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14,667 | [
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] | 277 | 332 | I have seen this film probably a dozen times since it was originally released theatrically. Anyone who calls this movie trash or horrible just doesn't understand action films or recognize a good one. Perhaps to some the incidents and outcomes may seem far fetched, but in my opinion screenwriter Shane Black ( Lethal Weapon/ Kiss Kiss Bang Bang) crafted one of the most well thought out action adventures you will ever come across. Over the top or not this film flows like clockwork and the action just keeps coming. The final action sequence is one of the best I have ever seen in any film. The cast in this film crackles. Genna Davis gave a tremendous performance and its a damn shame there was never a "LKG" sequel. Samuel L. Jackson is hilarious as her sidekick Mitch a down on his luck private eye trying to help her discover her lost past and make a few bucks. If Baffles me how anyone could not like this film. It packs so many thrills and its so funny. The wisecracks in this film still make me laugh just as hard 10 years later. In my mind the first Matrix film and the Long Kiss Goodnight were easily 2 of the best and most original action flicks of the 90's. Incidentally Shane Black made a fortune when he sold this script. At the time it was the highest selling screenplay and its worth every penny. It's so sad that audiences never gave this movie a chance, cause they would have witnessed Renny Harlins best film and Genna Davis like you have never seen her before. Long live "The Long Kiss Goodnight"!! | 1 |
14,672 | [
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] | 300 | 362 | Let me start by saying overall I enjoyed The Long Kiss Goodnight. I would give it a 7/10. The Good: 1. Acting: Samuel L Jackson is entertaining in almost any role. In this movie he doesn't play his usual character, the type that is in control, instead Geena Davis is in control and Sam is along for the ride. His timing on his lines are great and he is the high point of the movie. Geena Davis also gives a great preformance as Samantha Caine/Charlie Baltimore. She is a believable action hero and I don't think too many other actresses could pull off the preformance Geena Does. 2. The Action: This is a very action packed movie. Things are pretty much always crashing or blowing up or someone is chasing someone else. The special effects are pretty good especially for being almost 8 years old. I can see some green screen stuff but it doesn't detract too much from the acting.<br /><br />The Bad: 1. Why did it take half of the movie to set up the plot? This film needed to be edited in the script stage so that it didn't run as long as it did. Maybe a drama or something can run this long but people really need to be into the movie the entire time to sustain it. I think that if you can stick out the first half you will be pleseantly suprized the second half. 2. Geena Davis is cold weather and a tank top but she never seems cold. 3. Some things are unrealistic. Sam Jackson flies through a giant sign after he is blasted out of a room and then he lands in a tree and just gets up. When you see this part you will think it's a gag. overall fun movie 7/10 | 1 |
14,673 | [
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] | 303 | 346 | This is movie is actually one of my all time favorites. I'm not a Renny Harlin fan because most of his movies suck, but TLKG hits its mark time after time. TLKG is about a woman named Samantha Cain (Davis) who suffers from amnesia. she is married with a kid and as she qoutes "I'm a goddamn member of the PTA." and then her world comes crumbling down as the pieces fall into place about her earlier identity. Samuel Jackson plays a con artist cop who does PI gigs, he is dragged along by her to solve her identity and to get paid some cash for his work. along the way we find out Samantha is really Charlie Baltimore, a secret spy that was left for dead years earlier. the plot is great, making this story seem real and Jackson does a great job as second fiddle to Davis (whom always does a great acting job). the explosions are endless, the action is intertwined with memorable scene after memorable scene. pretty impressive visually though the kid got on my nerves at the end (watch out of the cars!) I'm tired of little kids screwing up a film to be saved but still, this movie is worth it as the kid adds to the film. again, this movie is really good, i never understood why it didn't make more at the box office but if it was a man starring in the movie I'm sure it would have grossed a hundred million. what is good is that over the years more people are discovering this movie and giving it good marks as the average of this film on this site has risen over the years. i hope it goes up further as this is one great action film. and i love action films | 1 |
14,684 | [
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] | 306 | 394 | MR. BASEBALL is a film of paradoxes. Written and filmed as a "light, sports comedy" it truly has a heartwarming core as human and universal as some of Capra's finest. At the plot level, you have the paradox of baseball, a fine old American game, as it is played in Japan - turned around, with American values cast off and Japanese values imprinted upon the game. (Some of the superficial "sports comedy" results from Jack's uncomprehending disbelief at how "basa-boru" is played in Japan.) You also have a lead character who's presented as an over-the-hill, aging baseball star, but who is actually quite immature - pro ball allowed him to postpone growing up. And you have a lead character who is rudely resistant to the changes in his life that are being forced upon him, refusing to accept the curveball that life has given him, in the midst of a new country, a new manager, a new team, and a new girlfriend, who have all welcomed him and try to accept him. Sound like heavy stuff? Not really. It's a charming "clash of cultures" comedy that takes place on the national, sports, romantic, and professional levels. But if you watch it sensitively enough, you will also find a great story about a man who has to abandon his immaturity and grow up way too late in life (causing some amount of personal pain), and finds success in places he never expected it. I love the story, but I also have great respect for Selleck's performance; he bares his tush (literally) to portray an ugly American, insulting people and throwing tantrums in public, then lets us inside this character to understand his dismay. It also doesn't hurt if you're a big fan of Takakura Ken like I am. MR. BASEBALL is a surprising "loss of innocence" tale. | 1 |
14,716 | [
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] | 254 | 307 | I first saw this movie on an Alaska Airlines flight, and have since seen it twice more. It simply is -- and is simply -- one of the best films in years. I found myself having enjoyed it after my first viewing, but a little cloudy on what had happened. After seeing it again a few weeks later, things began to fall into place. It wasn't confusing, just deep. In fact, the depth of the movie may not be appreciated for a long time. For example, it occurred to me only after my third viewing that Sammy Davis Jr Jr (Grandfather's dog) is more than just a pet -- perhaps she's the stand-in for his dead wife. Witness how fiercely he protects her. There is symbolism galore, and none of it sappy or indulgent, just real. The adventure of their trip keeps the story-line in perpetual motion, and even when they arrive, you're not sure if it really was the destination. As the movie continues, so does the adventure and I got the sense the destination was merely a way-point. The sound-track is fun, the scenery compelling -- and both decidedly eastern-block. I could go on and on about the deeper meanings within the film, but I'm not entirely sure I've discovered all the nuances yet. Besides, it's more fun to tease these out yourself. As much as any film can be, "Everything Is Illuminated" has proved to be like a fine wine that sweetens with time. I highly recommend seeing it -- twice. | 1 |
14,723 | [
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] | 270 | 356 | This is a beautiful, yet simple movie about one man, driven to find an answer, an answer he doesn't necessarily need but has structured his whole life around. It is heartrending, it is hilarious, it is glorious, it is tormenting, it is delicate and dynamic, I say it's genius.<br /><br />I have read Jonathan Safran Foer's book Everything is Illuminated (mainly because I heard Elijah Wood was starring in the movie adaptation), and I was just enraptured by the characters. I laughed out loud more than once. And every time someone talks about what it's about, I hear the same hackneyed response, almost like it's one big long word: "It'saboutaguylookingforthewomanwhosavedhisgrandpafromtheNazis." Yet, this story is so philosophical; it goes deeper than that. That conversation about the ring and "in case." It really gets one thinking. Suddenly, this story merges from a simple quest to an inner metamorphosis, and I find myself looking at things a bit differently now.<br /><br />I recommend renting this before, if ever, reading it, because the book had many obscene, downright perverted stories that were not included in the movie, mainly the history of Jonathan's family that was not necessary for the film. <br /><br />A bit of trivia, I heard, is that Wood's current girlfriend has a cameo in this flick as the drummer in the band that Alex arranges to perform as Jonathan steps off the train into Ukraine.<br /><br />You spend half of the movie trying to figure out what it's about, exactly, and what Jonathan is about, because his character is so withdrawn, like a turtle in a shell.<br /><br />It is magnificent, and in my opinion, one of Elijah Wood's best movies. | 1 |
14,729 | [
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] | 256 | 314 | Let me start by saying that Liev has gained a ton of respect from me after seeing his directorial debut "Everything Is Illuminated". Anyone who has read the book knows how saturated the story is with nonsensical and hilarious vocabulary by Alex along with countless flashback scenes and crazy dreamlike sequences. Liev took all of this and made it work. The movie itself is great - the soundtrack, the performances, the cinematography - it all works. There is a lot of story missing about the town and its inhabitants, but there's only so much you can do with an indie, so this part of it didn't bother me too much. It's just disappointing that not a lot of people will see this movie or even know that it exists because of the lack of promotion that came with it. I didn't even know it was in theatres. I didn't know when the DVD came out. You'd think that since Frodo Baggins was one of the main characters, SOMEBODY wouldve at least released a commercial for it. I had to see the trailer on my "Paradise Now" DVD (released on DVD in the Spring of '06) to even know that it had a "Fall of 2005" theatrical release date. Haha - sad really.<br /><br />Anyhow, if you stumble across this review somehow because one of your friends read the book and loved it or saw the movie and are recommending that you see it - take my advice and watch it. It's a very good experience.<br /><br />8 out of 10. | 1 |
14,740 | [
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] | 282 | 312 | I was just looking at the 100 bottom movies according to IMDb users seeing if there was anything to review that I haven't yet and I found this little screen gem. One of those occasions when you see a movie ranked as one of the worst and you just have to be one of the few that actually likes it. Darn, well I guess I will get ridiculed and spat upon here, but for me this was a pretty good flick when I saw it. It has been awhile however, I remember it used to come on HBO late at night and I watched it two or three times and I haven't seen it really since and I would love to watch it again now knowing Jolie was in it. The story follows a cyborg and a guy trying to escape the clutches of this corporation and some bounty hunters after them. I think that is basically all there is to it, throw in a few scenes with Jack Palance and we have our movie. Some good action here and there, and some blood and violence as well. There is also a love story at play as well as the female cyborg and the guy who trained her to fight kind of fall in love with each other. The dialog sometimes becomes rather bad at times and it is by far not a top notch film, but for a b-movie it is really good. I don't know if it was a theatrical release though because it does not seem high quality enough for that, but it does make for one of the better direct to videos if it was one of those. | 1 |
14,765 | [
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] | 237 | 306 | The Brighton has a traumatic drama in the breast of their family: the twenty years old Emily Brighton (Taylor Roberts) is retarded due to a fall when she was one, and her overprotective mother Martha Brighton (Amy Madigan) blames her negligence for the accident. The seventeen years old Evie Brighton (Lauren Ambrose) loves her sister and reads poems and stories for Emily. Their father Harry Brighton (John Savage), a bank investor, lives in the basement with his models of trains and railroads. Evie mysteriously sabotages her interviews for different universities being rejected, and teaches the poetries of her own to Emily. When Martha hears Emily repeating the poems, she takes notes and shows them to the English teacher Stewart Worthy (Christopher Lloyd), who believes that Emily has had a moment of geniuses. When Evie's only friend James (Fran Kranz) reads the notes, he immediately discloses the truth about the authority of the poetries. But when Martha becomes aware, she finds the reality of Evie, triggering a series of revelations.<br /><br />"Admissions" is a very powerful drama about needy of love and guilty complex. The performances are stunning, and this is the first work of Lauren Ambrose, from "Six Feet Under", that I see and she is amazing. This independent movie is an excellent choice for the viewers that are looking for a refreshing story based on the acting of the cast. My vote is eight.<br /><br />Title (Brazil): "Cumplicidade" ("Complicity") | 1 |
14,768 | [
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] | 291 | 372 | We have a character named Evie. Evie just wants to be a good person. She's nice, friendly, smiles often, but is strangely brutally honest. Evie also has a secret. Her idiot-savant sister has been reciting original poetry, which is getting the community excited about the sister writing. Unfortunately, it's Evie's poetry. While their mother starts being happy again and the boy next door shows his interest in Evie, Evie just tries to figure out what she really wants to do.<br /><br />What to keep in mind while watching this movie is who Evie really is. For such a brutally honest person who doesn't mind telling Ivy-league types that she doesn't respect them, it would seem odd that she would be able to pull off a lie. For someone so happy and cheerful, she's quite emotionless when it comes to certain issues. Those aren't character flaws, they're plot development, and they mean a lot more than they at first seem.<br /><br />Mostly this is something of a melodrama: a character lies, the other characters' personalities propel them through drama as relationships are held at risk. But in terms of the writing it's very fresh and bold. The acting helps the writing along very well (maybe the idiot-savant sister could have been played better), and it is a real joy to watch.<br /><br />The directing and the cinematography aren't quite as good. They're acceptable, and Evie's world is wreathed in color and light, which makes for some very beautiful images, but it's not very consistent. It's not really so much of a flaw as a result of a low production value, but within that same value is some genuine storytelling and a real care for the characters. So while it isn't a perfect movie, it's certainly an enjoyable one.<br /><br />--PolarisDiB | 1 |
14,773 | [
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] | 246 | 304 | First of all, I have watched this show since I was a little toddler, and I have always loved it. Sure, maybe I didn't understand it when I was that young, but I still enjoyed it! And now that I have been able to understand it for several years, I love it even more. The score of this musical is the most wonderfully detailed score I have ever heard! Every note is perfect, I don't even need to hear the singing to enjoy it!<br /><br />Moving on to this particular production- This is magnificent! Of course no one could play Mrs. Lovett besides Angela Lansbury, and she does it perfectly. And she should, she has been playing this part for several years. George Hearn is absolutely brilliant. The best Sweeney Todd I have ever heard. He has a wonderful voice, yet he can throw his voice so well! His "epiphany" is incredible, as you can tell by the audience's reaction to it. The Judge, Toby, Antony, and Pirelli are also so wonderful in their roles. Everyone is perfect! Well, I still have to fast forward through Johanna's Green finch and linnet bird. She just doesn't sing that song well at all.<br /><br />This show CAN be appreciated at all ages, but it is not always accepted. I am not your typical middle-aged theater lover, I am only 15 years old, yet Sweeney Todd has given me a greater appreciation for music than I have gotten from any other musical. | 1 |
14,781 | [
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] | 274 | 358 | "Sweeney Todd" is in my opinion one of a few "perfect" musicals. Like "My Fair Lady" and "West Side Story" it has a wonderful, intelligent score. It offers the two leads and several supporting characters interesting roles. It has a timeless theme, revenge. It has a good deal of humor, and is just as powerful when presented simply or on a grand scale.<br /><br />"Sweeney Todd" tells the story of a simply wronged man during the industrial period in England. It shows mans' inhumanity to man, how in Sweeney's own words, "There are two kinds of men. There's the one staying put in his proper place and the one with his foot in the other one's face." In an effort to correct the wrong that was done to him, Mr. Todd devices a plan to seek revenge. With the help of Mrs. Lovett, who owns a meat pie shop under Mr.Todd's barbershop, they set out to have "those above, serve those down below".<br /><br />I was fortunate enough to have seen the original Broadway version eight times (six with Cariou and Lansbury, the other two with Hearn and Loudon). I saw the revival with Bob Gunton and Beth Fowler, and several other concert versions.<br /><br />While the technical aspects in this production are lacking, to say the least, I believe that this filmed production version is the best. Lansbury and Hearn were the two best in these roles, and they have a wonderful time playing off of each other.<br /><br />Very good supporting work by Ken Jennings and Edmund Lyndeck. Although Betsy Joslyn and Cris Groenendaal, as the young lovers have absolutely no chemistry, and are basically unwatchable.<br /><br />9 out of 10 | 1 |
14,785 | [
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] | 272 | 353 | I can't get over the quality of the score, the book, and the performances. This is the first production I've ever seen of Sweeney Todd so I have no others to compare it to. But the impact is so strong, I just can't imagine anything better.<br /><br />First, there's the music -- take "Johanna" (Act II), during which Sweeney, Anthony and Johanna sing an interwoven vocal line incorporating the melodies from three songs. It's like a Bach chorale in that sense -- just a masterpiece of composition. And the underlying chord structure and voicings are so perfect -- a little bit of melancholy, a little bit of contentment, a little bit of yearning, all expressing these three singers' points of view.<br /><br />Then -- the lyrics. The rhymes are so clever. The rhyme schemes sometimes seem random but they always add up at the end. (The DVD, which I watched, has Closed Captions, and these are indispensable for appreciating the dialog and the lyrics.) Sondheim deserves a literary award for his poetry alone.<br /><br />Finally, the performances. I can't imagine anyone better than George Hearn. Why haven't I heard of him before? His singing, alone, is masterful, but the range of his acting is simply amazing. Angela Lansbury totally surprised me. The song about "you and me down by the seaside" -- who could do it any better? Her timing is flawless, pitch is perfect, every beat of the score is accounted for; and overlaying this achievement in musicianship is her utterly delightful comic delivery.<br /><br />It's a dark tale but I found it to be sweet at times; and the tune to "Johanna" continues to play in my head. | 1 |
14,786 | [
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] | 255 | 312 | I viewed my videotape last night, for the first time in at least ten years. I found the work itself and the performances just as gripping as they were in my memory. George Hearn, of course,was the master of the role of Sweeney; there is never a touch of softness in his determination to wreak vengeance on those he believes caused his wife's death and his daughter's disappearance; at least not until the end, when he discovers that his thirst for revenge has led him to murder his wife. Angela Lansbury, on the other hand, creates a more complex portrayal, as Mrs. Lovett. She understood that Sondheim wanted that role to be something of a "comic" counterpart to Sweeney; and even brings some tenderness into her courtship of Sweeney and her nurture of the boy Tobias. For those with long memories, this performance takes one back to her debut performances in The Picture of Dorian Grey and Gaslight; long before Murder, She Wrote. Only a year ago I saw the musical at Lyric Opera of Chicago. with current opera superstar Brynn Terfel as Sweeney. Others have commented on the operatic quality of the score. My conclusion is that "Sweeney" works better with actors who can at least handle the vocal lines, than with opera performers who have limited acting skills. As a final note, I commend the performer who portrayed Tobias. with his mixed loyalties and confusion about what is going on around him. It seemed appropriate that he had virtually the last word. | 1 |
14,797 | [
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] | 224 | 300 | I saw this last night on Turner Classic Movies (TCM). I had never heard of it before, and was quite surprised to find it so engrossing.<br /><br />Bogart does a star turn as a city-wise cynical editor who reluctantly goes along with his greedy radio-network boss in this incisive "B" programmer. About 12 years before he played similar city-wise cynics to perfection in movies like Deadline USA, Knock On Any Door, The Barefoot Contessa, and The Harder They Fall, Bogie already had the star qualities down pat.<br /><br />In order to boost ratings, and bring their somewhat high-brow programming to a more popular level, WUBC, "the Voice of America", pushes a tell-all radio mini-series about a woman who was acquitted 20 years ago by a plea of self-defense of killing her husband. Not willing to be discreet in order to save the woman's and her husband's reputations, the station uses underhanded methods to reveal all to all listeners, and as luridly as possible.<br /><br />As a time capsule, I also found it very illuminating of male-female mores in the workplace in the mid-1930's. Although beyond Henry O'Neill, I'm unfamiliar with the supporting cast, the players were uniformly excellent, and the direction was taut.<br /><br />If you like this kind of movie at all (e.g., A Face In The Crowd, An Inspector Calls, etc.), don't miss the opportunity to see this one.<br /><br /> | 1 |
14,806 | [
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] | 293 | 346 | It was probably watching this TV movie that got me interested in the debate as to whether "Anna" was really Tsar Nicholas's daughter Anastasia. Since seeing it I have made a point of watching various documentaries and also bought a book. Despite the evidence that has been discovered since the film was released, I sometimes still think she was. Such is the power of Amy Irving's acting in this 2-parter which is somewhat liberal with the historical facts, but packed to the brim with tear-jerking drama and Irving's totally convincing performance.<br /><br />I was not consciously aware of Irving before this, though I must have seen her without realizing it in "Carrie" (another favourite film). In "Anasasia", I never felt for one moment that "it's only a film". For me this woman WAS Anastasia, and when part one ended with her in the railway carriage meeting members of the royal family, I knew that come hell or high water I had to see the second part. I just wanted to see how she would prove that she was who she claimed to be, and as the story progressed I felt an intense hatred of Rex Harrison's character, though I greatly admire him as an actor.<br /><br />When I saw the movie listed again in the TV guide, I convinced my Mother that we should watch it, and afterward she thanked me for doing so, being almost as keen as I had been to watch part 2. Then I bought the video and can totally recommend it. "Anastasia" is one of those rare TV movies that you simply must watch for the sheer enjoyment of watching the finest acting I have ever seen on TV, and it doesn't really matter whether you believe the legend or not. | 1 |
14,810 | [
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] | 253 | 307 | This film requires a lot of patience. Because it focuses on mood and character development, the plot is very simple and many of the scenes take place on the same set - in Frances Austen's (the Sandy Dennis character) apartment. But the film builds to a disturbing climax.<br /><br />The characters create an atmosphere rife with sexual tension and psychological trickery. It's very interesting that Robert Altman directed this, considering the style and structure of his other films. Still, the trademark Altman audio style is evident here and there. I think what really makes this film work is the brilliant performance by Sandy Dennis. It's definitely one of her darker characters, but she plays it so perfectly and convincingly that it's scary. Michael Burns does a good job as the "mute" young man. Regular Altman player Michael Murphy has a small part. The solemn, moody set fits the content of the story very well. In short, this movie is a powerful study of loneliness, sexual repression, and desperation. Be patient, soak up the atmosphere, and pay attention to the wonderfully written script.<br /><br />I praise Robert Altman. This is one of his many films that deals with unconventional, fascinating subject matter. This film is disturbing, but it's sincere and it's sure to elicit a strong emotional response from the viewer. If you want to see an unusual film - some might even say bizarre - this is worth the time.<br /><br />Unfortunately, it's very difficult to find in video stores. You may have to buy it off the internet. | 1 |
14,822 | [
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] | 227 | 311 | For once a sequel to "The Karate Kid" without Ralph Macchio! Hilary Swank did an excellent job playing the orphan Julie Pierce. Pat Morita, the one who plays Mr. Miyagi worked his way with Julie quite different from Daniel. Both Daniel and Julie favored karate. Unlike Daniel, Julie was the most surly person Miyagi ever challenged. And there was no tournament to compete in. And there's gonna be some humor in this movie as well. I liked the part where when Julie came home from school, Miyagi went to check on her, and saw her change clothes in the process. That was very funny! And the classic "Wax on, Wax off" scene was different as well. It was funny when Miyagi tells Julie, "Uh-oh, missed spot". The set in Boston was a far cry from California. The Militant group in that group, was like the "Cobra Kai" in Boston. And Michael Ironside's Col. Dugan was no John Kreese. His group practically deserted him when Julie kicked some serious butt. They all paid the price when they blew up that classic Oldsmoblie. What a cowardly act. At least they'll find redemption from Dugan's poison. This Karate Kid sets some morals, unlike the last three, which talked about "Honor" and "Respect". Hilary Swank is outstandingly hot in any movie and everything else she does. Movie 9, Hilary Swank 10! | 1 |
14,824 | [
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] | 309 | 369 | OK, so this is a complete rip off of the first Karate Kid. However, I think there can never be too many movies like the first Karate Kid. There's something about this type of story that particularly seems to apply to people like me. You get a overall sense of being able to overcome adversity by finding out new things about yourself. In this movie, Hillary Swank is a particular gem as the Next Karate Kid. You can really tell that she has a bright future ahead of her.<br /><br />Not to say this movie is not without it's problems. Unlike the first one, Mr Miyagi appears to be a little to eager to get Julie to learn martial arts and get her involved in fighting. It almost seems like he forgot what his values were from the first movie. Also, one must have a suspended disbelief when examining the monks. The movie makes the monks appear to have a way too simplistic view of life, and doesn't really explain why they do what they do in the plot-line. The villains are also a bit questionable, even though truly hateable bad guys. I also have a suspicion about Martial Arts movies that end on prom night.<br /><br />So maybe this isn't a perfect movie. So maybe this wouldn't be the greatest movie to rent on a Friday night. However, in more ways than one, it's a guilty pleasure. Hillary Swank is just so loveable, and the story, even though unoriginal, works. In a genre of movies that seems to be based around nothing other than action and violence, this is a breath of fresh air. Unlike all those Steven Seagal and Jean Claude Van-Damme, this is a movie about the spirit and the heart. There are some people that need movies like this, and we'll take whatever we can get. My rating: 8/10 | 1 |
14,857 | [
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] | 258 | 334 | Four unhappy women leave dreary London to spend an ENCHANTED APRIL in a castle on the coast of Italy.<br /><br />Elizabeth von Arnim's novel comes alive in this charming little film which beautifully demonstrates the virtues of a literate script and ensemble acting. All the elements come together to produce a movie that, although nearly forgotten now, still produces a feeling of appreciation at the story's appropriate resolution.<br /><br />The actresses each acquit themselves splendidly. Ann Harding is the free-spirited wife longing for 'wisteria & tranquillity' far from foggy London. Katharine Alexander plays the quiet housewife wishing for the elegant responsibility of acting as hostess in the castle. Jane Baxter is the beautiful young noblewoman temporarily escaped from her throng of male admirers. Jessie Ralph steals every scene she's in as an old lady wanting only to be alone with her memories of the past.<br /><br />The men in the story are also well cast. As Miss Harding's husband, Frank Morgan has a rather complex role as a mousy researcher who has a disturbing personality change when he becomes a successful writer. Reginald Owen, as Miss Alexander's spouse, is marvelously pompous as a man well equipped to bore for England (his hilarious attempt to take an English bath in an Italian bathtub is made even funnier with the assistance of Charles Judels & Rafaela Ottiano as the castle's harried servants). Finally, Ralph Forbes, one of the decade's finest forgotten actors, is joyously eccentric as the ladies' lighthearted landlord.<br /><br />Movie mavens will recognize an uncredited Ethel Griffies playing the proprietress of the Hampstead Housewives Club. | 1 |
14,859 | [
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] | 306 | 377 | The third part of Miike's Dead or Alive trilogy is as unrelated to the first two parts as they were to each other, more or less. Show Aikawa and Riki Takeuchi are back again for the lead roles, but this time the movie thrusts us forward 300 years or so into the future... post apocalypse.<br /><br />Riki plays a tough cop, an enforcer for the corrupt city's extreme police policies, and Show plays a drifter who hooks up with a bunch of the city's oppressed rebels. The film must have been shot in Hong Kong, as most of the rest of the cast are Cantonese speakers, with Terence Yin and Josie Ho being the most recognisable faces. There's also a HK stunt crew on hand for the films action sequences, which are very cool in a HK-via-Miike style.<br /><br />This could be fodder for a dreadful low budget B-movie, but in Miike's hands it of course becomes something more interesting. It's quite a slow, thoughtful film that meanders along and doesn't try to force anything down the viewer's throat. Characters are rounded and interesting and the plot an interesting but fairly loose framework for the story to be hung on.<br /><br />All in all a fairly low key effort until the action scenes, which show Miike's increasing prowess at directing and choreographing very nice action. Watching the short making of with Show & Riki in wire rigs is really fun - you can tell they were having a great time <br /><br />The finale of the film tries to tie together the 3 Dead Or Alive movies, which is quite unnecessary because each one is really self contained. Miike's explanation of the connection is very funny though, and caps the series off quite nicely.<br /><br />Not as deep or well developed as DOA2, not as outrageous and intense as DOA1... still another good Miike movie though. | 1 |
14,860 | [
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] | 280 | 356 | Two actors play rival gangsters in three films, the final of which is a sci-fi film, that nods strangely to William S. Burroughs, Philip K. Dick, and anime all at once. The robots are actually called "replicants", a reference to Dicks Blade Runner(several visual allusions to the film can be found as well) and the bad guy is a psychotic gay mayor obsessed with limiting procreation through use of a compulsory drug for "heterosexual love is fleeting, and homosexual love is eternal"....martial arts fights ensue, a first for the dead or alive films. The hilarious climax involves the two leads morphing into a winged robot with a gigantic phallus for a head, who personifies "destruction", which has been the path of both characters thus far, their individual minds and later literal heads functioning as something like testicles. The film ends with the mayor f*&%ing his free jazz playing boy lackey as the robot apparently tears down a wall around them, the last words of the mayor "Oh f*&%", followed by a quick fade to black. Part of me felt cheated, part of me confused, but mostly I was just laughing. A lot of the film is quite boring though, the best scenes bookend the film while the rest is far too slow. Takashi Miike has always mined the sexual motifs beneath male violence in action films, and this film with the exception of "Gozu", reinforces this theme more than any other. Sex and violence are two pretty basic themes, but like Cronerberg(who the jazz interludes may be a homage to ala Naked Lunch)Miike is able to show where the two connect, to hilarious an oddly cohesive effect. | 1 |
14,883 | [
300,
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] | 324 | 386 | It's 1913. A studio prop boy spies the actress who is going to become Hollywood's next great movie star and he's the director that's going to make it happen. After inventing pie throwing and the keystone cops, his dream comes true. Being completely absorbed in his film-making, however, he fails to notice that he is losing his leading lady to another man. Several over-budget flops later, he is known as nothing more than the director who turned down Rin-tin-tin. Fortunately for him, the loyal and compassionate residents of Hollywood are untainted by ambition and ego. He'll be okay as long as he still has his friends.<br /><br />This movie starts out as a mad-cap comedy typical of the time period, and in the opening scenes it holds its own with the best of them. It has a playful lack of self-consciousness which is sorely missing in most of today's comedies. Shortly into the film, however, it moves away from this mode of comedy and instead attempts to entertain us using the films within the film. These are silent slapstick comedies, well done but nothing out of the ordinary, and they go on for much longer than is necessary for any audience which has seen the originals. Upon returning, the film takes a dramatic turn. It's well written and the cast does an excellent job of making the transition, but the movie really should have decided from the beginning what it was going to be.<br /><br />By the end of the film, it has transformed once again - this time into a paean to the glitter of Hollywood. The small town of Los Angeles has grown up into the city which makes the movies that entertain the whole world.<br /><br />In spite of its promising beginnings, this film has not aged particularly well. Nevertheless, it does have some strong scenes, a certain nostalgic appeal, and an entertaining sub-text about the people who made it and the audiences it was made for. | 1 |
14,888 | [
300,
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] | 241 | 321 | I'm a big fan of Naruto, even though I haven't watched every episode or read every manga.<br /><br />I really liked the first Naruto movie, and to tell you the truth I was a little nervous that this one wouldn't be as good (or action packed) as the first (mainly because this one in Australia only had a PG instead of an M, which is a PG-13 US or 12 UK). But I was wrong (thankfully)! The animation was more improved (although some drawings of the characters at points looked rushed) and was very good especially in the fight scenes.<br /><br />Speaking of that, let's talk about the fight scenes! The animation and action in the fight scenes was spectacular and very entertaining! I especially enjoyed the genjutsu battle with kankuro and the fight with Gaara fighting the shape shifting female warriors! All the characters you want are here! Naruto, Sakura, Gaara, Kankuro and Shikamaru! If only Temari was in the movie, Shikamaru could save her from the female warriors in dramatic fashion! And maybe they could have a PASSIONATE KISS! In my summary at the top I say that this qualify's more as a piece of Cinema than just an extended episode. And it does! The action is very cinematic and the animation quality looks very fancy especially during the fighting! Overall, this is a excellent anime Film that is a must-see for any Naruto fan! 5/5! 10/10! 50/50! 100/100! Alright I'll stop! | 1 |
14,889 | [
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] | 255 | 300 | I have to say this is one of the best movie i have seen so far for naruto. the action was a lot better then the first movie because it had a lot more fight scene and it came to u at a faster pace. it was amazing, the choreograph was excellent as well as most of the visual effects.<br /><br />the story line is something new to naruto. but it is basically the same as the first movie. in the series u see them fight against other ninjas,but in the movies (1+2) u see them fighting against machine of mass destruction. it is nice to see them fighting something other then ninja, and that it was great to see some other power other then chakra. and how other people from other land across the ocean fight. also sakura finally killed someone that is more stronger then her. (she have truly become strong) it was a lot better then the fillers on the series that i'm watching now. when u watch this movie the fast action scene will surely make your heart pound. With new jutsus and garra in the movie, u know it is good. and the music was good as well, but i find it to be lacking something. But the ending theme song was a plus. (dind dong dang) i think was a really good song. I totally recommend it.<br /><br />all in all i give this movie a 10, because i just love it. if u do decide to watch it, enjoy it. lol | 1 |
14,906 | [
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] | 242 | 341 | I love military comedies (Sgt. Bilko, Stripes, In The Army Now, Major Payne) and Down Periscope is hilarious, but it has a heart as well.<br /><br />The Stingray SS-161 (The USS Pampanito) was gorgeous. Absolutely beautiful, a piece of art come alive. So it was a diesel engine sub, so what? I learned that the Aircraft Carrier USS Ranger (which stood in for The Enterprise in Star Trek IV), a huge ship, was 'conventionally powered', which might mean that Ranger was a diesel too.<br /><br />My favorite scene: Pascal: Jesus, Buckman, this can's been on the stingray since Korea! This can expired in 1966! Buckman: (Takes finger full and tastes it) What's the matter, sir? It still tastes like creamed corn.<br /><br />Pascal: (Yelling) Except, it's DEVILED HAM!! Buckman: That would be a problem.<br /><br />It's story, perhaps a wee strained, seemed plausible. Winslow respected Dodge, and seemed to care about him, so he wanted to give Dodge a chance. He gave him a battered but still seaworthy Balao-class sub, and assigns him the task of using the diesel sub to evade the nuclear Navy and 'attack' Charlston Harbor, and Norfolk. 2-star Admiral Graham (with his eye on his third star, and a grudge against Dodge) assigned him the ragtag crew, hoping that they would screw up so Dodge would lose. Can Tom Dodge get the crew up to speed and working as a team, and can he take an old, out of date sub, and beat the Navy's best? | 1 |
14,907 | [
300,
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] | 282 | 340 | Not the best plot in the world, but the comedy in this movie rules. Kelsey Grammar is wonderful in this movie. Another funny guy is Rob Schneider who will make you crack up with his segments with Ken Hudson Campbell who plays Buckman. Lauren Holly plays probably the more serious character in the cast as Lt. Lake. Bruce Dern is a great actor in this movie, playing probably the most serious character in the movie. The actor i liked the most was Toby Huss as Nitro, all the electric shots his character takes in the movie is hilarious.<br /><br />Plot is a little uneven, about Lt. Commander Tom Dodge, who for years has wanted to Command his own sub. When he finally gets the chance, instead of a brand new sub, he gets a rusty WWII Diesel Sub, the Stingray. His crew isn't any better, misfits of the U.S. Navy. He is then put in a series of War Games, that shows how an old Diesel Engine can handle itself against the current Nuclear Navy. Things still don't get any better when he finds out his dive officer is actually a female officer, to see how Women do on actual Subs. To get the commander position he wants, he has to win the War Games, and blow up a Dummy Ship.<br /><br />The movie fairs quite well, in fact i laughed non-stop when i saw this movie in theaters. I loved when they were in silence and Buckman farts, and everyones reaction to the smell is hilarious.<br /><br />Overall, 9 out of 10, this movie is just plain fun to watch, it nice to have a movie like this, i hate movies that try to be 100% serious. | 1 |
14,910 | [
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] | 229 | 304 | This is a VERY underrated movie to say the least. As has been pointed out in previous posts, this movie has a somewhat loose and highly implausible script but you find yourself saying "Who cares?" while shooting milk (or insert beverage of your choice here) through your nose. It was indeed due to a rare mix of actors in sync. While Kelsey Grammar is obviously a gifted actor (reference 'Frasier', this movie) the supporting actors/actress play their roles quite well. I found in interesting how they threw in the part about Duane Martin blowing the shot in the 'big game' for Navy's basketball team; if any of you is a basketball fan you'll remember Martin from 'White Men Can't Jump' and 'Above the Rim' and you'll know that Martin had a short stint in the NBA with the Knicks. Nice how they threw in believable character attributes such as this. Rob Schneider's anal-retentive character was the perfect offset to Grammar's calm demeanor. Lauren Holly played the gutsy-sexpot-with-a-brain well enough to make you want her to succeed. This is a movie that will make you laugh even if you've seen it many times before...the comic bits in this movie definitely last. I still find myself laughing 12 years later.<br /><br />"Is that one of my chickens?" "Uhhh...no. This a parrot....from the Caribbean." "Well don't let it fly away...that's supper." "Arrrrr.....arr." | 1 |
14,932 | [
300,
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] | 316 | 388 | Where do I begin? Let me say that -- after having watched the entire film and the special features on the DVD -- my wife and I watched the whole film again with the director's commentary running. I can't remember having ever before endured more than 7 minutes of such commentary for a film. It's worth hearing.<br /><br />I'm not a southern boy, but I spent some time around Memphis a long time ago, and have a feel for the area. This film almost smells of the South, it's so real. Samuel Jackson, one of my all-time favorite actors, is magnificent as the emotionally bent Lazarus, and Christina Ricci gives the performance of a lifetime as Rae, a woman who's been wounded severely during her brief life. I've always liked Ms. Ricci's work, but in this performance she's giving 137% of herself every second she's on the screen. Awards and little statues are not enough to reward her for what she lays before the audience in this film. <br /><br />There are other places where you can read the essence of the story, so I'm just commenting on the work. I'd heard the name Justin Timberlake before seeing "BSM," but had no idea what he looked like, or even why he's famous. Bumping my head on 60 years old, I'm outside his target demographic, to say the least. After seeing this film I will recognize him. He can act! He gives a substantial, believable performance as the loving soulmate of the county slut. <br /><br />The director is from Memphis, and shows reverence for his home region. He is also a fine story teller.<br /><br />.....and I MUST mention the music. I love Blues, and the soundtrack for Black Snake Moan is a veritable feast for a blues fan. <br /><br />I'm writing less coherently than usual because my enthusiasm for this movie is overcoming my sentence structure. See this film, and I mean now. | 1 |
14,936 | [
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] | 336 | 388 | Chop Shop. Written and directed by Ramin Bahrani ( Man Push Cart). Bahrani specializes in character driven studies in naturalist style films about the sort of little people that get passed by every day, without anyone ever really noticing they are there, in New York. <br /><br />These are people who have been pushed to the very fringe of society. They exist in a sort of grey world, many of them migrants whose legal status in America is appears somewhat doubtful. Where do they come from ? How did they get there ? How do they cope ? Where will they end up ? These are not feel good stories as such, but stories about survival at its most basic, day to day level. <br /><br />Ale is one such street kid. He has no education and hustles anyway he can, to save money, he is also not beyond turning to petty theft. Mostly he is anxious to be reunited with his older sister. We see him in the early scenes ringing a safe house looking for her, but not having any real success. A young friend, Carlos gets him a job in a chop shop, in the shadows of Shea baseball stadium. Eventually his older sister comes to live on site with him, but he is jealous of the motives of her friends and suspicious of how she makes extra money. He dreams of buying a food van and setting up a vending business with his older sister. <br /><br />Bahrani shoots all his films on location. There is nothing glossy or glossed over about them. This is life as these people have to live it, in the raw. lt is not pretty although it is never ominous, and the slightly despairing air that hangs over much of the film, is the same one that hangs over these peoples' everyday lives.<br /><br />The script is also very natural and the characters are given plenty of scope and room to work in. Polanco is outstanding in the lead role, and Gonzalez gives solid support as the older sister. | 1 |
14,937 | [
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] | 306 | 373 | Chop Shop is a hidden treasure out in theaters! I cannot begin to describe how wonderful the performances are in this movie. This film is for anyone who wants to watch a powerful story and see an example of what contemporary movies should look and be like.<br /><br />This film is about a young boy, Alejandro "Ale" who works and lives with his teenage sister, Isamar "Izzie" in a one-room tiny loft in an auto shop. The story takes place in a part of New York City (that I did not even know existed--Willits Points) where there are endless junkyards and body shops. Here, Bahrani tells the story of two forgotten children hoping to support themselves by buying and fixing up a food van.<br /><br />Ale makes money helping at the auto shop, and Izzie helps at a food van; both, however, earn extra money on the side. Ale sells bootleg movies and stolen car parts; Izzie results to selling herself. Their lives are surrounded by grit and grim, but even though both witness, live and barely survive within their harsh world, their love for each other is never tainted by the filth that surround them. And occasionally they are able to laugh and enjoy moments of their childhood that is being stolen by the reality of struggling to survive and stay together.<br /><br />The best comparison I have for Chop Shop is that Bahrani's juxtaposition of an innocent love between family members against such a bleak atmosphere is as powerful as Pasolini's Mama Roma combined with the struggles of growing up too fast in an adverse environment just as in Bresson's Mouchette.<br /><br />Having co-written, directed and edited both this film and his first, Man Push Cart (which won awards all over the world), Bahrani is a total package filmmaker.<br /><br />I can only hope that his films will not be hidden treasures for long! | 1 |
14,944 | [
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] | 269 | 312 | Some critics have compared Chop Shop with the theatrical releases of City of God and Pixote. I've seen both of those as well as Chop Shop and like in many instances, I don't feel the comparison is warranted. City of God and Pixote surely had a much higher budget. Chop Shop is a low budget independent film about survival and hope, disappointment, and continuing with life. One of the scenes is allegedly filmed during the US Open and either the filmmakers had incredible connections or the scene was filmed at another time and the US open footage was added. I say that because I live in the area where this movie was filmed and security is insane while the tennis matches are in progress. It's also noteworthy that the actors actual names were their character's names in the movie. Back to the movie. It's an enjoyable story about survival. However, it ended up getting a 7 because... at times the actors acted extremely well. At other times, they appeared to be just reciting their lines. If the actors were less competent (as they were in the low budget "The Big Dis" for example) I would have been more forgiving. But in several scenes each and every one of these actors gave exemplary performances. At other times, they appeared bored. The director might be at fault here. I also had problems with the ending. This is one of those movies that "just ends". Maybe there will be a part 2? Definitely worth getting on DVD. I wont bother summing up the story because that info is already available on IMDb. | 1 |
14,952 | [
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] | 265 | 315 | The violent death of Fernando Ramos Da Silva only eight years after the completion of this film, only adds to the poignancy of dierector BAbenco's powerful message. The film is split into two halves - the first in a reformatory where a group of youngsters are abused and violated by the violent law enforcers and guardians. The second backdrop is the city where they are confined instead by their own actions and morality, which includes mugging, pimping and killing different characters who enter their lives.<br /><br />The differing gender and sexual roles in the film allow for constant changes in the characters as they interact with other people. Particularly interesting is teh character of Lalica, a transvestite who is mother and lover to some of the children. Her reaction to the arrival of Sueli, a prostitute is both poignant and tragic. <br /><br />There is no happy ending to this story and i reccomend to watch it with caution as there are some very uncomfortable scenes to watch especially in teh opening twenty minutes. But whilst watching it, it is important to remember that this is not just a fictional tale. The actors are not trained professionals but instead boys selected from the streetsof Sao Paulo. They actually lived this life that is portrayed so vividly on screen and in da Silva's case, died at the hands of the police who are depicted so brutally. A documentary? A piece of fiction. It borders on both but it certainly makes for heart wrenching material and is a film that actually leaves you breathless and thinking long after having watched it.<br /><br />10/10 | 1 |
14,960 | [
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] | 271 | 334 | This was really a "nightmare" of a film; i saw it about nine years ago on cable TV and haven't forgotten it since. Pixote is a 10-year old boy who lives in the streets of Sao Paulo (Brazil) and leads a criminal life in the company of his teenage friends Lilica, Dito and Chico; they steal, pimp, sell drugs and murder in order to survive each day...In the first half of the film Pixote is caught by the police and sent to a sadistic foster home where he witnesses every kind of abuse from the older inmates and guards to the rest of the kids; one night, Lilica's boyfriend is killed after a beating, so Pixote and his friends decide to escape during a riot. The rest of the film shows Pixote's descent into a criminal life; he doesn't show any feelings or remorse after killing someone, maybe because he knows that good feelings are of no use in the world in which he lives...But there is, however, a gentle scene in the middle of the film; Pixote and his friends are at the beach, missing (and wishing) one of his friends from the reformatory was there. I thought it was a poetic and melancholy scene in the middle of all these horrible events...the boys are obviously longing not only for their friend, but for a better life. Director Hector Babenco's "Pixote" is a brave and depressing film that doesn't shy away from showing the harshest reality many people -including myself- tend to ignore or misunderstand. This film will probably open your eyes and make you a better and compassionate person. | 1 |
14,961 | [
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] | 297 | 370 | For me, this is another one of those films that I got to see off of the Los Angeles based "Z" Channel when it was in service. And it was another one of those movies that I saw when I was young...and learned that there was a world out there...one I did not want to accept.<br /><br />Moving to Los Angeles and getting to watch international cinema became quite the guilty pleasure hobby of mine and to date, no premiere channel programming has matched the "Z" Channel in its showing of international films. The three international films that stuck in my young head were "Spetters", "Beau Pere" and of course this one, "Pixote".<br /><br />This was the most shocking and saddest movie I ever witnessed in my life. This was also one of the first movies that made me understand that there IS a difference in cinema: to entertain, and to inform. Let me be honest..growing up in a small town on the east coast, I had no idea anything like this -- to this extent -- existed. All I knew from South America was brochures of fabulous Brazillian vacations and that Columbia had a lot of drug trafficking.<br /><br />Then comes a film like Pixote. Sad. Disturbing. Unflinching. Scary. You're watching: Children. Those that need shelter, love, understanding and all these get are a way to survive day after day through drugs, sex, robbing, stealing, sleeping on the streets and in sadistic group homes etc. Their survival is hard to watch with other street children, prostitutes, etc., and you begin to wonder HOW can things like this be allowed to happen in this world.<br /><br />Pixote is not a film for entertainment, it is a film of information. It shows shocking and disturbing images - but it shows life for these daily street children. | 1 |
14,967 | [
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] | 261 | 306 | The story takes place on the streets of Sao Paoulo in Brazil where a young boy named Pixote grows up alone without his parents. Left troubled and with no direction, Pixote gets taken into a child asylum with other adolescents from the street. Behind closed doors terrible things occurs within the staff and within the child-groups. And there is one last trigger that gets the place blown up, the last incident that makes Pixote and his friends decide to break out and escape. From there on begins a journey overwhelmed with strong bonded friendships, friendships torn apart, love and hate, criminal activities and simply chilling on the beach talking about things, something someone like you and I also does sometimes.<br /><br />I think this film is perfect in so many ways because it touches you on so many levels, it did that with me anyway. The document-like style used to portray Pixote and his surroundings does it seem more realistic, and the actors, who really are street children and have lived similar lives, helps the humanity in the conditions seem more natural. It has a social comment about child abuse too, but I think what makes the film so great is that the pressure is on the story and not on the political views. The last scene, which I find the best piece from the film, strikes me as something beyond nothing I've seen before. So full of emotions and yet so unsentimental makes this film a truthful, believable, unbearable, unforgettable story-tale. A true heartbreaking masterpiece which is so underrated!<br /><br />My vote: 10/10 | 1 |
14,982 | [
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] | 266 | 351 | Helen (Kate Capshaw) owns a bookstore in the sleepy, coastal town of Loblolly by the Sea. Divorced, Helen has a young daughter who is going to camp for the summer, giving mother a bit more freedom. Working at Helen's store are the manager, Janet (Ellen DeGeneres), a man-crazy village-gossip girl who has eyes for the handsome fireman, George (Tom Selleck), and two young college students, Jennifer (Julianne Nicholson) and Johnny (Tom Everett Scott). One day, Helen stumbles across a romantic, tender love letter and she suspects that Johnny has written it for her. Throwing caution to the wind, Helen and Johnny begin a small-time "thing". But, the letter subsequently lands in others' hands, including Janet's, who thinks George has sent it to her, and Johnny's, who imagines Helen has penned it for him. And, on and on the letter goes. But, in truth, George possibly has eyes for Helen and Jennifer has fallen hard for Johnny. The town's museum curator, too, may have a secret love. Will tangled affairs like these ever straighten themselves out? This is a cute movie with a gorgeous setting and capable stars. Each of the main actors gives a pleasing performance, including the addition of Blythe Danner and Gloria Stuart to those mentioned previously. Then, too, the coastal scenery is most lovely, the costumes quite well-chosen, and the photography very nice indeed. There are a few surprises, including a subtle gay plot development, which may not please all viewers. But, for those who love romantic comedies, this one should be included on any list of good choices for the genre. | 1 |
14,996 | [
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] | 281 | 385 | It's along the line of comedy of errors, mistaken affection transferring from one to another, blossoms and passes on
kinda cat and mouse situations
Flares of passion, sparks of fire fanned and put out
guessing maybe she loves, he loves or they love
Circle of emotions, evolving, releasing
hiding, yet not hiding
wanting to let him know, wanting to let her know, let them know
Good ensemble cast in spite of the seemingly confusing mix of emotions from different parties involved. <br /><br />It's a refreshing charmer, casual, free and easy and rather down to earth -- not Hollywood glamorous like "Notting Hill", but lots of human feelings, frailty, vulnerability a-flowing. Yes, all revolving around an accidentally (lost &) found love letter. Kate Capshaw as the owner of the town's bookstore, with a variety of characters portrayed by Ellen DeGeneres, Tom Selleck, Blythe Danner, Tom Everett Scott, Gloria Stuart, Alice Drummond and Geraldine McEwan as the seemingly unaffected Mrs. Scattergoods. Romance is in the air, love lurking everywhere. You get to appreciate the talented Kate Capshaw. ("The Alarmist" is another quirky little movie which is fun to watch: Capshaw has a wonderful chemistry with David Arquette, and Arquette with Stanley Tucci).<br /><br />"Notting Hill" is satisfying in its story revolving around the glittering pairing of Julia Roberts and Hugh Grant, and the wonderful support of his circle of (London) friends. "Love Letters" is delightful in its quirky (Loblolly) small town-ness, and its story involving Kate Capshaw's centrifuged ripple effects on her friends and neighbors. Both maybe fantasies, somehow, the latter felt more attainable if it should happen to you. And if you appreciate words or poetic lines, it could be the movie for you. | 1 |
15,005 | [
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] | 274 | 324 | Certain aspects of Punishment Park are less than perfect, specifically some of the acting. However I feel that this is probably the most important movie of the "war on terror" era. I grew up hating hippies and in some respects I still do. It wasn't until the United States was started down the path of an unnecessary and deceitful war in Iraq that I began to see the world through their eyes. I can feel what they must have felt. Although the film is somewhat dated, watching it brings those uncomfortable emotions about our present situation right to the surface. It's clear enough early in the film that Punishment Park is designed to be a concentration and death camp for all the "unpatriotic" elements of American society. This is certainly an exaggerated and extreme view of our polarized society, but it is CREDIBLE. At times I find myself believing that the USA could easily slip into fascism. As I watched this film I could only think about how I hear similar sentiments from people on both sides of the political spectrum almost daily. This movie is a raw, concentrated distillation of America's PRESENT political scene. I am both impressed and saddened that something this relevant (and yes, accurate) was filmed more than 30 years ago. If you take a more moderate view of the movie and choose to believe that this couldn't happen here, look more closely at Guantanamo Bay, some of our "enemy combatants," the rumored CIA secret prisons and the many incidents similar to the one in Greensboro, NC in 1979 (8 full years AFTER the making of this movie). | 1 |
15,013 | [
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] | 294 | 365 | Peter Watkins' rarely seen Punishment Park is a brutality-laced, uncompromised political weapon set across a never ending desertscape. An unapologetically left leaning anti authoritarian abuse fest, the escapades at first appear to be so over the top militaristic and sickening that it could come off as some distant fantastical dystopian alternate history, one Harry Turtledove would even enjoy. But once we delve deeper in and really pay attention to the abhorrent diatribe spouting out of those presiding over the tent topped tribunal, as well as the shotgun toting guards overseeing the bloody affair, our eyes are truly opened. Suddenly we realize just how prescient Watkins' film-making is, as much of this is the kind of neo-con talking points about youth culture and the legality of divergent thought tossed around by politicians today. Granted, much of it was drivel pouring out then as well, but it really shows us how little has changed, and informs of how, in some ways, we are closer to such a world where Punishment Parks would be a real and frightening operation.<br /><br />The main players in nearly every scene are seasoned non actors, mostly chosen for their rash political views and desire to get them on camera. This lends an unprecedented heap of authenticity to the entire experience as we never, even for a second, question the reality of all the chaos. Shot documentary style with 16mm film, this appears like a gritty documentation of some despicable government test project that was classified until found years later. At least it appears to have that history to it now, maybe not as much when it was (barely) released. But this gives an added weight to all the proceedings and helps draw you into this incredible not-so-alternate universe of torture for convicted dissidents. | 1 |
15,027 | [
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] | 265 | 339 | This movie is on cable sporadically, and I never really watched it, thinking it would be similar to the Bruce Willis film "Ïn America", with the usual trite story about American freedom, etc. But it was not; it was so much more!.<br /><br />Of course, Martin Sheen is excellent; (I have never seen him in a movie I haven't loved, even if the script is bad, because he is so talented). Kathy Bates is the overbearing mom, and does a great job. The real surprise is Emilio Estevez, who has not always been in the greatest films, but also directed this movie. Please don't stereotype him from the "Breakfast Club" movie; he is so much better in this, and I wish he would do more non-commercial, atypical Hollywood movies.<br /><br />The film is realistic, as we see Emilio home from Vietnam, during Thanksgiving. Kimberly Williams is passable as the sister, who feels she is "disgraced and embarrassed" by the returning soldier, her brother; he is quite alienated from the family, and, especially at this time in US history, this story is VERY relevant.<br /><br />I learned a great deal about post-traumatic stress, and you will genuinely empathize with this character; This is not a violent, journalistic portrayal, like "Platoon" for example, it is more of a character study, which leaves us even more intrigued and concerned about the effects of war, especially when one considers the young age of the soldiers who are victims. With today's violence, it is rare that a movie causes one to genuinely feel sad, and shed a tear; this does it, and deserves recognition. | 1 |
15,037 | [
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] | 259 | 301 | I had never heard of this film and only got it because I am a Martin Sheen fan. Now I am stunned as to why it did not receive the praise and recognition that it truly deserves. The four characters all make you feel for them, the father trying to assert his authority, the mother still clinging to traditional family values and both trying to keep up appearances despite the total fragmentation of their family, the daughter wanting her own life and the son haunted by his experiences in Vietnam. One felt that this was a scenario that must have been played out in thousands of 'ordinary' families after Vietnam. Emilio Estevez as Jeremy was superb - totally unhinged by his war experience which none of his family could relate to. The screen chemistry between him and his real-life father Martin Sheen was amazing. And there were times when Emilio's anguished face was so like Martin's in "Apocalypse Now". I feel sure that just as Martin has counted Apocalype as one of his best films, Emilio will count this one as one of his best too. The scene with the gun was totally mind-blowing, as all the emotions were there on the family's faces. Brilliant acting by Estevez, Sheen and Kathy Bates. I watched the film for the first time last night - and today the lead story in the news was about a Gulf War veteran who had shot several members of his family. How many more young men are going to have their lives destroyed by war? | 1 |
15,060 | [
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] | 276 | 335 | As over the past ten years or even longer the whole world is flooded with so-called sitcoms (actually only very few deserve this title 'cause they're so predictable), King of Queens is a very original, unique and astoundingly funny alternation. It's about the daily life of a deliveryman and his wife who works as an attorney's assistant in Manhattan in Queens, NY. With them lives Carrie's father Arthur, a picture-book extrovert, who is played by the fantastic Jerry Stiller and who steals the show from all the others every time he appears. Other important people are their best friends Deacon and Kelly, a married couple, and their other friend Spence who's almost 30 and still lives with his mother. What makes this show so unique and funny is, above all, that every single character seems so real and Carrie's cynical, sarcastic attitude is the total opposite of Doug's good-natured, slightly dumb optimism.And Arthur's the one who makes it absolutely unpredictable with his strange ideas and habits. He often gets himself into trouble and Doug and Carrie have to drag him out of the mud. Even if in my opinion the quality of the show decreased a little within the last years it's still one of the best daily sitcoms ever made. It takes a little time to get into the characters and relate to them, but after that's done, you get some unstoppable laughs from it. Although I think I couldn't survive one day with Arthur in a closed room without beating the guts out of him, I really adore him in this show. Watch and have fun, I give it a 9 out of 10. | 1 |
15,064 | [
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] | 240 | 339 | This is,in short,the TV comedy series with the best cast ever;and the most likable also.Each one of them is a firsthand comedy actor.I know only one TV series which was better (i.e., "Moonlighting")that one had Willis as a leadyet it had Willis only,while The King of Queens has a pocketful of actors that are as fine as one can enjoy--Kevin James, Leah Remini, Jerry Stiller, Patton Oswalt, Nicole Sullivan, Victor Williams, Gary Valentine,and even all the rest of them
.I spontaneously and continually and promptly liked it.Advancing age didn't spoil the fun,anyway.<br /><br />In a few words,the series is intelligent and original,miraculously spared of the current TV stupidity and garbage. It is politically incorrect and doesn't court the minorities in the usual disgusting way.<br /><br />The comic is very palatable and savory.<br /><br />I read, mostly approvingly, a few IMDb writers, and sometimes they write about their favorite showsyet, though these writers are several, I did not encountered, at any of them, the slightest mention of my favorite TV shows (--but it's true that the critics one likes are not those with whom he finds himself in complete approvalbut those who at least offer a common basis for disapproval)which are, mainly, WILD WILD WEST, MOONLIGHTING, QUEENS, FANTOMAS, the '80s TWILIGHT ZONE, Bradbury's TV show and SANDOKAN. Most of them I have seen when I was 1314 yrs; about a few of them I have written, and execrably. | 1 |
15,068 | [
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] | 253 | 314 | I have just started watching this show. Its airing in Ireland at the moment on the Irish television station RTE1 at 12.30pm in the Afternoon (as of 26th July 2006).<br /><br />This program literally makes me laugh out aloud and I cannot boast that on most sitcom's (apart from UK's 'The Office' with Ricky Gervais in it).<br /><br />Todays episode of TKoQ (26 July 2006)was the one where Carrie starts a new job and invites her friends home and goes off to make some coffee and Doug wants Carrie to have no 'outside' friends so he lifts up his top and shows off his 'belly hair!' and licks plates when he goes out to dinner! But another funny episode was the other week when the old fella (carries Dad) won on the Bingo and that episode creased me up with laughter especially when they went out and got a replacement fridge and Carries father stood there looking at it and thought it was new.<br /><br />So I don't know how much longer this has got to run on Irish TV or at which stage (year recorded) we are at but I hope it don't end soon because I am really enjoying it.<br /><br />To sum up there is some great writing, some great characters and comedy acting (namely by Carrie, Doug and Carries father) some great punchlines and delivered well - a bit saucy and near the mark sometimes (send the kids out the room!) but i think this US Sitcom is a winner and very funny. | 1 |
15,084 | [
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] | 298 | 388 | I write this review just after hearing of Stanley Kubrick's death. It's a great loss, and I write about 2001: A SPACE ODYSSEY, because I feel it is the consummate Kubrick film, the one he will be most remembered for. It is a picture like no other, not only revolutionizing science fiction, but changing the way films are conceptualized. It was probably America's first 'art' film and has inspired the likes of George Lucas and countless other writers and directors.<br /><br />Aside from its visual greatness, the reason the film spawns so much discussion and analysis is because so many people have so many different interpretations of it. Kubrick and Arthur C. Clarke, his co-writer, had a vision, but we have never really found out what was going through their minds. Of course, the skinny on its 'message' is how technology of the future will take over humanity and decide the course of our lives unless we are careful. 2001's ending is one of hope, a version of our rebirth through the star-child's flight back to earth. It is meaningless to many, but discerning filmgoers will understand.<br /><br />Although 2001 does not have the wicked, dark humor of DR. STRANGELOVE or CLOCKWORK ORANGE, or contain strong, eccentric characters that filled his earlier works like PATHS OF GLORY or SPARTACUS, I still feel he would've liked to be remembered most for this. If anything, HAL will be his most memorable character, dangerous, murderous, and artificial. It was a half-decade in the making at a time when Hollywood was still churning out dull musicals and just waking up to the New Wave of French and Italian cinema. Kubrick was a maverick director who made great films on his own terms, his own time, and for everyone else to marvel at. He will be missed. | 1 |
15,086 | [
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] | 237 | 326 | Mankind's Self awakening is the theme of "2001: A Space Odyssey", a process that unfolds along a space-time continuum. We "see" our primordial past, and we "infer" a cosmic future. The powers of intuition thus become the doors of perception, in our ongoing collective journey.<br /><br />From this transcendental perspective, a conventional, egocentric plot seems superfluous. Our frenzied conflicts and self-important dialogue are consumed in evolutionary change, and are irrelevant in a cosmos that is vast beyond comprehension. It's a tough lesson for a vain and aggressive species. Not surprising then that some of us huff and puff about the film's slowness and minimal story. For perceptive viewers, the remuneration is an inspirational sense of wonder and awe.<br /><br />In this film, which is mostly visual, geometric symbols guide our intuition. Circles and arcs represent nature. Right angles represent conscious intelligence. Some people think the sleek, black monolith is a Von Neumann probe. Maybe. Without doubt, the monolith is a visual metaphor for an extraterrestrial intelligence whose physical form is never shown. Mystery is more profound than explanation.<br /><br />"2001 ... " is unique among films in content and scope. The cinematography is out-of-this-world, the special and visual effects are breathtaking, and the classical music is sublime. I rarely use the word "masterpiece" to describe a movie. But Stanley Kubrick's "2001: A Space Odyssey" is art in the highest sense, like Leonardo da Vinci's "Mona Lisa", or Vincent Van Gogh's "The Starry Night". | 1 |
15,095 | [
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] | 298 | 388 | A film, first and foremost, should be good storytelling. It should be entertaining - and entertaining doesn't necessarily mean "laughs", and it doesn't necessarily mean "light". It basically means you're not bored while watching it. <br /><br />As brilliant as 2001 may be, it is a difficult film to watch, especially for the current (video-game-playing/iPod fumbling) generation. Its slow pace and the sometimes intolerable amount of time it takes for an actor to perform a single action (e.g. the attempt to rescue the crew member floating in space) will stretch your patience. On the other hand, the cinematography is brilliant, the film cleverly directed, the ending thought-provoking and the score...the score is chilling, especially as the crew in the transporter approaches the artifact on the moon. Boy, I had goose bumps, big time. This doesn't happen often when I watch films, and is a testament to Kubrick's directing skills. <br /><br />It IS considered a classic, and many people consider it the best science-fiction film of all time. That alone is a good reason to watch it if you haven't done so yet. However, just because everybody else thinks it's a brilliant film doesn't mean you have to force yourself to like it. You either will (like it) or you won't. Perhaps the slow pace isn't such a bad thing, after all. Directing your attention to something rather static and slow-paced for 2 1/2 hours might teach you a lesson. It will certainly be a different experience to all these fast-moving, fast-paced images we are subjected to these days (whether commercials, music videos or video games). <br /><br />I myself think it's a "memorable" film. But not one I'm eager to watch again anytime soon (unless I'm in a particular mood for slow-paced films). <br /><br />Hence, 7 stars out of 10 from me. | 1 |
15,100 | [
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] | 295 | 377 | it starts off with a view of earth and jupiter aligned.<br /><br />where do we come from, and where we are headed.<br /><br />the story starts with "the dawn of Man", a documentary-like view of the Pre-historic grass-eater ape that was facing its extinction due to no physical ability that would let him hunt to eat, and the lack of grass and water in the austral Africa. the monkeys hadn't survived if it wasn't for the "god-like" intervention of an alien artifact, that somehow transformed the apes that touched it, and gave them the ability to use tools, that were first used as weapons that allowed them to kill pigs to eat for super and to kill other monkeys in fights for water. that ape was Man. an enigmatic start for an enigmatic film.<br /><br />after the fast-forward that leaves the movie at the present days, we see a magnificent dance of spaceships at the sound of Strauss. The rest of the movie is about how tools got control of Man. the strange artifact appears once again to evolve Man to his final stage: the starchild.<br /><br />at 1968, the year this movie was released, only astronauts had idea of what was out there in space. after this movie, that changed. it's futurism took 7 years to be explored. the special effects are incredible. they are completely realistic, even today.<br /><br />the directing, along with excellent taste in music, good acting, and the fantastic filmography, makes it an epic.<br /><br />the plot, with its vision of the year 2001 and the evolution of man tools, with an AI psycokiller, with the psycotropical hypnotising end, makes it the trip our lives.<br /><br />if you have never seen this movie, see it. don't be scared with the lack of dialog, sit back and enjoy. it's a symphony of evolution. it's terrific. | 1 |
15,120 | [
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] | 285 | 326 | I have Never forgot this movie. All these years and it has remained in my life. I have looked for this movie on so many sites and stores. If anyone ever reads this and has a copy I will pay you for a copy of it or please let me know where I could find one. This is a movie that should be a Classic Romance known as well as my other favorite, Somewhere in Time. It was truly brilliant. If the right actors would remake this film and give it the Patience it needs, to be the Right acting, It could be a block buster.A Love story as powerful as this should be around for all lovers to see. I remember how sad I was at the ending and it really came as a shock. I believe with all my heart that Johnny really loved the woman and she him. This was one terrific movie and it is a shame that it is not available for us to purchase. Please contact me at shawe49@aol.com - I want to give my thanks to a wonderful lady that responded to my message almost a year later. She had a copy of the movie and was so kind to send it to me. She is a great fan of this movie as I am. With her help, there have been 3 happy ladies to receive these DVDs'. She is waiting for the book that it is based on. I am checking with my local library for it, titled 'Mrs Maitlands Affair, by Margarett Lynn. I am sure it is great also. Many thanks to Julie for her graciousness and friendship. I am your friend always,/ Sharon | 1 |
15,128 | [
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] | 302 | 374 | i'm not going to ramble on about it but i'm just going to make it brief. basically for those who don't know how prue actually died........... the first time round the demonic assassin comes hit piper and prue with an energy ball they fly through the wall blood everywhere. phoebe the third sister comes down the stairs, says the spell which send him away but not vanquished.(NEEDS THE POWER OF THREE)leo comes heals them both and so on. they get exposed along the line and the only way the can be saved is for a demon named tempus to turn back time. the only way he can do that is is phoebe stays in the underworld. she agrees, tempus turns back time. it now around 7:00 in the morning again. demon comes strucks piper and prue with energy ball. they fly through wall again. but this time phoebe isn't there to say the spell to fend demon off. demon kills doctor. doctor flies through window. he is dead. demon goes in a whirl wing type thing and glass on the doors shatter which is a great effect bye the way and there is and airy sound. thats where it ends. NOW.......... what the whole world doesn't know if they didn't pay attention to the next episode. although what i'm about to say wasn't shown its what happens trust me................ because this time there was no phoebe to call for leo this time he arrives later. piper survives because her injuries wern't as fatal as prue's and leo heals her first before prue so by that time prue is already dead. there mystery solved. ps calling for prue with a spell should have worked!!! and she should have made a surprise appearance in the last ever episode.OK i did ramble on | 1 |
15,135 | [
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] | 230 | 301 | Assy McGee is a show that you really have to be a certain age to appreciate. Otherwise, it's likely you'll miss the references to 80's cop films and simply think it's a running gag about a walking rectum. Think it's brainless, infantile poop humor? Go watch the Stallone film 'Cobra' and you'll see what I mean. This show actually has very subtle humor, which says a lot, both for a show that aired on adult swim, and for a show about a walking ass.<br /><br />All the standard genre clichés are in place that made movies like Dirt Harry and Cobra so great and ripe for parody. Sanchez is Assy's partner, who is - as per the genre - level-headed and constantly apologizing for his partner's homicidal behavior. The police chief is, of course, a fire-breathing hard case who lives to scream "I want your badge on my desk first thing tomorrow morning!" The over-the-top, and sometimes completely nonsensical manner in which the 1980's 'Renegade Cop' film is parodied suits the subject matter well. For instance, while breaking up a bus robbery, one of the criminals stops to ask Assy, "Hey, where are you going, asshole!?" To which the title character snaps off the one-liner: "I'm going... to shoot you." <br /><br />Highly recommended for anybody who loves 80's action movies, and has actually viewed enough of them to understand the humor. | 1 |
15,141 | [
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] | 265 | 318 | The film starts with promise because there is more interaction between Spanky and Buckwheat, but as the film progresses, the two boys have fewer scenes together. This slows the pace considerably. Billie "Buckwheat" Thomas gives a very strong performance in his early scenes. When he is left behind on the riverboat, his fear and abandonment are palpable and his tears are truly heartbreaking. When he goes from man to man asking for help and is repeatedly rejected the viewer really begins to wonder if this is a comedy or not. Watching a children's birthday party through a picket fence is another moving moment. As another reviewer mentioned, I was also worried about the big dog choking on chicken bones! Once Spanky and Buckwheat are in Marshall Valiant's home, Spanky tends to interact mainly with the adults and the chemistry of the children is essentially lost. <br /><br />The Old South/Huck Finn-type setting really doesn't do much for the plot except allow the children to be out of doors a great deal. Ralph Morgan is the most engaging adult, but then the other roles really don't have much substance to them. Louise Beavers manages some funny moments with a Yankee soldier towards the end. <br /><br />The villains aren't really villainous enough and the lovers not intense enough. Yet, I do think it's worth viewing if you're an Our Gang enthusiast, if for no other reason that the odd curiosity of the whole piece. I give it seven stars because, while not a great movie, it kept me engaged the whole time and curious as to what would happen next. | 1 |
15,148 | [
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] | 279 | 399 | Daffy Duck has signs hanging from every inch of every available tree announcing that it's rabbit season. But, you guessed it - it's really duck season. Elmer Fudd appears: he's the only hunter dumb enough to fall for the gag.<br /><br />He's even dumber than that. When Bugs Bunny strides up to him and asks how the rabbit hunting is going, Elmer admits that he hasn't seen a rabbit yet. This is more than Daffy can stand. He emerges from his hiding place and immediately points to a rabbit: Bugs Bunny. "Shoot him now!" Daffy screams. "You be quiet," says Bugs. "He doesn't have to shoot you now." Daffy insists that he does.<br /><br />After Daffy returns his blasted-off beak to his head, he is doomed to more arguments infected with "pronoun trouble" which all have the same result. Later, Bugs dresses as a sexy woman and flirtingly asks Elmer for a duck dinner. Will Daffy get the last laugh? "Ha, ha, very funny! Ha, ha, ha!"<br /><br />What's funny about this classic cartoon? Bug recoils in fright as Daffy screams in his face. Bugs Bunny says "Yes?" while dripping with self-satisfaction. Daffy Duck stands on tiptoes demanding to be shot. Elmer Fudd whines that he "can't wait any wonger." Daffy sees Bugs in women's clothes and makes that little noise with his tongue. Carl Stalling plays "You Must Have Been a Beautiful Baby" during Bugs's drag act. Daffy demands "sheer honesty" out of Bugs. Stalling plays "Home Sweet Home" at an inappropriately appropriate moment. Daffy tells Bugs he's "desthpicable."<br /><br />In five words: every detail of this film.<br /><br />NOTE: This short is available on "Looney Tunes Golden Collection, Volume One," Disc 1 | 1 |
15,151 | [
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] | 238 | 306 | Chuck Jones's 'Rabbit Seasoning', the second in the much beloved hunting trilogy, is often considered to be the best of the three. While I find it almost impossible to choose between this trio of fantastic cartoons, I would have to concede that 'Rabbit Seasoning' is the most finely honed script. Here, the emphasis is placed on language as Bugs and Daffy run through a series of complex dialogues in the grand tradition of Abbot and Costello's 'Who's on next' routine. As a long term Daffy fan, I have always been delighted by the hunting trilogy because it is consistently Daffy who gets all the best lines (the famous "Pronoun trouble" being one of the all time classics) and does most of the work. Bugs plays the role of cool manipulator while Elmer, as always, is the befuddled dupe. Part of what makes the hunting trilogy so much fun is that Daffy and Elmer pose so little threat to Bugs that he is basically just kicking back and having some easy laughs. Elmer falls into every trap that is laid for him but it is poor old Daffy who comes off worst, being shot in the face again and again, his beak ending up in more and more ridiculous positions. It all builds to the inevitable climactic declaration "You're despicable". As intricate an example of Chuck Jones's impeccable timing as you'll come across, 'Rabbit Seasoning' is a true classic. | 1 |
15,161 | [
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] | 266 | 311 | Just got back from seeing Black Snake Moan. I had spent time reading reviews ... most seemed to focus on the obvious ... "skinny white girl chained to a black man's radiator" ... I hate when "critics" miss the point of a film. Now I suppose it helps that I live in Memphis ... and have lived in Mississippi a couple of times too. It may also help that I am the former Director of the Delta Blues Museum in Clarksdale ... but I get this movie. Brewer's simple "redemption tale" is easy to follow and could have had various themes to tell the story ... but I believe it is highly effect as a "blues". It would be my hope that people don't read all the hype ... and/or various reviews ... and miss a really good movie. Get past the various things like skinny girls in white panties ... get past Justin Timberlake, accept his character Ronnis (which he plays very well) ... get past "Snakes on a Plane" and see how mercuricul Samuel L. Jackson is ... as he has transformed himself into a very believable Mid-South blues man. If you know little about Mid-South culture a lot of what goes on may strike some as cartoonish ... but accept the fact that Craig Brewer KNOWS how to paint the canvas and let the actors tell the story and you will enjoy this film. Not one to tell endings ... so go see this movie ... and yes I will agree with one thing the critics got right ... the music is wonderful! | 1 |
15,165 | [
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] | 298 | 376 | I knew as soon as I saw the first trailer for Black Snake Moan that I would have to see it. I was not disappointed in the slightest in the film, which was written and directed by Hustle and Flow's creator Craig Brewer. It tells the story of a broken blues man and the nymphomaniac he aims to cure not just for her sake, but also his own...yet it's so much more than that. It's complex and rich and it manages to steep you in a gritty, sticky, sultry blue Memphis without making you feel like you need a bath afterward.<br /><br />The characters are (for the most part) multifaceted and very well-written and performed. The accents and the dialogue were carried off flawlessly. However, there was one weak link in the chain: Justin Timberlake. The best I can say for him is that he can pull off crying...it's a rare male actor who can cry convincingly. However, Justin's Ronnie was flat, but as an actor he was trying very hard. I would definitely give him another chance.<br /><br />Lazarus and Rae (Samuel L. Jackson and Christina Ricci respectively) have a great chemistry and a great respect for each other. This is one of those films where it doesn't matter how good one actor is if the other one isn't up to the task and, luckily, both of the actors were up to the task.<br /><br />The music was very bit as good as you would expect, especially when Mr. Samuel L. Jackson sings the blues. Phenomenal.<br /><br />On the technical side, all was brilliance as far as I could see. It was well-edited, well shot, and well-mixed...everything was great. The character and set designs were just right, the casting of the supporting characters (even Justin Timberlake and especially Kim Richards) was spot on... Loved it. | 1 |
15,170 | [
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] | 317 | 390 | (My Synopsis) Rae (Christina Ricci) was a high school slut and nymphomaniac who connects with Ronnie (Justin Timberlake) to fulfill her needs. Ronnie must report to his National Guard unit and leaves Rae all alone. Rae is not alone for long, because she is the town tramp with a powerful need to hook-up with a man. After a party, Rae is taken home by a friend who ends up beating her half to death and throws her on the side of the road. The next day, Lazarus (Samuel L. Jackson) finds Rae and carries her home. Lazarus gives medical care to Rae, and believes that he can also save her from herself. Rae is like a dog in heat so Lazarus puts a 40 pound chain around her and his radiator to keep her from going out looking for men. Lazarus has problems of his own, because his wife has just left him for another man. Lazarus turns to his blues music to relieve his pain.<br /><br />(My Comment) The movie has a deep meaning to it once you get past the sex and violence. The film has a different feel to it. The story is raw and almost puts you in the movie as if you were there. The 40 pound chain is a good metaphor, and symbolic of a chastity belt. You don't give love away to anyone, but you keep it for your true love. The chain could also be a parallel to a wife who is chained to the kitchen, yet Rae didn't cook. Rae only wanted to have sex all the time whereas a wife may not. I think Craig Brewer (writer & director) has made an extraordinary movie, and Samuel L. Jackson sings a mean blues song. The story is emotionally charged, tackling the subjects of race, religion, music, and sex all into one. (Paramount Classics, Run time 1:56, Rated R)(8/10) | 1 |
15,184 | [
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] | 290 | 356 | The trailer to this film focused so much on the chain (of course, because it's so sensational) that it missed most of the movie, which is about a developing, although rather simply drawn, relationship between Lazarus and Rae as they attempt to recover from their past pains with each other.<br /><br />Of course, with the premise of a nymphomaniac in chains, it's no surprise that there's plenty of implied sex involved. However, at it's core, Black Snake Moan is a basic tale of redemption and the healing power of helping another person along. Maybe it's just me though, but I think poor Lazarus should've had his story focused on more. He's a hurting man after his wife leaves him, but we never fully see how helping Rae resolve her past pains heals him too. It's just implied that it does--in essence, he plays the wizard that helps the young Rae overcome her curse, through a big ol' chain and some blues.<br /><br />I like the story, but I wish it were a bit more even and didn't have to rely on the sensational. The side characters were fairly decent, if simple and I liked the music. The acting was good enough, although I can't be certain if the Rae character is fully believable. But that might just be my naivety.<br /><br />All in all, I liked the film, but I wasn't compelled by it. Maybe it's that I'm too critical, but the story seems a little too convenient to be fully believable and so, while it all seemed very cool, I could never truly buy it. The chain thing was a little too far-fetched for me. Still, this can provide some entertainment for those looking for dramatic redemption stories with a shot of the blues. 7/10 | 1 |
15,188 | [
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] | 283 | 369 | I lack cable-vision and no longer have "DirecTV". So being a rural resident I have to wait for DVD releases. Being a lover of blondes but not blonds, I of course not only have "Barb Wire", but I have "Stripperella: The Complete First Season". I've not yet found "VIP" or a second season for Stripperella. I have the "Baywatch Hawaiian Wedding" DVD. I have the issues of "Playboy" that Pamela Denise Anderson posed in. I could go on. I love Pamela! There is no one or anything that could make me feel guilty about enjoying Stripperella. But there are certain elements that I dislike, but live with, for other series depict smoking and alcohol consumption too, some times. But those are my personal peeves and I try not to let them ruin the fun of a series like this for me. I too was taken aback by the change in animation style, but I adapted. However, the amount of female nudity decreased, and that is a big disappointment as one expects a lot of it in a series with a premise like this. But then again I adapted. One of my favorite episodes of "Mork & Mindy" was when they got to meet Robin Williams! So of course one of my favorite episodes of "Striperella" is when Pamela & Tommy visit the club and the comparisons begin! If there really is a "Season 2" I hope that I can find it, for as a completest, I need to complete my collection. I recommend this for other admirers of the female form and lovers of blondes. (Hey! Psst! "Blonde" & "blondes" are the feminine form for spelling "blond"! Your software should already know that!) | 1 |
15,190 | [
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] | 286 | 344 | When I saw the preview for this movie, I figured to myself, "here's another dumb TV movie that's written with the thought and complexity of a soap opera," but when I saw it I was surprised. Tiffany-Amber Thiessen stars (and proves that she can indeed act if given the chance) as a woman who falls in love with and marries a man (Now and Again's Eric Close) but begins to lose trust in him when a series of rapes begin to take place in her community. At first, she is blinded by his assurances that he is innocent and her love for him, but as time passes she continues to be suspicious of him.<br /><br />While this sounds like the set-up for another boring melodramatic TV-movie, it is really much better than that, because the characters are well-acted by Thiessen and Close, and the movie's script allows them to be much more complicated and intelligent than you'd expect; these aren't just caricatures or cardboard characters that exist only to move the plot along but real, three-dimensional people, and we find ourselves really caring about them. And the movie is smart enough that it is able to provide an exciting, involving climax to the story without resorting to dumb action scenes, mindless cliches or cheap melodrama. Instead we share in the main character's inner conflicts and fears, and are given a realistic portrayal of how she might be able to resolve them and do the right thing.<br /><br />If you get a chance to give this one a look, please do so. It's production values are not exactly top-notch (it is a TV movie, after all), but if you can look past that, there is an excellent story to enjoy. | 1 |
15,207 | [
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] | 272 | 354 | Cedric Klapisch's movie L'AUBERGE ESPAGNOLE is easy, breezy charm wrapped in nostalgia for our younger years and attractive youths. At its core, it's the feature-length presentation of the long-running MTV reality soap opera known as "The Real World" in which, as its motto goes: "This is the 'true story' of seven strangers picked to live in a house and have their lives taped... so watch what happens when people stop being polite and start getting real." This is exactly what happens -- minus the cameras planted at every minuscule corner of the house in Barcelona, Spain, where Xavier (Romain Duris) comes to stay, having to learn Spanish to fill into his job's requirements. An outsider in many ways, he slowly forms a camaraderie with his house-mates who come from all corners of Europe except America... this is a movie in which the only American shown is an unlikable character with whom Wendy (the adorable Kelly Reilly) is having an affair with ("Only for sex," she confesses, since she has her own boyfriend who makes a late but dazed appearance.). Throughout his stay there, he tries to maintain a long-distance relationship with his girlfriend played by Audrey Tautou while he begins a tentative flirtation with the wife of the owner of the Spanish house where he is staying at and gets some advice from a lesbian house-mate (Cecile de France) as to how to seduce a woman. A sweet little feature that presents a moment in time that twenty-somethings will never see again, L'AUBERGE ESPAGNOLE is forgettable fun containing within itself the threshold into the "real world" experienced through Xavier's eyes. | 1 |
15,223 | [
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] | 241 | 302 | I forsee many students now signing up for student exchange to Barcelona and being disappointed when they don't have quite such an exciting time.<br /><br />The movie was enjoyable. It's of course always a pleasure to see Audrey Tatou.<br /><br />However, I have a very strong issue with part of the movie. The lesbian roommate tells Xavier that women like to be physically dominated (which I take issue with) and shows him some sort of butt-grabbing move that's guaranteed to get a woman. Xavier then tries out the butt grab on a shy married friend - who starts out saying "no no" "I'm married, I'm married" but then somehow succumbs to the butt grab?? All of a sudden she's moaning "yes yes" and they're going at it on the benches in Parc Guell. I found this really really offensive. Furthermore it is very stereotyped. How often have we seen scenes where the woman says "no" but obviously doesn't mean it? No means no. Grabbing butts/physical domination isn't going to make it right. It just totally supported the stereotypical rape myths.<br /><br />I wasn't even sure how to read the next scene where he gloats to the lesbian about how it worked and how next time he was just going to demand "suck it, slut" (or something like that). Did he really think forcing himself onto a woman with no respect for her feelings was the way to go?<br /><br />This section really ruined the movie for me. | 1 |
15,241 | [
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] | 312 | 373 | I have seen so many bad reviews on Supervivientes de los Andes that I felt compelled to stand for it (or at least I'll try). First of all, of course that it looks dated, it was made in the seventies with very low budget, but that's part of it's charm. I like contemporary films but also dig the old ones for what they worth. I'm not the one to feel the urge to only see or like movies with modern treatments and effects; besides, almost every movie buff likes old fashioned motion pictures (who doesn't like films from El Santo or Plan 9 from outer space, no matter it's overall quality?). In the aspect of pace, is just a tool for covering (again) it's low cost, and I think the constant dialogs are in order of a better character and situations development. Sure, Alive has better FX, but I won't despise the old one just because of that, and I don't feel quite attracted to English speakers in an event involving people from Uruguay and for me, that gives a plus to Supervivientes de los Andes. It's like, even if Canoa, from the seventies and based on a true event too, would have a better remake now due to the advance of technology, but I think I would stick to that one based on the emotions that offers regardless it's production date.<br /><br />All of this is based in the impact that had on me because the first time I saw it was on TV, and nowadays I don't think it has lost some of it's primal force. Of course it's been a long time and I've seen tons of better movies in every aspect of cinema, but that doesn't diminish it's true value. It's not a bad film, and I place it above Alive without hesitation. Just give it a break. | 1 |
15,244 | [
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] | 235 | 336 | This game is very good for the n64. You can skate as Tony Hawk, Bob Burnquist, Steve Caballero, Kareem Campell, Eric Koston, Bucky Lasek, Rune Glifberg, Andrew Reynolds, Elissa Steamer, Jamie Thomas, Rodney Mullen, Chad Muska, and maybe some more skaters. The game doesn't have Mike V or Bam Margera. Dang! Well anyway, the gameplay is awesome. The level School II is a great level with so much to skate. In Career mode, you collect SKATE, get money, get high scores and other various things in 2 minutes. There's create a skater, which is pretty cool. I created a skater named Butt Mulligan, a black guy with an afro, and a Girl board. There's park editor, some cool premade parks, free skate, and there's single session where you skate for 2 minutes and get a score. You can watch replays, which is always cool. Each skater has 2 styles: A and B. The graphics aren't that good. Well, they're good for an n64 game. I wish I had a controller pack so I could save my data. Overall, this game is awesome. I give it an 8/10 for n64. But with the GBA version, it's just as fun as the n64 version, but kinda hard to control. I give it a 7/10 for GBA. So, go out to a place that still sells n64 games and pick up a copy. There's also versions for PS1. | 1 |
15,255 | [
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] | 246 | 322 | William Wellmann, who directed one of the most exciting silent films ever made, 'Wings' (1927), here returns to the skies with another rip-roaring story of dare-devil fliers. Wellmann had been an air ace in World War One, and no one knew biplanes like he did. Here they are, stunt-flying, crashing, exploding in the air, and everything you can think of, plus a fascinating glimpse of commercial air operations in 1932 as well. And there is a good strong story, excellently played by the sombre Richard Barthelmess (the silent star who made several films with D. W. Griffith), Sally Eilers and Tom Brown. Eilers is a real sizzler. Such a relief to see a real woman with real fire and character instead of one of those photofit botoxed dummies who play in movies in today's Hollywood and all look identical. The story is a sad one, played with genuine pathos, and well directed. Towards the end of the film there are some extraordinarily thrilling scenes of danger and rescue, and what must be the most ingenious blind landing in thick fog ever thought of. I dare not give away the ingenious aspects of that particular episode. The character played by Barthelmess is very like Wellmann himself, a truly wild hell-raiser in the air. Anyone who likes early aviation would love this film, and it's very rewarding for anyone who likes good solid entertainment, love, tears, and non-stop action all combined in a kind of delectable Wellmann omelette. | 1 |
15,257 | [
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] | 239 | 317 | Loved the shots of airports -- Dallas, Phoenix, Fresno, etc., just single buildings with the name in block letters on the roof. And the tri-motors, and the well-dressed passengers. Fast-forward 75 years....<br /><br />But what really got to me was the hammer and sickle emblem and what appeared to be a Chinese ideogram adjacent the logo, aft of the pilot's seat on the starboard side of the fuselage. Remember when the mutual acquaintance Neil and Jill encounter says that Jim'd become a general in a Chinese rebel army? That, based on the hammer and sickle, could only have been the People's Revolutionary Army of Mao Tse Dung!!! Never mind the undies and the unwed twosome in bed -- would that logo and that reference have survived during the Cold War? <br /><br />Additional observation 12/27: This film of the 30's with the soviet emblem may/must also reflect the influence on and charm of communism in Hollywood and much of America during the Depression. Adds to the historical value of this terrific film. <br /><br />Also I liked the American Dream aspects of two guys from Winnemucca taking at least part of the world by storm, Red-Blooded (literally and copiously in Jim's case)American Boys.<br /><br />Others have commented more ably than I on the aerobatics, etc. I loved it all.<br /><br />This gem deserved more than the mere 1.5 stars Osborne and Co. rated it on TCM, if only for recording parts of American history of the early 30s. | 1 |
15,259 | [
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] | 251 | 320 | Before the WWF became cartoon with Hulk Hoagan leading the way, the events of WWF TV broadcasts of the very early 1980s resembled the wild, wild west with all kinds of grudges and vicious acts of violence performed by some of the wrestlers that are known today to be the WWF's most beloved stars. Some of these seemingly very real moments stand out. A maniacal Sgt. Slaughter whipped then champion Bob Backlund with a riding crop after Backlund showed him up in a fitness test. Welts were all over Backlund! Sarge made the Iron Shiek look like a daycare provider! Slaughter also issued a challenge to anyone who could break his dreaded cobra clutch hold. This led a legendary and bloody alley match with commentator Pat Patterson. Hall of Fame member Blackjack Mulligan with Freddie Blassie came into the WWF with a claw hold that was censored on television. He claimed he was the true giant at 6'7" and challenged Andre long before Big John Studd in 1984. Adrian Adonis used his ominously named "Good Night, Irene" sleeper to take out the competition. A New Yorker clad in black leather, he was an ominous figure. George "the Animal" Steele was far from a crowd pleaser, as well. Even Jimmy Snuka was a fearsome sight as he set out maim opponents until Ray "the Crippler" Stevens delivered a piledriver onto the cement floor leaving Snuka a bloody mess. All these encounters took place a decade before hardcore wrestling was ever spoken of. | 1 |
15,270 | [
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] | 306 | 396 | i went to watch this film with my family who were expecting a neatly conclusive story like ''mr.& mrs.iyer''.and they returned home thoroughly disappointed.so,this is a warning to all ''conclusive story lovers'' to stay away.15 park avenue does not seek to answer questions or provide moral solutions on how to treat the mentally challenged.rather its intention is loud and clear.it questions every human being's,sane or not,sense of reality.in fact for me it even arouses doubts about my taken-for-granted sense of sanity.the security,bondage,satisfaction that i find in my present,is it really what i am or does it really create an illusion that all of us desperately and sometimes ignorantly cling on to just to falsely console the neglected 'meethi' which exists in all of us in some way or the other? so,why does anjali so maniacally makes it a point to show off her strength of mind when she is really harrowed by the realization that she is becoming a monster?aren't we all who think we are ''normal'' ,really monstrous and helplessly vulnerable about it deep down inside? is it not better to be happy even insanely,than to create the impression of 'normalcy' while suppressing one's fragility? meethi bravely,madly,sincerely does that.and society labels her as ''schizophrenic''.the ending did confound me at first,but then you realise that meethi bravery and sincere belief took her where she wanted to go.she found what she was searching for,not caring what society had to comment upon her search. and it is the seemingly 'real' people - anjali,the psychiatrist,and jojo- who never reach anywhere.my family thinks that i am schizophrenic too in trying to make sense of a film that is largely 'insane' to the rest of the world.anyone else willing to believe in my sense of reality...........? | 1 |
15,274 | [
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] | 241 | 336 | 15 PARK AVENUE is the address "Mithi/Mithali" (Konkona) is in search for from the movies beginning. "Prof.Anu" (Shabhana Azmi)is Mithi's extremely caring and loving half sister from Mithi's mom's earlier marriage. The movie revolves around these characters and looks into the life of a schizophrenic patient (Mithi). The director tries to explain to the viewer the imaginary world of Mithi, through her continuous blabbering to Anu and others. <br /><br />Konkona deserves not one but thousands of awards (which I am sure, she will be getting)for this rendition of Mithi in this movie. You can see the look of a patient written on her face, by the drooping lips and sleepy eyes, from the first scene itself. Rahul Bose has done a good job, but has been reduced to one half of the movie in spite of his importance in their life.<br /><br />Watch out for the intense relationships shown between the characters of the movie, Mithi & Anu, Anu & Anu's Mom and between Anu & Sanjiv (Kanwaljit Singh). Shabhana Azmi, as usual has done a riveting performance to be remembered as the sister, who sacrificed her life for Mithi.<br /><br />The movie might not be your usual Hindi potboiler, but can certainly make people look at the schizophrenic patients in a different light altogether.<br /><br />As usual, Aparna Sen brings the movie to a different ending rather than any clichéd ones, we might think off. Hats off to her, for this great movie!!! | 1 |
15,285 | [
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] | 298 | 358 | This is how I interpreted the movie: First things first. There was not a single scene in the movie where u see the bad guy (Taylor) torturing or nailing Ben's hands to the wall. However the same cannot be told of the gals. In the end too, u see Taylor disappear as he walks. Looks like the message there was "There was no Taylor". And the whole movie was a figment of imagination of Ben. Also, there was no scene during the torturing moments wherein any of the gals confront or are in the same frame as Ben. It was Taylor all the time. But in real, Taylor was Ben. If they were two different people, then why was there no scene showing both of them in one frame during the horrific times? But of course before that, u do see both of them together and THAT cud just be Ben's imagination at work. Also, when Ben was out of jail, the text on screen clearly says that Ben's story was unrealistic and there was no such place as he had explained (read mine, cars etc...)Even after Liz Hunter leaves Kristy and comes back to find Ben, she doesn't find him. Why??? Because Ben (Taylor) was out looking for the gals. Instead Kristy has all the time in the world to check out Taylor's (Ben) Web cam, photos etc...<br /><br />Somehow everything sums up to just one fact that Kristy and Liz, both of them knew that Taylor was Ben. So, my conclusion is that Ben was schizophrenic and the movie where you see him and Taylor in one frame was nothing but figments of his imagination. Otherwise if there really was a Taylor, then they should have found him out given all the detailed explanation coming from Ben. | 1 |
15,287 | [
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] | 230 | 316 | I resisted watching 15 Park Avenue despite of recommendations, discarding the movie as a clichéd topic of extreme emotional dramas and over-the-top acting.<br /><br />Once in a while, movies like 15 Park Avenue come by and sweep you off your feet.<br /><br />The movie grasps your attention pretty early on and there is no moment to rest after that. Aparna Sen has done a wonderful job of gluing the audience to every line of the movie. The impeccable character development, "just right" amount of emotions and an enigmatic end to match it all...<br /><br />I have a renewed respect for Konkana Sen Sharma, who convincingly plays the schizophrenic Mithi. She beats expectation yet again after Page-3 and Mr.& Mrs.Iyer. Prof. Anjali's role is very well developed and Shabana does full justice to the character. Rahul Bose, Shefali Chaya, Waheeda Rehman add incredible flavor to the movie.<br /><br />I define "shower moments" as thoughts of scenes from a movie that you ponder over in your shower endlessly, till your wife/girlfriend/mom bangs at the door. 15PA delivers many "shower moments" especially the conversation between Anjali and her mother where the mother is cautious when talking to Anjali about her thoughts. It immediately brings out Anjali's personality to the audience.<br /><br />The end is a very bold statement by the director; probably too westernized for the Indian audience; yet delivers the elements to promote the movie from a "good" to a "great" status. | 1 |
15,292 | [
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] | 255 | 320 | There is a clever little scene in The Karen Carpenter Story, where both Carpenters are in a recording studio, and Richard makes an impromptu decision to have Karen sing for the owner of the studio.<br /><br />Richard picks the wrong key for Karen to sing in, so Karen is singing above her natural range. You can see a look of bemusement on the owner's face; he figures she really can't sing. Richard quickly realizes his mistake and tries again in a different key. The next thing you hear is Karen's amazing, beautiful voice, and the owner does a priceless double take. Nicely done! For some reason, I have never forgotten that scene.<br /><br />The Karen Carpenter Story chronicles the meteoric rise of the Carpenters, and Karen's struggle to overcome anorexia. A lot of things are glossed over. This isn't a documentary, and the movie left me with a lot of questions. Very little is mentioned of Karen's solo venture (the CD was released only a few years ago. If you buy it, you will wonder why they waited. It's some of Karen's best work. The songs aren't as timeless as her work with brother Richard, but it was a great recording, in my opinion).<br /><br />I have heard it said that, you can be listening to a cheap, time-worn little radio in the middle of the Third World, that would seem to produce more static than anything else. But when a Carpenter song comes on the radio, you would think you were listening to a $1000 Hi-Fidelity unit.<br /><br />Watch this movie! | 1 |
15,300 | [
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] | 338 | 395 | Yes, this is one of the better done television movies and I wouldn't expect less from Joe Sargent. One thing for this reviewer is that I was also a great fan of The Carpenters, I got to sing all of their material in elementary school and middle school choir and I got to do much of the solo material of which Karen sang lead. I thought she was one of the most wonderful pop singers of the 70's - and being a child/teen singing these songs and learning music - the one thing I was looking forward to was meeting this woman. I never got to, she died three weeks before that was to happen. And yes, that did effect me for I knew nothing of anorexia - and could not understand completely what happened.<br /><br />When this TV movie got produced, I got quite an understanding. Maybe not everything in Karen and Richard's life is open to the television audience, but in opening the parts that were shown, I got to understand much from the music industry of that time. What upsets me is that I am writing "of that time" and seeing "now". No one has learned a darned thing, even though this was a very informative and heartfelt look into a family's problems in the music industry.<br /><br />These films aren't done for fun, they're done to open a door and show us something. Here was a wonderful woman who got caught up in the whole idea that her talent was based on weight. She was fine. Didn't know it. She got mixed messages about her weight from the brother she loved, the parents she loved and the music industry that cared more about her looks/weight than the talent within. With the onset of MTV, it got worse. With 'American Idol' it's like a puss festering in an English accent.<br /><br />A wonderful TV film, I am sure later someone may give it an HBO treatment but either way, many lessons to be learned and the absence of another wonderful talent. | 1 |
15,312 | [
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] | 291 | 356 | I recently started to watch this show in syndication and find it a bit hit and miss. Some episodes are silly -- Doug is upset about some trivial/juvenile thing and acts stupid etc.<br /><br />Still, others are quite amusing, and sometimes touching. These include those episodes that face up to the complexities of the characters. For instance, the "juvenile overweight amiable guy marries sexy wife" theme is found in several sitcoms. (Carrie also has something about her, looks-wise. Not just a run of the mill sexy girl.) But, Carrie has an edge -- she might be nice on the eyes, but has a few too many personality traits not too far different than her father.<br /><br />And, she readily admits to it -- for instance, one episode revolves at her lack of desire to be nice to co-workers. I personally find her b*ness sexy, but you have to be the right sort of person to be able to live with that. Amiable Doug is a good match. And, deep down, see likes the simple things too. Maybe, not as much as Doug whose nirvana is watching TV and eating a big snack next to his big screen t.v., but no culture gal she. This lack of an overally sensitive side is one reason the two don't have children. <br /><br />Of course, the simple pleasures of a guy is nothing to sneer at either, and adds to the charm of the show. They live an ordinary working class sort of life in Queens -- it is realistic in that sense. And, overall, amusing and pleasant sitcom fare, esp. if you just want to relax. It gets a little tired at the end, so it's probably good it is ending. It had a good run. See also, Becker. | 1 |
15,316 | [
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] | 278 | 333 | I don't usually like to see movies while they're still in theaters because of high ticket prices but I saw a poster for Some Things That Stay and I thought, "that young actress looks intelligent and mysterious, not like the usual blonde teenybopper BS". So I decided to take the plunge and see this movie on it's opening night. <br /><br />I must tell you, I was happily surprised. I went to this film with no expectations. I didn't really know what it would be about, but the raw emotion and honest teenage experiences expressed by Katie Boland left me feeling rather satisfied with my decision. Alberta Watson also did a fantastic job as the role of Tamara's disease-stricken mother and I must also add that I was quite impressed with the comedic stylings of Megan Park as Tamara's friend Brenda. <br /><br />The film was wonderfully directed by Gail Harvey, and pulled together in the kind of kitschy 50's way that leaves you feeling warm and happy, even if the storyline tended not to be so uplifting. I also thought that the film was well-shot, many beautiful images of a 1950's countryside will remain in my mind for weeks to come. <br /><br />This film as a whole was quirky and great. I found it to be unpredictable and although the story ends in a somewhat open-ended way, I was still left satisfied. Whether you are looking for a fun, yet powerful coming-of-age story, or simply want to reminisce about life in the 1950's, I guarantee this film is for you. Even if you have no expectations, it is still quite likely that you will be most impressed. Give this one a shot! | 1 |
15,322 | [
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] | 276 | 358 | Yes, I watch this show. Because my girlfriend watches it, of course. Well, at least, that's what I tell my friends. But as nobody here ever known me, I can say this; I love it! That's excellent trash TV. <br /><br />First, there's the panel; Tyra herself, who doesn't miss a single opportunity to talk about herself, yet she is to be taken seriously, as she is quite the businesswoman. Then there's Jay Manuel, A sober gay guy, very serious and amazingly professional, and Miss Jay, an extroverted one, "queen" of the catwalk and a damn funny guy, and Nigel, self-styled as the only man on the panel.<br /><br />Second, the show is an in-depth look at a shallow industry, and we've got to give it to the producers for showing us the inside view, which can be informative as well as entertaining.<br /><br />Finally, the edition is great; there is just the right mix of everything; The girls living together in the ego-house, their impressions on sets, the competitions themselves and the judging. All of this slides smoothly with just the right beat. There are no lenghts.<br /><br />Of course, there must be other factors that led to eliminations that we don't see in the shows; The panel is made up of capricious divas, extroverted and quick on the bitching; woe to those who offends them! But that being said, as long as one contestant does not step on their toes, their judgment is usually fair - I think.<br /><br />So, give your brain a break; If you can't beat them, join them, and have a good time watching this bit of reality TV with your loved ones. It will make crave for more, somehow. | 1 |
15,324 | [
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] | 323 | 397 | Having dabbled in the modeling industry (as a model), I watch this show with a slightly different view than most might. While I admit ANTM can be a fun, and entertaining show, as the seasons go on it seems to continue to drift from any reality.<br /><br />The show seems to be almost pure publicity for its contestants, seeing that none of the show's winners (or fellow contestants) have made much of a name for themselves out from under of the show's umbrella. Maybe that's because the truth is any girl with real potential to be a high-fashion model shouldn't have too much difficulty submitting to agencies (you can do so via email or snail mail if distance prevents you from attending an agency open call), signing to an agency, and starting a modeling career. Yes, the process does not guarantee success, but apparently neither does ANTM. And participating in a reality show seems to offer less of a boost in the modeling business, than signing to a top or decent agency (which only one contestant each cycle has a guarantee of anyway).<br /><br />Nonetheless, the show can't hurt, certainly can be amusing, and has a sort of magic that particularly works for teenage girls, I have found. Though, I must add, ANTM may become a tad tiring and dull, after watching several cycles, as it has become for me. And besides some unrealistic situations (each more outrageous than the last) the only other annoyance, is the overuse of "Tyra, Tyra, Tyra!" Tyra seems to genuinely want to guide these girls to success, but is it necessary for each of models' temporary digs to be covered in Tyra pictures; for virtually every panel and challenge to include a story or scenario that "Tyra" experienced and overcame? I think not.<br /><br />In my opinion, take out a little Tyra, put back in a little more reality, and ANTM could be a 10 star show, instead of a 7. | 1 |
15,337 | [
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] | 267 | 353 | It happens often, while growing up, a Hollywood movie impresses a youth. It not only lasts a lifetime, but inspire him to study ancient cultures as a career. Such was the case, with the 1954 film entitled "The Egyptian." Audience were awed with the sets, costumes and great acting of this film, so much so, other films soon followed in like vain. This is the story of a young Egyptian boy who was left parent less soon after he was born. With such a dubious beginning, it is not hard to wonder why he will spend his life, asking questions. The boy Sinuhe, (Sin-oh-way) which means, 'He that is alone'(Edmund Purdom) grows to manhood and continues asking why, even as he graduates from The School Of Life to become a physician. During his formative years he acquires a lifelong friend named Kaptah brilliantly played by (Peter Ustinov), and Horemheb (Victor Mature) who raises from a simple officer of the guard to Commander of the Armies. His life offers everything from a quick rise in social status to condemned criminal, to outcast, a wondering healer, and eventually to a station in life he never expected. Fine acting goes to Jean Simmons as Merit, Michael Wilding as Akhnaton, Bella Darvi as the temptress, Nefer, and John Carradine as a memorable Grave robber. Tommy Rettig, plays Thoth, the son of the Egyptian. In his final years, 'He that is alone,' finally discovers the answer he had been seeking all his life, which he bequeathes to his son, now in the care of his lifelong friend. Excellent Film! **** | 1 |
15,338 | [
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] | 288 | 375 | Maybe it's just a personal affection for this screen version of the Mika Waltari novel, or a fondness for things Egyptian (I grew up loving to visit the mummies in Boston's Museum of Fine Arts) but I think Maltin is a tad tough on this rather good film. The production values are great regarding color and cinematography, and it appears some effort went into historical authenticity (much of it from the novel, I'm sure). Purdom is admittedly a bit stiff in the lead role, but one can accept this as part of Sinuhe's character. Victor Mature is, well, Victor Mature. Peter Ustinov is a delight to watch in this type of role, which he always did so well and so wittily. Bella Darvi's performance as Nefer is classically camp, and I find even Michael Wilding's rather dry portrayal of Akenaten to have its own appeal.<br /><br />The historical oddity of Akenaten's monotheism, a brief detour in ancient Egypt's theological history, is interesting, as is Akenaten himself, and well worth reading about; the religious wars portrayed here have a basis in fact.<br /><br />An interesting footnote regarding Darvi, whose birth name was Bayla Wegier: she was a Polish emigre who producer Darryl Zanuck and his wife Violet took under their wing (I believe they may even have adopted her). Her screen name Darvi is formed from Zannuck's and his wife's first names. She continued her acting career in France, but never achieved great success and, after a rather unhappy life, died at her own hand in 1971.<br /><br />Altogether this is an interesting film and enjoyable to watch for the visual values alone. American Movie Classics shows this occasionally in letterbox, which is essential to capturing the scope and sweep of the story. | 1 |
15,342 | [
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] | 305 | 368 | Having read all of the comments on this film I am still amazed at Fox's reluctance to release a full screen restored version in DVD. Yes, the history may be a bit inaccurate and it is certainly not as powerful as the book, BUT it was the 2nd film by Fox made in Real Cinemascope and the production values alone merit a restoration and distribution. I saw this film in second grade and it triggered my lifelong interest in all things Egyptian, culminating in my visiting Egypt 4 years ago! Amazing the power of film on a child's imagination, eh? In high school I read the book and made a promise to myself to one day take that dream trip. Now, true this film was made in the "old school" style, meaning that Egyptians were portrayed by pink skinned and blue-eyed Brits. However, has anyone seen the current HBO series "ROME"? Everything old is olde again. One can't imagine why in this day and age we are still casting actors mincing around as Mayfair aristocrats in Roman drag. Not one actor on ROME could pass for an ancient Italian. That being said, the AMARNA period in Egypt is still one of the most fascinating events in human history. This film is immensely appealing ( to borrow a word from NEFER) for its historical information (BEER! BRAIN SURGERY! IRON!) and its gorgeous cinematography and score. I have a dreadful Taiwan DVD version which I watch over and over again praying that one day a true restored widescreen version will be available. For anyone else interested in this subject I highly recommend the historical novel "A God Against The Gods" by the author of Advise and Consent. If anyone of you film buffs out there knows how to contact Fox to urge them on, please let me know! | 1 |
15,355 | [
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] | 237 | 301 | There are many film now on DVD, but producers had forgotten some tittles of importance to many moviegoers. The Egyptian, along with El Cid and other favorites of the era of the wide screen, big budget epics had merit. Many people from my generation learn a lot about history of Egypt, medieval Spain and even the Incas, (The first time I heard from them was a very cheap adventure movie with Charlton Heston called The Treasure of the Incas), same happened to me with Egypt, or Rome seen many "bad" epics of the era. many production values, excellent use of color (The De Luxe color was more Brigit and sharp that the ordinary Technicolor), maybe the cast was wrong but in any case, the film did manèged to give us idea of the life in ancient Egyptin and was in a way the motor to go out and buy the novel, my Mika Waltari, one of the best, if not the best historical-novel ever published. Also oust anding was the superb score by Alfred Newman and Bernard Herrmann. I saw this film many times when I was a boy, it was not the big box office hit that Fox studios wanted to afther The Robe enormous hit, in CinemaScope and Stereo was a wonderful eye popping sp4ectacle. I have the Lasser Disc version.m the only way to see Ito its wdisescreen format. Soon i Hope will appeared. | 1 |
15,384 | [
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] | 228 | 310 | Well, I'm a few days late but what the hell....! Anyways, the word that best describes my reaction to "See No Evil" was....SURPRISE. The film is actually pretty good. There is definitely an ample amount of blood, gore & action in the film with a modest amount of suspense. It hearkens back to the good ole' slasher days of the late 70's & early 80s. Think "Madman" meets Leatherface with a dash of Norman Bates and you'll get a good feel for this flick. While SNE is thin on plot (most horror films are), it kind of makes up for it in the violence/methods of killing, the gore, suspense & the fact that Kane does a great job of playing the highly disturbed Jacob Goodnight. The title of the film comes from the fact that Jacob plucks out the eyes of his victims using just his fingers & stores them in big jars. Why?? You'll just have to watch it & see (pun intended). There are certain cinematic elements lifted from other horror films most notably Psycho, TCM, & Madman but they're not blatant. Finally, SNE really doesn't go into territory we long timers haven't seen before & granted, SNE is no "Pyscho" or "TCM 74" but it certainly merits a look imo. <br /><br />BloodStone's Recommendation: Take in a matinée showing of "See No Evil" Bloodstone's Rating: 7.5/10 | 1 |
15,395 | [
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] | 271 | 319 | Okay I marked this spoiler so don't be upset when I wrap this up. Now I went into the movie expecting to see a very predictable movie. And I was right, as almost every horror flick I have ever seen it was predictable but not as bad as most. What helped was the story, I did not expect there to be a "WHY" to Kane's madness. But there was and while somewhat foggy you still got the idea and understand the madness. Now of course if you like something that will scare you for nights to come this is not the movie your looking for. But if your a fan of Saw, or some other movies that claim their fame thanks to sadistic content this is a movie to watch. Now where I really throw in a spoiler for a second warning. I give this movie a 9 perhaps because I'm a fan of the WWE and a fan of Kane, but who doesn't like a movie a little bit better when it stars somebody we love. However this movie could have scored a 10 for me IF. . . (spoiler)----> at the end of the movie when it showed Kane dead on the pavement. While a dog pissing in his eye was "CUTE" it could have been classic with the Kane/Undertaker quick sit up and turn of the head. A perfect 10 would have been awarded if that would have happened. It was a perfect opportunity, but either the WWE didn't think of that or a future sequel will begin with that very sequence I mentioned. That's all. (9) | 1 |
15,405 | [
300,
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] | 278 | 353 | Minor spoilers follow, but nothing you won't have learned from reading the back of the DVD.<br /><br />Held together by a wonderful central performance from Renée Zellweger, Nurse Betty is a dark yet deceptively good-natured comedy.<br /><br />Suffering from an emotional and mental breakdown after witnessing her sleazy husband's murder, already-troubled and desperately unhappy waitress Betty becomes convinced a character on her favourite daytime soap is her long-lost fiancé and sets off from Kansas to Hollywood to find him.<br /><br />Instead of making jokes at the expense of Betty's mental state, writer John C. Richards is very sympathetic, with Zellweger portraying her as a lost innocent, not entirely helpless but tragically vulnerable nonetheless. Crucially she's never really a victim despite this and while she undoubtedly suffers horribly the motives of the characters who treat her poorly are all understandable - even Greg Kinnear as the object of her deluded affections may be an egotistical, blinkered, arrogant pig but he genuinely believes that she's merely a quirky wannabe actress with bags of talent rather than an insane stalker.<br /><br />The farcical ending where all the main protagonists descend on the same place (in this instance Betty's house) at the same time to have it out is as old as cinema itself but it works quite well here, even if the shift in tone is unfortunate.<br /><br />Zellweger is ably supported by Kinnear and Morgan Freeman both doing solid work, and it's especially pleasing to see Chris Rock show restraint in his earlier scenes.<br /><br />Not nearly as cruel as you might expect, and not at all mean-spirited, Nurse Betty - while far from being a laugh riot - is a solid entertainment elevated to something considerably more by the lead actress. | 1 |
15,408 | [
300,
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] | 289 | 357 | If I'd only seen the poster for Nurse Betty, I probably wouldn't have touched it with a ten-foot pole. But after I heard some positive buzz, and knowing it made some noise at Cannes, I decided to give it a try. What I got is a truly enjoyable movie, based on a very entertaining plot. Rene Zelleweger is impressive in her role as nurse' Betty, a woman who is sent into a delusional psychotic episode following a traumatic experience. I also liked Morgan Freeman (no surprise) and was pleasantly surprised by foul-mouthed comedian Chris Rock. <br /><br />The film bounces continuously between comedy, drama, romance, and thriller. Yet despite this apparent identity crisis, it holds up quite well. I found my eyes glued to the screen from beginning to end always waiting for the next twist in the story. The entire cast is strong, if not spectacular. <br /><br />My only real complaint is that director Neil Labute (who made a splash a few years ago with the very impressive and dark In the Company of Men') relied much too heavily on many cliched Hollywood conventions. The mood-creating musical effects he crammed down our throats during each sentimental scene were unbearable! And he did the standard old "let's take some of the minor characters and pair them up at the end in an illogical and unnecessary romance" trick, just to make absolutely certain everyone goes home with a smile on their face. Why must directors and writers treat their audiences like idiots??<br /><br />But the movie is still much too enjoyable to be dragged down very far by these annoying irritations. In a very subpar year for movies, 'Nurse Betty' ranks as one of the more pleasant surprises of 2000. 8 out of 10. | 1 |
15,413 | [
300,
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] | 257 | 321 | I have just seen a very original film that I would recommend to everyone including `the young & the restless.' However, I guess some of the profanity, violence, and sexual innuendo in the movie are not suitable for `all your children.' Anyways before the sand fills up the hourglass, let me tell you the name of the film: `Nurse Betty.' Renee Zellweger stars as Betty. She is a Kansas waitress who falls under a trance, and thinks she is a real life character of her favorite soap opera. Because of this, she goes on a journey to Los Angeles to reunite with her supposed soap opera character lover Dr. Rubell. To add fuel to the fire, she is also being chased by some ruthless `one life not to live' hitmen who think she has stolen their drugs. You could say that is how Nurse Betty spends `the days of her life' throughout the movie. This very `ungeneral' situation eventually leads her to the `hospital' set of her beloved soap opera. However, the only problem is that Betty thinks this is all real. It is like her mind is in `another world.' Ok! Enough! I will wipe off my mouth with soap and not mention any more soap names. I have already registered my vote for Renee as a best actress oscar nominee. Also, Greg Kinnear's performance as Dr. Rubell was as good as it gets in his acting biography. To sum it up, my final diagnosis is that everyone should call in for `Nurse Betty.' ***** Excellent | 1 |
15,417 | [
300,
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] | 255 | 317 | A question immediately arises in this extremely idiosyncratic film: Who are the crazy people?<br /><br />The answer become less clear as the film goes on.<br /><br />Renee Zellweger loses the whiney note in her voice and, while her voice is still high, she is incredibly effective as the shell-shocked Betty. In fact, she is so effective I almost wanted her to be just a little more crazy because her created reality was so believable.<br /><br />This is the first time Ms Zellweger has been called upon to carry a film and she is more than equal to the task.<br /><br />Chris Rock though as foul-mouthed as usual is fairly subdued as Wesley. He is able to sublimate his manic energy and it only occasionally surfaces and always when it is needed most.<br /><br />There are some interesting allusions: the first time you see Betty she is dressed almost exactly like Dorothy Gale from the `Wizard of Oz' then later in the film she is compared to Dorothy when she says she has never been out of Kansas before. At one point the song that Doris Day was best known for, Que Sera Sera' is on the soundtrack and then later Charlie (Morgan Freeman) describes her as having a whole Doris Day thing going on.'<br /><br />This is an extremely quirky film with good performances by everyone including the supporting cast.<br /><br />It has a surprising ending that, as contrary as it sounds, is actually fairly predictable.<br /><br />If for no other reason see this film just to listen to the master of the human voice: Morgan Freeman. | 1 |
15,423 | [
300,
400
] | 264 | 321 | This film, released in 1951, has the usual elements typical of the westerns released during the 50's; the cavalry needing to protect the territory from a murderous band of Indians, an officer determined to see that task through, and the men with him with various character flaws that he has to merge together into a cohesive unit. This small band must hold on to a fort located close to the Indian village until reinforcements arrive. The Indians know, all to well, that the small band is undermanned, and could be wiped out before the help comes. One major difference for this film, "Only the Valiant", is that it attempts to play out the usual storyline, but at the same time, deliver the message that duty is a paramount concern to be shared by all, even if they don't accept that charge.<br /><br />Gregory Peck embodies the tight-lipped captain of the troop that has to prevent the Indians from breaking out into the territory. The troopers that he takes with him to the small outpost are the dregs of the troop at the fort; they, in turn, have gripes or weaknesses that cause them to wonder if the captain hasn't taken them out because of their general lack of devotion to a cause. Eventually, the captain and the small band confront the hostiles, and at the same time, each confronts his own flaw. The cast includes western stalwarts such as Ward Bond, Gig Young, Neville Brand, Lon Chaney, Jr., and Warner Anderson. <br /><br />A sleeper of a film, and a good solid western for fans of this genre. | 1 |
15,459 | [
300,
400
] | 285 | 350 | Utopia, made in 1950 in France, was the last film Laurel and Hardy produced. With the bad reputation the duo have for their post 1930's productions I was expecting this film to be awful. Although admittedly it isn't up to the standard of their "vintage" comedies I was pleasantly surprised. It's watchable, and in parts genuinely funny! And certainly the plot is of the same standard as you'd expect. Some gags are derivative from their earlier work, but when you consider this film was their first for five years after their last Hollywood produced film, "The Bullfighters", the routines are executed confidently as you'd expect from these professionals. Some scenes are not up to much, but the value of this film is that some scenes are funny, and as such, absolutely priceless. I particularly enjoyed the bedtime scene.<br /><br />I felt sad at the end of the film. Our heros are left on their own desert island. It's such a metaphor for the real life truth. Hollywood and audiences of the time had consigned the stars to a desert island of memories, and that was to become last image they portrayed in film. Ollie died seven years later and Stan died fifteen years later. Stan turned down an offer to appear in "It's A Mad Mad Mad Mad World" in 1963. What a shame that was - a colour film, only two years before he passed. However, his health probably wasn't up to much.<br /><br />These boys are probably the greatest comedy performers of all time, and although the movie is far from their true potential, it's still an honour to watch them appear in film for the last time, and touching on the echos of their towering talent. | 1 |
15,461 | [
300,
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] | 295 | 396 | Not since Bette Davis's 1933 vehicle "Ex-Lady" have I seen a film that was so much better than its star said it was! Most of the bum rap "Atoll K," a.k.a. "Utopia," a.k.a. "Robinson Crusoeland," a.k.a. "Escapade" has got over the years has come from the horror stories Stan Laurel told of its production. Given that he suffered a stroke during filming, looked like death warmed over through much of it (from the opening two-shot of them together you'd never guess that Laurel survived Hardy by eight years) and was subsequently diagnosed with diabetes (once he adjusted his diet accordingly he restored himself to health), one can understand why Laurel didn't think this film was the most pleasant experience of his life. Yes, it's flawed: the cheapness of the production shows through, the dubbing is awful and Laurel and Hardy were too old to do the energetic slapstick of their greatest films. But it's still genuinely funny, and Léo Joannon's story introduces elements of political satire (sometimes libertarian, sometimes communalist) one would expect to see from more socially conscious comedians like Chaplin or the Marx Brothers but never from Laurel and Hardy. The film deserves credit for being different (though its debt to the Ealing Studios' classic "Passport to Pimlico," made just a year earlier, is pretty obvious) and for integrating the Laurel and Hardy comedy into a rather edgy context completely different from anything they'd used before. This isn't a great movie, but it's certainly better than the eight dreary ones for Fox and MGM they'd made in the early 1940's. I suspect only the film's technical crudity kept it from earning the cult following among anti-establishment baby-boomer youth the Marx Brothers' "Duck Soup" acquired in the late 1960's/early 1970's. | 1 |
15,463 | [
300,
400
] | 254 | 360 | Along with virtually every Republic Picture ever made, "Murder in the Music Hall" seems to have undeservably faded into oblivion. A shame, because this lusciously produced, expertly directed and written, and crafty mystery-suspense item spins an enticing whodunnit thriller against the setting of Radio City Music Hall. A murder in one of the building's posh penthouse apartments casts suspicion on the luscious Rockettes--among them, Vera Ralston (who besides giving an appealing performance of subtlety and vulnerablity, provides a few dazzling ice-skating production numbers), Helen Walker, Ann Rutherford, Julie Bishop, and several other delectable B-movie starlets of the '40s. Tall, blond and handsome William Marshall (usually cast in musicals) hunts down the killer as the complex and increasingly creepy plot unfolds, against the swankiest settings you'll ever see in a film noir. The ending is as much of a surprise as is this sadly forgotten, classy murder mystery. Well-worth restoring and reviving on cable-TV, VHS or DVD. Republic sank a hefty budget in this Grade-A production, and "Murder in the Music Hall" is as slick, unnerving, and immensely enjoyable as any of the major studios' films of its era. POSSIBLE SPOILER: Pay attention to the rhapsodic song composed by the victim just before his death. Then, amidst the showgirls' incessant chattering in their dressing rooms, try to pinpoint the one humming that fatal melody. You'll discover who the killer is just as William Marshall does. Grand fun, the kind of movie they truly don't make anymore, and what a loss--both to movie-goers and actors alike. | 1 |
15,487 | [
300,
400
] | 268 | 332 | Style over substance. But what a style it is. "The Cell" is the internal version of most serial killer movies. Unfortunately, the story hardly supports the visuals.<br /><br />Psychotherapist Catherine Deane (J-Lo) goes into her patients' dreams via artificial means to discover and help them over come their phobias and obsessions. A new patient whose fallen into a coma, is brought to her attention by the FBI. He's a serial killer who drowns his female victims then poses their bodies in grotesque scenarios like mannequins. Deane must enter the killer's mind and navigate through his sick fantasies in order to find and save his latest victim. <br /><br />Director Tarsem Singh has incredible visions and set pieces for this production. Each dream sequence is like a nightmare-ish painting in motion, from the landscapes to the costumes. <br /><br />But the plot suffers from lack of history of its characters. Stargher is the only person with a thorough background and he's the last person you want to care about. Without him, you basically have a movie that moves in the present tense only, which is a shame since the movie is so visually stunning and genuinely scary. Lopez is wasted but she's not that amazing an actress anyway, though she's as gorgeous as ever. And Vince Vaughn? I don't even know why he was chosen. This is not his forte and he overacts to boot. He tried too hard to become his character and it showed. Stick to comedy, Vince! Even so, this movie is so visually frightening, I still watch this movie with the lights on and can never fall asleep right away afterward. | 1 |
15,503 | [
300,
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] | 260 | 335 | Despite all it's trappings of style and cinematic invention, this is basically another serial killer thriller, following the same sort of plotline favoured by such old favourites as Silence of the Lambs ? team of cops follows the trail of (particularly nasty) murders, someone else gets taken and they somehow have to find out where they are before it's too late. Only in this case, the only person who knows, the killer himself (powerfully played by Vincent D'Onofrio) is in a coma and we need psychologist Jennifer Lopez' sci-fi mind-meld machine to get into his head and force him to tell all. This is where the film gets all new and different, as we enter (via a 21st-Century CGI update of Dr Who's kaleidoscopic favourite, the trendy time tunnel) a kind of Hellraiser-y weird world of scary crazy stuff going on all over the place, ruled over by D'Onofrio, now a kind of superking overlord of his twisted mental world, inside his comatose body. The inside-the-mind sequences are well realised and often pretty stunning, all the leads perform adequately, the gruesomeness is to the max if you like that kind of thing, but the hype around the whole thing led to a disappointment for me, as I had expected something completely new and unlike anything ever done before, not this fairly successful blending of serial-killer and special-effect-horror genre staples. Sometimes horrifying, often pretty, a fairly gripping story told with care and attention by talented film people, but by no means the great leap into the unknown it has been marketed as. | 1 |
15,507 | [
300,
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] | 282 | 378 | I give this film 8/10 overall. Visually, a great deal of it is nothing short of stunning: an art director's dream mix of Hieryonomous Bosch, Salvador Dali, Frieda Kahlo and Georgia O'Keeffe--and a valid testament to the power of film as a serious art form. Beautiful use of color, form, imagery, environment--and fabulous set decoration, combine with state-of-the-art computer graphics. So, 10/10 for that! Wow!<br /><br />The plot line is, well, more predictable. You know they'll save the girl and get the killer in the end, but the story is still interesting and pacy enough to pull you in and keep you there. 6/10 for that.<br /><br />Squirm factor...I won't give this a rating, but the film certainly made me squirm, and I was watching it on video on a tv screen. It would, of course, have a great deal more impact on a big screen. Graphic violence of a twisted, erotic nature in a surreal landscape--even if beautiful--is highly unpredictable. The world inside the killer's head is not--thank goodness!--my world. Because I watched this film on video, I was able to replay a couple of sequences and found much to admire the second time around when I wasn't so nervous about where the scene might be going, and I suspect the whole film would be worth seeing a second time, just for the "visual art".<br /><br />General suggestion: don't take the kids or conservative grandparents to this one, but if you're keen on the visual look of films, like surrealist art, don't mind a bit of kinky gore, and just want to take a bit of a "mind trip", this one's a winner. Oh, and if you're keen on babes, Jennifer Lopez is pretty hot.<br /><br /> | 1 |
15,513 | [
300,
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] | 230 | 313 | Husband-and-wife doctor team Carole and Niles Nelson are doing modestly well in their careers, but Niles has a gambling problem. His luck changes when he (unknowingly) saves the life of a gangster from Joe Gurney's mob and gets a big bonus from the gangleader himself. Loving his change of fortune (and snazzy new apartment), Niles continues to receive payoffs for patching up other injured members of the gang. Unfortunately, his shady deals come to light in a police raid, which hangs a shadow over his wife's career as well.<br /><br />At this point the plot comes into focus, as Carole Nelson has to rescue her career before her license is suspended. This involves bringing the gang to justice more or less single- handedly. <br /><br />This is not a hard-edged gangster picture, but a plot that might have been comfortable on a show like MATLOCK or MURDER SHE WROTE. There is some tension, but the mood is kept light by Bogart's tongue-in-cheek performance of a stupid gangster who imagines himself as the "Napoleon of Crime." His other gang members also function more as stooges than hoodlums. And there's some snappy dialog between Bogart and Francis, especially when she's treating his injuries at his hideout. Of course, as in all gangster flicks, there's a big shootout ending, but with a humorous twist. This is a good short film showing Bogart on his rise to stardom. | 1 |
15,515 | [
300,
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] | 262 | 309 | The hurried approach that Lewis Seiler takes with King of the Underworld establishes a deeper plot, while still maintaining an efficient run-time. One of the clearest examples of this is the transition between poverty and wealth for the married medical couple. The audience is instantly transported from a shanty medical office to a luxurious suite at the city's most prestigious inn. This development is critical to understanding the position the doctors have been thrown into. The story suggests from the intro that these two people are generally happy with providing medical practice to those who are less fortunate. By abruptly cutting from this scenario to the morally conflicting occupation (the mob's personal physician), the viewer is called upon to experience this sudden turn of events. The Nelsons (Kay Francis and John Eldredge) are forcibly employed by Gurney (Bogart) without objections. This stylized notion of organized crime being too influential and powerful to overcome has become a standard component in every gangster picture. The one aspect of this film that raised some questions for me, ironically dealt with the pacing of the story, and that rate at which it was told. I think that character development and social identity can suffer when certain aspects of a story are not fully examined. This paradox happens to be a result of personal taste, in that I think that the movie going experience can be enhanced through rigorous character development. However, for the purposes of this film, I must admit that the rapid action contributes more dynamic flare to the impact of the film.<br /><br />**1/2 (of ****) | 1 |
15,523 | [
300,
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] | 267 | 316 | I loved this movie! OH MY GOSH! This movie rocked so hard! I found it amongst some old tapes and didn't know what it was and after having read the back of the cover to see what the summer had to say about it (Which btw, mentioned the fact that Elton John covered the soundtrack for the film more times than it mentioned what the film was actually about.), I thought it sounded interesting, and I was even more interested in seeing it because it was an older film.<br /><br />"What controversy?" I thought to myself as I put the tape in the player, I was curious I get. And my expectations were certainly met. I loved it! I guess it is a really girly kind of movie, but it was so sweet and adorable! It was a beautiful romance, although at times the directing reminded me of the camera work in 'The Graduate', which I thought at the time of seeing it the director must have been on acid with some of the close ups they did.<br /><br />OK, so it wasn't entirely conceivable for these two kids to run off and live on their own...but it could happen...in a fantasy...<br /><br />But, the ending just sincerely ticked me off! I was so mad with how they ended it...it sort of leaves you hanging, and I suppose they may address what actually happens to them in the sequel...but at the same time, I'm almost hesitant to see that, since sequels are almost never as good as the first.<br /><br />I totally recommend this movie to anyone sixteen and over! It's an awesome movie...Awesome! | 1 |
15,526 | [
300,
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] | 304 | 366 | I can barely even remember what DECADE I saw this film. It was when I was a teenager, I think (I'm 37 now). I started watching it as a late night movie sometime in the mid to early 80s, and so much of it has stayed with me ever since. Seeing other comments, I had NO idea it was shown at theatres, or that anyone else even new it existed. I don't think I've even mentioned the movie to anyone else.<br /><br />But half a lifetime later, I still remember much of the movie that I watched late at night so long ago. I think the innocence of the charactors, their situation, their mutual affection over a long period of time, left a long term imprint for reasons I don't quite understand. Maybe it is because I was a teenager at the time I saw it, and it touched me somehow..... I really don't know! I also REALLY wanted to know what was going to happen when the after the end of the film happened. Oh, the agony!!<br /><br />I've not seen it before, or since, but I would love to. I keep a casual look out for it, but I now doubt it will been shown and it seems to have faded into oblivion. But I'd proberbly miss it in the TV guide even if it DID show up. Pssttt!!!<br /><br />Reading the reviews here has renewed my interest. If anyone knows of its availability in Australia, by all means email me and let me know.<br /><br />Oh, and Sean Bury... nice to see you make an appearance on the comments here. I've had a look at your movie history and noticed your last appearance in a James Bond film. What are you up to these day? Oh, and do YOU have a copy of the film? CHEERS!!! | 1 |
15,546 | [
300,
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] | 319 | 377 | A talented high school graduating senior with a bad attitude is forced to play in the state all-star high school football game. When he meets and falls for an attractive local girl she helps him realize he has a shot at a 'full ride' scholarship if he plays well.<br /><br />All too often, these dramas fall into formulaic traps and tell the same old story of a troubled and confused teen. FULL RIDE's Matt Sabo certainly fits this profile, but below the surface is a much more unique individual than we usually see in this genre. Matt is the center of the action and he is a realistic teenager, both over-confident and vulnerable, optimistic and cynical by turns. Influenced by Amy, Matt grows into a man of character and heart. He, in turn, forms friendships with his teammates, which influences his growth as an athlete and as a team player.<br /><br />FULL RIDE has all the elements we love to see in a movie--great acting, admirable characters, exciting sports scenes, poignant drama, and a love story. Still, while one may have seen these elements in other films, FULL RIDE is assisted by performances that are sincere and occasionally, even moving. Perhaps what's most impressive about FULL RIDE is its sense of reality. Although the author of the previous comment would seem to disagree, (clearly a disgruntled student who, for quite obvious reasons, received a poor grade in his film class) director Mark Hoeger grounds the film in a believable situation and location and does a great job of getting down to the grit of what life is like in a small town. These characters are real people rooted in realistic situations, which often create the most compelling entertainment. On one level it is a love story, on another it is a character study, and yet another it is a simple football film. All of these ideas come together to form a cohesive vehicle. | 1 |
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