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How can the children turn back to humans? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | By eating the tingle-berries |
Who almost gets stuck halfway when transforming back to a human? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | Chubbins |
At the beginning of the story, where are Chubbins and Twinkle lost? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | In the "great forest" |
What type of creature did Twinkle and Chubbins come across in the "great forest'? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | a tuxix |
What does the evil spell put on children turn them into? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | bird-like creatures |
What is retrieved so the children do not have to eat bugs, worms, and grub? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | Their picnic basket |
Who rescues Twinkles and Chubbin from the hunters? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | The eagle |
Who kills the hunter's dog? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | The eagle |
What does Baum believe the "grand law" he maintains in the forest? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | Love |
What king is introduced to Twinkle and Chubbins? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | King Bird of Paradise. |
What Queen does Twinkle and Chubbins meet? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | Queen Bee |
Who helps protect the children and escorting them to safe locations? | gutenberg | At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" — a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals – and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle – but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies – though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening. | Policeman Bluejay |
What is Billy's profession? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | FX make up artist |
What physical disability does Billy have? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | He is mute |
What city does Billy work in? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Moscow |
Who is Billy's sisters boyfriend? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Andy |
What is Billy's sister's same? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Karen |
Who gets stabbed in the studio? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | An actress |
What is the name of the undercover detective? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Larsen |
What is the alias of the shadowy criminal mastermind? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | The Reaper |
What are the criminals trying to retrieve from Billy? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | A computer disk |
What is the Reaper a financier of? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | International snuff ring |
Who cannot speak? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Billy |
What country is Billy working in at the beginning of the story? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Moscow |
Who is the director that Billy is working for? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Her sister's boyfriend, Andy |
Who can Billy communicate with? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Her sister |
Where was Billy when she sees the murder? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | The Studio |
What was the crew doing while Billy is locked in the Studio? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Shooting cheep porno |
What does the masked man do that cases Billy to react? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | He stabs the woman. |
What did the crew convince the police that the homoside was? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Special effects |
What was the criminal mastermind called? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | The Reaper |
Who is the undercover detective tracking the Reaper? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Larson |
What is Billy's profession? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | She's a makeup artist. |
What is Billy's physical disability? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | She can't talk. |
What is Billy doing in Moscow? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | She's working on a flick. |
Where did Billy get locked in at? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | The studio. |
What kind of flick was the being made after hours? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | A porno flick. |
Why was Billy not amused watching them make the porno flick anymore? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Because it became sadistic. |
Why does Billy flee the studio? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Because the crew sees her. |
Who else besides her sister does Billy tell her story too? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | The police. |
Who is the undercover detective? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | Larsen. |
Who says that Billy must be killed? | movie | Billy (Marina Zudina), an FX make up artist who does not have the physical ability to speak, is in Moscow working on a low budget slasher film directed by her sister's boyfriend Andy (Evan Richards). On one particular night Billy returns to the set to fetch a piece of equipment for the next day's shoot when she is accidentally locked in the studio. Being unable to speak but having the ability to communicate with her sister Karen (Fay Ripley), Billy makes several telephone calls but is interrupted when she discovers a small film crew working after hours to shoot a cheap porno film. Watching unseen, Billy is amused until the performed sex becomes sadistic. When a masked actor pulls out a knife and stabs the actress (Olga Tolstetskaya), Billy reacts and is discovered. She flees pursued by the homicidal film crew.
Billy narrowly escapes and manages to tell her story to her sister and the police, but the snuff film crew manages to convince the authorities that the onscreen 'murder' was a cinematic special effect. However, the events bring forward Larsen (Oleg Yankovsky), an undercover detective who is tracking the activities of the covert film crew and their connection to a shadowy criminal mastermind called "The Reaper". The Reaper (Alec Guinness) is a financier of an international underground snuff ring. He tells the criminal film crew that Billy is a witness and must be eliminated, thus motivating the snuff film director, his thug assistant and a host of subsidiary criminals to retrieve a missing computer disc from her and dispatch it. As more and more factions get involved in killing and saving Billy the action becomes wild and fantastic and hard to discern what's real from movie magic. | The Reaper. |
How long did the angel stay in Southern England? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | A little over a week. |
The angel was an angel of what? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Angel of Italian Art |
Who shot the angel? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Rev. K. Hilyer |
What does the angel call our world? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | The Land of Dreams. |
What is the angel talented at? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Divine violin-playing |
Why was the angel discredited at the reception? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Because he actually cannot read music. |
Which places did Dr. Crump threaten to put the angel in? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | A madhouse or prison. |
What is Rev. Mr. Hilyer regretfully planning for? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Taking the angel to London and establishing him there. |
Upon returning to the village, what did the angel see? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Hew saw the vicar's house burning. |
What lies in Siddermorton Cemetery? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Two white crosses baring the names of Thomas Angel and Delia Hardy. |
What is the angel mistaken for at the beginning of the story? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | A bird. |
Where did Hilyer shoot the angel? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | On his wing. |
What is the angel enounced as a he becomes critical of local mores? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | A socialist. |
What is the angel's term for our world? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | "The Land of Dreams". |
How does the angel feel about what he learns about the world in general? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | He feels dismayed. |
Why do the people attack the vicar? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | For hosting the Angel. |
Who believes that the angel comes from another world? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | The vicar. |
What did the people start calling the angel although they don't all believe he is from another world? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | "Mr. Angel". |
How did the vicar die? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | In a fire. |
What is beneath the two white crosses in the Siddermorton cemetery? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Nothing. |
What is Delia's job? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | She is a serving girl |
Why doesn't anyone believe the angel can play the violin? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Because he can't read music |
What color are the Angels wings? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | polychromatic |
Why is the angel considered a socialist? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | He becomes dismayed with the culture of Victorian England |
Who is buried in the cemetary at the end? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | the graves are empty |
Why is the angel to be arrested? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | For destroying barbwire |
Who tries to save the violin? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Delia |
What does the angel use to beat Goth? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | Goth's own whip |
Where does the Rev Mr. Hilyer want to take the angel to live? | gutenberg | The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire. | England |
Who turns Louis into a vampire? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Lestat de Lioncourt |
Where does Louis and Claudia find vampires like themselves? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Paris |
When does Louis return to New Orleans? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | In the early 20th century |
What does the boy who is interviewing Louis want? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | The boy want Louis to give him immortality |
What is the young girls name who lestat bites? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Claudia |
Why did lestat bite claudia? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Lestat feared Louis was going to leave him so he bit claudia in hopes that it would make Louis stay |
How does claudia plan on killing Lestat? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | By poisoning him and cutting his throat |
Where does Louis and Claudia dump Lestats body? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | In a nearby swamp |
After Louis is captured and locked in a coffin, who saves him? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Armand |
Who abducted Louis, Claudia, and Madeliene? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | The Theatre vampires |
How old was the vampire Louis at the beginning of the story? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | 200 years old |
When Louis and Claudia arrived in Europe what did they do? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Tried to seek out their own kind |
Who released Louis from the coffin? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Armand |
Who was Claudia convinced Louis would leave her for? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Armand |
How were Madeleine and Claudia killed? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Burned to death by rising sun |
Who were Madeleine, Claudia and Louis abducted by? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Theatre vampires |
What was the Parisian doll maker turned into? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | A vampire |
In the end, who did the boy try to track down in hopes of making him a vampire? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Lestat |
What did Lestat do to give Louis a reason to stay? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Turned the little girl into a daughter vampire for them. |
In what city was Louis' last encounter with Lestat? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | New Orleans |
How many structures did Louis burn? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Three. |
What was Madeline's occupation? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | She was a doll maker. |
When did Louis return to America? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | In the early 20th century. |
What did Louis find repulsive about Lestat? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | His uncaring nature towards humans. |
What was the name of the theater were vampires performed? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | The Theatre Des Vampires |
Who was locked in a coffin? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Louis. |
How old was Claudia when she became a vampire? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | Five years old. |
Why were the slaves massacred? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | So they couldn't spread the word about vampires. |
Which city was Louis living near? | movie | A vampire named Louis tells his 200-year-long life story to a reporter referred to simply as "the boy" (the character's name is revealed to be Daniel Molloy in The Queen of the Damned). In 1791, Louis is a young indigo plantation owner living south of New Orleans. Distraught by the death of his pious brother, he seeks death in any way possible. Louis is approached by a vampire named Lestat de Lioncourt, who desires Louis' company. Lestat turns Louis into a vampire and the two become immortal companions. Lestat spends time feeding off the local plantation slaves while Louis, who finds it morally repugnant to murder humans to survive, feeds from animals. Louis and Lestat are forced to leave when Louis' slaves begin to fear the monsters with which they live and instigate an uprising. Louis sets his own plantation aflame; he and Lestat exterminate the plantation slaves to keep word from spreading about vampires living in Louisiana. Gradually, Louis bends under Lestat's influence and begins feeding from humans. He slowly comes to terms with his vampire nature, but also becomes increasingly repulsed by what he perceives as Lestat's total lack of compassion for the humans he preys upon.
Escaping to New Orleans, Louis feeds off a plague-ridden young girl, who is five years old, whom he finds next to the corpse of her mother. Louis begins to think of leaving Lestat and going his own way. Fearing this, Lestat then turns the girl into a vampire "daughter" for them, to give Louis a reason to stay. She is then given the name Claudia. Louis is initially horrified that Lestat has turned a child into a vampire, but soon begins to care for Claudia. Claudia takes to killing easily, but she begins to realize over time she can never grow up; her mind matures into that of an intelligent, assertive woman, but her body remains that of a young girl. Claudia blames Lestat for her condition and, after 60 years of living with him, she hatches a plot to kill Lestat by poisoning him and cutting his throat. Claudia and Louis then dump his body into a nearby swamp. As Louis and Claudia prepare to flee to Europe, Lestat appears, having recovered from Claudia's attack, and attacks them in turn. Louis sets fire to their home and barely escapes with Claudia, leaving a furious Lestat to be consumed by the flames.
Arriving in Europe, Louis and Claudia seek out more of their kind. They travel throughout eastern Europe first and do indeed encounter vampires, but these vampires appear to be nothing more than mindless animated corpses. It is only when they reach Paris that they encounter vampires like themselves â specifically, the 400-year-old vampire Armand and his coven at the ThÊâtre des Vampires. Inhabiting an ancient theater, Armand and his vampire coven disguise themselves as humans and feed on live, terrified humans in mock-plays before a live human audience (who think the killings are merely a very realistic performance). Claudia is repulsed by these vampires and what she considers to be their cheap theatrics, but Louis and Armand are drawn to each other.
Convinced that Louis will leave her for Armand, Claudia convinces Louis to turn a Parisian doll maker, Madeleine, into a vampire to serve as a replacement companion. Louis, Madeleine and Claudia live together for a brief time, but all three are abducted one night by the Theatre vampires. Lestat has arrived, having survived the fire in New Orleans. His accusations against Louis and Claudia result in Louis being locked in a coffin to starve, while Claudia and Madeleine are locked in an open courtyard. Armand arrives and releases Louis from the coffin, but Madeleine and Claudia are burned to death by the rising sun. A devastated Louis finds the ashen remains of Claudia and Madeleine. He returns to the Theatre late the following night, burning it to the ground and killing all the vampires inside, leaving with Armand. Together, the two travel across Europe for several years, but Louis never fully recovers from Claudia's death, and the emotional connection between himself and Armand quickly dissolves. Tired of the Old World, Louis returns to New Orleans in the early 20th century. Living as a loner, he feeds off any humans who cross his path, but lives in the shadows, never creating another companion for himself.
Telling the boy of one last encounter with Lestat in New Orleans in the 1920s, Louis ends his tale; after 200 years, he is weary of immortality and of all the pain and suffering to which he has had to bear witness. The boy, however, seeing only the great powers granted to a vampire, begs to be made into a vampire himself. Angry that his interviewer learned nothing from his story, Louis refuses, attacking the boy and vanishing without a trace. The boy then leaves to track down Lestat in the hopes that he can give him immortality. | New Orleans. |
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