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Every once in a while you stumble across a movie that takes you by surprise and this is one of them. On the surprise scale this would rate as sharing a hot tub with Jessica Alba whilst a band consisting of Elvis, Jimi Hendrix, John Lennon, Phil Lynott and Keith Moon play you music for the night. The reason why this film will surprise you is that for the meagre budget they had (£8,000) and that this was done by a bunch of mates who just wanted to try it out they have produced something very slick and looks easily 100 times more than its budget.<br /><br />The plot is simple a crew of mercenaries carrying a dangerous prisoner through space come under attack and are forced to crash land on a nearby desolate planet. After some checks not only does the planet not exist according to star charts but they are not alone as it seems and something very unfriendly begins to pick them of one by one. It sounds like very standard Sci-Fi fare mixing elements of Aliens. Predator and Pitch Black but it takes all these and makes them into something that feels fresh and original.<br /><br />The Location shooting in this is fantastic, utilising Balmeddie beach in Aberdeen to the maximum and you genuinely feel that you are one an alien world. The seemingly never ending sand dunes and clever lighting effects give it a very bleak feel , you truly think the crew are stranded on an alien world. Also the action sequences are superb, the opening assault on the freighter a great showcase of what special effects can be achieved on a budget and the firefights as well as the stunning finale all showcase the inventiveness of the film.<br /><br />As for the team of mercenaries the cast excels themselves. For a low budget independent movie the casting here was done via local media outlets and they seem to have picked some possible stars for the future. Local body builder Mike Mitchell whilst not a natural actor slots into his role as the Arnie-Esq leader of the mercenaries. From the rest of the cast there are two stand out performances Patrick Wright as second in command McNeal and Scott Ironside as the rough and ready engineer Vince. Both have some the best lines in the movie and Scott injects a good bit of humour into the movie with his performance. Patrick gives a well rounded performance as the cool as ice second in command.<br /><br />Director Mark Stirton can be very proud of what he has achieved and shows that Scottish cinema need not all be 'Kilts and Ceilidhs' or 'Slums and Drugs' Scottish films can be fresh, inventive and most of all a lot of god damn fun. This film is Scottish (with a north east flavour) to the core and praise to the actors and directors for keeping the accents intact which adds to the charm of the piece. Although the budget limitations show from time to time (the only fault i could find) that is to be expected. This film, its cast and crew deserve all the success they get and then some more. I for one wish Mark and his crew every success and theirs is a career to keep a very close eye on.<br /><br />Rating - 9/10 The first Scottish sci-fi is bold, fresh and inventive a real triumph.<br /><br />Movie reviews, news and opinion like no other plus the kick ass bi-weekly pod-casts.<br /><br />www.fightrunner.co.uk <br /><br />contact@fightrunner.co.uk | 1 |
Who'd a thought suicide could be dealt with in a way that's palpable by everyone? I saw the film at SXSW at it's premier and it turned out to be the best film there by far. Yes, its warped and it's bizarre, but it makes sense in the world the filmmaker (Michael Parness) creates. If you didn't laugh (most everyone did), then you just ain't getting it and thats a darn shame. Particularly of note, Guillermo Diaz as Hector steals a bunch of scenes and the chemistry between Natasha Lyonne and David Krumholtz is intense. The film reminds one of Harold and Maude, but not really, it takes one bizarre spin after another, and they do all make sense in this crazy mixed up world we all live in. I stayed (as did most) for the Q & A afterward and what was great was hearing that the same things I thought in my head as to why things "happened" are the reasons they did. I don't think you can say much bad about the film, unless you didn't get it. I think I got it and it seemed like most everyone else did as well. The film is dubbed a suicidal comedy, but its got a lot of heart, a lot of laughs and offers a lot of hope, yet it doesn't shy away from the horrors of suicide as well. A nice little movie that should get attention when it gets a release, which will hopefully happen sooner rather than later. | 1 |
A bad bad movie... terrible plot, hinges on Bolo Yeung's charater, but he speaks maybe 20 words in the entire movie and only has one fight scene - still in great shape considering he was also in the kung fu classic "Enter The Dragon" Interesting to see William Zabka ("Johnny" from The Karate Kid) in another martial-arts role. | 0 |
I see people writing about how great this movie was. It was horrible! The acting was sub-par at best. It made a lot of money because teenage girls went to see the movie 7 times in the theaters because of Leonardo. Where the hell did they get the money? Anyway, I wanted to learn more about the Titanic; why it sank, what was running through a lot of people's minds; maybe even a little conspiracy stuff. Does anyone realize that certain people didn't even board the ship because there was a fire on board before it even took off? No, you don't because all you see is a rich girl falling for a poor boy and he paints her naked (did that corny junk at least tip you off that the movie was stupid?).<br /><br />I did cry in during one scene, though. The scene when they showed the water that was filling up in the ship. It looked like pool water! I'm thinking this movie made all this money and they couldn't even make the water from the ocean look real? unbelievable...<br /><br />Ohhh the band played on while the ship sank.. Just ridiculous. This was the worst movie until Pearl Harbor outdid it in the "Nothing to Do With Reality" department. | 0 |
<br /><br />A few years ago I bought a movie called The Cellar. I had heard that it was supposed to be a great movie, but it turned out that it was a flop and a B-Movie.<br /><br />The story is good, but there are no good effects in the movie. (Maybe they didn't have enough money for that on the budget???).<br /><br />If you choose to watch this movie be sure to watch it three times. The first, only and last time!!! | 0 |
I normally have no problem walking away from a bad movie, however this was an unique case. This movie was so bad that I actually sat through the whole thing almost praying it would have one minute of good movie time to justify the hour and a half that was wasted. Needless to say I was brutally disappointed. Set at a beach house where a group of college friends are celebrating vacation, this movie suffers from numerous problems making it not worth seeing. First, there are gaping plot holes. Second, very few of the C-list (i don't even dare call them B) actors can act worth a damn, so any scenes that have potential fail miserably. Third, the rate of the film is very choppy and awkward to watch most of the time making suspense building very difficult, leading to very few surprises for the audience. Fourth and most importantly, the ending is completely anti-climatic partially because of how it ends (setting/who the killer turns out to be) and partially because the dialog is just atrocious. To the films credit, it is the only movie that I will ever say is the worst movie I have ever scene, and i've seen a lot.<br /><br />So, just like a bad joke you would have been all the happier never hearing, the next time someone asks you if you want to know a secret you will be yelling no, you really don't as you run in the opposite direction. | 0 |
In New York, when the shy and lonely project manager of a design firm Matt Saunders (Luke Wilson) meets Jenny Johnson (Uma Thurman) in the subway, he invites her to date and have dinner with him. Jenny immediately falls in love for him, they have sex and she discloses her true identity to him, telling that she is the powerful superhero G-Girl. After meeting his co-worker and friend Hannah Lewis (Anna Faris), the needy Jenny becomes jealous, controlling and manipulative, and Matt follows the advice of his best friend Vaughn Haige (Rainn Wilson) and dumps her, breaking her heart. Jenny turns Matt's life into hell, while he has a romance with Hannah. However, the archenemy of G-Girl and former high school sweetheart of Jenny, Professor Bedlam (Eddie Izzard), proposes Matt to lure Jenny to strip her superpowers.<br /><br />"My Super Ex-Girlfriend" is delightfully silly and funny. This romantic comedy-adventure has many hilarious moments and is very entertaining. Luke Wilson is great in the role of an idiot, Anna Farris is extremely sexy as usual, and Uma Thurman is great in the role of a deranged neurotic superhero that recalls Glenn Close in "Fatal Attraction" or Evelyn Draper in "Play Misty For Me". My vote is seven.<br /><br />Title (Brazil): "Minha Super Ex-Namorada" ("My Super Ex-Girlfriend") | 1 |
I really enjoyed this movie. The script is fresh and unpredictable and the acting is outstanding.It is a down-to-earth movie with characters one cares about. It brought tears into my eyes a few times but left me with a great feeling afterwards. | 1 |
This movie is extremely funny - the character of momma keeps me returning to the movie time and time again! I can't get enough of her dry lines ... like when she tells her son Owen to bury his friend in the back yard before he smells up the place ... and her suspicion that Owen is trying to kill her by giving her unsalted nuts! It's hilarious!<br /><br />If you like movies such as National Lampoon's Vacation, Uncle Buck, or Planes, Trains & Automobiles, this has similar humor. It's a great, wholesome laugh ... a must see! | 1 |
I have watched this movie over and over since it first came out. I was fifteen and even then, I knew it was cheesy. It had such great potential and I constantly rewrite the script in my head. The Capoeira ruined what could have been a good drama. I loved the fact that it was shot on location. Too bad that the characters were underdeveloped. It's like they wrote a first draft of a script then made the movie right away. At fifteen I could have written a better script!Some scenes and dialog seemed to come out of nowhere and you were left with a lot of unanswered questions. And was it just me, or did it seem like Lobo was sexually attracted to his cousin? "Elena's grown into some kind of woman!" And the way he was always touching her. Would have an interesting plot twist, Elena working for her drug dealing cousin who is also a perv. Too bad they missed the mark on this one. | 0 |
This is a masterful piece of film-making, with many themes simmering and occasionally boiling over in this warts and all study of the poet's bohemian, self-indulgent wartime years that span the aerial bombardments of London and the outward tranquillity of a Welsh coastal retreat - the borderlines between friendship, lust and love, dedication to art and experience versus practical concerns, jealousy, rivalry, cowardice and egotism versus heroism and self-sacrifice and more. A mature, subtle script that suggests and occasionally brings into dramatic focus the underlying tensions is well served by perfect performances (apart from the odd inappropriate smiling that Keira Knightley is prone to, though perhaps under direction this time as the other characters themselves often mention it). But above all the exquisite visual composition of each moment, with inventive and elegant use of close-up, camera angle and lighting, including pointillistic faux home movie footage, is a wonder and joy to behold. It's as continuously beautiful to look at as a Bertolucci, but the relationships here are more convincing and the narrative more engaging than some of that master's work. A very rare type of film these days - it holds the attention and stirs the emotions without abandoning artistic integrity and succumbing to manipulative, superficial shortcuts. | 1 |
I have always liked the Carry On films, with their double-meaning sexual innuendo dialogue and moments of slapstick comedy, but I can see why the critics give this one two stars. Basically, many British people are gathering on a coach to go on a Spanish holiday to an island called Elsbels to the Palace Hotel. What they didn't know is that it is not completely built, plus they have to share bathrooms with their neighbours, they have crap draws, and many other complications and complaints that the owner Pepe (Peter Butterworth, putting on quite an amusing accent, e.g. peace sounding like the bad P word). Starring Sid James as Vic Flange, Kenneth Williams as Stuart Farquhar, Charles Hawtrey as Eustace Tuttle, Joan Sims as Cora Flange, Barbara Windsor as Sadie Tomkins, Kenneth Connor as Stanley Blunt, an apparently crap (I personally can't remember who he is) Jimmy Logan as Bert Conway, June Whitfield as Evelyn Blunt, Hattie Jacques as Floella (a ridiculous hag character, not as memorable as her usual Matron), Bernard Bresslaw as Brother Bernard, Sally Geeson as Lily, Carol Hawkins as Marge, Jack Douglas as Harry and Patsy Rowlands as Miss Dobbs. I admit it is not great, but there are just enough dialogue gags, and of course Babs in the shower, and going to to her bum with that iconic whistle, and later a rapid rip off of her bra. Okay! | 0 |
One of my favorite shows back in the '70s. As I recall it went to air on Friday (or possibly Saturday)night on the Nine Network (?) here in Australia. Darren McGavin and Simon Oakland were great together.<br /><br />Each episode usually reached a climax with Kolchack having to engage in hand to hand combat with some sort of supernatural opponent. To their credit, the writers made a concerted effort to get away from the usual round of vampires and ghosts as much as possible.<br /><br />I remember one episode in which the adversary was the spirit of an ancient Indian Chief which/who 'came back' as a massive electrical current which started to kill people in a city hospital. The final showdown saw Kolchack trying to short circuit the 'power beast' amidst an explosion of sparks and billowing flames. Oh well .... you had to be there at the time but it was an interesting idea.<br /><br />McGavin always packed a lot of energy and enthusiasm into his roles and this was one of his best.<br /><br />Definitely deserves a place in TV's "Hall of Fame". To quote Tony Vincenzo .... 'Kolchack you are ON IT '... Or, in the case of the Hall of Fame,'IN it' ! | 1 |
One more classic performance by Maniratnam and his team. They can be proud to show this movie at all film festivals for it has got everything that needs to name it as an "all time classic". The war and its impacts in Sri Lanka through the eyes of a ten year old girl is the movie all about but the scenes and circumstances will surely be not the one that you will expect. Madhavan no wonder he is one of the best actors in the country who can always add beauty and unique identity for the role he plays, and it needs real daringness to act as a father for three kids when he is considered as a dream boy with a glamorous personality in the industry. Music by AR Rahman makes the movie a special one for those who love melodies. Above all the story and the way it is told makes it as the best movie in the recent times. | 1 |
I cannot believe how perfect this movie is. Great CG graphics, good storyline, and the fights, oh the fights!!! This movie was great!! The characters. They look real enough to be considered real. They definitely resemble the ones from the game perfectly. The scene in which....well all the scenes, made my jaw drop. Fantastic 10/10 graphics The story. Perfectly explained. Plus the way Aeris comes to help Cloud at many different times in the movie. They explain it very well, and make your jaw drop from how perfect it is. But the repetitive fights do take some story out, but that is only a minor thing. Story 9.5/10 Everything else, great. The movie was just amazing. I really do not know what more i can say except that this movie was pretty much perfect. I LOVED IT!!! | 1 |
One of Disney's best films that I can enjoy watching often. you may easily guess the outcome, but who cares? its just plain fun escape for 1 hour forty-two minutes. and after all wasn't movies meant to get away from reality for just a short time anyway? The cast sparkles with delight. -magictrain | 1 |
Hitchcock would be proud of this movie. Even when nothing happens, it is suspenseful. Director David Lynch overuses a few cheap thrill tricks here and there, but he intersperses them with other cinematographic techniques to keep it from becoming obtuse.<br /><br />Altogether surreal, this movie is like waking up and remembering most of a dream but not enough to make it sensible. I am still trying to figure it all out and will probably have to see it again to catch things I missed and which may help me understand it better. It is a very detailed plot that very slowly comes together, so you must be patient and pay attention. Get your bathroom trip out of the way before it starts. And yet, the plot is overshadowed by the theme, the mood, the character development, and the filming techniques.<br /><br />The dual roles of the main actress, Naomi Watts, showcase her enormous talent. That is, when I could get my eyes off of her co-star. What an acting pair.<br /><br />Lynch surprises throughout the movie with unusual camera angles, the length/timing of editing cuts, jumping back and forth between scenes. Combined with smart use of music and sounds, it all helps to build suspense in our minds, doubtless a major objective of the director. Well, he kept me on the edge of my seat, even had me talking to the actors to be careful here, and not be so naive there. You know, the kind of stuff you want to smack your kids for doing at the movies. | 1 |
When I was flicking through the TV Guide, and came across "Twisted Desire" on the movie section, I read it's description. Three words caught my eye "Melissa Joan Hart" ...I find her role in "Sabrina: The Teenage Witch" absolutely vile, I hate those kind of programs, so I was just thinking that it was going to be a boring old, love story starring her...Little did I know.<br /><br />It finally started on the television, I had my bucket ready in case I were to puke over it's cheesiness or soppiness, you know what I mean. At first, you think she's just a nice, ordinary girl who's in love, but has mean parents. Then when you find out she's manipulated her boyfriend into killing her parents, so she could be with her TRUE love, you're like "Whoa". You just don't expect this sort of role for that sort of actress. She played her role very well in my opinion, I never expected her to be able to act like such a bitch, and voilà, she did it perfectly! Congrats to her, the movie was very good, I'd definitely watch it again and recommend it to others. | 1 |
This movie moved much too slowly for my taste.The concept of the story is refreshingly different in that it explores the family dynamics of living with a mentally-retarded family member in a way that I have not previously seen on-screen.However,the execution of the concept was flawed.Each character was developed fully within the scene of her first appearance,then one had to endure the feeling that each character was treading water the rest of the way.That is,each character flailed about awkwardly in her interpersonal relationships with others in the movie,which I found to be a form of emotional and social retardation.I suppose this has artistic merit,given the irony that the story centers around an intellectually retarded individual surrounded by way above-average intelligence friends and family.The acting,however,was well-done without exception.I agree with other reviewers that the cinematography was beautiful.In summary,I think the film has strong artistic merit because of the fine acting and cinematography,but fails on an emotional level due to the shortcomings described. | 0 |
Let's see, cardboard characters like Muslim terrorists have forced a cardboard scientist to perform some exotic drug tests on some cardboard people who have been drugged and kidnapped. You'll be sure to laugh when these pathetic excuses for humanoids get their just deserts! Turns out the drug experiments have given them the ability to sense another world....the world of religious fantasy!--complete with cardboard demons who look like they are made of Papier Mache. Everybody gets dragged off to Hell except for one poor chap who goes to Heaven where he can presumably spend Eternity with the blockheads that created this Masterpiece of the Absurd. I think I'd opt for Hellfire myself. Go see something else, unless you are stoned, in which case, you might actually like it! Couldn't hurt! | 0 |
Penn takes the time to develop his characters, and we almost care about them. However there are some real problems with the story here, we see no real motivation for the evil brother's behavior, and the time line is screwed up. Supposedly set in 1963, the music is late 60s/early 70s. The references and dialogue is 70s/80s. The potential for a powerful climax presents itself, and Penn allows it to slip away. But even with all these difficulties it is worth the watch, but not great. | 0 |
Le conseguenze dell'amore (2004)is a beautifully made film that takes small carefully positioned steps towards its ending that need to be savoured in order to be enjoyed. From the contrasting landscapes, to the tightly enclosed world that the hero inhabits, we are taken by the Director and controlled from the very moment we enter the hotel. We, like the hero, will never escape from the suffocating intensity and paradoxical monotony of his criminally driven, Mafia world. That the film resists Mafia stereotypes whilst revelling in them makes it all the more successful. The concrete grave, the inevitable brutal executions and overwhelming maleness are laid bare and exposed for what they are. Just brutality and business, and no more. Life is about being part of the corporate machine that is organised crime and not about love or living for self, family or others. Our hero is indeed a hero in that he gives up his life for the sake of the touch of the beautiful barmaid, the resolution of the misery suffered by his only neighbours in the hotel and in order to escape his decorative prison. The consequences of love are indeed beautiful and brutal at the same time. See it!! | 1 |
What can I say? An excellent end to an excellent series! It never quite got the exposure it deserved in Asia, but by far, the best cop show with the best writing and the best cast on televison. EVER! The end of a great era. Sorry to see you go... | 1 |
When I saw this film on FearNet, I thought it would be a scary movie. Apparently, it wasn't. I have no clue how this movie was allowed to be featured on that site. FearNet is a site that shows scary horror movies.<br /><br />The acting is wonderful from all the actors. I hated the story. The story was stupid. The movie starts out with a man with a scroll with a signia stamped onto it. He breaks the seal and certain disasters happen. The water turns to blood, the oceans die out, the moon turns red, etc. <br /><br />The female character was annoying as well. A lot of the stuff she did didn't make sense. Like when she sees a piece of paper with a date on it. Coincidentally, it's the date she's expected to give birth to her baby and she starts freaking out about it and starts researching it and asking religious people what it all means.<br /><br />*Spoiler Alert* <br /><br />The two worst things happened in this movie are the execution of a mentally retarded man who claimed that God told him to murder his parents and the end where Demi Moore dies after giving birth to her baby and transferring her soul into it.<br /><br />Here's what happens. The mentally retarded person gets shot and killed and the apocalypse begins. Demi Moore gets into a hospital in the middle of a massive earthquake and gives birth to her child. She touches her child's head, transferring her soul into the child and then dies. Then, the apocalypse stops.<br /><br />Why does God all of a sudden have a change of heart? He gets furious when the Governor allows the execution of a mentally retarded man then he's all about forgiveness once a lone woman transfers her soul into her baby? <br /><br />*End Spoiler* <br /><br />The movie is pretty stupid. It's another religious end of the world propaganda piece. The acting from Demi Moore and Michael Biehn and everybody else is excellent. That's about all there is.<br /><br />I give this movie 2 stars out of 10. Good acting with a lot of nonsense! | 0 |
I don't know what you guys are inhaling, but please stop. This movie was complete trash.<br /><br />Macaulay Culkin as Kevin McCallister was lovable, cute, sweet, loving, and extremely fun to watch. He had that innocence but at the same time, he was strong as well.<br /><br />This new kid, Alex? Annoying as all hell! Just a blatant ripoff at trying to match Culkin's charm and grace, failing miserably at that.<br /><br />The villains, complete crap. Harry and Marv, they were such an entertaining on screen team. They were comedic, they were humorous, and just made you really want to root for Culkin even more, which is what a good villain is suppose to do. These guys Joe Pesci and Daniel Stern, absolutely PERFECT for those roles. On the other hand, in 3, we have 4 new idiots that just bicker and again, try to capitalize on the charisma and duo charm of the first villains. Not saying they were horrible, but they were not memorable or even really that entertaining. More on the corny side actually.<br /><br />Then we got the actual movies. Part 1 and 2, classics. Memorable. Perfect to watch around Christmas and brings a wonderful Christmas feeling and brings out so many emotions. It makes you fall in love with the story, and care about the characters. Simply, memorable and close to being masterpieces. Part 3? Masterpiece of crap. Enough said.<br /><br />All and all, I don't know why people like this. I think people really don't know what a good movie is anymore. Its a crappy sequel rip-off with more unrealistic traps and a stupid new main character kid that I wish the robbers would of at least beat the crap out of.<br /><br />Run, run away from this garbage. And lets not even start with Part 4! | 0 |
It is amazing what you can see if you wake at 2 am and turn on the telly. I didn't know they showed films like this. I immediately thought of Roger Corman, who reused locations for movies or used other films locations for his own movies.<br /><br />The makes of this film could just move the camera angles and add some time and they would have an XXX film.<br /><br />There was no story, just minimum dialog that led to stripping and sex. I bet there wasn't 100 words in the whole film, but there sure was a lot of very large busts and hot lesbian action. There was male/female action too, but it was only about 25% of the movie.<br /><br />Another interesting thing came to mind in watching this film that may interest those who are buying hi def DVDs. Sony refused to license Betamax to adult film makers and adult films came out on VHS. You can guess what happened to beta max as the adult film industry makes millions of videos. Sony has again refused to license Blu-ray to the adult film industry and they have just signed a deal with Toshiba. You can guess which high def system will disappear. | 0 |
If you're going to look after a child, make sure they don't live anywhere near a graveyard. Especially if said kid has a habit of drawing gory pictures and disappears at night among the tombstones to see her 'friends'. But, our long haired heroine, oblivious to all the signs, shacks up with her family the Nortons, which include a strict father and a dullard older brother who becomes a love interest for our budding babysitter. Even more spooky than the zombie gang outside is the cast's tendency to talk even when their lips aren't moving, and for the words to not match the movement of their mouths. But enough of that.. domestic animals are being sacrificed, old ladies are having eyeballs torn out and the orchestra won't shut up during any scene, even the quiet ones. Oh, and the editor is having a day off going by the way the film drones on.<br /><br />In fact, it would been better if everybody involved had taken a breather, smelt what they'd signed up for and gone AWOL. Yes, I know it's hard to get into movies these days, but this sort of starter point is not one on your CV you'd want. If would be like a trainee farm labourer having a conviction for chicken molesting. Featuring one of the worst lead performances ever by the shrill Laurel Barnett, and another almost equally as bad by the charisma-free child actress Rosalie Cole (The next Dakota Fanning she ain't) the film meanders on and on with nothing but padding until we get what passes for a climax.<br /><br />This involves five or six members of the undead barricading our utterly useless heroine in a shed, while her bit of rough fends off these ghouls with a plank of wood, a one shell shotgun and whatever he can lay his hands on. But back up a minute.. earlier on they were in the car, and they accidentally discovered that the creatures found the noise of the horn so repellent they shuffled off at the sound of it. So do they stay where they are safe? No of course not, they run off to this abandoned building in the middle of nowhere, so the bloke can prove what a hardnut he is the girl can act like she's having a nervous breakdown.<br /><br />Finally, the film closes. It doesn't end, it just goes to a grinding halt. The main character wanders back to her vehicle covered in fake blood, as if nothing horrible had happened. But, my dear viewer, something horrible has happened. You have just sat through one of the most lamebrained, boring horror films you're ever likely to see, and lost 82 minutes of your life you'll never get back. Just think.. years from now on your deathbed, what you'd trade an hour and 22 minutes for just to spend a bit of extra time with your family. Sadly, it's already too late for me. Don't you make the same mistake :( 2/10 | 0 |
I learned a thing: you have to take this film like a funny period comedy, if you don't want to be disappointed. The film's enjoyable because it's a delicious comedy. I think the over-hype damaged it: the too much glorified Monica Bellucci appears in few scenes and isn't so good as they wanted to let you believe. She sounds unnatural, false: the best actress in this film is Sabrina Impacciatore, who speaks with a perfect Tuscan accent and shines together with Massimo Ceccherini. Elio Germano is very, very good: the most promising young Italian actor, according to me. Daniel Auteuil looks like Napoleon, but I preferred other actors. So, the most hyped performances were also the worst.<br /><br />Costumes and production design are okay: sure, American period movies are more accurate about these things because have bigger budgets, but the Italian ability rewards the lack of money. A nice period comedy, in short, with a first-rate casting (except for Bellucci and Auteuil). | 1 |
This is an incredibly compelling story, told with great simplicity and grace. The story itself is the object of the film, although the scenery is beautiful. The acting is understated, even superbly so, for the characters themselves come through in all of their eccentric simplicity.<br /><br />This piece of art will likely not be appreciated by those who view movies "casually", without due attention. It takes work to be brought into the story, but once you become involved the captivation is complete! | 1 |
The Scottish artist Andy Goldsworthy fashions natural materials into ephemeral artworks, assembling rocks into egg-shaped cairns, filling riverside rock-pools with fiery flowers and stitching thorns and twigs into intricate web patterns. An original work and a few photographs of his other creations are tucked away in a corner of Southampton art gallery (near where I live), but although I found these pieces intriguing, I only realised the wonder of Goldsworthy's work when I was lucky enough to catch a re-screening of Rivers and Tides.<br /><br />Thomas Reidelsheimer's film, accompanied by a beautiful instrumental soundtrack by Fred Frith, brings Goldsworthy and his art to life by showing the artist at work. The opening scene captures him fusing icicle fragments into a snake-like thread set atop a tree-stump. Working with his teeth and bare hands, Goldsworthy crafts a beautiful, ephemeral work. Before long this delicate sculpture melts away to nothing in the brilliant Nova Scotian sunlight. This scene is among the most beautiful in the film, but the breadth and inventiveness of Goldsworthy's work is remarkable. Reidelsheimer shows both the successes and the failures, capturing the frustration of pieces that collapse before they are completed as well as the glory of those that shine, even if for just a few hours, minutes or seconds.<br /><br />Goldsworthy himself provides the narration, speaking slowly but thoughtfully about the themes in his work. He makes plain his need to work with nature, to be alone in it and to further his understanding of it through trying to work with natural materials, even when they seem to be working against him. At times he is down-to-earth and humorous; at other times he struggles for the words to express his purpose something which is quite understandable when witnessing his astonishing work first hand. The 'Rivers and Tides' of the title become increasingly pertinent as we see the natural materials pass through the artist's hands, flowing from one form to the next. The capture of the creation and dissolution of Goldworthy's work is in itself a striking piece of art.<br /><br />Although Goldsworthy works with widely varying materials and covers territory across North America and Europe, the presentation of artworks one after the other in this film is exhausting; it gave me the same feeling of fatigue that I get when I spend too long in an art gallery and struggle to take in anything new. A brief interval in which we are introduced to Andy's family and hometown is all that breaks the long succession of his artworks. Nevertheless, Reidelsheimer does a superb job in photographing Goldsworthy and his creations, locating them in their wider environments, from meandering Canadian rivers to rainy Scottish hillsides. Fittingly, the film ends with Goldsworthy casting handfuls of earth and snow into the sky. Fleeting patterns emerge from the dust particles even as they dissipate into the air; this is the purest expression of the beauty to be found in the work of this remarkable artist. | 1 |
Multiply named and strangely casted, "One Dark Night" aka "Mausoleum", is one of the better early horror video-rentals. Original and quite raw, we meet Adam West briefly in this film about telekinesis and teen-age headgames. Meg Tilly is dared into spending the night in a crypt by "The Sisters" a high-school gang of hair-hoppers in blue satin jackets. The initiation is interrupted by the recently interred body of a mass-murdering psychic wizard called "Raymar". Surprisingly awesome make-up and scare effects paints this chiller film with style and deliver a heart-pounding climax. | 1 |
Take a pinch of GOODFELLAS, mix it with THE GODFATHER, add some Roman mythology and plenty of lowbrow comedy, and you have THE SOPRANOS, about a mob clan operating out of northern New Jersey. It's almost as entertaining as pro wrestling. I am not the biggest fan of this show, but I do admire James Gandolfini's very complicated Tony Soprano, a psychopath with an occasional glimmer of conscience. I also have come to admire te contributions of folks like gravel-voiced Dom Chianese as the bewildered but murderous Uncle Junior, silver-haired Tony Sirico as the perpetually perplexed Paulie and the very beautiful Edie Falco as the duplicitous, tough-as-nails Carmela Soprano. The violence is sudden and graphic, the body count steadily climbs each season, but it is often the small moments that matter most here. Watch Paulie and Tony's nephew Christopher (Michael Imperioli late of LAW & ORDER) as they get lost in the Pine Barrens and sit out a bitter cold night in an abandoned trruck, both convinced they've had it. | 1 |
Errol Flynn is "Gentleman Jim" in this 1942 film about boxer Jim Corbett, known as the man who beat John L. Sullivan. Directed with a light hand by Flynn's good friend, Raoul Walsh, the film also stars Alexis Smith, Jack Carson, Alan Hale Sr., William Frawley and Ward Bond. Flynn plays an ambitious, egotistical young man who has a natural talent for boxing and is sponsored by the exclusive Olympic Club in San Francisco in the late 1800s. Though good-natured, the fact that he is a "shanty Irishman" and a social climber builds resentment in Olympic Club members; most of them can't wait to see him lose a fight, and they bet against him. Despite this, he rises to fame, even working as an actor. Finally he gets the chance he's been waiting for, a match with the world champion, John L. Sullivan (Ward Bond). Sullivan demands a $10,000 deposit to insure that Corbett will appear to fight for the $25,000 purse. Corbett and his manager (Frawley) despair of getting the money. However, help comes in the form of a very unlikely individual.<br /><br />This is a very entertaining film, and Jim Corbett is an excellent role for Flynn, who himself was a professional fighter at one time. He has the requisite charm, good looks and athleticism for the role. Alexis Smith plays Victoria Ware, his romantic interest who insists that she hates him. In real life, she doesn't seem to have existed; Corbett was married to Olive Lake Morris from 1886 to 1895.<br /><br />The focus of the film is on Corbett and his career rather than the history of boxing. Corbett used scientific techniques and innovation and is thought of as the man who made prizefighting an art form. In the film, Corbett is fleet of foot and avoids being hit by his opponents; it is believed that he wore down John L. Sullivan this way.<br /><br />Good film to catch Flynn at the height of his too-short time as a superstar. | 1 |
Dare Rudd (John Wayne) and sidekick Dink Hooley (Syd Saylor) are itinerant cowpunchers who can't seem to stay in one place very long. In "Helltown", the boys are headed to Montana, where they meet up with Rudd's cousin Tom Fillmore (Johnny Mack Brown), who offers them a job. It's a hoot to see the boys wearing aprons as they start out as cooks with the herd, although Dare becomes self conscious when Miss Judith (Marsha Hunt) rides into camp. Judy is Tom's girl, but the attraction between her and Dare is evident early on.<br /><br />Fillmore has a cattle herd to move, and promotes Dare to running the drive, partly to prove to Judy that he may not be up to the task. Meanwhile, bad guy Bart Hammond (Monte Blue) has his eyes on Fillmore's cattle, but when his henchmen fail to rustle the herd, he figures it's easier to win the money that Dare was paid at the end of the trail. Conning Dare into a rigged card game with his man Brady (James Craig), Dare's money begins to evaporate hand after hand. It's only when Dare fails to show up back at Fillmore's ranch that Tom goes out to find his cousin. Exposing the cheats, Tom, Dare and Dink high tail it before the bad guys can get their revenge.<br /><br />"Helltown", also known as "Born to the West", was released in 1937 by Favorite Films Corporation, a couple of years after Wayne's series of Westerns for Lone Star Productions. It only slightly alters the Lone Star formula; Wayne does get the girl at the end of the film, but here he was trying. There's a great runaway horse scene where Wayne rescues Marsha Hunt, in which Johnny Mack Brown's horse does a complete somersault spill. Syd Saylor does a nice job as the comic relief pal, doing his best to sell lightning rods to unsuspecting victims. He replaces familiar faces George "Gabby" Hayes and Yakima Canutt here, staples of the Lone Star films. John Wayne's charisma is beginning to develop here, preparing him for the leap to super star status that he eventually achieved. <br /><br />"Helltown" was based on a novel by legendary Western author Zane Grey. If you're looking for more films based on Grey's stories, try "Fighting Caravans" with Gary Cooper, "The Light of Western Stars" with Victor Jory, "Drift Fence" with Buster Crabbe, and "Heritage of the Desert" with Randolph Scott. | 0 |
Who knew they could be so funny?? Christopher Meloni and Janel Moloney are known more for their outstanding work in some of television's hottest dramas. ("Law & Order: SVU" and "The West Wing") Put them together on the big screen and what you get is an engaging romantic comedy with plenty of laughs.<br /><br />The actors develop the story's ongoing relationship with impressive skill, leaving the audience bound to fall in love with Barry Singer (Meloni), despite the fact he's a standup comic who also happens to be a mean-spirited, sexist jerk.<br /><br />You'll be rooting for him even as he takes all his insecurities with the opposite sex and chases Thea (Moloney) halfway around the country in hopes of winning her heart. They have so little in common...but when Barry finally opens his heart, you'll wonder why Thea keeps running away.<br /><br />The Souler Opposite is a wonderful movie with an incredible cast and a gifted writer. Well worth your time.<br /><br /> | 1 |
Have seen this movie today. Very disappointed and wondered how it could be in the Oscar shortlist. The most sad things are:<br /><br />1. It's very slow. <br /><br />2. How Ghengis-khan, cruel and mighty emperor of Asia can be played by a kind, good actor with warm and lovely eyes - during all the movie except one scene? <br /><br />3. Lot of holes in the plot: there's nothing about how he became the emperor; nothing about where he spend 20 years between his childhood and mature age. We see an ex-slave without money, power, friends or home. Click! - the very next second he's leading the huge army, without any reasons to be a leader. <br /><br />4. The magic of Ghengis-khan arise is kindly explained only by the help of one wolf/god/whoever it was. <br /><br />5. Can a man make love to his wife THAT way after not seeing her for years? <br /><br />6. Is it enough to win the sword fight if you just riding your horse through the enemy lines, sitting there with two swords and everybody around you dies? Does Ridley Scott know that way? <br /><br />7. Why after 20-30 years Khan's mother doesn't look older? <br /><br />8. What is the motivation for the main character? (None. Literally.)<br /><br />Don't waste your time. Really. Cinematographers's work is good; the nature is outstanding - but the movie cannot be made without director and script. The real Ghengis-khan would execute director in a second.<br /><br />Kind regards. | 0 |
I think the context of the story has been covered by other posters so I would just like to write about the impact this film had on me.<br /><br />I first saw this film the year of it's release around 1987. My school organised a trip to the cinema to see it, for an RE project I think. We all went along of course excited because we were on a school trip to the cinema! Little did we know what we were about to experience. To this day I still remember the feelings it invoked in me and i remembered crying a lot as were most of my friends. I think at the age we were we found it shocking and quiet rightly outraged in our own youthful way .It had such an impact on me that I joined the Anti Apartheid Movement the same year.<br /><br />I think it served it's purpose in my case. | 1 |
Watched on Hulu (far too many commercials!) so it broke the pacing but even still, it was like watching a really bad buddy movie from the early sixties. Dean Martin and Jerry Lewis where both parts are played by Jerry Lewis. If I were Indian, I'd protest the portrayal of all males as venal and all women as shrews. They cheated for the music videos for western sales and used a lot of western models so the males could touch them I usually enjoy Indian films a lot but this was a major disappointment, especially for a modern Indian film. The story doesn't take place in India (the uncle keeps referring to when Mac will return to India) but I can't find out where it is supposed to be happening. | 0 |
Legend of Zu<br /><br />I remember well Tsui Hark's original Zu Warriors made 18 years earlier. Over one Christmas, on a rare week when Channel 4 in the UK showed a week of Hong Kong movies, Zu Warriors was so gripping for a very young viewer and his brother and so memorable, that it's been etched into the memory of the now grown up sprog...<br /><br />In fact, I think the original Zu Warriors is one of the earliest films I saw as a kid that I can clearly recall the story line and action scenes from. And the memories of seeing Yuen Biao, Sammo Hung and others in their classic prime.<br /><br />So when I saw this remake of Zu Warriors, there was a feeling of apprehension. Could it beat the dreamy childhood memories I had of the original, or will it follow the road of other remakes and die a death more horrible than the baddies and their broken necks you find in those kung fu movies?<br /><br />Well the answer is I can't say. But that was because this isn't really a remake. The stories (and styles) are almost completely different.<br /><br />The Legend of Zu tells of the story of King Sky, a lone warrior, whose master, Dawn, declares her love for him but her life is taken from her by a monster called Insomnia. Two hundred years later, Insomnia returns, Dawn is reincarnated as Enigma, and Insomnia has returned to destroy Zu. Meanwhile White Eyebrows and Red try, with the help of King Sky, to stop Insomnia.<br /><br />The plot isn't one full of twists and turns, but had enough detail in it to keep me interested. But I can see this film as one you either love or you hate. The film is very much about the special effects, with the majority of it involving several computer generated environments, much like The Storm Riders and A Man Called Hero. But unlike the other two, this film was one which didn't overdo the graphics and the whole thing was tasteful. Nothing appears rushed - unlike Hero. The backgrounds were complementary to the acting and not at all overpowering the scenes.<br /><br />The story also involves plenty of characters and the intermingling of so many individuals does make the film intriguing. It was possibly on the verge of 'too many cooks', but generally each character had its part in the story. But some of the roles appear to be 'extended cameos' in my opinion, and I somehow am left to slightly question the necessity of this.<br /><br />Ekin Cheng and Louis Koo play very central roles in the film, but I couldn't say this film showed their best performances. Cecilia Cheung appears to at least have matured in her acting, but it is still quite raw. Kelly Lin was the new revelation for me. Despite her very short role, I have apologise and admit to ogling!<br /><br />Overall, I have to say, did enjoy this film as much as I enjoyed the 'original'. Given that both movies are made by the legendary Tsui Hark, the two films together are part of a chronicle showing how film making in Hong Kong has changed over two decades. And one beauty of that is the fact that you can't really compare the two films at all, as much as apples are apples and pears are pears.<br /><br />Ultimately, both are thoroughly enjoyable films in their own right. And I'm going back to reminisce by watching the original again.<br /><br />Two to watch, but not compare. | 1 |
I found the memorable quotes searching for video clips; they forgot one of my favorites...<br /><br />Old Person 1: You know, I remember the first time they played that thing. <br /><br />Old Person 2: You remember pterodactyls. <br /><br />Old Person 1: And I can remember you fell for that, hook line and sinker. <br /><br />Old Person 2: Oh, I did not. <br /><br />Old Lady: You did so. You put a big bucket on your head and took off with them army boys to fight Martians. <br /><br />Old Person 2: Ain't you dead yet? | 1 |
wow! this is a good movie! The acting wasn't good at all, but if you look at some moments in the film, rewind, and watch it again, it is genius! The man in the begin of the film walks with his suitcase against a three. WOW!I never expected that. Then he puts the coke in a suitcase and runs away. I bet that smoking guy against that three was one of his mates who sold the drugs later. And the genius quotes: ''nice shades, i need a pair'' ''their yours.. if you think you can take them..''.. just Brilliant! And the fighting is the best i've seen in a while. Look at the second guy he takes down after he hit the head of the first guy against the table. WHAT A HIT! And in the middle of the film, one guy in a car shot one time, then 3 guys fall, he is really good at aiming. It costs a lot of money to hire these guys like him. The end was brilliant, it was so exciting that james cahill walks 5 minutes up and down the stairs and shoot jason peters after his distraction moves. Jason Peters falls down, and roll over again while he is dead! I can't say with more words how great this movie is! | 1 |
In fact, the nature of the whole series is irrepressibly funny! But not always funny... there are moments of extreme poignance as the deeper aspects of human emotion are touched on. <br /><br />Over and again, the series comments on the frailties of human nature and the life long, or in this case eternal, struggle to overcome them. Monkey is both smart and stupid at the same time, his arrogance and reliance on his own martial skills lead him into trouble in almost every episode. Pigsy is just plain gross. Sandy has a philosophical turn of mind. He has many of the wittiest lines. <br /><br />The English translation is a delight. "Ignorance can always be improved upon," drawls Sandy in his laid-back manner, "but you can't do anything to help stupidity!" "Who are you?" the group of travellers are asked. "We three kings of Orient are," says Monkey. <br /><br />This is not just for children, it is a magical romp for anyone who can suspend reality | 1 |
THis was a hilarious movie and I would see it again and again. It isn't a movie for someone who doesn't have a fun sense of a humor, but for people who enoy comedy like Chris Rock its a perfect movie in my opinion. It is really funnny | 1 |
DON'T BELIEVE THE HYPE!<br /><br />I had to see why all the critics fawn over this movie. I have seen it and still don't get it. The Plot is thin, very thin. After the movie was over, I still did not know the female lead characters name and one of the two male characters did not even have a name in the credits, he is credited as "the farmer". I did not care about the characters, so I did not care about the movie.<br /><br />The scenery and cinematography were brilliant, but so is the stuff on National Geographic or The Discovery Channel.<br /><br />I can not recommend this movie to anyone. | 0 |
"Beyond the Clouds" is an over-the-top artsy group of four vignettes each a offering a glimpse into a man-woman relationship from the tenuous to the turbulent. Although the film offers superb cinematography, some exquisite visual beauty, and a cast of fine performers, there's little meat on the bones of this fragmented work. A taste of a relationship cannot impart the fullness of it and synergism suggests that much more can be accomplished with one story in 2 hours than with four. Nonetheless, "Beyond the Clouds" will be fodder for dilettantes and a visual feast for the all albeit superficial, stilted, and lacking in substance. | 1 |
Perfect double bill for the horribly corny "Beverly Hillbillies" is this equally atrocious, lame brained 'comedy', "Son in Law". Country girl Rebecca goes to wild California to attend college, only to be assaulted by the lifestyle. 'Resident Adviser' "Crawl" helps her settle in, and soon the two are good friends. Bec decides to bring the wacky "Crawl" home for Thanksgiving, with obvious "fish out of water" results.<br /><br />The only other comic angle Steve Rash (aptly named ) achieves here is a sexual one. This he bludgeons us with, but to no avail. Both comic aspects fail dismally, and you know the film is groping when "Crawl" hijacks the combine harvester and writes his name in the corn field.<br /><br />Dramatically the movie falls short too, with several attempts at family and personal counselling from "Crawl" misfiring. Between them Pauly Shore and Carla Gugino manage to raise a couple of smiles, but little else, while the rest of the cast are mere fodder. The problem is it's nearly impossible to actually like "Crawl", and you'll find yourself spending the whole flick wondering why Rebecca would want to spend a moment with him. However, if you're a fan of unintelligent comedy, "Son in Law" is right on the mark.<br /><br />Sunday, November 10, 1996 - T.V. | 0 |
To truly appreciate this film you had to be there (acting?) or have been a crew member.<br /><br />Yes, I am "Selena", and at the ripe old age of 42, have serious doubts about what we were doing/did.<br /><br />It all started out to be like a "John Waters" type thing, friends acting badly in bad films. Somewhere along the line,the fun discontinued, people who were supposed to be friends didn't speak anymore, and BAD became worse.<br /><br />I regret the bad image I might have projected.(Try to fit in size one gold spandex pants,)<br /><br />Other than that, the film SUCKS so badly, I would not even make my mama watch it.<br /><br />To my director, cast and crew I say,<br /><br />"Why can't we just all get along??<br /><br />It's been OVER TWENTY YEARS, PEOPLE!!!!!!!!!!!!!!!!!!!! | 0 |
I approached this film with low expectations but was very pleasantly surprised. It is very well done and it beats hands down the ballroom dancing movies of recent years, especially "Strictly Ballroom". While the music is nice and the dancing colourful, for me the movie is not about dancing. It is about the very Japanese institution that gives male office workers long commutes to work and free time after work for entertainment that does not involve their families. Here we have the man with the complete family and the large mortgage and a flagging zest for life. He is drawn to the attractive image of a young woman in a dance studio he passes during his commute and this leads him to try ballroom dancing. Also Japanese is the fact that the lecherous motives that initiated his new passion are made plain but somehow accepted, at least eventually, by family and audience. Attitudes to ballroom dancing, as conveyed in the film, are definitely non-Western, though the discipline and the music are clearly cultural imports to Japan. The cultural contrasts are thus intriguing. Even without the cultural insights, the colour, the dance and the enthusiasm of the players all make this a fun film to watch. | 1 |
How in the name of decency did this film ever get made? <br /><br />One presumes the subtitles merely say 'awful' on every single frame of this truly dismal effort.<br /><br />Horrendous acting, woeful dialogue and the lack of talent from everyone involved in this nightmare make for an excruciating 90 minutes.<br /><br />Overall impression? <br /><br />A bunch of excitable drama students got lucky with a lottery grant and proceeded to make one of the most painful films ever made.<br /><br />This makes Hammer Horror TV shows look like Oscar material.<br /><br />And don't for a second think this falls into the 'so bad it's good' category. It's not even that bad.<br /><br />But the fart lighting scene is probably worth another look. | 0 |
This movie starts out hilarious from about the 15 second mark, and continues it throughout the movie. I cannot recall a scene where i didn't turn to look at people laughing with me. he is the perfect actor for this roll because of the way he looks and the way he dressed.<br /><br />The comedic parts were great to see from actors not very big or popular. As you can see people do like this movie it is currently rated 7.9 on IMDb. i think it should be in 250. Lets put it this way i haven't seen this funny of a movie since American pie or the original vacation. see it if you want a laugh. I give this movie 2 of the highest thumbs up i have ever given since i found out about IMDb, great movie site. | 1 |
And how it made it into production astounds me. The main character is an obnoxious show off who isn't the least bit funny. I can't stand the character at all. He's a dumb ass with nothing to offer the show. <br /><br />This is the worst cartoon to surface in the last 10 years, no joke. The story lines are both poorly written and executed. The jokes are as bad as the ones on Disney's Sweet Life of Zack and Cody. I could not dislike this show more, it's terrible and should be canceled. Even the theme song is bad. The title, even worse.<br /><br />It's as though this show is written by a couple of 15 year olds that based the character on themselves and think they're hot stuff when they're really just arrogant and lack creativity as well as humor.<br /><br />Johnny Test, go away far and fast! | 0 |
Having Just "Welcomed Home" my 23 YR old daughter from a year in Iraq, Camp Anaconda medical support unit, I felt compelled to get this DVD. I wanted to hear other returning vets feelings in order to attempt to better understand her mentality on arrival and not waiting until after something bad happened. Regardless on your take on the war and peace this movie serves as a great start for all Americans to begin the healing of our returning vets emotional void. The paramount statement of the entire movie is "Take Action" on the problem . Incredibly emotional movie. I would highly recommend this movie to the vet the vets entire mature family and ask that they follow through with a plan to listen comfort help the returning Gulf War Enduring Freedom vets.<br /><br />Fast forward nearly one year later & My daughter has seen this DVD. Took account of her emotions and actually has made a commitment to re-up for another 6 years. Her take on her time spent in the sand is that she did some good. Local Balad children got first rate medical treatment for various common ailments not ordinarily able to afford free with an escort and translator. Her look over her shoulder at her Iraq tour was . "We changed some hearts and minds back there" Great DVD you have to keep an open mind and see all sides | 1 |
This is a great horror movie. Great Plot. And a person with a fear of midgets will definately love the evil midget! This is a must see for any horror fan. Finally a lower budget movie with decent effects and a great cast! Highly recommended. | 1 |
To be honest I knew what to expect before I watched this film, and I've got to say it has the worst acting I've ever seen. It does have its moments, and on a comedy level its very entertaining, but i'm afraid its not scary, and stupidity is taken to a new level. There's a lot of unnecessary gore, and the plot is all over the place. I have no idea why the aliens were evil, and why they even came to this remote part of wales, (i mean who'd go there anyway?) but I didn't care at that point, because I was amused by the costumes, and the bad CGI. As far as B-movies go, this deserves the title of 'being so bad, its good', and kudos to the film-makers, because they probably knew what they were doing. Long may these films continue..... | 0 |
I have never watched a movie that frustrated me more than Lord Of The Dance. Frustrated because it could have been fantastic. Frustrated because the dancing might have been astounding. Frustrated because the women could have been gorgeous. How would I know though?! By the time your eyes have moved to the area of interest on the screen and focused appropriately on the spot to be admired the insane editor has moved the shot! I completely agree with the other comments here about the crappy lighting and terrible camera/editor work. It makes me nauseous just watching ten minutes of this would be spectacular movie.<br /><br />Give me an opportunity to get a front seat to the live concert and I would be there in a shot! <br /><br />Nicholas T | 0 |
It's so depressing when film makers try to be cool and it's so obvious here. This has below average acting, laughable dialogue, split screens that are difficult to watch, and many goofs in it's attempt to be a period film and autobiographical. This film should be avoided at all costs. I was told not to go and see this film. I wish I had listened. | 0 |
Bled starts as young female artist Sai (Sarah Ferooqui) meets a mysterious yet charming man named Renfield (Jonathan Oldham) & they end up back at her studio apartment where he gives her the bark of some sort of tree which is used as a hallucinogenic drug when melted down. Sai quickly becomes hooked as she is whisked into an alternate fantasy reality which involve Vampiric creatures. Sai's photographer friend Royce (Chris Ivan Cevic) becomes concerned about her as she drifts further from reality as she becomes addicted to the drug, can Royce her kick the drug or will it end up ruining her life & why did the mysterious Renfield get her addicted to the stuff in the first place & do the elaborate fantasy dream like trips have any significance?<br /><br />Co-produced & directed by Christopher Hutson this anaemic arty Vampire flick is pretty much 95 minutes of tedium & is throughly deserving of all the bad comments. The script was written by the interestingly named Sxv'leithan Essex (how the hell do you even pronounce that anyway?) who is also credited as production designer & his unusual name is actually more interesting than anything that ever happens in Bled, I would guess that the makers set out to make a very serious fantasy based horror film with a strong moral message about the dangers of drugs, drug addiction & date rape drug at it's core. The majority of the film is spent on the drug issue with Sai's initial introduction to the drug, how great the first time was & how she becomes hopelessly addicted which eventually destroys her, her life & her friends lives. It's never explained where she keeps getting this drug from as Renfield only gives her a little bit during their initial meeting but hey, who cares? The first twenty odd minutes of Bled are really boring & dull, the following hour or so aren't much better before a mess of a final ten minutes which involve a Vampiric monster & Renfield making a reappearance. The moral elements are patronising, the fantasy elements seem like an afterthought & the horror is none existent. There's also the dialogue which is awful, every sentence tries to be profound, have loads of hidden depth & just tries to have so much meaning that it becomes tiresome to listen to.<br /><br />The concept of the film is terrible & so is the execution as there's absolutely no gore or violence to speak of & the entire thing is set inside an apartment that doesn't appear to have any lights. The fantasy setting looks a little better but it's sparsely seen & underused. There are no scares here, no atmosphere & to make matters even worse the makers have decided to used muted very faded colours which I just hate & find annoying, what's wrong with a nice colourful image? It seems to me to be a fad with current filmmakers who seem to think that it automatically makes a film cool or adds atmosphere which it most certainly doesn't, more often than not it just makes your film look dull & drab as evidenced here with Bled.<br /><br />This probably had a low budget & was shot in Los Angeles & it has reasonable production values but it's all so dull. The acting didn't impress me, I didn't care for or about anyone which is never a good sign.<br /><br />Bled is a terrible Vampire film that goes for psychological horror as well as physical with all sorts of parallels to real life dug addiction & what it can do to little or no effect because the whole thing is so dull. There might be an audience for a film such as this but considering the other comments not that big a one. | 0 |
This movie is supposed to take place in Milford NJ. I know the house that it is based on as well as the person. As you see at the end of themovie, she was killed in the world trade center incident. I know that, because I was one of the police officers that helped with the identification of her remains. (She was the only one in our area lost). The nudity in the movie went a bit far. I am not a prude but the actors could have filmed the scene with the two woman without actually showing the whole thing. This movie is in poor taste and I cannot see how her family would give there blessing to it. This is an insult to the person whom it is based on. | 0 |
Very good dramatic comedy about a playwright trying to figure out how to keep his head above water after running out of ideas. Can't say much about this film without giving away the story. I can say that little was as it seems as you are watching the picture. Everybody has his or her own agenda. Nice little surprise at the end - after all the other surprises. Well written with good performances by all. | 1 |
Yes, Lifetime has a habit of making the male species look stupid. And this soap opera ain't kidding when they make Perry King, supposedly a well renowned medical doctor, unable to see the evil surrounding him. Puts your trust in doctors, huh? How can anyone not see what's going on? Is he that stupid? And the evil wife, with a face like a horse, goes around killing off his entire family without a trace. How does she acquire all the drugs? That isn't explained. How does she get off being a secretary in a hospital without any credentials? I guess the director, Don FauntLeRoy asks us to just believe it. I didn't. I kept yelling at the screen at the stupidity of King with all right in front of his face. If the wife was that attractive, maybe, just maybe, I'd accept it. But she's not even that. Shannon Sturges is the perfect wife and I tell you she has the face of a horse. I wouldn't cross the street for her, yet our perfect husband does and quickly. After everybody in the cast get knocked off, I wasn't satisfied with the come up pence given to our villainess. She deserved more than she got. William Moses plays the doctor's brother who unfortunately you know his outcome from day one. Pleasure to at least see one pretty face in this clinker. That of Lesley Anne Down. She gives the film a 2 count just on the relief of seeing someone fetching in this mess. Perry King deserved his fate. What a jerk. | 0 |
Busty beauty Stacie Randall plays PVC clad, bad-ass bitch Alexandra, the faithful acolyte of Faust, an evil entity trapped in hell. Determined to free her master, the malevolent minx breaks into a warehouse to steal a magical gem vital to her success; but whilst conducting a satanic ritual to summon Faust, the silly mare accidentally enters the pentagram she has drawn on the floor, which results in the loss of the gem and the release of two diminutive, troll-like creatures called Lite and Dark.<br /><br />Now Alexandra must find a replacement gem, which isn't going to be easy: the only other stone that will do the trick is worn around the neck of her ex-lover, police detective Jonathan Graves (Peter Liapis), who is investigating the warehouse robbery and who knows only too well what evil Alexandra is capable of. Meanwhile, wise-cracking inter-dimensional half-pints Lite and Dark get into all sorts of zany trouble as they try to find a way back home.<br /><br />In the warped movie world of Jim Wynorski, all females are big-breasted babes with the fashion sense of a cheap hooker. Ghoulies IV is no exception: every woman in this filmwhether she be a police captain, a curator of antiquities, or a mental patient in an asylumis hot, hot, hot and wears not a lot, and it's this fact that makes this otherwise totally unwatchable piece of STV crap just about bearable.<br /><br />But be warned, even though the presence of semi-naked, quality crumpet makes the going slightly easier, there is still plenty about this film to warrant it being labelled as an ordeal: the acting is wooden and the dialogue is painful; the black humour (as the DVD blurb describes it) is about as funny as a knee to the knackers, with the comedic banter of Lite and Dark being particularly cringe-worthy; and the special effects are bargain basement, consisting of rubbery creatures and visual effects that would have looked dated ten years earlier.<br /><br />3/10 solely for the high bimbo quotient. | 0 |
This is one of the funniest movies that I have seen this year. The people that made it must be so incredibly whacked and twisted. It is a beautiful thing. There were a lot of quality one-liners. This movie blew Uncle Sam out of the water (it was made by tha same people, i think) | 1 |
Considering its pedigree, this should be a far more enjoyable film than it is. Even with a lip-smacking collection of eccentrics in the cast - what aficionado would not eagerly anticipate a movie which brings together Lemmon, Lanchester, Kovacs and Gingold? - the entire event is dully paced, drearily shot and, more often than not, witless.<br /><br />Kim Novak's gifts were not essentially comic, as she went on to confirm in Kiss Me Stupid. James Stewart was a fine comedian, as he ably demonstrated in movies from ranging from The Philadelphia Story to Harvey. I think he comes out better from this mess than anyone else does. Except maybe the cat. | 0 |
Don't get me wrong, I'm a huge fan of many of Woody's movies, obviously his late 70's masterpieces (Annie Hall,Interiors, Manhattan)and most of his late 80's/early 90's dramas (Hannah, Crimes and Misdemeaners,Husbands and Wives) in fact I even liked some of his more recent efforts (Melinda, Anything Else, Small Time Crooks) but this was abysmal, I though it couldn't possibly be any worse than last years Match Point but how wrong I was.<br /><br />It was lazily plotted - basically a cross between Match Point, Manhattan Murder Mystery and Small Time Crooks,with all the jokes taken out - Woody seems to be on the way out as well, slurring most of his lines and delivering 'hilarious' catchphrases 'I mean that with all due respect...' over and over until the blandness of it all becomes to much to bare.<br /><br />I know that most actors are queuing up to work with him but they should at least read the script first - Scarlett Johansson and Hugh Jackman are so much better than this - and Woody should really take a more behind the camera role in future, if he has any sense about 20 miles behind it.<br /><br />It wouldn't be so tragic if we didn't have so many great Woody films to compare this to - but it is clear that his best days are behind him and judging by this effort, Woody should call it a day before he becomes an industry joke.<br /><br />Embarrassingly bad | 0 |
Interesting, fast-paced and amusing.<br /><br />I'm not one of those people who watches loads and loads of television. I stumbled across this show while home sick with a bad case of the flu one day, and was immediately hooked. I developed quite a crush on John Burke. Both he and Claire did an amazing job of hosting the show together. You could really tell that they both loved their jobs.<br /><br />The super-collector segments were excellent. I found myself interested in things I had never previously given a single thought to.<br /><br />What I would really like to know is: Whatever happened to Jack the dog? Did one of the hosts adopt him? | 1 |
There is only one racist joke in this Daffy Duck short, which is basically, when Daffy rides Black Beauty, it is a black woman. I can understand partly why this joke was included, as at the time few people did not know how rude it was to be racist and it wasn't even illegal to discriminate black people yet.<br /><br />Aside from this point, "A Coy Decoy" is basically a fun, interesting short where Daffy meets characters in books and does things in books. I liked this short quite a lot (despite the other reviewers on here). The way Daffy is so in love with the clockwork duck is vaguely disturbing, yet highly amusing at the same time. Porky is a nice edition to the episode, though it was not vital for him to be there. The wolf is an example of how people thought of wolves in those days as well, blood-thirsty, terrible animals, which of course they never really have been (unless they are very hungry). I also liked the style of animation used - and the theme of the episode.<br /><br />For people who are totally into Daffy Duck and for people who do not mind the occasional racist joke in cartoons, enjoy "A Coy Decoy"!<br /><br />Available on YouTube. | 1 |
The opening shot was the best thing about this movie, because it gave you hope that you would be seeing a passionate, well-crafted independent film. Damn that opening shot for filling me hope. As the "film" progressed in a slow, plodding manner, my thoughts were varied in relation to this "film": Was there too much butter in my popcorn? Did the actors have to PAY the director to be in this "film"? Did I get my ticket validated at the Box Office? Yes, dear reader. I saw this film in the Theatre! This would be the only exception I will make about seeing a film at home over a Movie Theatre, because at home you can TURN IT OFF. Were there any redeeming values? Peter Lemongelli as the standard college "nerd" had his moments, especially in a dog collar. Other than that this "film" went from trying to be a comedy, to a family drama to a spiritual uplifter. It succeeded on none of these fronts. Oh, and the girlfriend was realllllllllly bad. Her performance was the only comedy I found. | 0 |
Okay,I'm a history buff,and okay,I'm a action film junkie,so of course,this film is on my top ten of all time.I really love the action scenes,and the unique weaponry of the period.I sort of have doubts about fighting two-handed sword from horse-back,and the Raisuli sword seems more katana-like than scimitar-like,...oh well,I've never fought from horse back,either.<br /><br />I love the attempts at philosophic proverbs,too.The typical desert tribesman probably couldn't read the Koran,so they'd take his word for it.Several writers have criticized Connery's brogue;well,on vacation as a youth,I met a family of South Africans in our west,Dinosaur National Monument,and although they spoke Africaans between themselves(yeah,second generation Germans can hear the difference),they spoke English with a Scottish brogue.Seems that who teaches you affects your pronunciation.Scottish Missionary? | 1 |
Anyone who sees this film will notice that the makers threw a lot of money at this film. It's interesting they titled it "The Hole"! The production values are good for a short film. The hole tries to look big budget and does in some ways but is hampered by the video format it was shot on. I speculate if this was shot on 35mm it would look incredible and would elevate the content somewhat. Many hollywood movies look good and that's enough for an audience regardless of story and content.<br /><br />My honest opinion, 3 out of 10 for this effort. Maybe Ishimoto's next film will deliver. | 0 |
Writer-director Tony Piccirillo adapted his own play about a straight man, recently widowed, learning in the last three weeks he is HIV-positive; he tracks down the one homosexual partner he ever had, brings him to an apartment and ties him up, forcing a blood test on the guy and promising bloody revenge if the results come back positive. Intriguing idea sounds better on paper than it plays out. James Marsden's captive is realistically cynical and snotty, but the actor's own artificial mannerisms are disconcerting--it's like watching a roadshow version of Tom Cruise. Scott Speedman has to work harder with the more challenging role, but his personality-turn from shy guy to kidnapper-on-the-edge isn't convincing, and neither are the conversations the two men have. Marsden's gay party boy isn't apathetic, of course--he's momentarily sympathetic to Speedman's plight--but he doesn't react or behave the way any homosexual man would in this circumstance. The movie isn't a cop-out, exactly, but it is a fraud, handicapped further by the bad editing, the poorly-conceived flashbacks, the low-budget production, and the big finale which smacks of silly pretension and soapy melodrama. *1/2 from **** | 0 |
The Hamiltons tells the story of the four Hamilton siblings, teenager Francis (Cory Knauf), twins Wendell (Joseph McKelheer) & Darlene (Mackenzie Firgens) & the eldest David (Samuel) who is now the surrogate parent in charge. The Hamilton's move house a lot, Franics is unsure why& is unhappy with the way things are. The fact that his brother's & sister kidnap, imprison & murder people in the basement doesn't help relax or calm Francis' nerves either. Francis know's something just isn't right & when he eventually finds out the truth things will never be the same again...<br /><br />Co-written, co-produced & directed by Mitchell Altieri & Phil Flores as The Butcher Brothers (who's only other film director's credit so far is the April Fool's Day (2008) remake, enough said) this was one of the 'Films to Die For' at the 2006 After Dark Horrorfest (or whatever it's called) & in keeping with pretty much all the other's I've seen I thought The Hamiltons was complete total & utter crap. I found the character's really poor, very unlikable & the slow moving story failed to capture my imagination or sustain my interest over it's 85 & a half minute too long 86 minute duration. The there's the awful twist at the end which had me laughing out loud, there's this really big sustained build up to what's inside a cupboard thing in the Hamiltons basement & it's eventually revealed to be a little boy with a teddy. Is that really supposed to scare us? Is that really supposed to shock us? Is that really something that is supposed to have us talking about it as the end credits roll? Is a harmless looking young boy the best 'twist' ending that the makers could come up with? The boring plot plods along, it's never made clear where the Hamiltons get all their money from to buy new houses since none of them seem to work (except David in a slaughterhouse & I doubt that pays much) or why they haven't been caught before now. The script tries to mix in every day drama with potent horror & it just does a terrible job of combining the two to the extent that neither aspect is memorable or effective. A really bad film that I am struggling to say anything good about.<br /><br />Despite being written & directed by the extreme sounding Butcher Brothers there's no gore here, there's a bit of blood splatter & a few scenes of girls chained up in a basement but nothing you couldn't do at home yourself with a bottle of tomato ketchup & a camcorder. The film is neither scary & since it's got a very middle-class suburban setting there's zero atmosphere or mood. There's a lesbian & suggest incestuous kiss but The Hamiltons is low on the exploitation scale & there's not much here for the horror crowd.<br /><br />Filmed in Petaluma in California this has that modern low budget look about it, it's not badly made but rather forgettable. The acting by an unknown (to me) cast is nothing to write home about & I can't say I ever felt anything for anyone.<br /><br />The Hamiltons commits the cardinal sin of being both dull & boring from which it never recovers. Add to that an ultra thin story, no gore, a rubbish ending & character's who you don't give a toss about & you have a film that did not impress me at all. | 0 |
I guess I have still enough brain left to NOT find this movie funny. -Great comedians - but a very poor movie! The "best" performance still did NINA HAGEN <br /><br />TRIVIA: Did you realize that it the "real world" scenes (in Hamburg) the cars are almost ONLY new BMWs ?? <br /><br />I guess I have still enough brain left to NOT find this movie funny. -Great comedians - but a very poor movie! The "best" performance still did NINA HAGEN <br /><br />TRIVIA: Did you realize that it the "real world" scenes (in Hamburg) the cars are almost ONLY new BMWs ?? | 0 |
This is an absurdist dark comedy from Belgium. Shot perfectly in crisp black and white, Benoît Poelvoorde (Man Bites Dog) is on fine form as Roger, the angry, obsessive father of a family in a small, sullen Belgian mining town. Roger is a photographer who, along with his young daughter Luise, visits road accidents to take photos. He is also obsessed with winning a car by entering a competition where the contestant has to break a record - and he decides that his son, Michel, must attempt to break the record of perpetually walking through a door - he even hires an overweight coach to train him. Michel dresses as Elvis and has a spot on a radio show called 'Cinema Lies', where he describes mistakes in films. Luise is friendly with near neighbour Felix, a pigeon fancier. Roger is a callous figure as he pushes Michel right over the limit during the record attempt, which almost results in his death. Interspersed throughout the film are Magritte-like surreal images. It's undeniably charming and well worth your time. | 1 |
I saw it at the Legacy Theater in the Joseph Smith Memorial Building in Salt Lake City this morning. I'm going to assume that one's level of enjoyment during this movie will largely be based on one's level of acceptance of Joseph's story.<br /><br />However, that aside it was very well made, well acted, and had a nice score. If you get to Salt Lake City, it is a must to see it in the Legacy Theater. I have never been in a nicer theater as far as picture quality, sound quality and ambiance in my entire life...I wonder if the Church would let me watch Batman Begins there! Being that I'm LDS and regard Joseph as a prophet, I was touched in several places and was brought to tears quite a few times...which I presume is expected since they handed out tissues BEFORE the movie started! Anyway, I'm told that this film is available in several LDS Visitor Centers around the globe, if you have 70 minutes check it out because whether you believe Joseph Smith or not, he tells a fascinating story. | 1 |
When I saw this "documentary", I was disappointed to see Serbian Propaganda in action once again. Even though Serbia and its nationalist politics is main reason of Yugoslavian breakup, it is not mentioned in this "documentary", which is made by Bogdanovich whose name tells us that he is Serbian and his movie that he is far from being objective. It is one in the set of lies pushed by Milosevic regime. Everyone else is guilty only Serbians were right and victims, even though most of the War Criminals tried in Hague are Serbs, even though Serbs are one who have committed genocide against Bosnians , and attacked Slovenia, Croatia,and Bosnia all independent nations recognized by the UN.Breakup of Yugoslavia was not avoidable because Serbians did not want to release the grip their nationalism has put on Federal Yugoslav government, so SLovenia, Croatia, Macedonia, and Bosnia were forced to become independent nations in order to protect their interests.If you are interested in an objective documentary about breakup of Yugoslavia, and fact led documentary this is not it . You should watch "Yugoslavia:Death of a Nation", Made by Discovery channel and BBC. | 0 |
Over the years I seemed to have missed this picture of Ronald Reagan, and due to his recent passing to the big screen in heaven, it was shown on TV recently. This is a great low budget B&W film of the late 1930's, however, it is very interesting to see how criminals used their talents to steal money from insurance companies with false claims during this particular time frame. I was surprised at the role Ronald Reagan,(Eric Gregg),"The Killer's,'64, played in this picture, along with a great veteran film star, Sheila Bromley,(Nona Gregg),"Nightmare Circus",'73, who was a great supporting actor. It was a great film that showed Ronald Reagan as a very young man reaching for the stars in his career in Hollywood at the time. God Bless HIM ! | 1 |
Just love the interplay between two great characters of stage & screen - Veidt & Barrymore | 1 |
There was absolutely nothing in this film that hadn't been done better in a hundred other films. It was barely worth the trouble of watching through to the end. Even the bad language sounded tired. Tom McCamus, a very fine actor, was particularly disappointing here. | 0 |
There's about 25 years worth of inspiration packed into it. Beginning with existential themes of Blade Runner, as well as the vision of the future - with corporate billboards advertising their products, to the technology of the later Matrix films and Spielberg's A.I., and finally the black and white graphic novel look similar in style of Sin City. The creators have put in a lot of effort in the visual department and the outcome is a well crafted future neo-noir. Add a detective story and you've got an interesting film. I know what it wanted to be, but regardless of the stunning visuals, it wasn't enough to get it to the final destination. | 1 |
It was a movie that made ya think a little. Some parts a little cheesy, some parts pretty good. Plot did thicken at times and just when you thought Angella (Sandra) found a friend the friend was fraud or dead. All I got to say is that DENNIS MILLER should have been in the whole movie. His character was the best, very refreshing after all the crap Angella went through. He would have lifted me and Angella through the dumps. | 1 |
Of all the films I have seen, this one, The Rage, has got to be one of the worst yet. The direction, LOGIC, continuity, changes in plot-script and dialog made me cry out in pain. "How could ANYONE come up with something so crappy"? Gary Busey is know for his "B" movies, but this is a sure "W" movie. (W=waste).<br /><br />Take for example: about two dozen FBI & local law officers surround a trailer house with a jeep wagoneer. Inside the jeep is MA and is "confused" as to why all the cops are about. Within seconds a huge gun battle ensues, MA being killed straight off. The cops blast away at the jeep with gary and company blasting away at them. The cops fall like dominoes and the jeep with Gary drives around in circles and are not hit by one single bullet/pellet. MA is killed and gary seems to not to have noticed-damn that guy is tough. Truly a miracle, not since the six-shooter held 300 bullets has there been such a miracle. | 0 |
The way this story played out and the interaction between the 2 lead characters may lead me to believe that if the X-Files continues without Mulder and Scully, these would be a pretty good replacement duo. | 1 |
British comedies tend to fall into one of two main types: the quiet, introspective, usually romantic study and the farcical social satire. Settings, characters, and concepts vary but certain characteristics place the vast majority of shows into one of the two categories. Butterflies is perhaps the epitomé of the first type. <br /><br />The scripts are very verbal, including long interior monologues by the main character Ria, a basically happy but unsettled housewife curious about what she might have missed out on when she embarked on a thoroughly conventional life. When she meets a successful but clumsy and emotionally accessible businessman (who makes his interest in her quite clear), she toys with the idea of finding out what the other path might have offered.<br /><br />The acting and scripts are always on the money, which makes one's reaction to the show almost entirely a personal one: I was neither blown away by it nor turned off. My mother, on the other hand, adored this show. I think the degree to which one identifies with Ria's dilemma is the most important factor in determining one's reaction to Butterflies. | 1 |
There was some hesitation from my part about what this movie had to offer. For starters, the casting didn't seem right. Kiefer Sutherland had already done very well in "24" and the preview didn't seem to offer anything challenging to him or the audience. Eva Longoria appeared out of place, and the rest didn't seem very interesting.<br /><br />When the film finally ended, I was not completely displeased for I had seen a decent thriller that could have been much better, had the responsible parties taken a little more care to watch for the narrative gaps and given a little more care to character development. We have seen threats of this type before, and that made the main conflict much more challenging to the writers. As an audience, we don't want to sit through the same old story again. We want to see something different, be thrilled and entertained.<br /><br />There is nothing wrong with the casting. From Kim Basinger's delicious first lady. She carries herself with enough grace and sex appeal to make the part memorable. Michael Douglas has been and done that before. Unfortunately, the president is much of a non entity to even care about his fate. Sutherland rehashes his "24" tough guy approach with enough power to make it big enough for the big screen, and Eva does a passable job, as the newcomer.<br /><br />Don't expect as many twists and fireworks as some of the established classics ("North by Northwest" and "The Fugitive" come to mind). Leave your expectations outside and enjoy the ride for whatever it might be. It's o.k. | 1 |
This movie is a cyborg in and of itself: half nonsense/half Lifetime Original Movie.<br /><br />As a cyborg, this movie has but one objective: to make you wish that you had spent the duration of the film in a dark room punching yourself in the testicles.<br /><br />Unlike many people, I did not rent this movie because of Angelina Jolie(I'll explain why I rented it shortly). I am not a big fan of Ms. Jolie's, though I will say that her performance was stellar! Her blank stare and robotic acting really did have me believing that she was an android hooker. If anyone has a clip of her on 'Inside the Actor's Studio' explaining how she prepared for this role, please send it my way. I'll make sure to use it when I try James Lipton for Crimes against Integrity.<br /><br />So what drove me to rent this movie? One would think that it was the hope of seeing Angelina Jolie's nipples, but it wasn't. No, the reason behind this rental rested solely on one of the images on the cover of the DVD; that of Jack Palance's face! HALF OF HIS FACE WAS ROBOTIC! When I saw that, I imagined legions of "Palances" slowly marching through a fiery wasteland, laying waste to any humans that were foolish enough to resist. In my mind's eye, every member of this Unholy Army of Palances had a red, glowing eye; a red, glowing eye that looked at humans and saw only "meat". They were to be the Architects of Oblivion...a cold, steely Apocalypse...a Nightmare from which Humanity would never awaken. It's a beautiful image that I will cherish till the end of my years.<br /><br />Like most things in my life, the actual movie did not live up to my expectations. No, there was only 'one' Jack Palance, and the only visible cybernetic enhancements that he had were located on his legs. Sadly, those enhancements didn't really "enhance" anything. That is unless, you count WALKING LIKE A POLIO VICTIM as a super power. At least their was a scene where Jack--grinning like a trigger-happy Alzheimer's patient--got to shoot the hell out of some people. I was waiting for him to yell, "I'm damn tired of paying too much for prescription medication!" Unfortunately, any outbursts of geriatric rage were few and far between.<br /><br />What the movie did have an abundance of was a poorly developed love story about a man(Elias Koteas, a.k.a. poor man's De Niro) and a cyborg(Angelina Jolie, a.k.a. Demon Spawn of John Voigt). Oh man, can the love between a Romeo of Flesh and a Juliet of Silicon ever be able to last?!?!?! It can if you follow Jack Palance's simple advice: "You have to TASTE each other's TIME".<br /><br />Yeah, I'm not sure what that means. However, I am sure that I do not want Jack Palance to be the one to explain it to me. I sure as heck don't want him to show me! As an experiment, I suggest that you ask your significant other if he/she "thinks that we have reached a level in our relationship where we can begin to TASTE each other's TIME?" | 0 |
This movie ... I saw it 15 years ago and in the last years couldn't remember it any more, name or anything else, just it was about a Romanian country man played superbly by Anthony Quinn. The impression I got from this drama will be eternal. Finally I found the name of the movie, I hope I will be able to buy it. And honestly this movie worth 10 Oscars. Ten times BRAVO. I was quite young when I first saw the movie. I asked my friends if they heard about this story but nobody would know anything about Anthony Quinn playing the role of a Romanian peasant. I remember when a German officer came and saw Anthony and told him he was a good "breed" but in fact the German was cheating on him. For few bucks you won't get rich in case you buy the movie but you will be rich if you have it. | 1 |
...un-funny and un-entertaining, possibly the worst movie I have ever had the misfortune to watch. Think 'Ernest goes to..' humour done even worse. Myself and my girlfriend sat through it just to see if it could be as consistently dire as it seems in the opening sequence... Yes it is. Avoid at all costs. | 0 |
If you're coming to this film to learn something about depression, forget it: you won't learn anything except how not to write a screenplay on the subject. I understand the intent was to show how severe depression can turn an average person into a complete wreck, but the result is the most one-dimensional character I've ever seen in a Hollywood feature... no small feat. Christina Ricci as Elizabeth spends the entirety of this film screaming at the top of her lungs, viciously insulting someone, bursting into tears or some combination of the three (the only exceptions being some quiet sulking at the beginning and end). There is not the slightest hint of what she might be like WITHOUT depression... not the faintest glimmer of any other aspects of her personality... she just screams. At one point, her roommate tells her, "Lizzie, you're such a fun person to be around when you're not being depressed," and my reaction was, "She IS?" It seemed odd that the writers would include this comment without giving us any examples, but this script is a lesson in incompetence. It has no discernible structure or flow at all; instead, it consists of a series of awkwardly strung-together scenes of Lizzie screaming, then ends. Character development? No... Scenes of her everyday existence, i.e. going to classes, that might possibly be important details? No... Screaming at maximum volume? CHECK. It's not quite enough, I'm afraid. 1/10. | 0 |
When, oh, when will someone like Anchor Bay or Blue Underground release this on widescreen DVD??? Le Orme, which I only know because of my rare/vintage video collecting habit, is a film in my collection that I would not only sit through, but actually enjoy watching. The fact that Klaus Kinski is top billed, but is only in small parts of the film, means little to me. (Though several comments expressed disappointment in his rather limited screen time.) I cannot say that this is a good horror film, a good mystery, a sci-fi epic or anything of that nature. It is simply unclassifiable in the "genre" sense of things. It is more like a confusing, frightening (though not particularly violent or bloody) dream, filled with great visuals and mystery. It relies on visuals and emotion, much like Bava's "Lisa and the Devil". Both films are beautiful in almost every sense, but almost impossible to describe in a logical manner; they both occur in such a dream-like atmosphere. Don't be deterred by Force Video's synopsis on the back cover. It is infinitely more complex and intriguing than that. Though Force Video's release from 1986 (the only one in the US, that I know of) is cropped to full-screen on tape, even in that format it is still great. Releasing it remastered and/or letterboxed would make it magnificent (hint, hint... DVD companies). | 1 |
That this film has such a low IMDb rating is not surprising. In our post-Enron era, do we really need any more reminders of America's obsession with the greed creed? The topic has become so politically charged that a lot of viewers not only are not going to be entertained by movies of this sort, but will respond with barely concealed rage. It was all I could do to sit quietly through this cinematic memo of corporate corruption without extracting the DVD and smashing it into a thousand pieces.<br /><br />What's really irksome with these kinds of films, including "Purpose", is their pretense that behind the glitter, there's some meaningful message that makes the film worthwhile. In "Purpose", I found no such meaningful message. What I did find was a story that idolized the materialistic trappings of capitalistic power and wealth. The two main characters, nauseating in their glibness, do very little actual work. Instead, they party, they play golf, they strut their coolness, they sound "hip" with dialogue straight out of MTV-culture-speak: "rock my world", and "Now get back to partying; that's an order". John is smug, self-important, shallow, and smirks a lot. Robert, who wears funky little glasses, is even worse.<br /><br />The film includes two youthful garage geeks, who look and sound like they're right out of the film "Antitrust" (2001). Stereotypes are played for all they're worth, and in this film also include chic-looking computer equipment, and Barbie doll chicks on hand for those occasions when our can-do future billionaires need some relaxation after all that heavy-duty partying. And with the time-bound images and dialogue that such a story necessitates, can you imagine how dated this film will be in fifteen years?<br /><br />About the best I can do for this waste of cinematic celluloid is to say that it does have some nice aerial views of San Francisco. The film would have been a lot more enjoyable, a lot more entertaining, if they had ditched those odious characters and that repulsive story, and simply flown us viewers around in that little plane for the film's duration. | 0 |
This movie made me very angry. I wanted desperately to throttle the "scientists" and unseen film-makers during the course of it. Very, very painful to sit through. Sophomoric and pretentious in the worst way. The little good information on brain function/chemistry and quantum theory is lost in a sea of new agey horse sh*t. The worst offenders were the crack-pot charlatans Ramtha and Joseph Dispenza. Mr. Dispenza informs us that most people lead lives of mediocrity and clearly implies that he, on the other hand, is living on a higher plane. Even the ideas and attitudes that I basically agree with are presented in such a heavy handed, clumsy, superior, pretentious, preachy manner that I felt the desire to disavow them. I think that's what made me so angry, the fact that they've taken what are indeed profound aspects of established scientific thought and marred them with their new age hokum. Much of it is based around the fallacy of applying concepts of quantum theory to the macro world. Fittingly, the dramatized portions with Marlee Matlin are amateurish and cliché ridden.<br /><br />I would refer people instead to Bill Bryson's excellent survey of science: "A Brief History of Nearly Everything." There's plenty of profound wonder about life and the universe in the actual, established science. | 0 |
This is one you can watch over and over and laugh just as much each time. We have been on a Keaton fest around here after purchasing some of his films. In this one Buster is mistaken for an escaped murderer and there are lots of chase scenes and crazy scenes but also what is best about Buster - his creativity. The opening scene is really funny and it just keeps going from there. | 1 |
There are two ways to turn a TV series into a film.<br /><br />The first, most common, and least successful, is to basically make a feature-length TV episode- see the disasters of the Steptoe & Son movie. The second is to do something else- something quite different, à la Monty Python.<br /><br />Thankfully, the creators of the cult TV series have gone for the second option, and they've come up with something unique, clever and funny- it couldn't feel less like a TV episode.<br /><br />Try to get your head around this- the writers, playing themselves, are confronted by their Royston Vasey alter-egos, played, of course, by them, and told to continue writing the series, otherwise apocalypse will befall the village.<br /><br />High-concept, contrived and easy to screw up? Yes, but somehow they managed to pull it off. Not for every taste, perhaps, and the ending does drag, but fans will be delighted, and it might even win over the uninitiated. | 1 |
Last time I checked in here I think there was no more than one comment. I'm very glad that more people have caught on this flick now,and even more so about you all digging it as well. I caught this the night of Christmas 2004,and I found myself unable to change the channel on my TV,even though it was an Asian flick-and I'm-sadly but truly-very used not to give any chance to any Off-Hollywood products. I did that night,though,and I thank God deeply for it. I've not been able to shake that movie out of my system since-not that I've tried to or wanted to-and it still amazes me-in an extremely grateful way-that such a great,beautiful experience came in such a way,completely unexpected,like a Christmas Miracle.Please,if you got the chance go see this movie,buy it or rent it of bootleg it or whatever,but watch it. I guarantee it will affect you. I'm out of time,but I'm far from finished with my appraissal here,so Ill be back as soon as I can. | 1 |
An excellent movie about two cops loving the same woman. One of the cop (Périer) killed her, but all the evidences seems to incriminate the other (Montand). The unlucky Montand doesnt know who is the other lover that could have killed her, and Périer doesnt know either that Montand had an affair with the girl. Montand must absolutely find the killer...and what a great ending! Highly recommended. | 1 |
Sudden Impact was overall better than The Enforcer in my opinion. It was building up to be a great movie, but then I saw the villain(s) and was disappointed.<br /><br />Sudden Impact was different than the previous installments. The plot went a different direction in this movie, as Dirty Harry doesn't take as much of a police approach this time around. We also don't see the villain(s) until later, which means less screen time for them, which is better for us all.<br /><br />Clint Eastwood once again steals the show as Dirty Harry, enough said. Pat Hingle was enjoyable as Chief Jannings, Harry's new assigned boss. Bradford Dillman seemed to change his name to Captain Briggs here, either way, he wasn't any different. Michael Currie is decent as Lt. Donnelly, Harry's annoying superior. I personally enjoyed Kevyn Major Howard as Hawkins, the young punk who has a vendetta against Harry. Albert Popwell was excellent as Horace, Harry's buddy. Audrie J. Neenan was good as Ray Parkins, a famous lesbian around town. Jack Thibeau was well cast as Kruger, a pervert. Now for the really bad part. Sandra Locke, Eastwood's long-time lover was horribly miscast as Jennifer Spencer, Harry's love interest. And Paul Drake was just horrible as Mick.<br /><br />The movie would have been so much better if not for better writing and acting on some parts.<br /><br />8/10. | 1 |
okay, but just plain dumb. Not bad for a horror/comedy film. I was reading how people switched it with the Michael version and that is a good trick in my opinion because some grown ups hate horrors and when they see this one it will get them interested in horror films like this one or maybe (never seen it) the horror (possibly comedy) uncle Sam, i'll have to see about renting or buying that film but the 2nd is way better then this one but i bought this one on VHS of Amazon and got it November 21, the day before thanksgiving. worth the four bucks, l.o.l. at this film.<br /><br />9/10 | 1 |
I hated the first movie is really boring and we only get see the Octopus at the end. <br /><br />The plot Dead bodies are being found in the New York harbor. The police have no clues nor suspects until Nick and his colleague realize the killer is a giant octopus. Everybody, especially the police captain, refuses to believe Nick's story, and soon the harbor will be filled with boats for the 4th of July celebrations...<br /><br />In this movie we get to see more of the Giant Octopus and Special effects for this movie are really good for it's time.<br /><br />The acting is this movie not bad but not great too but okay and watch able. <br /><br />The are some really cheese scenes to movie but if can get past that, You should enjoy the rest of movie. <br /><br />5/10 | 0 |
The trio are a pleasant, nostalgic journey to that first hint of desire--when it was still about simple exploration of the unknown--before we "grew up" and added those complexities of HIV status, emotional baggage and gotta-run-my-pager-just-went-off into the emotional mix.<br /><br />The angst portrayed is pure adolescent angst, but it rings true in all three stories. Their sweetness and positivity make you feel good that you are gay. And those kinds of films are few and far between.<br /><br />Good news! Both Boys Life and Boys Life 2 are now readily available on DVD as of September 1999. | 1 |
This epic brings together a superbly-gifted cast and crew, a narrative depth superior to most novels, wonderful music, philosophy and a connection to LIFE that I find difficult to explain. To immerse oneself in Die Zweite Heimat is for me akin to a spiritual experience, similar to the awe one gets when looking at the stars in a clear night sky. The language, and use of both colour and monochrome segments adds to the dramatic impact. The film inspired me to go to Munich and visit some of the locations, including the Edgar Reitz office. From then on, I vowed to improve my German skills - after Die Zweite Heimat I feel almost German, as if I am in the head of the characters. I also try to match the piano playing of Henry Arnold (Hermann), but this is the one thing that will always elude me ! This drama is unparalleled and I have been fortunate to see it on BBC2 in the UK and SBS in Australia. The sequel, Heimat 3, is currently being filmed in Germany. | 1 |
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