text stringlengths 4 39 |
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84866 lesserknown |
84867 gems |
84868 like |
84869 Red |
84870 Eye |
84871 Desperate |
84872 Measures |
84873 Impostor |
84874 and |
84875 Deviation |
84876 The |
84877 book |
84878 also |
84879 considers |
84880 how |
84881 the |
84882 screenplay |
84883 might |
84884 be |
84885 sold |
84886 to |
84887 investors |
84888 looking |
84889 at |
84890 high |
84891 concept |
84892 ideas |
84893 pitching |
84894 packaging |
84895 and |
84896 the |
84897 realities |
84898 of |
84899 film |
84900 finance |
84901 Lucy |
84902 V |
84903 Hay |
84904 asks |
84905 what |
84906 is |
84907 flight |
84908 vs |
84909 fight |
84910 What |
84911 is |
84912 the |
84913 difference |
84914 between |
84915 horror |
84916 and |
84917 thriller |
84918 What |
84919 are |
84920 the |
84921 different |
84922 sub |
84923 genres |
84924 of |
84925 thriller |
84926 What |
84927 part |
84928 do |
84929 actors |
84930 play |
84931 in |
84932 film |
84933 finance |
84934 How |
84935 can |
84936 limited |
84937 locations |
84938 create |
84939 new |
84940 opportunities |
84941 in |
84942 storytelling |
84943 and |
84944 financing |
84945 Why |
84946 is |
84947 the |
84948 lone |
84949 protagonist |
84950 so |
84951 in |
84952 demand |
84953 Why |
84954 are |
84955 female |
84956 characters |
84957 so |
84958 popular |
84959 in |
84960 thriller |
84961 And |
84962 much |
84963 much |
84964 more |
84965 Really |
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