idx int32 0 999 | sentence stringlengths 4 250 | label class label 2
classes | embedding listlengths 384 384 |
|---|---|---|---|
200 | told in scattered fashion | 0negative | [
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201 | takes chances that are bold by studio standards | 1positive | [
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202 | believe it or not , jason actually takes a backseat in his own film to special effects | 0negative | [
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203 | only thing to fear about `` fear dot com '' | 0negative | [
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204 | whole mess | 0negative | [
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205 | manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor | 1positive | [
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206 | working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up . | 1positive | [
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207 | a résumé loaded with credits like `` girl in bar # 3 | 0negative | [
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208 | enjoy the ride | 1positive | [
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209 | very little to add beyond the dark visions already relayed by superb recent predecessors | 0negative | [
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210 | the , yes , snail-like pacing | 0negative | [
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211 | an extremely unpleasant film . | 0negative | [
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212 | if it is n't entirely persuasive , it does give exposure to some talented performers | 1positive | [
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213 | the whole affair , true story or not , feels incredibly hokey ... | 0negative | [
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214 | are all things we 've seen before | 0negative | [
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215 | poignant and leavened | 1positive | [
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216 | breathless anticipation | 1positive | [
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217 | significantly better | 1positive | [
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218 | as predictable as the tides | 0negative | [
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219 | bewilderingly brilliant and entertaining | 1positive | [
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220 | it 's smooth and professional | 1positive | [
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221 | , unassuming , subordinate | 0negative | [
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222 | the horror | 0negative | [
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223 | a technically superb film | 1positive | [
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224 | the positive change in tone here seems to have recharged him . | 1positive | [
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225 | pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators | 1positive | [
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226 | a dim | 0negative | [
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227 | , vicious and absurd | 0negative | [
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228 | because he acts so goofy all the time | 0negative | [
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229 | to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside | 1positive | [
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230 | 's at once laughable and compulsively watchable , | 1positive | [
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231 | merit its 103-minute length | 1positive | [
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232 | the value and respect for the term epic cinema | 1positive | [
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233 | as a dentist 's waiting room | 0negative | [
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234 | showing honest emotions | 1positive | [
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235 | amazingly lame . | 0negative | [
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236 | confessions may not be a straightforward bio | 0negative | [
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237 | seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little | 0negative | [
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238 | the story is bogus and | 0negative | [
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239 | this comic gem is as delightful as it is derivative . | 1positive | [
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240 | to spare wildlife | 1positive | [
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241 | ugly as the shabby digital photography | 0negative | [
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242 | understand the difference between dumb fun and just plain dumb | 0negative | [
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243 | traditionally structured | 1positive | [
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244 | frida is n't that much different from many a hollywood romance . | 0negative | [
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245 | does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets . | 1positive | [
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246 | are worth the price of admission ... if `` gory mayhem '' is your idea of a good time | 1positive | [
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247 | was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) | 0negative | [
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248 | carnage and | 0negative | [
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249 | degraded , handheld blair witch video-cam footage | 0negative | [
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250 | second fiddle | 0negative | [
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251 | about the folly of superficiality that is itself | 0negative | [
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252 | serves as auto-critique , and its clumsiness as its own most damning censure . | 0negative | [
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253 | tedious norwegian offering which somehow snagged an oscar nomination . | 0negative | [
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254 | , esther kahn is unusual but unfortunately also irritating . | 0negative | [
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255 | a stylish exercise | 1positive | [
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256 | halfway through this picture i was beginning to hate it | 0negative | [
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257 | a setup so easy it borders on facile | 0negative | [
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258 | a thoroughly awful movie | 0negative | [
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259 | takes hold and grips hard | 1positive | [
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260 | look smeary and blurry , to the point of distraction | 0negative | [
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261 | the picture 's fascinating byways | 1positive | [
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262 | guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves | 0negative | [
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263 | breezy , distracted rhythms | 0negative | [
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264 | than this mess | 0negative | [
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265 | evanescent , seamless and sumptuous stream | 1positive | [
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266 | slick and manufactured to claim street credibility . | 1positive | [
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267 | take care is nicely performed by a quintet of actresses , | 1positive | [
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268 | valuable messages | 1positive | [
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269 | in no small part thanks to lau | 1positive | [
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270 | two guys who desperately want to be quentin tarantino when they grow up | 0negative | [
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271 | no new plot conceptions | 0negative | [
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272 | essentially a collection of bits -- | 0negative | [
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273 | does n't bode well for the rest of it | 0negative | [
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274 | elevated by it -- the kind of movie | 1positive | [
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275 | usual worst | 0negative | [
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276 | hugh grant , who has a good line in charm | 1positive | [
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277 | arrive early and stay late | 1positive | [
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278 | is a pan-american movie , with moments of genuine insight into the urban heart . | 1positive | [
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279 | i could have used my two hours better watching being john malkovich again . | 0negative | [
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280 | shot in artful , watery tones of blue , green and brown | 1positive | [
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281 | an unorthodox little film noir organized crime story that includes one of the strangest | 1positive | [
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282 | considerable aplomb | 1positive | [
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283 | acted by diane lane and richard gere . | 1positive | [
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284 | scant | 0negative | [
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0.058518264442682266,
-0.04926289618015289,
-0.02765072137117386,
0.04206400364637375,
0.009376432746648788,
0.03642101213335991,
0.0399... |
285 | an admittedly middling film | 1positive | [
-0.07613015919923782,
0.024977412074804306,
0.044666487723588943,
0.012707994319498539,
0.04718807712197304,
0.021689943969249725,
0.07912653684616089,
0.05809052288532257,
0.01732848770916462,
-0.02289058081805706,
0.049954306334257126,
0.0029832071159034967,
0.021340981125831604,
0.09044... |
286 | too ludicrous | 0negative | [
0.07355852425098419,
-0.029048506170511246,
0.003205071436241269,
0.02956533432006836,
0.04950067400932312,
-0.06167113780975342,
0.017592066898941994,
0.0642290711402893,
0.011505739763379097,
-0.03826625645160675,
0.018916737288236618,
-0.0184360072016716,
-0.007410009391605854,
0.001562... |
287 | the rock 's fighting skills are more in line with steven seagal | 1positive | [
-0.050841208547353745,
0.05319209024310112,
0.016760312020778656,
-0.012974980287253857,
-0.0315936878323555,
0.08519341051578522,
0.04989898204803467,
-0.01339942216873169,
-0.016201725229620934,
-0.050409115850925446,
-0.050771236419677734,
-0.05715620145201683,
-0.019563335925340652,
0.... |
288 | rich and full | 1positive | [
0.06876163929700851,
0.039678823202848434,
-0.007402608636766672,
0.0555475689470768,
-0.019839540123939514,
-0.0547325573861599,
0.07588417828083038,
0.04843292012810707,
0.024203181266784668,
0.030746445059776306,
-0.014823713339865208,
-0.05290887877345085,
-0.0509394034743309,
-0.04929... |
289 | warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal . | 1positive | [
-0.03264991566538811,
0.02653101272881031,
0.04020457714796066,
0.13257360458374023,
0.0006464904872700572,
0.0027254100423306227,
0.07793079316616058,
-0.07621926814317703,
-0.009709848091006279,
-0.001156537444330752,
-0.08446253836154938,
-0.012325573712587357,
-0.008407855406403542,
-0... |
290 | that uses a sensational , real-life 19th-century crime as a metaphor for | 1positive | [
0.03915243595838547,
-0.007692578248679638,
-0.08779379725456238,
-0.056058548390865326,
0.0900556743144989,
0.05370793491601944,
0.0812491625547409,
-0.0023488267324864864,
0.006928729359060526,
0.03881826996803284,
0.1507280319929123,
0.0054100025445222855,
0.020721329376101494,
0.041099... |
291 | , home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face . | 1positive | [
0.029782118275761604,
-0.04830826446413994,
0.005456641316413879,
-0.013403895311057568,
0.05145864933729172,
0.027126813307404518,
0.01716666668653488,
-0.011517473496496677,
0.013389220461249352,
-0.12173447757959366,
-0.07424359023571014,
0.02516232058405876,
-0.031048305332660675,
-0.0... |
292 | , the film retains ambiguities that make it well worth watching . | 1positive | [
0.015156080015003681,
-0.009067579172551632,
-0.010159026831388474,
-0.014770766720175743,
0.01579686813056469,
0.060528162866830826,
0.03306616470217705,
-0.013900216668844223,
0.0431571863591671,
-0.07248016446828842,
-0.003626112127676606,
0.05543545261025429,
-0.011678827926516533,
0.0... |
293 | ultra-cheesy dialogue | 0negative | [
0.009612340480089188,
0.006799123249948025,
0.015141154639422894,
0.005188975483179092,
-0.015418745577335358,
-0.015880249440670013,
0.15305308997631073,
0.00955119077116251,
0.04129480570554733,
-0.11150936782360077,
-0.06562364101409912,
-0.027723563835024834,
-0.05691760405898094,
-0.0... |
294 | added depth and resonance | 1positive | [
-0.10120470821857452,
0.00617825286462903,
0.004991133231669664,
-0.05627797916531563,
-0.07151041179895401,
-0.02412410080432892,
0.006704391445964575,
0.04452423378825188,
0.022097153589129448,
-0.07164328545331955,
0.03324933350086212,
-0.04717319458723068,
-0.049926768988370895,
-0.068... |
295 | the sensational | 1positive | [
-0.03700513392686844,
0.017756879329681396,
0.015047397464513779,
-0.0024183241184800863,
-0.003142014844343066,
-0.013830065727233887,
0.14556293189525604,
0.021799106150865555,
0.08058180660009384,
-0.0231159720569849,
0.059300970286130905,
-0.030792400240898132,
-0.007939360104501247,
0... |
296 | huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them | 1positive | [
0.05618435889482498,
0.03026532009243965,
0.026745542883872986,
-0.05161000415682793,
0.011265219189226627,
0.0005249183741398156,
-0.04445713758468628,
0.022760020568966866,
-0.02188931778073311,
-0.015054339542984962,
-0.03811750188469887,
0.027344122529029846,
-0.00614815391600132,
0.10... |
297 | handsome but unfulfilling suspense drama | 0negative | [
-0.006302830763161182,
-0.031981583684682846,
-0.014301421120762825,
0.03444631025195122,
-0.0396992489695549,
0.0915866270661354,
0.028803285211324692,
-0.030998429283499718,
0.08587149530649185,
0.006749199703335762,
-0.017361190170049667,
-0.053820203989744186,
-0.0444377139210701,
0.02... |
298 | 's not very good either . | 0negative | [
-0.023202352225780487,
-0.08986557275056839,
-0.028965577483177185,
-0.01648043282330036,
-0.04685724899172783,
-0.0018559623276814818,
-0.05094646289944649,
-0.008377077989280224,
-0.01996396668255329,
-0.03722139820456505,
-0.029345713555812836,
0.03674622252583504,
-0.01209138985723257,
... |
299 | in her most charmless | 0negative | [
0.044731080532073975,
-0.03226145729422569,
-0.012497341260313988,
-0.0016136195044964552,
-0.03932596370577812,
0.0027102171443402767,
0.07512138783931732,
-0.02136947400867939,
-0.004837081301957369,
0.01850966550409794,
0.02957753837108612,
0.033795107156038284,
-0.00357320299372077,
-0... |
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