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Exhibitions |
1967: Vouet to Rigaud: French Masters of the Seventeenth Century, Finch College Museum of Art, New York, 20 April 1967 – 18 June 1967. |
1971: Simon Vouet 1590–1649: First Painter to the King, University of Maryland Art Gallery, College Park, MD, 18 February 1971 – 28 March 1971. |
1990–1991: Vouet, Galeries Nationales of the Grand Palais, Paris, 6 November – 11 February 1991; a major retrospective of Simon Vouet's work. |
1991: Simon Vouet : 100 neuentdeckte Zeichnungen, Neue Pinakothek, Munich, 9 May – 30 June 1991; exhibition of 100 newly discovered drawings from the holdings of the Bavarian State Library. |
2002–2003 : Simon Vouet ou l'éloquence sensible, Musée des Beaux-Arts de Nantes, 5 December 2002 – 20 February 2003; exhibition of drawings from the Bavarian State Library in Munich. |
2005–2006: Loth et ses filles de Simon Vouet: Éclairages sur un chef-d'œuvre, Musée des Beaux-Arts de Strasbourg, 22 October 2005 – 22 January 2006. |
2008–2009: Simon Vouet, les années italiennes (1613–1627), Musée des Beaux-Arts de Nantes, 21 November 2008 – 23 February 2009, and Musée des Beaux-Arts et d'Archéologie de Besançon, 27 March – 29 June 2009. |
Works |
Paintings |
Crelly's catalogue raisonné of 1962: 147 lists more than 150 preserved paintings by Vouet. Since that publication, "a number of paintings, some of them of considerable importance, have turned up in various parts of the world and the list of his work continues to grow." A new catalogue raisonné, by Arnauld and Barbara Brejon de Lavergnée, is forthcoming. This is a partial list by present location, and then, as possible, by date. |
Louvre, Paris |
Prince Marcantonio Doria d'Angri (1621) |
Saint William of Aquitaine (1622–1627) |
The Holy Family with St Elisabeth and the Infant St John the Baptist (1625–1650) |
Woman Wearing a White Veil (1630s) |
Allegory of Wealth (c. 1635–1640) |
Allegory of Charity (1630–1635) |
Gaucher de Châtillon (1632–1635) |
Allegory of Virtue (c. 1634) |
Heavenly Charity (c. 1640) |
Presentation of Jesus in the Temple (1641) |
Hesselin Madonna or Madonna of the Oak Cutting (c.1640–1645) |
Portrait of Louis XIII between two female figures symbolising France and Navarre (1643) |
Portrait of a Young Man |
Polymnia, Muse of Eloquence |
Elsewhere in France |
Presumed portrait of Aubin Vouet, the artist's brother (c. 1620), Musée Réattu, Arles |
Anges portant les instruments de la Passion (1625), Musée des Beaux-Arts et d'Archéologie de Besançon |
Cupid and Psyche (1626–1629), Musée des Beaux-Arts de Lyon |
Self-portrait (1626–1627), Musée des Beaux-Arts de Lyon |
Suite of the loves of Rinaldo and Armida (1631), based on Tasso's epic poem Jerusalem Delivered, collection of Guyot de Villeneuve, Paris |
Repentant Magdalen (1633), Musée de Picardie, Amiens |
Ceres Trampling the Attributes of War (1635), Musée des Beaux-arts Thomas Henry, Cherbourg-Octeville |
Deposition of Christ (c.1635), Musée d'art moderne André Malraux, Le Havre |
Lot and his Daughters (1633), Musée des Beaux-Arts de Strasbourg, subject of a special exhibit in 2005–2006 |
Crucifixion (1636–1637), Musée des Beaux-Arts de Lyon |
The Four Cardinal Virtues—Allegory of Temperance, Allegory of Force, Allegory of Prudence, Allegory of Justice (1638), Salon de Mars, Versailles |
Death of Dido (c. 1641), Musée des Beaux-Arts de Dole |
Time Vanquished by Love, Venus and Hope (1640–1645), Musée des Arts Décoratifs, Bourges |
Allégorie de la Charité (1640–1645; possibly a studio work), Musée d'Art et d'Histoire de Draguignan |
Last Supper, Musée des Beaux-Arts de Lyon |
Italy |
Mary Magdalene (1614–1615), Quirinal Palace, Rome |
Angel with Dice and Tunic and Angel with Spear of the Passion (1615–1625), Museo di Capodimonte, Naples |
Last Supper (1616–1620), Palazzo Comunale, Loreto |
Crucifixion (1621–6122), Chiesa del Gesù, Genoa |
Young Man with a ruff (1620), Luigi Koeliker Collezione, Milano |
David with the Head of Goliath (1620–1622), Palazzo Bianco, Genoa |
Nativity of the Virgin (c. 1629), San Francesco a Ripa, Rome |
Annunciation (c. 1621–1622), Uffizi, Florence |
Circumcision of Jesus (1622), Museo di Capodimonte, Naples |
Portrait of Artemisia Gentileschi with Painting Implements (c. 1623–1625), private collection |
Temptation of Saint Francis and Saint Francis Renouncing His Goods (1624–1625), San Lorenzo in Lucina, Rome |
Saint Agatha's Vision of Saint Peter in Prison (c. 1625), Palazzo Abatellis, Palermo |
Elsewhere in Europe |
The Annunciation (n.d.), Pushkin Museum, Moscow |
Lovers (1614–1618), Pushkin Museum, Moscow |
Judith (1620–1622), Kunsthistorisches Museum, Vienna |
The Ill-Matched Couple (Vanitas) (c. 1621), National Museum, Warsaw |
Sophonisba Receiving the Poisoned Chalice (c. 1623), Gemäldegalerie Alte Meister, Dresden |
Time Vanquished by Love, Beauty and Hope (1627), Prado, Madrid |
Diana (1637), Cumberland Gallery, Hampton Court Palace, England |
Sleeping Venus (1630–1640), Museum of Fine Arts, Budapest |
Parnassus, or Apollo and the Muses (c. 1640) Museum of Fine Arts, Budapest |
The Awakening of Europa (1640), Museum Thyssen-Bornemisza, Madrid |
Artemisia Building the Mausoleum (early 1640s), Nationalmuseum, Stockholm |
Judith, Alte Pinakothek, Munich |
Saint Jerome (c.1620), National Library of Wales, Wales |
United States |
Saint Agnes (c. 1615), Blanton Museum of Art, Austin |
The Halberdier (c. 1615–1620), Dayton Art Institute |
Woman Playing a Guitar (c. 1618), Metropolitan Museum of Art, New York |
Portrait of a Gentleman (c. 1620), Blanton Museum of Art, Austin |
Saint Luke and Saint John (1622–1625), Philadelphia Museum of Art |
Saint Jerome and the Angel (c. 1622–1625), National Gallery of Art, Washington, D.C. |
Two Modelli for Altarpiece in St. Peter's (1625), LACMA, Los Angeles |
Saint Sebastian (c. 1625), Museum of Fine Arts, Houston |
The Holy Family with the Infant Saint John the Baptist (1626), Legion of Honor, San Francisco |
Saint Cecilia (c. 1626), Blanton Museum of Art, Austin |
Salome (1626–1627), Crocker Art Museum, Sacramento |
Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate and Angel with the Superscription from the Cross (1627), Minneapolis Institute of Arts |
Virginia da Vezzo, the Artist's Wife, as the Magdalen (c. 1627), LACMA, Los Angeles |
Saint Mary Magdalen (c. 1630), Cleveland Museum of Art |
Diana and Endymion and Neptune and Amphitrite (1630s), Hearst Castle, San Simeon |
Madonna and Child (1633), National Gallery of Art, Washington, D.C. |
The Muses Urania and Calliope (1634), National Gallery of Art, Washington, D.C. |
Aeneas and His Father Fleeing Troy (c. 1635), San Diego Museum of Art |
The Toilet of Venus (1640), Carnegie Museum of Art, Pittsburgh |
Sacrifice of Isacc (1642), Milwaukee Museum of Art, Milwaukee |
Venus and Adonis (1642), J. Paul Getty Museum, Los Angeles |
King David Playing the Harp (c. 1630s), Museum & Gallery, Inc., Greenville, SC |
Bellona (1630), Indianapolis Museum of Art at Newfields, Indianapolis |
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