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The story is told from whose perspective? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | The correspondent |
What is the frame of mind of the men as they realize life is not sympathetic to their fate? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | They emotions vary from being angry at their desperate situation to being empathetic toward one another. |
After thirty hours on the dinghy, what did they do? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | They individually tried to swim to shore. |
Who did not reach the shore safely? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Billie |
What did the correspondent see in the water as he rowed the boat? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | A shark |
Who rowed the boat while the others slept? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | The correspondent and Billie |
What did the men see that gave them a glimmer of hope? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | A lighthouse |
What was the personality of the cook? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Comical and optimistic |
What setting does the story start? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Ocean |
Which character is morose after losing his ship? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | The Captain |
Which character is considered the comic of the group? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | The cook |
Which character is the only one in the story referred to by name? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Billie |
How many survivors of the ship wreck are there? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Four |
Which character bails out water to keep afloat? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | The cook |
What structure is seen on the horizon? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | A lighthouse |
What is seen in the water near the boat? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | A shark |
What poem does the correspondent recall? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Bingen on the Rhine |
How many hours did the men spend on the dinghy? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Thirty |
Who does not survive the ordeal? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Billie. |
How long has the group tried to keep the small boat afloat? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Thirty hours. |
Why does the captain not take a turn rowing the dinghy? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | He is injured. |
Which of the crew is the strongest? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Billie. |
What was Billie's position on board the ship? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | He was the ship's oiler. |
How is water removed from the dinghy? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | The cook bails the water from the boat. |
Which of the group becomes stuck in an eddy? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | The correspondent. |
Why is the captain despondent? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | Because his ship is lost. |
What causes the group to lose hope after seeing the lighthouse? | gutenberg | None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at a... | They realize how dangerous it will be trying to reach the lighthouse. |
Who was Chitra father? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | King of Manipur. |
Who was Madana? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Madana was the god of love. |
Who was Vansata? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Vansata was the god of springti and eternal youth. |
Who did Chitra fell in love with? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Arjuna |
How was Chitra raised? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Chita was raised like a boy |
Who was Chitra? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Chita was a great warrior and a hero. |
What did Madana and Vasanta did for Chirtra? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Madana and Vasanta gave Chitra a year of perfect beauty. |
Why did Chitra wanted perfect beauty? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Chitra wanted perfect beauty so Arjuna can fell in love with her. |
Why did Chitra did not like her perfect beauty? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Chitra belief her perfect beauty is the faise image of herself. |
What did Arjuna did when Chitra told him the truth about herself? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Arjuna meets the new with joy. |
Who is the god of love? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Madana |
Why was Chitra raised as a boy? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Her father had no male heir. |
What does Chitra beg the two gods for? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | One day of perfect beauty in order to win over Arjuna and have one night with him. |
After Arjuna announces he will break his vow of chastity for Chitra, how does she feel? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Unhappy because he isn't falling in love with her, just her beauty. |
What does Vasanta tell Chitra to do after she tells the gods about how Arjuna fell for her beauty? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Vasanta tells Chitra to spend a year with Arjuna. |
During the year together Arjuna grows restless and wants to do what? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Hunt. |
What do the villagers tell Arjuna that causes him to avoid going to bed with Chitra? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | That Maripur is under attack. |
Why does Arjuna say he can't love Chitra to the fullest? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Because Chitra has always kept her true self a secret. |
Once Chitra admits who she is and explains how she begged for beauty and asks Arjuna to stay with her forever, what other life-changing news does she tell Arjuna? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | She is pregnant with his son. |
What is Arjuna's response to Chitra's confession and news? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | He is happy and says his life is now full. |
What is Madana the god of? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | love |
Who is the god of springtime and eternal youth? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Vasanta |
What does Chitra first ask the gods for ? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | one day of perfect beauty |
Why does Arjuna feel his love for Chitra is incomplete? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | because she's kept all her personal details secret |
What does Chitra say to Arjuna about the warrior princess? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | that he wouldn't even notice her if he saw her |
Why was Chitra raised like a boy? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | Her father had no sons |
How much time do the gods give Chitra to live as a perfect beauty? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | one year |
What is the second thing Chitra asks the gods for? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | to make her last night with Arjuna the most beautiful |
What was Chitra doing when she first saw Arjuna? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | hunting in the forest |
Why did Arjuna turn Chitra away the first time he met her? | gutenberg | The play adapts the story of ChitrÄngadÄ and Arjuna from the Mahabarata and begins with Chitra beginning a conversation with Madana, the god of love, and Vasanta, the god of springtime and eternal youth. They ask Chitra who she is and what is bothering her, to which she replies that she is the daughter of the king o... | because of his vow of celibacy |
What is the one way to stop the nanobots? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | By activating the kill switch |
Who ambushes Ripcord and Duke's convoy? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | The Baroness |
Why does Duke recognize the Baroness when she ambushes his convoy? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | She used to be his fiancee |
What do McCullen and the Doctor hope to accomplish with their warheads? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | They hope to cause world wide panic and a new order |
Once McCullen locates the warheads, who does he send to go get them? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | The Baroness and Storm Shadow |
Once Baron DeCobray weaponizes the missile, where does he launch it? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | At the Eiffel tower |
Where is McCullen's secret base? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | Under the arctic |
Why does McCullen aim his warheads at Beijing, DC, and Moscow? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | To panic everyone, where they will turn to the President of the United States |
Who assumes the identity of the Commander? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | the Doctor |
How does Zartan break into the White House? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | By assuming the identity of the President of the United States |
What kind of weapon did James McCullen created? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | Nanotech base weapon. |
How can Nanobots be stop? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | By activating a kill switch. |
Who sold four warheads to NATO and NATO troops? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | The company M.A.R.S. |
Why rescued Duke and Ridcord? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | Scarlett. |
Where were the warheads taken? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | G.I. Joe command center. |
What is McCullen using to build an army of soliders? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | Nanotechnology. |
Who retrieve the warheads after the fight? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | Storm Shadow and the Baroness. |
What Tower was hit by the missiles? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | Eiffel Tower. |
How many missles the Joes load with warheads? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | Three. |
Where were the three missiles with natowarheads aimed? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | Beijing, Moscow, and Washington DC. |
Weapons master James McCullen developed a weapon that could get through what kinds of material? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | The weapon could get through metal, other materials, and also destroy tanks and cities. |
What happens when Duke and Ripcord try to deliver the warheads they acquired from James McCullen? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | Their convoy is ambushed by the Baroness. |
Once rescued from the Baroness, where do Duke and Ripcord take the weapons? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | They take the weapons to the PIT command center which is in Egypt. |
What is McCullen's end goal as he builds and army using nanotechnology? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | McCullen wants to create panic and create a new world order. |
When the Baroness manages to retrieve a warhead, what does she do with it? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | She brings it back to her husband and they use it to destroy the Eiffel Tower and some surrounding land before Duke hits a kill switch. |
When Duke hits the kill switch stopping the Barness from destroying more the country he faces what set back to his goals? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | Duke is captured and taken to McCullen's base under the Artic. |
What is McCullen's intention as he loads missiles destined for Beijing, Moscow, and Washington DC? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | He wants to strike fear into everyone's hearts and make them turn to the President of the US for security and safety. |
What did the doctor do to the Baroness to cause her to feel subdued? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | The doctor implanted her with nanomites which put her under his control for a few years. |
How was McCullen's burned face healed? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | The doctor healed his face with nanomites and encased it in silver. |
Putting the Baroness in protective custody allowed the team to do what to her? | movie | In the near future, weapons master James McCullen (Christopher Eccleston) has created a nanotech-based weapon - nanomites designed to devour metal and other materials, capable of destroying anything from tanks to cities. The nanobots can only be stopped by activating the kill switch. His company M.A.R.S. sells four wa... | It allowed them to remove the nanomites from her body. |
Who was a former LAPD officer? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | Lenny |
Who does Lenny agree to purchase the robbery clip from? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | Tick |
Who is Lenny's ex-girlfriend? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | Faith Justin |
How does Iris escape from the LAPD? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | She gets on rapid transit |
What is Max's occupation? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | Private investigator |
Who is Faith's new boyfriend? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | Philo Gant |
Where is Iris murdered? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | Sunset Regent Hotel |
Steckler and Engleman murder what rapper? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | Jeriko One |
Who hired Iris to spy on Jeriko? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | Philo |
Who throws Max off of the balcony? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | Lenny |
What is a SQUID? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | An illegal recording device. |
What can someone experience when watching a playback from a SQUID? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | They experience the wearer's emotions and sensations. |
Who is Iris to Lenny? | movie | In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals rob a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records events directly from the wearer's cerebral cortex, and when played back through a MiniDisc-like devic... | His ex-girlfriend's friend. |
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