina). The story begins as Cudley drops the Turtles off in a parallel Earth to have fun for a few hours. They’ve entered the strange world known as “Riverdale.” Archie and Betty just happen to be nearby, engaging in a G-rated makeout session in Archie’s convertible.
Their sinful lust is interrupted when they witness a giant cow’s head spitting out four little green men. This understandably unnerves them, but they find that the locals at Pop’s Malt Shop are hardcore skeptics. After thoroughly mocking their friends, the teens leave for a Josie and the Pussycats show. Meanwhile, the Turtles disguise themselves and explore Riverdale. They run across Veronica, who doesn’t make a great first impression.
The Turtles watch as she’s taken into custody by “Infernal Revenue Service” agents who allege that she failed to claim several cash gifts on her last return. The Turtles explain the situation to the Archie gang when they come looking for Veronica. Jughead astutely points out that Veronica actually has no taxable income, being a rich daddy’s girl who doesn’t work, which makes the gang suspicious. Archie overcomes his fear of the little green men, as everyone crams into his convertible and looks for Veronica.
The Turtles soon spot the car belonging to Veronica’s abductors at a seedy motel (as seedy as it gets in Riverdale, at least). Jughead risks his life playing pizza boy, which distracts the kidnappers while the Turtles break into the motel room.
(Jughead’s really putting himself out there for someone who’s only shown him contempt in the past. Why isn’t Archie doing this?) The Turtles quickly defeat the kidnappers, just as Veronica’s father arrives with the ransom money. Mr. Lodge thanks the “oddly-dressed” heroes and offers to treat them to pizza at Pop’s. Everyone enjoys pizzas and malts, as poor Hot Dog watches enviously outside. Plus, it looks like Veronica has made up with Raphael. Enjoy it while you can, Raph. It’s only a matter of time before she realizes that there’s no money in ninja turtling.
Review in a Half-Shell: The Turtles meet Archie, and the story covers most of the things you would expect it to in twenty-two pages. Ken Mitchroney draws the Turtles while Stan Goldberg handles the Archie characters, which is similar to the way Archie treated the Punisher/Archie crossover. It’s really the best representation of both styles, and while there’s nothing that notable about the story, the characters are given enough room for some entertaining interactions.
I Love the (early) ‘90s: Veronica tells Archie and Reggie not to engage in any “slam dancing” at the concert when she sees Reggie hassling Archie.
Red Sails in the Sunset
Credits: Dean Clarrain (script), Don Simpson (art & letters), Barry Grossman (colors)
In this backup story, which takes place in-between issues #16 and #17, the Turtles and Man Ray are still on the beach after Bubbla’s funeral. Man Ray uses his Aquaman powers to call out to any nearby humpback whales that might be able to offer a ride. Instead, a mysterious pirate ship arrives. Onboard, the Turtles discover old skeletons and a locked treasure chest. Raphael opens it, inadvertently freeing the souls of the skeletons.
The Turtles fight the skeletons while Man Ray and April try to decipher the message left in a bottle onboard. They eventually realize that they have to bury the engraved woman on the ship’s masthead in the sand. After they follow the directions, the skeletons and the ship soon dissolve into nothingness.
The Turtles aren’t willing to forgive Raphael just yet, though. He must be punished.
Review in a Half-Shell: This actually has more action than the average issue of Adventures, and it’s only a few pages long. I guess zombie skeletons are the type of villains the Turtles should be facing in this series, since they can be slashed and hacked mercilessly without offending anyone. The real standout is Don Simpson’s art. He draws the strangest Turtles I’ve ever seen (with bug eyes, overbites, and scales…and I’m still not sure how I feel about them), but his depictions of the pirate ship, the skeletons, and the overall setting are fantastic. As ugly as his Turtles can look, he also manages to draw the most attractive April O’Neil yet (through his website, I see that Simpson has also done “adult” comics, so I guess he has experience with the female form). I honestly think this issue is worth tracking down just for this backup.
Pizza References: Raphael hopes to find coupons to Pizza Shack in the treasure chest.
Storm Drain Savers
Credits: Stephen Murphy (script), Jim Lawson (pencils), Peter Laird, Dan Berger, Michael Dooney, Steve Lavigne, & Eric Talbot (inks), Mary Kelleher (letters), Barry Grossman (colors)
This originally ran as a give-away Earth Day comic from the Santa Monica Bay Restoration Project. It mainly consists of the Turtles walking through the sewers, pointing out garbage and telling you not to litter. It’s notable for Stephen Murphy being credited under his real name, and the five people it took to ink a four-page mini comic. There’s a “no plastics” stamp on the bottom of one of the pages, which is amusing. I guess all of that TMNT merchandise was made out of fairy dust and the innocence of a child’s dreams.
Origin of the Species
Credits: Ryan Brown (story), Doug Brammer (script), Dave Garcia (pencils), S. R. Bissette (inks), Mary Kelleher (letters), Barry Grossman (colors)
In a story from the recent past, Bebop and Rocksteady steal a frozen caveman from a capsized ship. Shredder attempts to mutate him, which creates an out of control Mastodon Man.
(If this guy was never an action figure, that is a true shame.) The Turtles run across him in the streets, but soon realize that he’s hurt and confused, not evil. Bebop and Rocksteady arrive and blast the Mastodon Man into the frozen river. The Turtles try to save him, but the mutant drowns. Bebop and Rocksteady proudly fly away, leaving the Turtles to wonder who the real monster is.
Review in a Half-Shell: I’m not that familiar with Dave Garcia’s art, but the combination of his pencils and Stephen Bissette’s inks is very impressive. The story’s very straightforward, aside from the twist that the mutant is just misunderstood, which is actually pretty standard by this point. (How many of the mutants Shredder created actually ended up working with him? He should probably think about this.) The story’s just an excuse for the Mastodon Man to run around for a few pages, and it looks great.
What the Shell? : A young girl writes in to say that we should all learn from the animals, since they don’t kill, rape, and steal like people do. I’m not getting into the sheer naiveté of her statement, but I am wondering if this was the first (and only) time the word “rape” showed up in an Archie comic.
Posted by G. Kendall at 3:00 AM 7 comments: Links to this post
Labels: dave garcia, dean clarrain, don simpson, doug brammer, jim lawson, ken mitchroney, ryan brown, stan goldberg, teenage mutant ninja turtles
TMNT Adventures #16 – January 1991
Dreadging the Ocean Blue
Credits: Dean Clarrain (script), Ken Mitchroney (pencils), Dan Berger (inks), Barry Grossman (colors), Gary Fields (letters)
Man Ray returns! Although he has to throw in that “some know (him) as Ray Fillet,” which was the name used in the cartoon and toy line. The Turtles are reunited with him after they’re kidnapped by a strange vehicle while sailing home. Man Ray explains that since the last time he saw the Turtles, he’s been exploring the ocean and learning more about his powers (conveniently enough, he’s discovered that he has an organ that lets him breathe on dry land). While exploring the sea, he also discovered Bubbla.
Bubbla belongs to the hidden world of Glublub, which is being poisoned by evil polluters. When Man Ray and Bubbla investigated a nearby toxic waste dumping site, they became sick and blacked out. They awoke inside their current prison, which they soon escape with the Turtles’ help. Their captor is Mr. Null’s henchman, The Kid, and his goons, the Oceanauts. They don’t put up much of a fight, but Kid does get off one good shot.
Man Ray, enraged by Bubbla’s death, destroys the entire underwater base. The Turtles and April O’Neil escape on the backs of some helpful sea turtles (returning the favor of a few pages earlier, when Donatello rescued one from a plastic six-pack ring). The Turtles reunite with Man Ray on the beach, and hold a memorial service for Bubbla. Poor Bubbla…
Review in a Half-Shell: I don’t know if introducing a cute and cuddly sidekick for Man Ray and killing him off a few pages later was intentional black comedy, but it’s certainly not something you see coming. This issue runs twenty-nine pages, and Man Ray doesn’t even show up until page eighteen. I wouldn’t call it decompressed, but there is a relaxed pace in most of the issue. Splinter spends a page meditating about the Turtles’ return, The Kid searches for the Turtles for two pages, the Turtles hang out on the beach for a few pages, say goodbye to Jagwar and Dreadmon, then have fun in the ocean for awhile, etc. It doesn’t feel as if the story’s wasting time, as Clarrain/Murphy makes the characters likable enough, the setting is something you rarely see in comics, and Mitchroney’s art is very clean and attractive.
I Was Not Aware of That: Man Ray was renamed “Ray Fillet” because Stephen Murphy and Ryan Brown objected to using him as a villain in the cartoon and toy line. Since they created the character, they had final say over his appearances in other media, and remained adamant that he stay a hero. Renaming him “Ray Fillet” and altering his design technically makes him a different character, which I guess was the condition that allowed him to appear outside of the comics. (More info here and here.) Bubbla, by the way, is based on a tiny figurine that came with the Ray Fillet toy.
“Cowabunga!” Count: I considered doing this category when I began reviewing the TMNT comics, but didn’t even see a usage of the word in the early issues. Unless I missed one, “Cowabunga!” shows up for the first time in this issue. Michelangelo says it twice, once while surfing at the beach, and later when his body is used to break the glass imprisoning the Turtles.
Posted by G. Kendall at 3:00 AM 1 comment: Links to this post
TMNT Adventures #15 – October 1990
The Howling of Distant Shadows
Credits: Dean Clarrain (script), Ken Mitchroney (pencils), Dan Berger (inks), Buz McKim (clean-ups), Barry Grossman (colors), Gary Fields (letters)
The Turtles are still in the Amazon with April O’Neil and their new friend, Jagwar. After the story spends several pages exploring the area with detailed drawings of the environment and wildlife (which is apparently the type of material Clarrain/Murphy dealt with in his Puma Blues series), the Turtles run across the Coipacu tribe. The Coipacu believe that the Turtles are descendants of the Great Turtle, a central figure in their creation story. The tribe asks the Turtles to stop the pirate miners who have been kidnapping tribe members and forcing them to work in slavery.
Before the Turtles can learn the entire story, they overhear loud howling. It belongs to Dreadmon, an anthropomorphic wolf with a Jamaican accent. The tribe’s been leaving overripe fruit and a pate made of monkey bladder to feed him, which also sounds appealing to Michelangelo.
Soon, Dreadmon joins the Turtles and Jagwar in defeating the miners. Their activities are reported by The Kid, who is another employee of the sinister Mr. Null. Null orders Kid to stay on the Turtles’ trail, as they return to the tribe for a celebration. Did I mention that the tribe lives amongst dinosaurs? Because they do. (This actually reminds me of that Wolverine two-parter in the early issues of Punisher War Journal.)
Review in a Half-Shell: The story makes nice use of the Amazon environment, and it’s obvious that Clarrain/Murphy has spent a lot of time researching the area. Mitchroney’s art seems a little rushed in a few places, but he does a great rendition of Dreadmon (particularly his Wile E. Coyote-style facial expressions). It looks like Dreadmon didn’t get an action figure, either, which is a real shame. Playmates pumped out so many of these toys, yet chose to overlook such a cool-looking character.
Pizza References: Michelangelo wonders if the Coipacu have a Pizza Shack in their village. Why not directly name-check Pizza Hut? I’m sure they paid good money to sponsor the Ninja Turtles concert tour.
I Was Not Aware of That: The Coipacu’s belief that the world is an island borne on the back of the Great Turtle is apparently a reference to the Iroquois story of creation.
What the Shell? : This fan letter from Columbia, SC is very concerned about the future of Wingnut’s race and has a theory about what can be done.
Meanwhile, in Riverdale… : Jughead’s Diner is having a bowl-a-thon. Mr. Weatherbee is on the lookout for Archie with his new surveillance system in Archie 3000. The alien, Zark, becomes a student in Archie’s classroom in Riverdale High.
TMNT Adventures #14 – September 1990
Leave Heaven Alone
Credits: Dean Clarrain (script), Donald Simpson (pencils), Dan Berger (inks), Barry Grossman (colors), Gary Fields (letters)
And now, a very special issue of Teenage Mutant Ninja Turtles Adventures. Cudley returns the Turtles to Earth, but instead of taking them home, he drops them off in Brazil. They quickly run into Jagwar, a humanoid jaguar who is a target of armed mercenaries. They retreat to Jagwar’s temple, where he explains that the rainforest is under assault from greedy developers. They killed Jagwar ‘s friend, a local labor leader who spoke out against the development. They’ve also kidnapped an American TV reporter was sent to investigate the murder.
The Turtles nourish themselves with the fruit of the jangala tree as Jagwar gives a monologue about the beauty of the rainforest.
The Turtles track down the developers with Jagwar, and learn that the kidnapped reporter is April O’Neil. Raphael is assigned to knock out the guard, which leads to my favorite scene in the issue:
Soon, Jagwar and the Turtles defeat the developers and rescue April. Jagwar mourns the loss of his friend, and the continued destruction of the rainforest.
Notice that Michelangelo and Donatello are actually crying, too. Raphael and Leonardo are just standing there awkwardly. In the epilogue, we learn that the man behind the developers is (of course) a greedy, skyscraper-dwelling, cigar-smoking businessman. His name is Null, and he’ll play a large role in upcoming issues.
Review in a Half-Shell: Do people still do rainforest stories these days? Does Sting still perform benefit concerts? I’m not sure if the situation ever changed (there are quite a few websites dedicated to the cause, and apparently some people skeptical about the "50 acres is lost each minute" claim repeated in this issue...looking online, I see people claiming anything between 30 acres and 150 today), but it seems like it’s an issue that you never hear anything about anymore. The story is obviously preachy (there’s actual crying!), but there is at least a brief acknowledgment that the situation isn’t as simple as “evil developers maliciously enjoy killing trees for fun.” Jagwar acknowledges that while some locals want the land left alone, others support limited development as it creates jobs and alleviates poverty. It’s the villains who don’t care about the locals at all. I think Jagwar is later given an origin, but in this issue he just appears as a talking jaguar. The fact that he has an ancient temple is the only clue about his origins, which bothered me as a kid. I was only able to get over my initial skepticism of the Turtles when I learned that there was a proper explanation for their human traits. I could accept talking animals, but only if there was some level of internal logic. I also had no idea what to make of Don Simpson’s art, which certainly has a…unique take on the Turtles.
Pizza References: Raphael wonders what the jangala fruit would taste like on a thick pan pizza, along with a list of toppings that includes earthworms.
Meanwhile, in Riverdale… : There’s a full page ad for the Archie 3000 series. It’s truly a thing of beauty. I like Archie’s rat-tail.
Labels: dean clarrain, don simpson, teenage mutant ninja turtles
TMNT Adventures #13 – August 1990
Stump Comics Presents: The Final Conflict
Credits: Dean Clarrain & Ryan Brown (plot), Dean Clarrain (script), Ken Mitchroney (pencils), Buz McKim (clean-ups), Dan Berger (inks), Gary Fields (letters), Barry Grossman (colors)
The Turtles, along with Wingnut, Screwloose, Trap, and Leatherhead face the children of Maligna, as Stump’s cameras broadcast the event. During the fight, Leatherhead is tossed out of the arena, and conveniently lands right next to the missing Turnstone. He could use it to restore his human form, but decides to summon Cherubae. Using the Turnstone, he frees her from the Sons of Silence. Cherubae explains that she turned Jess Harley into Leatherhead knowing all along that he would be the one to discover the Turnstone. Leatherhead doesn’t believe her, but he does hand back the Turnstone.
Cherubae uses the Turnstone to paralyze the Turtles’ enemies and send them away. Bebop and Rocksteady are sent to a planet dominated by wild animals, which pays off Rocksteady’s dream from the previous issue. Shredder is sent to an Earth prison, while Krang is banished to the toxic waste planet of Dumpworld. Donatello, who’s apparently forgotten that Cherubae is a warlord, comments that this seems harsh.
Cherubae then summons the Turnstone out of existence, claiming it’s too powerful for anyone to hold. Stump’s men are given Krang’s ship to return home, while the Turtles are handed a one-way ticket on the Cudley Express.
Review in a Half-Shell: This is the all-action climax of the first lengthy story arc, and while the fight scenes work pretty well, there is the odd matter of Cherubae. Even within this issue, she’s referred to as a warlord, yet she’s seen smiling throughout the story (and it’s not an evil grin, either), behaving selflessly, and thanking the Turtles for helping her save billions of lives from Krang. What kind of a “warlord” is this? I also don’t know what role the Sons of Silence were supposed to play, as they essentially do nothing throughout the story, and we’re never told what their connection to Krang was, or what they wanted to do with Cherubae. Despite the nitpicking, Mitchroney handles the action well, and there are a few decent character interactions during the fight.
Absolutely Approved By The Comics Code Authority: Leonardo disapproves of Trap using guns against Maligna’s hive, claiming that guns aren’t “honorable.” I guess we’re supposed to believe that the Turtles’ ninja weapons are just as harmless here as they are in the cartoon (and how does Leo justify the guns on the Turtle Van, hmmm?).
I Love the (Early) 90’s: The fight with Maligna’s hive is described as a “whirlwind of flashing weapons amidst a slam-dance of wounded air.”
Pizza References: One. Michelangelo tells Cherubae that she should’ve conjured up some pizza before wishing the Turnstone out of existence. Leonardo and Raphael agree.
Turtlemania: TMNT skateboard pads are advertised, offering you a choice of four colors (guess which ones).
Labels: dean clarrain, ken mitchroney, ryan brown, teenage mutant ninja turtles
Finally..."The Juggernaut Returns" In Digital
Disney has provided me with comp copies of X-Men vol. 3 and vol. 4 on DVD. The release date is September 15, and you can find an episode listing here. I'll write more about them in the future, but I just wanted to point out that these volumes have cardboard sleeves with raised figures and foil effects. It seems appropriate to me.
Labels: animation, x-men animated series
TMNT Adventures #12 – July 1990
Credits: Ryan Brown & Dean Clarrain (plot), Dean Clarrain (script), Ken Mitchroney (penciler), Dan Berger (inker), Gary Fields (letters), Barry Grossman (colors)
The series really takes advantage of its twenty-eight page length with this issue, as the pace picks up considerably. The Turtles find themselves in Dimension X with Cherubae, the former warlord who disguised herself as Mary Bones on Earth. She explains that all warlords were banished in Dimension X once the theocracy took over. She somehow has possession of the legendary Turnstone (which, according to myth, belonged to the first woman and was given up when she used it to create the first man…alternate theology, folks), and is hiding out from Krang. Rather shamelessly, she’s using the Turtles to help protect the Turnstone from Krang.
Krang soon discovers Cherubae, and takes her down with a combination of X-Ray Lasers and a “Braak! BaDoom!” blast. Cherubae drops the Turnstone on the planet she left the Turtles on, and her body is soon surrounded by the Sons of Silence. The Sons disappear with Cherubae, much to Krang’s chagrin. He sends Shredder, Bebop, and Rocksteady to find the Turnstone while he seeks additional help. He contacts Maligna, the queen of a race of alien insects.
(Notice the pre-Comicraft crazy font.) Krang promises to give her Earth if she sends ten of her children to help find the Turnstone. Meanwhile, the Turtles’ search leads them to an empty coliseum. Cudley the Cowlick suddenly appears, offering to deliver help if the Turtles agree to another intergalactic wrestling tournament. They consent, and Cudley promptly delivers Wingnut, Screwloose, Leatherhead, and Trap (who had a one-panel cameo appearance back in issue #7).
Trap is a cigar-chomping tough guy who may or may not be a parody of the archetype that also gave us Cable in New Mutants at around the same time. He asks Leonardo what exactly they’re supposed to do, as Maligna's hive lines up to attack. To be continued…
Review in a Half-Shell: The issue opens with a poetic description of two rhinos at peace in Africa. On the next page, we learn that it’s Rocksteady dreaming of his past with his mate, revealing that Rocksteady has the memories of the rhino used in his mutation. It’s a brief scene that gives some depth to the character, and helps to signify the more sophisticated style the book is developing. This feels almost like a “season finale” comic, as elements from the earlier issues return to form the pieces of a larger puzzle. It reads more like a traditional “big two” superhero comic from the late ‘80s/early ‘90s, while also retaining some of the odder elements of the Turtles canon. Plus, Cudley returns, and everyone loves Cudley.
Pizza References: One. Leonardo suggests conjuring up pizza with the Turnstone once they find it.
Turtlemania: You can join the Turtle Force Fan Club for $4.50. You get a newsletter, comic, bandanna, sticker, and official wall certificate.
Meanwhile, in Riverdale… : At last, Jughead has his own Double Digest.
TMNT Adventures #11 – June 1990
Credits: Ryan Brown & Dean Clarrain (plot), Dean Clarrain (script), Jim Lawson (pencils), Gary Fields (inks & letters), Barry Grossman (colors)
Following last issue’s cliffhanger, the Turtles find themselves attacked by an army of sewer rats. The rats are called off by their leader, Ha’ntaan, the Rat King. (If “Ha’ntaan” is supposed to be a reference to something, it’s lost on me.) The Rat King accepts Leonardo’s apology for disturbing his kingdom and allows the Turtles to go free. Don’t be discouraged, kids. Even if Rat King didn’t do much in this issue, I’m sure you can have hours of fun with his Playmates action figure.
The Turtles continue to search the sewers for Shredder, and eventually discover a Foot Soldier sentry robot. I don’t recall this guy ever getting his own toy, but he does put up a decent fight for a few pages. Giving him skull and bones word balloons is also a nice touch.
After defeating him, the Turtles make their way to Shredder’s underground base. There, they learn that the Greys the Sons of Silence have rescued Bebop and Rocksteady from the mountain of debris.
The Sons, who are working for Krang, put the Turtles in a trance. Krang and Shredder are now free to search for the Turnstone; however, Mary Bones is using the Turnstone to spy on them. She takes her true alien form and uses the Turnstone to teleport the Turtles to Dimension X. Krang decides to chase Mary and the Turtles in his skull-shaped rocket ship.
Review in a Half-Shell: I guess having the Turtles fight rats is slightly more exciting than the X-Men fighting birds, but that’s not saying a lot. The Rat King doesn’t seem to fill a role in the story outside of making Playmates happy, which is too bad since I have fond memories of him from the cartoon. (Why exactly, I’m not sure. I think he was portrayed as a regal anti-hero who would occasionally aid the Turtles, but I could be wrong.) Since the Archie series has twenty-eight pages of story each issue instead of twenty-two, at least there’s still room to move the plot along after the Rat King diversion is over. I don’t remember how the Turnstone storyline eventually ended, but it’s interesting to see how various elements from the previous issues are coming together into a cohesive story.
What the Shell?: Krang’s ship is in orbit over this bum-what world?
Turtlemania: The TMNT role playing game, which has art from the original comics and is recommended for players age twelve and older, is advertised. I was intrigued by this ad, but couldn’t convince my mother to pay the $10+ price tag. Seeing artwork of the original, grittier Turtles always had an odd effect on me as a kid. I knew these were the “real” Turtles, but they seemed so different from the mass-merchandised version.
Labels: dean clarrain, jim lawson, ryan brown, teenage mutant ninja turtles
TMNT Adventures #10 – May 1990
TMNT Adventures #9 – March 1990
TMNT Adventures #8 – February 1990
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The Death of Death in the Cross
Lenten Vespers
7 p.m. in the Chapel
"Proclaiming the Cross" sermon series
Dr. David Renwick
March 14 Vespers Bulletin
Gripped by the Light
ONE SERVICE at 11 a.m.
Acts 9:1-19; John 3:1-10
God has big plans for our church! We’re at an exciting crossroads in the life of National, and it’s our turn to step forward in faith.
Bring the whole family to this joyful morning as we kick off our capital campaign and celebrate our opportunity to build together for the next 50 years.
10:45–11:00 a.m. Prelude concert with the Stillman College Choir
11:00 a.m.–Noon One worship service in the Sanctuary with joyful music
Noon–12:30 p.m. Campaign progress update
12:30–1 p.m. Celebration and refreshments
Sermon Audio or Sermon Text
March 11 Bulletin
Reconciled and United by the Cross
March 7 Vespers Insert
March 7 Vespers Bulletin
Good Things in Bad Times
Acts 8:1-8; John 11:1-6, 17-27
March 4 Bulletin
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Comics and Literacy, part 5: Where Do We Go From Here?
Fig 1: The COMPLETE HISTORY OF BRITISH COMICS (abridged)
Welcome to the fifth and final part of my weeklong series of posts on comics and literacy. To sum up what we've covered so far: I believe that comics offer incredible opportunities for engaging children with reading and for developing their literacy skills, and I believe that we in this country have neglected and undervalued those opportunities to our mutual massive cost. We've covered:
Why reading comics matters
Why MAKING comics matters, too
Things that educators and parents can do, right now, to encourage this
Some excellent comics for children, to get you started.
I wanted to wrap things up by talking a bit about what I think we can do next. I think there's a growing awareness in this country of the important role comics have to play, and definitely a lot of progress is being made. But I still see there being a few puzzle-pieces missing; ideas and institutions that, if we could figure out a way to put into place, could bring about hugely positive changes.
So. Where do we go from here?
Here are a few ideas.
1) A NATIONAL NETWORK of COMICS CLUBS!
I talked a bit in Wednesday's post about how teachers and librarians might consider starting up a comics club, to give a space and a time in the week for interested kids to simply read comics, and talk about comics, and maybe have a go at making some comics. I think a really cool thing would be to then try and take this further and give people a means of linking up and sharing their work and ideas. FOR EXAMPLE, for the sake of argument: you could make it a national club, free to sign up for, and every week there'd be some set challenge or activity on the theme of writing or creating characters or drawing samurai alligators or whatever it may be, that all the geographically diverse members could have a go at and then share and display their work; people's entries could then be displayed on the club's website, with maybe some Professional Comics Types offering some feedback and helpful criticism. A Comics Club, along the lines of something like the Young Poets Network* or Code Club, but for comics. Wouldn't that be cool?
*huge thanks to Kate Sayer of the Story Museum for cluing me in about the YPN, it sounds fantastic and I think offers a really useful example here.
The other nice benefit of having the website / mailing list aspect of it, apart from providing a point of connection between lots of individual school and library clubs, is that it would allow kids to join up and be a part of it who... maybe aren't natural club-joiners? Bedroom comics geniuses across the land would have a way to be a part of something and to share their work and discover like-minded creators, without necessarily having to dive straight in with the whole potentially terrifying "talking to humans in real life about something you're passionate about" thing. Giving people that chance to dip their toes into a wider world, and allowing them to ease in and discover it on their own terms.
I may just be thinking of Young Me here. I digress.
Artwork from The Awesomest Comic, (c) 2014 by Eliza Day
2) A CENTRAL RESOURCE of child-friendly comics
I talked about this a bit in yesterday's post, the difficulty facing parents and educators in knowing where to start with children's comics, of finding good and suitable material. My ceaselessly amazing colleague Sarah McIntyre has talked about this before, about how great it would be to have a central resource - a database / website full of information about child-friendly comics - ideally, with the ability for users to write and share their own reviews of books.
Basically, we just want to make it as easy as possible for parents and teachers and librarians and all those people who are not fortunate enough to already be Giant Comics Nerds to discover the good stuff, and to feel confident to start sharing it with their kids. And, even better, for kids to find it for themselves.
Good things are happening on this front already - a comment on Wednesday's post from Zoe Toft of Playing By The Book brings the following news:
Just to let you know that Melanie (Library Mice) and I are compiling a new booklist for the Federation of Children's Book Groups focusing on comics and graphic novels- it will be ready April 2015, and then free to any one who wants it eg schools, clubs, individuals.
...which sounds fantastic, and is a really positive development. Let's do more!
Artwork from The Awesomest Comic, (c) 2014 by Erin Snape
3) A similar CENTRAL RESOURCE of comics creators who do workshops!
Again, something that both Sarah and I have talked about before. It would be brilliant to tie this into the aforementioned website / database of kid-friendly comics, to also provide information on creators who visit schools and libraries to do workshops. (While we're on the subject, please refer to this excellent post of Sarah's that gives tons of invaluable advice to schools and libraries about how to host a successful author visit, and includes a huge list of creators who offer workshops.)
Essentially, I’d like a lot of the kind of things I’ve been trying to talk about in this week's posts to be maintained and updated as a central resource, easily accessible to educators and parents – lists of great, age-appropriate comics, lists of comics practitioners who do workshops, details of upcoming courses and events across the country. I think A Website could very handily contain all this, but whose website? The website of a body that does not quite exist yet, and which I shall for the purposes of this flight of fantasy refer to as The Comics Agency.
The Comics Agency. The Comics Advisory Board. The Awesome Ninja Comics Squad. Call it what you like, the basic idea is just of having a dedicated body - a dedicated place on the internet, and ideally a dedicated place in the actual real world, too - devoted solely to sharing information and ideas and resources and best practice and constantly spreading the message that, basically, everybody should be reading comics, because they are NIFTY. There are non-profit organisations in the US doing excellent work in this kind of area - Reading With Pictures and Comic Book Classroom - and I'd love to see something similar happen over here.
Artwork from The Awesomest Comic, (c) 2014 by Hector Day
4) WORLD DOMINATION
Once you've got those pieces of the puzzle in place, once you've built that framework: then, I think you could start to really have some fun. Have some fun and also, potentially, do some amazing things. How about setting up a scheme where people are easily able to chip in to donate graphic novels or comic subscriptions to under-resourced schools, for starters? Or how about this: we figure out how much it would cost to buy one awesome comic for EVERY SINGLE CHILD IN THIS COUNTRY. And then we run a kickstarter for exactly that much money.
Let's go back for a second to where this series of posts started, thinking about the Read On, Get On campaign. We began with the demonstrable fact that learning to read changes children's lives for the better, and the firm conviction that comics can, have been and should be a huge part of how children learn to read. If we're not making use of this amazing asset, this incredibly cool and powerful tool in the literacy toolbox, then frankly we're failing generations of children. And we've been doing that for a while now. And I think it's time we started doing better.
POSTSCRIPT: I'm pretty much reaching 'put up or shut up' point here. I think secretly my motivation in writing this monstrous weeklong series of posts was to basically talk myself into stopping talking, and actually starting to do something about all this stuff. THINGS are underway, and PLANS are being formed. If you would like to hear more about THINGS and PLANS, or get involved in the discussion, or sign up to join the Awesome Ninja Comics Squad, then in the first instance please either leave a message here or give me a shout on twitter - you can find me at @neillcameron, or throw in ideas using the #ComicsAndLiteracy hashtag. Let's see what we can do.
Labels: children's comics, comics and literacy, comics BY childrens
ReadItDaddy 3 October 2014 at 12:20
Loving the idea of a national (maybe even international) comics club. That would definitely be something worth investigating further but I can imagine the effort involved in setting something like that up. It'd so be worth it though!
As you've probably guessed, we're backing everything said here to the hilt. Comics and comic creation really do engage kids (and parents) in positive ways and not just for literacy or honing art skills, there's a whole ton of benefits for social interaction, expressiveness and it's good for kids who are naturally introverted, drawing 'em out of their shells too.
It's gotta be worth a campaign for 2015.
Jenny Jones 6 October 2014 at 12:22
Totally agree with all of your posts on this Neil- please count me in for your ninja comics agency project. I think that a central website/blog would be a great start as we can use it to share lists of resources and showcase work produced. We've got the Etherington Bros visiting our school after half term so I'm planning on starting some kind of comics club afterwards as I'm hoping that it will inspire children to create as well as read comics. Please also add Kev F Sutherland to your list of awesome comics people who visit schools- I booked him for my son's school a few years ago and he made a big impact on them there
http://utproductions.co.uk/masterclass.html
(South West)
Please feel free to add me to email lists or whatever as I'm very keen!
Oh- and I forgot to add that my own children love your book, I bought copies for both of the libraries at my school and for myself as I knew it would be inspiring after enjoying your work in The Phoenix. I know they're not comic books as such but Pilkey's Captain Underpants series has had a major influence on my boys (5 and 8) this Summer as they've wanted to produce their own comics just like his characters George and Harold & I also reclaimed my enormous stash of vintage Beano, Whizzer and Chips and Dandy Annuals from my parents so they have gone comics crazy!
Neill Cameron 8 October 2014 at 09:32
ReadItDaddy - thanks for the support, will absolutely keep you notified of any and all Plans and Schemes ;)
Jenny - again, thanks for the support! I've heard from a few people who run comics clubs already or who would like to start one, and I'll try and figure out what would be the best way of putting people in touch with each other so we can all share ideas and resources. A blog? A mailing list? *Puts thinking hat on*
Also: Kev F! Of course! Dude's a legend. I absolutely should have put him on my list, but couldn't remember where he was based. Thanks!
MikeM 13 October 2014 at 18:43
Comics in Britain today have got all a bit middle class (probably because they're the only ones who can afford them), and therefore Liberal Democrat. Any British-based attempt to create an international society of comics is probably going to devolve into endless cycles of "shall we ban Tintin in the Congo?" and "Let's pressure Japan to stop making porn comics!".
I do like the idea of a national network, though. Even if it won't be national-ist, unless I can hijack the leadership. Also, if we get loads of kids into making comics early, they might hone their craft in the teens and twenties, and we could potentially end up with something a bit like the early British videogame industry, where kids, fired up on late-night programmes, would be punching code into the BBC Micro at school to see what happens.
The only problem is making an "industry" of those comics. The internet is out, WEBcomics are "stateless", and very healthy already. Digital-only paid for comics are a doomed dead-end, due to, well, a load of stuff that's just as good being available totally gratis. You aren't going to get a big new generation of "cottage industry" print comics into WH Smith (not until it's making billions and THEY are begging US to let them in on the action, anyway). Maybe a national network thing could pool it's resources / donations and, eventually, profits, into paying independent bookshops, "retro stuff" shops and so on to sell the comics?
As most of the people in Britain who like comics are followers of the yellow diamond anyway, the comics that result from this mass movement are probably going to look like a printed version of Tumblr or Upworthy, so these "trendy" shops will be only too happy to stock them. And, of course, their clientele will be only too glad to get into the "vanguard of new British art". Though hopefully a lot of those inspired-kids-turned-bedroom-creators will be from all sorts of backgrounds, and before long even builders and taxi drivers and bankers will be reading those comics, too. And they'll be all over dentist's waiting rooms, stuffed in restaurants for people to read while they wait, and so on. And then we'll be Japan... with more stabbings and still no high speed trains or elecricity. But one step at a time.
Awesome Comics Makers: UNITE!
Comics and Literacy, part 5: Where Do We Go From H...
Comics and Literacy, part 4: Comics For 7-Year-Old...
Comics and Literacy, part 3: Things You Can Do
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Rod Rosenstein: There's No Reason To Fire Special Counsel Mueller
As Rosenstein went on to say, "I've been a prosecutor for 27 years, we don't want people talking publicly about the subjects of ongoing investigations". Sessions would then turn to Rod Rosenstein and tell him to fire Mueller. "If there were not good cause it wouldn't matter what anyone said".
Barry Bennett, a GOP strategist who served as an adviser to Trump's campaign, said he believed it would be too damaging for Trump to try to remove Mueller, but that he had concerns about the appearance that the probe was being politicized.
But in this particular case, Attorney General Jeff Sessions has recused himself from anything relating to the Russian Federation investigation.
Under questioning from Sen.
He added, "I'm not going to follow any order unless I believe those are lawful and appropriate orders".
If questions arise about what matters Sessions should stay away from, he said, a career official in Rosenstein's office is consulted. He said Trump hadn't asked questions about the special counsel, but unless there were "good cause" to fire Mueller, Rosenstein said, "it wouldn't matter what anybody said".
The remark from the counselor to the president came as she promoted a CNN story that highlighted how three lawyers Mueller hired all donated to Democrats.
The president has railed against the Russian Federation investigation, which was taken over by Justice Department special counsel Robert Mueller last month, as a "witch hunt". Jeanne Shaheen, a New Hampshire Democrat, whether he has seen good cause to fire Mueller. Rosenstein responded: "No I have not". Cox was eventually fired by Solicitor General Robert Bork.
"The attorney general could fire him, that's the only person who could fire him."
Congressman Paul Ryan, Speaker of the House of Representatives, said he has "confidence" in Mueller.
Ryan told reporters Tuesday: "The best advice would be to let Robert Mueller do his job".
Rosenstein's comments come just a few hours after one of Trump's longtime friends told "PBS NewsHour" the president was thinking about firing Mueller. He urged the president to resist the urge to constantly comment on every development in the investigation, which he said could last awhile. Gingrich noted that at least four members of Mueller's team had donated to Democratic presidential campaigns and groups, saying it's "time to rethink" Mueller's role.
The Justice Department declined CBS News' request for comment. He recently said Trump's foreign policy has been "pretty good". The Justice Department sent Deputy Attorney General Rod Rosenstein to testify about the budget instead. That would mean moving one of Rosenstein's lieutenants into position ... who would also likely resign.
They say Trump did not collude with Russian Federation and see the investigation as a politically motivated sham that handicaps Trump's ability to execute his agenda, according to one person who advises the White House on how to handle the probe.
Deputy Attorney General Rod Rosenstein says he sees no reason why special counsel Robert Mueller should stop leading the probe into Russian interference in last year's USA election.
It was called the "Saturday night massacre" when on October 20, 1973 President Richard Nixon fired Attorney General Elliot L. Richardson and Deputy Attorney General William D. Ruckelshaus after they refused to fire Archibald Cox, who had been appointed special prosecutor in the Watergate cover-up scandal. Gingrich and others are arguing Mueller can not be fair, because he is friends with former FBI Director James Comey, whom Trump fired last month.
But Stephen Gillers, a New York University professor who specializes in legal and judicial ethics, said the Mueller interview with Trump presented "no conflict whatsoever". "I personally think it would be a significant mistake, even though I don't think there is a justification [for a special counsel]".
As expected, Mr Sessions also addressed a claim by former Federal Bureau of Investigation chief James Comey during his testimony to the committee last week that he had expressed his concern about a meeting with Donald Trump on February 14th to the attorney general but that Mr Sessions had not replied. They will also ask about his decision to recuse from an investigation into possible ties between Moscow and associates of President Donald Trump.
Netflix Original 'Black Mirror' to be adapted into book series
The series' third season aired on Netflix in October, and received a rapturous reception from the critics and the viewers. The first of three volumes is due to be published on February 20, 2018.
Oregon Sen. Ron Wyden Has Heated Exchange With US Attorney General
In his testimony today before the Senate Intelligence Committee , Sessions - the U.S.'s chief law enforcement officer - told Sen. But the majority of the responses from Sessions went around in circles, and some on the committee grew clearly frustrated.
Travel ban: Where things stand and what comes next
The revised EO was issued after the initial travel ban in January was withdrawn by President Trump due to legal setbacks. A United States federal judge in Hawaii indefinitely extended on March 30 a court order blocking Trump's new travel ban.
Mid Transfer Window in IPL
This move is hailed as a major boost to the IPL and will add value to the tournament helping the franchise model evolve. The transfer of a particular player will only take place if there is a demand from another franchise for the player.
Dem calls for House inquiry into foreign payments to Trump hotel
District Court in Maryland preventing Trump from continuing to receive government payments beyond his salary. It alleges Trump is violating the Constitution by taking payments from foreign governments while president.
Kentucky Derby newest odds and predictions
The horse almost caught Always Dreaming in Florida but finished the second. - Gunnevera is among the favorites in a betting line. The May’s first weekend has already passed and real fans of races started their preparations for the Derby in Kentucky.
Cosby jury sent home after deliberating 4 hours
Prosecutors and police detectives read aloud portions of Cosby's statements to police in 2005 and in a civil deposition in 2006. Bill Cosby is accused of drugging and groping 44-year-old Andrea Constand at the comedian's come outside Philadelphia in 2004.
Jeff Sessions: Russia collusion claim a 'detestable lie'
They say he did not mislead Congress because the encounters were part of his job as a senator, not as a surrogate of the Trump campaign.
FDA to delay rule requiring new nutrition facts panel
In April, the food industry made its case to the FDA that these labels should be pushed back even further - to May 2021. Bailey, GMA's president and CEO, said in a statement .
Top 10 Movies at the Box office during the weekend 8-10 September
Did you know online casino software providers also offer blockbuster casino games? You can visit Canada casino online for reviews. The animation has been at the box office for three weeks and managed to generate a domestic total gross of $15.8 million.
US college student released by North Korea home, but in coma
A 2009 visit by former President Bill Clinton, a Democrat, secured the freedom of American journalists Euna Lee and Laura Ling. Shortly after Warmbier's sentencing, Kim Dong-chul, was arrested on accusations of espionage, and has been held ever since.
Student released by North Korea arrives in Ohio
Former NBA basketball player Dennis Rodman arrives at Beijing Capital International Airport in Beijing, Tuesday, June 13, 2017. Secretary of State Rex Tillerson said the United States is discussing their respective cases with the North Korean regime.
South Korea's president suggests 2030 World Cup bid with North Korea
A suspected North Korean drone crashed a few miles from the DMZ after being observed taking photos of THAAD installations. Security Council and threats of military action by the USA , which backs South Korea and regional ally Japan.
New 'real sun-tan' drug may help prevent cancer
We can't wait to see where this research goes next. "UV protection is still absolutely important". Despite tanning's well-known link to skin cancer, many of us simply can't resist that golden look.
U.S. student freed from N. Korea in state of 'coma'
Warmbier's release reduces the number of Americans held in the North to three - Kim Hak-song, Kim Sang-dok and Kim Dong-chul. American visitors have often been detained in North Korea on charges of anti-state and other unspecified crimes.
Minecraft: Sony has refused crossplay on its console
These servers can host thousands of players at a time for massive multiplayer games in real time. New servers will go online from partners Lifeboat , InPvP , Mineplex and CubeCraft .
Crosby, Penguins cap amazing year to repeat
Moments later, Pittsburgh players were firing gloves and helmets toward the ceiling, celebrating a hard-earned Cup. Viewership was up 19 percent vs. the 2016 Stanley Cup Final , which featured the Penguins and the San Jose Sharks.
Qatar coach quits despite win over South Korea
South Korea's coach Uli Stielike reacts during their Asian Cup final soccer match against Australia at the Stadium Australia in Sydney January 31, 2015.
Cops: Suspect in 3 deaths may be involved in 2 more killings
The victims were identified as 18-year-old Kylie Pifer , 21-year-old Taylor Pifer and their mother, Suzanne Taylor , Loeding said. Police say he is suspected in the deaths of the three women found dead Sunday night in a North Royalton home .
Key takeaways from Sessions' testimony
Sessions said he "racked my brain" and had no meeting with any Russian in his capacity as a Trump campaign adviser. Some have said Sessions recusal should have prohibited him from firing former FBI Director James Comey .
Dodgers' Puig makes obscene gesture at Cleveland fans
After hitting the home run to right-center field, Puig appears to flip double middle fingers to someone in the crowd in Cleveland. Puig seemed unfazed by the prospect of being fined for the gesture by Major League Baseball.
Trump Gives Mattis Authority To Set US Troop Levels In Afghanistan
Joseph Dunford, chairman of the Joint Chiefs of Staff, added that he hoped Afghan troop casualties would be lower a year from now. On Saturday, three United States soldiers were killed when an Afghan soldier opened fire on them in eastern Afghanistan.
The Worst Tech Gadgets
Amazing features on Google Maps
7 takeaways from Jeff Sessions testimony
Hawaii Becomes First US State To Adopt Goals in Paris Climate Accord
USA prisoner released by North Korea is reportedly in coma
China Industrial Output Growth Holds Steady in May; Up 6.5% On-Year
Warriors take rubber series for 2nd title in 3 years
Trump May Block Comey's Testimony Via Executive Privilege
President says Sessions did 'very good job,' comments on Mueller rumors
AG Sessions: "This is a Secret Innuendo Being Leaked Out There"
UK's May cracks joke about election disaster
California governor named adviser for UN climate conference
UK PM May said wants broader consensus on Brexit plan: lawmaker
Destruction, debris mar Bangladesh mudslide rescue; 140 dead
Weir Group PLC (WEIR) Stock Rating Reaffirmed by Peel Hunt
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About Moon Khan
WHAT DOES MOON STAND FOR?
INFORMATION ABOUT YOUR VOTES
moonkhan2020@gmail.com
MOON KHAN FOR DUPAGE COUNTY RECORDER.
The DuPage County Recorder's Office is the official land records office for all real estate located in this County. The foundation of what was to become the Recorder's Office was laid in 1215 A. D. with the signing of the Magna Carta which provided for state protection of land ownership.
The Recorder's primary responsibility is the accurate and timely maintenance of the indexing of documents in the chain of title to DuPage County land whose value today exceeds 65 billion dollars. Your property and its ownership is filed in the Recorder's Office.
Today, revenue taken in by this office exceeds 15 million dollars annually. This revenue is based on fees provided by the Illinois State legislature in the Illinois Compiled Statutes and is deposited in the County corporate fund.
A man with a bachelors, two masters, technology acumen, the desire to build cooperative alliances with seemingly all people, and gained life wisdom, and wants to actually run for, and possibly make the recording process better, is qualified for the office.
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Moon Khan's Bio
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http://www.dailyherald.com/article/20161003/submitted/310039514/
Article in the Daily Herald
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http://www.chicagotribune.com/suburbs/wheaton/news/ct-dupage-recorder-recount-0422-20160421-story.html
http://www.dailyherald.com/article/20160421/discuss/160429640/
http://www.mysuburbanlife.com/2016/04/21/dupage-county-recorder-candidate-khan-wins-in-recount/a6n3ymw/?page=1
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Stargate: Continuum - Video: RTL2 Germany Set Tour
Posted by morjana at 4/12/2008 10:36:00 PM No comments:
Mark Dacascos - Video - The Crow: Stairway to Heaven - 'Dead to Rights'
Courtesy of HULU, The Crow: Stairway to Heaven's 'Dead to Rights,' starring Mark Dacascos and Katie Stuart, with guest stars Anthony Michael Hall and Tina Hildebrand.
Albrecht turns to Draven to catch a cowardly cop killer.
Labels: hulu, katie stuart, mark dacascos, videos
Torchwood - SciFi Pi:
From SciFi Channel Australia's SciFi Pi:
http://www.scifitv.com.au/Blog/2008/02/John-Barrowman-Interview-The-Secret-World-Of-Captain-Jack/
SCI FI PI
John Barrowman Interview - The Secret World Of Captain Jack
When you say 'Captain Jack', some foolish people may respond with 'Jack Sparrow!'
But not the hardcore Torchwood fans - for them, there is only one Captain Jack - Captain Jack Harkness, the immortal, happy go lucky (most of the time) adventurer who leads the Torchwood team against several universes full of bad guys. Never to be outdone by that time-travelling interloper, Doctor Who, Captain Jack has garnered a legion of fans, as has the actor who playes him - John Barrowman.
We've managed to snare this interview from the BBC Worldwide where all things Jack are revealed, and by all, we mean 'all'. So now, when someone says to you - 'you don't know Jack!' you may reply, 'no, sir, I beg to differ - I do know Jack'.
Actor John Barrowman didn’t need a TARDIS to take him into space. All it took was the news that Captain Jack Harkness would be getting his own show and he was over the moon.
When viewers last saw Captain Jack in Doctor Who, he was stranded on a satellite many thousands of years in the future. He had heroically faced down a Dalek invasion to protect his new friends, The Doctor and Rose – but his fate was unknown.
Now Jack is back, and in Russell T Davies’s dark and sexy sci-fi thriller the Time Agent from the 51st century is at the helm of Torchwood, an elite, alien-fighting organisation on the front line in the battle to protect the human race.
“Jack heads up a team of secret agents who are separate from the Government, outside police jurisdiction and beyond the United Nations. At Torchwood, they answer to no one but themselves. They make their own rules,” explains John Barrowman, who plays the enigmatic action man with the mysterious past.
“Jack’s the leader and the glue – he keeps everyone together. He’s the hero … although I don’t think he’d call himself a hero, he’d just call himself a man who does the job because it needs doing.”
But, says the actor, the journey from his terrifying Dalek encounter to 21st-century Cardiff – home of the Hub, Torchwood’s top-secret HQ – has left its mark on Jack. “Jack’s a little bit darker and he’s a little bit angrier than when we last saw him. After all, he was ditched on that satellite and who wouldn’t be angry about that?” he says.
“Towards the end of Doctor Who, Jack was becoming more human – I mean human in the sense that he was starting to feel for other people rather than just thinking about himself. As Torchwood begins, he’s lost some of that. He doesn’t always consider other people’s feelings – his priority is the good of the world.”
Some things, however, never change. “He’s still fun, he still has his dry sense of humour and I think he’s still sexy,” says the actor, revealing that Jack is back to his old tricks, putting his moves on everyone and, well, everything. “It doesn’t have to have a pulse for Jack to fancy it. And if it’s got a zip code, he’ll sleep with it,” he quips.
Labels: interview, scifi channel, torchwood
Stargate Atlantis - NEW Season 5 Production Photos Apr 12 '08
From Joseph Mallozzi's blog update for April 12, 2008:
http://josephmallozzi.wordpress.com/2008/04/12/april-12-2008-dont-judge-a-book-by-its-drop-dead-gorgeous-cover/
(Please follow the link for the complete blog update and for the full-sized, higher-resoltion version of the season five production photos -- David Hewlett and Kavan Smith dusty, bloody, and thirsty!)
Major Evan Lorne (Kavan Smith)
April 12, 2008: Don't judge a book by its drop-dead gorgeous cover
Well, as expected, reaction to the Whispers casting news has ranged from excitement and anxious anticipation to "Hey, Joe. Couldn't you cast anyone hideous?" Well, sure, we could have - but rather than basing our casting decision on looks, we chose to pick the best actress for each of the three roles.
I envisioned Teldy as a strong, by-the-book, leader; someone capable of leading her team into battle and going toe to toe with whatever is thrown her way be it an off-world mystery, an alien threat, or Colonel John Sheppard. There were a number of interesting candidates in the running, but after viewing Christina Cox's late audition it was hard to see anyone else in the role. Those familiar with Christina's work on shows like Blood Ties, Bones, and House know that she's an accomplished performer possessed of a commanding presence. Exactly what we were looking for in this case.
The search for someone to play the part of Dr. Alison Porter proved surprisingly tricky. Although she's described as a "cute nerd", Porter is really the most nuanced character of the bunch. The only non-military personnel on Teldy's team, she is in some ways her own little island - the most vulnerable of the foursome and yet, at the
same time, the most dynamic given the circumstances. Nicole de Boer actually read for Teldy and, as we sat there watching her audition, Paul and I thought exactly the same thing: "We've found our Porter!".
Nicole is an actress who, I'm sure, needs no introduction, having been a regular on shows like The Dead Zone and Star Trek: Deep Space Nine. She is someone we've been wanting to get on the show for a while now and we're pleased the opportunity has finally presented itself.
Of all the characters, the tough, wise-cracking Dusty was the most fun to write - and the most frustrating to cast. The fact is, there were a lot of great candidates for the role and, in the end, it came down to two terrific actresses. Janina Gavankar got the nod on the strength of her ballsy read and wonderful comic timing. Those of you who may not be familiar with Janina's range should check out her run as Papi on The L Word.
Over the hiatus, I pitched out the idea of introducing an all-female team as a means of addressing the male-female imbalance on the show. I would introduce them in an early script and whoever survived the episode could potentially be brought back as a recurring character. As Martin started work on the season premiere, Search and Rescue, he suggested he introduce one of the team members in his episode - a character that eventually became Captain Alicia Vega. Leela Savasta came in and delivered a fantastic audition for the role. Our reaction upon watching the video of her session was something along the lines of: "Hey, where the hell did she come from?" After 11+ years of Stargate, you think you've pretty much seen everyone in town - and then some young and talented newcomer appears on the scene. The last time we had a "Hey, where the hell did she come from?" reaction, it was a couple of years ago while watching an equally talented young up-and-comer audition for a two-line part on SG-1. We didn't cast her because it was such a small part that we figured we could give her a meatier role later in the season. When later came, I called up our local casting director and asked if we could see her again. "Sorry," he replied. "She's shooting a pilot in Hawaii." The pilot: Lost. The actress: Evangeline Lily. And, yep, I think Leela has the potential to be just as successful.
Today's pics: Have I already posted these? Didn't think so.
PG15 writes: "What do you think about removing one of Atlantis's piers, permanently, during some battle or explosion or something? Do you guys think you'll ever do something like that, damage one of the show's vehicles permanently?"
Answer: It's possible, but I'm reluctant to make a change for the sake of one episode that would effectively render all of our existing city establishing shots useless.
David writes: "Are the new characters going to reocurring throughout the entire season, or just one or two episodes?"
Answer: That depends on a lot of things. First and foremost = who survives the episode.
Dr. Rodney McKay (David Hewlett)
Angel234 writes: " Since the SG1 movies are now completed, what has become of the standing SGC sets?"
Answer: They're still standing. But when it comes time to tearing them down and tossing out the old gate, I'll give you a heads up. Do you think you'd have room for it in your backyard?
SingsingandBeakman writes: "Speaking of monster personalities: how is Jason M's personality really?"
Answer: He's a sweetheart.
David Oulton writes: "Quick question…is David Hewlett as bad as what everyone says he is?"
Answer: If by "everyone" you mean yourself, then - no. I've never known David to be anything but great in interviews and the special features.
Labels: david hewlett, joseph mallozzi, kavan smith, search and rescue, stargate atlantis
Star Trek - SciFi Talk: Audio Interview Archives
From SciFi Talk:
http://www.scifitalk.com/
STAR TREK CAST AUDIO INTERVIEW ARCHIVES
* Linda Park - Enterprise
It was great to have been there at the start of this series speaking to this talented actress on her rare off day. We discussed her role of Hoshi Sato and some key episodes for her early on. There's some interesting thoughts about her and the new crew joining the Star Trek family. We also briefly discuss her role in Jurassic Park III. Special thanks to Paramount Television. Music is Space by Victor Stellar.
http://media.libsyn.com/media/scifitalk/LindaPark.mp3
* Dominic Keating - Star Trek Enterprise
A conversation with this talented actor who was Lt Malcom Reed on Star Trek Enterprise. Discussion about the first and second season and some of the key episodes like Shuttlepod One, Communicator and Minefield. Also discussed some of his other film roles. Closing music by Cagey House. From 2002.
http://media.libsyn.com/media/scifitalk/DominicKeating.mp3
* Season One on DVD - A special that looks at the release of season one of Enterprise featuring Tony Tellado's conversations with actors Linda Park, John Billingsley, and Dominic Keating. Added bonus includes comments by John Fleck who was Silik, the Suliban leader and Admiral Forest himself, Vaughn Arnmstrong. This special compiles interviews from 2001-2004. Great way to remember this cast and series.
http://media.libsyn.com/media/scifitalk/EnterpriseDVD1.mp3
* Vaughn Armstrong - Trek At 40 Celebration
To kick off my celebration of Star Trek's 40th birthday SciFi Talk will be showcasing interviews done with members of each generation. This edition has Vaughn Armstrong who in addition to playing Admiral Forest on Enterprise, has the distinction of being the actor who has played the most aliens on Star Trek. Nice candid conversation with a bona fide professional actor. The conversation is from 2003 at the end of season three of Enterprise.
http://media.libsyn.com/media/scifitalk/VaughnArmstrong.mp3
* Jeri Taylor - Star Trek Voyager
To celebrate the 30th Anniversary of Star Trek in 1996, Jeri Taylor, who was an executive producer on Star Trek Voyager, discusses the then new fourth season and her novel, Mosiac, looking at the back story of Voyager's captain, Kathryn Janeway. Also joining is Star Trek Editor, John Ordover plus comments by Dr Marc Okrand on Star Trek Klingon CD Rom game. Nice Star Trek memories to enjoy Voyager on DVD.
http://media.libsyn.com/media/scifitalk/JeriTaylor.mp3
* Chase Masterson
A chat with the former Dabo girl turned First Lady at Icon about her CD, The Thrill Of The Chase plus a look back at Star Trek Deep Space Nine. From 2003.
http://media.libsyn.com/media/scifitalk/ChaseMasterson.mp3
* Alexander Siddig And Andrew Robinson - DS9
Alexander Siddig then known as Siddig El Fadil, played Dr Julian Bashir on Star Trek Deep Space Nine. Tony Tellado spoke with him about his character, Star Trek Fandom and his relationship with Garak, the lone Cardiassian on the station. Additionally, Tony Tellado spoke with Garak's alter ego, Andrew Robinson, who talked about his first venture into Star Trek, his favorite episodes and over coming typecasting. Great conversations with two men who played two characters that had an interesting relationship in Star Trek. Taped in 1996 at Icon.
http://media.libsyn.com/media/scifitalk/FadilRobinson.mp3
* Star Trek Nemesis Special Edition DVD
Tony Tellado attended the 2002 radio roundtables and along with fellow reporters interviewed the cast and part of the crew. Patrick Stewart, Brent Spiner, Marina Sirtis, Tom Hardy, Rick Berman, and Director Stuart Baird all give their insights.
http://media.libsyn.com/media/scifitalk/Nemesis.mp3
* Star Trek At 40 - Part Two
More on SciFi Talk's coverage of Trek through out the years with Patrick Stewart, Jonathan Frakes plus cast members and creators from other generations. Lots of good stuff plus comments on Star Trek Novels and Nit Picks. Nice memories.
http://media.libsyn.com/media/scifitalk/StarTrekAt40Part2.mp3
* Star Trek At 40 - Part Three
Conclusion of Star Trek At 40 specials with a look at some great guest stars like John DeLancie, Alice Krige, James Cromwell, Alfre Woodard and Brad Dourif. Plus more soundbytes on make-up woes of the trek stars. Special thanks to all involved. Music provided for the special series by Cagey House. http://www.cageyhouse.com
* James Doohan
A great time was had by all during this 1996 interview with Scotty himself conducted in New York City. Ernest Lilley joined Tony Tellado as Mr Doohan went back to his days serving for the Royal Canadian Air Force and of course, Star Trek. Nice tribute to this fine actor.
http://media.libsyn.com/media/scifitalk/JamesDoohan.mp3
* Star Trek At 40
Compiled from many of the interviews SciFi Talk has done in the last few years, many of the actors and creators associated with every generation of Star Trek give their views on the franchise. Featured are James Doohan, George Takei, Patrick Stewart, Jonathan Frakes, Michael Dorn, Marina Sirtis, Rene Auberjonois. John Billingsley, Andrew Robinson plus Herb Wright, STNG Producer, Herb Solow, Executive in charge of production of the original series and more...A true labor of love for SciFi Talk to celebrate Star Trek's birthday. First of Three Parts.
http://media.libsyn.com/media/scifitalk/StarTrekAt40.mp3
Labels: audio interviews, scifi talk, star trek
Battlestar Galactica - Total SciFi: “We are at the top of our game…”
From Total SciFi:
http://www.dwscifi.com/interviews/1791-battlestar-galactica-we-are-at-the-top-of-our-game
“We are at the top of our game…”
With the fourth and final season of Battlestar Galactica finally upon us, executive producers Ron Moore and David Eick, along with cast members Mary McDonnell, Katee Sackhoff, Tricia Helfer and Lucy Lawless chat to Tara Bennett about the fallout from the Cylon revelations, the return of a nasty character and the heartbreak of eventually saying goodbye.
Q: How has the news of this being the final season affected the way you are writing stories? Are there any storylines that you have found you've had to get rid of?
Ron Moore: "We always end up creating more things than we can use. The longer we talk in the writers’ room, the more tangents we can spin off of for a long time. It’s always about paring down to what is the actual show.
The fact that it’s the final season just means that we are really focusing on each episode and we don’t have any room for an episode that doesn’t work. There is a more intense focus and I feel that from the writing staff and the cast, who are very involved in the stories this year. You can just feel that there is a different vibe in Vancouver that this is it and everybody really wants to go out strong."
Q: Are there any stories that you’ve held back that could turn into something else later on?
Ron Moore: "I don’t think so. I think the show will end and we’ll sit around and talk about stories we could have told or things we didn’t get around to, but the decision is to end the show when we are at the top of our game.
We want to end it strong, on our terms, to a natural conclusion, and that choice precludes other choices. I think if the show was going on for two more seasons, there would be other stories and we would come up with all kinds of other things, but the stories would start to attenuate and wouldn’t be quite as strong as they are now. You always go off stage with them wanting more, and that is the same for us as well."
Labels: battlestar galactica, interview, katee sackhoff, lucy lawless, mary mcdonnell, tricia helfer
Stargate: Continuum - Video: MGM Stargate Sneak Peek
Stargate SG-1 - Tom McBeath (Harry Maybourne) - Vancouver Play
From Ruby Slippers Theater:
http://www.rubyslippers.ca/season.htm
The View From Above
co-produced with Theatre la Seizieme
By James Long • Directed by Diane Brown
Dramaturgy by Marcus Youssef
featuring Tom McBeath (Stargate SG-1's Harry Maybourne), Karin Konoval, Donna Soares and more
Vancouver 2011. Global Warming. Class warfare.
The return of the prodigal son.
Just another day in paradise.
Performance Works
Granville Island, 1218 Cartwright St.
April 30 - May 3
Shadbolt Centre for the Arts*
6450 Deer Lake Avenue, Burnaby
Tuesday to Saturday 8 p.m., Sunday at 2 p.m.
Free Preview April 11 at 8 p.m.
2 for 1 Tuesdays and Wednesdays
Tickets $24 regular, $20 students, artists and seniors
Matinees $15
Single tickets at Tickets Tonight 604.231.7535
*For Shadbolt ticket and showtimes call 604.205.3000
Labels: stargate sg-1
Stargate SG-1 / Atlantis / Battlestar - SciFi Hobby: 2008 Trading Cards Release Schedule
From SciFi Hobby:
http://www.scifihobby.com/releaseschedule-full.cfm
• Stargate SG-1 Season 10 (June 2008)
(2 Autograph cards and 2 Costume cards per box)
• Stargate Atlantis: Seasons 3&4 Trading Cards (September 2008)
OTHER SCIFI SHOWS
• Battlestar Galactica: Season Three (May 28, 2008)
http://www.scifihobby.com/products/battlestargalactica/season3/
• Legends of Star Trek: Captains Sisko, Janeway and Archer Sets (June 2008)
• Star Trek: The Movies In Motion Lenticular Trading Cards (December 2008)
(2 Autograph Cards Per Box)
• Women of Star Trek Trading Cards (2009)
Labels: battlestar galactica, star trek, stargate atlantis, stargate sg-1
Battlestar Galactica - Slice of SciFi: Michael Trucco Audio Interview
The Slice of SciFi audio interview with Michael Trucco is available for download:
http://www.sliceofscifi.com/2008/04/12/slice-of-scifi-156/
Interview with Michael Trucco (”Samuel Anders”, BSG)
Interview: This week, our guest is Michael Trucco, who portrays Sam Anders on Battlestar Galactica, a fan favorite who’s recently discovered he’s truly a Cylon.
Michael talks to us about the shock of the revelation of his being a Cylon at the end of Season 3, and more, but don’t worry… we didn’t coerce any spoilers or story secrets from him and get him in trouble with Ron Moore and the gang.
http://www.sliceofscifi.com/podpress_trac/web/8812/0/Slice_156_041208.mp3
Labels: audio interviews, battlestar galactica, michael trucco, slice of scifi
Stargate / Michael Shanks - "All Around the Town" airs Wed Apr 16 on LMN
Michael Shanks' '02 made-for-TV movie, "All Around the Town," co-starring Nastassja Kinski, Kim Schraner, Andrea Roth and Ellen Dubin, is repeated on LMN (Lifetime MOVIE Network) on Wednesday April 16 at 4:00pm, and again on Thursday April 17 at 6:00am (please confirm the times with your local listings).
Labels: michael shanks, stargate sg-1
Stargate / Amanda Tapping - "Life or Something Like It" Airs Apr 15 on FX
2002's "Life or Something Like It," (filmed partially in Vancouver) starring Angelina Jolie, Edward Burns, Tony Shalhoub, and Christian Kane, also has some familiar faces from SG1 in the cast, including Amanda Tapping.
The movie airs on the FX cable channel on Tuesday April 15 at 12:01am and is repeated at 10:00am.
A reporter, Lanie Kerrigan (Jolie), interviews a psychic homeless man (Shalhoub) for a fluff piece about a football game's score. Instead, he tells her that her life has no meaning, and is going to end in just a few days, which sparks her to action, trying to change the pattern of her life...
Labels: amanda tapping, sanctuary, stargate atlantis, stargate sg-1
Battlestar Galactica - Video - HULU: James Callis Q&A
Courtesy of HULU, James Callis Q&A - Part 1.
James Callis answers fans' queries from the SciFi Channel's Battlestar Galactica Forum in this special Q&A series.
Labels: battlestar galactica, hulu, james callis, scifi channel, video q and a's
Battlestar Galactica - Video - HULU: 'Six of One'
Courtesy of HULU, Battlestar Galactica's 'Six of One.'
Internal conflicts plague both humans and Cylons as issues of faith and loyalty boil to the surface.
Labels: battlestar galactica, edward james olmos, grace park, hulu, jamie bamber, katee sackhoff, mary mcdonnell, tricia helfer, videos
Stargate Atlantis - Win dinner with Dr. Keller and Dr. Beckett!
From the Official Jewel Staite website's blog:
http://jewelstaite.com/?p=22
Win dinner with Dr. Keller and Dr. Beckett!
An online auction is being held to support local Canadian actress Babz Chula. The winner receives dinner with me and Paul McGillion!
http://www.babzchulasociety.org
Love, Jewel
Labels: charity auction, jewel staite, paul mcgillion, stargate atlantis
Stargate: Continuum - Video: Filming with the US Air Force
Battlestar Galactica - Ottawa Citizen: Tahmoh Penikett Interview
From the Ottawa Citizen (Ottawa, Ontario, Canada):
http://www.canada.com/ottawacitizen/news/insideout/story.html?id=6df2b07c-376b-4f95-95a5-ce13dee93241
(Please follow the link for the complete two-page interview.)
Galactica actor has fond memories
Ben Carrozza
Published: Saturday, April 12, 2008
Like many fans out there, Battlestar Galactica actor Tahmoh Penikett isn't entirely ready to say goodbye to the critically acclaimed show, but he understands why this season has to be the last.
"It's about integrity and never losing it," he says, taking a break from filming an episode of the fourth season's second half. "(Show creator) Ron (Moore) and the writers have always said that Battlestar has a beginning, a middle and an end -- and if they say this is where the story should end, then I completely trust them."
He insists it becomes easier to accept as time goes by. "When I first heard, it was upsetting but we've all had time to accept it and have grasped the idea. There are so many incredible things happening already this season that I think the audience will accept it, too.
"But I'm excited about this season," Penikett adds. "I'm included a lot more and I've been able to act more with different members of the cast, which has been amazing."
With the end in sight, so too are new beginnings for Penikett, including a role on Dollhouse, the highly anticipated new Fox series from Buffy, Angel and Firefly creator Joss Whedon. The show, starring Buffy alum Eliza Dushku, follows an organization that employs mind-wiped agents known as "dolls" who are implanted with false memories and skills for various missions and tasks. Needless to say, the whole operation is highly illegal.
"I play an FBI agent who's on the trail of the 'dolls'," he says. "I'm honoured to be a part of this. I mean, Joss is the biggest there is, one of the brightest and most creative. I'm looking forward to working with Eliza, too. I'm really excited to start work on it."
© The Ottawa Citizen 2008
Labels: battlestar galactica, interview, tahmoh penikett
Doctor Who - Trailer: 'Voyage of the Damned'
Posted by morjana at 4/12/2008 01:54:00 AM No comments:
Doctor Who - SciFi Channel : 'Voyage of the Damned" Fri Apr 18
The fourth season of Doctor Who premieres on the SciFi Channel (US) on Friday April 18 '08 at 8:30pm (and is repeated at 11pm), with "Voyage of the Damned."
Labels: doctor who, scifi channel
Battlestar Galactica - Video: Trailer for 'The Ties That Bind'
Colin Cunningham - Video - The Crow: Stairway to Heaven - 'Brother's Keeper'
Courtesy of HULU, The Crow: Stairway to Heaven's 'Brother's Keeper,' starring Mark Dacascos and Katie Stuart. Guest stars include Colin Cunningham, Adam Harrington, and April Telek.
A nightmare leads Draven to someone he hasn't seen in many years.
Labels: colin cunningham, hulu, katie stuart, mark dacascos, videos
Stargate: Continuum - Video: RTL2 Germany Set Tour...
Mark Dacascos - Video - The Crow: Stairway to Heav...
Stargate Atlantis - NEW Season 5 Production Photos...
Battlestar Galactica - Total SciFi: “We are at the...
Stargate: Continuum - Video: MGM Stargate Sneak Pe...
Stargate SG-1 - Tom McBeath (Harry Maybourne) - Va...
Stargate SG-1 / Atlantis / Battlestar - SciFi Hobb...
Battlestar Galactica - Slice of SciFi: Michael Tru...
Stargate / Michael Shanks - "All Around the Town" ...
Stargate / Amanda Tapping - "Life or Something Lik...
Battlestar Galactica - Video - HULU: James Callis ...
Stargate Atlantis - Win dinner with Dr. Keller and...
Stargate: Continuum - Video: Filming with the US A...
Battlestar Galactica - Ottawa Citizen: Tahmoh Peni...
Doctor Who - SciFi Channel : 'Voyage of the Damned...
Battlestar Galactica - Video: Trailer for 'The Tie...
Colin Cunningham - Video - The Crow: Stairway to H...
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Stargate Atlantis - GateWorld: Full Coverage: Whispers
At GateWorld:
Dr. Allison Porter (Nicole De Boer)
FULL COVERAGE: Whispers
Maj. Anne Teldy (Christina Cox)
A brief excerpt from the Episode Guide's Production section:
"I'm pretty excited about the script I'm writing now, 'Whispers.' We've never done a horror episode -- we did 'Vengeance,' but that was a monster. I wanted to do an episode that just creeps people out. I've always been a fan of horror movies. So, I came up with this scenario. It takes place off-world and there are two elements to the story.
One is the horror element, which I think is going to be very kick ass, spooky and hopefully there will be a lot of very cool scares. Right now it looks as if Will Waring will be directing the episode, so I'm just going to stock him up on horror movies and make sure he gets a good running start at the sensibility that we want to capture. The other element is that we introduce a recurring character in 'Search and Rescue,' called Captain Vega. With Carter gone, I said to Martin during the hiatus that it would be good to introduce a female military character -- like Lorne, a background character to use. So we introduced this character. In 'Whispers,' we end up meeting up with Captain Vega's team, which happens to be an all-female team..."
(Executive producer Joseph Mallozzi, in an interview with Stargate.MGM.com)
Capt. Alicia Vega (Leela Savasta)
Lt. Col. John Sheppard (Joe Flanigan)
Download (iTunes)
Sgt. Dusty Mehra (Janina Gavankar)
Download (Amazon)
Dr. Carson Beckett (Paul McGillion)
Labels: amazon unbox, christina cox, episode discussion, episode transcripts, gateworld, itunes, janina gavankar, joe flanigan, leela savasta, nicole de boer, paul mcgillion, stargate atlantis
Stargate Atlantis - Whispers Breakdown, Part 1 - NEW Behind the Scenes Photos
At Joseph Mallozzi's blog update for September 6, 2008:
(Please follow the link for the complete blog update, and to view the NEW behind the scenes photos from the production of Stargate Atlantis' 'Whispers' [in their original format], plus a video tour of Stage 2, part 2 with Carl Binder [the wraith hive interiors].)
Lonely monster looking for Miss Fright. Enjoys creeping up walls, terrorizing humans, and long walks on the beach.
September 6, 2008: Whispers Breakdown, Part 1
Well, as promised, I’m dedicating today’s blog entry to a post-Whispers blow-by-blow. Since I was on set for this episode, I have plenty to talk about and, over the course of this breakdown, I’ll touch on a variety of subjects including revised scenes, deleted footage, and on-set anecdotes. And, seeing as how it looks like I’ll have a lot to say on this one, I may well run out of steam and have to pick things up tomorrow.
Okay, now smile and say...
Before I get started, I’d just like to remind everyone that Will Waring, director of Whispers and countless other SG-1 and Atlantis episodes, has agreed to do a guest blog here, so start posting your comments. Quick, before he changes his mind!
Cheeeeeese!
To Das who asks: “What was your mindset while writing Whispers? Dead serious, tongue-in-cheek, something else?” Definitely tongue in cheek popcorn fun, from Carpenteresque fog to the Ringesque well crawl. In fact, Sheppard’s line late in the episode neatly summed up the spirit of the episode: “Great. Now all we need is for the prom queen and the kid in the wheelchair to wander off and we’re all set.”
What're YOU looking at?!
Today’s pics: Behind the scenes on Whispers.
Today’s video: Stage 2 walk-thru II (up until the point where my camera battery died on me).
THE TEASE
EXT. FOREST - NIGHT: A couple of locals run into a spot of bad luck.
This scene wasn’t in the first draft which actually started on Atlantis with Sheppard informing Beckett that Major Teldy’s team had found something off-world (the original end of tease was the reveal of the lab with Sheppard and Beckett). However, the network and Rob felt the script needed some action off the top. I thought about it and came up with this scene that 1) established the creepy mood we’d be touching on later in the episode and 2) offered me a way of working the gas masked figure (Michael) into the episode. Also, given that I wanted this episode to follow the traditional horror flick structure, I felt that a scare off the top was a terrific idea. The one point I was resolute about, however, was that we not reveal the look of the creature. Not here. Not yet. I also thought it important to establish some sort of unique sound for the creatures, something we could establish early and then use as a cue later in the episode to signal their approach. Editor Mike Banas came up with a temporary solution, a variation on a dolphin’s chittering which I found very effective. So effective, in fact, that when a new sound was created for the Day 1 mix, I asked them to put Mike’s original creation back...
Actor removes her eyeballs and puts them in a plastic container for safe keeping.
Labels: behind the scenes photos, joseph mallozzi, stargate atlantis, will waring
Fringe - Video: Flight 627
Courtesy of FOX and HULU, a preview trailer for the new series Fringe: Flight 627.
Fringe - Flight 627
Web Exclusive |03:25 |
J.J. Abrams brings a mysterious new drama to FOX.
Fringe premieres on FOX on Tuesday September 9 at 8/7C. Starring Kirk Acevedo, Blair Brown, Joshua Jackson, Jasika Nicole, John Noble, Lance Reddick, Anna Torv and Olivia Dunham.
Joshua Jackson, Anna Torv and John Noble
Labels: fox, fringe, hulu, joshua jackson, videos
Eureka - Video: Joe Morton Q&A - Part 1
Courtesy of the SciFi Channel and HULU, Joe Morton Q&A - Part 1.
Eureka - Joe Morton Q&A - Part 1
Joe Morton, star of "Eureka" answers fan questions from San Diego Comic-Con 2008.
The next NEW Eureka episode, 'Phased and Confused,' airs Tuesday September 9 at 9pm on the SciFi Channel (US).
Labels: eureka, hulu, joe morton, scifi channel, video q and a's, videos
David Boreanaz - Bones - Video: Pilot Episode
Courtesy of HULU, the series premiere episode of Bones, starring Emily Deschanel, David Boreanaz, Michaela Conlin, Eric Millegan, T.J. Thyne and Jonathan Adams. Guest stars include Sam Trammell, Chris Conner, Larry Poindexter, Tyrees Allen and John Sterling Carter.
A dramatic series about a female forensic anthropologist who steps in to solve crimes when other crime solving methods have failed. Based on real life work of Kathy Reichs.
Labels: bones, david boreanaz, emily deschanel, hulu, videos
Eureka - HypaSpace Podcast:: Cast Audio Interview
From Canada's Space Channel's HypaSpace Podcast:
HYPASPACE PODCAST
- Colin Ferguson, Joe Morton, Salli Richardson, and Jaime Paglia discuss the new season of Eureka. Elizabeth Mitchell, Josh Holloway, and Michael Emerson talk about how hard it is to keep the secrets of LOST. As well, Battlestar Galactica author Peter David has a theory as to the identity of the final Cylon, and host Mark Askwith is joined by Natasha Eloi and they discuss their week.
Podcast Link
Labels: audio interviews, battlestar galactica, colin ferguson, eureka, hypaspace podcast, joe morton, salli richardson-whitfield, space cast
ReGenesis - Video: 'Prions'
Courtesy of HULU, ReGenesis' 'Prions,' starring Peter Outerbridge, Maxim Roy, Conrad Pla, Mayko Nguyen, Dmitry Chepovetsky, Mishu Vellani and Greg Bryk. Guest stars include Ellen Page, Mark Rendall, John Boylan, Hugh Dillon and Khan Soroor.
NorBAC investigates an outbreak of prion disease (mad cow) in humans. The victims are spread out across North America. How are the cases connected?
Labels: hulu, peter outerbridge, regenesis, videos
Eureka - New Episode 'Phased and Confused' Tue Sept 9 '08
The next new Eureka episode, 'Phased and Confused,' airs Tuesday, September 9 at 9pm on the SciFi Channel (US).
The emergence of a superhero makes Carter's job more difficult; Thorne's subterranean search for a secret beneath Eureka imperils Zoe and her friends.
At SciFi.com, view the episode trailer.
Labels: colin ferguson, episode trailer, eureka, scifi channel
Terminator: The Sarah Connor Chronicles - Video: Hollywood 411 interviewsThomas Dekker
Courtesy of TV Guide's Hollywood 411 and HULU, S Connor Chronicles: Thomas Dekker.
Interview |04:37 |
Hot, young star Thomas Dekker of THE SARAH CONNOR CHRONICLES joins Chris Harrison in the Hollywood 411 studio to talk the upgrades to season 2; think of it as SARAH CONNOR CHRONICLES 2.0
Labels: hollywood 411, hulu, sarah connor chronicles, thomas dekker, tv guide, video interview, videos
Stargate Atlantis - iO9: Interview with Masters FX's Dan Rebert
At iO9:
The aging of Robert Patrick (Col. Sumner) from Stargate Atlantis' series premiere episode, 'Rising,' from the Masters FX site.
Creature Creator Dan Rebert Talks to io9 About Alien Influences and True Blood
We’ve made no secret of our admiration for special effects artists. This week, we got to talk with Dan Rebert, the Effects Producer for MastersFX, the house that created the aliens of Stargate Atlantis and Slither. Rebert told us all about his cultural influences, talked Stargate, and gave us the inside scoop on the fang physiology behind his current project, HBO series True Blood.
Now on a weekly show like Stargate Atlantis – I know that different houses have different approaches to weekly alien shows. What would you say your goal is on a weekly alien show like Stargate Atlantis?
Creature from Stargate Atlantis' 'Vengeance,' from the Masters FX site.
DR: "A lot of what I look at – and again, keep in mind, too, that the shop that I run down here in LA – we have a shop in Vancouver, too, and the Vancouver shop does the majority of the prosthetic work for it. The LA shop, we mainly get involved when it’s puppets or full body suits or a prosthetic that is very complex. So the shop down here, we’re more set up for larger creations.
But this shop down here did the initial construction of the Wraiths, and we actually just did something that I was real proud of for Atlantis. I think it was last year or the year before, but it was an episode called “Vengeance” that was basically an homage to the Alien movies. And it was a pretty good episode, but one of the things – we had a bunch of different designers doing monster designs for it. But when I read the script it was like, 'This is obviously an homage to the Alien movies.' So what I did then in terms of a design was something that was very reminiscent of that alien. And so a lot of times in reading those scripts – the Stargate shows kind of are a celebration of science fiction and a lot of times they kind of nod to other shows that have been done before – and a lot of times, when I see that in a script that obviously they have for the shows, obviously we don’t want to want to directly copy off of anything, but I think that’s the best approach for them is really read the script, find out what they had in mind when they were writing it, what maybe they were thinking of, and give it an original design based on those directions. The way I did it with the Vengeance monster, a lot of the front of the face was very similar to the alien – I knew they would like that – but in terms of the rest of the body, I actually modeled it after a flea. [Laughs.] Well, they’re pretty terrifying-looking when you see them up close. And I actually told them that when they were up there and they were very happy with the monster. And it was like, 'Yeah, this was what we wanted.' And I was like, “Yeah, I modeled it off a flea.' And they were like, 'A flea?” Well, you know, you take what works.'"
Did you have consultants on any of the science fiction shows, or was that mostly on the other shows?
DR: "Not so much on the Stargates and stuff like that, but there usually is a medical consultant on most of the medical procedure shows we do. Like, we did a show a long time ago, Kingdom Hospital, and there was a medical consultant that was very involved in the brain surgeries and things of that nature. I’m trying to think if we didn’t have any consultants on True Blood. I can’t think of any off-hand. They don’t really have too many vampire specialists. I think that was Alan’s job because Alan came up with the whole mythology of the vampires. I had an interview for HBO and I was explaining to them how vampire blood is very thick and syrupy and human blood is more runny and brighter red, and they asked me, 'Well, how do you know what vampire blood looks like?' And I said, 'Alan Ball told me!' Well, he’s the boss."
~~**~~**
The link to Masters FX site:
Labels: interview, iO9, stargate atlantis, true blood
Stargate Atlantis - SciFi Weekly: SGA Season 4 DVD Review
From SciFi Weekly:
(Please follow the link for the complete review.)
REVIEWS: SCREEN
(The author rated the SGA season 4 DVD set with a B.)
Stargate Atlantis: The Complete Fourth Season DVD
Amanda Tapping and Jewel Staite jump to Atlantis for a season of flux—and a growing Replicator threat
By Melissa Perenson
The cast and producers of Stargate Atlantis noted that season four represented a reset of sorts. Understandably so: By episode two, Dr. Elizabeth Weir had died in the line of duty; a new yet familiar commander, Col. Samantha Carter (Tapping), took charge; a new doctor, Dr. Keller (Jewel Staite), signed on; and other characters were in a state of flux after recent upheavals.
The dual focal points of the season were the introduction of Carter into the command structure and the challenges faced by Atlantis as it faced the growing Replicator threat. Bringing Carter aboard from SG-1 was an organic and natural maneuver given the nature of Atlantis and the challenges the expedition faced in its fourth season.
But sadly, Carter's new role was not maximized in the best ways possible, and Tapping never quite settled into the role. And few of this season's episodes jump out of the pack. While some episodes, like "Trio," were ambitious, others felt more like rehashes, doing less to advance the Atlantis narrative than one might expect, given how much was going on this season (Teyla's pregnancy, the ongoing Wraith threat, the battle against the Replicators)...
...I always enjoy the meaty, informative commentaries on Stargate sets. Given the addition of Tapping's Carter, I had high hopes for Atlantis this season, but the season fell a bit short of what I'd hoped for. — Melissa
Labels: scifi weekly, stargate atlantis
Stargate Atlantis - Video: Spacecast: Cast Interviews on Cancellation
At Canada's Space Channel's new current events series, 'The Circuit.'
(Please follow the link to view the video in its original format.)
(Video runs approximately 2 mins 17 secs).
Stargate Atlantis cancellation, New Stargate show, plus more...
Mini-interviews with: David Hewlett, Joseph Mallozzi, Amanda Tapping, Joe Flanigan, Rachel Luttrell, Paul McGillion, Robert Picardo and Brad Wright. Plus, several clips of behind the scenes filming on SGA sets.
'The Circuit' is being repeated:
Sat 9/6 9:30 AM
Sat 9/6 1:30 PM
Sun 9/7 4:00 AM
Mon 9/8 5:30 AM
Please confirm the times with your local Canadian TV listings.
Labels: amanda tapping, behind the scenes, brad wright, canada, david hewlett, joe flanigan, paul mcgillion, rachel luttrell, robert picardo, space cast, stargate atlantis, the circuit, videos
Stargate Atlantis - Behind the Scenes photos from 'Whispers'
(Please follow the link for the complete blog update and to view are new Stargate Atlantis season five behind the scenes production photos from 'Whispers,' in their original format and to view the new video, a tour of Stage 2, part 1, with Carl Binder, at the site.)
September 5, 2008: Whispers
Hey, Whispers finally airs tonight (10:00 p.m. on Sci Fi)! If you enjoy thoughtful, character-driven stories that explore the themes of trust, friendship, and the indomitability of the human spirit, then you should definitely check out our last episode, The Shrine. If, on the other hand, you’re in the mood for some good creepy fun, then tonight’s episode is for you. Sit back, break out the popcorn, and enjoy.
Back when I first started thinking about this story at the beginning of the season, I knew there were certain elements I wanted to include: an abandoned village, a mysterious fog, and things that go bump in the night. I also wanted to incorporate some new characters into the mix as a means of keeping the viewers off-balance. I didn’t want them to be red shirts but personalities that the viewers could invest in and care about - particularly when darkness fell and the fog rolled in. After all, let’s face it - we know that our cast will most probably live to fight another day. Secondary characters on the other hand are fair game and that’s one of the great things about horror movies: you never know who’s going to make it to the final credits. So, over the course of a week or two, I fleshed out the idea. I decided on a threat that, while different, was nevertheless linked to the show’s mythology. I came up with a logical reason for that pervasive fog. And, I created an all-female team to ride shotgun with Sheppard and Beckett on this one.
The three biggest challenges in this episode were the fog, the casting, and the look of the creatures. We ran into some problems with our initial fog test on stage 4. While it certainly looked great, certain crew members were feeling less so after spending a little over an hour in the swirling mist. Adding to the concern was the fact that it would take hours to fog up the village set and then a good half day to clear it out. Several ideas were bounced around, from trimming down the fog sequences significantly, adjusting the density, or even shooting through a fogged aquarium to approximate the desired look. In the end, it was Production Designer James Robbins who came up with the perfect compromise solution. Rather than make cuts to the script or go with a thinner fog level, we tented certain areas of the FX stage. We had three tented areas, each of which could be quickly fogged up for the appropriate scenes. Will would run a rehearsal with the actors first, then bring in the second team to make sure his shots were set up just the way he wanted them. Finally, the tent was fogged up and the actors returned to shoot the scene. We tried to minimize their exposure to the fog element.
The all-female team was made up of:
Major Anne Teldy, a tough as nails, by-the-book commanding officer who was, of course, named after blog regular (and contest winner) Anne Teldy. When it came to casting, I was looking for someone good, strong, and, above all else, believable. And Christina Cox’s audition delivered that in spades. Watching it, I totally bought into her as a kick-ass military officer. Of course, a lot of that could have had to do with the fact that Christina is pretty kick-ass in person. She’s had weapons training and extensively researched previous roles in procedural drama. She was perfect.
Captain Alicia Vega was introduced in Search and Rescue but her meaty scenes were unfortunately cut for time. Of the foursome and despite the fact that she is a Captain, she has seen little action in the Pegasus Galaxy. Despite being relatively green to off-world excursions, she’s eager to get out and flex her muscles (as evidenced by her take-down of the wraith dart in S&R). Leela Savasta had a small part in a past Atlantis episode (in The Tao of Rodney) but did such a memorable job that we had no qualms about casting her in the role. In my mind, the two characters are twin sisters - one military, the other serving as a member of the expedition’s science department.
Sergeant “Dusty“ Mehra, the team’s trash-talking loose cannon with a fierce hankering for some alien ass-kicking. There were a number of great auditions for this colorful character, but the role ultimately went to actress Janina Gavankar who, it turns out, was given the wrong sides and came in thinking she was auditioning for the role of Major Teldy. The fact that she had next to no time to prepare what was essentially a cold read made the audition all the more impressive.
Dr. Alison Porter, team scientist and resident adorable nerd. Nicole de Boer didn’t audition for Porter. Like Janina, she actually came in to read for the role of Major Teldy but, even reading Teldy’s dialogue, it was clear to Paul and I that we had found our Porter. After she’d been cast, Nicole admitted that she was actually bummed when told she’d be auditioning for Teldy. She thought she’d make a better Porter!
As for the creatures - more on them and the masterful job of Todd Masters and the team at Masters FX later next week.
Alfredo De La Fe writes: “I wanted to ask- at this point is there any point to fans “protesting” the cancellation of SGA? Could the jack be stuffed back in the box at this point? Is there even a remote possibility of them reversing their decision?”
Answer: I seriously doubt it. The decision has been made and, while I empathize with the fans, I think it’s unlikely that their protests will change anyone’s mind. A significant and sustained ratings spike, on the other hand, would certainly raise a few eyebrows.
MrsB108 writes: “Do any of the remaining episodes end on an unhappy note?”
Answer: Yep.
Today’s video: Carl takes us on a tour of Stage 2. Part 1.
[NOTE: Stage 2 has the puddle jumper, a F302, a wraith dart, and a the interiors to a wraith hive ship.]
Labels: joseph mallozzi, paul mcgillion, stargate atlantis
Stargate Atlantis - GateWorld: Full Coverage: Whis...
Stargate Atlantis - Whispers Breakdown, Part 1 - N...
Eureka - New Episode 'Phased and Confused' Tue Sep...
Terminator: The Sarah Connor Chronicles - Video: H...
Stargate Atlantis - iO9: Interview with Masters F...
Stargate Atlantis - SciFi Weekly: SGA Season 4 DVD...
Stargate Atlantis - Video: Spacecast: Cast Intervi...
Stargate Atlantis - Behind the Scenes photos from ...
Stargate SG-1 / Farscape - Creation: Ben Browder/...
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Lewis Capaldi urges fans to keep buying album so he can move out of parents house
Lewis Capaldi has asked his fans to keep buying his album 'Divinely Uninspired to a Hellish Extent' again so he can make enough money to move out of his parents' house.
The 22-year-old singer/songwriter headlined the second day of the Kew the Music festival at Kew Gardens in London on Wednesday night (10.07.19) and made his plea to the crowd to send his debut LP back to the top of the UK charts so he can finally get enough cash to get a place of his own as it will help him in his quest to "get a girlfriend".
He said with a smile: "So I brought out my debut album a few weeks ago, I've been very surprised by the response to it, 'cause it went to number one. It's been at number one for five weeks, but not consecutive weeks. And it, maybe, could go to number one this week as well. So I know you've paid money to come here, I know the tickets were expensive, f**k me I saw the prices, but if you could stop being so selfish and put your hand in your pocket and buy my album again. I'm 22 and I live my mother it's undignified. I cannot get a girlfriend because she is smothering me, but I love her dearly."
Lewis played to a sell-out crowd at the event and performed most of the songs from his hit record with highlights including 'Grace', 'Hollywood' and 'Hold Me While You Wait' and he also treated fans to a "song not on the album at all" titled 'Rush', joking "if you've only got into me recently you're not going to enjoy this".
Lewis was blown away by the support of his fans - who chanted "oh Lewis Capaldi" throughout his incredible set - especially as he was a late replacement at the festival for Jess Glynn, who had to cancel all of her live commitments due to a vocal cord haemorrhage.
Admitting the show was one of the "best gigs" he'd ever done as he prepared to play his final songs, he said: "I just want to say thank you so f***ing much for coming out and making this so special, this is amazing, this is one of the best gigs we've ever f***ing played. It's by a f***ing mile the best London we've ever f***ing done so thank you very much, honestly I did not expect this response. I heard people were picnicking earlier on and I thought it was going to be a chilled one but this has been lovely, you've been tremendous, thank you very much.
"This is genuinely a dream come true to get to play to this many f***ing people. I'm trying to be sincere here, I don't know how to do it, but I'm trying to be sincere. Literally, like, two years ago I was playing in The Waiting Room [in Scotland] to like 200 people so this is f***ing mad, so thank you very much again ... I say this at the end of everyone of my gigs and I'll say it to you too my name is Lewis Capaldi, if you've enjoyed this gig please tell everyone you've ever met about it. If you haven't enjoyed it then keep it to yourselves you f***ing busy bastards!"
Lewis closed his set with his number one single 'Someone You Loved' and he led the crowd in an a capella singalong of the chorus before leaving the stage.
The Scottish musician had some famous fans in attendance with BBC Radio 1 DJ Scott Mills - who Lewis thanked for his support - and 'This Morning' host Holly Willoughby, who was watching from the side of the stage.
Sharing a photo of her privileged view from the side of the stage on her Instagram account, Holly, 38, posted: "All the family tonight watching the brilliant @lewiscapaldi ... just wonderful, all singing along together ... Belle with her lollipop and... Harry described it as the best night of his life... #kewthemusic. (sic)"
Holly has daughter Belle, eight, and sons Harry, 10, and Chester, four, with her husband Dan Baldwin.
Kew the Music continues with shows from Jools Holland, Craig David, Garbage and Rick Astley still to come.
Icekiid.mp3 | Serhat Kä±Lä±Ã§ Band.mp3 | Thd.mp3 | Angerfist And Radical Redemption.mp3 | Vị Hưng.mp3 | Uneek.mp3 | Những Bài Hát Nhạc Trẻ Tâm Trạng Hay Nhất.mp3 | Parodia Clipe Swalla Jason Derulo.mp3 | 청춘을돌려다오.mp3 | Reflex Я Разбила Небо.mp3 | Kırgın Çiçekler 8Bölüm.mp3 | Võ Thị Ngọc Ngân Và Mona Trân.mp3 | Karaoke Anh Còn Yêu Beat.mp3 | Hd Yellowcard.mp3 | Sirdoshtimur And Diyoko.mp3 | Yali Hamuwewa.mp3 | Julian Lima.mp3 | Djou Pi.mp3 | Elif Güreşçi Bakmıyor Çeşm.mp3 | Nhạc Trữ Tình Không Lời.mp3 | Bsm.mp3 | Capital T Feat Dhurata Dora.mp3 | Danse Avec Le Stade.mp3 | Yılmaz Yildirim.mp3 | Nữ Hoàng Ai Cập.mp3 |
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United States. White House 135
Shuttlesworth, Fred L. 117
Jones, Clarence B. 53
Clarksdale, Miss. 5
Danville, Va. 5
March on Washington for Jobs and Freedom, 1963 23
Southern Christian Leadership Conference--relations with other organizations 19
Discrimination in Employment 8
Demonstrations 6
Martin Luther King, Jr. - Friends and Associates 6
Martin Luther King, Jr. - Trials, litigation, etc. 6
Sit-ins 6
Segregation--law and legislation 5
The Negro Protest
Clark, Kenneth Bancroft
Boston: Beacon Press, 1963.
King, Alfred Daniel [First Baptist Church (Birmingham, Ala.)]
King, Bernice A.
King, Martin Luther [Ebenezer Baptist Church (Atlanta, Ga.)]
King, Dexter
Farris, Christine King [Spelman College (Atlanta, Ga.)]
Eastland, James O. (James Oliver) [United States. Congress. Senate]
Muhammad, Elijah
Crozer Theological Seminary (Chester, Pa.)
Boston University (Boston, Mass.)
First Baptist Church (Birmingham, Ala.)
Spelman College (Atlanta, Ga.)
Albany (Ga.). City Jail
Fulton County (Ga.). County Jail
Fulton County, Ga.
The Art of Loving
5/10/2012 kpp
Letter to James Forman
Forman, James [Student Nonviolent Coordinating Committee (U.S.)]
King, Martin Luther, Jr. [Gandhi Society for Human Rights, Inc.]
Higgs, William
Hoover, J. Edgar (John Edgar) [United States. Federal Bureau of Investigation]
Memo to William Howard Melish
Melish, William Howard
Dombrowski, James A. (James Anderson)
Mogulescu, Maurice H.
Newsletter, ''CORE-lator, no. 99''
Carey, Gordon
McKissick, Floyd B. (Floyd Bixler)
Moore, Douglas E.
Rich, Marvin [Congress of Racial Equality]
F. W. Woolworth Company
Walgreen
Neisner Brothers Inc.
McCrory Corporation
Sears Roebuck and Company
Leon County Jail
S & W Cafeteria
Royal Ice Cream Company
Mayfair Cafeteria
S. H. Kress and Company
WDSU TV
J. C. Penney Co.
South Carolina State Supreme Court
Morris College
Sealtest
Kroger's Grocery
National Broadcasting Company, Inc.
Hotel Roosevelt
West Side Federal Savings & Loan Co.
Molo Construction Co.
Maxwell Graduate School of Citizenship and Public Affairs
Vesta Corporation
Sun-Ray Estates
Howard Johnson Co.
Florida, Fla.
Lebanon, Tenn.
Durham, N.C.
Statesville, N.C.
Hickory, N.C.
Raleigh, N.C.
Asheville, N.C.
Charlotte, N.C.
Richmond, Va.
Roanoke, Va.
Fort Smith, Ark.
Iberville, La.
Seattle, Wa.
Portland, Ore.
Edgewater, N.J.
Wilmington, Calif.
Northern Rhodesia
Bergen County, N.J.
East Baton Rouge Parish, La.
Freedom Task Force
Freedom Highway Projects
Mississippi. Legislature
Form letter to Unknown
Farmer, James
Height, Dorothy I. (Dorothy Irene)
Young, Whitney M.
Stevenson, Adlai E. (Adlai Ewing) [United Nations]
Harriman, N.Y.
Martin Luther King, Jr.--membership in organizations
UIAD-MiDW-AL
UAW International Affairs Department, Victor Reuther Files, 1962-1968, Wayne State University, Walter P. Reuther Library of Labor and Urban Affairs, Detroit, Mich.
4/30/1963-5/1/1963
Dammond, Margaret [Student Nonviolent Coordinating Committee (U.S.)]
Ousley, J. D. [Shady Grove Baptist Church (Leesburg, Ga.)]
Boyd, William [Mount Mary Baptist Church (Sasser, Ga.)]
Gay, Benjamin [Albany Movement (Albany, Ga.)]
Bond, Jane M. [Southern Christian Leadership Conference]
Roosevelt, James [United States. Congress. House of Representatives]
Brown, Robert J. [B & C Associates (High Point, N.C.)]
Kunstler, Lottie
Gregory, Dick
Schlamm, Dorothy
Schaffer, Don
Williams, Robert G.
Young, Andrew [Citizenship Education Program]
Smith, Nelson [Alabama Christian Movement for Human Rights (ACMHR)]
Robinson, Jackie
Amisano, Joseph
Wood, Virgil A. [Southern Christian Leadership Conference]
Wansley, Thomas
Frinks, Golden [Edenton Movement (Edenton, N.C.)]
Gunter, David [Southern Christian Leadership Conference]
Anderson, William G.
Adams, Julius
Dunlap, Alexander I.
Shady Grove Baptist Church (Leesburg, Ga.)
Mount Olive Baptist Church (Sasser, Ga.)
Mount Mary Baptist Church (Sasser, Ga.)
Albany (Ga.). City Commission
Carnegie Library (Albany, Ga.)
United States. Government Printing Office
Syracuse University (Syracuse, N.Y.)
United States. Congress. House. Committee on Un-American Activities
Robert Cohen Productions (Beverly Hills, Calif.)
B & C Associates (High Point, N.C.)
Coca-Cola Company
Pepsi Cola Company
R. J. Reynolds Department Store
F. W. Woolworth Department Store
Westchester County Center (White Plains, N.Y.)
Sy Oliver Band
Petersburg Improvement Association (Petersburg, Va.)
Georgia Council of Churches
Toombs, Amisano & Wells
Young Men's Christian Association (YMCA)
Central State Hospital (Petersburg, Va.)
Chowan Hospital (Edenton, N.C.)
Virginia. General Assembly
Gadsden Christian Citizens Committee (Gadsden, Alabama)
Lee County, Ga.
Terrell County, Ga.
Leesburg, Ga.
Sasser, Ga.
Conyers, Ga.
White Plains, N.Y.
Great Neck, N.Y.
Long Island, N.Y.
McIntosh, Ga
Telfair, Ga.
Selma, Ala
Freedom to The Free
Committee On Un-American Activities
ASRC-RWWL, Southern Regional Council Papers, Atlanta University Center, Robert W. Woodruff Library Archives and Special Collections, Atlanta, Ga.
BWOF-AB, Birmingham World Office Files, Birmingham Public and Jefferson County Free Library, Birmingham, Ala.
Copy Location (10)
Press release, Statement on the violence in LeFlore County, Mississippi
Branton, Wiley A.
Travis, James [Student Nonviolent Coordinating Committee (U.S.)]
Moses, Robert Parris [Council of Federated Organizations (COFO)
Blackwell, Randolph T. [Voter Education Project (Southern Regional Council)]
Council of Federated Organizations (COFO)
Democratic National Committee (U.S.)
Republican National Committee (U.S.)
LeFlore County, Miss.
VEPP-RWWL, Voter Education Project Organizational Papers, Atlanta University Center, Robert W. Woodruff Library Archives and Special Collections, Atlanta, Ga.
Form letter to Martin Luther King, Jr.
Jones, Clarence B. [Gandhi Society for Human Rights, Inc.]
Columbia University (New York, N.Y.)
Letter to Ralph J. (Ralph Johnson) Bunche
Martin Luther King, Jr.- Membership in organizations
RJBPC-CLU-AR
Ralph J. Bunche Collection (2051), University of California, Los Angeles, Charles E. Young Research Library, Special Collections, Los Angeles, Calif.
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5 rad things from L.A.
1: Attack of the Show - watch the VIDEO here Big thanks to everyone at G4TV for flying me out and putting me on Attack of the Show. It was awesome
2: Tara Johns (green shirt/back to camera) Tara Johns is a filmmaker from Montreal. Tara is making a documentary film about my quest to trade from one red paperclip to a house. Tara flew to L.A. to follow me around with a film crew in tow. Thanks Tara. I’ll do my best to give you the bestest documentary footage possible 3: Arroyo Elementary Possibly the bestest documentary footage possible. Big thanks to Cassy and her son Michael (pictured) for the invite to talk to more than 60 fourth graders about the one red paperclip project. Favorite part: fielding questions. Q:"What are those numbers written on your shoe?" A:"Uh, um, yeah...those. Those three numbers are the combination to my new combo lock I bought for staying at the hostel." Keep asking questions kids. Your questions rule. 4: Erik the producer I met up with Erik the Producer in Hollywood. Erik is a producer for the Jimmy Kimmel Show. He is keen to cover upcoming trades on the Jimmy Kimmel Show. I am keen for this to happen. Keen is good. 5: Nirvan Mullick Nirvan Mullick is the force behind The 1 Second Film. He is a true visionary who knows how to have fun and do interesting positive things. Go to The 1 Second Film and become a Hollywood film producer for one dollar. You will get your name in the IMDB. In Nirvan’s words: “It’s funny, but it’s not a joke.”
L.A. was rad, can't wait to go back out again, Kyle PS Yes, Will Ferrell fans, I did drive a Dodge Stratus.
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On Reading and Writing…
About Judy
My Book – Mangrove Madness
My Book – The Janus Code
Index of Reviews by Author
character, head, heart, reviews, setting
Elizabeth Nunez — Even in Paradise
March 29, 2017 jcloose
The Even in Paradise plot is loosely based on Shakespeare’s King Lear. Duckworth, a rich man from Trinidad, moves to his “castle” in Barbados, which to him is Paradise. He decides to give his land to his three daughters before he dies to save strife upon his death. Like Lear, he is fooled by the praise of the two oldest daughters and disappointed that his youngest, his favorite, won’t give him lavish praise. She also won’t obey him in all that he asks.
I enjoyed the settings in the Caribbean—Trinidad, Barbados, Jamaica. Not the laid-back island time atmosphere I’ve mentioned in a previous review, Nunez writes of politics, racism, greed, family turmoil, and the problems with the conflict between tourism and locals on the islands.
The characters are alive and real, from differing social and cultural backgrounds. The person telling the story sometimes appears to be a background character, watching the drama unfold.
This may be a spoiler, but the story doesn’t end with all the violence and death of King Lear, even though most of the characters manage to get what they deserve—good and bad.
I enjoyed a good read of a well-written novel.
authorsbookscharactersdiscovered authorsfictionplotreviewssetting
character, head, on reading, POV, reviews, thriller
J. D. Robb — Apprentice in Death
This review is more about the author (J. D. Robb, aka Nora Roberts) and her writing style than the story. First, let me say I am in awe of a woman who can publish over 200 novels in 36 years. That’s an average of almost six a year. And she writes well!
I haven’t read a book from the “in Death” series for many years. Long enough that I wasn’t at all familiar with the series protagonist, Lieutenant Eve Dallas. I imagine she’s changed over the years. In this story, she is a driven, very smart cop. She was in control of the investigation from beginning to end. She kept everyone moving in the right direction. She is also in a loving relationship with her husband, Roarke. He is rich, brilliant, and of course handsome. He treats her unbelievably well, and he even helps with the case with his money, ideas, and inventions. But Robb pulls this off without making it feel “over the top.”
This is a crime novel or a police procedural, and you know who the villains are very early. But tracking them and preventing more killings keep the pace hard and fast. The author doesn’t let you pause for breath except for a few short breaks with Dallas and Roarke at home.
Two things about the writing were strange to me. First is the point of view. Robb uses omniscient POV. She knows what everyone is thinking…more or less. At times she seems to be using third person for long passages, especially with Dallas. Other times she switches back and forth rapidly between characters. This would normally drive me crazy. But Robb does it almost seamlessly.
The second strange idea in the novel is the time frame, 2061. True there are some tools, weapons, etc. that don’t exist today. But the story could be written in today’s world losing nothing. If I were to pick a time without knowing the date, I would guess ten years from now. Many of the special tools are available now or will be in a few years. Transportation was strange. Even in 2061, they weren’t using self-driving vehicles. The one thing we probably won’t have soon is off-planet prisons.
I enjoyed Apprentice in Death. It kept my attention, I liked all the characters, and the setting brought me back to New York City. Mainly, it was a good story. I’ll probably go back and read some of the previous books in the series.
authorsbookscharactersfictionheadplotreadingreviews
character, head, literary, reviews, strange
Ethan Canin — A Doubter’s Almanac
If you are looking for a happy or loving novel, this is not the one. Milo Andret, the central character of this book, is an egocentric, offensive, mathematical genius and also an addict. But the writing is excellent, the story is gripping, and even the unlikable protagonist is intriguing.
The book skips backward and forward between times and places, yet somehow that’s not confusing. Part one is from Milo’s point of view (third person), and part two is his son Hans (first person). The fractured relationship between father and son (also a brilliant mathematician) weaves through the fabric of the tale.
The story is filled with fascinating characters and locations, but mostly it’s an account of the workings of the mind. It’s somewhat esoteric and at times philosophical, leaving the reader (at least this one) with unanswered questions. Are mental illness and genius related? Addiction and genius? Is the addiction genetic? How much of intelligence is inherited and how much is learned? And more…
But I do understand the mathematical mind better than when I began reading. At some point while reading, I had an epiphany—insight into the mind of my brother who was a mathematical genius and an addict. That could be the reason I found the book so interesting. I also have a few friends who are brilliant in their fields. Most are a bit whacko (or a lot). But aren’t we all somewhat weird from another’s point of view? Maybe the whole idea of mental illness is skewed. Could it be that we just don’t understand minds that are so different from our own?
I seldom reread a book. But this one will probably end up by my bedside to be read again.
authorsbookscharactersdiscovered authorsfictionheadreviewsunusual
1st novel, character, mystery, reviews, setting
John Keyse-Walker — Sun, Sand, Murder
March 7, 2017 jcloose
John Keyse-Walker was a speaker at the Gulf Coast Writers Association (of which I’m a member) in January. He talked about his route to publishing through winning the 2015 Minotaur Books/Mystery Writers of America contest. Good speaker and contest winner—so I decided to read the book.
Aside from the Prologue, which was probably the suggestion of publisher or editor and almost kept me from continuing, the book was well written. The plot kept me guessing and the characters were delightful.
What captured my imagination was the setting and the people. I lived on a small cay in the Bahamas for a few years and have since visited several Caribbean islands. All have distinct personalities. But if you have ever spent time in the West Indies, you know there is a laid-back attitude—“island time.” It lingers in the air and the sunshine; it seeps into your bones and behavior. The author captured the atmosphere perfectly…I felt right at home in his story.
Teddy Creque is a special constable, a civilian position under the authority of the British Virgin Islands police, on the small, sparsely populated island of Amegada, where no crime has been committed in his twenty-plus years on the job. A research biologist who visited the island every winter is found murdered on the beach, and the BVI police commissioner assigns Teddy the job of notifying the family. But the murdered man was not who he appeared to be and Teddy becomes entangled in finding out who the biologist was and why he was killed.
I enjoyed every minute of this book, the story, the people, and most of all I loved the trip back into “island time.”
authorsbookscharactersdiscovered authorsfictionreviewssetting
on reading (31)
on writing (21)
1st novel (33)
action/adventure (14)
literary (20)
local authors (15)
setting (64)
thoughts, ideas, and comments
Index of Reviews by Authors
Judy’s Website
J.C. Ferguson
Mangrove Madness website
The Janus Code website
Tim Johnston — The Current
Louise Penny — Kingdom of the Blind
Barry Eisler — The Killer Collective
Peter Swanson — Before She Knew Him
James Rollins — Crucible
On Reading and Writing… blog by Judy Loose
Copyright©Judith C. Loose 2014-17
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Network for the Promotion of Asia Pacific Cinema
FESTIVAL REPORTS
Please send an email to netpacindia@gmail.com to place an order for the publications. Please mention the title of the publication and the shipping address in the email. We will get back to you with the shipping cost and other details.
Asian Film Journeys
Title: Asian Film Journeys - Selections from Cinemaya 1988-2004
Editor(s): Rashmi Doraiswamy and Latika Padgaonkar
Publisher: NETPAC & Wisdom Tree, 2010, 650 pp
For lovers of Asian cinema and for those who are simply curious to know its trends and moods, experiments and innovations since it strode the world stage with assurance in the mid 80s, Asian Film Journeys is a feast. It presents a selection of article that appeared in the pages of Cinemaya, The Asian Film Quarterly, between 1988 and 2004, articles that closely tracked the bold new film narrative of both the well-known and the lesser-known cinemas as it unfolded.
Cinemaya was founded in 1988 in New Delhi by Aruna Vasudev who remained its Editor and Publisher throughout. Latika Padgaonkar and Rashmi Doraiswamy, on board from the concept, stage were, by turn, the Executive Editor for the sixteen years that Cinemaya remained the one and only serious yet lively platform for writing on the cinemas of countries from Japan to Turkey. Given that the writers asked to write for it were mostly Asian, apart from a few keen and long-standing western followers of Asian cinema, the magazine offered, for the first time, a truly authentic point of view, a look at films from within their own cultures. Such writings often explained films in ways that altered and enriched our understanding.
Cinemaya opened a window on to the continent’s myriad cinemas through the new trends and classics it presented, through interviews, sections on little-known masters, reports of Asian films in international festivals and reports of Asian film festivals, documentaries, women filmmakers, eminent actors and cinematographers, the Western gaze on Asian cinema, genres, issues of sexuality, of censorship, political contexts … Cinemaya kept its finger on the pulse of Asia for sixteen years.
Soft Copy: Euros 110.00
Title: Being & Becoming The Cinemas of Asia
Editor(s): Aruna Vasudev, Latika Padgaonkar, Rashmi Doraiswamy
Publisher: Macmillan India / 2002
Cinema in Asia began as a monumental adventure. It married fantasy and festivity, curiosity and fun; everywhere it was an awe-inspiring social event. It took no time for it to become a political tool to be discovered…. At the same time, it matured into an unrivalled form of artistic expression. And in all its multiple shapes that this book pays homage to the cinemas of Asia… in the many layers of life it unveils, in yet fundamental links that go beyond what is specific to every culture and in the intrinsic power of the cinematic art itself…
Title: Kenji Mizoguchi and the Art of Japanese Cinema
Author(s): Tadao Sato
Publisher: Berg (An imprint of Oxford International Publishers Ltd) 2008Kenji Mizoguchi is one of the three acclaimed masters – together with Yasugiro Ozu and Akira Kurosawa – of Japanese cinema. This book is a definitive guide to the life and work of one of the greatest filmmakers of the 20th century. Kenji Mizoguchi and the art of Japanese cinema tells the full story of this famously perfectionist, even tyrannical director. Mizoguchi’s key films, cinematographic techniques and his social and aesthetic concerns are all discussed and set in the context of Japan’s changing popular and political culture.
Soft Copy: Euros 22.17
Title: Modernity and Nationality in Vietnamese Cinema
Author(s): Ngo Phuong Lan
Editor(s): Aruna Vasudev, Philip Cheah
Publisher: NETPAC 2007lm City, a state-government run enterprise, stretching out on 400 acres is known as Mumbai’s green lung. During the monsoon months, thickets and trees turn into a deep green and grass sprouts wildly all around. Whistling Woods International (WWI), a 20 acre film school (billed as Asia’s largest) , is set amidst this sylvan terrai.
Title: The Early Sri Lankan Cinema and its Association with the South Indian Film Industry
Editor(s): Ashley Ratnavibhushana and M.L.M. Mansoor (Sri Lanka)
Publisher: Asian Film Centre & NETPAC (Network for the Promotion of Asian Cinema)A BOOK THAT EXPLORES THE SOUTH INDIAN INFLUENCE IN THE EARLY SRI LANKAN CINEMA
192 pages with 99 photographs
Price US$10.00 (excluding postage)
A publication titled The Early Sri Lankan Cinema and its Association with the South Indian Film Industry launched on the 24th February, 2013 at the Auditorium of the National Film Corporation of Sri Lanka. A joint publication of Asian Film Centre, Sri Lanka and NETPAC (Network for the Promotion of Asian Cinema), the very title of the book ifself gives an idea about its contents. This book makes an effort to trace the exciting history of the early period of Sri Lankan cinema through interviews conducted with the surviving directors of the early Sinhala films including A.B. Raj and K.S. Sethumadhavan, It also includes lengthy interviews conducted with Film News Anandan and Randor Guy, the noted historians and archivists of South Indian cinema. Rare photographs that throw light on a forgotten era of the South Indian and Sri Lankan film industries also adore this publication. Set in the broader perspective of Indo – Lanka cultural relations prevailed over the centuries, it explores the circumstances that led to the South Indian involvement in the Sinhala cinema during its infancy and formative years.
It also traces the biographical information and areas of expertise of the large number of Indians who contributed in the making of Sinhala films.
The rich text is elaborated by including large number of photographs culled from the archives from both the Indian and Sri Lankan film historians.
Soft Copy: Euros 8.00
Title: Critic After Dark A Review Of Philippine Cinema
Author(s): Noel Vera
Publisher: Published by BigO Books (2005) 330 pagesSober, uniformed bank officer by day - crunching numbers and filling out forms and arguing with government employees over the phone - by night, film critic Noel Vera, sits in the darkest corner of the moviehouse, viewing (or enduring) the latest that Philippines cinema has to offer.
The articles collected in this book represent not quite half of what Noel Vera has written from the period 1994 to 2004, more than a decade of near-clandestine writings on cinema, Philippine and otherwise.
"You may not always agree with Noel Vera’s trenchant views on the art and craft of filmmaking - and I must confess that we don’t have the same pantheon of film heroes - but you have to grant that his reviews are always eminently readable. The insights are enlightening, the scholarship is reliable, and the humor is wry and dry."
- Pete Lacaba, screenwriter, film critic and journalist, Philippines
" To those who think there is no more such a thing as film criticism in the Philippines, just read Noel Vera’s reviews and articles, whether in Cinemaya or on the internet. You can feel he loves cinema for itself, and he knows it biblically. Even if he sometimes defends B-grade Filipino movies, he does it with his heart and mind, and he always stands for one of the few true Filipino directors of today: Mario O’Hara, an heir to Lino Brocka and the best Filipino cinema of the Golden Age. This in itself is the way to redemption!"
- Max Tessier, film critic, France
Title: Profiling Sri Lankan cinema
Author(s): Wimal Dissanayake , Ashley Ratnavibhushana
Publisher: Asian Film Centre 152 pagesProfiling Sri Lankan Cinema is an introductory essay aimed at the non specialist and general readers. Its objective is to present very concisely the growth of Sri Lankan cinema, and to map its high points and dominant trends, focusing on the more important filmmakers. The essay is primarily intended for foreign readers who wish to acquaint themselves with Sri Lankan cinema. However, it is hoped that local readers, too, would find it something to interest them.
Profiling Sri Lankan Cinema is written with a deep acquaintance with, an appreciation of, contemporary film theory. However, as the essay is intended for the general reader, the authors have restricted the technical vocabulary of analysis to the minimum. This essay, in its own modest way, will help to focus on a relatively neglected area of modern Asian Cinema.
Jocelyne Saab (30th Apr, 1948 - 7th Jan. 2019) Jocelyne Saab, widely considered one of the most important contemporary Arab filmmakers, passed away after a brave and difficult battle with cancer on 7 January. Although death had long been hovering, many of us in contact only through texting or phoning, were taken by surprise, as the usual season's greetings had been exchanged with no hint that this beloved member of our film community would leave us within a week. Read More...
Korean (한국어, ko) Simplified Chinese (简体中文, cn) Thai (ภาษาไทย, th)
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Christelle Snow/UCLA
Memorial flowers are gathering at the feet of the Bruin.
UCLA students to hold candlelight vigil in response to campus violence
UCLA Engineering plans vigil for Friday
Cynthia Lee | June 2, 2016
Two campus vigils are being planned to grieve for all the victims of Wednesday's shooting on campus.
A candlelight vigil will be held tonight on Bruin Plaza at 8:30 p.m. Student organizers of the #BruinStrong Candlelight Vigil are inviting faculty, staff and members of the community to join together in the spirit of solidarity in observance of National Gun Violence Awareness Day.
“Our thoughts and prayers are with the friends and families of the victims of this terrible tragedy,” said Danny Siegel, president of the Undergraduate Students Association. “I call upon the Bruin family and community members across the state and nation to come together during this difficult time.”
Students will be joined by Los Angeles City Councilman Paul Koretz, interfaith leaders and UCLA administrators. Counseling and support services will be on hand for those in need of care.
Find updates on tonight's vigil on the Facebook page.
A second vigil will be held 4 p.m. Friday in the Court of Sciences by the UCLA Henry Samueli School of Engineering and Applied Science. It will be open to the UCLA community and the public as well.
A media truck map for Thursday night's vigil is attached below, click below or click "Related Documents" for a larger PDF version.
Tags: campus events
Media truck parking map for vigil June 02, 2016
Memorial flowers and notes for Professor William Klug are gathering at the Bruin.
Office of Media Relations
media@stratcomm.ucla.edu
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Mission Accomplished – A Way-Too-Soon Retrospect Of The 2019 US Women’s World Cup
2 Scouts Leave Portland Winterhawks For NHL
5 Running Lessons Learned From My Worst Race
Fluffy Too – The Game
Requiem For Meyers – Thank You For Being You
Is It Wrong To Hope Felix Hernandez Shuts It Down?
Portland Winterhawks Making News During The Offseason
Five Questions On Portland Trail Blazers Free Agency – Neil Olshey Shoots The Moon, Stuns NBA With Overnight Roster Overhaul
Portland Thorns
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You are at:Home»Seattle Seahawks»Breaking Vegas With Garrett Thornton – Week Two
Breaking Vegas With Garrett Thornton – Week Two
By Garrett Thornton on September 14, 2018 Seattle Seahawks
The NFL season started with a bang in Week One!
Week One by the numbers:
9 points per team. This scoring pace would break the record for most points scored in a season. I predicted that here… http://oregonsportsnews.com/thoughts-heading-into-the-2018-nfl-season/
39 interceptions thrown. At this pace the league would total 624 interceptions. The league record was 639 interceptions in 1978. Some quarterbacks in the league that year… Terry Bradshaw, Archie Manning, Roger Staubach and Fran Tarkenton.
1,004 total yards. 88 points. 52 first downs. That was the Week One matchup between Tampa Bay and New Orleans. Get used to offensive performances like this.
1 tie. There hasn’t been a Week One tie since 1974. Pittsburgh and Cleveland found a way to give us a clunker.
Moving forward to Week Two bettors have a bit of an idea who is on the field and what identities team will have this season. But, don’t get too ahead of your skis just yet. Week One was basically the 5thpreseason game for some teams. Week Two will come with much more fundamentally sound football. The better coached football teams will make the adjustments and win. Look for a theme in my picks…
Philadelphia Eagles -3.5@ Tampa Bay Buccaneers
Tampa Bay and Ryan Fitzpatrick are flying high after a win against their division rival New Orleans Saints, but the Super Champs are about to bring a dose of reality to Florida.
Remember what I said about better coaching wins games early in the year. Doug Pederson is a far better coach that Dirk Koetter. Add that fact to the collection of talent that either side possesses, and it isn’t close.
The Eagles win the Back Up Quarterback Bowl 2018.
Eagles 34 – Bucs 24
Los Angeles Chargers -7.5@ Buffalo Bills
Last week the Baltimore Ravens looked like the best team in the league. That truly isn’t very hyperbolic. They beat the Buffalo Bills by a score of 47-3, and in reality, it wasn’t that close. Then the Ravens matched up with the Cincinnati Bengals on Thursday Night Football in Week Two and lost 34-23. The Ravens aren’t a great team, Buffalo just made them look great.
The Chargers lost in Week One but had 541 total offensive yards and 33 first downs. They are a very well-built team and will go into Buffalo and add another level of confusion around the future of the quarterback position for the Bills. Good luck Josh Allen.
Chargers 31 – Bills 10
New England Patriots -1.5@ Jacksonville Jaguars
Last year the AFC Championship ended with the Patriots beating the Jaguars by the final score of 24-20. I am predicting this game to have the same result.
Tom Brady and Bill Belichick make up one of the most dynamic quarterback-coach duos in the history of the game of football and will make the necessary adjustments to lead this injury-riddled team to victory in Jacksonville.
Patriots 24 – Jaguars 20
Seattle Seahawks +3.5@ Chicago Bears
To be quite honest, I don’t think either of these teams are very good. Both of these teams are struggling to find their identities.
On the one hand, you have the Seahawks who used to be known as a tough defensive team with All-Pro guys everywhere. Now it is kind of Russell Wilson and his friends playing backyard football. Pete Carroll is a good coach but if he can lead this team to an 8-8 season, it might be his best coaching feat of all.
The Bears are going in the right direction and resemble the Seattle teams of 5 or 6 years ago. They have the pieces. It is just whether they can put those pieces together and become a cohesive unit. Matt Nagy and Mark Helfrich make up an interesting offensive duo. The question that has yet to be answered is whether they can put Mitchell Trubisky in the right situations to capitalize on his skillset.
In the end, this one will be close enough for the Seahawks to at least cover the larger-than-a-field-goal spread.
Seahawks 27 – Bears 24
Upset Special of the Week:
Miami Dolphins +2.5@ New York Jets
Sam Darnold for president! The youngest quarterback to ever start in Week One of an NFL season won his debut on Monday Night Football against the Detroit Lions.
Darnold opened the game by throwing a pick-6 to Detroits’ Quandre Diggs. Darnold redeemed himself by going 16-21 for 198 yards and 2 touchdowns. Not a terrible performance from the USC product.
However, the reason that game was so lopsided was because of the play by the quarterback on the other sideline. Matthew Stafford threw for 4 interceptions, handing the Jets the game on a silver platter.
That won’t happen this week against a much more conservative offense led by Ryan Tannehill. Tannehill is one of my least favorite starting quarterbacks in the league, but the Dolphins have put together some fairly nice pieces around him. That, paired with an improved defense, leads me to believe that the Dolphins will take care of business in Darnold’s home opener.
Dolphins 21 – Jets 17
Wins Losses Push Percentage
Week One 1 3 1 20%
OVERALL 1 3 1 20%
*All betting lines provided by Bovada.LV on the Thursday preceding particular NFL week.
Garrett Thornton
Garrett has been a Senior Writer for Oregon Sports News for 4 years. In that time Garrett has primarily covered the Portland Trail Blazers. He has also started his series "Breaking Vegas with Garrett Thornton", picking NFL games against the spread. Along with his coverage of the Blazers and NFL, Garrett covers Oregon Ducks football.
Predicting The NFC’s Division Winners For 2019
3 Seattle Seahawks’ Players You Should Be Talking About
Cheers And Jeers For Seattle Sports … And James Holzhauer
Sports Tech At CES 2017 – So Many Wearables
The 2017 Portland Trail Blazers Draft Was All About Numbers
To Kneel Or Not To Kneel – Where Does Oregon And The Pacific Northwest Stand?
Oregon Sports News
Oregon Sports News feeds the conversation with entertaining and opinionated content surrounding the top Oregon sports news.
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Top > 岡山医学会雑誌 > 76巻 - 11-12号
正中神経および尺骨神経損傷の予後に対する臨床的研究
河原 貞雄 岡山大学医学部整形外科教室
76_781.pdf 2.11 MB
By direct examinations of 46 patients with 55 injured nerves out of those patients who had received the suture of injured median and ulnar nerves in the past 7 years at Department of Orthoedic Surgery, Okayama University and of those over one year after the operation, postoperative results were studied and the following findings were obtained. 1. As the lapse of time after inception of the nerve injnry passes 3 months, the postoperative result gradually grows poorer and after 6 months the prognosis is extremely poor. In contrast, the secondary suture performed as early as 3 to 8 weeks after the injury gives satisfactory results and it does not necessarily require primary suture. 2. The younger the patient, the better is the prognosis, especially the prognosis is very good in the age range of 0 to 9 years old. 3. It has been found that prognosis is relatively good in the cases of sharp cut injuries such as glass cut injury because the damage to nerves as well as to surrounding tissues is smaller and the danger of infection is less. 4. In the cases who had infection of some kind prior to receiving the nerve injury the postoperative results are invariably poor. 5. when the injury is sustained at a level more proximal, the results are poorer. Ulnar nerves are injured more frequently at high and intermediate levels. This point also explains the poor postoperative results in the cases of ulnar nerve injuries. 6. There is a possibility of recovery for the period of 5 years after the nerve suture, and especially the recovery of sensory function can be expected for 5 year period after the suture operation. 7. In the ease where median and ulnar nerves are injured simutaneously on the same level, these two nerves recover to about the same degree. 8. By means of two test, namely, picking up test and precision grip test, it has been possible to examine the effect on the routine affairs of life of the patient, that was ditficult to accomplisd by the former sensory tests. 9. The sudomotor function after suture of injured nerve does not necessarily parallel with the recovery of sense, and in the cases past 3 years after suture the sudomotor function in practically every case has recovered to normal irrespective of the sensory function.
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Main / Sports / Frank sinatra the very good years
Frank sinatra the very good years
Name: Frank sinatra the very good years
Sinatra Reprise: The Very Good Years is a single disc compilation taken from the four Frank Sinatra - vocals; Nelson Riddle - arranger, conductor; Don Costa. Find album reviews, stream songs, credits and award information for Sinatra Reprise: The Very Good Years - Frank Sinatra on AllMusic - - Sinatra Reprise. Product description. Sinatra,Frank ~ Very Good Years. pearlbelihuloya.com A track collection from the Reprise years that tries to cover too much ground. Very Good .
Find a Frank Sinatra - Sinatra Reprise: The Very Good Years first pressing or reissue. Complete your Frank Sinatra collection. Shop Vinyl and CDs. Find a Sinatra* - Sinatra Reprise: The Very Good Years first pressing or reissue. Complete your Sinatra* collection. Shop Vinyl and CDs. 26 Dec - 3 min - Uploaded by Ben Charaf Benkhadda "The Way You Look Tonight" is a song featured in the film Swing Time, originally performed by.
31 Jul - 4 min - Uploaded by johnnybravo Sinatra Reprise: The Very Good Years. Frank Sinatra - I've Got You Under My Skin. Sinatra Reprise: The Very Good Years is a single disc compilation of Frank Sinatra's work during the Reprise era of his career. The tracks were taken from. Sinatra Reprise: The Very Good Years is an excellent single-disc retrospective of Sinatra 's career at Reprise, including most of his signature songs from the '60s. Sinatra Reprise: The Very Good Years, a Compilation of songs by Frank Sinatra. Released March 26, on Reprise (catalog no. 9 ; CD). Genres. See also MusicBrainz (release) [MusicBrainz (release)] ; MusicBrainz (artist) [ MusicBrainz (artist)] ; Amazon [Amazon]. Identifier.
Frank Sinatra The World We Knew on LP Newly Remastered in Celebration of Sinatra's Centennial Year An icon who forever epitomizes the American dream. Available in: CD. Sinatra Reprise: The Very Good Years is an excellent single- disc retrospective of Sinatra's career at Reprise. Buy Sinatra Reprise: The Very Good Years (CD) by Frank Sinatra (CD $). Amoeba Music. Ships Free in the U.S. Night and DayFrank Sinatra • Night and Day (The Audio Pearls Collection) It Was A Very Good YearFrank Sinatra • September Of My Years (Expanded Edition).
Listen free to Frank Sinatra – Sinatra Reprise: The Very Good Years (The Last Dance, Night and Day and more). 20 tracks (). The very good Years-Sinatra . 17 May I don't know when this happened but Sinatra Reprise: The Very Good Years seems to have gone out of print.:(I already own it but I'm a bit sad. Tracklist The Last Dance Night And Day I Get A Kick Out Of You Luck Be A Lady The Way You Look Tonight My Kind Of Town The . All the lyrics and translations to the album Sinatra Reprise: The Very Good Years by Frank Sinatra.
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Posted on May 6, 2011 August 4, 2018 by Danny
Loose Ankles (1930) Review, with Loretta Young and Douglas Fairbanks, Jr.
Loretta Young Gil
Douglas Fairbanks Jr. Agnes
Daphne Pollard
Released by First National/Warner Bros.
Directed by Ted Wilde
Proof That It’s a Pre-Code Film
Gams galore– you get plenty of time to ogle Loretta Young’s legs. I mean, it’s called Loose Ankles, what do you expect?
Lots of talk of ‘compromising’ a person. For example:
“You don’t mean to say you’ve been a compromising position?”
“Well, the position weren’t so bad, but the circumstances were again’ me.”
“Well, what type of compromising to you specialize in? Plain or fancy?”
“… both!”
We also have someone accused of being a “lavender woman” which is an insult that really deserves a comeback.
We visit a speakeasy (this is a Prohibition Era flick) and lots of people drink an awful lot. There’s some drunkenness and a woman and a man wrestling on the ground suggestively.
No one really gets punished for their drunkenness nor for when one character beats the stuffing out of a police officer.
Loose Ankles: Legalize It
“You don’t have to understand. That’s one of the advantages of being dumb!”
Watching the films from the 1930s (which I have been doing, in case you didn’t notice),I find it fascinating to observe what genres in Hollywood have survived the Darwinian struggle of the popular consciousness for the last eight decades. While nowadays old plots like “adopted son ends up becoming a crusader for justice and prosecuting his own real mother” or “gold digging woman attempts to blackmail rich man by threatening his standing” are dusty old relics, we’re still getting a ton of mileage out of plots like “spoiled heiress goes berserk” or “crazy woman killing off people who made fun of her in school”.
Loose Ankles is extraordinary in the sense that it one-ups that latter category: ladies and gentlemen, Loose Ankles is the stoner movie for the 1930s, with the only minor difference being the drug of choice. This is a movie about what a blast it is to be drunk.
Which, of course, seems highly innocuous to us nowadays, given that I’m drinking a SLO Hefeweizen and there are more bars in this town than decent pizza places. This film was made in the waning years of Prohibition, and it’s indulging eagerly an implicitly illegal pleasure.
As such, there are tropes of the stoner genre that creep up here: the heroes won’t grow up (they all live either off the suckle of inherited wealth or work as gigolos), the villains refuse to use the demon drug, and everyone’s problem is solved by copious amounts of said drug. Replace this movie’s “wink wink punch” with a plate of pot brownies and you may as well have I Love You Alice B. Toklas or “That 70’s Show.”
Lose Ankles stars Loretta Young as a young heiress in a family full of conservative screwballs. They’re all ready to feast upon an elder relative’s estate, but an eccenctric will demands that Young ends up married before a dollar is distributed. Young decides she’d rather create a scandal and forfeit the will to an animal hospital than give her relatives another cent of wealth.
Young’s character, despite being world weary, has no idea how to actually compromise a man and puts a want ad in the paper for a man “young, handsome and unscrupulous”. Fairbanks Jr. enters to play a flailing gigolo whose escort friends pressure him into taking this one little job. Young must rely on her maid, Agnes for advice. This is one of the funniest scenes in the film, as Agnes, with a certain amount of glee advises Young how to remove his clothing piece by piece, eventually resulting in a big pair of scissors to the trousers.
Some meddling relatives bust in and interrupt this charming tet a tet, and soon Fairbanks is running across town in a woman’s robe avoiding the police. Young’s only clue to his identity is a ticket for big show at a local speakeasy later that evening, and soon every character, whether they intend to raid the bar or preserve Young’s virginity or just get drunk off their asses, make their way there. There’s a ten minute sequence of Young’s uptight aunts drinking too much ‘punch’, slowly unwinding in a delightfully nutty way.
There’s a happy ending, and it’s good to know some things don’t change. Which you’ll notice when watching Loose Ankles, since, besides the pervading sense of mischievous fun, there’s the feeling that once again the demonization of alcohol in the early decades of the last century so closely mimic the ways we still treat marijuana today.
This film should be an important reminder for anyone who needs reaffirmation that the moral crusades of yesteryear are the joke of today. And, apparently, how the moral crusades of yesteryear were also the joke of yesteryear.
Screen Capture Gallery
Click to enlarge and browse. Please feel free to reuse with credit!
Other Reviews, Trivia, and Links
This review is an updated one from August 2018, with some revisions, additional trivia and screenshots. Enjoy!
TCMDB talks about the film’s origin on Broadway (and it had already been adapted in 1929 as Ladies at Play), with a few other interesting observations:
For a concept that had been originally developed in the Roaring Twenties, Loose Ankles was more at home in the 1930s. For one thing, its emphasis on female comediennes modeled the direction 1930s comedy was going to take, which would lead away from male-dominated slapstick and towards female-dominated screwball. […]
Director Ted Wilde passed away at the untimely age of 40, before Loose Ankles reached theaters. Wilde was a silent comedy veteran with a resume full of Harold Lloyd pictures (1925’s The Freshman; 1927’s The Kid Brother; and 1928’s Speedy to name some highlights). Judging from his work adapting this stageplay and onetime silent picture into a modern romantic comedy, Wilde made the transition from silent slapstick to talkie farce effortlessly. Hollywood could have used more directors like him. Thanks to a stroke, now they had one fewer.
One thing to look out for: when the gang escapes from the speakeasy, there’s a massive, lovely poster for Alice White’s Broadway Babies (1929) in the alley behind them. I can’t even imagine how much that would be worth now.
Erich at Acidemic really goes gaga for Loretta Young, and elaborates on his enjoyment of the film’s giddy subversiveness.
We learn some things: ‘loose ankles’ is a term for gigolos hired to be dance partners, because they know all the speakeasy passwords–as the pair of Fairbank’s roommates do for two of her stuffy old lady chaperones. A louche opportunist gigolo roommate of the grenade-diving pair tries to horn in as if to supply some late inning suspense, but why worry? Young’s beauty conquers all. […]
Let that be a lesson to dope smokers: get the naysayers high, one toke at a time –legalization will come.
A preview clip of the film from Warner Archive:
Awards, Accolades & Availability
This film appeared in the List of Pre-Code Films.
This film is available on Amazon thanks to Warner Archive.
More Pre-Code to Explore
Categories1930, All Reviews, Comedy, Like, Scantily Clad Women, Speakeasies, Suggestive Dialogue TagsDaphne Pollard, Douglas Fairbanks Jr., Edward J. Nugent, Ethel Wales, Inez Courtney, Loretta Young, Louise Fazenda, Norman Selby, Otis Harlan, Raymond Keane, Ted Wilde
One Reply to “Loose Ankles (1930) Review, with Loretta Young and Douglas Fairbanks, Jr.”
mjm says:
A few more Pre-Code moments:
A few lines of dialogue between
“What do you have against cows?” “aw, bull-!”
Also Eddie Nugent frequently does a “pansy” voice
Previous PostPrevious Trouble in Paradise (1932) Review
Next PostNext Dr. Monica (1934) Review, with Kay Francis and Warren Williams
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Newt Gingrich on North Korea: "The president's actually been pretty close to correct in the way he's handled this"
As tensions increase between the United States and North Korea – resulting in the U.S. dialing down the rhetoric – on Thursday evening "Piers Morgan Live" invited Robin Wright and Newt Gingrich to lend their educated insight to a worrisome situation that has the potential to increase in intensity:
"It's always the wild card," said Wright, a former diplomatic correspondent for the U.S. Institute of Peace, referring to North Korea supreme leader Kim Jong-un. "Does he interpret what the United States has done as something that makes him worry even more, and think he has to do even more, that we get this kind of gradual escalation, tit for tat, and it gets out of control? That's the real danger."
Meanwhile, in a move that even he admitted was a bit of a "shock," Gingrich crossed the aisle, to a degree, and favored Barack Obama's recent foreign policy approach:
"I think the president's actually been pretty close to correct in the way he's handled this," the former House Speaker told Piers Morgan. "We want to be firm, we want to be clear, but we don't want to increase the temperature of the water."
Watch the clip, and listen to the interview, as Wright and Gingrich add further perspective and context to the current relationship between the U.S. and North Korea.
So, Sean Hannity and his cronies from Fox news are screaming at the top of their lungs for the U.S government to Bomb Iran, and its hidden nuke facility. Like it would be that easy ( and it should be a Nato many countries – Europe-effort united). So now with this N korean crisis we would be in a two war scenario. True N koreas Dumb Dong Chong is just pumping his chest for money from anyone, hes going nowhere. If he shoots one missle we and Nato are going to put him over our knee and give him a grand whipping like he deserves. Now we just finished an unnessary pretty much illegal war from the Bush era with no good results. And as many Americans have forgotten that we are presently in a war in Afganastan and are military is tired and ready to come home, we meet are objective Bin Ladin is dead! Now Sean Hannity, what about Syria? sen. McCain is crying to go to war with syria ( those people need help, butrussia and some other countries need to step up and get that house in order. So in reality, with a 16 trillion dollar deficeit, we "COULD" be in a three theater war at one time. How do you presume to do that Sean Hannity and war lovers out there?
April 5, 2013 at 12:29 am | Report abuse | Reply
O.K i'll admit it, newt Ginrich is a smart man in the House and only in the confines at the Capital, hes been around for everfor a reason. But for the Love of god when he gets in public and in front of a microphone, my God he gets hit with the stupid stick and speaks shear stupidity . ( im not a newt lover, im a conservative Democrate). but my God tonight on piers he put his big foot in his mouth on the issue of Guns and new gun legislation. Cars cause more deaths as guns, excuse me bone head, why are you comparing cars to guns. Cars are a part of everyday life to pump the economy with the workers who run it, and is a privalidge and not a right, Alot of people forget it. You are held accountable for your car, you better believe it.had a ticket lately. You pay car insurance , yes. He says why would a criminal buy a gun and go through a backgroud check, YES EXACTLY, they but it from a private owner who does or dosent know better, point blank, there it is, no arguement. If you disagree with that true fact you just dont care, you just want to argue with anyone about anything, your life is unbearably painful. And.....he says " why would I want to go through a back ground check buying a gun form my brother? Really Newt, maybe your whacked, got a mental disorder after all these years in Congress. And were talking about every household in America who has a gun and might sell it, We Want To Know Where That Gun Is Going, Period!
Paul Backor
piers brought up the comparison, not newt, and then you made a comparison, bone head.
sql_yoda
I never would have voted for Mr. Gingrich, until he talked about the moon base. At that moment I was totally in his corner – we need to strive to accomplish things, not just sit around... but "pretty close to correct" has me bothered in the same way his witch hunt over Clinton, which resulted in a very embarrassing impeachment vote, had me bothered. What would be different in his estimation? What is off the mark for him as far as perfect goes with regard to President Obama? Why does he say Robin is exactly right, and in the same interview, say that Obama is "close to correct?"
Piers Morgan saw that, as evidenced by his "hmph" reaction – but didn't ask what the difference was.
Mr. Gingrich was on to talk about N. Korea and their crazy nuclear threats, and again, you hijacked the topic to “Guns in America”. You sounded ridiculous when you said to him that if he purchased a gun from one of his son-in-laws you’d want a background check because you’d want to know if he was a criminal or mentally sound. Mr. Gingrich explained to you some of the problems and complexities of our “current gun-check system”.
Aside from what Mr. Gingrich told you, universal background checks will NOT pick up on the criminality and mental health deficits of everyone who obtains a gun in America. Do you really think that people known to be criminals are not going to continue to be creative about how they obtain guns? . . . and, we don’t have any kind of national registry listing everyone in America with a mental health condition. Are you really that naïve? Our federal privacy laws prevent us from accessing medical information or records on people over the age of 18. . . . even direct family members who care for mentally ill people in America can’t access any information about their loved one’s diagnosis or treatment plan. Doctors, hospitals, Social Security Department, Crisis Centers, Mental Hold Facilities, etc. will NOT divulge information. What about all of the mentally ill people in America who are not in treatment . . there’s no record of them even being mentally ill?
Only a mentally ill person who has come in contact with our justice system would have a “record’ and there would be nothing to compel them to disclose that they were mentally ill . . just like anyone else who is arrested or goes through court proceedings is not required to disclose anything about their medical conditions or treatments. So it’s possible to have a record for criminal or civil disobedience but that record not mention that one is also mentally ill, or diabetic, or in treatment for high blood pressure . . . etc. Privacy laws
Piers, stop presuming to know us. Americans find it offensive to our core that all of us would lose liberties because of the actions of the few. This is apparently the fundamental concept that you cannot wrap your head around . . so just STOP . . Stop applying a “hive” mentality in America where we enjoy the liberty and right to have independent action and thought. Mr. Gingrich is right . . “ Most Americans would regard your comments with amazement”.
Newt hit the ball out of the park tonight when he made Piers go speechless! No easy feat for anyone. I've been saying for months that Piers Morgan, President Obama, and Diane Feinstein are doing more to promote gun sales than all the other efforts combined. Piers is THE reason why I held an AR-15 today. And contrary to what he continues to try and get people to believe, I've never been contacted by the NRA. It's NOT the NRA that's trying to promote gun sales. It's Piers and his cronies. Prior to listening to him and his total illogical ravings like a lunatic, I never even thought about owning one. Newt is absolutely right! Oh yeah, and btw Piers, thanks for letting me know how I can buy a bunch of ammunition for my guns. The stores I've been going to don't have any!
I wonder why cnn won't show the last minute of the Newt interview when he owned piers when piers brought up the Catholic bishops. A bad moment for pm.
Azzie Struber
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Personal Training Long Island
North Korea, is a joke regime. It will eventually fall. I also think that the president is handled it the best he can.
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Tag Archives: riots
Delhi HC orders retrial in five 1984 anti-Sikh riots cases
The Delhi High Court on Wednesday ordered retrial in five 1984 anti-Sikh riots cases in which all the accused were acquitted in 1986.
A bench of Justices Gita Mittal and Anu Malhotra also issued showcause notices to all the accused asking why the case against them ...
1984 anti-Sikh riots: CBI seeks permission to conduct lie detector test on Jagdish Tytler
A Delhi court on Thursday directed Congress leader Jagdish Tytler to appear before it on Friday after the Central Bureau of Investigation sought permission to have him undergo a lie-detector test in the 1984 anti-Sikh riots case.
Besides Tytler, the CBI has also sought conduct of ...
Kanhaiya, under fire for remarks on 1984 anti-Sikh riots, says he was misinterpreted
30.03.16 - pt team
Jawaharlal Nehru University student union president Kanhaiya Kumar on Wednesday attempted to water down the controversy that erupted after he said there was a difference between 2002 riots and 1984 Sikh massacre.
In a Facebook post, Kumar said he was misinterpreted. Read his post here:
" I ...
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Open Letter by Co-Chair for Commission for Women's Chess Alexandra Kosteniuk
Written by Natalia Pogonina
Women's World Chess Champion and Co-Chair for Commission for Women's Chess Alexandra Kosteniuk has published an interesting open letter to FIDE. There she raises some serious issues connected with women's chess and suggests possible solutions to the existing problems. A must-read.
From the Desk of Alexandra Kosteniuk
Women's World Chess Champion
Co-Chair, Commission for Women's Chess
To FIDE President Kirsan Ilyumzhinov
To FIDE General Secretary Ignatius Leong
To Commission for Women's Chess Co-Chair Susan Polgar
To The Commission for Women's Chess
Secretary Martha Fierro Baquero
Councilors Xie Jun and Maya Chiburdanidze,
Members Antoaneta Stefanova, Xu Yuhua, Zhu Chen, Nona Gaprindashvili, and Franca Dapiran
Subject : FIDE COMMISSION FOR WOMEN'S CHESS PROPOSALS
(Ref. AK-20090507)
Dear fellow supporters of Women's Chess!
Since being appointed Co-Chair of the FIDE Commission for Women's Chess at the recent FIDE Presidential Board in Istanbul, I have studied in detail the current situation of women's chess around the world.
While there has undoubtedly been great progress in women's chess in the past few years, evidenced by the larger number of women participating in chess tournaments, as well as the general increase of women's ratings, I believe there is much we can do to improve the situation further. We have to work on all levels, so that chess is perceived as a game equally suited to girls as to boys, beneficial to their development, in school and later on in life. This will lead to more girls starting to play chess, becoming members of their national chess federations and consequently more girls and women taking part in chess tournaments. With time, this will further raise the overall level of women chess players. With further work to make our women champions better known, girls and women will have role models to follow and that will help them become better chess players, too.
Besides that, developing Women's Chess also can help attract more press to chess, thereby pulling in potential sponsors, raising its profile and helping the game of chess as a whole.
My belief is that, with some good ideas, coupled with sound policies and precise targets for improvements in Women's Chess, we can reach significant improvements.
In this letter, I raise some important issues and give some proposals to improve women's chess over time.
Improvements won't come all at once, we will need everyone's input and active involvement. I am firmly committed to helping to develop Women's Chess in the world, and so I propose to take upon me the role of centralizing all the ideas, improving on them with everyone's help, and try to push them around until they become a reality.
I need and welcome all of your comments and suggestions to any of these points. Feel free to respond to the committee members as a whole so we can all be informed of how our issues advance. You can also add issues that are close to you and we can try to improve the situation in those too. I will follow up on all issues until we either succeed or decide it is an avenue not worth being followed.
Specially for the goal the Improving Women's Chess, and to have a central depot for the ideas generated and comments to them, I have set up a Women's Chess Blog, where you will be able to post messages with your ideas and comments to any other ideas. The address is www.chessblog.com and I will make sure that it meets its goal of positively promoting Women's Chess in the world.
Today I have posted on www.chessblog.com this letter in its entirety, and in the days ahead, each point raised below will have its own post, so you will have a chance to comment on any and all of the issues at hand. If you have a new issue you'd like to raise, simply send me an email to\n This e-mail address is being protected from spam bots, you need JavaScript enabled to view it This e-mail address is being protected from spambots. You need JavaScript enabled to view it and I will post the issue as a new post on www.chessblog.com .
The goal of the WOMEN'S CHESS BLOG is exclusively to improve Women's Chess in the world, in a positive way, with new ideas and constructive criticism only. Women's Chess will be shown to be the kinder and more attractive side of chess.
Open issues and Proposals:
1. Predictable Tournaments Calendar.
It is important to make the calendar for professional women's players as predictable as possible. For that we need to set up a reliable system where tournaments are announced as far as possible in advance and dates are recorded in a central FIDE database (for example at calendarwomen.fide.com). Official FIDE tournaments and Grand Prix events should have dates fixed at least 6 months in advance and cannot be changed after the bidding host has been accepted.
2. Making our Women Stars better known and turn them into Role Models.
When the press talks about chess, they sometimes don't have any ideas about the fact that women play chess too or they think it's not interesting. We propose FIDE make women's presence on their site closer to 50% of coverage. I looked today and there is practically not a word about any women's chess champion nor any women's event on the FIDE home page. At the minimum, FIDE should have a well placed button or banner on their home page called "Women's Chess Stars", for example at women.fide.com, where we could find the history of Women's Chess, previous World Champions, as well as the current women's champions in all sections (World, Continents, all Countries, all age groups). Any women on that page become FIDE WOMEN STARS and FIDE should promote them as such. Any girl from any country, whatever small it is, should be able to go to that page, and find her country "star", which will be her role model for the time, before she gets better and becomes a "star" herself, then trying to become a bigger "star". I think that this idea, while very easy to implement and which does not cost anything really, will help more girls think of chess being cool, and will bring them to chess. And it will be useful for the press, who at a glance, will be able to see all of the worlds past and present stars, on a global scale going down to each country. That's much better than having to search on dozens of Wikipedia pages and FIDE top lists.
3. Women's World Blitz and Rapid Championships.
Those tournaments, which could be a hit with sponsors and especially with TV, unfortunately don't exist. FIDE should develop tournament regulations for them and put them up for bidding. FIDE could make official the titles of Women's Blitz and Rapid Champions, which would make these events very attractive to all the top players, as well as to sponsors and the press. Further, organizers of continental championships should be encouraged to add 2-3-4 days to their schedules to hold continental Blitz and Rapid Championships, and give out additional titles of Blitz and Rapid Champions. I am sure many players would gladly participate in the extra competitions and this has a great potential to bring in the press and even additional sponsors. Also, playing a continental championship will then offer 3 chances to become the champion, which is better for the players. This can be also extended to the Women's Grand Prix.
4. Creating the CAISSA Award.
This award could be given to the best woman player of the previous year, based on some criteria to be determined (highest ELO improvement from 2400 up, highest performance in a top tournament, most titles won, etc.). FIDE could put this also up for bidding with sponsors and the title could come with the sponsor name, for example the "Microsoft Caissa award", with a part of the sponsor's money going to the budget for women's chess.
5. Creating a GOLD ORGANIZER award.
Our FIDE Commission for Women's Chess can make a list of positive qualities women's chess tournaments should have and evaluate each major tournament based on these factors. For example, level of prizes, web presence, satisfaction of players, etc. The tournaments and organizers who make the mark should be given a GOLD ORGANIZER award. The award is honorific in nature, but could carry some advantages in the future for example in scheduling tournaments. Also, FIDE could post on their web site information on all chess organizers , with a particular mention for those achieving the GOLD status.
6. Increasing Women's Prizes in Open Tournaments.
At the moment the difference between the top prize and the top women who play in the same strong open tournament is significant, making it not at all interesting for the strongest women to play in large open tournaments. For example top men's prize in an open could be $4000, but top woman in the open $200, which is not reasonable if there are several men GM playing, it becomes totally uninteresting for women to play or even costly since they often have to pay for they travel, hotel and sometimes trainer. This is detrimental to the progress of women's chess as women miss out on opportunities to play strong opens with men. FIDE could require for all FIDE rated tournaments to have a prize for the first woman to be no less than 30% (for example) of the top prize, this way with time it is sure that more women would participate in open tournaments, which would increase their levels.
7. Supporting women's events with its Budget.
FIDE is a little too silent on the way it uses its budget, as they don't have a transparent reporting of their incomes and expenses. For example, while I am Co-Chair of the Commission, it is not clear what the budget, if any, the Women's Commission has. It is also not clear how the budget is funded, from where. Recently I received an email asking about having the Women's Commission support financially the Central American and Carribean Women's Championship and we don't know if there is a budget for this and what are the procedures to follow.
I think this Commission for Women's Chess should have a budget in accordance with its duties, and the right to spend it to further Women's Chess, in a totally open and transparent way, and taking everybody's votes into consideration. It should be clear how the budget is funded, for example, a part of the 20% paid to FIDE from prizes of all major tournaments should go to the Commission for Women's Chess (at least from the Women's tournaments).
By this letter I ask the FIDE Secretary Mr. Ignatius Leong to inform us about the current budget for this year, as well as the correct procedure for spending it. This way we will be able to monitor the progress we make and support causes that deserve it.
I look forward to seeing you all on www.chessblog.com where I will inform everybody on the progress we make in all areas and you are welcome to add your comments. If you wish to contact me personally, for any reason and to add issues or suggested improvements for Women's Chess to my list my email is\n This e-mail address is being protected from spam bots, you need JavaScript enabled to view it This e-mail address is being protected from spambots. You need JavaScript enabled to view it .
Best chess wishes to all!
Alexandra Kosteniuk
www.chessblog.com
1. Written by Юрий on 17:13 26 января 2010 г.
равноправия
Я Юрий Волков в администрации женских шахмат http://www.womaninchess.com Прошу Вас обсудить в Федерации шахмат вопрос о равноправии женщин играющих в мужских турнирах вопрос о снятие такого понятия как давать женщинам призы денежные больше чем мужчинам! И вообще убрать тако понятие об этом! А наоборот создать для женщин играющих в мужских турнирах льготные условия только за участие женщин играть в мужских турнирах специальные призы! Спасибо за понимание проблемы! С уважением Юрий Волков.
http://www.womaninchess.com
2. Written by Юрий on 17:34 01 февраля 2010 г.
Женские шахматы
Я хочу пояснить моё предложение на счёт равноправия женщин играющих в мужских турнирах! Я хочу предложить только одно что бы больше не звучала вообще слово равноправие! Имею ввиду получать равные права женщинам играющих в мужских турнирах! Нигде в Мире нет такого вопроса даже что бы в опен турнирах давали женщинам меньше денежных призов чем мужчинам!Просто даже слышать такой вопрос о равноправии не этично в наше время! Ещё раз хочу прояснить! Надо раз и навсегда дать обсолютные равные права женщинам играющих в мужских турнирах и не важно опен турнир или нет! Я скажу откровенно не надо больше вообще подымать эту тему! Надо что бы Фиде раз и навсегда сняла даже малейшие проявления не равноправия к женщинам! Потому что женщины только украшают любой мужской турнир и от этого выигрывают все! С Уважением Юрий Волков.
Last Updated ( Monday, 01 June 2009 )
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Jerzy Milian – When Where Why (2012) ***1/2
Jerzy Milian - vibraphone / composer
GAD 005
The Polish GAD Records label has become a treasure chest of archival recordings by Polish Jazz and Rock artists and in the short period of time since 2010, when the label released its first album, it established its position on the market as a dedicated and reliable source of interesting material. This album follows the already established pattern and is the first volume of archival material by legendary Polish Jazz vibraphonist / composer Jerzy Milian, one of the forefathers of modern Polish Jazz.
The material collected here was recorded over a period of several years in the 1970s by the East German Rundfunk Tanzorchester Berlin conducted by Gunter Gollash, which included many excellent players, some known also internationally like the legendary saxophonist Ernst-Ludwig Petrovsky. Milian worked with the orchestra for many years, writing and recording a lot of quite diverse music with them.
The music presented here, all composed by Milian, consists of fifteen relatively shorter pieces, which exemplify the "lighter" side of his composer's milieu, which of course does not mean the music is of lesser quality or sophistication. The melodies are all quite superbly crafted and the orchestral arrangements are all splendid and interesting. It is less adventurous material than some of Milian's other compositions, but lacks nothing as far as compositional skills, flair and elegance are concerned. The orchestra performs the music spotlessly and with grace and as a result this is a wonderful Big Band / orchestral album, which reflects well on Milian's talent and vision. It is also a great example of European Big Band / orchestral sound and style, which varies considerably from its American counterparts.
In retrospect these recordings are a sad reminder of the Big Band form, which is almost extinct today in comparison to its hay days. With the impossible economics behind keeping a Big Band performing and touring and a dwindling public funding, most Big Bands, including the one present here, were eventually disbanded, an omen of a disappearing Culture. They also present a little known facet of European Jazz, which bloomed under the surface behind the Iron Curtain, even in the DDR and East Berlin, which were always considered as the epicenter of Socialist conservatism, cultural and otherwise, and oppression of "forbidden" Western influences. And yet the wide open eyes of the censorship often missed some truly daring escapades happening just under its nose. This is definitely one of such cases.
With remastered and restored sound and informative booklet (including text in English), this album is definitely worth checking out by any connoisseur of European Jazz, looking for another perspective.
o Friday, November 29, 2013 0 komentarze Linki do tego posta
Etykiety: ***1/2, 2012, Baruch Adam, Milian Jerzy
Maciej Fortuna / Krzysztof Dys – Tropy (2013) ****1/2
Maciej Fortuna - trumpet
Krzysztof Dys - piano
This is the debut recording by the Polish Jazz duo comprising of trumpeter / composer Maciej Fortuna and pianist Krzysztof Dys. Fortuna is a relatively new arrival on the local scene, but his prolific and outstanding achievements in the last few years are so impressive, that he immediately emerged as a serious candidate to become a member in the very exclusive club of top Polish Jazz musicians. Dys, with a slightly longer presence on the scene is primarily known as a member of the wonderful Soundcheck quartet. The album includes seven original compositions all co-composed by the duo, and was recorded inside a church, which adds a wonderful ambience to the recording.
From the opening notes of this album, any listener familiar with the Polish Jazz scene is immediately transferred a few decades into the past, when the Polish Jazz scene was majestically emerging in the late 1960s as one of the most important Jazz World centers. A young trumpeter named Tomasz Stanko was one of the great hopes of that scene and in years to come he evolved into one of the top World Jazz Masters. Fortuna's playing evokes exactly the same feelings and emotions, which early Stanko recordings stirred then. The same vibrato, staccato, tone and even melodic motifs are present here, with the same intensity, expressiveness and brilliance. Also the unusual setting of a trumpet / piano duo has been utilized by Stanko some thirty years earlier on the album "Korozje" recorded with pianist Andrzej Kurylewicz.
Of course the tonal similarity does not imply, not even in the slightest, that this is a form of replication or copying pre-existing music. On the contrary, this music, in spite of the fact that it brings up fond memories of great music from the past, is completely and utterly original. Fortuna and Dys, who emerges as a wonderful co-creator, manage to create a world of their own, where the combination of the two spirits turns out to become greater that the sum of its ingredients. The music portrays a rare affinity between musicians who shift lead responsibilities between themselves, compliment each other with great sensitivity, respect each other's space and individuality and above all communicate. Consequently this is not only an example of great music but also a living proof of camaraderie and musical co-existence of the highest level.
This album is surely one of the strongest releases on the Polish Jazz scene in 2013 and a candidate to the "classic" status in the days to come. It is also probably the strongest statement made so far by Fortuna, although all his recordings to date are simply excellent. I'd even go as far as saying that I wish Maestro Stanko would return to playing music like this one… This album is an absolute must to every Polish / European Jazz connoisseur!
Etykiety: ****1/2, 2013, Baruch Adam, Dys Krzysztof, Fortuna Maciej
Janusz Muniak – Crazy Girl (2009) ***
Janusz Muniak - saxophone
Wojciech Puszek - piano
Zbigniew Wegehaupt - bass
George Buckner - drums
ANEX 322
This is the third album as a leader by the veteran Polish Jazz saxophonist / composer Janusz Muniak, recorded live with his quartet, which also included pianist Wojciech Puszek, bassist Zbigniew Wegehaupt and American drummer George Buckner. They play only four compositions, one of which is an original by Muniak, another is by the Godfather of Polish Jazz, Krzysztof Komeda (the title track) and the remaining two are standards.
Although well played the album offers no innovation whatsoever and is simply one more Be Bop set, which is quite forgettable. The leader plays some mighty solos, which are, as always in his case, quite incredible and virtuosic, but the overall effect remains pretty unremarkable.
The album also suffers from a pretty amateurish sound quality, which often victimized live Polish Jazz recordings, with mobile recording equipment in the Socialist country being sadly sub-standard. Nevertheless it is a document both of the times and of Muniak's legacy, and therefore definitely worth listening and enjoying his bravado performances.
Side Note: The Poljazz label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie Nagrania / Muza and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label Anex reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
o Thursday, November 28, 2013 0 komentarze Linki do tego posta
Etykiety: ***, 2009, Baruch Adam, Muniak Janusz, Puszek Wojciech, Wegehaupt Zbigniew
Mozdzer/Danielsson/Fresco - Polska (2013) *****
Mozdzer/Danielsson/Fresco
Leszek Możdżer - piano, celesta, vibraphone, synth
Lars Danielsson - cello, bass
Zohar Fresco - percussion, vocal
The Pole Leszek Możdżer is "a phenomenon" (Süddeutsche Zeitung). "His finely grained virtuosity is fascinating entertainment that is unrivalled in the contemporary piano craft" (FAZ). Already a star in his homeland, and in Europe the most important Polish jazz musician of his generation after Tomasz Stańko, the 42 year-old pianist from Danzig is the embodiment of the current journey of European jazz. A journey back to its roots, and at the same time to new shores: a classical education, the awareness of the own musical tradition, is almost always the basis for exploring one's own worlds of sound with masterly technique. And so it is with Możdżer, who didn't discover jazz until he was 18, to then quickly combine it with other forms. A distinctly individual sound resulted, a personal form of expression that is unmista...
(source: press release)
o Wednesday, November 27, 2013 1 komentarze Linki do tego posta
Etykiety: 2013, Możdżer Leszek
Jaroslaw Smietana – From One To Four (2009) ****
Jaroslaw Smietana - guitar
Piotr Baron - saxophone
Krzysztof Scieranski - bass
Antoni Debski - bass
Jacek Pelc - drums
This is the second album as a leader by the fabulous Polish Jazz guitarist / composer Jaroslaw Smietana, who died recently tragically prematurely, succumbing to cruel illness. Smietana was one of the most active players on the local scene and contributed enormously to its development over the years. This album presents him, as the title suggests, in different settings: solo, duo, trio and quartet, playing with some of the best Polish Jazz musicians active at the time: saxophonists Janusz Muniak and Piotr Baron, bassists Krzysztof Scieranski and Antoni Debski and drummer Jacek Pelc. They perform eleven compositions, five of which are originals: three by Smietana and one each by Scieranski and Pelc, and the rest of the material is all standards.
This is one of the Jazziest albums recorded by Smietana, with fewer Fusion ventures, and his beautiful Jazz sensitivity is especially apparent herein. But all the other players also contribute very fine examples of intelligent, intimate musical conversations with the leader. Scieranski's bass and Baron's saxophone are simply delightful. Smietana experiments with the guitar synthesizers and performs on three quite distinctly sounding guitars, with his delicate touch being definitely one of the finest ever. Also the three duets with veteran saxophonist Janusz Muniak are among the album's most enchanting moments.
In retrospect this is a very strong album from start to finish with no weak moments or unnecessary "fillers", and a superb legacy which Smietana left for all of us to enjoy. A must for all Polish Jazz fans!
o Tuesday, November 26, 2013 0 komentarze Linki do tego posta
Etykiety: ****, 2009, Baron Piotr, Baruch Adam, Dębski Antoni, Muniak Janusz, Pelc Jacek, Ścierański Krzysztof, Śmietana Jarek
Spór o "Polskę"!!!
* Ten felieton stanowi część polemiki w jaką wdaliśmy się z Maciejem Karłowskim na łamach jazzarium.pl. Oto link do całego wpisu z godną lektury repliką Macieja na mój tekst: LINK
Najnowsza płyta Leszka Możdżera zatytułowana “Polska” wywoła zachwyt publiczności i niesmak wśród krytyków, zwłaszcza na drogim mojemu sercu portalu jazzarium.pl. Założymy się? Proszę! Koniecznie! Zróbcie to, bo jedną z moich słabości jest to, że lubię wygrywać.
Krytycy, zresztą słusznie, zmiażdżą kolejną płytę Leszka zarzucając jej brak ambicji, wtórność i nachalne wdzięczenie się do publiczności. Szczególnie będzie ich jednak drażnić głupota tych kolegów-dziennikarzy, którzy nie znając się ani jotę na jazzie będą wychwalać w różnych mass mediach geniusz Możdżera jakby był on drugim Milesem, Coltranem i Evansem w jednym. Ale trudno przecież winić tego artystę za brak krytycyzmu i szerzącą się wśród dziennikarzy chorobę panegiryzmu? To tak jakbym z powodu trapiących mnie hemoroidów chciał zastrzelić drozda, który przysiadł na drzewie w moim ogrodzie i śpiewa.
Nie jestem idiotą! A może jestem? Bo czasami wydaje mi się, że bezmyślmość panegirystów piszących o takim na przykład Możdżerze, Stańce czy Mazolewskim jest wprost proporcjonalna do zacietrzewienia tych, którzy podobnie jak i ja niekiedy, tylko w nie dającym się słuchać free jazzie widzą zbawienie. Jednak chociaż kocham szaleństwa takiego na przykład Damasiewicza, uwielbiam Obarę czy zdumiewa mnie to co wyczynia w swoim NRD-owskim dresie Masecki, to muzyki żadnego z nich nie włączę sobie do porannej kawy. A nie wyobrażam sobie życia bez tego płynu i celebruję miłe z nim chwile jak niejeden mszę świętą.
Chcecie znać prawdę? Moje serce należy do Ani! Idea stara jak świat, znajdziecie ją jeszcze u Arystotelesa. Ani za dużo awangardy. Ani za dużo głównego nurtu. Ani za dużo popu. Niczego zanadto! Wszystkiego po troszku. A szczególnie oczekiwałbym po muzykach empatii w stosunku do słuchacza. Poważnie! Bo kiedy w domu włączam muzykę takiego na przykład Cecila Taylora to moje małżeństwo wisi na włosku, a Możdżera nawet nie muszę, żona sama wyszukuje sobie na półce.
Że Możdżer cementuje małżeństwa tego chyba jeszcze nie napisał żaden panegirysta! Ale któż zaprzeczy, że muzyka na tym albumie jest rewelacyjnie wprost zagrana? Że melodie są wspaniale napisane? A interpretacja “Are You Experienced?” Hendrixa po prostu powalająca jak kiedyś Możdżera wersja “Prawa i pięści” na innym jego krążku “Komeda”? Że współpraca pianisty z grającym na kontrabasie Larsem Danielssonem i na perkusjonaliach Zoharem Fresco po prostu perfekcyjna w każdym calu? Wolę ich wyrafinowanie i cudowne panowanie nad dźwiękiem niż kolejny album post-brotzmannowskich postękiwań jakimi darzy nas na swoich wydawanych z szybkością karabinu maszynowego płytach taki na przykład otaczany kultem przez free jazzową publikę Ken Vandermark.
Ostatnia już metafora i koniec tego tekstu: chociaż jeśli chodzi o kulturę mam raczej dość wyrafinowane gusta to czy jestem jedyny, który gdyby miał się żywić, jeśli chodzi o taki na przykład film, samym Bunuelem, Godardem czy Fellinim to zdechłby jak pies? Raczej częściej niż rzadziej potrzebuję obejrzeć coś ze Schwarzeneggerem i podobają mi się też, nieważne jak perwersyjnie by to zabrzmiało, filmy w rodzaju “Obcego”. W tych kategoriach umieściłbym album Możdżera “Polska”. Nie wiem czy to by go ucieszyło, ale dla mnie jest i Schwarzeneggerem i Obcym polskiego jazzu w jednym, za co bardzo mu pragnę podziękować!
Autor: Maciej Nowotny
Etykiety: 2013, Możdżer Leszek, Nowotny Maciej, Polish
Karolak / Urbaniak / Bartkowski – Moving South (2009) ****
Wojciech Karolak - keyboards
Michal Urbaniak - violin
Czeslaw Bartkowski - drums
This is the only album recorded by the fabulous Polish Jazz trio, comprising of keyboardist / composer Wojciech Karolak, violinist / saxophonist / composer Michal Urbaniak and legendary drummer Czeslaw Bartkowski. In many respects this is a companion album to the groundbreaking album by the Michal Urbaniak Constellation, which was released as part of the Polish Jazz series ("In Concert", Vol.36) and recorded the same year as this album. Both Karolak and Bartkowski were members of Constellation and therefore it's hardly surprising that stylistically the music is very similar.
The album includes five compositions (one is a three-part suite), four by Karolak and one by Urbaniak, which can be roughly categorized as Jazz-Rock Fusion, but they are so unique and eons ahead of their time that simplistic labeling is not doing them justice. This is truly visionary music, capturing all three musicians at the peak of their creative powers. Although Karolak composed most of the music on this album, Urbaniak's concept of Fusion / Funk are the primary forces at work here. His use of electronics to enhance the sound of his violin is simply brilliant and completely innovative. Karolak plays also brilliantly, with his Hammond ripping the sound-space to shreds. Bartkowski is driving the music forward like mad, being the Jazziest element of the music, busy but not intrusive, with fantastic polyrhythmic feel and incredible technique.
In retrospect this is one of the most important Polish Fusion albums, which sadly remains mostly unknown even to the local fans and especially so abroad. This reissue creates another chance for this album to be re-discovered, and I recommend to all the Fusion diehard fans to start looking for this gem ASAP!
o Monday, November 25, 2013 0 komentarze Linki do tego posta
Etykiety: ****, 2009, Bartkowski Czesław, Baruch Adam, Karolak WOjtek, Urbaniak Michał
Marek Blizinski – Wave (2009) ***
Marek Blizinski - guitar
Pawel Jarzebski - bass
Janusz Stefanski - drums
This is the only album as a leader recorded by Polish Jazz guitarist Marek Blizinski, who was one of the first Jazz guitar players on the local scene. He was a very in-demand session player and participated in many recordings as well as recording with several groups of which he was a formal member, led by such Polish Jazz luminaries like Michal Urbaniak, Wojciech Karolak, Zbigniew Namyslowski and Jan Ptaszyn Wroblewski. He was a brilliant improviser and had a wonderful tone, which ornamented many important Polish Jazz recordings.
His solo career, however, never really took off and this was the only album he managed to release as a leader, before his untimely and tragic death at the age of 42. The album consists of two radio sessions, with Blizinski playing on both in a trio format, first with bassist Pawel Jarzebski and drummer Janusz Stefanski and then with bassist Zbigniew Wegehaupt and drummer Czeslaw Bartkowski. Both these rhythm sections are considered to be among the best ones ever active on the local scene. The album includes seven compositions, all of which are standards.
Although well played, both by Blizinski and the rhythm sections, this album does not present his true abilities and sensitivities and in retrospect is unfortunately much less impressive than it could have been. Playing these standards, which present no true intellectual challenge for these experienced musicians, was a poor decision. His numerous recordings with other artists are much more impressive.
Guitar enthusiasts will obviously find here many beautiful moments of mainstream Jazz, with are every bit as good as those recorded across the pond. Definitely worth remembering!
Etykiety: ***, 2009, Bartkowski Czesław, Baruch Adam, Bliziński Marek, Jarzębski Paweł, Stefański Janusz, Wegehaupt Zbigniew
Beata Pater - Golden Lady (2013) ** 1/2
Beata Pater
Beata Pater - vocal
Hiromu Aoki - piano
Buca Necak - double bass
Golden Lady (2013)
This is an album created by a uniquely formed jazz trio whose artistic chemistry surpasses cultural distinctions, led by vocalist Beata Pater whose international jazz career earned her a CBS/Sony recording contract during her ten years in Japan.
It was twenty-five years ago on one of the rare day’s that Beata wasn’t performing or traveling Japan that she serendipitously met pianist Hiromu Aoki. Arduously searching for the right pianist to complete her trio – after finding Serbian-born acoustic bass player Buca Necak – she decided to visit a jazz club in her then hometown of Yokohama. It was here that Beata heard a performance by pianist Hiromu Aoki for the very first time. “Immediately I knew he was ‘the one’,” Beata recalls. Instantly drawn to the pianist, she introduced herself after the performance, eagerly convincing him to take the hour’s drive with her into Tokyo to hear the acoustic bass player perform, in spite of them being strangers.
After Aoki heard Buca’s performance, they instantly fell in love with each other’s artistry, as all three perfectly clicked. “Trying to form a band with the [right] chemistry where everyone’s ‘on purpose’,” as Beata explains, “is difficult and contingent on musicianship and style.” That was the night this musical partnership began, continuing to this day - their musical acquaintance over twenty-five years is a natural connection that ignites each time they perform.
o Sunday, November 24, 2013 0 komentarze Linki do tego posta
Etykiety: 2013, Pater Beata
Oleś Brothers & Jorgos Skolias - Sefardix (ForTune, 2013) ****
Oleś Brothers & Jorgos Skolias
Jorgos Skolias - voice
Marcin Oleś - double bass
Bartłomiej Brat Oleś - drums
Sefardix (ForTune, 2013)
By Dirk Blasejezak
So it’s the Oleś Brothers again… My relationship with the two brothers is a very special one. There is probably no Polish Jazz formation I've seen more often performing live and in different combinations. Nonetheless, I'm still not sure what I to think of the two. After each concert and all I hear from them I think: "That was all right," but there is also a tiny voice saying "but there could be more."
I suspect everyone knows one artist of which he or she expects exactly that one piece of art he/she’s been waiting for. For me those are the Oleś Brothers! Maybe that’s the reason I judge them so hard, it’s simply that I expect from them no less than my future favorite album for the next few years - the downside is: they just do not give it to me! Everything about them: style, attitude, expression, non-conformism - everything I want from my favorite band, but the result never completely convinced me yet.
Unfortunately this record neither is the one. The reason for this is Jorgos Skolias - but please don’t understand this a negative rating! His special way to use his voice and the compositions on this album are simply too dominant, the Oleś Brothers degenerate here in most cases to a mere rhythm section. Last year I had already the opportunity to see these three live and had there a very similar impression. There too it appeared to me that Brat Oleś played very reserved, long passages he played his drumheads with his bare hands (of course with the self-assurance he’s showing all the time). And only Marcin can excel at the bass here and there and set some accents. Of course this is higly subjective and caused solely by my expectations described above. Jorgos Skolias has an inimitable style to use his voice, or his whole body as an instrument, which you won’t find often in this form. However, if you - like me - expected a Polish jazz disk, you will surely be disappointed, because the pieces on this album are simply too “Greek” - even if this is too generalised. If the disk title is not to be misleading, the tradition of Jorgos Skolias’ singing might be the Sephardic music, based on the culture of a Jewish diaspora originally at home on the Iberian peninsula, which had a large community in Greece up to World War II.
To round this review up: Please try it yourself, this album is different! Personally I look at this album with an auspicious and a dropping eye. On the one hand it’s a wonderful album with some great melodies (you’ll hum all day) played and recorded perfectly that introduced me to a unique singer and to a culture I didn’t know, but on the other hand it seems I will have to go on waiting for my favorite record by the Oleś Brothers...
o Saturday, November 23, 2013 0 komentarze Linki do tego posta
Etykiety: ****1/2, 2013, Blasejezak Dirk, Oleś Bartłomiej Brat, Oleś Marcin, Skolias Jorgos
NSI Quartet - Introducing (2013) ****
NSI Quartet
Cyprian Baszyński - trumpet
Bartek Prucnal - alto & soprano saxes
Dawid Fortuna – drums
Introducing (2013)
It seems to me that I was first writer who few years ago started to use a term "renaissance" to describe what is going right now in Polish jazz. I found it appropriate since after a decade or two of stagnation during which only occasionally some creative sparks (like yass) lighted up the darkness, all of the sudden the young generation invaded the stage. They kind of rejuvenated a body which seemed long dead. Such a picture might be oversimplified but nonetheless I assume nobody can question the role of young musicians in recent resurgence of jazz music in Poland. That is why we have on our blog FOCUS ON DEBUT category and we regard albums featured in it as also the best among ALL released recordings in given year.
Now in this category we present you a very special recording which embodies what is the best in youngest generation of musicians in Poland. First of all it is very well performed which is due to the high level of education. Like many of his peers a two members of this collective - trumpeter Cyprian Baszyński and saxophonist Bartek Prucnal - are students of one of the best music academies in Poland, precisely the one located in Cracow. Furthermore, and that is also almost a rule, they are among them a lot of winners of many jazz contests and in this case this band won famous in Poland Jazz Juniors contest. What is now also frequent is that these young artists very soon start to collaborate with their colleagues from other countries. That's why we should not be surprised that in this band we find a American doublebassist Mike Parker who is is as young and as talented as the rest of the players in this band.
Dawid Fortuna, the drummer, is a bit different story. Though young as well he already graduated from Cracow school and, more importantly, has earned himself a name among jazz musicians in Poland. Regular member of Paweł Kaczmarczyk and Dominik Wania trios he is also playing in band called New Bone. Everywhere he is valued for his energetic yet technically impeccable style.
Now we move to the most important common feature of the projects of many young musicians who debut in recent years: unlike a decade or even 5 years ago this generation is much more looking to the future than to the past of jazz music. Sure they know, they respect and they use the great heritage of jazz music as a foundation for their own development. But as much these four musicians constituting NSI Quartet as many his colleagues they first of all try to experiment to find in jazz music what always was vital for it: that is something fresh, something personal and something which reflects the actual tastes of popular audience. All these augurs well for the future of our music, for the future of jazz in our country and bodes well also for the future of these for young artists of whom I am sure we will hear a lot of in years to come. Congratulations!
NSI - Introduction (2013) by Jazzariumpl on Mixcloud
Etykiety: ****, 2013, Baszyński Cyprian, Fortuna Dawid, Nowotny Maciej, Prucnal Bartek
Tomasz Stanko – Wislawa (2013) ****
Tomasz Stanko - trumpet
David Virelles - piano
Thomas Morhan - bass
Geral Cleaver - drums
ECM 2304/05
I always try to write about albums as soon as possible after they arrive on my desk and then dwell a while in my CD player. Usually these immediate reflections about music turn out to be accurate, as far as I am concerned, and when I read them later, sometimes years later, my initial opinion remains unchanged. This album is a very special and unusual case, as I've let almost a year pass by since I've heard this music for the first time, holding my tongue. Polish trumpeter / composer Tomasz Stanko has been (and still is) one of my absolute top Artists for decades and my admiration towards his music lasted unshaken for all that time… until this album. When I heard it for the first time my initial reaction was a kind of disappointment, which of course I found quite shocking and improbable. Therefore I decided not to write a review for the time being. In the time that passed since, I've listened to the album repeatedly and also heard this music live.
During the three years that passed between the time he recorded his previous album ("Dark Eyes") with a Scandinavian band and the recording of this album, Stanko deepened his ties with New York, taking a permanent residence there and establishing a new quartet, which he calls the New York Quartet. It comprises of himself and three American musicians: pianist David Virelles (aged 29 at the time of the recording, of Cuban origin, who arrived in NY in 2009), bassist Thomas Morgan (aged 31, an upcoming bass player who took part in recording of no less than five albums for ECM in 2012 alone) and drummer Gerald Cleaver (aged 49, an established artist on the US scene). This is the first time for Stanko, to play with an all-American band, as all his previous recordings involved either Polish musicians or other European (mostly Scandinavian) musicians. This new direction, which was obviously deliberate, made s tremendous impact on the music of course.
The album is dedicated to the memory of the great Polish poetess and Nobel Prize Laureate Wislawa Szymborska, who sadly passed away shortly before this album was recorded. Stanko knew Szymborska personally and even worked with her on occasion, accompanying the readings of her poetry. Her poetry inspired much of the music present on this album, as Stanko states in the liner notes. The album's music, which consists of twelve original compositions, all by Stanko, fills two CDs, with six tracks on each CD, and the album was recorded in NY.
Stanko's aficionados will find the music pretty much familiar; brief beautiful melodic themes, which are Stanko's trademark, are usually stated at the beginning of each tune and than the quartet explores these themes via a series of lengthy improvised passages, featuring individual solos and returning back to the melody either by mid-time or just at the very end of each piece. This formula works for Stanko (and numerous other Jazz players) since many decades and one does not change horses in the middle of a race. Of course this formula works fine only if the musicians involved have a statement to make; otherwise the improvised passages tend to get somewhat less exciting.
One must admit that Stanko plays superbly on this album, definitely as good as he always did. His tone can be piercing like a spear, or delicate as a butterfly's wings, lyrical and even romantic. More importantly he plays a lot, which of course is a benevolent treat, since on some of his recordings his net input is much more modest. Several of his passionate solos on this album are some of his best ever. His melodies are also simply brilliant, as always, but the duration of the entire album tends to create a feeling of sameness, sort of a déjà vu, as if the same melodic theme was already used more that once earlier on, which is definitely a very weird feeling.
The American quartet members are all fine musicians, no question about it. But their contributions on this album are honestly extremely limited. None of them, especially the pianist, rise in the slightest to the statue of the Master, even if the potential is there. Virelles is a splendid player, as evident live and on his other recordings, and in retrospect it is a great pity his contribution here is quite pale. The rhythm section does the job, but none of their efforts are exciting for the entire duration of the album, which takes some of the joy out of the potential pleasure of listening to this album. One might speculate that if this album was recorded a year later, after this material was performed repeatedly live by the quartet, the results might have been quite different.
The big question hidden behind this album is: does Jazz have a Nationality? Stanko's music has been a symbol of European Jazz for decades. It impersonates the European individuality, elegance, sophistication, thousands of years of Cultural heritage and (for good and for bad) the European singularity. Is it that Stanko wishes to leave all that behind him and try something else, i.e. play American Jazz? Or perhaps he hopes to teach the Americans to play European Jazz? Or may be he wants to create a Euro-American Jazz amalgam? Or simply he thinks that Jazz is completely unrelated to geography? Surely only he can answer any of these questions.
Recording an album involves a series of decisions, and obviously some decisions ware made when this album was recorded. The result is simply the effect of these decisions. For anybody else recording an album of such quality would have been a momentous occasion, but sadly for Stanko this is just a very good album, or a magnificent failure, if I may say so. Nevertheless my love and admiration towards Stanko and his music remain unshaken.
Etykiety: ****, 2013, Baruch Adam, Stańko Tomasz
Marek Napiorkowski – Up! (2013) ****
Marek Napiorkowski - guitar
Adam Pieronczyk - saxophone
Henryk Miskiewicz - bass clarinet
Robert Kubiszyn - bass
Clarence Penn - drums
Although this is only his fourth album as a leader, Polish guitarist / composer Marek Napiorkowski is one of the most recorded artists on the local scene, being probably the most in-demand session guitarist since many years, which resulted in him taking part in over 140 different albums so far. He played and recorded with many world famous musicians and literally with everybody who is anybody on the local Polish scene; people like Tomasz Stanko and Anna Maria Jopek, to mention just two extremely different environments, which emphasize his legendary diversity and chameleonic ability to suit every musical milieu.
This is by far his most ambitious project so far, which involves eight of his original compositions arranged for a Jazz ensemble and a nine-piece chamber ensemble. The Jazz players are saxophonist Adam Pieronczyk, bass clarinet player Henryk Miskiewicz, pianist Krzysztof Herdzin, bassist Robert Kubiszyn and American drummer Clarence Penn. Herdzin was also the man in charge of the arrangements, orchestration and conducting the chamber ensemble, turning him in many respects into the most significant contributor to this album alongside Napiorkowski.
The result is a sophisticated Jazz-Classical Fusion, based on solid melodies and featuring many excellent guitar solos, which floats between energetic up-tempo moods and gentle melancholic themes. Although the individual tunes are not related per se, the overall ambience and atmosphere of the album turns it into a kind of orchestral suite for chamber orchestra and Jazz soloists. The guitar work on this album, both in the acoustic and the electric tonalities, is simply brilliant and for me the best ever achieved by Napiorkowski. Rather than trying to prove his ability as a player, which is already established anyway, Napiorkowski really concentrates on playing music, the essence that so often tends to be forgotten in favor of flashy emptiness.
Herdzin, the Polish musical Wizard of Oz, once again manages to sprinkle his magic all over this music, both as a pianist and of course as the man behind the ornamentation, which makes this music spark and sizzle. Luckily he found the way of balancing the basic Jazz contents and the chamber enhancements, keeping them both intact and coexisting alongside each other rather than mixing them into an undistinguishable mesh, which happens, unfortunately, way to often in such situations. Herdzin is probably the only person on the local scene who can pull this off.
Some listeners might have a problem to identify with this music, which often happens when an Artist changes his established path in search of new means of expression. Perhaps this will be either too Jazzy or not Jazzy enough for some? One can never satisfy everybody and it's preferable that the Art prevails rather than the attempt to be liked by everyone. This album is a statement by a mature, self-aware musician, who presents his vision, hoping that other can share it with him. I certainly hope many will do so!
Etykiety: ****, 2013, Baruch Adam, Herdzin Krzysztof, Kubiszyn Robert, Miśkiewicz Henryk, Napiórkowski Marek, Pierończyk Adam
Generation Next – Live At Jazz Nad Odra (2013) ***
Piotr Schmidt - trumpet
Tomasz Wendt - saxophone
Jacek Namyslowski - trombone
Gabriel Niedziela - guitar
Francesco Angiuli - bass
Arek Skolik - drums
SJ 007
This is the debut album by the Polish Jazz sextet, which as the name suggests, presents the Father-to Son continuity on the local scene; four of the sextet's members are second generation of Polish Jazz personalities. Trumpeter Piotr Schmidt is a son of Andrzej Schmidt, a renowned educator and author of Jazz history books, trombonist Jacek Namyslowski is a son of the legendary saxophonist / composer Zbigniew Namyslowski, Gabriel Niedziela is a son of the celebrated bassist / composer Jacek Niedziela and finally saxophonist Tomasz Wendt is a son of saxophonist Adam Wendt. The remaining two members of the sextet are Italian bassist Francesco Angiuli and veteran drummer Arek Skolik. The sextet performs seven original compositions, two each by Schmidt, Namyslowski and Wendt and one by Niedziela. The material was recorded live at the Jazz Nad Odra Festival and at the Polish Radio's Warsaw studio.
The idea of forming a musical ensemble based on the fact that the members have something in common, other than the music they play, is always a perilous affair. Just imagine a group of left-handed players, or red-haired players or musicians who like strawberry ice cream? This is perhaps not the case at hand, but on the other hand it is difficult to guess what the purpose of this sextet really is. The music they play is straight-forward mainstream, which is completely déjà-vu and contributes no thrill and no challenge. Yes, they are all excellent players individually, but does their presence together on this album create any special interaction, which would have not happened in different circumstances? Not really.
So here we have it, an unremarkable Jazz recording, which is listenable enough but simply fades away as soon as the music is over. Considering the fact that there are hordes of fabulous young Jazz musicians on the Polish scene, who make outstanding music, this is sadly an example of what should be avoided.
Etykiety: ***, 2013, Baruch Adam, Namysłowski Jacek, Niedziela Gabriel, Schmidt Piotr, Skolik Arek, Wendt Tomasz
Wierba / Schmidt Quintet – The Mole People (2012) ***1/2
Michal Wierba - keyboards
Michal Kapczuk - bass
Sebastian Kuchczynski - drums
This is the fourth album by the Polish Jazz quintet, which was founded by two young players / composers: pianist Michal Wierba and trumpeter Piotr Schmidt. The quintet also includes bassist Michal Kapczuk and drummer Sebastian Kuchczynski. The fifth member of the quintet is a guest artist and in this case it the fabulous Polish saxophonist Piotr Baron. The quintet performs seven tunes, five of which are original compositions by Wierba, one by Schmidt and the remaining one is a Jimmy Rowles standard.
The music sits well within the comfortable boundaries of typical Jazz mainstream, moving vaguely between Bebop and Hard Bop. The original compositions are all quite solid, but overall unremarkable and lack an edge which could keep the listener focused for the duration of the music. The performances are also very good, but than again there's nothing here that every Jazz fan never heard before. Baron, who obviously represents a completely different league, sadly contributes very little, as most of the music is performed without his direct involvement. The only moment when the music becomes truly inspired is when the beautiful standard is performed solo by the pianist.
To make things perfectly clear this is not a bad album; there are plenty of interesting moments and excellent solos (Baron's solos in particular) but it is not enough to make it a remarkable album. In view of the music made by the very young Polish Jazz players, even younger than the ones on this album, constantly breathing on the neck of their slightly older colleagues, the level of competition requires everybody to try ever so harder. Life is a bitch.
Etykiety: ***1/2, 2012, Baron Piotr, Baruch Adam, Kapczuk Michał, Kuchczyński Sebastian, Schmidt Piotr, Wierba Michał
Przemysław Florczak Quartet - Image Of My Personality (2013) ****
Przemyslaw Florczak - saxophone
Pawel Tomaszewski - organ
Pawel Puszczalo - bass
This is the debut album by a young Polish Jazz saxophonist / composer Przemyslaw Florczak, recorded with his quartet which includes also organist Pawel Tomaszewski, bassist Pawel Puszczalo and drummer Sebastian Kuchczynski. The album presents seven tracks, six of which are original compositions, all by Florczak, and one is a Charles Mingus piece. Florczak is also a member of the excellent group Biotone.
The album is very impressive, especially as a debut, and presents a portrait of mature musicianship by the leader both as a performer and a composer. All the quartet members are excellent players, both as individuals and collective contributors. The decision to use the organ, rather than acoustic piano, turns this album into a completely unique experience, as this highly unusual combination opens a whole new world of sonic experience and wonderful unisono passages. The saxophone and the organ simply blend together fabulously and one wonders why they are not used together more often.
The compositions are also surprisingly excellent, well within the Jazz mainstream but incorporating many cross-genre elements, like bits of Funk, Bossa and even World-Music influences. Beautifully put together and intelligently arranged, they are a true pleasure to listen to. This music is fun (in the best meaning of the word) from start to finish, being both accessible to a wide range of listeners and sophisticated enough to draw the attention of the connoisseurs.
Florczak plays beautifully throughout, being especially impressive on the lyrical pieces, where his wonderful tone and delicate delivery is often breathtaking. Tomaszewski is also "stealing" a large part of the show with his superb organ lines, which bring on memories of times long gone. The rhythm section is simply perfect for the job, providing the vehicle for the two soloists to shine and keeping the wagon on the road.
The album has a surprisingly exquisite sound quality, which turns out to be less surprising after reading the bane of sound engineer Jan Smoczynski on the cover, who was in charge "only" of mix and mastering this time, but his signature is well recognized.
Overall this is a true gem, sadly somewhat overlooked on the crowded Polish Jazz scene, where albums are being released at an incredible rate, but definitely worth digging out and investigating. Well done indeed!
Etykiety: ****, 2012, Baruch Adam, Florczak Przemysław, Kuchczyński Sebastian, Puszczalo Pawel, Tomaszewski Paweł
High Definition Quartet – Hopasa (2013) ****1/2
Mateusz Sliwa - saxophone
Piotr Orzechowski - piano
Alan Wykpisz - bass
Patryk Dobosz - drums
EMARCY 602537434725
This is the debut album by High Definition Quartet, a young Polish Jazz outfit comprising of saxophonist Mateusz Sliwa, pianist Piotr Orzechowski, bassist Alan Wykpisz and drummer Patryk Dobosz. Polish Jazz connoisseurs are of course familiar with Orzechowski (a.k.a. Pianohooligan), who made a meteoric entrance on the scene as a solo performer and recorded one of the most interesting Polish Jazz albums a year earlier, which presented his interpretations of music written by Maestro Krzysztof Penderecki. Here we have the occasion to hear him finally as a part of an ensemble, which of course is quite different than performing solo. Dobosz is also somewhat familiar as a member of the phenomenal Magnolia Acoustic Quartet, which released a brilliant live album shortly before this album was released. The quartet performs six pieces (well, five actually, as the first one is just a brief intro), four of which were composed by Orzechowski and one is a Wayne Shorter composition. The album offers a sublime sound quality and ambiance, which not surprisingly is a result of it being recorded at the Studio Tokarnia and engineered by Jan Smoczynski.
Musically High Definition is a quintessence of Modern Jazz in every respect. The musicians are all masters of their trade, which is absolutely amazing considering their tender ages, who perform with virtuosic sophistication, superb intelligence and brilliant feel; and yet these strong individuals are able to collaborate seamlessly to create a whole, which is stronger than the sum of its parts. The music they play is completely contemporary and yet it plays a loving tribute to all the traditional Jazz sub-genres, with humorous hints of Swing, Bebop, Hard Bop, Cool Jazz and of course Free Form, switching from one to another like a butterfly hopping from flower to flower. All that Magic is being performed completely effortless, elegantly and almost nonchalantly, which of course is a sign of true Artistry. They are able to switch tempi, keys and approach several times within a very short span of time, doing it in perfect harmony and unison, which is nothing short of stunning.
There is no doubt the Orzechowski is the most dominant personality behind this album, both as a composer and a player. This is not as much a question of solo exposure, but the overall feeling one gets listening to the music, with the piano chord obviously leading the way and stating (or emphasizing) the melodic content. There is absolutely nothing wrong with that of course, as Orzechowski is very charismatic and his musical personality is obviously very extrovert. On this album he is exposed, both as a composer and a player, showing his deep lyricism and even romanticism without any attempt to hide it behind false facades. Here it is, all in the open and in its full glory for us to enjoy.
Overall this is undoubtedly one of the strongest releases on the Polish Jazz scene this year, which is even more astounding as this has been a truly amazing year for Polish Jazz. And again, being a debut it is absolutely a miracle. Even more of a miracle is the fact, that it was released on a Major label, which usually releases less ambitious music. Perhaps even they can be converted? Heaven on earth!
Etykiety: ****1/2, 2013, Baruch Adam, Dobosz Patryk, Orzechowski Piotr, Śliwa Mateusz, Wykpisz Alan
Jan Ptaszyn Wroblewski – Sweet Beat (2012) ***1/2
Jan Ptaszyn Wroblewski - saxophone
Wlodzimierz Nahorny - keyboards
Bronislaw Suchanek - bass
Jozef Gawrych - percussion
A couple of years after they collaborated on the first Polish Easy Jazz album ("Jej Portret"), saxophonist / composer / arranger / bandleader Jan Ptaszyn Wroblewski and saxophonist / keyboardist / composer Wlodzimierz Nahorny meet again on this, another Easy Jazz recording, this time of the Jazz & Strings variety. This time however, Wroblewski is the primary soloist, fronting a wonderful quintet which includes Nahorny on keyboards, bassist Bronislaw Suchanek, drummer Janusz Stefanski and percussionist Jozef Gawrych. The quintet is accompanied by an expanded string section, conducted by Zygmunt Mahlik.
The album includes eleven original compositions, eight by Wroblewski and three by Jerzy Wasowski (a wonderful composer of cabaret songs). Wroblewski also wrote all the elaborate arrangements. Although, as intended, the orchestral arrangements are indeed Easy Jazz, the wonderful saxophone solos are anything, but easy, often being quite complex and even slightly Free Form, sometimes in complete contrast to the melodic background. However the overall atmosphere of this album is relaxed and focuses on delivering a musical experience, which can be enjoyed by a variety of listeners, including those who don't listen to Jazz on a regular basis.
Regardless of the concept behind this music, it is very apparent that neither Wroblewski nor any of his colleagues take this project lightly and the level of execution is simply perfect, as are the compositions. Wonderfully melodic, yet far from being banal, these melodies stand the test of time marvelously and sound completely relevant also today. The overall project might sound a bit dated, but that is also its charm, rising waves of nostalgia for times long gone.
This superb reissue presents exceptional remastered sound quality and fourteen bonus tracks, previously unreleased, which demonstrate other collaborations between Wroblewski and the Polish Radio string ensemble between 1967 and 1971. Wroblewski composed all of these tracks, with the exception of one standard. These recordings are a wonderful window into the "behind the scenes" of the Polish Jazz scene at the time, where experimentation and individualism might have bees suppressed by State censorship, but never stopped the protagonist from trying.
Sadly neglected and almost forgotten over the years, this album truly deserves a second life and GAD Records, as usual, made the right decision to reissue it, making a splendid job as always. I love this stuff!
Etykiety: ***1/2, 2012, Baruch Adam, Gawrych Józef, Nahorny Włodzimierz, Stefański Janusz, Suchanek Bronisław, Wróblewski Ptaszyn Jan
Jerzy Milian – Stratus Nimbus (2013) ****
Jerzy Milian - composer
The Polish GAD Records label has become a treasure chest of archival recordings by Polish Jazz and Rock artists and in the short period of time since 2010, when the label released its first album, it established its position on the market as a dedicated and reliable source of interesting material. This album follows the already established pattern and is the third volume of archival material by legendary Polish Jazz vibraphonist / composer Jerzy Milian, one of the forefathers of modern Polish Jazz.
The material collected here was recorded over a period of several years in the 1980s by the Belgian (Radio & TV) BRT Jazz Orchestra, directed by Etienne Verschueren, which included many excellent players, some known also internationally. Milian worked previously with this orchestra in the late 1960 and this was his second spell with them. He wasn't the only Polish musician working with this orchestra, as saxophonist / composer Jan Ptaszyn Wroblewski also recorded an album with them in 1976 entitled "Skleroptak".
The music, all composed by Milian, includes six orchestral suites of varying length, one of which turns into an oratorio with the addition of a choir, which sings a poem by the American poet T.S. Eliot. The music is quite impressive, with a firm melodic content and elaborate orchestral arrangements, which allow for solo spots. It is less adventurous material than some of Milian's earlier compositions, but lacks nothing as far as compositional skills, flair and elegance are concerned. The orchestra performs the music spotlessly and with grace and as a result this is a wonderful Big Band / orchestral album, which reflects well on Milian's talent and vision. It is also a great example of European Big Band / orchestral sound and style, which varies considerably from its American counterparts.
In retrospect these recordings are a sad reminder of the Big Band form, which is almost extinct today in comparison to its hay days. With the impossible economics behind keeping a Big Band performing and touring and a dwindling public funding, most Big Bands, including the one present here, were eventually disbanded. Signs of a disappearing Culture. "Luckily, the recordings remain" concludes Michal Wilczynski, the owner of GAD Records, in the booklet and I concur wholeheartedly.
Etykiety: ****, 2013, Baruch Adam, Milian Jerzy
SBB – Live Jazz Nad Odra 1975 (2013) ****
Jozef Skrzek - keyboards, bass
Apostolis Anthimos - guitar
Jerzy Piotrowski - drums
This is a live recording by the legendary Polish Prog / Jazz-Rock Fusion group SBB, captured during the annual Jazz Nad Odra Festival in Wroclaw, one of Poland's most important Jazz events running uninterruptedly since its first edition in 1964. Over the years the festival exposed generation after generation of Polish Jazz players to the wide audience, as a result of the competition held every year, which presents the best musicians under the age of thirty. Winning this competition was the first major step in the careers of many of the most important Polish Jazz musicians.
This recording presents the original lineup of SBB with guitarists Apostolis Anthimos, keyboardist / bassist Jozef Skrzek and drummer Jerzy Piotrowski. They perform original material, which at the time was mostly not yet recorded in the studio and would eventually be released on their second ("Nowy Horyzont" released 1975) and third ("Pamiec" released 1976) albums. The group was at the time in a transition from their Progressive Rock phase, which started while they were still members of the Czeslaw Niemen's band, into the Jazz-Rock Fusion, which would be their home turf for many years to come. Since there are relatively very few recordings from this period, the very existence of this recording is a miracle and the fact that we can enjoy it now, almost forty years later, is a blessing.
The music comprises mostly of lengthy pieces, which were the group's trademark, that include extended improvisations and atmospheric passages, building up slowly towards a dramatic climax or even several climatic peaks, one after another. The overall impression this music created was a trans-like state of mind, which drew the listeners into a magic world of dreamy, almost psychedelic reality. Obviously such music making relied heavily on the virtuosic abilities of all the three members of the group. Skrzek, as the primary composer, sets the melodic framework and the moods; Anthimos creates the dramatic guitar arpeggios and musical peaks and Piotrowski brilliantly keeps it all moving forward and invigorates the music with his pulsations.
For many SBB followers, and Polish music lovers this period of the group's activity is, in retrospective, their most inspired, fascinating and mind-boggling. This music epitomizes the process of constant search for the undiscovered, the manic restlessness and the audacity to step into the unknown, which characterizes it. There is no doubt that this is one of the artistic peaks of Eastern European music, brewed behind the Iron Curtain. And honestly, as far as Prog and Jazz-Rock Fusion are concerned, very few of the things that happened since can stand up to this level.
The sound quality of this material is a bit muffled and with a limited sonic range and clarity, but considering the fact it was recorded live and never intended for release, it is certainly more than adequate. Of course both musically and historically it is absolutely superb and should not be missed by anybody who cares about SBB or Eastern European music from the 1970s. Grab it and enjoy!
Etykiety: ****, 2013, Apostolis Anthimos, Baruch Adam, Piotrowski Jerzy, Skrzek Józef
Various Artists – Polish Radio Jazz Archives Vol.0...
Mieczyslaw Kosz – Polish Radio Jazz Archives Vol.1...
Jazz Autumn in Bielsko-Biała!!!
Wlodzimierz Nahorny – Jej Portret (2013) ***1/2
Przemysław Florczak Quartet - Image Of My Personal...
Wierba / Schmidt Quintet – The Mole People (2012) ...
Generation Next – Live At Jazz Nad Odra (2013) ***...
Oleś Brothers & Jorgos Skolias - Sefardix (ForTune...
Karolak / Urbaniak / Bartkowski – Moving South (20...
Maciej Fortuna / Krzysztof Dys – Tropy (2013) ****...
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Modern Critical Philosophy
Academics, Philosophy
Core Courses:
PHIL 80 – Existemtialism
MCM 150 – Text/Media/Culture
PHIL 1750 – Epistemology
GNSS 1810 – Modern Feminist Theory
MCM 2110D – The History of Theory: The Case of Roland Barthes
MCM 1502D – Figures of Fetishism
MCM 2100F – Althusser
AFRI 1800 – Race, Empire, & Modernity
MCM 1500W – Foucault and His Interlocutors
ENGL 1140B – The Public Intellectual
POLS 1822B – Foundations of Political Economy
PHIL 1520 – Consciousness
PHIL 1720 – Kant: The Critique of Pure Reason
Related Courses:
FREN 100/200 – Beginner French
HIAA 800 – Twentieth Century European Art
From the introduction to my proposal for a concentration in Modern Critical Philosophy:
At the beginning of the twenty-first century, the American academy is faced with two strikingly different philosophical traditions. Anglo-American philosophers explicitly embrace the empiricism and mathematized logic that emerged from the European Enlightenment. Today, their traditional pursuits of ethics, epistemology, logic, and politics continue to seek modes of analysis able to handle the logical challenges of direct thought experiments. Were one to name the governing aesthetics for analytic philosophy, it would have to be the stability and unity of proposed theories. In contrast, the continental tradition of critique seeks to theoretically destabilize the “common sense” knowledge of the Enlightenment through a careful process of what Louis Althusser calls reading. This critical approach is homogenous neither in its methodology nor in its conclusions; indeed, many of its early proponents were not professional philosophers and would not have necessarily seen the connections with contemporaries that we now retroactively assert.
Nevertheless, there exists today a dynamic, diverse, and vital collection of critical writers and texts that look to Friedrich Nietzsche, Karl Marx, and Sigmund Freud for inspiration. While acknowledging the reductivism of any generalizations of their ideas, there are common themes among these continental writers that radically challenge the philosophical edifice of the dominant, analytic tradition. Broadly speaking, the continental tradition of critique attends to the primary importance of symbolic systems of representation, the uncertainties and slippages of totalizing knowledges, and the false unities forged by systemic suturing of contradiction.
The proposed concentration in modern critical philosophy will stake out a position in line with contemporary critical theory while building a secure foundation in traditional philosophy. For a student interested in critical theory, there is perhaps no better place to study than Brown. Though the Modern Culture and Media department is certainly the center of the University’s critical establishment (it was formerly known as “Semiotics”), there are professors teaching their subjects using the methodologies and concepts of (post-)structuralism scattered throughout the university from Africana Studies to Gender Studies to Comparative Literature.
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As the state legislative session comes to a close in Texas, Democrats have impressively managed to beat back the bulk of over 20 anti-gay bills conservative Republicans had created in committees in an effort to blunt a Supreme Court ruling this month that could bring marriage equality to the entire country, including Texas. Sitting in her office at the Texas State Capitol in Austin, speaking with me for an interview for SiriusXM Progress, Gonzalez first wanted to dispel some misinformation about her identity. Changing minds by exposing people to the diversity of gender isn’t easy, Gonzalez says, but it can be done.
Gonzalez tells a story that underscores the there are many ways that work at helping make people connect with gay, lesbian, bisexual, transgender — and pansexual — people.
In a 2011 "Esquire" interview, Megan Fox famously confirmed her bisexuality, stating, "I think people are born bisexual and then make subconscious choices based on the pressures of society. Bear in mind that unlike most other gay dating sites, you relinquish nearly all control and just have to rely on the site's matching system. We recommend completing the profiling, checking out what it says about you and the sorts of people it recommends for you. Some of the bills were stalled by Democrats running out the clock, while Republicans chose not to move forward with others. She first came out as pansexual — which is distinct from bisexual because it defines an individual who is attracted to various gender identities — in 2012 after first being elected, noting that she’d dated transgender and "gender-queer" people.
As such, you'd probably have quite high expectations of a site that has been so successful in mainstream online dating.
We built several profiles and although we had some success in attaining suitable matches, other profiles were simply told that no-one was suitable for them.
Bear in mind that a limited number of results means that you may not be matched to many new people, either.
But it had been reported that she came out as lesbian first and then later came out as pansexual. Whilst it looks fairly professional and stylish, sadly it does not quite fulfil the expectations. Unlike most of the other sites reviewed in this category, joining takes some time as you have to complete a detailed personality profile. This means that you could end up with very few contacts if others don't match with you. Whether or not the other members are able to respond, even if you pay for the service, is also a concern. As such we felt a little bit like our mother was choosing our dates for us and that it wasn’t really allowing us to find people who were not the usual sort of person we might go for.
As such it’s hard to recommend this site as good value for money because it is so limiting and comes at a high price with no guarantees of success. Plus, you're unable to browse and search through profiles, which is often the most fun and rewarding aspect of online dating. Therefore, make yourself comfortable, take the phone off the hook and make yourself some tea or coffee before you begin. This will probably be enough to encourage quite a lot of people to hand over their credit card details there and then.
You'll also find an informative help section and a reliable and swift email support desk, should you have any further questions. It could end up costing you quite a lot of money to find that special someone, so if you do sign up then be prepared to be in for the long (and expensive) haul.
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Is the diurnal variation in muscle force output detected/detectable when multi-joint movements are analysed using the musclelab force-velocity encoder?
Robertson, CM, Pullinger, SA, Robinson, WR, Smith, ME, Burniston, JG, Waterhouse, JM and Edwards, BJ (2018) Is the diurnal variation in muscle force output detected/detectable when multi-joint movements are analysed using the musclelab force-velocity encoder? Chronobiology International. ISSN 0742-0528
CI time of day and LE final 25 05 2018.pdf - Accepted Version
Publisher URL: http://dx.doi.org/10.1080/07420528.2018.1485685
We have investigated the magnitude of diurnal variation in back squat and bench press performance using the MuscleLab force velocity transducer. Thirty resistance-trained males (mean ± SD: age 21.7 ± 1.4 years; body mass 80.5 ± 4.5 kg; height 1.79 ± 0.06 m) underwent two sessions at different times of day: morning (M, 07:30 h) and evening (E, 17:30 h). Each session included a period when rectal temperature (Trec) was measured at rest, a 5-min standardized 150 W warm-up on a cycle ergometer, then defined programme of bench press (at 20, 40 and 60 kg) and back squat (at 30, 50 and 70 kg) exercises. A linear encoder was attached to an Olympic bar used for the exercises and average force (AF), peak velocity (PV) and time-to-peak velocity (tPV) were measured (MuscleLab software; MuscleLab Technology, Langesund, Norway) during the concentric phase of the movements. Values for Trec at rest were higher in the evening compared to morning values (0.48°C, P < 0.0005). Daily variations were apparent for both bench press and back squat performance for AF (1.9 and 2.5%), PV (8.3 and 12.7%) and tPV (-16.6 and -9.8%; where a negative number indicates a decrease in the variable from morning to evening). There was a main effect for load where AF and tPV increased and PV decreased from the lightest load to the heaviest for both bench press and back squat (47.1 and 80.2%; 31.7 and 57.7%; -42.1 and -73.9%; P < 0.0005 where a negative number indicates a decrease in the variable with increasing load). An interaction was found only for tPV, such that the tPV occurs earlier in the evening than the morning at the highest loads (60 and 70 kg) for both bench press and back squat, respectively (mean difference of 0.32 and 0.62 s). In summary, diurnal variation in back squat and bench press was shown; and the tPV in complex multi-joint movements occurs earlier during the concentric phase of exercise when back squat or bench press is performed in the evening compared to the morning. This difference can be detected using a low cost, portable and widely available commercial instrument and enables translation of past laboratory/tightly controlled experimental research in to main-stream coaching practice.
This is an Accepted Manuscript of an article published by Taylor & Francis in Chronobiology International on 26/06/18, available online: http://www.tandfonline.com/10.1080/07420528.2018.1485685
06 Biological Sciences, 11 Medical And Health Sciences
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You can now make your payment using our automated payment system, via E-Check, Debit or Credit card, please call our main number at 575-835-0560, select Option 2.
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Government In Action Youth Tour
Socorro Electric Cooperative will sponsor 5 students, one from each high school in our service territory: Socorro High School, Belen High School, Quemado High School, Magdalena High School, Alamo Navajo High School or a home-schooled student, each year to Washington D.C. on the Government In Action Youth Tour, held June 14-21, 2019.
The Government-in-Action Youth Tour has taken high school students to Washington, D.C., every June since the late 1950s. Students on the tour learn about electric cooperatives, American history, and U.S. government, and walk away with a greater understanding of their roles as citizens. It is a ONCE IN A LIFETIME EXPERIENCE!
You must be a dependent of an active Socorro Electric Cooperative member with account in good standing.
You must be a high school sophomore or junior who is, attending a high school or being home-schooled in SEC's service territory.
Contact your High School Counselor or Jimmy Capps at SEC, click here to download an entry form.
Congratulations to our 2019 winners:
Jessie Andrews, Quemado High School
Bryston Hood, Quemado High School
Alexia Diaz Sanchez, Quemado High School
Summer Secatero, Alamo High School
Brandy Vega, Socorro High School
Youth Tour Promo:
Courtesy: youthtournreca
Statement of Nondiscrimination In accordance with Federal civil rights law and U.S. Department of Agriculture (USDA) civil rights regulations and policies, the USDA, its Agencies, offices, and employees, and institutions participating in or administering USDA programs are prohibited from discriminating based on race, color, national origin, religion, sex, gender identity (including gender expression), sexual orientation, disability, age, marital status, family/parental status, income derived from a public assistance program, political beliefs, or reprisal or retaliation for prior civil rights activity, in any program or activity conducted or funded by USDA (not all bases apply to all programs). Remedies and complaint filing deadlines vary by program or incident. Persons with disabilities who require alternative means of communication for program information (e.g., Braille, large print, audiotape, American Sign Language, etc.) should contact the responsible Agency or USDA's TARGET Center at (202) 720-2600 (voice and TTY) or contact USDA through the Federal Relay Service at (800) 877-8339. Additionally, program information may be made available in languages other than English. To file a program discrimination complaint, complete the USDA Program Discrimination Complaint Form, AD-3027, found online at http://www.ascr.usda.gov/complaint_filing_cust.html and at any USDA office or write a letter addressed to USDA and provide in the letter all of the information requested in the form. To request a copy of the complaint form, call (866) 632-9992. Submit your completed form or letter to USDA by: (1) mail: U.S. Department of Agriculture, Office of the Assistant Secretary for Civil Rights, 1400 Independence Avenue, SW, Washington, D.C. 20250-9410; (2) fax: (202) 690-7442; or (3) email: program.intake@usda.gov. The Socorro Electric Cooperative, Inc. is an equal opportunity provider & employer. © 2019 SOCORRO ELECTRIC COOPERATIVE. ALL RIGHTS RESERVED.
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Choose Medal Table | Key Stage 1 | Key Stage 2
Medal Table Information
Schools are awarded points on the following basis: 3 points (gold) for competition win; 2 points (silver) for second place; 1 point (bronze) for third place and one point for participation in an event. The Green Tick Box indicates the Participation points
Don't forget that it is easy to book your school a place for our competitions by checking our Competition Calendar or view a quick-glance Competition List.
Viewing: Medal Table for KS2 Schools
SCHOOL TOTAL
Alleyn Court Prepatory School 0 0 0 0 0
Eastwood Primary School 0 0 0 0 0
Edwards Hall Primary School 0 0 0 0 0
Fairways Primary School 0 0 0 0 0
Heycroft Primary School 0 0 0 0 0
Milton Hall Primary School 0 0 0 0 0
Our Lady of Lourdes Catholic Primary School 0 0 0 0 0
College St Pierre School 0 0 0 0 0
Crowstone Preparatory School 0 0 0 0 0
West Leigh Junior School 0 0 0 0 0
Darlinghurst Primary School 0 0 0 0 0
Thorpe Hall School 0 0 0 0 0
St Mary's C of E Primary School 0 0 0 0 0
St Helen's Catholic Primary School 0 0 0 0 0
The Westborough Primary School 0 0 0 0 0
Barons Court Primary School 0 0 0 0 0
Thorpedene Primary School 0 0 0 0 0
Thorpe Greenways Junior School 0 0 0 0 0
Bournemouth Park Primary School and Nursery 0 0 0 0 0
Bournes Green Junior School 0 0 0 0 0
Earls Hall Junior School 0 0 0 0 0
Friars Primary School 0 0 0 0 0
Hamstel Junior School 0 0 0 0 0
Hinguar Community Primary School 0 0 0 0 0
Chalkwell Junior School 0 0 0 0 0
Leigh North Street Junior School 0 0 0 0 0
Porters Grange Primary School and Nursery 0 0 0 0 0
Prince Avenue Primary Foundation School and Nursery 0 0 0 0 0
Richmond Primary School 0 0 0 0 0
St George's Catholic Primary School 0 0 0 0 0
Blenheim Primary School 0 0 0 0 0
Temple Sutton Primary School 0 0 0 0 0
Sacred Heart Catholic Primary School 0 0 0 0 0
St Michael's School 0 0 0 0 0
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First Public Seal Pup Release of the Year
The Cornish Seal Sanctuary would like to invite you to join them for their first public seal pup release of the year.
After another busy rescue season, the Sanctuary are happy to be releasing their rescued casualties of the sea back into the wild.
The pup release will take place at Porthtowan Beach, on Tuesday 19th March 2019 at 3.30pm (we recommend arriving for 3.15pm).
This release is particularly special as amongst the pups being released back into the wild is Hope (of the sea). Hope was rescued by Zoe, a member of the Cornish Seal Sanctuary team, back in January after she had become entangled in netting. She had a deep wound around her neck which had become infected and was in need of specialist care.
Hope has really thrived during her rehabilitation and the team are excited to see her take her next step in her journey being released back into the wild.
Hope was named by the team at SEA LIFE Trust, the parent charity of the Cornish Seal Sanctuary.
Andy Bool, Head of SEA LIFE Trust, will be joining the Sanctuary to wave farewell to Hope and the other seal pups as they are released.
Press Release issued by the Cornish Seal Sanctuary / The SEA LIFE Trust
For more details, please contact Georgina Shannon on 01326 221361
Issue Date: 15th March 2019
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Labour Shadow Department for Energy and Climate Change visit Hinkley C site and Bridgwater College.
Caroline Flint MP, Cllr Mick Lerry-Bridgwater PPC,
Tom Greatrex MP, Claire Moody-Labour SW Euro Candidate,
Neil Guild-Taunton PPC
Caroline Flint MP and Tom Greatrex MP visited Hinkley C and the Energy and Skills Centre at Bridgwater College, on Tuesday 17th December. The aim of the visit was a fact finding tour, to establish the full impact of the Energy infrastructure project. The team were impressed with the developments at Bridgwater College and how local people could obtain training and skills to move into the Energy industry.
Mick discusses the issues with Tom Greatrex MP
Mick Lerry, leader of Sedgemoor Labour group and PPC for Bridgwater and West Somerset, said: "Members of the Labour Group were able to discuss the implications of the construction stage of Hinkley C and how it was important to avoid "boom and bust". We were able to explain the importance of Community Benefit during the construction stage of the power station. Highlighting the fact that Bridgwater and surrounding area should be recognised as an Enterprise or Business Zone, able to retain all the business rates to invest back into the local economy".
Both MPs were interested in the proposals put forward by the Labour Group and another meeting will be scheduled in early 2014 to discuss the matter further.
Cllr. Mick Lerry
Labour Parliamentary Candidate for Bridgwater and West Somerset.
Leader of the Labour Group on SDC.
Mobile 07775 905080
Posted by Sedgemoor Labour at 01:18 No comments:
LABOUR CANDIDATE CALLS FOR NEW HOMES TO TACKLE COST OF LIVING CRISIS
Labour Leader Ed Miliband and Bridgwater PPC
Mick Lerry call for new homes.
Mick Lerry, Labour Parliamentary candidate for Bridgwater & West Somerset, has called on the Government to take action to make home ownership a realistic aspiration for working people and rents more affordable by building much needed homes.
According to independent experts, under the current Government we are building less than half the homes a year we need to meet demand. The gap between the number of homes we build each year and what we need is unprecedented at over 100,000 each year.
A housing shortage, combined with the cost of living crisis – with falling wages and rising bills – is making rents increasingly expensive and putting home homeownership out of reach for millions of working people.
Back in 1997 it took an average family just three years to save for a proper deposit on a home but today it takes 22 years. Private sector rents are now at the highest level ever recorded.
One Nation Labour has plans to increase the supply of new homes in England above 200,000 a year by the end of the next Parliament. To ensure plans are in place on day one of a Labour Government, Ed Miliband today, Monday 16th December 2013, launched a Housing Commission chaired by Sir Michael Lyons has been launched to draw up a road map for delivering this ambition.
Mick Lerry, said:
“The security of knowing you can afford to live in your home is the cornerstone of a strong society. It’s a basic aspiration that working people want for themselves and their children – one that should be open to everyone.
“Many people in Bridgwater and West Somerset are facing a cost of living crisis and are struggling with housing costs. By getting Britain building again a Labour Government will help tackle ever-spiralling private rents and will make home ownership an achievable dream once more for those that are currently priced out.”
Ed Miliband MP, Leader of the Labour Party, said:
“David Cameron is presiding over the lowest levels of homes built in peacetime since the 1920s and already families are suffering from some of the worst housing shortages for a generation. This is now part of a cost-of-living crisis for millions of people for whom the dream of home ownership is fading into the distance.
“At this time of year, when family is so important, there are parents who fear their children will never get a place of their own. And there are millions of young people who fear they may never be able to get on the housing ladder; never able to invite their parents round for Christmas dinner.
“If families are to prosper and our country is to succeed, Britain needs new homes.”
ENERGY BILLS STILL TOO HIGH SAYS LABOUR PPC
Bridgwater PPC Mick Lerry
"Labour will deliver fairer
prices "
Many households will be going into debt this winter because of the increasing cost of energy. Even where energy companies have reduced the price, because of the withdrawal of the Green levy, the increase in energy is still above inflation. Many people in rural areas have limited options for fuel, many of which lack mains gas. The Green levy helps to make efficient use of fuel, which is particularly important for countryside communities and residents on low incomes.
At the same time a committee of MPs has accused ministers of "shifting the goalposts" to reduce the number of households in England classed as in fuel poverty. The definition of fuel poverty would be changed by amendments to the Energy Bill so that 2.4 million were classed as fuel poor rather than 3.2 million.
Labour candidate for Bridgwater and West Somerset , Mick Lerry said: "The government plans to reduce energy bills by an average of £50 a year in an effort to offset rising costs, is not enough. Labour’s energy price freeze is needed. Labour's price freeze would save money for 27 million households and 2.4 million businesses and our plans to reset the market will deliver fairer prices in the future”.
MP CALLED ON TO ACT
"Ian Liddell-Grainger MP needs to represent the community by asking the Government to sort out the Energy market to protect people from fuel and financial poverty."
Cllr Mick Lerry, Leader of the Labour Group on SDC and Labour Prospective Parliamentary Candidate for Bridgwater and West Somerset.
Labour Shadow Department for Energy and Climate Ch...
LABOUR CANDIDATE CALLS FOR NEW HOMES TO TACKLE COS...
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SCR records 100 Million Tonnes in freight loading and earns Rs 8,655 crore
2 February, 2019 2 February, 2019 by Team - Rail Analysis India
Date of Post: 2 Feb, 2019 South Central Railway (SCR) on Thursday said it has transported more than 100 MTs (Million Tonnes) in freight upto January 31 in the present fiscal and earned Rs 8,655 cr. SCR CPRO Ch. Rakesh said in a release, "A record 100.052 MTs of highest…
CONCOR looking at an annual turnover of Rs 25,000 crore in next 5 years
14 January, 2019 by Team - Rail Analysis India
Date of Post: 14 Jan, 2019 Container Corporation of India Ltd (CONCOR), a Navratna PSU, is looking at an annual turnover of Rs 25,000 crore in the next 5 years, Railway Minister Piyush Goyal said. Goyal was speaking at the launch of the maiden container transport of Concor through coastal…
CONCOR, a PSU of Indian Railways commences coastal operations
Ministry of Railways PSU, Container Corporation of India Ltd (CONCOR’s) maiden voyage vessel- SSL Mumbai is flagged off from Kandla Port to Tuticorin Port by Shri Piyush Goyal, Minister of Railways & Coal & Shri Nitin Gadkari, Minister of Road Transport & Highways, Shipping and Water Resources, River Development &…
Indian Railways selects 5 players through reverse-auction method to supply over 12,000 wagons
10 December, 2018 24 December, 2018 by Team - Rail Analysis India
Date of Post: 10 Dec, 2018 Indian Railways has selected 5 players through the reverse-auction method to manufacture and supply over 12,000 wagons worth about Rs 4,000 crore. The national transporter has floated tenders to procure a total of 21,758 wagons of various types - covered, flat, open and guard…
Bids invited for Widening of road for Delhi-Ghaziabad-Meerut RRTS Corridor
5 December, 2018 24 December, 2018 by Team - Rail Analysis India
Date of Post: 05 Dec, 2018 New Delhi: The National Capital Region Transport Corporation Ltd. (NCRTC) invites bids on Local Competitive Bidding (LCB) under single stage two packet system for Widening of Delhi -Meerut road from Duhai to Modi Nagar for Delhi- Ghaziabad-Meerut RRTS Corridor. Tender Description: Name of Work:…
Running of freight trains in a Block through “Convoy Movement”
13 November, 2018 13 November, 2018 by Team - Rail Analysis India
Date of Post: 13 Nov, 2018 Running of freight trains in a block through Convoy Movement by creating coaching free corridors has been a major initiative undertaken since September, 2018, for improving freight throughput, especially on the coal carrying routes. Minister of Railways & Coal, Shri Piyush Goyal has been…
800 km of Dedicated Freight Corridor All Set To Open By December End
6 November, 2018 by Team - Rail Analysis India
Date of Post: 06 Nov, 2018 New Delhi: Railway Ministry officials said on Monday, almost 800 km of the DFC (Dedicated Freight Corridor) is all set to open by the end of December. A senior Railway Ministry official said, "The railways is all set to open the 200 km Khurja-Bhadan…
Texmaco Rail seeks revival of its Wagon business on the back of upcoming government contracts
Date of Post: Nov 05, 2018 Adventz group company Texmaco Rail & Engineering Ltd is hoping for revival of its wagon business on the back of upcoming government contracts. A net profit of Rs 12.8 crore in the quarter ended September as against Rs 8.3 crore loss in the corresponding…
340 km long Bhaupur-Khurja stretch of Eastern Dedicated Freight Corridor to be operational by December end
26 October, 2018 by Team - Rail Analysis India
Date of Post: 26 Oct, 2018 The Bhaupur-Khurja (340 km) stretch of the eastern Dedicated Freight Corridor would be operational by December end and will be followed by the commissioning of the 452 km long Rewari-Marwar stretch on the western Dedicated Freight Corridor in February 2019. More Information: For the…
During First Half of FY 2018-19, South Eastern Railway Earns Rs 6007.17 Crore from Originating Freight Traffic
11 October, 2018 11 October, 2018 by Team - Rail Analysis India
Date of Post : 11 Oct, 2018 Kolkata: South Eastern Railway (SER) has earned Rs 6007.17 crore during the first half of the current financial year from originating freight traffic, an SER spokesman said. The amount earned from April to September of 2018-19 by the SER is Rs 348.59 crore…
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Home > News > Event Coverage > Report On: Youmacon 2016ret
Report On: Youmacon 2016ret
Michael S Ryan November 16, 2016 Event Coverage Leave a comment
Youmacon is a convention in Detroit held usually during Daylight savings, for 2016 it was November 3-6. The theme is anime, but it’s really open to anybody in fandom willing to wander around having a good time. Thousands of people meeting with friends, cosplaying whoever they want to, and riding the People Mover around a convention that justifies the continued existence of the midwest.
For all photos from this article and over a hundred more, check out our Facebook Gallery for the event.
A few days after Halloween, people keep their costumes on and continue to show off colorful character attire. Mostly anime, but any media can inspire somebody’s outfit. This year’s popular brands were the new Voltron series on Netflix, the video-game Overwatch, and original web animation series “RWBY” were the popular series this year, and it feels like there were more people dressed as Red Hood than Batman. Everybody wearing their Fairy Tale or Stephen Universe costume will be glad to explain the series to you and tell you which episodes you should start with. And as always, if your heart seeks him, you can find Jesus.
The actual schedule of panels felt like it was lacking anchors with a lot of This but none of That and many panels like “Cosplaying your shipping 18+”. The organizer’s classic excuse is “people didn’t volunteer to host them,” and maybe it’s time to reconsider the volunteer-reliant system and perhaps they could actively recruit people. While it’s nice they remembered cover artwork this year, the printed program’s schedule grid was a nuisance to read and ideally by next year they’ll conceive something better suited for a convention of Youmacon’s scale. Wu tang is for the children.
As Youmacon’s crowd grows older it feels like more attendees are going mostly for the evening and late night events and scampering around after dark than the day’s usual panels. Dance parties with many DJs of varied levels of talent and people acting like ecstatic teenagers in luminescent and revealing outfits. Or for hedonists there’s the “Chicken of Beef” panel. No Live Action Mario Party, So instead you can go to the 24/7 gaming area and enjoy the free play on many arcade games, vintage consoles, or this years hot experience: Anime themed Pachinko machines. Dedicated gamers can sign up for one of the many gaming tournaments to test their might against others.
Returning attendees will note that Youmacon has a lot of returning guests every year like Vic and Jon, because they know that it’s the Midwest’s best place to meet their fans. For some you need to line up to meet and greet, others like the artist couple Comfort and Adam were just spending their weekend in the artists alley being genuine to their fans. Team Four Star, most known for a hilarious redub of the anime Dragon Ball Z, announced their newest major project.
The hosting Detroit Renaissance Center was functionally the same as always and still had a few twists that made it easy to get lost, but large portions of the interior was under construction tarps for a bit of renovation, but as long as there’s Zoup in the food court then things are as they need to be, and the elevator flow was good as can be expected with a crowd of that size. The other half of the convention was held a short People-Mover ride away in Cobo Hall where there is still room for Youmacon to grow. It’s hard to imagine that there was a time when all of the festivities fit inside of just the RenCen. When moving between the two facilities you get a safe look at Detroit before the city gets rid of the Joe Louis Arena and the Robocop statue erected in (estimate) 2034.
There’s a lot of excitement at Youmacon, it is the antithesis of events that are just crowds of people looking for back issues, it’s a big party and exhausting and on Sunday many people were coping with their hangovers. Cool people wandering around in colorful outfits looking to make a few friends, or capture Pokemon. But there’s also still a few miscreants using it as an excuse to be loud and uncouth so uncertain attendees should stick with a group of friends.
Each year the shower is bigger than the last, growing in scale and sensation as more people rear about Youma’s reputation for being the marathon party convention. 2016 was a great celebration a few days before America made a controversial decision to elect that guy. For people too eager to wait a whole year for the next Youmacon, there’s the Midwest Media Expo in April.
Michael Ryan, November 16 2016
Just adding personal anecdote here, this year my con crew took the train to Youmacon instead of a road trip, and while it cost a bit, we saved a ton of hassle on parking and I’m going to consider it as an option for future American conventions I travel to.
I bought a drink on the train using my credit card and they actually rubbed an impression of my card like it’s the early 90s, haha.
cosplay detroit rwby voltron youmacon 2016-11-16
Michael S Ryan
Tags cosplay detroit rwby voltron youmacon
About Michael S Ryan
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Report on MAGfest
MAGfest is the Music and Gaming festival, focusing on the exciting overlap between the two …
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The art of neckwear
"I want to keep evolving, I want to continuously push the label further," declares Becky French in her shared studio deep in the heart of East London. Who can doubt her? The emergence of Marwood has been a delight. What began as a working sketchbook of research and exploration in 2010 has since seen the label pleasantly continue on it's journey to create beautiful neckwear that are loved by it's owner and worn time and time again. Its debut collection for AW11 showcased a beautifully crafted range of ties and bow ties made with the finest fabrics such as woven silk, wool and traditional English Leavers lace. Modern and highly considered, Marwood created a range of neckwear that celebrated the traditions and techniques of a rich and distinguished heritage and made use of the most skilled, historic factories and fabric mills across the UK. The Marwood approach is to create products that ignite excitement from discovering something new and unusual, whilst maintaining a strong sense of tradition. We, along with many, fell for its obvious charm. Having gained international stockists including Liberty, Other, Barneys, Kapok, Harvey Nichols (HK), Edifice and Tomorrowland in Japan to name just a handful, the continued rise of Marwood demonstrates that although times are tough, labels with a strong concept and beautiful product can still prosper. The SS13 collection, entitled 'Transparent Grids', showcases yet more evolution on the label's journey.
Having first caught sight of the intricate work during a particularly frantic part of London Collections: Men back in June, I couldn't resist visiting the designer at her studio to take a longer look and to talk through its inspirations. The collection is a collaboration with the artist Toni Davey and is ultimately driven by their shared enthusiasm and interest in the theme of 'transparency' and the love of each others craft.
"Toni was actually my art teacher back home in Somerset and we have kept in touch ever since. She's got really distinctive style herself which includes wearing neckwear and when I updated her on Marwood, she was just really excited by the opportunities around the neck tie. She instantly understood the product and why I was doing it. As for me, I've always loved the intricacy of her work, it shows incredible patience and skill. The more we started chatting, we saw the similarities between a weave and a her work which is always based around a grid, and wanted to explore the variations between both of our practices.
It was lovely working with Toni. As the effect of light can both subtly and dramatically alter the appearance of her work, we were drawn to the idea of screens and transparency. From making our process transparent, for me working with the Swiss cotton to really show off the bare components and making of a handmade tie whilst still being a wearable piece and using Toni's sketchbook we explored her process of design and its various stages inspired the jacquard. It was so interesting for me to see how much the work changed, to work with artworks that I loved and to take it through to being a finished collection that is quite commercial in the end but it all comes from the artwork."
Becky French on working with Toni Davey
As ever, the collection is showcased in an exquisite lookbook shot by Ali Mobasser with art direction from Russell Weekes and French herself but before I share it with you I'd like to offer a glimpse in to the designer's sketchbook which offers visual insight in to Davey's work. With an upcoming solo exhibition at the Beardsmore Gallery, now is the best time to familarise yourself with her transformative three dimensional world.
"In my work the underlying structure of the grid is always present. The grid offers the means to retrace ones' footsteps, to understand the journey, to allow forms to follow a rule or sequence of changes that produce solutions which are pure, logical and visually beautiful: qualities that exist in nature.
Recently, the use of a laser cutter has opened many new possibilities in terms of scale, intricacy and the ability to produce editions where each identical piece can be individually manipulated to reveal itself in a multitude of ways. There is also something very satisfying about the lasers ability to draw, score and cut in one process."
Toni Davey on her work
Through the realisation of the similarities between the weave and Toni Davey's process of working with grids, the pair were able to explore and play with both mediums to create something truly special. The resulting lineup of ties, bowties, scarves and braces (a new addition to the Marwood offering) celebrate the various stages of their own processes, showcasing the similarities and differences of each discipline. From initial sketches to final artworks, their working methods were made transparent. Ultimately, a sensitivity to detail and a combination of techniques alongside the ever innovative use of materials has resulted in new jacquards and artworks that evoke fragility yet strength in structure.
Look book shot by Ali Mobasser with art direction from Russell Weekes and Becky French
"I find the idea of 'transparency' very seductive. Half seen, half hidden, partial revelation, allowing sight and light to filter through, maybe exposing secrets."
Toni Davey
I've certainly been seduced by Marwood's transparency for SS13. Familiar tools of transparency including the veil, the fan and the screen can now be joined by neckwear.
Labels: Craft, Designers, Inspired, Interviews, SS13
LAT said...
great post, beautiful pictures, nice to see the process of developing these scarfs!
Tools of the trade... S.E.H Kelly
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Studio Sounds - Casely-Hayford AW12
Collections: David Hellqvist's Shirts
College Shop Two
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Tools of the trade... palmer//harding
Autumn Favourites... Will Westall
Exploring Common's Wilderness for SS13
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Treasured Items... Matthew Murphy
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Details... An outsider
Autumn Favourites... Johnny Ridley
Goodhood's Got Five On It
Reading... Hector
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supercinema February 23, 2019 AJAY DEVGN2019-02-23T18:05:13+05:30 Interviews
Interview By: DRISHTI PANDEY
Ajay Devgn is known for his versatility and how, from playing an underdog role to being a gangster, to act funny; he does it all. He is known to be one of the most bankable superstars. In a candid conversation with us, Ajay spoke about his recent release ‘Total Dhamaal’, how comedy comes naturally to him now, and how comedy as a genre has evolved immensely in the recent years. Excerpts:
Will it be appropriate to say that’ Ishq’ was your first film when comedy happened to you?
Yes. But I didn’t know I had this streak while doing ‘Ishq’. I just did it as the script demanded, but that’s how it started off and I was uncomfortable initially, in comedy. Indra Kumar’s comedy was at a different zone, I never use to think like this before, and now, how I started thinking like this is a different thing but that time I was a little awkward. Actually it’s not like you can’t do comedy, everyone has a sense of humor but to adapt to somebody else’s humor in a different way was tough initially. So, then you start adapting your own humor, now what I do is the way I want to do it.
But were you awkward then, because you were the hero who only did action?
Yes, because I hadn’t done it, not because I was only doing action and Indu’s mind set was completely different back then. I was also young, my mind set was also different, and there was a thought process, so to break that thought process it takes time.
And during that time you were making ‘Pyaar Toh Hona Hi Tha’…
But the comedy in ‘Pyaar Toh Hona Hi Tha’ was a little different. It was a little subtle, poker face and ‘Ishq’ was completely loud and different. So there were two different things, like I said, we all have a sense of humor but getting into that zone was initially little awkward but not tough.
Which comedy film would you prefer more? ‘Ishq’ or’ ‘Pyaar Toh Hona Hi Tha’ kind of a film?
I feel both the kinds, merged, back then physical comedy use to happen a lot but now along with physical comedy, writing is equally important because today’s audience will not accept it only if we make faces. In 90’s and 80’s, there use to specially be a comedian and that was very physical but nothing was specifically written on it but today there are full fled stories made on comedy and now both the things have merged and have become one thing. For example – the character in ‘Golmaal’ if it’s loud, it’s equally serious and yet he is doing comedy. So, I think characterisation has changed.
When a super star does comedy, they are glorified. And people really want to watch them on-screen. On the other hand, comedians all this while have not got their due. What do you have to say about that?
I think the times have changed, and they didn’t get their due which I totally agree, that too being fabulous actors. In today’s time they are getting their due whoever is still there. But even then, that time Mehboob sahab and others were stars; also back then there were no comedy film as a genre but now there is.
Being one of the most successful names in Bollywood, do you have the nervousness or you take success or failure in on go, at this point of time?
You take success and failure in one go but you get little disturbed when you face failures because you have worked hard on something. But there is no insecurity that what will happen next, there is nothing of that sort but you try to analyze what went wrong, if your judgment went wrong, or something else. So many times you do films, you imagine a film in a certain way when you hear the script but while doing the film you realize, it’s not being made the way you imagined it or after finishing the film you realize that – this is not what you thought it was, so then you feel bad, that something went wrong. Your judgment cannot be 100% always.
What do you think is necessary for a filmmaker to remain relevant?
Change with today’s time, look at other people’s work, let’s even forget work but look at the new generation, your own children, their friends, how people are thinking today and don’t just stay relevant as a filmmaker or as an actor but be relevant as a human being in the society. For me if I don’t adapt to what my children think today or what they like, dislike. I won’t be relevant as a father also.
Do you believe comedy has become strength for you now and also how much do you enjoy doing comedy?
I enjoy swapping genres. I did ‘Raid’, and then I did ‘De De Pyaar De’ which is another kind of comedy, a rom-com which is in a different zone to what I am doing now. Then I have ‘Taanaji’, so I like to swap and then go back to comedy again.
What stage is ‘Taanaji’ on?
The shooting going on and its 60% completed.
From your body of work and the different kind of characters that you have done, which is that one character that attracts you the most?
I can’t think like this, you have to adapt to a character. You hear a script, you like the character then you adapt to it, it’s not that I have a role model and I want to do something like that. After doing 100 films, you have practically done every shade, so you have to adapt a character in a new way and that is challenging.
How did you come in as a producer for ‘Total Dhamaal’, was it Indra Kumar’s idea or yours?
There were a lot of things which we needed to do together to co-produce it because it was a big budget film, it was a adventure comedy which hasn’t done earlier so to take it at scale and zone so I became a part of this film in producing.
Indra Kumar had told us in an interview about your VFX Company ‘NY’, can you tell us how did that happen?
I was always inclined to it. My name is in the Limca Book of Records for doing the first CG in my country. And that point of time I did it myself, I’ve been very savvy with all this. Technically I’ve always been savvy.
Which was that film?
This was for the title-track by Remo of ‘Pyaar Toh Hona Hi Tha’ – I shot a part of the song with 123 layers. The machine was new, and there were no operators. So I used it myself! I did a lot of similar work later, and my company began about four or five years ago with boys who are fabulous at it.
http://supercinema.co.in/ajay-devgn-5/http://supercinema.co.in/wp-content/uploads/2019/02/AJAY-DEVGN.jpghttp://supercinema.co.in/wp-content/uploads/2019/02/AJAY-DEVGN-150x150.jpg 2019-02-23T18:05:13+05:30 supercinemaInterviewssupercinema supercinemasuraj@gmail.comAdministratorSuper Cinema
« MADHURI DIXIT
WHAT DOES URI’S SUCCESS REALLY MEAN? »
And it's final! #KhushaliKumar to make her debut opposite @ActorMadhavan in #DahiCheeni. The film to be directed b… https://t.co/O4193hUKpa2 hours ago
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9:20 AM PT10:20 AM MT11:20 AM CT12:20 PM ET5:20 PM GMT1:20 AM 北京时间10:20 AM MST12:20 PM EST, Nov. 17, 2018
Cardinal Stadium, Louisville, Kentucky Attendance: 48,265
Finley, Wolfpack roll over Louisville 52-10
CFB Headlines
Talented QBs hope to unseat Tide in SEC
Bowlsby: Big 12 will remain 10 teams
Sooners again in Big 12 media spotlight
Orgeron expecting more progress from LSU
Mullen hoping Gators take another leap
Kansas' Miles returns to comfort zone
Sankey remarks on mental health, betting
Kansas reinstates top RB Williams
ESPN hires former QB Leaf as analyst
2 Eastern Washington players shot
(AP Photo/Timothy D. Easley)
By STEVE BITTENBENDER
LOUISVILLE, Ky. (AP) Both North Carolina State and Louisville entered Saturday needing an emotional pick-me-up. Louisville came out fast, while the Wolfpack came out on top.
Ryan Finley threw for 316 yards and a career-high four touchdowns as N.C. State cruised to a 52-10 victory over the Cardinals.
The Wolfpack (7-3, 4-3) came into Saturday having lost three of their last four. They rolled up 518 yards and 45 straight points on the Atlantic Coast Conference's second-worst defense that went through a coaching change less than a week ago.
Louisville interim coach Lorenzo Ward made his debut after Bobby Petrino was fired Sunday. The Cardinals (2-9, 0-8) held N.C. State on the game's first drive, then marched 40 yards to take a 3-0 lead on a Blanton Creque 32-yard field goal. The Wolfpack, however, controlled the game from there.
Wolfpack coach Dave Doeren said he talked to his players about the Louisville situation and how the Cardinals would likely start.
"We talked about not beating us and making them beat them," Doeren said. "We just had to just kind of weather their emotional storm really which they had. I think our players showed resiliency and toughness in this game."
Kelvin Harmon caught seven passes for 100 yards and a score. Reggie Gallaspy Jr. added two rushing touchdowns and caught a scoring pass from Finley. Gallaspy's 1-yard plunge with 56 seconds left in the first half capped a 13-play, 80-yard drive and made it 17-3.
N.C. State then took advantage of two short fields on its first three drives of the second half to extend the lead to 31-3 with 9:10 left in the third quarter.
Finley, who completed 26 of 36 passes, said they knew Louisville would come out differently than how they showed on film.
"I think a team like that is dangerous," he said. "But at the same time, if you jump out on them early and get into a rhythm like we did, it was going to be tough on them. We knew the situation. We just had to come down here and play our game."
It marked the fourth straight game, and sixth this season, the Cardinals gave up 50 or more points.
FINLEY RISES
With the performance, Finley rose to second on the school's all-time yards passing list, trailing only Philip Rivers' 13,484 yards. At 9,757 yards, he has a chance for 10,000 yards with up to three games remaining.
Doeren said that shows his graduate quarterback is special.
"He knows who he is," Doeren said. "He incredibly competitive, he wants to play better. He works on the things he needs to get better at. He's great with his teammates. He's an inspirational guy."
Just before the game, Louisville announced that starting quarterback Jawon Pass would sit out the first quarter "for missing a team obligation." Ward ended up keeping his sophomore off the field until 11:03 remained in the third quarter. As a result, redshirt freshman Malik Cunningham got his second start of the season.
Ward said he kept Pass out because Cunningham played well in the first half.
Cunningham ran 14 times for 100 yards and a touchdown but left the game for good late in the fourth quarter with an apparent hand injury.
North Carolina State: After letting a 10-point lead slip away late against Wake Forest nine days ago, the Wolfpack came out Saturday with a much improved effort from its offense. Rather than settle for field goals, like they did against the Demon Deacons, the Wolfpack cashed in touchdowns on six of the seven drives that reached the red zone.
Louisville: The beginning of the Ward era saw a more inspired effort by the team initially, but bad fundamentals continued to haunt the Cardinals. The defense had 12 men on the field for a third-and-7 play at the Wolfpack 28. Eight plays later, N.C. State scored its first touchdown. On offense, the Cardinals had a second-quarter drive where they got to the Wolfpack 13. However, two false starts and a holding penalty thwarted the drive, which ended with a 36-yard missed field goal try. The wheels fell off in the second half.
"Both sides of the ball, we started good," Ward said. "We just shot ourselves in the foot with penalties."
North Carolina State: The Wolfpack make the short trip to Chapel Hill next Saturday to play North Carolina.
Louisville: The Cardinals conclude their season next Saturday with a home game against their archrival, No. 20 Kentucky.
https://apnews.com/tag/Collegefootball and https://twitter.com/AP-Top25
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The Bell of St. Mark
St. Mark ELC
"The sound of the bells will be
heard when he enters the Holy
place before the Lord and when
he comes out…” Exodus 28:35b
Dear St. Markians:
We used to have the symbol of St. Mark with the Winged Lion standing upon the Bible and the title “The St. Mark Bells” each month on the top of our newsletter. Well this month we changed it a bit to highlight the St. Mark Bell. We have one bell that rings out to the world so that all know when we are entering into worship.
Back in the days of the Israelites wondering in the wilderness, God taught the people how to worship. They established the first tabernacle with the altar and lampstands. The instructions even included the proper robes and furnishings that should be included when worshipping. Included in this detailed explanation of proper worship, was the mention that the bells should be heard as the high priest enters worship and leaves the sanctuary of the Lord.
To this day, churches throughout the world still ring bells, calling people to worship and at other special times. Our “Oriole Bell” (seen above) has been ringing since 1883 when it replaced our first bell in the tower of the old church. The bell came to St. Mark after a few years of leading the Oriole Festival parades through the streets of Baltimore. After the 2,328 pound bell was dedicated and installed at St. Mark, it took on a whole new career of calling the faithful to worship and reminding the community of the holiness of God and the Sabbath.
To this day, that bell stands as a reminder of the mission we all share as God’s people. It is fitting that this newsletter is named the Bell (dropping the “s”) because it models the ringing of our tower bell. It rings forth with the fullness of the ministry and devotion of this congregation and the people that make up this family. Let us always ring forth to share the message, to tell the story, to invite people to worship, to remind of the holiness of God and the importance of the Sabbath.
Ring loud and clear – Praise the Lord always!
In faith and peace,
Pastor Kirk Griffin
You are evangelists
Fire, Fire! Pentecost has come
Prepared for Easter
Keeping Calm while the World is in Crisis
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100 African Writers of SFF
Volunteer at Strange Horizons
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The Ticket Taker of Cenote Zaci
Benjamin Parzybok
Issue: 2 February 2015
As Eduardo sold the tickets, he liked to imagine the duendes’ approval, the ones Angelita had told him about in a hushed voice. He had laughed and hurt her feelings. Now he imagined their little goblin faces nodding thoughtfully in praise of his work ethic. The cenote’s gatekeeper, they would say in their cricket voices, the ticket taker. He pleases us with his diligence.
The cenote, a perfect circular pool, lay inside a cave. The water was so blue and clear that you could see deep into it, its rocky sides like a tunnel, as if a great worm had long ago dug to the center of the Earth. To stand at the edge of the cenote gave one vertigo. Acrophobes gripped the cave’s walls, their lunch in their throats. A slim spear of sunlight from an opening in the cave’s roof stabbed into the center, making the pool glow.
In this town he’d adopted he was to finally live up to his promise. His small self-exile, a hermitage, to finish his book. Except after work he succumbed to trivial pleasures. There were the peanut dulces Doña Merced sold at the market. Or how with every traffic light in Valledolid lined up just so, he passed through town as if on the back of a great wild hare instead of his old motorbike.That was pleasure. Ding. Or like when—but sure, this dinged everyone, did it not?—a pretty boy let his eyes linger for an extra instant, locked with his, as if they were sockets to plug into, oh.
But there was a thing about the tickets.
He had a good memory for faces, and a good mind for numbers, Eduardo did. He lined up the torn stubs from the day’s sales. When a tourist exited he threw the stub away. Inside he had carefully placed six torn ticket stubs against the back edge of the desk. These tourists had not returned.
The first time a stub remained, he’d hollered into the cenote to make sure no one lingered. He brushed it off as a counter’s error. Perhaps a quick-footed tourist snuck by without his noticing. On a whim he pushed that first extra ticket to the back edge of the desk. Three days later, there was another counter’s error, and this stub he set next to the first. But in the night he woke in his bed and stared toward the dark ceiling and had an uneasiness that sat in his lungs like a cockroach had taken up residence there.
After that he annotated the torn stubs with a code so that he could remember to whom they belonged. The blond Canadian with the pink backpack whose voice sounded of helium. The round Mexican from Guadalajara with a smile like a slice of grapefruit. The towering, stooped German who had plugged into his eyes. They did not speak each other’s language but they spoke each other’s language, too. The viejo with dentures from town who brought his lunch with him, hobbling slowly down the stairs, asking if he’d seen any duendes, wink wink.
No, he had not seen any. He did not believe in them. He hazarded a glance toward Angelita’s ice cream cart. And you? Have you seen the duendes? He asked the viejo.
Yes, the viejo said, his eyes glimmered with mischief and cataracts, the pupil of one milky blue like the cenote itself. Yea big, he gestured, the distance between his hands indicating the size of a two year old. Skinny things, with great beards, and for hair? Green moss and twigs. Teeth like broken sea shells.
Eduardo leaned forward into the ticket window, suddenly enraged. I mean really.
Joven, I can barely see as it is. If they wanted you to see them, you would see them.
Angelita operated the helados cart that roved the park, sometimes parking next to Eduardo’s ticket taker booth. He felt like they, the two park workers, were like husband and wife, siloed each in their little houses, one peddling sweet ice, the other sweet hereafter, or the portal to it, at least.
The tall German? Eduardo said. The one who bought the lemon cone? With the blond hair.
You like him?
No, I just—have you seen him exit?
Ooh. Going to ask him on a date? There was a playful hostility to her speech whenever they spoke of boys.
Angelita. I mean did he come out yet?
Why should I keep track? You keep track of your own boyfriends.
Two days later Eduardo showed Angelita his collection of ticket stubs. She entered his booth and they stood close together. In her hair he could smell sugar and cream mingled with sweat. The stubs were lined up like little tombstones on his desk.
None of these tourists have come back.
I mean, they went down to the cenote, and they never came back up.
She eyed him for a long moment. No, she said, you weren’t paying attention. You’re too busy selling tickets.
Angelita.
She turned and frowned, and he could see that she considered him for a moment. OK, she said. So maybe they’re still down there. Did you go and check?
Of course I did! Eduardo felt the hair raise on the back of his neck. This one—he held up a stub—went down eleven days ago.
She shrugged. Mexican or foreigner?
Foreigner.
What do I know about foreigners? Are they all foreigners?
No! See? Young, old— he separated the tombstones into the two groups. Extranjero, Mexicano, he reshuffled them again. Men, women.
If someone was missing we’d hear it. The police would get called. People don’t go poof.
Poof, Eduardo said. She was right. A small stack of leftover ticket stubs did not make a mystery. He gathered up his ticket stub graveyard and made a short stack of them at the corner of his desk. He’d been careless, he was loathe to admit. He’d mis-counted. He’d start fresh tomorrow.
They are long gone, Angelita said. They’ve traveled far from here already. Don’t worry about them.
Later at night, he sat in bed and stared up at the ceiling and felt lonely and horny. He imagined Ronaldo’s kiss on his lips and chest. He couldn’t sleep so he opened a beer and read a literary magazine for an hour, carefully avoiding the stack of poems he’d come here to complete. One of the magazine pages had a caricature of the President of Mexico and he drew a Mariachi mustache on him in pencil and then cut it out of the magazine.
Deep in the night he dreamed the cenote hung above him, pooling there darkly in the ceiling, pulling him in like a black hole. He clutched the edges of his bed and held on. In his dream, he remembered feeling sure that some day he would be sucked in. The whole town too, and then all of México.
Saturdays were busy. He sold ticket after ticket all morning. The sounds of swimming echoed up the stairs and through the gate. The torn and coded ticket stubs he set aside on his desk like sheep in a field. He watched Angelita sell ice cream, her face shiny with sweat as she dug in the buckets. When she left for the bathroom, he jogged to her cart, opened the heavy lid and took a finger-full of limón for himself, then unfolded the mustached caricature of Presidente Enrique Peña Nieto over the top of the vanilla.
Back at the booth he looked over his tickets, organizing them in his mind by the various subgroups. With sudden horror he realized children under six got in free. They had no tickets. They were uncountable.
Just then a scream issued from across the park and he jerked his head up, seeing only an approaching horde of schoolchildren. But beyond, Angelita held up the president’s head, dripping with vanilla. She shook her fist at him. He giggled; she was an easy scare.
At the end of the day two stubs remained. There had never been more than one. As the sunset dimmed he hovered anxiously, hoping they would show.
Come down with me, he asked Angelita as she served her last cone.
It’s too dark.
We’ll still be able to see if we hurry.
I don’t want to, Eduardo.
You’re scared. It’s just a dumb little tourist site. A silly little underground pool.
The Mayans sacrificed people in it.
No, you’re just saying that. You’re trying to spook me.
She shrugged. Anyway, I’m not going.
Eduardo sighed. Wait for me.
She looped her arm through the cenote’s gate. Hurry, she said.
His footsteps rang out as he reached the stone path in the dim light. The stubs had belonged to a couple, Americans or perhaps Canadians, a man and woman near his age.
As the cenote yawned blackly into view the echoes diminished.
Hello? he called in English. Closing time!
For a moment he struggled with an urge to turn back. If only Ronaldo could see what strange place he’d sent himself. He’d fashioned the perfect exile. And now he was trapped within its concerns, as far away from his work as he could possibly imagine. He walked carefully around the pool. A drip sounded and then it went eerily quiet.
Angelita? he called back up the path, but there was no answer.
Where the path turned toward the stone swimming platform, his shins bumped into flesh and he strangled a scream. It was too dark to see what was at his feet, and for a moment he breathed hard and did nothing.
He reached his hand out slowly and found a face in the dark. It was warm and alive and he said, hello? He moved to the shoulder and shook hard. Hello?
Oh, it said, a woman’s voice in English.
Closing time.
Brad, she said. Wake up.
You are two? Eduardo said. In the dim light he watched her silhouette rise from the ground.
Come on Brad. She was shaking the other. He won’t wake up, she said.
How? he said. How did you fall asleep! We have to hurry. Here I will help you pull him up. Are you borracho? Drunk?
Here is his arm.
Eduardo got hold and began to pull. Fuck, he said in English, working against the muscular weight of the Canadian. We can’t be down here right now.
When Brad woke they hurried along the path. Then they were at the gate with Angelita. Eduardo put his hands on his knees and breathed. The park was completely dark.
Goblins? The Canadian girl said, did you say something about goblins?
What? No. If I did I was joking, Eduardo said.
Brad chuckled and put his arm around his girlfriend and said: That was spooky, and weird. We must be tired, eh cookie?
Eduardo helped Angelita close down her cart and then he looped arms with her and steered her toward his motorcycle.
Please, he said, let me buy you dinner. I can’t go home yet.
Ooh la la, she said.
Wherever you want. I am haunted by sleeping Canadians.
And afterwards, dancing?
And then after that?
After that I will give you a ride to your house.
Good choice, my bed is softer.
They talked about everything but the cenote and the duendes. He didn’t want to think about them. He wanted the idea of them alone in his mind. See, she said—two missing ticket stubs, two sleeping tourists. There’s nothing to worry about.
Nothing to worry about, he repeated.
Right, she said.
You believe that?
No you don’t, I can see you don’t believe that.
She shrugged and held her tequila. Cheers.
Later at home he sat at his table and for the first time in a long time he tried to compose. Just like that three poems materialized, one after the other, in a sweaty fever of productivity. He laid them across the table and studied each one with exuberant surprise, feeling enormously pleased with himself. He wondered where they had come from, all of a sudden, after so many weeks of stalling. This, this was what he had come for!
He regarded his day with superstition then. Something had led to this, an atmosphere in his mind ripe for output. The dinner with Angelita? The sleeping Canadians? What sequence of events had made it happen? What secret, coded recipe of the day could he re-enact for the same outcome?
But the next day was a rout. He sold tickets and counted stubs. No one went missing and for that he felt relieved. Angelita already had dinner plans with a real suitor. At home, he dispiritedly ate undercooked black beans from the pot and drank a six-pack of Tecate. The blank sheet of white paper he’d carefully laid out for himself on the table garnered nothing but drink rings and pornographic doodles.
In the morning he felt awful. He had slept in his clothes and his mouth tasted of rot.
At work he had trouble keeping up with the ticket stubs, remembering who was who. Angelita felt sorry for him and gave him a free lime ice cream. In a moment of distraction he tilted the cone so that the scoop landed plumply on his desk like a dollop of green shit and he had to close his eyes to keep a tantrum at bay. The ticket booth felt like a hot closet and he wondered why he did this to himself, when he could be back in Mexico City sitting in a cafe and pretending to work on his oeuvre like all his other comrades.
At the end of the day, one stub was left. When he read his code he remembered this one clearly, a vieja, a bent old woman. She had come alone.
He eyed the gate and wondered if she were down there still, asleep on the stone path.
No, he decided. He’d simply not noticed her. He’d been distracted. He locked the gate and drove fast for home, giving Angelita a defeated wave.
In bed he stared at the ceiling and thought guiltily of the vieja and it made him angry. Why did she go alone?
He fetched a piece of paper to write a letter and instead another poem effortlessly filled up the page. But the poem’s existence only made him more upset and he crumpled it and threw it at the trash.
A few minutes later he went looking for it and carefully smoothed it on the table. It was good, he admitted, startlingly good.
He needed a vacation, he decided. He proposed to Angelita that she take him around the area on his motorbike and show him the sites. He could be a tourist for once. He hid his collection of tombstone stubs and prepared the booth for the high school student who occasionally filled in. At home, his four completed poems shone in his mind like pearls, a secret wealth that gave him comfort. But instead of a thing he looked forward to fashioning more of, they felt like a pile of ill-gotten cash, which he hoarded with greed.
They drove north, Angelita on the back of his motorcycle. In a couple of hours they were staring into the Gulf of Mexico off a wooden pier. Querido Ronaldo: I have gone on vacation with a girl. They sat and dangled their legs in the water and talked about boys and smiled and lay back on the pier and stared at the sky. Great pelicans flew by overhead, fish in their beaks.
When they arrived back at the park the substitute ticket taker was closing up the booth.
I’m just waiting for my parents, the kid said.
He was fifteen or sixteen, Eduardo thought, and cute as a stuffed bear, so cute that Eduardo lost track of what he said. I’m sorry?
The kid gestured toward the cenote. Just waiting for my parents.
Eduardo stared toward the entrance and tasted vomit suddenly at the back of his throat. The sun was going down. Give me the flashlight, he said.
Don’t go, Angelita said.
What’s happening? the kid said.
Eduardo staggered and nearly fell on the way to the stairs, overcome with nausea. He spit out the sour taste and then went into the cave opening.
In the dim light he saw the deeper black of the round cenote. The amorphous walls of the cave. With the flashlight on it was spookier: he could see only what was directly before him then, obscuring everything else. He called out but there was no response, only the plink, plink, plink of a drip. As he came to the swimmer's platform where he’d found the Canadian couple, he paused and called out and his voice echoed against stone.
God damn you, he yelled at the cenote. He leaned to look in, shining the beam deep into its throat, and then lost his grip on the flashlight. With terror, he watched it sink. The firefly glow receded deeper and deeper, continuing to diminish past all reasonable expectations of time, eerily illuminating a streak of blue in the water, until it was only a pin-prick of light and then gone altogether. Eduardo backed slowly away from the cenote, gripping the wall and held still. He heard rustling in the undergrowth that lined the inside of the tall cave, but when he turned his attention to each sound it went quiet.
Walking along the path his foot kicked an object that skittered on the stone. He went to his knees and felt along the ground in the dark and found a bowl filled with some hard organic matter, seeds or wood chips. He gathered up what he could of the spilled substance and carried the bowl back to the entrance.
Angelita talked to the substitute ticket taker gaily about his school. He shook hands with her and handed Eduardo the keys and then said he was off.
What about your parents? Eduardo said.
Yeah, the kid rolled his eyes. I know.
Eduardo watched him go, gripping the bowl he’d found.
But his parents? Eduardo asked Angelita.
What about them, Angelita said.
He was waiting for them!
Angelita put her hands up, a sarcastic ward against his angry exasperation. Eduardo stumbled into the ticket taker’s booth and turned on the overhead light. The bowl was rough-cut stone. He puzzled over its contents, which appeared to be desiccated white corn or broken seashells. He didn’t want Angelita to see.
Hey amor, lock the gate for me? he said and handed out the keys.
He sifted through the pieces and then he knew what they were—whole, human fingernails. They had lost their translucence. Some were chipped and broken, others perfect and complete. There were hundreds. He was overcome with dizziness. He lurched from the booth and threw up in the bushes.
OK, he said, hunched over. He wiped his mouth.
Are you all right? Angelita called.
Too much sun I think, I’m fine. No, ugh— he leaned in and threw up again. OK. Let’s get out of here.
At home he sat and drank a beer and felt numb.
He picked up his phone and pondered calling Ronaldo but wasn’t sure what to say. Come get me? Take me home? I’m scared shitless?
There was a white sheet of paper laid out for him and ready and he could feel the itching of a poem there in him somewhere. It repelled and horrified him that he could even think about work.
On the third beer he gave in and composed two poems without ceasing and didn’t bother to re-read them afterwards. He stood at the refrigerator and ate bites off a block of cotija cheese, then brushed his teeth and went to bed.
But in the morning he loved them. He held one in each hand and stared at them. Stacked up with the others the pile was short but hearty, poems that could form the core of a book. With them outstretched like wings, he leapt about his small room, unable to tamp down the loft they gave him.
The following night he dreamed. He walked around the cenote along the path, and it was crowded with people who did not speak or move. They did not look at him as he passed. They stood facing the cenote, their eyes transfixed on its center, the tips of their fingers soft and pulpy.
Before work he drove to the police station and browsed through the missing persons files. There were many, dozens of them, but not a single one that he recognized. Each had hints of a terrible story, with the official record of their life reduced to startlingly few details. Age, height, weight, moment last seen; the similarities to his ticket stub records were unsettling. The photos seemed dug up from some family album, in each the subject smiling, with no precognition of what would befall them.
You find somebody, or lose somebody? A policeman asked him.
Eduardo wasn’t sure what to answer and he felt a moment of panic rise into his throat. No, just having a look.
The policeman was, Eduardo thought, the spitting image of a small town Mexican policeman, as if he’d set out to fill his own stereotype. A giant mustache, a large belly, police cap slightly askew. He leaned on the night stick holstered at his belt.
Look all you want, hijo.
A question for you sir, the cenote?
Cenote Zací?
Any crimes ever happen there?
The town’s treasure, the policeman said. El tesoro del pueblo. Doorway to the underworld, the Mayans thought. Xibalba. Oh sure, there’ve been crimes. He sat down on a chair across from Eduardo as if about to tell a long story, but instead said: Hot out, right? and wiped his forehead.
Any recently?
The policeman worked at his loaded front shirt pocket until a chili-lime lollipop manifested from it.
Eduardo accepted the sucker and the policeman produced another for himself.
Let’s see, he spoke around his lollipop. Last year about this time a girl went missing. We had ten maybe twelve policeman looking for her. She never turned up. Even sent divers down to the bottom. Later her brother confessed to pushing her in. Little bastard.
But the divers . . . ?
Oh, the bottom is far down and not exactly straightforward, so I’m told. Never been in myself. The policeman chuckled suddenly and then began to cough and Eduardo wondered if the proper thing to do was to clap him on the back.
Funny thing with those divers, he said, one of them found a human skull. It’d gone greenish brown with I-don’t-know, algae. Not the girl, obviously. Guy who found it pretty well propelled out of the water. Wouldn’t go back in.
A policewoman paused next to them with arms the circumference of drainpipe and impatiently motioned for a lollipop to be provided.
No diver’s been in since, the policewoman said. Extranjeros keep asking the city to do an archaeological survey but it’s never gone through. Why do you get the ones with chili, Carlos? They’re disgusting.
Beggars choosers.
You’ve been there? the policewoman said.
I’m the ticket taker, Eduardo said.
There was a pause which later Eduardo couldn’t figure out if it had only been in his mind, his own heart slowing in expectation of their reaction, stilling time, so that they both seemed to stare at him with a vacant sort of alarm, for a moment which seemed to have no end. Then their faces softened thoughtfully around their lollipops.
And you’re not from here? Carlos said.
Well that’s nice, the policewoman said. El tesoro del pueblo. Get to meet a lot of people I expect.
He didn’t go back to work. He rode the streets, circling closer to Cenote Zací, and then at each approach chose another detour for himself, circling away again, until he found himself home.
In the mailbox was a letter from Ronaldo.
Querido Eduardo:
I hope you will not be too disgusted with me. The piece you sent was oh-my-god lovely, it still makes my hair stand on end. I know we’re here for each other, et cetera, as in love as in artistry. We’re each other’s life support, and so of course you’re not going to believe my praise.
But . . . : After reading it, and before my jaw had adequately recovered itself from the floor, I impulsively re-posted it to La Revista Nacional. Three days later I received the enclosed check and one of the most insanely over-the-top letters of praise I’ve ever seen an editor write, you bastard bastard bastard.
I didn’t think editors even knew how to use such words! I’m overflowing with envy and, of course, such pride. Your piece, Blue, will appear in the review this month (. . . do you suppose they pushed someone out to fit you in on such short notice?)
When can I come visit? Don’t give me that nonsense about exile and the work and such. I want to see you and this pond! I’ll behave myself.
Eduardo read the editor’s letter and wept. After, he pulled a beer from the fridge and sat with a pen and paper to compose a letter to Ronaldo. He had another beer and sent the editor of La Revista Nacional three more poems, which she’d requested and for which she’d promised a sum of money he felt entirely in awe of.
Then he pulled out his bottle of tequila from above the stove. He thought: Only I remember, and that can be fixed. He thought: I am celebrating! but there was no celebration in it.
Sometime in the night he woke up on the floor, his clothes soaked through with sweat. He was still drunk and had had another dream he couldn’t quite put his finger on. He wished more than anything that Ronaldo were there and thought about rewriting his return letter. Please come. He would say. I miss you more than life. But he did not. Instead he showered and changed clothes and drove to the cenote, where a few angry notes were taped to the booth about the unexpected closure, some in mangled Spanish.
I saved your lives, shitheads, he said in English and tore the notes down.
He unlocked the gate and walked down the stone path to the cenote. As the sun rose it sent a sparkling ray into the center of the blue pool. He leaned against the cavern’s wall and watched and waited. It was breathtakingly beautiful, and for a moment he saw it as he’d once seen it, when he’d first arrived, and was filled with awe.
As it neared 9am he laid out his own notebook next to the window and wrote LIBRO DE VISITAS / GUEST BOOK across the top of it, with columns for NAME/NOMBRE and HOTEL.
He obsessively catalogued them. Fat ones, thin ones, tall ones, short ones. Brown and pink. Angelita came and stood by the booth and seeing his mood left quietly.
As the day came toward a close he looked at his stack of torn ticket stubs with dread. It seemed far too large for the hour.
¡La Revista Nacional! he thought.
As a group left with one member short he lurched from his booth and made up some pretense for speaking to them.
The fourth gentleman who came with you? He’s where? I have a special deal on tickets to Chichen Itza I can provide you, but only if there are four, Eduardo said breathlessly.
I don’t think we’re interested sir, thank you.
OK no problem—the fourth gentleman, he’s right behind you?
Yes, he’s taking one more photo. Is it a problem?
Eduardo waited at the gate and then the man exited, his camera strapped to his wrist, his expression vague and uncertain.
At the end of the day a single stub remained. He stabbed his pencil down next to the man’s name. Francisco Velasquez, Hotel San Clemente. In a group of three, Eduardo recalled. Mother, father and daughter.
He raced his motorcycle to the hotel and asked for the room of Velasquez’s.
A young woman in her late teens answered the door.
Is your father, Francisco, here? Eduardo said, not realizing until he spoke that he was out of breath. He leaned over to ease the pressure of his side ache.
No, the girl said.
Please, he stuck his foot in the door.
The older woman appeared behind the girl.
I’m looking for Francisco, he said.
The mother frowned. There are no Franciscos here.
OK, Eduardo said, then where is he?
No I mean to say there are no Franciscos staying here, with us.
Where is your father then? he asked the girl.
The girl turned and looked back at her mother.
Her father is no longer with us, the mother said. Who are you? What do you want?
Jesus Christ, Eduardo said. What happened?
Nothing happened, the daughter said. He had a heart attack eleven years ago.
Eduardo sunk to the ground. He felt suddenly as if he were having a heart attack himself. And today? he said, his breathing more difficult. At the cenote? Did you not come with someone?
Young man are you alright? The mother asked. Help me pull him in.
He needs help, Rosa! Put him on the bed. Go get the clerk, hurry!
Please, Eduardo said, I’m fine. Just a moment. He rolled off the bed and found himself on the floor, and then came to his knees. Just answer please! He stared at the rug. His head seemed packed full of gunshot or sea pebbles or fingernails.
At home he put his remaining supply of blank paper in the sink and ran water over it until it became a pulpy mass. Then he unwrapped a new bottle of tequila and lay on the bed. After a while he realized that every thought was organizing itself into verse. The leaden chaos of his mind kept crystalizing out lines. Shut up! he yelled. The verse came about the girl’s father, who had lived these last eleven years for Eduardo only, it seemed. Shut up! Shut up! He took a deep pull of tequila and stared at the ceiling. The poem hung in his mind as if on fire, written in the air. He let himself tinker with it, change lines about, edit and hone. And then he gave in. For lack of paper, he sat on the edge of the bed and removed his pants and wrote out the poem in ballpoint pen along his leg. When he was finished he took another long pull of tequila and admired it. It sprawled in blue from his knee to the top of his thigh.
There was a knock at the door and then Ronaldo’s face appeared from behind it. Oh, love, Ronaldo said.
How? Eduardo said, but he could hear the words slur on his tongue and felt embarrassed and stopped speaking. He watched Ronaldo pick his way across the room, over strewn clothes intermingled with beer cans and thrown manuscript papers. In the sink, a pulpy mass like some deep sea creature.
I hope it wasn’t written on? Ronaldo pointed. He smiled down at him sitting on the bed with his pants down and his hands wrapped around a bottle of tequila and said: Looks like I’m just in time. Then he took a draught off the bottle and leaned in and kissed Eduardo. What’s this? He went to his knees and read the poem upside down, his hands gripping the outside of Eduardo’s thighs. Wow, amor.
Ronaldo pulled his laptop from his shoulder bag and set it next to Eduardo. Don’t move, he said. We will soon smear it, you and I, so I better do this now. You know paper doesn’t have to be washed, right caballero? He typed in the poem. Poor love, out here on the frontier alone, making do and going native. When he was finished, he kissed his way up the other thigh. Eduardo allowed himself to fall backwards onto the bed.
Ronaldo sat on a stool in the doorway of the ticket taker’s booth and chatted while Eduardo tore the stubs and recorded the visitors. He was having a hard time following what Ronaldo was saying amid the anxious rush of traffic and his gatekeeper’s obligations. He committed each face to memory. Ronaldo was giving an account of their friends: José had gotten a teaching job for way too little pay. Magrite was shooting up her inheritance. Mincho said he was working on a novel and no one ever saw him. Fé had married rich. To Eduardo the names all sounded insubstantial, like people he’d only known in a dream.
Tell me why again I can’t go down there amor? Ronaldo said. I don’t see why all these tourists get to go and not me.
Eduardo could not bring himself to tell him. He had taped Francisco’s torn stub along with every detail he could remember to the back of the desk where he could see and remember it. He had not, he told himself, simply made up the man.
At least let me see what you’re so frantically doing there. Ronaldo leaned in and watched Eduardo annotate four torn ticket stubs. You’re describing them? This trip has been hard on you.
Angelita dropped by and ate an ice cream cone with Ronaldo. How come he’s so serious now? Ronaldo said.
I’m not, Eduardo said, but his voice didn’t modulate well.
Angelita shrugged and smiled at Ronaldo again. I’ve heard so much about you.
What? He talks about me? I’ve got to hear this.
But Angelita got embarrassed and turned pink and licked her strawberry ice cream.
OK, then just tell me about the cenote, Ronaldo said. Why won’t he let me go down there?
Angelita glanced at Eduardo and then looked away. He said you can do an amazing trick with your tongue. . .
Oh, he did did he.
She blushed bright. And that you’re very romantic.
Mmmm.
And that you snore.
I do not! Ronaldo reached over and punched Eduardo in the arm and Eduardo laughed and then felt sick.
Watch the booth for me, would you both? He said. Don’t sell any tickets. Tell them it’s full, whatever.
He walked to the park’s bathroom, locked himself in a stall and stood swaying above the toilet. He was hungover and nauseous and his stomach would not settle. He put his finger into his throat to make himself throw up and when that was done he leaned his forehead against the concrete wall and breathed until he could settle his mind.
When he returned to the booth there was a line to serve. The last ticket he’d written was positioned in the middle of the desk, isolated from the others. He’d noted: A handsome Mexican man in his late twenties, with wavy dark hair, and green eyes. Ronaldo Charmed. What kind of a last name is that? he thought. The hotel location, he read with horror, was his own address. He could not remember writing it.
But a moment later: Ronaldo. He felt startled by his momentary loss of memory, as if it’d been snatched from him, like a pelican plucks a fish from the water. Ronaldo had descended into the cenote! He slammed his fist into the desktop, the ticket stubs jumped. But what right did he have to forbid him. Everyone who came to the city visited. He underlined Ronaldo on the stub and put it with the others.
As the day wore on, he found himself in a better rhythm. He set the torn tickets to the side organized chronologically. He looked up and waved at Angelita across the park and she waved back and smiled, each too busy now to talk to the other.
When the sunlight streamed golden through the trees and began to dim on the edge of the sky he sorted through his remaining stubs. There were ten of them. The last few visitors were exiting quickly now, making the pile diminish rapidly. It would be a no-tickets-left day, he could feel it, and for this he was relieved.
But there was one ticket left when the park closed. He reread the code and did not remember the face it belonged to.
It was a cruel prank played by Angelita, he thought, or someone who had written the street number wrong; his own. He looked for her across the park but could not see her. He swore and walked to the gate of the cenote with his new flashlight. A vein in his throat pulsed with heartbeat. Hello? he called into it. In the cave’s entrance before the path he thought about how much he abhorred the job. But he was fashioning his ticket out: La Revista Nacional! Just the thought of the journal caused an upwelling within him, memory and thought roiling beneath the surface of his mind’s lake. There would be work tonight!
© 2014 Paula Arwen Friedlander
Come on! he yelled from the top of the path. The cenote shimmered darkly, the turquoise pool dimming to black. He pulled the torn stub from his pocket and inspected it with his flashlight.
It was a name he liked, Ronaldo was. He proceeded slowly down the path, turning the flashlight on for short intervals, and then turning it off so his eyes could adjust to the whole cavern. Had the Mayans sacrificed here to pay tribute? Or because they were afraid of it. Señor! he called. Ronaldo!
Near the lower part of the path next to the platform he whispered the name into the dark. It didn’t sound right. It was a made up name. In his head he began composing a letter but he couldn’t think to whom. Querido
Ronaldo! he yelled. With the water softly lapping at the edge, inches from his shoes, he scanned the pool with his flashlight. What had made the water move?
Deep in its depths he saw something. It was a body, highlighted fluorescent blue by the light, in the heart of the pool. Its arms stretched wide, suspended. He knew this body.
Eduardo dove in, swimming hard with one hand, the other clasping the flashlight as its sword beam cut through the water, making the body glow. He swam deeper and deeper but the body stayed out of reach, so far and deep and dreamlike at the bottom. His lungs ached and he realized he would not reach him.
He let his air go and turned to resurface but every direction was the same. Querido Ronaldo: I have followed you in. His lungs seared, as if coal burned in them. He swam hard for the top but the body was there, too, still far away. Waving now, perhaps, or only swaying dully back and forth by his thrashing. He gulped in water, wishing to yell out in anger, to give one last fuck you to the cenote before it silenced him. And then his lungs could hold no longer and he dropped the flashlight and let the water in.
When, querido, the sickening panic subsides into a pleasant, deathly drowsiness, I will float down to you, and we will embrace at the bottom. He drifted this way, unsure which direction the pool pulled him.
Around him he felt the water churn, claws or strong fingers gripped the back of his shirt. They clenched his hair, the sharp nails bit into his ankles and wrists. Pinchers at his stomach and back. He was being pulled down to the strange twisted bottom. To float amongst the skulls, ancient and new. Deep and not exactly straightforward.
The claws struggled with him and he felt tired and closed his eyes and slept and when he woke he was on the platform. The cavern was lit by moon glow, beaming down on him through the hole at the top. He felt arms around him.
“Ronaldo?” he said, and the cavern obediently repeated the word with sharp reverberations, until the sound became meaningless. The arms tightened in empathetic response. Kiss me, he thought. But as he turned the arms pulled back into the darkness, unseen, outside of the moon’s spotlight. The cenote quieted, the moon moved on, and within him rose a sense of loss so strong it felt audible. The beating of his heart like a hammer on tin, in an enormous room.
© Copyright 2015 Benjamin Parzybok
About Benjamin Parzybok
Benjamin Parzybok is the author of the novels Couch and Sherwood Nation . He has been the creator/co-creator of many projects, including Gumball Poetry (literary journal published in capsule machines), The Black Magic Insurance Agency (city-wide, alternate reality game), and Project Hamad (an effort to free a Guantanamo inmate and shed light on Habeas Corpus). He lives in Portland with the artist Laura Moulton.
Podcast: Regret, Return, Reignite
By: Audrey R. Hollis
Podcast read by: Anaea Lay
Fune-RL
By: Emma J. Gibbon
Podcast: Fune-RL
Podcast read by: Ciro Faienza
Regret, Return, Reignite
Art by: Vlada Monakhova
Monday: The 2019 Arthur C. Clarke Award Shortlist: Part I
By: M.L. Clark
Wednesday: The 2019 Arthur C. Clarke Award Shortlist: Part II
Friday: The Spirit of Science Fiction by Roberto Bolaño, translated by Natasha Wimmer
By: A. S. Moser
TransversalArtisan on Roadsouls by Betsy James
bmichael on Wynonna Earp, Season Three
Joanne Ferguson on Matrilines: Louise Lawrence: A Woman Out of Time
Anita Luthra on Empire of Sand by Tasha Suri
erinhorakova on Erin Groans: A Gormenvast Review of Every Adaptation of Mervyn Peake's Titus Books
Susan Näsström on Border [Gräns]
M on Erin Groans: A Gormenvast Review of Every Adaptation of Mervyn Peake's Titus Books
Anne Duse on Border [Gräns]
Scott Witt on So You Want To Be A Robot: 21 Stories by A. Merc Rustad
Eboni Dunbar on On Resistance: The Chosen One
100African
Azimuth Highlights
Strange Horizons is a weekly magazine of and about speculative fiction. We publish fiction, poetry, reviews, essays, interviews, and art. For more information, see our about page. All material in Strange Horizons is copyrighted to the original authors and may not be reproduced without permission.
All content © Strange Horizons unless noted
Website by Matthew Kressel / Sunray Computer
Logo and icons by Kris Dikeman
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The Witness – January Game of the Month
in Feature, Game of the Month
by TSG Staff January 26, 2016, 8:28 am 41 Views
Welcome to the re-exploration of an idea we tried during Top Shelf Gaming’s infancy. Our game of the month series, while not a new concept, is unique in that the criteria for being selected is more than just being the “best” game released in a given 30 day period. The main considerations are how big of a splash did a game make in the culture and is the game pushing the industry forward (and in some cases back) in a significant way. So without further ado, I would like to award the first Game of the Month accolade to the puzzle adventure game The Witness.
The Witness is the second game by outspoken independent developer Jonathan Blow and features 600 puzzles of varying levels of difficulty. Players guide the protagonist through a colorful and stylized island solving maze puzzles and uncovering its cryptic mysteries. Praised for its difficulty, The Witness delivers a seemingly endless stream of challenges that often require a player to step away from the game for hours at a time and return to it with fresh eyes. Our very own Devin Valdivia had a lot to say about it in his review.
The game took $6 million and seven years to make. Impressively, Blow and co. made $5 million of that back in the first week of sales alone. These sales numbers shed light on the biggest reason why this game was selected as Top Shelf Gaming’s Game of the Month: The Witness comes in with a retail price of $40. Gamers have grown accustomed to paying $20 or less for indie games like Rocket League and $60 or more for big budget AAA games like Call of Duty. Contrast that with Odd World: New ‘n’ Tasty, which many people considered to be a hard sell with an initial price point of $30.
The Witness has been successful in disrupting the widely held belief of what an independent game should cost and how we should value games in general. The Witness is a AAA puzzle game developed by a small team of about a dozen people. Blow would not be unjustified in asking for $60 for such a content dense and beautiful game. The unconventional $40 price has sparked numerous conversations of what games should cost and will cost in the coming years.
The Witness may be the most notable example in the resurgence of a middle tier of games. The scope is more ambitious than a more contained experience like Gone Home which was developed by a handful of people, but not as vast as a game like Fallout 4 which is the product of thousands of people and millions of man hours. Until now, Double Fine Productions cornered the current market of mid-tier game making. Upcoming independent games like A Hat in Time and Yooka-Laylee also hope to fill that medium-sized niche when they eventually release. However, The Witness has been successful in reminding the game industry of the importance of games of this size, and for that it is this month’s winner.
Check out every TSG Game of the Month winner by exploring our Hall of Heroes!
Written by TSG Staff
Top Shelf Gaming is a platform where gamers can share their unique stories and perspectives in a welcoming environment. If you would like to submit an article to us or join our staff, please send an email to submit@topshelfgaming.net.
TSG Asks: What game would you replay for the first time?
Game of the Month Recap: Celeste (Jan 2018)
God of War – Game of the Month
Star Wars Battlefront II – Game of the Month
Sonic Mania – Game of the Month
Previous article Michael’s Mothballs – Dark Cloud
Next article Interview with WoW Friendship Moose runner Zelse
More From: Feature
by Evan Maier-Zucchino January 11, 2019, 8:36 am
by TSG Staff December 21, 2018, 10:04 am
by TSG Staff November 19, 2018, 12:00 pm
by TSG Staff November 14, 2018, 9:00 am
by Marcus Garrett November 10, 2018, 11:32 am
by Marcus Garrett November 9, 2018, 1:47 pm
Michael’s Mothballs – Dark Cloud
Interview with WoW Friendship Moose runner Zelse
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About the TOEFL Junior® Tests
Make an Early Impact that Lasts a Lifetime
The TOEFL Junior® tests, intended for students ages 11+, provide real insight into your students’ English communication skills to help you make the best decisions and guide them on a path to success. Learn more about how TOEFL Junior scores can help you.
To better meet the expectations of English-language programs worldwide, the TOEFL Junior tests are available in two testing modes and measure a range of skills:
TOEFL Junior Standard test — a paper-delivered test that measures Reading Comprehension, Listening Comprehension, and Language Form and Meaning. The TOEFL Junior Standard test is currently available in over 50 countries around the world.
TOEFL Junior Comprehensive test — a computer-delivered test that measures Reading Comprehension, Listening Comprehension, Speaking and Writing. The TOEFL Junior Comprehensive test is being introduced in phases in various locations around the world.
Learn more about both testing modes.
Part of the TOEFL® Family of Assessments
The TOEFL Junior tests are part of the TOEFL® Family of Assessments, which also includes the TOEFL iBT® test and the TOEFL ITP® Assessment Series. Based on the long-standing and trusted heritage of the TOEFL test, the TOEFL Junior tests use the most up-to-date methods for language testing and are fair, reliable and valid for their intended purposes.
Plus, TOEFL Junior scores are mapped to CEFR levels, so as to gauge achievement against an international standard, and give you a more in-depth understanding of your students’ English proficiency levels. Learn more about TOEFL Junior scores.
Preparing your Students for Success
The TOEFL program makes it easier for you to help your students improve their English skills with helpful tools and resources. We offer sample questions for both testing modes to help your students prepare successfully for test day. Plus, students receive Lexile® measures with their TOEFL Junior scores, which makes it easier to select books at the right reading level and improve their English reading proficiency over time. Learn more about Lexile measures and TOEFL Junior sample questions.
How to Use TOEFL Junior® Scores
A Versatile Solution for English Programs
English programs around the world trust the TOEFL Junior® tests to help them with placement decisions and monitoring the progress of their students. Score users include:
English-language programs
International schools where the language of instruction is English
Schools in non-English speaking countries that focus on teaching content through English
Discover the Ways the TOEFL Junior Tests Can Help You
TOEFL Junior scores have multiple uses in English-language classrooms, including:
Placing students in English-language programs so they are matched with level-appropriate instruction
Monitoring progress over time to gauge learning and proficiency
Using “can-do” statements provided on the score report to inform conversations with parents
Advising students on appropriate book selections based on MetaMetrics®Lexile® measures to improve their reading proficiency
Mapping student achievement to the Common European Framework of Reference (CEFR) for international benchmarking
Learn more about the two testing modes: TOEFL Junior Standard and TOEFL JuniorComprehensive.
Two Testing Modes to Meet the Needs of Programs Around the World
The TOEFL Junior® tests are available in two testing modes: the paper-delivered TOEFL Junior Standard test and the computer-delivered TOEFL JuniorComprehensive test. Each mode measures a different set of English-language skills. Both tests provide reliable administration and scoring, and scores from both testing modes are mapped to CEFR levels. Plus, TOEFL Junior scores are matched to MetaMetrics® Lexile® measures so you can help students choose books at the right reading level to improve their English reading proficiency.
Take a look at the test design to see how you might use them in your program.
TOEFL Junior Standard Test Design
Conveniently offered in paper-delivered format, the TOEFL Junior Standard test is easy and convenient to administer. It is a good choice for institutions and programs looking for flexibility and quick scoring turnaround. It assesses the following skills:
Scale Scores
Testing Time
Listening Comprehension 42 200–300 40 min
Language Form and Meaning 42 200–300 25 min
Reading Comprehension 42 200–300 50 min
Total 126 600–900 1 hr 55 min
Preparing For The Test
Handbooks for the TOEFL Junior® Tests
Download a handbook for information on what to do before the test, what to expect on test day, getting ready for the test, score reporting, and policies and guidelines.
Handbook for the TOEFL Junior® Standard Test (PDF)
Sample Questions for the TOEFL Junior Tests
These sample questions are meant to help you and your students understand the kinds of questions that will be on both testing modes of the TOEFL Junior® test.
TOEFL Junior Standard Test Sample Questions
For more information about TOEFL Junior test, click here
To reserves seats for TOEFL Junior test click here
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The Tennis Freaks
Treat for All Tennis Lovers
About Tennis Freaks
History of French Open-Ronald Garros
by MairaS on September 17, 2010
in Grand Slam: French Open
The history of French Open could be traced back to year 1981 when the very first tournament was played and won by Briggs. At that moment, it was not an international tournament. In year 1897, Women Singles Championship was introduced.In the city of love, Paris, the most physically demanding tennis tournament, French Open is played every year. Known also as Roland Garros and being the premier clay court tournament, it is played between late May and the earlier week of June for two weeks. Although the clay court provides a surface for slow game, this championship has been entertaining the tennis fans all over the world with sensational matches.
The dry and slow clay surface has given tremendous players like Bjorn Borg, Chris Evert, Justine Henin, Rafael Nadal and many more
to the tennis fans.In the year 1925, Roland Garros was made open for all the competitors. After the French Open was recognized internationally, the legendary player Bjorn Borg showed his magic in tennis world and claimed his sixth title in the year 1981. In Women’s Singles, Chris Evert mesmerized the women tennis world with her game and won seven titles, which is a record held by her till date. The only player to win titles closer to Evert was Steffi Graf who became the winner six titles.
In the chase for the French Open King, Rafael Nadal has made his mark by claiming 6 French Open titles, equalling Borg’s record and is expected to do magic in the coming years. However in the current era, no women tennis player has been able to dominate the clay court comprehensively.
Tags: Bjorn Borg, Briggs, Championship, Chris Evert, Clay court, Clay King, France, French Open, French Open King, game, History, History of French Open-Ronald Garros, June, Justine Henin, May, Paris, Rafael Nadal, Ronald Garros, sports, Steffi Graff, tennis, Women Singles
Top 6 best rivalries in Tennis
Top 6 most money making male and female players in Tennis in recent times
Top 5 most handsome male and most attractive female players in Tennis
Grand Slam winners and runner ups of 2010-2017
Kyrgios’ Insulting Wawrinka and Three Other Tennis Controversies That were in Focus in 2015
John kearns on American Tennis Player E. Victor Seixas Jr
John Kearns on Popular Tennis Player Nancy Richey
Nan McGrath on American Tennis Player E. Victor Seixas Jr
TJ on Tallest and Shortest Tennis Players
Archives Select Month May 2018 April 2016 March 2016 February 2016 April 2015 September 2014 August 2014 January 2014 October 2013 December 2012 November 2012 March 2012 December 2011 August 2011 July 2011 June 2011 May 2011 April 2011 January 2011 December 2010 September 2010 July 2010 June 2010 February 2010 January 2010 October 2009 September 2009 June 2009 May 2009 April 2009 March 2009
All About Pakistan
ContentCreatorZ
Cricket Freaks
Films plus Movies
Football Craze
Categories Select Category ATP Tour Australian Open Winners and Runner Ups Famous/Best Tennis players French Open Winners and Runner-Ups General Information Grand Slam: French Open Grand Slam: US Open Grand Slam: Wimbledon Grand-Slam: Australian Open Grandslams Hottest Male Tennis Players Hottest tennis players How to play like tennis stars/legends? Memorable tennis matches Record Holders Tennis Players Tennis tournaments The greatest tennis rivalries Uncategorized US Open Winners and Runner-Ups Winners and Runner-ups of Wimbledon
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County Membership Report
Maps and Reports > Select Counties >
Search Maps & Reports:
Bennington County (Vermont)
Religious Traditions, 2010
Evangelical Protestant Mainline Protestant Catholic Other Unclaimed
Congregational adherents include all full members, their children, and others who regularly attend services. The 2010 reports contain incomplete counts of congregations and adherents belonging to the eight largest historically African-American denominations. These denominations are not included in the 2000 reports and are largely missing from the 1990 and 1980 reports.
[More information on the data sources]
1980-2010 Change
Religious Bodies
Adherence Rate†
American Baptist Churches in the USA Mainline Protestant Baptist 5 1,186 32.06
Christian Churches and Churches of Christ Evangelical Protestant Baptist 1 61 1.65
Churches of Christ Evangelical Protestant Baptist 1 40 1.08
Conservative Baptist Association of America Evangelical Protestant Baptist 1 25 0.68
Southern Baptist Convention Evangelical Protestant Baptist 1 22 0.59
Catholic Church Catholic Catholicism 10 9,548 258.10
Episcopal Church Mainline Protestant Episcopalianism/Anglicanism 3 1,131 30.57
Friends (Quakers) Mainline Protestant European Free-Church 1 52 1.41
Christian and Missionary Alliance, The Evangelical Protestant Holiness 1 176 4.76
Church of God (Anderson, Indiana) Evangelical Protestant Holiness 1 20 0.54
Salvation Army Evangelical Protestant Holiness 1 21 0.57
Jewish Other Judaism 3 650 17.57
Church of Jesus Christ of Latter-day Saints, The Other Latter-day Saints 2 237 6.41
Unitarian Universalist Association of Congregations Other Liberal 1 44 1.19
Evangelical Lutheran Church in America Mainline Protestant Lutheran 1 104 2.81
United Methodist Church, The Mainline Protestant Methodist/Pietist 8 1,092 29.52
Bahá'í Other Other Groups 0 21 0.57
Buddhists Other Other Groups 1 --- ---
Assemblies of God Evangelical Protestant Pentecostal 2 560 15.14
Congregational Christian Churches, Additional (not part of any national CCC body) Mainline Protestant Presbyterian-Reformed 1 60 1.62
National Association of Congregational Christian Churches Mainline Protestant Presbyterian-Reformed 2 157 4.24
United Church of Christ Mainline Protestant Presbyterian-Reformed 6 1,419 38.36
Totals: 53 16,626
The population of Bennington County, Vermont was 36,994 in 2000; in 1990 it was 35,845. The total population changed 3.2%. The adherent totals of the religious groups listed above (16,626) included 44.9% of the total population in 2000.
* In an effort to better match the ASARB standards for adherents, a few religious bodies changed the way their adherents were reported in 2010, including the Catholic Church, Amish groups, Friends groups, Jewish groups, the Church of Jesus Christ of Latter-day Saints, Non-denominational Christian Churches, and the United Methodist Church. This change does not affect any of the data in the newly released 2010 U.S. Religion Census: Religious Congregations & Membership Study. In fact, the data for these groups are now more comparable to that of other bodies than it was in previous decadal reports.
However, the change in methodology can distort assessments on growth or decline between 2000 and 2010 for each of these groups. County-level 2000 data using the new methodology are not readily available. ASARB staff has adjusted some 2000 county-level adherent statistics to allow for a more accurate picture on growth or decline. The revised maps and charts are now available on-line at www.usreligioncensus.org for those who are interested in these trends.
2010 data were collected by the Association of Statisticians of American Religious Bodies (ASARB) and include statistics for 236 religious groups, providing information on the number of their congregations and adherents within each state and county in the United States. Clifford Grammich, Kirk Hadaway, Richard Houseal, Dale E. Jones, Alexei Krindatch, Richie Stanley and Richard H. Taylor supervised the collection. These data originally appeared in 2010 U.S. Religion Census: Religious Congregations & Membership Study, published by the Association of Statisticians of American Religious Bodies (ASARB). [More information on the data collection]
†The adherence rate provides the number of adherents of a particular group per 1,000 population. For example, in 2010 the Episcopal Church had an adherence rate of 7.6 in Autauga County, Alabama. This means that about 8 out of every 1,000 people in Autauga County were Episcopalian.
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[saturday, may 11, 2013]
show: all posts | rants & reviews | interviews | ratings | video
Video: BBC America Releases the First Trailer from Season Two of "Copper"
The series returns Sunday, June 23 at 10:00/9:00c on the cable channel.
Video: TBS and DumbDumb Debut Latest Comedy Short Featuring the All-New Ford Fusion
Dan O'Brien, Alison Becker and George Basil star in the short, from producers Jason Bateman and Will Arnett.
Video: Showtime Releases Key Art for Final Season of "Dexter" and Official Trailer for Its New Drama "Ray Donovan"
Look for both series to roll out on Sunday, June 30 starting at 9:00/8:00c.
Video: Starz Reveals "Magic City" Season Two Key Art and Video
Check out the two latest spots for the new season plus the key art.
Video: The Future Is Near! Get Ready for the Final Season Premiere of "Futurama" with the "50 Day Countdown"
Every day for 50 days the network will release a new piece of exclusive content from the show.
Video: Watch an Entire Episode of IFC's New Series "Maron" Before It Airs
The entire second episode is now available on IFC.com, iTunes, Amazon, Hulu, YouTube, Facebook, TVE and VOD.
Video: All-New Video Reveals More About TNT's "The Hero"
The newcomer launches Thursday, June 6 at 8:00/7:00c on the cable channel.
Video: A Few Minutes With... "Hemlock Grove" Co-Star Bill Skarsgard
Netflix's new 13-episode horror series is available today on the pay service.
Video: A Few Minutes With... "Hemlock Grove" Co-Star Dougray Scott
Video: A Few Minutes With... "Hemlock Grove" Co-Star Freya Tingley
Video: A Few Minutes With... "Hemlock Grove" Co-Star Landon Liboiron
Video: A Few Minutes With... "Hemlock Grove" Co-Star Penelope Mitchell
Video: A Few Minutes With... "Hemlock Grove" Creator Brian McGreevy
Video: "Sam & Cat" Coming to Nickelodeon in June!
Check out the first promo from the spin-off series featuring Jennette McCurdy and Ariana Grande.
Video: Starz Makes Waves with First Look at the Michael Bay - Produced High-Seas Drama "Black Sails"
The pirate adventure centers on the tales of Captain Flint and his men, 20 years prior to Robert Louis Stevenson's classic "Treasure Island."
Video: Marc Maron & Dave Foley Track Down an Internet Troll on IFC's "Maron"
Check out the latest clip from the new series, premiering Friday, May 3 at 10:00/9:00c.
Video: A Few Minutes With... "Da Vinci's Demons" Co-Star Tom Riley
Starz's period drama about the life of Leonardo da Vinci premieres tonight at 10:00/9:00c.
Video: A Few Minutes With... "Da Vinci's Demons" Co-Stars Laura Haddock & Blake Ritson
Video: A Few Minutes With... "Da Vinci's Demons" Co-Star Lara Pulver & Creator David S. Goyer
Video: "The Simpsons" Couch Gag Gets Replaced for One Week Only with a Special "Breaking Bad"-Themed Show Open
Watch the credits sequence from this Sunday's episode on FOX.
Video: New Sneak Peek from Series Premiere of "Maron" - Airing Friday, May 3 on IFC
In the clip, Marc overshares his private thoughts and insecurities with the wrong kind of doctor.
Video: HBO Special - A Conversation with Louis C.K.
Look for the debut of "Louis C.K.: Oh My God" this Saturday, April 13 at 10:00/9:00c.
Video: MTV's "Zach Stone Is Gonna Be Famous" Trailer
The Bo Burnham-led scripted comedy will premiere Thursday, May 2 at 10:30/9:30c on the cable channel.
Video: "Sullivan & Son" Season 2 Premiere Date Announcement
The Steve Byrne-led comedy returns to TBS on Thursday, June 13 at 10:00/9:00c.
Video: First Four Promos for FX's Newest Original Drama Series, "The Bridge"
Check out said teases for cable channel's new drama, premiering in July.
Video: Oprah Winfrey and Tyler Perry as Sofia and Madea in OWN Promo Parody Debuting on the Network Tonight
The spot was filmed in anticipation of Perry's new series "The Haves and the Have Nots" and "Love Thy Neighbor" on the network.
Video: A Few Minutes With... "How to Live with Your Parents" Creator Claudia Lonow & Star Sarah Chalke
The newcomer bows tonight at 9:30/8:30c on ABC following "Modern Family."
Video: Bob Odenkirk & The Birthday Boys Accept IFC's Show Offer with Unusual Conditions
The series, featuring the Los Angeles comedy group of the same name, will bow this fall on the network.
Video: It's No April Fools Joke... "Taye Diggs Destroys Hip Hop" on ABC.com!
Plus: look for "Bruno Tonioli's Writers' Room" and "Fizbo: The Clown."
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Watch a sneak preview of the show's anniversary installment.
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The Lit Coach's Guide to The Writer's Life
Join me each week for blogshops that will inspire creativity, boost productivity and remove challenging obstacles from your path. Here's to your publishing success!
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Killer Boots: Getting Clear about Workshopping with Suzy, Chelsea, Diana and Chuck
There are two kinds of writer’s workshops – those within the confines of an MFA program and those outside.
An MFA program will teach you the art of writing – the process of outlining, drafting and crafting with a fierce passion. Along the way, you’ll learn all kinds of technical jargon about plot structure and character development and so on. You’ll learn how to give and receive feedback constructively, (ahem, well, maybe). You’ll most likely learn a thing or two about publishing in literary journals, chapbooks, and other literary type magazines, but rarely will you hear much talk of mainstream publishing….anything outside the university or academic press system.
Then there are the writer’s workshops outside the MFA club. These range from a few like-minded friends getting together once a month to read and respond to each-other’s work to a group of well seasoned, published writers getting together weekly to read, critique and discuss their work in progress…with firm deadlines to meet from their editors.
Many writers come to me with questions about workshops from how to start one to what level of writer should be included to frequency of meeting, etc. To answer the first question, “How to start a workshop,” do your research. Start with the universities…I’m sure there’s a creative writing or English comp professor out there who’s in a writer’s workshop outside university walls. Ask your local indie bookseller, who typically knows the who’s who of your local literary scene, if they know of any workshops open to new writers. Ask your local librarian who might know of some workshops…they may be meeting there, you never know. The point is, get out of the house and ask! If you come up dry despite your best efforts, take the initiative to start your own. Ask writers you feel would contribute a certain educated voice to your group no matter their professional background…and don’t feel you need to only invite genre specific writers. Learn and explore outside your artistic comfort zone.
We’re kicking off a two week blogshop featuring members from one of the most dedicated, successful workshops in the country. You won’t find these folks in Iowa City or Irvine. And if you’re invited to join, you’d better come prepared and get over the fact you’re sharing your work with several of Portland’s bestselling authors and an award-winning journalist. They’ll come to the group with pages in hand, ready to talk shop – and so had you. Check your starry eyes at the door.
With us is New York Times bestselling thriller author Chelsea Cain (Heartsick; Sweetheart and more); freelance author Suzy Vitello Soule (a veteran of the group who’s working on a major book series right now that I can’t wait to read!); New York Times bestselling author Chuck Palahniuk (another veteran of the group and author of Fight Club; Invisible Monsters; Choke and more); and award-winning journalist, radio host and all around multi-media maven, Diana Page Jordan. For more background info, read this great article by Jeff Baker in The Oregonian.
This is going to be a longer post than usual, so get cozy.
I asked the group:
How has workshopping your material helped you grow as a writer?
Suzy: Often, a writer has a hard time separating the story in her head from the story on the page. A good workshop points out the difference.
Chelsea: I really owe every bit of my success as a thriller writer to my writing workshop. I came to workshop four or five years ago with a whole lot of training in non-fiction writing and no clue how to write fiction. I mean, no clue. I had never taken a fiction writing class. I had a draft of my first thriller HEARTSICK, and we went through the thing chunk-by-chunk week after week. Along the way, I got a master class in fiction from some of the finest writers out there. Writers with MFAs. Who know stuff. I use those lessons every single time I sit down to write.
Diana: Absolutely, totally, without a doubt, it has. Having “grown up” in radio – where I would go to a site, interview several people, break down the audio, write the script, four scripts usually, and then deliver the story on the air within an hour – I had no clue what second drafts were all about. I also learned the concept of unpacking – which, when I joined Workshop – seemed to be the favored comment from Chuck, Chelsea, and Suzy for my writing. Our group was that small when I joined, which helped, too, in the midwifing of a traumatic memoir. I didn’t even know what a workshop was until Chuck serendipitously invited me into Workshop. That invitation is a magical story, which made it into my memoir.
Chuck: Being among talented, dedicated writers, people who value the same artistic passions I value and have been trained by a wide assortment of brilliant past teachers, this gives me continued access to a far greater variety of recreational drugs.
TLC: Very funny, Chuck. Suzy touches on a good point – a good workshop is not only about art appreciation and being passionate about your story but translating that story that’s been mulling around upstairs, the one that’s been keeping you up at night, to the page through careful crafting. Good writing is equal parts craft and art.
How has it helped you gain clarity about where your story is going and who your characters are?
Suzy: Again, the creative process can give a writer a false sense of what has been conveyed—how strongly a character has been drawn, or how well the writing handles transitions. Objective, intelligent feedback is like having a second, more removed brain. It’s a great starting point for revision.
Chelsea: That’s not really the job of the workshop. That’s the writer’s job. If you don’t know where your story is going and who your characters are, all the writing workshops in the world can’t help you. This is one of the other things that the writing group has taught me – if you, as the writer, don’t do the work before you bring the piece in to workshop, it just wastes everyone’s time. Ideally, to get the full benefit of feedback, any work you bring in should be as good as you can possibly make it.
Diana: My BS in Journalism and Communications (University of Florida) can get me only so far. Being in Workshop is like borrowing an honorary MFA – these writers are brilliant people. Among other things, I gained clarity about POV, arc, and other key concepts. In most cases, I didn’t even know these things had names until I stumbled over them, and the writers pointed them out.
Chuck: Not so much. Workshop serves me better by reminding me where my characters have been: other writers will recall plot points or themes I've forgotten and allow me to bring them to the fore. "Bring them to the fore" that's some fancy talk'n. If other people can see where the story is going -- I'm not doing my job well.
TLC: So, clearly this process means something different to all of you. While I totally agree with Chelsea (because I don’t wanna see your work until it’s darn near perfect), Suzy and Chuck have great points, too. Sometimes you need that reaction…that feedback to see if you’re headed in the right direction creatively and adjust if you’re not. But it all boils down to you being in control of your work and your characters.
Do you ask each other for specific feedback about what is or isn't working or are you more laid back about how the feedback comes to you?
Suzy: Completely depends on what stage the draft is at when being critiqued. With early drafts, one often wants a general, overall reaction. Once an agent or editor has asked for specific changes, our members are not shy about being very detailed regarding the feedback they’re looking for.
Chelsea: It depends on the piece. Again, in a perfect world, we only bring in pieces that we’ve done all the work on that we can – pieces that are, in our mind, finished first drafts that are in our minds, doing what they’re supposed to do. Because if we bring in stuff that isn’t “finished” and give feedback that we could have given ourselves, then what’s the point of that? But it’s not a perfect world, and sometimes we bring in stuff before it’s cooked. And sometimes we get stuck and just need help to free the ship from the iceberg. So occasionally someone will preface workshop with a particular concern, so the group can focus on that. “I don’t think the end is working here,” or “I’m looking for more ways to show who this character is.” I try not to do that because I’d rather see if any of this stuff shows up organically in conversation afterward. Maybe the end is working better than I thought, but if I plant the idea that it isn’t working then we spend the next forty-five minutes talking about it. If the trouble area doesn’t come up during conversation, then I’ll toss it around at the end of comments. “Did anyone else think the end sucked?” And I’ll see what people said then. But honestly, the group is so sharp, that if they don’t smell something foul then there’s probably not a dead body under the floorboards.
Diana: Yes, we ask each other for specific feedback, and this is true, of us all, to an individual. We each seem to feel free to follow up until we are content that we’ve “got it.”
Chuck: First, everyone in the group tells Chelsea how fabulous her boots look -- pinkie-swear, Chelsea wears a different pair to workshop every week. Second, before reading our work each of us might give a vague, technical description along the lines of, "This scene comes as the First Act Climax, but it Sets Up some big events in the Second Act and Buries A Gun I'll need for the Reveal in the Third Act." We adore Writer Plotting Jargon because it makes us feel less like writing nerds and more like International Spies.
TLC: So, like Suzy said, if you’ve got something specific you need feedback on due to an agent or editor’s comments, bring it up. While it’s important to be mindful of the feedback you’re given from your agent or editor, there will be times when the feedback you’re given from your workshop group differs...and you may see eye to eye with your group rather than your agent/editor. If this is the case, discuss it with your agent and/or editor.
And like Chelsea said, sometimes it’s not worth it to shine a spotlight on something you’re feeling insecure about when it’s a non-issue. Sometimes it’s best to not say anything at all, unless you’re really stuck, and see if your group spots it. If you’re really stuck, speak up.
Diana points to the backbone of what a workshop is all about – support and growth. To get good feedback, you’ve got to be willing to give it. A good workshop will be an almost harmonic balance of give and take between its authors.
It might not hurt to brush up on the writing jargon Chuck talks about if you, like Chelsea and Diana, haven’t had much experience with this language. And invest in some killer boots. Every international spy needs a pair.
Ok, my dears, that’s all for this week. Part two of this blogshop with The Portland Group, as I’m calling them, will return next Monday.
Your exercise this week:
If you’re already in a workshop, think of how it’s working for you and in what ways it could improve…don’t forget to examine your role in workshop. If you find there are areas that could be better…like everyone being totally prepared, address it diplomatically with the group…or the leader, if you have one. Maybe it’s an issue of feedback…are you learning from the kind of feedback you’re getting? If not, be more specific about the kind of feedback you need to get you on the right track.
For those of you NOT in a workshop, please consider joining or starting one! Try to join one that is not only focused on the art and craft of storytelling but on HOW to bring your work to an audience, if that’s your goal.
Thanks for joining us.
Have a fruitful week, writers!
Have any good workshopping tips to share? Do tell!
About the Contributors:
Suzy Vitello Soule writes for a living. Her work has been published in various journals, including Mississippi Review, Better Homes & Gardens and Willamette Week. Her personal essay, "Dancing With the Paper Rose", was included in the anthology The Spirit of Pregnancy, by NTC Press. Suzy has won several awards for fiction and poetry, including The Atlantic Monthly’s Student Writing Award, STORY Magazine’s Famous Fiction Competition, and Willamette Week’s Short Fiction Award.
Chelsea Cain is the author of The New York Times Bestselling thrillers EVIL AT HEART, SWEETHEART and HEARTSICK. Her next book THE NIGHT SEASON will be out in March 2011. All take place in Portland, Oregon, and focus on Det. Archie Sheridan, rainbow-haired journalist Susan Ward, and Sheridan’s lovely nemesis, the serial killer Gretchen Lowell.
Chelsea’s books have been published in over 20 languages, recommended on “The Today Show,” appeared in episodes of HBO’s “True Blood” and ABC’s “Castle,” and named among Stephen King’s top ten favorite books of the year. NPR included her book HEARTSICK in their list of the top 100 thrillers ever written. According to Booklist, “Popular entertainment just doesn’t get much better than this.” Entertainment Weekly adds, “In addition to spiky characters, Cain has a crisp voice, a wicked sense of humor, and an imagination for all the horrors that can unfold in a locked basement.” Chelsea lives in Portland with her husband and remarkably well-adjusted five-year-old daughter.
Diana Page Jordan is an award winning broadcast journalist, initially drawn to that industry as she wanted to be as close to the truth as possible. Her mission is to inspire, entertain, educate and enlighten.
She is a news anchor, reporter and talk show host, based in Portland, Oregon, originally from New York City. Diana has interviewed hundreds of best-selling authors of all genre for her own show on AP Radio, for an audio segment of her creation on Barnes and Noble dot com for XM Satellite, Westwood One TV and radio in Portland. She has also reviewed books on Martha Stewart Living and Sirius and the local ABC-TV affiliate. Diana has written about authors for The Costco Connection and had three cover stories in the 2009/10 for The Writer's Digest. Her nonfiction is published in four anthologies. She's also written a memoir, screenplay and novel.
Diana writes BookBlog and hosts a weekly show, Open Book with Diana Page Jordan at PDX.FM.
Chuck Palahniuk is the author of several New York Times bestselling books including CHOKE, DIARY, FIGHT CLUB. Often shocking, sometimes controversial but always unique, Palahniuk's body of work has earned a world-wide devout following and a solid place in American fiction.
Posted by Erin Reel
Labels: Chelsea Cain, Chuck Palahniuk, Diana Page Jordan, Suzy Vitello Soule
Anna St. George August 24, 2010 at 6:50 AM
Would you suggest that the workshop be genre specific? Thank You!
Erin Reel August 24, 2010 at 1:31 PM
Taking into consideration this group's writing spans several genres, I don't think it's necessary, but if you feel you would learn more from working with just Romance, Sci-Fi, YA or Thriller genre writers, then go with it.
As long as the group shows up ready to contribute quality work and feedback where all your strengths gel together, you've found the right workshop.
My one caveat is to avoid writing groups that spend an abundance of time talking about rejection (from agents, editors, etc). Unless they're going to follow up that talk with an action plan.
Thanks for your question, Anna.
Leave your thoughts! Feel free to share with us your success stories or tips.
Where did I read that?
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The Lost Pleasure Gardens of Finsbury and Pentonville « Ventures & Adventures in Topography
There are various ways you gain an impression of a place and develop a curiosity about it, which eventually inspires research and expeditions. It might be a view from a train as it passes above rooftops and gives a rare glimpse of an intriguing, unknown landscape stranded between stations. Apparently this is what led Patrick Keiller to shoot his film Stonebridge Park at that location in north-west London. It may be a chapter found in an old book that captures the imagination, as happened when I read HV Morton’s 1925 account of Leather Lane street market.
But for me the deepest and most lasting impact is made from repeatedly tramping over the same ground again and again, coming at it from unfamiliar angles, at different times of the day and night, in varying moods and stages of your own life, chipping away finding unconnected fragments that slowly form some kind of collective picture. This is my relationship with the area covered in the episode on Finsbury and Pentonville.
looking down across Pentonville
For a few years I lived just off Penton Street and walked every day to and from the South Bank. In fact for about four years I walked everywhere from that high ground that rises up from the valley of the Fleet. One of the threads that emerged from these daily perambulations was the relationship between this area and its natural springs, the pleasure gardens that grew around them and traces left behind. I recorded some of these observations as they came to me on my blog, Islingtongue, but this walk with Nick was really the first attempt to record a collective impression in some form.
Nick knows about water, he jokes that he is ‘the river man’, but he could seriously claim to be the ‘urban stream man’. I was intrigued by what he would make of this incoherent slalom between pubs and council estates over a course of only a couple of miles that mark the sites of the springs and pleasure gardens of Finsbury and Pentonville.
We met at Chancery Lane Station. There is no water reference here as such but from Holborn Viaduct there is a fine reveal of the form of the land as it drops into the course of the River Fleet running beneath Farringdon Road. I also want to shoehorn in a log of Saffron Hill where in the evenings you often find the street totally deserted. Saffron Hill was where Dickens set Fagin’s den in Oliver Twist, The One Tun pub features in the book. It was a notoriously lawless slum. Further up the street it was the heart of London’s C19th Italian community where it was noted that not a word of English was spoken. Today it has an austere, indifferent look about it.
There is a realisation that this could be a heritage trail and The Clerk’s Well in Farringdon Lane, Clerkenwell is indeed on a sanctioned route – but what intrigues me is that the other wells and spas are oddly neglected. Everybody knows Islington – Tony Blair made sure of that. But far fewer know of the 18th and 19th century spa resorts that stretched out along the slopes of Penton Mound. And then there is the whole mythos of Merlin’s cave and observatory here. Islington should be as well known for its pagan rites as its frothy coffee drinking meeja-types (the other untold story of this area is its unusually high percentage of council tenants).
We clock-in at Cold Bath Square where from 1697 patients were lowered into its chalybeate waters seeking the cure for “scorbutic complaints, rheumatism, chronic disorders etc”. We are guided in part this evening by S.P. Sunderland’s excellent Old London’s Spas, Baths and Wells (1915) and Nick has a copy of an 1880s Century book on the River Fleet.
The Clerk’s Well is visited as is the now lesser known Skinner’s Well but Sunderland records that in the middle ages it too played host to the performance of mystery plays.
from Old London’s Baths, Spas and Wells
Along Bowling Green Lane we bowl to look through the locked park gates at the site of the Spa Fields where once large congregations of radicals would gather. Some of these firebrands found themselves incarcerated back at Cold Bath Square when a prison replaced the Bath House there.
Through the gates we spy Spa Green Estate designed by visionary socialist architect Berthold Lubetkin. This was the Islington Spa and the estate carries the name in Tunbridge Wells House (the pleasure ground had also been called New Tunbridge Wells).
Across Rosebery Avenue we skirt around Wilmington Square where the New London Spaw occupied Ducking Pond Fields and soon we are dropping down into Black Mary’s Hole behind Mount Pleasant Sorting Office. This evocative name has various explanations but I always believe than when such ambiguities exist go with the most colourful story, which is the one put forward by Chesca Potter that this was a sacrificial pit to a goddess.
We slosh through the shallows of the Fleet and emerge out on Grays Inn Road. Up ahead is St Chad’s Well. St Chad is the patron saint of wells and here again we find mythology at work with the legend of the spring rising from a wound in the foot of Edmund Ironside inflicted by King Cnut. The illustrious Bagnigge Wells, home of Nell Gwynn is skulking behind a bus stop on Kings Cross Road, abandoned and unloved like a discarded royal mistress with just a fading engraved tablet as recognition. Is this a punishment for the way that Bagnigge degenerated into a place of debauchery before closing its doors in the time of Victorian prudery?
Up the Riceyman Steps we don’t so much jaunt as hobble and we stand and argue about Merlin on Claremont Square which EO Gordon would have us believe is the summit of Penton Mound, location of the Arthurian wizard’s observatory and cave. I have wholeheartedly signed up to Gordon’s thesis despite the knowledge that this area happened to be developed by a fella by the name of Henry Penton. He egotistically named the area Pentonville in the late 18th Century, rather than it gaining its moniker back in the misty, murky Arthurian past after the Romans left and created some blank pages in the history books which we could fill with whatever took our fancy.
I don’t think London celebrates its mythology as much as it should so maybe we should hush up the Henry Penton link and claim that he changed his surname in line with something he read in the same Welsh bardic odes that Gordon used as the basis for Prehistoric London, its Mounds and Circles.
Islington Spa
Not long ago this was literally my home stretch as we pass the site of the Belvedere Tavern (Bel vedere = good view in Italian) and a good view it would indeed have had over the fields of saxifrage that swept below into the City. The Lexington Bar occupies its building now and keeps the spirit of dancing and entertainment alive although they may have ditched the games of rackets that were played here.
Just off Penton Street, Dobney’s Tea Garden is curiously marked by Risinghill Street. Peter Ackroyd notes that one could read the etymology of Penton as ‘rising hill or spring’. Nick tries to indulge me but I can tell he’s had enough hocus pocus for one night. So it was with some scepticism that he greets my declaration that our final spring, The White Conduit on Barnsbury Road is the home of cricket. The pub still bears the name under its eves, although it is now Sardinian restaurant. But it was here that the first cricket club was formed which later had to move on to grounds in St John’s Wood where it took the name of the Marylebone Cricket Club or MCC as it is more famously known. When this was a pub I saw the mouldering half-hearted cricket shrine placed above the front door for the benefit of the odd Australian tourist. Peter Ackroyd says there was a maze in the garden and possibly marks the spot of Druidic rituals.
We could have carried on – Islington was dotted with springs and gardens. We could have followed Copenhagen Street to the pleasure garden in Caledonian Park where the cattle market clock tower still stands. We might have sat in the tea garden that still exists behind the Canonbury Tavern and then pushed along to take a imaginary balloon ride from the car park of the Highbury Barn Tavern where the songs of Arsenal supporters have replaced the operettas for which it was noted. But instead we sat on a bench, near midnight in the playground – probably actually in the middle of the batting track of the world’s first cricket club, and wondered how we’d turn all this into a 30 minute radio show.
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clerkenwell, finsbury, islington, penton, pentonville, pleasure gardens, spa green
An winter stroll along the arbours of the Pleasure Gardens of Finsbury and Pentonville
Ventures & Adventures in Topography, walking
Since I started this blog over 6 years ago there has been a preoccupation with the sites of the pleasure gardens, wells and springs of Islington – spread out along the slopes of what E.O. Gordon calls, The Penton Mound.
So it gave me great pleasure to return to this, admittedly half-researched, area for an episode of Ventures and Adventures in Topography.
Here is the resulting radio show and also link to previous posts on the blog about the pleasure gardens of Islington.
finsbury, islington, penton, pentonville, pleasure gardens, ventures and adventures in topography
Yet another murder
I’m posting this report from the Islington Tribune not through some mis-guidedly morbid linking of murder and place but because it was a murder on these streets near where I lived that prompted me to start this blog.
The killing of Sam Fitzgerald took place very close to where I lived when I started writing Islintongue, as did that of Sonny Cracknell back in 2004. This is an area that still retains such precious memories for me but seems blighted by violence – very sad.
Here’s the beginning of the report in the Islington Tribune
by CHARLOTTE CHAMBERS
CLOSE groups of teenage friends have been left overcome by grief again in Islington after a young Arsenal supporter was stabbed to death close to his home.
Sam Fitzgerald, 20, died from a knife wound sustained outside the Thornhill Arms pub in Wynford Road, off Caledonian Road, on Wednesday night.
He was well aware of a series of recent violent deaths in the borough with friends telling yesterday that he knew murder victims Martin Dinnegan, 14, and Ben Kinsella, 16.
Sam was be lieved to have been a former boyfriend of Jessie Wright, the 16-year-old whose death in King’s Cross is a police case now the subject of murder proceedings at the Old Bailey. He led the tribute march to Jessie on his bicycle last month.
In all too familiar scenes for grieving relatives and friends, teenagers gathered together at a growing shrine yesterday (Thursday). Many of the youngsters were in floods of tears and unable to put their emotions into words.
Sam had been watching his team play Tottenham on the television inside the pub and was attacked when he briefly stepped outside. Detectives are keeping an open mind about the motive for the stabbing but are not linking it to football rivalries.
Sam, of Priory Heights in Wynford Road, was rushed to the Royal London Hospital in Whitechapel but died soon after.
Public space waiting to be claimed
islington, kings cross, urbanism
Recovery walk
I needed a walk to help recover from a violent stomach bug – the kind that has you laid out for 3 days and still has me on a diet of cous-cous and boiled veg. Walking therapy works for me like no other remedy.
The plan was to revisit my old haunts from when I daily schlepped between the Angel and the South Bank, the warren of runs and ways I etched into my consciousness through repeated walking stretching from Bloomsbury across Clerkenwell, Finsbury, Islington and The City.
I start at Lincoln’s Inn Fields then move onto Fleet Street. I perch in St. Dunstan’s-in-the-West and listen to the choir practice. Up Fetter Lane then breach the border of High Holborn entering the mental realm of lower-Islington. Leather Lane is full of lunchtime bustle. Drop down Herbal Hill behind the Guardian offices then along to Back Hill where St. Martin’s students spread out along the curb munching and sunning themselves. I look through into Black Mary’s Hole, the majesty of Mount Pleasant Sorting Office looms above. I skirt the bomb-site (the last in London?) and then I’m tugged westwards along Calthorpe Street. I sit and reflect in St. Andrew’s Gardens. Push on along Grays Inn Road with a nod to the Calthorpe Project. Stop for a bagel and a coffee (always feels wrong to eat a ham bagel). Harrison Street heading west opens up another front of nostalgia, then along Sidmouth Street and into Tavistock Place. The magnetic force of Judd Street Books is too powerful to resist and I lose myself in there for some time.
I cut behind Camden Town Hall where I once argued with the registrars. Descend into Britannia Street the screech of tubes pulling into Kings Cross below, photo the flats I’m sure are in Mike Leigh’s High Hopes. Lorenzo Street (missed Penton Rise) across Pentonville Road and down along Calshot Street. I’ve neglected to account for post viral fatigue, I’m dizzy, my legs go, I have to regain myself on the steps of the new Peabody Building for the final push. Suck on a Murray Mint. On up the mound. Duck into the old estate – no sign of Sam sitting out in front of his flat. Over to Chapel Market, the Salmon & Compasses having yet another refurb. The record shop I loved has gone – I’d planned to buy the Saint Etienne CD that has been playing in my head all day. Cash Converters has replaced the video shop and Woolies has become Waitrose in a bold statement of intent that the Angel is moving up in the world. Wind up in Borders browsing the stacks of 3 for 2s. End – No.56 bus home. I feel infinitely better.
bloomsbury, clerkenwell, holborn, islington, kings cross, penton, pentonville, walking
The majesty of Mount Pleasant sorting office approached from Black Mary’s Hole
Pyramids, the Spa Fields and Psychogeography
This article came in on the National Psychogeographic newsfeed – looks at a new development in Spa Fields Islington and how the structure relates to the psychogepgraphy of London. Spa Fields is somewhere I keep being drawn back to – the collision of radical history, mythology connected to springs and wells, pleasure gardens and transgression and how this seems indellably imprinted on the landscape.
Studio Idealyc’s pyramid scheme – Building Design
clerkenwell, islington, national psychogeographic, pleasure gardens, spa green
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Trivially Crucial
Run The Small World
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Trivially Crucial RSS
Run The Small World RSS
Podcast Post Show
Talking about how seemingly trivial things are in fact crucial to our lives.
026 - No One Consulted Me
Michael G. · October 3, 2016
*Note* If your podcast app supports chapter markers, you can use that feature to jump between show conversations.
In honor of the just-resumed Spring TV season, Mandy and Michael chat about all of Marvel's TV up to this point! This was recorded before the airing of Luke Cage or Season 4 of Marvel's Agents of S.H.I.E.L.D and covers every Marvel show up to that point. Discussed, in order: Agents of Shield, Agent Carter, Daredevil, Jessica Jones.
@TrivCrucial (The show)
@Auhim (Michael)
@Brown_Ajah (Mandy)
025 - Abs With a B
Michael G. · September 14, 2016
Mandy and Michael record live from Dragon*Con in Atlanta! This episode was recorded in meandering chunks across the Con weekend. It's pretty random, just like the con itself!
024 - There are Dudes Everywhere
Michael G. · August 30, 2016
Mandy and Michael talk about all three Ghostbusters films: the first two from the 80s and the recent estrogen-bolstered relaunch of the franchise. The films are talked about one by one, so feel free to listen to commentary about the first two and stop there if you haven't yet seen the newest film in the series.
023 - Questionable and Blasphemous
Mandy and Michael talk about all 11 seasons of Supernatural, the long and meandering tale of Sam and Dean Winchester, two often brave and sometimes idiotic brothers who both save and wreak havoc on the world around them. We talk about how strong the show is at times, how far it fell, and discuss whether or not the show is–and the brothers themselves are–redeemed after a precipitous fall. Spoilers abound, but for a change we don't think they matter. IfListen freely and decide if you want to watch the show at all, and what parts of it if so. Some of it is great and we're happy to steer you clear of the rest.
022 - They Bang
Michael G. · July 31, 2016
Mandy and Michael talk the first 11 issues of The Wicked + The Divine. It's the modern day supernatural multi-pantheon ongoing comic written by Kieron Gillen and illustrated by Jamie McKelvie. The first bit is spoiler free, so feel free to listen and find out if you're interested!
021 - Insert Patriarchal Gender Epithet
Mandy and Michael talk about Matt Fraction's Hawkeye. It's funny. It's goofy. It looks bad. (Ok, no. That's a reference. The comic actually looks fantastic.) You should read it before listening to this, but if you won't, listen to us and maybe we'll convince you to!
020 - Because It's A Flying Deathtrap
Michael G. · June 26, 2016
Mandy and Michael talk about Joss Whedon's greatest (fact) work: The 2002 sci-fi classic space western Firefly and its conclusion movie Serenity.
We talk about amazing rogues, wonderful dialog, botched scheduling and production on the part of Fox, and more.
019 - Natasha Deals With Stubborn Men
Mandy and Michael discuss Captain America: Civial War, the third movie starring the Greatest American Hero, Steve Rodgers, which many have perhaps not incorrectly dubbed Avengers 2.5. There's plenty to criticize and discuss, regardless of how much they liked the movie, so brace yourselves for some character-by-character critique. Tune in to find out who Michael thinks the only 3 reasonable prominent characters (of a huge cast) are in the entire film. There are many many spoilers for the entire Marvel Cinematic Universe, so listen carefully!
Note: There was static on one of our sides in recording. We had the choice to make it so the static was present while both were talking or only on the side with audio issues. As it turns out, the version with single-sided static was much worse listening in practice because it was impossible to get used to the static when it came in and out for long stretches so it was deliberately left in on both sides. Please forgive us!
018 - Slap Kylo Upside The Head
Michael G. · May 29, 2016
In this episode, Mandy and Michael finally talk about Star Wars: The Force Unleashed, the long awaited 7th Episode of the franchise. Disagreement and affection for the new movie abound in an *extremely* long look recorded when the movie was still in theaters. Buckle in!
017 - Chats With Coffee Priest
Just a little late for Season 2 of its show's debut, here's yet another long-ago recorded episode in which Mandy and Michael discussed the first season of the joint Marvel and Netflix project Daredevil.
016 - I Would Shoot You
Michael G. · May 1, 2016
In another long-ago recorded episode, Mandy and Michael spoke right after Sherlock Series 3 concluded. Listen in for our impressions back when our feelings were fresh!
015 - I Don't Want To Hurt People
Michael G. · April 17, 2016
In this long-go recorded episode, Mandy and Michael go over Ender's Game, both in book and movie forms. Listen as Michael struggles to hand over the reigns of directing discussion to Mandy and rudely steals her thunder multiple times. Meanwhile, Mandy jogs Michael's memory of the fantastic book with her scene-by-scene memory of the entire story.
During the episode this article from Mandy about Orson Scott Card is mentioned:
The Orson Scott Card Problem
014 - What's This?
Michael G. · October 30, 2013
This week Michael and Mandy did something a little bit different. This episode is a commentary audio track for one of their very favorite movies, The Nightmare Before Christmas , just in time for Halloween. Don't have time to watch it before Halloween? That's ok! It's a great Christmas movie too, so you can watch it any time between the two holidays without issue!
So go ahead, watch the movie as a refresher. Then load it up again, and listen to our instructions for getting the timing right to listen to this at the same time the movie plays.
Curious about the versions of Danny Elfman's This is Halloween bookending the episode?
Intro: This is Halloween performed by Panic! At the Disco
Outro: This is Halloween performed by Marilyn Manson
Both are available in full on the Special Edition soundtrack of The Nightmare Before Christmas
013 - Such a Ninja BAMF
This episode wraps up the length discussion of Avatar: The Last Airbender, Book 1 - Water. This episode touches the remaining chapters, including many many spoilers! Make sure you listened to episode 012 first!
012 - I Don't Need Any Calming Tea!
This episode begins the temporary conversion of the podcast to one primarily discussing Avatar: The Last Airbender. This episode touches the first 8 "chapters" of Book 1 of the series. Spoilers abound! Take heed! Do not enter without watching the series first!
Book 1's discussion will be completed in the next episode of the podcast, so be ready!
011 - The Knowledge of Fandom
After a too long hiatus, Michael and Mandy return to talk about their love of, and the need for, Dragon*Con and other cons in the concrete and the abstract. Digressions abound, including how to leverage fandom itself for:
Revisiting the thinking behind critique
Finding recommendations
Understanding others
Also covered: many other small topics, including a bit of what's coming for the podcast.
010 - Everyone Dies in 7
Welcome to our 10th episode! In this, Michael and Mandy finally wrap up the 3-part Harry Potter discussion. Lots of music, lots of discussion, and Michael getting tired, thereby resorting to using the word "like" way too many times.
So sit tight and enjoy this conversation about the finale of the Harry Potter series:
009 - Not All Candy and Quidditch
Michael G. · August 8, 2013
This week, Mandy and Michael continue the Harry Potter discussion with nothing but Harry Potter and the Goblet of Fire, the fourth and middle entry in the series. Make sure to listen to episode 008 first!
008 - I Don't Know What Ron Is
This week's episode begins our 3-episode spoiler-filled high level discussion on the Harry Potter series. We start with our thoughts on the series as a whole, then proceed to discuss the first three entries:
Harry Potter and the Sorcerer's Stone [Philosopher's Stone]
007 - Kids Have Brains Too
In this week's spoiler free episode, Mandy and Michael spend an hour talking about children's media: why it's important, why its quality matters, and what some good stuff is.
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