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dasbury
have extolled him for the beauty of his melodies and harmonies the expressiveness of his modulations the wealth spontaneity and logical clearness of his ideas and the superb architecture of his productions
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dasbury
students miss the soul of bach because of the soulless mechanical way in which they deface his legacy to them his twelve little preludes alone contain the materials for an entire system of music the inventions
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dasbury
too often treated as dry as dust studies are laden with beautiful figures and devices that furnish inspiration for all time as indicated by their title which signifies a compound of appropriate expression
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dasbury
and just disposition of the members they were designed to cultivate the elements of musical taste as well as freedom and equality of the fingers his well tempered clavichord has been called the pianist's sacred book
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IH0 T S P R EY1 L UW2 D Z AH0 N D F Y UW1 G Z IH1 L AH0 S T R EY2 T EH1 V R IY0 SH EY1 D AH0 V HH Y UW1 M AH0 N F IY1 L IH0 NG AE1 N D W ER1 AH0 S P EH1 SH L IY0 D IH0 Z AY1 N D T UW1 IH0 G Z EH1 M P L AH0 F AY2 DH AH0 M OW1 D AH0 V T UW1 N IH0 NG N OW1 N AE1 Z IY1 K W AH0 L T EH1 M P ER0 M AH0 N T IH2 N T R AH0 D UW1 ...
dasbury
its preludes and fugues illustrate every shade of human feeling and were especially designed to exemplify the mode of tuning known as equal temperament introduced into general use by bach
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AE1 N D S T IH1 L IH0 M P L OY1 D B AY1 Y AO1 R P IY0 AE1 N OW0 T UW1 N ER0 AE1 N D M AY1 N spn HH IH0 Z B AY0 AA1 G R AH0 F ER0 HH AE1 Z F AY1 N L IY0 S EH1 D DH AE1 T B AA1 K K AH0 N S IH1 D ER0 D DH AH1 V OY1 S IH0 Z AH0 V HH IH0 Z F Y UW1 G Z EY1 S AH0 L EH1 K T K AH1 M P AH0 N IY0 AH0 V P ER1 S AH0 N Z K AH0 N V E...
dasbury
and still employed by your piano tuner and mine forkel his biographer has finely said that bach considered the voices of his fugues a select company of persons conversing together
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IY1 CH W AH0 Z AH0 L AW1 D T AH0 S P IY1 K OW1 N L IY0 W EH1 N DH EH1 R W AH0 Z S AH1 M TH IH0 NG T AH0 S EY1 B EH1 R IH0 NG AO1 N DH AH0 S AH1 B JH IH0 K T IH0 N HH AE1 N D EY1 HH AY1 L IY0 K EH2 R AH0 K T ER0 IH1 S T IH0 K M OW1 T IH0 V AO1 R TH IY1 M EH1 Z S AH0 G N IH1 F IH0 K AH0 N T EH1 Z DH AH0 N OW1 B L IH0 S T...
dasbury
each was allowed to speak only when there was something to say bearing on the subject in hand a highly characteristic motive or theme as significant as the noblest typical phrase
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dasbury
developing into equally characteristic progressions and cadences is a striking feature of the bach fugue his suites exalted forever the familiar dance tunes of the german people his wonderful chromatic fantasia and fugue
5 4 6 4 7 3 5 5 7 5 5 7 7 19 8 3 5 10 13 11 5 4 6 4 6 9 5 8 4 5 13 7 4 4 5 6 5 8 4 8 6 4 4 4 7 9 3 5 6 7 16 12 10 7 7 8 7 6 5 8 6 9 9 8 10 11 3 5 3 3 10 13 12 11 6 16 16 8 7 5 18 8 10 10 17 9 6 8 7 8 6 4 8 10 14 13 6 10 4 6 7 5 6 4 6 5 8 8 12 7 7 7 16 6 6 3 7 3 5 8 8 5 3 7 9 8 5 5 28 8 3 6 15 4 4 4 5 4 3 6 8 4 4 10 7 4...
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DH AH1 P IY0 AE1 N OW0 B AA1 R D DH AH1 P IY0 AE1 N AH0 R AE1 P S AH0 D AH0 S T DH AH0 P IY0 AE1 N OW0 M AY1 N D DH AH0 P IY0 AE1 N OW0 S OW1 L IH1 Z SH OW1 P AE0 N S EH1 D R UW1 B IH0 N S T AY2 N T R AE1 JH IH0 K R OW0 M AE1 N T IH0 K L IH1 R IH0 K HH IH0 R OW1 IH0 K D R AH0 M AE1 T IH0 K F AE0 N T AE1 S T IH0 K S OW1...
dasbury
the piano bard the piano rhapsodist the piano mind the piano soul is chopin said rubinstein tragic romantic lyric heroic dramatic fantastic soulful
8 5 12 6 4 6 4 12 17 12 13 12 3 11 6 4 4 11 11 9 6 9 3 4 12 17 6 9 5 13 4 5 5 5 12 30 7 12 5 5 10 5 5 4 7 20 10 28 7 3 19 7 11 12 12 13 6 7 5 5 3 4 7 10 5 18 11 12 7 8 8 8 16 8 3 10 7 5 6 9 18 10 8 9 9 22 5 5 12 13 9 14 7 3 4 6 12 4 10 13 14 10 6 11 11 8 6 5 13 26 5 18 11 3 14
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dasbury
sweet dreamy brilliant grand simple all possible expressions are found in his compositions and all are sung by him on his instrument
26 9 11 19 11 8 11 5 31 13 4 5 11 6 7 8 14 15 10 20 18 11 22 8 5 6 3 49 15 19 11 12 7 4 4 3 9 5 5 8 4 5 5 9 4 15 13 19 10 20 3 4 5 5 7 10 9 10 7 5 3 4 8 6 7 6 14 19 14 6 6 22 8 8 14 11 13 6 15 11 12 15 12 5 9 12 10 6 8 8 8 2 4 3 4 9 19
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IH0 N DH IY1 Z F Y UW1 B OW1 L D S T R OW1 K S HH W AH1 N HH UW1 N UW1 HH IH1 M B AY1 V ER1 CH UW0 AH0 V K L OW1 Z AA1 R T AE1 N D R EY1 S K IH1 N SH IH2 P P R EH1 Z AH0 N T S AE1 N IH0 N K AA1 M P ER0 AH0 B AH0 L AW1 T L AY2 N S K EH1 CH AH1 V DH AH0 P OW1 L IH0 SH T OW1 N P OW1 AH0 T
dasbury
in these few bold strokes one who knew him by virtue of close art and race kinship presents an incomparable outline sketch of the polish tone poet
12 8 5 16 14 10 11 14 10 2 19 6 7 10 8 9 16 17 21 12 7 5 11 8 8 11 9 10 16 7 8 10 10 10 11 5 8 10 4 8 17 15 10 22 14 6 8 11 8 13 13 3 8 15 8 19 8 3 2 8 8 5 4 12 15 10 8 11 7 3 5 12 10 5 3 3 17 11 12 3 10 9 10 11 11 19 14 10 4 6 13 4 15 5 15 8 15 10 8 15 3 21
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HH UW1 IH0 K S P L AO1 R D DH AH1 HH AA0 R M AA1 N IH0 K V AE1 S T N AH0 S AH1 V DH IY0 P IY0 AE1 N AH0 F AO1 R T IY0 AE1 N D M EY1 D HH IH0 Z OW1 N AO1 L IH0 T S M IH1 S T IH0 K S IY1 K R IH0 T S B AO1 R N AH0 N D B R EH1 D AO1 N P OW1 L AH0 N D Z S OY1 L S AH1 N AH1 V AH0 F R EH1 N CH F AA1 DH ER0 AH0 N D AH0 P OW1 L...
dasbury
who explored the harmonic vastness of the pianoforte and made his own all its mystic secrets born and bred on poland's soil son of a french father and a polish mother frederic chopin
8 6 5 7 13 8 5 11 8 5 3 4 8 3 7 6 10 5 6 7 14 14 9 5 7 8 18 7 7 3 4 10 5 3 4 8 8 7 6 9 25 9 5 5 4 14 8 7 4 15 28 7 14 31 7 6 6 11 4 10 6 5 12 19 4 10 3 5 14 27 8 12 11 12 2 3 8 2 8 15 15 17 10 4 10 6 5 4 4 4 9 21 21 18 19 12 5 4 7 7 3 5 8 12 7 16 5 25 10 2 4 5 12 6 8 5 10 8 9 6 21 11 4 4 7 3 5 6 13 7 9 11 20
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K AH0 M B AY1 N D W IH0 TH IH1 N HH IH0 M S EH1 L F T UW1 N EY1 CH ER0 Z IY1 CH K AA1 M P L AH0 M EH2 N T IH0 NG DH IY0 AH1 DH ER0 B OW1 TH Y UW0 N AY1 T IH0 NG T AH0 F AO1 R M AH0 P ER2 S AH0 N AE1 L IH0 T IY0 N AA1 T AH2 N D ER0 S T UH1 D B AY1 EH1 V R IY0 K AE1 ZH W AH0 L AH0 B Z ER1 V ER0 HH IY1 IH0 Z D IH0 S K R A...
dasbury
combined within himself two natures each complementing the other both uniting to form a personality not understood by every casual observer he is described as kind courteous
7 5 5 4 18 3 5 4 4 7 3 10 6 5 6 12 5 6 12 11 4 20 11 12 16 26 19 20 7 7 5 5 3 4 7 4 5 5 4 11 5 10 8 6 40 6 12 12 9 4 6 12 4 7 14 6 6 14 14 9 4 12 12 6 10 3 4 5 9 4 5 4 10 14 10 8 4 5 7 8 6 12 5 7 11 11 8 6 5 7 12 8 6 4 6 3 8 8 11 5 18 36 5 12 6 5 4 7 6 8 19 4 6 16 11 14 31 10 15 11 10 3 11 12 20
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dasbury
possessed of the most captivating grace and ease of manner now inclined to languorous melancholy now scintillating with a joyous vivacity that was contagious
7 4 8 9 9 4 6 3 2 3 8 7 8 8 11 10 6 4 3 7 8 3 2 8 6 11 14 15 9 5 5 25 7 6 4 12 14 6 25 13 13 6 6 7 6 17 3 4 13 6 19 12 7 4 2 5 8 8 6 3 6 4 6 7 9 9 15 13 14 14 4 8 4 5 6 8 3 5 14 7 3 8 12 21 27 5 19 17 4 8 14 8 4 6 15 8 2 6 7 14 9 6 3 8 11 10 8 7 29
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HH IH0 Z S EH1 N S IH0 T IH0 V N EY1 CH ER0 L AY1 K DH AH0 M OW1 S T EH2 K S K W IH1 Z IH0 T L IY0 K AH0 N S T R AH1 K T IH0 D S AW1 N D IH0 NG B AO1 R D V AY1 B R EY0 T AH0 D W IH0 TH DH AH0 D IH0 S P EH1 R IH0 NG S AE1 D N AH0 S DH AH1 S AH0 P R EH1 S T R AE1 TH AE1 N D DH AH0 S AH0 B L AY1 M F AO1 R T IH0 T UW2 D AH...
dasbury
his sensitive nature like the most exquisitely constructed sounding board vibrated with the despairing sadness the suppressed wrath and the sublime fortitude of the brave haughty
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AH0 N HH AE1 P IY0 P IY1 P AH0 L HH IY1 L AH1 V D AE1 N D W IH0 TH HH IH0 Z OW1 N HH OW1 M S IH2 K N AH0 S HH W EH1 N AH0 F AA1 R F ER0 M HH IH0 Z CH EH1 R IH0 SH T N EY1 T IH0 V L AE1 N D P EY1 T R IY0 AH0 T AE1 N D T OW1 N P OW1 AH0 T IH1 N EH1 V R IY0 F AY1 B ER0 AH0 V HH IH0 Z B IY1 IH0 NG
dasbury
unhappy people he loved and with his own homesickness when afar from his cherished native land patriot and tone poet in every fibre of his being
10 3 15 7 8 7 11 8 4 3 7 6 9 9 20 12 11 13 4 6 6 6 9 6 5 10 15 6 12 11 10 12 3 12 5 10 18 11 3 3 3 7 13 22 8 8 5 4 4 4 10 10 8 11 6 7 12 9 10 3 5 4 14 13 3 26 11 10 10 4 12 6 6 20 7 4 10 12 8 7 13 4 3 12 6 12 7 6 4 15 12 8 16 8 6 7 4 9 8 4 12 30
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HH IH0 Z JH IY1 N Y AH0 S IH0 N EH1 V AH0 T AH0 B L IY0 K L EY1 M D EH1 Z IH0 T S OW1 N DH AH1 S OW1 L Z D IH0 V AY1 N S T L AE1 NG G W IH0 JH P Y UH1 R M Y UW1 Z IH0 K AH0 N F EH1 T ER0 D B AY1 W ER1 D Z DH AH1 P R OW0 F AW1 N D R IY0 Z ER1 V AH1 V HH IH0 Z N EY1 CH ER0 M EY1 D IH0 T P IH0 K Y UW1 L Y ER0 L IY0
dasbury
his genius inevitably claimed as its own the soul's divinest language pure music unfettered by words the profound reserve of his nature made it peculiarly
10 7 6 8 9 6 6 5 9 13 20 6 5 4 3 4 5 8 7 13 8 17 7 9 11 8 5 4 14 23 16 6 3 16 6 26 6 5 4 14 9 11 9 8 12 2 8 5 3 9 19 10 3 11 7 7 7 4 7 8 17 10 10 13 7 5 9 11 11 8 14 19 14 22 10 5 13 4 5 15 20 6 6 7 4 14 20 17 7 7 7 5 6 10 9 12 21 15 7 6 6 14 16 5 12 4 6 5 7 21 5 21
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dasbury
agreeable to him to gratify the haunting demands of his lyric muse through the medium of the one musical instrument that lends itself in privacy to the exploitation of all the mysteries of harmony
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dasbury
strong conviction in regard to his own calling and clear perception of the hidden powers and future mission of the piano early compelled him to consecrate to it his unfaltering devotion
21 9 6 10 12 5 4 9 5 6 6 9 5 31 4 5 5 5 7 10 9 3 6 8 10 2 7 12 11 6 12 7 6 22 4 7 6 11 3 7 5 8 8 10 7 6 9 6 19 3 6 4 2 7 5 4 4 7 9 13 18 14 6 5 12 8 3 9 10 6 7 5 9 5 13 7 8 2 5 9 8 5 6 17 18 9 17 11 4 6 9 6 10 7 7 10 10 6 7 11 6 8 5 5 9 7 7 12 12 13 8 7 8 6 14 11 10 10 4 13 10 7 9 11 2 6 6 12 10 4 18
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dasbury
he evolved from its more intimate domain effects in sympathy with those of the orchestra yet purely individual he enriched it with new melodic harmonic and rhythmic devices adapted to itself alone
15 11 3 10 17 12 3 4 9 7 6 7 6 6 10 5 12 13 10 6 3 7 4 10 6 7 8 13 10 11 12 11 11 15 6 10 12 6 6 5 5 8 17 9 3 11 4 20 10 3 6 4 3 6 10 6 4 5 8 3 18 17 7 17 9 4 6 12 7 9 9 5 3 4 7 6 6 3 3 2 16 34 4 3 7 4 8 11 6 8 8 5 5 6 12 17 6 5 7 10 5 6 10 5 3 9 5 8 8 8 6 7 2 7 4 5 7 10 6 9 8 4 10 13 8 10 7 6 7 11 7 3 4 7 9 8 6 6 13 5...
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and endowed it with a warmth of tone coloring that spiritualized it for all time to the piano he confided all the conflicts that raged within him all the courage and living hope that sustained him
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in giving tonal form to the deep things of the soul which are universal in their essence and application he embodied universal rather than merely individual emotional experiences
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and thus unbared what was most sacred to himself without jarring on the innate reticence which made purely personal confidences impossible
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although his mode of expression was peculiarly his own he had received a strong impulse from the popular music of poland
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they were his earliest models on them were builded his first themes
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so chopin glorified those of the poles the national tonality became to him a vehicle to be freighted with his own individual conceptions i should like to be to my people
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what uhland was to the germans he once said to a friend he addressed himself to the heart of this people and immortalized its joys sorrows and caprices by the force of his splendid art
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those who have attempted to interpret him as the sentimental hero of minor moods the tone poet in whom the weakness of despair predominates have missed the leaping flames the vivid intensity
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T R UW1 AA1 R T S AO1 F AH0 N Z DH AH1 HH AA1 R SH AH0 S T AE1 K S EH0 N T S AH0 V S AH1 F ER0 IH0 NG B AY1 P L EY1 S IH0 NG S UW0 P IH1 R IY0 ER0 T UW1 IH0 T S AH1 M EH1 L AH0 V EY2 T IH0 NG AY0 D IY1 AH0 S OW1 IH0 N DH AH1 M OW1 S T M EH1 L AH0 N K AA2 L IY0 S T R EY1 N Z AH1 V HH IH0 Z M Y UW1 Z IH0 K HH W AH1 N HH ...
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true art softens the harshest accents of suffering by placing superior to it some elevating idea so in the most melancholy strains of his music one who heeds well may detect the presence of a lofty ideal
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DH AH0 T AH1 P L IH2 F T S AH0 N D S T R EH1 NG TH AH0 N Z DH AH0 T R AH0 V EY1 L IH0 NG S OW1 L IH0 T HH AE1 Z B IH0 N S EH1 D AH0 V HH IH1 M DH AH0 T HH IY1 HH AE1 D AH0 S AE1 D HH AA1 R T B AH1 T AH0 JH OY1 F AH0 L M AY1 N D DH AH0 T UW1 T IY1 CH ER0 Z AH0 V SH OW1 P AE0 N W ER1
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that uplifts and strengthens the travailing soul it has been said of him that he had a sad heart but a joyful mind the two teachers of chopin were
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zwyny a bohemian violinist who taught the piano and joseph elsner a violinist organist and theorist from zwyny and elsner even the greatest dunce must learn something he is quoted as saying
17 6 5 14 5 6 6 5 9 6 6 10 5 4 4 9 7 11 8 10 9 10 11 2 4 11 9 4 4 16 10 11 3 9 11 11 8 8 13 10 10 8 22 9 7 9 5 7 4 4 8 6 3 11 7 5 2 4 8 6 4 4 5 4 6 5 11 8 9 13 7 4 5 4 59 12 3 5 16 10 7 9 18 13 4 4 6 4 6 9 9 6 4 6 7 10 7 10 11 11 8 6 6 6 6 11 9 11 5 6 8 4 24 8 5 6 7 7 5 9 5 5 6 9 3 11 12 2 21
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neither of these men attempted to hamper his free growth by rigid technical restraints their guidance left him master of his own genius at liberty to soar like the lark into the ethereal blue of the skies
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he respected them both a revering affection was cherished by him for elsner to whom he owed his sense of personal responsibility to his art his habits of serious study
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and his intimate acquaintance with bach there is food for thought in the fact that this prince charming of the piano whose magic touch awakened the sleeping beauty of the instrument of wood and wires never had a lesson in his life
12 6 2 10 8 13 8 8 7 3 7 4 8 8 11 4 7 6 4 3 12 12 11 4 5 12 16 31 10 5 7 5 9 9 15 6 7 4 12 18 6 8 6 3 3 11 12 5 9 3 5 9 2 6 9 11 4 3 9 12 12 2 11 4 3 6 4 6 2 6 6 8 6 6 11 7 4 8 12 9 7 6 9 7 11 24 9 7 7 5 6 6 4 4 7 15 7 5 6 2 7 5 7 6 4 7 4 4 5 3 7 5 5 7 3 2 5 3 3 2 5 2 23 5 4 3 2 7 5 11 19 12 17 4 7 5 7 3 4 6 8 7 9 3 5 ...
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F ER0 M AH0 M IH1 R P IY0 AE1 N OW0 S P EH1 SH AH0 L AH0 S T L IH1 S T W AH1 N S S EH1 D SH OW1 P AE0 N W AH0 Z DH AH1 OW1 N L IY0 P IY0 AA1 N AH0 S T HH IY1 EH1 V ER0 N UW1 DH AH0 T K UH1 D P L EY1 DH AH0 V AY0 AH0 L IH1 N AO1 N DH AH0 P IY0 AE1 N AH0 IH0 F HH IY1 K UH1 D D UW1 S OW1 IH1 T W AO1 Z B IH0 K AA1 Z HH IY1...
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from a mere piano specialist liszt once said chopin was the only pianist he ever knew that could play the violin on the piano if he could do so it was because he had harkened to the voice of the violin
9 4 6 7 7 10 10 12 5 5 5 7 11 6 6 9 5 6 7 10 10 12 8 15 5 10 5 7 11 14 18 14 15 7 8 11 3 6 4 3 4 6 8 5 4 3 8 7 3 4 7 6 4 6 15 10 5 8 13 26 11 4 4 5 2 7 9 8 9 9 4 10 10 9 8 2 29 18 7 3 4 11 8 7 4 17 11 5 4 5 5 5 9 5 13 12 18 10 6 6 9 8 5 3 9 10 8 5 7 5 6 3 8 4 7 7 4 7 4 23 8 5 3 9 16 12 3 4 2 4 7 12 7 6 3 26
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and resolved to show that the piano too could produce thrilling effects in the same way he had listened to the human voice and determined that the song of his own instrument should be heard
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those who give ear to the piano alone will never learn the secret of calling forth its supreme eloquence we can see and hear this raphael of music at the piano
12 21 9 3 6 6 5 7 21 10 6 5 4 4 11 4 6 4 11 5 7 12 5 4 3 3 8 5 6 8 10 10 6 3 5 14 4 6 4 2 4 2 11 9 8 7 5 9 13 6 8 11 10 8 17 14 6 15 7 15 15 12 6 7 7 2 4 21 33 11 10 8 4 9 18 36 6 6 3 13 13 12 6 8 12 22 8 9 17 11 5 5 5 8 4 6 10 7 18 12 9 3 4 10 5 7 5 19
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so many and so eloquent have been the descriptions given of his playing it is easy to fancy him sweeping the ivory keys with his gossamer touch that enveloped with ethereal beauty
20 12 7 6 6 14 7 4 5 19 24 11 6 7 6 4 5 6 5 6 8 9 3 8 11 3 3 5 5 9 5 4 4 5 8 7 12 6 6 5 5 5 5 10 5 6 4 9 7 10 8 4 21 6 6 3 10 8 9 5 4 5 11 8 7 6 6 7 9 8 19 10 6 7 6 12 3 11 12 8 6 4 14 23 10 7 4 10 7 12 8 11 13 8 4 7 7 13 14 23 10 6 3 5 6 8 3 6 6 6 9 4 4 8 4 14 6 9 5 6 3 7 9 7 4 18
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the most unaccustomed of his complicated chromatic modulations we can feel his individuality pulsating through every tone evoked by those individualized fingers of his as they weave measures for sylphs
5 3 7 8 11 9 10 4 7 14 6 11 5 5 13 13 13 5 7 5 9 11 6 4 6 2 4 7 7 3 4 5 7 5 3 10 6 4 5 7 7 7 7 5 8 8 8 4 17 19 9 4 5 4 9 13 12 10 9 7 8 15 5 5 3 5 4 5 14 10 7 4 5 21 9 3 9 14 10 3 4 23 11 2 13 13 7 6 6 14 15 24 8 11 12 7 5 10 11 6 11 9 5 6 5 4 6 6 5 9 5 9 12 7 8 9 4 8 5 9 6 6 5 9 17 10 16 11 7 10 14 23 14 9 9 9 13 10 1...
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we marvel at his softly whispered yet ever clearly distinct pianissimo at the full round tone of its relative fortissimo that was never harsh or noisy
19 5 10 12 8 4 3 13 6 4 8 6 6 17 12 9 6 6 3 9 3 3 8 6 12 15 14 5 9 15 6 8 12 4 3 7 6 7 4 3 9 6 3 7 3 10 11 4 5 9 6 16 5 5 18 9 9 3 3 14 2 31 13 13 5 3 20 20 12 6 5 5 5 8 9 4 7 5 7 6 5 10 3 5 10 8 10 3 9 20 5 3 6 6 4 6 5 6 4 12 6 10 14 21 10 7 6 18 7 20
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and at all the exquisitely graded nuances that lay between with those time fluctuations expressive of the ebb and flow of his poetic inner being
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dasbury
no wonder balzac maintained that if chopin should but drum on the table his fingers would evoke subtle sounding music and what an example he has left for teachers delicately strung as he was
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HH IY1 M AH1 S T AO1 F T AH0 N HH AE1 V IH0 N D UH1 R D T AO1 R CH ER0 Z F ER0 M DH AH0 B EH1 S T AH0 V HH IH0 Z P Y UW1 P AH0 L Z B AH1 T S OW1 TH ER1 OW0 L IY0 W AH0 Z HH IY1 K AA1 N S AH0 K R EY2 T IH0 D T UW1 HH IH0 Z AA1 R T DH AH0 T HH IY1 N EH1 V ER0 F AA1 L T ER0 D IH0 N HH IH0 Z EH1 F ER0 T S T UW1 L IH1 F T D...
dasbury
he must often have endured tortures from the best of his pupils but so thoroughly was he consecrated to his art that he never faltered in his efforts to lift those who confided in him
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T UW1 DH AH0 EH1 R IY0 AH0 L HH AY1 T S HH IY1 HH AE1 D F AW1 N D AH0 V IH1 V IH0 D P IH1 K CH ER0 AH0 V HH IH0 Z M EH1 TH AH0 D AH0 V T IY1 CH IH0 NG IH0 Z G IH1 V AH0 N IH0 N DH AH1 L EH1 K CH ER0 Z AO1 N F R EH1 D R IH0 K CH AA1 P IH0 N Z W ER1 K S AE1 N D DH EH1 R P R AA1 P ER0 IH0 N T ER2 P R IH0 T EY1 SH AH0 N B ...
dasbury
to the aerial heights he had found a vivid picture of his method of teaching is given in the lectures on frederic chopin's works and their proper interpretation by the pole jean kleczynski
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DH AH0 B EY1 S AH0 S AH1 V DH IH0 S M EH1 TH AH0 D K AH0 N S IH1 S T IH0 D IH1 N R AH0 F AY1 N M AH0 N T AH1 V T AH1 CH F AO1 R DH IY0 AH0 T EY1 N M AH0 N T AH0 V HH W IH1 CH AH0 N AE1 CH R AH0 L IY1 Z IY0 P AH0 Z IH1 SH AH0 N AH0 V DH AH0 HH AE1 N D W AH0 Z K AH0 N S IH1 D ER0 D B AY1 SH OW1 P AE0 N EY1 P R AY1 M R EH...
dasbury
the basis of this method consisted in refinement of touch for the attainment of which a natural easy position of the hand was considered by chopin a prime requisite he prepared each hand with infinite care
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B IH0 F AO1 R P ER0 M IH1 T IH0 NG EH1 N IY0 AH0 T EH1 M P T AE1 T DH AH0 R IY2 P R AH0 D AH1 K SH AH0 N AH1 V M Y UW1 Z IH0 K AH0 L AY0 D IY1 AH0 Z IH0 N AO1 R D ER0 T UW1 P L EY1 S IH0 T T UW1 AH0 D V AE1 N AH0 JH HH IY1 K AO1 Z D IH0 T T IH0 B IY0 TH R OW1 N L AY1 T L IY0 AO1 N DH AH0 K IY1 B AO2 R D S OW1 DH AH0 T ...
dasbury
before permitting any attempt at the reproduction of musical ideas in order to place it to advantage he caused it to be thrown lightly on the keyboard so that the five fingers rested on the notes e f sharp g sharp a sharp and b
10 7 9 8 6 8 4 7 6 4 6 15 7 5 11 8 11 5 7 4 7 8 6 3 6 7 6 6 4 3 6 9 4 9 5 21 4 4 7 5 5 5 5 6 4 9 13 7 5 20 22 12 2 9 2 6 7 6 4 13 7 7 10 5 12 8 6 3 3 9 11 4 9 10 4 7 13 14 9 6 7 10 4 4 5 8 8 12 7 7 15 9 13 5 10 7 4 3 4 14 8 7 9 8 13 15 4 7 3 6 3 3 14 14 10 5 4 6 5 6 11 10 5 7 6 3 6 5 3 4 3 6 11 7 7 37 14 7 10 4 10 17 9...
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AE1 N D W IH0 DH AW1 T CH EY1 N JH AH0 V P AH0 Z IH1 SH AH0 N R IY0 K W AY1 ER0 D DH AH0 P R AE1 K T AH0 S AH1 V EH1 K S ER0 S AY2 Z IH0 Z K AE1 L K Y AH0 L EY2 T IH0 D T UW1 IH0 N SH UH1 R IH2 N D IH0 P EH1 N D AH0 N S DH AH0 P Y UW1 P AH0 L W AH0 Z IH0 N S T R AH1 K T AH0 D T AH0 G OW1 TH R UW1 DH IY1 Z EH1 K S ER0 S...
dasbury
and without change of position required the practice of exercises calculated to insure independence the pupil was instructed to go through these exercises first staccato effected by a free movement of the wrist
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AE1 N AE1 D M R AH0 B AH0 L M IY1 N Z AH0 V K AW2 N T ER0 AE1 K T IH0 NG HH EH1 V IY0 N IH0 S AE1 N D K L AH1 M Z IY0 N AH0 S DH EH1 N L AH0 G AA1 T OW2 S T AH0 K AA1 T OW2 DH EH1 N AE1 K S EH0 N T IH0 D L AH0 G AA1 T OW2 DH EH1 N P Y UH1 R L AH0 G AA1 T OW2
dasbury
an admirable means of counteracting heaviness and clumsiness then legato staccato then accented legato then pure legato
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AE1 N D DH AH0 M UW1 V M AH0 N T F ER0 M AA0 N D AA1 N T EY0 T UW1 P R EH1 S T IY0 S IY1 M OW0 HH IY1 W AH1 Z IH0 K S IY1 D IH0 NG L IY0 P ER0 T IH1 K Y AH0 L ER0 AH0 B AW1 T AA0 R P EH1 JH IY0 OW0 W ER1 K AE1 N D IH0 N S IH1 S T AH0 D AH0 P AA1 N DH AH0 R EH2 P AH0 T IH1 SH AH0 N AH0 V EH1 V R IY0 N OW1 T AE1 N D P AE...
dasbury
and the movement from andante to prestissimo he was exceedingly particular about arpeggio work and insisted upon the repetition of every note and passage until all harshness and roughness of tone were eliminated
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HH IY1 N EH1 V ER0 HH EH1 Z IH0 T EY2 T IH0 D AH0 B AW1 T P L EY1 S IH0 NG IH0 T AO1 N AH0 B L AE1 K K IY1 HH W EH1 N K AH0 N V IY1 N Y AH0 N T AE1 N D HH AE1 D IH0 T P AE1 S T B AY1 M AH1 S AH0 L AE1 K SH AH0 N AH0 L OW1 N IH0 N S K EY1 L Z AH0 N D B R OW1 K AH0 N K AO1 R D Z HH UW1 Z Z EH1 L AH0 S P R AE1 K T AH0 S I...
dasbury
he never hesitated about placing it on a black key when convenient and had it passed by muscle action alone in scales and broken chords whose zealous practice in different forms of touch accent rhythm and tone
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W ER0 D IH0 M AE1 N D IH0 D B AY1 HH IH1 M IH2 N D IH0 V IH1 JH UW0 AH0 L IH0 Z EY1 SH AH0 N AH1 V DH AH1 F IH1 NG G ER0 Z W AO1 Z W AH1 N AH0 V HH IH0 Z S T R AO1 NG P OY1 N T S AE1 N D HH IY1 B IH0 L IY1 V D IH0 N AH0 S AY1 N IH0 NG T UW1 IY1 CH AH0 V DH AH0 M IH1 T S AH0 P R OW1 P R IY0 AH0 T P AA1 R T IH1 N AH0 G U...
dasbury
were demanded by him individualization of the fingers was one of his strong points and he believed in assigning to each of them its appropriate part in a good mechanism he said
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DH IY0 EY1 M IH0 Z N AA1 T T AH0 P L EY1 EH1 V R IY0 TH IH2 NG W IH1 TH AE1 N IY1 K W AH0 L S AW1 N D B AH1 T T UW1 AH0 K W AY1 ER0 B Y UW1 T AH0 F AH0 L K W AA1 L AH0 T IY0 AH0 V T AH1 CH AE1 N D P ER1 F IH2 K T SH EY1 D IH0 NG AH1 V P R AY1 M IH0 M P AO1 R T AH0 N S IH1 N HH IH0 Z AY1 Z W AH0 Z AH0 K L IH1 R IH0 L AE...
dasbury
the aim is not to play everything with an equal sound but to acquire beautiful quality of touch and perfect shading of prime importance in his eyes was a clear elastic singing tone
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dasbury
one whose exquisite delicacy could never be confounded with feebleness
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AE1 N D HH IY1 N Y UW1 HH AW1 T AH0 AO0 G M EH1 N T DH AH1 W AO1 R M TH AH0 N D R IH1 CH N AH0 S AH1 V T OW1 N K AH1 L ER0 IH0 NG B AY1 S EH1 T IH0 NG IH0 N V AY0 B R EY1 SH AH0 N S IH2 M P AH0 TH EH1 T IH0 K HH AA0 R M AA1 N IH0 K S AH1 V DH AH0 P R IH1 N S AH0 P AH0 L N OW1 T S TH R UW1 JH UW0 D IH1 SH AH0 S IH0 M P ...
dasbury
and he knew how to augment the warmth and richness of tone coloring by setting in vibration sympathetic harmonics of the principal notes through judicious employment of the damper pedal
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B AY1 P R IY1 S EH2 P T AE1 N D IH0 G Z AE1 M P AH0 L HH IY1 AE1 D V AH0 K EY2 T IH0 D F R IY1 K W AH0 N T P L EY1 IH0 NG AH0 V DH AH0 P R EY1 L UW2 D Z AH0 N D F Y UW1 G Z AH0 V B AA1 K EH1 Z AH0 M IY1 N Z AH1 V K AH1 L T IH0 V EY2 T IH0 NG M Y UW1 Z IH0 K AH0 L IH0 N T EH1 L AH0 JH AH0 N S M AH1 S K Y AH0 L ER0 IH2 N...
dasbury
by precept and example he advocated frequent playing of the preludes and fugues of bach as a means of cultivating musical intelligence muscular independence and touch and tone discrimination his musical heroes were bach and mozart
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F R ER0 DH EY1 R EH2 P R IH0 Z EH1 N IH0 D T IH0 HH IH1 M N EY1 CH ER0 S T R AO1 NG IH0 N D IH2 V IH0 JH UW0 AE1 L IH0 T IY0 AE1 N D P OW1 AH0 T R IY0 IH1 N M Y UW1 Z IH0 K AE1 T W AH1 N T AY1 M HH IY1 AH2 N D ER0 T UH1 K T AH0 R AY1 T AH0 M EH1 TH AH0 D AO1 R S K UW1 L AH1 V P IY0 AE1 N AH0 P L EY1 IH0 NG B AH1 T N EH...
dasbury
for they represented to him nature strong individuality and poetry in music at one time he undertook to write a method or school of piano playing but never progressed beyond the opening sentences
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dasbury
a message directly from him would have been invaluable to students and might have averted many unlucky misapprehensions of himself and his works those of his contemporaries who have harkened with rapture to his playing have declared that he alone
10 6 8 7 7 11 6 3 7 3 8 5 4 8 2 4 7 12 10 10 3 2 4 2 9 3 8 5 6 7 7 8 6 4 4 4 4 2 10 5 7 4 9 2 3 11 3 4 4 3 3 5 11 3 4 6 4 3 11 9 4 7 12 9 4 4 8 5 4 9 5 8 5 9 6 9 10 5 5 3 4 2 10 6 2 9 7 8 6 3 5 6 13 5 9 13 18 4 4 5 3 7 9 9 13 26 6 34 8 6 8 6 4 6 5 5 4 8 2 4 4 9 6 9 7 6 4 8 6 6 4 17 3 6 5 5 7 4 5 3 6 14 12 5 9 13 9 8 4 ...
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K UH1 D AE1 D AH0 K W AH0 T L IY0 IH0 N T ER1 P R AH0 T HH IH0 Z T OW1 N K R IY0 EY1 SH AH0 N Z AO1 R M EY1 K P ER1 F AH0 K L IY0 IH0 N T EH1 L AH0 JH AH0 B AH0 L HH IH0 Z M EH1 TH AH0 D P Y UW1 P AH0 L Z AH1 V HH IH0 Z AH0 N D DH EH1 R P Y UW1 P AH0 L Z HH AE1 V F EY1 TH F AH0 L IY0 IH0 N D EH1 V ER0 D T IH0 T R AE0 N...
dasbury
could adequately interpret his tone creations or make perfectly intelligible his method pupils of his and their pupils have faithfully endeavored to transmit to the musical world the tradition of his individual style
10 4 5 20 4 7 7 5 6 6 6 10 4 5 10 9 5 5 3 5 6 6 7 9 9 10 9 4 11 10 7 5 13 15 27 8 7 4 12 16 6 6 6 7 6 8 5 6 9 6 10 5 6 3 5 4 8 5 4 7 8 8 13 5 17 11 3 7 5 3 4 9 6 8 8 17 7 4 3 3 3 2 8 8 3 8 3 4 12 8 6 9 6 9 10 6 3 5 11 5 4 4 6 7 5 6 3 4 6 9 5 7 7 5 7 7 11 4 4 3 2 7 4 3 5 4 5 3 9 9 8 9 6 3 7 10 10 7 3 10 9 7 19 25 6 5 4 ...
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DH IY0 IH0 L EH1 K T F Y UW1 HH AE1 V K AH1 M IH0 N T AH0 T AH1 CH W IH0 TH HH IH0 Z V IH1 ZH AH0 N AH0 V B Y UW1 T IY0 B AH1 T IH0 T HH AE1 Z B IH0 N M ER1 S AH0 L AH0 S L IY0 M IH0 S IH0 N T ER1 P R AH0 T IH0 D B AY1 TH AW1 Z AH0 N Z AH0 V R UW1 TH L AH0 S AE1 S P ER0 AH0 N T S T UW1 M Y UW1 Z IH0 K AH0 L AA1 N ER0 Z...
dasbury
the elect few have come into touch with his vision of beauty but it has been mercilessly misinterpreted by thousands of ruthless aspirants to musical honors in the schoolroom the students recital and the concert hall
11 3 7 5 6 6 6 5 10 9 5 6 6 7 8 6 5 4 4 6 8 12 12 6 4 5 5 3 11 7 4 8 3 5 4 9 4 5 7 4 21 9 5 3 5 3 6 9 7 4 6 8 15 9 11 6 7 6 9 8 10 7 6 7 3 3 9 8 5 3 3 2 4 7 6 10 14 13 7 3 7 6 3 8 11 7 8 5 3 16 19 10 7 4 6 7 7 12 10 9 19 5 3 6 4 5 3 13 14 7 15 13 8 4 4 4 7 8 8 7 9 9 18 6 5 8 4 7 3 4 4 3 8 4 6 5 12 3 5 16 11 5 2 3 4 8 8...
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dasbury
whoever plays chopin with sledge hammer fingers will deaden all sense of his poetry charm and grace whoever approaches him with weak sentimentalism will miss altogether his dignity and strength
3 11 4 7 7 13 6 15 6 14 10 7 14 10 6 2 11 13 8 6 11 9 4 6 6 12 3 6 5 9 7 6 3 8 9 10 4 5 6 9 17 14 4 8 5 4 3 6 4 8 11 11 5 8 8 16 14 17 9 11 7 6 2 4 13 12 36 6 6 6 6 7 5 6 4 8 4 8 4 5 7 8 6 3 7 9 9 18 11 5 9 4 6 3 9 5 10 4 5 4 6 3 3 3 5 6 12 6 13 5 4 6 8 5 5 8 4 8 10 6 10 5 7 2 18 13 2 6 4 8 5 3 13 6 16
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dasbury
it has been said of him that he was woman in his tenderness and realization of the beautiful and man in his energy and force of mind the highest type of artist and human being is thus represented
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dasbury
to interpret him requires simplicity purity of style refined technique poetic imagination and genuine sentiment not fitful fictitious sentimentality
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dasbury
serenely fancying they are heeding the master's design reckless out of time playing disfigures what is meant to express the fluctuation of thought the soul's agitation the rolling of the waves of time and eternity
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dasbury
the rubato from rubare to rob represents a pliable movement that is certainly as old as the greek drama in declamation and was employed in intoning the gregorian chant
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dasbury
indications of it in bach are too often neglected beethoven used it effectively chopin appropriated it as one of his most potent auxiliaries in playing he emphasized the saying of mozart
6 3 3 4 10 10 7 3 6 6 6 5 2 5 5 8 4 17 30 8 9 14 10 8 5 5 9 6 6 6 5 8 7 5 7 17 9 9 7 8 4 3 4 7 5 7 5 5 4 5 10 4 8 3 5 5 7 16 17 9 7 10 4 6 8 8 5 6 6 10 4 4 6 5 6 4 20 6 15 5 3 4 5 4 5 6 7 7 6 11 15 9 10 6 8 16 7 9 8 5 4 3 13 9 22 12 8 8 9 10 2 24 6 15 8 6 6 5 9 19 8 10 3 6 10 8 9 6 5 8 6 7 7 6 4 9 23
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dasbury
its leaves tremble with every breath of the wind but the tree remains unshaken that is the rubato there are storms to which even the tree yields to realize them to divine the laws which regulate the undulating tempest tossed rubato
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dasbury
requires highly matured artistic taste and absolute musical control too sensitive to enjoy playing before miscellaneous audiences whose unsympathetic curiosity he declared paralyzed him
12 3 8 7 5 12 7 14 10 8 5 4 5 11 3 3 13 4 4 6 9 3 5 5 3 7 8 14 11 9 14 5 8 19 6 8 4 6 11 10 4 2 5 5 6 3 4 6 7 2 4 7 7 2 20 14 11 13 4 8 7 4 7 12 11 9 7 2 4 8 12 11 8 10 4 5 4 4 9 5 7 5 3 9 4 8 4 4 6 6 8 13 5 6 4 8 6 13 16 5 9 10 14 12 9 3 5 2 3 12 5 4 5 6 12 3 3 7 8 11 9 3 4 11 14 4 6 3 10 6 6 19 11 8 6 9 5 8 13 8 5 3 ...
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dasbury
chopin was at his best when interpreting music in private for a choice circle of friends or pupils or when absorbed in composition it is not too much to say for him that he ushered in a new era for his chosen instrument
17 8 9 5 12 13 2 6 16 7 6 3 9 8 14 5 8 3 3 5 3 7 7 8 4 3 3 3 5 5 6 6 4 7 6 5 3 6 7 6 9 7 7 17 11 4 5 6 10 14 7 13 8 6 3 3 3 5 7 7 5 10 5 4 5 11 3 7 5 4 12 13 24 9 8 2 5 4 9 11 13 8 6 7 8 10 7 8 4 6 3 8 5 8 5 16 6 4 4 5 6 10 8 6 5 7 9 11 6 6 12 15 6 6 7 10 10 5 5 4 7 11 14 9 8 4 10 4 5 10 19 13 11 13 11 6 5 8 5 8 8 10 6...
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dasbury
spiritualizing its timbre liberating it from traditional orchestral and choral effects and elevating it to an independent power in the world of music besides enriching the technique of the piano he augmented the materials of musical expression
13 6 3 4 5 7 5 6 7 13 8 3 6 7 4 6 8 14 2 5 20 14 4 6 15 6 3 6 5 9 4 8 5 7 6 3 4 6 3 9 3 2 11 5 7 6 12 7 6 8 4 4 12 11 4 6 9 12 6 5 12 3 2 13 12 22 9 4 3 7 8 3 8 6 4 4 6 8 8 7 20 3 4 3 11 3 6 7 3 5 2 3 5 4 8 17 13 3 4 3 3 11 4 4 5 3 4 6 5 5 7 6 14 13 6 9 16 5 3 5 9 5 7 8 3 8 4 5 8 5 7 5 9 4 4 6 3 5 7 5 7 5 16 15 10 16 8...
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dasbury
harmony and rhythm new chord extensions passages of double notes arabesques and harmonic combinations were devised by him
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AE1 N D HH IY1 S OW1 S AH0 S T EH1 M AH0 T AY2 Z D DH IY0 Y UW1 S AH0 V DH AH0 P EH1 D AH0 L Z DH AH0 T DH AH0 M OW1 S T V EH1 R IY0 D N UW1 AA0 N S IH0 Z K UH1 D B IY0 P R AH0 D UW1 S T B AY1 DH AH0 M IH1 N M EH1 L AH0 D IY0 AH0 N D JH EH1 N ER0 AH0 L K AH0 N S EH1 P SH AH0 N HH IH0 Z T OW1 N P OW1 AH0 M Z S P R AE1 N...
dasbury
and he so systematized the use of the pedals that the most varied nuances could be produced by them in melody and general conception his tone poems sprang spontaneously from his glowing fancy
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B AH1 T DH EY1 W ER0 S AH0 B JH EH1 K T IH0 D T UW1 DH AH0 M OW1 S T S AH0 V IH1 R T EH1 S T S B IH0 F AO1 R DH EY1 W ER0 P ER0 M IH1 T IH0 D T AH0 G OW1 AW1 T IH0 N T AH0 DH AH0 W ER1 L D EH1 V R IY0 IH0 N JH IY1 N Y AH0 S D IH0 V AY1 S DH AH0 T G EY1 V K EH1 R IH0 K T ER0 T UW1 HH IH0 Z EH1 K S K W AH0 Z AH0 T K AE1 ...
dasbury
but they were subjected to the most severe tests before they were permitted to go out into the world every ingenious device that gave character to his exquisite cantilena and softened his most startling chord progressions
9 7 3 6 9 5 7 7 3 5 7 7 8 3 6 9 4 5 3 4 6 6 7 12 12 4 8 8 6 13 16 11 10 10 7 6 9 5 6 6 6 3 8 8 6 5 7 4 7 10 5 5 9 19 20 16 12 6 4 4 4 6 10 9 10 19 11 8 9 9 3 8 7 4 5 5 5 7 4 4 9 14 8 5 2 3 8 9 8 8 4 9 6 4 4 13 7 11 8 4 6 4 9 10 4 7 4 6 7 9 7 7 7 5 6 5 7 5 19 18 2 5 10 11 7 4 5 4 7 3 6 7 7 7 8 13 6 2 11 4 6 8 6 7 7 7 4 ...
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dasbury
discussing the compositions of chopin in his delightful and inspiring book chopin the man and his music calls the studies titanic experiments
18 5 8 7 7 11 7 11 3 9 10 7 2 7 5 7 5 7 4 9 6 4 6 11 7 8 14 12 15 5 12 6 13 7 6 10 9 6 7 5 12 9 4 5 4 9 9 6 6 13 5 9 7 11 10 19 8 8 8 20 3 5 8 18 9 12 4 3 7 4 5 6 6 5 8 6 12 9 11 7 9 7 3 10 5 7 5 9 12 13 6 13 13 5 7 12 9 7 10 6 4 6 6 3 5 5 10 16
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dasbury
the preludes moods in miniature the nocturnes night and its melancholy mysteries
6 5 8 8 7 9 11 6 12 14 13 6 9 11 10 4 4 6 6 12 2 14 8 4 7 8 8 9 18 6 12 17 16 20 10 5 4 4 5 5 7 4 8 2 5 6 6 8 4 6 6 7 7 4 7 14
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dasbury
faery dramas the polonaises heroic hymns of battle the valses and mazurkas
19 8 9 10 7 8 10 6 16 12 6 3 8 3 12 3 6 12 10 15 12 6 6 11 9 4 10 10 9 8 7 5 9 7 12 4 3 22 23 3 13 4 18 13 10 4 9 2 4 3 8 9 14 7 17 13
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T AH0 R AY1 T AH1 V DH AH1 F AO1 R IH0 M P R AA1 M P T AH0 S IH1 N DH EH1 R OW1 N K IY1 AH0 V AH2 N R IY0 S T R EY1 N D F IY1 L IH0 NG AH0 N D P AA1 N D ER0 D IH0 N T EH1 N CH AH0 N W UH1 D N AA1 T B IY1 EH1 Z IY1 Z IY0 EH1 Z R IY0 K AE1 P CH ER0 IH0 NG DH AH0 F ER1 S T K EH1 R L AH0 S R AE1 P CH ER0 AH1 V DH AH1 L AA1...
dasbury
to write of the four impromptus in their own key of unrestrained feeling and pondered intention would not be as easy as recapturing the first careless rapture of the lark unquestionably
7 8 9 10 16 11 6 2 6 14 12 12 8 5 9 3 8 6 4 5 17 11 8 9 4 2 9 14 13 10 29 10 8 6 10 5 4 6 9 4 4 12 12 5 10 9 5 19 10 3 6 15 12 5 6 9 6 5 7 10 7 7 8 4 20 19 4 3 9 11 8 10 18 6 10 9 10 12 8 9 8 4 11 12 5 11 6 8 10 4 5 14 13 16 19 12 2 11 6 6 13 10 11 7 11 20 9 11 4 8 7 11 9 30 11 9 9 4 5 10 4 4 6 6 5 7 20
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DH AH0 P OW1 AH0 T R IY0 AH1 V SH OW1 P AE0 N IH0 Z AH1 V DH AH1 M OW1 S T EH1 K S K W AH0 Z AH0 T L IH1 R IH0 K K EH1 R IH0 K T ER0 HH IH0 Z L IY1 D ER0 SH IH2 P IH1 Z S AH0 P R IY1 M S OW1 ER0 IH1 JH AH0 N AH0 L W AH1 Z HH IH0 Z K AH0 N S EH1 P SH AH0 N S OW1 F IH1 N IH0 SH T HH IH0 Z W ER1 K M AH0 N SH IH2 P S OW1 S...
dasbury
the poetry of chopin is of the most exquisite lyric character his leadership is supreme so original was his conception so finished his workmanship so sublime his purpose
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DH AE1 T W IY1 M EY1 W EH1 L IH0 K S K L EY1 M W IH1 DH SH UW1 M AH0 N HH IY1 IH0 Z DH AH1 B OW1 L D IH0 S T P R AW1 D AH0 S T P OW0 EH1 T IH0 K S P IH1 R AH0 T AH1 V DH AH0 T AY1 M HH IH1 Z G R EY1 T N AH0 S IH0 Z HH IH0 Z EH2 R AH0 S T AA1 K R AH0 S IY0 S EH1 Z AO1 S K ER0 B IY0 HH IY1 S T AE1 N D Z AH0 M AH1 NG M Y ...
dasbury
that we may well exclaim with schumann he is the boldest proudest poetic spirit of the time his greatness is his aristocracy says oscar bie he stands among musicians in his faultless vesture
11 6 7 10 13 9 8 12 7 9 6 3 9 10 9 9 7 4 3 7 16 9 7 19 14 11 6 11 9 5 3 7 5 8 7 8 13 8 9 5 12 4 8 10 11 4 12 6 4 7 5 9 7 5 11 5 7 6 6 3 8 10 25 17 29 8 10 12 9 8 4 6 10 20 11 4 4 4 14 7 11 8 12 4 9 9 3 6 6 22 16 6 7 11 7 6 6 7 24 7 6 12 7 17 6 5 6 6 6 10 3 9 6 4 10 5 10 4 12 11 16 5 8 5 12 10 5 7 7 6 4 9 11 8 13 10 18
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S AE2 T IH0 S F AE1 K SH AH0 N AH0 N D G R AE2 T AH0 F AH0 K EY1 SH AH0 N B IY1 IH0 NG OW1 N L IY0 T EH1 M P ER0 EH2 R IY0 K AH0 N D IH1 SH AH0 N Z EH2 K AH0 N AA1 M IH0 K W AO1 N T S AH0 P IH1 R IH0 N M AO1 R AO1 R L EH1 S R EH1 G Y AH0 L ER0 L IY0 R IH0 K ER1 IH0 NG S IH1 R IY0 Z IH0 M P R EH1 SH AH0 N Z ER0 SH AO1 R...
Ron Lockhart
satisfaction and gratification being only temporary conditions economic wants appear in more or less regularly recurring series impressions are short lived sensations are temporary
19 8 4 5 6 7 11 6 5 5 6 4 2 3 4 6 5 4 3 5 6 10 9 9 2 12 7 5 6 9 14 2 6 7 12 4 5 6 9 6 8 3 6 3 4 6 6 9 4 11 13 7 7 4 6 9 5 5 5 9 7 4 3 5 5 12 7 11 11 8 14 11 12 8 3 15 9 12 19 5 4 3 5 3 8 12 12 9 4 20 11 4 8 16 4 13 7 21 9 4 9 5 4 8 4 6 6 7 12 6 5 6 8 12 4 15 15 3 10 8 9 7 3 6 7 3 11 5 4 6 11 8 9 8
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W AO1 N T S DH AH0 T HH AE1 V B AH0 N S AE1 T AH0 S F AY2 D R IH0 K ER1 W AA1 N T S R IH0 K ER1 F R ER0 DH AH1 S EY1 M R IY1 Z AH0 N DH AH0 T DH EY1 F ER1 S T ER0 OW1 Z N OW1 IH0 M P R EH1 SH AH0 N AO1 N DH AH1 N ER1 V Z ER0 AA1 N DH AH1 S EH1 N S IH0 Z IH1 Z L AE1 S T IH0 NG
Ron Lockhart
wants that have been satisfied recur wants recur for the same reason that they first arose no impression on the nerves or on the senses is lasting
28 12 5 4 6 6 4 4 9 3 11 4 8 8 11 10 4 4 5 8 19 12 17 3 13 25 19 5 4 3 6 6 4 15 19 2 3 4 5 4 20 11 8 7 6 9 4 7 5 8 11 5 12 13 11 5 6 15 18 16 14 12 3 5 5 4 6 9 2 7 6 6 4 4 11 21 4 6 13 7 4 4 3 15 4 8 6 10 8 6 12 8 13 9 7 3 8
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DH IY0 Y UW0 T IH1 L AH0 T IY0 T AH0 DH AE1 T P ER1 S AH0 N AH1 V DH AE1 T TH IH1 NG AO1 R S ER1 V AH0 S F R ER0 DH AE1 T P ER0 T IH1 K Y AH0 L ER0 M OW1 M AH0 N T F AO1 L Z IH0 T M EY1 B IY0 IY1 V IH0 N T AH0 Z IH1 R OW0 T IH0 K IY1 P W AO1 N T S S AE1 T AH0 S F AY2 D IH0 Z IH0 M P AA1 S AH0 B AH0 L W IY1 K AE1 N AA0 ...
Ron Lockhart
the utility to that person of that thing or service for that particular moment falls it may be even to zero to keep wants satisfied is impossible we cannot do next year's reading or next week's eating now
7 5 8 9 10 5 11 5 3 12 10 4 7 7 8 10 9 9 9 25 7 8 5 10 9 13 11 12 14 9 14 8 6 9 6 7 3 7 9 7 7 6 3 9 6 5 3 5 5 7 8 9 6 5 7 7 15 5 25 18 8 6 7 10 8 16 15 6 3 4 6 6 8 4 16 11 7 7 12 10 9 10 12 4 5 10 16 9 4 5 6 8 15 6 5 6 3 7 13 10 8 6 4 3 23 21 6 23 10 4 10 11 5 17 13 6 8 4 4 3 3 11 6 14 5 10 5 4 23 9 9 5 7 4 6 9 7 7 12 ...
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IH0 N IH0 T S P AW1 ER0 T AH0 G R AE1 T AH0 F AY2 W AO1 N T S DH AH1 K L OW1 S ER0 DH AH1 K AO2 R AH0 S P AA1 N D AH0 N S B IH0 T W IY1 N DH AH0 T UW1 S IH1 R IY0 Z DH AE1 T AH0 V W AO1 N T S AE1 N D DH AE1 T AH0 V G UH1 D Z DH AH0 G R EY1 T ER0 W AH0 L B IY0 DH AH1 T OW1 T AH0 L AH1 V G R AE2 T AH0 F AH0 K EY1 SH AH0 ...
Ron Lockhart
in its power to gratify wants the closer the correspondence between the two series that of wants and that of goods the greater will be the total of gratification
10 4 6 3 5 11 12 10 7 5 5 6 7 4 5 9 9 16 17 4 6 20 8 5 18 4 8 10 7 3 5 11 3 10 6 8 7 8 5 4 4 9 6 6 7 8 11 4 8 3 6 11 10 14 7 16 9 15 8 8 4 4 3 15 14 4 5 20 5 4 5 6 7 4 4 11 10 17 9 10 7 5 13 19 7 5 11 10 4 6 6 10 8 4 23 10 3 3 15 6 4 10 6 7 3 4 6 5 10 9 9 4 12
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AO1 R B AY1 S AH0 S AY1 AH0 T IY0 D UH1 R IH0 NG DH IY0 IH1 N K AH2 M P IH1 R IY0 AH0 D DH AH1 T ER1 M N AE1 SH AH0 N AH0 L AO1 R S OW1 SH AH0 L IH1 N K AH2 M M EY1 B IY0 K AH0 N T R AE1 S T AH0 D W IH1 TH IH2 N D AH0 V IH1 JH AH0 W AH0 L AO1 R P R AY1 V AH0 T IH1 N K AH2 M IH1 N DH IY0 AH0 B JH EH1 K T IH0 V S EH1 N S
Ron Lockhart
or by society during the income period the term national or social income may be contrasted with individual or private income in the objective sense
8 5 11 13 12 6 16 18 5 4 18 13 11 5 5 8 4 12 8 10 7 5 10 7 6 12 7 6 10 7 3 12 13 8 8 15 10 3 3 10 6 8 11 10 9 7 6 8 8 11 10 6 17 11 14 10 7 11 10 4 8 5 11 3 9 5 5 8 4 7 8 5 4 5 8 5 7 4 6 6 17 24 6 13 10 10 5 6 11 6 9 10 11 15 9 5 4 9 5 5 7 6 8 4 5 6 10 2 14 18
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OW1 N L IY0 W EH1 N G UH1 D Z AA1 R P R AH0 D UW1 S T IH2 N D AH0 V IH1 JH AH0 W AH0 L Z M EY1 AH0 K W AY1 ER0 IH1 N K AH2 M B AY1 G IH1 F T B IH0 K W EH1 S T TH EH1 F T AO1 R AH1 DH ER0 M OW1 D Z AH0 V T R AE0 N S F ER1 F ER0 M AH1 DH ER0 IH2 N D AH0 V IH1 JH AH0 W AH0 L Z IH1 N M EH1 N IY0 K EY1 S AH0 Z DH AH1 T UW1 ...
Ron Lockhart
only when goods are produced individuals may acquire income by gift bequest theft or other modes of transfer from other individuals in many cases the two kinds of income however agree
9 19 4 5 12 2 10 6 8 7 11 10 10 9 5 3 6 15 10 12 12 5 4 4 9 5 6 5 3 5 5 6 9 7 5 9 7 7 16 7 10 9 4 9 6 11 8 10 9 11 9 4 13 7 11 12 9 18 12 7 9 28 14 5 5 7 8 13 4 4 4 6 12 6 9 5 5 9 33 12 4 5 12 6 14 6 5 5 2 7 5 7 4 7 3 9 14 11 12 6 6 6 6 13 11 9 9 7 6 4 18 10 13 17 3 4 5 3 9 5 9 11 6 7 7 13 6 10 12 17 7 14 27
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DH IY0 AH0 B JH EH1 K T IH0 V IH1 N K AH2 M AH1 V S AH0 S AY1 AH0 T IY0 B IY1 IH0 NG DH IY0 AE2 L JH AH0 B R EY1 IH0 K S AH1 M AH1 V DH AH0 G UH1 D Z AH0 K W AY1 ER0 D AO1 R P AA1 R T AH0 D W IH1 TH B AY1 AO1 L DH IY0 IH2 N D AH0 V IH1 JH AH0 W AH0 L Z W IY1 SH UH1 D N AA1 T AH2 N D ER0 S T AE1 N D DH AE1 T AY1 DH ER0 ...
Ron Lockhart
the objective income of society being the algebraic sum of the goods acquired or parted with by all the individuals we should not understand that either social or private objective incomes include only material goods
10 9 8 8 9 7 7 4 5 7 6 9 8 5 8 5 7 9 7 11 22 5 3 9 11 7 5 8 6 10 11 10 5 5 7 10 6 5 8 12 6 10 3 9 3 8 9 6 5 3 5 10 7 11 16 7 31 6 10 6 5 4 6 6 7 8 14 9 8 31 7 6 6 5 6 4 3 6 6 6 4 5 3 8 16 19 6 9 4 6 6 7 6 5 4 6 8 8 6 24 6 13 12 3 12 22 4 11 11 9 9 5 14 9 6 11 7 8 6 4 5 5 8 10 5 7 5 5 9 3 10 9 6 13 7 8 6 11 3 14 8 12 9 ...
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F R ER0 M EH1 N IY0 Y UW0 T IH1 L AH0 T IY0 Z AH0 N D L EY1 B ER0 S ER1 V AH0 S AH0 Z DH AH0 T N EH1 V ER0 T EY1 K AA1 N AH0 M AH0 T IH1 R IY0 AH0 L AO1 R M AH1 N IY0 IH0 K S P R EH1 SH AH0 N AA1 R IH0 N K L UW1 D IH0 D IH1 N AY1 DH ER0 K EY1 S IH0 N D IY1 D W IY1 AA1 R K L OW1 S HH IY1 R T AH0 DH AH0 K AH0 N S EH1 P S...
Ron Lockhart
for many utilities and labor services that never take on a material or money expression are included in either case indeed we are close here to the conception of psychic income
12 2 5 22 8 6 9 7 9 6 6 9 4 4 10 9 4 3 2 11 5 8 9 9 7 8 7 10 11 7 4 8 5 8 4 9 4 11 9 5 13 4 6 6 4 12 5 15 5 7 14 20 17 18 6 6 13 5 7 6 4 6 8 7 6 15 25 11 4 6 15 4 11 4 10 6 19 18 16 5 7 10 20 22 8 7 6 20 11 25 16 8 6 15 4 12 9 5 8 13 9 4 4 6 9 2 7 15 6 6 7 8 11 8 7 21 10 11 7 12 11 9 9 9 12
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M AH1 S T B IY0 AH0 N EH1 T AH0 D IH1 SH AH0 N B AH1 T DH AH0 T ER1 M G R OW1 S IH1 N K AH2 M IH0 Z N AA1 T W IH0 TH AW1 T P AA1 P Y AH0 L ER0 AE1 N D P R AE1 K T AH0 K AH0 L M IY1 N IH0 NG G R OW1 S IH1 N K AH2 M IH0 Z S AH1 M T AY2 M Z S P OW1 K AH0 N AH1 V IH0 N DH AH1 S EH1 N S AH1 V T OW1 T AH0 L R IY0 S IY1 T S
Ron Lockhart
must be a net addition but the term gross income is not without popular and practical meaning gross income is sometimes spoken of in the sense of total receipts
15 6 9 11 11 14 23 20 9 15 10 11 7 11 4 10 14 6 9 4 7 17 20 10 14 15 8 13 8 10 9 10 14 12 9 10 13 10 7 3 8 11 11 11 8 8 3 5 9 15 17 3 10 8 3 9 6 4 6 5 4 7 6 7 4 2 15 8 8 8 9 5 8 8 7 8 4 6 12 4 9 8 10 7 2 6 7 9 7 4 4 11 7 4 3 8 3 16 8 8 9 8 10 12 8 4 2 11 7 5 15 13 7 19
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EH1 Z DH AH1 T OW1 T AH0 L AH1 V G UH1 D Z S IH0 K Y UH1 R D N EH1 T IH1 N K AH2 M IH1 Z DH AH0 R IY0 M EY1 N D ER0 AE1 F T ER0 D IH0 D AH1 K T IH0 NG IH0 K S P EH1 N D AH0 CH ER0 Z AE1 N D AE1 F T ER0 R IH0 P L EY1 S IH0 NG DH AH0 G UH1 D Z IH0 M P L OY1 D T UW1 S IH0 K Y UH1 R DH IY0 IH1 N K AH2 M IH1 N AO1 R D ER0 T...
Ron Lockhart
as the total of goods secured net income is the remainder after deducting expenditures and after replacing the goods employed to secure the income in order to produce some goods technically
21 9 8 4 15 9 4 4 8 5 2 12 7 9 12 13 6 7 3 7 12 14 22 10 5 8 13 8 10 10 17 9 4 6 9 5 9 9 5 6 19 22 5 6 5 6 6 11 7 6 5 3 7 6 5 9 7 5 6 3 6 11 11 8 9 4 4 21 6 5 9 7 7 11 6 8 11 4 8 4 7 11 9 5 4 4 8 9 9 21 14 11 15 12 5 17 4 14 8 8 7 4 8 10 3 10 12 8 16 3 4 8 5 7 5 4 2 13 16 13 17 4 11 8 6 7 5 11 6 7 2 5 8 10 14
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M EH1 N M EY1 K Y UW1 Z AH1 V AH1 DH ER0 G UH1 D Z HH W AY1 L DH EY1 ER0 S T AO1 R IH0 NG AH1 P AH0 S AH0 P L AY1 AH1 V W UH1 D AO1 R K OW1 L IH0 T M EY1 B IY1 L UH1 K T AH0 P AA1 N EH1 Z DH IY0 IH1 N K AH2 M B AH1 T DH EY1 M EY1 B ER1 N IH0 T T AH0 HH EH1 L P G R OW1 HH AA1 T HH AW2 S P L AE1 N T S
Ron Lockhart
men make use of other goods while they are storing up a supply of wood or coal it may be looked upon as the income but they may burn it to help grow hothouse plants
15 6 7 8 7 8 6 10 10 5 8 10 6 8 11 14 12 15 35 6 2 5 8 5 12 8 5 5 10 4 7 5 8 4 10 4 13 9 24 13 13 15 10 7 14 6 16 12 22 13 7 14 10 7 7 7 9 3 5 5 13 17 12 12 6 7 10 6 11 9 3 13 6 16 13 13 10 18 12 12 9 6 5 12 7 5 12 3 12 7 5 11 14 11 6 3 8 9 6 9 7 11 3 7 20
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HH W AY1 L DH EY1 G AE1 DH ER0 F L AW1 ER0 Z W IH0 TH HH W AH1 N HH AE1 N D DH EY1 D IH0 S T R OY1 F Y UW1 L W IH0 TH DH IY0 AH1 DH ER0 OW1 N L IY0 DH AH0 N EH1 T IH0 N K R IY1 S IH1 N V AE1 L Y UW0 K AH0 N B IY0 AH0 K AW1 N T AH0 D IH1 N K AH2 M IH0 N DH AH0 S EH1 K AH0 N P IH1 R IY0 AH0 D
Ron Lockhart
while they gather flowers with one hand they destroy fuel with the other only the net increase in value can be accounted income in the second period
33 11 11 8 7 13 13 11 5 9 9 8 14 15 6 10 5 2 6 21 6 4 9 17 4 10 17 13 8 5 3 15 13 18 15 6 9 27 15 4 5 5 10 8 7 13 10 9 5 6 9 6 22 6 15 12 8 8 7 9 15 7 8 14 14 7 8 12 8 3 8 5 12 7 23 8 7 7 8 5 16 8 11 10 10 11 7 6 5 19 6 8 6 8 8 7 12 8 6 10
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DH AH0 G UH1 D Z DH AH0 T K AH1 M IH0 N T UW1 AH0 M AE1 N Z P AH0 Z EH1 SH AH0 N IH0 N EH1 N IY0 P IH1 R IY0 AH0 D AA1 R AH0 V M EH1 N IY0 S AO1 R T S T UW1 G EH1 T S AH1 M HH IY1 HH AE1 Z D IH0 S T R OY1 D M EH1 N IY0 P R IY1 V IY0 AH0 S L IY0 IH0 G Z IH1 S T IH0 NG G UH1 D Z
Ron Lockhart
the goods that come into a man's possession in any period are of many sorts to get some he has destroyed many previously existing goods
12 5 13 15 6 7 4 4 6 7 6 8 2 4 6 10 4 9 9 3 5 6 4 10 8 8 6 7 6 12 17 4 10 10 4 15 10 5 8 36 12 3 5 9 3 6 7 12 11 4 10 16 8 8 20 11 15 18 17 9 13 10 5 7 7 8 4 3 11 11 9 3 15 6 5 11 13 6 5 8 4 5 8 7 13 6 6 8 5 4 5 4 8 7 15 11 21
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HH W AY1 L T IH0 G EH1 T AH1 DH ER0 Z HH IY1 HH AE1 Z N AA1 T N IY1 D IH0 D T UW1 Y UW1 Z AH1 P DH IY0 AH0 K Y UW2 M Y AH0 L EY1 SH AH0 N Z AH1 V DH AH1 P AE1 S T AO1 R T UW1 M AO1 R G AH0 JH DH AH1 F Y UW1 CH ER0 DH AH1 W AH1 N K AY1 N D IH0 Z G R OW1 S DH IY0 AH1 DH ER0 N EH1 T IH1 N K AH2 M
Ron Lockhart
while to get others he has not needed to use up the accumulations of the past or to mortgage the future the one kind is gross the other net income
22 8 8 5 7 5 10 7 13 8 6 10 10 20 6 6 5 8 12 11 11 8 9 5 8 6 7 8 13 12 8 7 13 5 12 5 14 5 4 6 2 6 10 8 9 4 12 8 7 11 2 4 17 21 9 5 26 5 9 2 18 6 8 8 11 16 8 7 9 5 9 10 15 7 5 17 4 10 14 18 5 5 6 5 12 16 12 26 8 12 11 8 23 21 9 18 11 11 7 9 10
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AH1 V AH0 S IH1 R IY0 Z AH0 V G R AE1 T AH0 F AH0 K EY1 SH AH0 N Z IH0 Z EY1 R EH1 G Y AH0 L ER0 S IH1 R IY0 Z AH1 V K AH0 N S AH1 M SH AH0 N G UH1 D Z B AH1 T M EH1 N IY0 TH IH1 NG Z IH0 G Z IH1 S T IH0 NG W IH1 CH K UH1 D B IY0 Y UW1 Z D T UW1 S IH0 K Y UH1 R AH0 G R AE2 T AH0 F AH0 K EY1 SH AH0 N ER0 N AA1 T IH1 N F...
Ron Lockhart
of a series of gratifications is a regular series of consumption goods but many things existing which could be used to secure a gratification are not in fact treated as consumption goods
23 6 10 25 6 14 8 6 4 3 8 6 6 5 6 4 7 14 7 10 4 9 13 10 9 13 27 9 5 4 6 6 12 9 7 17 5 11 8 9 7 3 10 14 4 8 9 3 10 10 17 11 17 15 5 6 9 6 6 8 7 4 8 10 3 7 16 4 6 7 5 8 5 4 7 11 5 5 7 10 8 22 8 3 7 10 10 6 10 5 2 13 4 6 8 7 4 4 6 5 11 11 9 6 12 10 11 14 9 11 9 7 14 8 6 14 6 5 5 10 7 17 7 8 2 7 7 4 6 6 3 9 4 8 9 12
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AH0 K R AA1 P AH0 V K AO1 R N IH1 Z N AA1 T AO1 L IH1 N K AH2 M IH0 N AH0 T AY1 M AH1 V F AE1 M AH0 N IH0 T K UH1 D B IY0 Y UW1 Z D B AH1 T S IY1 D K AO1 R N W AH0 Z S EY1 V D F R AH1 M L AE1 S T Y IH1 R
Ron Lockhart
a crop of corn is not all income in a time of famine it could be used but seed corn was saved from last year
13 9 5 7 6 4 6 15 17 13 10 15 11 14 9 5 9 12 2 9 7 11 8 10 6 6 13 7 6 3 4 10 10 6 4 4 4 4 6 3 6 5 8 14 25 6 9 22 6 9 14 12 6 11 12 8 2 16 4 4 17 25 11 8 10 4 2 7 6 13 7 8 3 9 27
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IH1 T IH0 Z T R UW1 DH AH0 T EH1 V R IY0 TH IH2 NG K AO1 L D W EH1 L TH IH0 Z IH0 K S P EH1 K T IH0 D T UW1 K AH0 N T R IH1 B Y UW0 T S UW1 N ER0 AO1 R L EY1 T ER0 IH1 N S AH1 M W EY1 T UW1 DH AH0 S AH1 M AH1 V G R AE1 T AH0 F AH0 K EY1 SH AH0 N Z IH1 T IH0 Z F AO1 R DH AE1 T R IY1 Z AH0 N IH1 T IH0 Z K AO1 L D W EH1 L...
Ron Lockhart
it is true that everything called wealth is expected to contribute sooner or later in some way to the sum of gratifications it is for that reason it is called wealth it is however
6 6 4 5 14 8 15 4 3 12 3 7 6 3 9 4 7 9 4 7 6 13 6 12 30 11 8 5 6 10 8 6 7 6 7 10 8 17 8 3 3 9 4 3 6 3 7 6 10 4 8 14 9 7 13 7 5 15 7 7 23 10 14 9 23 10 10 5 6 20 15 13 12 3 8 6 7 5 4 5 7 8 10 7 4 9 18 12 5 14 6 15 14 5 18 14 14 7 9 8 11 5 14 6 5 6 11 3 13 12 19 6 11 17 14 4 12 4 5 16 6 9 14
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AH0 M IH1 R F IH1 G Y ER0 AH0 V S P IY1 CH T UW1 S EY1 IH0 N D ER0 EH1 K T W AO1 N T spn B IH0 K AH1 M W AO1 N T G R AE1 T AH0 F AY2 IH0 NG G UH1 D Z F AO1 R IH0 G Z AE1 M P AH0 L DH IY0 EH1 N JH AH0 N T R AE0 N S P AO1 R T IH0 NG AH0 L OW1 D AH0 V K OW1 L IH1 Z IH0 N D ER0 EH1 K L IY0 G R AE1 T AH0 F AY2 IH0 NG W AO1 ...
Ron Lockhart
a mere figure of speech to say indirect want gratifiers become want gratifying goods for example the engine transporting a load of coal is indirectly gratifying wants
25 18 15 9 16 5 6 4 13 4 4 10 6 15 15 11 9 16 25 10 9 5 17 9 8 8 20 11 4 4 78 5 6 12 13 11 17 12 5 10 7 8 10 3 6 9 16 5 12 9 14 12 12 12 7 5 4 5 8 10 4 3 2 18 7 12 11 6 5 6 8 9 6 7 5 5 9 11 4 4 4 11 6 16 12 4 2 9 11 6 27 13 12 13 7 6 13 5 11 5 6 9 8 9 4 5 9 13 4 10 9 14 5 7 18
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B IH0 T W IY1 N P R EH1 Z AH0 N T AE1 N D F Y UW1 CH ER0 IH1 N K AH2 M Z DH AH0 V AE1 L Y UW0 AH1 V DH AH1 M AE1 S AH1 V W EH1 L TH IH0 N P AH0 Z EH1 SH AH0 N AE1 N D Y IY1 L D IH0 NG IH1 N K AH2 M R EH1 S T S IH1 N L AA1 R JH P AA1 R T AH0 P AA1 N IH0 T S P AW1 ER0 AH1 V K AH0 N T R IH1 B Y UW0 T IH0 NG T AH0 IH1 N K ...
Ron Lockhart
between present and future incomes the value of the mass of wealth in possession and yielding income rests in large part upon its power of contributing to income in some future period thus
14 8 6 9 4 6 6 9 6 6 4 6 9 6 6 7 12 6 8 9 15 10 8 10 9 12 15 11 5 14 11 6 7 11 5 8 4 3 16 17 11 4 9 7 8 8 9 3 6 10 7 13 8 10 10 10 12 4 10 11 6 5 6 3 8 6 9 9 3 21 19 7 11 10 8 12 7 9 8 7 7 10 5 13 7 8 10 10 4 7 5 4 19 15 22 4 7 14 3 5 15 4 4 5 3 7 4 5 8 8 11 12 12 8 11 12 20 8 23 14 20 5 5 9 8 11 6 7 13 7 7 10 17 17 14
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S AH1 CH EH1 Z L AE1 N D Z R EY1 L R OW2 D S T AA1 K S G AH1 V ER0 M AH0 N T B AA1 N D Z EH1 T S EH1 T ER0 AH0 DH IY0 IH1 N K AH2 M IH1 Z F AH1 N D IH0 D B IH0 K AH1 Z IH0 T K AO2 R AH0 S P AA1 N D Z T UW1 AH0 N AH0 B AY1 D IH0 NG F AH1 N D AH0 V W EH1 L TH DH IY0 IH1 N K AH2 M ER0 AY1 Z IH0 NG F R AH1 M K ER1 AH0 N T ...
Ron Lockhart
such as lands railroad stocks government bonds et cetera the income is funded because it corresponds to an abiding fund of wealth the income arising from current labor is unfunded
13 4 9 4 8 14 19 5 12 4 17 6 5 11 9 8 6 6 11 15 8 6 5 8 4 7 3 6 3 6 15 12 5 4 3 9 12 6 4 13 11 10 5 7 8 9 7 10 26 15 24 5 8 4 12 10 11 7 7 9 6 5 8 9 4 9 5 6 6 13 6 2 4 8 11 2 5 6 12 18 4 7 8 13 10 9 5 3 6 14 6 11 16 11 7 11 10 9 7 12 32 17 14 6 11 9 8 4 9 19 9 4 4 7 14 9 9 24 12 7
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B IH0 K AH1 Z DH EH1 R IH1 Z N OW1 P ER1 M AH0 N AH0 N T F AH1 N D AH1 V AH0 K Y UW1 M Y AH0 L EY2 T IH0 D W EH1 L TH K AO2 R AH0 S P AA1 N D IH0 NG T UW1 IH0 T DH IY0 AY0 D IY1 AH0 AH1 V R EH2 G Y AH0 L EH1 R AH0 T IY0 K AH0 N EH1 K T AH0 D W IH0 TH F AH1 N D IH0 D IH1 N K AH2 M IH1 Z N AA1 T AH0 S EH1 N CH AH0 L T AH...
Ron Lockhart
because there is no permanent fund of accumulated wealth corresponding to it the idea of regularity connected with funded income is not essential to the idea of income in general
10 6 7 8 7 4 3 14 10 9 12 23 9 9 7 3 5 6 4 11 4 15 11 14 7 7 7 19 4 4 8 3 5 9 7 4 5 7 12 6 11 8 15 3 10 6 7 5 11 3 5 4 8 6 11 6 9 9 11 18 9 14 4 2 10 5 5 5 3 4 10 9 9 2 4 9 11 5 7 5 6 4 10 6 10 5 11 7 5 5 5 4 4 6 9 9 13 12 15 8 11 12 6 7 11 6 5 6 6 13 7 3 7 12 25 9 16 17 10 11 10 10 11 11 16 11 7 7 8 4 11 4 20
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IH1 F IH1 T IH1 Z P AA1 R T AH0 V DH AH1 S AH1 M AH1 V G UH1 D Z DH AH0 T F L OW1 Z IH1 N DH AH0 T IH0 Z N UW1 L IY0 AH0 V EY1 L AH0 B AH0 L F R ER0 DH AH1 M AE1 N Z Y UW1 Z IH1 T IH0 Z IH1 N K AH2 M B AH1 T F AH1 N D AH0 D IH1 N K AH2 M IH0 Z DH AH1 M AO1 R AH0 B AY1 D IH0 NG F ER0 IH1 N K AH2 M F R AH1 M W EY1 JH AH0...
Ron Lockhart
if it is part of the sum of goods that flows in that is newly available for the man's use it is income but funded income is the more abiding for income from wages stops
11 7 6 3 8 7 13 6 7 6 3 8 4 4 19 6 8 4 12 9 10 6 6 7 6 6 12 7 15 9 30 21 6 7 5 6 7 6 9 9 8 5 9 8 7 5 6 4 7 7 2 4 4 4 12 14 6 14 4 17 20 11 6 5 7 7 10 7 6 13 5 6 6 13 6 6 4 4 6 6 11 9 10 16 11 11 5 3 16 15 10 6 6 15 5 3 13 18 11 8 9 6 5 7 7 3 4 5 21 14 11 14 16 17 5 19 9 11
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