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Portrait of Costanza Alidosi, c. 1595 - National Museum of Women in the Arts, Washington, D.C.
The Visit of the Queen of Sheba to King Solomon, 1599 – National Gallery of Ireland, Dublin
Mars and Venus, c. 1600-1610 – Fundación Casa de Alba, Madrid
Minerva Dressing, 1613 – Galleria Borghese, Rome
Birth of Virgin – Santissima Trinità, Bologna
Consecration to the Virgin – Musee des Beaux-Arts, Marseilles, originally the Gnetti Chapel, Santa Maria dei Servi, Bologna
Jesus among the Doctors and Coronation of the Virgin – Part of the Mysteries of the Rosary in the Rosary chapel in the Basilica of San Domenico, Bologna
Gallery
See also
Women Artists
Invisible Women: Forgotten Artists of Florence
Sofonisba Anguissola
List of Italian women artists
Italian Renaissance painting
Notes
References
Chadwick, Whitney (1990). Women, Art, and Society. London: Thames and Hudson. ISBN 9780500202418.
Cheney, Liana (Spring-Summer 1984). "Lavinia Fontana, Boston 'Holy Family'". Woman's Art Journal. 5 (1).
Cheney, Liana De Girolami; Faxon, Alicia Craig; Russo, Kathleen Lucey (2000). Self-Portraits by Women Painters. Singapore: Ashgate. ISBN 978-1-85928-424-7.
Findlen, Paula (8 November 2002). The Italian Renaissance. Wiley. ISBN 978-0-631-22283-5.
Fortunati, Vera (1998). Lavinia Fontana of Bologna (1552–1614). Milan: Electa. ISBN 978-8843563944.
Gaze, Delia. Concise Dictionary of Women Artists.
Hansen, Morten Steen; Spicer, Joaneath, eds. (2005). Masterpieces of Italian Painting, The Walters Art Museum. Baltimore and London. ISBN 978-1904832140.{{cite book}}: CS1 maint: location missing publisher (link)
Harris, Anne Sutherland; Nochlin, Linda (1976). Women Artists: 1550-1950. New York: Los Angeles County Museum of Art.
Murphy, Caroline P. (1996). "Lavinia Fontana and 'Le Dame della Citta': understanding female artistic patronage in late sixteenth-century Bologna." Renaissance Studies. 10 (2). pp. 190–208. JSTOR.
Murphy, Caroline P. (1997). "Lavinia Fontana". Dictionary of Women Artists. Vol 1. Delia Gaze, ed. Chicago: Fitzroy Dearborn. pp. 534–7. ISBN 1-884964-21-4.
Murphy, Caroline P. (2003). Lavinia Fontana: A Painter and Her Patrons in Sixteenth-century Bologna. Yale University Press. ISBN 978-0-300-09913-3.
Rocco, Patricia. The Devout Hand: Women, Virtue, and Visual Culture in Early Modern Italy. McGill-Queens University Press, 2017.
Smyth, Francis P.; O'Neill, John P. (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington DC: National Gallery of Art. pp. 132–136.
Further reading
National Museum of Women in the Arts (2007). Italian Women Artists from Renaissance to Baroque. Milan: Skira. pp. 134–65.
Wasserman, Krystyna (10 November 2011). "Curator's Travelogue: Women Artists of Bologna". National Museum of Women in the Arts. Retrieved 29 March 2013.
External links
Media related to Paintings by Lavinia Fontana at Wikimedia Commons
Orazio and Artemisia Gentileschi, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Lavinia Fontana (see index)
Lazzaro Bastiani (1429 – 5 April 1512) was an Italian painter of the Renaissance, active mainly in Venice.
He was born in Padua. He is first recorded as a painter in Venice by 1460 in a payment for an altarpiece of San Samuele, for the Procuratori di San Marco. In 1462 he was paid at the same rate as Giovanni Bellini. In 1470, he was a member of the Scuola di San Girolamo in Venice. In the 1480s he worked with Gentile Bellini for the Scuola Grande di San Marco. He painted a Coronation of the Virgin (Gallerie dell'Accademia); a Nativity (1477); and a St. Anthony on the Nut Tree.
In 1508 he was called upon, with his pupil Vittore Carpaccio, to estimate paintings of Giorgione for the Fondaco dei Tedeschi.
References
Grove Encyclopedia of Art entry
Getty museum biography
A Guide to the Paintings of Venice, Karl Karoly, and Frank Tryon Charles, George bell and Sons, London, 1895, page 229.
Bryan, Michael (1886). Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. p. 92.
Leandro Bassano (10 June 1557 – 15 April 1622), also called Leandro dal Ponte, was an Italian artist from Bassano del Grappa who was awarded a knighthood by the Doge of Venice. He was the younger brother of artist Francesco Bassano the Younger and third son of artist Jacopo Bassano. Their father took his surname from their town of Bassano del Grappa, and trained his sons as painters.
Education and early career
Leandro studied with his brothers in their father's workshop. After Francesco opened a workshop in Venice before 1575, Leandro took over the studio in Bassano del Grappa. Leandro followed in the tradition of his father's religious works, but also became independently well known as a portrait painter.
By around 1575, Leandro had become an important assistant to his father. His father wanted Leandro to carry on the studio in Bassano del Grappa. Shortly after their father died, his brother Francesco committed suicide.
Move to Venice
Leandro moved to Venice, taking over the family studio there. He became a successful portraitist, working close to the influential style of Venetian master Tintoretto.
Leandro developed his style, taking in Venetian influence and furthering his fine drawing style. His approach to painting differed from his father's in the use of "fine brushwork, with cool, light colours, smoothly applied in well-defined areas, unlike his father, who painted with dense and robust brushstrokes."
His success grew substantially in Venice. Leandro was awarded a knighthood from Doge of Venice Marino Grimani in 1595. He lived his remaining days in that city, working as a painter. With the knighthood, Leandro began to sign his name with the honorary, "Eques". Much of his work is not clearly dated, and his works have sometimes been confused with other artists. His Portrait of an Old Man in the Museum of Fine Arts, Budapest was once attributed to Tintoretto.
In addition to his many portraits and religious pieces, Leandro painted secular, genre works, such as his Concert, now in the Uffizi Gallery, and his Kitchen Scene, displayed in the Indiana University Art Museum in the United States. The Prado Museum in Madrid holds a nice collection of seven Works by Bassano including religious, portraits, mythological and a veduta similar to other preserved at the Real Academia de Bellas Artes de San Fernando also located in Madrid.
Selected works
Portraits
Portrait of an Old Man, Oil in canvas, (Museum of Fine Arts, Budapest)
Portrait of an Old Woman, Oil on canvas, (Hermitage Museum)
Portrait of a Man, Oil on canvas, (Ringling Museum)
Portrait of a Man, Oil on canvas, (Indianapolis Museum of Art)
Portrait of a Man, Oil on canvas, (Art Gallery of Ontario)
Portrait of a Widow at her Devotions, Oil on canvas, (Private collection)
Penelope, Oil in canvas, (Musée des Beaux-Arts de Rennes)
Procurator of San Marco or Portrait of Duke of Candia Giovanni Francesco Sagredo, Oil on canvas, (Ashmolean Museum)
Portrait of Jacopo Bassano, Oil on canvas, (Museo del Prado, Madrid)
Magistrate with Crucifix, Oil on canvas (Museo del Prado, Madrid)
Religious Works
Angel,Oil on canvas, National Museum of Serbia, Belgrade
Marriage at Cana, Oil on canvas, (The Louvre)
Incredulity of St Thomas, Oil on canvas, (Hermitage Museum)
Moses Striking the Rock, Oil on canvas, (The Louvre)
Expulsion of the merchants of the Temple, Oil on canvas, (Museum of the fine arts, Lille)
Carrying of the Cross, Oil on black slate, (Hermitage Museum)
Christ at the house of Simon the Pharisee, Chalk on paper, (Fitzwilliam Museum)
Last Supper
Last Judgment, Oil on copper, (Birmingham Museum of Art)
Lucretia, Oil on canvas, (Gallerie dell'Accademia)
The Tower of Babel, Oil on canvas, (National Gallery, London)
Noah's sacrifice after the flood, Oil on canvas, (Real Academia de Bellas Artes de San Fernando, Madrid).
The Adoration of the Shepherds (after Jacopo Bassano), Chalk on paper, (National Galleries of Scotland)
Other
La Riva degli Schiavoni, Oil on canvas, (Real Academia de Bellas Artes de San Fernando)
Concert, Oil on canvas, (Uffizi Gallery)
Kitchen Scene, Oil on canvas, (Indiana University Art Museum)
Berenice, Oil on burlap, (Ca' Rezzonico)
Fish market by the sea, circa 1578, Oil on canvas, (Musée des beaux-arts, Angoulême)
Allegory of the Element Earth, circa 1580. The Walters Art Museum.
References