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Tim Sweeney on Epic’s victory royale over Google
You know, the big tentacles? It’s just so cool!
Will Epic ever announce Unreal Tournament 3 X?
Forever in motion, the future is.
Why is Fortnite still not playable on Steam Deck?
If we only had a few more programmers. It’s the Linux problem. I love the Steam Deck hardware. Valve has done an amazing job there; I wish they would get to tens of millions of users, at which point it would actually make sense to support it.
In October 2019, Epic internally said it might pursue an aggressive pursuit model with the Epic Games Store, where it would aggressively pay more for exclusive games and really pull in more and more users. Are you in the aggressive pursuit model?
No, we’re in a different model, which is called the “Ridiculously aggressive pursuit model.” If it’s a 10-slide deck, that’s on slide 11.
Did you get a bingo on your Verge bingo card?
Yeah, I think it was almost a complete shutout.
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Tim Sweeney on Epic’s victory royale over Google
Will Epic ever announce Unreal Tournament 3 X?
Forever in motion, the future is.
Why is Fortnite still not playable on Steam Deck?
If we only had a few more programmers. It’s the Linux problem. I love the Steam Deck hardware. Valve has done an amazing job there; I wish they would get to tens of millions of users, at which point it would actually make sense to support it.
In October 2019, Epic internally said it might pursue an aggressive pursuit model with the Epic Games Store, where it would aggressively pay more for exclusive games and really pull in more and more users. Are you in the aggressive pursuit model?
No, we’re in a different model, which is called the “Ridiculously aggressive pursuit model.” If it’s a 10-slide deck, that’s on slide 11.
Did you get a bingo on your Verge bingo card?
Yeah, I think it was almost a complete shutout. I think there was only one cell in the entire board that was missing.
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12802
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Tim Sweeney on Epic’s victory royale over Google
Why is Fortnite still not playable on Steam Deck?
If we only had a few more programmers. It’s the Linux problem. I love the Steam Deck hardware. Valve has done an amazing job there; I wish they would get to tens of millions of users, at which point it would actually make sense to support it.
In October 2019, Epic internally said it might pursue an aggressive pursuit model with the Epic Games Store, where it would aggressively pay more for exclusive games and really pull in more and more users. Are you in the aggressive pursuit model?
No, we’re in a different model, which is called the “Ridiculously aggressive pursuit model.” If it’s a 10-slide deck, that’s on slide 11.
Did you get a bingo on your Verge bingo card?
Yeah, I think it was almost a complete shutout. I think there was only one cell in the entire board that was missing. I was really impressed — the thing for that bingo card that really impressed me was “lick the cookie.” Do you remember?
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Tim Sweeney on Epic’s victory royale over Google
I love the Steam Deck hardware. Valve has done an amazing job there; I wish they would get to tens of millions of users, at which point it would actually make sense to support it.
In October 2019, Epic internally said it might pursue an aggressive pursuit model with the Epic Games Store, where it would aggressively pay more for exclusive games and really pull in more and more users. Are you in the aggressive pursuit model?
No, we’re in a different model, which is called the “Ridiculously aggressive pursuit model.” If it’s a 10-slide deck, that’s on slide 11.
Did you get a bingo on your Verge bingo card?
Yeah, I think it was almost a complete shutout. I think there was only one cell in the entire board that was missing. I was really impressed — the thing for that bingo card that really impressed me was “lick the cookie.” Do you remember? You may not even be old enough, but “lick the cookie” was in the 1999 US v. Microsoft antitrust trial.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Save Log in , register or subscribe to save articles for later. Save articles for later Add articles to your saved list and come back to them any time. Got it Normal text size Larger text size Very large text size Tyler Mitchell was just 23 when he became the first black photographer to shoot the cover of American Vogue. His subject was Beyoncé, and his dreamy, delicately hued portraits spoke of a precocious visual talent. In the five years since, he has exhibited around the world, become an Instagram darling, with more than 500,00 followers, and shot what would become the most controversial vice-presidential portrait in living memory. When Mitchell’s portrait of Kamala Harris dressed in sneakers and casual clothing was chosen for the cover of Vogue for February 2021, the social media backlash was swift. Critics questioned why his alternative image – in which Harris looked more, well, vice-presidential – hadn’t been used instead.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Save Log in , register or subscribe to save articles for later. Save articles for later Add articles to your saved list and come back to them any time. Got it Normal text size Larger text size Very large text size Tyler Mitchell was just 23 when he became the first black photographer to shoot the cover of American Vogue. His subject was Beyoncé, and his dreamy, delicately hued portraits spoke of a precocious visual talent. In the five years since, he has exhibited around the world, become an Instagram darling, with more than 500,00 followers, and shot what would become the most controversial vice-presidential portrait in living memory. When Mitchell’s portrait of Kamala Harris dressed in sneakers and casual clothing was chosen for the cover of Vogue for February 2021, the social media backlash was swift. Critics questioned why his alternative image – in which Harris looked more, well, vice-presidential – hadn’t been used instead. Bowing to the outrage over the perceived lack of respect shown to the first woman to reach such high office, the magazine later issued a limited edition using the more formal shot.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
His subject was Beyoncé, and his dreamy, delicately hued portraits spoke of a precocious visual talent. In the five years since, he has exhibited around the world, become an Instagram darling, with more than 500,00 followers, and shot what would become the most controversial vice-presidential portrait in living memory. When Mitchell’s portrait of Kamala Harris dressed in sneakers and casual clothing was chosen for the cover of Vogue for February 2021, the social media backlash was swift. Critics questioned why his alternative image – in which Harris looked more, well, vice-presidential – hadn’t been used instead. Bowing to the outrage over the perceived lack of respect shown to the first woman to reach such high office, the magazine later issued a limited edition using the more formal shot. The controversy did little to dent the New York-based photographer’s reputation as a rising star of the medium and this month, three of his works can be seen in the NGV’s Triennial exhibition.
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12807
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How shooting Beyoncé and Kamala Harris made this photographer famous too
In the five years since, he has exhibited around the world, become an Instagram darling, with more than 500,00 followers, and shot what would become the most controversial vice-presidential portrait in living memory. When Mitchell’s portrait of Kamala Harris dressed in sneakers and casual clothing was chosen for the cover of Vogue for February 2021, the social media backlash was swift. Critics questioned why his alternative image – in which Harris looked more, well, vice-presidential – hadn’t been used instead. Bowing to the outrage over the perceived lack of respect shown to the first woman to reach such high office, the magazine later issued a limited edition using the more formal shot. The controversy did little to dent the New York-based photographer’s reputation as a rising star of the medium and this month, three of his works can be seen in the NGV’s Triennial exhibition. The first, Picnic, depicts a family gathering: young men throw a football, and a child is lifted on shoulders.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
When Mitchell’s portrait of Kamala Harris dressed in sneakers and casual clothing was chosen for the cover of Vogue for February 2021, the social media backlash was swift. Critics questioned why his alternative image – in which Harris looked more, well, vice-presidential – hadn’t been used instead. Bowing to the outrage over the perceived lack of respect shown to the first woman to reach such high office, the magazine later issued a limited edition using the more formal shot. The controversy did little to dent the New York-based photographer’s reputation as a rising star of the medium and this month, three of his works can be seen in the NGV’s Triennial exhibition. The first, Picnic, depicts a family gathering: young men throw a football, and a child is lifted on shoulders. There are wicker baskets and a thermos, and in the background, a darkened wood that perhaps hints at the fragility of a moment so peaceful and pure. Tyler Mitchell, Picnic. 2021 (detail).
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12809
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Critics questioned why his alternative image – in which Harris looked more, well, vice-presidential – hadn’t been used instead. Bowing to the outrage over the perceived lack of respect shown to the first woman to reach such high office, the magazine later issued a limited edition using the more formal shot. The controversy did little to dent the New York-based photographer’s reputation as a rising star of the medium and this month, three of his works can be seen in the NGV’s Triennial exhibition. The first, Picnic, depicts a family gathering: young men throw a football, and a child is lifted on shoulders. There are wicker baskets and a thermos, and in the background, a darkened wood that perhaps hints at the fragility of a moment so peaceful and pure. Tyler Mitchell, Picnic. 2021 (detail). Credit: Courtesy of the artist and Jack Shainman Gallery, New York In the other works, his figures are arranged across a sandy expanse in idealised depictions of black American leisure.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Bowing to the outrage over the perceived lack of respect shown to the first woman to reach such high office, the magazine later issued a limited edition using the more formal shot. The controversy did little to dent the New York-based photographer’s reputation as a rising star of the medium and this month, three of his works can be seen in the NGV’s Triennial exhibition. The first, Picnic, depicts a family gathering: young men throw a football, and a child is lifted on shoulders. There are wicker baskets and a thermos, and in the background, a darkened wood that perhaps hints at the fragility of a moment so peaceful and pure. Tyler Mitchell, Picnic. 2021 (detail). Credit: Courtesy of the artist and Jack Shainman Gallery, New York In the other works, his figures are arranged across a sandy expanse in idealised depictions of black American leisure. In Albany, Georgia, a football flies through the air, a father in dress shirt and tails twirls a child, and a young boy rides a toy truck.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
The controversy did little to dent the New York-based photographer’s reputation as a rising star of the medium and this month, three of his works can be seen in the NGV’s Triennial exhibition. The first, Picnic, depicts a family gathering: young men throw a football, and a child is lifted on shoulders. There are wicker baskets and a thermos, and in the background, a darkened wood that perhaps hints at the fragility of a moment so peaceful and pure. Tyler Mitchell, Picnic. 2021 (detail). Credit: Courtesy of the artist and Jack Shainman Gallery, New York In the other works, his figures are arranged across a sandy expanse in idealised depictions of black American leisure. In Albany, Georgia, a football flies through the air, a father in dress shirt and tails twirls a child, and a young boy rides a toy truck. Vastness focuses on a teenage boy who stands patiently as his younger siblings stretch his wildly elongated sleeves out beside him; nearby, a dog sits listening to a violinist.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
The first, Picnic, depicts a family gathering: young men throw a football, and a child is lifted on shoulders. There are wicker baskets and a thermos, and in the background, a darkened wood that perhaps hints at the fragility of a moment so peaceful and pure. Tyler Mitchell, Picnic. 2021 (detail). Credit: Courtesy of the artist and Jack Shainman Gallery, New York In the other works, his figures are arranged across a sandy expanse in idealised depictions of black American leisure. In Albany, Georgia, a football flies through the air, a father in dress shirt and tails twirls a child, and a young boy rides a toy truck. Vastness focuses on a teenage boy who stands patiently as his younger siblings stretch his wildly elongated sleeves out beside him; nearby, a dog sits listening to a violinist. These carefully staged set-ups are evidence of Mitchell’s desire to establish a new visual narrative for black Americans.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
There are wicker baskets and a thermos, and in the background, a darkened wood that perhaps hints at the fragility of a moment so peaceful and pure. Tyler Mitchell, Picnic. 2021 (detail). Credit: Courtesy of the artist and Jack Shainman Gallery, New York In the other works, his figures are arranged across a sandy expanse in idealised depictions of black American leisure. In Albany, Georgia, a football flies through the air, a father in dress shirt and tails twirls a child, and a young boy rides a toy truck. Vastness focuses on a teenage boy who stands patiently as his younger siblings stretch his wildly elongated sleeves out beside him; nearby, a dog sits listening to a violinist. These carefully staged set-ups are evidence of Mitchell’s desire to establish a new visual narrative for black Americans.
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“I think that I am part of a longer lineage of black artists who have considered how they respond to the Western historical art canon, but also it’s 2023, and it’s a new day and I think beyond just responding to that canon, we’re trying to use the limited language of pictures to try and imagine what personal and unencumbered freedom looks like for young black men and women today,” he tells me when we chat in New York in the lead-up to the Triennial.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
In Albany, Georgia, a football flies through the air, a father in dress shirt and tails twirls a child, and a young boy rides a toy truck. Vastness focuses on a teenage boy who stands patiently as his younger siblings stretch his wildly elongated sleeves out beside him; nearby, a dog sits listening to a violinist. These carefully staged set-ups are evidence of Mitchell’s desire to establish a new visual narrative for black Americans.
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“I think that I am part of a longer lineage of black artists who have considered how they respond to the Western historical art canon, but also it’s 2023, and it’s a new day and I think beyond just responding to that canon, we’re trying to use the limited language of pictures to try and imagine what personal and unencumbered freedom looks like for young black men and women today,” he tells me when we chat in New York in the lead-up to the Triennial. Loading In one of his favourite works, A Glint of Possibility, a teenage boy hangs over a river suspended on a tyre swing, studying his own reflection.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Vastness focuses on a teenage boy who stands patiently as his younger siblings stretch his wildly elongated sleeves out beside him; nearby, a dog sits listening to a violinist. These carefully staged set-ups are evidence of Mitchell’s desire to establish a new visual narrative for black Americans.
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“I think that I am part of a longer lineage of black artists who have considered how they respond to the Western historical art canon, but also it’s 2023, and it’s a new day and I think beyond just responding to that canon, we’re trying to use the limited language of pictures to try and imagine what personal and unencumbered freedom looks like for young black men and women today,” he tells me when we chat in New York in the lead-up to the Triennial. Loading In one of his favourite works, A Glint of Possibility, a teenage boy hangs over a river suspended on a tyre swing, studying his own reflection. The moment is pensive and peaceful at once, and relatable to anyone who’s ever been a child on a tyre swing on a hot summer day.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
These carefully staged set-ups are evidence of Mitchell’s desire to establish a new visual narrative for black Americans.
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“I think that I am part of a longer lineage of black artists who have considered how they respond to the Western historical art canon, but also it’s 2023, and it’s a new day and I think beyond just responding to that canon, we’re trying to use the limited language of pictures to try and imagine what personal and unencumbered freedom looks like for young black men and women today,” he tells me when we chat in New York in the lead-up to the Triennial. Loading In one of his favourite works, A Glint of Possibility, a teenage boy hangs over a river suspended on a tyre swing, studying his own reflection. The moment is pensive and peaceful at once, and relatable to anyone who’s ever been a child on a tyre swing on a hot summer day. Something about it speaks to the turmoil and tension inherent in the experience of black American teenage boys, about the ways their lives can be complicated by the world we all inhabit.
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12817
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Loading In one of his favourite works, A Glint of Possibility, a teenage boy hangs over a river suspended on a tyre swing, studying his own reflection. The moment is pensive and peaceful at once, and relatable to anyone who’s ever been a child on a tyre swing on a hot summer day. Something about it speaks to the turmoil and tension inherent in the experience of black American teenage boys, about the ways their lives can be complicated by the world we all inhabit. How even when doing unremarkable things – walking home, playing in the park, talking to their crush – their lives can be destroyed or irrevocably altered. Mitchell understands the significance of these contrasts. His work exists in the tension between what is possible and how things are.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Loading In one of his favourite works, A Glint of Possibility, a teenage boy hangs over a river suspended on a tyre swing, studying his own reflection. The moment is pensive and peaceful at once, and relatable to anyone who’s ever been a child on a tyre swing on a hot summer day. Something about it speaks to the turmoil and tension inherent in the experience of black American teenage boys, about the ways their lives can be complicated by the world we all inhabit. How even when doing unremarkable things – walking home, playing in the park, talking to their crush – their lives can be destroyed or irrevocably altered. Mitchell understands the significance of these contrasts. His work exists in the tension between what is possible and how things are. He describes it as: “A consideration of joy, perseverance and self-determination against the backdrop of history.” Tyler Mitchell: “I’ve never been to Australia so it’s very exciting to sort of have a global or new conversation on a new continent with my work.″ Credit: Courtesy of the artist and Jack Shainman Gallery, New York The theme of the Triennial is “Magic, Matter, Memory”, making Mitchell’s pieces a logical inclusion.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Something about it speaks to the turmoil and tension inherent in the experience of black American teenage boys, about the ways their lives can be complicated by the world we all inhabit. How even when doing unremarkable things – walking home, playing in the park, talking to their crush – their lives can be destroyed or irrevocably altered. Mitchell understands the significance of these contrasts. His work exists in the tension between what is possible and how things are. He describes it as: “A consideration of joy, perseverance and self-determination against the backdrop of history.” Tyler Mitchell: “I’ve never been to Australia so it’s very exciting to sort of have a global or new conversation on a new continent with my work.″ Credit: Courtesy of the artist and Jack Shainman Gallery, New York The theme of the Triennial is “Magic, Matter, Memory”, making Mitchell’s pieces a logical inclusion. “A lot of my work meditates on being between a heightened reality, or potentially even a magical reality and an actual reality,” he says.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
How even when doing unremarkable things – walking home, playing in the park, talking to their crush – their lives can be destroyed or irrevocably altered. Mitchell understands the significance of these contrasts. His work exists in the tension between what is possible and how things are. He describes it as: “A consideration of joy, perseverance and self-determination against the backdrop of history.” Tyler Mitchell: “I’ve never been to Australia so it’s very exciting to sort of have a global or new conversation on a new continent with my work.″ Credit: Courtesy of the artist and Jack Shainman Gallery, New York The theme of the Triennial is “Magic, Matter, Memory”, making Mitchell’s pieces a logical inclusion. “A lot of my work meditates on being between a heightened reality, or potentially even a magical reality and an actual reality,” he says.
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“I’m creating what I call lightly staged moments.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
How even when doing unremarkable things – walking home, playing in the park, talking to their crush – their lives can be destroyed or irrevocably altered. Mitchell understands the significance of these contrasts. His work exists in the tension between what is possible and how things are. He describes it as: “A consideration of joy, perseverance and self-determination against the backdrop of history.” Tyler Mitchell: “I’ve never been to Australia so it’s very exciting to sort of have a global or new conversation on a new continent with my work.″ Credit: Courtesy of the artist and Jack Shainman Gallery, New York The theme of the Triennial is “Magic, Matter, Memory”, making Mitchell’s pieces a logical inclusion. “A lot of my work meditates on being between a heightened reality, or potentially even a magical reality and an actual reality,” he says.
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“I’m creating what I call lightly staged moments. And so that means I’m setting up scenarios where these families are enjoying real moments of leisure in outdoor spaces, usually open pastures and fields, and those moments are meant to stand in for a meditation on what it means to enjoy leisurely outdoor nature as a black person.” Tyler Mitchell, Vastness, 2021.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
“A lot of my work meditates on being between a heightened reality, or potentially even a magical reality and an actual reality,” he says.
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“I’m creating what I call lightly staged moments. And so that means I’m setting up scenarios where these families are enjoying real moments of leisure in outdoor spaces, usually open pastures and fields, and those moments are meant to stand in for a meditation on what it means to enjoy leisurely outdoor nature as a black person.” Tyler Mitchell, Vastness, 2021. Credit: Courtesy of the artist and Jack Shainman Gallery, New York In the listless anxious days of the pandemic, as the Black Lives Matter movement rose in the summer of 2020, and the conversation of what black life looked like was being routinely debated in the press, black artists and activists looked to reframe that conversation, and force new perspectives of peace, luxury, and safety into the picture. Instead of seeking to record things as they are, Mitchell’s work asks us to imagine new realities.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
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“I’m creating what I call lightly staged moments. And so that means I’m setting up scenarios where these families are enjoying real moments of leisure in outdoor spaces, usually open pastures and fields, and those moments are meant to stand in for a meditation on what it means to enjoy leisurely outdoor nature as a black person.” Tyler Mitchell, Vastness, 2021. Credit: Courtesy of the artist and Jack Shainman Gallery, New York In the listless anxious days of the pandemic, as the Black Lives Matter movement rose in the summer of 2020, and the conversation of what black life looked like was being routinely debated in the press, black artists and activists looked to reframe that conversation, and force new perspectives of peace, luxury, and safety into the picture. Instead of seeking to record things as they are, Mitchell’s work asks us to imagine new realities. He says he wants to challenge “visual regimes”: assumptions about certain people or cultures that are reinforced over and over again.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
And so that means I’m setting up scenarios where these families are enjoying real moments of leisure in outdoor spaces, usually open pastures and fields, and those moments are meant to stand in for a meditation on what it means to enjoy leisurely outdoor nature as a black person.” Tyler Mitchell, Vastness, 2021. Credit: Courtesy of the artist and Jack Shainman Gallery, New York In the listless anxious days of the pandemic, as the Black Lives Matter movement rose in the summer of 2020, and the conversation of what black life looked like was being routinely debated in the press, black artists and activists looked to reframe that conversation, and force new perspectives of peace, luxury, and safety into the picture. Instead of seeking to record things as they are, Mitchell’s work asks us to imagine new realities. He says he wants to challenge “visual regimes”: assumptions about certain people or cultures that are reinforced over and over again. “I think that [photojournalism] is a well from which we all culturally – consciously or unconsciously – construct ideas of how people live around the world,” he says.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Credit: Courtesy of the artist and Jack Shainman Gallery, New York In the listless anxious days of the pandemic, as the Black Lives Matter movement rose in the summer of 2020, and the conversation of what black life looked like was being routinely debated in the press, black artists and activists looked to reframe that conversation, and force new perspectives of peace, luxury, and safety into the picture. Instead of seeking to record things as they are, Mitchell’s work asks us to imagine new realities. He says he wants to challenge “visual regimes”: assumptions about certain people or cultures that are reinforced over and over again. “I think that [photojournalism] is a well from which we all culturally – consciously or unconsciously – construct ideas of how people live around the world,” he says. “My work is really about responding to, and questioning, and challenging those ideas.” Tyler Mitchell Albany, Georgia, 2021 (detail).
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Credit: Courtesy of the artist and Jack Shainman Gallery, New York In the listless anxious days of the pandemic, as the Black Lives Matter movement rose in the summer of 2020, and the conversation of what black life looked like was being routinely debated in the press, black artists and activists looked to reframe that conversation, and force new perspectives of peace, luxury, and safety into the picture. Instead of seeking to record things as they are, Mitchell’s work asks us to imagine new realities. He says he wants to challenge “visual regimes”: assumptions about certain people or cultures that are reinforced over and over again. “I think that [photojournalism] is a well from which we all culturally – consciously or unconsciously – construct ideas of how people live around the world,” he says. “My work is really about responding to, and questioning, and challenging those ideas.” Tyler Mitchell Albany, Georgia, 2021 (detail). Credit: Courtesy of the artist and Jack Shainman Gallery, New York As a 20-year-old film student at New York University, Mitchell became enamoured with still photography after he signed up to do a documentary photography course in Havana, Cuba.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Instead of seeking to record things as they are, Mitchell’s work asks us to imagine new realities. He says he wants to challenge “visual regimes”: assumptions about certain people or cultures that are reinforced over and over again. “I think that [photojournalism] is a well from which we all culturally – consciously or unconsciously – construct ideas of how people live around the world,” he says. “My work is really about responding to, and questioning, and challenging those ideas.” Tyler Mitchell Albany, Georgia, 2021 (detail). Credit: Courtesy of the artist and Jack Shainman Gallery, New York As a 20-year-old film student at New York University, Mitchell became enamoured with still photography after he signed up to do a documentary photography course in Havana, Cuba. Frustrated by the amount of time and money required to make films, he was drawn to the accessibility of still photography.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Instead of seeking to record things as they are, Mitchell’s work asks us to imagine new realities. He says he wants to challenge “visual regimes”: assumptions about certain people or cultures that are reinforced over and over again. “I think that [photojournalism] is a well from which we all culturally – consciously or unconsciously – construct ideas of how people live around the world,” he says. “My work is really about responding to, and questioning, and challenging those ideas.” Tyler Mitchell Albany, Georgia, 2021 (detail). Credit: Courtesy of the artist and Jack Shainman Gallery, New York As a 20-year-old film student at New York University, Mitchell became enamoured with still photography after he signed up to do a documentary photography course in Havana, Cuba. Frustrated by the amount of time and money required to make films, he was drawn to the accessibility of still photography.
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“I was impatient when I got started and just wanted to make visual things now, and I didn’t want to wait for permission, or didn’t want to wait on equipment, or didn’t want to lug large amounts of equipment up flights of stairs.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
“I think that [photojournalism] is a well from which we all culturally – consciously or unconsciously – construct ideas of how people live around the world,” he says. “My work is really about responding to, and questioning, and challenging those ideas.” Tyler Mitchell Albany, Georgia, 2021 (detail). Credit: Courtesy of the artist and Jack Shainman Gallery, New York As a 20-year-old film student at New York University, Mitchell became enamoured with still photography after he signed up to do a documentary photography course in Havana, Cuba. Frustrated by the amount of time and money required to make films, he was drawn to the accessibility of still photography.
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“I was impatient when I got started and just wanted to make visual things now, and I didn’t want to wait for permission, or didn’t want to wait on equipment, or didn’t want to lug large amounts of equipment up flights of stairs. I just wanted to make something that I felt compelled by, immediately,” he says.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
“My work is really about responding to, and questioning, and challenging those ideas.” Tyler Mitchell Albany, Georgia, 2021 (detail). Credit: Courtesy of the artist and Jack Shainman Gallery, New York As a 20-year-old film student at New York University, Mitchell became enamoured with still photography after he signed up to do a documentary photography course in Havana, Cuba. Frustrated by the amount of time and money required to make films, he was drawn to the accessibility of still photography.
Advertisement
“I was impatient when I got started and just wanted to make visual things now, and I didn’t want to wait for permission, or didn’t want to wait on equipment, or didn’t want to lug large amounts of equipment up flights of stairs. I just wanted to make something that I felt compelled by, immediately,” he says. His career has only blossomed in the years since he took that trip, and while some artists might feel trepidation at the attainment of so much success from such an early age, Mitchell is clear-eyed.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Credit: Courtesy of the artist and Jack Shainman Gallery, New York As a 20-year-old film student at New York University, Mitchell became enamoured with still photography after he signed up to do a documentary photography course in Havana, Cuba. Frustrated by the amount of time and money required to make films, he was drawn to the accessibility of still photography.
Advertisement
“I was impatient when I got started and just wanted to make visual things now, and I didn’t want to wait for permission, or didn’t want to wait on equipment, or didn’t want to lug large amounts of equipment up flights of stairs. I just wanted to make something that I felt compelled by, immediately,” he says. His career has only blossomed in the years since he took that trip, and while some artists might feel trepidation at the attainment of so much success from such an early age, Mitchell is clear-eyed. “The idea of the road ahead only excites me,” he says.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
Frustrated by the amount of time and money required to make films, he was drawn to the accessibility of still photography.
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“I was impatient when I got started and just wanted to make visual things now, and I didn’t want to wait for permission, or didn’t want to wait on equipment, or didn’t want to lug large amounts of equipment up flights of stairs. I just wanted to make something that I felt compelled by, immediately,” he says. His career has only blossomed in the years since he took that trip, and while some artists might feel trepidation at the attainment of so much success from such an early age, Mitchell is clear-eyed. “The idea of the road ahead only excites me,” he says. “The idea that there will be very quiet, sleepy periods, and frenetic periods, or hyperactive periods … It’s always refreshing as a young person to see how the career of a much older, more senior artist has really gone.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
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“I was impatient when I got started and just wanted to make visual things now, and I didn’t want to wait for permission, or didn’t want to wait on equipment, or didn’t want to lug large amounts of equipment up flights of stairs. I just wanted to make something that I felt compelled by, immediately,” he says. His career has only blossomed in the years since he took that trip, and while some artists might feel trepidation at the attainment of so much success from such an early age, Mitchell is clear-eyed. “The idea of the road ahead only excites me,” he says. “The idea that there will be very quiet, sleepy periods, and frenetic periods, or hyperactive periods … It’s always refreshing as a young person to see how the career of a much older, more senior artist has really gone. “That senior artist that we know and love today had decades where they were out of style, out of fashion, people thought their work was done, their best work was behind them, and yet, often had resurgences.
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12834
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How shooting Beyoncé and Kamala Harris made this photographer famous too
I just wanted to make something that I felt compelled by, immediately,” he says. His career has only blossomed in the years since he took that trip, and while some artists might feel trepidation at the attainment of so much success from such an early age, Mitchell is clear-eyed. “The idea of the road ahead only excites me,” he says. “The idea that there will be very quiet, sleepy periods, and frenetic periods, or hyperactive periods … It’s always refreshing as a young person to see how the career of a much older, more senior artist has really gone. “That senior artist that we know and love today had decades where they were out of style, out of fashion, people thought their work was done, their best work was behind them, and yet, often had resurgences. Loading “I think when we’re thinking about crafting a career … we’re really talking about allowing space for bad and good, allowing space for artists to make and work through complicated and sometimes not-so-favourable ideas.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
His career has only blossomed in the years since he took that trip, and while some artists might feel trepidation at the attainment of so much success from such an early age, Mitchell is clear-eyed. “The idea of the road ahead only excites me,” he says. “The idea that there will be very quiet, sleepy periods, and frenetic periods, or hyperactive periods … It’s always refreshing as a young person to see how the career of a much older, more senior artist has really gone. “That senior artist that we know and love today had decades where they were out of style, out of fashion, people thought their work was done, their best work was behind them, and yet, often had resurgences. Loading “I think when we’re thinking about crafting a career … we’re really talking about allowing space for bad and good, allowing space for artists to make and work through complicated and sometimes not-so-favourable ideas. And I try to give myself that same space.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
“The idea of the road ahead only excites me,” he says. “The idea that there will be very quiet, sleepy periods, and frenetic periods, or hyperactive periods … It’s always refreshing as a young person to see how the career of a much older, more senior artist has really gone. “That senior artist that we know and love today had decades where they were out of style, out of fashion, people thought their work was done, their best work was behind them, and yet, often had resurgences. Loading “I think when we’re thinking about crafting a career … we’re really talking about allowing space for bad and good, allowing space for artists to make and work through complicated and sometimes not-so-favourable ideas. And I try to give myself that same space. It’s only about giving yourself grace and space and thinking one day at a time.” Asked if there’s a dream project, or a dream collaborator for him, Mitchell says there are too many.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
“The idea that there will be very quiet, sleepy periods, and frenetic periods, or hyperactive periods … It’s always refreshing as a young person to see how the career of a much older, more senior artist has really gone. “That senior artist that we know and love today had decades where they were out of style, out of fashion, people thought their work was done, their best work was behind them, and yet, often had resurgences. Loading “I think when we’re thinking about crafting a career … we’re really talking about allowing space for bad and good, allowing space for artists to make and work through complicated and sometimes not-so-favourable ideas. And I try to give myself that same space. It’s only about giving yourself grace and space and thinking one day at a time.” Asked if there’s a dream project, or a dream collaborator for him, Mitchell says there are too many. But with one monograph (2020’s I Can Make You Feel Good) under his belt, he’s hungry to make more.
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How shooting Beyoncé and Kamala Harris made this photographer famous too
“That senior artist that we know and love today had decades where they were out of style, out of fashion, people thought their work was done, their best work was behind them, and yet, often had resurgences. Loading “I think when we’re thinking about crafting a career … we’re really talking about allowing space for bad and good, allowing space for artists to make and work through complicated and sometimes not-so-favourable ideas. And I try to give myself that same space. It’s only about giving yourself grace and space and thinking one day at a time.” Asked if there’s a dream project, or a dream collaborator for him, Mitchell says there are too many. But with one monograph (2020’s I Can Make You Feel Good) under his belt, he’s hungry to make more.
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
In March last year Graham Arnold seemed a dead man walking – the Socceroos World Cup qualification campaign was lurching towards failure and the manager was being battered from all sides.
Arnold’s team had finished seven points off automatic qualification for Qatar after a shocking run of one win in seven games left them facing a Asian playoff against United Arab Emirates and then another against Peru to make the finals.
While rumours swirled and ex-players and fans bayed for his blood, Football Australia took the pragmatic course and stuck by Arnold. It likely had more to do with the lateness of the hour and financial considerations than any overwhelming faith in Arnie to run around the fortunes.
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But he did just that with qualification – and an excellent run at the finals – bowing out to the eventual champions Argentina and after nearly taking them to extra time.
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
In March last year Graham Arnold seemed a dead man walking – the Socceroos World Cup qualification campaign was lurching towards failure and the manager was being battered from all sides.
Arnold’s team had finished seven points off automatic qualification for Qatar after a shocking run of one win in seven games left them facing a Asian playoff against United Arab Emirates and then another against Peru to make the finals.
While rumours swirled and ex-players and fans bayed for his blood, Football Australia took the pragmatic course and stuck by Arnold. It likely had more to do with the lateness of the hour and financial considerations than any overwhelming faith in Arnie to run around the fortunes.
Facebook Twitter Whatsapp Reddit Email Share
But he did just that with qualification – and an excellent run at the finals – bowing out to the eventual champions Argentina and after nearly taking them to extra time.
He got to answer critics like Mark Bosnich and Craig Foster as well – bluntly rejecting their negativity with the dismissive “who cares?”.
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Arnold’s team had finished seven points off automatic qualification for Qatar after a shocking run of one win in seven games left them facing a Asian playoff against United Arab Emirates and then another against Peru to make the finals.
While rumours swirled and ex-players and fans bayed for his blood, Football Australia took the pragmatic course and stuck by Arnold. It likely had more to do with the lateness of the hour and financial considerations than any overwhelming faith in Arnie to run around the fortunes.
Facebook Twitter Whatsapp Reddit Email Share
But he did just that with qualification – and an excellent run at the finals – bowing out to the eventual champions Argentina and after nearly taking them to extra time.
He got to answer critics like Mark Bosnich and Craig Foster as well – bluntly rejecting their negativity with the dismissive “who cares?”. That would have tasted sweet.
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12842
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Arnold’s team had finished seven points off automatic qualification for Qatar after a shocking run of one win in seven games left them facing a Asian playoff against United Arab Emirates and then another against Peru to make the finals.
While rumours swirled and ex-players and fans bayed for his blood, Football Australia took the pragmatic course and stuck by Arnold. It likely had more to do with the lateness of the hour and financial considerations than any overwhelming faith in Arnie to run around the fortunes.
Facebook Twitter Whatsapp Reddit Email Share
But he did just that with qualification – and an excellent run at the finals – bowing out to the eventual champions Argentina and after nearly taking them to extra time.
He got to answer critics like Mark Bosnich and Craig Foster as well – bluntly rejecting their negativity with the dismissive “who cares?”. That would have tasted sweet.
On Tuesday, FA CEO James Johnson, who held firm on Arnold 20 months ago, got to congratulate the coach on his impending record-breaking match against Bangladesh as 2026 World Cup qualifying starts on Thursday.
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12843
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
While rumours swirled and ex-players and fans bayed for his blood, Football Australia took the pragmatic course and stuck by Arnold. It likely had more to do with the lateness of the hour and financial considerations than any overwhelming faith in Arnie to run around the fortunes.
Facebook Twitter Whatsapp Reddit Email Share
But he did just that with qualification – and an excellent run at the finals – bowing out to the eventual champions Argentina and after nearly taking them to extra time.
He got to answer critics like Mark Bosnich and Craig Foster as well – bluntly rejecting their negativity with the dismissive “who cares?”. That would have tasted sweet.
On Tuesday, FA CEO James Johnson, who held firm on Arnold 20 months ago, got to congratulate the coach on his impending record-breaking match against Bangladesh as 2026 World Cup qualifying starts on Thursday.
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“Graham is one of the greatest contributors to the Socceroos,” Johnson said in a statement.
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12844
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
It likely had more to do with the lateness of the hour and financial considerations than any overwhelming faith in Arnie to run around the fortunes.
Facebook Twitter Whatsapp Reddit Email Share
But he did just that with qualification – and an excellent run at the finals – bowing out to the eventual champions Argentina and after nearly taking them to extra time.
He got to answer critics like Mark Bosnich and Craig Foster as well – bluntly rejecting their negativity with the dismissive “who cares?”. That would have tasted sweet.
On Tuesday, FA CEO James Johnson, who held firm on Arnold 20 months ago, got to congratulate the coach on his impending record-breaking match against Bangladesh as 2026 World Cup qualifying starts on Thursday.
Advertisement
“Graham is one of the greatest contributors to the Socceroos,” Johnson said in a statement.
“He’s been a constant in the Australian football landscape for more than 30 years as both a player and coach, being a part of some of the Socceroos most memorable moments.
|
12845
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Facebook Twitter Whatsapp Reddit Email Share
But he did just that with qualification – and an excellent run at the finals – bowing out to the eventual champions Argentina and after nearly taking them to extra time.
He got to answer critics like Mark Bosnich and Craig Foster as well – bluntly rejecting their negativity with the dismissive “who cares?”. That would have tasted sweet.
On Tuesday, FA CEO James Johnson, who held firm on Arnold 20 months ago, got to congratulate the coach on his impending record-breaking match against Bangladesh as 2026 World Cup qualifying starts on Thursday.
Advertisement
“Graham is one of the greatest contributors to the Socceroos,” Johnson said in a statement.
“He’s been a constant in the Australian football landscape for more than 30 years as both a player and coach, being a part of some of the Socceroos most memorable moments.
“Anyone who knows Arnie will tell you he bleeds green and gold.
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12846
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Facebook Twitter Whatsapp Reddit Email Share
But he did just that with qualification – and an excellent run at the finals – bowing out to the eventual champions Argentina and after nearly taking them to extra time.
He got to answer critics like Mark Bosnich and Craig Foster as well – bluntly rejecting their negativity with the dismissive “who cares?”. That would have tasted sweet.
On Tuesday, FA CEO James Johnson, who held firm on Arnold 20 months ago, got to congratulate the coach on his impending record-breaking match against Bangladesh as 2026 World Cup qualifying starts on Thursday.
Advertisement
“Graham is one of the greatest contributors to the Socceroos,” Johnson said in a statement.
“He’s been a constant in the Australian football landscape for more than 30 years as both a player and coach, being a part of some of the Socceroos most memorable moments.
“Anyone who knows Arnie will tell you he bleeds green and gold. His love for the Socceroos and football in Australia is both infectious and inspiring.
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12847
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
He got to answer critics like Mark Bosnich and Craig Foster as well – bluntly rejecting their negativity with the dismissive “who cares?”. That would have tasted sweet.
On Tuesday, FA CEO James Johnson, who held firm on Arnold 20 months ago, got to congratulate the coach on his impending record-breaking match against Bangladesh as 2026 World Cup qualifying starts on Thursday.
Advertisement
“Graham is one of the greatest contributors to the Socceroos,” Johnson said in a statement.
“He’s been a constant in the Australian football landscape for more than 30 years as both a player and coach, being a part of some of the Socceroos most memorable moments.
“Anyone who knows Arnie will tell you he bleeds green and gold. His love for the Socceroos and football in Australia is both infectious and inspiring. That energy and passion is a huge element to the way he’s able to lead and inspire our nation’s best male footballers in some of our sport’s most challenging arenas.
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12848
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
That would have tasted sweet.
On Tuesday, FA CEO James Johnson, who held firm on Arnold 20 months ago, got to congratulate the coach on his impending record-breaking match against Bangladesh as 2026 World Cup qualifying starts on Thursday.
Advertisement
“Graham is one of the greatest contributors to the Socceroos,” Johnson said in a statement.
“He’s been a constant in the Australian football landscape for more than 30 years as both a player and coach, being a part of some of the Socceroos most memorable moments.
“Anyone who knows Arnie will tell you he bleeds green and gold. His love for the Socceroos and football in Australia is both infectious and inspiring. That energy and passion is a huge element to the way he’s able to lead and inspire our nation’s best male footballers in some of our sport’s most challenging arenas.
“On behalf of Football Australia, I’d like to congratulate Arnie on everything he’s achieved in reaching this milestone and we look forward to him continuing to build on what is already an exceptional legacy.”
In a remarkable few weeks last year Arnold went from on the nose to a man revived.
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12849
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Advertisement
“Graham is one of the greatest contributors to the Socceroos,” Johnson said in a statement.
“He’s been a constant in the Australian football landscape for more than 30 years as both a player and coach, being a part of some of the Socceroos most memorable moments.
“Anyone who knows Arnie will tell you he bleeds green and gold. His love for the Socceroos and football in Australia is both infectious and inspiring. That energy and passion is a huge element to the way he’s able to lead and inspire our nation’s best male footballers in some of our sport’s most challenging arenas.
“On behalf of Football Australia, I’d like to congratulate Arnie on everything he’s achieved in reaching this milestone and we look forward to him continuing to build on what is already an exceptional legacy.”
In a remarkable few weeks last year Arnold went from on the nose to a man revived. Since then he’s been linked to club jobs in Europe but opted to stick around with the national team.
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12850
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
“He’s been a constant in the Australian football landscape for more than 30 years as both a player and coach, being a part of some of the Socceroos most memorable moments.
“Anyone who knows Arnie will tell you he bleeds green and gold. His love for the Socceroos and football in Australia is both infectious and inspiring. That energy and passion is a huge element to the way he’s able to lead and inspire our nation’s best male footballers in some of our sport’s most challenging arenas.
“On behalf of Football Australia, I’d like to congratulate Arnie on everything he’s achieved in reaching this milestone and we look forward to him continuing to build on what is already an exceptional legacy.”
In a remarkable few weeks last year Arnold went from on the nose to a man revived. Since then he’s been linked to club jobs in Europe but opted to stick around with the national team.
While national team coaches make important calls every game, Arnold’s record-breaking achievement is conceivably down to one big ballsy call in the playoff against Peru.
|
12851
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
“Anyone who knows Arnie will tell you he bleeds green and gold. His love for the Socceroos and football in Australia is both infectious and inspiring. That energy and passion is a huge element to the way he’s able to lead and inspire our nation’s best male footballers in some of our sport’s most challenging arenas.
“On behalf of Football Australia, I’d like to congratulate Arnie on everything he’s achieved in reaching this milestone and we look forward to him continuing to build on what is already an exceptional legacy.”
In a remarkable few weeks last year Arnold went from on the nose to a man revived. Since then he’s been linked to club jobs in Europe but opted to stick around with the national team.
While national team coaches make important calls every game, Arnold’s record-breaking achievement is conceivably down to one big ballsy call in the playoff against Peru.
With moments left in extra time against the South Americans, Arnold dragged Mat Ryan and replaced him with Andrew Redmayne – who saved the decisive spot kick (and also threw his opponents water bottle with cheat sheet attached away from the goal).
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12852
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
That energy and passion is a huge element to the way he’s able to lead and inspire our nation’s best male footballers in some of our sport’s most challenging arenas.
“On behalf of Football Australia, I’d like to congratulate Arnie on everything he’s achieved in reaching this milestone and we look forward to him continuing to build on what is already an exceptional legacy.”
In a remarkable few weeks last year Arnold went from on the nose to a man revived. Since then he’s been linked to club jobs in Europe but opted to stick around with the national team.
While national team coaches make important calls every game, Arnold’s record-breaking achievement is conceivably down to one big ballsy call in the playoff against Peru.
With moments left in extra time against the South Americans, Arnold dragged Mat Ryan and replaced him with Andrew Redmayne – who saved the decisive spot kick (and also threw his opponents water bottle with cheat sheet attached away from the goal).
Advertisement
Ryan might well have gotten the Socceroos to Qatar, but if Australia had not advanced there’s little chance Arnold would still be their coach today.
|
12853
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
“On behalf of Football Australia, I’d like to congratulate Arnie on everything he’s achieved in reaching this milestone and we look forward to him continuing to build on what is already an exceptional legacy.”
In a remarkable few weeks last year Arnold went from on the nose to a man revived. Since then he’s been linked to club jobs in Europe but opted to stick around with the national team.
While national team coaches make important calls every game, Arnold’s record-breaking achievement is conceivably down to one big ballsy call in the playoff against Peru.
With moments left in extra time against the South Americans, Arnold dragged Mat Ryan and replaced him with Andrew Redmayne – who saved the decisive spot kick (and also threw his opponents water bottle with cheat sheet attached away from the goal).
Advertisement
Ryan might well have gotten the Socceroos to Qatar, but if Australia had not advanced there’s little chance Arnold would still be their coach today.
And there’s virtually no chance he’ll have to endure a similar level of stress through to the next finals – with FIFA expanding the tournament from 36 to 48 teams meaning eight direct Asian confederation qualifiers will proceed directly instead of four.
|
12854
|
‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Since then he’s been linked to club jobs in Europe but opted to stick around with the national team.
While national team coaches make important calls every game, Arnold’s record-breaking achievement is conceivably down to one big ballsy call in the playoff against Peru.
With moments left in extra time against the South Americans, Arnold dragged Mat Ryan and replaced him with Andrew Redmayne – who saved the decisive spot kick (and also threw his opponents water bottle with cheat sheet attached away from the goal).
Advertisement
Ryan might well have gotten the Socceroos to Qatar, but if Australia had not advanced there’s little chance Arnold would still be their coach today.
And there’s virtually no chance he’ll have to endure a similar level of stress through to the next finals – with FIFA expanding the tournament from 36 to 48 teams meaning eight direct Asian confederation qualifiers will proceed directly instead of four.
Arnold, in his second stint as national team manager, will prowl the technical area for a 59th time on Thursday, taking him clear of Frank Farina.
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12855
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
While national team coaches make important calls every game, Arnold’s record-breaking achievement is conceivably down to one big ballsy call in the playoff against Peru.
With moments left in extra time against the South Americans, Arnold dragged Mat Ryan and replaced him with Andrew Redmayne – who saved the decisive spot kick (and also threw his opponents water bottle with cheat sheet attached away from the goal).
Advertisement
Ryan might well have gotten the Socceroos to Qatar, but if Australia had not advanced there’s little chance Arnold would still be their coach today.
And there’s virtually no chance he’ll have to endure a similar level of stress through to the next finals – with FIFA expanding the tournament from 36 to 48 teams meaning eight direct Asian confederation qualifiers will proceed directly instead of four.
Arnold, in his second stint as national team manager, will prowl the technical area for a 59th time on Thursday, taking him clear of Frank Farina.
Arnold – who also represented the Socceroos 56 times as a player – has been involved in national team coaching ranks since 2000, first as an assistant to Farina and then Guus Hiddink, before a brief period as caretaker coach in 2006.
|
12856
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Advertisement
Ryan might well have gotten the Socceroos to Qatar, but if Australia had not advanced there’s little chance Arnold would still be their coach today.
And there’s virtually no chance he’ll have to endure a similar level of stress through to the next finals – with FIFA expanding the tournament from 36 to 48 teams meaning eight direct Asian confederation qualifiers will proceed directly instead of four.
Arnold, in his second stint as national team manager, will prowl the technical area for a 59th time on Thursday, taking him clear of Frank Farina.
Arnold – who also represented the Socceroos 56 times as a player – has been involved in national team coaching ranks since 2000, first as an assistant to Farina and then Guus Hiddink, before a brief period as caretaker coach in 2006.
“It’s certainly a proud moment and an achievement that I’ll reflect on when the time is right,” Arnold said.
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12857
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Advertisement
Ryan might well have gotten the Socceroos to Qatar, but if Australia had not advanced there’s little chance Arnold would still be their coach today.
And there’s virtually no chance he’ll have to endure a similar level of stress through to the next finals – with FIFA expanding the tournament from 36 to 48 teams meaning eight direct Asian confederation qualifiers will proceed directly instead of four.
Arnold, in his second stint as national team manager, will prowl the technical area for a 59th time on Thursday, taking him clear of Frank Farina.
Arnold – who also represented the Socceroos 56 times as a player – has been involved in national team coaching ranks since 2000, first as an assistant to Farina and then Guus Hiddink, before a brief period as caretaker coach in 2006.
“It’s certainly a proud moment and an achievement that I’ll reflect on when the time is right,” Arnold said.
“I look at some of the names on that list – Farina, Arok, Thompson, Rasic – guys I played under or assisted in the early part of my coaching career, and it gives you some perspective on what a journey it’s been so far.
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12858
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Arnold, in his second stint as national team manager, will prowl the technical area for a 59th time on Thursday, taking him clear of Frank Farina.
Arnold – who also represented the Socceroos 56 times as a player – has been involved in national team coaching ranks since 2000, first as an assistant to Farina and then Guus Hiddink, before a brief period as caretaker coach in 2006.
“It’s certainly a proud moment and an achievement that I’ll reflect on when the time is right,” Arnold said.
“I look at some of the names on that list – Farina, Arok, Thompson, Rasic – guys I played under or assisted in the early part of my coaching career, and it gives you some perspective on what a journey it’s been so far.
Advertisement
“I think back to that caretaker period and how much I learnt about coaching; it was a challenging experience and one that on reflection I probably wasn’t ready for.
|
12859
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Arnold – who also represented the Socceroos 56 times as a player – has been involved in national team coaching ranks since 2000, first as an assistant to Farina and then Guus Hiddink, before a brief period as caretaker coach in 2006.
“It’s certainly a proud moment and an achievement that I’ll reflect on when the time is right,” Arnold said.
“I look at some of the names on that list – Farina, Arok, Thompson, Rasic – guys I played under or assisted in the early part of my coaching career, and it gives you some perspective on what a journey it’s been so far.
Advertisement
“I think back to that caretaker period and how much I learnt about coaching; it was a challenging experience and one that on reflection I probably wasn’t ready for. I’m grateful for the opportunity I was given and what it was able to teach me ahead of my pathway into club coaching.
|
12860
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
Arnold – who also represented the Socceroos 56 times as a player – has been involved in national team coaching ranks since 2000, first as an assistant to Farina and then Guus Hiddink, before a brief period as caretaker coach in 2006.
“It’s certainly a proud moment and an achievement that I’ll reflect on when the time is right,” Arnold said.
“I look at some of the names on that list – Farina, Arok, Thompson, Rasic – guys I played under or assisted in the early part of my coaching career, and it gives you some perspective on what a journey it’s been so far.
Advertisement
“I think back to that caretaker period and how much I learnt about coaching; it was a challenging experience and one that on reflection I probably wasn’t ready for. I’m grateful for the opportunity I was given and what it was able to teach me ahead of my pathway into club coaching.
“I was able to put lessons from that time into practice, develop and eventually return to the Socceroos much more prepared for the role.
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12861
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
“It’s certainly a proud moment and an achievement that I’ll reflect on when the time is right,” Arnold said.
“I look at some of the names on that list – Farina, Arok, Thompson, Rasic – guys I played under or assisted in the early part of my coaching career, and it gives you some perspective on what a journey it’s been so far.
Advertisement
“I think back to that caretaker period and how much I learnt about coaching; it was a challenging experience and one that on reflection I probably wasn’t ready for. I’m grateful for the opportunity I was given and what it was able to teach me ahead of my pathway into club coaching.
“I was able to put lessons from that time into practice, develop and eventually return to the Socceroos much more prepared for the role. It’s been a privilege to be part of the national team again with the benefit of that experience, and I’m immensely proud of what this group has been able to achieve in the last four years.
|
12862
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
“I look at some of the names on that list – Farina, Arok, Thompson, Rasic – guys I played under or assisted in the early part of my coaching career, and it gives you some perspective on what a journey it’s been so far.
Advertisement
“I think back to that caretaker period and how much I learnt about coaching; it was a challenging experience and one that on reflection I probably wasn’t ready for. I’m grateful for the opportunity I was given and what it was able to teach me ahead of my pathway into club coaching.
“I was able to put lessons from that time into practice, develop and eventually return to the Socceroos much more prepared for the role. It’s been a privilege to be part of the national team again with the benefit of that experience, and I’m immensely proud of what this group has been able to achieve in the last four years.
“In my opinion, there’s no greater honour than representing your nation on the international stage.
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12863
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
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“I think back to that caretaker period and how much I learnt about coaching; it was a challenging experience and one that on reflection I probably wasn’t ready for. I’m grateful for the opportunity I was given and what it was able to teach me ahead of my pathway into club coaching.
“I was able to put lessons from that time into practice, develop and eventually return to the Socceroos much more prepared for the role. It’s been a privilege to be part of the national team again with the benefit of that experience, and I’m immensely proud of what this group has been able to achieve in the last four years.
“In my opinion, there’s no greater honour than representing your nation on the international stage. I look at the young players coming through the Socceroos system now full of pride in the work they’ve put in to get where they are, and the journey that’s ahead of them.
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
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“I think back to that caretaker period and how much I learnt about coaching; it was a challenging experience and one that on reflection I probably wasn’t ready for. I’m grateful for the opportunity I was given and what it was able to teach me ahead of my pathway into club coaching.
“I was able to put lessons from that time into practice, develop and eventually return to the Socceroos much more prepared for the role. It’s been a privilege to be part of the national team again with the benefit of that experience, and I’m immensely proud of what this group has been able to achieve in the last four years.
“In my opinion, there’s no greater honour than representing your nation on the international stage. I look at the young players coming through the Socceroos system now full of pride in the work they’ve put in to get where they are, and the journey that’s ahead of them.
“I’ve always loved being a part of the Socceroos culture and my desire to see Australia fulfil its footballing potential is still driving me to take this group to further success.”
Australia starts the road to north America in Melbourne at AAMI Park on Thursday night, before travelling to the Middle East to play Palestine next Wednesday (1.00am AEDT).
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12865
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
It’s been a privilege to be part of the national team again with the benefit of that experience, and I’m immensely proud of what this group has been able to achieve in the last four years.
“In my opinion, there’s no greater honour than representing your nation on the international stage. I look at the young players coming through the Socceroos system now full of pride in the work they’ve put in to get where they are, and the journey that’s ahead of them.
“I’ve always loved being a part of the Socceroos culture and my desire to see Australia fulfil its footballing potential is still driving me to take this group to further success.”
Australia starts the road to north America in Melbourne at AAMI Park on Thursday night, before travelling to the Middle East to play Palestine next Wednesday (1.00am AEDT).
For this stage of qualifiers there are nine groups of four teams, with Lebanon the other team in Group I.
The top two teams from each group will advance into three groups of six for the next stage.
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‘Bleeds green and gold’: Ballsy career-saving call that’s delivered Arnie a record-breaking moment
“In my opinion, there’s no greater honour than representing your nation on the international stage. I look at the young players coming through the Socceroos system now full of pride in the work they’ve put in to get where they are, and the journey that’s ahead of them.
“I’ve always loved being a part of the Socceroos culture and my desire to see Australia fulfil its footballing potential is still driving me to take this group to further success.”
Australia starts the road to north America in Melbourne at AAMI Park on Thursday night, before travelling to the Middle East to play Palestine next Wednesday (1.00am AEDT).
For this stage of qualifiers there are nine groups of four teams, with Lebanon the other team in Group I.
The top two teams from each group will advance into three groups of six for the next stage. The top two from those games – from September 2024 to June 2025 – will directly advance to the play offs with another qualifying round to determine the seventh and eight direct qualifiers.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Beyoncé ruled the box office this weekend.
Her concert picture, “ Renaissance: A Film by Beyoncé,” opened in first place with $21 million in North American ticket sales, according to estimates from AMC Theatres Sunday.
The post-Thanksgiving, early December box office is notoriously slow, but “Renaissance” defied the odds. Not accounting for inflation, it’s the first time a film has opened over $20 million on this weekend in 20 years (since “The Last Samurai”).
Beyoncé wrote, directed and produced “Renaissance,” which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the U.S. and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Beyoncé ruled the box office this weekend.
Her concert picture, “ Renaissance: A Film by Beyoncé,” opened in first place with $21 million in North American ticket sales, according to estimates from AMC Theatres Sunday.
The post-Thanksgiving, early December box office is notoriously slow, but “Renaissance” defied the odds. Not accounting for inflation, it’s the first time a film has opened over $20 million on this weekend in 20 years (since “The Last Samurai”).
Beyoncé wrote, directed and produced “Renaissance,” which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the U.S. and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters.
“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, in a statement.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
The post-Thanksgiving, early December box office is notoriously slow, but “Renaissance” defied the odds. Not accounting for inflation, it’s the first time a film has opened over $20 million on this weekend in 20 years (since “The Last Samurai”).
Beyoncé wrote, directed and produced “Renaissance,” which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the U.S. and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters.
“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director.”
Despite several other new releases including “Godzilla Minus One,” the Hindi-language “Animal,” Angel Studios’ sci-fi thriller “The Shift,” and Lionsgate’s John Woo-directed revenge pic “Silent Night,” it was a slow weekend overall.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
It debuted in 2,539 theaters in the U.S. and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters.
“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director.”
Despite several other new releases including “Godzilla Minus One,” the Hindi-language “Animal,” Angel Studios’ sci-fi thriller “The Shift,” and Lionsgate’s John Woo-directed revenge pic “Silent Night,” it was a slow weekend overall. Films in the top 10 are expected to gross only $85 million in total.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
It debuted in 2,539 theaters in the U.S. and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters.
“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director.”
Despite several other new releases including “Godzilla Minus One,” the Hindi-language “Animal,” Angel Studios’ sci-fi thriller “The Shift,” and Lionsgate’s John Woo-directed revenge pic “Silent Night,” it was a slow weekend overall. Films in the top 10 are expected to gross only $85 million in total.
But it was in this traditional “lull” that AMC Theatres found a good opportunity for “Renaissance” to shine.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director.”
Despite several other new releases including “Godzilla Minus One,” the Hindi-language “Animal,” Angel Studios’ sci-fi thriller “The Shift,” and Lionsgate’s John Woo-directed revenge pic “Silent Night,” it was a slow weekend overall. Films in the top 10 are expected to gross only $85 million in total.
But it was in this traditional “lull” that AMC Theatres found a good opportunity for “Renaissance” to shine.
“They chose a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
“To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director.”
Despite several other new releases including “Godzilla Minus One,” the Hindi-language “Animal,” Angel Studios’ sci-fi thriller “The Shift,” and Lionsgate’s John Woo-directed revenge pic “Silent Night,” it was a slow weekend overall. Films in the top 10 are expected to gross only $85 million in total.
But it was in this traditional “lull” that AMC Theatres found a good opportunity for “Renaissance” to shine.
“They chose a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “There was competition but it was from very different kinds of movies.”
Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Films in the top 10 are expected to gross only $85 million in total.
But it was in this traditional “lull” that AMC Theatres found a good opportunity for “Renaissance” to shine.
“They chose a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “There was competition but it was from very different kinds of movies.”
Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film. No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
But it was in this traditional “lull” that AMC Theatres found a good opportunity for “Renaissance” to shine.
“They chose a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “There was competition but it was from very different kinds of movies.”
Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film. No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
“There was competition but it was from very different kinds of movies.”
Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film. No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
|
12877
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres.
|
12878
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”).
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12879
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.
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12881
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.
Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.
Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.
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12883
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.
Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.
“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said.
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12884
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.
Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.
“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said.
But to compare them too closely would be a mistake.
|
12885
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.
Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.
“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said.
But to compare them too closely would be a mistake.
“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said.
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12886
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.
Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.
“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said.
But to compare them too closely would be a mistake.
“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only.
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12887
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.
Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.
“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said.
But to compare them too closely would be a mistake.
“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only. “
Lionsgate’s “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.
“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said.
But to compare them too closely would be a mistake.
“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only. “
Lionsgate’s “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
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12889
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
Critics and audiences gave “Renaissance” glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.
“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said.
But to compare them too closely would be a mistake.
“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only. “
Lionsgate’s “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
“ Godzilla Minus One ” took third place on the North American charts with $11 million from 2,308 locations — the biggest opening for a foreign film in the U.S.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.
“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said.
But to compare them too closely would be a mistake.
“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only. “
Lionsgate’s “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
“ Godzilla Minus One ” took third place on the North American charts with $11 million from 2,308 locations — the biggest opening for a foreign film in the U.S. this year.
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12891
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.
“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said.
But to compare them too closely would be a mistake.
“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only. “
Lionsgate’s “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
“ Godzilla Minus One ” took third place on the North American charts with $11 million from 2,308 locations — the biggest opening for a foreign film in the U.S. this year. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
“To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said.
But to compare them too closely would be a mistake.
“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only. “
Lionsgate’s “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
“ Godzilla Minus One ” took third place on the North American charts with $11 million from 2,308 locations — the biggest opening for a foreign film in the U.S. this year. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho’s 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.
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12893
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
But to compare them too closely would be a mistake.
“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only. “
Lionsgate’s “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
“ Godzilla Minus One ” took third place on the North American charts with $11 million from 2,308 locations — the biggest opening for a foreign film in the U.S. this year. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho’s 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.
“This year, we made a concentrated effort to answer the demand of the marketplace and make Godzilla globally accessible across many different platforms,” said Koji Ueda, President of Toho Global, in a statement.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
“
Lionsgate’s “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
“ Godzilla Minus One ” took third place on the North American charts with $11 million from 2,308 locations — the biggest opening for a foreign film in the U.S. this year. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho’s 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.
“This year, we made a concentrated effort to answer the demand of the marketplace and make Godzilla globally accessible across many different platforms,” said Koji Ueda, President of Toho Global, in a statement.
“Trolls Band Together” landed in fourth place in its third weekend with $7.6 million, bringing its domestic total to $74.8 million.
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12895
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
The prequel has now earned over $121 million domestically.
“ Godzilla Minus One ” took third place on the North American charts with $11 million from 2,308 locations — the biggest opening for a foreign film in the U.S. this year. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho’s 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.
“This year, we made a concentrated effort to answer the demand of the marketplace and make Godzilla globally accessible across many different platforms,” said Koji Ueda, President of Toho Global, in a statement.
“Trolls Band Together” landed in fourth place in its third weekend with $7.6 million, bringing its domestic total to $74.8 million.
Fifth place went to Disney’s “Wish,” which fell 62% from its underwhelming first weekend, with $7.4 million from 3,900 locations.
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12896
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
this year. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho’s 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.
“This year, we made a concentrated effort to answer the demand of the marketplace and make Godzilla globally accessible across many different platforms,” said Koji Ueda, President of Toho Global, in a statement.
“Trolls Band Together” landed in fourth place in its third weekend with $7.6 million, bringing its domestic total to $74.8 million.
Fifth place went to Disney’s “Wish,” which fell 62% from its underwhelming first weekend, with $7.4 million from 3,900 locations. Globally, it’s now made $81.6 million.
|
12897
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
this year. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho’s 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.
“This year, we made a concentrated effort to answer the demand of the marketplace and make Godzilla globally accessible across many different platforms,” said Koji Ueda, President of Toho Global, in a statement.
“Trolls Band Together” landed in fourth place in its third weekend with $7.6 million, bringing its domestic total to $74.8 million.
Fifth place went to Disney’s “Wish,” which fell 62% from its underwhelming first weekend, with $7.4 million from 3,900 locations. Globally, it’s now made $81.6 million. The studio’s other major film in theaters, “The Marvels” is also winding down in its fourth weekend with a disastrous global tally of $197 million against the reported $300 million it cost to make and market the superhero film.
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12898
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
“This year, we made a concentrated effort to answer the demand of the marketplace and make Godzilla globally accessible across many different platforms,” said Koji Ueda, President of Toho Global, in a statement.
“Trolls Band Together” landed in fourth place in its third weekend with $7.6 million, bringing its domestic total to $74.8 million.
Fifth place went to Disney’s “Wish,” which fell 62% from its underwhelming first weekend, with $7.4 million from 3,900 locations. Globally, it’s now made $81.6 million. The studio’s other major film in theaters, “The Marvels” is also winding down in its fourth weekend with a disastrous global tally of $197 million against the reported $300 million it cost to make and market the superhero film.
In its second weekend, Ridley Scott’s “Napoleon” earned an estimated $7.1 million from 3,500 locations.
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Beyoncé tops box office with $21 million debut for concert film ‘Renaissance’
“Trolls Band Together” landed in fourth place in its third weekend with $7.6 million, bringing its domestic total to $74.8 million.
Fifth place went to Disney’s “Wish,” which fell 62% from its underwhelming first weekend, with $7.4 million from 3,900 locations. Globally, it’s now made $81.6 million. The studio’s other major film in theaters, “The Marvels” is also winding down in its fourth weekend with a disastrous global tally of $197 million against the reported $300 million it cost to make and market the superhero film.
In its second weekend, Ridley Scott’s “Napoleon” earned an estimated $7.1 million from 3,500 locations. Produced by Apple Original Films and distributed by Sony Pictures, the film starring Joaquin Phoenix has now made $45.7 million domestically against a $200 million budget.
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