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5,936
[ 200, 300 ]
168
236
I saw the movie in original Italian. It must be said that the acting and interpretation is most heavily polluted by the TV-generated trend to speak in a severely muffled voice, not moving lips, straining tones, as emerged in the "That's real life"-productions and "Let's-raise-our audience-with-a-few-tears"-screen-playwriting. The late Massimo Girotti towers upon the other characters for intensity, clarity of expression and intellectual honesty. The movie has some good hints, but (as in another comment before mine) it lacks a focal point and dribbles away in many plot-lets of lesser and lesser relevance, another trend dragged in from the TV productions, well known to Italians. A few drops in style could be spared to the public, such as the patisserie drag (Charm and aesthetics of cooking plus sensual payload of sweets, see Chocolat, Babette's lunch, Vatel etc.) Hammam and the Fairies are definitely more truthful, seems that Ozpetek has learned the tune of Italy in the early 2000s and is humming along... I'll give him a last chance though...
0
5,937
[ 200, 300 ]
222
263
I really liked this movie. Number 5, the star robot of the movie gets hit by lightning and some thing happened to his circuits. He act and thinks more like a human.The robot repeats commercials he learns after watching TV. He then applies these sayings to his circumstances. Number 5 is quick witted and funny. The character imitates voices of stars, tries to dance like John Travolta in Staying Alive and a lot of other things. He has a saying for most of his circumstances that he memorized. The actions of the robots is really good. Number 5 wants to drive, cook and please Stefany with all the characteristics of a human. The way the robots move and line up is really hysterical.I am disappointed that the writers could not keep this clean for all viewers. This movie has a surpris ending something you would not expect. I hate movies that have swearing in them even though I like them I give them a lower rating. This movie had swearing words. Jesus Christ was used as swearing word which offends me it is used a least 3 times. G-d D-m, Bull sh_t etc. It could have been a wonderful movie with out all this offensive language. There is no sex in this film, some violence like robots blowing up cars and machines.
0
5,943
[ 200, 300 ]
175
226
You want the worst horror movie of the 21st century? El Chupacabra is it. "Manos:The Hands of Fate" is THE worst movie of all time, but El Chupacabra certainly is the worst movie of this century. It also has to have the distinction of having the absolute worst leading actor ever. Eric Alegria, the actor in the lead role, has never done another film other than El Chupacabra, gee - I wonder why.<br /><br />Apparently the monster is attacking people, but everyone that is attacked moves really slowly and is really stupid. And, there are no cops at all in this town just two idiot detectives - Hello! Cops show up on the scene of homicides first, then the detectives come! And, apparently the monster only attacks in one person's backyard, and some deserted area by the docks. Or...thats the only places the filmmakers could get access to film.<br /><br />This 'film' is the reason why IMDb must allow us to give negative stars. This easily deserves -10 stars, or at least 0. They should allow a 0 rating.
0
5,945
[ 200, 300 ]
231
286
One of the latest (disaster) movies from York Entertainment, "El Chupacabra" excels in making its viewer want to die after having wasted two hours watching it. This movie appears to have been filmed with a spare camcorder normally used for birthday parties. The only reason I could tell that it wasn't was because of certain scenes where the cameraman's shadow is in the frame.<br /><br />Just about every aspect of cinema is plagued by this movie, and I'm sure that it has set the film industry back another ten years. The actors are borderline retarded, often pausing while they wait for the off-screen cue-card to change. The actor that plays Navarro not only slurs and skips word in his dialogue, but stumbles through the swiss-cheese plot line with a squinting and confounded look on his face. Other actors break the forth wall and overall show the acting skill of a twelve-year old kid doing a science project in his backyard.<br /><br />My friends and I purposefully search out the worst possible movies, and this one gave us more than we bargained for. The humorous parts are unfunny and the rest is riddled with horrible clichés and plot holes. As one friend so humbly put it, this movie is the aborted fetus of the industry. I would highly suggest this film for people like me that purposely search for these movies, but for all others, beware!
0
5,947
[ 200, 300 ]
176
211
Where do I start? The box should have been enough to keep me away from this attempt, but I'd been taught early on not to judge a book (or movie) by its cover, so I ignored the disgusting graphic quality of the box and rented it anyway. But common sense should tell you that if they can't do a single still image properly, then how dismal will the moving ones be, later? Yeah. They were pretty awful.<br /><br />The actors in this flick appeared totally unaware they were being filmed, as just any expression seemed to do fine, regardless of the situation the characters were in or what they were reacting to.<br /><br />However, a good story can offset the downfalls of low budget productions. Good dialog can carry a poorly-funded attempt at times. Unfortunately, this was not one of those times, as the story was as weak and nonexistent as the other required elements of good cinema.<br /><br />There simply aren't words for how bad this was. <br /><br />Perhaps you can get the idea from my rating of -2.3/10 from...<br /><br />the Fiend :.
0
5,950
[ 200, 300 ]
140
204
Awful, Awful, Awful show. "Real world" issues dealt with blatant unoriginality. Stereotypes galore. What the hell is going on with the African-American (black!) guys eyebrows? Tyrone power! Awful, Awful, Awful, Awful, Awful show. The fact that it lasted three seasons beggars belief. This show truly is swill for the brain dead accepters of mediocrity. <br /><br />Saved by the Bell almost seemed humorous compared to this. Well, upon hindsight, no. It's of the same banal ilk and therefore equally devoid of intelligence. The only thing that it's missing so far is the Jesus is GOD message. The mentality and deliverance is the same, yet somehow feels evil and soulless. You can almost hear the TV executives sprouting buzz words at each other. In fact I felt so incensed at this shows excremental existence, I felt compelled to comment. <br /><br />Awful, Awful, Awful show.
0
5,951
[ 200, 300 ]
209
248
I cannot believe I actually set up a 'season pass' on my TiVo for this, apparently they had a good preview or something .. I can't imagine it though. After seeing about 5 minutes I thought to myself.. why am I watching this.. It is definitely not reality, and some of the worst acting I have ever seen on television.. I am a total addict of reality TV and there is nothing real about this. THE ACTING.. (if you can call it that) is awful.. The only ones that are almost 5% decent are the girls that are meant to draw viewers to the show.. although they would need to be a lot prettier to save this train wreck.. if they would have more lines they would probably change my mind as they probably have no talent either. This is obviously a very low budget production with 'actors' who are apparently very cheap. There is no way they could get a job in anything else. Someone needs to direct these people to a job in food service.. Maybe they could do that. Oh and by the way, Parco P.I. no longer occupies any space on my TiVo or TiVo's season pass list. Definitely the worst show I've ever seen.
0
5,952
[ 200, 300 ]
197
242
I totally agree that the reenactments kill what could otherwise be a great show. I'll admit that I'd seen 1 or 2 episodes last season and was not clear at all that it was all reenacted. But when I caught one episode recently it suddenly jumped out at me BIG TIME and I lost interest immediately. Then I noticed the disclaimer at the start before an episode that followed. Has anyone followed the show closely enough to tell me, did they actually make the "acting" and reenacting parts more artificial on purpose, or did I just not notice before. I'm usually pretty good at sensing this stuff, but the recent episode was so obviously artificial I practically tripped over it. Now I have no interest whatsoever in watching and have given up entirely on it. It just doesn't have any real value if it's all scripted and acted. And at least lately, it seems VERY poorly scripted and acted. The comment above that says who cares if it's all reenactments, I do. Without visual truth, this is just a bunch of "you know what happened, one time this guy" heresay. It's info better read in a book.
0
5,953
[ 200, 300 ]
175
214
Just finished watching this movie. I couldn't imagine watching this on VHS, as there were scenes where I needed the subtitles to hear through an accent or sound effect, even though the scene itself was in English.<br /><br />Visually, the movie is pretty appealing. The few CG effects were very obvious insertions, but the prosthetics/creature effects weren't bad. Not perfect, but photography and editing (which were pretty good) made up for a lot. Acting was generally bad, though how much of that can be blamed on the director I couldn't say, having never seen any of the actors before. The exception, I think, was M. Gomez (Uxia). She stole every scene she had a part in, and not just because of a very pretty face, but there was something akin to an urgency to her performance that none of the others had. The writing could have been a lot better - the plot was still unmistakably Lovecraft, and plenty of Lovecraft details were written in, but I personally could have done without most of the dialogue.
0
5,956
[ 200, 300 ]
155
225
Tom Selleck plays an absentee son to senile "pop" Don Ameche and weary mom Anne Jackson, making up for his indiscretions (one presumes) and taking them in after Ameche has burned down his mobile home; meanwhile, Selleck's job is vanquished by the F.B.I., his assets are frozen, his wife and kids leave him and his obnoxious sister and her brats have come to stay. Brightly-painted comedy-of-ills is as out of touch with reality as Ameche's doddering old coot. Perhaps a serious first draft (with scenes such as Ameche walking out into traffic with two toddlers) was incorporated into a sillier second or third version (with Selleck getting poked, bumped, prodded, and eventually losing a toe and a testicle!). Either way, it's a painful experience, and Selleck's sudden dedication to his father makes little sense; he hobbles around and howls in pain, but retains his heart of mush. This movie is mush. * from ****
0
5,958
[ 200, 300 ]
189
246
My father insisted I should watch this film with him and I regret that I wasted my time watching--I want that approximate hour and a half back! The "funny" little film concerns the elderly Don Ameche staying with his son, Tom Selleck. It turns out that Ameche isn't just "forgetful" like he's been told, but has dementia (it seems a lot like Alzheimers). And, because Dad is so frequently "out to lunch" he gets into so much trouble again and again--almost like the adorable tyke from BABY'S DAY OUT. The problem, though, is that you know BABY'S DAY OUT is all fantasy and the baby is going to be fine. Plus, you aren't laughing at the baby for having a deformity or illness. But, in this case, you are being encouraged to laugh at a man who is slowly losing his mind--and where's the humor in that?! If this film had been more successful, would the producers have then made films making fun or people with Cerebral Palsy or a Flesh-eating Virus?!?! There are a lot of people who should have felt ashamed at having made this film.
0
5,961
[ 200, 300 ]
209
248
This film captures the short moments between a mother and son in rural Russia, as she lays dying.<br /><br />I am so torn between being nice to the film or declaring it a test of patience. On one hand, the film is beautiful, with the sparse dialog capturing the essence of their feelings. There is really nothing to say, because everything that needs to be said is conveyed beyond words. The son shows so much care, love and patience towards his mother, that I think it is a celebration of unconditional love towards one's family. It also cruelly reminds me that I could be in a situation like this, stuck in a joyless place, having to take care of a very ill person. "Mat I Syn" is cruel reality.<br /><br />On the other hand, "Mat I Syn" moves really too slowly. Do I really need to watch a train passing by the horizon for over 1 minute? With my previous experience of "Telets" and "Aleksandra", I am so tempted to put "Mat I Syn" among them as a total bore.<br /><br />I guess one has to be in the right state of mind to appreciate this film. I surely see the beauty of it, but maybe I am not in the right state of mind.
0
5,963
[ 200, 300 ]
191
236
The film shows relations of the dying mother, and the son, who is very attached to her, and definitely loves her. What does it show? It shows their living in very poor conditions. It shows how tenderly they "walk" (really he is bringing her). But what do we see further? After their promenade he walks alone at the same places, where they walked together. It is not possible. A person, who love and care about another dying one, would do everything to make the life of this one better. He would not have a free minute to ponder, to be alone with oneself, and if he finds a few minutes a month for that, he would run away from the places where he has usually to be. Another thing. The author devoted this film to Andrey Tarkovsky. We see he learned many Tarkovsky's visual effects. But in Sokurov's film they are only effects, they do not support any senses or mood. Someone has compared this film with "Mirror" ("Zerkalo"). There is nothing common except these visual effects. "Mirror" is a great film and this one is just poor imitation.
0
5,984
[ 200, 300 ]
190
233
I'm a collector of films starring Ms. Weaver, so I bought this only because of her being in it. I find it really odd that her early career is filled with so many awful movies. She started with incredible promise in Alien but then had a slew of bombs. These bombs include this movie, Deal of the Century, One Woman or Two, and Half Moon Street. She also appeared in The Year Of Living Dangerously, which was not a bomb, but her performance was less than notable. In the time between Alien and it's 1986 sequel, Aliens, the only movie she did that was worth anything was Ghostbusters. before the release of Aliens, I'm sure everyone thought this woman was on her way out. Luckily she wasn't.<br /><br />Back to Eyewitness though, the film is boring. It doesn't create any suspense. William Hurt seems like a cardboard stand in, and the atmosphere is just to dry. Sigourney is decent but nothing worth remembering.<br /><br />Watch this movie if you must but don't go in with any expectations of a decent movie. Watch better movies with these two stars like Accidental Tourist and Working Girl.
0
5,990
[ 200, 300 ]
177
223
This is truly one of the worst movies ever made--and I don't mean in a so-bad-it's-good kind of way. Eddie Murphy is a great comic, and it is a testament to how bad this movie is that it nearly killed his career. The writing and direction are inept, the sets and staging about as imaginative as a Brady Bunch episode, and the acting shows just how bad a great cast can be when they have absolutely nothing to work with. If it weren't for the costumes--which, aside from Eddie Murphy's ego, seem to account for the major part of the budget--you would swear this thing was slapped together by a bunch of high schoolers wasted on peppermint Schnapps. That anyone could find this travesty in any way funny or entertaining is mind-boggling. It's probably no coincidence that the misguided souls who are praising this stinker are barely literate. But if your idea of hilarity is Della Reese getting her "pinkie toe" shot off, then by all means, put aside your drool cup and go rent this movie.
0
5,991
[ 200, 300 ]
223
272
1989 was already a year in where Eddie Murphy wasn't that longer hot and started making movies that soon would be forgotten. Funnily enough, it was also the year in where Murphy directed his first film, but it also would be the first and last experiment. "Harlem nights" wasn't exactly what you can call a success even if it was great to see the two best black comedians together namely Murphy and Richard Pryor. Don't blame it on the actors as they all played their roles like you expected them do, even if you have to face (again) the typical Murphy-laugh. The worst thing from "Harlem nights" are both the scenario and its terrible decors. Everything is set in the roaring twenties and everybody has their profit from the forbidden clubs. Sugar Ray (Pryor) and his adopted son Quickie (Murphy) are gathering easily 10000 dollar per day but of course soon the mob and the corrupt police come around the corner to claim their part of the cookie. Sugar and Quickie aren't guys who give their money for free and have their own plans. You can watch "Harlem Nights" that's for sure, but if you puke from the moment you hear the name Murphy you better avoid as after all this movie is nothing but a lame excuse to see some good jokes.
0
5,993
[ 200, 300 ]
180
220
I wasn`t expecting much with HARLEM NIGHTS but I wasn`t expecting it to be as bad as it was . Without doubt the worst aspect is the obscene language , it really is awful the amount there is in this film and before anyone accuses me of being a wimp let me point out two things...<br /><br />1 ) Amongst my fave films I would include GOODFELLAHS , PLATOON , RAGING BULL while my favourite movie of all time is APOCALYPSE NOW<br /><br />2 ) My all time favourite American television show is the HBO prison drama OZ <br /><br />so you see films and television shows with massive amounts of swearing don`t normally bother me but the problem I had with HARLEM NIGHTS is to do with the fact it`s supposed to be a comedy but it seems the production team came to the conclusion that an audience laugh everytime someone ( Especially if that someone is black ) says a rude word and decided to subsitute funny situations with swearing all the way through the film hoping to get a laugh. Well I thought I`d never start laughing and I didn`t
0
6,001
[ 200, 300 ]
184
233
It is not generally my practice to review movies that I dislike to any great degree. However, one or two times a year, I temporarily set aside my rule to only comment on things I like to give a word of warning. I find it more enjoyable to comment on something I like and boost it than I do shooting at bad movies. But some "movies" cry out for the razor.<br /><br />Bilitis is one of them. The cinematography isn't the only aspect that is blurry and out of focus here. An almost indiscernible plot (certainly incoherent, if there even is one) bad acting, cheesy script and awful pacing. Those are its major problems.<br /><br />Understand, I firmly believe that not all movies are created equal and films should be judged according to their category. It is not reasonable to judge, say, Beach Blanket Bingo against Gone With the Wind. I judge Bilitis against other movies in its weight class. Measured against movies like Emmanuelle or Secrets of a Chambermaid, it comes off very badly indeed. Even eye-candy has to be entertaining and Bilitis most definitely is not.
0
6,002
[ 200, 300 ]
170
201
When it was released this film caused a sensation. I watched it and was thrilled. Beautiful, usually young, naked women filmed in the classy style we knew so well from director Hamiltons photography. His photographs never become porn and the same is true for this movie. Today I saw it again and was bitterly disappointed. The soft core in extremely slow paced scenes, all filmed with some Vaseline on the lenses, actually is all there is. There is no real story, the characters remain beautiful and beautifully filmed bodies, but they are not real creatures with a soul. Actually nothing happens. It is like Hamilton is photographing using moving pictures rather than stills. And this gets so boring after a while. I even didn't watch the whole thing the second time, for I fell vast asleep. That is all that remains of this masterpiece: it is a very good sleeping pill. And you will never become addicted to it!<br /><br />Back then 7 out of 10, now 3 out of 10
0
6,004
[ 200, 300 ]
182
208
I was so let down by this film. The tag line was something like 'The story of a girls sexual awakening'. You can only imagine how disappointed I was. I was seventeen at the time and I took my girlfriend to see it. I thought we were going to see a sexy movie that would leave my girlfriend gagging for it. Sadly that was not the case. I guess we just weren't ready for a deep and meaningful movie that required an element of sophistication that we just didn't possess at the time. I'm not so sure I possess it now, and I have long since parted company with that particular girlfriend (pity really... my first love). We left the cinema half way through the film, my friend, who should have known better, stayed for the whole thing. I still got the required result with my girlfriend, the film just didn't help much. It would be interesting to see it again so that I can make a more informed critique, though I feel the experience has left me scarred for life.
0
6,010
[ 200, 300 ]
205
235
It was full of plot holes, inaccuracies (doesn't the time-clock stop for injured players or loss of helmets in Texas football games?) and not so much redemption (So Your Dad Beats the Crap out of You? Well, do something right for once and then he will Love You and make it all worthwhile).<br /><br />Either make the movie about a team and its quest for a championship OR make a movie about a player within a team and his personal struggle but instead, this movie tried to do it all and came up more than a couple yards short. The book probably showed the whole story much better; the movie should have picked one element of the story and stuck with that.<br /><br />Instead, the movie jumped from one character dialogue to flashes of game play and then another character dialogue months later without actually telling you who people were or why they were important--the QB calling his sibling to take care of the mother--whatever happened with that? Because the mother was coherent by the end of the final game, does that mean she's not crazy anymore? Its one redeeming quality was the soundtrack. Buy that and then watch SportsCenter highlights while Iggy Pop plays in the background.
0
6,014
[ 200, 300 ]
177
219
Having been born and raised in Odessa, and having graduated from the "other" high school in the late 70's, Odessa High School, I had mixed emotions about this movie. I no longer live in Odessa, but will always be a Texan at heart. I didn't like the way that this town of 80,000 plus was portrayed as a dirt poor small town. If I'm wrong about this, please feel free to correct me, but I believe OHS also plays in the town stadium, and the "Home of the Permian Panthers" sign that was shown at the stadium used to be at the practice field at Permian. I would have liked to have seen a little acknowledgment about the cross town rivalry of the big game in town every year, OHS vs Permian. I am curious why the outcome of the game was altered though, I think it would have been just as dramatic if the real outcome was portrayed. Overall, the movie was okay, made me a little homesick, remembering the "good old days" of MOJO.
0
6,024
[ 200, 300 ]
165
217
Army private Gene Kelly, who's also a talented trapeze aerialist, comes under fire for doing daring stunts without a net and alienating his high-wire cohorts; meanwhile, there's an elaborate 'camp show' to put on for Army soldiers and personnel, and the whole studio of M-G-M has shown up to join in the fun. Mickey Rooney plays M.C. (unctuously), introducing acts like Kay Kyser and His Orchestra, Bob Crosby, Benny Carter, and the M-G-M Dancing Girls (who appear to be dressed as vegetables). Red Skelton does a cute bit with Donna Reed and Margaret O'Brien, but the other comedic bits suffer from an apparent vacuum between the performers and the allegedly-live audience (they're awfully silent until the editor cuts to them for exaggerated reaction shots). Judy Garland sings an inappropriate song about a jumpin' night at Carnegie Hall (improbably accompanied by classical pianist José Iturbi, whom Judy calls 'hep'). The production is glossy, but the manic energy feels false, fabricated. ** from ****
0
6,027
[ 200, 300 ]
209
246
Here is a fantastic concept for a film - a series of meteors crash into a small town and the resulting alien infection is caught on a deputy's single camera dash cam as the town slowly taken over. Leave it to Albert Pyun to screw that up! Don't get within 100 feet of this flick! Holy crap, what a bomb...it might be Pyun's worst yet! The crazy thing is there is the germ of a creative idea in here - an entire of an outbreak told from the POV of a dashcam. When I heard that a while back, I imagined the car smashing into stuff, people getting run over, and infected types breaking the windshield and surrounding the car in chaos. That would be cool right? Instead, we have the lead driving around in circles for the entire time in a wooded area, occasionally running into the three infected types who just stand there. The last bit is literally a 15 minute shot where nothing happens in front of the camera, just noises are heard offscreen. Stay away!!! On a somewhat relieving note, I think I am officially calling an end to my Pyun watching...only took me 20 crappy movies to realize I have better things to do.
0
6,033
[ 200, 300 ]
191
236
The beginning of the film is promising. When Jeanne Pollet(Anna Mouglalis) hear the story of the incident that happen on the day she was born that raise the possibility that she is the daughter of a famous pianist, André Polonski (Jacques Dutrone), she set to find out whether it's true or not, and giving the fact the she plays also the piano that's not such a remote idea. Jeanne meet André and his wife "Mika" Muller(Isabelle Huppert) and their son and on the way uncover the fact that there are some secrets in that family as much in her own.<br /><br />O.K. we have seen this before and it has been done in a more interesting way than here.The character of "Mika" Muller is left with out us understanding her motives to her action and she is not interesting enough to care for her. The piano scenes look fake and the whole piano sub-plot doesn't add anything to the character's insight but serve as to make the film longer than it should have been in the first place.<br /><br />In short a very disappointing outing from Chabrol, who can do better than this
0
6,046
[ 200, 300 ]
200
230
I was watching TV one day with a friend and we caught the last twenty minutes of "Going Bananas." Believe me when I say it was enough to get a good judgment of the film. The first scene that I saw was the monkey, the kid, the fat guy, and the black guy who looked like Dave Chappelle, flying around in a crop duster thousands of feet in the air. While everyone else was solemn about the journey, the monkey seemed to be on some kind of drug binge where he kept shouting something that resembled the English word faster. They then landed on a twenty yard long dock in Africa. After a heart felt goodbye where the monkey cried (Hahahaha), the "villains" of the film appeared. They were tearing complete ass in their vintage Cadillac when the evil monkey took an Air Jordan leap form the dock onto the boat that was sailing away a clean 40 yards away and made them sink their beautiful car into the Pacific Ocean. After seeing this film, I have a new purpose in life; to find the midget who played the monkey and stab him in the eye with a fountain pen.
0
6,052
[ 200, 300 ]
212
250
The film is a gross misrepresentation of Orthodox lifestyle and practice. NEVER will a Jewish court enforce a divorce between childless couples. Although the concept exists in Jewish law, the conditions are too numerous for it to actually ever take place. Childless couples do find it difficult to cope with their childlessness in a community where children are a very important part of life, but nowhere are they "rejected" by their community as depicted in the film. They are treated with extreme sensitivity. In fact, many great Rabbis have lived their entire lives without children and never considered divorce.<br /><br />The depiction of Yosef, a horrible human being, is meant to - perhaps subconsciously - show the behavior of a typical orthodox male. In reality, it is as typical as a violent drunkard rapist is typical of secular society. Both exist in their own worlds and both are despicable.<br /><br />It is surprising that so many people form their opinions about a society based on a MOVIE (by someone who is personally biased against a community). I have always thought that it is only the Orthodox, because of their narrow-mindedness and insular lifestyle, who judge all secular people based on the violence and immoral conduct they read about in newspapers or see in the movies.
0
6,053
[ 200, 300 ]
167
224
My mother told me not to go to see "Kadosh" -- but who ever listens to one's mother? <br /><br />I was so turned off by it while I was watching I thought I must have lost my feminist credentials on the way into the theater, so I checked with card-carrying feminists the next day. No, they also thought it was much more an anti-Orthodox screed than a pro-feminist statement, painting the Orthodox as equal to the Taliban.<br /><br />While this Israeli movie is careful to show that the sect the story is about is the ultimate ultra-Orthodox Messianists, it is so nasty as to be unbelievable (plus that the non-fanatic Orthodox rock-'n'-roller(!) one of the sisters is in love with is incredibly sexy--even in Israel that must be fantasy).<br /><br />The theater was quite crowded, so there's a pent-up curiosity to see Israeli movies; too bad this vicious movie is the one getting wide distribution. This was almost enough to drive me back to insipid Hollywood romantic movies. <br /><br />(originally written 4/29/2000)
0
6,057
[ 200, 300 ]
209
245
It is apparent that director, writers and everyone else knows nothing about their own religion or the people who practice it. This movie is endlessly flawed and overall a complete crock.<br /><br />For instance, there is a scene where the rabbi enters the woman's ritual bath while a naked woman is bathing, puts his hand on the head of a woman there and blesses her. This is complete mockery of the laws, in this scene alone some of the laws broken include: Modesty, a rabbi would never enter a ritual bath house while there are woman in it.<br /><br />Improper contact, a rabbi would never put his hand on a woman's head, not to mention that it is not the way a blessing is given.<br /><br />The woman from the ritual bath is dunking a naked woman by pushing her head under the water, the laws regarding ritual bathing require the entire body to make direct contact with the bath water; this means nobody should be in contact with the person bathing, certainly not pushing them under!<br /><br />There was more just in that scene alone, like dunking 13 times (where does that concept even come from?) not to mention the rest of the movie was a total fallacy. It is scary what ignorance can concoct!
0
6,058
[ 200, 300 ]
166
204
And again, Columbia Pictures decides to merely make "hash" using the original version with Curly and without any of the gags or jokes to boot! Toward the end of this pitiful flick when Joe gets stuck riding the bull, the studio didn't even make much of an effort to re-record the sound for if you listen carefully you can still here Curly going "Woo woo woo woo". Also, when Moe and Larry throw the darts in order to "slow the bull down so he can get off", that's lifted right from the original because you can actually see Moe and Larry "magically" appear 15 years younger. Why oh why did Moe allow all this to happen? It's a burning question that probably can never be answered because as far as I know, in real life he was quite sensitive to any type of criticism and had rather high standards for his work, as also did Larry, Curly and Shemp. Don't waste your time on this one.
0
6,059
[ 200, 300 ]
189
255
This short subject is a remake of the Three Stooges' 1942 film "What's the Matador?", about the boys' trip to Mexico and their bullfighting adventures. Although the original short was made during the Stooges' peak period, it isn't that memorable and I believe it is one of the more mediocre films with Curly Howard.<br /><br />Having established that, I believe that "Sappy Bullfighters" is just pathetically awful, like all the other shorts with Joe Besser. Moe and Larry never should have hired Besser, because his whiny, almost feminine character was completely wrong for the violent comedy of the Stooges. His 16 films with Moe and Larry marked the nadir for the team, and those shorts are embarrassing to watch. This short was released in 1959 and was the team's swan song with Columbia. Maybe Besser was a nice guy, but he was all wrong as the third stooge.<br /><br />I won't review any more Besser shorts, because I would just be giving the same scathingly negative review over and over. Do yourself a big favor and don't watch this. Instead, try to catch "In the Sweet Pie and Pie" or "Hoi Polloi".
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If you make a suspense movie it is kind of important that the "villain" not be more sympathetic than the "victim". And this fails miserably. It was so terrible and frustrating to watch that I was actually moved to register and comment. OK, so the husband is rich and cocky. There are worse vices, and the cabana boy and wife display plenty. The husband is a jerk because he - um, didn't approve of the cabana boy physically assaulting that woman - the witch one which had absolutely nothing to do with the plot BTW. The cabana boy threatens the husband and repeatedly attempts to seduce the wife. He then forces himself on her - which the woman finds so hot she stops thinking rape and starts thinking she wants him. Uh huh. The misogynistic, inferiority complex thoughts the director displays are just revolting. It is one thing when a fine film like American Psycho deliberately tries to get us to empathise with the villain but in Survival Island I felt like I was watching a movie about Ted Bundy but the director failed to make him unlikeable and instead made us hate his victims. What was he thinking???
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6,067
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It is playing on SHOWTIME right now but is going to be released as a movie called THREE or has been released for 2006. Mess ups include a supposed nude body comes out of the waves with her bottoms on. You can have fun finding the others. It was a decent stranded, hungry, cold, crazy person video but that is about it. And of course what would a movie be without sex. The lady has a nice body and the men are pretty, but the story is the same as Swept Away or A Savage is Loose type with some blood. Wonder if the movie studios know they made a big booboo and already released this show and now gonna release it as THREE. Billy Zane should have worn a top hair piece or shaved his head completely. Juan Di Pace is awesome and there is a couple good sex scenes. There is a voodoo woman that loves the character Di Pace plays and in real life her name is Di Pace too. Not aware of any connection but probably kin or married.
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First off, I just watched a movie on SHOWTIME called Survival Island. It says it was a 2006 movie with Billy Zane and since I like him and couldn't sleep I thought I would check it out. Looked interesting. Watched it, and decided to look up on the IMDb who was this new face Juan Pablo Di Pace and OMG I could not believe it, this movie has been renamed THREE and will be a new movie?? It is playing again in 1 hr and 30 mins on Showtime Channel again and this date is May 28 and EDT or Florida time. You can check your showtime listings by title and see it. I wont get into details so you can see the movie but at one point there is a lady in a white bikini that goes into the water taking it all off, you see her naked body.... when she runs back out of the water you see her bottoms on. Funny, there are a lot of other mess ups too. I can't believe by coincidence I decided to look up this movie... Go figure! Wonder if the people renaming it sold it to some movie studio to put out but it is already playing on Showtime, ha ha. Good laugh. I give it 1-1/2 stars. C-, D+ movie.
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6,075
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It's a shame that quality actors like Baldwin and Booth have to succumb to lousy stories and scripts just for the money. But, hey, it's a cruel world...<br /><br />This is just another one of a long line of assassin thrillers that use all the usual narrative twists to try to make it appear more appealing than it is. Sure, it has some nice locations, it's a slick production, there is some good camera work and editing, and it's fairly well paced, overall.<br /><br />So, what's the real problem? Quite simply, the whole premise is just totally unbelievable. However, instead of spoiling a rotten story for you, I'll let you find out what it's all about, that is, if you can get through it. I managed, but only because I like Baldwin and I kept hoping that it would get better.<br /><br />It didn't. And, it had one of the most anti-climactic endings that I've seen for a long time. In fact, maybe never...<br /><br />But, it's harmless fun, I guess, if you've got nothing better to do.
0
6,089
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Trite and unoriginal. It's like someone watched Immortal Beloved and Amadeus and decided to mix them together and, in the process, steal other formulaic plot parts from other movies to make another one. As with most historical movies nowadays, there are some inaccuracies as history is manipulated to better suit the story, which is understandable for the most part. For example, during the remaining days of Beethoven's life, it was necessary for other people to write down what they needed to say in order for him to understand them. That, of course, would have been a nuisance to have to show on screen. The script, although filled with some quotable lines, doesn't quite capture the feel of that time period and, coupled with some bad acting, seems rather contemporary. Diane Kruger is nice enough to look at but she still has lots to improve on her craft. Ed Harris doesn't work for me as Beethoven and I mostly blame Gary Oldman for that. Overall, not a very good interpretation of the musical maestro's life. Better just find yourself a copy of Immortal Beloved.<br /><br />http://iwascalledclementine.multiply.com/reviews
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I am a music lover and was excited to see this movie. Unfortunately, I was disappointed. I was ready to walk out half way through the movie. I didn't identify with any of the characters, which meant that I didn't care what happened to them and lost interest in the story completely. On the good side, Ed Harris looked exactly like Beethoven, and the 9th Symphony is always a pleasure to hear, so that made part of the film bearable. Also the parts where they talk about the bridge almost redeemed the entire movie, but it couldn't sustain me through to the end. The actors did what they could with what they had to work with, but the screenplay just wasn't adequate to make it even remotely interesting. The bit about "wash me" was utter rubbish. I wonder how many takes the actors had to do on that one (I wouldn't be able to say those lines without bursting into laughter.) Anyway, such a shame, it could have been so much better.
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From Kreestos: <br /><br />The dialog is terrible, awful, drivel. Acting poor. Many plot flaws. I don't recommend this at all.<br /><br />From Wikipedia:<br /><br />Artistic licenses The working manuscript of the score is attributed to two copyists [1], both of whom were male, not female as depicted in the film.<br /><br />The copyists neither contributed to nor altered the score. In fact, they were berated by Beethoven for any deviation that occurred from the original score.<br /><br />The movie is set in 1824 during the composition of Beethoven's Ninth Symphony. Throughout the movie Beethoven is shown to be hard of hearing but quite capable of understanding people who speak loudly. In reality, Beethoven had lost much of his hearing seven years earlier (1817). Beethoven never experienced permanent deafness; his condition fluctuated between total silence and terrible tinnitus. The Ninth Symphony was composed at a time when Beethoven's hearing had deteriorated severely. At this point in his life, most of Beethoven's conversations were facilitated by the use of notebooks. It can be argued, however, that he was also able to read people's lips, evidenced by his insistence that people face him when they spoke to him.<br /><br />In the film, Beethoven makes an allusion to the Moonlight Sonata. This is an anachronism as the Sonata No. 14 "quasi una fantasia" was not named "Moonlight" until several years after his death.
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150
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After the suicide of his father, Charlie 'Kid' Davis (Ray `Boom Boom' Mancini) accepts the invitation and advice of his friend Tiny (Michael Chiklis) and travels to Las Vegas with him trying to become a boxer. On the road, they meet Gina (Jennifer Beals) hitchhiking, they give a lift to her and she becomes Charlie's girlfriend. Johnny Ticotin (Rod Steiger) is convinced by Tiny to be Charlie's couch, and the powerful agent Alex Dumas (Joe Mantegna), after watching him fighting, becomes his manager, promoting Charlie's career. This movie is so boring that it indeed does not deserve to spend much time writing about it. I do not like boxing, but sometimes I watch some worthwhile movie about this theme. But this one is horrible! Predictable, full of clichés, having an awful lead actor, a pure waste of time. My vote is three.<br /><br />Title (Brazil): `Corpo e Alma' (`Body and Soul')
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My guess would be this was originally going to be at least two parts, and thus at least a quarter longer, because otherwise how can one explain its confused, abbreviated storyline. I was never completely lost, but I was often partially lost and usually unclear on character motivation. The movie feels as though joining plot points were dropped to squeeze it into its time slot.<br /><br />If it were longer, it might make more sense, but it still wouldn't be much good. The movie's most interesting idea is of the war between Zeus and Hera as being a war between the male and female, but the movie drops the ball on this, making Hera's followers fairly horrible while not being clear on what Zeus' followers do or believe. The movie is also interesting because you don't see the gods and there's no real certainty that they exist. So it's got a couple of intriguing ideas, but it doesn't do anything useful with them.<br /><br />Bad dialog, cardboard characters, and one interesting scene involving Hercules and his three antagonistic sons. Not unwatchable but also not worth watching.
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I thought there might be some level of worth to this movie, and sat through the whole thing. I can summarize by saying it left a bad taste in my mouth.<br /><br />The movie started out OK, I think the initial characterization of Herc was true to the myths. Both as a child and a young adult he started out pretty strong but not the brightest bulb. But later on he somehow transforms into a charismatic speaker beloved by all. Huh? <br /><br />Other problem: terrible CGI. The satyr looked OK, but the rest of the critters just looked terrible, especially the hart, the phoniest looking beast in the movie. And how come Leelee Sobieski's skin was sometimes golden, sometimes normal? The worst part for me--and everyone should cringe at this--was the twelve labors of Hercules. Because the producers obviously didn't want to cover all of them; maybe they thought us primitive screw-heads watching this garbage couldn't count that high. Instead of the TWELVE labors of Hercules, we got the FIVE labors of Hercules. Yes, the five labors! WTF?!? He did't even finish the last one, so it was really the 4 1/2 labors! Just terrible. I'll take Hercules: The Legendary Journeys over this piece of crap any day of the week.
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I don't know how expensive was the creation of this movie but the effects were awful. Half of the movie was filmed on stage in front of a movie canvas (that's sure that blue box wouldn't look so artificial). When they traveled on a boat, the background canvas was moved imitating the movement of waves but the characters weren't moving. The CGI effects: terrible (I am not sure but I guess the effect were created with Paint and made a GIF sequence of them - next time the creators should hire a professional CGI maker team). It looks like the CGI creator would have drawn on the picture strip with shaky hands. Awful, that's sure. When I first saw the trailer, I thought it was created in 1983. One of my friend told me the correct date: 2005. My jaw dropped, I was so shocked, I thought he was kidding. People, I recommend you to skip this movie, the story is also twisted, you won't enjoy it.
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This is easily the worst adaptation of Greek mythology I've ever seen. It utterly fails as an adaptation of the original myth, inventing silly plot twists and reducing the 12 labours to... 3 or 4, I think. It makes up utterly needless things to try to integrate other myths in clumsy ways which bring into question the writers' having ever read the myths, like changing birds to harpies, lions to sphinxes, the Oracle of Delphi to Tiresias, and bulls to a pedantic version of Proteus, even integrating aspects, never seen outside of Sam Raimi's entertaining series, concerning his first marriage, to a woman with the co-opted name of one of the Furies so it sounds appropriate to the period.<br /><br />I could accept much of that, but it also fails completely in pure film standards; most painful is the dialogue, leaden, portentous pseudo-Shakespearean tripe. It is a poor re-interpretation of the myths, making a sad attempt at the kind of post-modern revisionism that Crichton's "The 13th Warrior" attempted in regards to the Beowulf legend, while still including the strictly mythological elements such as clear interference from the gods and magical super-strength. A sad, sad failure of an entertainment experience, who I'm sure many of the quality actors involved regret deeply.
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Hercules: The TV- Movie Hercules - A very twisted and molted version of the story about the Greek superhero. Paul Telfer makes a good attempt to play this hero. Sean Astin rehashes his Sam Gamgee image by playing Lupin, a thrown in character to make the whole thing a buddy-movie picture. I almost expected his to say at one point "We're in a bad situation Mr. Frodo, uh I mean Hercules. An unexpected good performance comes from Timothy Dalton (one of the lesser James Bonds) as Hercules's father. Herucles's love interest looks like Paris Hilton, something which just turned me off right away. Unfourtunetly someone has twisted and molted the original story into somewhat of a murky and sometimes incomprehensible story. The special effects don't help either. While the Hydra scene does the original story justice, the Nemean Lion and Harpies are just....well lame. I believe the creatures and effects from Power Rangers flashed across my mind at least twice. And the Golden Hind felt rushed and very computer generated. And they took out Cerberus! One of my favorite parts of what was originally a very cool story. The movie can't decide whether it's Greek, Roman, or American. And it almost ruined the original story; a classic epic. Don't bother looking for this one on the direct to DVD. - C
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6,112
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In Chicago, four electricians leaded by Dean (Richard Grieco) come to an old building to disconnect power. They accidentally activate a portal and arrive in another dimension, where Chicago was destroyed by a Spider Queen and inhabited by mutants. The group meets survivors leaded by Crane (David Nerman) and Elena (Kate Greenhouse), and finds the inventor of the portal, Dr. Richard Morelli (Colin Fox), who has been living in this dimension for thirty years. They join forces, trying to rebuilt a portal to bring them back home. "Webs" is a watchable plagiarizing of "Sliders", only worse. Most of the dialogs seem to be written by a person who has not concluded the elementary school, so imbecile they are. Further, the story is illogical, and seems that Chicago is the only city in the world. The scientist trying to start his sophisticated machine with broken wires as if he were stealing a car is very funny. The face of Richard Grieco looks like a white version of Michael Jackson and is horrible. If the viewer shuts-down his or her brain, he or she may like this forgettable TV movie. My vote is four.<br /><br />Title (Brazil): "Na Teia do Terror" ("In the Web of Horror")
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6,115
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There is so much wrong with this movie. Greico with a girls wig, old man scientist time machine fixer, tough guy Jones who stays behind with a shotgun that has three rounds, Spider people with tentacle hands and bad teeth, etc. The make up was so bad and they only had a few visible spider people on screen at one time (Aliens Cameron technique could have been used) instead they chose to dress every spider person the same way...badly. The nice thing about Greico's acting is that he bobs his had at every syllable as if he is counting how many words he gets to speak in the script. It amazes me that with all of the information out there on DVD commentaries, people like this still exist who make movies. This movie could have been worse, how I don't know. Oh and one last thing. I am going on a SCI-FI movie hunt down. The people running that channel should not be allowed to procreate to further continue the nepotism that exist in Film and Television.
0
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Friz Freleng's 'Snafuperman' is one of the lesser Private Snafu shorts. A warning of the importance of studying your field manual, 'Snafuperman' makes it point rather clumsily. The story, in which Technical Fairy, First Class makes Snafu into a superhuman in order to help him see the error of his ways, is predictable and unfunny. Freleng's earlier Snafu short 'Rumours' had been bursting with ideas and laughs but here the director is lumbered with a rather boring topic and he struggles to make an entertaining short from it. Even at around three minutes long, 'Snafuperman' seems to drag and, unlike the best cartoons in the series, it feels like an instructional film first and entertainment second. Though they were knocked out more quickly than the usual Warner cartoons, the Snafu shorts largely maintained a surprisingly high standard. 'Snafuperman' is a reflection of the sort of quality you'd more reasonably expect from a less talent bunch of creative minds.
0
6,123
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228
The White Warrior is definitely one of,if not Steve Reeves weakest films. Set in 18th or 19th century Russia (??) Steve plays a cossack warrior who tries to over run a mad man Russian czar by running up a mountain side with his rebel band in a goofy looking Russian white tunic..... For the most part the great Reeves physique is hidden in a goofy, knee length tunic, with an even more sillier looking russian hat.<br /><br />The action is rather minimal, with only a good wrestling scene from the mid waist up that shows off the great Reeves physique. This is an apparent attempt by the producers to move Reeves out of the sword and sandal genre into another historic era, with poor results. The dialogue from the script is hard to understand at various points, and only commentary from the narrator allows the viewer to understand what is really happening from scene to scene. I would image Reeves regretted making this film, but in an attempt to try and get out of his toga and sandals and tribune armor it helped launch him to other historic characters such as Morgan the Pirate and the Thief of Baghdad.
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Reeves plays Haji Murad, a hero in 1850's Russia.<br /><br />This is a badly dubbed movie, with June Foray doing some of the voices. Unfortunately who ever was suppose to sync the voices to the lips was blind since the words never match the lip flaps. Anyone who says that Japanese films are bad have never watched this film.<br /><br />The film's plot is instantly forgettable and so I've forgotten it in the time its taken the movie to end and for me to sit and write this down. Perhaps it has more to do with the fact that the film is one of the many that Reeves made in hopes of moving away from action to more plot driven sort of films. It may have been a good thing for Reeves, but its deadly for the audience who have to slug through nooze fests such as this, where its all court intrigue with very little action.<br /><br />In Reeves defense, he was a good actor, he just had no real luck in picking films that were any good. They all looked great, but very few of them didn't put the those watching them into a coma for the film's running time.<br /><br />This film will put you in a coma. Watch it only if you have the need for sleep and all other gentler means have failed.
0
6,135
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192
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I Remember That Hey Hey Fuss & I Saw The Jackson Jive, It Was A Pretty Straight Forward Comedy Skit But I Saw This & It Is Free & Is Out In The Clear? Have I Missed Something? If The Black Community Should Be Complaining About Any Racist Comments In A TV Show It Should Be This & If You've Read My Earlier Comments I Am Not The Easy-To-Offend Guy. The Basic Plot Is That An African/American Moves In Next To This White Guy & They Make These Racist Comments Like The Value Of A House Will Drop Just Because Of Black Neighbours & The White Guy Makes References Like (If Your Easily Offended By Racial Slurs Do Not Read On) Nig-Nog Jungle Boy Sambo. (I Apologise But That Really Happens In This Show I Really Am A Guy Who Is Fine With The Black Community) People Might Say Hey Lighten Up But Even When You Take The Racial Slurrs Away It Is Un-Funny No New Jokes Badly Acted & I Can Swear In One Episode I Saw Someone's Eyes Focus On Something Unconnected With The Situation. All In All Horrible Comedy.
0
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155
208
The promotions for "Clubbed" project a slick looking film based around the clubbing scene of the 1980's. What we end up with is a film with identity issues. The sub-plots end up taking over from what viewers would assume to be the main plot, so the focus on this film being mainly about "clubbing" ends up being left in the gutter.<br /><br />Boxing, depression, self-loathing, gangsters, bouncers and drug-deals, are all hastily crammed into 90 odd minutes. On no less than 4 occasions I had to check the run-time of the film, as the worry grew that this film was bound to disappoint.<br /><br />What club scenes we do see are bland and repetitive, featuring approximately 3 extras dancing in what is barely recognisable as a "club", hardly capturing the vibe of the day.<br /><br />If you're looking for a film about the 80's club scene, something along the lines of what "Human Traffic" did for the late 90's, forget "Clubbed".
0
6,147
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193
238
Do you hear that sound? That's the sound of H.G. Wells rolling over in his grave, between this version and Spielberg's cinematic abortion it's been a tough year for the classic novel. But at least Steven got a few things right compared to this crapperella. Hello, the ships weren't big insects, they had names. They were Tripods and the aliens worked in threes. The ships and the aliens were all wrong, you don't really get to see the aliens until the end. The effects and the cast work fine. But these actors are much better then this "movie" deserves. The bulk if not all the movie is the Howell character wondering through the devastation, meeting one person, they join him and he looses them for one reason or the other. There's not more then two people on camera at any given moment though most of the movie. It's like if they filmed three at once it would put the movie over budget or something. So fat the only and mean only watchable adaptation of the WAR OF THE WORLDS story is the GEORGE PAL version way back in the 1950s. THE BLACK HOLE.
0
6,149
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Mad scientist Professor Tabani drinks a potion he has brewed up in his laboratory but is turned into a blood craving vampire instead.When Dr.Aqil pays a visit Tabani sees a picture of Aqil's wife Shabnam and,after turning Aqil into a vampire,heads for Shabnam to make her his bride.Aqil's brother discovers the grave of the vampire and his brother at Tabani's castle and kills his brother with a knife to free his soul.Tabani succeeds in putting the bite on Shabnam and once turned she tries to lure her young niece away.Aqil's brother races against time to put a stop to the vampire curse."Zinda Laash" almost put me to sleep.The plot is extremely slow but more or less follows Bram Stoker's famous novel.The suspense is completely absent as is the gore and nudity.The film is only recommended for curious horror fans that want to see the second horror film made in Pakistan(after "Madman" from 1964).
0
6,150
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Stop me if you hard this one before, some cheerleaders, their coach and a couple guys are trapped within a cabin in the woods when an unseen killer kills them off one by one. Shame on me, after I totally wrote off Jim Wynorski after the horrid "Busty Cops" (it was a long time coming as his last truly good film was 1990's "Hard to Die"), I still for some reason got my hopes up for a supposed sequel to "Slumber Party Massacre". Sadly even my mediocre expectations were not met. This outing is not nearly as fun as even the three previous films in the franchise (and yes I'm including SPM 2, that should tell you something) Furthermore how can you have a slasher film with this little gore??? I mean Come on now!! <br /><br />My Grade: D <br /><br />Eye Candy: Ricky Ray gets topless; April Flowers and Charity Rahmer show boobs and buns in a shower scene (April gets nude again later in the film), and Tamie Sheffield gets topless and bares buns
0
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Hard to get in-depth with this kind of stuff since there is absolutely no existing shred of even partial reason for watching it, let alone expressing an opinion on it. I don't know anything about this - watched it for a laugh and stayed for the fake breasts. Apparently, it's an unofficial sequel to 1982's "Slumber Party Massacre", which I DID enjoy as a fun slasher. "Cheerleader Massacre" looks like a late-nite soft-core Cinemax porno! And not surprisingly, chicks like Nikki Fritz and Samantha Phillips (prolific T&A actresses) are in this. Plenty of nekkid hooters and not much else... A group of 20-something high school cheerleaders, two random guys, and the fat, stupid comic-relief slob become stranded in the country and find a house where they plan to stay the night. The recently escaped "Slumber Party" killer is in the area and begins killing them off. There's no gore or originality and I wouldn't say the nudity is a real "selling point" since this is just about as boring a slasher movie can be. Absolutely terrible...
0
6,159
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291
Originally harped as a sequel to "The Slumber Party Massacre" series, this film falls flat on it's face with a new title. First off, if you are going to include the word "massacre" in your film's title, you better deliver. This one certainly does not. There is no gore, no on screen murders and no chainsaw, as the box art would lead you to believe. Instead, we get a paper thin, overdone plot about a group of cheerleaders who get stranded in an abandoned cabin on the way to a football game, only to be offed one by one. Again, this film could have been OK if the gore quotient was upped a bit. Why directors, especially those doing direct-to-video flicks, are afraid to show ANY gore is beyond me. Now, I am not a huge fan of excessive gore, but come on...why else would anyone rent a movie called "Cheerleader Massacre??" Besides that problem, the film suffers from a shot-on-a-home-video-camera cheapness. It looks cheap, sounds cheap, and the actors aren't all that good. It tries to throw us off track to who the killer may be, but even that fails. The ending ends up being a ridiculous mess. Folks, if you run across this film, walk away and go find the original "Slumber Party Massacre." 2 out of 10.
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CHEERLEADER MASSACRE (2003)<br /><br />starring: Tamie Sheffield, Charity Rahmer, Erin Byron, Leonard Johnson, E. Eddie Edwards, Samantha Phillips, GiGi Erneta, April Flowers, Nikki Fritz, Tylo Tyler, Brad Beck, Summer Williams, Brinke Stevens, Melissa Brasselle.<br /><br />plot: A group of cheerleaders, along with their coach and three guys, are on their way to a game when suddenly their van breaks down and they take refuge in a nearby cabin. Soon, they drink, have sex, and are brutally murdered one by one by an unseen killer.<br /><br />the good: A few laughs, surprising identity of the killer, a Brinke Stevens cameo, my favorite scene from THE SLUMBER PARTY MASSACRE used as a flashback. <br /><br />the bad: I was excited about this film, I loved all three Slumber Party Massacre's because they were just so fun, and I was expecting a lot from this "Slumber Party/Sorority House Massacre with Scream tones), but it just sucked! They overdid it on the "We're cheesy but proud" thing and basically made soft-core porn but with a good who-dun-it.<br /><br />**
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Directed by Jim Wynorski (Chopping Mall, Return of the Swamp Thing), Cheerleader Massacre is the fourth installment in the Slumber Party Massacre series. Just think about it: it's the fourth chapter of a slasher series that no one really cares about! So how could this even be good? Well, it's not! But since when did slasher films have to be good? Cheerleader Massacre is entertaining, that's for sure. But in the entertainment field, we've seen better, that's for sure too! As you can see, I'm not sure about where I stand concerning this movie. Those who watch slashers only for nudity will be more than satisfied. This movie's all boobs, but unfortunately no blood, or not enough. I think I'm being generous with this movie because I had a good time watching it and I really enjoy watching slasher movies, even as bad as they sometimes are. If you want me to be sincere, The Slumber Party Massacre Part 1 is the best one and all the others are a waste of time, so I guess I have a lot of time to waste!! For more fun, watch Sleepaway Camp 2 and Cheerleader Camp.
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I hate it when people in the movie theater talk back to the screen. It's one of the main reasons why I stick to DVD's or videos . I saw The Clearing on DVD but if I had seen it in the movies I would have had to stand up and SCREAM " HE'S NOT DEAD YET , YOU MORON ! "<br /><br />The Clearing is another in a long list of horrible movies that feature Mr.Redford . Legal Eagles , Havana , Indecent Proposal , Up Close and Personal , Sneakers , Last Castle , and Spy Game . If Robert Redford told me to invest in something I'd go the other way . <br /><br />But the worst possible thing you can do to an audience is this . Say you're being kidnapped and your kidnapper has a gun . He's holding it on you for most of the movie . You turn the tables on him and start strangling him . Whatever you do keep strangling him until he's DEAD ! Don't just strangle him for ten seconds . Stay with it ! Ten minutes at least . But Bob stops too soon , walks away and forgets about Mr. Kidnapper until ....... He gets up , finds the gun and holds it on our hero again . At this point I wanted Mr. Kidnapper to shoot Robert Redford . More than a few times . And I wanted to shoot him as well .
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6,176
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Do not watch this movie, go see something else ... I was very disappointed, I cannot rate this movie any better than 3. The acting was quite good and I really liked William Dafoe as the villain, but I cannot see why this movie made it to the big screen. The story was old and has been shown in 100+ other movies and 1000+ TV series/movies. The main problem was basically: Nothing is happening. Take a kidnapping, let the villain make the wife of the kidnapped man deliver the money, make the police look stupid and boring and extend this to 95 minutes, you got your "Clearing" movie. The only 2 reasons I did not rate this a 1 was a) Dafoe and b) the "plan-B-ending". There are not many endings you can give a kidnapper movie ... 75% of these kind end with ending A, 20% end ending B and 1% ends with something unforeseeable. Boring, boring, boring.
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I had never heard of "The Clearing" until I was really bored one day with some friends in the local Blockbuster and it grabbed our attention. The description on the DVD jacket grabbed our interest, but once we popped it into the DVD player, the boredom was only beginning.<br /><br />The story was dragged out for waaaay too long. It seemed to follow the same outline as other movies which include a kidnapping. The most suspenseful parts were in the beginning of the movie, however. After that, the outline was followed exactly and that made "The Clearing" unoriginal. The flashbacks were too many in number and the grief of the victim's family provided nothing interesting nor enhanced the nature of the film. And I also found that I did not like the ending, so that probably led to me not liking the movie at all.<br /><br />The acting was not horrible...it wasn't the greatest, though. Robert Redford has given much better performances. Willem Dafoe's tragic character was the only one I really saw develop throughout the story line and the viewer only really sees that change in the last ten minutes or so in the movie. Helen Mirren's portrayal as Robert Redford's wife was flat and sort of followed the same generic mold as other movies which include a tragic and heart-splitting event.<br /><br />In my opinion, "The Clearing" is nothing to rave about. Use your movie rental money on something else...like "Garden State," perhaps?
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I love most Jet Li movies (with the exception of Romeo Must Die) and I bought this movie in a VERY cheap three-pack with "The Master" and "Twin Warriors". While Twin Warriors was very impressive and I was thoroughly intrigued by it, and the master was a bit "Karate Kid" but also enjoyable, I thought this movie was TERRIBLE. I'm not just saying that because I'm used to better movies. I'm saying that it was almost down there with "Kazaam". The fight scenes were terrible (blurry cameras and no real fighting) and the plot was your typical "stupid kung-fu plot". If you are going to have a plot this stupid (see 'man turns into woman to become all-powerful then falls in love with Jet Li') you best have some great fighting to go with it. If you are looking for an original HK Jet Li movie, I suggest you go rent "Shaolin Temple 2" (aka Kids from Shaolin).
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Whoa!Terrible, terrible, terrible, terrible, did I mention terrible?You can tell just by the DVD cover not to get this movie, but unfortunately that wasn't the case for me.Well, someone brought this home for me to watch, and when I looked at it I just wanted to strangle the person, because they used my money.I will certainly be taking it back soon, but I might as well tell you about it while I have it in memory, for I definitely want to forget it.This movie doesn't deserve to even be called horrible.It's beyond horrible.Quite possibly, the worst film ever.The acting was so, so, so, so horrifically disgusting, as well as the deaths being so ENTIRELY lame and predictable.I didn't even laugh at how bad this movie was, which kind of frightens me a little.Don't see this film, shame on you if you're even looking at this movie page, and I have EXTREME pity for you if you're looking at this movie page, because you think this will be DECENT.Final word: YUCK!!!!!!!!!!
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This movie is not that good at all.Its pretty stupid, pretty annoying, and very poorly done.I really only saw this film was because one of my friends said they hated this film.Although I didn't hate it as much as them, I still found it to be a pretty bad film.The only thing that is remotely good about this was that it was a little entertaining at times, and also I feel that if it had been done a little better it would have been equally okay.What I mean by a little better is that if it had been totally recast, not have had it looked like it had been shot for a film festival, and if the script had been improved it would have been a okay slasher film.Instead it isn't but instead what it is now, a crappy film.The acting is atrocious I felt as if I was watching a couple of teens act for like a Halloween show or Thrill ride or something.The kills are pretty cheap(as is the film itself), and basically everything else is low-class.Overall this film really is bad and you wouldn't be missing out on anything if you decided to skip this film.<br /><br />3.8 out of 10 stars
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Everyone knows the so-called plot, so let me cut to the chase.<br /><br />Forced frivolity. Miscast performers working hard to have fun so you can have fun. The brilliant Meryl Streep gives it a great try. Pierce Brosnan just plain embarrassing. Inexplicably set on a Greek Island. Lots of squealing, shrieking women. Lots.<br /><br />It was a silly juke box musical on stage, now it's a big, splashy, poorly shot screen juke box musical. If you like ABBA, so-so. If not, an assault on the senses and an insult to whatever intelligence you're left with when you exit the theater. I readily admit that I didn't really want to see this movie and went with some friends who did, but for the love of God. Why does my gender shriek and squeal to convey delight? Ever sit next to a table of women who have had too much to drink and are absolutely determined to have GREAT night out on the town? That's the feeling of this whole project. It just felt so good when it stopped.
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I don't know where most of you were at, but where I watched the film we didn't have people singing as some have told they experienced, we had people laughing, mostly at the campy plot line, the horrible dance sequences and the singing of the likes of Brosnan. The only people in the audience who seemed to be enthralled with the film were the seventies generation folks who were some how reliving the past with the songs. I was a DJ in the seventies and even went to the ABBA concert at Northlands Coliseum in Edmonton in Sept of 79, so I did appreciate them then and I still do now. But this film should have gone the same way as their marriages and ended in divorce. The sequences were so poorly staged, the dubbing and editing absolutely horrible and this has to be Meryl's worst production. I cannot believe an academy award winner would stoop so low as to do this piece of garbage. So save your money, wait for it to come out on DVD and then maybe spend your money on something better, like cat litter.
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After sitting through this film, I have decided that it is one of the WORST movies I have ever seen. I knew it the moment I was subjected to three teenage girls screaming and overacting when they (OMG!) meet again, and then watching the same thing, only done by women old enough to be my mom. And that was only the first few minutes. Yeesh. So here are my comments...<br /><br />1. Middle aged women + ridiculous dance moves complete with hip thrusts and over the top costumes = not a good idea.<br /><br />2. Pierce Brosnan could not sing his way out of a paper bag. Nor could practically anyone else in this pile of excrement, for that matter.<br /><br />3. The songs were so random. It was obvious to me that they were thrown, willy nilly, into the incredibly contrived and STUPID plot.<br /><br />4. My three year old nephew could have written a better script.<br /><br />I was either cringing or laughing derisively during the movie. And I normally really like movie musicals. Of course they are bound to be a bit corny...but this was ridiculous. What a waste of talent. I mean, you have great actors and actresses in this movie...I am embarrassed for them that this is now a part of their career. I regret wasting my money and time on this piece of crap.
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First of all let us discuss about the story. It is a copy of the movie "Hitch" with an added Indian Flavor to it. One guy, who is a Love guru, and another man who is seemingly a sucker when it comes to ladies, and how this seemingly sucker becomes a charmer with the help of the love guru forms the story. Salman Khan is the love guru, and Govinda is the lame guy.<br /><br />Now coming to artists' performance, Salman Khan overacts throughout the movie, he tries to be funny, but fails big time. You can see Salman shouting throughout the movie, no real acting is seen in his performance. Govinda pairs opposite Katrina Kaif(Oh, my god, she is one heck of a girl. A real Beauty)is in real life a 50 year old dude, and Katrina is a girl in her early twenties. In the movie Govinda looks like Grandpa of Katrina Kaif. What a pity! Coming to Execution of the movie. This movie feels like a B-Movie, and a poor imitation of the movie Hitch. Where Hitch looks like a movie with a purpose and depth, this movie is shallow and purposeless, nowhere there is justification or clarity.<br /><br />Just forget this movie, for it is nothing but boring, typical Bollywood fare. Actually I give 3/10 because this is the lowest I go.
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Honestly, I have to admit that I go and see certain stupid films based on the hype they have generated or are currently generating. This dumb Salman Khan & Govinda feature is one of those stupid films. Okay, by now we've all seen 'Hitch' starring Will Smith as a date doctor trying to help out odd people find true. Then why would we need to see Salman Khan re-enact this? Therein lies the $64,000 question. In case you were wondering, Govinda plays the oddball in search of the love of his life (an unreachable socialite) played by Katrina Kaif.<br /><br />Lara Dutta is along to play Sallu's Eva Mendes, and Sallu's real-life love Kaif pretty much plays her character like every role you've see her in thus far, no stretch no acting required. And for nearly three and a half hours we get tortured with spoofs of other Bollywood films and characters or better yet we get treated to low rate performances of past hit films. Rajpal Yadav co-stars. F
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This is another Bollywood remake of a Hollywood movie. Hitch...If I'm correct.<br /><br />The film has some great moments which will have you laughing out loud which frankly only come from Govinda who has become a legend within Indian Cinema and will always bring his A game in terms of comedies. Another bonus is Rajpal Yadav; who is hilarious as the gangster who mimics 'Don', an Indian icon of cinema. Lara Dutta is a plus...I know I sound shallow but its mainly because I have a soft spot for her, she tries to be funny but its seems to be forced. Her acting is weak...but she still shines. Salman Khan is atrocious, he tries to bring the cool, charming depths but fails miserably, he over acts and keeps shouting for no apparent reason. <br /><br />'Thats not acting mate, thats called being mentally challenged'<br /><br />Katrina Kaif is just bad...not very good at anything. No charisma, no talent..and I don't see why people consider her pretty... The plot was far fetched and I had a hard time believing that Katrina's character was remotely attracted to Govinda. The only good thing is the music...'You're my love' was the best in the soundtrack.
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This is not a good movie. It is a tried remake of the English movie 'The Hitch'. But it insults the original one. This is hardly a movie you expect from a veteran director like 'David Dhawan' who is credited to directing good movies like "Raja Babu", "Coolie No.1", "Hero No. 1"...<br /><br />The main theme for this movie is taken from "The Hitch" with some changes so as to appeal to the Indian audience but somehow the story and the screenplay is not convincing enough. Plus the acting from the lead roles i.e. Salman Khan and Govinda is pitiful. It seems that they need the slightest provocation to remove their shirts to reveal their bare chest. I do not consider this fascinating and least of all comic. What was the director thinking ? Added to this the viewers have to bear the case of Govinda's Over-acting. It was simply unbearable. I ADVISE THE VIEWERS TO WATCH IT AT YOUR OWN RISK. My rating of 2 for this movie could be considered to be a very generous one.<br /><br />Instead I would advise the viewers to watch the English movie "Hitch" which is a lot better.
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David Dhawan copied HITCH and such an unofficial copy The film isn't even 1/2 as funny or amusing as the original it's boring with forced stories like the Lara track of having a child and no hubby Plus there is an unwanted stupid Chota DON and David tries to choke drama too but the film looks disjointed, boring<br /><br />Songs just pop in, so does romance and everything barring some funny Govinda scenes, the dance before interval nothing else is worth mentioning The last few scenes are quite funny but there tend to get too long<br /><br />David's direction is as bad as MAINE PYAAR KYUN KIYAA, he needs to change his style or attempt something good Music is saving grace, some songs are good but the situations seem forced<br /><br />Govinda looks overweight and seems too loud and screams his lines in initial reels but he gets into the groove and gives his best in the office and the scene with Salman in his cabin and towards the end<br /><br />Salman just plays himself and his nasal tone plus his fake style of acting is a headache<br /><br />Lara is avoidable, Katrina is fake as usual<br /><br />The kid overacts
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I didn't know what to expect when I started watching this movie, by the end of it I was pulling my hairs out. This was one of the most pathetic movies of this year...in fact, in the last ten years. David Dhawan should just give up his career as a director. I am yet to come across one original script that David Dhawan has worked on. This one was a complete bit y bit rip off Hitch. I have nothing against remakes as such, but this one is just so lousy that it makes you even hate the original one (which was pretty decent). I fail to understand what actors like Salman and Govinda saw in this script. I read somewhere, that this was supposed to be Govinda's comeback vehicle. If thats true, then only God can save his career. Salman just overacted to the hilt. Govinda who I think is an actor of very high caliber was completely wasted. Katrina Kaif and LAra Dutta had nothing to do apart form wearing designer clothes and smiling for no rhyme or reason. Please stay away form this one!
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I was really geared up to watch when two of best movie critics tagged this movie as a 'laugh riot'. But the movie turned out be disappointing.<br /><br />You will be advised to watch this movie keeping your brains at home but you simply can't ignore the flaws and the shortcomings.<br /><br />1. The missile scene was total stupidity.<br /><br />2. Katrina Kaif and Govinda pair looked awful. (He's 49 and she's just 24... more than double of her age) 3. Salman's comedy is less of acting and more of overacting.<br /><br />4. Songs are good but interrupts the pace of the movie.<br /><br />5. Some scenes were deliberately attempted by the movie makers to be funny, and 6. Poor and flawed story.<br /><br />However, there are few pluses- 1. Govinda. Great Individual Performance.<br /><br />2. Some scenes are actually quite funny.<br /><br />3. Kattrina Kaif. Looks and Acting keeps on improving with every film.<br /><br />4. Rajpal Yadav's Don sequences. Though under-utilized but hilarious.<br /><br />So 4 good points, 6 bad ones.. this one gets 4/10.
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let me first just say that in the past, i have been a huge carlin fan. i think george is one of the smartest people and best comedians on the planet. what made george so great in the past was his ability to look at things in his own twisted way, and give us his unique perspective on those things. it wasn't always meant to be funny, but you always respected his opinions, because they were presented in such a clever way. but you are all diseased is just a long rant. he doesn't give us any unique perspective on anything, he just gives us a long list of stuff that he's p.o.'d at. there is no insight, no cleverness, just an old man complaining for one hour straight about things that we have all complained about. and on top of that, it wasn't even funny. you are all diseased appeals to dumb people who can't handle anything more advanced than something simple and direct. i don't mind anger fueled comedy, but george could have done so much better. i really hope that george carlin's next show will live up to the quality that george has shown in the past.
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Algiers is not a classic, it is a perversion of the wonderful original Pepe le Moko, directed by Duvivier and starring a much more attractive and charming Pepe, Jean Gabin. If you want to fully experience the Casbah and the characters in Algiers, I recommend you don't even watch this movie and see Pepe le Moko instead, for it is much more elaborate, more beautifully filmed, the lines are not clichéd and the characters adhere much more to reality. Furthermore, the ending is so dramatic and key to Pepe's character that you'll find the Algiers version intolerable. Although Algiers does an almost excellent job mimicking each scene, the acting falls short as does the credibility of the characters. Plus, the wardrobe is truly breath-taking in all scenes, particularly Pepe's in the last scene and Gaby's (at all times) but also when she's on the boat. Frankly, Algiers is cheap as far as imitations go.
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Atmosphere and droll dialog don't redeem this overrated classic. Boyer is a French thief hiding in the Casbah of Algiers while the police try to figure out how to get him out. Meanwhile, he falls for Lamarr and tries to find a way to escape. The film is slow to get started and never really goes anywhere. Reminiscent of Casablanca in some ways, it's completely lacking any larger theme than the wanted man seducing a good woman. It's all talk-talk-talk, with endless scenes of Boyer swaggering among his idiot cohorts and Boyer wooing Lamarr in the shadows. Personally, I didn't care for Boyer's character for a minute, so the tension was utterly nonexistent.<br /><br />Stock 1930s character actors stumble thru the mushy plot as Boyer's henchmen--guys who clearly do not belong in Algiers. Sigrid Gurie is the wildly-overacting jealous girlfriend of Boyer. His brazen womanizing in front of her doesn't bode well for any future he might have with Lamarr.<br /><br />Especially bad is a long sequence in which an underling comes to tell Boyer how another henchman was captured. It sounds exciting... too bad we didn't see it for ourselves. The ending is completely anticlimactic and seems to be remarkable only because it is not a Hollywood happy ending; that doesn't stop it from being sappy.
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This film has been compared to the hilarious British comedy "A Fish Called Wanda", although I can't see why. The only connection I can find is the Monty Python one (Eric Idle in "Nuns", John Cleese and Michael Palin in "Wanda"). Otherwise the two are incomparable.<br /><br />Idle and Robbie Coltrane are two gangsters who want to get out of the business before they end up dead, so they decide to rip off their boss and make for Rio. When the getaway goes wrong, the two are forced to take refuge in a convent, as nuns.<br /><br />What at first promises to be a riot soon becomes a predictable, average movie with the usual tasteless sex jokes and bland humour. Once again there are the occasional high spots, but neither cast nor crew manage to inspire proceedings. An attempt at a "Wanda" type manic finish fails too, along with the effort at "men in drag" humour, which is hardly surprising. When you think about it, men trying to be women is funny, men trying to be nuns is ridiculous.<br /><br />Friday, April 22, 1994 - Video
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Big disappointment. CLASH BY NIGHT is much to talky and stagy and the dialog doesn't resonate as true coming from these characters. This is melodrama at its peak. The acting is truly over the top and very unreal. Only MARILYN MONROE and KEITH ANDES as supporting players give this film any zip. Wish they had more to do. I'm somebody who looks at details in films. Two big questions...1 Who is watching the baby the entire day when Stanwyck and Ryan are together and Douglas is working, then breaking up a fight in a bar with is father? 2. When Stanwyck is packing to leave town, why is she seen packing at her brothers place where she hasn't lived for at least two years? Also, when everyone goes to the projection room at the Theatre, who's taking care of the baby again? Such details really irritate me and cause me to give films much lower ratings. What were the writers, directors and everyone else connected with the film thinking? Nuf' said.
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Ok, so I saw this movie at this year's Sundance, and I was sorely unimpressed. It took a good fifteen minutes of footage before there was an edit or a line of dialogue that made any sense, and it took another 30 minutes before the ham-fisted script gave way to a working plot that wasn't contingent on a close-up of Ryan Gosling's smile or contrived moralizing. After the first 45 minutes however, the script blossomed into a watch-able albeit not completely entertaining or thought-provoking. The highlights certainly include both Gosling and Morse's acting, Gosling being an up-and-coming star, and Morse being an extremely well-established character actor with a good feel for disparate emotions. As a sidenote, after the screening I was talking a little smack about the movie to some of my friends when David Morse walked right behind me--He looks like the nicest guy in the world, but he's a solid 6'2" and probably outweighs me by 50 pounds. I removed my foot from my mouth and promptly changed the subject.
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Here's what's good about "The Slaughter Rule:"<br /><br />--Ryan Gosling, Clea Duvall, and David Morse all give great performances. Gosling is, as always, pretty darn outstanding. The locales are often breathtaking.<br /><br />Here's what's bad about "The Slaughter Rule:"<br /><br />--Everything else. The script is horribly muddled. And while I can certainly appreciate a non-"feel good" movie, this movie is just boring. Great performances can't make-up for a movie with a stupid premise and a script that is filled with throw-away lines that often don't even make it sense. Just getting through the first hour became a chore.<br /><br />I stuck with it because of Gosling, but eventually I did myself a favor and changed the channel. Spoilers on here relayed the ending to me. I didn't miss much. Do yourself a favor--if you want a good Gosling flick, check out "The Believer."<br /><br />My score: 2 out of 10.
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So, as far as I gather, this episode is trying to make a statement about how real-life villains are very bad people, and this is just as scary as the paranormal. The "paranormal" imagery associated with the villain, Donnie, is purely symbolic. He's actually just a normal human being.<br /><br />The problem is that I just don't buy it. Donnie is simply not scarier than the paranormal. He's not even that scary at all. As a guy who seems confused and weird rather than malicious, likes dead girls and hair, and has only newly become a murderer, he's significantly less disturbing than most well-known real-life serial killers (eg: he's like a VERY watered-down version of Ed Gein). Which is why Scully's horror at seeing nothing but bodies with hair and nails cut off (something not too different from a normal personal hygiene routine), before anybody has even been killed or hurt at all, is completely out of character. She sees things a hundred times worse in almost every other episode and hardly flinches.<br /><br />So, as Comic Book Guy says... "worst episode EVER!"
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Ugh. Even the ever-popular Diane Lane could not save this movie, and the most exciting thing about the movie was seeing if Rourke's face would move. One has heard so much "gossip" about his botched face lift, etc., so like an accident on the side of the road, we just had to slow down and see the wreck. The plot was thin. Here we have a very professional mob hit man who somehow latches on to a wild and uncontrollable punk/crook, and throughout this movie we're wondering why this guy stays with this idiot, let alone gets together with the guy in the first place. Then the crime that was not even committed has the pro to go after the witnesses. He would have popped them right then and there. But then, we would not have had a movie then, would we? And why did the realtor even agree to the extortion? There were more holes in this flick than in my colander. The acting was horrid, the entire movie predictable down to the minute, and even the ending. And so much could have been done to make this a much better movie. But if you have about 90 minutes to kill and not have to use any brain cells in the process, then this movie is just what the doctor ordered.
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I decided to watch this movie in order to fall asleep. It kept me awake, so it was interesting; however, it was pretty bland.<br /><br />The acting was good. I don't think any of the actors did a bad job. Mickey Rourke is as believable as an over-the-hill hit-man can be. The dialogue in this movie does not provide much opportunity for these actors to show off their full potential, but they still shined.<br /><br />The atmosphere was great. Music was good and colors matched the mood that the director wanted to paint for the viewers. Even the weather enhanced the mood of the movie. Everything was well done.<br /><br />The failures of this movie are in its story development. The storyline with the mafia vs. Blackbird doesn't get enough attention. The storyline for Carmen and Wayne's divorce doesn't get explained. The FBI seems to work extra fast here. Is there no paperwork for all these processes? Is it really that easy to dig up your brother's body from his grave, burn the corpse, and have it be identified as you? There are too many loops in the storyline for me to give this movie anything higher than a 4 out of 10 rating. I wouldn't recommend this movie to people unless they're really bored and have smoked some really good weed. Even if WoW is down for maintenance, go find something better to do than watch this movie.
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Most predicable movie I've ever seen...extremely boring, I feel like I've seen a hundred movies with the same storyline as this one. Acting is OK at best, there's no action really and there is definitely no thrills. Capable actors with terrible script i think it could have been written better by a 10th grader. Felt like more of a chore to watch because I was hoping that there would be something in this movie that was going to set it apart from all the other garbage but this fit right in on the heap. The whole movie I was waiting for something good to happen but it never came. I never rate movies and I never review movies but this movie was so bad that i had to log in here and post a review to try and save a few poor souls from wasting their time (and/or money) with this movie. I pirated it and wish I never even wasted the hard drive space. If I spent 10 bucks to see this in theaters I would kill myself.
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I'm sorry guys, all who thought this film could be something great, I'm afraid you would be disappointed.<br /><br />The standard, the movie wanted to set is completely ruined by some very simple plot. So simple, that the movie is not evolving until the end. I asked myself if the plot wasn't about the action but about the main character (played by Mickey Rourke), but I found that the character was inconsistent - either he is a professional killer or some guilt haunted brother. But both don't go together, because the kid he tries to guide poses him in dangerous situations where no professional killer would put himself. Now, Joseph Gordon-Levitt, is a good looking actor, but he played his character a little unnatural. I didn't believe his acting, it looked like the director tried to pull out of him some personality he couldn't provide. And he didn't have to, because his less crazy behavior was creepy enough. The only one whose acting was great, was Diane Lane. If not her, i would give this movie 1 star.<br /><br />In conclusion, I expected to see some well played movie and some interesting plot. And I completely blew it with my high expectations.
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Wow !! I didn't even know about this movie until I was searching for the name of another Mark Hamill classic (Time Runner). Some things are better left unknown. Mark Hamill's role is quite ... limited. I would compare his appearance in this movie to all those appearances of Vincent Price and Christopher Lee in those bad horror b-movies of the 60's and 70's. In those movies, they appeared in the the first and last 5 minutes of the movie. Memorable acting by Mark with such great lines as "Don't try to run. You're under arrest." Did I mention he says that EXACT thing more than once. Bill Paxton fell into an Uzumaki type spiral of drugs and booze after Aliens, because he ended up in this movie after waking up on the set after a binge session. The HAIR .. the HAIR !!! .. Priceless Bill. Truly should have been "GAME OVER" for Bill .. but somehow .. he got treatment .. and went on to better??? movies. This movie blows. It is more dull and boring than The Crazies. At least that movie was crazy... this is just boring. DO NOT WATCH THIS MOVIE SOBER.
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I just finished watching this movie and largely found it a waste of time with little or no redeeming factors. I really don't understand where all the positive reviews came from -- the animation is clunky and unrefined, the plot makes no sense at all from an objective standpoint, and there is no sense of intrigue or suspense in that which is trying to pass itself off as an intriguing and suspenseful film. I have never read the book so I can't say if the movie was faithful, but as with most movie adaptations, it tries too hard to cram as much information into the shortest amount of time possible. The result is a disjointed and illogical storyline that doesn't really let you understand or relate to the characters, or, actually, anything at all. Overall, I felt completely detached from the characters and the plot to the point where I couldn't bring myself to care about what happened to them, and the only way I can see how this animation could be considered beautiful is if your normal standard of animation is a Scooby-Doo cartoon.
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"Blame it on Rio" is a romantic comedy 80's style, with more than an eye full of sex throughout its 101 minute running time.<br /><br />The plot concerns two middle-aged men in crisis, one of whom is sorting through his divorce, the other dealing with the possibility of that same prospect. Both good friends, they decide to take a vacation in exotic Rio de Janeiro, each with a daughter at their side. Complications set in when one of them gets involved with the other's daughter.<br /><br />This potential riot of a story is fairly funny and there are some good lines, however it never really becomes hilarious, as it could have. Any attempt at handling the moral issue seriously doesn't work either, and perhaps director Donen should have stuck to the humour of the situation.<br /><br />Not a bad film, but what really ruins it is Michelle Johnson's awful performance as the naughty little temptress Jennifer. While she uses her body to full advantage, it's the only thing she's got. Michelle's acting prowess leaves a great deal to be desired. No wonder we haven't seen her in anything else.<br /><br />Friday, January 7, 1994 - Video
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This movie should be called Blame it on the Script. Directed by Stanley Donen, of Singin' in the Rain fame, this celluloid mid-life crisis is not all bad. It's got some lush scenes of Rio de Janeiro and various scantily clad extras cavorting with each other and romping around the beach to the sultry sounds of samba, but there is just something about watching fifty-something Michael Caine get it on with whiny teenager Michelle Johnson that makes you feel...well, sleazy. This storyline is a complete stretch, too. Nobody but pervy and vain old studio execs in Hollywood could have green-lit this embarrassment. Maybe they are so used to having young bimbos as arm candy that they forget it's their fat wallets that hold the key to their appeal, not their huge Larry King-style spectacles and yellow cigar-stained teeth. It's one thing for a nubile young sexpot to have a crush on an older man, but on her best friend's father who happens to be married? And then to throw herself at him shamelessly? Ugh! There's nothing entertaining about that. It's rather pathetic and grotesque. Take note of a young Demi Moore's budding *cough* talent.
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Yeah, I know the girls are hot and the scenery lovely but for someone knowing the place, it's hilarious.<br /><br />If you want some accuracy, this is not a movie to rely on. It starts with the flight from São Paulo to Rio aboard a 747. This will never happen on the 400 km flight. Smaller planes such as 737 or A-320 shuttle passengers between the two cities every half an hour. The drive from the airport home if shown on a map would reveal an intricate zig zag back and forth. Perhaps the producers tried to emulate one of the very known taxicab drivers itineraries when faced to tourists. Not that it would be a local habit as I myself got ripped off in very serious places such as Switzerland. The girls, yes. All topless. That's something an outsider will never understand. Brazilian chicks will be happy to expose 100 % of their incredible bodies at the Samba Schools parades and wear almost non-existent bikinis at beach, but never go topless. A handful beaches across the whole country will allow it. All carefully secluded and out of town. Oh, the indoor decoration; the amazing wallpaper... maybe in Disneyworld... Apart from that, it is very entertaining and, yes, Demi Moore is absolutely splendid.
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Michael Caine's character has problems. He's a plain, nearsighted, insecure man in his mid-40s. He's married but his wife doesn't seem to love him anymore. He has a poor relationship with his only daughter. But his most immediate problem is that a stunningly beautiful young woman, played by Michelle Johnson, is pursuing him too ardently, kissing him, groping him, and trying to initiate sex at every opportunity. What's the poor fellow to do? <br /><br />This movie should be taken out of the Comedy section and placed under Science Fiction. Only an intergalactic brain chip can explain the actions of Michelle Johnson's character. Let's see - 3 billion men in the world - she can pretty much have her pick - she goes with an clumsy, aging loser. This goes beyond a middle-aged male fantasy into something so delusional, you just hope that everyone involved voluntarily submitted to therapy.<br /><br />There's not really anything funny here. There are some quick attempts at wit from Caine, who often seems to playing Hawkeye Pierce more than a new character. Joseph Bologna is like fingernails on a chalkboard. Michelle Johnson is no actress - she has one crying scene that wouldn't pass muster in a high school play - but she is beautiful and she does take her clothes off. So buy the DVD, skip to scenes 4 and 9, and forget the rest.
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This movie just arrived to Mexico and since I read very good reviews here about it I decided to go watch it with my friends and girlfriend, but i was greatly disappointed, I don't understand how people can rate it 10/10 I mean screenplay and directing were beautiful, but a great overall movie need a good story which this flick lacked altogether.<br /><br />I've enjoyed several dramatic Asian and European films but they had a good story, watch this movie at your own risk unless you are eastern European or orthodox i don't think you will like it.<br /><br />Half the people on the theater left including my 4 friends who waited outside since they were really bored so was I but I always wait till the end of the movie.<br /><br />Regarding the movie, it was extremely slow paced, with a lot of time wasting scenes, the full length of the story could have been shown in no more than 40 minutes, but they made it longer by having scenes of the monk getting coal that is like 15 minutes of the whole movie plus panoramic views and so on, until they made it a full length movie a really boring one.<br /><br />I recommend you listen to me if you still watch it come back and rate this comment as useful after wards to help people avoid this waste of money.
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I went into this film expecting/hoping for a sleazy drive-in style slice of seventies exploitation, but what I got was more of a bizarre pseudo western with far too much talking and not enough action. It's clear that this film was made on a budget; the locations are drab and poorly shot, while the acting leaves a lot to be desired also. The plot focuses on a trio of robbers (a father and two sons) that steal a load of gold after killing some miners. They come across a cabin inhabited by a young girl and her stepmother...and all this is told in flashbacks by the young girl, currently residing in an asylum. It's clear that directors Louis Leahman and William Sachs thought they were making something really shocking; but despite its best efforts, South of Hell Mountain is just too boring to shock the viewer. The film drones on for about eighty minutes and most of it consists of boring characters spouting off boring and long-winded dialogue. The only good thing I have to say about the film is with regards to the music; which is good in places. The ending is the only other good thing about the movie; and that's only because it's the last thing that happens. I wouldn't recommend anyone bothers tracking this down...there was much better trash made in the seventies.
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For some reason I just didn't like it at all and felt embarrassed about how bad it was since I bought it and watched it with my family. All of us hated it with a passion. It's a nice enough kids' movie, maybe in the year it came out. However, think about it: an outdated kids' movie? What's the point? Kids do not generally like to watch such old movies anyway, and I don't see what adults are supposed to get out of this movie at all.<br /><br />Some kids' movies (like Mary Poppins or Wizard of Oz) can be enjoyed even now, but Time Bandits is totally outdated. For your reference, and I think applicable in this case, I also did not like Dr Strangelove or Spinal Tap at all. So, if you disagree with me on those similarly outdated movies, you might like Time Bandits.<br /><br />There is also a horrible case of overacting as I recall from the 'bad guys'. Think of the two stupid 'bad pirates' in the Pirates of the C. movies, except in Time Bandits they are not even remotely funny.<br /><br />Anyway, I warned you, that's all I can do. People that rate this movie high must have liked it from many years ago. If you have not seen it before, then don't bother watching it now.
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Jon Stewart (aka John Liebowitz) constantly rips conservatism and anything Republican. This liberal comic is anything but, as he pours his cutting "humor" down the throats of impressionable youths. I've viewed the show while stuck in a waiting room while my car was repaired and this guy borders on treason. He'll take Al Queda's side over Bush any day. He's shameless and everything he says is punctuated by a phony laughtrack. I do remember four years ago when he "interviewed" John Kerry. The two made faces at each other that seemed to preclude a makeout session. It was like, "Get a room, you guys". I just don't like smirky little traitors who peddle their propaganda. Call me shallow. The Daily Show has had a long run and there are many likeminded liberals who have a seething hatred for Republicans and Conservatism. I'm not surprised at its success, but do that many people actually watch Comedy Central? That Mancia guy makes me barf.
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This was something I had been looking forward to seeing. The Ultimate Avengers movies had both exceeded my expectations and since Iron Man has been one of my favorite Marvel characters I thought that this same production team would be able to do some really great stuff with an Iron Man solo title. But the final film was unsatisfying. I wasn't expecting them to spend most of the movie paying tribute to Iron Man gray armor. The red and gold armor is seen for maybe ten or so minutes all together. Not a major complaint but not what I expected from the ads and box. The worse thing however was the story, the acting and the cell-shaded CGI animation for the monsters and Iron Man armor that was not convincing. It didn't blend in well with the cell animation at all. Even on it's own it seem stick-like and lifeless. Tony Stark's character arc, as incredibly slow as it takes, is so forced and unconvincing. I wanted to see this movie because I love Iron Man but after forcing myself through the film I wondered if they couldn't have come up with something that had been as good as the Ultimate Avengers movies.
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I was in 6th grade and this movie aired on PBS during a series called 'Wonderworks.' I distinctly remember sitting on a couch watching the movie with tears running down my face at the end. In the film Jesse, the main character, forms an unusual friendship with a girl named Leslie. Due to a very simple, but careless mistake one of the pair dies. At the time, I found the story very powerful, because the fatal mistake is exactly the type of mistake a kid would make and so any kid watching the film will find it very easy to identify with and feel the emotional weight of the tragedy that ensues.<br /><br />Last year, I finally tracked down a VHS copy of the show. I probably should have stuck with my memories. Watching the show as an adult I was absolutely shocked by what a horribly made film this was. My girlfriend had a similar memory of the movie as well, and she too was pretty sad about how bad the movie was compared to her memories. <br /><br />Many adults probably have a good memory of watching this movie when they were kids. I strongly advise that these people leave their memories intact, and avoid seeing this film as an adult.
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I didn't particularly like Sliding Doors or Twice Upon a Yesterday, so I certainly didn't this poor second-rate excuse for those films. An idea that's been done to death (what would happen if...?) and the script is shoddy and unsuccessful, not to mention the obvious attempt at adding sex/nudity simply to gain an R rating and certain scenes that just weren't necessary but were there to push the boundaries (I really don't need to see a kid urinating or a struggle with a diaphragm. Especially when they have absolutely no connection to or use in the film).<br /><br />The acting was also very poor, the only actor I found the least bit satisfying was her daughter; the rest were two-dimensional and quite unbelievable. The people I watched this with left the room about halfway through; I managed to finish it, but not without fast forwarding through part of it.<br /><br />Overall: Nothing new here, it's a generic and boring film. The few rather amusing moments are far outweighed by the silly or stupid ones. This would be dull even if it hadn't been done before. If it weren't such a rehash I'd rate it a five, but even for an Indie film this was severely lacking, and as a rehash it loses on originality as well: 3/10.
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<br /><br />As a fan of bad movies (and MST3K, and a member of MFT3K), I must say I've seen my share of them. But geez! Even the worst I've seen at least had a soundtrack. As George Lazenby stiffly wanders around Hong Kong, doing who knows what, you can guarantee that you won't be distracted by any of that background music that fills todays cinema. Or any of that music that fills elevators. I don't think anyone in this film even hums.<br /><br />Now, this isn't entirely true -- there *is* a sound track. if you listen closely, you will hear it chime in about a half-dozen times through the course of the film. Of course, the timing will be entirely inappropriate, and it doesn't last very long, but something that could be classified as "music" does occur. Your best bet, though, is to sit your toddler armed with a wooden spoon down in front of the TV with a collection of pots and pans while you watch. The rhythm and flow would be better than anything the film offers.<br /><br />Keep an eye out for Sammo Hung as a minor villian in this film. Aren't we all glad he found Jackie Chan to work with?
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