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What was the ship's default command in emergency? | movie | In 2379, two hundred years after the events of Alien 3, military scientists on the space vessel USM Auriga create a clone of Ellen Ripley using DNA from blood samples taken before her death. The Alien queen's DNA was mixed in with Ripley's, and the clone grows up with an embryo inside it. The scientists extract the embryo, raise it and collect its eggs. The Ripley clone is kept alive for further study. As a result of the alien's DNA inside her, she develops enhanced strength and reflexes, has acidic blood and a psychic link with the Aliens. Also, the alien's genetic memory allows the clone to have some of Ripley's memories.
A group of mercenaries, Elgyn, Johner, Christie, Vriess, Hillard and Call, arrive at Auriga on their ship Betty. They deliver several kidnapped humans in stasis. The military scientists use the humans as hosts for the Aliens, raising several adult Aliens for study.
The Betty crew soon encounters Ripley. Call recognizes her name and tries to kill her, suspecting she may be used to create more Aliens. The Aliens have already matured and escape confinement by killing off one of their own and using the acidic blood to burn through their enclosures. They damage the Auriga and kill the crew members who do not evacuate, including General Perez and Elgyn. Military scientist Dr. Wren reveals that the ship's default command in an emergency is to return to Earth. Realizing this will unleash the Aliens on Earth, Ripley, the mercenaries, Wren, a Marine named DiStephano and surviving Alien host Purvis decide to head for the Betty and use it to destroy the Auriga. Along the way, Ripley encounters the grotesque products of failed attempts to clone Ripley. The surviving one begs Ripley to mercy kill her, and she complies.
As the group makes their way through the damaged ship, they swim through a flooded kitchen. They are chased by two Aliens. One is killed, while the other snatches Hillard. As they escape the kitchen, the Alien returns and blinds Christie, who sacrifices himself to kill the Alien so the others can escape. After Wren betrays the group, Call is revealed to be an android. Using her ability to interface with the Auriga's systems, Call sets it on a collision course with Earth, hoping to destroy the Aliens in the crash. She cuts off Wren's escape route, and directs the Aliens towards him. Ripley is captured by the Aliens, while the others head for the Betty. Wren shoots Purvis and takes Call hostage, demanding that she abort the collision. An injured Purvis attacks Wren and forces his head to his chest just as the Alien embryo he is carrying bursts through his ribcage, causing it to go through Wren's head and kill them both. The survivors shoot the embryo.
Ripley is taken to the Alien nest, where the Queen, now possessing a womb as a result of the genetic mixture, gives birth to a Newborn, a Xenomorph with human traits. The hybrid Alien recognizes Ripley as its mother, kills the queen Alien and Dr. Jonathan Gediman, a scientist previously captured and cocooned. Ripley takes advantage of the distraction to escape and makes her way to the Betty.
The Newborn reaches the Betty and attacks Call. It kills DeStephano when he tries to help her. Ripley finds her way onto the ship and saves Call by distracting the Newborn. Using her acidic blood, Ripley melts the glass of a window and pushes the Newborn towards the hole. It is violently sucked through the hole due to decompression.
The countdown on the Auriga continues as the survivors escape in the Betty. The Auriga collides with Earth, causing a large explosion. Call and Ripley look down at Earth, and when Call asks what Ripley wants to do next, she says, "I'm a stranger here myself." In an alternate ending that is used in some extended adaptations, the Betty lands in a ruined Paris. | The ship's default is to return to Earth |
Who took call hostage? | movie | In 2379, two hundred years after the events of Alien 3, military scientists on the space vessel USM Auriga create a clone of Ellen Ripley using DNA from blood samples taken before her death. The Alien queen's DNA was mixed in with Ripley's, and the clone grows up with an embryo inside it. The scientists extract the embryo, raise it and collect its eggs. The Ripley clone is kept alive for further study. As a result of the alien's DNA inside her, she develops enhanced strength and reflexes, has acidic blood and a psychic link with the Aliens. Also, the alien's genetic memory allows the clone to have some of Ripley's memories.
A group of mercenaries, Elgyn, Johner, Christie, Vriess, Hillard and Call, arrive at Auriga on their ship Betty. They deliver several kidnapped humans in stasis. The military scientists use the humans as hosts for the Aliens, raising several adult Aliens for study.
The Betty crew soon encounters Ripley. Call recognizes her name and tries to kill her, suspecting she may be used to create more Aliens. The Aliens have already matured and escape confinement by killing off one of their own and using the acidic blood to burn through their enclosures. They damage the Auriga and kill the crew members who do not evacuate, including General Perez and Elgyn. Military scientist Dr. Wren reveals that the ship's default command in an emergency is to return to Earth. Realizing this will unleash the Aliens on Earth, Ripley, the mercenaries, Wren, a Marine named DiStephano and surviving Alien host Purvis decide to head for the Betty and use it to destroy the Auriga. Along the way, Ripley encounters the grotesque products of failed attempts to clone Ripley. The surviving one begs Ripley to mercy kill her, and she complies.
As the group makes their way through the damaged ship, they swim through a flooded kitchen. They are chased by two Aliens. One is killed, while the other snatches Hillard. As they escape the kitchen, the Alien returns and blinds Christie, who sacrifices himself to kill the Alien so the others can escape. After Wren betrays the group, Call is revealed to be an android. Using her ability to interface with the Auriga's systems, Call sets it on a collision course with Earth, hoping to destroy the Aliens in the crash. She cuts off Wren's escape route, and directs the Aliens towards him. Ripley is captured by the Aliens, while the others head for the Betty. Wren shoots Purvis and takes Call hostage, demanding that she abort the collision. An injured Purvis attacks Wren and forces his head to his chest just as the Alien embryo he is carrying bursts through his ribcage, causing it to go through Wren's head and kill them both. The survivors shoot the embryo.
Ripley is taken to the Alien nest, where the Queen, now possessing a womb as a result of the genetic mixture, gives birth to a Newborn, a Xenomorph with human traits. The hybrid Alien recognizes Ripley as its mother, kills the queen Alien and Dr. Jonathan Gediman, a scientist previously captured and cocooned. Ripley takes advantage of the distraction to escape and makes her way to the Betty.
The Newborn reaches the Betty and attacks Call. It kills DeStephano when he tries to help her. Ripley finds her way onto the ship and saves Call by distracting the Newborn. Using her acidic blood, Ripley melts the glass of a window and pushes the Newborn towards the hole. It is violently sucked through the hole due to decompression.
The countdown on the Auriga continues as the survivors escape in the Betty. The Auriga collides with Earth, causing a large explosion. Call and Ripley look down at Earth, and when Call asks what Ripley wants to do next, she says, "I'm a stranger here myself." In an alternate ending that is used in some extended adaptations, the Betty lands in a ruined Paris. | Wren |
Who killed Wren? | movie | In 2379, two hundred years after the events of Alien 3, military scientists on the space vessel USM Auriga create a clone of Ellen Ripley using DNA from blood samples taken before her death. The Alien queen's DNA was mixed in with Ripley's, and the clone grows up with an embryo inside it. The scientists extract the embryo, raise it and collect its eggs. The Ripley clone is kept alive for further study. As a result of the alien's DNA inside her, she develops enhanced strength and reflexes, has acidic blood and a psychic link with the Aliens. Also, the alien's genetic memory allows the clone to have some of Ripley's memories.
A group of mercenaries, Elgyn, Johner, Christie, Vriess, Hillard and Call, arrive at Auriga on their ship Betty. They deliver several kidnapped humans in stasis. The military scientists use the humans as hosts for the Aliens, raising several adult Aliens for study.
The Betty crew soon encounters Ripley. Call recognizes her name and tries to kill her, suspecting she may be used to create more Aliens. The Aliens have already matured and escape confinement by killing off one of their own and using the acidic blood to burn through their enclosures. They damage the Auriga and kill the crew members who do not evacuate, including General Perez and Elgyn. Military scientist Dr. Wren reveals that the ship's default command in an emergency is to return to Earth. Realizing this will unleash the Aliens on Earth, Ripley, the mercenaries, Wren, a Marine named DiStephano and surviving Alien host Purvis decide to head for the Betty and use it to destroy the Auriga. Along the way, Ripley encounters the grotesque products of failed attempts to clone Ripley. The surviving one begs Ripley to mercy kill her, and she complies.
As the group makes their way through the damaged ship, they swim through a flooded kitchen. They are chased by two Aliens. One is killed, while the other snatches Hillard. As they escape the kitchen, the Alien returns and blinds Christie, who sacrifices himself to kill the Alien so the others can escape. After Wren betrays the group, Call is revealed to be an android. Using her ability to interface with the Auriga's systems, Call sets it on a collision course with Earth, hoping to destroy the Aliens in the crash. She cuts off Wren's escape route, and directs the Aliens towards him. Ripley is captured by the Aliens, while the others head for the Betty. Wren shoots Purvis and takes Call hostage, demanding that she abort the collision. An injured Purvis attacks Wren and forces his head to his chest just as the Alien embryo he is carrying bursts through his ribcage, causing it to go through Wren's head and kill them both. The survivors shoot the embryo.
Ripley is taken to the Alien nest, where the Queen, now possessing a womb as a result of the genetic mixture, gives birth to a Newborn, a Xenomorph with human traits. The hybrid Alien recognizes Ripley as its mother, kills the queen Alien and Dr. Jonathan Gediman, a scientist previously captured and cocooned. Ripley takes advantage of the distraction to escape and makes her way to the Betty.
The Newborn reaches the Betty and attacks Call. It kills DeStephano when he tries to help her. Ripley finds her way onto the ship and saves Call by distracting the Newborn. Using her acidic blood, Ripley melts the glass of a window and pushes the Newborn towards the hole. It is violently sucked through the hole due to decompression.
The countdown on the Auriga continues as the survivors escape in the Betty. The Auriga collides with Earth, causing a large explosion. Call and Ripley look down at Earth, and when Call asks what Ripley wants to do next, she says, "I'm a stranger here myself." In an alternate ending that is used in some extended adaptations, the Betty lands in a ruined Paris. | Purvis |
Who set Auriga on collision course with Earth? | movie | In 2379, two hundred years after the events of Alien 3, military scientists on the space vessel USM Auriga create a clone of Ellen Ripley using DNA from blood samples taken before her death. The Alien queen's DNA was mixed in with Ripley's, and the clone grows up with an embryo inside it. The scientists extract the embryo, raise it and collect its eggs. The Ripley clone is kept alive for further study. As a result of the alien's DNA inside her, she develops enhanced strength and reflexes, has acidic blood and a psychic link with the Aliens. Also, the alien's genetic memory allows the clone to have some of Ripley's memories.
A group of mercenaries, Elgyn, Johner, Christie, Vriess, Hillard and Call, arrive at Auriga on their ship Betty. They deliver several kidnapped humans in stasis. The military scientists use the humans as hosts for the Aliens, raising several adult Aliens for study.
The Betty crew soon encounters Ripley. Call recognizes her name and tries to kill her, suspecting she may be used to create more Aliens. The Aliens have already matured and escape confinement by killing off one of their own and using the acidic blood to burn through their enclosures. They damage the Auriga and kill the crew members who do not evacuate, including General Perez and Elgyn. Military scientist Dr. Wren reveals that the ship's default command in an emergency is to return to Earth. Realizing this will unleash the Aliens on Earth, Ripley, the mercenaries, Wren, a Marine named DiStephano and surviving Alien host Purvis decide to head for the Betty and use it to destroy the Auriga. Along the way, Ripley encounters the grotesque products of failed attempts to clone Ripley. The surviving one begs Ripley to mercy kill her, and she complies.
As the group makes their way through the damaged ship, they swim through a flooded kitchen. They are chased by two Aliens. One is killed, while the other snatches Hillard. As they escape the kitchen, the Alien returns and blinds Christie, who sacrifices himself to kill the Alien so the others can escape. After Wren betrays the group, Call is revealed to be an android. Using her ability to interface with the Auriga's systems, Call sets it on a collision course with Earth, hoping to destroy the Aliens in the crash. She cuts off Wren's escape route, and directs the Aliens towards him. Ripley is captured by the Aliens, while the others head for the Betty. Wren shoots Purvis and takes Call hostage, demanding that she abort the collision. An injured Purvis attacks Wren and forces his head to his chest just as the Alien embryo he is carrying bursts through his ribcage, causing it to go through Wren's head and kill them both. The survivors shoot the embryo.
Ripley is taken to the Alien nest, where the Queen, now possessing a womb as a result of the genetic mixture, gives birth to a Newborn, a Xenomorph with human traits. The hybrid Alien recognizes Ripley as its mother, kills the queen Alien and Dr. Jonathan Gediman, a scientist previously captured and cocooned. Ripley takes advantage of the distraction to escape and makes her way to the Betty.
The Newborn reaches the Betty and attacks Call. It kills DeStephano when he tries to help her. Ripley finds her way onto the ship and saves Call by distracting the Newborn. Using her acidic blood, Ripley melts the glass of a window and pushes the Newborn towards the hole. It is violently sucked through the hole due to decompression.
The countdown on the Auriga continues as the survivors escape in the Betty. The Auriga collides with Earth, causing a large explosion. Call and Ripley look down at Earth, and when Call asks what Ripley wants to do next, she says, "I'm a stranger here myself." In an alternate ending that is used in some extended adaptations, the Betty lands in a ruined Paris. | Call |
What happen to Auriga when it colided with Earth? | movie | In 2379, two hundred years after the events of Alien 3, military scientists on the space vessel USM Auriga create a clone of Ellen Ripley using DNA from blood samples taken before her death. The Alien queen's DNA was mixed in with Ripley's, and the clone grows up with an embryo inside it. The scientists extract the embryo, raise it and collect its eggs. The Ripley clone is kept alive for further study. As a result of the alien's DNA inside her, she develops enhanced strength and reflexes, has acidic blood and a psychic link with the Aliens. Also, the alien's genetic memory allows the clone to have some of Ripley's memories.
A group of mercenaries, Elgyn, Johner, Christie, Vriess, Hillard and Call, arrive at Auriga on their ship Betty. They deliver several kidnapped humans in stasis. The military scientists use the humans as hosts for the Aliens, raising several adult Aliens for study.
The Betty crew soon encounters Ripley. Call recognizes her name and tries to kill her, suspecting she may be used to create more Aliens. The Aliens have already matured and escape confinement by killing off one of their own and using the acidic blood to burn through their enclosures. They damage the Auriga and kill the crew members who do not evacuate, including General Perez and Elgyn. Military scientist Dr. Wren reveals that the ship's default command in an emergency is to return to Earth. Realizing this will unleash the Aliens on Earth, Ripley, the mercenaries, Wren, a Marine named DiStephano and surviving Alien host Purvis decide to head for the Betty and use it to destroy the Auriga. Along the way, Ripley encounters the grotesque products of failed attempts to clone Ripley. The surviving one begs Ripley to mercy kill her, and she complies.
As the group makes their way through the damaged ship, they swim through a flooded kitchen. They are chased by two Aliens. One is killed, while the other snatches Hillard. As they escape the kitchen, the Alien returns and blinds Christie, who sacrifices himself to kill the Alien so the others can escape. After Wren betrays the group, Call is revealed to be an android. Using her ability to interface with the Auriga's systems, Call sets it on a collision course with Earth, hoping to destroy the Aliens in the crash. She cuts off Wren's escape route, and directs the Aliens towards him. Ripley is captured by the Aliens, while the others head for the Betty. Wren shoots Purvis and takes Call hostage, demanding that she abort the collision. An injured Purvis attacks Wren and forces his head to his chest just as the Alien embryo he is carrying bursts through his ribcage, causing it to go through Wren's head and kill them both. The survivors shoot the embryo.
Ripley is taken to the Alien nest, where the Queen, now possessing a womb as a result of the genetic mixture, gives birth to a Newborn, a Xenomorph with human traits. The hybrid Alien recognizes Ripley as its mother, kills the queen Alien and Dr. Jonathan Gediman, a scientist previously captured and cocooned. Ripley takes advantage of the distraction to escape and makes her way to the Betty.
The Newborn reaches the Betty and attacks Call. It kills DeStephano when he tries to help her. Ripley finds her way onto the ship and saves Call by distracting the Newborn. Using her acidic blood, Ripley melts the glass of a window and pushes the Newborn towards the hole. It is violently sucked through the hole due to decompression.
The countdown on the Auriga continues as the survivors escape in the Betty. The Auriga collides with Earth, causing a large explosion. Call and Ripley look down at Earth, and when Call asks what Ripley wants to do next, she says, "I'm a stranger here myself." In an alternate ending that is used in some extended adaptations, the Betty lands in a ruined Paris. | Auriga exploded. |
What is the name of the lunar shuttle in this story? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | Mayflower One |
In beginning of story, what is occurring that the Sarge doesn't like? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | rush to launch from Houston |
What is the name of the computer officer on board? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | Elaine Dickinson |
What is the name of the artificial intelligence onboard Mayflower One? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | ROK |
Why did Joe Seluchi board the Mayflower One with a bomb? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | to commit suicide so wife can collect insurance |
After leaving Elaine, where was Striker committed to? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | an insane asylum |
Who revealed Seluchi had a bomb on the Mayflower One? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | the air traffic controller |
What happened to Striker in Macho Grande? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | He lost his whole crew. |
Why did Striker escape the asylum? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | He heard about the upcoming lunar shuttle launch. |
Who got married at the end of the story? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | Ted and Elaine |
How was Striker put in an insane asylum? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | He was declared mentally incompetent in lawsuit. |
Why did Striker believe that the lawsuit was used to silence him? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | He knew about problems with the lunar shuttle that made it unsafe. |
What did Striker know about the test flight that Ted piloted? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | That the lunar shuttle crashed. |
When did Striker escape the asylum? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | When he read about the lunar shuttle launch. |
When did Striker buy tickets for the Lunar Shuttle Launch? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | After he read about the launch and escaped the asylum. |
What happens when the Mayflower One suffers a short circuit? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | ROK goes insane and sends the ship towards the sun. |
What is ROK? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | An artificially intelligent computer. |
Why did Joe the passenger take a bomb on the plane? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | To commit suicide so that his wife can claim insurance money. |
How does Striker get the bomb from Joe? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | He wrestles him. |
How did Striker blow up ROK? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | He used the bomb he took from Joe. |
What is the name of the shuttle that is voyaging to the Moon? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | The Mayflower One |
What dangerous course does the shuttle get sent on? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | A path to the Sun |
Why does Striker believe there was a lawsuit against him? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | To silence him from speaking out about the dangers on the shuttle |
What does Joe have in his suitcase? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | A bomb |
Why did Joe want to commit suicide? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | So his wife could collect the insurance money |
What does Striker use to stop the haywire computer? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | The bomb that was in Joe's suitcase |
Who marries at the end of the story? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | Ted and Elaine |
What is the name of the event that Striker experienced that left him haunted? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | Macho Grande |
What item does Joe ask for at the end of the story? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | He wants his briefcase back |
Where did the Mayflower One launch from? | movie | In the near future, the Moon has been colonized and supports a station on its surface. A lunar shuttle known as Mayflower One is being rushed to launch from Houston. The head of the ground crew, The Sarge (Chuck Connors), does not like what is occurring, but he defers to the airline's management.
On the flight crew are Captain Clarence Oveur (Peter Graves), navigator/co-pilot Unger (Kent McCord) and first officer/flight engineer Dunn (James A. Watson, Jr.). Also on board is computer officer Elaine Dickinson (Julie Hagerty). Elaine has long left Ted Striker (Robert Hays) and is now engaged to one of the flight crew, Simon Kurtz (Chad Everett). Striker has in the meantime been committed to an insane asylum, as he was declared mentally incompetent in a lawsuit following a test flight that Ted piloted and in which the lunar shuttle crashed. Striker believes that the lawsuit was used to silence him, because he knew there were problems with the lunar shuttle that made it unsafe, and he is once more haunted by his actions in "The War" - causing a relapse of his "drinking problem", specifically the events that took place over "Macho Grande", where he lost his entire squadron. When Striker reads of the upcoming lunar shuttle launch, he escapes the asylum and buys a ticket for the flight.
During the flight, Mayflower One suffers a short circuit, causing the artificially intelligent computer ROK to go insane and send the ship toward the Sun. Unger and Dunn try to deactivate the computer, but are blown out of an airlock. Oveur tries to stop ROK, but the computer gasses him. Kurtz abandons Elaine and leaves in the only escape pod. Once again, Striker is called upon to save the day, but first he has to figure out how to make the computer relinquish control. Steve McCroskey (Lloyd Bridges), the air traffic controller, reveals that a passenger named Joe Seluchi (Sonny Bono) had boarded Mayflower One with a bomb in a briefcase, intending to commit suicide so that his wife can collect on insurance money. Striker manages to wrestle the bomb from Seluchi and uses it to blow up ROK and set course for the Moon as originally intended.
Using the bomb to destroy the computer causes collateral damage to the shuttle, meaning the flight is not out of danger yet. On the way to the Moon, control of the flight is shifted to a lunar base, commanded by Commander Buck Murdock (William Shatner). He has a high level of contempt for Striker because of Macho Grande, but agrees to help anyway. They manage to land the craft on the Moon. Ted and Elaine fall back in love and are married at the end. After the wedding, Seluchi looks into the cockpit and asks for his briefcase back.
A postcredit scene shows a screen that says "Coming From Paramount Pictures: "Airplane III". Murdock is then seen saying "That's exactly what they'll be expecting us to do!" | Houston Texas |
Who narrates the story? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | The editor and the "sinner" |
Who forces Rabina back? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Her father |
How many son's does Rabina have? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Two |
Who is believed to be Robert's father? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Reverend Wringhim |
How did George die? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | He was stabbed in the back |
Who does Robert claim is his enigmatic companion? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Gill-Martain |
Who does Robert believe he is? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Peter the Great from Russia |
Who's appearance does Gill-Martin assume? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Robert's |
What can Robert do with his appearance? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Change it |
How does Robert die? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | He hangs himself |
What is especially peculiar about the way the events are depicted? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | They are told twice |
Why does Rabina despise her husband? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Their difference in religious beliefs |
What are the names of Rabina's two son? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | George and Robert |
Who raises George? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | THe Laird |
What is true about the sect of Calvinism? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Only certain people are to be saved by God |
Where do the brothers meet? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Edinburgh |
What ability does Robert have? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Ability to appear wherever George does. |
What delusion does Robert fall into ? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | He is Peter the Great of Russia |
Who has taken domination over Robert's life ? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Gil-Martin |
Who is George to Rabina? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Her husband. |
Who is believed to be the father of Rabina's son Robert? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Reverend Wringhim |
Who is Rabina's son George raised by? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | The Laird |
In what city did the two brothers first meet? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Edinburg |
What was Robert about to do when George saw him in his vision? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Shove him off of a cliff. |
How is George murdered? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | He's stabbed in he back. |
Who do witnesses say murdered George? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Robert |
Who is Robert's companion that appears to be the Devil? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Gil-Martin |
Who does Robert believe he is at one point when he's delusional? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | Peter the Great of Russia |
How does Robert die? | gutenberg | Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself.
The 'Editor's Narrative' starts in 1687 with the marriage of Rabina Orde to the much older George Colwan, Laird of Dalcastle. Rabina despises her new husband because he falls short of her extreme religious beliefs, his love of dancing and penchant for drinking alcohol. She initially flees him but her father forces her back, and they live separately in the one house. Rabina gives birth to two sons. The first, George, is indisputably the son of the Laird, but it is strongly implied – though never confirmed – that her second son, Robert, was fathered by the Reverend Wringhim, Rabina’s spiritual adviser and close confidante.
George, raised by the Laird, becomes a popular young man who enjoys sport and the company of his friends. Robert, educated by his mother and adoptive father Wringhim, is brought up to follow Wringhim’s radical antinomian sect of Calvinism, which holds that only certain elect people are predestined to be saved by God. These chosen few will have a heavenly reward regardless of how their lives are lived.
The two brothers meet, as young men, in Edinburgh where Robert starts following George through the town, mocking and provoking him and disrupting his life. He appears to have the ability of appearing wherever George is. When on a hill-top, George sees a vision of his brother in the sky and turns to find him behind him, preparing to throw him off a cliff. Robert rejects any friendly or placatory advances from his brother.
Finally, George is murdered by being stabbed in the back, apparently during a duel with one of his drinking acquaintances. The only witnesses to the murder were a prostitute and her despicable client, who claim that the culprit was Robert, aided by what appears to be the double of George’s friend. Before Robert can be arrested, he disappears.
The second part of the novel consists of Robert's account of his life. It purports to be a document, part-handwritten and part-printed, which was found after his death. It recounts his childhood, under the influence of the Rev Wringhim, and goes on to explain how he becomes in thrall to an enigmatic companion who says his name is Gil-Martin. This stranger, who could be seen to be the Devil, appears after Wringhim has declared Robert to be a member of 'the elect' and so predestined to eternal salvation. Gil-Martin, who is able to transform his appearance at will, soon directs all of Robert’s pre-existing tendencies and beliefs to evil purposes, convincing him that it is his mission to “cut sinners off with the sword”, and that murder can be the correct course of action. From Gil-Martin's boasting of the number of his adherents and size of his dominions, Robert falls into the delusion that he is Peter the Great of Russia, who visited England about that time.
The confession traces Robert's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by Gil-Martin’s increasing domination over his life. Finally, Robert loses control over his own identity and even loses track of time. During these lost weeks and months, it is suggested that Gil-Martin assumes Robert’s appearance in order to commit further crimes. However, there are also suggestions in the text, that 'Gil-Martin' is a figment of Robert's imagination, and is simply an aspect of his own personality: as, for example when 'the sinner' writes, 'I feel as if I were the same person' (as Gil-Martin).
Robert flees, but is pursued and tormented by devils and can find refuge only as a shepherd. Finally he hangs himself with a grass rope – in which it is suggested that he is aided by devils.
The novel concludes with a return to the 'Editor's Narrative' which explains how the sinner's memoir was discovered in his grave. Hogg appears as himself in this section, expressing scorn of the project to open the grave. | He hangs himself with a grass rope. |
When did the story take place? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Early 1800s |
Where did Eugene Onegin come from? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Saint Petersburg |
How did Eugene Onegin get his wealth? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Inherited from his uncle |
How did Eugene treat Tatyana well when she express her love to him? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | He was rude and arrogant. |
Why did Lensky challenge Onegin to fight a duel? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Onegin flirted with Lensky's fianccee. |
What did Tatyana find about Onegin by visiting his country mansion? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | She found he lived a life of many literary heroes. |
Where did Onegin meet Tatyana again? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | At a high party of Saint Petersburg. |
What had Onegin found out about Tatyana? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | She was then wealthy and beautiful. |
Whom was Tatyana married to? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | An aged prince, a general. |
How did Onegin spend most of his time? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Onegin spent most of his time at balls, concerts, and parties. |
What did Onegin inherit from his uncle? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Onegin inherited a land estate from his uncle. |
How does Onegin meet Vladimir Lensky? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Vladimir Lensky is Onegin's neighbor, and Onegin meets Lensky when he moves to the country. |
When Onegin and Tatyana meet in person, what explanation does Onegin give to Tatyana for his rejection of her? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Onegin tells Tatyana that he become bored of marriage and that he only wants to be her friend. |
When Onegin and Tatyana meet in person, what advice does he give her? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Onegin tells Tatyana to show more emotionally control in the future, so that another man does not take advantage of her innocence. |
When Lensky invites Onegin to Tatyana's name celebration, who does he say are invited? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Lensky tells Onegin that Tatyana, Olga, and her parents are the only people that have been invited to Tatyana's name celebration. |
At Tatyana's name celebration, with whom is Onegin annoyed? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Onegin is annoyed with the guests who gossip about him and Tatyana and Lensky for inviting him under false pretenses. |
Why does Lensky challenge Onegin to a duel? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Lensky challenges Onegin to a duel, because Onegin flirts with Olga, who is actually attracted to Onegin. |
Who is Olga Larina? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Olga Larina is Vladimir Lensky's fiance. |
When Onegin asks Tatyana to run away with him, why does she think that he suddenly loves her? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Tatyana thinks that Onegin suddenly loves her because of her wealth and position. |
Where does Eugene Onegin live? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Saint Petersburg. |
What does Eugene inherit? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | An estate. |
Who does Eugene inherit this from? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | His uncle. |
Who is Lensky's fiance? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Olga. |
Who falls in love with Eugene? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Tatyana. |
What does Eugene think of the ball that is thrown? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | He is irritated. |
Who does Eugene begin to flirt with? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Olga. |
Who is killed in the duel? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Lensky. |
Who does Eugene see years later? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Tatyana. |
Who does Tatyana choose to be with? | gutenberg | In the 1820s, Eugene Onegin is a bored Saint Petersburg dandy, whose life consists of balls, concerts, parties and nothing more. One day he inherits a landed estate from his uncle. When he moves to the country, he strikes up a friendship with his neighbor, a starry-eyed young poet named Vladimir Lensky. One day, Lensky takes Onegin to dine with the family of his fiancĂŠe, the sociable but rather thoughtless Olga Larina. At this meeting he also catches a glimpse of Olga's sister Tatyana. A quiet, precocious romantic and the exact opposite of Olga, Tatyana becomes intensely drawn to Onegin. Soon after, she bares her soul to Onegin in a letter professing her love. Contrary to her expectations, Onegin does not write back. When they meet in person, he rejects her advances politely but dismissively and condescendingly. This famous speech is often referred to as Onegin's Sermon: he admits that the letter was touching, but says that he would quickly grow bored with marriage and can only offer Tatyana friendship; he coldly advises more emotional control in the future, lest another man take advantage of her innocence.
Later, Lensky mischievously invites Onegin to Tatyana's name day celebration promising a small gathering with just Tatyana, Olga, and their parents. When Onegin arrives, he finds instead a boisterous country ball, a rural parody of and contrast to the society balls of St. Petersburg he has grown tired of. Onegin is irritated with the guests who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to avenge himself by dancing and flirting with Olga. Olga is insensitive to her fiancĂŠ and apparently attracted to Onegin. Earnest and inexperienced, Lensky is wounded to the core and challenges Onegin to fight a duel; Onegin reluctantly accepts, feeling compelled by social convention. During the duel, Onegin unwillingly kills Lensky. Afterwards, he quits his country estate, traveling abroad to deaden his feelings of remorse.
Tatyana visits Onegin's mansion, where she looks through his books and his notes in the margins, and begins to question whether Onegin's character is merely a collage of different literary heroes, and if there is, in fact, no "real Onegin".
Several years pass, and the scene shifts to St. Petersburg. Onegin has come to attend the most prominent balls and interact with the leaders of old Russian society. He sees the most beautiful woman, who captures the attention of all and is central to society's whirl, and he realizes that it is the same Tatyana whose love he had once turned away. Now she is married to an aged prince (a general). Upon seeing Tatyana again, he becomes obsessed with winning her affection, despite the fact that she is married. However, his attempts are rebuffed. He writes her several letters, but receives no reply. Eventually Onegin manages to see Tatyana and presents to her the opportunity to finally elope after they have become reacquainted. Does he desire her only for her wealth and position? She recalls the days when they might have been happy, but that time has passed. Onegin repeats his love for her. Faltering for a moment, she admits that she still loves him, but she will not allow him to ruin her and declares her determination to remain faithful to her husband. She leaves him regretting his bitter destiny. | Her husband. |
What is the nick-name of the giant dog that protects the Junkyard? | movie | In the San Fernando Valley during the summer of 1962, protagonist Scott "Scotty" Smalls moves to a new town with his mother and stepfather Bill and attempts to join a neighborhood baseball team who plays in a local sandlot. With the help of team captain Benjamin Franklin Rodriguez, known as Benny by the others, Smalls becomes a proficient player. Smalls joins his new friends, Benny Rodriguez, Hamilton 'Ham' Porter, Michael 'Squints' Palledorous, Alan 'Yeah-Yeah' McClennon, Bertram Grover Weeks, Kenny DeNunez, Timmy Timmons and Tommy 'Repeat' Timmons on their many misadventures including being banned from the pool, besting a snooty long-time rival team, and getting sick on one of the rides at an amusement park.
He then learns that many of the team's baseballs have ended up in Mr. Mertle's junkyard over the sandlot's back fence, which is protected by a giant dog known as "The Beast", who had allegedly eaten a kid foolish enough to enter it. One day, when Benny hits the hide off of the team's last ball, Smalls substitutes one from his stepfather's prized collection. When this ball is also lost over the fence, Smalls reveals that the ball is special. To the team's horror, they learn the ball has Babe Ruth's autograph, making it valuable--something Smalls didn't know when he took it. The team constructs a progressively complex series of machines to recover it remotely, but each attempt ends in failure and the ball itself grows increasingly damaged due to attention from the Beast.
While Smalls prepares to face certain discipline from his stepfather for the loss of the signed baseball, Benny has a dream where Babe Ruth encourages him to follow his heart. Inspired by his idol, Benny climbs the fence the next day, resolving to retrieve the ball himself, but he is confronted by the Beast, a large English Mastiff. After recovering the ball, he leads the Beast on a lengthy chase around the neighborhood, which ends with the sandlot fence's collapse, which pins the dog. Overcoming their fear of the dog, Smalls and Benny free the Beast and return the dog to its owner, Mr. Mertle, who reveals that he wasn't the kind of person the team thought he was. Understanding Smalls' predicament with the now-damaged ball, Mr. Mertle reveals himself as a retired Negro League baseball player who knew Babe Ruth personally, and offers him another baseball signed by the entire 1927 Yankees team, including Ruth. Smalls presents the baseball signed by the Murderers' Row to his stepfather, who is impressed by the replacement but still angry that he stole the first ball. Smalls doesn't feel too bad when Bill only grounds him for a week, instead of the rest of his life, and things work out between the two.
The sandlot kids continue playing baseball over the summers, joined by the Beast, now known by his real name of Hercules, as the team's mascot.
The kids eventually grow up. Yeah-Yeah is shipped off to military school, Bertram gets really into the 60's and is never seen again, Timmy and Tommy become an architect and a contractor, Squints marries Wendy the lifeguard, has 9 kids with her and becomes the owner of the town's drugstore, Ham becomes a professional wrestler known as "The Great Hambino", Kenny goes on to play Triple-A (baseball) but doesn't make it to the major leagues and Benny is revealed to have become a star MLB player (earning the nickname "The Jet"), while Smalls has become a sports announcer. The movie ends with Benny running fast, stealing home plate and winning the pennant for the Los Angeles Dodgers. The crowd cheers. Benny looks up at Smalls in the announcer box and gives him the thumbs up and Smalls gives Kenny the thumbs up, too. Smalls smiles and looks at the photo on the wall of him and the gang standing in the Sandlot together. | The Beast |
Who owns the junkyard? | movie | In the San Fernando Valley during the summer of 1962, protagonist Scott "Scotty" Smalls moves to a new town with his mother and stepfather Bill and attempts to join a neighborhood baseball team who plays in a local sandlot. With the help of team captain Benjamin Franklin Rodriguez, known as Benny by the others, Smalls becomes a proficient player. Smalls joins his new friends, Benny Rodriguez, Hamilton 'Ham' Porter, Michael 'Squints' Palledorous, Alan 'Yeah-Yeah' McClennon, Bertram Grover Weeks, Kenny DeNunez, Timmy Timmons and Tommy 'Repeat' Timmons on their many misadventures including being banned from the pool, besting a snooty long-time rival team, and getting sick on one of the rides at an amusement park.
He then learns that many of the team's baseballs have ended up in Mr. Mertle's junkyard over the sandlot's back fence, which is protected by a giant dog known as "The Beast", who had allegedly eaten a kid foolish enough to enter it. One day, when Benny hits the hide off of the team's last ball, Smalls substitutes one from his stepfather's prized collection. When this ball is also lost over the fence, Smalls reveals that the ball is special. To the team's horror, they learn the ball has Babe Ruth's autograph, making it valuable--something Smalls didn't know when he took it. The team constructs a progressively complex series of machines to recover it remotely, but each attempt ends in failure and the ball itself grows increasingly damaged due to attention from the Beast.
While Smalls prepares to face certain discipline from his stepfather for the loss of the signed baseball, Benny has a dream where Babe Ruth encourages him to follow his heart. Inspired by his idol, Benny climbs the fence the next day, resolving to retrieve the ball himself, but he is confronted by the Beast, a large English Mastiff. After recovering the ball, he leads the Beast on a lengthy chase around the neighborhood, which ends with the sandlot fence's collapse, which pins the dog. Overcoming their fear of the dog, Smalls and Benny free the Beast and return the dog to its owner, Mr. Mertle, who reveals that he wasn't the kind of person the team thought he was. Understanding Smalls' predicament with the now-damaged ball, Mr. Mertle reveals himself as a retired Negro League baseball player who knew Babe Ruth personally, and offers him another baseball signed by the entire 1927 Yankees team, including Ruth. Smalls presents the baseball signed by the Murderers' Row to his stepfather, who is impressed by the replacement but still angry that he stole the first ball. Smalls doesn't feel too bad when Bill only grounds him for a week, instead of the rest of his life, and things work out between the two.
The sandlot kids continue playing baseball over the summers, joined by the Beast, now known by his real name of Hercules, as the team's mascot.
The kids eventually grow up. Yeah-Yeah is shipped off to military school, Bertram gets really into the 60's and is never seen again, Timmy and Tommy become an architect and a contractor, Squints marries Wendy the lifeguard, has 9 kids with her and becomes the owner of the town's drugstore, Ham becomes a professional wrestler known as "The Great Hambino", Kenny goes on to play Triple-A (baseball) but doesn't make it to the major leagues and Benny is revealed to have become a star MLB player (earning the nickname "The Jet"), while Smalls has become a sports announcer. The movie ends with Benny running fast, stealing home plate and winning the pennant for the Los Angeles Dodgers. The crowd cheers. Benny looks up at Smalls in the announcer box and gives him the thumbs up and Smalls gives Kenny the thumbs up, too. Smalls smiles and looks at the photo on the wall of him and the gang standing in the Sandlot together. | Mr. Mertle |
Who is the protagonist of the story? | movie | In the San Fernando Valley during the summer of 1962, protagonist Scott "Scotty" Smalls moves to a new town with his mother and stepfather Bill and attempts to join a neighborhood baseball team who plays in a local sandlot. With the help of team captain Benjamin Franklin Rodriguez, known as Benny by the others, Smalls becomes a proficient player. Smalls joins his new friends, Benny Rodriguez, Hamilton 'Ham' Porter, Michael 'Squints' Palledorous, Alan 'Yeah-Yeah' McClennon, Bertram Grover Weeks, Kenny DeNunez, Timmy Timmons and Tommy 'Repeat' Timmons on their many misadventures including being banned from the pool, besting a snooty long-time rival team, and getting sick on one of the rides at an amusement park.
He then learns that many of the team's baseballs have ended up in Mr. Mertle's junkyard over the sandlot's back fence, which is protected by a giant dog known as "The Beast", who had allegedly eaten a kid foolish enough to enter it. One day, when Benny hits the hide off of the team's last ball, Smalls substitutes one from his stepfather's prized collection. When this ball is also lost over the fence, Smalls reveals that the ball is special. To the team's horror, they learn the ball has Babe Ruth's autograph, making it valuable--something Smalls didn't know when he took it. The team constructs a progressively complex series of machines to recover it remotely, but each attempt ends in failure and the ball itself grows increasingly damaged due to attention from the Beast.
While Smalls prepares to face certain discipline from his stepfather for the loss of the signed baseball, Benny has a dream where Babe Ruth encourages him to follow his heart. Inspired by his idol, Benny climbs the fence the next day, resolving to retrieve the ball himself, but he is confronted by the Beast, a large English Mastiff. After recovering the ball, he leads the Beast on a lengthy chase around the neighborhood, which ends with the sandlot fence's collapse, which pins the dog. Overcoming their fear of the dog, Smalls and Benny free the Beast and return the dog to its owner, Mr. Mertle, who reveals that he wasn't the kind of person the team thought he was. Understanding Smalls' predicament with the now-damaged ball, Mr. Mertle reveals himself as a retired Negro League baseball player who knew Babe Ruth personally, and offers him another baseball signed by the entire 1927 Yankees team, including Ruth. Smalls presents the baseball signed by the Murderers' Row to his stepfather, who is impressed by the replacement but still angry that he stole the first ball. Smalls doesn't feel too bad when Bill only grounds him for a week, instead of the rest of his life, and things work out between the two.
The sandlot kids continue playing baseball over the summers, joined by the Beast, now known by his real name of Hercules, as the team's mascot.
The kids eventually grow up. Yeah-Yeah is shipped off to military school, Bertram gets really into the 60's and is never seen again, Timmy and Tommy become an architect and a contractor, Squints marries Wendy the lifeguard, has 9 kids with her and becomes the owner of the town's drugstore, Ham becomes a professional wrestler known as "The Great Hambino", Kenny goes on to play Triple-A (baseball) but doesn't make it to the major leagues and Benny is revealed to have become a star MLB player (earning the nickname "The Jet"), while Smalls has become a sports announcer. The movie ends with Benny running fast, stealing home plate and winning the pennant for the Los Angeles Dodgers. The crowd cheers. Benny looks up at Smalls in the announcer box and gives him the thumbs up and Smalls gives Kenny the thumbs up, too. Smalls smiles and looks at the photo on the wall of him and the gang standing in the Sandlot together. | Scott Smalls |
At the end of the story, where does Yeah-Yeah go? | movie | In the San Fernando Valley during the summer of 1962, protagonist Scott "Scotty" Smalls moves to a new town with his mother and stepfather Bill and attempts to join a neighborhood baseball team who plays in a local sandlot. With the help of team captain Benjamin Franklin Rodriguez, known as Benny by the others, Smalls becomes a proficient player. Smalls joins his new friends, Benny Rodriguez, Hamilton 'Ham' Porter, Michael 'Squints' Palledorous, Alan 'Yeah-Yeah' McClennon, Bertram Grover Weeks, Kenny DeNunez, Timmy Timmons and Tommy 'Repeat' Timmons on their many misadventures including being banned from the pool, besting a snooty long-time rival team, and getting sick on one of the rides at an amusement park.
He then learns that many of the team's baseballs have ended up in Mr. Mertle's junkyard over the sandlot's back fence, which is protected by a giant dog known as "The Beast", who had allegedly eaten a kid foolish enough to enter it. One day, when Benny hits the hide off of the team's last ball, Smalls substitutes one from his stepfather's prized collection. When this ball is also lost over the fence, Smalls reveals that the ball is special. To the team's horror, they learn the ball has Babe Ruth's autograph, making it valuable--something Smalls didn't know when he took it. The team constructs a progressively complex series of machines to recover it remotely, but each attempt ends in failure and the ball itself grows increasingly damaged due to attention from the Beast.
While Smalls prepares to face certain discipline from his stepfather for the loss of the signed baseball, Benny has a dream where Babe Ruth encourages him to follow his heart. Inspired by his idol, Benny climbs the fence the next day, resolving to retrieve the ball himself, but he is confronted by the Beast, a large English Mastiff. After recovering the ball, he leads the Beast on a lengthy chase around the neighborhood, which ends with the sandlot fence's collapse, which pins the dog. Overcoming their fear of the dog, Smalls and Benny free the Beast and return the dog to its owner, Mr. Mertle, who reveals that he wasn't the kind of person the team thought he was. Understanding Smalls' predicament with the now-damaged ball, Mr. Mertle reveals himself as a retired Negro League baseball player who knew Babe Ruth personally, and offers him another baseball signed by the entire 1927 Yankees team, including Ruth. Smalls presents the baseball signed by the Murderers' Row to his stepfather, who is impressed by the replacement but still angry that he stole the first ball. Smalls doesn't feel too bad when Bill only grounds him for a week, instead of the rest of his life, and things work out between the two.
The sandlot kids continue playing baseball over the summers, joined by the Beast, now known by his real name of Hercules, as the team's mascot.
The kids eventually grow up. Yeah-Yeah is shipped off to military school, Bertram gets really into the 60's and is never seen again, Timmy and Tommy become an architect and a contractor, Squints marries Wendy the lifeguard, has 9 kids with her and becomes the owner of the town's drugstore, Ham becomes a professional wrestler known as "The Great Hambino", Kenny goes on to play Triple-A (baseball) but doesn't make it to the major leagues and Benny is revealed to have become a star MLB player (earning the nickname "The Jet"), while Smalls has become a sports announcer. The movie ends with Benny running fast, stealing home plate and winning the pennant for the Los Angeles Dodgers. The crowd cheers. Benny looks up at Smalls in the announcer box and gives him the thumbs up and Smalls gives Kenny the thumbs up, too. Smalls smiles and looks at the photo on the wall of him and the gang standing in the Sandlot together. | Miliary School |
Who becomes a professional baseball player? | movie | In the San Fernando Valley during the summer of 1962, protagonist Scott "Scotty" Smalls moves to a new town with his mother and stepfather Bill and attempts to join a neighborhood baseball team who plays in a local sandlot. With the help of team captain Benjamin Franklin Rodriguez, known as Benny by the others, Smalls becomes a proficient player. Smalls joins his new friends, Benny Rodriguez, Hamilton 'Ham' Porter, Michael 'Squints' Palledorous, Alan 'Yeah-Yeah' McClennon, Bertram Grover Weeks, Kenny DeNunez, Timmy Timmons and Tommy 'Repeat' Timmons on their many misadventures including being banned from the pool, besting a snooty long-time rival team, and getting sick on one of the rides at an amusement park.
He then learns that many of the team's baseballs have ended up in Mr. Mertle's junkyard over the sandlot's back fence, which is protected by a giant dog known as "The Beast", who had allegedly eaten a kid foolish enough to enter it. One day, when Benny hits the hide off of the team's last ball, Smalls substitutes one from his stepfather's prized collection. When this ball is also lost over the fence, Smalls reveals that the ball is special. To the team's horror, they learn the ball has Babe Ruth's autograph, making it valuable--something Smalls didn't know when he took it. The team constructs a progressively complex series of machines to recover it remotely, but each attempt ends in failure and the ball itself grows increasingly damaged due to attention from the Beast.
While Smalls prepares to face certain discipline from his stepfather for the loss of the signed baseball, Benny has a dream where Babe Ruth encourages him to follow his heart. Inspired by his idol, Benny climbs the fence the next day, resolving to retrieve the ball himself, but he is confronted by the Beast, a large English Mastiff. After recovering the ball, he leads the Beast on a lengthy chase around the neighborhood, which ends with the sandlot fence's collapse, which pins the dog. Overcoming their fear of the dog, Smalls and Benny free the Beast and return the dog to its owner, Mr. Mertle, who reveals that he wasn't the kind of person the team thought he was. Understanding Smalls' predicament with the now-damaged ball, Mr. Mertle reveals himself as a retired Negro League baseball player who knew Babe Ruth personally, and offers him another baseball signed by the entire 1927 Yankees team, including Ruth. Smalls presents the baseball signed by the Murderers' Row to his stepfather, who is impressed by the replacement but still angry that he stole the first ball. Smalls doesn't feel too bad when Bill only grounds him for a week, instead of the rest of his life, and things work out between the two.
The sandlot kids continue playing baseball over the summers, joined by the Beast, now known by his real name of Hercules, as the team's mascot.
The kids eventually grow up. Yeah-Yeah is shipped off to military school, Bertram gets really into the 60's and is never seen again, Timmy and Tommy become an architect and a contractor, Squints marries Wendy the lifeguard, has 9 kids with her and becomes the owner of the town's drugstore, Ham becomes a professional wrestler known as "The Great Hambino", Kenny goes on to play Triple-A (baseball) but doesn't make it to the major leagues and Benny is revealed to have become a star MLB player (earning the nickname "The Jet"), while Smalls has become a sports announcer. The movie ends with Benny running fast, stealing home plate and winning the pennant for the Los Angeles Dodgers. The crowd cheers. Benny looks up at Smalls in the announcer box and gives him the thumbs up and Smalls gives Kenny the thumbs up, too. Smalls smiles and looks at the photo on the wall of him and the gang standing in the Sandlot together. | Benny |
Whose name was autographed onto the special ball lost over the fence? | movie | In the San Fernando Valley during the summer of 1962, protagonist Scott "Scotty" Smalls moves to a new town with his mother and stepfather Bill and attempts to join a neighborhood baseball team who plays in a local sandlot. With the help of team captain Benjamin Franklin Rodriguez, known as Benny by the others, Smalls becomes a proficient player. Smalls joins his new friends, Benny Rodriguez, Hamilton 'Ham' Porter, Michael 'Squints' Palledorous, Alan 'Yeah-Yeah' McClennon, Bertram Grover Weeks, Kenny DeNunez, Timmy Timmons and Tommy 'Repeat' Timmons on their many misadventures including being banned from the pool, besting a snooty long-time rival team, and getting sick on one of the rides at an amusement park.
He then learns that many of the team's baseballs have ended up in Mr. Mertle's junkyard over the sandlot's back fence, which is protected by a giant dog known as "The Beast", who had allegedly eaten a kid foolish enough to enter it. One day, when Benny hits the hide off of the team's last ball, Smalls substitutes one from his stepfather's prized collection. When this ball is also lost over the fence, Smalls reveals that the ball is special. To the team's horror, they learn the ball has Babe Ruth's autograph, making it valuable--something Smalls didn't know when he took it. The team constructs a progressively complex series of machines to recover it remotely, but each attempt ends in failure and the ball itself grows increasingly damaged due to attention from the Beast.
While Smalls prepares to face certain discipline from his stepfather for the loss of the signed baseball, Benny has a dream where Babe Ruth encourages him to follow his heart. Inspired by his idol, Benny climbs the fence the next day, resolving to retrieve the ball himself, but he is confronted by the Beast, a large English Mastiff. After recovering the ball, he leads the Beast on a lengthy chase around the neighborhood, which ends with the sandlot fence's collapse, which pins the dog. Overcoming their fear of the dog, Smalls and Benny free the Beast and return the dog to its owner, Mr. Mertle, who reveals that he wasn't the kind of person the team thought he was. Understanding Smalls' predicament with the now-damaged ball, Mr. Mertle reveals himself as a retired Negro League baseball player who knew Babe Ruth personally, and offers him another baseball signed by the entire 1927 Yankees team, including Ruth. Smalls presents the baseball signed by the Murderers' Row to his stepfather, who is impressed by the replacement but still angry that he stole the first ball. Smalls doesn't feel too bad when Bill only grounds him for a week, instead of the rest of his life, and things work out between the two.
The sandlot kids continue playing baseball over the summers, joined by the Beast, now known by his real name of Hercules, as the team's mascot.
The kids eventually grow up. Yeah-Yeah is shipped off to military school, Bertram gets really into the 60's and is never seen again, Timmy and Tommy become an architect and a contractor, Squints marries Wendy the lifeguard, has 9 kids with her and becomes the owner of the town's drugstore, Ham becomes a professional wrestler known as "The Great Hambino", Kenny goes on to play Triple-A (baseball) but doesn't make it to the major leagues and Benny is revealed to have become a star MLB player (earning the nickname "The Jet"), while Smalls has become a sports announcer. The movie ends with Benny running fast, stealing home plate and winning the pennant for the Los Angeles Dodgers. The crowd cheers. Benny looks up at Smalls in the announcer box and gives him the thumbs up and Smalls gives Kenny the thumbs up, too. Smalls smiles and looks at the photo on the wall of him and the gang standing in the Sandlot together. | Babe Ruth |
What is Smalls' punnishment for losing the ball? | movie | In the San Fernando Valley during the summer of 1962, protagonist Scott "Scotty" Smalls moves to a new town with his mother and stepfather Bill and attempts to join a neighborhood baseball team who plays in a local sandlot. With the help of team captain Benjamin Franklin Rodriguez, known as Benny by the others, Smalls becomes a proficient player. Smalls joins his new friends, Benny Rodriguez, Hamilton 'Ham' Porter, Michael 'Squints' Palledorous, Alan 'Yeah-Yeah' McClennon, Bertram Grover Weeks, Kenny DeNunez, Timmy Timmons and Tommy 'Repeat' Timmons on their many misadventures including being banned from the pool, besting a snooty long-time rival team, and getting sick on one of the rides at an amusement park.
He then learns that many of the team's baseballs have ended up in Mr. Mertle's junkyard over the sandlot's back fence, which is protected by a giant dog known as "The Beast", who had allegedly eaten a kid foolish enough to enter it. One day, when Benny hits the hide off of the team's last ball, Smalls substitutes one from his stepfather's prized collection. When this ball is also lost over the fence, Smalls reveals that the ball is special. To the team's horror, they learn the ball has Babe Ruth's autograph, making it valuable--something Smalls didn't know when he took it. The team constructs a progressively complex series of machines to recover it remotely, but each attempt ends in failure and the ball itself grows increasingly damaged due to attention from the Beast.
While Smalls prepares to face certain discipline from his stepfather for the loss of the signed baseball, Benny has a dream where Babe Ruth encourages him to follow his heart. Inspired by his idol, Benny climbs the fence the next day, resolving to retrieve the ball himself, but he is confronted by the Beast, a large English Mastiff. After recovering the ball, he leads the Beast on a lengthy chase around the neighborhood, which ends with the sandlot fence's collapse, which pins the dog. Overcoming their fear of the dog, Smalls and Benny free the Beast and return the dog to its owner, Mr. Mertle, who reveals that he wasn't the kind of person the team thought he was. Understanding Smalls' predicament with the now-damaged ball, Mr. Mertle reveals himself as a retired Negro League baseball player who knew Babe Ruth personally, and offers him another baseball signed by the entire 1927 Yankees team, including Ruth. Smalls presents the baseball signed by the Murderers' Row to his stepfather, who is impressed by the replacement but still angry that he stole the first ball. Smalls doesn't feel too bad when Bill only grounds him for a week, instead of the rest of his life, and things work out between the two.
The sandlot kids continue playing baseball over the summers, joined by the Beast, now known by his real name of Hercules, as the team's mascot.
The kids eventually grow up. Yeah-Yeah is shipped off to military school, Bertram gets really into the 60's and is never seen again, Timmy and Tommy become an architect and a contractor, Squints marries Wendy the lifeguard, has 9 kids with her and becomes the owner of the town's drugstore, Ham becomes a professional wrestler known as "The Great Hambino", Kenny goes on to play Triple-A (baseball) but doesn't make it to the major leagues and Benny is revealed to have become a star MLB player (earning the nickname "The Jet"), while Smalls has become a sports announcer. The movie ends with Benny running fast, stealing home plate and winning the pennant for the Los Angeles Dodgers. The crowd cheers. Benny looks up at Smalls in the announcer box and gives him the thumbs up and Smalls gives Kenny the thumbs up, too. Smalls smiles and looks at the photo on the wall of him and the gang standing in the Sandlot together. | He is grounded for a week. |
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