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"Little Man", now on DVD, is a Wayans Brothers flop. It's the tale of a smaller than a midget criminal played by Marlon Wayans, who hides a diamond in a lady's purse after a heist. He and his partner Tracy Morgan cook up the genius plan to disguise Marlon as a baby and plant him at the lady's home. He then goes through all sorts of "Home Alone" or "Child's Play" like mayhem to get the jewel back and be treated like a baby. I was surprised by how low the humor was in this film. The jokes have been done in other places so many times, that they aren't cute or funny. I almost think the movie might have been funnier if they didn't use CGI and used the small actor who Marlon's face was pasted over. In watching the deleted scenes (minus CGI) this actor was funny in a Mini-me like way, but they chose a different route. A few cameos and Tracy Morgan make some funny scenes..Spend your rental fee $ on Borat if you want some real laughs these days.<br /><br />http://mcmusicnotes.blogspot.com | 0 |
Some people have the ability to use only 3 neurons, one for eating, one for breathing and the other one for s**ting... This is not a movie for them... <br /><br />But for those who enjoy using the brain... the whole movie is a metaphor, everything is there for a purpose, every single detail, the coffee mug, the red couch, everything... is a underestimated masterpiece... <br /><br />It is hilarious, is raw and totally realistic, that's how we actually interact.... it is a royal comedy... total causality...<br /><br />Just hang on, don't let the first scene shock you..... hang on... and enjoy the show.... | 1 |
I wish kids movies were still made this way; dark and deep. There was (get this) character development (and Charlie is the epitome of the dynamic character), plot development, superb animation, emotional involvement, and a rational, relatable, and consistent theme. If not for the handful of song-and-dance routines, you would never have thought this was a kids movie, and this is why I give it such a high rating. This movie is an excellent film, let alone for a kids' movie. Which brings me to my second point: this has got to be the darkest "kids'" movie I've seen in quite some time, this coming from a 22-year-old. I'd be shocked to see any child under the age of 8 not completely terrified throughout a great deal of the latter half and some of the first half of the movie, and it all ends with one of the saddest endings you could ever come across (ala "Jurassic Bark", for those of you who are 'Futurama' fans), and this is what makes this movie so good. Just because the movie universally evokes emotions we don't normally like to feel and assume are bad does not make the movie itself bad; in fact, it means it succeeded. Good funny movies are supposed to make us laugh; good horror movies are supposed to make us scared; good sad movies are supposed to make us sad. My point is, good movies are supposed to MOVE you, not simply entertain; this movie moved me.<br /><br />Also, this movie is incredibly violent by today's standards for a kids' movie and contains subject matter that, by today's standards, may not be suitable for some children. Parents, I'd say watch it first. I'm not usually one to say anything about this kind of thing, but I just saw this yesterday and it came as a surprise even to me. | 1 |
Somewhat funny and well-paced action thriller that has Jamie Foxx as a hapless, fast-talking hoodlum who is chosen by an overly demanding U.S. Treasury Agent (David Morse) to be released on the streets of New York to find a picky computer thief/hacker (Doug Hutchinson), who stole forty-two million dollars from the treasury and left two guards shot dead.<br /><br />"Bait" marks the sophomore feature for Antoine Fuqua ("The Replacement Killers") and he handles the task fairly well even though it doesn't top his first movie. What the two films have in common is the action sequences, which are flat-out excellent.<br /><br />Foxx is pretty good here although his character is annoying in the beginning, but throughout the film, I began to catch on. Hutchinson is marvelous as the mastermind who can be ruthless as John Malkovich and patient as the late Laurence Olivier was in "Marathon Man". Morse is okay as the agent who comes up with the ingenious plan to get whoever did it at all cost. | 1 |
Very low-budget police procedural film about homicide detectives trying to solve the murder of a woman whose body turns up in a stolen car in Central Park, and their only clue is a tattoo on her arm. Although released by RKO, this has the look of an independent production that was picked up by the studio for distribution. The cast and crew, with a few exceptions--among them a young and uncredited Jack Lord, director Edward Montagne and cameraman William Steiner--are comprised of complete unknowns, and it shows. The performances are universally sub-par and wouldn't pass muster in a high school training film, the direction is stodgy and choppy and, as mentioned previously, there's no chemistry whatsoever between the lead actors. However, despite the film's many shortcomings, it does have a few good points. The location shooting in New York City, and the film's ultra-low budget, gives it a gritty authenticity much like that of the far superior "The Naked City", a shootout in a dark basement is decently handled, and some of the investigating procedures are clever. Otherwise, it's not much to write home about. It is worth a look, however, for a glimpse at the seamier sections of New York City in the early 1950s, and old-car buffs will be ecstatic to see the legions of '30s and '40s cars in the streets.<br /><br />. | 0 |
Time spent watching this film was time wasted. I do not dislike science fiction. I do not reject any genre per se, since good work can be done in any genre. This film, however is not good work. I cannot fault the visuals (when not involving alien makeups), and the special effects are impressive. The story was not out-and-out BAD, for a trekkish comic book. But the fx visuals were obviously where all the makers' interest/attention/money went. The direction alternated between sluggish and confusing (one was not at all sure exactly who was doing what and with what and to whom at at least one crucial juncture). The "acting" was mostly very bad indeed. There was no basis to most of the line readings besides a hint of "It was that way on the page and the director told me I was supposed to be mad/sad/scared/whatever. Okay, so it was a SF series pilot. Since when is that an excuse for correctable shoddiness in areas when should be regarded as essential to a dramatic medium. I'm astonished the pilot sold the series. Or is the money also in the hands of technerds? | 0 |
If you ever see a stand up comedy movie this is the one. You will laugh nonstop if you have any sense of humor at all. This is a once in a lifetime performance from a once in a lifetime performer. This is a stand up standard. | 1 |
I love this movie. It's wacky, funny, violent, surreal, played out in a madman's head, and definitely not your usual comedy. <br /><br />If you don't find the film amusing then I guess it's just not for your tastes, so this is a tough one to write a review for.<br /><br />For reference, some other comedies I love are The Big Lebowski, The Princess Bride, and Zoolander (that one only got me the second time around). There are others, but my taste is definitely for the unusual, and I am willing to accept that most people just don't tend to like that kind of thing. I make no apologies for having an unusual sense of humour - at least I have one.<br /><br />The scenes and characters of this particular movie are well put together, the verbal humour is hilarious, the situations are intriguing, the acting is very good (as you would expect of the cast), though the acting demands made of the cast by the script are not particularly high. The overall package makes for fun, funny, watchable yet violent entertainment. | 1 |
I love this movie and all aspects of it, well directed as a comedy and as a drama. The acting is tremendous, performed by an all-star cast who play the high society New York perfectly. The scenery is incredible, totally breathtaking. I also love the story: a successful NYC architect who is going through a midlife crisis leaves his cheating wife and runs off to a Greek island to hide out with his daughter who chooses to go with him.<br /><br />I just cannot express my love affair enough regarding this movie. "Show me the magic". | 1 |
This movie is at times a wild 80s college sex comedy, others a sweet romantic one... Then it has moments of serious drama and then sprinkles in dashes of science fiction... It is so uneven its almost ridiculous.<br /><br />But I would hardly rank it as one of the worst films I've ever seen except of course for the fact that they casted Peter O'Toole.<br /><br />There is absolutely nothing for him to work with here. Poor dialog, poor performances to work off of, poor everything... And yet he's fantastic... There is not one good thing about his part and yet he makes it work if only on pure charm alone.<br /><br />The fact that he was so able to achieve so much with so little shines a spotlight on how greatly everyone else in this film failed, making it seem even worse than I suppose it actually is...<br /><br />If any other actor was in O'Toole's role, I would have forgotten this movie as crap and never thought of it again, but a fine performance by Peter O'Toole despite all odds ensures that I'll remember this film for a long time to come... If only as a film that, maybe, could have been good if anyone involved in it was nearly half as good as Peter O'Toole. | 0 |
This movie is based on the art of Frank Frazetta, the mythical fantasy illustrator. Some of the characters are straight out of his paintings (the Death Dealer being the best example). Surprisingly, the animation manages to keep the feeling of the original art. Bakshi is well known for his heavy use of rotoscope (the technique of tracing a live action sequence) and this film is no exception. However, since the subject of the movie is quite realistic (all characters are humans), this works pretty well.<br /><br />But what I really like here is the plot: for once we have a story with interesting characters and nice action sequences, a really hideous villain and a gorgeous babe. This movie has the feeling of the best Conan comics, not surprisingly since Roy Thomas is the writer of the Marvel series of our favourite Cimmerian! This is a far cry from the crappy live action Conan, not to speak of all the B-movie of the genre.<br /><br />Definitely recommended! | 1 |
Stephen King movies are a funny thing with me. I either really love them or I loathe them. Some of the fancier productions (such as Desperation and Storm of the Century) I didn't enjoy. Some of the smaller ones, I really loved. Sleepwalkers is one that I really do enjoy and watch it regularly.<br /><br />The story revolves around Charles Brady and his mother Mary. They are Sleepwalkers, shape shifting creatures who although human like in appearance shift into a feline like creature. They are immune to the scratch of cats and whenever they move to a new town, lay out traps to catch and kill the animals. When they move to their latest town, they need to seek out a virgin and when Charles finds one, he actually falls for her,but his mother needs to feed from her to keep up her strength. The story revolves around what will happen with the girl. Will Charles spare her or use her to save his mother.<br /><br />Although this story has overtones of incest which some may find unappealing it does actually play a part in the story and is therefore not just plonked in the movie for scandal's sake. Like most Stephen King stories it's based in a small town with lots of interesting characters. The acting isn't the best, nor are the special effects, however, somehow, the whole thing tends to 'gel' and is very watchable and enjoyable adaption.<br /><br />For UK readers: This production has most recently been shown on BBC1, Sci-Fi and Sky Thriller/Horror channels. | 1 |
Plot: an amorous couple decide to engage in some extra-marital hijinks in a flashy car. They then become stuck (literally) in a Compromising Position, while said car wanders aimlessly about the countryside until the hapless couple are rescued by the authorities.<br /><br />That's it. That's the entire movie. There may have been some dialogue here and there, but nothing comes to mind. It should be obvious by now that this movie is not just pointless, but actually physically painful to watch. The fact that it starred two of the UKs best up-and-coming actors (one of whom is now sadly deceased) only adds to the horror.<br /><br />Ian Charleson was outstanding in the very much deserved Oscar-winning 'Chariots of Fire'. Let's remember him for that role, and try hard to pretend that this particular celluloidal abomination never happened. | 0 |
The performance of every actor and actress (in the film) are excellently NATURAL which is what movie acting should be; and the directing skill is so brilliantly handled on every details that I am never tired of seeing it over and over again. However, I am rather surprised to see that this film is not included in some of the actors' and director, Attenborough's credits that puzzles me: aren't they proud of making a claim that they have made such excellent, long lasting film for the audience? I am hoping I would get some answers to my puzzles from some one (possibly one of the "knowledgeable" personnel (insider) of the film. | 1 |
Is this a bad movie? Don't take my word for it. Consider the following press reports of people who tried to watch this movie: <br /><br />· While he was watching this movie, the brain of Mr. Harold Faber of Sandusky, Ohio, forcibly ejected itself from his skull at over 200 kph and preceded to squirm across the floor shrieking NOOOO NOOO NOOOO.<br /><br />· Mrs. Louise Robbins of Enid, Oklahoma, a 69-year-old retired homemaker, committed ritual seppuko with a butter knife while watching this movie.<br /><br />· Ms. Janine Hosmer of Columbia, South Carolina, gave birth to a severely deformed baby while watching this movie, although she had not been pregnant.<br /><br />· While watching this movie together, Mr. and Mrs. Lawrence Wells of San Franciso, California, spontaneously exploded with such force that Mr. Wells's left tibia was later found embedded in the wall of a house in Marin County.<br /><br />There have been many similar incidents.<br /><br />Of those who did not suffers more serious effects such as those detailed above, at least 75% became incurably, violently, and understandably insane after viewing this movie. Of the remaining 25%, most had already been insane before viewing the movie; the remainder were either blind and/or and deaf or in a persistent vegetative state.<br /><br />I'm not saying don't rent it, if you want to. I'm just reporting what was in the papers. | 0 |
Almost from the word go this film is poor and lacking conviction but then again most people would struggle to show commitment to a script as uninspiring as this. The dialogue really does not flow and sometimes as in this case more is less (or should have been). This is also backed-up by odd scenes (e.g. the Cemetry slow-motion walk) that you think might lead somewhere but only seem to waste a few more seconds of your life.<br /><br />The plot is a strange combination of gangster / situation comedy which I am sure seemed a good idea at the time but if ever there was a case for someone needing to be honest with the scriptwriter then here was it.<br /><br />Martin Freeman is okay but then he seems to have one character which always plays so I am beginning to wonder if he was given a script or just filmed and told to react as normal.<br /><br />Finally - humour. This reminds me of the 'Python (I think) quote about Shakespere, of his 'comedies' - If he had meant it to be humorous he would have put a joke in it. Well I didn't see one.<br /><br />Don't waste your time - I did because I was watching it with a friend and kept hoping that it was going to get better.<br /><br />It didn't. | 0 |
Seeing this film for the first time twenty years after its release I don't quite get it. Why has this been such a huge hit in 1986? Its amateurishness drips from every scene. The jokes are lame and predictable. The sex scenes are exploitative and over the top (that is not to say that Miss Rudnik does not have nice boobs!). The singing is "schrecklich". The only genuinely funny scene is the big shoot out when the gangsters die break dancing, a trait that dates the movie firmly to the mid-eighties. It's really quite puzzling to me how incapable I am to grasp what evoked the enthusiasm of the cheering audiences in 1986 (and apparently still today, reading my fellow IMDBers comments). | 0 |
Hillary Swank is an unattractive piece of work in this unattractive piece of work of a film. Pat Morita, desperate for work, any kind of work, agreed to reprise his role as the "Karate teacher" and bring his brand of Karate to the silver screen once again, except this time, Hillary "skank" Swank is the student.<br /><br />I can just see the Hollywood writers getting excited about the idea of having a "tormented, spoiled brat" female take the role from Ralph. The film does not work on any level and it's boring on every level. There's nothing interesting here and not even a lesson for anyone to hold on to. The film was made without any thought of making money because it's just so bad.<br /><br />I would gladly spit on all the actors in this film for having been involved with it and have the writers black-listed for their miserable and insulting efforts. | 0 |
I thought this was a splendid showcase for Mandy's bodacious bod. If you don't expect anything else, such as clever plot twists and believable character development, you won't be disappointed. Consider this a Sports Illustrated shoot whose character goes around killing people, especially those who threaten to come between her and her 'Mommy' (Suzanna Arquette, who obviously doesn't want to play the sex kitten - she leaves that up to her daughter).<br /><br />Mandy's face is a little too perfect, but her body is a complete 5-alarm fire, up there in the ranks of Sophia Loren when it comes to natural bustiness, a perfect 7-to-10 ratio of waist to hips, and splendidly configured legs, right down to her feet. (There has to be some ideal configuration of thighs to knees to calves to ankles that is altogether pleasing to the eye; Mandy certainly is the model for this idealized ratio).<br /><br />And no flat butt to boot, which seems to be the undoing of many a busty babe with curves everywhere except in the 'nether hemispheres'. Mandy might have used a body double in the rear shot of her losing her towel as she descended into the candle-lit hot tub with her blindfolded German-Guy Victim No. 2, but from all I could see from her bikini shots, she had the butt for it and didn't need a double to prove it.<br /><br />Mandy's acting abilities had little to do with her impression of a psychotic 'Mommy's Girl', with the obvious erotic lesbian overtones. Her bisexual nature (allowing herself to be boinked in the hot tub after a long flirtation with German Guy No. 2, who also happened to be her mother's lover) added an additional dimension to an otherwise one-dimensional caricature of adolescent female horniness conflicted with pathological murderous impulses (always by water with the men - the ultimate fate of the Latina housekeeper was edited out in the televised version for some obscure reason).<br /><br />Mandy's Uber-Nordic facial features coupled with her Uber-Voluptuous body could either be a blessing or a curse. If Mandy really wants to further her career as an actress, I'd advise her to immerse herself fully in the Romance Languages, especially Italian and Spanish - and maybe French, although I don't know if they would go for her type. But this would enable her to reconcile her Bo Derek face with her Vida Guerra body - but maybe her face is just a little too Nordic, and she has shown off too much of her extraordinary body in a cheesy movie to enable her to advance to any more fame that was enjoyed by Michelle Johnson of the 1980's whose early fame in Blame it on Rio was followed by a series of skin flicks that failed to make it off the ground.<br /><br />Vambo Drule. | 1 |
This forth film in the "Angel Guts" saga, which at only a few minutes above an hour (it just feels much longer) , is also the shortest, which is perhaps just as well as it's also the most uninvolving of the series.Nami, a department store clerk, is interested in another part time job. Her fellow worker at the department store introduces her to modeling for a porn mag called 'red porno'. But when her other employers found out about her naughty pictures they decide to fire her. And she gets some unwanted admirer. Oh yea and she likes to masturbate ..ALOT. Using various household items. The wall to wall sexcapades masks a lack of discernible plot and pushes this one far too much into exploitation territory, not unsurprising though given that the Director of this one is Toshiharu Ikeda ("Evil Dead Trap", "Beautiful Prey"). Perhaps his sensibilities just weren't suited for an Angel Guts film.<br /><br />My Grade: D <br /><br />DVD Extras: Commentary by Jasper Sharp; Bio/Filmographies; a 36 minute interview with Toshiharu Ikeda; Original Sleeve art; and Trailers for this and 4 other Angel Guts Films (High School Co Ed, Red Classroom, Red Vertigo, & Red Porno) all available in Artsmagik's Box-set, but for some reason the 6th film "Angel Guts: Red Flash" is not in the set | 0 |
This is a comedy/romance movie directed by Andy Tennant, starring Will Smith, Eva Mendes and Kevin James.<br /><br />It is about a professional dating doctor -Will Smith - known as 'Hitch' who helps men to land dates with the women they are interested in. He is currently helping a shapely, clumsy Albert who is obsessed with a very powerful, famous and rich woman called Allegra. At the same time, Hitch has become interested in a gossip columnist, Sara, - Eva Mendes - who has been assigned to write about Allegra. When the best girlfriend of Sara has a love disillusion with a man that Sara thinks that is a client of Hitch, she plots a revenge against Hitch and the misunderstanding leads the two couples to a conflictive situation This film is not one that men should see as it has a lot of male-bashing and both subtle and blatant male-hating. There are also double standards that you would have to be blind not to spot. Hitch and Sara are both very guarded around the opposite sex, Hitch still likes women despite his burns from them in the past and is teaching men to make them happy. But of course Sara, is a sexist bigot who makes frequent sexist comments along the lines of "men want to have sex with anything that walks." Shes self-obsessed and knows she looks like a goddess and knows there are no 'real men' out there. What annoyed me most of all was the 'bad' guy who wanted a quick fumble with Sara's best friend who is the classic example of a defenceless 'victim' and even after being turned down physically by Hitch, receives as blow to the pills from Sara, after which she says "Now I'm satisfied." Add to that the "women are still oppressed" vibes you get from Allegra not being allowed to spend her own money after asking permission from a table of men. In spite of all the rubbish assumptions and generalisations - Women can always tell when you ain't being straight with them? - this movie does have the correct point that in America, love simply doesn't exist. There are some funny parts in this film, such as Albert and his dancing habits but this film overall, only beats the dreadful film Honey by a marginal amount. | 0 |
A few weeks ago, I read the classic George Orwell novel, 1984. I was fascinated with it and thought it was one of the best books I've read recently. So when I rented the DVD, I was intrigued to see how this adaptation measured up. Unfortunately, the movie didn't even come close to creating the ambiance or developing the characters that Orwell so masterfully did in his book. The director seems to think that everyone watching the movie has read the book, because he makes no attempt to demonstrate WHY the characters act and feel the way they do. John Hurt, the main actor, is droll the entire way through, and hardly does any acting until the end. We never really find out what he does for a living, or why his love affair is forbidden, or what the political climate is and why the main character desires rebellion. This book cannot be done justice in movie form without proper narration and explanation of the political system oppressing the characters, and the fact that those are missing is the greatest shortcoming of this film. Besides that, John Hurt was a terrible casting choice, looking about 15 years older than the 39 year old Winston he was supposed to be portraying. On a more positive note, however, the rest of the cast was well chosen. It's just too bad they were put in such a horribly adapted film with the wrong lead actor. -Brian O. | 0 |
If you have seen Friends, the writing will feel very familiar. Especially the last 3 or 4 seasons of Friends often share the same comedy setups.<br /><br />The show is about a group of people whose connection is that they shared the same class when they were still rather young (about 10 years old I think). Now, they're in their mid-twenties, and they meet again on a class reunion. This is where the series starts.<br /><br />A typical episode deals with multiple story lines at once. They're usually not connected in any way. Each story line is cut up into multiple sections, which are then shown in a mixed order.<br /><br />The sketches is where my problems lie with this series. As in the later seasons of Friends, it's often a rather silly setting with hard to believe situations. One of the main characters does something really stupid that's hard to believe. The situation is then heavily exaggerated, as if it wasn't silly enough. If you're into this kind of in-your-face humor, then maybe you'll like this series. For me it is a great turn-off.<br /><br />The reason I started watching Friends is because of the first few seasons. There are interesting and especially credible story lines, with some romance in it that makes you root for the characters. The Class has none of this. The characters are simply too forced and stereotypes are pushed too far. It's therefore not possible to relate to them and like them.<br /><br />At least with friends, it took several seasons before it ran out of steam and the character traits were all milked out. But in The Class, it seems it has run out of steam before it even started. | 0 |
Chan-wook Park, you have to hand it to the guy. In my eyes, he's not only a brilliant director but a brilliant director who can turn his hand to any genre and often provides something refreshing yet still ultimately satisfying.<br /><br />Thirst is, essentially, a vampire tale but one that plays fast and loose with some of the "rules" of the subgenre. Kang-ho Song plays Father Sang-hyeon, a man who unselfishly gives himself over to a research program and then unselfishly kind of catches the disease they are trying to cure, dies and comes back. All thanks to the blood he was transfused with. Being the only one out of five hundred to survive, he becomes quite the celebrity to those who know him and all he wants is to get back to normal. Normal, however, now involves being able to leap great distances without injury, wanting to drink blood and getting severely hot under the collar when rays of sun get on his skin. It's not long before he's living with a rather dysfunctional family unit who knew him in his childhood and while he hides his new, strange lifestyle he finds himself drawn into a complex love triangle, becoming more acceptable of darker thoughts and sliding down a slippery slope that could lead him from man to beast to monster.<br /><br />Deftly blending a number of genres, Park's movie felt much fresher and more original to me than Let The Right One In (to use a recent example) and genuinely impressed me with it's approach to material that could easily have felt as well-worn and rehashed as any number of other vampire movies we've seen over the years. It's a mixture of horror, melodrama and comedy while also pondering ideas such as strength of faith, the power over life and death, the downside of immortality, etc, etc.<br /><br />Some people have complained that this genre-blending approach weakens the movie but I personally found that it was a lively, entertaining and always enjoyable movie helped by a great central performance from Song as the tortured priest and fantastic turns from a supporting cast with no weak links. Many characters get to move through a range of emotions and all do so with skill and believability, especially the young woman (played by OK-vin Kim) who becomes the object of the priest's love, lust and affection.<br /><br />Fans of Asian cinema (and Park in particular) and also fans of Poe's "The Tell-tale Heart" (watch and learn) should lap this up, it's yet another classy movie from a man who seems to take everything in his stride and always manages to put out nothing less than solid entertainment.<br /><br />See this if you like: Cronos, Near Dark, Dellamorte Dellamore AKA Cemetery Man. | 1 |
...and normally i don't like surprises!! Watch this movie by chance in a motel in South Africa second week of a three month motorbiking holiday in ZA. Apart from being well shot and acted it helped me in understanding the countries problems tremendously. Just watched the " Million Dollar Baby" and had to look up Hillary Swank since the name sounded somewhat familiar and her acting was superb. Didn't realise she was the solicitor in the "Red Dust". Well now i'm not to worried that she will disappear as so many other sidekicks of Clint before... Now i am being asked to write ten whole lines of comment which is rather ridiculous for i have written what i wanted to write. OK, here it goes: I think if you are from a western country, especially Europe, watching will help you to understand a little better why what is happening is happening down there! So this hopefully will fill ten lines. | 1 |
One way or the other, you can't get away from the basic message. The strong survive. Those who are psychically or emotionally sensitive, leave. They leave a hole behind in the lives of those who love them. A hole that is seen in it's finality as selfish. That's what Phoebe realizes in the end. Just prior to helping Wolf heal from his self-blame. She can accept closure to the missing ...of her sister. Beautiful European scenery. A lot of truth in it about idealism and addiction to the next big moment. For a moment, I thought of the Baader-Meinhoff gang who was around in the early 70s. I liked this movie as it reflected a time when I came of age myself. | 1 |
Don't let the title trick you into watching this movie. I read the title, saw that it came on in the middle of the night, and figured it was one of those soft porn movies. This movie is bad. If you like soft porn movies, then I'm sorry to say this isn't one. There are a lot of sex but nothing shown and they only last for 5 seconds or so. | 0 |
The "math" aspect to this is merely a gimmick to try to set this TV show apart from the millions of other cop shows. The only redeeming aspect to this show is Rob Morrow, although his career must have been (undeservedly) waning after Northern Exposure if he signed up for this schlock.<br /><br />The lame-ness of the "math" aspect to the show is encapsulated in one episode co-starring Lou Diamond Phillips (which just confirms that this show is the last refuge of the damned.) In order to catch a fugitive, the "mathematician" uses some theory about "bubbles". So, he gives this long explanation that, if we have seen the suspect in places A, B and C, then we can use "bubble theory" to calculate where he might be. He does this all on a chalkboard, or maybe with a stick in the dirt (I cant remember).<br /><br />Anyway, when you look at the finished product, he basically took three spots, and picked a point right in the middle and said "Ok, mathematically, here's where we are most likely to find the fugitive." At which point, one other character points out "Oh, that point also happens to be the cabin where the guy used to live." Is that math? Its not even connect-the-f**k**g-dots!!! This show reminds me of the math major I used to work with in banking who had a mathematical analysis he could do to "support" points that every one else had already agreed on through either less-complex analysis or basic common sense.<br /><br />It just goes to show -- When you're a hammer, everything looks like a nail. I can't wait til they stick the NUMB3RS team on OSAMA... They'll use calculus, call an airstrike in the middle of the mountains, and hit Osama and not even scratch the five children he uses as human shields... cuz hey... its all about the numbers.<br /><br />Totally ludicrous TV show. | 0 |
Having read the comments on the site I feel compelled to write in for the first time. It seems this movie is like Marmite and has split the audience. I have to say that while I agree films don't have to make sense to be enjoyable (see MULHOLLAND DRIVE) they still have to engage you with the characters. Now while I was totally absorbed by the murderous lesbian affair in Lynch's opus, I have to say I couldn't give a turd about Mr Green or the other cardboard gangsters that inhabited this dayglo world. <br /><br />Also, while so many people seem to try and say you didn't enjoy because you didn't get it I would have to disagree - I didn't enjoy because I was bored. I wanted the film to end and constantly listening to those quotes over and over again did not help. Call it clever if you will - I think it's repetitious.<br /><br />However, my main reason for writing is to ask all the other reviewers a question - there were no end credits on the print of the film I saw. Just music over black. Did I watch a dud print or is this evidence of GR's pretentiousness? Or, did everyone involved in the movie watch the rough cut and have their name removed??? | 0 |
A classic cartoon, always enjoyable and funny. It has an interesting plot complete with lovable characters. Road Rovers is a show worth seeing, it is a short 13 episodes, and if you can ever manage a chance to see it, you should. Unfortunately, it is very hard to find. I think Warner Brothers Studios should release a DVD that contains all 13 episodes. I would definitely buy it if they did, and if they do, you should buy it too. if you have kids who like dogs, they will love road rovers! Road Rovers should have gotten more attention while it was being aired, it was definitely an original and very special show that should have been appreciated much more than it was. | 1 |
This movie brilliantly captures the atmosphere of a D&D group. While watching, I could not help but notice how vividly characters reminded me of myself and my gaming friends to the point where they acted literally the same as we do. Including the bickering, the fighting, the internal jokes, driving the DM crazy. EVERYTHING.<br /><br />It has it all. Jokes that made me cry, action scenes which, even filmed in low-budget, I found uncannily awesome. The story is pretty straightforward and unsurprising, but that doesn't really matter, since the best part of the movie is to see the characters react and interact with each other and the NPCs.<br /><br />Seriously, if you're playing D&D or any similar RPG, I cannot stress this enough, WATCH THIS MOVIE, it captured beautifully the spirit of D&D. | 1 |
It is quite simple. Friends is a comedy of very basic humour aimed at teenagers and young adults, with unsophisticated sense of humour.<br /><br />It is also painfully obvious that towards the end, they were desperately trying to make it last 10 seasons, most likely so they could say they beat Seinfeld's 9 season run. The trouble with this is, Seinfeld had 9 amazing seasons with great writing, Friends had (and I'm being very generous here) at most 5 or 6 OK seasons and then 4 abysmal seasons.<br /><br />It became a soap opera with recycled humour and recycled character traits that weren't that good so start with, then got worse at the 100th time you saw them. I find it so hard to understand why people rate this so highly. It is truly awful. | 0 |
First of all, I wasn't sure who this film was aimed at - it seemed like a story for kids but had stuff in it kids wouldn't understand and find boring. There wasn't really much to it, Bruce Willis wasn't stretched as an actor at all. He did a lot of glancing to the side with that half smile of his - unless you are a big fan of his I wouldn't bother. And if it's the story you're interested in (guy who seems to have it all but is lacking emotionally is taught lessons from a child), I would go to see About A Boy. It has everything this film lacked, humor, sadness and reality. | 0 |
This is a typical "perfect crime" thriller. A perfect crime is executed and the investigating police officer, ignoring all the clues, immediately knows who guilty is. The audience has to wait around the whole movie for the guilty to be caught. The result is like every single episode of "Columbo" or "murder she wrote". The director himself refers to the hackney story by showing the police officer watching an episode of Matlock! This story barely fills up 90 minutes but the director insists on using all 120 minutes filling with every cliche in the book. Skip this one, you are not missing anything. | 0 |
What a terrible movie this was! I made it about 50 minutes into it and started skipping chapters until the end. The plot is nothing special, and the dialog from the movie deviates from the main story so much that your head will explode out of rage. Many useless minutes wasted just listening to characters jabber on about something irrelevant to the plot, AND/OR something that could said in a shorter amount of time. The camera work is shaky, and grainy. It seemed Mr. Milligan needed to take his finger off of the zoom button! I noticed also that at some points during this movie it seemed that Andy was having seizures, and would uncontrollably shake the camera. The splices between scenes were jumpy and didn't flow. The murder scenes were nothing special - incredibly, and laughably fake. Barely any gore, as the title suggests. This movie runs about 1 hour 20 minutes and the murder scenes take up about 1 minute TOTAL of the whole movie - if that. What a wretched piece of garbage this movie was. Andy Milligan is in fact probably one of the worst directors to plague mankind with his talentless directing, and camera-work. Usually, I can make it through really bad horror movies, and laugh about it later. BLOODTHIRSTY BUTCHERS, however, I can't. I am just angry I wasted an hour and a half of my life watching this (what I wouldn't do to gain it back). Take my suggestion, and DO NOT see this movie unless you plan on falling asleep. TERRIBLE. | 0 |
I suppose JEDI is now chronologically to be considered the very "last" entry in the popular saga, and it's a very good one, as were several of these. I liked how directly this sequel took off after THE EMPIRE STRIKES BACK, and I appreciated the maturity of Luke Skywalker as a character(and also Mark Hamill, as an actor). After hearing so many negative things about the Ewoks, they weren't so bad. I enjoyed the thrilling chase within the woods, and I felt there was a lot of well-realized emotion with this chapter. The ending (with some new additions, I presume?) successfully weaves all 6 chapters into a wonderful tale of fantasy. I know many true Star Wars fans hated George Lucas for changes he made to the original films, but being a relative novice to these movies rather late in life and not missing what I didn't already know, I think he made these 6 movies work perfectly as a whole entity. Oh, and, err -- Carrie Fisher looked quite delicious in her skimpy outfit. | 1 |
Like a great many twilight zone episodes, one of my favorite parts of this one was the overt social commentary that Serling is making with the story. As was the case with a recent episode "The Howling Man," I was reminded of my long standing suspicion that, for example, if Jesus were to come to earth to bring his followers to Heaven, he would be immediately judged insane and probably thrown into an asylum. Our main character in this episode meets a similar problem when trying to convince the 1860s Americans that he is from the future and the President Lincoln is about to be assassinated. The episode wrongly asserts that this means that some parts of the past can be changed while others can't, but it's a fun time travelling romp nonetheless.<br /><br />Granted, we don't know for a fact whether history could be changed by time travel, because time travel has never been accomplished and, sadly, never will be. But it seems logical to me that, if you could physically place yourself in a time of the past, you could physically prevent something from happening, as long as you didn't flail around like a lunatic yelling about assassinations.<br /><br />One of the consistently interesting things about time travel films and TV shows, in my opinion, is the method by which the time travel takes place. There is really no method at all here, our main character is having a conversation about time travel at a posh gentlemen's club and then walks outside and into a dissolve from the early 1960s to the mid 1860s, but no matter. The twilight zone has thus far not struck me for its complex sets or high production values.<br /><br />Russell Johnson plays the part of Peter Corrigan, the time traveller, and upon discovering that he has been somehow transported back to the exact day of Lincoln's assassination, he manages to get himself thrown in prison, but luckily for him John Wilkes Booth, for some reason, just happened to be hanging out at the police station and overheard the frantic Corrigan desperately trying to describe the very assassination that Booth was planning for that night.<br /><br />Booth requests custody of Corrigan for some psychiatric experimentation, and the police officer sees nothing wrong with relinquishing custody to this guy. He had a business card, after all, how bad could he be?<br /><br />The show seems to suggest that you can change people's lives by slightly altering events in the past through time travel, and while I'm not willing to accept that time travel would include such limitations, it's still a fun episode that really makes you think, which is one of my favorite qualities of the good twilight zone shows... | 1 |
THE CELL fascinated me at first glance. I was a bit surprised about that fact, because the story of that movie is absolutely boring. If it had no story, the film would be better. Bunuels "Un chien andalou" comes to my mind- a film without story, but also with fascinating and sometimes disturbing images. But THE CELL is at first a Hollywood-Movie, and only second a piece of art. I'm very interested in Tarsem's next project. Hamlet on Indian could be very interesting, especially when it has the same looks as THE CELL.<br /><br />For film music enthusiasts: Howard Shore's score for THE CELL is absolutely marvelous, but a hard listening experience, because of its very modernistic style. | 1 |
Ignoring (if possible) the tediously gratuitous marijuana smoking (which seems to be mandatory in Australian government-funded films) the cast of this movie gives a reasonably credible performance. That's a far as it goes. The rest is simply awful. The plot's overburdened with "wow" symbolisms which are meant to look good on film but go nowhere. A gross example is the giant peach float, obviously left over from a town parade and donated by the local canning factory. It was just too tempting to waste what was hopefully a free, but nevertheless irrelevant, prop! The peach is given a cursory, unexplained wash-down at one stage but that's where it ends.<br /><br />Similarly, the contrived "black spot" road sign where Steph's parents were killed, is intended to symbolize the eventual escape from her past, but her escape to what? She's had a pretty good deal where she was, especially considering her visual disability and the unending, loving patience and care of her understanding young female guardian.<br /><br />The Guinness' prize for corny melodrama, however, goes to the characterization of Alan. Alan successfully aspires to the noble role of trade union shop steward but "rats" on his fellow workers by becoming a supervisor for a wicked multi-national - hiss! hiss! As a supervisor, Alan performs the boss' villainous dirty work. He implements redundancies until, surprise, surprise, the whole plant is closed and Alan himself is left as a pathetic, unemployed failure. No cliché-free zones here, mate! Not only this, but Alan also loses the seductive Steph from the most unlikely relationship you'd encounter. If you think the plot is melodramatic and didactic, don't ask about detail. What's the significance of the shaving cream on Steph's seductive leg? Why doesn't the hotel, where the couple makes love, eventually twig that someone's gaining illegal entry to one of its grandest bedrooms and, among other pandemoniums, the sheets are regularly soiled - quite spectacularly on one occasion. Summing this movie up in one word: Avoid, Avoid, Avoid. | 0 |
This blaxploitation classic about a kung fu mama who travels to Hong Kong to avenge her brother's death offers everything you learned to expect from the genre. Playmate Jeannie Bell (with a giant afro) really kicks ass and usually loses her clothes very quickly. If you don't take it all too seriously, the movie is great fun to watch. Stan Shaw gives a solid performance, Jeannie Bell is a little less convincing. Pam Grier she ain't.<br /><br />This is where Quentin Tarantino got his idea for the light switch scene in "Jackie Brown" from.<br /><br />The soundtrack by Don Julian is a gem and is frequently used in rap songs. | 1 |
I simply cannot believe the number of people comparing this favourably with the first film. It moved me to leave this comment! This is just an obvious attempt to cash-in on the success of the first film. The dialogue is appalling and nothing like as authentic or compelling as the original film.<br /><br />The storyline is ridiculous, the portrayal of the French police laughable and the characterisation of Doyle a mile away from the first film.<br /><br />How many drug bosses do you think go down to the docks in person to see a shipment come in? The ease at which Doyle finds his guy is just pathetic. Like all the French Police were just drinking coffee until Doyle turns up from America and does some REAL police work. What a joke. Try going to a foreign city and unearthing the biggest crims in the place with a travel map and some tourist pamphlets. Pathetic. <br /><br />A truly awful sequel, anyone who thinks otherwise is crazy. | 0 |
<br /><br />There is STAR TREK canon -- lots of it. From canon we know the history of the future. Advances in technology, events, places, first contacts with new beings, names, dates, etc.<br /><br />ENTERPRISE pretty much disregards much of ST canon. An unfortunate fact for long time serious fans. As one, I assumed that the producers would at least take a look at the first few episodes of TOS and retro back from there -- but no.<br /><br />The phase pistols, like much of the technology, look much more modern than found in TOS. An old style Starfleet laser gun, a slow gold speckle transporter effect -- that's what I expected to see. Also, I did not expect to hear pure beep-based sound effects similar to TNG but far apart from TOS sound effects. <br /><br />In the earliest view of TOS (the original pilot: THE CAGE), we see a Starfleet with a more formal military aspect -- a bit of old earth Navy. With ENTERPRISE, we see a shocking disregard for rank. There is more military code in the cartoon STAR BLAZERS than in ENTERPRISE.<br /><br />It is fine that Captain Archer is unsure about the needs of the Universe (quite unlike Kirk who never lacked confidence in his application of human justice), but inside ENTERPRISE everyone seems like an equal. Unprofessional, unsure, more distant from the feel of formal military service than found in any ST series -- and that says a lot!<br /><br />The casual country music opening theme song heralds the journeys of a family rather than the adventures of an important large military vessel.<br /><br />ENTERPRISE looks to show us a mostly fun, warm-fuzzy exploration of human relationships rather than take us on a historic, bold, gritty, high-rick exploration of space.<br /><br />I would have selected Adrian Paul to play the Captain and an older human to be the doctor. Still, I liked the actors for the most part. Linda Park, an outstanding ballroom dancer from Boston College, is sure to develop nicely. The characters making up the crew seem to be thoughtfully created.<br /><br />ENTERPRISE begins its run stronger than did the past three STAR TREK series. Let's hope for a good future! | 1 |
I remember this in a similar vein to the Young Ones. We'd stumble back from the pub and watch this or tape it and then spend weeks replaying the lines to each other.<br /><br />We called one of our mates "Zipmole Watkins" after the brilliant episode in which Daniel Peacock has a bit of 'restyling' on his nose by the Back Street Abortionist.<br /><br />Lots of great lines "Remember at 5:30 in the morning you can only get white bread from a brown man. Take it easy guy!" - Gandhi as a local shopkeeper.<br /><br />Tony woodcock was definitely on there in the episode they were teaching Ralph (Daniel Peacock) to be a barman "It's no good Amanda I'll never make it as a bar man" Helen Lederer teaches him to ask people about the match "See the match last night? I thought Woodcock played well" After a string of failed conversations the curly haired Arsenal star was sitting at the bar: "See the match last night?" "Yeah. I thought I played well"<br /><br />We still do odd stupid lines now - "Reg and Ralph..... or....... Ralph and Reg. Reg, Reg... Reg Reg Reg Reg"<br /><br />Lots of very surreal silly moments and very surreal songs from the Flatlets - The Back Street Abortionist a personal favourite with the great ending line - "And he'll mark your packages 'Return To Sender"<br /><br />Good old Danny Peacock - you added a lot to some young drinkers' evenings sir.<br /><br />**Update - I found a couple of episodes on tape - I'm going to upload the Gandhi sketch to Youtube ** | 1 |
Strictly a routine, by-the-numbers western (directed by genre-mainstay Andrew V. McLaglen, so is that any wonder?). Army colonel Brian Keith spars with smarmy bandit Dean Martin, who has just kidnapped the colonel's wife (Honor Blackman, who never found her niche after playing Pussy Galore in "Goldfinger"). Fist-fights, shoot-outs, stagecoach robberies and Denver Pyle in a supporting role...in other words, absolutely nothing new or original. Talking in a low monotone throughout, Keith gets to dally with a prostitute (something of a shock after his run on TV's "Family Affair"), but otherwise this low-rent material wastes Keith's amiable talents. It's also bad news for Dino, who doesn't seem to notice or care. Hack direction, poor writing and several unfunny attempts at lowball humor. * from **** | 0 |
I remember watching this film in 1981, when I was 7. It was absolutely brilliant! I found the DVD just a couple of months ago. I was nearly jumping up and down with glee!! I bought it and showed it to my kids. They loved it too. They asked what words the seahorse was singing (I didn't tell them, though, because I don't think telling the words 'gay' and 'ecstasy' to 6 year old kids is very good parenting). The songs are brilliant. I still remember them all. I'll still remember them when I'm 60! There, or near abouts. Tommy Pender is (was) such a brilliant actor. It's a pity he gave it up.<br /><br />If you find the film, BUY IT! You'll love it! | 1 |
Am I the only person who saw and remembers Amadeus. Every scene in "Copying" has its counterpart in the Milos Forman, Amadeus - from the galloping carriages accompanied by frenzied strings, to the entrance of Anna through the dark hallway preceded by the man with the key, to the very dialog of the conclusion with Anna at Beethoven's feet a la Salieri before the dying Mozart. Does no one else recall the dialog in that script: <br /><br />Salieri "Time?" , Mozart "Common time". ....."We begin with the strings..." and so it "copies".<br /><br />Remember Cynthia Nixon leaning against a door jamb, tears falling down her freckled face - same scene, just replace her with Beethoven's nephew. Even the scatological humor (fart jokes) are the same. We even have a cardinal followed around by a plate of sweet cookies which recalls Salieri in the banquet hall. Does no one else remember? !!!!<br /><br />And the scene where Anna cries to God "Why did you give me this gift?"... Salieri said the same thing!<br /><br />And beyond all that we have a juvenile script with an opening exposition that reads like the character identifications you'd find in a children's story. "I am Mr. Beethoven. I am the composer...."<br /><br />And what, after all, is the purpose of the bridge builder? Other than to juxtapose the technical against the artistic... a comparison that is not at all developed - probably because it has no meaning, especially when it comes to Beethove who was a master of the technical.<br /><br />There's only one great scene - the playing of the ninth. First, the music, which of itself takes you to tears. But then, there is the highly erotic interaction of Anna the copyist keeping time and Beethoven conducting which surpasses the most explicit sexual intimacy. So intense, it's almost embarrassing.<br /><br />But, please - the rest of the film - Where is the world's collective memory? You have seen this all before .... and better! | 0 |
This Cecil B. DeMille epic of the old West contains what may be Jean Arthur's finest performance, as a hysterical, eccentric, incurably amoral, but devotedly doting Calamity Jane. She really pulled it off! Gary Cooper is at his most taciturn, but manages some occasional pithy sayings: 'The plains are big, but trails cross ... sometimes.' The story is a pastiche to end all pastiches. All the cowboy heroes of Western lore seem to be in there somehow except for Jesse James. Even Abraham Lincoln opens the story in person (or at least, DeMille would have us believe so). There is no room for anything so evanescent as subtlety, this is a 'stomp 'em in the face' tale for the masses. A remarkable thing about this film however is that it is a very early full frontal attack on what Eisenhower was eventually to name 'the military industrial complex'. It isn't just a story about gun-runners, but about arming anyone for money, and doing so from the heart of Washington. But let's not get into politics, let's leave that to DeMille, who can be guaranteed to be superficial. The chief interest of this film all these years later is that it uses the first film score composed by George Antheil, who has a lot to say about the job in his autobiography, 'Bad Boy of Music'. Antheil seems to have originated 'the big sound' adopted by all subsequent Westerns, whereby the plains sing out with the voices and sounds of countless cowboys in the sky, celebrating the open spaces and interweaving common melodies. That is why it does not sound at all unusual, because we have heard it a thousand times. But he seems to have been the first to summon up the combined rustlings of all the sage brush into this symphony of the open skies which has entered into American mythic lore, and given it a soundtrack which has never varied since then, corny as it may be, but doubtless appropriate. It is amusing to see Anthony Quinn in an early appearance as a Cheyenne Indian. Gabby Hayes is in there somewhere, but you miss him in the crowd. Gary Cooper overtops them all, looming large, - but when did he ever loom small? | 1 |
It's nice that these three young directors have produced films with good productions values and decent acting. There's some good work here.<br /><br />Unfortunately they suffer from what afflicts much of modern gay cinema; recycled plots, too familiar devices (i have seen the "pool" setting way too many times in gay male films) and hackneyed scripts. Most egregious of all is "Dorothy" whose preposterous premise is that a cute young guy will have trouble getting laid in NYC due to a shortage of identifiable availabe gay guys in his vicinity.<br /><br />In terms of cinema these shorts play like tacky little gay afterschool specials. Not a lot of imagination in their writing or execution; basically they follow a point-and-shoot, shot/reaction shot/master shot convention which becomes painfully dull after five or so minutes. There's hope for queer cinema in the works of Todd Haynes, Sadie Benning and the late, great Marlon Riggs...but not here. These films are incredibly middlebrow, singularly whitebread and their values basically pander to a gay bourgeois sensibility. Which is probably why they play so well at gay film festivals. | 0 |
Although others have commented that this video is just an edited version of the two shows: "Fire in Space" and "Living Legend", if you watch the original shows you'll find that dialogue from this video edition was edited out. I found this video version much better because scenes and lines were added to it. I would say if you want to see the show in its original version, see the video versions on VHS. They have more to offer the fan than the original episodes being offered on DVD now. Another good video is Conquest for the Earth, which had more scenes from Galactica 1980 than did the actual broadcasts themselves. Overall, I rate this as a 10 because it gives you more to enjoy than what the networks wanted to show in the time slot they gave the producers. | 1 |
Sci-Fi channel thinks this IS Sci-Fi; it's a shame. Big Bugs, Snakes, Mythical Beasties, on and on, they persist.<br /><br />Some one at Universal had the brains to include BattleStar Galactica (the new, good one) and Firefly for a brief moment in their line up. I know they know they difference between total garbage and extremely high quality sci-fi.<br /><br />A few years back they were on about how they were going all high and mighty, making productions that were not just for us mere, lame-o Trekkies. Thanks so much, Sci-Fi! You know, you make movies so bad, even Trekkies won't watch them, so you achieved your goal! Fire Serpent, Ice Spiders, Manticore, Larva etc.and a vast unrelenting crap-storm later, and they're still churning out just faster than the latest flu virus! How they do it is beyond my ken. Why they do it, I just don't know. How they can ignore these reviews, comments, blogs and e-mails, I don't know either, but it's clear they don't think much of their audience or care about our opinions! They seem to think this is what sci-fi fans want! You would think one or two good productions with some sense would creep through when whoever green lights this junk is on vacation. At least they're employing the collection of Misfit Toys; many of the sci-fi movie of the week actors were in Science Fiction shows once and now need the cash. Love you folks, and hope you get some better work! | 0 |
For a kid's movie, this is great. As an adult and mother, I enjoyed watching the movie with my daughter. There is a lot going on in this movie. The following *might* be considered a *spoiler*... Barbie learns courage and learns not to judge others so quickly in this movie. She also learns not to give up hope and to master her anger. I loved the sense of teamwork you get from watching Barbie and her sister and friends solve the puzzle. There's nothing in the movie I found offensive or inappropriate for young viewers. In fact, I felt that the moral messages of the movie were superb and well done.<br /><br />The animation was pretty good. I really enjoy the ice-skating scenes and think that they were very well done. There's a lot of action in this film, so I suspect that most kids would enjoy it... not just the ones that are really into Barbie. My daughter actually picked it out because of the Pegasus. She loves horses. But she enjoyed the movie very much. My daughter is autistic, and was able to sit through the whole movie and enjoy it. She really liked the action scenes and any parts with horses involved.<br /><br />One thing that I was thinking about was that many people object to Barbie (and Ken) because they are so beautiful. Yet, I think that kids, just like adults like to look at beautiful people and things. It's natural. As adults, we enjoy watching beautiful movie stars too. It's wonderful though, that the Barbie character and her "boyfriend" have a lot of personality. While it's fun to watch pretty people, it grows old if there is no substance behind the pretty face.<br /><br />Overall, I'd say this is a great movie for kids and parents will enjoy it, too. :) | 1 |
i was surprised after watching this piece of crap , if you have seen an episode of TOM and JERRY in which jerry pours some liquid onto him and becomes invisible than you are likely to see the same cartoons with added EROTIC topping a man becoming invisible and doing S*i* is the conclusion of the movie. involving too much sex in a cartoon themed movie doesn't increase its worth :( , and most of all i was surprised when the same cartoon ending was used to show up the Mr.Invisible and that was really awful i must say , flour drops off the rack and our very own Mr.Invisible becomes Visible "watch ZACK and MIRI make a porno" i bet you wont get bored, <br /><br />1/10 from me | 0 |
A quick, funny coming-of-age matinée romp appealing to the underdog aldolescent in us all. It functions, in effect, as a vehicle for Justin Long who has subsequently erupted onto our screens in the fourth Die Hard via PC vs Mac ads, Dodgeball and The Break Up. He's funny, earnest and young - a big career ahead.<br /><br />A town's worth of college wannabes find a fake website Bartelby (Long) has set up to delude his judgemental parents and descend on the 'college' like it were a short notice Facebook party. Lewis Black summises the anarchic philosophy as a stand-in Dean - Long's delinquent friends provide support for the subterfuge and consequent appeal to grander traditions of education and friendship (Adam Herschman deserves special mention for his never-flagging slapstick contribution). Well executed, feelgood and instantly forgettable. 4/10 | 0 |
This is certainly one of my all time fav episodes of Trek. There is just so much going on in this one film that its crazy cool. First the guys beam down to an alien planet thats about to explode. They meet a freaky librarian type dude (very well played). Then Kirk manages to get himself transported back to what is very much like 16th century earth. McCoy and Spock try to follow but instead nearly freeze to death on the frozen version of the alien world 100,000 years in the past. Kirk manages to get himself locked up and charged with witchcraft while Spock enjoys some amok time with a sexy cavegirl who was vanquished to the this frozen, awful world by some bad guy.<br /><br />Spock decides hes happy where hes at and gives McCoy a royal assestment whuppin' when the doc suggests they need to look for a way out. Anyhow,they all finally escape, leaving the poor cavegirl behind. It takes a ton of convincing before Spock finally gives in and leaves. You can literally taste the sadness at the end. Leaving the cavegirl all alone in her frozen wasteland just seems cruel and is really touching. Spock must have been out of his vulkin' mind to leave behind his greatest hope for love and being human. Albeit, in a not so nice neighborhood!<br /><br />Anyway, you just get so much bang for your buck with this episode....A love story, the Salem witch trials, Spock as a human, the desperation of being left in total isolation...abandoned, and three entirely different settings on the alien planet. Its amazing they managed to jam all this into one fifty minute film. This one is a classic, don't miss it....I want it on DVD fer shure vulcans!!!!!! | 1 |
I believe there are two angles to the story, first, it's the world satyric view, presented in an obvious Kafkaesque manner, underlining the sordid spectacle behind some of life's most common, but also pleasant, or comfortable moments and elements, which are usually enough to keep man functioning in society. Like: a good job, a good home, a good wife, a good car, and even a good mistress. Apart from this so called common bliss, there are some, who cannot help asking themselves some more uncomfortable questions, like, where they come from, or weather they can have some other form of bliss, weather there could be a reason for them being or weather there could be something they missed out on, or, even more sinister, weather there could be something the system itself is withholding from them.<br /><br />Second, the most interesting aspect of this film, I believe, is the fact that it attacks head-on this natural compulsion to dissect the world around us, questioning it by our personal judgment, and usually condemning it because it doesn't serve us better, because it's not tailor-made to suit us as a person. <br /><br />The symbolism behind the train-accident, I believe suggests that our own will can be overpowered by fate or some other universal greater power, even in the face of our so called power to decide when we want out. Instead the man gets to be dismissed by this greater power(let's call it THE SYSTEM, because the authors clearly avoid calling it GOD, perhaps further underlining that the SYSTEM is MAN - made and therefore can be mastered by man, unlike FATE, which is a concept closer to religion) on it's own terms, not by killing him, but by showing him that there is a place for the man who asks/wants too much, suggesting maybe, that true fulfillment does not come from the outside world, but from within, and if the outside world "decides" to provide you with some comfort, you should learn to accept it, without questioning the fabric of every little aspect of it. <br /><br />Unconfortable, but makes you reevaluate some existential questions which have become mainstream in the last century, like what can man do in a world increasingly drained of substance, a consumer-driven world in which man can be interchanged without making a difference to the bigger picture, but only as long as he is of some use to the system. | 1 |
Pretty incoherent movie about a man who belonged to and left a 1960s superficially hippie religious cult, who fights them sixteen years later. The man has a child with one of the other cultists, who during a raid by the police is hidden away, and taken by another man named Hawk who lives in a small cabin by the river. The cult kills some of its followers or some of the people in town. It's hard to keep track of who characters are, or what time period the scenes are supposed to be taking place. The leader gets paroled sixteen years later (I got that from the box - I missed the amount of time in the movie). Nobody is made to look any older, not noticeably, anyway.<br /><br />One murder is done with a large circular logging saw, others are done with knives or a crossbow. I never heard the title character's name mentioned in the movie, but he's the one who overacts the most, hooting and hollering.<br /><br />The movie is patched together pretty poorly, with voice-over helping (not much) to explain what is going on. Some of the sound effects were pretty bad. A man is getting punched, and we hear the sound of a whip cracking. A woman fires a gun, and we don't hear it fire, but hear a ricochet instead! It doesn't seem to have been done for comical effect. | 0 |
After recently seeing, Cry Uncle, by the same director, I decided to seek this out and am I glad I did!? This is an extraordinarily good film. Far, far better than it would seem likely given the ingredients. How many times have we had to suffer the embarrassment of someone playing a middle class Dad mixing it with the flower children aagh! And yet here thanks to a perfect script it is made believable. Not ideal, not good or bad but believable. Peter Boyle, as the working class, hippie and ni**er hater and Dennis Patrick as the uptight suit, play their respective parts immaculately and I can't remember ever seeing the two classes getting together like this without things getting sentimental. Susan Sarandon is effective as a hippie chick but doesn't have all that much to do in her first film. This is a truly, must see film capturing as it does that very short period in western and in particular US times when the counter culture was about to bust itself wide open. | 1 |
This is a dramatic film in the whole sense of the word. It tells a tail that here in Greece we live as a routine in everyday life without realizing how sad it is. Sure it has some extremes.. but every now and then real life sorrow surpasses art.It is deeply critical of the goals we pursue and the whole social structure build around them. The film has a deeper understanding of Greek ways of life, stereotypes, and social structure. Unlike most Greek films that have a certain fast-food-mainstream audience, this one does not target anyone in particular but while you watch it you feel that someone put the best possible words and pictures to describe your feelings. I am not a big fan of traditional music either but I wouldn't like to hear anything else when it was played during the film.<br /><br />If someone told me to say something against this film I'd define the following, sometimes the transition between scenes seemed sudden or somewhat cut. I guess the editing had to cut it up to fit the 2hours and a bit for the theatres..<br /><br />Anyway I could write more and more to express my thought over this but I guess u have to see it and discuss it with a friend. A must see | 1 |
I have heard that Novo was compared to Memento for the simple fact they both rely on main characters suffering from short-term memory loss. Well, that's like comparing The Silence of the Lambs and Friday the 13th as both involved a character that killed multiple people. They couldn't be further apart in ideas.<br /><br />Novo deals with a copier man at a company who does have short term memory loss. He is consistently followed by another gentleman and his boss likes to have sex with him in the office. In comes a temp who also gets involved with him and may/may not use him for sex. Needless to say, he has a lot of on-screen sex.<br /><br />Wait, there's more. There's a boy who runs into the troubled amnesia male and it's obvious there's more to this boy just bumping into him. And there's a notebook the man keeps to try and remember important clues.<br /><br />I admit I am not one for foreign-made films. I don't mind reading the subtitles, but I do mind that sometimes that takes away from one of my favorite aspects of a film: great dialogue. Since they have to translate, or I wouldn't be able to understand for the most part, I truly believe they simplify what the characters have to say. This movie was no exception; the dialogue was just, well, blah.<br /><br />As for the story, it was interesting enough to keep me around for 98 minutes. Weird, yes, but then again I don't live in France, so I am not as familiar with their likes/dislike or lifestyles. (Such as, I guess it's acceptable for a father to lie with and frolic in the buff with his son on the beach that must be a cultural thing.) Thankfully it wasn't two+ hours of time invested in watching this man regain his past and progressively move forward to his cure. For, when the "secret" is learned, I was like, really? Well, okay then.<br /><br />I can only recommend for somewhat decent acting, good looking folks and soft-porn sexual situations (like every 2-4 minutes,) however if you're not into that sort of scene, I would wholeheartedly skip this slow moving and memory-regaining film. | 0 |
It definitely fits the time period as the Axis & Allies were playing espionage games throughout most of North Africa & the rest of the world. It's not the best of films, but certainly not the worst of the budget films as described previously from the compilation War Classics. <br /><br />Duncan"Cisco Kid" Renaldo was actually very good in one of his first feature films. I really enjoyed the performance of Harry Parke (credited as Parkyarkarkus). Why he never got any bigger roles is beyond me. He played the perfect buddy/partner role and saved the movie...imho.<br /><br />As said, this film was part of a budget package from Superbox-Mart entitled War Classics. Eight movies for eight bucks, which included other never-heard-from-films that has some decent stars trying to pay the bills.<br /><br />This script is...well, not so hot. The editing & cinematography is...worse. If you can by-pass all of that and want to see the future Cisco Kid & a great sidekick that sadly never fulfilled his true potential, definitely pick it up! Otherwise, there's other WW2 films to watch.<br /><br />-Thunderossa. | 0 |
Not the greatest film to remember Paul Naschy by.<br /><br />Gaston (Guillermo Bredeston) is probably the worst swordsman I have ever seen. Zorro would be ashamed! His only salvation came as the competition was just as bad.<br /><br />This film is described as adventure and horror. Forget the horror - there is none. No nudity, no blood, no monsters; just a Robin Hood adventure against an evil Baron (Paul Naschy) who wants to be King.<br /><br />The main feature of the film was seeing Graciela Nilson, who only made four films in two years and disappeared to our regrettable loss. Where did she go? | 0 |
Afraid of the Dark left me with the impression that several different screenplays were written, all too short for a feature length film, then spliced together clumsily into this Frankenstein's monster.<br /><br />At his best, the protagonist, Lucas, is creepy. As hard as it is to draw a bead on the secondary characters, they're far more sympathetic.<br /><br />Afraid of the Dark could have achieved mediocrity had it taken just one approach and seen it through -- and had it made Lucas simply psychotic and confused instead of ghoulish and off-putting. I wanted to see him packed off into an asylum so the rest of the characters could have a normal life. | 0 |
There are very few movies that are so funny as this one. I was lucky enough to watch this movie at a theater "reserved" for movie buffs like me, so it was not so embarrassing sitting there laughing till my jaw was completely sore and my shirt sleeves were all wet from drying my eyes...<br /><br />At times the story was a bit "slow", but that is perhaps for the best - a bit of rest in-between the rolling amongst the aisles (I nearly fell out of the seat...) was most welcome. | 1 |
In a word, this film was boring. It lacked life and spark. A big problem is with the two leads. Jude Law and Gwyneth Paltrow had no chemistry whatsoever. He was boring, and she was annoying. <br /><br />The visuals were interesting, but they didn't enhance the scenes. If anything, the visuals tended to detach the audience from what was happening on screen. None of the action sequences felt real, and hence, the film failed to create any real drama or a sense of danger.<br /><br />The film had potential, but it needed a better script, better acting, and a better director. I kept thinking during the film, you know, this movie would've worked if Harrison Ford was Sky Captain, Karen Allen was Polly, and Steven Spielberg was the director. <br /><br />Ignore the critical acclaims for this film. The critics I think are praising the film because they *want* to like it and want it to succeed even though it fails on so many different levels. | 0 |
This movie . . . I don't know. Why they would take such an indellible character as Pippi Longstocking and cast the singularly charmless Tami Erin, I will never know. Why they would spend money on art direction and some not-all-that-bad special effects, then not bother to edit it properly, I will never know. Why the sets and costumes are sometimes in period, and sometimes bizarrely not, why they commissioned SUCH bad songs, why the script doesn't make any sense whatsoever (not even on a silly, children's film level) . . . . what were they thinking?? Nothing about this movie is quite as it should be. Every single part is dubbed (and always poorly,) every sound effect is slightly wrong, every edit is in the wrong place, every performance is bad in some way. It does manage to create an appropriate atmosphere, despite all the problems, but it NEVER captures the magic that is Astrid Lindgren's creation. | 0 |
First: The recent campaigning of this movie is a huge hoax. Judging from the cover you'd think this was some kind of scandal movie about Kylie playing a character having sex, taking drugs and whatever. This is just a cheap market-scheme. She's barely in it and does neither of the things. The marketing here is unbelievable, and I'm surprised the filmmakers hasn't objected. <br /><br />The movie itself was to me a huge disappointment. It seemed like a Sunset Beach episode directed sloppy-handed by a teenage Quentin Tarantino. And thats not meant as a compliment, mind you. <br /><br />I think the weakness of the movie first of all is the story. It seems to be about nothing. Just about cool teenagers tripping around living 'on the edge'. The characters themselves does have some personality though, but the movie doesn't use its potential. As said, there's no story of any substance here. It seems to elaborate too much on cool dialog and ends up looking like a colorful MTV ad. It definitely has that feeling. <br /><br />Still though, I guess some people might enjoy it, but I'd say there's far better movies like this around. | 0 |
This movie has problems in its presentation, may even be offensive to people who are looking for temporal and cultural faithfulness, but it challenges the watcher to reflect on a variety of issues. One of these is the nature and character of the relationship between Jesus and Judas. Another is that of the historical nature of the Bible and faith. And third, is the humanity of Jesus. The tension of the Christ-betrayer relationship is developed and held through the movie. Judas' passion is presented as a darker parallel to that of Christ. When Judas takes his own life, the viewer can sense the angst. Peter's denial and guilt, however moving, are not as powerfully portrayed as the Judas drama. Chris Sarandon offers a novel and provocative Christ, whether believable or not. I would like to find this movie on DVD or even VHS, to use in study or discussion groups. | 1 |
When I saw the first preview for this, I nearly passed out from excitement. I have long been a fan of Twelfth Night- it turned me on to Shakespeare, so to have a modern adaption is a dream come true. My anticipation was not disappointed.<br /><br />The plot basically follows the original storyline and that means: complicated! I don't want to even try to relate it, the plot summery will probably cover the basics. Just imagine having a girl pretend to be a guy at a boarding school and think of all the possible situations that would create. I will not even pause to question the plausibility of such a plot; reality is NOT the point of the film.<br /><br />What it IS, though, is absolutely hilarious. Nearly every scene nails the comedic set-up. Kudos to the writers, director and actors on that count.<br /><br />Amanda Bynes is the star of this film and she carries it wonderfully. She's super-cute, not a vixen and can do faultless comedy. I admire her so much for not going full-on tramp in her films or public life like so many starlets today do. I'm glad there is at least one decent young actress left in Hollywood. OK, I'm off my soap-box...<br /><br />Channing Tatum, yeah he's hot and built like a flippin gorilla, but he really makes me laugh! My favourite scenes in the whole movie are when he's trying to converse with Olivia first by talking about cheese and then later about his workout regimen.<br /><br />The rest of the cast did not fail to perform either, with marvelous additions to the characters in the forms of the inane débutante mother and Monique, the classic evil girlfriend.<br /><br />Overall, lots of fun, loooots of laughs, and a highly attractive cast. Maybe not on par with the original, but it beats out modern versions of other plays, including the much-touted 10 things I Hate About You. | 1 |
The Thing About My Folks is a wonderful film about relationships - first and foremost an adult son and his father, but also that son with his wife, his sisters and his mother. Paul Reiser has written a semi-autobiographical movie about his relationship with his father. The movie is funny, poignant and thought-provoking. It led me to re-evaluate my own relationship with both my now-deceased father and my adult son. Peter Falk is excellent as Paul's father - the role could not have been better cast. I hope that both Mr. Falk and Mr. Reiser are recognized in next year's movie awards for their efforts - Falk for his performance and Reiser for his script. | 1 |
The only reason I'm giving this a 9 is that the other kid actors who played Tadashi's tormentors were not up to the job. I presume they were just kids who happened to be the right age and handy, but they were not well coached, and their scenes were a minor annoyance. <br /><br />I say not to judge this by U.S. standards because it's full of ambiguities and the kinds of equivocations that Japanese culture readily embraces, and is not beholden to the black-hat/ white-hat moral constraints U.S. kids' films are routinely subjected to. For example, there is a preciously funny moment when Tadashi's small band of yokai companions finds themselves let down and abandoned by the other yokai, and Shojo--the avuncular Kirin herald--does what many a stressed-out Japanese adult would do. Hint: this would not happen in a Disney film. This picture also has the best product placement for beer you will ever see in a kids' movie. <br /><br />Early on, there's a moment where a school teacher smacks a couple of bullies on the head with her attendance book. There was a TV commercial in Japan a couple years before this movie came out. It was a stop-motion clay animation about a kid who's depressed and playing guitar and singing the blues in his room. His mother yells at him from downstairs to shut up. Then, someone gives him a candy bar and he cheers up and sings a happy tune, but his mother comes in and tells him to shut up again and gives him a dope slap that leaves a dent in his forehead. I mention this commercial, because it was considered funny, and I didn't hear any objections to it while I was there. There is a lot more bloodshed and physical cruelty on screen in "The Great Yokai War" than one would find in a Disney movie. As a parent, if this were a U.S. film, I would be up in arms about such things, although not necessarily the moral lessons drawn at the end of the picture, which, of course, are also not black and white. Since it's a Japanese movie, I accept that those cultural norms allow for imagery that would not get past the standards and practices cops in a U.S. production. However, I'd probably be a little uneasy taking young kids to see it without giving them some sort of pre-show briefing and/or post-show debriefing about the violence and other off- color stuff, or I'd wait till they're older to show it to them. | 1 |
Inherited this from my x's DVD collection when he left with my best friend (enough said), watched it one night when there was nothing on the telly (nothing new there then) and got a very pleasant surprise. Very British (you no hardly any budget, no faces you know or have even seen before), the accents were a bit thick for my liking, but after a worrying start (a bit too close to home in my case) it began to grow on me. Apart from the some unnecessary jokey cutting that really didn't add anything, I found the film throughly uplifting, very real, natural performances throughout left me wanting more from an ending that came suddenly too soon. Highly recommended! | 1 |
Only a 9/10 from me, a perfect ten would have been if there was more of a plot to the movie, but nevertheless Moonwalker to this day remains a fun fest of music, dance and entertainment. Beginning with the montage of video clips from Jackson's long career, it reminds the viewer of just why he is often regarded as 'The King of Pop'. From his hit 'I want you back' to 'We are the World' the multi-award winning charity record for the benefit of Africa. Following this a short movie of sorts, although lacklustre in an Oscar winning script, nonetheless provides a fantastic and entertaining drama for the audience. Ending with a perfect (sexy!) rendition of 'Come Together'. Something the whole family can watch and enjoy. | 1 |
Good for an evening's entertainment - but the plot was unconvincing. Garrison's affair with the First Lady was unreal and passionless; the President was a cardboard cut-out. And who were the real villains anyway? Nothing was developed or explained sufficiently. I still don't know why they wanted to kill the President or how the mole got involved. The villains were nameless and undeveloped, so you never felt involved in their plot. Michael Douglas and Kiefer Sutherland did their best to inject some reality into the story - the chase and confrontation were good. But Kim Basinger and Eva Longoria were both unbelievable in their roles, Basinger totally lacked character and no way could Longoria have been a Secret Service agent. This could have been a very good film but somehow it missed the way, with too many unanswered questions. Disappointing on the whole despite some very good scenes. And did they use the 'West Wing' set for the White House scenes? - I kept expecting CJ or Charlie to appear! | 1 |
Yes, it's over the top, yes it's a bit clichéd and yes, Constance Marie is a total babe and worthy of seeing again and again! The jokes and gags might get old and repetitive after a while but the show's still fun to watch. Since it's a family show the humour is toned down and the writers have incorporated family values and ideals in between the gags.<br /><br />George Lopez is funny. Don't take him seriously and the show's a winner. I'm sure he didn't intend his character to be serious or a paragon of virtue. His outbursts and shouts of glee are hilarious...<br /><br />I do have to say that the one big, dark, bitter spot is Benny. I hate the character...so much so that anytime she's on for more than 30 seconds I mute the TV just so I don't have to hear her. There is nothing funny about her dialogue or her jokes. As a mother she has to be the worst out there and I am just shocked and surprised that George, as the character, would stand by such a deplorable person for so long.<br /><br />Even so anytime I get ticked off at seeing Benny I think to myself: seeing her is a lot better than having to watch the Bill Engvall Show. Now there's a bad sitcom... | 1 |
Despite being a 2001 movie, the direction is the kind of 90's art-house style that was considered "old" and out-of-date a few years ago. The cheesy cuts and effects were painful to watch. The script is decent enough, and a few scenes did kind of captivate me (like when the taxi driver brings her to the bridge at night). But the story line with the detective who's sister killed herself and how he was obsessed with suicide was just plain terrible. The performance by the actor who plays Selma Blair's married boyfriend seriously bothered me. I did sit through the whole thing, though, which is rare for the kind of random, what-is-this movie you just find on TV and decide to watch. | 0 |
Curiosity led me to this "masterpiece". Unfortunately, I didn't rent it, I bought it! The most disturbing thing about this film is that it's not so disturbing. For reasons known only to them, the makers of this film set out to show the human side of Jeffry Dahmer. Are you kidding me? The man gave new meaning to the term "finger lickin' good"! And with all the flash-backs and flash-forwards I had trouble following the story. All in all Jeremy Renner's performance wasn't too bad. You can catch him in "S.W.A.T.", in which he plays a disgruntled ex-cop. Anyway, I would rate this as a 1/10. It only got a 1 because of Renner's so-so performance. There are plenty of books and tv documentaries out there that do a much better job of covering Dahmer's crimes. Avoid this one. | 0 |
Let's face it: the final season (#8) was one of the worst seasons in any show I've ever enjoyed (mostly, I've never found dry spells to last a whole season). But if you judge this show by the last season, of course it's going to come across as inferior. That is an entirely unfair assessment-- because "That '70s Show" was, in its day, a brilliant and hilarious sitcom about a bygone era and how the people who lived there weren't so different than we are here in modern times.<br /><br />All right... ignoring Season 8.<br /><br />Topher Grace stars as Eric Forman, a horny geek of a teenager with a perpetual love of Donna (Laura Prepon), the feminist girl next door. Playing their friends, Danny Masterson (Hyde), Mila Kunis (Jackie), Wilmer Valderrama (Fez) and even Ashton Kutcher (Kelso) give fantastic performances in (almost) every episode. The best one is probably Fez, a foreign exchange student who is as mentally promiscuous as they get. What country is he from? Try to figure it out! For another dimension of entertainment, Debra Jo Rupp and Kurtwood Smith are phenomenal as Eric's parents. Rupp, as Kitty, is both formidable and sweet, sort of like Mrs. Brady meets Marie Barone, while Smith's Red exists mainly to scare the pogees out of everyone. Don Stark and Tanya Roberts play very well opposite each other as Donna's parents, the chauvinistic but likable Bob and the airheaded Midge. Tommy Chong has occasional appearances as Leo, a stoner who acts as a father figure to Hyde.<br /><br />Apart from the anachronistic errors that pop up quite frequently and the over-the-top lessons that sometimes come (and that deplorable final season), "'70s" is a terrific show with amazing writing, spot-on direction, and a feel-good vibe pulsing through every episode. They're all alright. | 1 |
Love In Limbo is my all-time favoirite movie. (set in W.A) It is hilairious and has an excellent cast including a group of three gorgeous actors, Russell Crowe (As Arthur), back in the day when he actually looked HOT with short hair and no facial hair. Aden Young (Barry McJannet), and Craig Adams as Ken Riddle.<br /><br />Ken is a senior high school student obsessed with sex and becomes expelled for selling pornographic drawings to his classmates. He starts a new job at his uncles clothing factory and becomes close with another new guy Barry McJannet, who buys a car so that they can go out and pick up chicks. They become mates with the goody-twoshoes geek Arthur Baskin (Crowe) and the three guys drive up to Kalgoorlie to vsit a brothel and lose their virginity......<br /><br />Watch it, its a classic!! For so long i have been TRYING to get a hold of a DVD or Soundtrack, anyone let me know if you've got em. | 1 |
this is seriously one of the worst movies i have ever seen. i love Japanese movies, and i think another film by the same director, electric dragon 80,000 v, is a masterpiece. i really wanted to like this movie - asano is a terrific actor and the storyline was immensely appealing. but i couldn't find anything entertaining about it.<br /><br />the movie takes forever for nothing to happen. and the effects the director used - like the constant percussion and the exorbitant use of slow motion - merely added to my growing annoyance at the fact that the plot was so mind-bogglingly slow and the actors were heinously overacting. a lot of the boredom was a result of extraneous additions that were completely unnecessary - like an hour spent on asano going around slicing buddha statues and proclaiming how he doesn't worship anything. this added nothing to the plot. a fellow Japanese film buff and i were both checking the time constantly. we couldn't believe this film was as terrible as it was. and the finale was awful. i thought the director would at least attempt to reward the viewer for managing to sit through this, but sadly i was mistaken. | 0 |
This is one of those unfortunate films that suffered an even more sad, unfortunate death at the box office. I saw this film at a local art cinema,in revival form,shortly after it tanked in mainstream cinemas. It certainly deserves to be approached a second time (or even a third). Sandra B. takes it to the limit by doing spoken word & taking on some well known songs in this piece (her version of Hank William's 'I'm So Lonesome I Could Cry' could easily move you to tears). Maybe someday, audiences will be ready to take this film a bit more seriously (but not without some well placed laughs,too). The film moves at a brisk pace (thanks to some nice editing),so that some viewers will not find it stale & boring. Perhaps a revival is just down the pipeline. | 1 |
In this send-up of horror films, 50's cold war paranoia, Reagan-era America, and high school films, Adam Arkin plays Tony, the star quarterback of Full Moon High in the 1950's. He and his father (Ed McMahon) travel to communist Romania and while he's lost in the streets one night, he is bitten by a werewolf. When he returns stateside, he cannot control his animalistic urges and goes on a killing spree. Frustrated, he flees town. Decades later, the immortal Tony returns to town and re-enrolls in highschool. He still can't control his transformations, and the townspeople, and his friends, realize he's not quite human. It all culminates during the schools big football game.<br /><br />I expected this to be one of those 'so bad it's good' films from the early 80's. But I was surprised that the film was actually, legitimately funny. The cast, including Kenneth Mars as a pervy coach, Roz Kelly as Tony's lusty former flame, Demond Wilson as a bus driver, and Alan Arkin as a oddball doctor, go all out, with hilarious results.<br /><br />While watching this film I was struck by how similar the writing and humor were to 'Family Guy.' 'Full Moon High' has that same anything goes attitude and never takes itself seriously. | 1 |
Phantom of the Mall is a film that fits best in the "easily forgotten" category. It's a pretty lousy variant on the famous story by Gaston Leroux, the Phantom of the Opera. Not a bad idea to itself, but the plot and production of this movie are way to weak to bring a decent homage to that story. On the bright side, Gaston Leroux doesn't has to turn over in his grave just yet. It could have been a lot worse. <br /><br />Phantom of the Mall has too many useless flashbacks in it and way too many boring sequences to make it memorable. Also, the scriptwriters wanted to give too much draught to the story than necessary. And even though there's a lot of mystery getting build up about the character of Eric ... the basic plot is ordinary and déjà-vu. ***SPOILERS*** It's about a young couple that brutally gets torn apart because the boy gets killed in a fire. That fire was set to his house because he and his parents refused to sell their home in order to make room for a huge mall to be build. The boy survived the fire and he has hidden himself in the mall to avenge himself. Meanwhile he guards his girl who now works in the mall and tries to forget her loss ****END SPOILERS*** This pretty simple - but rather effective - plot gets thickened by lots of pointless elements and annoying conspiracy theories. While it should just be an entertaining horror movie, it desperately tries to be an intelligent thriller...and that's not what the fans look for. There are a few innovative killings but they're not satisfying enough for people who want to see a relaxing horror movie. And besides, Phantom of the Mall could have used at least a bit of humor!! This entire production - the cast included - takes itself way too serious. <br /><br />I'll try to finish with a few positive aspects...Like for example, it stars Ken Foree !! Die-hard horror fans will certainly recognize him as Peter for Dawn of the Dead! That's like the horror milestone that yet has to find an equal. Even though his role in this movie is limited and even completely unnecessary...it was good to see him again. TV-movie fans will also recognize Morgan Fairchild as the mayor, she's a fine actress and an elegant lady. Pauly Shore is also in this but I can't stand him...so my opinion about him may be a bit biased. And finally, a bit of praise for the leading actress named Kari Whitman. She's an extremely beautiful girl and she does have a bit of talent...too bad she never made it to the top. Actually, this movie is her biggest achievement and that says enough about her career... | 0 |
I grew up watching Scooby and have been a fan forever. This cartoon moves away from the same old routine that can get boring to viewers. The Crooks in Mask routine gets old and This cartoon is a change from that. It's not meant to replace the Scooby gang it's just a break from the same old crime scene for both viewers and writers I'm sure. The cartoon's focus is on Scooby and Shaggy who inherits a large sum of money and use that money to thwart world conquest plans from a mad scientist and his goons. Small homages of the gang and the gang themselves are featured from time to time. If you are a fan of Scooby-Doo you can still appreciate the bond between a boy and his talking dog, along with the jokes that come with it. Just Enjoythe Cartoon and support the creators/writers and producers so that this won't be the last Scooby Cartoon. | 1 |
A bickering, American family, vacationing in the west, discover a strange ghost town in the middle of the desert. Little do they know that this ghost town was once a test site for nuclear bombs, and a deadly presence is stalking them. I generally love mystery-horror films like this. "Cube", Spielberg's "Duel" and "The Birds" are all great examples of movies that give no answers but nonetheless leave us intrigued and wanting more. Apparently, "Disappearance" writer/director Walter Klenhard was trying to make just that kind of film, and whether or not he succeeded is up to the viewer. I personally think he got about half way there, then the film just sunk.<br /><br />The actors are all kind of just "ho-hum". Their not especially bad but we as an audience never really feel their fear and they react to situations in unrealistic ways. Is anyone else absolutely SICK of characters just walking out off to investigate strange sounds?!?!? At least give them SOME kind of justification for doing so!?!?!?<br /><br />As far as made-for-TV films go it's an above average fair for sure. Director Klenhard Should be commended for really milking the desert environment for everything it offered and some of the setting were striking. There's a really cool scene where two characters find an old nuclear test ground were the sand had been completely melted to glass for as far as the eye could see. I wonder if that was real
<br /><br />No gore to speak of, and the 'creatures'
or what ever the hell it is that's after these people
are never shown, not to mention that we are never even given a real clue as to what they are (Mutants, aliens, ghosts or ancient evil Indian spirits
Oh, that really narrows it down for us!) or where the come from. <br /><br />There are lots of clichés here, too. Why is it that towns-folk in these kinds of films are always really, really dumb? Why is there always an old guy everyone thinks is crazy that turns out to be correct? Why? Why? Why? How 'bout a NEW scenario, folks! <br /><br />"Disappearance" tries to be different and intelligent but ultimately fails in that in many ways it's too familiar to us fans of direct-to-video horror fodder. Hey, I've seen much worse films, and disappearance ain't bad, it's just too
Average.<br /><br />4/10. | 0 |
Hey now, I have never laid eyes on a Manga comic, but apparently this movie is based on one. Ah well, such is life. Anyway, this is a pretty bizarre, to say the least, movie, as things literally spiral out of control in a small Japanese town. People are becoming obsessed with the uzumaki (spiral) and this young girl watches her friend's father videotape a snail, and later in the movie, people start becoming snails? It also seems this boy's dad becomes so obsessed he somehow commits suicide in a household appliance. There is some bizarre humor here that might be at home in a Tim Burton movie, but there is some nastiness & gore like only the Japanese can do with justice. As with a lot of Japanese films though, the ending is the ending, and did anything get resolved? Well, not to my mind, it didn't. There are some hints as to why this is all happening but they aren't explored and there's a lot left to either the imagination or else it wasn't deemed important. Still though, there are lots of things for the eye to feast on and if you aren't obsessed with everything making perfect sense, this is well worth seeing, because it's just so original and bizarre. My favorite was the father with the spinning eyeballs, personally. 8 out of 10 stars. | 1 |
This movie was on the Romance channel, and I thought it might be a goofy 80's movie that would be enjoyable on some level, so my brother and I watched it. Boy did it suck. Boy gets crush on girl--correction, his *dream*-girl (apparently there is a difference; and I'm surprised he realized she was his dream girl--he was smitten with her from over 30 feet away. I guess that just goes to show the power of dream-girls), boy ends up masquerading as a female to be near dream-girl (creative in the sense that it's a far-out plan, but un-creative in the sense that there are probably better solutions one might think up), awkward situations ensue, a match is made (all of which takes seems to take place around late afternoon--either the location was somehow responsible for this odd lighting, or the actors had to wait until they got off of their day-jobs to come to the set; I suspect the latter). Very clumsily done, very pathetic. It's almost never even amusing *accidentally*, so there really is nothing to redeem it. Unless you're interested in seeing Chad Lowe's early days, before he finally got his piece of the pie with his role as the HIV-positive gay guy on the series "Life Goes On", or Gail O'Grady who was on NYPD Blue and probably got to stare at Dennis Franz's buttocks). But those are unlikely motives--I'd say "systematic derangement of the senses" would be a more justified purpose. I'm surprised I watched it all. I guess it's the kind of thing where, halfway through, you find yourself *still* watching due to some morbid, self-flagellistic inner-issue, and think you might as well finish it so you can tell your friends and family that you actually sat through such a horrible movie, on the off-chance that it'll garner you some sympathy for the questionable state of your mental health. Can *You* Take the Challenge? | 0 |
The GREAT NEWS is that this film is now AVAILABLE on DVD from http://treasureflix.com for all those who wish to own it as well as on video.This is good news as it is one of my favourite films!<br /><br />I watched this film for the first time in the 80s and it is compulsory holiday viewing. Living in the small market town called Tewkesbury, picturesque and with its own traditions,of reenactments,and traditions we are also a cosy tight community. We are now also faced with large housing developments which threaten to destroy the Community and you can see why I love this film First of all-and most important, there are LASHINGS of snow!!!! Then there is the lovely legend of the Christmas Tree and also the Christian denouement as all the community cough up the money to help the destitute farmer save his farm and stay in the community. The evil developers-only after the money are sent packing as the whole town pledge their money to help protect what they have , which is very special. I love the way the whole community send their message to Santa via the post office which is misunderstood by the hero . He and his daughter have a long journey to make after the death of the wife and mother of the family. (There is a likely candidate for this)-even a sleigh ride and most heartwarming of all is that the taxi driver, whose engine is broken is mysteriously given a new one on Christmas morning and no-one had engineered it! There is a lovely moment where Denver sings a lullaby and an exciting search. Great gentle film for everything Christmas is really about. | 1 |
If there is one film which is the worst of this year- it's TASHAN The first promo gave an indication that the film will be a boring Dhoom 2 style film, and well i knew first only it would be a bad film whatever it maybe Because of it being a Yashraj film Or maybe seeing the cheesy promo But this film gave me a shock, it was even worst then Dhoom 2 and what i expected First Saif's introduction which is boring Then Saif- Kareena meet, Kareena is so artificial and then Anil Kapoor oh god, what he is doing in such a weird film? What kinda role it is? What acting is he doing? His first scene is alright but then his act gets repetitive and he overacts Then came Akshay who provided some nice scenes, but then the film became more boring and with all the outdated stuff Childhood romance, overdose of childish Rajnikant style action scenes and all boring scenes The ending is another joke<br /><br />Vijay Krishna Acharya would have got 3 films more to direct, if this film had worked, thats the strategy of yashraj, only money nothing else So Vijay is another addition to their list of crap filmmakers Music( Vishal Shekhar) is ordinary<br /><br />Performances Akshay Kumar comes in the film as a whiff of fresh air, he actually provides some engaging moments Saif Ali Khan is irritating, Kareena is equally bad Anil Kapoor hams outrageously and spoils the show even more Rest are okay | 0 |
I remember originally seeing this film at Radio City Music Hall when it came out. I didn't really understand the humor back then, but this movie can make me laugh out loud.<br /><br />With all due respect to George Burns (RIP), Walter Matthau really deserved the Oscar for this film. His performance is amazing--given the fact that he was 20 years younger than his character, Willie Clark. His mannerisms are first-rate. ("You know what kind of songs he wrote? Sh*t!" and when speaking to the Spanish-speaking guy at the front desk: "No! No! No enchilada!!") Absolutely hilarious!<br /><br />Kudos to Richard Benjamin, who played straight man to Matthau.<br /><br />I just wish this was on DVD, because my VHS recording is getting a bit old.<br /><br />I had no interest in seeing the remake with Woody Allen, because in no way can it match the original. | 1 |
A group of us watched this film are were really disgusted. We were willing to forgive the fact that our favorite character Jo wasn't on (it's not like the writers/producers could do anything about that). The writing was poor, the script was sub-par. What REALLY annoyed us: 1. When the two guys realized they were both dating Natalie, they didn't just leave they put up with that stupid (and ultimately degrading) contest - but only because they were macho competing guys, not because they really wanted Natalie. 2. Despite being unable to choose between the two guys before the reunion, Natalie suddenly decides that she really loves one of the guys and is now ready to marry him? (and there was no foreshadowing that he was really a better guy, it's as if the writers flipped a coin and then just had her spit it out at some convenient point in the film). 3. Blair makes a point of talking about how she does not want children and then all of a sudden when her husband says he wants to have children, she blissfully agrees with him. | 0 |
This movie barely followed the story line of the movie. All of the fascinating points in the book didn't even exist in the movie. They ended up turning it into a cheesy "tween" Disney movie "crush" story between Meg and Calvin. It was so bad it should have been Hillary Duff playing the part, or one of the likes. This movie was nothing more than an insult to the intelligence and mysticism of the book. I can't believe Disney could even get away with making such a cheap, basic rendition. If you've ever read the book, I think you would agree it could easily be made into a movie of "Lord of the Rings" equivalence. This movie should have never been able to use the title of A Wrinkle in Time. Poorly done. | 0 |
Just when you think that you've seen the worst the zombie sub-genre can offer, along comes another budding Romero and his team of no-talent mates to prove you wrong.<br /><br />I've suffered the Zombie Bloodbath trilogy, endured Death Valley: The Revenge of Bloody Bill, sat semi-comatose through The Zombie Diaries, and laughed hysterically during Zombie '90: Extreme Pestilence, and genuinely thought that amateur movie-making could sink no lower. However, having just watched Zombie Planet, a two hour long festering pile of drivel from writer/director George Bonilla, I think I have found the ultimate in awful zombie movies.<br /><br />In this dreadfully amateurish effort, which is part Mad Max and part Dawn of the Dead (but ALL bad), Frank Farhat stars as T. K. Kane, a tough fighter who kicks zombie ass for a hobby, armed only with knives, a machete, some concussion grenades, and what he obviously perceives to be a really mean glare.<br /><br />After a desperately unexciting opening sequence in which he takes on a horde of dodgy looking zombies, Kane teams up with a group of survivors who not only have to fend off attacks from the undead, but must also must placate a gang of vicious thugs who have taken control of the area (by searching for and handing over any valuables that they find).<br /><br />Of course, Kane isn't the type of man to take orders from a bunch of z-grade post-apocalyptic bully boys, and he sets about teaching the bad guys a lesson (mostly by glowering at them in a threatening manner), only pausing to periodically rescue pals from zombies.<br /><br />Featuring awful acting from almost everyone involved, a dreadful script, laughable effects, and shoddy production values, there is virtually nothing in this film to make it worth a watch. To be fair, I quite like the basic premise that the zombies are the unexpected result of a highly popular slimming drug that blocks cravings for carbohydrates (we learn this when one character conveniently explains the back-story to Kane, who strangely has no idea what has happened), but this is about the only vaguely interesting aspect of the whole production.<br /><br />I have a certain amount of respect for anyone who manages to fund and make their own movie, but when the results are this poor, that respect is lost when they decide to make it available for public viewing. I would've kept this one under wraps if I had made it. | 0 |
I've never been a big Larry Clark fan, but somehow, I've been dragged to almost every single one of his movies. Now, I like independent films, and I grew up very much into punk rock, and I'd like to say that this film is disappointing to both audiences. Not every punk song incorporates "Oi!" into its choruses, as they do in this particular film.<br /><br />But the real problem with this film is that it switches moods every fifteen minutes or so and lacks any kind of cohesion. Clark has made his living pretending that his fictionalized stories are "how kids really are," and as such, you'll allow him ten minute scenes of stupid dialog that go nowhere, because that's the cinema verite feel he's going for. However, when he shoots a ridiculous death scene (pick any of them, save for the opening drive-by), the over-stylized attempts at what I assume is intended to be black humor are completely out of context, ridiculously shot (in most cases, far worse than a student film) and absolutely ludicrous in terms of the story. John Cassavettes and "Date Movie" make poor bedfellows, as the forays into the latter style take you out of any kind of reality to remind you that you're watching a movie - a really, really bad one at that. | 0 |
I shall not waste my time writing anything much further about how every aspect of this film is indescribably bad. That has been done in great detail already, many times over. The 'plot' started out as a very uninspiring cockney wide-boy/gangster-by-numbers bore and very quickly descended into an utter shambles. Anybody who pretends that they can see some hidden masterpiece inside this awful mess is just kidding themselves. It is now 7 or 8 years since I watched it during its 1 week run at the cinema before it was pulled, yet it sticks in my mind for being easily the most terrible film I have ever seen.<br /><br />I am only making these comments, and indeed the only reason I went to see the film, is because of the amusing fact that my brother Eddie appeared in it as the second 'heavy' in the pub scene. It was his hands that thrust a zippo lighter towards Rhys Ifan's face in the bar in 'Russia' (it was actually filmed at the former Butlins holiday camp at Barry Island). My brother has absolutely no acting experience whatsoever - he had recently joined an extras' agency and this was his first part. Having seen the film, it appeared that nobody in it required any acting experience whatsoever.<br /><br />I remember there were about 8 people in the whole cinema - and this was just a couple of days after it had been released. I have never heard of an other film that was so unpopular and disappeared so fast - and rightly so. In case you were thinking of renting this film on DVD, I would advise you instead to put your two pound coins in a fire until they are red-hot, then jam them into your eye sockets. This will probably be a lot less painful than watching the film. | 0 |
Just after having moved into his new cottage in the English country, Hercule Poirot gets an invitation to dinner from Sir Henry and Lady Angkatell, the owners of a large mansion nearby. But the next day, one of the guests is found shot near the pool, and his clumsy wife is holding a revolver a few steps away....<br /><br />This Agatha Christie mystery is somewhat thin, though the killer's plan is still very clever. It's the exquisite filming and cinematography that elevate the story to a higher level. This episode mostly keeps the serious tone of "Five Little Pigs" and "Sad Cypress", but contains more dark humor than them. The cast includes possibly the two most famous actors to have worked in the series by this point, Edward Fox (as the butler) and Sarah Miles (as Lady Angkatell), though the standout performance is given by the dazzlingly beautiful Megan Dodds as the ahead-of-her-time Henrietta: her one-on-one confrontations with Suchet sparkle and are the highlights of the film. Oh, and since an English police inspector does get involved in the case, I think they could have brought Philip Jackson back for this one. (***) | 1 |
Let me state this right from the start. I do NOT hate this show. I actually quite like some aspects of it. In fact, when i first started to watch it, I quickly became hooked. I was just starting to come out of the whole "anime is for kids" stereotype, and the mature elements of the show had me intrigued.<br /><br />Unfortunately, after seeing the whole series through and a few of the films, I can say that my overall disposition has changed, and it falls into almost all of the pitfalls that plague "bad" anime. Seven or eight friends and myself started watching this series on TV. By the end, only one friend and I were still watching and neither of us liked it.<br /><br />Allow me to explain the plot for you. You can skip this paragraph if you don't want to know. Kagome is an average high school student, who one day falls into a magical well near her family run shrine. When kagome comes out of the well again, she has been transported back in time to the feudal era of japan. She meets up with many other characters and they form a group of five or so companions who set off on a journey of revenge/justice/groping in one characters case =). Overall, they are trying to recover the pieces of the sacred jewel shard which enhances the power of demons who use it.<br /><br />While there are many, MANY side stories and story arcs, there is no were near enough material to occupy 167 episodes. The only story arc that is interesting enough to watch is still sort of dull (the band of seven). After the half way mark in the series or maybe even before, it becomes painfully obvious that the plot is frozen in place and whoever made the series decided instead to put in dozens and dozens of filler episodes. <br /><br />These episodes have little to no impact on the story, and rarely even on the characters. In some cases, some characters who had an important role in the story will disappear for dozens of episodes at a time. Many episodes follow the exact same cookie cutter patterns as the stories before it. Inuyasha shoots wind-scar at enemy. Windscar deflects. Characters gasp in horror. Enemy turns out to have barrier. Characters spent three episodes trying to kill enemy before Kagome finally fires sacred arrow at him and he turns to dust. <br /><br />Also **MAJOR SPOILER: THE CONCLUSION WILL BE REVEALED** the lack of any conclusion makes it seem like you have waisted 83 hours. <br /><br />**MAJOR SPOILER OVER**<br /><br />The animation itself is above average, and in some cases excellent. Even so, reused animation cells plague most action scenes, and it is very hard to ignore them when it is clear that the exact same boulder has flown past a character five or six times in a row.<br /><br />On the brighter side however, all of the characters are very well developed and the romances between some of the characters were truly captivating. Also, the character designs (appearences) were brilliant and at times among the best I have seen, particularly with the band of seven. There is definitely no shortage of Cosplay opportunities here. Even so, I found myself hoping that a character would die just so there would be some sort of movement in the plot. And some of the humour in the show between characters is used again and again. One particular joke (sit boy) is found within the first five episodes, and you can literally expect it to be used again and again for the remaining 162 episodes.<br /><br />Although there are some good aspects of the show and it is easy to see why it has a huge following, the series seems to be dominated by obsessed fan girls who drool over Sesshomiru and InuYasha.<br /><br />Bottom line: Definitely worth checking out, but not worth watching the whole series. The first 30 episodes are very clever, original and enjoyable for anybody. But after that, it simply becomes dull and tedious. Watching a TV show should never feel like a chore, but somehow this series accomplishes just that. Don't expect much from "InuYasha", because you will only feel let down. | 0 |
I really enjoyed this movie - I like prison movies in general (I'm not sure why -- I'm sure some shrink could make something out of it!) I spent one night in jail more than 20 years ago, and I knew then I would never go back - I got the individual version of "scared straight"! (I did get locked up in an isolation cell on Alcatraz for a couple of hours, compliments of a park ranger, but that's another story!) Anyway, the genre really interests me. The soundtrack, specifically "Sympathy for the Devil" by the Rolling Stones, was the perfect backdrop for the film. To this day, I think of "The Jericho Mile" every time I hear the song. | 1 |
Cute idea... salesgirl Linda Smith (Yolande Donlan) inherits a teeny tiny little county of Lampidorra. That country, which wasn't even in North America, was made the 49th state... (of course, there were only 48 states at the time, since this was made in 1952...) Linda travels to the country she has inherited, and we follow her along as she tries to figure out what to do with this strange country and its even quirkier people. At one point, she sings a song that she claims is from her people the Navajo, and it gets ever-more sillier from there.... although Yolande Donlan's heavy lipstick and omni-present smile never get ruffled or shmeared. There are other songs scattered through-out as the citizens sing to welcome their new princess. Filmed in a glorious British version of technicolor, or some such equivalent, about the only big name here is Dirk Bogarde as British subject Tony Craig, cheese vendor. Bogarde made a big splash in the UK film industry after serving in the war, and was even knighted by QE II. Craig and "the new princess" keep bumping into each other, and their adventures become more intertwined as Lampidorra's financial problems worsen... Fun little farce....along the lines of Marx Brothers film. Also note that Donlan later married Val Guest, the writer and director of our little project, and stayed married for 50 years! Guest was better known for writing and directing his sci-fi flicks, in both the UK & the US. | 1 |
I really hope that Concorde/New Horizons wasn't trying to make a serious horror, or even action movie when they made Carnosaur 3. The movie is flat-out silly from start to finish. Even the humor in C3 is funny because it's bad. Definitely a high water mark in the 'So Bad it's Good' genre. If you enjoy the very worst of the worst, this is for you. | 0 |
This movie is an obvious rip-off of Underworld USA starring Cliff Robertson. You owe it to yourself to invest a couple of hours and watch the original. I found this one to be disjointed and hard to follow, with a lot of scenes that didn't make much sense. I'm not opposed to violence in movies but this whole thing seemed to be nothing more than an excuse to blow away one person after another, many of whom were only marginally connected with the storyline. With everyone else getting killed, all through the movie I wondered why Frank didn't just blow Johnny's brains out. He certainly could have and Johnny sure didn't act like someone that could be trusted. Another thing that bothers me is the sex scenes; why do these people have sex with their clothes on? Is that supposed to turn us on? Surely they didn't think they had a shot at a PG rating. Nothing in this movie seemed to play out naturally. as if one were watching people in real life, instead it was done in a heavy-handed and shallow manner. | 0 |
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