id int64 0 25k | interval listlengths 2 2 | len_words int64 6 2.21k | len_tokens int64 8 2.75k | text stringlengths 32 13k | label int64 0 1 |
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19,907 | [
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] | 284 | 378 | A rich old lady calls on a flirtatious divorcée to woo a Lothario away from her silly soon-to-be-married granddaughter.<br /><br />LET US BE GAY is an interesting little domestic comedy which features some tart dialogue (courtesy of celebrated screenwriter Frances Marion) & good performances. While perhaps a bit mawkish at times, this can probably be blamed on the difficulties with early sound technology which tended to limit action & movement.<br /><br />Norma Shearer can be credited with appearing in this minor film, rather than using her undoubted clout as Irving Thalberg's spouse to insist upon only A-grade pictures. She is especially effective in her first few scenes, where dowdy flat makeup makes her almost unrecognizable. Her extreme transmogrification from goose to swan could only happen in Hollywood, but it's scarcely profitable to spend much time worrying about that.<br /><br />Rod LaRocque doesn't come off too well as Shearer's adulterous husband. Quite popular during Silent days, the talkies were not especially kind to him and his career would suffer. Here his role is not in the least sympathetic and one has to wonder what masochistic impulse moves women to desire the cad so much.<br /><br />Magnificent Marie Dressler is on hand as an eccentric Long Island dowager. As a great friend of Frances Marion, one can easily imagine that the part was written expressly for her. Full of cranks & crotchets, she is very humorous. However, the tremendous warmth & essential goodness which would very shortly make her Hollywood's biggest star are largely missing.<br /><br />Among the supporting cast, Hedda Hopper scores as a slinky society serpent, as does Wilfred Noy playing a comic butler. Movie mavens will spot little Dickie Moore as Shearer's young son & elderly Mary Gordon as her housekeeper, both uncredited. | 1 |
19,910 | [
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] | 307 | 393 | The film begins with a dowdy housewife (Norma Shearer) finding out that her husband (Rod La Rocque) had been cheating on her. Three years pass and apparently they'd been divorced during these years due to the infidelity. Oddly, during this time, La Rocque did not see Shearer or his two kids as Shearer took them to Paris.<br /><br />Marie Dressler is a rich society lady and she has invited a new and improved Norma to come to her house for the weekend--ostensibly to help Marie break up a budding romance between her daughter and La Rocque! Apparently, Norma is now a super-vamp and with her magical sex appeal, she can break up the romance--and no one seems to realize that she and La Rocque were married. Several others are there for the weekend and immediately Norma is a hit with her gay, carefree sexy ways--and almost all the men (including La Rocque) are captivated by her. Neither tells anyone that they were married but it's obvious that her ex- wants the new and improved Norma back! This film is a sophisticated comedy of manners among the upper-crust--similar in some ways to Jean Renoir's THE RULES OF THE GAME. Oddly, despite the severity of the Depression, such films about pretty rich folks were pretty popular though many today will doubtless find them a bit too droll in spots. However, fortunately, in LET US BE GAY, there are plenty of cute and funny moments (particularly towards the end when Marie Dressler shows her true colors). While not a great film, it certainly is a good one and more than just another time-passer. My only real regret is that I didn't love the very end. You'll just have to see it for yourself--perhaps you'll agree about the ending, perhaps you won't, but I'm pretty sure you will enjoy this clever film. | 1 |
19,923 | [
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] | 304 | 359 | <br /><br />When I unsuspectedly rented A Thousand Acres, I thought I was in for an entertaining King Lear story and of course Michelle Pfeiffer was in it, so what could go wrong?<br /><br />Very quickly, however, I realized that this story was about A Thousand Other Things besides just Acres. I started crying and couldn't stop until long after the movie ended. Thank you Jane, Laura and Jocelyn, for bringing us such a wonderfully subtle and compassionate movie! Thank you cast, for being involved and portraying the characters with such depth and gentleness!<br /><br />I recognized the Angry sister; the Runaway sister and the sister in Denial. I recognized the Abusive Husband and why he was there and then the Father, oh oh the Father... all superbly played. I also recognized myself and this movie was an eye-opener, a relief, a chance to face my OWN truth and finally doing something about it. I truly hope A Thousand Acres has had the same effect on some others out there.<br /><br />Since I didn't understand why the cover said the film was about sisters fighting over land -they weren't fighting each other at all- I watched it a second time. Then I was able to see that if one hadn't lived a similar story, one would easily miss the overwhelming undercurrent of dread and fear and the deep bond between the sisters that runs through it all. That is exactly the reason why people in general often overlook the truth about their neighbors for instance.<br /><br />But yet another reason why this movie is so perfect!<br /><br />I don't give a rat's ass (pardon my French) about to what extend the King Lear story is followed. All I know is that I can honestly say: this movie has changed my life.<br /><br />Keep up the good work guys, you CAN and DO make a difference.<br /><br /> | 1 |
19,957 | [
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] | 310 | 372 | Anybody who goes to the Manhattan Hospital Center is taking his life in his hands. That includes the staff of The Hospital.<br /><br />I had never seen The Hospital before and I was intrigued at how similar the characters and situations of the plot were to that other Paddy Chayefsky masterpiece, Network. There are elements in George C. Scott's character that have both Al Schumacher's and Howard Beale's.<br /><br />He's the administrator of The Hospital and he's mad as hell and not going to take it any more. He's completely estranged from his wife and kids. It takes a Faye Dunaway type character in the person of Diana Rigg to make him snap out of it. One roll in the hay with her and he's shocked back to reality and the fact he still can contribute in the world.<br /><br />But first he's got a real problem. Someone is out killing hospital staff, four of them in a 48 hour period. And the nice part is their deaths can be attributed to in large part to the general incompetence of a medical bureaucracy. That's where the comedy comes in.<br /><br />There is an actual Howard Beale type character in the person of Barnard Hughes, Diana Rigg's father. His end is not quite as dramatic as Beale's though.<br /><br />Back in my working days it was part of my job to pay medical suppliers. Some of them could be as big creeps as you'll find portrayed in The Hospital. The black comedy satire had some real bite to it for me.<br /><br />George C. Scott was nominated for Best Actor, but having won and refused to accept the previous year's Oscar for Patton, he wasn't about to get a second chance. He lost to Gene Hackman for The French Connection. Still his handling of the role is unforgettable.<br /><br />Try viewing The Hospital back to back with Network and see how many similarities you spot. | 1 |
19,960 | [
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] | 288 | 360 | Read a biography of the late George C. Scott and you'll discover why he was so enormously talent. He was asked by an interviewer what his secret was when making each character he played his own. Scott replied, he possessed inside him a burning fire which drove him. In one of his last interviewers, he sadly revealed he had lost the drive. This was not the case when he starred in the movie, "The Hospital." In this offering, he plays talented doctor Bock, medical director of one of the finest hospitals in the country. However, life has dealt him some crippling problems, such as losing his wife to a divorce, becoming alienated from both his promising children and worse of all, believing himself to be physically impotent. At this point, he is now becoming complacent, morose and frequently fantasizes various ways of committing suicide. To add to his growing list of personal obstacles, his main reason for being, his hospital has come under siege by students and neighborhood protesters, incompetent doctors like Dr. Welbeck (Richard Dysart) and a mysterious MD. who is killing both patients and doctors alike, because he believes he is "the Wrath of the Lamb." (Barnard Hughes). Few choices are left to Bock. One is promising doctor Brubaker (Robert Walden) whom he confides in by saying, "If there were an oven around here, I would put my head in it." The second is a luscious young woman, named Barbara who is attracted to Bock because he acts like a wounded bear. Paddy Chayefsky wrote the screen-play and Arthur Hiller did an extremely good job of directing this dramatically interesting, dark story, but a vehicle nonetheless, lit by the fire of George C. Scott. **** | 1 |
19,969 | [
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] | 271 | 351 | PLOT SPOILERS!!!! Dr. Boch (George C. Scott) is the chief of medicine at a major NYC hospital. He's left his wife, his children have disowned him, he's impotent, drinks a lot and contemplates suicide. Also there's a killer roaming the hospital. Then he meets VERY strange Barbara (Diana Rigg) and falls in love. She wants him to run away with her--but can he completely give up on his old life and start a new one?<br /><br />Very strange movie with an Oscar winning script by Paddy Chayefsky. It presents a suicidal main character and shows us a hospital full of overworked nurses and doctors that is run incompetently. It manages (somehow) to actually make this seem pretty funny. It's not laugh out loud humor--it's VERY black humor. Also the acting is right on target--Scott is just great (and Oscar nominated) here. You see him trying to keep his sanity in a totally crazy situation. Riggs character is more than a little odd but her matter of fact manner works and she's also incredibly beautiful. The script is strong and brutal--but never too much. I think it fumbles the ball at the end with a situation that goes way too over the top--but it's still worth seeing. If this had been done totally seriously it probably would be impossible to take. Also look for Katherine Helmond in a small bit and Stockard Channing and Christopher Guest in uncredited bits. I personally had trouble taking this seriously. From what I've heard hospitals WERE this bad back in the 1970s but not anymore. See it for the acting and script. I give it a 7. | 1 |
19,975 | [
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] | 282 | 392 | 36. THE HOSPITAL (comedy, 1971) A series of emergencies has gripped Manhattan Hospital. Patients are dying left and right due to overcrowded conditions, and a ineptitude staff. When a resident doctor is caught up in the death count the chief medical examiner, Dr. Bock (George C. Scott), is called in to investigate. Having worked as a doctor for too many years, and going through a mid-life crisis of his own, Dr. Bock finds the going tough. He decides to commit suicide. But then he meets Barbara (Diana Rigg), a young-hippie beauty. Whose keen insights on life help the depressed Bock.<br /><br />Critique: Black comedy features a 'tour-de-force' performance from veteran actor George C. Scott. He's good at playing high-strung, serious characters whose strict morals are severely tested. First half of the film unfolds like a melodrama, giving a pretty good account of hospital life, and the shambles they sometimes are. But then, as things look set for a dramatic climax it skews into slapstick comedy. If Paddy Chayefsky's script had maintained its dramatic feel I wonder if Scott would've walked out with another best Actor Oscar (he had previously won it, 'in-absentia', the year before). His breakdown (suicide) scene is one of the most gut-wrenchingly real in cinema history.<br /><br />QUOTE: Dr. Bock: ". . .last night I sat in my hotel room reviewing the shambles of my life and contemplating suicide. I said 'no Bock don't do it. You're a doctor, a healer, you're a necessary person, you're life is meaningful'. Then. . .I find out that one of my doctors was killed by a couple of nurses. . .how am I to sustain my feeling of meaningfulness in the face of this?" | 1 |
19,979 | [
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] | 302 | 364 | OK,so this film is NOT very well known,and wasn't very well publicised.I discovered this fairly brutal gangster gone good movie by complete accident on one of Skys millions of movie channels late on some boring evening,but I'm glad i did!The opening sequence to this film is fantastically comical in a very dark way.This in fact sets what i think is the general tone for the movie.I think a lot of critics and movie fans that have actually seen this film have been a bit unfair to just write it off as a lower budget gangster movie in the Reservoir Dogs vein.OK,so there are undeniable similarities between Thursday and some other crime genre films that it has been compared to,but in all fairness,i think this film takes a much more darkly comic look at this type of film,and the end result is a engrossing,well made,funny,if not totally original film.Tom Jane is good in this,and deserves the recognition he will now hopefully get thanks to the The Punisher.His performance as the bad guy gone good is realistic,funny and just cold enough to make you believe Casey really was a bad ass before he reformed.Thats another thing that makes this film stand out for me,the characters.In Nicks gang you get the strangest trio of criminals ever assembled,a smooth,charismatic but very cold leader(Nick),a trigger happy blood loving sexually predatory bitch of a woman(Dallas)and a psychotic hill billy with brains with a penchant for torture(Billy Hill).Throw in the most bizarre police detective ever seen on screen,beautifully over played by Mickey Rourke,and you've got a recipe for...well for Thursday really.Its at times darkly comic,sometimes brutal,sometimes unoriginal,but always engrossing and worth watching.8/10 | 1 |
19,980 | [
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] | 295 | 362 | 'Thursday' is a good movie but we recognize too much from other movies in its genre and therefor it lacks originality. If you have seen 'Goodfellas', 'Reservoir Dogs', 'Pulp Fiction' and a bunch of other movies that were inspired by that last one you have seen almost every part from 'Thursday'. There is a scene that involves torturing that has even the same dialogue as in Tarantino's 'Reservoir Dogs'.<br /><br />Still, it is a good movie. Because not every part is taken from the same movie the complete thing has some new ideas and some nice touches. The opening sequence to begin with, is quite impressive. We meet Nick (Aaron Eckhart), Dallas (Paulina Porizkova) and Billy Hill (James Le Gros). They get into a fight with a clerk in a gas station over a cup of coffee and it ends with the death of that clerk and the arrival of a cop. We've already glimpsed at a suitcase with a lot of money in it.<br /><br />Then we meet Casey (Thomas Jane) in Houston. He is married to Christine (Paula Marshall) but used to be working with Nick. She doesn't know a thing. Then Nick gives him a call and says that he is coming. We learn that he has screwed his friends over and the problems are about to start.<br /><br />What happens exactly is not for me to reveal but we meet some other characters, all interested in the money or the drugs Nick also had with him. Casey has flushed those down the drain.<br /><br />Very funny moments, a lot of blood, a very funny sub-plot involving actor Michael Jeter and some surprises (although if you really think about it you see them coming) this is a good movie with some very fine performances, nicely directed by Skip Woods. | 1 |
19,981 | [
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] | 295 | 358 | It is a damn good movie,with some surprising twists,a good cast and a great script. Only a couple of stupid bits,like the Rasta hit-man scene (This guy's a professional?) but that has been commented on already. The fact I had only heard one guy at work mention it before, and did not have many opinions or reviews to go on, made it even more entertaining. This gets a higher score than maybe some people think it deserves, but I have to factor in the low budget and the good effort from the cast. It sickens me that some movies get made whose budget equals the GDP of a small country,with a hyped up release,good reviews,an Oscar winning director and/or actors, and turn out to be so disappointing,with actors sleepwalking through their roles and uninspired directing,with predictable plot lines and a story with holes in it so big,Sandra Bullock could drive a bomb-loaded bus through it. (Examples in my opinion are The Terminal,Castaway,Matrix:Revolutions) Extra points are awarded for the wardrobe department choosing great clothes for the cast,especially Paulina Porizcova,who wears a rubber dress in one scene,and a jacket with "c*nt" on the back in large letters in another!A sex scene which shows off her tight ass and a good soundtrack are added bonuses! And PLEASE,enough with the Tarantino comparisons,this did not remind me of a Tarantino flick at all.... and Tarantino borrows virtually every idea he has ever had from other movies! Even if that is your opinion,are we saying once a certain film or book is written or directed one way,no-one can ever use the same ideas again? get real. This film has it's own style. | 1 |
20,007 | [
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] | 326 | 385 | This film is outstanding! On this date of APR, 8 2007 it was on On demand from show time. It had been a while since i seen it, but it does feature Thomas Jane in the first role i seen him in. At first you see a normal guy that seems kind of henpecked, with a wife that seems close to going her own way. The directors cut which i just watched has a opening scene that is cool. Paulina Porizkova is dressed as a cheerleader type, looking very fresh and hot. Trying to buy a coffee late at night with no small bills turns violent in a hurry, Paulina shows that her name on her letter jacket is the real deal. Meeting up with his old road pal Nick played by Aaron Eckhart was cool at first, and he even loans him his wife's car to take care of some business. Then he spots nicks silver briefcase, and the day changes for the weird and violent. There is a cast of real characters that parade through the next series of scenes. But, Paulina's Dallas steals the show i think. Her telling of a Casey story to the doctor that is there to get a personal interview in a adoption application, is outrageous. As a rule i have never thought tall women were that sexy,but as with any rule there are exceptions. Paulina is as one has never seen her before in films. Sexy and lethal, like in the one movie with Tom Selleck, but with a never seen before malevolence. If your looking for film to add to your collection, this one is worth the price. Paulina in the nude is worth the price alone, but this story has everything one might hope one has. Love,friendship,sex and violence in a terrific mix. When i first seen it years ago it blew my mind, and i know you will feel the same way. | 1 |
20,019 | [
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] | 262 | 335 | Perhaps the deepest cartoon made in the USA, "Duckman" runs short at 70 episodes in four seasons.<br /><br />Unlike the often innocuous criticism found in "The Simpsons" (a pretty good show in its own right), and the rude-for-rudeness-sake humour in "South Park," every bit of this series follows a plan. The criticism of US society, from its mercantilism to its selfishness, carries much more bite than it does in any other animated series.<br /><br />The cultural references in "Duckman" also tend to be obscure sometimes (anyone browsing the fan sites will realize most have not even been caught). In that, it is different from "The Simpsons," which usually uses pop culture instead of the high-brow stuff often hidden in "Duckman." As other people writing about it notice, there is a growth in the characters (Bernice, Duckman and Cornfed). Also, by making the main character not just an offensive neurotic but in fact someone who is living a personal tragedy (as is made clear in episodes like "The Once and Future Duck" ('You'll love her until the end of your days...') and in "Bev Takes a Holiday" (when he takes a chance to tell Beverly all those things he couldn't tell Beatrice), the series is anchored in a deep sense of reality.<br /><br />One can't avoid feeling sorry for him and his lucid madness.<br /><br />All in all, in my opinion, the best cartoon ever made in the USA and one of the best series ever. I doubt it will ever be on DVD though. Far too many things the Duck said make much more sense today. | 1 |
20,023 | [
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] | 268 | 338 | I do not have much to say than this is a great finish to the story. Most people have said that there is not enough plot and its just eye candy.But think about it, everything was explained in FFVII you cannot add more plot to such a grand story it would ruin it. They did the best that they could do and I think that this should be taken more as A Final FMV.. the last fight. <br /><br />Graphics - 10/10, Absolutely amazing <br /><br />Story 8.5/10 - don't think they could of expanded it that much more. And the stuff they could put in there was clever enough I thought. <br /><br />Characters 9/10 - Well most of them have already been explained during the game but still could not fit it all into 90 mins. <br /><br />Sound - 10/10, since i am a metal fan I loved the fight music.. and piano just reaches right in there..It is a great ST and I was not disappointed.<br /><br />Tilt/Replay 10/10 - Enjoyable every time. <br /><br />Overall- 9/10 (FF Fan View 10/10)<br /><br />I personally think this is what was needed, a fight to end it all.. the plot was already in place. The action was necessary as much as people complained. I loved every second of this movie. It was a pleasure to visit the world of FFVII just one last time.<br /><br />Just remember this.. most movies that have been made form a game have been directed by movie directors i think this is pretty great for a team of game directors.. Don't think I've seen a better game to movie..<br /><br />Thankyou Square, I think you did it right! | 1 |
20,028 | [
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] | 306 | 366 | Just watched it then. It is pretty damn awesome. The fights are fantastic and the magic is really cool! It's totally like a video-game in parts, with some amazing hand-to-hand combat in there.<br /><br />This film is for the fans: "To those who loved this world once before and spent time with its friends, gather again and devote your time..." Besides this ominous opening, the story was not very hard to follow, and Ihave never played a Final Fantasy game. I think it pays to be familiar with Role Playing Games in general; knowledge of the genre kinda helps you grasp some of it better. I think though that if you pay attention, and accept what the film throws at you, it's quite easy to understand. There is a lot that isn't explicitly explained, and if you demand that it should be then you will probably be confused and irritated.<br /><br />Watching the film is like being dropped into the middle of some grand saga, and having to put as much of the puzzle together as possible. I like that approach; you get caught up in the mystery and confusion that all the characters are going through. But like I said, just be accepting. If a weird red lion thing that talks, turns up and starts kicking ass and taking names, and the other characters just say he's an old friend, accept it and move on; you don't need a biopic flashback, or a tell-all sit-me-down. You are an observer here, of something beyond your experience and undestanding.<br /><br />So: fantastic graphics and animation, great voice acting, cool video game styled music, involving story and characters, and maybe some of the coolest fights you'll see in a while. It's worth seeing, and while it IS for the fans, it is perfectly accessible for people like me that have never played the games. | 1 |
20,033 | [
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] | 285 | 335 | This movie was definitely scripted with FF VII fans ONLY in mind. I am someone who has never played the original game and watched it with a friend who was a series fan. From a visual and technical standpoint this movie is just as good as "The Spirits Within", if not better, but from a story standpoint, I was pretty lost. One major plot weakness that stood out to me was the scene where "all" of the children dying of geostigma were brought to the healing "reunion" by the three Jenovites. All told there were about 15 kids in all... Hmmmm... I thought that this Geostigma was an illness of pandemic proportions... I understand why they did it that way (time, budget,CPU), but it just seemed cheesy after all the explanation about how the bad guys needed to collect all of those who had Jenova cells so that Jenova could be reincarnated. The subtitle version that we had (some fan sub from the internet) was a pretty direct translation and therefore probably added to my confusion.<br /><br />It did prick my interest in FF VII however, and I spent a few hours on the FF VII wiki reading about the main characters and the plot. Once I read the Advent Children wiki, things made a lot more sense. If you are a video game or Sci-Fi fan this movie is a pretty good flick, but like a previous review said, it comes off like a 90 minute fight scene. You never really get to know any of the characters, and the story does just seem to jump from scene to scene without much explanation, even though some explanation just might be required. Thank goodness for wikpedia. | 1 |
20,064 | [
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] | 267 | 333 | Viva Variety was a unique hybrid program that was both a parody of and a tribute to the programs it represented. <br /><br />It was most directly a mock up of the classic 1970s favorite, "The Sonny & Cher Show," With Thomas Lennon and Kerri Kenney playing a divorced show biz couple who were somehow forced to host this program together, the female of the pair towering over the male, and the constant barrage of "insult humor" the couple tossed at each other, plus sketch comedy bits and performances from what are most kindly described as "specialty" acts! <br /><br />The "hybrid" was the mix of fact and fantasy. Of course, there was no "Mr. and Former Mrs. Laupin," and the program's announcer, Johnny Bluejeans, was likewise equally fictional. But all the acts that performed were certainly real, and some were even entertaining! But there were also some acts that would have clearly been better suited for the old Chuck Barris "Gong Show." <br /><br />The show itself was really more like an extended sketch from "SCTV" (it was borne from the MTV series, "The State," after all), and some would suggest that it would have been better as a five minute bit in the mix of a program like that one, rather than a stand alone series. But "Viva Variety" certainly should get high marks for original concepts, and even though it was often more odd than funny, it was certainly worthwhile, especially when they road tripped to Las Vegas and brought in even glitzier acts to perform. It's unlikely we'll ever see anything like this on television again. | 1 |
20,065 | [
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] | 252 | 339 | This show was incredible, but too esoteric for most people. If you had never truly seen a European variety show in the 70's or 80's (or at least a Mexican one) the entire show would probably be lost on you. If you had, this show was a dead on skewering satire of the phony spectacle and shallowness that these shows dive into at their worst. Helmed by a chain-smoking suave wannabe with a pencil moustache and his ultra-glamorous and immasculating harridan of an EX-wife, "Viva Variety" is a variety show that tries to get off the ground every episode but always descends into in-fighting and acts gone very wrong. The hosts are joined by "Johnny Bluejeans", a dim witted side-kick who seems to have been named because blue jeans are a very popular product in his country and that means the kids will like him, which of course, they don't.<br /><br />The result was a hilarious spoof of variety shows in general. Imagine the arguing that probably happened BACKSTAGE during the last days of the "Sonny & Cher Show". Now imagine it's happening ONSTAGE in front of you and the stars are trying to keep their composure. Now add cheesy acts and a Euro-riche mentality (tuxedoes, gowns, booze, accents and smokes). NOW you have "Viva Variety".<br /><br />Have you ever heard a musician whose music was pretty much written for other musicians? Too conceptual? Viva Variety did this for comedians. WAY too esoteric for the standard American audience. It was funny as Hell. And doomed. | 1 |
20,066 | [
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] | 265 | 333 | I've never read a good review for "Vanity Fair" and I can't understand why. For something that was "rushed through in ten days" it all comes off surprisingly well. Though admittedly "Becky Sharp" is a better movie and Miriam Hopkins a better Becky, there's nothing to stop this one from getting a solid 9/10. At times, Myrna Loy might seem just too cute and nice to be playing an utter bitch, but at other times she just has to squint her eyes and the air temperature drops a dozen degrees. Meow! The move to a more modern setting did not work against "Vanity Fair" and the only thing that really causes some conflict is the casting. Barbara Kent (Amelia) was under 5 feet in height, and few of the leading men were very tall either - this all coming together to make Loy look like an absolute Amazon woman!<br /><br />"Vanity Fair" is similar to "Craig's Wife" in that no matter how bad the main character is, you have to love her. And you know she deserves her comeuppance, and then some, but you still feel sorry for her when she gets it. Though based on the same story as "Becky Sharp", this version had a different ending, which is interesting to see because most of the rest of the films were almost identical. For pleasure value, the ending of "Becky Sharp" is ultimately more enjoyable, although aesthetically, and from the flow of the story, there is no doubt that the ending of "Vanity Fair" is the better one, whether or not you actually like it. | 1 |
20,067 | [
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] | 295 | 398 | I love the Thackeray novel on which this film is based. And while this modern version of Becky Sharp's story is a B film, the casting of Loy, in her first top-billed role, is rather fascinating.<br /><br />Before Loy became MGM's reigning good girl in scores of genteel and comic roles, she was an actress. VANITY FAIR was Loy's follow-up film to EMMA, in which she played a snotty and greedy daughter who almost destroys the loyal housekeeper (Marie Dressler).<br /><br />Loy's Becky is much nastier than Miriam Hopkins' version 3 years later in BECKY SHARP. Loy's Becky is very much a pre-Code film character with her plunging necklines and amoral ways. It's the type of character that Jean Harlow or Clara Bow could easily have played, but Becky here is still supposed to be of the genteel set. That's what makes her fallen character so tragic.<br /><br />In counterpoint to Loy's grasping Becky is the goody goody Amelia (Barbara Kent) who is just not an interesting character. Mary Forbes is icily good as Mrs. Sedley. Most of the other actors in this version are pretty blah: Conway Tearle as Rawdon; Walter Byron as Osborne; Anthony Bushell as Dobbin. Others are nearly Dickensian is their quirkiness: Billy Bevan as Joseph; Lionel Belmore as Crawley; Montagu Love as the Marquis; Lilyan Irene as Polly the maid; Elspeth Dudgeon as the housekeeper.<br /><br />Loy is front and center throughout. While the ending is rather shocking, she has several excellent scenes, such as the gambling scene in the casino where she tries to steal another woman's winning roulette bet. The more Loy's Becky descends morally, the more beautiful she gets until she is finally "caught." Bottom line here is that this is a very solid performance by Loy in a film that should be seen. | 1 |
20,070 | [
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] | 296 | 352 | Hercules the Avenger is by far the best single entry in the muscleman genre I can recall. The charge against it made by critics - it is a cut and paste of two previous Hercules films, with some added new material to make it appear fresh - misses the fact that this cut-and-paste approach solves one of the central problems of the sword-and-sandal movies. With most of these films, the middle third sags horribly - usually involving a sappy love story or arcane political intrigue or both (queen falls in love with Hercules and her evil brother plots against them, etc.) It's often hard to hold on through this to watch the exciting finale. Hercules the Avenger cuts all that crap from the source films, and adds a rather brisk narrative of a Hercules impersonator bullying his way into power. (It should be noted that this episode also functions as a distant but pointedly critical remark on the rise of Fascism in Italy.) This also sets up a fine final wrasslin' match between the real Hercules and his impersonator.<br /><br />In a narrower focus, I might also add that further editing has improved individual scenes borrowed from the other films. For my money, the mutiny scene here is much better than it first appeared in Hercules and the Captive Women, since it has been tightened with the reduction of several characters and their plot complications.<br /><br />There are also floppy monsters, creepy underworld atmospherics borrowed (literally) from Mario Bava, an entire city destroyed, and the usual amount of lovely babes in revealing gowns. Since no one expects any of these films to compete with The Seven Samurai - or even with The Magnificent Seven - it seems a bit picky to hold the film's borrowing from other films against it. | 1 |
20,071 | [
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] | 266 | 364 | Hercules' son gets severely wounded during a lion hunt that goes awry. Hercules (a solid and engaging performance by the beefy Reg Park) has to venture into an eerie and dangerous alternate dimension ruled by the evil and vengeful Gia the Earth Goddess (a deliciously wicked portrayal by Gia Sandri) and battle various monsters in order to save his son's soul. Meanwhile, Gia's equally nasty son Antaius (a perfectly hateful turn by Giovanni Cianfriglia) poses as Hercules and takes over an entire city as a cruel and ruthless tyrant. Director Maurizo Lucidi relates the engrossing story at a steady pace and maintains a serious tone throughout. This film begins a little slow, but really starts cooking once Hercules enters the misty and perilous subterranean spirit world: Rousing highlights include Hercules grappling with a humanoid lizard beast, Hercules climbing a giant gnarled tree, and Hercules being attacked by a bunch of creepy rotting zombies. Better still, the bizarre spirit world just reeks of spooky atmosphere (gotta love that persistent thick swirling fog!). The strenuous rough'n'tumble mano-a-mano major physical confrontation between Hercules and Antaius likewise totally rocks. Of course, we also get a big mondo destructo climactic volcanic eruption as well. Allvaro Mancori's crisp widescreen cinematography gives the movie an impressively expansive sense of scope. Ugo Filippini's robust, rousing score has a nifty majestic sweep to it. Okay, so this flick is an obvious cheapo cute'n'paste job that uses copious footage from both "Hercules in the Haunted World" and "Hercules and the Captive Women," but it's still an extremely lively and entertaining romp all the same. | 1 |
20,076 | [
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] | 263 | 332 | Latcho Drom, or Safe Journey, is the second film in Tony Gatlif's trilogy of the Romany people. The film is a visual depiction and historical record of Romany life in European and Middle Eastern countries. Even though the scenes are mostly planned, rehearsed, and staged there is not a conventional story line and the dialog does not explain activities from scene to scene. Instead, the film allows the viewer to have sometimes a glimpse, sometimes a more in-depth view of these people during different eras and in different countries, ranging from India, Egypt, Romania, Hungary, Slovakia, France, and Spain.<br /><br />The importance of music in Romany culture is clearly expressed throughout the film. It is a vital part of every event and an important means of communication. Everything they do is expressed with music. Dance is another important activity. Like Romany music, it is specialized and deeply personal, something they alone know how to do correctly. We are provided glimpses into their everyday activities, but the film is not a detailed study of their lives. Rather, it is a testament to their culture, focusing on the music and dance they have created and which have made them unique.<br /><br />Mr. Gatlif portrays the nomadic groups in a positive way. However, we also witness the rejection, distrust, and alienation they receive from the non-Romany population. It seems that the culture they have developed over countless generations, and inspired from diverse countries, will fade into oblivion because conventional society has no place for nomadic ways.<br /><br />The other films in the trilogy are Les Princes (1983) and Gadjo Dilo (1998). | 1 |
20,090 | [
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] | 273 | 317 | I caught this movie on the Horror Channel and was quite impressed by the film's Gothic atmosphere and tone. As a big fan of all things vampire related, I am always happy to see a new variation of the vampire mythos, in this case, a ghoul-like creature residing in a Lovecraftian other dimension. The director has done a brilliant job of conveying the dark mood of the subject, using the decadent art scene as a backdrop to what is essentially a tale of love spanning time and space- the pure love of friendship opposed to the lust for blood and life by the vampires in the story. The characters in the story are transported to another dimension by the means of a mind-altering substance, where a shape-shifting vampire creature appears to grant them their hearts desires, whilst draining them of their life essence. There are some analogies to drug addiction and loss of control, and how this affects a group of friends in an artistic circle. I enjoyed watching the 2 main male characters in the story, Chris Ivan Cevic and Alex Petrovich, who were very attractive hunks, always a plus point in a vampire story for the female viewers! The special effects make up and creature effects were well done, and the set design of the vampire's dimension was very effective. All in all, an enjoyable take on vampire myths, and recommended for anyone who likes their vampires with some intelligence and not just action. The only thing missing to make it even better would have been a bit more eroticism and nudity, as it would have suited the plot and themes. | 1 |
20,096 | [
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] | 278 | 398 | L'OSSESSA, also known as THE TORMENTED or THE SEXORCIST, or the ridiculously titled THE EERIE MIDNIGHT HORROR SHOW, is a forgotten EXORCIST rip-off which contains one of the best horror moments I've ever seen. The scene is when the crucifix comes alive. This great spooky scene is unforgettable and totally effective (great FXs). It's a shame the rest of the movie doesn't maintain the level of creepiness exemplified during that scene.<br /><br />This is one of the most frustrating movies ever. Imagine the producers deciding to to make an EXORCIST copy but while making it, they actually succeed in creating something truly original (a possessed sculpture of crucified man, which is shocking when you think about it) but then completely forgets their original idea in order to make a boring and uninspired EXORCIST rip-off. Had the film continued with the possessed sculpture concept (with the characters trying to destroy it, etc), this film would have rocked. But once the girl becomes possessed by the spirit of the sculpture, she never tells anyone from where the demon came from. She, and the script, completely forgets the haunted crucifix, which is STUPID!!!<br /><br />If you like so-called "Euro-cult" movies, the first 45 minutes deliver unlike any other Euro-cult movies. But after the scene when the girl has a vision of being crucified and she gets stigmatas, the remaining 45 minutes SUCK. Boring. It goes nowhere fast as it tries to emulate (badly) THE EXORCIST. So, watch the first 45 minutes of L'OSSESSA and enjoy the 1970s fashions, the sleaze and the amazing statue-comes-alive-to-ravish-the-girl scene but after the first 45 minutes, press stop and eject, and might as well go clip your toenails. | 1 |
20,103 | [
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] | 259 | 327 | Stupidly beautiful. This movie epitomizes the 'so bad it's good' genre of films. <br /><br />The only two talents in it are Richard Boone and Joan van Ark, and only Boone is any good. It's kind of sad that the man who rose to fame as Paladin should wind up in this ugly pile of celluloid. While he turns in a fantastic performance, I couldn't help but feel that he so outclassed all his fellow actors in this piece that he shouldn't even have been there.<br /><br />The effects in this film are laughable, but fun. The idea of a dinosaur being buried in the wall of a cave and suddenly coming to life is B-movie gold. When the 'triceratops' gets killed, watch how it falls. It's clear that the stunt performer in the FRONT of the costume knows the timing best. He falls to the ground, well before the back half of the dinosaur follows suit.<br /><br />Speaking of 'suits', there is nothing good to say about the purple tyrannosaur, in this flick. It seems to have some kind of stealth technology, since Bunta (reputed to be the best tracker in the world) twice fails to notice it until it's within biting range of him. I don't know how all the prints are, but in the version I own, the Tyranno's roar contains Godzilla's trademark bellow.<br /><br />This is loads of fun, to watch, if you like bad movies. I love them, and especially bad monster movies, so I consider this the gem of my collection. If bad movies are your thing, definitely get this one. | 1 |
20,131 | [
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] | 244 | 302 | I just saw this movie for the second time with my 8-year-old daughter and I remembered why we liked it the first time. All these people who say it is bad are too uptight and critical! It is simply an entertaining little movie, it's not supposed to change the world. I thought all the actors did a great job with their characters. (Except for Jeremy Jordan as Guy--he was a maggot who looked seriously in need of soap and shampoo. If HE is supposed to be the hot guy in their school, then they've got slim pickins'.) But I digress--Drew Barrymore was delightful, as usual, and David Arquette was even enjoyable, and I usually can't stomach him, if only because of those STUPID AT&T commercials! Molly Shannon is always entertaining, and Leelee Sobieski did a great job as a tortured brain. Some parts were actually painful to watch, reminding me of high school. Even though I thankfully didn't get made fun of, it made my heart ache for those who do. Movies like this are actually good for children to see--my daughter made several observations about the cruelty of some of the students and how wrong it was. This movie is appropriate for anyone and a good way to while away 2 hours. If there's ever a time you want to see a lighthearted little movie with a happy ending where you don't have to think very much, then this is definitely a consideration. | 1 |
20,132 | [
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] | 297 | 369 | Women will like this movie better than men. Of course, women like all romantic comedies more than men - on average. I generally like romantic comedies quite a bit, however I considered this a 5.5 for the first 50% of the movie and about a 6.5 for the next 40% and about a 9 for the last 10%. So, begrudgingly, I will rate it a 7. I tape and keep all movies rated a 7 or better and none that are a 6 or worse - at least that's my objective. I have over 1200 movies, so why keep the dogs.<br /><br />My wife liked this movie quite a bit more than me, though I'm not sure why. I am a bigger Drew Barrymore fan than she is.<br /><br />The whole point of this movie was about a young woman who goes back to high school (undercover) to write a story about the high school experience nowadays. She was a dork in high school the first time around and has to learn how to be cool the second time around. Her journey toward cooldom, as well as her falling in love with a teacher, is the story.<br /><br />What drove me nuts for the first half the movie was just how mangy she looked. I wondered why they would pick her for this role until I realized how capable she is at looking like a dog. So much so that I truly don't think I want to see her in 15 years when she gets up in the morning. ARGH! Naturally, she transformed into a rather attractive (cute) woman by the end and she became very popular.<br /><br />The ending is about a 9.9 on the very sweet scale, so you sappers out there will like that. Otherwise, it isn't very memorable and easily missable. | 1 |
20,141 | [
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] | 276 | 328 | This one reeler produced by MGM in 1936 showcases the talents of two of its young stars under contract, Judy Garland and Deanna Durbin. In a way, these short films were promotional trailers that featured new talent in front, or behind the camera. Felix Feist directed this one which was a way to promote the two talented stars to the public.<br /><br />The story is simple enough. The orchestra that entertains in a public park every Sunday doesn't get the attention it deserves. Enter two music aficionados, Judy and Edna, who love to hear the band play conducted by one of their grandfathers. Two of the town's elders sensing there is no public for this type of entertainment have decided to cancel their Sunday concerts in favor of a more popular orchestra that will attract a wider audience.<br /><br />The two girls embark in a promotional tour of their own doing what they only know, calling and running errands and being helpful to their neighbors in exchange for a promise they will attend the park concert next Sunday. Well, that day comes, and to their surprise, hardly anyone comes as the music starts. The two girls decide to take matters into their own and ask the conductor to play a song for them to sing. The result is clear, people all over the park flocks to hear the talented young singers, thus ensuring the orchestra's existence.<br /><br />Of course, the only attraction of the short film is the inspired singing by the two stars who are wonderful in their rendition. Ms. Durbin's operatic voice blends well with Ms. Garland's natural one creating a lovely duet.<br /><br />Don't miss it whenever it shows on TCM! | 1 |
20,144 | [
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] | 266 | 343 | Having previously seen this short on VHS tape with the feature Summer Stock, I just rewatched Every Sunday on the TCM site. It marked the film debut of 15-year-old Deanna Durbin and of 14-year-old Judy Garland outside of her two older sisters. These two teens showcase their musical talents with a solo from Deanna of "Il Bacio", then one from Judy of "Waltz with a Swing" before the two climax with "Americana". The slight plot of this 11-minute film concerns the possible unemployment of Edna's (Durbin's real first name which is the way she's addressed here) grandfather's conducting job at the park because of low attendance. With the two girls' help, you can probably guess what happens from there! Contrasts are marked not only with Garland's and Durbin's musical choice but also with their height, poise, and movement. Despite all that, they perform quite well at the end and it's almost surprising that M-G-M chose Garland while Durbin was already contracted at Universal as this short was made but was briefly allowed back in since her feature debut (Three Smart Girls) was in the early preparing stages. Judy herself would make her first feature (Pigskin Parade) at 20th Century-Fox as M-G-M was deciding what movie she would next star in. That would be Broadway Melody of 1938 where she would perform the show stopping number, "Dear Mr. Gable (You Made Me Love You)". But back to this short, Every Sunday provides a warm and wonderful glimpse of two star singers at the beginning of their legendary careers unaware of what the future holds for them... | 1 |
20,179 | [
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] | 301 | 356 | Four Friends is one of those films that you go to without any expectations, only to find yourself knocked for a loop. You sort of file it away, but then you hear the song "Georgia On My Mind" by Ray Charles, and images and vague feelings begin to flicker on the edge of your consciousness, and then you remember this crazy film which made you laugh and cry, almost at the same time.<br /><br />Why is this film so memorable? First, at least for people who lived through it all, because it captures so well the tenor of the times - its dashed hopes, its successes, its sincerity and above all the emotional roller-coaster ride that leads to a poignant nostalgia. And then, the acting is just so amazing. Danilow, all angst and passion, Georgia, as difficult to grasp as a will 'o the wisp... but enchanting, nevertheless, and Louis, the handicapped room-mate with charm to spare who attacks life with gusto and takes each moment with a wry smile, because he knows only too well that it just might be his last.<br /><br />How long has it been since you saw a film that made you really care about the people in the story? Even if they were far from perfect? The film presents you with people whose choices are not necessarily commendable, but the film never moralizes, it just allows us to appreciate the human condition in all its variety... even the minor characters have a well-defined personality and a history, which is why this film seems so real even when some of the actions and reactions might seem over the top... because that's the way life is, when you think about it. And why this film engages you with a complexity that is defined by character. Truly an amazing and satisfying experience. | 1 |
20,219 | [
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] | 304 | 358 | Late film critic Gene Siskel said that this movie shows how easy it is to make a movie. He was giving it a compliment even though now that might have been taken as an insult these days. Even though I didn't always agree with Gene Siskel, I agree with him here. Love Jones is a shining example of how a love story should be: realistic with real characters in real situations.<br /><br />The story chronicles the ups and downs of the relationship between Darius Lovehall(Larenz Tate) and Nina(Nia Long). Larenz Tate and Nia Long are more than just a beautiful couple on screen. These two actually have chemistry together. You can feel the vibe between these two whenever the are on screen and its fantastic.<br /><br />Bill Bellamy is pretty funny as the deceitful Wood and Lisa Nicole Carson is great as Nina's friend Simone. Isaiah Washington is just as great as Darius's close friend Savon and I sigh every time I see him in a movie. The guy is a great actor whose career is ruined by industry lowlifes and the childish games they play. You can believe that he called the little weasel on Grey's Anatomy out of his name but anybody that knows how Follywood works knows better than to believe any "official story" from the place of make believe. At any rate...<br /><br />Love Jones is a wonderful love story full of interesting and likable characters that are in realistic situations that anybody that has been in love can relate too. You love these people because they are believable and are not portrayed as gangsters and tramps. Not one obscene stereotype can be found here. Contrast that with the Romance movies of toady. Exactly. In closing if you love Black Cinema then you would do well to own a copy of this movie. | 1 |
20,241 | [
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] | 238 | 313 | I absolutely fell in love with "Living in A Big Way" when I first saw it! Reason #1 is because I LOVE, ADORE, and am a HUGE fan of GENE KELLY. He was such a wonderful dancer, actor, and choreographer. Not to mention his extremely handsome looks and his sensual personality. I love his role in this movie. He was such a gentleman. This movie showcased his wonderful talent for acting. I enjoyed Marie MacDonald as well. It was my first time of ever seeing or knowing anything about her, and this excellent movie made me a fan of her's as well. Actually, the whole cast in this movie was enjoyable and great. The humor between the butler,"Everette Hanover Smythe", and the father, Mr. Morgan; Mrs. Morgan's courtroom humor, and especially grandmother Morgan's immediate attachment to, and concern for "LEO GOGARTY." And GENE'S number "FIDO AND ME" is adorable. The opening dance number with GENE and MARIE is very nice too. I would recommend that anyone see this movie. It will truly remain dear to your heart forever. Or at least it has to mine. And you'll fall in love with GENE all over again. I rate it my #2 favorite GENE KELLY MOVIE, and I've seen and own a quite many of his movies. They're a part of my daily routine! So trust me when I tell you, you'll love this movie! Watch it and enjoy!! | 1 |
20,265 | [
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] | 282 | 364 | Typically Spanish production - slow-moving, but with great sensuousness and sexuality oozing from the lead actress Paz Vega. (Watch her in "Spanglish"). Great sets, lots of colour - you get to see Cordoba, Seville, Spanish mountains and countryside. The plot tends to meander here and there, but if you follow closely (I managed to, even though the film is in Spanish), you'll get the gist of it.<br /><br />It's about how one very highly sensual young Gypsy woman, Carmen, uses her feminine wiles to seduce men to do her bidding. Carmen is being taken to prison after attacking a fellow cigarera at the cigar factory where she works. She persuades Jose, the soldier in charge of taking her to prison, to let her escape. Jose succumbs to her charms because she speaks Basque (he is Navarrese and speaks the same language). Jose is punished by 1 month in jail and demoted to foot soldier. He later meets Carmen at a party and they end up becoming lovers. But Carmen refuses to commit to him, and continues her lascivious and flirty lifestyle. In a jealous rage, Jose kills a fellow soldier who has been with Carmen. They then have to leave town. Life on the run turns Jose into a bandit. Carmen, meanwhile, remains the same, a wildly promiscuous woman. In the end, Jose loses his mind and ends up killing Carmen.<br /><br />The story is told by Jose in prison, awaiting to be executed. The person he tells the story to is Prospero Merrime, a French writer and anthropologist, whose fancy watch (it plays Beethoven's Fur Elise) was stolen by either Carmen or Jose.<br /><br />Worth watching for the sets and for the delectable Paz Vega. | 1 |
20,282 | [
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] | 259 | 304 | "Dope Sick Love" is a really remarkable documentary made for HBO about two pairs of heroin addicted lovers roaming the streets of NYC. I managed to catch it one night by accident and found it absolutely mesmerizing. There is no narration and we never see any interviews with the subjects, the camera just follows them around, like a third eye, completely detached. The people being followed don't even seem aware that they're being filmed! (or, at least, they don't seem to care). The footage is amazingly candid. Some of the most candid I've ever seen. This is as real as it gets. The nuts and bolts of what its like to be on the street and addicted to heroin. We watch them score dope, shoot it, make up, hustle, and even impersonate cops to rob people, and about a million other tiny details that less observant documentary filmmakers would leave out.<br /><br />Some of the footage is truly horrifying. Like watching one guy frantically searching for fix he lost. I found myself praying that he would find it, just so that his misery would temporarily end. And when he does find it, the guy literally dances in the street.<br /><br />The cyclical nature of drug addiction becomes very apparent while watching this. EVERYTHING is about getting the next score to these folks, yet the next score seems to be well worth the immense trouble they go through. <br /><br />I would love to get a copy of this, if anyone knows where it is available. Highly recommended, if you can catch it on HBO. | 1 |
20,289 | [
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] | 274 | 373 | The plot of "Sally of the Sawdust" is the usual melodramatic stuff-- an orphan, rags-to-riches-- but the film rises above most silents thanks to three people: <br /><br />This is not, of course, D. W. Griffith's masterpiece, but it does showcase his film-making savvy in full maturity. He uses all his innovations, which are techniques we take for granted now: close-ups, cross-cutting, a mobile camera, and the ability to modify acting from theatrical exaggeration to cinematic subtlety.<br /><br />W. C. Fields also showcases his skills-- not his signature gruff delivery, but his remarkable dexterity as a physical comedian. He does a few inventive juggling acts, cut too short to be fully appreciated, and some very deft pickpocketing, but it seems that every prop that comes within reach gets manipulated for comic effect-- hat, cane, car roof, dog, cash. He's a joy to behold.<br /><br />Finally, there's Carol Dempster. Much has been said against this actress, but her performance here is also richly comic. She was 22 at the time, playing a teenager, and her approach to the role is a combination of grace and awkwardness that may not be wholly convincing, but she truly engages the eye when she's on screen-- particularly when she's dancing. She's not a beauty--though she's positively luminous in the one scene where she's gussied up like a Talmadge sister-- but her plainness only adds to Sally's character, especially in the many moments when she shows very obvious affection for Fields as her guardian/"father." Few, if any, Hollywood performers could compete with Fields when it came to comedy, but Griffith gives his leading lady every chance to match her co-star, and Dempster absolutely holds her own. | 1 |
20,322 | [
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] | 299 | 364 | This is one of those movies where you have to put to one side some of its obvious shortcomings (a result of the date and location of its production)and accentuate the positive. In many ways this is a truly superb film.<br /><br />Forgive the parody in the one line summary, but the most serious shortcoming for an English speaker like me was the ghastly subtitles. The print I saw had 1982 Soviet "Film Export" subtitles, which consistently used inverted grammar, presumably to give the impression of 13th century speech. The actual impact of this nonsense is to make it harder to follow the subtitles which means you spend less time looking at the images. Given that the cinematographic imagery is this films great strength, this is a real issue.<br /><br />Other IMDB-niks have written plenty about the Stalinist propaganda elements of this film (just in case the viewer doesn't notice them for him/herself). They have also written plenty about the battle on the ice scene, which is superb in my view. <br /><br />The love interest almost totally lacks subtlety and yet strangely..... almost totally lacks charm also. But it is good to cringe every now and then.<br /><br />I was familiar with the Prokofiev music to this film long before seeing the film. The images and the music complement each other marvelously. And it is the images that will stick in the mind for a long time. Bergman clearly learned a lot from these images - the imagery of his medieval pieces (e.g. The Seventh Seal, The Virgin Spring) building upon and enhancing Eisenstein's ideas. This film was made in 1938 in the USSR. In that context it is a masterpiece, albeit a flawed one. <br /><br />For the modern viewer, I suggest that you go with the flow and enjoy the many treats on show. | 1 |
20,325 | [
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] | 299 | 390 | It is important to realise that Eisenstein was a committed Marxist film maker who held some very specific and particular theories about what film could achieve, and how.<br /><br />It is simply idle to compare Alexander Nevsky negatively with anything from a similar period in the US; this film comes from the oldest film school in the world, from another continent, from an entirely different approach to cinema.<br /><br />To appreciate this film a little more, try finding out about Pudovkin's and Kuleshov's theories of montage, for example, or read the Wikipedia entry on Marxist Film Theory. If you're feeling really bold, you might even investigate the triadic forms of Hegelian dialectic.<br /><br />It follows that if you watch this film without some understanding of Eisenstein's ideas and ideals, you probably won't get it. In Alexander Nevsky the main characters aren't playing themselves, they are meant to be distillations of their nation's character. Nevsky and his generals are deliberately shown larger-than-life, because they represent stylised, heroic aspects of the entire Russian people.<br /><br />The acting isn't wooden, it's meant to be slightly mannered. It represents a completely different school from the more naturalistic, narrative style which Hollywood was rapidly adopting. Eisenstein's films are especially designed *not* to be realistic. If anything seems somewhat "obvious", whether lighting or language or a pose struck by an actor, it's meant to be that way. Eisenstein was one of the early proponents of film as an art form, not just as entertainment.<br /><br />If the editing sometimes seems to consist of a clash of images, well, that's the idea. Shots are meant to contrast with each other, Eisenstein's films contain and embody elements of a political/philosophical argument, namely Marxist dialectic.<br /><br />So sit back, shout hurrah for Russia and her folk-hero defenders, boo at the cowardly nobles and the Teuton invaders, and enjoy the difference. | 1 |
20,328 | [
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] | 249 | 320 | Eisenstein's first sound film retells the battle of the ice of 1242, when the Russians under Alexander Nevsky defeated the Livonian knights, eager to bring Russia under Roman Catholicism. Made in 1938, Nevsky can be seen as a piece of propaganda: the Germanic knights, with their sinister (and somewhat goofy) helmets are obvious stand-ins for the Nazis. The butchery by the knights when they enter a Russian town seems a prophetic warning of the massacres of World War II. The film ends with a warning: those who came to Russia with the sword will die by the sword. Made in delicate black and white (somewhat reminiscent of a daguerreotype), it also marked Eisenstein's return to official favor. By the late 1920s, Stalin wanted Soviet filmmakers to stop experimentation and made movies that would be more populist and palatable to the Russian public. That stopped Eisenstein's career in Russia for a decade, and in Nevsky he came back with his more accessible film. Nevsky's strong point is in its second half, which features the battle itself, and it is justly seen as a milestone in movie history: never before (and probably never after) a battle would be so vivid in the screen. Another strong point is Prokofiev's beautiful, haunting soundtrack (using a composer to score a movie was completely unusual at the time). One of its weaker points: the comic relief (in the form of two simpleton Russian warriors trying to woo a beautiful Russian peasant) is really jarring. | 1 |
20,340 | [
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] | 268 | 354 | Vanaja (2006), written and directed by Rajnesh Domalpalli, is an extraordinary film from South India. Mamatha Bhukya plays 15-year-old Vanaja, who lives in a rural area with her loving but alcoholic father. If she is going to succeed in life, she will have to overcome the liabilities of low caste and poverty. <br /><br />I went to the film expecting the depiction of an wretched girl who is crushed by society. This isn't what "Vanaja" shows us. The young woman is attractive, intelligent, and ambitious. She won't accept her fate with tears or simple resignation. She wants to succeed, and it's never clear that she won't succeed, despite the odds. <br /><br />The acting that Mr. Domalpalli draws forth from his cast of amateurs is miraculous. Mamatha Bhukya is outstanding in the title role, and Urmila Dammannagari does an exceptional job as Mrs. Rama Devi, the wealthy landowner who is a formerly famous classical dancer.<br /><br />In the film Vanaja learns South Indian classical dance, as she did in real life. I couldn't tell how good Vanaja's dancing was by Indian standards, but the many dance scenes were spellbinding. (Don't think Bollywood--this is classical dance. It's also very different from ballet, because in ballet the dancer lifts her heels away from the floor. In Sound Indian dance, the heel is the primary contact point.)<br /><br />This is a movie that is not to be missed. It will work on DVD, but will be better on a theater screen because the dancing will be shown to better advantage. However, if DVD is your only option, then see it that way. Just be sure to see it. | 1 |
20,342 | [
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] | 244 | 302 | Winning 26 out of the 28 awards it was nominated for, there is no doubt that this film will stand as one of the best of 2007. The fact that it was made with non professionals who were trained to act and dance makes it that much more special.<br /><br />It is not a Bollywood production, but it is about art. A lower caste girl wants to sing and dance. She wants to move up in society, but there is a limit. Everyone cannot be President in India, there is a caste system, and the narrow minds will not allow it to be breached.<br /><br />Vanaja (Mamatha Bhukya) quits school at 15 and goes to work for the Landlady (Urmila Dammannagari), who was once an accomplished dancer. After some time working the animals, she is taught to sing and dance. The film is strikingly beautiful with rich color. It is amazing what can be done with $20,000, as this film was a Master's project for the writer director.<br /><br />The Landlady's son (Karan Singh) returns from America to run for office and is struck by the girl. But, she is lower caste and can only be a vessel for his lust. Things are no better at home as her father drinks and eats and steals her money. She ends up pregnant and has to sell the baby to the Landlady.<br /><br />In the end, she never rises above her caste, but the story was fascinating and the acting was really good. | 1 |
20,347 | [
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] | 290 | 373 | Wealthy businessman Bill Compton (played by Dennis Patrick) accidentally kills his daughter's hippie boyfriend after an argument. Panic-stricken, he retreats to a bar, and meets Joe Curran (played by Peter Boyle): a loud-mouth, angry, bigot who is bitter over how his beloved country has become. Unintentionally, Bill allows Joe to find out that he just killed a hippie. And this is only the beginning. "Joe" is a classic film of an unlikely friendship. A bond between two men, one of a white-collar background, the other of a blue-collar background. Bill & Joe have one thing in common, they are disgraced over how crazy the world has become. Dennis Patrick & Peter Boyle have both given very realistic portrayals of their characters. Director John G. Avidsen with this "pre-Rocky" effort, directs this low-budget gem with the same finesse as a movie with a $100 million budget. The script is loaded with excellent character development and very snappy, realistic dialog. In spite of its strengths this film does have its weaknesses. The script falls asleep roughly 3/4 of the way through, but it wakes up just in time for the jarring climax. This film also features a very early and uninspiring performance by a 24-year old Susan Sarandon as Bill's daughter Melissa, along with her hippie boyfriend Frank, portrayed very blandly by Patrick Mc Dermott. One could only be thankful that he was killed off early in the film. In spite of its few flaws this is one of those forgotten films of the 70's that should not be. Even though "Joe" is very dated to today's standards, the chemistry between Dennis Patrick & Peter Boyle is completely relevant today, and it is the glue that holds the whole film together. | 1 |
20,351 | [
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] | 252 | 344 | 22. JOE (drama, 1970) Joe (Peter Boyle) is a racist factory worker who's known to hate "hippies and ni**ers". He meets Bill, a businessman who has just murdered the lover of his drug addict young daughter Jill (Susan Sarandon). Jill runs away and joins a hippie commune at the outskirts of town. Bill turns to Joe for help. Their search leads them through the seediest parts of town where both men's inner hatred and loath is furthered tested.<br /><br />Critique: This was director John G. Avildsen's first sleeper-turned smash hit (an amazing run which included: 'Rocky', 'The Karate Kid', 'Split-Image', 'Weekend at Bernie's'). Film is interesting enough in that it served to encapsulate the themes and ideas of the turbulent 60s (Vietnam War, black power, women's lib etc.). It also has a good performance from Peter Boyle as Joe, one of the cinema's first antiheroes. He's always been good at playing creepy, bossy heavies whose abstract ideas are enforced by his intimidating presence (he would play the Frankenstein monster in Mel Brook's spoof Young Frankenstein). He reminds me of a little kid trapped in a big, dumb, awkward body. Film has a weak script (the meeting of Joe and Bill, for instance, is a bit coincidental), but it has a particularly gruesome, post-Taxi Driver ending.<br /><br />QUOTE: Title Song: "I saw a fella selling junk to children. He gets nervous every time I pass Cause he knows that if I catch him I'm gonna kick his head and kick his fat a$$." | 1 |
20,353 | [
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] | 264 | 335 | I only voted excellent because this film took two snapshots of Americana: one in 1970, and one for every year afterward. <br /><br />Nothing's really changed.<br /><br />Joe is actually a jerk, a big stupid slob who's mad at everybody else in the world for his own idiocy. This ain't really a spoiler, but the key to the film is the big, corporate "never does wrong" guy making friends with this semi-troglodyte Joe, and he gets some kind of...validation from his bigotry and stupidity and sense of being wronged. <br /><br />Yet, few would argue, that the dealer boyfriend did deserve to die. And those kids shouldn't have ripped Joe and Compton off. And Joe and Compton were actually getting into the hash and the young skin until they got ripped off. A simple film in many ways, except that in 1970 New York City was par to a battle zone thanks to Nixon's care, and all of the money going to the war in Vietnam. As I write this (2/25/2007) there is a "very long wait" on Netflix for this film - which makes me happy because I think there are people out there who want to learn. This was a pretty good snapshot - not exact, a bit caricaturist - but actually pretty close to how it was back then. And the scary thing is - things haven't changed that much. Sure, there's no more welfare, but that just means the wage-slavery has won out. <br /><br />Amazing how millionaires will complain about not making enough money, then complain that $5.15 an hour is too much to pay their people. | 1 |
20,354 | [
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] | 279 | 377 | WARNING: Reading this entry after watching the movie! Like 'Easy Rider' released a year before, 'Joe' tries to illustrate what happens when the counterculture and mainstream (albeit right-wing) America meet: a violent end ensues. Although this film is for the most part a slow-moving display of traditional "old-fashion" American morals versus the 60's "do-what-feels-good" lifestyle, it is also a commentary on upper-class vs. lower-middle class and their inability to meet in the middle as illustrated when the Comptons meet the Currans. Boyle's Joe represents a generation stuck in the 1940s and 50s where 'Kill a commie for Mommy (or jap or hippie for that matter) is okay so long as it helps and saves America. Joe and wife Mary Jo are clearly the archetypes for Archie Bunker and Dingbat wife, Edith. This movie - which will forever be known for it's violent (but not bloody - no blood is seen at all) ending is uneven however. Joe blasts (verbally) the hippie generation then (literally) lays down with them to infiltrate their numbers to locate Compton's daughter - when clearly he should have been repulsed by the idea but forgoes the separatist idea for the sake of sex. When he is betrayed through thievery (read: trust of the older generation to the newer generation), he lashes out through an unrelenting chain of murder. Perhaps it is due to the Tarantinos of Hollywood that the watcher expects blood-streaming death in the end scene, but the bloodless shootings long for any sort of impact or realism. 'Joe' is not a great movie, but it is an interesting display of class and culture alienation and the animalistic underlying extremes to the generation gap. | 1 |
20,359 | [
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] | 260 | 323 | Though I saw this movie about 4 years ago long before I started commenting on IMDb, I decided to review it now which is unusual for me since before now I often reviewed something just after seeing it. What can I say? Well, the best performance is that of the late Peter Boyle as the title character who, after finding out about a man's killing the drug-dealing boyfriend of his daughter, wants to bond with him even though he's a Madison Avenue executive who has nothing in common with the very lower-class conservative Joe. In fact, there are plenty of funny scenes of Joe at this guy's party making smart alecky remarks there. Oh, and it should be noted that the actress that plays the daughter who they're looking for after she disappeared from the hospital after overdosing on some drugs is none other than Susan Sarandon making her film debut! This was a pretty hard-hitting movie for the time it was made (late '60s-early '70s) and was compelling work from scripter Norman Wexler (later of Saturday Night Fever) and director John G. Avildsen (later to do Save the Tiger, Rocky, and The Karate Kid). Certainly the ending packs a wallop even today after all these years! Highly recommended for anyone curious about the counterculture of that time. P.S. Among the cultural artifacts seen here are a Raggedy Ann doll, a box of Ritz crackers, a bottle of Heinz ketchup, and, unique for the era, a Nixon poster asking, "Would you buy a used car from this man?" | 1 |
20,382 | [
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] | 340 | 393 | It is hard to know what category to put this film in, most films set in this time period of US history are westerns but here instead of the wide open plains of the west the action is almost entirely confined to a claustrophobic girls boarding school in Louisiana.<br /><br />The film opens with Amy, a young girl, walking though the woods picking mushrooms, as she does so she stumbles upon Corporal John 'McBee' McBurney, a wounded Union soldier, who she takes back to the school. We know that he isn't a particularly nice person when he kisses her on the lips to distract her from alerting a passing Confederate patrol even though she told him she was twelve.<br /><br />Once back at the school opinions are divided about what should be done with their new guest, some think they should look after him till his wounds are healed while others believe that it is treason not to hand him over to Confederate forces at the first opportunity. The former group prevail and he gradually recovers. As he does so his presence has an effect on all of the girls who haven't had a man on site for a long time, including a young teacher and the head mistress who's previous relationship appears to have been with her own brother. McBee sets about seducing them, emotionally if not physically, this leads to considerable jealousy amongst the girls.<br /><br />While this film is rated fifteen it is definitely not for younger viewers both for the sexual content, of which little is actually shown but much is implied, and for a very gruelling scene which had me squirming more than any other scene in any film I've seen for quite some time. It is interesting to see Clint Eastwood play against type, instead of being heroic his character is both unpleasant and for most of the time at the mercy of the women around him. The acting is solid throughout, not just from Eastwood but also from all the actresses, including the young Pamelyn Ferdin who played Amy. | 1 |
20,384 | [
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] | 318 | 393 | This super creepy Southern Gothic melodrama stars Clint Eastwood as a wounded Confederate officer in the Civil War who's taken in by a rural girls' school and nursed back to health. A weird clash of genders ensues, with the supposedly "dangerous" male falling prey to a batch of seemingly harmless women, who prove themselves to be every bit as brutal as the men waging war on one another at the battle fronts. This is a classic spider and the fly story, but here there's one lone fly and a whole bunch of spiders.<br /><br />Geraldine Page plays the head mistress of the school, and she gives a characteristically sensational performance. Page was trained as a theater actress, and it shows in all of her performances. No matter what role she played, she always committed herself 100% to it, and never once let herself drop out of character. So it is here, with this lethal spinster, who takes her sexual repression out on this helpless man. Each of the other girls responds to him in her own particular way as well. The two most prominent are the slutty girl who can't wait to throw throw herself at him, and the virginal one (played by who else but the mannered Elizabeth Hartman?) who acts like she would fall over in a dead faint if someone so much as said the word "penis" to her. The schematic Madonna and the whore storyline would seem heavy-handed if the movie didn't keep you so off-kilter and so completely unsure of what was going to happen next.<br /><br />The most memorable scene in the film for me occurred when the group of women perform an amputation of Eastwood's leg, which has become infected with gangrene. Again, the spider/fly allusion is clear: they hobble him so that it's that much harder for him to escape their web.<br /><br />A classic chiller. Not a great film, but a morbidly entertaining one.<br /><br />Grade: A- | 1 |
20,394 | [
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] | 274 | 341 | The Beguiled was one of the few early Eastwood films I hadn't seen until I gave the DVD a spin today. And from it's opening sepia-tinged shot to the macabre climax I was utterly enthralled. Too many film-makers these days substitute special effects, fast editing and dizzying camera-work in place of character-driven stories, but Director Don Siegel knew how to get the maximum effect from this relatively simple plot, and the characters are believable and compelling.<br /><br />The story concerns a ladies finishing school which happens to be situated on the edge of various skirmishes during the American Civil War. The south-supporting ladies find a badly wounded Union soldier (Clint Eastwood); nursing him back to health he begins to manipulate the sexually frustrated women for his own ends.<br /><br />Geraldine Page is excellent in the role of the headmistress with a secret, and her descent into madness is subtly conveyed. For a film that virtually takes place in a single location it never loses visual interest. There's even a chance that the normal status quo, long abandoned when Eastwood's machinations are uncovered, could return; but the mistresses and pupils descend upon a darker road...<br /><br />This is a totally different style of film from the same Director's Dirty Harry, made in the same year, and yet they are both equally superb. Eastwood is great playing against his usual stoic anti-hero image, yet there's also some mysterious quality attached to his character. We never really learn much about him prior to his incarceration, and the viewer is free to decide upon his well-shaded persona. Villain or Victim? Whatever you think, all I can say is that I thoroughly enjoyed it. | 1 |
20,397 | [
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] | 308 | 389 | The Beguiled is a pretty satisfying film for those who are after the things above. For Clint Eastwood's die-hard fans, it will be a disappointment. Although Eastwood does his best here in his so atypical role (except for the fact that his character is a charming womanizer, which he isn't so unacquainted with), the ambiguous nature of his character, which goes from being a sort of fallen hero to a manipulative and insatiable woman eater (to put it that way) will eventually be too much to handle for anyone used to see him play heroes in the best western tradition, morally a bit unclean but still without that dark side. I think he manages to pull this unlikely part off, but those who really steal the show are the two rivalising women, the schoolmistress Geraldine Page and the head of the students, played by Elizabeth Hartman.<br /><br />We see that there is a potential devil in every man and a potential witch in every woman, especially when it comes to sexuality and sexual desire. Hartman's Edwina is the sweetest, most innocent girl in the world until she becomes infatuated with John McBurney and becomes possessive of him. This is what causes tragedy, as well as the headmistress' secret lust, the forbidden fruit. She carries a great and ugly secret about her incestuous relationship with her brother, whom she clearly idolizes still. The fourth factor in this "unholy" love spiral is the wicked Carol, played by Jo Ann Harris, who lures John away from his crush on Edwina and into her bed.<br /><br />The whole nature of the story gives this film a sort of Gothic feel, which makes it a pretty rare thing in the Western genre, but a popular thing in the movies of the 70's. A unique achievement by the Siegel/Eastwood team and a movie not for the faint hearted. | 1 |
20,404 | [
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] | 272 | 315 | First of all I'd like to start by saying it's a refreshing start to see a British Drama that finally looks and feels believable. <br /><br />Patrick Stewart does the role justice as (Ian Hood), the government Science adviser, with his constant and unwavering views on authority and thoughts about the future of "real world" science and how he feels It's either being used or abused by others. <br /><br />Not only is the casting thoroughly maintained all the way throughout the Series, but it makes it's characters seem more believable than most other British Drama's. <br /><br />Ashley Jensen also delivers a first rate performance as Dr. Hood's Appointed bodyguard (Rachael Young), she brings a refreshing take on the unscientific, Uninterested everyday views of science, and her constant battling with Hood makes for some very funny and memorable moments between them.<br /><br />The way the series keeps all the scientific elements more realistic I Find positive and more engaging than the psychobabble we are so used to in other Fiction or Science Fiction TV shows. <br /><br />There are however notable disappointments with the series, every time an Episode ends I find myself disappointed that they didn't seem to cover all aspects of the plot and sometimes leaving open-ended stories unclosed. <br /><br />Although bearing in mind that this is still the first series, I hope that we see a return to form in the near future where these open ended stories can finally be given a significant conclusion they so rightly deserve.<br /><br />For those who enjoy more slow paced science related plot lines, this is the ideal show to watch as it always manages to stay believable and more Importantly to the point. | 1 |
20,412 | [
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] | 267 | 374 | Ladies and gentlemen, we've really got ourselves a winner here. Actually we don't, but boy is this film an often hilarious and always entertaining horrible hoot of a stinker. Poor Alma (fetching Julia Ruiz) is suffering from an ancient Mayan curse that causes lethal poisonous snakes to grow inside of her body. Alma and her deranged shaman husband Brujo (Alby Castro, who feverishly overacts with delicious eye-rolling intensity) stowaway on a train that's bound for Los Angeles. Naturally, a bunch of deadly vipers get lose so they can terrorize the motley assortment of passengers. The Mallachi Brothers, working from an absurd script by Eric Fosberg, treat the ridiculous premise straight, thereby creating a wonderfully wretched piece of deliriously campy cheese. The cruddy CGI effects, the pathetically unfrightening common variety Gardner snakes (there's would-be scary rattlesnake noises added to the soundtrack to imbue them with a faint sense of otherwise nonexistent menace), the plodding pace, the total dearth of any tension or momentum, the obvious rickety stage-bound train set, and especially the simply astonishing "you gotta be kiddin' me!" over-the-top preposterous ending are all downright awesome in their very jaw-dropping awfulness. Better still, we also got game (if lame) acting from a no-name cast, a nice smidgen of tasty gratuitous female nudity, a funky hum'n'shiver score, and plenty of extremely gross and grotesque make-up f/x. Bonus points for the fact that the token irritatingly cutesy little girl gets eaten by a large reptile and for the stoner engineer who gets caught smoking crack out of a hollow light bulb (!?). An absolute gut-buster of a kitsch howler. | 1 |
20,414 | [
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] | 285 | 351 | Snakes on a Plane was such a well hyped film that it was both inevitable and a little crazy to try to release another movie with almost the same title in the same year let alone the same week. Reading the other comments here I see the results. A lot of people are mad. Mad because it doesn't have the best special effects. Mad because it doesn't have a star cast. Mad because they wanted to see Samuel Jackson say "I'm sick of these M^*&*&%-Er F*^(^%-Ing Snakes on this M^*&*&%-Er F*^(^%-Ing Train"! <br /><br />Well, this sure ain't the Samuel Jackson version. And maybe that's good.<br /><br />Snakes on a Plane was lost between cop film and horror, a family action film and a bloody gory movie of death. Saturday Night Live performers got laughs while Jackson swore enough to make a grandmother cover her ears, and as far as kids go, they would be traumatized by the violence.<br /><br />Snakes on a Train however knew exactly what it was. This was a cheaply made horror movie on a train. Sure it had snakes and sure many of them were scientifically harmless garden snakes with fake rattler sound effects. But never once did it miss a step in its plot or intention where as the "on a Plane" version was tripping all over itself from the first scene on.<br /><br />I did enjoy the over the top fun that Snakes on a Plane had to offer and I admit that the "...on a Train" version was a little dry. But hey, in trade, it was a cool and unexpected story. This little horror film could have gone way more wrong than it did.<br /><br />For this it gets a 7 out of 10. | 1 |
20,417 | [
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] | 290 | 368 | It's very easy to figure out why The New Professionals was a dud, at least in New Zealand: it didn't just follow in the footsteps of the original, it followed Bodyguards, which out-Professionaled the show considerably with its boss-and-two-agents formula. Cmdr McIntyre was a latter-day George Cowley: tough on his team, but one who would defend them to the death against others. The shadow the show cast was huge.<br /><br />Well, not as huge as it should have been in the UK. Here, it was networked in prime-time. It was even marketed in the promos as, 'They are the professionals.' Someone else obviously noticed the difference. We were fortunate enough not to have this show released in different regions at different time slots.<br /><br />It was the high production values that sealed the deal for me. As other reviewers have noted, it followed the great British tradition of the one-hour actioner, but blended in personal elements at the same time. There's a slight undercurrent of something developing between Liz and Ian, though that never distracted one from the real plot. Most episodes were based around inflammatory diplomatic incidents, the sort of thing that helps Spooks along from time to time.<br /><br />Unlike many 2000s shows, the plot was not sacrificed at the expense of fancy-pants photography or over-stylish direction. Directors like Christopher Young kept the pace up and did their job. They made use of good locations, making Bodyguards slicker than if it had been shot on back roads and alleyways. It was contemporary, it would still stand up beautifully today, and it was one of the better examples of the British actioner in the 1990s, showing that the UK can still do them better than anyone else.<br /><br />Maybe except for the Germans and their Cobra 11. | 1 |
20,423 | [
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] | 311 | 391 | Marco Poloni (Costas Mandylor) was born into a baking family in the Bronx. Although the Polonis have been well known for their confections over the decades, the business has fallen on hard times. Meanwhile, Grace Carpenter (Lauren Holly) is a most talented dessert maker in Manhattan but, she can not seem to land a prime confectionery position because of the glass ceiling. An accidental meeting between Marco and Grace results in a conversation about a possible solution for them both. There is a high profile bake-off, The Golden Whisk, taking place in the near future and Marco wants Grace to partner with him. There is a hefty amount of "dough", haha, at stake for the winners, enough to set Grace up in her own business and save the Polonis eatery, too. Reluctantly, Grace agrees. But, there are complications. Some of the judges and fellow contestants may have past issues with both Grace and Marco. Then, too, although Marco and Grace both feel some sort of attraction for the other, Grace has a long standing, very rich boyfriend. Can Marco and Grace win the contest? This is a lovely film for the romantic at heart. First, there is the nice cast. Holly has always been a lovely actress with a notable husky voice that furthers her attractions. In this film, she is perfectly cast as the determined but beautiful Grace. Mandylor, a newcomer, delights, too as the good-looking rival baker. The rest of the actors, including the wonderful Brenda Vaccaro as Marco's mother, is quite nice. As a Hallmark movie, the costumes, sets, and production amenities are beyond reproach and the script still manages to seem fresh and funny, despite some familiar themes. Treat yourself, romcom lovers, to a most sweet confection by securing a viewing of this film. It is definitely the movie equivalent of a big box of quality chocolates. | 1 |
20,428 | [
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] | 279 | 325 | "A Minute to Pray, A Second to Die" is a quality spaghetti western with a solid cast and an interesting storyline. It is filmed beautifully, with a relatively high production value for a film in this genre.<br /><br />Alex Cord does a terrific job portraying Clay McCord, an outlaw who is suffering from increasingly debilitating seizures. He is seeking amnesty before his enemies close in on him, but is being too cocky for his own good when he asks for it. Robert Ryan delivers the best performance in the film as the governor of New Mexico. Mario Brega and Arthur Kennedy are also great here.<br /><br />This movie is very good, but it doesn't stand out to me as being one of the best spaghetti westerns out there. It's lacking too much in style to be in the same league as any of the great ones. It does have some cool spaghetti overtones, but overall it's a bit too much like an American western. This is especially evident in the music score, which is OK as movies go in general, but pretty dull by euro-western standards. The soundtrack kind of reminds me of the music from "The Unforgiven." Although there is an interesting story here, it is told in a manner which is a bit too conventional for my tastes. If a spaghetti western fan and a Hollywood western fan had to watch a movie together, this one would be the perfect compromise.<br /><br />All of this is not to say that anyone should avoid this film. I did enjoy watching it very much. As I said, it is a very well-done film and I recommend it to anyone who likes westerns, spaghetti or otherwise. | 1 |
20,430 | [
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] | 269 | 342 | I found this to be an underrated, quietly compelling Spaghetti Western (also known as DEAD OR ALIVE). Despite modest credentials (apart from multi-purpose co-writer/producer Albert Band, the only notable crew member is composer Carlo Rustichelli), the film clearly benefits from the presence of its three American stars (newcomer Alex Cord is an ambiguous anti-hero, while veterans Arthur Kennedy and Robert Ryan lend a mythic quality to the proceedings) as well as the unusual plot (involving a crippled protagonist, an amnesty ruse covering a strategic clean-up of the town, and which has the law finally siding with the gunfighter against a horde of Mexican bandits).<br /><br />There are several tough action scenes on hand the film is capped by a terrific climax in which the star trio is besieged inside a blazing cabin plus a couple of outrageous moments which are something of a Spaghetti Western trademark: from the middle of the street, Cord sees a hidden gunman at a window reflected in a whiskey bottle; a man who helps Cord escape is repeatedly immersed in a pool of oil by the villains. Nicoletta Machiavelli also makes a nice impression as a village girl with whom Cord lodges; the supporting cast, then, is peppered with familiar (if largely anonymous) faces all of them essentially genre fixtures.<br /><br />I wasn't aware of the fact that the English-dubbed version of the film on MGM/UA's R1 DVD was cut: I was fooled by the wrong running-time being listed on the back-cover; the film was only 99 minutes long and not 118 apparently, Cord's character is killed in the longer Italian version! | 1 |
20,431 | [
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] | 244 | 314 | In A Minute To Pray, A Second To Die, Clay McCord (Alex Cord) is an unhappy outlaw with a ten thousand dollar bounty on his head and degenerative epilepsy.<br /><br />Realizing his days as an outlaw are numbered, he wants desperately (though somewhat reluctantly) to take advantage of an amnesty being granted by rough and tumble territorial governor Robert Ryan, (excellent performance) who badly wants McCord to renounce his ways and accept the amnesty as an example to others while in the bandit hub of Escondito, outlaw Mario Brega plans to kill McCord to stop that from happening.<br /><br />Also starring Arthur Kennedy, Aldo Sambrell and a slew of other familiar European faces, this is co-written and produced by (American) spaghetti western pioneer Albert Band, also responsible for the pre-Leone film Gunfight At Red Sands.<br /><br />Though the solution to the main character's "epilepsy" is lifted straight out of Howard Hawks' El Dorado, the script is solid, pretty fresh and unpretentious. This has a great balance of action and story and Alex Cord is great in it. He really should have been a bigger star.<br /><br />In defense of the shorter (well dubbed) English version: personally I'm past that age where the longer version is always the better version and the ending where McCord is ironically gunned down by grimy bounty hunters after his pardon, is needlessly nihilistic and completely destroys the film's message about hope and redemption.<br /><br />Call me old-fashioned, but I rooted for McCord and felt he earned that happy ending! | 1 |
20,433 | [
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] | 264 | 355 | There have been very few great comedy films in the history of Hindi Cinema. Andaz Apna Apna happens to be one of them. The film is based on a very simple story of two poor young men (Aamir and Salman) who dream of becoming rich by marrying a millionaire's daughter (Raveena). Aamir and Salman Khan try their best to outwit each other and woo Raveena. The plot thickens when Paresh Rawal & Co. plan to take over all the wealth. The movie is well paced and very funny. Rarely does one come across a Hindi comedy which is both funny and intelligent. This is one of the few films with Aamir and Salman together (probably the only film!). Unfortunately it did not succeed at the box-office, and we might never see a film of this calibre again. Aamir Khan is brilliant in the film and has proved his versatility as an actor in this film. Salman Khan gives a very good performance as a dim-wit. Raveena plays a convincing role as a confused rich girl, and Karishma who is Raveena's assistant/friend is also funny. Paresh Rawal, Junior Ajith, Shakti Kapoor, Deven Verma, Jagdeep and Tiku Talsania just add to the flavour of the film! All in all, the best Hindi comedy ever made and I wish they make more quality films like this one. You will want to watch this film time and again.<br /><br />P.S - For those of you who have watched this film, I also suggest Gol Maal, Chupke Chupke, Chhoti Si Baat, Naram Garam, Hera Pheri (old and new), etc. | 1 |
20,436 | [
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] | 307 | 374 | Through the years I've been very much interested in the life of this teenager who left such a profound, indelible mark on the world. My fascination has also been born of fear, as in, could this happen again.<br /><br />And throughout the ensuing years, yes, I fear 'it' continues to happen around us and of course 'it' was happening long before Anne. The 'it' of course is can a so-called civilized society turn on its own or on an innocent country/race/continent and murder citizens in cold blood on the flimsiest of excuses? I leave that question out there.<br /><br />At the beginning of the documentary there is a statement about the leader Adolf Hitler in that the one profound fact about Hitler that is never mentioned was that he was elected democratically and all of the atrocities committed were done as the result of a compliant poodle-press and fear-mongering propaganda played over and over again for a docile population.<br /><br />One of the atrocities was Anne Frank, who put a face to the death camps by the miracle of her diary's survival.<br /><br />Kenneth Brannagh does a wonderful job on the commentary and interviewing, he has that rare gift of minimizing his own persona thus allowing the subjects to speak for themselves.<br /><br />Many new facts and people never before interviewed are brought to life in the meticulous research, which I will not go into here as they add immeasurably to the reality and gut wrenching sorrow of the film.<br /><br />Glenn Close reads selections from the diary and her voice is perfect for the part, she brings a naiveté and freshness to the role.<br /><br />Old childhood friends of Anne's are interviewed at length and her last days before death are well recorded and witnessed along with her vibrant and mischievous personality.<br /><br />This is not to be missed. A wonderful and respectful film about the seldom seen Anne.<br /><br />10 out of 10. | 1 |
20,444 | [
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] | 302 | 365 | "The Phenix City Story" is a brutal, hard-hitting docudrama about what was once dubbed the "wickedest town in America." The film documents the events that led up to the murder by the Phenix City crime syndicate of Albert Patterson, an Alabama attorney who made a bid for the state attorney general's office as a way to clean up the vice and corruption plaguing his hometown. His son, John Patterson, picked up his father's mantle after his death and won the post, making clean up of Phenix City a primary item on his agenda.<br /><br />Director Phil Karlson created a film that has the ability to shock even today. The grimness is so relentless that the film is actually difficult to watch. We see the crime syndicate beat and kill in order to get what they want -- the beatings and killings include women and children, and one scene in particular, revolving around the death of a little black girl, is especially disturbing. It's not exactly an enjoyable film, because there's very little payoff at the end to reward the viewer for sitting through the infuriating events leading up to it, but it's a well made film, full of an intense and angry energy.<br /><br />A 15-minute prologue includes a series of interviews with the actual inhabitants of Phenix City, some of who are then portrayed by actors in the fictional portion of the film. It lends the film a quality of urgency that carries over into the narrative, so that we feel like we're watching a documentary the entire time, a feeling that's helped by Karlson's choice to film on actual locations.<br /><br />I'm glad I saw this movie, but it's one of those films that fills you with a sense of righteous indignation and then makes you feel helpless because you can't do anything about it.<br /><br />Grade: A | 1 |
20,446 | [
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] | 291 | 328 | Born in 1946 I was about eight years old when first viewing this movie and it left a deep impression.Not only scary ,for lack of a better word this movie haunted me for more than 50 years.The mob goon played by John Larch was terrifying.The only scene that stuck out in my mind during those 50 years was the killing of the little girl and the uncaring policeman referring to her as a "little n----- kid".Those words were replaced when the movie was shown recently on TV,maybe there are two versions of the movie or someone felt compelled to alter a little bit this heart breaking scene.Accurate or not the film went a long way in formulating my opinion of the South and still till today the closest I've come to visiting a southern city is El Paso.That stand may seem extreme but there is a little bit more to the story.When the movie was shown recently it became clearer why it haunted me for years.With the newsreel like beginning this movie gives the impression that what is being shown is fact.The film is made supposedly only one or two years after the depicted incidents adding to its realistic credibility.The terror in the movie isn't provided by creatures or space aliens but by persons living in our society at the time.Re killing of little girl:The recent viewing helped make clearer the impact it had on my 8 year old mind.When this movie came out the only school I had ever gone to was attended by mostly African-Americans.The victim looked like a girl in my class,it was like seeing an actual killing.It made a horrible scene that much worse.Maybe no one will find this review helpful but it helped me. | 1 |
20,450 | [
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] | 303 | 375 | It's hard to imagine that "The Battle of Elderbush Gulch", directed by the legendary D.W. Griffith, was made a way back in 1914. It is a showcase for Griffith's emerging style.<br /><br /> The story centers around a group of settlers called the Cameron Brothers and their families which include a young waif (Mae Marsh) sent out from the east to live with her uncles and a young wife (Lillian Gish) who has just given birth. A group of Indians tries to capture the waif's pet dogs and are driven off by the men folk. During the confrontation the Indian Chief's son (Henry B. Wathall) is killed. The Indian chief plots his revenge and launches an attack on the small community of Elderbush Gulch.<br /><br /> It is this attack, which is quite brutal and graphic for this or any other time, that forms the core of the picture. The Indians slaughter the towns folk, women and children alike and drive them out of town towards the Cameron's homestead. The newborn baby becomes separated from its mother and all hell breaks loose. Someone goes for help and returns in the nick of time with the calvary.<br /><br /> The battle scenes contain some graphic violence. For example, we see a woman being scalped alive and there is also a sequence where we see a horse being shot down. I have never seen an animal being slain so convincingly on screen. Mr.Griffith was becoming a master of staging large scale battle scenes, a talent that he would use extensively in his epic Civil War drama, "The Birth of a Nation" released the following year.<br /><br /> Even though it runs a scant 29 minutes, "The Battle of Elderbush Gulch" is nonetheless an exciting and historic bit of film making. See if you can spot Lionel Barrymore and Harry Carey in bit parts. | 1 |
20,454 | [
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] | 291 | 369 | This movie really proves that the world is all too often an unfair place, especially the world of motion pictures. "The Assignment" received barely any attention upon it's release and not surprisingly flopped at the box-office, but when history will be written this movie will most surely receive some long lost praise.<br /><br />Thank God I'm surrounded by friends who knows what's good for me. Being a movie buff like myself a pal highly recommended "The Assignment", a movie I hadn't even heard about. I decided to check out what Leonard Maltin gave it, and not surprisingly he gave it **1/2. Knowing that this is the same grade he gave classics like "Alien", "The Usual Suspects" and "The Matrix" (I kid you not) I knew his meaning didn't mean diddly squat jack s***. So without hesitating I went out and bought it on DVD. This was about 3 years ago and the movie is still one of my proudest belongings in my DVD collection, despite a cover design that echoes a low budget stinker with Casper Van Dien.<br /><br />"The Assignment" is expertly directed, delivering some really intense moments that will hold you on the edge of your seat throughout the movie, on top of that it boasts an at times brilliant story that you know will be riddled with unexpected twists and turns. It stars Aidan Quinn in one of his best performances, and serves him with great support by Donald Sutherland and Ben Kingsley who are both in great form.<br /><br />Something like 40 out of 42 user comments like this movie, most of them can't seem to praise it enough. So what are you waiting for? If you call yourself a fan of action-thrillers you should have bought it, rented it, seen it YESTERDAY! | 1 |
20,455 | [
300,
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] | 266 | 331 | The Assignment is an outstanding thriller with several plot twists driven by character, rather than star turns, the need to stage special effects, obligatory romance, and endless car chases. However, there is a car chase in here, and a dandy it is. Aidan Quinn is wonderful as both the terrorist and the naval officer "recruited" to eliminate him. It is rare that a second or third tier actor, such as Quinn, is given an important starring role like this that carries a film. Usually, such a role is given to an A-list actor with box office draw, which is probably why I never heard of this film before I saw it. Donald Sutherland is great as the morally ambiguous, somewhat creepy at times, agent that recruits Quinn. Ben Kingsley is fine also as the Israeli agent. The plot is very complex and there are multiple story lines, which converge in gradual fashion toward the end, and not all at once as we're used to seeing. The paranoia and claustrophobia of these type of thrillers is captured and portrayed with both moral ambiguity and frightening intensity. The locations are convincing and effective. The soundtrack is nothing special, but rarely do we get all of the above mentioned qualities these days, without dumb and/or meaningless plot developments; unconvincing star turns; loud, annoying, music video type soundtracks; a villain that hams it up; and repeatedly a cast, costumes, and plot that cater mostly to an audience under 25. This is an outstanding thriller, which most assuredly did not get its just due upon its release. ***1/2 of 4 stars. | 1 |
20,469 | [
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] | 261 | 310 | I'm a huge fan of the spy genre and this is one of the best of these films. The Assignment is based on a true story, which has been somewhat embellished for the big screen, and it really takes you on a fun ride. The film has a great cast, starring Aidan Quinn, Donald Sutherland and Ben Kingsley.<br /><br />Naval Officer Quinn is a reluctantly recruited by Sutherland after a chance meeting with Kingsley who believes Quinn to be the famous terrorist Carlos the Jackal. Because Quinn so closely resembles Carlos, Sutherland stops at nothing to recruit him because Sutherland is obsessed with the terrorist's capture or death.<br /><br />The training sequences are awesome. Quinn is really put to the test by Kingsley and Sutherland, having to withstand attacks from remote controlled snowmobiles, from eating the same food each day, to being drugged with a hallucinogen. He even has to learn how to make love to a woman the way Carlos would.<br /><br />The film has some great action scenes with Quinn eluding allies because they believe he is Carlos and in his final mission when he is to kill the jackal. Throughout the film, Quinn must struggle with the new personality he has attained versus his own. Will he remain as ruthless and free as Carlos or will he once again return to his life of a good husband and father? <br /><br />If you like the spy genre, this is a must see. The action is used only to propel the story of this thriller forward; no gratuitous explosions or fight scenes. Rating 10 of 10 stars. | 1 |
20,482 | [
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] | 324 | 379 | Okay so I love Aidan Quinn's acting even with a bad script. This is not the case in The Assignment. As other viewers have said, this was a movie I stumbled upon on cable and got so into it I didn't want it to end. Take one Cuban American Navy Ofc.(Quinn)who is an upright, uptight soldier and family man. Add a crazed agent(Donald Sutherland) who is looking for the worlds most notorious terrorist and add a Ben Kingsley and you have "The Assignment". Sutherland is a witness of the most notorious terrorist Carlos actions in a cafe on a lovely day where he is so profoundly rocked at this mans evil that his sole reason to live is to get this man as long as he draws breath.<br /><br />Take one soldier on a pass in Israel who is a dead ringer for this man and is beaten and held by Kingsley until they realize they have a plan. By taking on Carlos by being him, or being forever responsible for never helping rid the world of him, makes for a very heavy assignment and guilt trip. By not helping his country he is bound as a man and his military duty to chose wisely. So the training begins. Lets say Carlos training is right up there with the academy of arts and holocausts. When I say this intense and wonderfully casted,scripted and executed film rates the best, I am not understating it. All three actors could save almost any script..together this is a movie to be seen from frame one to credits. I am not into terrorism or movies about it but I got hooked! Bravo again to Aidan Quinn who for once plays a heavy that could hold up to any actor including Gary Oldman. Thats a compliment. Rent it and get lots of popcorn. Oh did I mention the sex?? It works better than "Last Tango!"and its educational. | 1 |
20,486 | [
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] | 250 | 308 | After watching this film I experienced a new sensation. I had watched a film in which the lead actor had put in a performance that almost rivaled the legend Chevy Chase in 'Fletch'. This isn't to say that the performances are comparable, but both give practically flawless delivery of their lines. That actor is Marc Singer! Singer is Jack Ford, the 'Droid Gunner' of the title, grinding out a living collecting the bounty on androids.There are some mutants, topless pleasure droids(!), a Scandinavian smuggler, and possibly a half-hearted attempt to make a statement on class or maybe even globalization or......... well it doesn't really matter. What matters about this film is the dry manner in which Singer delivers his lines resulting in side-splitting humour! What matters about this film is that director Fred Olen Ray seems to realize that serious sci-fi very rarely works, and when your budget is skimpy it is best not to take yourself to seriously. Olen Ray has said that everyone involved in this film had great fun and this transfers onto the film.I dare you to criticize a film that allows itself to portray futuristic Earth as eternally dark and neon-lit and then ends in a 'pipes and valves' warehouse. Self parody is a very redeeming quality. To summarise, Fred Olen Ray is an ambassador for independent film making and Marc Singer the perfect B-movie lead.If only Olen Ray could draft in Tim Thomerson to the equation then we'd have a film on our hands. | 1 |
20,493 | [
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] | 329 | 394 | Ah, Batman Returns, is it possible to have a sequel to be almost as good as the original? With Batman Returns, it came pretty close! We have terrific actors and a great plot with the dark knight and two new villains, Catwoman and The Penguin. We have Michael Keaton back as Batman and he's still awesome than ever. Michelle Pfieffer, the perfect choice for Catwoman and was perfectly cast into place. As much as I love and is such an incredible actress Annette Benning, she couldn't have been Catwoman, she doesn't really have the look. Danny DeVito, who could have imagined him as The Penguin? He was just great and terrifying! <br /><br />Batman returns with a more loving community of Gotham City, they are celebrating Christmas time with, Max Shrek played by a creepy Christopher Walken. The perfect villain who mistreats his lovely secretary, Selina who happens to hear too much at his office causing him to push her out the window in hopes that she dies and will never reveal the information of knowing the Penguin and the attempt to make him loved in Gotham. When she survives and is awakened by cats, she wants revenge and is ready to go at it with her cats! But there is also another active villain, The Penguin who is in search of his parents that abandoned him and now he is looking to be the new mayor of Gotham City! Can Batman be able to stop both super villains from creating their hanous acts and stop the mayor from destroying the city as well?<br /><br />You'll have to see! Batman Returns is just as good as the original Batman, despite the first one remaining the true classic, this one still takes you for a ride. And come on, I mean we've got Michelle in leather! Her classic moment of just meeting Batman and The Penguin "Meow" is classic! There are memorable characters, lines, and sets! You'll have a blast! Trust me! <br /><br />9/10 | 1 |
20,505 | [
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] | 318 | 399 | I always thought the Batman Returns was a great sequel to Batman. The story was an interesting one and Danny Devito, Christopher Walken and Micheal Keaton gave great performances. Plus lets face it, Tim Burton was a genius and did the comic book character more justice than Joel Screwmacher ever did.<br /><br />Plot: Oswald Cobblepot also know as The Penguin(played By Danny Devito) is abandoned by his parents as child for being deformed. He uses this as an excuse to masquerade a sinister plot to abduct the first born children of Gotham with the help of his goons(Red Triangle Gang) and a very shady tycoon Max Shreck(played by Christopher Walken). Max Shreck later makes Penguin the mayor of Gotham. Selina Kyle(Michelle Pfeiffer) is pushed out of a window by Max Shreck and is revived by cats. Later on she develops cat-like qualities and seeks to destroy Max Shreck and Batman. Her reasons for wanting to destroy the dark knight are not explained.<br /><br />Opinion: Batman Returns is a classic. It has a darker feel in terms of atmosphere. Tim Burton always had a knack for making grim backgrounds look appealing. Micheal Keaton is still sharp as Batman. Danny Devito steals the show as Oswald Cobblepot/The Penguin. When you think about it, he would have made a better Violator for the movie Spawn than John Leguizamo. Michelle Pfeiffer gave Catwoman more personality than Halle Berry ever could. Max Shreck is one of Christopher Walken's best roles. The main reason why I like Batman Returns is that its fun. Its not only creative but its also fun. Something a lot of big budget movies these days sorely lack. The Batman series goes to the dogs after Tim Burton decided to do no more. You don't believe me, look at Batman Forever and Batman and Robin. Thank god that Christopher Nolan breathed life back into the series with Batman Begins. | 1 |
20,507 | [
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] | 309 | 366 | 1992's "Batman Returns" was Tim Burton's second round as director and yet again he scored a hit by making this film again dark and gloomy like his 1989 one. Gotham City again is a place of darkness and gloom with crime and corruption boiling out from every street corner. It was also clever to see how Burton used politics as a subplot that tied in well and neat with the business corruption of businessman Max Shreck(Christopher Walken)and the plan to make the "Penguin"(Danny DeVito) mayor of Gotham! Anyway Keaton again returns as "Batman"/Bruce Wayne and he gives another stellar performance as a strange and torn man who just can't find love in a normal world yet he is challenged when he meets another lonely soul in Selina Kyle only Ms. Kyle has a dark secret of her own one that's very slinky and she's just a downright vamp as the sexy and mysterious yet dangerous "Catwoman"(Michelle Pfeiffer). A plan forms between both villains to destroy Gotham and most of all both want to rid themselves of the bat. Really this film even though violent and somewhat gross with many penguin scenes is clearly an exciting thrill ride from start to finish as you never find a dull moment and thumbs up to Tim again for his exploring of the characters as dark and conflicted it just made the film even more interesting. The performance from Michelle Pfeiffer was the best ever as no one could have played "The Catwoman" any better and Devito was perfect as the "Penguin" his body frame fit the character just perfect his performance even though ghoulish was fun to watch. "Batman Returns" is an entertaining thrill ride that you can't take your eyes off of as a viewer you will enjoy it many times it's that thrilling and explosive. | 1 |
20,511 | [
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] | 301 | 382 | When I first rented Batman Returns, I immediately thought it was going to be less than exceptional. I mean, Jack Nicholson was undoubtedly the best part of the first, so without him, how could there be a good movie? Simple, throw in Danny DeVito.<br /><br />Batman Returns is an arguably more dark movie than Batman. There are more villains here, less actual dark comedy in a lot of aspects, and more nerve-striking issues. However, the music is similar to the first if not darker. The scenery is definitely more depressing than the first, every detail right down to the time of year. This movie follows the same comic-style format we came to love in the first Batman.<br /><br />Now for the performances. Michael Keaton thankfully returns as Batman/Bruce Wayne. He was great in the first movie, and just as much in this sequel. There was not enough screen time in the world for Keaton as Batman, need MORE! Danny DeVito gave an award-winning performance as The Penguin, the most grueling, disgusting, lovable, angry, evil, sad, pathetic villain ever to grace a superhero movie. You hate him so much yet feel so bad for him at the same time. And it explains him down to the last detail too, making it all the more conflicting. Michelle Pfeiffer was excellent as Catwoman/Selina Kyle. Two completely different personalities in one. She actually got a good amount of back story as well. Christopher Walken didn't disappoint as Max Shreck, the greedy, judgmental, selfish CEO of the power company. Michael Gough also thankfully returns as the lovable Alfred, and he was just as good here as well. Pat Hingle also returns as Gordon, although I feel he was really never in the spotlight.<br /><br />With lots of great twists and sub-plots, Batman Returns is sure to please any fan of the original.<br /><br />9/10 | 1 |
20,521 | [
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] | 311 | 370 | This is a cute little movie that provides pretty much what it promises - some good entertainment. After all, when a movie proclaims it features top SASS shooters, you have to figure that it is not a likely candidate for the "Best Picture" Oscar. Those guys are shooters, not actors. Your next clue is that the movie doesn't star Nicholas Cage or Jennifer Aniston, i.e. you shouldn't expect to see the current hottest names. It was meant to be just plain old entertainment and in that regard it is every bit as good as a lot of the old "oaters" I have seen through the years.<br /><br />SO what do you get with "Hell To Pay"? You get 100 minutes of good old entertainment. You get a chance to see some stars from past years, who act pretty much like what they did in their prime but a little older. You get to see some good SASS shooters in major roles and a few SASS hams in the background. It was a lot of fun for me seeing people that I have shot with, visited in their homes and who are my good friends get to do something that a lot of people only ever dream about - they're in a real, live honest to gosh movie. They're doing something a lot of wannabe actors and wannabe shooters will never get the chance to do and I think that alone makes it worth the watch.<br /><br />Admittedly, not everyone is a SASS member and so I saw lots of fun and humor that others may miss, but it is still good, old-fashioned entertainment, and frankly, there are a LOT of movies in the theatre right now that I wouldn't give a nickel to see, so save the money to go see "Brokeback Mountain" get "Hell to Pay" and watch some real cowboys have some fun. | 1 |
20,526 | [
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] | 286 | 327 | This certainly is one of the best western movies produced in the new Millennium. It's an homage to all the stars of the great TV western classics, and it is the ultimate revival of the western movie. The story of two brothers who meet after the War between the States and end up on different sides of the law isn't new but interesting nonetheless, and the shootouts and the atmosphere are great. There is some graphic violence like bad guys getting chopped to death with an axe or women being shot down in cold blood, and Lee Majors doesn't take part in the action until the very end, that's why I gave it 9 out of 10 points. But it still is one of the best new western productions I've ever seen. I've had the honor and pleasure to meet Chris McIntyre at the Festival of the West and have a nice chat with him, and I've had the chance to meet Buck Taylor who performs the role of town doctor. In my opinion, we ought to be much obliged to Chris McIntyre for his efforts to gather that many stars of the classic TV westerns and SASS around him to perform in a new western such as this. Chris has an outstanding talent for choosing the right actors for the main characters, too. Both are young and promising, and I think we should see more of them in future western productions. I sincerely enjoyed this western movie - it was worth every minute. I hope that Chris McIntyre will continue to work on other western movies and present us with some more great productions such as this one. Great work, Chris! Jasper P. Morgan (Pete) | 1 |
20,527 | [
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] | 295 | 385 | "Hell To Pay" bills itself as the rebirth of the Classic Western... it succeeds as a Western genre movie that the entire family could see and not unlike the films baby-boomers experienced decades ago. The good guys are good and the bad guys are really bad! . Bo Svenson, Stella Stevens, Lee Majors, Andrew Prine (excellent in this film) Tim Thomerson and James Drury are all great and it's fun to see them again. James Drury really shines in this one, maybe even better than his days as "The Virginian." In a way, "Hell To Pay" reminds me of those movies in the 60's where actors you know from so many shows make an appearance. If you're of a certain age, Buck Taylor, Peter Brown and Denny Miller and William Smith provide a "wow" factor because we seldom get to see these icons these days. "Hell To Pay" features screen legends along with newer names in Hollywood. Most notable in the cast of "newbies" is Rachel Kimsey (Rebekah), who I've seen lately on "The Young and The Restless" and Kevin Kazakoff, who plays the angst-ridden Kirby, a war-weary man who's torn between wanting to live and let live or stepping in to "do the right thing." William Gregory Lee is excellent as Chance, Kirby's mischievous and womanizing brother. Katie Keane plays Rachel, Rebekah's sister, a woman who did what was necessary to stay alive but giving up her pride in the process. In a small but memorable role, Jeff Davis plays Mean Joe, a former Confederate with a rather nasty mean streak. I think we'll be seeing more of these fine actors in the future. "Hell To Pay" is a fun movie with a great story to tell
grab the popcorn, we're headin' West!. | 1 |
20,529 | [
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] | 261 | 311 | This movie is very similar to Death Warrant with Jean-Claude Van Damme and also has some similarities to Island of Fire with Jackie Chan and I also heard that there is some other very similar action movies, but this film has a much better action than Death Warrant or even Island of Fire (that's right, the Jackie Chan's movie). Rarely American action movies has such a great action sequences, though there was many negative reviews on this film, it easily beats most of the action movies of that time who were more successful. There were many martial art's scenes, David Bradley was fast as Bruce Lee in this film and what else was good, that fighting scenes were much longer than in most of the American martial art's movies. The shoot-out scenes were similar with John Woo's movies, maybe not that good, but still very exiting. There was also many impressive explosions and one great chase scene. I've seen some other David Bradley's movies, but this one, yet is the best in terms of action. OK, this movie has some cheesy moments, but which movie hasn't? The acting was decent, Charles Napier was incredible and his character was real tough. Adam Clark who played Squid and Yuji Okumoto who played the main bad guy were also very good. Other actors acted pretty well too, though the acting isn't important in this type of movies. If you are action movies fan (I mean the real action movies fan, who really can appreciate the good action), than you must see this film. | 1 |
20,530 | [
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] | 312 | 353 | Hard Justice is an excellent action movie! The whole movie is really nothing but shooting and fighting! For the people who say they don't make shoot em ups like they use to. Well, this one is really hard-core! David Bradley is really good and his character takes a pounding in the movie. He gets hit by the stick over a dozen times, gets stabbed in the back and is in a coma for three days and then wakes up and fights again, gets beat up, recovers and is ready for more action! His character is incredibly tuff! Charles Napier was very good as well and he arguably steals the show! Vernen Wells was good! Professor Toru Tanaka had a short and an uncredited role in Hard Justice! As for the action, it is truly awesome with all of the gun fights and the huge stand off like scene in the beginning has cars getting blown up and flipping up in mid air! There is so much that happens in the 95 minute run time. For the action fans you will be blown away by all of the fire power and fighting that this film has to offer! Hard Justice is a movie that isn't easy to locate and if you are at a video store and you see it for sale buy it up because this movie is big keeper an d plus the box is cool! There is a ton of action that has to be seen to be believed! Look and see if you can find some good deals on Ebay, Half.com, Amazon.com's Z-Shops and Market Place Sellers! I strongly recommend that any action movie fan who loves shoot ems and fighting movies and has been disappointed by other movies that have the look like a true non stop action flick but fails to deliver it to get Hard Justice! | 1 |
20,531 | [
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] | 288 | 366 | Once you sit down to see this film " A Cannon for Cordoba " you get the feeling it's going to be a great. The reason? The film begins with a rousing score by noted composer Elmer Bernstein who gave us such memorable themes as 'The Great Escape and the Magnificent Seven.' Indeed, when you read the opening credits headlining the cast is none other than George Peppard as Capt. Rod Douglas, you know it's going to have action and lot's of it. Furthermore when you see actor John Russel playing General John J. Pershing, you know you're in for a heroic saga. The story is taken from the annals of the Mexican revolution and involves the U.S. in a border town dispute with the Mexican bandits who cross the Rio Grande in the early 1900s. Among the most brazen of the rebel leaders is General Cordova (Raf Vallone). With his army of Mexican revolutionaries, he attacks Pershing, kills his men and steals some valuable artillery pieces. Since the United States Army cannot enter Mexico legally, Capt. Douglas is sent on what is slated a suicide mission, without orders and without aid from Pershing. His mission is to retrieve the Cannons, destroy a rebel stronghold and bring Cordova back alive. Selecting the roughest, toughest, most experienced, certainly the most insolent men available, Douglas enters Mexico and attacks the nearly impregnable fortress. Dramatic action follows, as does lots of explosive excitement. If one is asks for criticism, I would say the choice of heavies. Vallone and John Larch are not very menacing. Not so with the men who side with Peppard. Pete Duel and Don Gordon (Who is superb.) Nevertheless, this movie is recommended as good viewing. **** | 1 |
20,552 | [
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] | 261 | 320 | I watched this film recently for the first time in over 30 years and was very pleasantly surprised. I remembered a film that caught the mood and feel of Britain in the mid 1960s without falling into the 'Swinging Britain' clichés that so many other films thought they had to propagate, my memory proved correct. Those who feel that this is like a TV play are not entirely wrong but while Andrea Newman was to become famous for risqué TV drama, this film is more in the tradition of the 'kitchen-sink'films such as 'Saturday Night And Sunday Morning' but with an emphasis on middle-class rather than working-class life. Rod Steiger is excellent as the middle-aged angst-ridden lead, unhappily married to a repressed and apparently barren wife (Claire Bloom). The onset of the 'Technological Revolution' is the the backdrop for the drama in which old values and certainties are challenged. This is the stage for the central character played by Judy Geeson, a role which at the time was a shocking departure from the typical prim behaviour of contemporary heroines. The reversal of roles, with the girl rating her conquests in a little-black-book was a precursor to the Feminist movement and was criticised at the time for promoting promiscuity among young girls. The irony of these criticisms is to be seen in both Claire Bloom's and Peggy Ashcroft's characters who are both acceptingly dissatisfied. Peter Hall made few films and on this evidence that is a great shame. Steiger is exemplary and wholly credible showing why he was so highly regarded | 1 |
20,565 | [
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] | 269 | 314 | Based on the actual event , this epic, is set in the year 221 B.C and tells the true story of the unification of China. Action packed and filled with intrigue, passion, betrayals and unforgettable battle sequences, it held my attention throughout in spite of its 160 minute length.<br /><br />The king, Ying Zeng, played by Li Xuejian is obsessed with unifying the seven kingdoms of China and becoming its first Emperor. His lover, Lady Zhao, played by the beautiful actress Gong Li, devises a plot whereby she will travel to the neighboring kingdom of Yan to set a fake assassination plot in motion which will give the king an excuse to invade Yan. However, she falls in love with the assassin as the king becomes more and more ruthless.<br /><br />There are subplots, and tragedy and constant high drama. There are scenes of great beauty and of abject cruelty. There is great cinematography and brilliant use of physical space.<br /><br />The deep characterization made me think of Shakespeare. And tragic events that call to mind Greek drama. And yet it is totally Chinese as it deals with age-old questions of whether the ends justify the means. And raises the questions dealing with life and death and good and evil and all the blurred edges in between.<br /><br />It is the story of individuals against the backdrop of history, a history that has shaped China for the past two thousand years. I was swept up in the story as well as the moral questions raised. There are no easy answers and this was one of the strengths of the movie.<br /><br />Recommended. But be prepared for the violence and gore.<br /><br /> | 1 |
20,567 | [
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] | 236 | 302 | This movie is beautiful in many ways: the plot, the depth of the characters, the stunning photography and acting, the kolossal-like scenes of battles (no computer graphics here, just thousands of people). Someone said the story has something to do with the Sheakespearian tragedies. I find some connections with the Greek tragedy tradition, too.<br /><br />The emperor, extraordinarily acted, struggles between power and love, but he is forced (for the greater good, for the will of his ancestors) to choose the power (and the loneliness, the hate of his subjects and kins) as his destiny. He, like Creon in Antigone, was a good guy before becoming emperor. Once gained power, he has to be merciless and cruel (with innocent children, his mother, his father, etc.) to defend and expand the empire. Entrapped by power he becomes a monster. Overall, The Qin emperor is a majestic Greek tragedy figure.<br /><br />The assassin evolves towards a different direction: from pure evil to heroism and morality. Even this character is forced towards his destiny by love and by his new ethics. This character is really unforgettable, too.<br /><br />Lady Zhao, a wonderful Gong Li, is the uncorrupted morality, nor by power or love or hate. She is morality against power, somehow like Antigone. Her conspiracies (for and against the emperor) have always a moral rationale.<br /><br />In conclusion, a wonderful movie. If you love cinema and you want to try Chinese movies you can start here. | 1 |
20,578 | [
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] | 225 | 302 | This movie is excellent ( i watched the French version ). There are many subplots (which usually detracts from the whole ), but they nicely unfold and concur to the "discovering of one's real self" main theme. In fact, the whole movie (besides his background ) is the journey to the discovery of one's ( or someone else's ) self. Is the King really a "good peacenik monarch" trying to wage a "war to end all wars" or is he just a disturbed, blood thirsty hoodlum? Is he a true king, after all? Is the attendant to the queen mother just a lusty, career-driven, spineless sock puppet or rather a sharp thinking, bold individual? Will the dame/concubine realize who the king truly is? What's between the king and the old chancellor? What's the secret everyone knows but won't tell? What's the true reason the assassin quit his "job"? Subplots (something i'm not particularly fond of ) are handled well and keep one watching until the end. Scenes are well crafted and CGI fits nicely in, without going overboard. Suspense is properly maintained and actors are upto the task. There is a lot of brain-damaged smiling, but that is how one was supposed to behave at the king's court ( as the dame/concubine complains about ). Realistic movie without superhero moments. This Chinese movie really puts Hollywood cardboard colossals ( Gladiator etc ) to shame. | 1 |
20,590 | [
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] | 308 | 334 | The very first time I heard of Latter Days was when I was renting DVD's and I was interested as I am a member of the LDS Church. I found this movie very heartfelt and in several areas it made me cry. The reason for this is that too many years ago I knew a young man who went through what Aaron (played by Steve Sandvoss)does in Latter Days, but unlike Aaron this dear young man did not survive the ordeal. He ended up taking is life after his church, his friends, and his family disowned him because he was gay. There have been many people who do not think that the things that are shown in the movie really happen in this day and age, but the sorry and sad thing is they do. For those of you out their who are gay and young you need to see this movie and if you are a gay Mormon you really need to see this movie. Plus if you get the DVD there is help for you listed in the DVD. Teenage suicide in the gay world is very disturbing and this movie touches it but that part is hidden to a degree. The acting and the music is excellent. This movie sold out every movie house that it showed but it only showed in major cities and had a very limited release, so for those who would like to see this movie I would recommend the DVD release. The only people that I know who did not like the movie are members of my own church and they did not see the movie because of the subject matter gays and the LDS Church. See the movie, experience the story, and feel the emotions that are showcased in this movie you I feel will not be disappointed. | 1 |
20,612 | [
300,
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] | 257 | 314 | "Purgatory Flats", shown on cable recently, is a small movie that packs a lot. Harris Done directs with style. The screen play by Mr. Done and Diane Fine makes a good thriller.<br /><br />If you haven't seen the film, perhaps you would like to stop reading.<br /><br />The film is the story about a young L.A. doctor that made a mistake and lives to pay for it. Upon being released from prison he wants to hide in a small town where he feels he will be forgotten. Bad choice! What Thomas Reed finds in Purgatory Flats is hell in the desert. Right after landing a job as a bar tender, Thomas meets a pretty young woman, Sunny, who, clearly is someone to stay away from. The young doctor is called to help as Sunny's boyfriend Randy, is gunned down by a drug dealer.<br /><br />We get to know Randy's family. His uncle Dean appears to be OK, but his brother Owen is a loose cannon. Every one in the household is connected in more ways than one to the nubile Sunny.<br /><br />The performances are fine. Vincent Ventresca is Thomas, the man who should have gone to his L.A. practice instead of making a detour to the small town. Alexandra Holden is Sunny, a young woman with a tremendous ambition to escape her surroundings. Kevin Alejandro, Gregg Henry, Brian Austin play the men in the Mecklin family well. Nicholas Turturro makes also a good contribution as the drug dealer.<br /><br />The film shows a director with promise who will go far judging from this tightly constructed film. | 1 |
20,649 | [
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] | 259 | 360 | Before I saw this film I didn't really expect to much from it, although my friend advised otherwise. Due to this request from my friend I decided I was really going to watch this film. The minute I sat down to view the film I was absolutely blown away. From the credits I was falling of my seat; I just couldn't contain myself. The film is about Hitler in all the glory of comedy. Hynkel is the absolute double for the Jewish Barber, who comes back from fighting in the war. Due to the heroics of the barber, he manages to save one of the germans and by doing that gets a member of the enemy on board, which helps in the struggle which the jews had. But things went wrong and Stolz was arrested, but only then to escape to the confines of the Jewish surburb, 'The Ghetto'. Due to this escape, the german army began searching which meant that the Barber and Stolz got arrested but again they escaped, only to be mistaken for hynkel and consequently takes his poistion. *****THE SPEECH THAT CHAPLIN MAKES AT THE END IS FANTASTIC, IT COMPLIES THE MORALS WHICH SOCIETY COULD ONLY DREAM ABOUT. IN THE SPEECH IT CONTRADICTS THE WHOLE MEANING OF THE FILM BECAUSE OF THE SERIOUNESS AND SINCERENITY WHICH IT ENTAILED, AND IT DEFINATELY WORKS, BECAUSE I DID WALK OUT FEELING GUILTY ABOUT HOW WE LIVE OUR LIVES, LOOKING AT THE SMALLEST THING SUCH AS BEING IGNORANT TO SOMEONE TO THE BIGGEST, MOST PROMINENT THINGS SUCH AS WAR. | 1 |
20,651 | [
300,
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] | 275 | 376 | This ingenious and innovate comedy packs many moments priceless and great sense of pace, though overlong. Chaplin's satire with several classics scenes , he has dual role as a Jewish barber and dictator Hynkel, an offensive portrayal of Hitler . Then the barber is mistaken for the Hitlerian tyrant and happen bemusing events. Funny and extraordinaries acting of all casting, as the co-stars Jack Oakie as Napolini(Mussolini-alike), Henry Daniel as Gasbstich(Himmler-alike) and Billy Gilbert as Herring( Goering). Chaplin's first spoken film is brilliantly photographed by Karl Struss.This splendid film contains numerous amusing scenes, the funniest are the following : 1) The one when during the WWI the barber-soldier along with a co-pilot are flying in a turned plane without aware 2)Dictator Adenoid Hynkel doing overacting speeches including a twisted microphone 3)Hynkel playing with an enormous balloon of the world 4)The Jew-barber shaving a man fitting to Hungarian Dance number 5 of Brahms 5) when Hynkel and Napolini each try to keep his body higher than other in a barber's chair; among them.<br /><br />Hitler banned movie exhibition to the Germans due to its satire of him, and put him in his death list after his proposed conquest of America.The movie is co-starred by Paulette Goddard, third of his four wives , they were married in 1936, although no announcement of the marriage was made later, one time finished The Great Dictator.The picture was released in 1940, when Chaplin had survived a moral scandal by a paternity suit but a brush with the House of Un-American Activities was the signal for the USA to refuse him re-entry from Britain and he fled to Switzerland. | 1 |
20,652 | [
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] | 238 | 340 | "The Great Dictator" is, arguably, one of Charlie Chaplin's most widely-known films. It is notorious for it's blatant satire of Adolf Hitler and Nazism. Until watching it, I only knew of it's fame. Now I know how much the film deserves it.<br /><br />The film basically shows the exploits of the somewhat clumsy, ambitious, short-fused and impressive dictator of Tomania, Adenoid Hynkel; and with him, his near and dear staff: Field-Marshall Herring and Herr Garbitsch. Also, it entails the exploits of an amnesiac, emotional and often clumsy Jewish barber, a veteran of the First World War.<br /><br />Stopping with the plot, I would like to say that this film has various qualities that make it both unique and wonderful. While the comedy is decidedly both verbal and slapstick and incidental, the entirety of the film shows how serious it takes Nazism or aggressive nationalism as a theme with various interludes. Chaplin's impeccable acting skills range far and wide in the film, he keeps revving it up and up until he simply explodes. Paulette Goddard's position as an ambitious Jewish would-be revolter and Henry Daniell's delivery of a nasal, calm-as-Death-serious-as-a-heart-attack lines makes for wonderful viewing.<br /><br />Further, one aspect of the film is what makes it so special: it pulls no punches. It isn't "covert", it has no business being covert. It is an "overt", blatant, in-your-face, obvious lampooning of both Hitler and Nazism.<br /><br />To sum up briefly, watch it. Just watch it, you'll see it. | 1 |
20,661 | [
300,
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] | 229 | 313 | Written, produced and directed by Charlie Chaplin, this is the great actor's anti-Nazi propaganda piece, skewering Adolf Hitler.<br /><br />Chaplin plays Adenoid Hynckel, the dictator of Tomania, as well as a Jewish barber who is Hynckel's spitting image. His parody of Hitler is brilliant. Anyone who has ever seen newsreels of Hitler speaking will recognize the eerie resemblance of the caricature. <br /><br />I thought the movie got off to a slow start with some typical Chaplin slap-stick focussing on the First World War adventures of the Jewish barber. Having never seen it before I must confess that after the first 20 minutes or so I was wondering what all the fuss was about. But the movie picks up steam quickly. There are some very funny moments, and enough emphasis on the anti-Jewish nature of "Hynckel-ism" to make the propaganda point. The climax of the film is a brilliant anti-Nazi speech given by Chaplin at the end of the movie.<br /><br />As good as Chaplin is in this movie, though, I thought the whole thing was stolen by Jack Oakie, playing the dictator of "Bacteria" - "Benzino Napaloni." Our first look at Oakie shows how well he had studied his subject - he had Mussolini's arrogant posturing down pat. The scenes in which Hynckel and Napaloni negotiate over the fate of "Osterlich" had me in stitches.<br /><br />This was a very good movie, and well worth watching. | 1 |
20,667 | [
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] | 262 | 319 | This movie is the absolutely perfect way to explain what a good movie is. It is a movie both for children and parents, and it is "timeless". I saw this movie before Ocean's Eleven and must admit that the actors in OE has class in advance, but the play of Klatretøsen is much more down-to-earth and moving. Why i say Ocean's Eleven, is the fact that these 2 movies has many things in common and Klatretøsen is THAT good ! that it can bear comparison with OE. The 3 youngsters play their part in a perfect way not to believe, compared to what we are used to in Denmark. The different cases of impossible acts, is handled in a way that you wouldn't belive from many young actors (and sometimes not even from the "old boys"). The story ? again it has things in common with Ocean's Eleven except for the reason of stealing the money and in Klatretøsen they need to climb up to the strongroom. The part in which the young people has to take care of Ida's younger brother, gives a fine element in the movie. Try to imagine how to rob a bank with a 2 year child with a nappy, on your arm :-).<br /><br />This movie can bear comparison with most "grown up" movie like MI2 and Ocean's Eleven. Yes i do believe it is THAT good. It is best to see it in a theater, as all the children in the room comments the movie and these comments will stay in your hearts forever :-).<br /><br />Regards Klavs. | 1 |
20,681 | [
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] | 292 | 378 | I've seen this movie twice on Transilvania International Film Festival(TIFF), the movie is in competition and I really hope that Esteban Sapir will get one of the awards (at least the best image award). <br /><br />As a silent cinema fan I'm interested in contemporary movies that quote or recreate the language of the yester-year cinema. The previous reviewer emphasized the quotes from Fritz Lang and Fr. W. Murnau. As I see it, the movie references directly Lang's Metropolis, and the allegorical-parabolic character of his plots. But I didn't see Murnau in it. There's a more obvious Melies-homage though: the Moon with a (here cigar-smoking) human face, and the paper-made, painted mountains and city-landscapes. I enjoyed the film mostly for its visuals, and in the meantime I found very interesting the story on muteness, and the creative means of communication used by the inhabitants of the voiceless city. From this perspective this movie is an unique reflexion on the muteness of the silent cinema, because in the films of the silent period one can hardly find stories with mute characters. In this case can be questioned whether the story on the stolen voices was the motivation for the silent film form, or there's an intention to play upon the muteness of the silent films. Another example of this kind of reflexion I found in Guy Maddin's Careful,where the inhabitants of a mountain-village have restrictions in using their voices. I intend to write a paper on it, if you know movies related to this topic, please let me know!!! <br /><br />I highly recommend Esteban Sapir's film to every moviegoer (one of the critics called it: the jewel of the festival).<br /><br />PS: Winners were announced, and the film won the award for best cinematography! | 1 |
20,690 | [
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] | 273 | 334 | Although the concept of a 32 year old woman portraying a 12 year old girl might be a stretch for today's <br /><br />sophisticated audiences,in the 1920's this was what the fans of Mary Pickford desired and expected from their favorite star. The opening scene displays Annie's tomboyish character as the apparent leader of a multi-ethnic street gang in comic "battle" with a rival group. The sight of a young girl being socked in the jaw and kicked may be a bit crude, but the scene is played in such an "Our Gang" fashion that it would be hard to take any of this seriously. Anyway, Annie can dish it out as well as take it. Once Annie returns to her tenement home and replaces her street duds with more girlish attire, it becomes more difficult (especially in close-ups) to imagine this beautiful young woman as a street urchin. However, for those who can muster the required suspension of disbelief, the rest of the movie has it's rewards. Vacillating between comedy (Annie's gang puts on a show) to sentiment (Annie plans a birthday surprise for her Irish policeman father) to tragedy (her father is killed on his birthday), the film gives Mary ample opportunity to display a range of emotions that would please her fans of any era. <br /><br />Of course the requisite "happy ending" is eventually achieved; the evildoers are apprehended with the help of Annie's friends and rivals and she is last seen in the company of her pals riding down a busy thoroughfare on a sunny day. Which is a good a way as any for a Mary Pickford movie to end. <br /><br /> | 1 |
20,691 | [
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] | 302 | 361 | The Diary of Anne Frank is the second best-selling nonfiction book in the world, and for good reason. Nonetheless, sitting through this documentary about her life, which fills in some of the details where the diary left off, I thought, "Just another documentary about Anne Frank." I found it to be competent but not extraordinary. That was my complacent attitude because I was already well aware of the story of Anne Frank; most of what the documentary had to tell me wasn't news to me.<br /><br />Everything changed, though, when I got to the end of the documentary---when I saw the motion picture footage of Anne Frank. The emotional impact of seeing this footage, only a second or so long, made everything that came before it a thousand times more real---but not just everything that was in the documentary; everything I had previously known about Anne Frank suddenly became more real to me, more personal. I'd always been moved by her story, but when I saw that footage, what I felt was stronger and deeper and more profound than any other film experience of my life. (I knew beforehand that this documentary contained live footage of Anne Frank, and I'd even seen the footage in a movie review on television, but seeing it in the context of the documentary was a completely different experience. It's not likely that my mentioning it here will spoil it for anyone.)<br /><br />I realize now that many people still don't know the story of Anne Frank; it's discouraging at times to be witness to this kind of ignorance. I think to myself, "How could someone NOT know the story of Anne Frank?" This being the case, though, ANNE FRANK: REMEMBERED, along with reading her diary, is the best place to start. It's a story that everyone should know. | 1 |
20,698 | [
300,
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] | 214 | 308 | Tomorrow Is Another Day is NOT the sequel to Gone with the Wind but a lovers-on-the-lam story, and a surprisingly alert and moving one as well. For a supposed hack relegated to B-minus features like The Devil Thumbs A Ride, Felix Feist proves adept at filling his work with unexpected, inventive details. Steve Cochran leaves prison after 18 years for killing his brutal father when he was only 13, and now he's still a tentative, gawky pubescent operating inside a man's hulky frame. Lonesome, he visits a 10-cents-a-dance palace and falls for brassy, grasping Ruth Roman. But the sudden shooting of her police-bigwig boyfriend causes the ill-matched couple to hit the road, ending, like the Joads, in a California migrant-worker camp. <br /><br />Roman's the revelation; in her best-known role, as Farley Granger's fiancee in Hitchcock's Strangers on a Train, she was ill- and under-used. Here she modulates persuasively from bottle-blonde taxi dancer to sacrificing wife and mother-to-be (and a brunette, to boot). Cochran's almost as good, waffling between the suspicion of a wounded child and the explosive reactions of an under-socialized male. And the ending, while unconvincing, is nonetheless welcome. Along with They Live By Night and Gun Crazy, Tomorrow Is Another Day displays a redeeming sweetness and warmth that belie its film-noir pedigree. | 1 |
20,701 | [
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] | 271 | 365 | The main criticism of AT THE EARTH'S CORE is that it's cheap, the special effects are bad and so on and so forth. Yes, some of the special effects are painfully bad but what a lot of folks overlook about it is that it's actually quite fun, which is very important in my book.<br /><br />In comparison, just look at the latest STAR WARS films: they have the latest, greatest special effects created by the latest technological advances which are capable in creating stunning visual effects as far reaching as the human imagination can imagine and yet, with all the razzle dazzle, those films were as exciting as a funeral. As Yoda would say, Fun they're not! In other words, who cares if the FX aren't the greatest when the spirit of the film is fast-paced, humorous and clearly set on the side of action. I love everything about AT THE EARTH'S CORE: the contrast between stodgy Victorian England VS the wild other-worldly, colorful setting of Pellucidar, the cast of characters, the concept of a lost underground world, the telepathic Pterodactyls, the human slaves rebelling, Jubal the ugly one (lol!), the inspired teaming of Peter Cushing (who's great!) and Doug McClure, the excellent music (it's really good), cinematography by the amazing Alan Hume and last but not least, Caroline Munro. She's effing sexy in this movie. One of the sexiest B-movie babes ever captured on screen.<br /><br />Seriously, anyone who doesn't like this movie doesn't know what fun is. Gimme AT THE EARTH'S CORE over any turgid STAR WARS prequels any time! At least it has Caroline Munro, which no CGI fx can ever recreate. | 1 |
20,714 | [
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] | 305 | 374 | Once a year in America, Saturday morning would give way to new cartoons, usually sometime in America. Just about the time school started.<br /><br />I guess this was to make not having school on Saturdays that more bearable.<br /><br />One Friday night before the premiere of the new Saturday morning cartoons, a movie came on.<br /><br />"At The Earth's Core" I had not a clue who Cushing nor McClure were. Clearly they were not from the same country, so I couldn't grasp why they were traveling together.<br /><br />I do recall seeing the mechanism in the fire-breathing monster's mouth.<br /><br />What connects this movie for me is the opening with the molten metal and then suddenly we get the band playing as we see the factory.<br /><br />How do you end a movie like this? The music again, and two bewlidered cops as the drill appears behind them.<br /><br />Whatever reason, I remember watching this movie more that Friday night than I do any new cartoon that came on the following morning.<br /><br />That was definitely the late seventies.<br /><br />It would be during Jurassic Park mania, cicra '93, I believe, before I would see this movie again.<br /><br />Yes, people in costumes. There was the fire-breather again.<br /><br />Still loved the ending with the two cops.<br /><br />Finally, it would be nearly another decade before I would send off for the movie on DVD.<br /><br />Now I would just watch the beginning and intro.<br /><br />Oh, I do love much of the movie. Of all these sci fi Jules Verne, HG Wells, ERB movies, this one stands as my fave.<br /><br />What I note now is that one of the cops begins turning around a wee bit too soon, then turns back, then he and the other cop are synchronized as they turn inward once again to look behind themselves at the drill.<br /><br />Perhaps for me, this movie stands as the best of the Saturday morning shows, which is why I enjoy it so much. | 1 |
20,715 | [
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] | 262 | 319 | The family happiness is crumbling when, the from the beginning rich father Ward (Michael Ontkean), gets poor and cannot support the family any longer. Then the mother Faye (Jaclyn Smith) has to take the role as the breadwinner in the family and starts to work in order to support the family and at the same time, periodically alone, has to manage the family life. Not always that good, but as good as she can. The family life hardly gets easier when the father learns that the son Lionel (Joe Flanigan "Stargate Atlantis") is gay and is living together with his lover John (Joel Gretsch "The 4400") also an old family friend, resulting in that the father makes clear to Lionel that he is no longer welcome in the family. Lionel is the one who meant the most to his sister Anne (Leslie Horan) during her up-bringing, since the family neglected her. Anne cannot stand the fact that their father have cut the cords with Lionel and therefore she run away from home. As this wasn't enough, the son Greg (Brian Krause "Charmed") enlists in the marines and is sent to war. The storyline in this film can on some occasions feel a bit thin, in spite of that it still has a lot of realism in it, which makes it well worth seeing. Since this film illustrates many sensitive relations and situations, I would believe that it is best appreciated by a mature audience even though it wouldn't hurt for teenagers to see it and get something to think about before adulthood. | 1 |
20,718 | [
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] | 210 | 315 | This is certainly a good film, beautifully photographed and evocatively acted. Yet one should certainly criticize it, and Mizoguchi, for it is not without flaws and weaknesses. Mizoguchi really cared for women, and wanted to make statements on man's lack of sympathy and total cruelty, yet he sometimes gets ahead of himself in trying to make this statement by adopting the wrong means. This is certainly a case in 'the Crucified Lovers', 'Princess Yang Kwei Fei' and 'Zankiku monogatari'. He sets the scenario in feudal Japan, which leaves the viewer at the end with the partially right exclamation: "boy, does feudalism suck, I'm glad that it is over...". And true, some of the scenarios such weaker films of Mizoguchi present would be literary impossible today. Also, his women characters sometimes become archetypes of unrealistic self-sacrifice, which also simplifies the scenario less appealing. Saying that, "Crucified Lovers" is a good film, with such few relative weaknesses, though the sometimes chilly, cynical prose by Ueda, the screenwriter helps this film allot. I still highly prefer and recommend Mizoguchi's 'realistic, 'contemprary' films of 1936: 'Osaka Elegy' and 'Sisters of the Gion', as well as his late masterpieces, in which he showed more restraint and subtlety: 'Ugetsu', 'Sansho Dayu', and 'The Life of Oharu'. | 1 |
20,748 | [
300,
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] | 268 | 339 | In the early 19th century, a young woman with a harelip falls foul of her family's ambition and the superstitions of the local community, but she meets a man who may see her differently, and just may, change Pru's life forever.<br /><br />Precious Bane is a British Broadcasting Corporation adaptation of the highly acclaimed novel by Mary Webb. It's a beautifully filmed piece that is acted to an incredibly high standard, the story {screenplay by Maggie Wadey} is excellent, and the period detail and use of dialect is second to none. It's such a shame that this film has yet to get a DVD release, one would have thought that with Clive Owen's {great here as Gideon} rise to stardom, the BBC would get it out there, but sadly no, so the only way of catching it is on the very rare occasions that TCM shows it. The lead performance from Janet McTeer as Pru Sarn is simply brilliant, guts and genuine emotion go hand in hand as McTeer gives it her all. Pru has to not only contend with her facial disfigurement, but also the constant snides and hurt from the ignorant villagers. This is a time when folk believed that if a Hare ran in front of a pregnant woman it spelt doom, a time of Bull Baiting, a time of superstitions and talk of witches. In spite of constant set backs Pru is strong and resourceful, even her own family knock her dreams back without realising it, but this road may well be a terribly bumpy one, but hope is everlasting, and Pru has hope in abundance.<br /><br />8.5/10 | 1 |
20,756 | [
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] | 259 | 314 | I recently bought this movie on DVD at a discount store for $5. Although it is a no-frills DVD on the Geneon label (just the movie that starts playing immediately - no menu, no special features) the picture and sound quality were EXCELLENT. The movie is based on the true story of one of the biggest bank robberies in history.<br /><br />Richard Jordan, who I must admit to not having heard of, plays the lead - Pinky Green. A charming young man who had spent too much of his few years in prison and now wanted to go straight but is not allowed to do so! He portrays an American in England. David Niven plays the lead bad guy, also with the great charm for which he is famous. Bad, but with scruples as when he refuses to deny Pinky his "whack" for the job. Whack, in England, apparently is the fair share of the take and not a bullet in the head as in American gangster films! All the supporting cast do an excellent job producing a very believable movie.<br /><br />What is perhaps best, to me, is that the whole movie is quite enjoyable and understandable (I frequently find myself lost in plot confusions and various characters) without ANY special effects. NO blood. No violence. Not even a single car chase! Just a well written story, well acted, well directed and well photographed! If I had any complaints about the movie, I would question the music. WHAT is bluegrass music doing in a bank heist story that takes place in England? | 1 |
20,762 | [
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] | 315 | 397 | When Pinky, a qualified electrician, is released from prison, his parole officer has found him a job working at a big city bank. When some of the crime underworld from his past learn of his position they plan to exploit it and rob the bank. Pinky is at first horrified because he really wants to go straight, but when a twist of fate happens Pinky begins to think one shouldn't look a gift horse in the mouth.<br /><br />Also known as The Mayfair Bank Caper {amongst others!}, this is a hugely enjoyable piece that is quintessential 1970s. London and all it's highly dubious fashions are lit up like a Christmas tree in Ralph Thomas and Guy Elmes' cunningly crafty caper. If the viewer can accept David Niven as an aged crime lord of some evility {it's not easy i can tell you}, then A Nightingale Sang in Berkeley Square could well surprise you. The actors aren't pulling up any trees for sure, but it's really not hurting the picture at all, it has an honest fun quality that is never less than entertaining. The score and soundtrack is perhaps guilty of over jollification during the dramatic criminal moments, but it's a minor complaint to leave me thinking this is an under seen British gem.<br /><br />Richard Jordan takes the lead role of Pinky (obviously hoping to lure in American viewers}, 70s heart throb Oliver Tobias {a mass of hair} is in there to keep the ladies interested, whilst the blokes get the pleasurable sight of Elke Sommer and her delightful legs for company. Moving along at a decent enough clip and containing a seriously rewarding finale, A Nightingale Sang in Berkeley Square deserves far better than the paltry 5.7 rating here on IMDb, but just how many people have seen it i wonder?, hmm, go on give it a go if you the chance, it's good stuff. 7/10 | 1 |
20,783 | [
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] | 275 | 345 | Do a title search on Randolph Scott and TRAIL STREET is the one film missing from the list you've seen. One of 4 films Scott made at RKO during his prime (1947) the others are always easy to get. Liberal, Kansas is just southwest of Dodge City and is a powder-keg about to explode between the trail-riders who drive the longhorns into Trail Street, the town's main street, and the sod-busters who feed our bellies. It'll take a strong man like Bat Masterson to step between the two groups and bring the town to order. More I won't say, except that Scott movies usually have just one pretty girl and this one has three. RANDOLPH SCOTT always played men you could look up to for their sense of honor, courage, level-headedness and willingness to do the right thing. Fifty years ago parents could send their kids to a Scott movie with confidence they'd learn positive values. ROBERT RYAN co-stars in this film, playing a good guy for a change. In real life, RYAN was one of the many WORLD WAR II HEROS who starred in America's movies. How sad what we get these days. George Clooney teaches our young that we ought sympathize with suicide bombers, while Steven Spielberg teaches there is no moral difference between the Olympic athletes murdered in 1972 in Munich and the Palestinian terrorists who killed them. Hollywood 2005 derives their moral compass from too much cocaine and too much commitment to the wacky left. I wonder how all this plays out in Liberal, Kansas. Liberal, after all, was not a dirty word 150 years ago when the city was named. | 1 |
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