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Lifeforce (1985) was a Cannon funded film directed by Tobe Hooper. It's a very interesting film that deals with a pair of space vampires who are accidentally brought back down to Earth during the latest space shuttle mission. Steve Railsback stars as the sole survivor of the tragedy. But really folks the movie is a mere showcase for the natural beauty of Mathilda May. She's one smoking hot number. The director was a huge fan of Female Vampire (a.k.a. Erotikill). Miss May recreates Lina Romay's title role The film is beautifully photographed and directed. There's plenty of gore effects to keep genres fans happy.<br /><br />I have to give this film a very high rating. Tobe Hooper was the man. He made three interesting films for Cannon during this time period (Texas Chainsaw Massacre II and Invaders from Mars as well). If you like science fiction/horror films, Tobe Hooper films or Mathilda May this film's just up your alley.<br /><br />Highest Recommendation!<br /><br />Did I mention Mathilda May is smoking hot? | 1 |
Charming doesn't even begin to describe "Saving Grace;" it's absolutely irresistible! Anyone who ventures into this movie will leave with their spirits soaring high (haha).<br /><br />Grace Trevethyn (Brenda Blethyn) has just lost her husband, but her problems are about to get a whole lot worse. Her dearly departed has left her with no money and outstanding debts. Faced with losing everything, she has to find out a way to get a lot of cash...fast! She gets an idea when her gardener, Matthew (Craig Ferguson) asks the town-famous horticulturist to give him advice on a plant he is secretly growing. Grace immediately realizes that his plant is marijuana, so they decide to use her gardening skills to grow a lot of top-quality weed, and then sell it to pay off her outstanding debts.<br /><br />The most notable quality about "Saving Grace" is its likability. Every character is extremely sympathetic, and, save for the first 20 or so minutes, the film is non-stop good cheer. Everyone wants a happy ending for everyone, even if it means turning a blind eye to some rather illegal activities.<br /><br />The acting is top-notch. Brenda Blethyn is one of Britain's finest actresses, and here is why. She turns what could have been a caricature into a fully living and breathing individual. She's a nice lady, but she's not stupid. Craig Ferguson is equally amiable as Matthew. He's a deadbeat loser, but he's so likable that it doesn't matter. The rest of the ensemble cast fits in this category as well, but special mention has to go to Tcheky Karyo. The French actor always has a aura of menace about him, and that suits him well, but he also has great comedy skills.<br /><br />Nigel Cole finds the perfect tone for "Saving Grace." It's all about the charm. One of the problems I have with British humor is that all the energy seems to be drained out of the film. Not so here. The film is thoroughly likable and always amusing. That's not to say that "Saving Grace" is just a likable movie that will leave you with a grin and a good feeling. While this movie is not an out and out comedy, it does boast two or three scenes that are nothing short of hysterical.<br /><br />If there's any problem with the film, it's that the climax is a little confusing. The questions are answered though, and the ending boasts an unexpected twist.<br /><br />See "Saving Grace," especially when you're having a bad day. | 1 |
After his career as a romantic leading man ended in the late 1960s, Rock Hudson starred in lots of different projects, including TV shows and lesser films. However, I believe that "Embryo" is his only turn as a mad scientist, and that's probably a good thing. I guess he needed the work.<br /><br />Driving along one dark and stormy night, brilliant Dr. Paul Holliston (Hudson) hits and injures a Doberman, which he brings back to his lab (that looks somewhat like a dank Midwestern basement). He then manages to raise the dog's unborn puppy outside the womb, so naturally he decides to do the same thing with a human being. He raises Victoria (the beautiful Barbara Carrera) from a fetus the same way. Victoria grows at an astonishing pace, and soon blossoms into a gorgeous young woman.<br /><br />Predictably, things go very wrong. After a halcyon beginning, Holliston's sister-in-law Martha (Diane Ladd) begins to wonder where the young woman came from, and Victoria herself begins to show signs of instability and violence. The final sequence is one long car chase straight out of "Smokey and the Bandit", after which Victoriawho has shockingly aged in just a few minutesis assaulted by a frantic Holliston, who tries in vain to destroy his malformed creation along with its unborn child. All of this is accompanied by screeching tires, roaring engines, a car fire, and lots of sirens. The limp endinga bunch of paramedics frantically working on Victoria while Holliston writhes in regretis more labored than creepy.<br /><br />Although just made in 1976, this movie is very dated. The only difference between this and the many 1940s mad scientist movies is that Hudson plays the lead role rather than Boris Karloff. The sets are pretty cheap and very antiquated to today's audiences, to the extent that Hudson's reel-to-reel tape recorder is about the size of a refrigerator. Much of the action takes place in a poorly lighted laboratory. Hudson sleepwalks through his sordid role, giving the impression that he's truly a washed-up movie star, while Ladd and Carrera are much more believable. Surprisingly, Roddy McDowall pops up briefly as a chess player.<br /><br />The Passport Video transfer is very substandard, looking as though it had been made from a poor VHS copy using home equipment. If you're nostalgic for 1976, watch this once just to say you did. Otherwise, watch a football game or soap opera instead. | 0 |
David Duchovny plays the lead role in this film.Now a lot of people upon finding that fact out wouldn't even bother watching it.Very unfair to say the least.David made his name on the x-files and is a decent actor. Dr Eugene Sands(Duchovny)is a drug addicted doctor struck off for malpractice.By sheer accident he becomes a private doctor for criminal millionaire Raymond Blossom.However the FBI take an interest in using Eugene to snare Blossom. Angelina Jolie is cast in the supporting role of clare-the gangsters moll.She puts in a solid performance. Timothy Hutton playing Blossom is superb and immersed himself deeply into his character. Duchovny himself isn't as bad as many people would think and in the end i would rate his performance his credible.His familiar monotonous tone and straight face is present but dosen't detract too much from the film | 1 |
Oh dear!What a disappointment. I've been watching old Westerns on British TV for decades, and I wasn't aware of this one until its showing yesterday - most other Scott Westerns come around every few years or so and are usually worth watching again.<br /><br />The rich colour and outdoor sets were good, but that's all I can say about this film. I have to agree with most of the other negative comments already made. Several times I felt like turning it off, and finally I did, halfway through, something I hardly ever do.<br /><br />Scott seemed unusually oily in charming the girls, his two sidekicks were annoying and so was the Mexican bandit lad. And I've a feeling the army uniforms were 20 years or so too modern, not that this has bothered makers of many other Westerns.<br /><br />Perhaps it got better in the second half, but I couldn't be bothered to wait and see. | 0 |
I have been a Star Trek fan for as long as I can remember. When they announced the planning and premiere of the fifth series I was very excited.<br /><br />The premiere of Enterprise was well worth the wait. It was well done with the perfect setting and a great acting job done by all the characters. The NX-01, Enterprise is the perfect vessel to show the beginnings of what many people have come to love.<br /><br />Scott Bakula was just superior as Captain Jonathan Archer. Jolene Blalock gave a commanding performance as Subcommander T'Pol. That it just two people of this wonderful new crew that is boldly going to take us into the great history of Starfleet.<br /><br />Enterprise looks like it's going to be a good series well worth watching, and I recommend that. Watch it. | 1 |
This film is a quite entertaining horror anthology film (along the lines of Tales from the Crypt) written by Robert Bloch (author of Psycho). It's good fun for horror fans and has an excellent cast. The movie should also be required viewing for Doctor Who fans since Jon Pertwee (the third Doctor) has an amusing role as a rude and obnoxious horror star! | 1 |
'The Cell' is a journey into the mind of a serial killer and I mean this literally. The film is about the journey, about the world it shows during this journey, the destination does not really matter. In my opinion this journey through the mind gives such beautiful images other things do not really matter as long as they are not distracting. In fact, the story is pretty good.<br /><br />We start with Catherine Deane (Jennifer Lopez) in the mind of a catatonic boy. How this works exactly does not really matter, but it looks a lot like virtual reality. She and other scientist including Henry West (Dylan Baker) and Miriam Kent (Marianne Jean-Baptiste) believe that this method might work. Catherine enters the mind of the boy and speaks with him there, in a world that is completely created by the boy. She hopes she can let him do things that in the end will give results.<br /><br />The real story then. A serial killer named Carl (Vincent D'Onofrio) just dumped the body of one of his victims. FBI Agents Ramsey (Jake Weber) and Novak (Vince Vaughn) are on this case. Another girl (Tara Subkoff) disappears and at that time, after forensic research on the dumped body, Carl can be traced and captured. Two problems occur. 1. Carl just went into a coma; he has been sick for a long time. 2. His house and the house with his last kidnapped victim are not at the same place. In a way this part of the story is pretty standard.<br /><br />Things are about to get interesting again. To find out where the girl is, Catherine has to go into Carl's mind. This is dangerous for a lot of reasons. In short: Carl is unknown territory, schizophrenic and a serial killer. If Catherine starts believing Carl's mind is the real world then her mind can convince her body; she could die in the mind of Carl. A tape of how the last victim was killed, a fate this girl will have in about twenty hours, makes sure Catherine will try to get the location out of Carl's mind.<br /><br />It is the journey through this sick mind that makes this film more than worth watching. Director Tarsem Singh, who did music videos before this, in a way goes back to these music videos. Every room in the imaginative world is another short clip that exists out of beautiful and sometimes haunting images. For me the visual style felt completely new, the way 'Three Kings' had a new visual style one year earlier. If something like that can make you like a film, 'The Cell' will not disappoint. But fans of the thriller and horror genre can like this film anyway. The story itself, without the great fantasy world, is good enough for that. I think you have to be a little open minded, of course events are not (yet) possible in our real world. Still, a very entertaining film with nice ideas that looks terrific. | 1 |
This movie is one reason IMDB should allow a vote of 0/10. The acting is awful, even what some here have lauded, the Carpathia character! The script looks like it was written in haste. In one scene, the black preacher who was left behind, when asked by Buck what "dan7" in the computer graphic meant, said, "Daniel 7, *CHAPTER* 24." He probably meant VERSE 24, but the film makers missed this slip up. Perhaps the worst part is that the film's eschatological position is Biblically unsound. While many Christians have espoused the film's interpretation of end-time events, such interpretation, in *my opinion*, is faulty. To understand these flaws, read "Christians Will Go Through The Tribulation" by Jim McKeever and "The Blessed Hope, A Biblical Study of the Second Advent and the Rapture" by George E. Ladd. | 0 |
Where do you begin with a movie as bad as this?<br /><br />Do you mention the cast of unlikeable heroes? The over-the-top acting? The dreadful script?<br /><br />No. You just say that anyone who pays money to see a film as poor as this needs their head looking at. I know I do. I respect those poor guys who saw it with little or no advance word from mags like Empire (usually a bad sign if a preview copy isn't available to the quality movie mags). However, cinemas really should start thinking about giving out refunds if the customer isn't happy with the finished product.<br /><br />I went three days after it opened with two other mates. The only other person in the cinema was one bloke on his own.<br /><br />And that was on cheap night.<br /><br />Either the ad campaign had failed dismally or word had spread through most of the country of just what a stinker this is.<br /><br />Not since the days of The Avengers (1998) have I felt so short changed since watching a movie. If a mate comes round with this on video in a few months make sure he pays your electricity bill while watching it.<br /><br />Tara Fitzgerald deserves an award for not cracking up - or walking off the set; Keith Allen retains some dignity amid the cinematic carnage; Barry Foster should have been arrested on the set for his performance, Rhys Ifans does his career no favours after the success of Notting Hill and only Dani Behr is halfway likeable as a busty secretary.<br /><br />Mind you, considering she used to be in The Word, any viewers' expectations of her acting ability had to be pretty low to begin with.<br /><br />The production values aren't bad considering the obviously limited budget but that script is atrocious. If you want to hear a bunch of unlikeable characters say "Fak!" for a couple of hours then this should be right up your street.<br /><br />Otherwise, bargepoles required.<br /><br /> | 0 |
Take young, pretty people, put them in an exotic locale, stick in a few bad guys, have the two lead characters find romance after a couple of heavy breathing scenes, create the flimsiest of plots, then work out a happy ending for everybody (other than the three or four who get murdered, of course) That's the classic (and successful) format of the Harlequin Romance. It's not very good but then it's not very bad either, like most of the little yellow pocket books. And the location stuff in Budapest is especially interesting, even if they didn't use the wonderful old train station (designed by Gustave Eifel) or show the city's famous thermal baths. | 0 |
If you are home on a weekend, very bored and lack the will to move, with absolutely nothing better to do with your life for the next couple of hours you could enjoy making fun of this movie. The acting and script and general movie making of this film isn't actually all that bad, which is why it makes it possible to actually sit through this. This is defitnly a movie they would show in high school health class to teach the dangers of pre-marital sex. Or they could also show it to teach the dangers of very lame music - that 'rock' band Brian Austin Green is in is really terrible, I think thats a much greater threat to society than unwed parents. | 0 |
When converting a book to film, it is generally a good idea to keep at least some of the author's intended tone or conveyed concepts, rather than ignoring the author altogether. While it is clear that the director had access to and went on the advice of Elinore Stewart's children, it is key to note that the children believed their mother to be a complete liar in regards to the good, enriching, strengthening experiences of homesteading her land. The book details her life on her and her husband's adjoining homesteads in the vast Wyoming frontier; she chronicles daily adventures with her numerous friends and acquaintances, though they lived dozens of miles apart. The film, however, takes a standard stance for the time it was made, portraying this woman's experience as harsh, unforgiving, and nearly pointless. Perhaps the director was bringing some of his Vietnam War experiences with him to this movie (as some film aficionados have said), but it seems to be a lousy excuse for taking all the joy and beauty of the book and twisting it into a bleak, odious landscape devoid of friends or hope. Don't waste your time with this movie; read the book instead. | 0 |
Although there is melodrama at the center or rather at the bottom of this film, the story is told beautifully and subtly and the acting is superb.<br /><br />Yaara, studying at Princeton, returns to her native Israel for the funeral of her oldest and dearest friend, Talia. Because Yaara practically lived with her friend's parents after the death of her own mother, she has lost her adoptive sister. And because Yaara, blind from birth, has been guided and guarded by Talia, her friend's suicide is as unbearable as it is inexplicable.<br /><br />Inevitably, the blind girl is the one who determines to solve the mystery of this death. Though without sight, she has insight. Though she cannot see, she is able to find what is out of sight than the "normal" people around her. The film thus becomes an absorbing mystery as Yaara scours for clues in memories of her relationship with Talia, in her adoptive family's house, in tapes, diaries, and people in Talia's past and present.<br /><br />Told from Yara's point of view, the film is also seen from her point of view, as she visualizes what she hears, believes, and imagines. The solution to the mystery is rather conventional, but the search is conducted with such subtle care and the answer rendered so beautifully and without fanfare, that the pat moment is easily forgiven. The truths emerge gradually yet inexorably, clarifying not only Talia's life, but also her relationship with Yaara. Tali Sharon, as Yaara, uses her mobile face and voice effectively, and is utterly believable as both the adult and teenage girl. We accept fully her ability by the film's end to find her place in the world more confidently.<br /><br />Noteworthy is the precision by which places and actions are repeated with small but significant variations that never become tedious, the dead-on acting by the minor characters, and the interesting decision to represent Talia only as a teenager. I will quibble with Yaara's final declaration as stands with Gadi, Talia's last boyfriend, at a cliff's edge, but that trip to the edge is so fascinating that the image will remain in sight longer than her words will be recalled. | 1 |
Like the previous poster, I am from northern Vermont, and I was inclined to like this film. However, not since "Red Zone Cuba" have I seen such a confusing plot. The things the people to bootleg make no sense. Two of the gang paddle across the border send a second party across in a car. Uhm, why? Then they meet two others, and drive up at night in to the bad guy's hideout in a luxury Packard. --Wouldn't just two people in a flatbed truck make more sense? Then, parked outside the garage that holds the targeted hooch, the four fall asleep! When they waken in the morning and and start hauling the whiskey out, of course they're spotted and shot at, losing some of their precious cargo in the process. Then two of the smugglers put the whiskey in a boat and float it over the border. Again, why? I am told by someone whose great uncle really did smuggle in the area, all one needed was to drive a vehicle that could outrun than the U.S. Canada Border Patrol, which back then had a fraction of the resources it has now. <br /><br />And don't get me started on the last half hour, which made no sense whatsoever.<br /><br />The only good thing I can say about the film is that Kris Kristopherson has actually grown some charisma with the years. | 0 |
Only watched this to see Joe Morton in an early role and honestly wished I hadn't bothered, he can and has since, done much better than this crap. Cannot understand why anyone finds this kind of stupidity funny but each to his own; it is an absolute mess and not funny in the least. No wait, ONE line only was funny, where Mr Kent (Joe) and his family are having dinner with this nut job as he's been invited for dinner (Lord alone knows why). Pest to Mr Kent: You know what it's like dog, you've been there Mrs Kent: Not lately, Joe's expression was funny but that's it one line does not make a great comedy and this tat is so far away from being funny it should be consigned to the nearest trash cart, it's only good enough for that. Joe Morton - glad to see you don't appear in rubbish like this anymore; you are far superior and a great great actor. | 0 |
It's here. finally a movie comes out that I can honestly say is worse than Larry the cable guy: health inspector. Yet I'm willing to bet the the wayan's brothers(hilarious) will make more money than I ever make in my whole life on what is sure to be one of the top five worst films of all time, outside of my fifth grade outside the class re-enactment of romeo and Juliet. I mean really WHY would anyone ever ever see this movie unless they were paid to. The comedy is weak and all even remotely funny jokes from the flimsy plot were surely revealed in commercials. Final word is this movie was a terrible letdown for me. And the commercials looked so promising... | 0 |
Although not the best Anime I have ever seen but I enjoyed Lady Death.<br /><br />I have never read the comic book and just saw this at the video store and decided to give it a chance.<br /><br />The animation was OK, I got the sense of the 80's anime from it which is what set it off for me. Why everyone else hates that is beyond me.<br /><br />Character development was fine. I like how they brought the transition from Hope to Lady Death around. for you who don't like it, obviously wasn't paying attention. Lucifer tells you how it happens, and she used his words.<br /><br />Creamtor was a nice mentor/soldier for her. his dark bruiting style was perfect for this kind of movie.<br /><br />I think everyone here who has bashed this needs to take another look at it and reconsider. cause everything people have bashed this can be said about everyones favorite anime Vampire Hunter D | 1 |
No, this is not no Alice fairy tale my friends! This `Wonderland' fable is based on the true story of the gruesome bloody Wonderland murders that occurred back in 80's California. At the center of this bloodbath was no other than `Johnny Wad' himself. Yes, John Holmes! Daddy ding-dong used other shotguns than his infamous 13-inch milk machine. Besides being a legendary adult film actor, Holmes was as also a hardcore drug addict who befriended various Hollywood junkies. Val Kilmer was occasionally majestic as Holmes, but for once this Holmes character did not milk it through completely. The film possesses a `who's who' of supporting players: Josh Lucas & Dylan Mcdermott as Hollywood riffraffs , Kate Bosworth & Lisa Kudrow as the women in Holmes life, and Eric Bogosian as a menacing Tinsletown entrepreneur. These characters do play integral parts, directly or indirectly, in the `Wonderland' murders. Out of this support group, it was Josh Lucas who was the most fierce & impressive as the ardent Ron Launius. Lucas is gradually escalating into a major Hollywood player with such charismatic turns in `A Beautiful Mind' & `Sweet Home Alabama'. Director James Cox sometime proved to be a bit of a coxsucker by displaying a vast amount of overextended scenes, just like Holmes' famous organ. Holmes was eventually acquitted of the `Wonderland' murders. He died of complications from the Aids virus. `Wonderland' will keep you wondering what really happened that bloody night, and if Holmes really laid out his weapon. Oops! Wrong Holmes movie! Ok! That is enough before I get `penislized' I mean penalized. Bye Holmies! *** Average | 1 |
I'm not going to bag this film for all the myriad technical f|u|c|k|u|p|s, it would take two days to outline how the whole thing isn't even remotely possible. Others have pointed out all the relevant stupidities already.<br /><br />Given all that, I still could have sort of enjoyed it, if only they hadn't included all the maudlin, nauseating, infuriating, Disneyesque sentimental crap, which is so out of place anywhere, but nowhere more than out in space, where the tiniest mistake can mean instant death.<br /><br />The "crew", as well as the "real" astronaut were equally guilty of putting all their fatuous nonsense ahead of everything else. It completely ruined any value the production may have had left.<br /><br />I'm surprised NASA let this garbage out so that so many people would get so much misinformation about something so important to them. If you haven't seen this yet, save yourself the irritation. Watch Apollo 13 again. At least that tried to be sort of real. | 0 |
Did you ever think, like after watching a horror movie with a group of friends: "Wow, this is so cool! We have got to make a splatter horror movie ourselves some day soon. I bet it isn't as difficult as it seems"? Well, this must have been what went through the minds of the young Campbell brothers back in 2003, presumably right after watching Sam Raimi's "The Evil Dead" or a similar independent horror classic. This "Demon Summer", however, is so bad it's embarrassing! These young amateurish filmmakers obviously worship the horror genre and know their classics, but that nearly doesn't make them talented. I've seen quite a lot lousy B-movies in my years as a horror fanatic, but this honestly ranks as one of the biggest pieces of crap ever made. And it's quite sad to be this open-hearted, because the whole cast and crew clearly had good intentions. There's pretty much no script at all. A duo of thugs simply steals a mysterious book from a bum and, whilst reading some passages of it, one of them mutates into a hideous demon that starts killing off members of all the different teenager-groups: dorks, hot Catholic girls, stoners and troublemakers. That's about it, except of course for all the obligatory clichés, like the hot girl falling for the biggest dork etc etc... The performances are really painful to listen to and none of these annoying teenagers use mimicry! They just stand there motionless until the script says it's their turn to interact. I hate that! Some of make-up effects are remotely decent but still not spectacular and the soundtrack contains some of the most awful punk-songs ever. This film should never have been released... I can very well imagine that it must have been fun to be a part of the production, but it's utterly imbecile and doesn't feature the slightest redeeming element. Not even a bit of amateur-nudity, damned! | 0 |
I have seen this movie. This movie is the best according today's need. Dowry in marriages is the major problem nowadays. In stating this problem this movie is the best. In this movie, the Indian values are stated very well. Today's youth must understand this problem. There is less population of girls. And due to this problem of dowry , the girls committed suicide. If this problem continues, then the day when there is no girl child, is not far away.So, keep in mind this statement ,today's youth must understand that we can not take dowry in marriages.We have to learn from this movie that the dowry should not be taken.And if we understand this problem then we can see the new trend in the society. This is the major change in the society. | 1 |
this is one of the finest movies i have ever seen....the stark scenery...the isolation...the ignorant bigoted people hiding behind their religion...a backdrop for some wordliness and sophistication...the acting is completely natural...but for me as a"foodie' the best is the actual choosing and preparation of the feast..i have spent time in paris and know the cuisine well...whether or not the cafe anglais really exists i don't know but i do know of similar establishments and babette's menu and choice of wines are authentic...and of course the end where despite themselves the perfect meal mellows them back to friendship is the only ending there could be..this is a 10 out of 10 film and should be seen by anyone with enough brain and taste to understand it | 1 |
Robin Williams is a national treasure, specially when he cuts loose and puts aside his maudlin approach to drama. He manages to liven up the usual restrained pacing of Barry Levinson, and there are moments in this film when he truly shines.<br /><br />As the funny elected American president in "Man of The Year" Williams recaptures the hilarity and outrageousness that used to be associated with him. What makes him so appealing is his humanity and likability. Here is a man who can lash at his audience but truly loves them, too. His humour is like barbed wire, and yet it is cathartic. It is what makes him very appealing to the people in the film and in real life.<br /><br />Laura Linney is once again portraying an intelligent woman in distress. She is a fabulous and very talented performer, but I think she has boxed into a stereotype and unfortunately, it would have been more interesting to have a less recognizable performer in this case. Walken pretty much walks through his thankless role, and the climatic scene in the SNL skit barely floats above water.<br /><br />Go in for a few hilarious moments, and those are priceless. Enjoy Williams and forget some of the deep moments that slow down this otherwise entertaining movie. | 1 |
This is a rip off of the old Frankenstein premise. An acclaimed scientist is killed in a freakish accident and his father, a noted brain surgeon saves the brain. It is then put into a robotic body of his own design. His brother, an electrical genius, gives the 'colossus' impetus to transfer thoughts into motion. The whole project goes bad, when the creation goes berserk.<br /><br />Special effects are undeveloped. The script is lacking. And it is humorous that this is not scary a bit. Well, very small kids will think this is good. If you are wide awake at three in the morning and this comes on....night, night.<br /><br />The lead characters are played by Otto Kruger, John Baragrey and Ross Martin. Ed Wolff played the 'Colossus'. | 0 |
First off, I absolutely loved this movie. As a Billy Crystal fan, I must say that I was expecting more comedic situations than I actually got. However, it was nice to see him in a role with more depth and emotion. His portrayal of talent agent Sammy was brilliantly performed and uniquely him. In addition, Gheorghe Muresan (as Maximus) was superb in his first film role. When Sammy goes to Romania to visit his client on location he has his world turned upside down. He never expected that he would accidentally find the one person who could change his life. Sammy and Max's journey is unique and moving, and even humorous at times. Plus, the location in Czech Republic where parts of the film were shot, was absolutely beautiful. I have to say, this dramatic comedy had me feeling a variety of emotions. I thought it was excellent and I would recommend it to anyone and everyone. | 1 |
I had a different experience with this movie - it never got charming, or delightful, or funny for me. one big clue that this was not your typical movie was that the label gave no indication of the Ianguage(s) spoken in the film. another was the lack of choices re subtitles.<br /><br />I found the lack of dialogue annoying, especially when accompanied by exaggerated facial expressions as it almost always was. The wildly inconsistent development of the feeble plot was puzzling. Were there characters, or only vague gestures? was there even a plot?<br /><br />on a separate matter, I'm getting prompted to correct the spelling of "dialogue", with the suggested substitute of "dialogue". maybe this movie in its entirety, including the IMDb portion, is designed to puzzle, or amaze, but I'm getting more irked than amused. | 0 |
I have been eagerly anticipating the opening of this film for several months. Being a huge Jim Carrey fan, I easily saw how he could morph himself into Seuss' Grinch and make the character his own. I was not disappointed. <br /><br />This movie was pure magic. Carrey is a master at his trade and no one could have played this role to perfection as he did. There was plenty to enjoy for both adults and children alike and this movie is sure to become a timeless classic for all to enjoy in the years to come. I already have visions of my young daughter sitting down year after year to watch this remake on video, and I undoubtedly will watch with her and laugh as I did the first time I saw it.<br /><br />Clearly, this movie has Jim Carrey written all over it, and I do not believe that it would have come together without him. However, the supporting cast was charming and entertaining in their own right, most notably the adorable Taylor Momsen who was the perfect foil for Carrey's antics. The set design, musical score and costumes all lent their hands to a magical, fabulous finished product and I believe all involved can be proud. <br /><br />It is not an easy feat to turn a 22 minute cartoon classic into a full length live action film, but Howard has succeeded with flying colours. For those critics who disagree, perhaps it is your hearts that are 2 sizes too small. | 1 |
I read so many comments that I, too, shared about remembering this movie and wanting so badly to see it again but I didn't know the name of the movie. Thankfully, because of doing a search and finding the title on this site, I read the comments left here and realized that this was the movie I remembered. I then did a search and did find the movie and was so thrilled to be able to watch the movie once more 40 years later. Because of this site and your comments, you helped me and so I want to thank all of you. I want to share how I was able to find this movie for all of you who were looking for a copy as well. It was on the VHS version of Wonderful World of Disney's "Call it Courage" which contained 2 movies, the second one being "The Legend of the Boy and the Eagle." It touched me now as much as it did 40 years ago and now I own my own copy of it. I think it is only available on VHS. I found it on ebay and I have seen several copies of it there. Enjoy it, I know I did!<br /><br />It is a wonderful story about the love of a boy and the eagle he took care of. When it was time to sacrifice the eagle, the boy set the eagle free because he couldn't allow it to be killed. After the boy was forced to leave the tribe for punishment after freeing the eagle, the eagle, too, saved the boy's life and more than that, taught him how to survive. The closeness that the boy and the eagle shared in the wilderness was so moving and the filming was really remarkable. What a wonderful era this was. I have never seen anything come even close to this movie! | 1 |
The story line has been rehashed a number of times; "a breath of life in the retirement home". Several plays, movies, novels, short stories, poems and news articles have beat the subject to no end, but it's still an excellent platform for character studies.<br /><br />If 'Gideon' was crafted more enthusiastically it could be brilliant, but the dialogue is painfully boring and the story is absolutely flooded with cliches (even the subtitle and summary of Gideon's "simple wisdom" almost made me laugh in its ineffectiveness). Mostly indifferent acting is the final straw for this weak film, but the rest of it is bland enough to make the actors' lack of focus almost irrelevant. | 0 |
I usually check out the MTV movie awards to watch a witty, entertaining show that delivers a unique award show (Chewbacca winning a life-time achievement award as example). So this year was no different. While I'm not a fan of Justin Timberlake, Seann William Scott has always been funny-albiet stupid-to me. I've laughed at Stiffler in both American Pie movies, and even enjoyed him in Dude Where's My Car?. But the MTV movie awards were simply horrible. Nothing was coherrent, humorous, or entertaining. Justin Timberlake should stick to singing and dancing; he sure as hell can't act.<br /><br />I'm curious as to who the writers were for this show. Last year's performance by Jack Black and Sarah Michelle Gellar was extremly funny (The Lord of the Rings parody alone was worth watching the entire show), but this year was completly different. Did anyone understand Timberlake's comments regarding Luke Wilson and Kate Hudson ("They're staring in a movie together, but have never met! Here they are...") Where was the joke? Kate and Luke just went into their lame dialogue, never making a reference to the "joke" by Timberlake. And Seann was completly wasted as a talent, not even causing me to smile, yet alone laugh. And what was the point of Harrison Ford's one-liners? Did they make ANY sense to anyone? Perhaps the MTV writers figured the young viewers would only know the aging Ford as Han Solo, Indiania Jones, or the President from Air Force One. I'm baffled. And would someone tell me the deal with Adrian Brody? How old is this guy and how old does he THINK he is? The guy looks 30, trying to act 19 again....give it up, show some class (like in your best actor academy award speech) and act your age!<br /><br />I give this show 1 star out of 4, simply because of the speech by Gollam for Best Visual Performance. This was very creative, extremely well done, and caused the only genuine laugh of the entire evening. | 0 |
"Maximum Risk" is a step sideways for Van Damme and just more of the uninspired B-movie action stuff we've come to expect from films featuring the macho Belgian martial artist. The flick has gaping plots holes, goofs galore, a messy conglomerated plot, and a gorgeous Henstridge who spends most of her time looking like she's waiting for a cue. "Maximum Risk" doesn't distinguish itself in any way and will likely not have much appeal beyond the usual young male audiences. (C-) | 0 |
With a cast of stalwart British character actors and pleasing photography of 1950s Britain, I had hoped and expected to be more entertained by this film. Unfortunately I found myself glued to it for the wrong reasons - I couldn't quite believe how awful it was. I must have watched thousands of old films and am always ready to make allowances for them being products of their time, but this was really hard going.<br /><br />As others have noted, a major problem is that it doesn't seem to know what it wants to be: a gentle romantic comedy, a slapstick comedy or a musical. I was a bit gobsmacked when Jeannie Carson suddenly broke into song about 15 minutes in! It's not believable on any level, either the storyline itself or the fact that Daisy never appears to have an ounce of menace in her at any time. Other aspects which defied credibility included the casting of suave Donald Sinden as a songwriter (a songwriter for God's sake!), the fact he has Diana Dors for a fiancée and doesn't appear to have the slightest interest in her (I mean, Diana Dors! Come on!) and a ludicrous scene in a song publisher's office. The whole thing's silly in the worst possible way.<br /><br />If I had to pick a favourite scene it would be the one at the very beginning with that wonderful actor Wilfred Lawson - after that everything went downhill in a big way. | 0 |
... but the keyword here is "usually." I have been known to adore movies EVERYONE thinks are dumb. But in the world of B-rated movies, THIS one is Z-rated. Absolutely ridiculous. The thing I respect about most of my favorite B-rated movies are that they don't take themselves too seriously. The makers of movies like that sort-of treat the movie lightly, even if it's a heavy topic. I get the impression, however, that the producers of this movie took themselves way to seriously, like they were putting together a 10-star classic, complete with poor attempts at poignant lines and dumb camera shots. Nevertheless, despite all this, I STILL gave it 4 out of 10 stars, as I am biased towards movies like this. If you're a B-rated fan, however, I would try too hard to find this one. | 0 |
I won't bore you with any synopsis, chances are you already know them. And hopefully you are already familiar with Park Chan-Wook's work.<br /><br />I STRONGLY disagree with some of the other commentators in saying that "Park has not moved on from the vengeance trilogy blah blah blah." Because you know what? He HAS!!! The vengeance trilogy were different from each other in style to begin with, how can you even compare the sombreness and subtlety of "Sympathy For Mr Vengeance" with the frantic and extravagance of "Oldboy"? Park Chan-Wook has incredible style, but his movies don't all share the SAME style! That has been true and remains true with the release of "Thirst". <br /><br />"Thirst" is an incredible picture, it literally has EVERYTHING you want in a movie. Jaw-dropping violence, tasteful gore, great humour, incredible suspense and even very realistic sex scenes. The story is so crazy that at no point can you guess what will happen next. I'm so happy to say that Park is back in top form with this fantastic dark-comic-vampire-love-story. Watch it as soon as you can! | 1 |
Leos Carax is brilliant and is one of the best film and camera guys in the business so it should come as no surprise that Pola X is an almost perfect filming of the most gut wrenching story ever. Seriously. If I could have figured out some way to climb inside my video monitor, I would have thrashed Pierre to within an inch of his life. No one has the right to be that self absorbed and that stupid, both at the same time, except maybe Heathcliff in Emily Bronte's Wuthering Heights. After spending 134 minutes with Pierre, I need a large glass of brandy. Never have I been so angry at a main character. Ok, having said that, Pola X is a stunning movie with one of the few totally honest sex scenes I've ever seen in any film....which means another piece of brilliant filmmaking....and I'm talking graphic here, by the way. Pola X will beat the hell out of you, though, so make sure you're up for it if you decide to watch it. | 1 |
A well put together entry in the serial killer genre that unfortunately gets mired down in its own pretentiousness to be really satisfying. Willem Dafoe is superb as a NYC detective trying to track down what appears to be a copycat using the same Renaissance art-related killing techniques used in a series of murders he solved years earlier. Scott Speedman is Dafoe's junior partner and they have pretty good chemistry (at least for a while). Other characters pop up to conveniently tie the two cases together. Clea Duval is the friend of an earlier victim and Peter Stormare is some sort of art broker/mentor to Dafoe...that's a bit hard to take, although Stormare is, of course, never dull. The film's ending is particularly disappointing. Look fast for Deborah Harry as Dafoe's less than forthcoming neighbor. | 0 |
The House of the Spirits is a gripping tale of family intrigue, South American politics and super-natural powers. Meryl Streep, Glenn Close and Jeremy Irons bring Isabel Allende's novel to life with all its passion and suspense. This, in my view, is one of the best films of the 1990s. Jeremy Irons as Esteban Trueba ages and mellows very believably, while Meryl Streep in the role of Clara maintains her gentle, loving warmth throughout her relatively short life. Winona Ryder and Antonio Banderas make a handsome couple struggling for family acceptance in a racist culture. Glenn Close, as Esteban's sister, gives a very moving performance. The countryside of Portugal is a reasonable substitute for a non-tropical Latin American country. Settings of Clara's home and Esteban's ranch are effective and the period US cars add nicely to the post-war atmosphere. | 1 |
I liked the film. Some of the action scenes were very interesting, tense and well done. I especially liked the opening scene which had a semi truck in it. A very tense action scene that seemed well done.<br /><br />Some of the transitional scenes were filmed in interesting ways such as time lapse photography, unusual colors, or interesting angles. Also the film is funny is several parts. I also liked how the evil guy was portrayed too. I'd give the film an 8 out of 10. | 1 |
I've seen just about all of the Coen brothers' films now, and I have to say this is one of their better films. I wouldn't dare say it's better than "The Big Lebowski", but it was very good in it's own right.<br /><br />I thought the story was very interesting and hilarious at times. I loved all the characters, especially Tim Blake Nelson (Delmar) and John Turturro's (Pete).<br /><br />There really isn't anything bad I can say about this movie, but this movie isn't for everyone. It might be safe to say that if you liked the other Coen brothers' films, then you'll hopefully like this one too. And if you liked what you saw in the trailer, I think you'll like the film, but don't hold me to it.<br /><br />Anyhow, I hope that you like(d) the film as much as I do. Thanks for reading,<br /><br />-Chris | 1 |
I did and I lost two and a half hours of my life that I can never regain again.<br /><br />I honestly have no idea what the critics and fans see in this movie. And that's not because I can't appreciate "art". I love a good film with profound messages, brilliant cinematography, and great directing.<br /><br />This film just isn't one of them.<br /><br />My main complaint about this film is that it's so horribly slow-paced, to the point of boring its audience to death. On the other hand, sequences of dialog go by too quickly and there's not enough exposition to let people who haven't read the book know what's going on (My mother had mercy on me and explained everything before I watched it). Would it have killed them to hire a narrator? At least for the beginning and the end? <br /><br />Let me break it down for you: (Spoilers throughout) <br /><br />For the first two minutes you are treated to a black screen with no music, waiting for the actual movie to begin.<br /><br />For the following minute and a half, you see several pictures of sunrises and savanna landscapes. Like the audience couldn't figure out how to set the scene unless they saw the establishing shot three or four times.<br /><br />The next eleven minutes are occupied with the grunting monkeys. They fight, see the monolith, fight some more, pommel things with a bone. Supposedly they are prehistoric men whose evolution is being influenced by the monolith's singing. Not that you could tell if you hadn't read the book.<br /><br />*Finally* we get into space. Only to be subjected to twelve minutes of ships slowly spinning to the Blue Danube Waltz (A pretty quick-tempo-ed waltz as I understand, yet here it feels absolutely agonizing). At last we get some innocuous dialog and rather cryptic exposition about the government not letting people land on the moon. We are left to wonder about this for fourteen more minutes of Blue Danube and spinning ships and neat camera tricks with anti-gravity.<br /><br />Next comes four minutes of watching a ship travel over the surface of the moon and dock at a space station. We get a little more exposition in a board room scene that follows. Then we're back outside traveling at a snail's pace over the moon. A second monolith is revealed, again filling our ears with that horrible ringing (I had no idea that was an actual piece of music!). The monolith does its little light show and then the plot jumps forward.<br /><br />*Seven* minutes of watching the ship to Jupiter travel. By this point in time my brains had turned into mush. Could it be moving any slower? Maybe it's "realistic" to portray it as such, but we still don't need to see five or six different shots of the same thing to grasp the concept of its "realism". Let me tell you about this "realism" thing; I cheered when the secondary astronaut character died. Not because I'm a sadist and like watching people die, but because after five minutes I was just so annoyed at the sound of his darn breathing! I'm supposed to care about this character, feel when he dies! Instead I found myself waiting for blissful silence whatever way it came.<br /><br />Anyway, now we get to the most interesting part of the film-the part with HAL. Forget Dave the stick-of-wood protagonist. The real star of the show is that coldly impersonal, chillingly villainous, ruthlessly merciless bad guy of a computer. He's great. And the "Open the pod bay doors" sequence is wonderful. But it's too short. And it's not long before the director once again lapses into too-long goings on.<br /><br />Four minutes for HAL to die. And die he does. Slowly, painfully, losing intelligence with every minute, voice getting lower and slower, singing "Daisy, Daisy", all with a low and constant hissing that becomes just as annoying as the heavy breathing.<br /><br />Seven minutes of flying colors as Dave enters the monolith. Seven. I could FEEL my brains melting and dripping out of my ears! Seven full minutes of absolutely nothing but some guy's whacked out psychedelic version of space travel, again with that thrice-cursed chorus! We got the idea at the beginning of the sequence! Why drag it out so long? Unless he wanted to make LSD users go psychotic and have flashbacks.<br /><br />I'm not even going to try to explain the ending, mostly because I don't quite get it myself. Supposedly he's in an alien research laboratory and they're teaching him deep and profound things while he watches himself getting older and older and then they send him back to earth as some kind of cosmic celestial space baby. None of this comes across in the film. For all you know, it's just a sequence of images with no purpose or plot whatsoever. A lot of the movie felt that way.<br /><br />The first time I tried watching this movie I gave up halfway through. The second time I suffered through this sore excuse for a film, it was to help my sister time the sequences to see how long they lasted. It's that boring.<br /><br />Call this crummy film "art" if you wish. I wouldn't. I've seen more interesting "art" in the local museum. And I am never subjecting myself to this kind of suffering ever again. | 0 |
Dryly irreverent, but sadly unfunny satire of detective movies, with stony-faced Michael Caine playing a British author of trashy crime stories traveling to the Mediterraean to assist in writing the memoirs of a would-be gangster; soon, he realizes he's being followed and his life is in danger. Caine narrates the proceedings with considerable sly wit and low-keyed sarcasm, but his actual performance is bereft of energy (Caine's shrill bursts of anger or frustration seem to come out of nowhere, and he connects with nobody on the screen). Other cast members (particularly Mickey Rooney, a silver-haired Lionel Stander, and Lizabeth Scott) do very well in colorfully outré roles, though Al Lettieri has an insulting part as an apparent cross-dressing homosexual (Lettieri gets insulted without being able to defend himself, an unenviable position). Writer-director Mike Hodges has the germ of a good idea (satirize the detective movies of the 1940s without compromising the hard-boiled talk and milieu), but he hasn't a very sharp sense of humor. When a Bogart lookalike--asking a question about a falcon--is the best joke, what follows is anemic indeed. ** from **** | 0 |
This is one excellent Sammo Hung movie. Actually, this is a great piece of Hong Kong action cinema. The story tells the story of pedicab drivers in Macao looking for love and getting mixed up w/ a vicious pimp. The performances are excellent and the characters are all likable and well-defined. The story is involving and has enough romance, drama, comedy, and suspense to keep one watching between fight scenes. Sammo Hung proves here that he's probably the best fight choreographer in the business. The action is simply amazing, esp. the fight w/ Lau Kar Leung and the finale. Billy Chow and Sammo Hung are amazing. A must see for any fan of action. | 1 |
Great softcore sex, revealing and sexy, and plenty of it. Ignore the ignoramus who doesn't realize that raunchy IS sexy if done the right way. If you "erotic," go watch that Red Shoes Diary junk. If you want hot and exciting softcore done properly, this is the movie to watch. If you like the more explicit Skinemax films, you'll like this one. Great softcore sex, revealing and sexy, and plenty of it. Ignore the ignoramus who doesn't realize that raunchy IS sexy if done the right way. If you "erotic," go watch that Red Shoes Diary junk. If you want hot and exciting softcore done properly, this is the movie to watch. If you like the more explicit Skinemax films, you'll like this one. | 1 |
Watching this movie again really brought back some great childhood memories . I'm 34 now, have not seen it since I was 12-14. I had almost forgotten about this movie, but when I watched it again recently, some scenes literally brought a tear to my eye! That little robot "Jinx"(friends for ever!). It was just like revisiting my childhood. It was an absolutely amazing experience for me. I will always cherish this movie for that reason. I hope some of you readers can relate to my experience, not for this particular movie, but any movie you have not seen in a long while. Very nostalgic...<br /><br />-Thanks for reading | 1 |
First, let me state that I have no idea who Nora Roberts is. So the book may have been great, but the movie isn't.<br /><br />I have spent my entire life living in the Peidmont region of NC. I have never heard southern accents as ridiculous as the ones in this movie. I have lived in two small NC towns and Charlotte and Raleigh. On occasion, you will meet people with a strong southern accent, but I have never encountered a town where everyone talks like a bad imitation of Gone with the Wind.<br /><br />In response to Gore_Won from the atheist community. Your comments reveal more about your warped psyche than it does about the movie. If we were to stretch our imaginations and pretend that there is anything realistic in this movie - which there isn't - then the truth is that bad people such as Tory's father will always find some justification for their actions. The author chose religion as a counter to Tory's supernatural abilities. Your supposition that "the true character of the Gospels" directs a man to beat his daughter is about the most perverse and misinformed interpretation I have ever heard. Before you start spouting off about the Gospels, maybe you should read them first.<br /><br />Back to the movie. The dialog is flat, unnatural, and unbelievable most of the time. In particular, many of the things that Kade said to Tory are inappropriate and do not match the mood, context, or way they are said.<br /><br />The "exciting twist" at the end of the movie is lame, predictable, and lacks any credibility. Some have also claimed that Jacqueline Bisset does a wonderful job in this movie, but the truth is that the bitter mother character is also a stale, predictable, one-dimensional character. Is that Bisset's fault? I don't know.<br /><br />If you have a choice between watching this movie and a twenty year old rerun of the Muppet Show, I recommend the Muppet Show. | 0 |
Can you say "Boring" with a capital B! It's slower than watching grass grow! It's more boring than watching paint dry! You'll sleep right through it.....we all did.....don't do it...you'll regret it! | 0 |
I just saw this film in Austin Texas at the Austin Gay and Lesbian Film Festival and it was my festival favorite. The gymnast is a film NOT to be missed. It is an honest "coming to terms" story about relationships, self discovery , growing older and having the courage to change and move forward. Not only is this a good story but the glorious aerialist performances by Dreya Weber and Addie Yungmee will take your breath away! See this film! It will be coming soon to a festival near you. This film deserved to be picked up right away by a major network or studio. I will certainly purchase this when it becomes available on DVD. | 1 |
Wealthy businessman Bill Compton (played by Dennis Patrick) accidentally kills his daughter's hippie boyfriend after an argument. Panic-stricken, he retreats to a bar, and meets Joe Curran (played by Peter Boyle): a loud-mouth, angry, bigot who is bitter over how his beloved country has become. Unintentionally, Bill allows Joe to find out that he just killed a hippie. And this is only the beginning. "Joe" is a classic film of an unlikely friendship. A bond between two men, one of a white-collar background, the other of a blue-collar background. Bill & Joe have one thing in common, they are disgraced over how crazy the world has become. Dennis Patrick & Peter Boyle have both given very realistic portrayals of their characters. Director John G. Avidsen with this "pre-Rocky" effort, directs this low-budget gem with the same finesse as a movie with a $100 million budget. The script is loaded with excellent character development and very snappy, realistic dialog. In spite of its strengths this film does have its weaknesses. The script falls asleep roughly 3/4 of the way through, but it wakes up just in time for the jarring climax. This film also features a very early and uninspiring performance by a 24-year old Susan Sarandon as Bill's daughter Melissa, along with her hippie boyfriend Frank, portrayed very blandly by Patrick Mc Dermott. One could only be thankful that he was killed off early in the film. In spite of its few flaws this is one of those forgotten films of the 70's that should not be. Even though "Joe" is very dated to today's standards, the chemistry between Dennis Patrick & Peter Boyle is completely relevant today, and it is the glue that holds the whole film together. | 1 |
I saw this movie many years ago and it has never left my list of all-time best films ever made. When I first watched it, I was just beginning what has become a life-long passion for justice. It gave an interesting perspective of the death penalty and also gave me a few things to think about.<br /><br />When you have a cast like this one, you are right to assume it is going to be nothing short of fabulous. This is, by far, the best role I have ever seen Sean Penn play (along with I am Sam). He nails the role, doesn't glamourize his actions while doing so. He manages to maintain a level of debauchery throughout the movie that I think was very important. Up until the very end, he does not try to be seen as anything more than what he is. He is a sick man who regrets his past, but still makes excuses for it. He ends up able to redeem his sense of self-worth as much as a convicted (and guilty) murderer can through the aid of Susan Sarandon's character, Sister Helen Prejean. Her character taught me about good will towards others without making me forget how horrible a person's actions can be and without making excuses for them.<br /><br />The supporting cast was also top-notch. I was surprised to see a small cameo of Jack Black in this film given the funny-man he has become today! I loved this movie for both personal reasons and just because it was a work of cinematic art. And, in my opinion, this is one of the rare exceptions when the movie far out-did the book. | 1 |
By far this is the worst Halloween movie ever made. The acting is bad, except for Paul Rudd, and Donald Pleasence. The girl who played Kara (forgot her name) was ok, but overall this movie was basically a big letdown. Nothing moved the story forward, it lacked substance, and the scares that made Halloween and H20 so good. All and all, skip this movie, it's not worth the price of rental. | 0 |
Last night I decided to watch the prequel or shall I say the so called prequel to Carlito's Way - "Carlito's Way: Rise to Power (2005)" which went straight to DVD...no wonder .....it completely ...and I mean completely S%&KS !!! waist of time watching it and I think it would be a pure waist of time writing about it.... I don't understand how De Palma agreed on producing this sh#t-fest of a movie....except for only one fact that I tip my hat to... Jay Hernandez who plays the young Brigante.... reminded me how De Niro got into the shoes of Brando to portray the young Don Corleone in Godfather II ...but the difference De Niro was amazing and even got an Oscar for it !!! Jay Hernandez well he has guts for trying to be a young Pacino.... too bad for him I don't think he will be playing in film anymore and by the way after I watched this sh#$%ty movie, I sat down and watched the original Carlitos way to get the bad taste out of my mouth. | 0 |
Of all the actresses in film today, Kristin Scott Thomas would be my choice if I had to select one for stranding on a desert island.<br /><br />I could watch her simply, say, sitting in a chair for a couple of hours. So it's difficult for me to be objective completely with respect to one of her films.<br /><br />However, I did enjoy this movie and its story, per se, more than that indicated by the average ranking among the many persons previously commenting on this site.<br /><br />Harrison Ford is not one of the actors, though, whose performances I enjoy most. But he's one of a handful who have reached the level of moving from 7 figures to 8 per film, so who am I to argue?<br /><br />Ford though is often droll in his acting style, and sometimes seems to be in serious need of an antacid and a shot of caffeine - and "Random Hearts" is in this grouping.<br /><br />His obsession in probing the losses, which both he and Thomas have endured with regard to their linked spouses, is understandable, given his profession as a detective - but not to the level presented here. Although not far, it crossed the line into the "annoying" category. <br /><br />However, most of the scenes after he and Thomas became involved were interesting and well-played.<br /><br />This film could have been a 9*, but I'd lower it a couple of levels, based upon Ford's overall performance, and and another, because it contained a bit more of the extraneous sub-plot elements than seemed required. | 1 |
I just saw Hot Millions on TCM and I had completely forgotten this gem. Ustinov creates a clever and divisive plot that has him cleverly going from two bit con man to ingenious... Well you'll see. Maggie Smith is perfect as the bumbling secretary/neighbor who has a tough time holding a job but has a warm and vibrant personality that beams through in this picture. She creates a fine portrayal of a warm, witty and real person who in the long run...well...<br /><br />Molden and Newhart as top executives take on the challenge of making what could be banal roles and make them come out into a comic life of their own. <br /><br />Robert Morley and Ceasar Romero are just a pleasure to see and I know at least in Romero's case Ustinov is extending a helping hand of work. <br /><br />This film is meant to be a shot back at the rising computer age and it's problems for the average con man or man for that matter but in fact the characters are so involving and so much fun to watch that the computer sub plot is almost lost...I say almost.<br /><br />Let down your usual expectations of modern comedy and look for the great performances and friendly, forgiving and deeply involving plot in this picture. | 1 |
The psychology of this movie is really weird to try and figure out. Its often billed as an anti-RPG movie, but its really not that simple. Here are come apparent contradictions that make me wonder just what (if anything) they're trying to say about gaming.<br /><br />They laboriously introduce all the characters home lives by way of introduction, all of them having parents who are divorced, alcoholic, and totally out of touch with their lives except for the times they're harshly pressuring them to succeed. Tom Hanks is arguably the worst off, having just failed out of another school and still dealing with a brother who disappeared and may be dead. <br /><br />Its mentioned a couple of times that they play the game to work through problems in their real lives. And sure enough, at the end, when they go to see Robbie (Hanks), they're all happy and well-adjusted, embarking on their adult careers, problems solved, games put away (Daniel doesn't even want to design computer games any more), and even Robbie's mother, who's been constantly drunk and dissatisfied, is suddenly the Happy Homemaker, looking fresh and bright and arranging flowers. <br /><br />Sure, JJ suddenly (and quite cheerfully it seems) decides to commit suicide, but the reason seems to be entirely because he's a lonely boy genius who can't get a date, and not because his character dies, as in the famous Jack Chick tract (which happens afterward anyways, and it almost seems like he does it on purpose so he can end Daniels game and get everyone to come play his. In fact, the prospect of live-action role playing in the caverns seems to be the only thing that saves him from killing himself!) And in what may be the coolest tableau scene in the whole movie, Kate, looking very fetching in chain mail, looks right at the camera and says something like, "The scariest monsters are the ones in our own minds." <br /><br />The biggest fantasy element in this movie is the two muggers passing up the rich couple so they can rob the dirty, homeless-looking guy of his magic beans. The recurring theme (a "The Way We Were" for the 80s)might have been poignant at the end, but as a way to kick off a movie is downright depressing and seems out of place. And for one final mystery, our hero, wearing full Pardu regalia, has a psychotic break, becomes his character completely and embarks on his quest, so of course the first thing he does is change into 20-century street clothes. <br /><br />So maybe the movie's irrational, but I guess its dealing with an irrational topic. In those days a circle of kids with dice and pencils was regarded as tainted and possibly possessed, and you could go insane if they spoke their mumbo-jumbo at you. The anti-game paranoia is pretty much summed up in the first scene, where the reporter asks the cop whats going on, the cop says a kids lost in the tunnels and there's a chance Mazes and Monsters is somehow involved. The reporter admits to being vaguely familiar with the game (although he allows his own children to play it), then turns to the camera and reels off a polished spiel that blames the game for everything and admits no possibility of another explanation. In the end, its no masterpiece, but interesting as made-for-TV movies go. | 0 |
Terrific acting by the 5 stars makes this one a must see.<br /><br />Based on a stage play, THE SILVER CORD is about "mother love" at its worst. The film was very controversial for its implied homosexuality of the younger son and the mother's unnatural "romantic" feelings for both sons.<br /><br />Irene Dunne stars as the new bride (and biologist) who travels with husband (Joel McCrea) to visit the family before heading off to New York City for their new jobs. But something seems wrong.<br /><br />The mother, Laura Hope Crews, seems rude to the younger son's (Eric Linden) fiancée (Frances Dee). But Dunne puts such thoughts aside and ignores a few of the strange things the mother says. Then she finds out "her" room is down the hall from McCrea's, and his room adjoins mother's room.<br /><br />Later she walks in as "mummy" is tucking in McCrea and kissing him (on the lips) good night. Mummy has also been working on Linden and getting him to doubt his feelings for Dee. Everything blows up and with Dee running into the snowy night toward the frozen pond. As the boys run after her, mummy shouts from the window for boys to come back and get their coats! Dee falls through the ice and is rescued.<br /><br />As the girls leave the house the following morning, Dunne lets mummy know what she thinks of her and her attachment to the boys. But mummy has a tight hold, faking illness and forever boasting of her sacrifices. The girls leave but the boys stay behind.......<br /><br />Crews is magnificent as the voracious mother (repeating her stage role); it's a part few actresses would dare play. The sexual overtones are incredible for a 1933 film and Crews take advantage of her best film role. Dunne is also excellent as she tries to maneuver the course without losing McCrea. Dee has some excellent scenes after she gets dumped by bewildered Linden. All 5 stars are terrific in this drama that is bizarrely underrated and unknown.<br /><br />A neglected gem for anyone who likes great acting...... | 1 |
I was sorely disappointed in this movie. Twice I was temped to walk out because segments of the movie were so demoralizing and depressing. The movie has elements that allude to all the seamy things in life (pornography, murder, suicide, fornication, hatred, gang warfare). The graphic nature of the violence in this movie was particularly disturbing.<br /><br />And Richard Dutcher does a great disservice to the LDS Church in portraying missionary attitudes, commitment, spirituality, and obedience as unfocused and lackadaisical.<br /><br />My biggest objection to this movie, however, was that it is the exact opposite of a feel-good movie.<br /><br />Dutcher's God's Army One was okay. His Brigham City was quite good. This movie, in terms of casting, acting, and drama was his best. But in terms of being inspiring or uplifting it was as awful as it could be. In fact, this movie so demoralized me that I am sorry I went. I have lost interest in ever again supporting Dutcher in an LDS-themed movie with a ticket purchase. | 0 |
It's the 1920s. And a man named Walt Disney was on a mission: to satisfy the families and children all over the world with one thing: entertainment. What did he do? He made cartoons! Whoo!!!!! And he made a character that is as great as a mouse...Mickey Mouse. Ha ha! Oh boy!<br /><br />Two films were drawn out by Mr. Disney himself: "Plane Crazy" and "Steamboat Willie." This review will focus on the 1928 feature, "Steamboat Willie."<br /><br />Ever since I learned about this movie as a little boy, I've always wanted to see this movie. Well, in 1997, I rented an ancient VHS that had lots of old Disney cartoons on them, starring the Mouse!!!!! Mickey Mouse!!!!! And guess what? That short was on there, and I loved it!!!!! Shortly after I took the tape back, this was playing on the old Disney Channel (note: the "Old" Disney Channel) early one Saturday Morning.<br /><br />Yes, this is a great cartoon; this paved the way for more great Disney stuff from 1928 to 2002!<br /><br />10 stars, indeed!!!!! | 1 |
Strange... I like all this movie crew and dark humor movies; but didn't like this one at all! It's awful, horrible and surely not funny at all. Pity cannot do a whole movie plot, disgust either. And it was really boring. Long empty moments fills the movie; it could have been removed. It should have been in another shorter format, surely. Maybe i expected too much from the crew - like saving the movie lol -. It's also filled with overused clichés of characters and situations... I don't get it why people liked it... "Poetry", "hope"; nope 'mam, didn't see anything like that! ^^ All in all, it's empty and crude, pitiful and hopeless. Oh darn this one........ | 0 |
I was attracted to seeing this movie because of this plot and my desire to watch a horror.<br /><br />To my disappointment, this turned into more of a comedy than a horror. The acting, dialog, and flow of the movie was all very poorly done. Much of it didn't make sense. For example, there's a party of about 30 people and they're all terrified of one person despite them being at a secret location and are all healthy looking young adults and the guy threatening them sounds haggard. I kept thinking, maybe this was a parody of another movie like Scary Movie, but they were trying too hard to make it look gruesome - emphasis on try.<br /><br />The blood and gore are also poorly done. I've seen Halloween costumes look more believable than this. A guy with his head cut clean off... looked clean - missing signs bone, flesh, blood, and even the head. A strong downward strike with an ax on a corpse should lodge itself into something... seemed like the guy was swinging a bat instead of an ax.<br /><br />Revealing who the main villain was supposed to be a twist, but contradicted other parts in the story. What was going in the guy's mind to turn out like that? If there was going to be a twist, you should at least build up to it adding mystery and suspense. | 0 |
There have been many people that have tried to make a movie that was identical to the story, Heart of Darkness. Some movies have been based on Heart of Darkness, like Apocalypse Now. In 1993, Nicholas Roeg directed a film that was exactly like the book. Heart of Darkness the movie is almost exactly identical to the book. This movie is full of action and adventure. Heart of Darkness is about the journey of a seaman named Marlow who sails along the Congo River to meet the super powerful ivory trader, Mr. Kurz.<br /><br />Heart of Darkness, the movie, has the same exact beginning and setting as the book. It takes place on a boat in the Thames River, and Marlow is telling the story to four other men on a boat called the Nellie. The whole movie is a flashback of Marlow's journey to see Mr. Kurtz on the Congo River. Marlow works for the Belgian Company, which trades ivory along the Congo River. He tells of his account in the Company's office, and about all of the maps he saw in the office.<br /><br />Marlow sets out on a steamer to Africa. He arrives at the Central Station, where he receives orders from the general manager. The general manager tells Marlow about Mr. Kurtz and the ivory trading Marlow would be doing. Marlow soon finds out that the general manager is not fond of Kurtz because he fears Kurtz will replace him. Marlow waits around at the Central Station for months because his ship has been wrecked, and it is getting repaired. Marlow sees the harsh treatment and enslavement in Africa while at the Central Station. When the ship has finally been repaired, Marlow, another African character named Mfumu, and other crew members set sail on Marlow's steamer for Mr. Kurtz.<br /><br />Along the Congo River, they are attacked by African natives in the wilderness. As Marlow's crew is attacked by the African natives, they end up shooting and killing Mfumu. When Marlow finally arrives at Kurtz's station, he meets a Russian who explains the might and glory of Kurtz. Marlow is then led to Kurtz's station home. There, he sees many maps and pictures that Kurtz has painted. Finally, Kurtz enters the room, and begins to tell Marlow about all he has done in Africa and talks about his mistress. Marlow soon finds out that Kurtz is insane with power because the Africans hail him as a god. Marlow becomes angry with the harshness and enslavement that he sees in Africa. After Marlow finally meets Kurtz, Kurtz begins to die. While Kurtz was on his deathbed, he called Marlow into his room. Kurtz's life begins to flash before his eyes, and his last words were "The horror, the horror." When Marlow returns to Europe to see Kurtz's fiancé, Marlow tells her that Kurtz's last words were her name to hide the darkness in Kurtz's life.<br /><br />Heart of Darkness was directed well and was formed into an adventurous movie. I recommend anyone to watch this movie because it is full of action and mystery. The movie is slow at times, but in all, it really interesting. Heart of Darkness will really broaden your mind and will teach you a lot about how to interpret different scenes. | 1 |
This is a entertaingly bad b-movie. Actually it really is much better quality than a lot of b movies. It had a consistent script, decent direction, cinematogrpahy, and I have seen worse acting. The zombies were great, clearly these were Romero zombies, and was really a interesting zombie story. Obviously not Oscar material, and if your not into zombie movies, or b-movies you probably wont enjoy this, but if you are you'll like this movie.<br /><br />The main clint eastwood knockoff western character guy is pretty good, although they never really clearly explain how he can heal himself from gunshots and zombie bites. But if he has more than a line of dialogue that where his bad acting is really evident.<br /><br />It was a good ending to, at least I thought so. Romero should be flattered if he ever saw this. | 0 |
First off, I just watched a movie on SHOWTIME called Survival Island. It says it was a 2006 movie with Billy Zane and since I like him and couldn't sleep I thought I would check it out. Looked interesting. Watched it, and decided to look up on the IMDb who was this new face Juan Pablo Di Pace and OMG I could not believe it, this movie has been renamed THREE and will be a new movie?? It is playing again in 1 hr and 30 mins on Showtime Channel again and this date is May 28 and EDT or Florida time. You can check your showtime listings by title and see it. I wont get into details so you can see the movie but at one point there is a lady in a white bikini that goes into the water taking it all off, you see her naked body.... when she runs back out of the water you see her bottoms on. Funny, there are a lot of other mess ups too. I can't believe by coincidence I decided to look up this movie... Go figure! Wonder if the people renaming it sold it to some movie studio to put out but it is already playing on Showtime, ha ha. Good laugh. I give it 1-1/2 stars. C-, D+ movie. | 0 |
This film is a great comedy drama. Christopher Walken is tremendous in his supporting role as manager, and his commentary will keep you laughing. Robin Williams plays a great role as a quick wit "Jon Stewart" and will amuse you if you are fans of Comedy Central. The show is good, because if the viewer has half-a-brain, they will see it as a very needed sub-cultural attack on the policies of the current Republican Government and a criticism on the American Democratic Process..., not to mention the means by which most politicians get elected.<br /><br />I was amused at the sub-plots and found the film to be very fast paced and entertaining, without any of the usual "oh-brother's" I would agree the film is less comedy than marketed, however, without question better than 90% of the garbage in theatres at present. Just my thoughts...Don | 1 |
Love this film also. Saw it when it was first shown i8n Germany in a small independent cinema in Frankfurt. It was really crowded and it was a very ambitious atmosphere to. The erotic of the movie hit the spectators and the discussion with Moritz Boerner the producer and director was always underlined by that. In his genre it was a very ambitious movie even especially when you think that it was an independent movie.<br /><br />It doesn't exist much copies of that film, Mortitz Boerner came from the theatre and made two or three short movies more worked for TV as well before he became a sort of therapist.<br /><br />For the people who wish to see that movie again, you could find it on his homepage which isn't that easy to search for but its possible. | 1 |
I have some great memories watching "Robin of Sherwood" on TV as a kid (but I think I only saw Michael Praed´s episodes, by some reason). And recently my brother bought the new released DVD-boxes of the complete series. It was great to see it again, and it is the best of all the Robin Hood movies and TV-series. The cast is great, and the locations mixed with Clannad´s music adds this very special feeling. I personally think that Praed is the best of the two Robins, but Jason Connery was a great choice to continue the series with. Ray Winstone, Nicolas Grace and Robert Addie is terrific in their roles as Will Scarlet, The Sheriff of Nottingham and Guy of Gisburne. It´s a pity that a fourth season never got made, and I´ve also heard that the writer Richard Carpenter actually had plans to make a feature film following the events of the series. Robert of Huntingdon (Connery) could finally have married Marion (Judi Trott), or maybe Herne the Hunter could resurrect Robin of Loxley (Praed), and he could take his revenge against the sheriff. As have been mentioned before; if the producers of "Robin Hood: The Prince of Thieves" would have been smart, they would have got the cast from "Robin of Sherwood", and made the movie to a sort of sequel to the series. As Ray Winstone puts it in the DVD bonusmaterial, it would have been great to see them as old men, just like in Sean Connery´s "Robin and Marian". Who knows, maybe we will se more of this perfect interpretation of the legend in the future. In any case, we can now watch our favorite series over and over again! | 1 |
I first saw Enchanted April about five years ago. I loved it so much that my husband surprised me with a copy the following Christmas. It's about two women who decide to rent a castle in Italy for the month of April, leaving their humdrum lives behind them. They are very sad women at the outset of the film, and you can't help but root them on as they plan this get-away with two other women they invite along to share the expenses. This is perhaps the most feel good movie I have ever seen. It' pure and simple, with no car chases, no animosities and no deaths. It was made with care and in very good taste. You cannot help but smile all through it -- except when you're crying happy tears! | 1 |
Yes!! They finally got it down to perfection. What a great idea, a refreshing exploitation epic for Generation-X, whether they know it or not. After disasters like Sgt. Kabukiman NYPD, and getting screwed by Blockbuster, our hero, Lloyd Kaufman just decided to go for it, stop catering to distributors, and let Troma be all the Troma it can be. Lloyd would make this one the most unapologetic, outlandish and downright hilarious Troma movie yet. This time, Lloyd takes Shakespeare's love story, turns it inside out, Tromatizes it, and adds that long, lost, entertainment value it was always lacking. Entertainment value, such as Lemmy Kilmister (the narrator), Debbie Rochon (the cook), Joe Fleishaker (the fat guy), and of course, brutal mutilations and toilet humor. Tromeo And Juliet is the definitive edition of a rather lackluster story, and the crown jewel of the Troma universe.<br /><br />Years ago, in Tromaville, N.J. business partners, Monty Que and Cap Capulet start a film company called Silky Films, which would produce supposedly tasteful, soft core films. Monty considers Cap his friend, but Cap is out to screw the poor sucker out of his share of the company. On paper, and in books, it appears that Monty gave away his life's work for free. Fast forward to mid-90's Manhattan, we have two families who are extremely displeased with one another, it's to the point that they're just looking for a reason to take a limb, or preferably, a life. Monty has a son, Tromeo, nephew, Benny, they, with their friend, Murray Martini, who's just a little too excited about all the carnage, wage war on the incestuous Capulets, except Monty, he's too drunk to care. Like in the original, there is a confusing situation, leading to Tromeo falling for Cap's daughter, who he has never met, or never even knew about. Unfortunately, Cap is a sadistic pervert, who, not unlike Tromeo's dad, has a thing for the bottle, and this would of course, lead to daddy's little chenshaw melon being physically, and emotionally abused, and molested, and kept in a Plexiglas cage, off and on, depending on how foul of a mood Cap is in. Cap is also forcing his vegetarian daughter to marry London Arbuckle, a billionaire butcher, who, would make just about anyone uneasy, with or without the raisin loaf. With all these inconveniences, the young lovers feel that eloping would be the best decision, but how will this effect the big feud? It might, or might not, go a little something like the original, but figuring out how this one ends up is just simply not going to happen, you'll never see it coming.<br /><br />"The one with Leo" is downright sleep-inducing compared to Tromeo & Juliet, but if watered-down, over-directed, big-budget, Hollywood, Garbage is what you've been programmed to go for, then by all means, go for it, but if you're in the mood for something a little more colorful, something that really packs a punch, and doesn't follow the "normal" movie pattern, and if you happen to have a rather abnormal sense of humor, then you just might not hate this movie. Tromeo And Juliet gives the finger to all that is mainstream. Full-blast exploitation with as much mean-spirited humor as anything from a young John Waters. Along with some badass acting, Tromeo And Juliet flaunts a thunderous score which includes the legendary Motorhead, and not to mention, much input from James Gunn, that really brought this one together. For more awesomeness from James Gunn, check out Lollilove, and for more excellence from Lloyd Kaufman, check out his next vision, Terror Firmer. Tromeo And Juliet is jaw-droppingly priceless Exploitation for the 90's brought to us by the one, and only, king of the B-movies. Thank's, Lloyd. 10/10 | 1 |
I love Claire Danes, and Kate Beckinsale looks amazingly immature in her role. The movie is flawed only because it seems the two accused seem to be in some Monastery, working like monks in the grass and under strict almost martial-arts-like discipline. The acting and filmography and amazing colors of what is supposed-to-be Thailand is eye-catching, but Claire Daines steals the entire movie, and is unexpectedly profound in her learning the hard lesson of life itself to the very end, in an act of amazing unselfishness unheard of and completely unexpected in the real world. The flaws are minute and I recommend the film, which seems buried sadly forever to rare TV showings. I for one want the film for my collection- a collection of only "10" rated films. Watch it, you will be very touched. | 1 |
I hate reading reviews that say something like, 'Don't waste your time, this film stinks on ice.' It does to that reviewer yet for me, it may have some sort of naïve charm. If you like the other 'Whistler' series films, this one will be watchable. If you like 40s noirish films, this one will be watchable.<br /><br />This film is not as good, in my opinion, as any of the earlier series entries which starred Richard Dix as the protagonist. It's much slower, and the plot is trite. You've seen this same narrative device used in many other films, and usually better.<br /><br />But the acting is good, and so is the lighting, and the dialog. It's just lacking in energy and you'll likely figure out exactly what's going on and how it's all going to come out in the end not more than a quarter of the way through.<br /><br />The 'Whistler' series is semi-noir, and there character, mood, lighting, camera movement and angles are more important than the story itself. But this film is not noir. It's too light weight and Hollywood innocent for that. Neither Richard Dix's character nor those of any of his ladies in the previous films had to come to a good end. You just never knew until the end.<br /><br />But still, I'll recommend this one for at least a single viewing. I've watched it at least twice myself, and got a reasonable amount of enjoyment out of it both times. | 1 |
Just the kind of movie I love. Some very good British actors as well as the one and only Sharon Stone. Catherine Tramell (Stone) masterfully manipulates a well educated group of people's lives, playing on their frailties to collect experiences to write a murder mystery book. She plays the female psychopath quite well while using her ample sex appeal to convincingly portray what could be considered one of the ultimate Black Widows. Tramell is use to dark places within society and freely partakes in sadomasochistic flings in the 'never visit after dark' side of town. From the beginning, there is nothing short of an R rating here from the dialog alone. Stone could also be described as a sort of female Hannibal Lecter, an emotionless femme fatal without the meal plan. | 1 |
I recently rented this film on DVD and thought it would be an interesting choice seeing as I am both from the north of England (Bradford), and also interested in film-making. However, it soon became apparent that this film seemed to lack a decent level of development script-wise. The characters were weak and often stereotyped and the story lacked substance. The subject matter could be an interesting basis for a film. However, the delivery of this appeared naive and unfocused. <br /><br />The ending felt as though it was casting judgement on the characters - punishing and rewarding where the filmmakers felt necessary. This felt a little awkward and silly, and seemed at odds with the 'realism' used in the style of shooting. For me, the film dealt with the characters and subject matter in a rather heavy handed and clumsy manner. It felt as though the writer had already decided how he wanted to end the story and set about crow-barring everything else in to fit it.<br /><br />Another point that I feel strongly about is the watered-down Ken Loach feel the film had. I get quite upset that UK film financiers can't see that there is more to British films than 'gritty realism'. It has become almost a safe option. Film is an infinitely wonderful playground for imaginative ideas and it is not being exploited by UK feature film producers. There is a lot of talent here in the UK. It's unfortunate that most of these individuals end up either making music videos and commercials 100% of the time or they go to America. <br /><br />Love + Hate would have worked better if it had been cut down to 30 or 60 minutes and appeared as a one-off TV drama. | 0 |
Hint number one - read the title as "the Time of the Mad Dog," or perhaps dogs. This is a pretty good ensemble piece (look at the cast and rent it - you know you're curious already), and first-time director Bishop gives them their chance, taking his time, letting the characters interact and chew the scenery as they wait - not enthusiastically - for the return of "the big boss" and whatever revenge ensues.<br /><br />For some of us, the highlight is seeing Christopher Jones after his self-imposed exile from films; he remains a commanding film presence. And yes, with Christopher Jones, Larry Bishop and Richard Pryor involved, this IS the "Wild in the Streets" reunion party! | 1 |
Cameron Grant is one of the best directors doing adult films. His only rival is Andrew Blake. Celeste is dynamite all thru the movie but the DR's office sequence with her & two other ladies is just incredible. Nearly as good is Asia Carrera's performance with the construction worker. I highly recommend this movie & gave it a 9. It's almost as good as Cameron Grant's ELEMENTS OF DESIRE which I gave a 10. | 1 |
I saw this movie on t.v. this afternoon and I can't see how anyone can sit through this piece of trash. It's not funny at all and it takes your I.Q. down a few notches. I know this movie is for kids, but that doesn't mean the writers should take their intelligence for granted. I bet that writers were sitting around a large wooden table and figured that a) The word "poop" equals big laugh. b) A four foot tall kid can dunk on a ten foot tall basketball net. c) Kids should always fight kidnappers armed with guns because the kidnappers will fall for anything and d) 3 months of karate training is all you need to beat up so-called "ninjas" with swords. One good thing I can say about this movie is it contains the weakest suburban "gang" in the world that couldn't scare anybody. Maybe the guys at MST3K could use this movie for a good laugh. Don't bother with this lame-ass excuse for a movie. | 0 |
My Take: The silliest of the AIRPORT movies, and probably one of the worst of the 70's disaster movies.<br /><br />As if to milk the franchise with all its got, the producers of this third sequel to AIRPORT throws in more action, silly subplots, gratuitous star appearances and goofier elements. In its attempt to be the biggest AIRPORT yet, CONCORDE: AIRPORT '79 is the worst one yet, and probably one of the worst of the disaster movies of the 1970's. With its bad box-office results, it is no wonder that the genre has overstayed its welcome.<br /><br />The film opens with a rather catchy score by Lalo Schifrin backed-up by some impressive shots of the titular aircraft in its former glory (the same plane used in this film would be involved in a crash in July 2000). But then the credits appear, and we get a glimpse of the "all-star" cast, which is composed nothing more of faded Hollywood stars, TV actors and none-too-popular B actors. The plot is sillier than ever: George Kennedy is back in the role of Joe Patroni, now the pilot of the Concorde (co piloted by co-pilot Alain Delon) en route to France after the Summer Olympics. On board is reporter Maggie Whelan (Susan Blakely), who has just discovered that his boyfriend, renowned weapons manufacturer Kevin Harrison (Robert Wagner), is selling their weapons to terrorist. To prevent her from revealing the news to the world, Harrison sends his most advance missiles and best saboteurs to prevent the Concorde from landing.<br /><br />The cast/subplots are dumber than ever, even sillier than an alcoholic Myrna Loy or a singing nun. We have Cicely Tyson transporting a live human heart in a cooler (!), Martha Raye as a woman with a bladder condition (and the character doesn't go deeper than that), J.J. Walker a a pot-smoking saxophonist (arguably the most annoying character in the film), Eddie Albert married to "old" wife Sybil Danning, Avery Schreiber as Russian coach with a deaf daughter and finally, a love story between reporter Jon Davidson and gymnast Andrea Marcovici (much to the sour watching-eye of coach Mercedes McCambidge). Plus the movie gets much closer to LOVE BOAT episode than ever with the silliest cameos of Charo (and her pet Chihuahua) and Bibi Anderson. Camp buffs will no doubt get a real kick-in-the-balls in this silly entry in a long strain of 70's disaster movies. This one is, in more than the sense of the word, a true disaster.<br /><br />Rating: *1/2 out of 5. | 0 |
Up And Coming was a very positive sitcom, which brought a tool/and or channel that opened the young minds of the Black Culture. The focus and outlook was a message of positivity for our people, and hope for change. I advise this selection for every American household to experience the struggle, and the reward. The show was never given the chance to blossom into the idea of middle-class Blacks becoming business owners of their own. The issue's were so compatible with real life situation's that impacted the lives of so many. I sincerely hope that the entire volume can be restored, and put on DVD for Americans to enjoy with their families.<br /><br />Thanks. | 1 |
I really like Ryan Reynolds and Hope Davis and I actually had high hopes watching this last night on DVD. Mainly as I try to avoid reviews until I watch something myself and form my own opinion Big mistake! My 2 /10 is for the first segment which in fairness is actually quite decent and if they had made the movie about the characters in section 1 alone it may have risen above the 5/10 mark.Once it moved into TV 'reality show' territory it stank to high heaven. Ryan Reynolds captured the essence of an actor on the edge wonderfully but as a gay TV writer and famous games creator / devoted family man he was definitely less effective. From the blurb on the box I expected a flashback thriller along the lines of 'Memento' - unfortunately this is nowhere near that standard of movie. | 0 |
Most folks might say that if one were to spend a Saturday night watching a movie,you must be really bored. Actually,I had just gotten back home from being out and turned on the TV and there it was,"Paulie". <br /><br />I had missed the opening credits,so I didn't know the name of it but I saw that it had Cheech Marin in it,so I naturally thought I had tuned into "Born In East L.A." When I saw him talking to a talking parrot,I was ready to dismiss this as the kind of flop movie they show late in the night.<br /><br />Happy to say,it was better than that. As you know,if you don't already Paulie is lost and trying to get back to his original owner. Seems it's taken years to find her. What should be Paulie's advantage is actually a dis-advantage in ways. People come across a literate parrot and all they see is a way to make money or benefit themselves. <br /><br />While Cheech Marin's character "is" making money from him,he's not mean to him. The dance sequences with the parrots are something kids will find cute,I found them amusing.<br /><br />Paulie,who's naive',learns quickly that not all humans are nice people. Especially the owner of an animal research lab. The man lies to him saying he'll help him find his owner as long as he helps in his animal communications research. Paulie is now stuck but decides to make a fool out of the man at a demonstration to others of Paulie's vocal ability.<br /><br />Throughout the film Paulie's telling his story to the facilities janitor who ends up freeing him,several other animals and finding the location of Paulie's owner. It's a touching reunion. <br /><br />8 out of 10,the wing clipping scene should have been assumed and not shown. That part might bother younger children. Otherwise,it's a great movie for older kids and adults who are a kid at heart. (END) | 1 |
Whatever happened to British TV drama? From John Major through Tony Blair, the focus of the genre appears to have shifted from social realism to smugly normative women-focused tales about the piddling domestic problems of nice middle class professionals.<br /><br />(Or perhaps TVNZ doesn't buy the good stuff? Please let that be what it is...)<br /><br />The writer's long career in soaps probably explains why the dialogue is made up mostly of stale clichés. Niamh Cusack's performance is strong on meaningful looks, each held by the director for at least half a dozen beats longer than they deserve. Baleful looks, however, are a poor substitute for depth of character, if the writer has failed to provide such material for actors to work with. <br /><br />Of course this is theoretically a thriller, about a murder investigation; but that's not as important as the central character's failing marriage and its attendant problems. Is Cusack's character's husband a complete bastard? Will her son be utterly traumatized by the marriage break up? Making these the central issues isn't a sign of insight -- it indicates a profoundly narcissistic identification by the writer and director with a character who should be getting on with her job.<br /><br />Lynda La Plante knows how to write this stuff so that it feels as if it matters and involves viewers other than housebound neurotics ; evidently Paula Milne isn't up to the task. | 0 |
Fun, entertaining movie about WWII German spy (Julie Andrews!) falling in love with American pilot (Rock Hudson), while trying to get secrets from him. For some reason this was attacked by critics and shunned by the public in 1970--I can't see why. It's beautifully shot, has wonderful costumes and interiors, and exciting aerial dogfights. Also it has Andrews doing a strip-tease (strictly PG material) and singing a beautiful song--"Whistling in the Dark". The movie does have problems. Andrews and Hudson did not get along during the shooting of this--and it shows. Their love scenes lack spark and they have zero sexual chemistry. Still, they turn in OK performances. The film is a little long (even in the 105 min director's cut I saw) and gets way too dark and serious at the end. Still, worth catching. Try seeing the directors cut...the other one runs half an hour longer! | 1 |
Is there any question that Jeffrey Combs is one of the true horror greats? This movie seriously doesn't suck and is sort of funny... Watching a young Combs at work is great but I wish he had had more lines. Look out for Beyond Re-Animator. It's going to kick some azz. | 1 |
I do try not to take IMDb ratings to heart, but I was flabbergasted when I saw the 5.4 rating to one of my childhood favourites. It doesn't wow me as much at 17, but as a family film this is a sweet and well meaning movie. Kids will definitely love it and won't mind the flaws, and the adults can guess the actor behind each character and admire the subliminal messaging of the film. None of the film was preachy in any way, in fact it has a great message that added to its sweetness. I will admit though that the story is on the thin side, and some scenes like Screweyes's death(which still freaks me out) may be a tad on the scary side. But the animation is well above average with nice colours and good character animation. The music by James Horner is very beautiful, and the song featured is memorable, catchy and amusing. I really liked the characters, Louie is probably the most in-depth of them all, but the dinosaurs were at least engaging. Martin Short's clown was both hilarious and emphatic, the part when he tells Screweyes "I quit!" had me in stitches. My favourite is Screweyes though, an effective villain who is crafty and I suppose intelligent. If anything though, I wish the film kept in the part when he explains how he lost his eye and why he is scared of crows because that way he could've been more developed in terms of depth. The script, while not Oscar-worthy, has its funny and heart-warming parts, and should keep kids and adults entertained. The voice acting for me was what made the movie. John Goodman, Martin Short, Rhea Perlman, Felicity Kendall and Yeardley Smith all gave solid performances, but special mention has to go to Kenneth Mars for he was absolutely superb as Screweyes and almost unrecognisable. All in all, this is a good movie. I don't get the rating, honestly I don't. Sure this film isn't perfect, and it is not as good as a dinosaur movie such as Land Before Time, but it is good fun. 7.5/10 Bethany Cox | 1 |
I began watching a replay of this TV movie on a Sunday afternoon, thinking it was just another dumb airplane disaster flick. I was wrong.<br /><br />"Pandora's Clock" is an intelligent political thriller that is far beyond the quality of most TV movies. It could just as easily have made its debut on the big screen.<br /><br />The cast is excellent, including veteran actors Richard Dean Anderson, Edward Herrmann, Robert Guillaume, and Robert Loggia. Daphne Zuniga turns in one of her best performances as a medical specialist working for the CIA, and Frasier's Jane Leeves is also very good. <br /><br />The dialogue is well-written and the story is compelling throughout. In fact, the final hour is so filled with plot twists and suspense that you can't leave your seat for a second. If you get a chance to see this movie, invest the time -- nearly four hours. You will be richly rewarded! | 1 |
Before I comment on this movie I just watched on YouTube, I have to admit that the reason I checked this out was to rewatch something I first saw on the TV ads in 1980: Barbara Bach's cleavage. And since the movie received an R rating, I expected to see her nude. Alas, no dice for her or of the other gorgeous actress that appeared here: Stacey Nelkin who's supposed to be a teen but was actually 20 when she made this. Seeing her in a bra and panty and later in a belly dancer outfit was just as arousing as Ms. Bach. They provide some of the scattered laughs this movie provides. In fact, I don't blame Ron Leibman for having his name removed from the credits since his role as the tight-fisted Liceman is pretty embarrassing though I did like the "seduction" scene he did with Ms. Nelkin. This also happens to be the debut of Ralph Macchio who's the loner among the misfits sent to an academy school. The others are a black kid who really loves his stepmother and Ms. Bach, an Arab who worships motor oil, and a politician's son who loves his girlfriend Candy (Nelkin's character) so much, he risks sneaking in the middle of the night see her in the girls academy. Among the supporting cast, Tom Poston plays a swishy character named Sisson who I found partly amusing. With a screenplay by Tom Patchett and Jay Tarses and direction by Robert Downey Sr. (whose son Robert Downey Jr. has a cameo early on in a soccer scene), Up the Academy is uneven with the politically incorrect humor but unless you're really offended at the scatological and sexual content, this is actually a pretty harmless comedy that Mad Magazine and its trademark cover boy-Alfred E. Newman-shouldn't be ashamed of even though they once had their name and character taken off the picture...P.S. Another one of the "misfits" was Harry Teinowitz who was born in my birth town of Chicago, Ill. He played Rodney Ververgaert. He also says one of my favorite lines: "I'm trying to come." | 0 |
So I had heard from a few people that this film had brought them to tears in the theater. As I watched it for the first time I was expecting another romantic, tear-jerking Barbra Streisand film; Something like The Way We Were. I was certainly wrong. The chemistry between the two main characters, Esther Hoffman and her John Howard, was nonexistent, making it impossible to get attached to the characters. There wasn't anything romantic about it. Streisand's character fell for an alcoholic drug addict who couldn't sing a single note without making me want to hit the fast-forward button. At one point her character finds her husband in bed with another woman and she forgives him about five minutes later. There's nothing romantic about a deadbeat rock star and a woman who can't seem to realize it until he actually dies. Parts of the movie seemed to drag on and on, and I kept asking myself when it was going to end.<br /><br />The death of John Howard was completely predictable. There was totally obvious foreshadowing of his reckless behavior early on in the movie, and when he died I felt no emotion whatsoever. It wasn't a tragic accident, it was him basically being an idiot. Not to mention throughout the movie I was distracted by his hideous beard.<br /><br />The only parts of this movie worth seeing are the Streisand songs. The ending of the movie when she sings "With One More Look At You/Watch Closely Now" was my reason for giving this film a whopping 3/10. Those 7 minutes were the only part of the movie I actually felt an emotion other than irritation and anger. | 0 |
Loosely based on novels by Earl Derr Biggers, 20th Century Fox's Charlie Chan series proved an audience favorite--but when Japan attacked Pearl Harbor the studio feared audiences would turn against its Asian hero. This was a miscalculation: actor Sidney Toler took the role to "poverty row" Monogram Studios, where he continued to portray the character in eleven more films made between 1944 and his death in 1947.<br /><br />20th Century Fox had regarded the Chan films as inexpensive "B" movies, but even so the studio took considerable care with them: the plots were often silly, but the pace was sharp, the dialogue witty, and the casts (which featured the likes of Bela Lugosi and Ray Milland) always expert. The result was a kindly charm which has stood the test of time. Monogram was a different matter: Chan films were "B" movies plain and simple. Little care was taken with scripts or cast and resulting films were flat, mediocre at best, virtually unwatchable at worst.<br /><br />Thanks to an adequate cast and a few interesting plot devices, THE SHANGHAI COBRA is among the best of the Monogram-made Chan films--but even so it barely manages to achieve a consistent mediocrity. In this particularly entry, Chan (Sidney Toler) is called upon to investigate a murderer who kills with what appears to be a cobra-like bite; at the same time, he decides to make certain that a government supply of radium tucked away in a bank vault, of all places, remains secure. Do these two seemingly unrelated plot lines come together? Well... could be! Sidney Toler is always enjoyable as Chan, but most of his Monogram performances seemed "phoned in"--and that is as true of COBRA as it is of any Monogram Chan film. As usual, the really enjoyable performer is Mantan Mooreland. Changing times have led us to look upon Moreland's brand of comedy as demeaning to African-Americans, but he was an expert actor and comic, and taken within the context of what was possible for a black actor in the 1940s his work has tremendous charm and innocence.<br /><br />Fans of the 20th Century Fox series are likely to find Monogram's Chan a significant disappointment and newcomers who like the Monogram films will probably consider them third-rate after encountering the Fox films. Like other Monogram Chan films, THE SHANGHAI COBRA is best left to determined collectors. Four stars, and that's being generous.<br /><br />GFT, Amazon Reviewer | 0 |
I really wish that when making a comedy, the people actually tried to make it funny. This is a film that you can sit through, but nothing is special about it. After watching it, you will say that it was alright. It was not boring to watch, but gave the audience no jokes to laugh at. Entertainment should mean that you actually get something more than an o.k. story. This movie wanted to be "Tootsie", but instead it failed.<br /><br />I gave it a 1 out of 10. | 0 |
Hard to believe this was directed by Fritz Lang since he mostly directed crime dramas and mysteries. This movie has a cast that includes Robert Young, Randolph Scott, Dean Jagger and John Carradine. Scott plays an outlaw who tries to go straight and leave his old gang and winds up saving Jagger's life. Jagger works for Western Union, a telegraph company that plans to have telegraphs out west. Jagger hires a lot of men to make sure it is done because they have to worry about Indian attacks and bandits. Scott is in charge of the men and Young is a telegraph expert who can't shoot a gun but can ride. Scott meets up with his old gang who want to stop them but Scott can't tell anyone. It's a pretty good western and Lang should of directed some more westerns. | 1 |
I am sure I'm in the minority (I know I am among my friends), but I found this movie long, boring and gratuitous. The fact that the role played by DENIS LEARY is the most likable character (the only other time I liked him at all was in "A Bug's Life"!) speaks volumes. Rene Russo's character was irritating beyond belief and Thomas Crowne himself was flat and stereotypical. To say he was two-dimensional may be a little generous. (No, the scenes with his psychiatrist did NOT help make him real.)<br /><br />With the exception of two wonderful scenes (both involving the museum caper and NOT involving Rene Russo), this movie made me wish I were at home watching televised golf. | 0 |
This movie has got to be one of the worst I have ever seen make it to DVD!!! The story line might have clicked if the film had more funding and writers that would have cut the nonsense and sickly scenes that I highly caution parents on.... But the story line is like a loose cannon. If there was such a thing as a drive thru movie maker-this one would have sprung from that.It reminded me a lot of the quickie films that were put out in the 1960's, poor script writing and filming. <br /><br />The only sensible characters in the whole movie was the bartender and beaver. The rest of the film, could have easily been made by middle school children. I give this film a rating of 1 as it is truly awful and left my entire family with a sense of being cheated. My advice-Don't Watch It!!! | 0 |
What an awful adaptation. The worst part was the music. Saxophone muzak and synthesizers playing in a story set in the early 1800's?????? The only character that didn't bore me to sleep was Robert Hardy. I had to fight to keep my eyes open on this one, and I love Jane Austen movies usually. I didn't even rent it, I borrowed it from the library. They should have paid me to take it. I don't quite understand how Catherine and Henry managed a passionate kiss at the end when throughout the movie they had no chemistry or indication whatsoever that they cared for one another. Isabella and her brother were way overdone; it was no secret to me immediately that she and her brother were the "bad guys" and part of the excitement of Jane Austen movies is the discovery that who you think is good, isn't. This is probably on my list of the ten worst movies I've seen. | 0 |
Classe Tous Risques (The Big Risk) is a French gangster movie that doesn't try for style. That's why it has style. Because the movie is so underplayed and so matter-of-fact, it becomes more and more involving. And because Abel Davos is played by Lino Ventura, we wind up emotionally invested in this taciturn, tough killer who loves his wife and kids, has an encounter with customs agents on the shore near Nice at night that neither he nor we expect, and who proves just as willing to shoot a cop or a betrayer with as little emotion as flicking off a bit of lint. We first meet Davos in Italy with his wife and their two small boys, one about 9 and one 4. <br /><br />"This man was Abel Davos, sentenced to death in absentia," we're told. "On the run for years, he had watched his resources dwindle, even as his anxiety kept him on the move. With the Italian police closing in each day, France was again his best bet. Maybe he'd been forgotten." <br /><br />Davos was a top gangster in Paris who took care of his friends. That was several years ago. A heist to give him money to return to France goes very wrong. Now he's hiding out with his two kids. He calls his friends in Paris to help him out. He and his kids need to get from Nice to Paris but the police are hunting him and they've set up roadblocks. For Davos' two best friends, time has passed and they've moved on. They don't want to put themselves at risk, and for what? Obligation gives may to caution. So they hire a young thief, Eric Stark (Jean- Paul Belmondo), to pick up Davos and the children in an ambulance, then to drive to Paris with Davos heavily bandaged and the children hidden. We're on a journey where Davos' options are increasingly limited, where he must find ways to have his children cared for, where he realizes there are no more ties of friendship, where betrayal seems likely, and where quite possibly his only friend left is Eric Stark. <br /><br />This somewhat cynical movie works so well because it does its job without fussing about. There are no trench coats with pulled-up collars, no toying with the melodrama of the gangster code so many French directors have loved. Classe tous Risques gives us Abel Davos, a man who once was somebody, who now is sliding down to be nobody, and who reacts with violence and resignation. <br /><br />Lino Ventura dominates the movie, yet when he is paired with Jean-Paul Belmondo a curious chemistry happens. Ventura as Davos is grim and worried about caring for his sons. He is humiliated by his situation. He is a tough man who sees killing someone, if needed, as just part of the business he's in. Belmondo as the young thief who initially is sent to be an expendable driver and winds up being a friend to count on, provides the brightness that keeps the movie from being just one more ride down the elevator. Belmondo was 27 and looks younger. His unlikely star power as a lead actor -- broken nose, under-slung jaw -- shines right off the screen. He makes Erik a match for Ventura when they share a scene. And Belmondo's scenes with Liliane (Sandra Milo), the young woman who becomes his girl friend, radiate charm and good-natured sex appeal. The ending is bittersweet fate, and without a stylistic posture in sight. We hear Davos say, "Abel's gone. There's nothing left." It would be well worth watching Classe tous Risques to learn what he means. <br /><br />There are many fine French gangster films. I'd place this one right there with Touchez Pas au Grisbi and Bob le Flambeur. To see one of Lino Ventura's finest performances, watch Army of Shadows. | 1 |
Walt Disney's 20th animated feature was the last one to be greenlighted by the great man himself (he died in late 1966) and is not generally considered to be among their very best output. The main problem is that, on the surface, the film seems merely to be the feline version of either LADY AND THE TRAMP (1955) or 101 DALMATIONS (1961) both of which are certainly more beloved by fans Even so, being both an animation and cat lover, I dug this reasonably bouncy concoction in which a pampered female cat (voiced by Eva Gabor) and her three little kittens are thrown out onto the streets of Paris by a wealthy lady (Hermione Baddeley)'s greedy butler. Luckily, they meet a streetwise alley cat (Phil Harris) who guides them on the journey back and are further aided along the way by a feline jazz band (led by Scatman Crothers) and two helpful and amiably dopey dogs; meanwhile at home, Edgar the butler celebrates his supposed inheritance and the mouse and the horse do their bit to help their fellow feline pets. Legendary entertainer Maurice Chevalier was whisked back from retirement to sing the title song (which includes a verse in French) and Scatman's band indulge in a breezy number "Ev'rybody Wants To Be A Cat". | 1 |
-That's pretty much the whole soundtrack to this film. I just saw this baby at the Munich Film Festival and it rocked the house. Director Doug Pray is never seen in this documentary, nor I think he is even heard, but he has done a very intimate look into the lives and history of the "mixer." He has segmented his film into about eight chapters and then his motley group of enthusiastic interviews will be spiced throughout according to what they are talking about. I was never big into "scratching" but the film does a wonderful job of keeping elementary for those who know little, and infusing in-jokes for those who are experts themselves in this area. Mix Master Mike from the Beastie Boys is in this film, but it wasn't until after the film that I could name several heavy hitters in the industry (DJ Shadow, Q- Bert, etc). The extreme fascination for turntables by these talented and quirky DJs is evident in their explanations of what their music means to them. The film also sheds some gratifying light on these guys (and one woman) to be classified as musicians. Pray doesn't let his film idle and if there exists a slow scene it is soon re-energized by hardly ever ceasing music. If nothing else, this film will increase your slang vocabulary. I have to get back to "digging", so I'll end this review. See it, it will be of interest. Good stuff man. Good stuff. | 1 |
Although I am a fan of Heather Thomas and I have a few of her old bikini posters around here somewhere, I can honestly say that if the only movie I had ever seen her in was "Cyclone", I would never be able to guess why she had made it as far as she had in show business.<br /><br />Directed by Fred Olen Ray (about as good an omen as seeing buzzards circle over head in the desert), this tale of a woman (Thomas) who must protect a high-tech motorcycle from unscrupulous types is about as "B" movie as it gets (or in Fred Olen's case, "B minus").<br /><br />The cast itself should tell you something. It's not every movie that combines Thomas with actors the calibre of Beswick, Hall, Combs, Donahue, Tamblyn and Landau (!!). If you're lucky, very few movies do. And even though they seem to be having fun, shouldn't some of that fun be passed on to the audience? I vote yes, seems they voted no.<br /><br />Of course, if you ever wanted to see Heather deliver an uppercut to another woman, use the "F" word and get hooked up to battery cables, you've probably been looking for this one. Myself, I'll be content with old "Fall Guy" reruns.<br /><br />One star, given in hopes that when another "Cyclone" hits town, Heather runs for shelter. I know I will. | 0 |
I thought this was an excellent and very honest portrayal of paralysis and racism. This movie never panders to the audience and never gets predictable. The acting was top-notch and the movie reminded me of "One Flew Over the Cuckoo's Nest". | 1 |
Hidden Frontier is a fan made show, in the world of Star Trek. The story takes place after Voyager has returned from the Delta-quadrant . It has some characters from the official Star Trek shows, but most of them are original to the show. The show takes place on the star base Deep Space 12 and on several space ships, which gives it opportunities the official shows don't have. The characters have the opportunity of a rising in the hierarchy, which characters in shows with only one ship doesn't have. The show has good computer animation of spaceships, but the acting takes place in front of at green-screen and it gives a green glow around the actors. Not all the actors are equally good, but most do fine. The episodes are character driven and the characters develop over many episodes. That is a bit more like in Babylon 5, than in most official Star Trek shows. Hidden Frontier takes taboos that even the official series has shrunk from using. All in all I enjoyed watching it. | 1 |
Disappointing film. Performance of actors is weak. Sets are fine, could have been better. The story is also weak. Battle sequences are awful. Sounds and quality of film are trashy. The history of Kazakh people was told very poorly. This film should have included more Kazakh actors, in leading roles. And also should have been in Kazakh language. Kuno Bekker and Jay Hernandez are Hispanic origins. I don't get it. Since when Hispanic people play Turkic-Mongolian people. This film is shame of Kazakh cinema. Rustam Ibragimbekov disappointed me. He is one of the finest filmmakers in the world. Czekh director is excused, since he is not nomadic origin, he cannot know true spirit and history of nomads. | 0 |
This show is awesome and we have been enjoying it thoroughly. Set in Alaska, I don't agree with the homosexual content on tonight's show. I feel that you are pushing too hard to bring New York to Alaska. Its one thing to have a New Yorker struggling in the Alaska wild, but to try to turn the Alaska town into New York? This is a nice show about dainty women and true Alaska Men and to bring a same sex couple into the mix is throwing the balance way off. Alaska should be Portrayed as a man and New York as the woman. I think the first 9 shows have the perfect balance with what you all are doing. Can't we have a nice show without the imbalance of nature. | 0 |
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