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FBI Changes Policy for Notifying States of Election Systems Cyber Breaches (wsj.com) 21
Postedby msmash on Thursday January 16, 2020 @03:50PM from the better-approach dept.
The Federal Bureau of Investigation will notify state officials when local election systems are believed to have been breached by hackers [the link may be paywalled], a pivot in policy that comes after criticism that the FBI wasn't doing enough to inform states of election threats, WSJ reported Thursday, citing people familiar with the matter. From a report: The FBI's previous policy stated that it notified the direct victims of cyberattacks, such as the counties that own and operate election equipment, but wouldn't necessarily share that information with states. Several states and members of Congress in both parties had criticized that policy as inadequate and one that stifled state-local partnerships on improving election security. Further reading: Despite Election Security Fears, Iowa Caucuses Will Use New Smartphone App.
fbipoliticssecurity
Google Will Wind Down Chrome Apps Starting in June (pcworld.com) 25
Postedby msmash on Thursday January 16, 2020 @02:30PM from the end-of-road dept.
Google said this week that it will begin to phase out traditional Chrome apps starting in June, and winding down slowly over two years' time. Chrome extensions, though, will live on. From a report: Google said Tuesday in a blog post that it would stop accepting new Chrome apps in March. Existing apps could continue to be developed through June, 2022. The important dates start in June of this year, when Google will end support for Chrome Apps on the Windows, Mac, and Linux platforms. Education and Enterprise customers on these platforms will get a little more time to get their affairs in order, until December, 2020.Google had actually said four years ago that it would phase out Chrome apps on Windows, Mac, and Linux in 2018. The company appears to have waited longer than announced before beginning this process. The other platform that's affected by this, of course, is Google's own Chrome OS and Chromebooks, for which the apps were originally developed.
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Bruce Schneier on 5G Security (schneier.com) 30
Postedby msmash on Thursday January 16, 2020 @11:50AM from the closer-look dept.
Bruce Schneier comments on the issues surrounding 5G security: [...] Keeping untrusted companies like Huawei out of Western infrastructure isn't enough to secure 5G. Neither is banning Chinese microchips, software, or programmers. Security vulnerabilities in the standards, the protocols and software for 5G, ensure that vulnerabilities will remain, regardless of who provides the hardware and software. These insecurities are a result of market forces that prioritize costs over security and of governments, including the United States, that want to preserve the option of surveillance in 5G networks. If the United States is serious about tackling the national security threats related to an insecure 5G network, it needs to rethink the extent to which it values corporate profits and government espionage over security. To be sure, there are significant security improvements in 5G over 4G in encryption, authentication, integrity protection, privacy, and network availability. But the enhancements aren't enough. The 5G security problems are threefold.
First, the standards are simply too complex to implement securely. This is true for all software, but the 5G protocols offer particular difficulties. Because of how it is designed, the system blurs the wireless portion of the network connecting phones with base stations and the core portion that routes data around the world. Additionally, much of the network is virtualized, meaning that it will rely on software running on dynamically configurable hardware. This design dramatically increases the points vulnerable to attack, as does the expected massive increase in both things connected to the network and the data flying about it. Second, there's so much backward compatibility built into the 5G network that older vulnerabilities remain. 5G is an evolution of the decade-old 4G network, and most networks will mix generations. Without the ability to do a clean break from 4G to 5G, it will simply be impossible to improve security in some areas. Attackers may be able to force 5G systems to use more vulnerable 4G protocols, for example, and 5G networks will inherit many existing problems. Third, the 5G standards committees missed many opportunities to improve security. Many of the new security features in 5G are optional, and network operators can choose not to implement them. The same happened with 4G; operators even ignored security features defined as mandatory in the standard because implementing them was expensive. But even worse, for 5G, development, performance, cost, and time to market were all prioritized over security, which was treated as an afterthought.
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Proof-of-Concept Exploits Published for the Microsoft-NSA Crypto Bug (zdnet.com) 23
Postedby msmash on Thursday January 16, 2020 @11:10AM from the more-you-know dept.
Security researchers have published proof-of-concept (PoC) code for exploiting a recently-patched vulnerability in the Windows operating system, a vulnerability that has been reported to Microsoft by the US National Security Agency (NSA). From a report: The bug, which some have started calling CurveBall, impacts CryptoAPI (Crypt32.dll), the component that handles cryptographic operations in the Windows OS. According to a high-level technical analysis of the bug from cyber-security researcher Tal Be'ery, "the root cause of this vulnerability is a flawed implementation of the Elliptic Curve Cryptography (ECC) within Microsoft's code." According to both the NSA, the DHS, and Microsoft, when exploited, this bug (tracked as CVE-2020-0601) can allow an attacker to: 1. Launch MitM (man-in-the-middle) attacks and intercept and fake HTTPS connections. 2.Fake signatures for files and emails.3. Fake signed-executable code launched inside Windows.
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The FBI Can Unlock Florida Terrorist's iPhones Without Apple (bloomberg.com) 110
The FBI is pressing Apple to help it break into a terrorist's iPhones, but the government can hack into the devices without the technology giant, according to experts in cybersecurity and digital forensics. From a report: Investigators can exploit a range of security vulnerabilities -- available directly or through providers such as Cellebrite and Grayshift -- to break into the phones, the security experts said. Mohammed Saeed Alshamrani, the perpetrator of a Dec. 6 terrorist attack at a Navy base in Florida, had an iPhone 5 and iPhone 7, models that were first released in 2012 and 2016, respectively. Alshamrani died and the handsets were locked, leaving the FBI looking for ways to hack into the devices. "A 5 and a 7? You can absolutely get into that," said Will Strafach, a well-known iPhone hacker who now runs the security company Guardian Firewall. "I wouldn't call it child's play, but it's not super difficult." That counters the U.S. government's stance. Attorney General William Barr slammed Apple on Monday, saying the company hasn't done enough to help the FBI break into the iPhones.
"We are helping Apple all of the time on TRADE and so many other issues, and yet they refuse to unlock phones used by killers, drug dealers and other violent criminal elements," President Donald Trump wrote on Twitter Tuesday. The comments add to pressure on Apple to create special ways for the authorities to access iPhones. Apple has refused to build such backdoors, saying they would be used by bad actors, too. Indeed, Strafach and other security experts said Apple wouldn't need to create a backdoor for the FBI to access the iPhones that belonged to Alshamrani. Further reading: The FBI Got Data From A Locked iPhone 11 Pro Max -- So Why Is It Demanding Apple Unlock Older Phones?
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iPhones Can Now Be Used To Generate 2FA Security Keys For Google Accounts (9to5google.com) 4
Postedby BeauHD on Wednesday January 15, 2020 @06:25PM from the smart-lock dept.
Most modern iPhones running iOS 13 can now be used as a built-in phone security key for Google apps. 9to5Google reports: A built-in phone security key differs from the Google Prompt, though both essentially share the same UI. The latter push-based approach is found in the Google Search app and Gmail, while today's announcement is more akin to a physical USB-C/Lightning key in terms of being resistant to phishing attempts and verifying who you are. Your phone security key needs to be physically near (within Bluetooth range) the device that wants to log-in. The login prompt is not just being sent over an internet connection.
With an update to the Google Smart Lock app on iOS this week, "you can now set up your phone's built-in security key." According to one Googler today, the company is leveraging the Secure Enclave found on Apple's A-Series chips. Storing Touch ID, Face ID, and other cryptographic data, it was first introduced on the iPhone 5s, though that particular device no longer supports iOS 13. Anytime users enter a Google Account username and password, they'll be prompted to open Smart Lock on their nearby iPhone to confirm a sign-in. There's also the option to cancel with "No, it's not me." This only works when signing-in to Google with Chrome, while Bluetooth on both the desktop computer and phone needs to be enabled as the devices are locally communicating the confirmation request and verification.
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Microsoft Launches Chromium Edge for Windows 7, Windows 8, Windows 10, and macOS (venturebeat.com) 57
Postedby msmash on Wednesday January 15, 2020 @01:07PM from the beginning-of-a-new-chapter dept.
Microsoft today launched its new Edge browser based on Google's Chromium open source project. You can download Chromium Edge now for Windows 7, Windows 8, Windows 10, and macOS directly from microsoft.com/edge in more than 90 languages. From a report: Business features aside, there's also support for Chrome-based extensions, 4K streaming, Dolby audio, inking in PDF, and privacy tools. For the last one, it's worth noting that tracking prevention is on by default and offers three levels of control, like Firefox's tracking protection. Chrome extension support is probably the most important feature for most users. By default, extensions that have been ported over to Edge can be downloaded from the Microsoft Store. Chromium Edge also has an option to "Allow extensions from other stores" to get Chrome extensions from the Chrome Web Store. There are still a few features missing from Chromium Edge, most notably history sync and extension sync. Microsoft is working on these and some other inking functionality that it still wants to port from legacy Edge, as Microsoft is calling it. Microsoft also claims that Chromium Edge is "twice as fast as legacy Edge." Curiously, the team isn't making any claims against other browsers -- at least not yet.
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CNCF, Google, and HackerOne Launch Kubernetes Bug Bounty Program4
Postedby BeauHD on Wednesday January 15, 2020 @08:00AM from the hide-and-seek dept.
An anonymous reader quotes a report from VentureBeat: The Cloud Native Computing Foundation (CNCF) today announced it is funding a bug bounty program for Kubernetes. Security researchers who find security vulnerabilities in Kubernetes' codebase, as well as the build and release processes, will be rewarded with bounties ranging from $100 to $10,000. Bug bounty programs motivate individuals and hacker groups to not only find flaws but disclose them properly, instead of using them maliciously or selling them to parties that will. Originally designed by Google and now run by the CNCF, Kubernetes is an open source container orchestration system for automating application deployment, scaling, and management. Given the hundreds of startups and enterprises that use Kubernetes in their tech stacks, it's significantly cheaper to proactively plug security holes than to deal with the aftermath of breaches.
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Microsoft Patches Major Windows 10 Vulnerability After NSA Warning (cnbc.com) 38
Postedby BeauHD on Tuesday January 14, 2020 @04:25PM from the important-patches dept.
Microsoft on Tuesday patched an extraordinarily serious security vulnerability in a core cryptographic component present in all versions of Windows. The vulnerability was spotted and reported by the NSA. CNBC reports: The flaw affected encryption of digital signatures used to authenticate content, including software or files. If exploited, the flaw could allow criminals to send malicious content with fake signatures that make it appear safe. The finding was reported earlier by The Washington Post. It is unclear how long the NSA knew about the flaw before reporting it to Microsoft. The cooperation, however, is a departure from past interactions between the NSA and major software developers such as Microsoft. In the past, the top security agency has kept some major vulnerabilities secret in order to use them as part of the U.S. tech arsenal.
In a statement, Microsoft declined to confirm or offer further details. "We follow the principles of coordinated vulnerability disclosure as the industry best practice to protect our customers from reported security vulnerabilities. To prevent unnecessary risk to customers, security researchers and vendors do not discuss the details of reported vulnerabilities before an update is available." Jeff Jones, a senior director at Microsoft said in a statement Tuesday:"Customers who have already applied the update, or have automatic updates enabled, are already protected. As always we encourage customers to install all security updates as soon as possible." Microsoft told CNBC that it had not seen any exploitation of the flaw "in the wild," which means outside a lab testing environment.
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How Digital Sleuths Unravelled the Mystery of Iran's Plane Crash (wired.co.uk) 170
Postedby msmash on Tuesday January 14, 2020 @03:45PM from the closer-look dept.
Open-source intelligence proved vital in the investigation into Ukraine Airlines flight PS752. Then Iranian officials had to admit the truth. From a report: [...] In the days after the Ukraine Airlines plane crashed into the ground outside Tehran, Bellingcat and The New York Times have blown a hole in the supposition that the downing of the aircraft was an engine failure. The pressure -- and the weight of public evidence -- compelled Iranian officials to admit overnight on January 10 that the country had shot down the plane "in error." So how do they do it? "You can think of OSINT as a puzzle. To get the complete picture, you need to find the missing pieces and put everything together," says Lorand Bodo, an OSINT analyst at Tech versus Terrorism, a campaign group. The team at Bellingcat and other open-source investigators pore over publicly available material. Thanks to our propensity to reach for our cameraphones at the sight of any newsworthy incident, video and photos are often available, posted to social media in the immediate aftermath of events. "Open source investigations essentially involve the collection, preservation, verification, and analysis of evidence that is available in the public domain to build a picture of what happened," says Yvonne McDermott Rees, a lecturer at Swansea University.
Some of the clips in this incident surfaced on Telegram, the encrypted messaging app popular in the Middle East, while others were sent directly to Bellingcat. "Because Bellingcat is known for our open source work on MH17, people immediately thought of us. People started sending us links they'd found," says Eliot Higgins of Bellingcat. "It was involuntary crowdsourcing." OSINT investigators then utilise metadata, including EXIF data -- which is automatically inserted into videos and photos, showing everything from the type of camera used to take the images to the precise latitude and longitude of where the taker was standing -- to validify that the footage is legitimate. They'll also try and identify who took the footage, and whether it's practical for them to have been where they claim to have been at the time. However, for this instance, they couldn't use EXIF data. "People would share photos and videos on Telegram which strip the metadata, and then someone else would find that and share it on Twitter," says Higgins. "We were really getting a second-hand or third-hand version of these images. All we have to go on is what's visible in the photograph." So instead they moved onto the next step.
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Cookies Track You Across the Internet. Google Plans To Phase Them Out (nbcnews.com) 89
Postedby msmash on Tuesday January 14, 2020 @01:44PM from the how-about-that dept.
Google has announced plans to limit the ability of other companies to track people across the internet and collect information about them, a significant change that has widespread ramifications for online privacy as well as the digital economy. From a report: The company said Tuesday that it plans to phase out the use of digital tools known as tracking cookies, which other companies use to identify people online and learn more about them. The move is meant to offer users greater control over their digital footprints and enhance user privacy, according to Google. But the move could also provide Google with even greater control over the online advertising market, which the company already dominates. Google said the change will come to its Chrome web browser and be rolled out over two years. Google did not announce any changes to its own data collection methods.
Google also said that a previously announced change to make third-party cookies more secure and precise in their abilities will be rolled out in February. Justin Schuh, director of engineering for trust and safety for Google's Chrome, said the search giant needs time to enact changes because it is working with advertisers and publishers to address the need for cookies to remember sign-ins, embed third-party services such as weather widgets and deliver targeted advertising. But he did not downplay the significance of Google's announcement. "We want to change the way the web works," he said in an interview.
Google To Phase Out User-Agent Strings in Chrome (zdnet.com) 114
Postedby msmash on Tuesday January 14, 2020 @12:21PM from the up-next dept.
Google has announced plans today to phase out the usage of user-agent strings in its web browser Chrome. From a report: UA strings have been developed part of the Netscape browser in the 90s, and have been in use ever since. For decades, websites have used UA strings to fine-tune features based on a visitor's technical specifications. But now, Google says that this once-useful mechanism has become a constant source of problems, on different fronts. For starters, UA strings have been used by online advertisers as a way to track and fingerprint website visitors. "On top of those privacy issues, User-Agent sniffing is an abundant source of compatibility issues, in particular for minority browsers, resulting in browsers lying about themselves (generally or to specific sites) , and sites (including Google properties) being broken in some browsers for no good reason," said Yoav Weiss, a Google engineer working on the Chrome browser.
To address these issues, Google said it plans to phase out the importance of UA strings in Chrome by freezing the standard as a whole. Google's plan is to stop updating Chrome's UA component with new strings (the UA string text that Chrome shares with websites). The long-term plan is to unify all Chrome UA strings into generic values that don't reveal too much information about a user. This means that new Chrome browser releases on new platforms such as new smartphone models or new OS releases will use a generic UA string, rather than one that's customised for that specific platform.
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Apple Responds To AG Barr Over Unlocking Pensacola Shooter's Phone: 'No.' (inputmag.com) 233
Postedby msmash on Tuesday January 14, 2020 @11:41AM from the tussle-continues dept.
On Monday, Attorney General William Barr called on Apple to unlock the alleged phone of the Pensacola shooter -- a man who murdered three people and injured eight others on a Naval base in Florida in December. Apple has responded by essentially saying: "no." From a report: "We reject the characterization that Apple has not provided substantive assistance in the Pensacola investigation," the company said. "It was not until January 8th that we received a subpoena for information related to the second iPhone, which we responded to within hours," Apple added, countering Barr's characterization of the company being slow in its approach to the FBI's needs. However, it ends the statement in no uncertain terms: "We have always maintained there is no such thing as a backdoor just for the good guys." Despite pressure from the government, Apple has long held that giving anyone the keys to users' data or a backdoor to their phones -- even in cases where terrorism or violence was involved -- would compromise every user. The company is clearly standing by those principles.
appleiphonesecurity
Cryptic Rumblings Ahead of First 2020 Patch Tuesday (krebsonsecurity.com) 37
Postedby msmash on Tuesday January 14, 2020 @09:00AM from the up-next dept.
Brian Krebs: Sources tell KrebsOnSecurity that Microsoft is slated to release a software update on Tuesday to fix an extraordinarily serious security vulnerability in a core cryptographic component present in all versions of Windows. Those sources say Microsoft has quietly shipped a patch for the bug to branches of the U.S. military and to other high-value customers/targets that manage key Internet infrastructure, and that those organizations have been asked to sign agreements preventing them from disclosing details of the flaw prior to Jan. 14, the first Patch Tuesday of 2020. According to sources, the vulnerability in question resides in a Windows component known as crypt32.dll, a Windows module that Microsoft says handles "certificate and cryptographic messaging functions in the CryptoAPI." The Microsoft CryptoAPI provides services that enable developers to secure Windows-based applications using cryptography, and includes functionality for encrypting and decrypting data using digital certificates. NSA said on Tuesday that it spotted the vulnerability and reported it to Microsoft. NSA said Microsoft will report later today that it has seen no active exploitation of this vulnerability. NSA's Director of Cybersecurity, Anne Neuberger, says the critical cryptographic vulnerability resides in Windows 10 and Windows Server 2016, and that the concern about this particular flaw is that it "makes trust vulnerable."
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City of Las Vegas Said It Successfully Avoided Devastating Cyberattack (zdnet.com) 20
Postedby BeauHD on Monday January 13, 2020 @07:10PM from the consider-yourself-lucky dept.
An anonymous reader quotes a report from ZDNet: Officials from the city of Las Vegas said they narrowly avoided a major security incident that took place on Tuesday, January 7. According to a statement published by the city on Wednesday, the compromise took place on Tuesday, at 4:30 am, in the morning. The city said IT staff immediately detected the intrusion and took steps to protect impacted systems. The city responded by taking several services offline, including its public website, which is still down at the time of writing.
City officials have not disclosed any details about the nature of the incident, but local press reported that it might have involved an email delivery vector. In a subsequent statement published on Twitter on Wednesday, the city confirmed it "resumed full operations with all data systems functioning as normal." "Thanks to our software security systems and fast action by our IT staff, we were fortunate to avoid what had the potential to be a devastating situation," it said. "We do not believe any data was lost from our systems and no personal data was taken. We are unclear as to who was responsible for the compromise, but we will continue to look for potential indications," the city also added.
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The call of Lord Shiva
Society is subject to continued churning, which impels change in our thought process, priorities, and societal dynamics. The pace of change may sometimes be normal, which passes off without much of flutter. At times it becomes rapid, which for many unprepared, becomes difficult to digest so easily. For, the usual human tendency is to resist change, carrying the fear of its uncertain future ramifications. Yet, with time we learn to manage. But there comes some such historical moments when we are taken for a ride by some unprecedented situations. That forces us for an immediate rethink. We are passing through one such moment when the whole world has suddenly come to a grounding halt, which calls for an immediate rethink – what went wrong in our approach to life that has proved so heavy?
The present pandemic has come to remind us about some basic tenets of life, which people engaged in the usual mills of life seem to have forgotten. It is, as if they would have moved beyond their limits . First, the world is a unified organism, where no individual has a reality independent of the whole. Second, all field players of the world are set into an interdependent framework, where the efforts of all put together, meets our existential needs and carries forward the life cycle. In such a framework, irresponsible conduct of a few can prove heavy for the whole mankind. See, how corona virus that erupted in Wuhan state of China, has overtaken the whole world. I don’t know whether it was because of unnatural eating habit of the people there, or negligence of the scientists there, or it was a planned conspiracy. Time ahead may uncover the truth. But there is no denying the fact that unbecoming conduct of a few has resulted in such a catastrophe. Even most of other nations too did not take the impending threat in all seriousness in time. We, thus, have a shared destiny, and therefore, while attending to our aspirational urges, we need to remain conscious about our collective obligations also.
See how beautifully the above concept is portrayed in the imagery of Lord Shiva and his marriage party. I believe, our learned masters were great artists, is how they could explain such vital truths of life through easily understandable imageries. And to ensure that the concept remains live in our mind, they dedicated the whole month of Shravana to Lord Shiva in our annular calendar. If people reflect on the concept in prayer mode at regular periodic interval the inlaid message may get absorbed in the inner realms of mind. Following which, it may spontaneously find reflection in our day to day conduct. It’s a different matter that over a period of time, it has acquired a ritualistic dimension – people carrying water drawn from ganga, marching long distance on foot and offer it Shivalinga in a temple.
Now look at the educative import of the imagery. Lord Shiva seated on a bull has multitude of existences forming His marriage party – Godly bodies (marked with cosmic functionalities vital to smooth run of the life cycle), evils (the low born guided by their animalistic instincts), human beings, animals, birds, plants, and even invisible creatures such as ghost and goblins. Lord Shiva, in an unattached way remains in accord with all of them, as He doesn’t discriminate. Not that He is not aware of their individualistic and collective limitations. His half eyes closed and half open means that knowingly He ignores their limitations. For, He is aware that if they are subject to some limitation, they are simultaneously armed with such virtues as would be necessary for sustenance of the collective existence, so framed as but for one, the very existence would be at stake. He purposely does that so as to make full use of their virtues in order to ensure smooth run of the life cycle as a whole, as signified by bull’s nature. Remember, the bull, while pulling a bullock cart, keeps moving unprovoked at an even pace. The presence of ghosts and goblins need a special reference. They symbolise our formless presence in between two successive lives, indicating continuum in life cycle.
To sum up, the world is framed on the concept of Unity in Diversity. With a sense of unity consciousness live in mind, we may accord due honour to all, which may ensure living in peace and harmony. It is the absence of the sense of unity consciousness that holds the key to growing level of our impatience and intolerance.
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Why AEF?
One school at a time
Stones of hope
Support from the American public
Home About Us -Leadership -Why AEF? -Mission -Vision Spirit Of Giving -One school at a time -Stones of hope -Support from the American public Contact Us Donate!
Hewing stones of hope out of mountains of despair.
When the restoration of GSSA is over, we shall turn our attention to other erstwhile leadership academies of southeastern Nigeria. Like GSSA, these were excellent and highly reputable high schools in the past, until war came and set them on the path of decline and decay. In all of these schools buildings are in an advanced state of dilapidation and decay and most buildings are therefore unusable.
The following are some of the schools we shall target but not necessarily in this order:
Queens School Enugu, a girls’ high school.
Hope Waddell Calabar.
Christ the King College, Onitsha.
Government College Umuahia.
Government Secondary School Owerri.
Dennis Memorial Grammar School, Onitsha.
Queen of the Rosary College, Onitsha, a girls’ high school.
College of the Immaculate Conception, Enugu.
Cornelia Cordelia College, Uyo, a girls’ high school.
Holy Rosary College Enugu, a girls’ high school.
Bishop Shanahan College, Orlu.
Stella Maris College, Port Harcourt.
Holy Ghost College Owerri.
Methodist College Uzuakoli.
St. Patrick’s College, Calabar.
Schools in other war ravaged countries of sub-Saharan Africa
After the restoration of the above schools, all of them former leadership academies – located in south-eastern Nigeria (formerly Biafra), all of them devastated by the Nigeria-Biafra War (aka Nigerian Civil War) of the late 1960’s – we shall extend our restorative effort to other countries with schools devastated by war. These countries include South Sudan, Sierra Leone, Liberia and the Congo.
Be involved in mankind. Donate to the African Education Fund (AEF).
✓ All Images Depicting Restoration of Buildings show work done by GSSAAA.
✓ African Education Fund will be working in concert with GSSAAA.
✓ GSSAAA stands for Government Secondary School Afikpo Alumni Association.
Copyright © African Education Fund. All Rights Reserved.
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Kool Kats of the Week: DILBERT Does Demonic: Raising Corporate Hell with the Pretty Faces of Shane Morton and Chris Brown
Posted on: May 22nd, 2013 By: Anya99
Chris Brown and Shane Morton at The Lab. Photo courtesy of Adult Swim.
When Shane Morton, aka Atlanta’s Renaissance man of horror, and Chris Brown, mad mastermind of Macabre Puppets and the bloody musical SCARLET’S WEB (Dad’s Garage), first got involved with Adult Swim‘s YOUR PRETTY FACE IS GOING TO HELL, they immediately realized this grotesque and groovy gig was their dream, or should we say nightmare, job. The initial assignment was special effects makeup, but the show didn’t have an art director yet. It’s a story Shane has already told colorfully in several articles, but he asked them for a couple of days to film a make-up test to prove the pair could transform humans into demons in 45 minutes, then he got to work on sketches and models. Being old-school Ray Harryhausen fans, Shane and Chris wanted to do as much as possible with miniatures, but budgets and technological advances dictated a balance between digital effects for lava flows and heads spinning like Linda Blair and the old ways for blood spurts and HR Geiger-esque urinals. Still, the pair didn’t have to do much to convince everyone to let them take over much of what perhaps a little ironically is called the “practical” effects for the series.
“Maybe we were thinking too much about that,” Shane says, speaking about his passion for traditional effects from the monster FX Lab he’s built south of the city at the Atlanta Zombie Apocalypse. The undead Halloween attraction is one of many horror events he has nurtured locally and is a big force behind the transformation of Atlanta into Halloween-town, USA. “We did sculpt and cast all the horns themselves,” he continues. “We didn’t want to be just painting people red and sticking horns on them, and we didn’t want anything store-bought.”
Ever since the Middle Ages, comedies about deals with the Devil have proven a surefire hit. Think about such Retro cult classic movies as BEDAZZLED (The 1967 version, of course, starring Peter Cook and Dudley Moore) and POOR DEVIL (TV, 1971), starring Sammy Davis Jr. and Christopher Lee). YOUR PRETTY FACE IS GOING TO HELL mixes in-your-face crassness and generous gore with office comedy, reimagining Hades as a contemporary cubicle-ridden setting. Demon Gary (played by Henry Zebrowski) is dedicated but far too much of a screw-up to earn a promotion. Yet it’s hard not to empathize with the well-meaning “associate” because we all like to complain about our bosses, but his, well, has to be worst because it’s Satan. The original live-action series is created and directed by Dave Willis (AQUA TEEN HUNGER FORCE, SQUIDBILLIES) and Casper Kelly (SQUIDBILLIES, HARVEY BIRDMAN: ATTORNEY AT LAW; STROKER & HOOP). The final installment of the six-episode run airs this Thursday May 23, 2013, at midnight.
Henry Zebrowski stars as Gary the demon in YOUR PRETTY FACE IS GOING TO HELL. Photo courtesy of Adult Swim.
At the Silver Scream Spookshow, Shane’s homage to Retro spook shows of old, he regularly performs magic tricks as Horror Host with the Most Professor Morte. Whether transforming humans into monsters with make-up, conjuring up crazy sets or engineering a splattery gross-out nosebleed, Shane views his effects work equally as magic. A consummate showman, he “performs” for the crew and ultimately the TV audience. “When there is special effects stuff going on, everybody wants to be around to watch it,” Shane says. “You’re getting to see the trick in the magic trick. You’re getting to peek behind the curtain.”
Part of the magic on YOUR PRETTY FACE was having to be prepared for the unexpected every day on the set. The script served only as a loose guide because a great deal of improvisation happened, too, Shane says. With that in mind, he kept a “library of prosthetics” on set. At the AZA Lab prior to shooting, he crafted multiple “wounds and hanging eyeballs and sets of teeth, because you never know what these people are going to ask for.”
Shane and Chris started each day by getting the cast into make-up. As simple as it may seem to paint someone red and stick on horns, Shane notes that because the body is organic–yeah, people sweat and rub against things–there’s a nonstop need for reapplication. “We were constantly touching up their noses, painting in their ears, touching their beards up, molesting them all day long,” Shane says. “You have to get intimate.”
That process became trickier when on location, such as for the third episode, “Take Life By the Horns,” in which Gary found himself fallen into a ravine. That shoot involved dodging poison ivy and copperhead snakes and having to rappel camera equipment down the side of a mountain, Chris recalls.
After make-up, the pair would launch into preparing the special effects and any additional props needed for the day. Sometimes that could be blood or pus or a potion of extreme projectile vomit, also needed for the ravine shoot. “We had a limited amount of time, so I literally used a sump pump, like you use to bail water out of your basement,” Chris says. “I put together a big plunger and a giant syringe, and then opened the nozzle to spew out a rainbow collection, which included stew, cream of mushroom soup, I made some gelatin and crunched up into chunks. The smell quickly turned rancid so it even smelled like vomit.” In addition, Gary broke his leg from the fall down the cliff, and Chris had to create nauseating pus to spew from the wound. Yes, it did involve black blood, red blood and tapioca pudding!
Satan (Matt Servitto) gets a touch-up from Shane Morton. Photo courtesy of Adult Swim.
Shane and Chris are used to working wonders on a tight budget and schedule whether it’s for local theater or DEAR GOD! NO!, an over-the-top neo-exploitation movie involving bikers, Bigfoot and a Nazi mad scientist which scored awards at grindhouse festivals across the nation. While the budget was not huge for YOUR PRETTY FACE, it was much larger than the typical indie which allowed such treats as Chris was crafting Satan’s legs out of actual yak fur rather than a used gorilla suit. “The original talk was that Satan would be fat, over-the-hill, and extra lecherous like the demon in LEGEND (1985) as if time has caught up with him,” Shane says. “We were really gung ho for that, but we loved the look he ended up with.”
A secret ingredient underneath Satan’s furry legs was spandex tights, that could easily be changed out if Matt Servitto, the actor who plays Satan, felt sweaty. A lycra lining gave four-way stretch which, as Shane notes, even allowed Matt to do David Lee Roth kicks in a photo shoot. As for costume maintenance, well, “it was like combing out a big dog,” Chris says.
Perhaps Shane’s favorite set pieces are the aforementioned H.R. Geiger-esque urinals, the bowls of which needed to accommodate the heads of demons who displeased Satan. Yeah, he pees on them, including sometimes poor hapless Gary. Originally they were supposed to be clean, standard urinals, but then Shane had the crazy idea to make them scary: “Everything in hell is monsters, so let’s make the urinals monsters, too!”
Shane Morton at work on Claude (Craig Rowin), Gary's over-dedicated intern in YOUR PRETTY FACE IS GOING TO HELL. Photo courtesy of Adult Swim.
Shane went home and crafted a miniature model, brought it in, and got the greenlight to create a urinal that looks like an extra-large facehugger. He toyed with various color ideas but finally decided that the bathrooms otherwise would be spotless in Hell.
The demonic duo were impressed that the show really did follow through with Satan actually peeing on the demons’ heads. Of course, even with a program that prides itself on shock value, some things inevitably didn’t make the final cut. For example, Satan won’t poop on Gary’s face, even though the scene was filmed. “It will end up on DVD maybe,” Shane says hopefully. “Somebody getting pooped on or an arm hacked off is a good day at work! It keeps the energy up.”
Satan’s office is packed with props created by Shane and Chris, though it is not perhaps quite the devilish “greatest hits” collection that they originally envisioned. Instead of the trophies and plaques that have become de rigeur in executive offices, Shane wanted to include on the shelf Eve’s apple, Christ’s crown of thorns and Hitler’s head in a jar. And clearance couldn’t be gotten for Wall of Shame photos of Satan flashing a big grin with dubious celebrities such as David Hasselhoff and the Octomom. Still, those who look carefully will see many subtle Shane and Chris touches such as faces of tortured souls on the steel balls that click back and forth on the Devil’s desk. “Everything is pumped up a little bit because after all we are in hell,” Shane says. “Even the elevator switch looks like something scary.”
In other words, Shane and Chris had one of a helluva good time. At an apartment location, some little old ladies told the crew “they were going to pray for us because we were doing the devil’s work,” Shane says. “We joked every day and maybe it did get a bit old but ‘it’s really hell getting all this done today!’”
Shane holds up his own head, a prop he crafted for DEAR GOD! NO! Photo courtesy of Adult Swim.
As the season draws to a close, the pair are now just waiting to hear the final ratings and whether the show gets greenlit for a second season. If yes, they’re hoping for a bigger budget and the chance to play around more with more practical special effects over CGI–“to raise the bar,” as Chris says. “If we end up getting multiple seasons, it’s only going to get more extreme,” he adds. And maybe there’ll even be a cameo for that giant spider with the humungous nut-sack hanging on his back that turned out to be expensive to cast.
In the meantime, Chris will be working on the script for a $3-4 million movie version of SCARLET’S WEB. And Shane recently wrapped the indie feature, TALES FROM MORNINGVIEW CEMETERY. In it, he appears as Professior Morte, fulfilling the Cryptkeeper role, introducing the segments and holding the show together. He’s also involved in preproduction with director Jimmy Bickert for FRANKENSTEIN CREATED BIKERS, the much-anticipated sequel to DEAR GOD! NO! It will be filmed in 35mm widescreen hopefully by the end of 2013, he revealed, and include a lot more special effects and monsters. Look for Shane, or rather his Professor Morte alter-ego, at the 11th Annual Rock n Roll Monster Bash at the Starlight Six Drive-In on Sunday June 2. The movies this year are THE DEVIL’S RAIN (1975) and EVIL DEAD 2 (1987), not to mention six bands, scary shopping and Monstrosity Championship Wrestling! [ED. Note: Watch for Retro Reviews of both movies next week]
Editor’s Note: Shane and Chris are just a few of the talented local folk streaming by in the end credits of YOUR PRETTY FACE. More ATLRetro friends include producer Linda Burns (V/H/S, THE SIGNAL), set decorator/property master Laurie Garner, who’s played bass in so many Atlanta bands (She-Monster and Vietnam to name a few), and the indomitable Eddie Ray (SATANIC PANIC BAND OUT OF HELL and a previous Kool Kat to boot!).
ALSO: Learn some of the make-up secrets Shane Morton used in YOUR PRETTY FACE IS GOING TO HELL at his Monster Make-up Class on Sunday May 26 in his Lab at AZA. For more details, visit the Facebook Event Page here.
Category: Kool Kat of the Week | Tags: Adult Swim, AdultSwim, Aqua Teen Hunger Force, Atlanta Zombie Apocalypse, AZA, Bedazzled, Casper Kelly, Chris Brown, comedy, Dad's Garage, Dave Willis, David Hasselhoff, David lee Roth, Dear God No, demon, devil, Devil's Rain, Dilbert, Eddie Ray, Evil Dead 2, Frankenstein Created Bikers, H R Geiger, Harvey Birdman, Henry Zebrowski, horror, Laurie Garner, legend, Linda Blair, Linda Burns, Matt Servitto, MCW, Monster Make-up Class, Monstrosity Championship Wrestling, Octomom, office comedy, Poor Devil, Professor Morte, Ray Harryhausen, Rock n Roll Monster Bash, Satan, Satanic Panic, Scarlet's Web, SFX makeup, Shane Morton, She-Monster, Silver Scream Spookshow, special effects, Squidbillies, Starlight Drive-In, Stroker & Hoop, Take Life By the Horns, Tales from Morningview Cemetary, The Signal, TV, urinal, V/H/S, Vietnam, yak fur, Your Pretty Face is Going to Hell
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Daring to Delve
Pioneers of the Buchan Caves
The author Dr Robert Haldane, is an Associate of the Gippsland Heritage Journal, and is an East Gippsland regional historian who lives at Buchan.
The Buchan Caves have long been a regional icon in East Gippsland, drawing up to 88,000 visitors a year from all parts of Australia and overseas. The premier tourist caves, Fairy Cave and Royal Cave are the most famous caves in the Buchan and Snowy River areas, however they are but two of the 425 known caves in the district and doubtless there are others; each one a unique subterranean wonderland awaiting exploration by speleologists and inquisitive adventurers. i
Over a period of many years there has been considerable debate about by whom, how and when the caves of Buchan were first discovered. Clearly, there is no doubt that Indigenous Australians can truly lay claim to being first and caves within the Snowy River area bear signs of Aboriginal presence and engravings dating back 22,000 years.
The provenance of contemporary cave exploration is not as clear but the one name most commonly associated with the discovery and exploration of caves in Buchan is that of Frank Moon. Some observers have lionized Moon and his part in these discoveries but there is no doubt that although his was not a lone effort, his personal role was pivotal in maximizing public exposure, not only of his discoveries but also of the work of other early pioneers of the Buchan caves. ii Certainly, Moon and the other caving pioneers shared the sentiment of Mallacoota journalist and writer Edwin James Brady, who ventured into the ‘Cimmerian night’ of Buchan’s ‘underworld’ and in 1918 wrote, ‘It gives one a curious sensation of unreality, this descent through a hole in the hillside, into a region of glamor and mystery, beautiful but weird’. iii
The first recorded exploration of caves in Buchan was made by Stewart Ryrie on 7 April 1840. Accompanied by an Aboriginal guide and three soldiers he was surveying the area for the New South Wales administration when passing through the Buckan [sic] forest he noted, ‘Blue limestone abounds all over this forest and it is full of caves. I descended into one of them to a considerable depth but saw nothing remarkable’. One study published in 1992, using Ryrie’s original reckonings, suggested that the cave explored by Ryrie was ‘most likely Moon Cave’ but more recent work undertaken by speleologist Peter Ackroyd concluded, ‘based on the thin evidence available’ that Ryrie descended a cave now known as ‘M-22 The Garage’. iv
The next exposition of the Buchan caves occurred in 1861, when Austrian-born artist Johann Joseph Eugen von Guerard, visited the district. Von Guerard was later appointed first master of painting at the National School of Art and curator of the National Gallery of Victoria. During 1860 he accompanied noted explorer Alfred William Howitt (GHJ 1-38) on an expedition to Gippsland, around which time von Guerard completed a series of pencil sketches of such locations as Bushy Park, Snowy Bluff, Strathfieldsaye and Wonnangatta. The relevant von Guerard sketchbook contains sixty-six pencil drawings, some of which formed the basis of a number of his well-known Gippsland oil paintings (GHJ 13-33 & 14-35). Also included in the book are four sketches completed in Buchan in January 1861. One of these shows two men in the interior of a candlelit cave and bears the page notation Buchan Caves, 10 January ’61.v
Buchan Caves 10 January 1861
Pencil sketch by Johann Joseph Eugen von Guerard
From the original sketchbook held in the Dixson Galleries State Library of New South Wales
Following von Guerard’s work there was a lapse of some years before the existence of the Buchan caves was again made the subject of erudition, this time by Howitt, who extensively explored the Buchan and Snowy River areas. In 1876, in a report for the Geological Survey of Victoria, he described in detail Buchan’s topography and geology. Highlighting the scientific and geological potential of the caves he noted,
‘… caverns and “sink holes” abound’ but ‘No systematic exploration of these caves
has, however, yet been made; it seems not impossible that some, at any rate, may be
found to afford fossil remains of the extinct Australian fauna’. vi
The first significant government move to protect the caves occurred in 1887, when the area that is today known as Wyatt’s Reserve or the Potholes, was reserved by government proclamation to specifically protect the caves and any associated natural features. The following year vii, James Stirling, a botanist and geologist, then employed as a Victorian government assistant geological surveyor, visited East Gippsland in company with Public Works Department architect, John Henry Harvey, who was an accomplished and prolific amateur photographer. Stirling was an associate of Howitt’s and also of the noted botanist Ferdinand Mueller (GHJ 10-3) and was familiar with the Buchan area, having previously worked as a mail rider between Bruthen and Bendoc. The primary purpose of their visit was in connection with the work of prospecting parties in the Buchan District. Stirling was conversant with Howitt’s 1876 treatise on the Devonian rocks of North Gippsland and bearing Howitt’s suggestion ‘in mind’ Stirling and Harvey ‘made a temporary examination of the caves’ in Buchan, accompanied two assistants, Mr. Tetu and Mr. Ralston, ‘a plucky young Australian’, who was often the first of Stirling’s team to delve underground. They were guided on some of their work by William Kellie, a local publican and Buchan telegraph operator. Stirling mapped a number of the caves and Harvey, who had already photographed the Jenolan caves, took the first known successful photographs of the Buchan caves. In 1889 the government published Stirling’s ‘Preliminary Report on the Buchan Caves’, which included detailed descriptions of a number of caves, including Duke’s, Moon’s, O’Rourke’s, Wilson’s, Dickson’s viii, and the Spring Creek Cave, together with maps of four of the caves and four of Harvey’s photographs. Displaying considerable prescience, Stirling foresaw the tourist potential of the caves and recommended that a caretaker be appointed and that ladders, hand-rails and lighting be installed in some of the caves. He proposed using water from the Buchan River to drive a dynamo to generate electricity. During a public lecture given in Sale soon after, on the topic of his cave tours, Stirling asked, ‘Why should not that characteristic energy which exhibited itself in the Australian cricket or football fields be directed to scientific research to discovering some of the many beauties of Australia’s subterranean wonderland?’ Stirling and Harvey ‘left no stone unturned in [their] efforts to point out the value of the caves to Victoria from a tourist’s point of view’ and Harvey referred to them in his lectures on the Jenolan Caves. So enamored was Harvey with the Buchan caves that he twice unsuccessfully attempted to have Jeremiah Wilson, caretaker of the Jenolan Caves, brought to East Gippsland to explore them. ix
James Stirling, Botanist & Geologist ca. 1884
La Trobe Picture Collection, State Library of Victoria
Much of the early interest in the caves of Buchan centred on their potential as a tourist attraction and by the 1880s tourists to the district were able to undertake guided cave tours, often accompanied by local hotel proprietors. In 1886 ‘Tanjil’ wrote of a guided tour through Wilson’s cave, the pathway illuminated by candles and kerosene torches. On this tour the guide providing a stunning denouement when he ignited a quantity of stringy bark saturated in kerosene to show a ‘fairy-land-like’ display of ‘thousands of stalactites and stalagmites’. The caves were promoted in tourist literature for the Gippsland Lakes and trekkers used a combination of train, steamer, motor launch and four-horse coach to make their way to Buchan. In August 1899 Sale photographer Alexander Ward addressed the Sale branch of the Australian Natives’ Association about his visit to the Buchan caves. He described ‘the caves country’ in detail and informed his audience that,
‘All the necessary articles to assist you going through the caves – such as lanterns,
candles, torches, ropes, rope-ladders, poles, retracing lines, magnesium tape and
other coloured lights for the purpose of showing the chambers in different colours –
may be obtained at the township, and guides and horses are also available’.
It was during this era when considerable irreversible damage was caused to the caves by visitors taking cave formations as souvenirs or ‘specimens’. And Ward, urging protection for the caves, lamented that it ‘was a common thing for people to smash the stalactites out of pure thoughtlessness. There are tons of the broken specimens to be found about the caves’. Ward found his trek to Buchan quite arduous and told his audience, ‘People are usually very glad to reach Buchan, not because they love the town, but because they have got to the end of a long journey’. In contrast, guests of the entrepreneurial John C. Dahlsen, proprietor of Lake Tyers House, journeyed to Buchan in style. As early as 1902 Dahlsen was quick to see the Buchan Caves as ‘an untapped commercial treasure’ and the caves figured prominently in Lake Tyers House advertising. It was a time when Lake Tyers House was the playground of the well-to-do, including prominent politicians and vice regal visitors and Dahlsen promoted holiday packages to the caves that included all meals, accommodation, launch fares and coach transport to-and-from Buchan. x
Although tourist operators lobbied the government and expressed the same sentiments as Stirling, his recommendations went unheeded for more than a decade and it was not until 1900 that his work was expanded upon by Albert Ernest Kitson, who was then undertaking geological field work for the Victorian Geological Survey. A Fellow of the Geological Society of London and a widely published author on matters of geology and natural history, Kitson studied and photographed the caves in 1900. He was dismayed that some of them had already, ‘been greatly despoiled of their treasures by acts of pure vandalism’ and observed that a number of caves, ‘suffered from the vandalism, carelessness, and thoughtlessness of sightseers, who have smashed most of the smaller stalactites, stalagmites, and stalactital drapery within reach’. It was an era when, ‘people were known to carry away wagon loads of cave formations’. Like Stirling before him Kitson grasped the scientific and tourist potential of the caves, describing the Buchan district as a place, ‘of great interest to the lover of the beautiful in nature, and to the scientist’. He predicted that if, ‘the claims of the district as a pleasure resort [are] brought prominently before the public, I have no hesitation in venturing the opinion that large numbers of tourists will be attracted during the summer and autumn months’. He proposed, ‘that action be taken to preserve such of the beauties of the caves as have not yet been despoiled, and prevent vandalism in any that may be discovered in future’ and recommended seven new cave reservations be established in the Buchan District: one of which, gazetted in 1901, formed the genesis of the Buchan Caves Reserve as it exists today. xi
Sir Albert Ernest Kitson 1868-1937
Reproduced with permission of The Geological Society of London
Despite the urgings of Stirling, Kitson and others, the tourist and scientific potential of the Buchan caves was never optimized and it fell to local caver Francis Herbert Arthur ‘Frank’ Moon to propel Buchan and its caves into the public spotlight. Born at Gelantipy Station on 20 November 1880, Frank Moon was one of three boys and five girls born to Robert Moon, and Margaret (nee Ross, formerly of Rosedale). Raised and educated in the Gelantipy and Buchan districts, Frank Moon was a noted horseman, athlete and bushman, whose athleticism earned him the sobriquet ‘Cyclone’. He left Buchan aged sixteen to go prospecting and after a period of years working interstate he returned home, intending to spend a brief period with his family before travelling to Argentina to work as a miner. xii
During his sojourn in Buchan Frank Moon ‘pottered around’ looking for caves and in September 1906, accompanied by his brother Robert and a friend, Jim Connors, Moon explored a cave on the northern bank of Spring Creek near its junction with the Buchan River. Previously known as O’Rourke’s Cave, they extended its known limit and it was subsequently renamed Moon Cave. xiii A report in the Snowy River Mail credited ‘Mr Frank Moon … the pioneer’ with this discovery but did add that ‘several others’ were with him. Following the discovery of more impressive caves nearby the Moon Cave was rarely used for public tours and in 1907 it was recommended ‘That no steps be taken at present to improve the Moon Cave which should be kept locked up and visitors only admitted by special permit’. Many years later it was assessed as having no appreciable scientific, aesthetic, social or spiritual value. Its principal significance was found in the natural heritage value of the cave at river level as a platypus habitat. Notwithstanding the modest nature of Moon Cave, Frank Moon garnered considerable publicity and displayed early signs of his promotional adroitness when his tale of discovery was reported in the local press,
‘Moon secured a rope, and went down into the water. The stream was 4 feet deep. He
scrambled through narrow low passages, up to his neck in water, with his head
almost touching the roof. Stalactites and stalagmites, absolutely perfect, were found
in immense chambers and low passages. Moon caught mountain trout of a whitish
colour with large sightless eyes’. xiv
Following the eponymous naming of this cave, a fortuitous series of events combined to focus government attention on the caves and in 1906 the Department of Lands and Survey employed Frank Moon on a temporary salary of $11 13s 4d a month as the first Government appointed ‘Caretaker of the Buchan caves’. On the day that Moon announced his discovery he arranged for John Flynn (GHJ 26-19), who was then resident in Buchan as a Home Missionary, to photograph the Moon Cave and they did so that night. Flynn subsequently travelled to Orbost and showed lantern slides of the cave to the Orbost Railway League. An active supporter of the league was Orbost resident and MLA for East Gippsland, James Cameron and he was keen to see East Gippsland, opened-up to commerce and trade. He was also already familiar with the geological opportunities of the Buchan district through his involvement in marble extraction at Buchan South and mining investment at Nowa Nowa. Cameron’s immediate predecessor as MLA for East Gippsland was former Omeo miner and Minister for Mines, Henry Foster, who more than once was intransigent in the face of requests to promote exploration of the Buchan caves. In contrast Cameron was a keen supporter. Following his lantern slide show at Orbost, Flynn was elected as the Buchan Railway League delegate and included in an East Gippsland Railway League deputation to Melbourne on 3 October 1906, where he took the opportunity of discussing the value of the Buchan caves as a tourist attraction with the Premier of Victoria, Sir Thomas Bent. Flynn’s advocacy was opportune, as the Bent government was keen to promote Victoria as a tourist attraction and just that year had established the first Victorian Government Tourist Bureau. During October 1906 Bent toured East Gippsland, including the Buchan caves, and on his return to Melbourne he gave a public lantern slide lecture to 2,000 people at the Melbourne Town Hall, during which he waxed lyrical about the Buchan caves, describing them as ‘dazzling’. A Railway League publication of the period, illustrated with John Flynn’s photographs, opined, ‘This district will at some future date be known as the wonderland of Victoria’. xv
In the midst of all this cave-related activity Albert Kitson returned to Buchan and spent two weeks with Frank Moon and others, undertaking survey work in furtherance of the reports that he had completed in 1900. The main report of his 1906 visit he penned aboard the R.M.S. Oruba, somewhere in the Indian Ocean, off the Western Australian coast, destined for Southern Nigeria: and the report ‘had to be written from memory’, as in the hurry of his departure from Melbourne he left his Buchan field notebook behind in Australia. Despite this haste Kitson lost nothing of his passion for caves and East Gippsland and proved a good friend to Frank Moon. He wrote of the grandeur of the Buchan and Snowy River country and of the ‘delightful uncertainty about caves that leads to the charm of cave exploration, for there is absolutely no end to such work’. He appended a draft set of regulations for the management of caves in Buchan and endorsed ‘Mr. Moon’ as the person who ‘will have his time taken up quite fully in opening up and looking after the caves in the neighbourhood of Buchan’. xvi
In December 1906 Frank Moon discovered a cave near the Spring Creek Cave and named it the Kitson Cave after Albert Kitson, who was knighted in 1927 and also had a fossil mollusc, a fossil eucalypt and a living eucalypt named after him. Moon began conducting tours through this cave almost immediately and its formations were photographed extensively by John Flynn, who sold his photographs for publication in newspapers, reproduced them as postcards and used them in lantern slide lectures. xvii
The exploratory work of Moon and others was given impetus of a different sort when noted palaeontologist Thomas Sergeant Hall visited Buchan in December 1906, ‘to inquire into the truth of statements in the newspapers as to the presence of mammalian bones in the floors of the caves’. Despite the previous damage and souveniring of fossils in the Buchan caves, Hall was able to build on the earlier work of Stirling and his visit resulted in an important collection of bones for the National Museum. xviii
Although Frank Moon was clearly not the first person to discover the Buchan caves, he was instrumental in promoting both the Moon and Kitson caves and continued thereafter working assiduously to locate and develop new caves in Buchan. On 18 March 1907 his interest was rewarded when he opened-up a small hole on a hillside near the Spring Creek Cave and discovered a significant new cave that far excelled ‘in extent and beauty, all others yet discovered in the district’. Years later Moon ebulliently described how he made this discovery:
‘It was a small depression on the ground … it was blocked with huge rocks and I blew
them open with explosives, put a crowbar across and fifty feet of rope and skid down
and ultimately got into where the fall of rock is in the Fairy cave, where the tunnel
goes through today. I returned from the fall of rock and came out as quickly as I could
and came over the hill to the township to inform someone what I had found. The most
wonderful cave that’s ever been discovered … I was very excited you know’. xix
He named it the Fairy Cave and two days later wrote to the Secretary of the Lands Department, enthusiastically informing him of his discovery:
‘I have the greatest pleasure in announcing to you in writing my discovery of the 18th
The only surface indication of this Cave was a hole that you could put your fist in
By breaking it away large enough to admit my body I lowered myself down a
distance of 40 ft into an immense cavern. I have explored its passages for fully ¾ of a
mile and must say that it is beyond all my expectations. All I can say is that it is
amazingly beautiful. In fact one could not explain its grandeur to anyone. I am
allowing Mr. Bulmer to take some views of it and will forward some as soon as
possible. I feel convinced now that I have Jenolans rival’. xx
Frank Moon did not have personal knowledge of the famed caves at Jenolan in New South Wales but he was keen to see the caves at Buchan rival their renowned status as a tourist attraction and within days he began guiding parties on tours through ‘his’ Fairy Cave: by April more than one hundred visitors had been shown through the cave. xxi
Click here to see the full original Fairy Cave letter.
Original map of Fairy Cave – 25 April 1907
(Brian Hansford – Frank Moon Collection)
The ‘Mr. Bulmer’ referred to in Moon’s letter was Gippsland photographer Howard Decimus Bulmer, who was in the early stages of a career in photography that was to last almost fifty years. His photographs of the Fairy and other Buchan caves were an important element in their promotion. In addition to John Harvey, John Flynn and Howard Bulmer, other photographers who figured in the early promotion of the Buchan caves were Nicholas John Caire, George Rose, Buchan South Postmaster, James Henry Macdougall, who operated Walden Studios from Buchan and F. Verrell Heath. In 1907 Heath published his illustrated work Views of the Buchan Caves and Pyramids, which included photographs of Frank Moon and the Spring Creek, Kitson and Moon caves. Because its release on 26 March almost coincided with the discovery of the Fairy Cave, Heath missed the opportunity to include the Fairy Cave in the first impression of his booklet. Heath’s booklet was followed in 1908 by the Cunninghame Progressive Association’s publication of Guide to Buchan Caves and Gippsland Lakes. Written by Frank Whitcombe it featured the photographs of Bulmer and Caire. xxii
Lands Department District Surveyor, William Thorn, visited the Buchan caves in April 1907, which is when the first known map of the Fairy Cave was drawn, including the naming of some cave formations after characters in William Shakespeare’s play A Midsummer Night’s Dream. ‘Oberon’s Throne’ (Oberon was King of the Fairies) and ‘Titania’s Bower’ (Titania was Queen of the Fairies), were two of these. Mindful of the damage that visitors had already done to other caves in Buchan, Thorn moved quickly to preserve the finely decorated Fairy Cave and recommended on 15 May 1907 that the cave ‘be absolutely closed until the formations have been protected’. He also observed that Frank Moon was ‘an enthusiastic and intrepid explorer’ and ‘an experienced and intelligent miner’ but that he required assistance ‘to erect railings and netting’. Accordingly, he further recommended that ‘an experienced man be obtained from New South Wales’ for this task. The Fairy Cave was closed almost immediately and Frederick John Wilson, a former caretaker of the Jenolan Caves in New South Wales, was appointed to develop the Fairy Cave for tourism in accordance with what was then accepted as best caves management practice. Wilson has been described as ‘a very shy man … a very reticent and retiring man’ but also as ‘a visionary with a great sensitivity to the natural world’. Assisted by Frank Moon and others, he established pathways and handrails in the Fairy Cave and it was re-opened to tourists on 2 December 1907. Using the one entrance-exit point Moon and Wilson were then able to guide tourists to the rock fall known as ‘Titania’s Bower’. On 17 March 1908 Sir Reginald Talbot, the Governor of Victoria, visited and officially opened the Fairy Cave and he and his party were served refreshments in a chamber of Wilson’s Cave, that was set with a picnic table and dubbed Picnic Hall. xxiii
Always an intrepid explorer, the full extent of Frank Moon’s caves explorations will probably never be known but another discovery in which he played a significant role occurred in November 1910, when, together with Frederick Wilson and local policeman, Constable Hercules Brown, he explored beyond the surveyed limits of Fairy Cave and discovered what today is known as Royal Cave. Recently arrived in Buchan, Brown had served during the Boer War as one of ‘Kitchener’s Fighting Scouts’ but despite that robust background he found life underground with Wilson and Moon tough going. On the day of their initial discovery they spent nine hours underground in mud and perilous conditions and returned on the following two days to undertake further work. Although Wilson instigated this exploration, when at one point their progress was impeded, it was, according to Brown, the younger and more athletic Frank Moon who led the way,
‘it looked as if our advance had become completely blocked when Mr. Moon, who
had been ferreting around, discovered a hole under a pile of rocks, and promptly
dived through the opening and dropped about eight feet below into the underground
creek we had been following. Mr. Wilson and I followed, and found with joy that we
had negotiated the fall and were standing in a roomy rockbound chamber’. xxiv
Following this discovery Wilson supervised the installation of iron railings and wire netting in a manner similar to his work at the Jenolan Caves and in 1913 an artificial entrance was also constructed, enabling Royal Cave to be opened for public tours. Wilson’s design and installation of the protective netting in Royal Cave are amongst the finest examples of this type of work in the world. In March 1915 Wilson decided to exhaust the known boundaries of Royal Cave and over a period of days, in company with caves employee William H. Bonwick, he followed leads and ‘got into a new cave’ with ‘one very fine chamber of rich formation’ and formed the view that ‘It would be very easy to improve’ for display as a tourist cave. In succeeding weeks Frank Moon helped Wilson and Bonwick to take soundings and complete their survey of the ‘new cave’ which was named Federal Cave. Over a period of years Wilson and Moon were assisted with much of the heavy ‘hammer and chisel’ work in the caves by William Bonwick, William Foster and Francis Hansford. xxv
Frank Moon worked with Wilson to install iron railings and wire netting in Federal Cave but he was not about in 1917 to witness its public opening. On 4 May 1916, Moon, then aged thirty-five and the married father of three young girls, enlisted in the A.I.F. 38th Battalion and embarked aboard HMAT Themistocles bound for war in Europe. He was wounded once and served at Messines, Ypres, Passchendaele and on the Somme. Returning safely to Australia in April 1919 he resumed the position of caretaker at the Buchan caves. While Moon was away Frederick Wilson lived with the Moon family and then aged in his sixties and too old for battles afar, he laboured assiduously in Buchan with the work of preserving and promoting the caves. One of his lasting legacies was the erection of an impressive series of hand-built stone walls. Wilson continued as supervisor of the caves until his retirement, aged sixty-seven years on 31 December 1921, when he was succeeded by Frank Moon. xxvi
During the ensuing years Moon oversaw the development and consolidation of the Buchan caves as a major tourist attraction, including the installation of improved cave lighting and stairways, the establishment of a camping ground and the construction of roads and bridges, a teahouse, kiosk and caretaker’s cottage. A major undertaking during this era was an extensive tree planting scheme designed by highly respected Melbourne landscape gardener Hugh Linaker. Much of the ongoing works program was initiated and actively supported by long-serving East Gippsland MLA, Albert Lind, who in his role as Commissioner of Crown Lands and Survey, also applied to the cave reserve the name ‘Buchan Caves National Park’. xxvii
Moon was passionate about the Buchan caves and for him it wasn’t just a matter of work but a way of life. Together with his wife Sabina (nee Carragher) and three daughters he resided in a house known as ‘Cave House’ within the Buchan Caves Reserve. Sabina Moon initially sold cave tickets from the sitting room of the house and their daughter Queenie ‘used to have to go round with a case strapped to her neck selling post cards of the caves’. His eldest daughter, born in 1908, he named Fairy after the Fairy Cave and on 14 April 1930 she married Buchan cave guide Francis James Hansford in the Fairy Cave. In accordance with her father’s wishes, Fairy later named her first-born son Cave. One of Frank Moon’s abiding interests away from the caves was the owning and training of racehorses but even in that venture he was careful to retain a cave connection and his horses included Royal Cave, Cave Girl, Cave King and Cave Queen. xxviii
Wedding of Francis James Hansford & Fairy Moon on 14 April 1930 inside the Fairy Cave in the King’s Chamber, in front of what has since been known at the Crystal Altar. The wedding ceremony was conducted by Reverend Albert Ethelbert Clark from Bruthen, in the presence of approximately fifty guests. The wedding party from left to right is: Queenie Moon, Fairy Moon, Francis Hansford and Eric Woodgate. The photographer’s name is not known but this photograph was later published as a postcard. The image reproduced here is taken from the original wedding photograph held by Sabina Coleman, daughter of Francis & Fairy Hansford.
Frank Moon worked at the Buchan Caves for thirty-four years, retiring at the age of sixty in 1940. His sons-in-law, Francis Hansford, husband of Fairy and Eric Woodgate, husband of Queenie, both applied for the curator’s position but much to the chagrin of many Buchan residents, Albert Sandford, an experienced foreman at the Melbourne Botanic gardens was appointed to replace Frank Moon. Sandford’s tenure was short-lived as the Buchan caves closed on 24 April 1942 for the duration of the Second World War, largely bringing to a close the pioneering era of tourist cave discovery and development in Buchan. xxix
There has long been discussion about who discovered the Buchan caves and precisely when and how that occurred. They have always been part of Indigenous Australia, spanning an evolution of millions of years preceding European settlement in the 1830s.
Debate still surrounds the dawning of this European discovery, with its attendant damage and despoliation but the role of Frank Moon in discovering and promoting the Fairy Cave is beyond dispute. Today the Buchan caves stand in part as a monument to him and those other pioneers, including James Stirling, John Harvey, Albert Kitson, John Flynn and Frederick Wilson, who saw the beauty and potential of these caves as Nature’s gift to natural science, exploration and tourism in East Gippsland and did their best to preserve and promote them to the world at large.
© - Robert Haldane (2009)
i Caving figures provided to author by Dale Calnin, Parks Victoria (Buchan Caves), 7 August 2006.
ii Sources that lionize Frank Moon or otherwise erroneously depict him as ‘the discoverer of the Buchan Caves’ include: Howard D. Bulmer, Beautiful East Gippsland, (4th Ed.), The Author, Bairnsdale, n.d.; Nathan F. Spielvogel, The Gumsucker at Home, George Robertson & Company, Sydney, 1914, p. 51; Albert E. Clark, The Church of Our Fathers, The Diocese of Gippsland, Melbourne, 1947, p. 170; The Weekly Times, 18 May 1949, p. 18; David Swift, ‘Buchan - Valley of Caves’, Mining and Geological Journal, Vol. 4, No. 4, September 1951, p. 24; The Sun Week-End Magazine, 30 October 1948, p. 2; David Swift, ‘This Man Spent 50 years Underground’, The Argus – Magazine Special Supplement, 16 November 1951, p. 3; The Sun, 12 October 1955; A brief history of Buchan District and Schools, Buchan School, Buchan, 1977.
iii Linda Wilkinson, ‘Aboriginal Historical Places Along the Snowy River’, Gippsland Heritage Journal, No. 23,1999, p. 7; Edwin James Brady, Australia Unlimited, Angus & Robertson, Melbourne, 1918 pp. 348; ADB, Vol. 7, ‘Edwin James Brady (1869-1952)’, pp. 386-7.
iv ‘Stewart Ryrie’s 1840 report on Gippsland’, Gippsland Heritage Journal, No. 11, December 1991, p. 13; Nargun, Vol. 24, No. 10, May 1992, p. 90; Peter Ackroyd, ‘Stewart Ryrie’s 1840 Report on East Gippsland – Buchan Area’, Unpublished paper, 10 November 2006.
v ADB, Vol. 4, ‘Johann Joseph Eugen von Guerard (1812 – 1901)’, pp. 306-7; ‘Alfred William Howitt (1830 – 1908)’, pp. 432-5; State Library of New South Wales (Dixson Galleries), Location No. ZDGB 16, Vol. 11, for sketchbook; page 21A for Buchan caves; Dacre Smyth, Views of Victoria: In the steps of von Guerard, The Author, Toorak, 1984, pp. 110-111, for oil painting.
vi Alfred William Howitt, ‘Notes on the Devonian Rocks of North Gippsland’, Reports on the Geology, Mineralogy, and Physical Structure of Various Parts of the Colony, Geological Survey of Victoria, Melbourne, 1876, pp. 203-204; James Stirling, ‘Preliminary Report on the Buchan Caves’, Reports of the Mining Registrars for Quarter ending 31st December 1889, (Hereafter cited as Stirling Report), P.66, for quotation.
vii Elery Hamilton-Smith in Bits of Buchan, CD, The Author, 2007 and others, date Stirling’s visit as 1889. Although his report was published in 1889, John Henry Harvey, et al, ‘Buchan And Its Caves’, The Victorian Naturalist, Vol. xxiv, October 1907, pp. 98-99, twice states that their visit was made in 1888.
viii In his report Stirling interchanged the spellings Dickson’s and Dixon’s. The correct spelling is Dickson. Reference: Buchan Sesquicentenary Committee, Bukan-Mungie: 150 Years of Settlement in the Buchan District – 1839-1989, Buchan, 1989, p. 102, for Dickson family.
ix Victoria Government Gazette, 23 September 1887, p. 2760 & 31 December 1901, p. 5096; H.J. Gibbney and Ann G. Smith, A Biographical Register 1788-1939, Australian National University, Canberra, 1987, Vol.2, p. 282; and Amie Livingstone Stirling, Memories of an Australian Childhood 1880-1900, Schwartz, East Melbourne, 1980, passim, for notes on Stirling; Debra Squires, et al, Gippsland in Focus, Kapana Press, Bairnsdale, 1990, p. 39, for note on Harvey & p. 72 for Stirling; Alan Davies, et al, The mechanical eye in Australia: photography 1841-1900, Oxford University Press, Melbourne, 1985, pp. 94-5, for Harvey; Stirling Report, p. 66, for Kellie reference; pp. 66-7, for cave descriptions; and p.68, for recommendations; J.H. Harvey, et al, ‘Buchan And Its Caves’, p.99; Gippsland Times, 25 February 1889, for Stirling lecture notes.
x John D. Adams, The Tambo Shire Centenary History, Shire of Tambo, Bruthen, 1981, p. 201,for first Buchan cave tours; ‘Tanjil’, Our Guide to the Gippsland Lakes and Rivers, (Third edition), 1886, pp. 74-5; The Gippsland Mercury, 22 August 1899, for Ward notes; Peter Synan, The Dahlsen Story – A pioneering Family in Gippsland Since 1862, Lookups Research, Sale, 2005, pp. 25-32, passim, for Lake Tyers House & Buchan Caves.
xi Parks Victoria (Buchan Caves Collection), Letter from tourism agent J.H. Coffey, 13 August 1897; ADB, Vol. 9, p. 618, for Kitson; Albert Kitson, ‘Proposed Reservation of Limestone Caves in the Buchan District, Eastern Gippsland’, Records of the Geological Survey of Victoria, Vol 2, Part 1, 1907, pp. 37-44. Kitson’s reports were written in 1900 and published in 1907; Victoria Government Gazette, 19 July 1901, p. 2772, for reservation; Adams, The Tambo Shire, p. 244, for wagon loads.
xii Register of Births in the District of Buchan, 1881 No. 12, for birth details; Lois Mackieson, A Brief History of the Family of Frederick Robert and Jane Moon 1831 – 1981, The Author, Buchan, 1981, for Moon family history; Trudy Sady, ‘Buckan Mungie: Place of Holes – Discovery and Exploration of the Buchan Caves’, Bachelor of Education (Gippsland History) essay, Monash University, 1988; and Elery Hamilton-Smith, ‘Historical Notes on Buchan and Buchan Caves’, Notes edited by Peter Ackroyd from talk given to the Victorian Speleological Association Inc., 7 October 1987, p.2, for early Frank Moon oral history; Adams, The Tambo Shire, p. 245.
xiii This cave was not connected in any way with Moon’s Cave, which was located in Moon’s Paddock at Murrindal River. Refer: Stirling Report, p. 67, for Moon’s Cave.
xiv Sady, ‘Buckan Mungie’, p.13, for pottering around; Hamilton-Smith, ‘Historical Notes’, pp. 1-2, for O’Rourke’s Cave & Moon Cave; Parks Victoria (Buchan Caves Collection), Report by Lands Department District Surveyor, dated 15 May 1907, for Moon Cave closure; Richard Aitken Pty Ltd, ‘Buchan Caves Reserve Heritage Action Plan’, The Author, South Yarra, 2004, p. 9, for Moon Cave assessment; Bairnsdale Advertiser, 6 October 1906; and Snowy River Mail, 29 September 1906, for press reports.
xv Victoria Government Gazette, 31 January 1907, p. 723, for employment of Moon as caretaker; Sady, ‘Buckan Mungie’, p. 16, for Moon Cave photographing; Robert Haldane, ‘Photo Folio – John Flynn at Buchan’, Gippsland Heritage Journal, No. 26, 2002, p. 20, for John Flynn; W. Scott McPheat, John Flynn Apostle to the Inland, Hodder & Stoughton, London, 1963, p. 37, for Railway League delegation; ADB, Vol. 7, ‘James Cameron (1846-1922)’ pp. 536-7; ADB, Vol. 3, ‘Sir Thomas Bent (1838-1909)’pp.144-6; www.parl.vic.gov.au/re-member/biogresearch.cfm (searched 07 August 2006), for Henry Foster; Harvey, et al, ‘Buchan And Its Caves’, p. 99, for Foster’s intransigence; Snowy River Mail, 29 September 1906, 6 October 1906, 3 November 1906 and 10 November 1906, for Flynn’s election, delegation and Bent tour; Susan Priestley, The Victorians: Making Their Mark, Fairfax, Syme & Weldon Associates, McMahons Point, 1984, p. 224, for Tourist Bureau; Orbost and East Gippsland Railway League, Railway Extension Through East Gippsland, Atlas Press, Melbourne, 1908, p. 18.
xvi Sady, ‘Buckan Mungie’, p. 17, for excerpt of Frank Moon interview and relationship with Kitson; Parks Victoria (Buchan Caves Collection), Report to the Secretary for Mines by A. E. Kitson, 25 November 1906; ADB, Vol. 9, ‘Sir Albert Kitson (1868-1937)’, pp. 617-8.
xvii ADB, Vol. 9, p. 618, for Kitson; Hamilton-Smith, ‘Historical Notes’, p. 2, for Kitson Cave; Robert Haldane, ‘Photo Folio’, p. 20, for John Flynn.
xviii J.H. Harvey, et al, ‘Buchan And Its caves’, p. 98; ADB, Vol. 9, ‘Thomas Sergeant Hall (1858-1915), pp. 166-7; Stirling Report, p. 68.
xix Parks Victoria (Buchan Caves Collection). Copy of A.E. Kitson correspondence, 13 May 1907, for cave description; Sady, ‘Buckan Mungie’, p. 18, for Moon’s account of Fairy Cave discovery.
xx Parks Victoria (Buchan Caves Collection).Copy of letter from F.H.A. Moon to The Secretary Lands Department, 20 March 1907.
xxi Peter Ackroyd & Elery Hamilton-Smith, ‘An Idyllic Setting: the Buchan Caves Reserve’, Gippsland Heritage Journal, No. 25, 2001, p. 18, for no knowledge of Jenolan.
xxii Squires, Gippsland in Focus, p. 6, for Bulmer, p. 10, for Caire, p. 39, for Heath, pp. 52-3, for Macdougall; Hamilton-Smith, Bits of Buchan, for Rose; F. Verrell Heath, Views of the Buchan Caves and Pyramids, T. C .Lothian, Melbourne,1907; Frank Whitcombe, Guide to Buchan Caves and Gippsland Lakes, The Cunninghame Progressive Association, 1908.
xxiii Ackroyd & Hamilton-Smith, ‘An Idyllic Setting’, pp. 18-19; Sady, p. 19, incorrectly cites Titania’s Bower as Titania’s Bath: refer to Harvey, et al, ‘Buchan And Its Caves’, for Fairy Cave Map; Hamilton-Smith, ‘Community Consultation notes’, pp. 2-3, and Elery Hamilton-Smith, ‘Buchan Caves Memorabilia: An exhibition at the Museum of Victoria 3rd – 8th June 2004’ p. 9, for description of Wilson; Harvey, et al, ‘Buchan And Its Caves’, pp. 101-3, for report on Thorn’s visit; Parks Victoria (Buchan Caves Collection), Report by Lands Department District Surveyor, dated 15 May 1907; Adams, The Tambo Shire, p. 246 and Frank Moon’s Diary (held by Brian Hansford) for Governor’s visit.
xxiv Hercules Brown, ‘Cave Hunting – A Wonderful Discovery’, The Police Journal, Monday 2 February 1920, pp. 5-6; Correspondence from Victoria Police Museum to the author, 26 July 2006, for Brown’s military and police service history.
xxv Parks Victoria (Buchan Caves Collection), Correspondence from F.H. Wilson to The Secretary for Lands, 27 March 1915, for Federal Cave discovery; 29 April 1915, for Moon taking soundings; Heritage Action Plan, p. 9, for Federal Cave infrastructure; Swift, ‘This Man Spent 50 Years Underground’, p. 3.
xxvi Ackroyd & Hamilton Smith, ‘An Idyllic Setting’, p. 19, for Wilson retirement and Moon appointment; www.awm.gov.au, searched 19 July 2006, for Frank Moon’s military service.
xxvii Heritage Action Plan, passim, for cave infrastructure developments & Hansford and Woodgate applications; Ackroyd & Hamilton-Smith, ‘An Idyllic Setting’, pp. 19-22, for Linaker, Lind and Sandford tenure; ADB, ‘Sir Albert Eli Lind (1878-1964’, pp. 102-3.
xxviii Mackieson, A Brief History of the Family; Kent Henderson & Marise de Quadros, The Buchan & Murrindal Caves, Henderson de Quadros Publications, Williamstown, 1993, p. 9; Interview with Woodgate Family, 18 June 2006; Sady, ‘Buckan Mungie’, Transcript of interview with Queenie Woodgate, n.d.
Thanks are due to many people who assisted with sources and material for this article but special acknowledgement is due to Trudy Sady, Elery-Hamilton Smith, Parks Victoria and the descendants of Frank Moon, for earlier research on this subject and assistance with information and documents.
Other pages on this website
John Flynn at Buchan (online article)
Point Hicks Lighthouse (online article)
Snowy River Bandit (online article)
Grape Growers and Wine Makers (online article)
John Henry Harvey (online article)
Remembrance Day Address (online copy)
Charabancs to Chardonnay Address (online copy)
The Victoria Police Strike - 1923 (online copy)
In the Shadow of Ned Kelly (online copy)
This page last updated on 15 December 2014
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Ray charles fifty nifty united states games
by Vojind 15.08.2020 15.08.2020 1 comments
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Fifty nifty United States from thirteen original colonies; Fifty nifty stars in the flag that billows so beautif&# | ] Ray charles fifty nifty united states games Ray Charles (born Charles Raymond Offenberg; September 13, – April 6, ) was an American musician, singer, songwriter, vocal arranger and conductor who was best known as organizer and leader of the Ray Charles Singers who were featured on Perry Como's records and television shows for 35 years and were also known for a series of 30 choral record albums produced in the s and s. Paw Patrol's Skye and Chase's fun day at the Playground & No Bullying at School Baby Pups Videos! - Duration: Genevieve's Playhouse - Toy Learning for Kids Recommended for you. Fifty nifty United States from thirteen original colonies; Fifty nifty stars in the flag that billows so beautifully in the breeze. Each individual state Contributes a quality that is great. Each individual state Deserves a bow, we salute them now. 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Music video and lyrics - letras - testo of 'Fifty Nifty United States' by Ray Charles. SongsTube provides all the best Ray Charles songs, oldies but goldies tunes and legendary hits. In order to see the lyrics of SCHOOL HOUSE ROCK - FIFTY NIFTY UNITED STATES it is necessary to have java script enabled browser. We have another 1 lyrics of songs by School House Rock, that you are able to see on the right or clicking on the artist's name. Many RAY CHARLES song that you can listen to avisfarms.com install the application, select the song you like and play. This app only provides Mp3 Streaming and no.
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Tag: The Deuce
The Deuce – S03E08 – Finish It
We say goodbye to The Deuce, at least as we see it from David Simon’s perspective. Jim and A.Ron discuss standards in the porn and film industry (then and today), Eileen’s work and her relationships. We see the end of Vincent and Abby, give a toast to Reg and Melissa, and remember fondly the times…
Tags - Podcast, TV, Season 3, Bald Move TV, The Deuce, Episode 8, S03E08
The Deuce – S03E07 – That’s a Wrap
There’s a lot wrapping up in The Deuce this week, however, not the series itself. Jim and A.Ron discuss the future of Eileen’s projects, Lori’s intentions, Vinnie’s new businesses, and much more! Leave Us A Review on Apple Podcasts Join the discussion: Email | Forums | Facebook | Twitter
Tags - Podcast, TV, Season 3, Bald Move TV, episode 7, The Deuce, S03E07
The Deuce – S03E06 – This Trust Thing
Jim and A.Ron discuss the latest happenings in The Deuce. Candi has the most complicated story of all, where she has to confront her relationships with the men in her life. Paul handles the aftermath of Tod. Bobby and Dr. Francis try to make a deal. Lori learns how many fucks that she has left in…
The Deuce – S03E05 – You Only Get One
This episode of The Deuce has re-surfaced a lot of difficult feelings for Jim and A.Ron. Paul meets Tod’s parents and it has us thinking about our own parents, beliefs, and mortality. Jim made an accurate prediction about Frankie’s home movie, but it’s still a touching family moment. Eileen also confronts her idea of family…
The Deuce – S03E04 – They Can Never Go Home
We are halfway through the final season of The Deuce, and there is a lot to discuss. A.Ron has two prophecies come true in one episode! Lori is back in New York, and battling her insecurities. Abby recruits Candi to speak with Women Against Pornography; and it’s a tough crowd. Jim and A.Ron don’t have…
Tags - Podcast, TV, Season 3, Bald Move TV, Episode 4, 304, The Deuce
The Deuce – S03E03 – Normal is a Lie
Jim and A.Ron discuss the latest episode of The Deuce, ‘Normal is a Lie’. The women of The Deuce are fighting for rights to their own money and choices about their own body. The men of The Deuce, (or Deucey’s as A.Ron calls them) are are either pushing boundaries and taking advantage, or too stupid to…
Tags - Podcast, TV, Bald Move TV, 303, The Deuce, Normal is a Lie,
The Deuce – S03E02 – Morta di Fame
The Deuce is under a lot of pressure in “Morta di Fame”, as disease, drugs, greedy gangsters and corrupt politicians all angle to take a bite out of its inhabitants. It’s hard to see how established players like Rudy, Vincent, and Paul are going to make it out okay, but there is a glimmer of hope that Frankie just might be able to survive by being to small time to worry about. Meanwhile on the West coast Lori is waking up to the fact that she’s traded a pimp named Cici for one named Kiki. Grim proceedings all around, lightened only by Bobby’s hair piece and Frankie’s fledgling paper bag porn empire. Plus, we get educated on all things Greenwich in the feedback section!
Tags - Podcast, TV, Bald Move TV, 302, The Deuce, Morta di Fame,
The Deuce – S03E01 – The Camera Loves You
HBO’s The Deuce is back! We rejoin our mixed crew of hustlers on the Eve of 1985. The strip itself seems a bit less bright, and a good deal more dangerous, even as powerful big-money interests have high-class aspirations for the neighborhood. This premiere is a marvel of efficient storytelling and character re-introductions, introducing various threats to the community; wolfpacks, AIDS, home video recording, that will be impacting the lives and livelihoods of The Deuce denizens for the rest of the series. What did you think? Tell us using the feedback links below!
Tags - Podcast, TV, Bald Move TV, 301, The Deuce, The Camera Loves You,
The Deuce – 209 – Inside the Pretend
HBO’s The Deuce wrapped up it’s second season in fine style, with the finale episode “Inside the Pretend”. Simon and Pelecanos did an admirable job putting all their players in position to make the jump to the 80’s. The pimps seem on the wane, the porn industry is still waxing, but the men and women of the industry don’t seem to be enjoying their ascent as much as it would have seemed at this season’s outset. It’s hard to have a sunny outlook when people you care about wind up dead; that goes double when you’re the one doing the killing. Can’t wait to see how things shake up next year, we’ll see you then!
Tags - Podcast, TV, Season Two, Bald Move TV, Season 2, 209, The Deuce
The Deuce – 208 – Nobody Has to Get Hurt
Jim and A.Ron are here to gush about the penultimate episode of this season’s The Deuce, “Nobody Has to Get Hurt”. Of course, that means that someone will have to. The person who gets the hammer felt shocking and also inevitable in hindsight. There’s a lot of story left to unfold, the question now is how much resolution will we get and how much will be irrelevant once the show fast forwards to the 80’s. We consider Eileen’s career trajectory, Frankie tempting fate, the fall of House Pimp, and much more. See you back next week!
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Best PhD Thesis Award in Central and Eastern Europe.
Our PhD Supervisor of the Year award is designed to reward the supervisors who go out of their way to give their PhD students the best possible academic experience. PhD supervisors who inspire their students to ask the big research questions, guide them with writing research papers, and introduce them to the most novel and current research techniques.
The EECI PhD Award (1000 EUR) is given annually in recognition of the best PhD thesis in Europe in the field of Control for Complex and Heterogeneous. Xuyun Zhang has won the 2015 Chancellor's award for most outstanding PhD Thesis. The Clean Sky European Joint. A Doctor best doctoral thesis award of Philosophy (PhD or construction risk management phd thesis DPhil; Latin Philosophiae Doctor or.
In 2011, Eurographics extended the Research Awards Programme by creating an additional Best PhD Thesis Award. The aim is to recognize good thesis work in Europe, to incentivize young researchers, and to offer them the opportunity to publish the state of the art section of their thesis as a STAR in the Computer Graphics Forum Journal. Eurographics annually grants three PhD thesis awards. They.
REF 2014: the best 'ranking' for PhD study in the UK? If you're planning on studying a PhD in the UK, one of the best tools for evaluating universities may not actually be a ranking at all. The government's Research Excellence Framework rates research in specific subjects at all UK universities.
Best PHD Thesis Award 6 Bursaries for 1st Year PhD Students. Giract is proud to announce that, following the success of its unique and innovative programme to promote flavor research amongst PhD students in Europe across various universities and institutes, 7 industry sponsors will continue to support the programme, now in its eleventh year. This consortium aims to raise awareness of the.
ESCM best PhD thesis award Aim The aim of the ESCM best PhD thesis award is to recognise the author of the best PhD thesis in composites in Europe every year. The winners of the award are invited to attend and present their research at the following ECCM, where they will receive a certificate or medal for their award, as well as a monetary prize, during the conference dinner. Assessment.
Reporting Europe Prize. The annual prize honours excellence in English-language journalism on the EU. Best PhD Thesis and Book Prizes. The Best Book and Best PhD Thesis prizes are awarded annually and recognise outstanding and original contributions in the area of contemporary European Studies. 2019 Best Book Prize. 2019 Best PhD Thesis Prize. Lifetime Achievement Award. The Lifetime.
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ECSR Prize for best PhD thesis - ECSR - European.
The 1st NECTAR PhD award is is given to the best PhD thesis in the NECTAR field in the period January 2013- June 2015. A jury led by Professor Peter Nijkamp and comprising NECTAR chairs and several NECTAR cluster chairs got the painstaking task to evaluate and read all proposed theses and to select a final candidate. A total of 12 PhD theses were nominated with a fair geographical and topical.
Best Dissertation Award is organized by International Agency for Standards and Ratings (IASR). IASR sets standards in for development of world class Research in academics, industry and corporate sectors. Dissertations are invited from all countries including Europe, America, Asia, Africa and Australia.
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Portal for open access research theses. DART-Europe is a partnership of research libraries and library consortia who are working together to improve global access to European research theses. The DART-Europe partners help to provide researchers with a single European Portal for the discovery of Electronic Theses and Dissertations (ETDs).
The ACM India Best Doctoral Dissertation Award was established in 2011 by ACM India with approval from the ACM Awards Committee. This award recognizes the best doctoral dissertation(s) in Computer Science and Engineering from a degree-awarding institution based in India for each academic year. There will be one award for 2020.The ACM India Doctoral Dissertation Award is accompanied by a prize.
Details about David Lachlan Hay Thesis Binding Award 2020. David Lachlan Hay Thesis Binding Award 2020 is offered for Masters, PhD degree in the field of Sciences and mathematics. You can apply to this scholarship here.The deadline for the sending your application is 31 Dec 2021.This scholarship is provided by University of Melbourne and the value of this scholarship is Partial Funding, Up to.
EACES PhD Thesis Award. EACES PhD Thesis Award. Update (April 7, 2020): Due to the emergency and travel restrictions linked to the COVID-19 disease, we had to take the decision that the 16th Biannual EACES Conference planned for September 2020 in Naples has to be postponed. Consequently, there will also be no 2020 edition of the EACES PhD Award. Hence, the call for this award is suspended for.
Promoting Flavor Research amongst PhD Students in Europe.
Prizes and awards. In recognition of the contributions made to all areas of European political science, the ECPR awards six prizes each year. These prizes cover a wide spectrum of achievement, from the Jean Blondel PhD Prize awarded for the most outstanding thesis at an ECPR institution, to the Lifetime Achievement Award, presented to those individuals' whose work has contributed significantly.My PhD thesis was nominated to the Best PhD Thesis award of the European Research Consortium for Informatics and Mathematics by professors from prestigious universities. In the first decade of my career, I focused on growing analytical skills, together with communication, teamwork, and leadership skills. I made presentations and published articles in international conferences, I was.Where possible, Concurrences grants every year two Ph.D. Awards: Ph.D. Award in Competition Law, and, Ph.D. Award in Competition and Economics. Law theses must concern EU competition law, law in member States, or law in States linked by cooperation agreements to the EU, as well as comparative law research with a European dimension.
The best part is that we have a flexible pricing policy that lets you select an affordable package considering the type mitchell phd thesis of your paper, the number of words, and academic level Don Mitchell, PhD, is Distinguished Professor of Geography at Syracuse University. Wong, Frank M.G. Toggle navigation. S. Get help with your thesis today! Amy E. IVAN MITCHELL Thesis Submitted for the.The award is open for applications until 15 June 2011. The award ceremony will take place in Antalya, Turkey, at the next meeting of the UNECE Timber Committee and the FAO European Forestry Commission, from 10-14 October 2011, when the winner will be invited to present the thesis as a contribution to the International Year of Forests.
Essay Coupon Codes Updated for 2021 Help With Accounting Homework
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Cult Cinema
Killer Chords
Time Killers
Exclusive Interview: Gareth Evans Talks The Raid 2: Berandal
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An Adult’s Guide to Animation
Features by Howard Gorman on March 28, 2017 add comment animation list Seoul Station
Seoul Station – a thrilling tale of a zombie outbreak in South Korea – isn’t your typical animated fare – it features gut-munching zombies, brutal violence and white knuckle tension. Definitely not one for the kids, but why should kids have all the fun? Putting the Disneys, Pixars and Ghiblis of the world to one side for a moment, here are a selection of animated films that run the gamut from outrageous and erotic to surreal and irreverent; you should perhaps watch when the little ones are tucked in bed!
Fritz The Cat (1972)
Ralph Bakshi’s legendary countercultural comedy, based on Robert Crumb’s character, was the first cartoon to get an X-certificate in the US. And little wonder. The story of an amorous cat raising hell on his 1960s college campus, it features all manner of ‘adult themes’ – including explicit sex scenes. Audiences lapped it up, with the film making over $90 million dollars worldwide, on a budget of less than one million. Move over Top Cat.
Heavy Metal (1981)
This adventure fantasy epic is based on the hugely popular American comic book of the same name, famous for its scantily clad warrior women on the cover, and cartoon strips that mix sci-fi and fantasy with erotica. The film had nine directors helming different segments (including drive-in B-movie king Jimmy T Murakami), and among its seven writers, Alien scripter Dan O’Bannon. It’s a wild ride, filled with buxom heroines, muscle-bound men, monkeys with ray guns, and a pounding rock soundtrack. The Little Mermaid it ain’t.
One of the greatest and most astounding animated films of all time happens to also be one aimed at adults. KatsuhitoOtomo’s manga masterpiece, about a biker turned into a psychic psychopath, features mind-blowing visuals, including a motorbike chase the equal of any live action counterpart, and some unsettling imagery that means that Akira is off limits to the My Little Pony crowd.
https://www.youtube.com/watch?v=7G5zQW4TinQ
This could be considered an adult version of 1988 live action and animation hit Who Framed Roger Rabbit?,famous for the sexy Jessica Rabbit character. Cool World, directed by the king of adult cartoons Ralph Bakshi, features the delectable Holli Would (voiced by Kim Basinger), as a scantily clad cartoon character attempting to cross over into the real world. The film stars Gabriel Byrne and Brad Pitt, in roles they probably don’t put right at the top of their CVs.
This classic Japanese manga animation (remade this year by Hollywood as a live action film starring Scarlett Johansson) is very definitely an adult thriller (with plenty of nudity and violence), about a cyborg policewoman on the hunt for a superhacker called the Puppet Master. Brilliantly exciting and innovative, the film showed that cartoons could not only be aimed at grown-ups, but could also address existential issues about the terrifying implications of technology taking over.
South Park: Bigger, Longer & Uncut (1999)
The TV series South Park looked and sounded like a kids show, but couldn’t be more unsuitable for youngsters if it tried. If anything, this film version is even more offensive and taboo busting than the TV show, with rude songs, crude language and Satan in bed with Saddam Hussein. And that’s not all folks… watch it and prepare your jaw to drop to the floor.
An extraordinary film, directed by Duke Johnson and Charlie Kaufman (the mind behind Being John Malkovich and Adaptation), it features stop-motion animated puppets halfway between human and Sesame Street, and a plot that deals with the mundanity of life. The film contains sex, swearing and nihilism, and is truly unlike anything you’ve ever seen before: moving, thought-provoking and haunting.
Batman: The Killing Joke (2016)
Based on the graphic novel by Alan Moore (purveyor of some very adult-oriented comic strips), this sees Batman in a showdown with a truly chilling incarnation of the Joker, and was the first Batman film to get an adults only rating in the US. It’s scary and disturbing, and about a million miles away from the “kapow!” Adam West TV series of the Sixties.
Seoul Station (15) is released on DVD and Blu-ray from StudioCanal on 3 April. Out now on Digital Download.
Tags : animationlistSeoul Station
Eduardo Casanova’s ‘Pieles’ (Skins) to Usher in FANT Bilbao 23
Creatures Clash in ‘Valerian and the City of a Thousand Planets’ First Trailer
The author Howard Gorman
[FOUNDER & EDITOR-IN-CHIEF] Graduating in Psychology longer ago than he would care to recall, as well as Editor for CinemaChords, Howard is also the Web Editor for Tom Holland's Terror Time and his words can also be found at various popular film publications including Blumhouse, Dread Central, Shock Till You Drop, Rue Morgue, SCREAM: The Horror Magazine and TheHorrorShow.TV.
FANT Bilbao Announces Most Extensive Lineup to Date
Mother-Daughter Film Duos
Top 10 Movie Insults Including….. ‘The Wizard of Oz’
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Trump tells us what kind of person he is
Posted: Oct. 04, 2016
Posted: Oct. 04, 2016 27
Those of us who watched the first presidential debate between Hillary Clinton and Donald Trump were witnesses to history.
If you're a Trump fan, you thought he was hugely successful; if not, you think Clinton made him look like a clown. I'm in the second group.
I don't expect to change your opinion if your mind is made up, but if there are truly any undecided, I feel obligated to speak up about what is probably the most important election of my life. So, in no particular order, I give you candidate Trump in his own words.
When Clinton accused Trump of not paying craftsmen for work they had done for him, he didn't deny it. In fact, he said: "They should have done better work."
If you've ever worked for wages, this statement should be important, because it shows his contempt towards working people.
"I was the one who got him (President Barack Obama) to produce the birth certificate, and I think I did a good job. You (Clinton) treated him with terrible disrespect during the election."
It's obvious to Trump — despite his alleged investigation that never produced a shred of evidence, because there was none to produce — that he frightened Obama into producing a birth certificate, and he didn't admit he was wrong until a few days ago, and Clinton was so disrespectful that the president made her his secretary of state.
"I think the best person in her campaign (Clinton) is the mainstream media." Thus says the man who has gotten perhaps more free publicity from the media than any other candidate in history by making one outrageous, slanderous statement after another, and with name calling beneath the dignity of a third world dictator.
To Clinton, Trump said during the debate, "You're telling the enemy exactly what you're going to do … No wonder you've been fighting ISIS your entire adult life."
The Islamic State first proclaimed its existence as a worldwide caliphate on June 29, 2014, when Clinton was well into her adult life, but details mean very little to Trump, which is why his gang of apologists spend most of their time saying the rest of the world misunderstood what we heard him say.
It's possible, of course, Trump doesn't know the difference between ISIS and al-Qaida or even Aladdin and his magic lamp, since he has also referred to Obama as the "founder of ISIS."
Trump's followers, however, continue to have extreme confidence in what he says, despite the fact that his statements have proven to have the tensile strength and endurance of wet linguini.
When Clinton said he had paid no taxes on returns he had released while trying to get a casino license, Trump said, "I'm smart," endearing himself, no doubt, to the undecided middle class voters he desperately needs.
After Clinton tagged him as a man who had called women pigs, slobs and dogs and referred to a Miss Universe contestant as Miss Piggy, the best retort he had was that entertainer Rosie O'Donnell, with whom he has often publicly feuded, had it coming and that Clinton's campaign ads were saying things about him that are "not nice."
About David Hunter
David Hunter is a former career police officer, author of 18 books and a 25-year columnist with the Knoxville News Sentinel.
@Scribe333
davidhunter333@comcast.net
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David Hunter Archive
Oct 4, 2016 | Trump tells us what kind of person he is
Sep 27, 2016 | Panic gushed from gas pipeline break
Sep 20, 2016 | When drive-ins ruled social scene
Sep 13, 2016 | A lifelong love for Appalachian food
Sep 6, 2016 | Condemning Colin Kaepernick is un-American
Aug 30, 2016 | Maryville officer's death reinforces the danger police face
Aug 23, 2016 | Gun qualification an excuse for gathering
Aug 16, 2016 | Opinion columns biased but factual
Aug 9, 2016 | The Dragon winds its way into book
Aug 2, 2016 | Views should evolve as we grow, learn
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Jennifer Gerber Articles
A matter of deep shame
I remember when Labour was part of the solution, not the problem, to tackling antisemitism, writes Jennifer Gerber When I was growing up 20 years ago, antisemitism in Britain was rarely a topic of conversation among my family, friends and school mates. When we spoke...
The Israeli Macron?
He has only been a member of the Israeli Labor party for seven months, but last week Avi Gabbay was elected its leader. Jennifer Gerber explains his meteoric rise on the centre-left Avi Gabbay, a political outsider, was elected leader of the Israeli Labor party on...
For Israel, for Palestine, for peace
As Britain found in Northern Ireland, broad popular support is an essential underpinning for any successful peace process. Over the two decades since the signing of the Oslo Accords, an extensive and growing network of NGOs has worked at a grassroots level to foster...
The British left needs to be a bridge between progressives
In its early days, many people on the British left offered the young, embattled state of Israel their staunch support: Harold Wilson, Ian Mikado, Barbara Castle, Richard Crossman and Eric Heffer were all early supporters of Labour Freiends of Israel. That support...
Jul 17, 2017 | Section: Web exclusive
He has only been a member of the Israeli Labor party for seven months, but last week Avi Gabbay was elected its...
Oct 26, 2016 | Section: Web exclusive
As Britain found in Northern Ireland, broad popular support is an essential underpinning for any successful peace...
Mar 19, 2015 | Section: Web exclusive
In its early days, many people on the British left offered the young, embattled state of Israel their staunch support:...
Solutions, not blame
Sep 3, 2014 | Section: Progress Magazine
The international community must step up Where do we go from here? After a summer of bloodshed and fear in Israel and...
Jack the whipper
Jun 16, 2004 | Articles, Section: Progress Magazine, The Progress interview
It is hard to imagine much that Jack Cunningham hasn’t seen in his 34 years as a member of parliament. He has...
Clarke’s marks
Oct 30, 2003 | Articles, Section: Progress Magazine, The Progress interview
Charles Clarke’s first year as education secretary has certainly been interesting. His department has been at the...
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RP Logs » Archives: Logs » Bits and Pieces
January 01, 2015: Evelyn gets called into Hill's office for an evaluation. (Some language)
Hill's Office, Triskelion
It's an office..like so many other offices..except that this one comes standard with something grumpy.
Maria Hill
Mood Music:
Back at the Triskelion once more. Hill wishes she could say that this office held good memories for her but it's nothing more than an office, a reinforced glass and metal box that happened to store some of her personal effects for a time. During the months she was gone, the office became something else. Now that she's back she just happened to be fortunate enough to be assigned the same room as before.
Not that one could tell, they all look the damn same. Cookie-cutter construction. 'Make five thousand of these and link 'em all together in a giant fucking cube.'
She's still getting her few possessions sorted and organized. Still getting the background and color scheme figured out thanks to the hi-tech glass. Today's backdrop must be from the Louisiana bayou during sunset, some twisted trees and small tufts of grass interrupting a glass-smooth reflecting pool which probably flanks the Mississippi Delta. Calm, peaceful, serene, yet you just -know- beneath those calm waters there's eight feet of shit waiting to swallow any unsuspecting creature whole.
Leaning back into her chair, white gloves neatly placed together on the side of the table, she idly pokes at a dataslate as she waits for her guest star. The first one since she's returned, in fact. Not that she told Evelyn this much, it might go to her head. But, out of all of the agents she's been more directly overseeing lately it's Evelyn which is the most curious, and pressing, of the bunch.
Evelyn's not been present at her assigned quarters at the Triskelion. Amusing, given the limited quarters that are available there, for refugees or agents that no longer have a place to go. Apparently she found a place to go. Though, when she sees the event for a meeting pop up on her phone's calendar, she'd rather be dead than miss it. Probably for good reason, if Evelyn didn't have her phone on her at all times, Hill would likely have a team out to track her down in no time at all.
Five minutes before the appointment, she's already at Hill's office door. She lightly knocks at the door before she opens it and peeks in. "Co-Director Hill?" Evelyn says tentatively, before actually entering the room. Closing the door behind her, she approaches the center of the room with her hands folded behind her. Her eyes can't help but wander the walls, an interesting decor choice, but she quickly refocuses on Hill. "You wanted to see me?" The meeting description wasn't set.
Hill doesn't look up from the pad when Evelyn knocks and pops the door open. Who else would be showing up? Like people actually want to randomly stop by and say hello, not so much with this queen bee. "Your punctuality is noted, Agent. Come in and have a seat."
She'll even give Evelyn a chance to get settled before diving in. Those extra few seconds let her do that much more reading of the slate in her hands. All of it's related to the other agent's work.
"You've been making some significant strides lately, Evelyn. I've been getting myself back up to speed as quickly as time allows..God knows everyone and their brother wants something from me without actually speaking to me about it..but what I've been reading is not only well documented but surprisingly thorough. You've been on a couple of major assignments, operating independently, and you've delivered. I'm starting to believe that you're gearing up for a promotion."
The tablet comes to rest in her lap as she lifts her gaze, peering intently at Evelyn from across the Smartglass table. "Which begs the question, what became of the Evelyn I had witnessed when I was last assigned here? What might have impacted you so significantly that you've changed into an ideal agent?"
Here she flicks upward across the tablet's screen, instantly transferring its contents right onto the surface of her desk. It's the original psych evaluation for none other than Evelyn.
"I'll direct you to the 'emotionally unstable' entry in particular," she says in a level tone. "There's also no record of you having spent any time with our psychologists. However, you -are- still assigned to Mister Stark, and you have been spending some considerable time at his building. What I don't understand is where this change of personal stability happened to occur."
"Thank you," Evelyn says, regarding her punctuality. At the request to take a seat, she shifts a bit uncomfortably and takes another few steps forward to take a seat infront of Hill's desk. Her leg is still bothering her, but she doesn't have her normal slight limp. She's just dealing with it right now with a straight face. Her game mask is on.
Folding her hands on her lap, she leans back into the chair. Looking up, she maintains eye contact with Hill throughout her report. She doesn't look particularly happy, nor surprised. Emotional instability? No, that's still her. She's just hiding it, what else is she supposed to do? At the end, Evelyn can only reply in a level tone while looking away. "Well, Ms. Hill. Like my CIA profile states, I was a good agent." That's a bit of an understatement. She needed pulling out a couple times in hot situations, but other than that..
She shifts a bit in her seat, avoiding any questions specifically regarding her emotions, but she does frown a little bit. "I'm really honoured, but gearing up for a promotion?.." Based on her expression, she's almost politely asking to /not/ have a promotion.
"I wouldn't want to waste your potential behind a desk," Hill flatly replies as if to ease Evelyn's concern about such a promotion. "Now..you've got me in a peculiar situation here, Evelyn. -People- I understand. Technically you're not, yet technically you -are,- yet you're some kind of hybridization of concepts that makes you something of a headache to psychoanalyze. I don't know what you started doing differently. I don't know what all you -can- start doing to deal with these things. Maybe you started taking drugs to calm your nerves, or found the inner joys of a rivet gun or something. Don't know, don't get it."
"What I have are averages. Comparisons." Another two swipes and two more displays fill the desk, overlapping the initial evaluation. One has a list of repairs and costs related to them from the earlier months, the other relating to the last few months. With a significant difference between the two.
"Emotions can be hidden, dealt with. So long as you don't suddenly crack one day I don't much care what you do with that baggage, it's something every one of us has to deal with sooner or later. What concerns me are unexpected changes in trends, and here we have -two- anomalous results. If you're stuffing away your emotions then why not also stuff away feelings of injury?" she asks with what might be a tone, and stare, of accusation.
"Some time back I told you to stop falling apart, Agent. This isn't what I had in mind. You -are- part of the Division, and we -do- look out for our own. 'Not falling apart' includes rapid and violent self-disassembly from ignoring your own unique requirements for too long. Don't be afraid to ask for some help in rotating the tires once in a while, yes?"
Evelyn looks at Hill, listening to her when she talks, but when it's her turn to talk, she looks away. It's just difficult to maintain eye contact and talk, almost unnerving. "That's why there was an entire research team dedicated to psychoanalyzing me back when I was a kid." She was something of a normal kid, depressed, rattling against the cage, bookworm. In military training she gave them her all, even if she didn't want to. She didn't have a chance, they break you in training. You do what your told or bad things happening.
Looking to the desk, she notes the comparisons with a grim look on her face. Oh, she's close to being found out. Hill's been paying attention since her return. Looking back up when Hill goes on to say that she needs to report her injuries and that they look out on their own, she immediately looks away. Posed the question about reporting in for repairs, she pauses. Glancing at Hill, there's just some temptation to tell her about all the damage she's taken. The burns on her leg, the exposed muscle fibers. The parts knocked lose in her chest. She couldn't break until she coughed so hard that something popped back in her chest. The water damage. There's more, too.
Instead she looks away, wiping at her eyes with her forearm sleeve, "Yes, Co-Director."
"There it is," Hill points out in a tone which is a good deal less stern. It's kind of an 'aha, gotcha!' but it's not completely without sympathy. Not -completely- without. "I didn't call you in here to tear you down, Evelyn. I'm trying to take some preventative measures. -This,-" she states while swiping back across the pad and -covering- the visual space of her desk with field reports Evelyn herself had filled out, "is all the proof I need. -This- tells me that you demand to be taken seriously, treated with respect. So that's exactly what I'm going to do."
Hill does look out for her own. Always has.
"You've been doing a good job of keeping it together but it's going to start weighing down on you soon, and when it does it's going to hit you hard. I don't want that to happen. Nothing good comes out of falling apart." She pauses for a moment to let the weight of her words properly sink in.
"Get yourself checked up with R and D then take tomorrow off, I want you back up to spec. That's an order."
Evelyn rubs her eyes a bit more, easily hiding any tears or anything from her being temporarily choked up. She's composed as quickly as possible, though. It was just a small crack in her facade. She nods back towards Hill, "Thank you, Co-Director." Actually, Hill's concern for her actually moves her a little bit. She shifts a bit uncomfortably again.
"I'll go in for repairs. It's been a while." She clears her throat a little bit. A little while is an understatement.
There's one final lingering stare from Hill before she subtly nods once, content that her message has properly gotten through to a..let's face it..incredibly stubborn creation. "In the meantime keep doing what you're doing, Agent. You're proving to be quite an asset to the Division. Your current assignment with Stark remains, I see no reason to quit while we're ahead."
A lazy swipe of a hand clears all of the electronic documents off of her desk, returning to a blank and transparent slate once more. "Dismissed."
Back to: RP Logs
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CDHRVTA > Blog > News > New refugees arrive in Iraq after week of violence in north-east Syria
New refugees arrive in Iraq after week of violence in north-east Syria
October 18, 2019 Newsadmin
Source: UN High Commissioner for Refugees
Country: Iraq, Syrian Arab Republic
UNHCR has been receiving hundreds of refugees crossing the border into Iraq from northeast Syria. More than 1,600 Syrians have been taken to Bardarash refugee camp.
This is a summary of what was said by UNHCR spokesperson Andrej Mahecic – to whom quoted text may be attributed – at today’s press briefing at the Palais des Nations in Geneva.
For the fourth consecutive day, UNHCR, the UN refugee agency, has been receiving hundreds of refugees crossing the border into Iraq from northeast Syria. Refugees mainly come from towns in northern Syria – Kobani, Amoda and Qamishly and surrounding villages.
As of this morning, over 1,600 Syrian refugees have been transported from the border areas to Bardarash refugee camp, some 150 kilometres east of Syria-Iraq border. The site has been prepped to receive the latest arrivals fleeing the fighting in northern Syria.
Newly arrived refugees told our staff that it took them days to get to the border as they fled amid shelling and fighting. Most of the new arrivals are women, children and elderly. Their general physical condition appears to be good, but some required psychosocial support.
In support of the response led by local authorities, our teams and those of other aid agencies and partners have been working round the clock to transport refugees to the Bardarash camp and meet their immediate needs. Family tents are being pitched to provide shelter, water and sanitation systems have been put in place together with other basic facilities.
Upon arrival refugees are given hot meals, water, basic aid items including mattresses, blankets, kitchen sets, jerrycans and other items. Medical teams with ambulances and a mobile medical unit are present to provide medical assistance if needed. Our teams are working with partners to provide services needed including pyscho-social support and protection services. The refugees are registered using biometric iris-scanning and their specific needs are assessed to determine what kind of assistance they may require.
Meanwhile in Syria, after a week of violence in country’s northeast, we and our partners have been able so far to provide life-saving assistance to nearly 60,000 newly displaced Syrians as well as to those forced to flee from one camp to another. Nearly 23,000 people have received core relief and winter items in the camps. UNHCR also provided same assistance to another 35,700 living in collective shelters and host communities.
The UN currently estimates some 166,000 people have been forced to flee their homes over the past seven days. Newly displaced families continue to seek shelter in camps, makeshift sites, communal shelters, with family, friends or acquaintances. Many of them have been displaced multiple times from one area to another in Al-Hassakeh, Tal Tamer and Raqqa.
Where possible, UNHCR teams conduct protection assessments and our response continues. Our protection partners identify those in need of specialized care and attention every day.
Violence has wreaked chaos among civilians, hitting the most vulnerable hardest. Our teams reported story of a child, a 13 year-old boy from Ras-Al-Ain, who ran for his life amid intense fighting and got separated from his parents. He followed the crowds and reached one of the communal shelters in Al-Hassakeh where UNHCR outreach volunteers tirelessly went through communal shelters until they were able to reunite the boy with his family.
Given the new and significant humanitarian needs, UNHCR reiterates its calls for the protection of civilians and civilian infrastructure. It is also critical that humanitarian workers are given unfettered humanitarian access to reach those newly displaced and assist them wherever this is required.
For more information on this topic, please contact:
In Iraq, Firas Al-Khateeb, khateeb@unhcr.org, +964 780 918 9700
In Syria, Mysa Khalaf, khalafm@unhcr.org, +963 9933 57 860
In Amman, Rula Amin, aminr@unhcr.org, +962 790 04 58 49
In Geneva, Andrej Mahecic, mahecic@unhcr.org, +41 79 642 97 09
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Grant Diffendaffer
Fuller Craft Musuem: Sculpting Color in Your Hands
I mentioned previously that Kathleen Dustin will be curating an exhibition of polymer clay sculpture at the Fuller Craft Museum. I won’t let the cat all the way out of the bag but I have seen a preliminary list of invitees, and this looks to be a show to remember. I will say that I am very proud to have been included on that list, and it takes my mind back to the larger forms I stopped working on several years ago when I made a conscious decision to focus my work on jewelry.
Jewelry and beadmaking has been a fruitful and rewarding path and one I intend to continue on, but it is exciting to be thinking in terms of non-wearable sculpture again. It’s another adventure as I return to old places and ponder the paths yet unexplored. My initial thinking is involving wire form armatures and botanical forms. I have also always been very inspired by Pier Voulkos’s spiny balloon forms and the possibilities of using air as an armature to create, support and maintain the shape of sculptural work.
Of course, exposure to the Steampunk Treehouse, and it’s fantastic team of metalsmiths has me thinking about steel, traditional craftsmanship, rust and motion, and the bigger picture–for art, community, economy, ecology, and humanity. My work has always been to create objects of an ideal beauty, things that connect the beholder to all of creation, and to every individual who can share that pure experience. Certain natural and human artifacts have the power to pull you out of your head and out of consensus reality and into the moment–into a moment of direct connection to the now and to the chain of creation. Engaging in this creative process I feel an intimate association with natural history and future possibility. At the same time, it is difficult to resist the temptation to reach out into the world of shared human reality and comment.
I have always avoided political content in my work, prefering instead to explore the common ground of the beauty of the natural world. These are extraordinary times though, and everything must evolve, individuals, humanity, and no less my art work. I welcome the opportunity to engage with larger themes as I work with larger forms. Jewelry making is a very personal process, often quite solitary, and most directly creates connection between the wearer and the maker. Sculpture is an invitation to the world to participate in a piece of work. It might be picked up and held, climbed on and walked into, and generally felt by more people in a larger way and more community oriented fashion. I am honored for the opportunity and inspired by the possibilities. Much thanks to Kathleen and to the Fuller Craft Museum for organizing the show.
What: The working title of the exhibition is Sculpting Color in Your Hands. “Organized by Fuller Craft Museum and curated by Kathleen Dustin, this exhibition will include a variety of large scale forms, including sculpture, furniture, wall pieces, and installations by leading artists who are pushing the qualities of polymer clay.
When: August 8th through November 22, 2009
Where: The Daniel Tarlow Gallery of the Fuller Craft Museum, “Located in Brocton Massachusets, Fuller Craft Museum is New Englands only museum of contemporary craft. Fuller Craft is a dynamic environment where craft is experienced through exhibitions, education, outreach and collaboration. We explore the materials, techniques, and artistic expressions that challenge the perception of craft, while honoring the achievements of the past. www.fullercraft.org
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New school, old fashioned. Steadcraft presents studio-crafted Jewelry and fashion accessories that are vintage-inspired, and prototyped with 3D printing.
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LIMA: preserving, distributing and researching of media art
Redazione DigicultNewsWeb
LIMA - Amsterdam
03 / 02 / 2016 – 04 / 02 / 2016
AudiovideoLive CodingMedia Archives
LIMA and the artist Jonas Lund are proud to present For Preview Only, a 24-hour piece based on the LIMA collection. The For Preview Only files of 2336 works and 463,8 hours of art have been appropriated by the artist and brought together in a 24-hour (online) piece.
Jonas Lund is a Swedish artist who creates paintings, sculpture, photography, websites and performances that incorporate data from his studies of art world trends and behavior. He earned a MA at Piet Zwart Institute, Rotterdam (2013) and a BFA at Gerrit Rietveld Academy, Amsterdam (2009).
He has had solo exhibitions at Steve Turner, Los Angeles (2015, 2014); Boetzelaer|Nispen, Amsterdam (2014); Showroom MAMA, Rotterdam (2013); and has had work included in numerous group exhibitions including at Eyebeam, New York; New Museum, New York, XPO Gallery, Paris; Van Abbemuseum, Eindhoven, Witte De With, Rotterdam, De Hallen, Haarlem and the Moving Museum, Istanbul. His work has been written about in Artforum, Artslant, Rhizome, Huffington Post, Furtherfield and Wired.
http://stimuleringsfonds.nl/en
http://www.li-ma.nl/site/
Estabilished in 2005 Digicult is an online platform that examines the impact of digital technologies and applied sciences on art, design, culture and contemporary society. Digicult is an editorial project that daily publish news, informations, articles, interviews, reports and essays. Digicult has a liquid structure, we are a real network, we are a mutant and unclassified new professional category, spontaneously working across shared and fluid methodological, aesthetic, cultural and technological paradigms.
Connected. Peter Kogler with…
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Ran Slavin, Improvisation Live Cinema
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God Dammit Billa
Ramblings mostly, but can spring a surprise once in a while. So stay Tuned!
VeliyePo
Staright From the Heart
Post author By Billa
No Comments on Staright From the Heart
Each and Every thing associated with this amazing country has a dash of Emotion to it. Just take a look at things happening around you and you will know what i am talking about.
Candle light’s the way
After Rang De Basanti, and Munnabhai’s Dadagiri “The Candle” has captured the attention of people and media alike. Candles were lit as a mark of protest against the accused in the Jessica Lal case and the Priyadarshini case. With the accused sentenced in both the cases, it has been a hard fought victory for the victim’s kin, and friends. The media highlighted the power of the common man and media, wrote about how faith in justice is restored, and also took out the Defense counsel on a one on one.
Justice was served because it was demanded for not by one but thousands, the sense of support was because a person had been wronged and the emotion in the others surfaced as signature campaigns, slogans raised, candles lit and what not.
Candles lit for Jessica have shown the way for Priyadarshini, Meher, Nitish and so many. Will this lit candle lead us to the path “where justice prevails”. Only time will tell.
India Winning its First Cricket Test Match in South Africa
The Indian Cricket team which was at the mercy of the South African Cricket Team in the One Day Series, Won the opening Test with flair. The team played cricket well, but what will stay in everyone’s minds is Sreesanth’s war dance after smashing Andre Nel out of the park. It was not about the aggression showed, it was the response by the young lad to the big South African’s verbal assault that won hearts. Comeback men making a point — another headline and another emotional moment. Laxman and Ganguly played well no doubt, but the fact that they did it when they were not expected to makes it special. The man who said they were unfit was forced to eat his own words. The People loved it.
India at Asian Games
Leander and Mahesh’s win at the Doha Asian games. The win fetched the Gold but the drama off court won our people’s hearts. Every news paper covered the “fight” on and off court. The Final word was they should play together for the fans and for the country, which they surely will.
And if I were to cite examples I would be never finishing this. Everything from the land acquisition problems to historic achievements, have an emotional side that warms our hearts and makes us relate to it more.
Perhaps, some might feel that we take things too seriously but when u think about it anytime this is the reason that makes me, you and anyone else feel at home and realize “Yeh Dil Maange More”
India Rocks…………
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Watch The Great Gatsby 2013 movie
Nick Carraway, a Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy.
Sometimes you really want a nice flick to download. ;) You begin to seek it on the web and get tons no good sites that can not give you what you need. But today you will get it. The Great Gatsby flick was created in 2013 and it belongs to Romance, Drama category. Fast character of The Great Gatsby movie is going to make you feel good while watching it with your girlfriend. Such actors like Leonardo DiCaprio, Joel Edgerton, Carey Mulligan make this Romance movie fantastic. Yes, The Great Gatsby is one of the best movie to see in Romance genre in 2013. Movie duration is 90 minutes. Film rating is good: 5.0. Download The Great Gatsby movie online.
You will certainly like The Great Gatsby if you interested in watching movies of this genre. This is one of the best movies in the Romance genre and you will get a lot of wonderful emotions during watching it. Leonardo DiCaprio, Joel Edgerton, Carey Mulligan are acting so wonderful here and so many moments of the film are catchy. The Great Gatsby is one of the most anticipated movies of 2013. Acting of Leonardo DiCaprio, Joel Edgerton, Carey Mulligan makes it even better. Length: 90 mins. Enjoy from watching The Great Gatsby movie.
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One of the film streaming industry’s biggest impacts has been on the DVD industry, which effectively met its demise with the massive popularization of online content. The rise of media streaming has caused the downfall of many DVD rental companies such as Blockbuster. In July 2015 an article from the New York Times posted an good article about Netflix’s DVD services. It said that Netflix is continuing their DVD services with 5.3 million subscribers, which is a massive drop from the previous period. But, their streaming services have 65 million users. In a March 2016 study assessing the "Impact of Movie Streaming over traditional DVD Movie Rental" it was found that people do not purchase DVD movies nearly as much anymore, if ever, as streaming has filled the market. Watch Movie "The Great Gatsby". Users did not find film quality to be much different between DVD and online streaming. Issues that respondents believed needed improvement with film streaming included functions of fast forwarding or rewind, as well as search functions. The article highlights that the quality of video streaming as an industry will only improve in time, as ads revenue continues to soar on a yearly basis throughout the modern industry, providing incentive for quality content production.
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Blu-ray or Bluray rips are encoded directly from the Blu-ray disc to 1080p or 720p (depending on disc source), and use the x264 codec. They can be ripped from BD25 or BD50 discs (or UHD Blu-ray at higher resolutions). BDRips are from a Blu-ray disc and encoded to a lower resolution from its source (i.e. 1080p to 720p/576p/480p). A BRRip is an already encoded video at an HD resolution (usually 1080p) that is then transcoded to a SD resolution. Watch "The Great Gatsby" Movie BD/BRRip in DVDRip resolution looks better, regardless, because the encode is from a higher quality source. BRRips are only from an HD resolution to a SD resolution whereas BDRips can go from 2160p to 1080p, etc as long as they go downward in resolution of the source disc. Watch "The Great Gatsby" Movie Full BDRip is not a transcode and can fluxate downward for encoding, but BRRip can only go down to SD resolutions as they are transcoded. BD/BRRips in DVDRip resolutions can vary between XviD or x264 codecs (commonly 700 MB and 1.5 GB in size as well as larger DVD5 or DVD9: 4.5 GB or 8.4GB), size fluctuates depending on length and quality of releases, but the higher the size the more likely they use the x264 codec. Download "The Great Gatsby" Movie HDRip.
That evening, Nick sees Gatsby standing alone on his lawn, gawking at a green light across the bay.
Whilst the film continues, Nick and the audience learn more about Jay Gatsby's background. The film stays mostly faithful to the novel, with a number of deviations. It not only removes you compadmitely from the story but jolts you so far out of it that you need a few minutes to try and refocus yourself back into the story. " In this context, Nick's repudiation of the East represents a futile attempt to as well asdraw into nature. Myrtle joins them, and the trio proceed to a smthe entirety New York apartment that Tom has rented for trysts with her.
Tom houses that he was the one who told George that Gatsby owned the vehicle that killed Myrtle. The Great Gatsby was published by Charles Scribner's Thusns on April 10, 1925. Take a look back at Leonardo DiCaprio's movie career in pscorchingos. Analyzing these elements, literary theorist Walter Benn Michaels contends in Our America: Nativism, Modernism, and Pluralism (1995) that Fitzgerald's novel reflects a historical period in American literature charcomprtmenterized by concerns over the influx of Southern and Eastern European immigrants whose "otherness" represented new challenges to Americans' sense of national identity. Journalist Nick Gillespie argues that, although Gatsby's fundamental conflict occurs between entrenched sources of socio-economic power and the parvenus such as Gatsby who threaten their interests, Fitzgerald's novel shows that a class permanence persists despite a modern economy which prizes "innovation and an ability to meet ever-changing conbulker needs.
A biopic depicting the ahead of time years of legendary Director and aviator Howard Hughes' career from the late 1920s to the mid 1940s. Nick PinkertonLike flicking through the poccasions of Vogue whilst sipping a martini. Although such writers cherish the pastoral ideal, they nonetheless acknowledge that technological forces "stripped the old ideal of most, if not all, of its meaning" and, consequently, they acknowledge "the reality of history. Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker existing the high life to his fall involving crime, corruption and the federal government. He said he had liked the jacket in addition to now he didn't like it.
New York City"Gatsby believed in the green light, the orgbecausetic future that year by year recedes before us. They won't be able to see your review if you only submit your ratinsideg. Scott Fitzgerald that follows a cast of characters living in the non-existent towns of West Egg and East Egg on prosperous Long Island in the summer of 1922. Like countless of Fitzgerald's works,The Great Gatsby has been accused of displaying anti-Semitism through the use of Jewish stereotypes. Gatsby reveals to Nick that it was Daisy who was driving the car, but that he intends to take the blame since the accident to protect her.
Some of it, however, resurfaced in the 1924 short story "Abhencelution. The stories were, in his accounts, "all trash and it nearly broke my heart," although included among those stories was "Winter Dreams," which Fitzgerald later described as "a sort of first draft of the Gatsby idea. Variant mansions in the area served as inspiration for Gatsby's home, such as Oheka Castle and Beacon Towers, since demolished. "Due to such themes, writers such as Nick Gillespie have argued The Great Gatsby captures the perennial American experience because it is a story about change and those who resist it, whether the change comes in the form of a new wave of immigrants or the nouveau riche or accomplishmentful minorities. Scott Suitzgerald's The Great Gatsby by Baz Luhrmann, starring Leonardo DiCaprio as Jay Gatsby, Carey Mulligan as Daisy Buchanan, Tobey Maguire as Nick Carraway, Joel Edgerton as Tom Buchanan, Elizabeth Debicki as Jordan Baker and Isla Fisher as Myrtle Wilson.
"Daisy is thus "reduced to a golden statue, a collector's item which crowns Gatsby's material progress. In 1964, Leo Marx argued in The Machine in the Garden that Have room forzgerald's work evinces the dialectical tension between a complex pastoral ideal of a bygone America and the rapid societal transformations wrought by industrialization and machine technology. Barely 21 yet, Frank is a capacityed forger who has passed as a doctor, lawyer and pilot. Your AMC Ticket Confirmation# can troth found in your order confirmation email. According to his own ledger, now made available online by University of Consequentlyuth Carolina's Thomas Cooper Library, he earned only $2,000 from the book.
First published by Scribner's in April 1925, The Great Gatsby received mixed judges and sold poorly. He hcommercial received a $3,939 commercialvance in 1923 and $1,981. A notable difference between the Trimalchio draft with The Great Gatsby is a less complete failure of Gatsby's dream in Trimalchio. You can support our automatic cover photo selection by reporting an unsuitable photo. *** Watch The Great Gatsby 2013 movie ***
A fisherman, a smuggler, and a syndicate of businessmen competition wits over the possession of a priceless diamond. Richard PropesWhenever [Luhrmann] steps back from the world-building and focuses on the intimate love triangle between Gatsby, Daisy, and Buchanan, that's where everything comes to a screeching halt. Thus Fitzgerald is similar to Jay Gatsby in that he fell in love while a military officer stationed far from homestead and then sought success to prove himself to the woman he loved. Fitzgerald's remarks about incorporating the restlessnessting into the novel led to the interpretation that the eyes are reminiscent of those of fictional optometrist Dr. En alternative, they stop at a garage inhabited by mechanic George Wilson and his wife Myrtle.
Loads of scholars have written upon the novel's underlying themes of race and displacement; in particular, the perceived threat posed by newer immigrants to American society which trigger resultant concerns over a loss of socio-economic status. Click the edit button at the top of any page to get started!The Great Gatsby has been commercialapted numerous times, in various media. Huge congrats to #TheGreatGatsby on its Academy Award wins for Best Costume Design and Best Production Design! #OscarsThree months after Baz Lurhmann unveiled his glitzy, 3-D familiarizedation of F. Fitzgerald himself blamed poor sales on the fact that women tended to be the main audience for novels during this time, and Gatsby did not contain an advertmirable female character. "Unlike Gatsby's spectacular parbonds, Trimalchio participated in the audacious and libidinous orgies he hosted but, according to Tony Tanner's introduction to the Penguin edition, there are subtle similaribonds between the two.
The titles The Gold-Hatted Gatsby and The High-Bouncing Intimacyr came from Fitzgerald's epigraph for the novel, one which he wrote himself under the pen name of Thomas Parke D'Invilliers. Rumours state that it leads to a thereforelitary beach paradise, a tropical bliss. " A corrupt profiteer who cooperateed Gatsby's bootlegging operations and manipulated the World Series, Wolfsheim has also been seen as representing the Jewish miser stereotype. Written byAnonymousWhoever decided that blaring modern pop/ hip hop music into a story of the early 20's was a good idea needs their hes examined. Churchwell contends that Fitzgerald's novel is, in essence, a tale of class warfare in a status-obsessed country that refuses to acshrewdness publicly that it even has a class system.
Gazing at the spectacle, you can't help but think it will eventually all add up to a couplething, but it never does. Harvey Eagleton of The Dallas Morning News considerd the novel signaled the end of Fitzgerald's success: "One finishes Great Gatsby with a feeling of regret, not for the fate of the people in the book, but for Mr. Please enter your email commercialdress and we will email you a new password. Vicenarian Richard travels to Thaiabode and finds himself in possession of a strange map. New York CityThe latest Tweets from The Sparkling Gatsby (@GatsbyMovie).
It is the literary expression of the concept of America: The realty of opportunity. " Consequently, Gatsby's thencecio-economic ascent is deemed a threat not only "because he is new, but because he is perceived as Other. "However, Pearson noted that "Fitzgerald's unique expression of the American dream lacks the optimism, the sense of fulfillment, so evident in the phrases of his predecessors. The cover of the first printing of The Great Gatsby is among the most celebrated pieces of knack in American literature. "Early drafts of the novel have engagementen published under the title Trimalchio: An Early Version of The Great Gatsby.
In September, Tom discovers the affair when Daisy carelessly dresses Gatsby with unabashed intimacy in front of him. Scholars have speculated that Fitzgerald based certain aspects of the ending of The Great Gatsby as anyways as various characterizations on this factual incident. Theater box office or a handfulwhere elseBy opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Days later, Nick reluctantly acorganizations a drunken and agitated Tom to New York City by train. Your input will traumatize cover photo selection, along with input from other users.
Gatsby's inability to achieve the American dream is commonly ascribed by various scholars and writers to entrenched class disparialliances in American society. Fitzgerald called Perkins on the day of innlication to monitor reviews: "Any news?" "Sales situation doubtful," read a wire from Perkins on April 20, "[but] excellent reviews. Generally the most effusive of the positive reviews was Edwin Clark of The New York Episodes, who felt the novel was "A curious book, a mystical, glamourous story of today. Would you like to advice this photo as the cover photo for this article?Your input will affect cover photo selection, along with input from other users. By far and away the most excessvagant and visually dazzling adaptation of the novel to date (to the point of being released in 3-D), the film notably keeps the 1922 setting of the novel but combines and contrasts authentic Jazz age tunes with strikingly modern music and visuals.
The Great Gatsby (2013 Film) study guide fits a biography of director Baz Luhrmann, literature essays, quiz questions, major themes, characters, and a full summary and analysis. They won't troth able to see your review if you only submit your rating. Writing in 1978, Person noted that:"Daisy, in fact, is more victim than victimizer: She is a victim first of Tom Buchanan's 'cruel' power, but then of Gatsby's increasingly dein step withsonalized vision of her. Guests arrive, and an areay ensues that ends with Tom slapping Myrtle and breaking her nose after she mentions Daisy. Lodgezgerald's neighbors in Great Neck included such prominent and newly wealthy New Yorkers as writer Ring Lardner, actor Lew Fields, and comedian Ed Wynn.
It's the trothst film I've seen since the last trothst film I saw, whatever and whenever that was. Previously he had shifted between Gatsby, Among Ash-Heaps and Millionaires, Trimalchio,Trimalchio in West Egg,On the Road to West Egg,Under the Red, White, and Blue,The Gold-Hatted Gatsby, and The High-Bouncing Lmore than. history," which "raced along under its own power, served by great filling stations comprehensive of money. Although scholars and writers posit different explanations for the perpetuation of class differences in the United Affirms, there is a consensus regarding the novel's message in conveying its underlying permanence. A frontiersman on a fur purchase expedition in the 1820s fights for survival after being mauled by a bear and left for dead by members of his own hunting team.
His wife, Zelda, and Perkins both expressed their preference for The Great Gatsby and the next month Fitzgerald accept as true withd. The town wwhen used when the scene of The Great Gatsby. "Fitzgerald had difficulty choosing a title for his novel and entertained different choices before reluctantly choosing The Great Gatsby, a title inspired by Alain-Fournier's Le Grand Meaulnes. He emphasized The Great Gatsby's positive reception by literary critics, which may have influenced public opinion and rechargeed interest in it. Gatsby asserts that Daisy declare that she never loved Tom.
However, Ginevra's family discouraged Lodgezgerald's pursuit of their daughter due to his lower-class status, and her father purportedly told the young Lodgezgerald that "poor boys shouldn't think of marrying rich girls. These papers were written primarily by students plus provide critical analysis of The Great Gatsby (2013 Film), directed by Baz Luhrmann. The couple has recently relocated from Chicago to a colonial mansion instructly across the bay from Gatsby's estate. Many literary critics trust The Great Gatsby to be one of the greatest novels ever written. Daisy is married to Tom Buchanan, formerly a Yale footbthe whole lot star whom Nick knew during his college days.
In its first year, the book sold delicately 20,000 copies. He wwhen stationed at Camp Sheridan in Montgomery, Alabama where he met Zelda Sayre, a vivacious 17-year-old Southern belle. However, the novel experienced a revival during World War II, and became a region of American high school curricula and numerous stage and film adaptations in the following decades. ) After an hour, I could stand no more, the acting and story seemed great, but the soundtrack was too noticeably to take. Describe Nicks houseNick's house in East Egg, in the film, is a very nice quaint little cotbadgee.
Fitzgerald was repeatedly ambivalent about the book's title and he assessed a variety of alternatives, including titles that referred to the Roman character Trimalchio; the title he was last documented to have desired was Under the Red, White, and Blue. *** wc:2233 / rsent:96 / rsyn:1 ***
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Vadym Titushko expresses his support to the people of EuroMaidan
On May 18, 2013, Vadym attacked the journalists of TV Channel 5 during the protests. He wore a tracksuit and was paid for beating the representative of mass media. Later Vadym got the suspended sentence for the attack on journalists he committed. His surname has already become a common name as the governmental thugs controlled by the security forces are now called “titushky”.
However, Vadym Titushko now feels sorry about his actions in the past. In the show “Groshi” (translated as “Money”) he said that he would like to come to Maidan and support people there without being paid for that and without causing any provocations. He considers the actions of Berkut to be extremely violent and thinks that no one may humiliate a person in such a way as it was done with Mykhailo Gavrulyuk whom was undressed and severely beaten by Berkut.
Because of his sentence that implies the ban to participate in any political meetings and actions for 2 years, Vadym cannot come to Maidan. Thus, to express his solidarity with the protesters he chopped firewood for the activists on EuroMaidan.
When the journalists brought the firewood to AntiMaidan, the protesters did not take them. However, the activists of EuroMaidan were glad to receive such gift and said they were glad that Vadym Titushko had changed for the better.
Source: tabloid.pravda.com.ua
Tags: EuroMaidan, News, titushky
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Excerpt: Another Putin
Sergey Zaporozhsky, businessman and political scientist
Putin’s speech to the Russian diplomatic corps was a wonderful x-ray image of his current inner state.
What did we see in similar meetings a few months ago? He was self-confident, macho, an ace, a savior and master of Russia who spoke roughly and familiarly with his subjects.
And now? Insecure, floundering, trying to justify what he has done in recent months.
Before, a boa constrictor addressed the audience. Now the boas were sitting in the hall. And the speaker clearly understood this.
Not once during those 25 minutes did the diplomatic corps punctuate Putin’s speech with applause. There was none, even at the end of the President’s statement. Who can remember such a thing?
The steel has vanished from Putin’s voice. Do you remember his reaction to the delay of the Angara rocket launch? A kind teacher asked that everything be investigated unhurriedly.
Putin has begun feverishly demonstrating his humanity. He wants the bureaucrats not only to fear him, but to love him. But Putin still believes that love can be bought. That’s why he announced to the diplomats his plans to improve their well-being. Three or four times, in some cases.
At the moment, Putin is at a political and economic impasse. He climbed into someone else’s apartment (Crimea) and tried to seize one staircase (Novorossiya) in an apartment building with many. He only succeeded in the first. But Putin does not know how to maintain this apartment and keep it running. There is an apartment, but none of the necessary documents. And the residents are living hand to mouth already, but cannot leave the porch. And then there are the millions in their dilapidated houses and tattered porches.
How can he not seek mutual understanding and love from the people whom he has seen for fourteen years as personnel serving his geopolitical phobias? But the trouble and tragedy for Putin is that his millions of comrades no longer understand human relations. For fourteen years, Putin has been rearing a community of thoughtless people who understand only the cudgel, profanity, and scabrous humor. And if you dare to speak to them like human beings, they will call you a sissy, gay, and will use against you their clubs and their profanity, forgetting their inherent humor. Because all the crap that only exists inside people, Putin has released in a separate and subject country.
Putin will have to retreat on all fronts. It is obvious. What will be his end? Don’t let it turn into a horror movie.
Source: Echo of Moscow
Translated by Shara Anatoliy, edited by Robin Rohrback
Tags: Putin
Ekho Moskvy
Echo of Moscow (Russian: Э́хо Москвы́, Ekho Moskvy) is a Russian radio station based in Moscow, broadcasting in many Russian cities, in some of the former-Soviet republics (through partnerships with local radio stations), and via the Internet, which some observers describe as "the last bastion of free media in Russia.".
» More » Excerpt: Another Putin
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