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New Deal art (1930s) |
When the Great Depression worsened, president Roosevelt's New Deal created several public arts programs. The purpose of the programs was to give work to artists and decorate public buildings, usually with a national theme. The first of these projects, the Public Works of Art Project (PWAP), was created after successful lobbying by the unemployed artists of the Artists Union. The PWAP lasted less than one year, and produced nearly 15,000 works of art. It was followed by the Federal Art Project of the Works Progress Administration (FAP/WPA) in 1935, which funded some of the most well-known American artists. |
The style of much of the public art commissioned by the WPA was influenced by the work of Diego Rivera and other artists of the contemporary Mexican muralism movement. Several separate and related movements began and developed during the Great Depression including American scene painting, Regionalism, and Social Realism. Thomas Hart Benton, John Steuart Curry, Grant Wood, Maxine Albro, Ben Shahn, Joseph Stella, Reginald Marsh, Isaac Soyer, Raphael Soyer, Spencer Baird Nichols and Jack Levine were some of the best-known artists. |
Not all of the artists who emerged in the years between the wars were Regionalists or Social Realists; Milton Avery's paintings, often nearly abstract, had a significant influence on several of the younger artists who would soon become known as Abstract Expressionists. Joseph Cornell, inspired by Surrealism, created boxed assemblages incorporating found objects and collage. |
Abstract expressionism |
In the years after World War II, a group of New York artists formed the first American movement to exert major influence internationally: abstract expressionism. |
This term, which had first been used in 1919 in Berlin, was used again in 1946 by Robert Coates in The New York Times, and was taken up by the two major art critics of that time, Harold Rosenberg and Clement Greenberg. It has always been criticized as too large and paradoxical, yet the common definition implies the use of abstract art to express feelings, emotions, what is within the artist, and not what stands without. |
The first generation of abstract expressionists included Jackson Pollock, Willem de Kooning, Mark Rothko, Franz Kline, Arshile Gorky, Robert Motherwell, Clyfford Still, Barnett Newman, Adolph Gottlieb, Phillip Guston, Ad Reinhardt, James Brooks, Richard Pousette-Dart, William Baziotes, Mark Tobey, Bradley Walker Tomlin, Theodoros Stamos, Jack Tworkov, Wilhelmina Weber Furlong, David Smith, and Hans Hofmann, among others. Milton Avery, Lee Krasner, Louise Bourgeois, Alexander Calder, Tony Smith, Morris Graves and others were also related, important and influential artists during that period. |
Though the numerous artists encompassed by this label had widely different styles, contemporary critics found several common points between them. Gorky, Pollock, de Kooning, Kline, Hofmann, Motherwell, Gottlieb, Rothko, Still, Guston, and others were an American painters associated with the abstract expressionist movement and in most cases Action painting (as seen in Kline's Painting Number 2, 1954); as part of the New York School in the 1940s and 1950s. |
Many first generation abstract expressionists were influenced both by the Cubists' works (which they knew from photographs in art reviews and by seeing the works at the 291 Gallery or the Armory Show), by the European Surrealists, and by Pablo Picasso, Joan Miró and Henri Matisse as well as the Americans Milton Avery, John D. Graham, and Hans Hofmann. Most of them abandoned formal composition and representation of real objects. Often the abstract expressionists decided to try instinctual, intuitive, spontaneous arrangements of space, line, shape and color. Abstract Expressionism can be characterized by two major elements: the large size of the canvases used (partially inspired by Mexican frescoes and the works they made for the WPA in the 1930s), and the strong and unusual use of brushstrokes and experimental paint application with a new understanding of process. |
Color Field painting |
The emphasis and intensification of color and large open expanses of surface were two of the principles applied to the movement called Color Field painting. Ad Reinhardt, Adolph Gottlieb, Mark Rothko, Clyfford Still and Barnett Newman were categorized as such. Another movement was called Action Painting, characterized by spontaneous reaction, powerful brushstrokes, dripped and splashed paint and the strong physical movements used in the production of a painting. Jackson Pollock is an example of an Action Painter: his creative process, incorporating thrown and dripped paint from a stick or poured directly from the can, revolutionized painting methods. |
Willem de Kooning famously said about Pollock "he broke the ice for the rest of us." Ironically Pollock's large repetitious expanses of linear fields are characteristic of Color Field painting as well, as art critic Michael Fried wrote in his essay for the catalog of Three American painters: Kenneth Noland, Jules Olitski, Frank Stella at the Fogg Art Museum in 1965. |
Despite the disagreements between art critics, Abstract Expressionism marks a turning-point in the history of American art: the 1940s and 1950s saw international attention shift from European (Parisian) art, to American (New York) art. |
Color field painting continued as a movement in the 1960s, as Morris Louis, Jules Olitski, Kenneth Noland, Gene Davis, Helen Frankenthaler, and others sought to make paintings which would eliminate superfluous rhetoric with repetition, stripes and large, flat areas of color. |
After abstract expressionism |
During the 1950s abstract painting in America evolved into movements such as Neo-Dada, Post painterly abstraction, Op Art, hard-edge painting, Minimal art, Shaped canvas painting, Lyrical Abstraction, and the continuation of Abstract expressionism. As a response to the tendency toward abstraction imagery emerged through various new movements like Pop Art, the Bay Area Figurative Movement and later in the 1970s Neo-expressionism. |
Lyrical Abstraction along with the Fluxus movement and Postminimalism (a term first coined by Robert Pincus-Witten in the pages of Artforum in 1969) sought to expand the boundaries of abstract painting and Minimalism by focusing on process, new materials and new ways of expression. Postminimalism often incorporating industrial materials, raw materials, fabrications, found objects, installation, serial repetition, and often with references to Dada and Surrealism is best exemplified in the sculptures of Eva Hesse. |
Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard-edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s. |
Lyrical Abstraction shares similarities with Color Field Painting and Abstract Expressionism, especially in the freewheeling usage of paint texture and surface. Direct drawing, calligraphic use of line, the effects of brushed, splattered, stained, squeegeed, poured, and splashed paint superficially resemble the effects seen in Abstract Expressionism and Color Field Painting. However the styles are markedly different. |
During the 1960s, 1970s and 1980s painters as powerful and influential as Adolph Gottlieb, Phillip Guston, Lee Krasner, Cy Twombly, Robert Rauschenberg, Jasper Johns, Richard Diebenkorn, Josef Albers, Elmer Bischoff, Agnes Martin, Al Held, Sam Francis, Kenneth Noland, Jules Olitski, Ellsworth Kelly, Morris Louis, Gene Davis, Frank Stella, Joan Mitchell, Friedel Dzubas, Paul Jenkins and younger artists like Brice Marden, Robert Mangold, Sam Gilliam, Sean Scully, Elizabeth Murray, Walter Darby Bannard, Larry Zox, Ronnie Landfield, Ronald Davis, Dan Christensen, Susan Rothenberg, Ross Bleckner, Richard Tuttle, Julian Schnabel, Peter Halley, Jean-Michel Basquiat, Eric Fischl and dozens of others produced vital and influential paintings. |
Other modern American movements |
Members of the next artistic generation favored a different form of abstraction: works of mixed media. Among them were Robert Rauschenberg (1925–2008) and Jasper Johns (1930- ), who used photos, newsprint, and discarded objects in their compositions. Pop artists, such as Andy Warhol (1928–1987), Larry Rivers (1923–2002), and Roy Lichtenstein (1923–1997), reproduced, with satiric care, everyday objects and images of American popular culture—Coca-Cola bottles, soup cans, comic strips. |
Realism has also been continually popular in the United States, despite modernism's impact; the realist tendency is evident in the city scenes of Edward Hopper, the rural imagery of Andrew Wyeth, and the illustrations of Norman Rockwell. In certain places Abstract Expressionism never caught on; for example, in Chicago, the dominant art style was grotesque, symbolic realism, as exemplified by the Chicago Imagists Cosmo Campoli (1923–1997), Jim Nutt (1938- ), Ed Paschke (1939–2004), and Nancy Spero (1926–2009). |
Contemporary art into the 21st century |
At the beginning of the 21st century, contemporary art in the United States in general continues in several contiguous modes, characterized by the idea of Cultural pluralism. The "crisis" in painting and current art and current art criticism today is brought about by pluralism. There is no consensus, nor need there be, as to a representative style of the age. There is an anything goes attitude that prevails; an "everything going on" syndrome; with no firm and clear direction and yet with every lane on the artistic superhighway filled to capacity. Consequently, magnificent and important works of art continue to be made in the United States albeit in a wide variety of styles and aesthetic temperaments, the marketplace being left to judge merit. |
Hard-edge painting, Geometric abstraction, Appropriation, Hyperrealism, Photorealism, Expressionism, Minimalism, Lyrical Abstraction, Pop art, Op art, Abstract Expressionism, Color Field painting, Monochrome painting, Neo-expressionism, Collage, Intermedia painting, Assemblage painting, Digital painting, Postmodern painting, Neo-Dada painting, Shaped canvas painting, environmental mural painting, Graffiti, traditional figure painting, Landscape painting, Portrait painting, are a few continuing and current directions in painting at the beginning of the 21st century. |
Notable figures |
A few American artists of note include: Ansel Adams, John James Audubon, Milton Avery, Jean-Michel Basquiat, Thomas Hart Benton, Albert Bierstadt, Alexander Calder, Mary Cassatt, Frederic Edwin Church, Chuck Close, Thomas Cole, Robert Crumb, Edward S. Curtis, Richard Diebenkorn, Thomas Eakins, Jules Feiffer, Lyonel Feininger, Helen Frankenthaler, Arshile Gorky, Keith Haring, Marsden Hartley, Al Hirschfeld, Hans Hofmann, Winslow Homer, Edward Hopper, Jasper Johns, Georgia O'Keeffe, Jack Kirby, Franz Kline, Willem de Kooning, Lee Krasner, Dorothea Lange, Roy Lichtenstein, Morris Louis, John Marin, Agnes Martin, Joan Mitchell, Grandma Moses, Robert Motherwell, Nampeyo, Kenneth Noland, Jackson Pollock, Man Ray, Robert Rauschenberg, Frederic Remington, Norman Rockwell, Mark Rothko, Albert Pinkham Ryder, John Singer Sargent, Cindy Sherman, David Smith, Frank Stella, Clyfford Still, Gilbert Stuart, Louis Comfort Tiffany, Cy Twombly, Andy Warhol, Grant Wood, Frank Lloyd Wright, and Andrew Wyeth. |
See also |
References |
Sources |
American paradise: the world of the Hudson River school. New York: The Metropolitan Museum of Art. 1987. ISBN 9780870994968. |
Avery, Kevin J. Late Eighteenth-Century American Drawings. The Metropolitan Museum Of Art. 2000-2011 The Metropolitan Museum Of Art |
Bernet, Claus; Nothnagle, Alan L.: Christliche Kunst aus den USA, Norderstedt 2015, ISBN 978-3-7386-1339-1. |
Mayer, Lance and Myers, Gay. American Painters on Technique: The Colonial Period to 1860. Los Angeles: Getty Publications, 2011. ISBN 978-1-60606-077-3 |
Mayer, Lance and Myers, Gay. American Painters on Technique: 1860-1945. Los Angeles: Getty Publications, 2013. ISBN 978-1-60606-135-0 |
Pohl, Frances K. Framing America. A Social History of American Art. New York: Thames & Hudson, 2002 (pages 74–84, 118–122, 366–365, 385, 343–344, 350–351) |
The United States of America. New York: The Metropolitan Museum of Art. 1987. ISBN 0870994166. |
External links |
American Paintings in The Metropolitan Museum of Art, a fully digitized 3 volume exhibition catalog |
Inquiring Eye: American Painting, teaching resource on history of American painting |
Austrian culture is characterised by historical and modern influences, including a history of interaction primarily between Celtic, Roman, Slavic and Germanic peoples. Austria is particularly known for its classical music, folk music, baroque architecture, coffee culture, winter sports and Alpine traditions. |
Austria is historically a strongly Catholic country, having been the centre of the Habsburg monarchy (1273–1918) which championed Roman Catholicism. Austrian German is the dominant language in Austria, although the region historically had a diverse linguistic landscape. |
In the 18th and 19th centuries, Austria was one of the centres of European musical life with the First Viennese School, which is reflected not only in the large number of musicians and composers associated with the country, but also in a large number of opera houses, theatres and orchestras that still exist today, as well as diverse musical traditions such as the Vienna New Year's Concert, numerous festivals and a vibrant cabaret scene. |
Music |
Vienna, the capital city of Austria, has long been an important centre of musical innovation. Composers of the 18th and 19th centuries were drawn to the city by the patronage of the Habsburgs, and made Vienna the European capital of classical music. Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Johann Strauss, Jr., among others, were associated with the city. During the Baroque period, Czech and Hungarian folk forms influenced Austrian music. Vienna's status began its rise as a cultural center in the early 16th century, and was focused around instruments including the lute. |
Classical music |
During the 18th century, the classical-music era dominated European classical music, and the city of Vienna was an especially important place for musical innovation. Three composers arose, making lasting innovations: Ludwig van Beethoven's symphonic patterns, Wolfgang Amadeus Mozart's balance between melody and form, and Joseph Haydn's development of the string quartet and sonata. |
First Viennese School |
Second Viennese School |
Vienna Philharmonic |
The Musikverein in Vienna is considered to be one of the three finest concert halls in the world and was opened on January 6, 1870. Since 1939, the famous Vienna New Year's Concert of the Vienna Philharmonic is broadcast from its Golden Hall to an audience of one billion in 44 countries. The members of the Vienna Philharmonic, which is regularly considered one of the finest orchestras in the world, are chosen from the orchestra of the Vienna State Opera. |
The Vienna Philharmonic can trace its origins to 1842, when Otto Nicolai formed the Philharmonische Academie. This orchestra took all its decisions by a democratic vote of all its members, and these are principles still held today. |
Vienna State Opera |
The Vienna State Opera, in German called Staatsoper, is one of the most important opera companies in the world. It employs over 1000 people, and in 2008, the annual operating budget of the Staatsoper was 100 million Euros with slightly more than 50% coming in the form of a state subsidy. |
It is also venue for the Vienna Opera Ball, an event that takes place on the Thursday preceding Ash Wednesday. The Opera Ball was first held 1936, and has seen up to 12,000 visitors. 180 pairs are opening the ball officially, before the command "Alles Walzer", based on a tradition of Johann Strauss Jr., the dance floor is opened for everyone. |
Vienna Boys' Choir |
The Vienna Boys' Choir (German: Wiener Sängerknaben) is one of the best known boys' choirs in the world. Known for its exceedingly high vocal standard, the choir has worked with musicians including Wolfgang Amadeus Mozart, Antonio Caldara, Antonio Salieri and Anton Bruckner. |
The choir was established by a letter written by Maximilian I of Habsburg on 30 June 1498. Palais Augarten serves as rehearsal space and boarding school for the boys of the choir. |
Folk Music |
Schrammelmusik |
The most popular form of modern Austrian folk music is Viennese Schrammelmusik, which is played with an accordion and a double-necked guitar. Modern performers include Roland Neuwirth, Karl Hodina, and Edi Reiser. |
Yodeling |
Yodeling is a type of throat singing that was developed in the Alps. In Austria, it was called juchazn and featured the use of both nonlexical syllables and yells that were used to communicate across mountains. |
Austrian folk dancing |
Austrian folk dancing is mostly associated with Schuhplattler, Ländler, Polka, or Waltz. However, there are other dances, such as Zwiefacher, Kontratänze, and Sprachinseltänze. |
Ländler |
The ländler is a folk dance of uncertain origin. Known as a folk song under several names for a long period, it became known as Landl ob der Enns, which was eventually shortened to ländler. The dance became popular in about 1720. It required close contact between members of the opposite sex, and was thus denounced as lustful by some church authorities. Ländlers were brought first to Vienna, and later to places as far away as Ukraine. The ländler eventually evolved into what is known as the waltz. |
Austropop |
DJ Ötzi received the Amadeus Austrian Music Award in 2001 and 2002 for being the Austrian artist most successful internationally. The beatboxing group Bauchklang received an Amadeus in 2002 in the category group pop/rock national. Falco, Rainhard Fendrich, André Heller, Georg Danzer and Christina Stürmer all received Amadeus Awards in the category artist pop/rock national. |
Austria3 was a conglomerate of three Austrian quite individualist singer-songwriters Wolfgang Ambros, Georg Danzer and Rainhard Fendrich, on stage from 1997 to 2006. |
Starting around 2010, the "Neue Österreichische Welle" (New Austrian Wave) is gaining popularity. Its contributors are, for example, Nino Aus Wien, Bilderbuch, Wanda, Kreisky, Voodoo Jürgens, Schmieds Puls. From around 2015 on, the Austrian Cloud Rap scene starts to grow. It is represented most notably by Crack Ignaz and Yung Hurn. |
Alpine New Wave |
This genre of punk rock, whose name may be shortened to Alpunk, originated in the Alpine regions of Germany, Switzerland, and Austria. Alpunk fuses the chaotic, energetic rhythms of punk music with the accordion-based folk music that the region is famous for. |
Other notable music |
Misconceptions |
Apparently, the musical The Sound of Music and the film based on it played a role in shaping how mainly the English speaking world sees Austria in terms of music. It has to be said that some of the arrangements in The Sound of Music have been done for the purpose of art, rather than for the purpose of giving a realistic view on Austrian music culture. So for example there is the view that the song "Edelweiss' is actually the national anthem of Austria, which is not the case. Moreover, the Ländler performed in the movie is not a traditional Ländler. |
Literature |
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