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because they were impressed by his 1980 film Breaker Morant . Philip Hobel
said, "What we saw in Breaker Morant is what we like as filmmakers ourselves —
an attention to the environment, a straightforward presentation; it's almost a
documentary approach." [12] Beresford was attracted to the idea of making a
Hollywood film with a big budget and powerful distribution. Following his
success with Breaker Morant , Beresford received about 150 Hollywood scripts
as potential projects; although he went weeks before reading many of them,
Beresford read Tender Mercies right away. It immediately appealed to him, in
part because it dealt with aspects of American rural life he had seldom
encountered in film scripts. [12] Several of those involved with Tender
Mercies had reservations about an Australian directing a film about a country
music star. Beresford also found the decision strange, but kept his thoughts
to himself because of his desire to direct the film. [13] He contacted EMI
Films and asked for one month to visit Texas and familiarize himself with the
state before committing to direct, to which the company agreed. [14] Beresford
said of the trip, "I want to come over and see if this is all true, because if
it's not really a true picture of what it's all like, it wouldn't be right to
make it." [12] During his visit to Texas, he saw parallels between the state
and his homeland: the terrain reminded him of the Australian bush country ,
and the Texans he met in the isolated areas reminded him of residents of the
Outback . He met Foote and discussed the script with him. The screenwriter,
who gave Beresford tours of small Texas towns, felt the director's Australian
background made him sensitive to the story's rural characters and would help
him achieve the sought-for authenticity. [14] Beresford agreed to direct and
was hired after receiving final approval from Duvall (the actor had a clause
in his contract allowing him such approval, the first time he had this power
on a film). [15] The central setting of Tender Mercies was chosen largely due
to the lack of physical structures in the barren landscape around it. A sense
of loneliness was crucial to how director Bruce Beresford wanted to tell the
story. [13] The film was given a budget of $4.5 million ($14,484,993 in 2022
dollars), modest by Hollywood standards at the time. [3] Philip Hobel said it
took about a year to secure the financing from EMI Films, whose major 1981
release, Honky Tonk Freeway , had done poor box office . [16] For the primary
location, Rosa Lee's home and motel/gas station business, Beresford imposed
one requirement: that no other buildings or large manmade structures be
visible from it. [17] The filmmakers eventually decided on a property that had
been sitting abandoned by a Waxahachie highway. Mary Ann Hobel said the owner,
when approached about its availability, immediately handed over the keys: "We
said, 'Don't you want a contract, something in writing?' And he said, 'We
don't do things that way here. ' " [16] Beresford, known for carefully
planning every shot in his films, drew his own storyboards as well as detailed
drawings of how he envisioned the sets. [12] Jeannine Oppewall was hired as
art director . Beresford praised her as "absolutely brilliant", especially for
her attention to very small details, "going from the curtains to the color of
the quilts on the floors." [13] It was Oppewall who named the motel Mariposa ,
Spanish for "butterfly", which symbolizes the spiritual resurrection Mac
Sledge would experience there. [18] Beresford chose Australian Russell Boyd as
cinematographer and Irishman William Anderson , who had worked on all of the
director's previous features, as editor . [19] He selected Elizabeth McBride
as costume designer . It was her first time in the position on a feature film,
and she went on to build a reputation for costuming Texan and other Southern
characters. [20] Casting [ edit ] Tess Harper as Rosa Lee, Robert Duvall as
Mac Sledge, and Allan Hubbard as Sonny, in costumes designed by Elizabeth
McBride Duvall had always wanted to play a country singer, and Foote was
rumored to have written the role of Mac Sledge specifically for him. Foote
denied the claim, claiming he found it too constraining to write roles for
specific actors, although he did hope Duvall would be cast in the part. Tender
Mercies became a very important personal project for Duvall, who contributed a
significant number of ideas for his character. [7] [10] Duvall was director
Robert Altman first choice for the role of country superstar Haven Hamilton
(subsequently played by Henry Gibson ) in his 1975 film Nashville ), but was
not in the film due to a scheduling conflict. [21] Reportedly, Duvall dropped
out of the movie when Altman would not let him sing his own compositions. In
preparing for the role, he spent weeks roaming around Texas, speaking to
strangers to find the right accent and mannerisms. He also joined a small
country band and continued singing with them every free weekend while the film
was being shot. [22] In total, Duvall drove about 680 miles (1,094 km) to
research the part, often asking people to speak into his tape recorder so he
could practice their inflections and other vocal habits. [15] Upon finding one
man with the exact accent he wanted, Duvall had him recite the entire script
into the recorder. [23] Tess Harper was performing on stage in Texas when she
attended a casting call for a minor role in the film. Beresford was so
impressed with her that he cast her in the lead. He later said that the
actresses he had seen before her demonstrated a sophistication and worldliness
inappropriate for the part, while she brought a kind of rural quality without
coming across as simple or foolish. Beresford said of Harper, "She walked into
the room and even before she spoke, I thought, 'That's the girl to play the
lead. ' " [13] Harper said she knew she won the role when Beresford appeared
on her doorstep with a bottle of champagne in each hand. [24] Tender Mercies
was Harper's feature film debut, and she was so excited about the role she bit
her script to make sure it was real. [25] When filming ended, Duvall gave her
a blue cowgirl shirt as a gift with a card that read, "You really were Rosa
Lee". [26] Beresford visited several schools and auditioned many children for
the role of Sonny before he came across Allan Hubbard in Paris , Texas.
Beresford said Hubbard, like Harper, was chosen based on a simple, rural
quality he possessed. [13] The boy was able to relate easily to the character
because, like Sonny, his father died at an early age; later, some media
reports falsely claimed that his father was killed during the Vietnam War,
just as Sonny's was in the film's backstory . [27] None of the filmmakers knew
Hubbard's father had died until after filming began. [19] Duvall developed a
strong, trusting relationship with Hubbard, which Foote felt improved the
duo's on-screen chemistry. [7] Hubbard would often play guitar with Duvall
during breaks from filming. [25] Betty Buckley attended a casting session in
New York City and was chosen largely based on the quality of her singing
voice; Beresford said that few of the actresses who auditioned for the role
were able to sing. [13] Buckley was originally from Fort Worth , Texas, near
the Grapevine Opry; when her concert scenes were filmed there, her whole
family participated as extras . [26] Duvall said he thought Buckley perfectly
conveyed the underlying frustration of a country singer and "brought a real
zing to [the] part." [10] The actual location of the bar scenes was in Seven