Add benchmark/MIT_Mystery_Hunt [commit 308/329, files through 30266/32277]
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- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998mm_MIT_Mystery_Hunt_1998_Final_Runaround/19.234_Music_Appreciation.html +81 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998mm_MIT_Mystery_Hunt_1998_Final_Runaround/19.667_Grid_Puzzles_and_Their_Variations.html +76 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998mm_MIT_Mystery_Hunt_1998_Final_Runaround/19.678_Junior_Project.html +62 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r1p01_MIT_Mystery_Hunt_1998_24.68_Following_Directions/24.68_Following_Directions_Solution.html +55 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r1p01_MIT_Mystery_Hunt_1998_24.68_Following_Directions/_solution_assets/24.68_Following_Directions_Solution.html +55 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r1p01_MIT_Mystery_Hunt_1998_24.68_Following_Directions/solution.html +55 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3m_MIT_Mystery_Hunt_1998_Junior_Year_Requirements/19.234_Music_Appreciation.html +81 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3m_MIT_Mystery_Hunt_1998_Junior_Year_Requirements/19.678_Junior_Project.html +62 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3m_MIT_Mystery_Hunt_1998_Junior_Year_Requirements/_solution_assets/19.234_Music_Appreciation.html +81 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3m_MIT_Mystery_Hunt_1998_Junior_Year_Requirements/_solution_assets/19.678_Junior_Project.html +62 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p07_MIT_Mystery_Hunt_1998_19.678_Junior_Project/19.678_Junior_Project.html +62 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p08_MIT_Mystery_Hunt_1998_19.567_Thesis_Preparation/_solution_assets/19.567_Thesis_Preparation_Solution.html +52 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p08_MIT_Mystery_Hunt_1998_19.567_Thesis_Preparation/solution.html +52 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p10_MIT_Mystery_Hunt_1998_24.917_Faux-netics/24.917_Faux-netics_Solution.html +59 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p10_MIT_Mystery_Hunt_1998_24.917_Faux-netics/_solution_assets/24.917_Faux-netics_Solution.html +59 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p10_MIT_Mystery_Hunt_1998_24.917_Faux-netics/solution.html +59 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p16_MIT_Mystery_Hunt_1998_24.845_Circular_Saws/24.845_Circular_Saws_Solution.html +72 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p16_MIT_Mystery_Hunt_1998_24.845_Circular_Saws/_solution_assets/24.845_Circular_Saws_Solution.html +72 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p16_MIT_Mystery_Hunt_1998_24.845_Circular_Saws/solution.html +72 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r4m_MIT_Mystery_Hunt_1998_Senior_Metapuzzle/19.667_Grid_Puzzles_and_Their_Variations.html +76 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r4p10_MIT_Mystery_Hunt_1998_19.667_Grid_Puzzles_and_Their_Variations/19.667_Grid_Puzzles_and_Their_Variations_Solution.html +67 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r4p10_MIT_Mystery_Hunt_1998_19.667_Grid_Puzzles_and_Their_Variations/_solution_assets/19.667_Grid_Puzzles_and_Their_Variations_Solution.html +67 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r4p10_MIT_Mystery_Hunt_1998_19.667_Grid_Puzzles_and_Their_Variations/solution.html +67 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999dossiers_MIT_Mystery_Hunt_1999_Dossiers_Meta/hints.html +76 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r108_MIT_Mystery_Hunt_1999_Phnom_Penh/_solution_assets/solution.html +46 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r108_MIT_Mystery_Hunt_1999_Phnom_Penh/solution.html +46 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r2w2_MIT_Mystery_Hunt_1999_Warrant_2.2/_solution_assets/solution.html +81 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r2w2_MIT_Mystery_Hunt_1999_Warrant_2.2/solution.html +81 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r405_MIT_Mystery_Hunt_1999_Helsinki/helsinki.html +160 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r410_MIT_Mystery_Hunt_1999_Perth/_solution_assets/solution.html +49 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r410_MIT_Mystery_Hunt_1999_Perth/solution.html +49 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r4w4_MIT_Mystery_Hunt_1999_Warrant_4.4/_solution_assets/solution.html +39 -0
- benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r4w4_MIT_Mystery_Hunt_1999_Warrant_4.4/solution.html +39 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2003/mit2003facility4364_MIT_Mystery_Hunt_2003_Ballroom/all-r.html +44 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2004/mit2004r_MIT_Mystery_Hunt_2004_Final_Runaround/neotokyo +74 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2004/mit2004r_MIT_Mystery_Hunt_2004_Final_Runaround/yukon +74 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2011/mit2011w2blackberryman5_MIT_Mystery_Hunt_2011_The_Least_You_Could_Do_Is_Phone_Me/answer +37 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2013/mit201306_MIT_Mystery_Hunt_2013_Open_Secrets/grid.png +3 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2013/mit201306_MIT_Mystery_Hunt_2013_Open_Secrets/index.html +108 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013107_MIT_Mystery_Hunt_2013_Random_Walk/4.png +3 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013231_MIT_Mystery_Hunt_2013_Cambridge_Waldo/CW05.jpg +3 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013231_MIT_Mystery_Hunt_2013_Cambridge_Waldo/CW09.jpg +3 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013231_MIT_Mystery_Hunt_2013_Cambridge_Waldo/CW22.jpg +3 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013231_MIT_Mystery_Hunt_2013_Cambridge_Waldo/CW24.jpg +3 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013283_MIT_Mystery_Hunt_2013_Lost_in_Translation/7-1.png +3 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013311_MIT_Mystery_Hunt_2013_Travels_with_Charlie/86.jpg +3 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2014/mit2014r1c4_MIT_Mystery_Hunt_2014_Black_and_White/index.html +75 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2014/mit2014r1c9_MIT_Mystery_Hunt_2014_Local_Shorts/index.html +93 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2014/mit2014r1d10_MIT_Mystery_Hunt_2014_Down_the_Rabbit_Hole_2_Super_Magic_Samurai_Ro/img42.jpg +3 -0
- benchmark/MIT_Mystery_Hunt/puzzles/2014/mit2014r1s8_MIT_Mystery_Hunt_2014_Ring_Around_the_Music/index.html +82 -0
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998mm_MIT_Mystery_Hunt_1998_Final_Runaround/19.234_Music_Appreciation.html
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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<html>
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<head>
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<meta http-equiv="content-type" content="text/html; charset=UTF-8">
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<title>19.234 Music Appreciation</title>
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</head>
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<body>
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<h1>19.234 Music Appreciation</h1>
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<p>(<a moz-do-not-send="true"
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href="19.234%20Music%20Appreciation%20Solution.html">See
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solution</a>)<br>
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</p>
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<p>All for a cuddle and a peck on the cheek.<br>
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</p>
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<p>And pal around with democratic fellows named "Mac"<br>
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So, take me right back to the track, Jack!<br>
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</p>
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<p>I bet my money on the bobtail nag<br>
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Somebody bet on the bay.<br>
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</p>
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<p>A dream that will last<br>
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For the love you can give<br>
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Every day of your life<br>
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For as long as you live.<br>
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</p>
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<p>Go up to the mountains, <i>or</i> down to the seas.<br>
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You should always say "thank you" <i>or</i> at least say
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"please."<br>
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</p>
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<p>That vampire bat!<br>
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That inhuman beast!<br>
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She ought to be locked up<br>
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And never released!<br>
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</p>
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<p>Stop wastin' my time,<br>
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You know what I want.<br>
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You know what I need,<br>
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Or maybe you don't.<br>
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Do I have to come right flat out and tell you everything?<br>
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</p>
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<p>Sometimes I park in handicapped spaces,<br>
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While handicapped people make handicapped faces.<br>
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</p>
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<p>Take the back seat, hitchhike,<br>
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Take a long ride on my motorbike.<br>
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</p>
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<p>And I've been plowin' and milkin' so long<br>
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That even Ezekiel thinks that my mind is gone.<br>
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</p>
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<p>And away he'll schlep on his elephant Shep<br>
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While Fella and Ursula stay in step...<br>
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</p>
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<p>After killing Jason off and countless screaming Argonauts.<br>
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</p>
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<p>I said "Do you speak-a my language?"<br>
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He just smiled and gave me a Vegemite sandwich.<br>
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</p>
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<p>It's a turnaround jump shot<br>
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It's everybody's jump start,<br>
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And every generation puts a hero on the pop charts.<br>
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</p>
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<p>There's great films on TV.<br>
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"The Sound of Music" twice an hour<br>
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And Jaws I, II, and III.<br>
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</p>
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<p>Holding hands while the walls come tumbling down.<br>
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</p>
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<p>We came in spastic<br>
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Like tameless horses<br>
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| 71 |
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We left in plastic<br>
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| 72 |
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As numbered corpses<br>
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</p>
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<p>You came in to wash your feet,<br>
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| 75 |
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She was eating a pile of meat,<br>
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And that, as they say, was that.<br>
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</p>
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<p>Oh, Daddy dear, you know you're still number one.<br>
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</p>
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| 80 |
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</body>
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| 81 |
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</html>
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benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998mm_MIT_Mystery_Hunt_1998_Final_Runaround/19.667_Grid_Puzzles_and_Their_Variations.html
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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<html>
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<head>
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<meta http-equiv="content-type" content="text/html; charset=UTF-8">
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<title>19.667 Grid Puzzles and Their Variations</title>
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</head>
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<body>
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<h1>19.667 — Grid Puzzles and Their Variations</h1>
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<p><i>Prof. Deborah A. Levinson</i> (<a moz-do-not-send="true"
|
| 11 |
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href="19.667%20Grid%20Puzzles%20and%20Their%20Variations%20Solution.html">See
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solution</a>)<br>
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| 13 |
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</p>
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<p>The numbers below refer to the appropriate grid row. The answers
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- whatever they might be - are not necessarily entered in their
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rows in the order given.<br>
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</p>
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<table width="100%" cellspacing="2" cellpadding="2" border="0">
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<tbody>
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<tr>
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<td valign="top">1. In one ear and out the other. e.g.<br>
|
| 22 |
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At a premium<br>
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| 23 |
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Wrap material<br>
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| 24 |
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<br>
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| 25 |
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2. Barbera expression?<br>
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| 26 |
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Bitter<br>
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| 27 |
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Ticketed<br>
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| 28 |
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<br>
|
| 29 |
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3. Hamlisch hit<br>
|
| 30 |
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White Lily is one<br>
|
| 31 |
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Company?<br>
|
| 32 |
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<br>
|
| 33 |
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4. F, for example<br>
|
| 34 |
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Cover, in a way<br>
|
| 35 |
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Helpful device<br>
|
| 36 |
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<br>
|
| 37 |
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5. They were "enough"<br>
|
| 38 |
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Generation appellation<br>
|
| 39 |
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Dennis' dog<br>
|
| 40 |
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<br>
|
| 41 |
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6. Numskull<br>
|
| 42 |
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Secondary<br>
|
| 43 |
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<br>
|
| 44 |
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7. Vichysoisse requirement<br>
|
| 45 |
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Domination term?<br>
|
| 46 |
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Changes direction<br>
|
| 47 |
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<br>
|
| 48 |
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8. Study<br>
|
| 49 |
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Dichotomize<br>
|
| 50 |
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Zilch<br>
|
| 51 |
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<br>
|
| 52 |
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9. Ventilation system component<br>
|
| 53 |
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Pinched<br>
|
| 54 |
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Cherry, for one<br>
|
| 55 |
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<br>
|
| 56 |
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10. Solitary<br>
|
| 57 |
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Like Emerson's bridge<br>
|
| 58 |
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Field role<br>
|
| 59 |
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</td>
|
| 60 |
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<td valign="top"><img moz-do-not-send="true"
|
| 61 |
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src="grid_puzzles.png" alt="12 x 10 grid with some shaded
|
| 62 |
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squares" width="466" height="384"><br>
|
| 63 |
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<br>
|
| 64 |
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<font size="-1" color="#ff0000">This puzzle had an erratum:<br>
|
| 65 |
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Each of the following 12 three-letter words appears in a
|
| 66 |
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different column<br>
|
| 67 |
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of the correctly filled in grid: ABS ATE DWI EFF HAN ILL
|
| 68 |
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NEE ODE RAE REO UAW WET</font><br>
|
| 69 |
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</td>
|
| 70 |
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</tr>
|
| 71 |
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</tbody>
|
| 72 |
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</table>
|
| 73 |
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<p><br>
|
| 74 |
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</p>
|
| 75 |
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</body>
|
| 76 |
+
</html>
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benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998mm_MIT_Mystery_Hunt_1998_Final_Runaround/19.678_Junior_Project.html
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|
| 1 |
+
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 5 |
+
<title>19.678 Junior Project</title>
|
| 6 |
+
</head>
|
| 7 |
+
<body>
|
| 8 |
+
<h1>19.678 — Junior Project</h1>
|
| 9 |
+
<p>(<a moz-do-not-send="true"
|
| 10 |
+
href="19.678%20Junior%20Project%20Solution.html">See solution</a>)<br>
|
| 11 |
+
</p>
|
| 12 |
+
<p><font size="+2"><tt>Although our freshman and sophomore years
|
| 13 |
+
involved a number of<br>
|
| 14 |
+
new-fangled puzzles, we decided to shift our attention towards
|
| 15 |
+
more<br>
|
| 16 |
+
classical problems for our Junior Project. Below is a simple
|
| 17 |
+
set of<br>
|
| 18 |
+
clues for fairly short words: they are listed together in
|
| 19 |
+
eight pairs.<br>
|
| 20 |
+
A pretty straight-forward warm-up exercise, if you ask us, but
|
| 21 |
+
our<br>
|
| 22 |
+
professors considered it perfect for our Junior Project.</tt></font><br>
|
| 23 |
+
</p>
|
| 24 |
+
<p><font size="+2"><tt>Moxy Fruvous's second album: _ _ _ _<br>
|
| 25 |
+
Be introduced
|
| 26 |
+
to:
|
| 27 |
+
|
| 28 |
+
_ _ _ _<br>
|
| 29 |
+
</tt></font></p>
|
| 30 |
+
<p><font size="+2"><tt>DeVito or Schwarzenegger: _ _ _ _<br>
|
| 31 |
+
Shirk
|
| 32 |
+
work:
|
| 33 |
+
|
| 34 |
+
_ _ _ _<br>
|
| 35 |
+
</tt></font></p>
|
| 36 |
+
<p><font size="+2"><tt>Sum kind of snake?: _
|
| 37 |
+
_ _ _ _<br>
|
| 38 |
+
Complaints at Wendy's? _ _ _ _ _<br>
|
| 39 |
+
</tt></font></p>
|
| 40 |
+
<p><font size="+2"><tt>Deliver a stoning: _ _ _ _<br>
|
| 41 |
+
Third place: _ _ _ _<br>
|
| 42 |
+
</tt></font></p>
|
| 43 |
+
<p><font size="+2"><tt>Old West deputies: _ _ _ _ _<br>
|
| 44 |
+
Open with a crowbar: _ _ _ _ _<br>
|
| 45 |
+
</tt></font></p>
|
| 46 |
+
<p><font size="+2"><tt>Hypnotist's
|
| 47 |
+
command: _ _ _ _ _<br>
|
| 48 |
+
Member of Hef's entourage: _ _ _ _ _<br>
|
| 49 |
+
</tt></font></p>
|
| 50 |
+
<p><font size="+2"><tt>When you get one of
|
| 51 |
+
these...:
|
| 52 |
+
|
| 53 |
+
_ _ _ _<br>
|
| 54 |
+
...you might get one of these in your throat: _ _ _ _<br>
|
| 55 |
+
</tt></font></p>
|
| 56 |
+
<p><font size="+2"><tt>Like
|
| 57 |
+
seltzer: _ _ _
|
| 58 |
+
_ _<br>
|
| 59 |
+
Having bendable legs: _ _ _ _ _<br>
|
| 60 |
+
</tt></font></p>
|
| 61 |
+
</body>
|
| 62 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r1p01_MIT_Mystery_Hunt_1998_24.68_Following_Directions/24.68_Following_Directions_Solution.html
ADDED
|
@@ -0,0 +1,55 @@
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
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|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>24.68 Following Directions Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>24.68 Following Directions Solution</h1>
|
| 10 |
+
<p>Following the rules for when to carry out instructions given at
|
| 11 |
+
the start of the puzzle:<br>
|
| 12 |
+
</p>
|
| 13 |
+
<ol start="0">
|
| 14 |
+
<li>Lydia gave an even-numbered instruction, so we write CHANGE OF
|
| 15 |
+
PACE.</li>
|
| 16 |
+
<li>Rich gave an instruction after one we performed, so ignore it.</li>
|
| 17 |
+
<li>Rich gave an instruction after one we ignored, so do this to
|
| 18 |
+
get CANGE OF PHACE.</li>
|
| 19 |
+
<li>Andrew gave an instruction after one we performed, so follow
|
| 20 |
+
it. CANUGE OF PHACE.</li>
|
| 21 |
+
<li>Rich gave an instruction after one we performed, so ignore it.</li>
|
| 22 |
+
<li>Beth gave an odd-numbered instruction, so we do it. CANUGE OFF
|
| 23 |
+
PHACE.</li>
|
| 24 |
+
<li>Andrew gave an instruction after one we did, so do it as well.
|
| 25 |
+
CALUGE OFF PHACE.</li>
|
| 26 |
+
<li>Lydia gave an odd-numbered instruction, so we ignore it.</li>
|
| 27 |
+
<li>Lydia gave an even-numbered instruction, so we do it. CULAGE
|
| 28 |
+
OFF PHACE.</li>
|
| 29 |
+
<li>Andrew gave an instruction after one we did, so we do it too.
|
| 30 |
+
CUHAGE OFF PLACE.</li>
|
| 31 |
+
<li>Beth gave an even-numbered instruction, so we ignore it.</li>
|
| 32 |
+
<li>Andrew gave an instruction after one we ignored, so we ignore
|
| 33 |
+
it too.</li>
|
| 34 |
+
<li>Lydia gave an even-numbered instruction, so we do it. CUHAME
|
| 35 |
+
OFF PLACE.</li>
|
| 36 |
+
<li>Rich gave an instruction after one we performed, so we ignore
|
| 37 |
+
it.</li>
|
| 38 |
+
<li>Beth gave an even-numbered instruction, so we ignore it.</li>
|
| 39 |
+
<li>Beth gave an off-numbered instruction, so we do it. CUTAME OFF
|
| 40 |
+
PLACE.</li>
|
| 41 |
+
<li>Rich gave an instruction after one we performed, so we ignore
|
| 42 |
+
it.</li>
|
| 43 |
+
<li>Andrew gave an instruction after one we ignored, so we ignore
|
| 44 |
+
it too.</li>
|
| 45 |
+
<li>Beth gave an even-numbered instruction, so we ignore it.</li>
|
| 46 |
+
<li>Lydia gave an odd-numbered instruction, so we ignore it.</li>
|
| 47 |
+
<li>Rich gave an instruction after one we ignored, so we do it.
|
| 48 |
+
CUTME OFF PLACE.</li>
|
| 49 |
+
<li>Andrew gave an instruction after one we did, so we do it too.
|
| 50 |
+
CUTEM OFF PLACE.</li>
|
| 51 |
+
</ol>
|
| 52 |
+
<p>And the answer is CUT EM OFF PLACE.<br>
|
| 53 |
+
</p>
|
| 54 |
+
</body>
|
| 55 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r1p01_MIT_Mystery_Hunt_1998_24.68_Following_Directions/_solution_assets/24.68_Following_Directions_Solution.html
ADDED
|
@@ -0,0 +1,55 @@
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|
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|
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|
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|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>24.68 Following Directions Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>24.68 Following Directions Solution</h1>
|
| 10 |
+
<p>Following the rules for when to carry out instructions given at
|
| 11 |
+
the start of the puzzle:<br>
|
| 12 |
+
</p>
|
| 13 |
+
<ol start="0">
|
| 14 |
+
<li>Lydia gave an even-numbered instruction, so we write CHANGE OF
|
| 15 |
+
PACE.</li>
|
| 16 |
+
<li>Rich gave an instruction after one we performed, so ignore it.</li>
|
| 17 |
+
<li>Rich gave an instruction after one we ignored, so do this to
|
| 18 |
+
get CANGE OF PHACE.</li>
|
| 19 |
+
<li>Andrew gave an instruction after one we performed, so follow
|
| 20 |
+
it. CANUGE OF PHACE.</li>
|
| 21 |
+
<li>Rich gave an instruction after one we performed, so ignore it.</li>
|
| 22 |
+
<li>Beth gave an odd-numbered instruction, so we do it. CANUGE OFF
|
| 23 |
+
PHACE.</li>
|
| 24 |
+
<li>Andrew gave an instruction after one we did, so do it as well.
|
| 25 |
+
CALUGE OFF PHACE.</li>
|
| 26 |
+
<li>Lydia gave an odd-numbered instruction, so we ignore it.</li>
|
| 27 |
+
<li>Lydia gave an even-numbered instruction, so we do it. CULAGE
|
| 28 |
+
OFF PHACE.</li>
|
| 29 |
+
<li>Andrew gave an instruction after one we did, so we do it too.
|
| 30 |
+
CUHAGE OFF PLACE.</li>
|
| 31 |
+
<li>Beth gave an even-numbered instruction, so we ignore it.</li>
|
| 32 |
+
<li>Andrew gave an instruction after one we ignored, so we ignore
|
| 33 |
+
it too.</li>
|
| 34 |
+
<li>Lydia gave an even-numbered instruction, so we do it. CUHAME
|
| 35 |
+
OFF PLACE.</li>
|
| 36 |
+
<li>Rich gave an instruction after one we performed, so we ignore
|
| 37 |
+
it.</li>
|
| 38 |
+
<li>Beth gave an even-numbered instruction, so we ignore it.</li>
|
| 39 |
+
<li>Beth gave an off-numbered instruction, so we do it. CUTAME OFF
|
| 40 |
+
PLACE.</li>
|
| 41 |
+
<li>Rich gave an instruction after one we performed, so we ignore
|
| 42 |
+
it.</li>
|
| 43 |
+
<li>Andrew gave an instruction after one we ignored, so we ignore
|
| 44 |
+
it too.</li>
|
| 45 |
+
<li>Beth gave an even-numbered instruction, so we ignore it.</li>
|
| 46 |
+
<li>Lydia gave an odd-numbered instruction, so we ignore it.</li>
|
| 47 |
+
<li>Rich gave an instruction after one we ignored, so we do it.
|
| 48 |
+
CUTME OFF PLACE.</li>
|
| 49 |
+
<li>Andrew gave an instruction after one we did, so we do it too.
|
| 50 |
+
CUTEM OFF PLACE.</li>
|
| 51 |
+
</ol>
|
| 52 |
+
<p>And the answer is CUT EM OFF PLACE.<br>
|
| 53 |
+
</p>
|
| 54 |
+
</body>
|
| 55 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r1p01_MIT_Mystery_Hunt_1998_24.68_Following_Directions/solution.html
ADDED
|
@@ -0,0 +1,55 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>24.68 Following Directions Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>24.68 Following Directions Solution</h1>
|
| 10 |
+
<p>Following the rules for when to carry out instructions given at
|
| 11 |
+
the start of the puzzle:<br>
|
| 12 |
+
</p>
|
| 13 |
+
<ol start="0">
|
| 14 |
+
<li>Lydia gave an even-numbered instruction, so we write CHANGE OF
|
| 15 |
+
PACE.</li>
|
| 16 |
+
<li>Rich gave an instruction after one we performed, so ignore it.</li>
|
| 17 |
+
<li>Rich gave an instruction after one we ignored, so do this to
|
| 18 |
+
get CANGE OF PHACE.</li>
|
| 19 |
+
<li>Andrew gave an instruction after one we performed, so follow
|
| 20 |
+
it. CANUGE OF PHACE.</li>
|
| 21 |
+
<li>Rich gave an instruction after one we performed, so ignore it.</li>
|
| 22 |
+
<li>Beth gave an odd-numbered instruction, so we do it. CANUGE OFF
|
| 23 |
+
PHACE.</li>
|
| 24 |
+
<li>Andrew gave an instruction after one we did, so do it as well.
|
| 25 |
+
CALUGE OFF PHACE.</li>
|
| 26 |
+
<li>Lydia gave an odd-numbered instruction, so we ignore it.</li>
|
| 27 |
+
<li>Lydia gave an even-numbered instruction, so we do it. CULAGE
|
| 28 |
+
OFF PHACE.</li>
|
| 29 |
+
<li>Andrew gave an instruction after one we did, so we do it too.
|
| 30 |
+
CUHAGE OFF PLACE.</li>
|
| 31 |
+
<li>Beth gave an even-numbered instruction, so we ignore it.</li>
|
| 32 |
+
<li>Andrew gave an instruction after one we ignored, so we ignore
|
| 33 |
+
it too.</li>
|
| 34 |
+
<li>Lydia gave an even-numbered instruction, so we do it. CUHAME
|
| 35 |
+
OFF PLACE.</li>
|
| 36 |
+
<li>Rich gave an instruction after one we performed, so we ignore
|
| 37 |
+
it.</li>
|
| 38 |
+
<li>Beth gave an even-numbered instruction, so we ignore it.</li>
|
| 39 |
+
<li>Beth gave an off-numbered instruction, so we do it. CUTAME OFF
|
| 40 |
+
PLACE.</li>
|
| 41 |
+
<li>Rich gave an instruction after one we performed, so we ignore
|
| 42 |
+
it.</li>
|
| 43 |
+
<li>Andrew gave an instruction after one we ignored, so we ignore
|
| 44 |
+
it too.</li>
|
| 45 |
+
<li>Beth gave an even-numbered instruction, so we ignore it.</li>
|
| 46 |
+
<li>Lydia gave an odd-numbered instruction, so we ignore it.</li>
|
| 47 |
+
<li>Rich gave an instruction after one we ignored, so we do it.
|
| 48 |
+
CUTME OFF PLACE.</li>
|
| 49 |
+
<li>Andrew gave an instruction after one we did, so we do it too.
|
| 50 |
+
CUTEM OFF PLACE.</li>
|
| 51 |
+
</ol>
|
| 52 |
+
<p>And the answer is CUT EM OFF PLACE.<br>
|
| 53 |
+
</p>
|
| 54 |
+
</body>
|
| 55 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3m_MIT_Mystery_Hunt_1998_Junior_Year_Requirements/19.234_Music_Appreciation.html
ADDED
|
@@ -0,0 +1,81 @@
|
|
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|
|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>19.234 Music Appreciation</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>19.234 Music Appreciation</h1>
|
| 10 |
+
<p>(<a moz-do-not-send="true"
|
| 11 |
+
href="19.234%20Music%20Appreciation%20Solution.html">See
|
| 12 |
+
solution</a>)<br>
|
| 13 |
+
</p>
|
| 14 |
+
<p>All for a cuddle and a peck on the cheek.<br>
|
| 15 |
+
</p>
|
| 16 |
+
<p>And pal around with democratic fellows named "Mac"<br>
|
| 17 |
+
So, take me right back to the track, Jack!<br>
|
| 18 |
+
</p>
|
| 19 |
+
<p>I bet my money on the bobtail nag<br>
|
| 20 |
+
Somebody bet on the bay.<br>
|
| 21 |
+
</p>
|
| 22 |
+
<p>A dream that will last<br>
|
| 23 |
+
For the love you can give<br>
|
| 24 |
+
Every day of your life<br>
|
| 25 |
+
For as long as you live.<br>
|
| 26 |
+
</p>
|
| 27 |
+
<p>Go up to the mountains, <i>or</i> down to the seas.<br>
|
| 28 |
+
You should always say "thank you" <i>or</i> at least say
|
| 29 |
+
"please."<br>
|
| 30 |
+
</p>
|
| 31 |
+
<p>That vampire bat!<br>
|
| 32 |
+
That inhuman beast!<br>
|
| 33 |
+
She ought to be locked up<br>
|
| 34 |
+
And never released!<br>
|
| 35 |
+
</p>
|
| 36 |
+
<p>Stop wastin' my time,<br>
|
| 37 |
+
You know what I want.<br>
|
| 38 |
+
You know what I need,<br>
|
| 39 |
+
Or maybe you don't.<br>
|
| 40 |
+
Do I have to come right flat out and tell you everything?<br>
|
| 41 |
+
</p>
|
| 42 |
+
<p>Sometimes I park in handicapped spaces,<br>
|
| 43 |
+
While handicapped people make handicapped faces.<br>
|
| 44 |
+
</p>
|
| 45 |
+
<p>Take the back seat, hitchhike,<br>
|
| 46 |
+
Take a long ride on my motorbike.<br>
|
| 47 |
+
</p>
|
| 48 |
+
<p>And I've been plowin' and milkin' so long<br>
|
| 49 |
+
That even Ezekiel thinks that my mind is gone.<br>
|
| 50 |
+
</p>
|
| 51 |
+
<p>And away he'll schlep on his elephant Shep<br>
|
| 52 |
+
While Fella and Ursula stay in step...<br>
|
| 53 |
+
</p>
|
| 54 |
+
<p>After killing Jason off and countless screaming Argonauts.<br>
|
| 55 |
+
</p>
|
| 56 |
+
<p>I said "Do you speak-a my language?"<br>
|
| 57 |
+
He just smiled and gave me a Vegemite sandwich.<br>
|
| 58 |
+
</p>
|
| 59 |
+
<p>It's a turnaround jump shot<br>
|
| 60 |
+
It's everybody's jump start,<br>
|
| 61 |
+
And every generation puts a hero on the pop charts.<br>
|
| 62 |
+
</p>
|
| 63 |
+
<p>There's great films on TV.<br>
|
| 64 |
+
"The Sound of Music" twice an hour<br>
|
| 65 |
+
And Jaws I, II, and III.<br>
|
| 66 |
+
</p>
|
| 67 |
+
<p>Holding hands while the walls come tumbling down.<br>
|
| 68 |
+
</p>
|
| 69 |
+
<p>We came in spastic<br>
|
| 70 |
+
Like tameless horses<br>
|
| 71 |
+
We left in plastic<br>
|
| 72 |
+
As numbered corpses<br>
|
| 73 |
+
</p>
|
| 74 |
+
<p>You came in to wash your feet,<br>
|
| 75 |
+
She was eating a pile of meat,<br>
|
| 76 |
+
And that, as they say, was that.<br>
|
| 77 |
+
</p>
|
| 78 |
+
<p>Oh, Daddy dear, you know you're still number one.<br>
|
| 79 |
+
</p>
|
| 80 |
+
</body>
|
| 81 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3m_MIT_Mystery_Hunt_1998_Junior_Year_Requirements/19.678_Junior_Project.html
ADDED
|
@@ -0,0 +1,62 @@
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|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
| 1 |
+
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 5 |
+
<title>19.678 Junior Project</title>
|
| 6 |
+
</head>
|
| 7 |
+
<body>
|
| 8 |
+
<h1>19.678 — Junior Project</h1>
|
| 9 |
+
<p>(<a moz-do-not-send="true"
|
| 10 |
+
href="19.678%20Junior%20Project%20Solution.html">See solution</a>)<br>
|
| 11 |
+
</p>
|
| 12 |
+
<p><font size="+2"><tt>Although our freshman and sophomore years
|
| 13 |
+
involved a number of<br>
|
| 14 |
+
new-fangled puzzles, we decided to shift our attention towards
|
| 15 |
+
more<br>
|
| 16 |
+
classical problems for our Junior Project. Below is a simple
|
| 17 |
+
set of<br>
|
| 18 |
+
clues for fairly short words: they are listed together in
|
| 19 |
+
eight pairs.<br>
|
| 20 |
+
A pretty straight-forward warm-up exercise, if you ask us, but
|
| 21 |
+
our<br>
|
| 22 |
+
professors considered it perfect for our Junior Project.</tt></font><br>
|
| 23 |
+
</p>
|
| 24 |
+
<p><font size="+2"><tt>Moxy Fruvous's second album: _ _ _ _<br>
|
| 25 |
+
Be introduced
|
| 26 |
+
to:
|
| 27 |
+
|
| 28 |
+
_ _ _ _<br>
|
| 29 |
+
</tt></font></p>
|
| 30 |
+
<p><font size="+2"><tt>DeVito or Schwarzenegger: _ _ _ _<br>
|
| 31 |
+
Shirk
|
| 32 |
+
work:
|
| 33 |
+
|
| 34 |
+
_ _ _ _<br>
|
| 35 |
+
</tt></font></p>
|
| 36 |
+
<p><font size="+2"><tt>Sum kind of snake?: _
|
| 37 |
+
_ _ _ _<br>
|
| 38 |
+
Complaints at Wendy's? _ _ _ _ _<br>
|
| 39 |
+
</tt></font></p>
|
| 40 |
+
<p><font size="+2"><tt>Deliver a stoning: _ _ _ _<br>
|
| 41 |
+
Third place: _ _ _ _<br>
|
| 42 |
+
</tt></font></p>
|
| 43 |
+
<p><font size="+2"><tt>Old West deputies: _ _ _ _ _<br>
|
| 44 |
+
Open with a crowbar: _ _ _ _ _<br>
|
| 45 |
+
</tt></font></p>
|
| 46 |
+
<p><font size="+2"><tt>Hypnotist's
|
| 47 |
+
command: _ _ _ _ _<br>
|
| 48 |
+
Member of Hef's entourage: _ _ _ _ _<br>
|
| 49 |
+
</tt></font></p>
|
| 50 |
+
<p><font size="+2"><tt>When you get one of
|
| 51 |
+
these...:
|
| 52 |
+
|
| 53 |
+
_ _ _ _<br>
|
| 54 |
+
...you might get one of these in your throat: _ _ _ _<br>
|
| 55 |
+
</tt></font></p>
|
| 56 |
+
<p><font size="+2"><tt>Like
|
| 57 |
+
seltzer: _ _ _
|
| 58 |
+
_ _<br>
|
| 59 |
+
Having bendable legs: _ _ _ _ _<br>
|
| 60 |
+
</tt></font></p>
|
| 61 |
+
</body>
|
| 62 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3m_MIT_Mystery_Hunt_1998_Junior_Year_Requirements/_solution_assets/19.234_Music_Appreciation.html
ADDED
|
@@ -0,0 +1,81 @@
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>19.234 Music Appreciation</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>19.234 Music Appreciation</h1>
|
| 10 |
+
<p>(<a moz-do-not-send="true"
|
| 11 |
+
href="19.234%20Music%20Appreciation%20Solution.html">See
|
| 12 |
+
solution</a>)<br>
|
| 13 |
+
</p>
|
| 14 |
+
<p>All for a cuddle and a peck on the cheek.<br>
|
| 15 |
+
</p>
|
| 16 |
+
<p>And pal around with democratic fellows named "Mac"<br>
|
| 17 |
+
So, take me right back to the track, Jack!<br>
|
| 18 |
+
</p>
|
| 19 |
+
<p>I bet my money on the bobtail nag<br>
|
| 20 |
+
Somebody bet on the bay.<br>
|
| 21 |
+
</p>
|
| 22 |
+
<p>A dream that will last<br>
|
| 23 |
+
For the love you can give<br>
|
| 24 |
+
Every day of your life<br>
|
| 25 |
+
For as long as you live.<br>
|
| 26 |
+
</p>
|
| 27 |
+
<p>Go up to the mountains, <i>or</i> down to the seas.<br>
|
| 28 |
+
You should always say "thank you" <i>or</i> at least say
|
| 29 |
+
"please."<br>
|
| 30 |
+
</p>
|
| 31 |
+
<p>That vampire bat!<br>
|
| 32 |
+
That inhuman beast!<br>
|
| 33 |
+
She ought to be locked up<br>
|
| 34 |
+
And never released!<br>
|
| 35 |
+
</p>
|
| 36 |
+
<p>Stop wastin' my time,<br>
|
| 37 |
+
You know what I want.<br>
|
| 38 |
+
You know what I need,<br>
|
| 39 |
+
Or maybe you don't.<br>
|
| 40 |
+
Do I have to come right flat out and tell you everything?<br>
|
| 41 |
+
</p>
|
| 42 |
+
<p>Sometimes I park in handicapped spaces,<br>
|
| 43 |
+
While handicapped people make handicapped faces.<br>
|
| 44 |
+
</p>
|
| 45 |
+
<p>Take the back seat, hitchhike,<br>
|
| 46 |
+
Take a long ride on my motorbike.<br>
|
| 47 |
+
</p>
|
| 48 |
+
<p>And I've been plowin' and milkin' so long<br>
|
| 49 |
+
That even Ezekiel thinks that my mind is gone.<br>
|
| 50 |
+
</p>
|
| 51 |
+
<p>And away he'll schlep on his elephant Shep<br>
|
| 52 |
+
While Fella and Ursula stay in step...<br>
|
| 53 |
+
</p>
|
| 54 |
+
<p>After killing Jason off and countless screaming Argonauts.<br>
|
| 55 |
+
</p>
|
| 56 |
+
<p>I said "Do you speak-a my language?"<br>
|
| 57 |
+
He just smiled and gave me a Vegemite sandwich.<br>
|
| 58 |
+
</p>
|
| 59 |
+
<p>It's a turnaround jump shot<br>
|
| 60 |
+
It's everybody's jump start,<br>
|
| 61 |
+
And every generation puts a hero on the pop charts.<br>
|
| 62 |
+
</p>
|
| 63 |
+
<p>There's great films on TV.<br>
|
| 64 |
+
"The Sound of Music" twice an hour<br>
|
| 65 |
+
And Jaws I, II, and III.<br>
|
| 66 |
+
</p>
|
| 67 |
+
<p>Holding hands while the walls come tumbling down.<br>
|
| 68 |
+
</p>
|
| 69 |
+
<p>We came in spastic<br>
|
| 70 |
+
Like tameless horses<br>
|
| 71 |
+
We left in plastic<br>
|
| 72 |
+
As numbered corpses<br>
|
| 73 |
+
</p>
|
| 74 |
+
<p>You came in to wash your feet,<br>
|
| 75 |
+
She was eating a pile of meat,<br>
|
| 76 |
+
And that, as they say, was that.<br>
|
| 77 |
+
</p>
|
| 78 |
+
<p>Oh, Daddy dear, you know you're still number one.<br>
|
| 79 |
+
</p>
|
| 80 |
+
</body>
|
| 81 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3m_MIT_Mystery_Hunt_1998_Junior_Year_Requirements/_solution_assets/19.678_Junior_Project.html
ADDED
|
@@ -0,0 +1,62 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 5 |
+
<title>19.678 Junior Project</title>
|
| 6 |
+
</head>
|
| 7 |
+
<body>
|
| 8 |
+
<h1>19.678 — Junior Project</h1>
|
| 9 |
+
<p>(<a moz-do-not-send="true"
|
| 10 |
+
href="19.678%20Junior%20Project%20Solution.html">See solution</a>)<br>
|
| 11 |
+
</p>
|
| 12 |
+
<p><font size="+2"><tt>Although our freshman and sophomore years
|
| 13 |
+
involved a number of<br>
|
| 14 |
+
new-fangled puzzles, we decided to shift our attention towards
|
| 15 |
+
more<br>
|
| 16 |
+
classical problems for our Junior Project. Below is a simple
|
| 17 |
+
set of<br>
|
| 18 |
+
clues for fairly short words: they are listed together in
|
| 19 |
+
eight pairs.<br>
|
| 20 |
+
A pretty straight-forward warm-up exercise, if you ask us, but
|
| 21 |
+
our<br>
|
| 22 |
+
professors considered it perfect for our Junior Project.</tt></font><br>
|
| 23 |
+
</p>
|
| 24 |
+
<p><font size="+2"><tt>Moxy Fruvous's second album: _ _ _ _<br>
|
| 25 |
+
Be introduced
|
| 26 |
+
to:
|
| 27 |
+
|
| 28 |
+
_ _ _ _<br>
|
| 29 |
+
</tt></font></p>
|
| 30 |
+
<p><font size="+2"><tt>DeVito or Schwarzenegger: _ _ _ _<br>
|
| 31 |
+
Shirk
|
| 32 |
+
work:
|
| 33 |
+
|
| 34 |
+
_ _ _ _<br>
|
| 35 |
+
</tt></font></p>
|
| 36 |
+
<p><font size="+2"><tt>Sum kind of snake?: _
|
| 37 |
+
_ _ _ _<br>
|
| 38 |
+
Complaints at Wendy's? _ _ _ _ _<br>
|
| 39 |
+
</tt></font></p>
|
| 40 |
+
<p><font size="+2"><tt>Deliver a stoning: _ _ _ _<br>
|
| 41 |
+
Third place: _ _ _ _<br>
|
| 42 |
+
</tt></font></p>
|
| 43 |
+
<p><font size="+2"><tt>Old West deputies: _ _ _ _ _<br>
|
| 44 |
+
Open with a crowbar: _ _ _ _ _<br>
|
| 45 |
+
</tt></font></p>
|
| 46 |
+
<p><font size="+2"><tt>Hypnotist's
|
| 47 |
+
command: _ _ _ _ _<br>
|
| 48 |
+
Member of Hef's entourage: _ _ _ _ _<br>
|
| 49 |
+
</tt></font></p>
|
| 50 |
+
<p><font size="+2"><tt>When you get one of
|
| 51 |
+
these...:
|
| 52 |
+
|
| 53 |
+
_ _ _ _<br>
|
| 54 |
+
...you might get one of these in your throat: _ _ _ _<br>
|
| 55 |
+
</tt></font></p>
|
| 56 |
+
<p><font size="+2"><tt>Like
|
| 57 |
+
seltzer: _ _ _
|
| 58 |
+
_ _<br>
|
| 59 |
+
Having bendable legs: _ _ _ _ _<br>
|
| 60 |
+
</tt></font></p>
|
| 61 |
+
</body>
|
| 62 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p07_MIT_Mystery_Hunt_1998_19.678_Junior_Project/19.678_Junior_Project.html
ADDED
|
@@ -0,0 +1,62 @@
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
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|
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|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
|
|
|
|
| 1 |
+
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 5 |
+
<title>19.678 Junior Project</title>
|
| 6 |
+
</head>
|
| 7 |
+
<body>
|
| 8 |
+
<h1>19.678 — Junior Project</h1>
|
| 9 |
+
<p>(<a moz-do-not-send="true"
|
| 10 |
+
href="19.678%20Junior%20Project%20Solution.html">See solution</a>)<br>
|
| 11 |
+
</p>
|
| 12 |
+
<p><font size="+2"><tt>Although our freshman and sophomore years
|
| 13 |
+
involved a number of<br>
|
| 14 |
+
new-fangled puzzles, we decided to shift our attention towards
|
| 15 |
+
more<br>
|
| 16 |
+
classical problems for our Junior Project. Below is a simple
|
| 17 |
+
set of<br>
|
| 18 |
+
clues for fairly short words: they are listed together in
|
| 19 |
+
eight pairs.<br>
|
| 20 |
+
A pretty straight-forward warm-up exercise, if you ask us, but
|
| 21 |
+
our<br>
|
| 22 |
+
professors considered it perfect for our Junior Project.</tt></font><br>
|
| 23 |
+
</p>
|
| 24 |
+
<p><font size="+2"><tt>Moxy Fruvous's second album: _ _ _ _<br>
|
| 25 |
+
Be introduced
|
| 26 |
+
to:
|
| 27 |
+
|
| 28 |
+
_ _ _ _<br>
|
| 29 |
+
</tt></font></p>
|
| 30 |
+
<p><font size="+2"><tt>DeVito or Schwarzenegger: _ _ _ _<br>
|
| 31 |
+
Shirk
|
| 32 |
+
work:
|
| 33 |
+
|
| 34 |
+
_ _ _ _<br>
|
| 35 |
+
</tt></font></p>
|
| 36 |
+
<p><font size="+2"><tt>Sum kind of snake?: _
|
| 37 |
+
_ _ _ _<br>
|
| 38 |
+
Complaints at Wendy's? _ _ _ _ _<br>
|
| 39 |
+
</tt></font></p>
|
| 40 |
+
<p><font size="+2"><tt>Deliver a stoning: _ _ _ _<br>
|
| 41 |
+
Third place: _ _ _ _<br>
|
| 42 |
+
</tt></font></p>
|
| 43 |
+
<p><font size="+2"><tt>Old West deputies: _ _ _ _ _<br>
|
| 44 |
+
Open with a crowbar: _ _ _ _ _<br>
|
| 45 |
+
</tt></font></p>
|
| 46 |
+
<p><font size="+2"><tt>Hypnotist's
|
| 47 |
+
command: _ _ _ _ _<br>
|
| 48 |
+
Member of Hef's entourage: _ _ _ _ _<br>
|
| 49 |
+
</tt></font></p>
|
| 50 |
+
<p><font size="+2"><tt>When you get one of
|
| 51 |
+
these...:
|
| 52 |
+
|
| 53 |
+
_ _ _ _<br>
|
| 54 |
+
...you might get one of these in your throat: _ _ _ _<br>
|
| 55 |
+
</tt></font></p>
|
| 56 |
+
<p><font size="+2"><tt>Like
|
| 57 |
+
seltzer: _ _ _
|
| 58 |
+
_ _<br>
|
| 59 |
+
Having bendable legs: _ _ _ _ _<br>
|
| 60 |
+
</tt></font></p>
|
| 61 |
+
</body>
|
| 62 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p08_MIT_Mystery_Hunt_1998_19.567_Thesis_Preparation/_solution_assets/19.567_Thesis_Preparation_Solution.html
ADDED
|
@@ -0,0 +1,52 @@
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|
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|
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|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>19.567 Thesis Preparation Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>19.567 — Thesis Preparation Solution</h1>
|
| 10 |
+
<p>It can be verified on the Internet that at least at some time
|
| 11 |
+
Athena minicourses (usually seen without the hyphen) were taught
|
| 12 |
+
in 3-343 at the hours indicated. It's likely that a course listing
|
| 13 |
+
with a description of each course).<br>
|
| 14 |
+
</p>
|
| 15 |
+
<ul>
|
| 16 |
+
<li><a moz-do-not-send="true"
|
| 17 |
+
href="https://web.mit.edu/fnl/vol/131/athena_minicourses.htm">This
|
| 18 |
+
page</a> gives a schedule of the courses for some year,
|
| 19 |
+
matching the room and times, except that they are also taught on
|
| 20 |
+
Fridays.<br>
|
| 21 |
+
</li>
|
| 22 |
+
<li><a moz-do-not-send="true"
|
| 23 |
+
href="https://web.mit.edu/fnl/vol/111/athena1.html">This one</a>
|
| 24 |
+
gives descriptions of mostly the same courses. It's likely a
|
| 25 |
+
page with descriptions like these may have been available in
|
| 26 |
+
many Athena clusters, possibly with the schedule on the other
|
| 27 |
+
side.<br>
|
| 28 |
+
</li>
|
| 29 |
+
<li><a moz-do-not-send="true"
|
| 30 |
+
href="https://wikis.mit.edu/confluence/display/fsx/Athena+Minicourses+2.0">This
|
| 31 |
+
one</a> says they were discontinued in 2004 (and points out
|
| 32 |
+
that some of the subjects were no longer relevant by 2010 when
|
| 33 |
+
the page was written).</li>
|
| 34 |
+
<li><a moz-do-not-send="true"
|
| 35 |
+
href="https://wikis.mit.edu/confluence/display/fsx/Athena+Minicourses+2.0">This
|
| 36 |
+
one</a> indicates that minicourses were being taught again in
|
| 37 |
+
2012.</li>
|
| 38 |
+
</ul>
|
| 39 |
+
<p>However, none of this helps us find the descriptions of the
|
| 40 |
+
courses taught in 1997-1998. They do not appear to have been in
|
| 41 |
+
the course bulletin.<br>
|
| 42 |
+
</p>
|
| 43 |
+
<p>It's likely that this was some form of book code, perhaps
|
| 44 |
+
indexing by course, line, and word (taking the first letter) or
|
| 45 |
+
course, word, and letter. Note the repetition in the third triple
|
| 46 |
+
of numbers in the first column and the last triple. The answer,
|
| 47 |
+
known from the meta solution, is <b>CRYPTOGRAPHY,</b> consistent
|
| 48 |
+
with reading the results down the columns so that the repeated
|
| 49 |
+
triple represents Y.<br>
|
| 50 |
+
</p>
|
| 51 |
+
</body>
|
| 52 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p08_MIT_Mystery_Hunt_1998_19.567_Thesis_Preparation/solution.html
ADDED
|
@@ -0,0 +1,52 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>19.567 Thesis Preparation Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>19.567 — Thesis Preparation Solution</h1>
|
| 10 |
+
<p>It can be verified on the Internet that at least at some time
|
| 11 |
+
Athena minicourses (usually seen without the hyphen) were taught
|
| 12 |
+
in 3-343 at the hours indicated. It's likely that a course listing
|
| 13 |
+
with a description of each course).<br>
|
| 14 |
+
</p>
|
| 15 |
+
<ul>
|
| 16 |
+
<li><a moz-do-not-send="true"
|
| 17 |
+
href="https://web.mit.edu/fnl/vol/131/athena_minicourses.htm">This
|
| 18 |
+
page</a> gives a schedule of the courses for some year,
|
| 19 |
+
matching the room and times, except that they are also taught on
|
| 20 |
+
Fridays.<br>
|
| 21 |
+
</li>
|
| 22 |
+
<li><a moz-do-not-send="true"
|
| 23 |
+
href="https://web.mit.edu/fnl/vol/111/athena1.html">This one</a>
|
| 24 |
+
gives descriptions of mostly the same courses. It's likely a
|
| 25 |
+
page with descriptions like these may have been available in
|
| 26 |
+
many Athena clusters, possibly with the schedule on the other
|
| 27 |
+
side.<br>
|
| 28 |
+
</li>
|
| 29 |
+
<li><a moz-do-not-send="true"
|
| 30 |
+
href="https://wikis.mit.edu/confluence/display/fsx/Athena+Minicourses+2.0">This
|
| 31 |
+
one</a> says they were discontinued in 2004 (and points out
|
| 32 |
+
that some of the subjects were no longer relevant by 2010 when
|
| 33 |
+
the page was written).</li>
|
| 34 |
+
<li><a moz-do-not-send="true"
|
| 35 |
+
href="https://wikis.mit.edu/confluence/display/fsx/Athena+Minicourses+2.0">This
|
| 36 |
+
one</a> indicates that minicourses were being taught again in
|
| 37 |
+
2012.</li>
|
| 38 |
+
</ul>
|
| 39 |
+
<p>However, none of this helps us find the descriptions of the
|
| 40 |
+
courses taught in 1997-1998. They do not appear to have been in
|
| 41 |
+
the course bulletin.<br>
|
| 42 |
+
</p>
|
| 43 |
+
<p>It's likely that this was some form of book code, perhaps
|
| 44 |
+
indexing by course, line, and word (taking the first letter) or
|
| 45 |
+
course, word, and letter. Note the repetition in the third triple
|
| 46 |
+
of numbers in the first column and the last triple. The answer,
|
| 47 |
+
known from the meta solution, is <b>CRYPTOGRAPHY,</b> consistent
|
| 48 |
+
with reading the results down the columns so that the repeated
|
| 49 |
+
triple represents Y.<br>
|
| 50 |
+
</p>
|
| 51 |
+
</body>
|
| 52 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p10_MIT_Mystery_Hunt_1998_24.917_Faux-netics/24.917_Faux-netics_Solution.html
ADDED
|
@@ -0,0 +1,59 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>24.917 Faux-netics Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>24.917 — Faux-netics Solution</h1>
|
| 10 |
+
<p>Solve the clues (most of which are simple trivia, but there are
|
| 11 |
+
some other types):<br>
|
| 12 |
+
</p>
|
| 13 |
+
<ul>
|
| 14 |
+
<li>ALF</li>
|
| 15 |
+
<li>JAMAICA. In November 1997 they qualified for the 1998 World
|
| 16 |
+
Cup, so this was news at the time of this hunt. The only prior
|
| 17 |
+
Caribbean countries in the World Cup were Cuba and Haiti, which
|
| 18 |
+
are not English-speaking countries. It's spelled the same way in
|
| 19 |
+
Spanish, but presumably the (Sp.) is there for the phonetics.<br>
|
| 20 |
+
</li>
|
| 21 |
+
<li>SIOUX is the major tribe in the Dakotas, and the tribes named
|
| 22 |
+
Dakota are likewise part of the Sioux.<br>
|
| 23 |
+
</li>
|
| 24 |
+
<li>NUCH? "quv" is Klingon for honor. Based on the way Klingon
|
| 25 |
+
honor is portrayed in <i>ST:TNG</i>, I found this word for
|
| 26 |
+
"coward". It's pronounced roughly "nooch"<br>
|
| 27 |
+
</li>
|
| 28 |
+
<li>HALLOWED</li>
|
| 29 |
+
<li>PINE (goes before the given words)</li>
|
| 30 |
+
<li>OS (goes after the given words)</li>
|
| 31 |
+
<li>HOUND (<i>The Hound of the Baskervilles</i>, a Sherlock Holmes
|
| 32 |
+
novel, though it's the name of a family, not a place as the clue
|
| 33 |
+
implies)</li>
|
| 34 |
+
<li>?</li>
|
| 35 |
+
<li>ORB (anagram of bro)</li>
|
| 36 |
+
<li>HELL ("Halfway to Hell" is painted at the midpoint of the
|
| 37 |
+
Harvard Bridge next to the smoot distance markings)</li>
|
| 38 |
+
<li>ZOO</li>
|
| 39 |
+
<li>I'LL (Schwarzenegger catchline originally from <i>The
|
| 40 |
+
Terminator</i>)<br>
|
| 41 |
+
</li>
|
| 42 |
+
<li>DEW (Mountain Dew slogan)</li>
|
| 43 |
+
<li>WINNING</li>
|
| 44 |
+
<li>FUR</li>
|
| 45 |
+
<li>SIN (pronounced like "seen" in Spanish)</li>
|
| 46 |
+
<li>CRIB</li>
|
| 47 |
+
<li>?</li>
|
| 48 |
+
</ul>
|
| 49 |
+
<p>Based on the title, this is most likely an Anguish Languish or
|
| 50 |
+
similar phonetic puzzle in which the sequence of answers forms
|
| 51 |
+
another clue phonetically, with many liberties taken in matching
|
| 52 |
+
the phonetics. For instance, the S from OS and all of HOUND
|
| 53 |
+
probably combine to make "SOUND", even though the S makes a Z
|
| 54 |
+
sound in OS.<br>
|
| 55 |
+
</p>
|
| 56 |
+
<p>However this clue works, it's supposed to lead to the answer <b>DECODING</b>.<br>
|
| 57 |
+
</p>
|
| 58 |
+
</body>
|
| 59 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p10_MIT_Mystery_Hunt_1998_24.917_Faux-netics/_solution_assets/24.917_Faux-netics_Solution.html
ADDED
|
@@ -0,0 +1,59 @@
|
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|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>24.917 Faux-netics Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>24.917 — Faux-netics Solution</h1>
|
| 10 |
+
<p>Solve the clues (most of which are simple trivia, but there are
|
| 11 |
+
some other types):<br>
|
| 12 |
+
</p>
|
| 13 |
+
<ul>
|
| 14 |
+
<li>ALF</li>
|
| 15 |
+
<li>JAMAICA. In November 1997 they qualified for the 1998 World
|
| 16 |
+
Cup, so this was news at the time of this hunt. The only prior
|
| 17 |
+
Caribbean countries in the World Cup were Cuba and Haiti, which
|
| 18 |
+
are not English-speaking countries. It's spelled the same way in
|
| 19 |
+
Spanish, but presumably the (Sp.) is there for the phonetics.<br>
|
| 20 |
+
</li>
|
| 21 |
+
<li>SIOUX is the major tribe in the Dakotas, and the tribes named
|
| 22 |
+
Dakota are likewise part of the Sioux.<br>
|
| 23 |
+
</li>
|
| 24 |
+
<li>NUCH? "quv" is Klingon for honor. Based on the way Klingon
|
| 25 |
+
honor is portrayed in <i>ST:TNG</i>, I found this word for
|
| 26 |
+
"coward". It's pronounced roughly "nooch"<br>
|
| 27 |
+
</li>
|
| 28 |
+
<li>HALLOWED</li>
|
| 29 |
+
<li>PINE (goes before the given words)</li>
|
| 30 |
+
<li>OS (goes after the given words)</li>
|
| 31 |
+
<li>HOUND (<i>The Hound of the Baskervilles</i>, a Sherlock Holmes
|
| 32 |
+
novel, though it's the name of a family, not a place as the clue
|
| 33 |
+
implies)</li>
|
| 34 |
+
<li>?</li>
|
| 35 |
+
<li>ORB (anagram of bro)</li>
|
| 36 |
+
<li>HELL ("Halfway to Hell" is painted at the midpoint of the
|
| 37 |
+
Harvard Bridge next to the smoot distance markings)</li>
|
| 38 |
+
<li>ZOO</li>
|
| 39 |
+
<li>I'LL (Schwarzenegger catchline originally from <i>The
|
| 40 |
+
Terminator</i>)<br>
|
| 41 |
+
</li>
|
| 42 |
+
<li>DEW (Mountain Dew slogan)</li>
|
| 43 |
+
<li>WINNING</li>
|
| 44 |
+
<li>FUR</li>
|
| 45 |
+
<li>SIN (pronounced like "seen" in Spanish)</li>
|
| 46 |
+
<li>CRIB</li>
|
| 47 |
+
<li>?</li>
|
| 48 |
+
</ul>
|
| 49 |
+
<p>Based on the title, this is most likely an Anguish Languish or
|
| 50 |
+
similar phonetic puzzle in which the sequence of answers forms
|
| 51 |
+
another clue phonetically, with many liberties taken in matching
|
| 52 |
+
the phonetics. For instance, the S from OS and all of HOUND
|
| 53 |
+
probably combine to make "SOUND", even though the S makes a Z
|
| 54 |
+
sound in OS.<br>
|
| 55 |
+
</p>
|
| 56 |
+
<p>However this clue works, it's supposed to lead to the answer <b>DECODING</b>.<br>
|
| 57 |
+
</p>
|
| 58 |
+
</body>
|
| 59 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p10_MIT_Mystery_Hunt_1998_24.917_Faux-netics/solution.html
ADDED
|
@@ -0,0 +1,59 @@
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|
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|
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|
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|
|
|
|
|
|
|
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|
|
|
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|
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|
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|
|
|
|
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|
|
|
|
|
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|
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|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>24.917 Faux-netics Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>24.917 — Faux-netics Solution</h1>
|
| 10 |
+
<p>Solve the clues (most of which are simple trivia, but there are
|
| 11 |
+
some other types):<br>
|
| 12 |
+
</p>
|
| 13 |
+
<ul>
|
| 14 |
+
<li>ALF</li>
|
| 15 |
+
<li>JAMAICA. In November 1997 they qualified for the 1998 World
|
| 16 |
+
Cup, so this was news at the time of this hunt. The only prior
|
| 17 |
+
Caribbean countries in the World Cup were Cuba and Haiti, which
|
| 18 |
+
are not English-speaking countries. It's spelled the same way in
|
| 19 |
+
Spanish, but presumably the (Sp.) is there for the phonetics.<br>
|
| 20 |
+
</li>
|
| 21 |
+
<li>SIOUX is the major tribe in the Dakotas, and the tribes named
|
| 22 |
+
Dakota are likewise part of the Sioux.<br>
|
| 23 |
+
</li>
|
| 24 |
+
<li>NUCH? "quv" is Klingon for honor. Based on the way Klingon
|
| 25 |
+
honor is portrayed in <i>ST:TNG</i>, I found this word for
|
| 26 |
+
"coward". It's pronounced roughly "nooch"<br>
|
| 27 |
+
</li>
|
| 28 |
+
<li>HALLOWED</li>
|
| 29 |
+
<li>PINE (goes before the given words)</li>
|
| 30 |
+
<li>OS (goes after the given words)</li>
|
| 31 |
+
<li>HOUND (<i>The Hound of the Baskervilles</i>, a Sherlock Holmes
|
| 32 |
+
novel, though it's the name of a family, not a place as the clue
|
| 33 |
+
implies)</li>
|
| 34 |
+
<li>?</li>
|
| 35 |
+
<li>ORB (anagram of bro)</li>
|
| 36 |
+
<li>HELL ("Halfway to Hell" is painted at the midpoint of the
|
| 37 |
+
Harvard Bridge next to the smoot distance markings)</li>
|
| 38 |
+
<li>ZOO</li>
|
| 39 |
+
<li>I'LL (Schwarzenegger catchline originally from <i>The
|
| 40 |
+
Terminator</i>)<br>
|
| 41 |
+
</li>
|
| 42 |
+
<li>DEW (Mountain Dew slogan)</li>
|
| 43 |
+
<li>WINNING</li>
|
| 44 |
+
<li>FUR</li>
|
| 45 |
+
<li>SIN (pronounced like "seen" in Spanish)</li>
|
| 46 |
+
<li>CRIB</li>
|
| 47 |
+
<li>?</li>
|
| 48 |
+
</ul>
|
| 49 |
+
<p>Based on the title, this is most likely an Anguish Languish or
|
| 50 |
+
similar phonetic puzzle in which the sequence of answers forms
|
| 51 |
+
another clue phonetically, with many liberties taken in matching
|
| 52 |
+
the phonetics. For instance, the S from OS and all of HOUND
|
| 53 |
+
probably combine to make "SOUND", even though the S makes a Z
|
| 54 |
+
sound in OS.<br>
|
| 55 |
+
</p>
|
| 56 |
+
<p>However this clue works, it's supposed to lead to the answer <b>DECODING</b>.<br>
|
| 57 |
+
</p>
|
| 58 |
+
</body>
|
| 59 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p16_MIT_Mystery_Hunt_1998_24.845_Circular_Saws/24.845_Circular_Saws_Solution.html
ADDED
|
@@ -0,0 +1,72 @@
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>24.845 Circular Saws Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>24.845 — Circular Saws Solution</h1>
|
| 10 |
+
<p>These are saws (sayings) which likely have been run through the
|
| 11 |
+
crude machine translation available in 1998 to one or more other
|
| 12 |
+
languages and back again. Note the presence of the German word <i>feiglinge</i>
|
| 13 |
+
(cowards) in one of them.<br>
|
| 14 |
+
</p>
|
| 15 |
+
<table width="100%" cellspacing="2" cellpadding="2" border="1">
|
| 16 |
+
<tbody>
|
| 17 |
+
<tr>
|
| 18 |
+
<td valign="top"><b>Puzzle Saw</b><b><br>
|
| 19 |
+
</b></td>
|
| 20 |
+
<td valign="top"><b>Original</b><b><br>
|
| 21 |
+
</b></td>
|
| 22 |
+
</tr>
|
| 23 |
+
<tr>
|
| 24 |
+
<td valign="top">If you not to come a evil, it does not hear
|
| 25 |
+
no evil, say it no evil. <br>
|
| 26 |
+
</td>
|
| 27 |
+
<td valign="top">See no evil, hear no evil, speak no evil.<br>
|
| 28 |
+
</td>
|
| 29 |
+
</tr>
|
| 30 |
+
<tr>
|
| 31 |
+
<td valign="top">The cold time transfers the interior warm.</td>
|
| 32 |
+
<td valign="top">Cold hands, warm heart.<br>
|
| 33 |
+
</td>
|
| 34 |
+
</tr>
|
| 35 |
+
<tr>
|
| 36 |
+
<td valign="top">If you it could not be the heat, saa of a
|
| 37 |
+
kitchen. </td>
|
| 38 |
+
<td valign="top">If you can't stand the heat, stay out of the
|
| 39 |
+
kitchen.<br>
|
| 40 |
+
</td>
|
| 41 |
+
</tr>
|
| 42 |
+
<tr>
|
| 43 |
+
<td valign="top">Each good boy condemns. </td>
|
| 44 |
+
<td valign="top">Every good boy does fine.<br>
|
| 45 |
+
</td>
|
| 46 |
+
</tr>
|
| 47 |
+
<tr>
|
| 48 |
+
<td valign="top">He never looks at a horse of gift in the
|
| 49 |
+
opening. </td>
|
| 50 |
+
<td valign="top">Never look a gift horse in the mouth.<br>
|
| 51 |
+
</td>
|
| 52 |
+
</tr>
|
| 53 |
+
<tr>
|
| 54 |
+
<td valign="top">Data of feiglinge many marks before its
|
| 55 |
+
deaths. </td>
|
| 56 |
+
<td valign="top">Curiosity killed the cat.(?)<br>
|
| 57 |
+
</td>
|
| 58 |
+
</tr>
|
| 59 |
+
<tr>
|
| 60 |
+
<td valign="top">Simply coming, goes simply.</td>
|
| 61 |
+
<td valign="top">Easy come, easy go.<br>
|
| 62 |
+
</td>
|
| 63 |
+
</tr>
|
| 64 |
+
</tbody>
|
| 65 |
+
</table>
|
| 66 |
+
<p>The initial letters of the normal way of writing these saws in
|
| 67 |
+
English spell the answer, <b>SCIENCE</b>.<br>
|
| 68 |
+
</p>
|
| 69 |
+
<p><br>
|
| 70 |
+
</p>
|
| 71 |
+
</body>
|
| 72 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p16_MIT_Mystery_Hunt_1998_24.845_Circular_Saws/_solution_assets/24.845_Circular_Saws_Solution.html
ADDED
|
@@ -0,0 +1,72 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>24.845 Circular Saws Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>24.845 — Circular Saws Solution</h1>
|
| 10 |
+
<p>These are saws (sayings) which likely have been run through the
|
| 11 |
+
crude machine translation available in 1998 to one or more other
|
| 12 |
+
languages and back again. Note the presence of the German word <i>feiglinge</i>
|
| 13 |
+
(cowards) in one of them.<br>
|
| 14 |
+
</p>
|
| 15 |
+
<table width="100%" cellspacing="2" cellpadding="2" border="1">
|
| 16 |
+
<tbody>
|
| 17 |
+
<tr>
|
| 18 |
+
<td valign="top"><b>Puzzle Saw</b><b><br>
|
| 19 |
+
</b></td>
|
| 20 |
+
<td valign="top"><b>Original</b><b><br>
|
| 21 |
+
</b></td>
|
| 22 |
+
</tr>
|
| 23 |
+
<tr>
|
| 24 |
+
<td valign="top">If you not to come a evil, it does not hear
|
| 25 |
+
no evil, say it no evil. <br>
|
| 26 |
+
</td>
|
| 27 |
+
<td valign="top">See no evil, hear no evil, speak no evil.<br>
|
| 28 |
+
</td>
|
| 29 |
+
</tr>
|
| 30 |
+
<tr>
|
| 31 |
+
<td valign="top">The cold time transfers the interior warm.</td>
|
| 32 |
+
<td valign="top">Cold hands, warm heart.<br>
|
| 33 |
+
</td>
|
| 34 |
+
</tr>
|
| 35 |
+
<tr>
|
| 36 |
+
<td valign="top">If you it could not be the heat, saa of a
|
| 37 |
+
kitchen. </td>
|
| 38 |
+
<td valign="top">If you can't stand the heat, stay out of the
|
| 39 |
+
kitchen.<br>
|
| 40 |
+
</td>
|
| 41 |
+
</tr>
|
| 42 |
+
<tr>
|
| 43 |
+
<td valign="top">Each good boy condemns. </td>
|
| 44 |
+
<td valign="top">Every good boy does fine.<br>
|
| 45 |
+
</td>
|
| 46 |
+
</tr>
|
| 47 |
+
<tr>
|
| 48 |
+
<td valign="top">He never looks at a horse of gift in the
|
| 49 |
+
opening. </td>
|
| 50 |
+
<td valign="top">Never look a gift horse in the mouth.<br>
|
| 51 |
+
</td>
|
| 52 |
+
</tr>
|
| 53 |
+
<tr>
|
| 54 |
+
<td valign="top">Data of feiglinge many marks before its
|
| 55 |
+
deaths. </td>
|
| 56 |
+
<td valign="top">Curiosity killed the cat.(?)<br>
|
| 57 |
+
</td>
|
| 58 |
+
</tr>
|
| 59 |
+
<tr>
|
| 60 |
+
<td valign="top">Simply coming, goes simply.</td>
|
| 61 |
+
<td valign="top">Easy come, easy go.<br>
|
| 62 |
+
</td>
|
| 63 |
+
</tr>
|
| 64 |
+
</tbody>
|
| 65 |
+
</table>
|
| 66 |
+
<p>The initial letters of the normal way of writing these saws in
|
| 67 |
+
English spell the answer, <b>SCIENCE</b>.<br>
|
| 68 |
+
</p>
|
| 69 |
+
<p><br>
|
| 70 |
+
</p>
|
| 71 |
+
</body>
|
| 72 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r3p16_MIT_Mystery_Hunt_1998_24.845_Circular_Saws/solution.html
ADDED
|
@@ -0,0 +1,72 @@
|
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|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>24.845 Circular Saws Solution</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>24.845 — Circular Saws Solution</h1>
|
| 10 |
+
<p>These are saws (sayings) which likely have been run through the
|
| 11 |
+
crude machine translation available in 1998 to one or more other
|
| 12 |
+
languages and back again. Note the presence of the German word <i>feiglinge</i>
|
| 13 |
+
(cowards) in one of them.<br>
|
| 14 |
+
</p>
|
| 15 |
+
<table width="100%" cellspacing="2" cellpadding="2" border="1">
|
| 16 |
+
<tbody>
|
| 17 |
+
<tr>
|
| 18 |
+
<td valign="top"><b>Puzzle Saw</b><b><br>
|
| 19 |
+
</b></td>
|
| 20 |
+
<td valign="top"><b>Original</b><b><br>
|
| 21 |
+
</b></td>
|
| 22 |
+
</tr>
|
| 23 |
+
<tr>
|
| 24 |
+
<td valign="top">If you not to come a evil, it does not hear
|
| 25 |
+
no evil, say it no evil. <br>
|
| 26 |
+
</td>
|
| 27 |
+
<td valign="top">See no evil, hear no evil, speak no evil.<br>
|
| 28 |
+
</td>
|
| 29 |
+
</tr>
|
| 30 |
+
<tr>
|
| 31 |
+
<td valign="top">The cold time transfers the interior warm.</td>
|
| 32 |
+
<td valign="top">Cold hands, warm heart.<br>
|
| 33 |
+
</td>
|
| 34 |
+
</tr>
|
| 35 |
+
<tr>
|
| 36 |
+
<td valign="top">If you it could not be the heat, saa of a
|
| 37 |
+
kitchen. </td>
|
| 38 |
+
<td valign="top">If you can't stand the heat, stay out of the
|
| 39 |
+
kitchen.<br>
|
| 40 |
+
</td>
|
| 41 |
+
</tr>
|
| 42 |
+
<tr>
|
| 43 |
+
<td valign="top">Each good boy condemns. </td>
|
| 44 |
+
<td valign="top">Every good boy does fine.<br>
|
| 45 |
+
</td>
|
| 46 |
+
</tr>
|
| 47 |
+
<tr>
|
| 48 |
+
<td valign="top">He never looks at a horse of gift in the
|
| 49 |
+
opening. </td>
|
| 50 |
+
<td valign="top">Never look a gift horse in the mouth.<br>
|
| 51 |
+
</td>
|
| 52 |
+
</tr>
|
| 53 |
+
<tr>
|
| 54 |
+
<td valign="top">Data of feiglinge many marks before its
|
| 55 |
+
deaths. </td>
|
| 56 |
+
<td valign="top">Curiosity killed the cat.(?)<br>
|
| 57 |
+
</td>
|
| 58 |
+
</tr>
|
| 59 |
+
<tr>
|
| 60 |
+
<td valign="top">Simply coming, goes simply.</td>
|
| 61 |
+
<td valign="top">Easy come, easy go.<br>
|
| 62 |
+
</td>
|
| 63 |
+
</tr>
|
| 64 |
+
</tbody>
|
| 65 |
+
</table>
|
| 66 |
+
<p>The initial letters of the normal way of writing these saws in
|
| 67 |
+
English spell the answer, <b>SCIENCE</b>.<br>
|
| 68 |
+
</p>
|
| 69 |
+
<p><br>
|
| 70 |
+
</p>
|
| 71 |
+
</body>
|
| 72 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r4m_MIT_Mystery_Hunt_1998_Senior_Metapuzzle/19.667_Grid_Puzzles_and_Their_Variations.html
ADDED
|
@@ -0,0 +1,76 @@
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|
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|
|
|
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|
|
|
|
|
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|
|
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|
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|
|
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
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|
|
|
|
|
|
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|
|
|
|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
|
| 5 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 6 |
+
<title>19.667 Grid Puzzles and Their Variations</title>
|
| 7 |
+
</head>
|
| 8 |
+
<body>
|
| 9 |
+
<h1>19.667 — Grid Puzzles and Their Variations</h1>
|
| 10 |
+
<p><i>Prof. Deborah A. Levinson</i> (<a moz-do-not-send="true"
|
| 11 |
+
href="19.667%20Grid%20Puzzles%20and%20Their%20Variations%20Solution.html">See
|
| 12 |
+
solution</a>)<br>
|
| 13 |
+
</p>
|
| 14 |
+
<p>The numbers below refer to the appropriate grid row. The answers
|
| 15 |
+
- whatever they might be - are not necessarily entered in their
|
| 16 |
+
rows in the order given.<br>
|
| 17 |
+
</p>
|
| 18 |
+
<table width="100%" cellspacing="2" cellpadding="2" border="0">
|
| 19 |
+
<tbody>
|
| 20 |
+
<tr>
|
| 21 |
+
<td valign="top">1. In one ear and out the other. e.g.<br>
|
| 22 |
+
At a premium<br>
|
| 23 |
+
Wrap material<br>
|
| 24 |
+
<br>
|
| 25 |
+
2. Barbera expression?<br>
|
| 26 |
+
Bitter<br>
|
| 27 |
+
Ticketed<br>
|
| 28 |
+
<br>
|
| 29 |
+
3. Hamlisch hit<br>
|
| 30 |
+
White Lily is one<br>
|
| 31 |
+
Company?<br>
|
| 32 |
+
<br>
|
| 33 |
+
4. F, for example<br>
|
| 34 |
+
Cover, in a way<br>
|
| 35 |
+
Helpful device<br>
|
| 36 |
+
<br>
|
| 37 |
+
5. They were "enough"<br>
|
| 38 |
+
Generation appellation<br>
|
| 39 |
+
Dennis' dog<br>
|
| 40 |
+
<br>
|
| 41 |
+
6. Numskull<br>
|
| 42 |
+
Secondary<br>
|
| 43 |
+
<br>
|
| 44 |
+
7. Vichysoisse requirement<br>
|
| 45 |
+
Domination term?<br>
|
| 46 |
+
Changes direction<br>
|
| 47 |
+
<br>
|
| 48 |
+
8. Study<br>
|
| 49 |
+
Dichotomize<br>
|
| 50 |
+
Zilch<br>
|
| 51 |
+
<br>
|
| 52 |
+
9. Ventilation system component<br>
|
| 53 |
+
Pinched<br>
|
| 54 |
+
Cherry, for one<br>
|
| 55 |
+
<br>
|
| 56 |
+
10. Solitary<br>
|
| 57 |
+
Like Emerson's bridge<br>
|
| 58 |
+
Field role<br>
|
| 59 |
+
</td>
|
| 60 |
+
<td valign="top"><img moz-do-not-send="true"
|
| 61 |
+
src="grid_puzzles.png" alt="12 x 10 grid with some shaded
|
| 62 |
+
squares" width="466" height="384"><br>
|
| 63 |
+
<br>
|
| 64 |
+
<font size="-1" color="#ff0000">This puzzle had an erratum:<br>
|
| 65 |
+
Each of the following 12 three-letter words appears in a
|
| 66 |
+
different column<br>
|
| 67 |
+
of the correctly filled in grid: ABS ATE DWI EFF HAN ILL
|
| 68 |
+
NEE ODE RAE REO UAW WET</font><br>
|
| 69 |
+
</td>
|
| 70 |
+
</tr>
|
| 71 |
+
</tbody>
|
| 72 |
+
</table>
|
| 73 |
+
<p><br>
|
| 74 |
+
</p>
|
| 75 |
+
</body>
|
| 76 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r4p10_MIT_Mystery_Hunt_1998_19.667_Grid_Puzzles_and_Their_Variations/19.667_Grid_Puzzles_and_Their_Variations_Solution.html
ADDED
|
@@ -0,0 +1,67 @@
|
|
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|
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|
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|
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|
|
|
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|
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|
|
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|
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|
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|
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|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 5 |
+
<title>19.667 Grid Puzzles and Their Variations Solution</title>
|
| 6 |
+
</head>
|
| 7 |
+
<body>
|
| 8 |
+
<h1>19.667 — Grid Puzzles and Their Variations Solution</h1>
|
| 9 |
+
<p>The clue answers don't appear to fit in the grid. (Possible clue
|
| 10 |
+
answers below.) In addition, if we take the black squares as the
|
| 11 |
+
word breaks they would usually represent in word puzzles, some
|
| 12 |
+
rows have too few or too many entry spaces, and the answers we can
|
| 13 |
+
come up with do not appear to fit into them conventionally.<br>
|
| 14 |
+
</p>
|
| 15 |
+
<p>Perhaps we have to modify the grid somehow to make things fit.
|
| 16 |
+
Taking it as a Game of Life grid and running generations doesn't
|
| 17 |
+
seem to work.<br>
|
| 18 |
+
</p>
|
| 19 |
+
<p>Perhaps the shaded squares aren't meant as crossword-style black
|
| 20 |
+
squares but ones to extract somehow,<br>
|
| 21 |
+
</p>
|
| 22 |
+
<p>Since we are told the answers in each row may not go in int the
|
| 23 |
+
order given, there must be some theme that explains how to enter
|
| 24 |
+
them (maybe also allowing the identification of more answers), but
|
| 25 |
+
no such theme has been identified.<br>
|
| 26 |
+
</p>
|
| 27 |
+
<p>1. In one ear and out the other. e.g. MAXIM, SAW<br>
|
| 28 |
+
At a premium EXTRA<br>
|
| 29 |
+
Wrap material SARAN<br>
|
| 30 |
+
<br>
|
| 31 |
+
2. Barbera expression? YABBA DABBA DOO, or just DABBA DOO since
|
| 32 |
+
they left off the Hanna<br>
|
| 33 |
+
Bitter<br>
|
| 34 |
+
Ticketed<br>
|
| 35 |
+
<br>
|
| 36 |
+
3. Hamlisch hit THE WAY WE WERE and THE ENTERTAINER, among others<br>
|
| 37 |
+
White Lily is one<br>
|
| 38 |
+
Company?<br>
|
| 39 |
+
<br>
|
| 40 |
+
4. F, for example<br>
|
| 41 |
+
Cover, in a way<br>
|
| 42 |
+
Helpful device<br>
|
| 43 |
+
<br>
|
| 44 |
+
5. They were "enough" EIGHT<br>
|
| 45 |
+
Generation appellation X or Y, perhaps<br>
|
| 46 |
+
Dennis' dog RUFF (Dennis the Menace)<br>
|
| 47 |
+
<br>
|
| 48 |
+
6. Numskull<br>
|
| 49 |
+
Secondary<br>
|
| 50 |
+
<br>
|
| 51 |
+
7. Vichysoisse requirement LEEK, POTATO, CREAM<br>
|
| 52 |
+
Domination term?<br>
|
| 53 |
+
Changes direction<br>
|
| 54 |
+
<br>
|
| 55 |
+
8. Study<br>
|
| 56 |
+
Dichotomize SPLIT, SEPARATE, ASSORT<br>
|
| 57 |
+
Zilch<br>
|
| 58 |
+
<br>
|
| 59 |
+
9. Ventilation system component<br>
|
| 60 |
+
Pinched<br>
|
| 61 |
+
Cherry, for one<br>
|
| 62 |
+
<br>
|
| 63 |
+
10. Solitary<br>
|
| 64 |
+
Like Emerson's bridge<br>
|
| 65 |
+
Field role</p>
|
| 66 |
+
</body>
|
| 67 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r4p10_MIT_Mystery_Hunt_1998_19.667_Grid_Puzzles_and_Their_Variations/_solution_assets/19.667_Grid_Puzzles_and_Their_Variations_Solution.html
ADDED
|
@@ -0,0 +1,67 @@
|
|
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|
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|
|
| 1 |
+
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 5 |
+
<title>19.667 Grid Puzzles and Their Variations Solution</title>
|
| 6 |
+
</head>
|
| 7 |
+
<body>
|
| 8 |
+
<h1>19.667 — Grid Puzzles and Their Variations Solution</h1>
|
| 9 |
+
<p>The clue answers don't appear to fit in the grid. (Possible clue
|
| 10 |
+
answers below.) In addition, if we take the black squares as the
|
| 11 |
+
word breaks they would usually represent in word puzzles, some
|
| 12 |
+
rows have too few or too many entry spaces, and the answers we can
|
| 13 |
+
come up with do not appear to fit into them conventionally.<br>
|
| 14 |
+
</p>
|
| 15 |
+
<p>Perhaps we have to modify the grid somehow to make things fit.
|
| 16 |
+
Taking it as a Game of Life grid and running generations doesn't
|
| 17 |
+
seem to work.<br>
|
| 18 |
+
</p>
|
| 19 |
+
<p>Perhaps the shaded squares aren't meant as crossword-style black
|
| 20 |
+
squares but ones to extract somehow,<br>
|
| 21 |
+
</p>
|
| 22 |
+
<p>Since we are told the answers in each row may not go in int the
|
| 23 |
+
order given, there must be some theme that explains how to enter
|
| 24 |
+
them (maybe also allowing the identification of more answers), but
|
| 25 |
+
no such theme has been identified.<br>
|
| 26 |
+
</p>
|
| 27 |
+
<p>1. In one ear and out the other. e.g. MAXIM, SAW<br>
|
| 28 |
+
At a premium EXTRA<br>
|
| 29 |
+
Wrap material SARAN<br>
|
| 30 |
+
<br>
|
| 31 |
+
2. Barbera expression? YABBA DABBA DOO, or just DABBA DOO since
|
| 32 |
+
they left off the Hanna<br>
|
| 33 |
+
Bitter<br>
|
| 34 |
+
Ticketed<br>
|
| 35 |
+
<br>
|
| 36 |
+
3. Hamlisch hit THE WAY WE WERE and THE ENTERTAINER, among others<br>
|
| 37 |
+
White Lily is one<br>
|
| 38 |
+
Company?<br>
|
| 39 |
+
<br>
|
| 40 |
+
4. F, for example<br>
|
| 41 |
+
Cover, in a way<br>
|
| 42 |
+
Helpful device<br>
|
| 43 |
+
<br>
|
| 44 |
+
5. They were "enough" EIGHT<br>
|
| 45 |
+
Generation appellation X or Y, perhaps<br>
|
| 46 |
+
Dennis' dog RUFF (Dennis the Menace)<br>
|
| 47 |
+
<br>
|
| 48 |
+
6. Numskull<br>
|
| 49 |
+
Secondary<br>
|
| 50 |
+
<br>
|
| 51 |
+
7. Vichysoisse requirement LEEK, POTATO, CREAM<br>
|
| 52 |
+
Domination term?<br>
|
| 53 |
+
Changes direction<br>
|
| 54 |
+
<br>
|
| 55 |
+
8. Study<br>
|
| 56 |
+
Dichotomize SPLIT, SEPARATE, ASSORT<br>
|
| 57 |
+
Zilch<br>
|
| 58 |
+
<br>
|
| 59 |
+
9. Ventilation system component<br>
|
| 60 |
+
Pinched<br>
|
| 61 |
+
Cherry, for one<br>
|
| 62 |
+
<br>
|
| 63 |
+
10. Solitary<br>
|
| 64 |
+
Like Emerson's bridge<br>
|
| 65 |
+
Field role</p>
|
| 66 |
+
</body>
|
| 67 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1998/mit1998r4p10_MIT_Mystery_Hunt_1998_19.667_Grid_Puzzles_and_Their_Variations/solution.html
ADDED
|
@@ -0,0 +1,67 @@
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|
| 1 |
+
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<meta http-equiv="content-type" content="text/html; charset=UTF-8">
|
| 5 |
+
<title>19.667 Grid Puzzles and Their Variations Solution</title>
|
| 6 |
+
</head>
|
| 7 |
+
<body>
|
| 8 |
+
<h1>19.667 — Grid Puzzles and Their Variations Solution</h1>
|
| 9 |
+
<p>The clue answers don't appear to fit in the grid. (Possible clue
|
| 10 |
+
answers below.) In addition, if we take the black squares as the
|
| 11 |
+
word breaks they would usually represent in word puzzles, some
|
| 12 |
+
rows have too few or too many entry spaces, and the answers we can
|
| 13 |
+
come up with do not appear to fit into them conventionally.<br>
|
| 14 |
+
</p>
|
| 15 |
+
<p>Perhaps we have to modify the grid somehow to make things fit.
|
| 16 |
+
Taking it as a Game of Life grid and running generations doesn't
|
| 17 |
+
seem to work.<br>
|
| 18 |
+
</p>
|
| 19 |
+
<p>Perhaps the shaded squares aren't meant as crossword-style black
|
| 20 |
+
squares but ones to extract somehow,<br>
|
| 21 |
+
</p>
|
| 22 |
+
<p>Since we are told the answers in each row may not go in int the
|
| 23 |
+
order given, there must be some theme that explains how to enter
|
| 24 |
+
them (maybe also allowing the identification of more answers), but
|
| 25 |
+
no such theme has been identified.<br>
|
| 26 |
+
</p>
|
| 27 |
+
<p>1. In one ear and out the other. e.g. MAXIM, SAW<br>
|
| 28 |
+
At a premium EXTRA<br>
|
| 29 |
+
Wrap material SARAN<br>
|
| 30 |
+
<br>
|
| 31 |
+
2. Barbera expression? YABBA DABBA DOO, or just DABBA DOO since
|
| 32 |
+
they left off the Hanna<br>
|
| 33 |
+
Bitter<br>
|
| 34 |
+
Ticketed<br>
|
| 35 |
+
<br>
|
| 36 |
+
3. Hamlisch hit THE WAY WE WERE and THE ENTERTAINER, among others<br>
|
| 37 |
+
White Lily is one<br>
|
| 38 |
+
Company?<br>
|
| 39 |
+
<br>
|
| 40 |
+
4. F, for example<br>
|
| 41 |
+
Cover, in a way<br>
|
| 42 |
+
Helpful device<br>
|
| 43 |
+
<br>
|
| 44 |
+
5. They were "enough" EIGHT<br>
|
| 45 |
+
Generation appellation X or Y, perhaps<br>
|
| 46 |
+
Dennis' dog RUFF (Dennis the Menace)<br>
|
| 47 |
+
<br>
|
| 48 |
+
6. Numskull<br>
|
| 49 |
+
Secondary<br>
|
| 50 |
+
<br>
|
| 51 |
+
7. Vichysoisse requirement LEEK, POTATO, CREAM<br>
|
| 52 |
+
Domination term?<br>
|
| 53 |
+
Changes direction<br>
|
| 54 |
+
<br>
|
| 55 |
+
8. Study<br>
|
| 56 |
+
Dichotomize SPLIT, SEPARATE, ASSORT<br>
|
| 57 |
+
Zilch<br>
|
| 58 |
+
<br>
|
| 59 |
+
9. Ventilation system component<br>
|
| 60 |
+
Pinched<br>
|
| 61 |
+
Cherry, for one<br>
|
| 62 |
+
<br>
|
| 63 |
+
10. Solitary<br>
|
| 64 |
+
Like Emerson's bridge<br>
|
| 65 |
+
Field role</p>
|
| 66 |
+
</body>
|
| 67 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999dossiers_MIT_Mystery_Hunt_1999_Dossiers_Meta/hints.html
ADDED
|
@@ -0,0 +1,76 @@
|
|
|
|
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|
|
|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<html>
|
| 2 |
+
<head>
|
| 3 |
+
<title>Gumshoe Hints</title>
|
| 4 |
+
</head>
|
| 5 |
+
<body>
|
| 6 |
+
|
| 7 |
+
<h1>Gumshoe Hints</h1>
|
| 8 |
+
<p>Agents in the field have obtained this information:</p>
|
| 9 |
+
<p>Barcelona:</p>
|
| 10 |
+
<ol>
|
| 11 |
+
<li>There is a file called repair.html in the same directory as the original puzzle, which had errors. BE SURE YOU ARE USING THE NEW VERSION!</li>
|
| 12 |
+
<li>The white parts are transparent.</li>
|
| 13 |
+
<li>Are you looking at the right patterns in Building 56? Ignore the floor.</li>
|
| 14 |
+
<li>Use the patterns as masks.</li>
|
| 15 |
+
</ol>
|
| 16 |
+
|
| 17 |
+
<p>Freetown:</p>
|
| 18 |
+
<ol>
|
| 19 |
+
<li>The pentominoes fit into a 6x10 rectangle.</li>
|
| 20 |
+
<li>You have to solve each side separately.</li>
|
| 21 |
+
<li>The answer spirals.</li>
|
| 22 |
+
</ol>
|
| 23 |
+
|
| 24 |
+
<p>Istanbul:</p>
|
| 25 |
+
<ol>
|
| 26 |
+
<li>This is not a simple substitution cipher.</li>
|
| 27 |
+
<li>The plaintext is <strong>almost</strong> a well known poem.</li>
|
| 28 |
+
<li>The aforementioned poem is from a classic children's book.</li>
|
| 29 |
+
</ol>
|
| 30 |
+
|
| 31 |
+
<p>Jakarta:</p>
|
| 32 |
+
<ol>
|
| 33 |
+
<li>This really is a cryptogram. [small hint]</li>
|
| 34 |
+
<li>This is a substitution cipher. [medium hint]</li>
|
| 35 |
+
<li>There are extra letters. [MAJOR hint]</li>
|
| 36 |
+
<li>Note: the puzzle also contains a built in hint.</li>
|
| 37 |
+
</ol>
|
| 38 |
+
|
| 39 |
+
<p>New Orleans:</p>
|
| 40 |
+
<ol>
|
| 41 |
+
<li>1-25-94 should read 2-25-94.</li>
|
| 42 |
+
<li>The numbers really are dates.</li>
|
| 43 |
+
<li>There is something associated with each date.</li>
|
| 44 |
+
<li>The things associated with the dates in each column form a group.</li>
|
| 45 |
+
<li>The eBay website might be helpful.</li>
|
| 46 |
+
</ol>
|
| 47 |
+
|
| 48 |
+
<p>Phnom Penh:</p>
|
| 49 |
+
<ol>
|
| 50 |
+
<li>Do the colors remind you of anything? Both computer added colors and original crayon colors have (different) signifigance.<li>
|
| 51 |
+
<li>Position on the page is relavent (think Wackie Wordies).</li>
|
| 52 |
+
<li>You are looking for a pair of letters from each stop. If you can name the correct T station, but not the letters in the signs, give us a call anyway.</li>
|
| 53 |
+
</ol>
|
| 54 |
+
|
| 55 |
+
<p>Prague:</p>
|
| 56 |
+
<ol>
|
| 57 |
+
<li>Note that 'without' is in boldface.</li>
|
| 58 |
+
<li>The riddle is instructions for decrypting the string.</li>
|
| 59 |
+
<li>The riddle asks you to recall two things you should have learned <strong>throughout</strong> the course of the puzzle.</li>
|
| 60 |
+
<li><strong>Without</strong> these things...</li>
|
| 61 |
+
</ol>
|
| 62 |
+
|
| 63 |
+
<p>Tbilisi:</p>
|
| 64 |
+
<ol>
|
| 65 |
+
<li>This puzzle contains typos. They are not relevant.</li>
|
| 66 |
+
<li>The TV stations are real, but are the locations correct?</li>
|
| 67 |
+
<li>The answer is one word and appears within the puzzle.</li>
|
| 68 |
+
</ol>
|
| 69 |
+
|
| 70 |
+
<p>Toronto:</p>
|
| 71 |
+
<ol>
|
| 72 |
+
<li>These were all written by the same composer.</li>
|
| 73 |
+
<li>Figure out the BWV numbers.</li>
|
| 74 |
+
<li>You've got an IP address.</li>
|
| 75 |
+
<li>You received an email from alynn regarding "bulletin from Toronto". (Please contact ACME if you need this information again).</li>
|
| 76 |
+
</ol>
|
benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r108_MIT_Mystery_Hunt_1999_Phnom_Penh/_solution_assets/solution.html
ADDED
|
@@ -0,0 +1,46 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<html>
|
| 2 |
+
<head>
|
| 3 |
+
<title>Phnom Penh: Solution</title>
|
| 4 |
+
</head>
|
| 5 |
+
<body>
|
| 6 |
+
|
| 7 |
+
<h1>Phnom Penh: Solution</h1>
|
| 8 |
+
<p>
|
| 9 |
+
This is a T puzzle, as clues by the colors and the words superimposed on the
|
| 10 |
+
rubbings. Each rubbing clues a station a short distance from MIT and the
|
| 11 |
+
rubbing is taken in or near that station.</p>
|
| 12 |
+
<ul>
|
| 13 |
+
<li>The purple-framed rubbing, at the top of the page with the word STATION,
|
| 14 |
+
clues North Station. The top of the plaque has the address
|
| 15 |
+
164 Canal Street, which is now an empty space between two sports bars.
|
| 16 |
+
In 1999, it was the location of Financial Perspectives Planning Services,
|
| 17 |
+
so the missing letters are AL.</li>
|
| 18 |
+
<li>The orange-framed rubbing, on the left side with the word BAY, clues
|
| 19 |
+
Back Bay station, and is in fact <a href="backbayplaque.jpg">a dedication plaque for the station</a>.
|
| 20 |
+
The last word partly visible is GOVERNOR, and the governor of
|
| 21 |
+
Massachusetts with consecutive KA in his name is Dukakis, who was governor
|
| 22 |
+
in 1987 when this station opened. So the missing letters are DU.</li>
|
| 23 |
+
<li>The red-framed rubbing, the only square shaped one and in the middle of
|
| 24 |
+
the page, clues Central Square. The rubbing is from an inscription on one of the
|
| 25 |
+
cylinders that form the "<a href="http://tech.mit.edu/V116/N21/dreams.21a.html">Multicultural Manifestos</a>"
|
| 26 |
+
artwork that is located there. The inscription on the cylinder has words "...people....different...background...".
|
| 27 |
+
Thus, the missing letters are RE.</li>
|
| 28 |
+
<li>The green-framed rubbing at the bottom of the page, with letters TWNO
|
| 29 |
+
in a square, clues Downtown Crossing (T-O and W-N are crossing). This
|
| 30 |
+
rubbing is from the
|
| 31 |
+
<a HREF="marshplaque.jpg">plaque</a>
|
| 32 |
+
commemorating the Jordan Marsh department store, which sat above Downtown
|
| 33 |
+
Crossing for decades, and in 1996 was bought by Macy's. Note that unlike
|
| 34 |
+
the other ones, Downtown Crossing is not technically on the green line,
|
| 35 |
+
but it is connected by the walkable tunnel to Park Street station.
|
| 36 |
+
The missing letters are SI from "simultaneously".</li>
|
| 37 |
+
</ul>
|
| 38 |
+
<p>Put these together in the order of a possible trip connecting all these
|
| 39 |
+
stations: Red line from Central Square to Downtown Crossing, orange to
|
| 40 |
+
Back Bay, and then back on the orange line to North Station (Back Bay
|
| 41 |
+
is on the commuter rail, but it is on the <i>South Station</i> commuter
|
| 42 |
+
rail, not connected to North Station). Alternatively, just anagram.
|
| 43 |
+
This gives <strong>RESIDUAL</strong>.</p>
|
| 44 |
+
|
| 45 |
+
</BODY>
|
| 46 |
+
</HTML>
|
benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r108_MIT_Mystery_Hunt_1999_Phnom_Penh/solution.html
ADDED
|
@@ -0,0 +1,46 @@
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<html>
|
| 2 |
+
<head>
|
| 3 |
+
<title>Phnom Penh: Solution</title>
|
| 4 |
+
</head>
|
| 5 |
+
<body>
|
| 6 |
+
|
| 7 |
+
<h1>Phnom Penh: Solution</h1>
|
| 8 |
+
<p>
|
| 9 |
+
This is a T puzzle, as clues by the colors and the words superimposed on the
|
| 10 |
+
rubbings. Each rubbing clues a station a short distance from MIT and the
|
| 11 |
+
rubbing is taken in or near that station.</p>
|
| 12 |
+
<ul>
|
| 13 |
+
<li>The purple-framed rubbing, at the top of the page with the word STATION,
|
| 14 |
+
clues North Station. The top of the plaque has the address
|
| 15 |
+
164 Canal Street, which is now an empty space between two sports bars.
|
| 16 |
+
In 1999, it was the location of Financial Perspectives Planning Services,
|
| 17 |
+
so the missing letters are AL.</li>
|
| 18 |
+
<li>The orange-framed rubbing, on the left side with the word BAY, clues
|
| 19 |
+
Back Bay station, and is in fact <a href="backbayplaque.jpg">a dedication plaque for the station</a>.
|
| 20 |
+
The last word partly visible is GOVERNOR, and the governor of
|
| 21 |
+
Massachusetts with consecutive KA in his name is Dukakis, who was governor
|
| 22 |
+
in 1987 when this station opened. So the missing letters are DU.</li>
|
| 23 |
+
<li>The red-framed rubbing, the only square shaped one and in the middle of
|
| 24 |
+
the page, clues Central Square. The rubbing is from an inscription on one of the
|
| 25 |
+
cylinders that form the "<a href="http://tech.mit.edu/V116/N21/dreams.21a.html">Multicultural Manifestos</a>"
|
| 26 |
+
artwork that is located there. The inscription on the cylinder has words "...people....different...background...".
|
| 27 |
+
Thus, the missing letters are RE.</li>
|
| 28 |
+
<li>The green-framed rubbing at the bottom of the page, with letters TWNO
|
| 29 |
+
in a square, clues Downtown Crossing (T-O and W-N are crossing). This
|
| 30 |
+
rubbing is from the
|
| 31 |
+
<a HREF="marshplaque.jpg">plaque</a>
|
| 32 |
+
commemorating the Jordan Marsh department store, which sat above Downtown
|
| 33 |
+
Crossing for decades, and in 1996 was bought by Macy's. Note that unlike
|
| 34 |
+
the other ones, Downtown Crossing is not technically on the green line,
|
| 35 |
+
but it is connected by the walkable tunnel to Park Street station.
|
| 36 |
+
The missing letters are SI from "simultaneously".</li>
|
| 37 |
+
</ul>
|
| 38 |
+
<p>Put these together in the order of a possible trip connecting all these
|
| 39 |
+
stations: Red line from Central Square to Downtown Crossing, orange to
|
| 40 |
+
Back Bay, and then back on the orange line to North Station (Back Bay
|
| 41 |
+
is on the commuter rail, but it is on the <i>South Station</i> commuter
|
| 42 |
+
rail, not connected to North Station). Alternatively, just anagram.
|
| 43 |
+
This gives <strong>RESIDUAL</strong>.</p>
|
| 44 |
+
|
| 45 |
+
</BODY>
|
| 46 |
+
</HTML>
|
benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r2w2_MIT_Mystery_Hunt_1999_Warrant_2.2/_solution_assets/solution.html
ADDED
|
@@ -0,0 +1,81 @@
|
|
|
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|
|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<html>
|
| 2 |
+
<head>
|
| 3 |
+
<title>Warrant 2.2: Solution</title>
|
| 4 |
+
<style>
|
| 5 |
+
table {
|
| 6 |
+
border-collapse: collapse;
|
| 7 |
+
}
|
| 8 |
+
|
| 9 |
+
td {
|
| 10 |
+
border: 1px solid #333;
|
| 11 |
+
padding: 10px;
|
| 12 |
+
}
|
| 13 |
+
</style>
|
| 14 |
+
</head>
|
| 15 |
+
<body>
|
| 16 |
+
<h1>Warrant 2.2: Solution</h1>
|
| 17 |
+
|
| 18 |
+
<p>The English translations with Klingon transcriptions are:</p>
|
| 19 |
+
<table>
|
| 20 |
+
<tr>
|
| 21 |
+
<td>#</td>
|
| 22 |
+
<td>Saying</td>
|
| 23 |
+
<td>Klingon</td>
|
| 24 |
+
<td>English</td>
|
| 25 |
+
<tr>
|
| 26 |
+
<tr>
|
| 27 |
+
<td>1</td>
|
| 28 |
+
<td>A stitch in time saves nine</td>
|
| 29 |
+
<td>Sibi' wa'logh ti'lu'chugh vaj Hutlogh ti'niSlu'be'</td>
|
| 30 |
+
<td>If a repair is made right away,
|
| 31 |
+
it won't be necessary to make nine repairs.</td>
|
| 32 |
+
</tr>
|
| 33 |
+
<tr>
|
| 34 |
+
<td>2</td>
|
| 35 |
+
<td>The twelve days of Christmas</td>
|
| 36 |
+
<td>*QISmaS wa'maH cha' jaj</td>
|
| 37 |
+
<td>The twelve days of Christmas</td>
|
| 38 |
+
</tr>
|
| 39 |
+
<tr>
|
| 40 |
+
<td>3</td>
|
| 41 |
+
<td>Four and twenty blackbirds baked in a pie</td>
|
| 42 |
+
<td>chabDaq cha'maH loS toQ qij luvutlu'bogh</td>
|
| 43 |
+
<td>Twenty-four cooked black birds-of-prey in a pie</td>
|
| 44 |
+
</tr>
|
| 45 |
+
<tr>
|
| 46 |
+
<td>4</td>
|
| 47 |
+
<td>Snow White and the Seven Dwarfs</td>
|
| 48 |
+
<td>*peDchiS Soch nuvHom je</td>
|
| 49 |
+
<td>and the seven small humanoids</td>
|
| 50 |
+
</tr>
|
| 51 |
+
<tr>
|
| 52 |
+
<td>5</td>
|
| 53 |
+
<td>She was just seventeen, if you know what I mean</td>
|
| 54 |
+
<td>wa'maH Soch ben bogh neH, choyaj'a'?</td>
|
| 55 |
+
<td>She was born just 17 years ago, do you understand me?</td>
|
| 56 |
+
</tr>
|
| 57 |
+
<tr>
|
| 58 |
+
<td>6</td>
|
| 59 |
+
<td>I regret that I have but one life to give for my country</td>
|
| 60 |
+
<td>wo'wijvaD wa'logh jiHeghlaH neH 'e' vipay</td>
|
| 61 |
+
<td>I regret that I can only die once for my empire.</td>
|
| 62 |
+
</tr>
|
| 63 |
+
</table>
|
| 64 |
+
|
| 65 |
+
<p>Add the numbers in the translations: 9 + 12 + 24 + 7 + 17 + 1 = 70. Written out as a word, the solution is, therefore, <strong>SEVENTY</strong></p>
|
| 66 |
+
|
| 67 |
+
<hr>
|
| 68 |
+
|
| 69 |
+
<em>Archivist's note:</em> The author supplied the following notes with the solution:
|
| 70 |
+
<ol>
|
| 71 |
+
<li> I don't know any Klingon. A coworker of mine at Dragon systems (Mark Mandel) is a linguist who
|
| 72 |
+
has extensive knowledge of Klingon. He translated and dictated the phrases for me. Thanks, Mark.</li>
|
| 73 |
+
<li> This puzzle was a last minute replacement for another puzzle, which basically consisted of people
|
| 74 |
+
saying these same English phrases into Dragon System's NaturallySpeaking speech recognition systems
|
| 75 |
+
in various languages. The solver would be given the output of the speech recognizers. Unfortunately, the
|
| 76 |
+
system uses a lot of word occurrence/co-occurrence knowledge and the results in most cases were not
|
| 77 |
+
phonetically similar enough. Test solving bore this out. Maybe next time...</li>
|
| 78 |
+
<li>An interesting response one team got from a Klingon expert.</li>
|
| 79 |
+
</ol>
|
| 80 |
+
</body>
|
| 81 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r2w2_MIT_Mystery_Hunt_1999_Warrant_2.2/solution.html
ADDED
|
@@ -0,0 +1,81 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<html>
|
| 2 |
+
<head>
|
| 3 |
+
<title>Warrant 2.2: Solution</title>
|
| 4 |
+
<style>
|
| 5 |
+
table {
|
| 6 |
+
border-collapse: collapse;
|
| 7 |
+
}
|
| 8 |
+
|
| 9 |
+
td {
|
| 10 |
+
border: 1px solid #333;
|
| 11 |
+
padding: 10px;
|
| 12 |
+
}
|
| 13 |
+
</style>
|
| 14 |
+
</head>
|
| 15 |
+
<body>
|
| 16 |
+
<h1>Warrant 2.2: Solution</h1>
|
| 17 |
+
|
| 18 |
+
<p>The English translations with Klingon transcriptions are:</p>
|
| 19 |
+
<table>
|
| 20 |
+
<tr>
|
| 21 |
+
<td>#</td>
|
| 22 |
+
<td>Saying</td>
|
| 23 |
+
<td>Klingon</td>
|
| 24 |
+
<td>English</td>
|
| 25 |
+
<tr>
|
| 26 |
+
<tr>
|
| 27 |
+
<td>1</td>
|
| 28 |
+
<td>A stitch in time saves nine</td>
|
| 29 |
+
<td>Sibi' wa'logh ti'lu'chugh vaj Hutlogh ti'niSlu'be'</td>
|
| 30 |
+
<td>If a repair is made right away,
|
| 31 |
+
it won't be necessary to make nine repairs.</td>
|
| 32 |
+
</tr>
|
| 33 |
+
<tr>
|
| 34 |
+
<td>2</td>
|
| 35 |
+
<td>The twelve days of Christmas</td>
|
| 36 |
+
<td>*QISmaS wa'maH cha' jaj</td>
|
| 37 |
+
<td>The twelve days of Christmas</td>
|
| 38 |
+
</tr>
|
| 39 |
+
<tr>
|
| 40 |
+
<td>3</td>
|
| 41 |
+
<td>Four and twenty blackbirds baked in a pie</td>
|
| 42 |
+
<td>chabDaq cha'maH loS toQ qij luvutlu'bogh</td>
|
| 43 |
+
<td>Twenty-four cooked black birds-of-prey in a pie</td>
|
| 44 |
+
</tr>
|
| 45 |
+
<tr>
|
| 46 |
+
<td>4</td>
|
| 47 |
+
<td>Snow White and the Seven Dwarfs</td>
|
| 48 |
+
<td>*peDchiS Soch nuvHom je</td>
|
| 49 |
+
<td>and the seven small humanoids</td>
|
| 50 |
+
</tr>
|
| 51 |
+
<tr>
|
| 52 |
+
<td>5</td>
|
| 53 |
+
<td>She was just seventeen, if you know what I mean</td>
|
| 54 |
+
<td>wa'maH Soch ben bogh neH, choyaj'a'?</td>
|
| 55 |
+
<td>She was born just 17 years ago, do you understand me?</td>
|
| 56 |
+
</tr>
|
| 57 |
+
<tr>
|
| 58 |
+
<td>6</td>
|
| 59 |
+
<td>I regret that I have but one life to give for my country</td>
|
| 60 |
+
<td>wo'wijvaD wa'logh jiHeghlaH neH 'e' vipay</td>
|
| 61 |
+
<td>I regret that I can only die once for my empire.</td>
|
| 62 |
+
</tr>
|
| 63 |
+
</table>
|
| 64 |
+
|
| 65 |
+
<p>Add the numbers in the translations: 9 + 12 + 24 + 7 + 17 + 1 = 70. Written out as a word, the solution is, therefore, <strong>SEVENTY</strong></p>
|
| 66 |
+
|
| 67 |
+
<hr>
|
| 68 |
+
|
| 69 |
+
<em>Archivist's note:</em> The author supplied the following notes with the solution:
|
| 70 |
+
<ol>
|
| 71 |
+
<li> I don't know any Klingon. A coworker of mine at Dragon systems (Mark Mandel) is a linguist who
|
| 72 |
+
has extensive knowledge of Klingon. He translated and dictated the phrases for me. Thanks, Mark.</li>
|
| 73 |
+
<li> This puzzle was a last minute replacement for another puzzle, which basically consisted of people
|
| 74 |
+
saying these same English phrases into Dragon System's NaturallySpeaking speech recognition systems
|
| 75 |
+
in various languages. The solver would be given the output of the speech recognizers. Unfortunately, the
|
| 76 |
+
system uses a lot of word occurrence/co-occurrence knowledge and the results in most cases were not
|
| 77 |
+
phonetically similar enough. Test solving bore this out. Maybe next time...</li>
|
| 78 |
+
<li>An interesting response one team got from a Klingon expert.</li>
|
| 79 |
+
</ol>
|
| 80 |
+
</body>
|
| 81 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r405_MIT_Mystery_Hunt_1999_Helsinki/helsinki.html
ADDED
|
@@ -0,0 +1,160 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
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|
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|
|
|
|
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|
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|
|
|
|
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|
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|
|
|
|
|
|
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|
|
|
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|
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|
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|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
| 1 |
+
<html>
|
| 2 |
+
<head>
|
| 3 |
+
<title>Helsinki</title>
|
| 4 |
+
</head>
|
| 5 |
+
<body>
|
| 6 |
+
<h1>Helsinki</h1>
|
| 7 |
+
<p>"So how do you play this game?"</p>
|
| 8 |
+
<p>
|
| 9 |
+
"Easy. We just take turns putting pieces down. You have to place
|
| 10 |
+
yours so that some number of mine in a line are surrounded on
|
| 11 |
+
either end, then the surrounded ones flip and they're yours."
|
| 12 |
+
</p>
|
| 13 |
+
<p>
|
| 14 |
+
"Who wins?"
|
| 15 |
+
</p>
|
| 16 |
+
<p>
|
| 17 |
+
"Whoever has the most when we run out of moves."
|
| 18 |
+
</p>
|
| 19 |
+
<p>
|
| 20 |
+
"Okay..."
|
| 21 |
+
</p>
|
| 22 |
+
<p>
|
| 23 |
+
"You're black. You go first."
|
| 24 |
+
</p>
|
| 25 |
+
<pre>
|
| 26 |
+
D6
|
| 27 |
+
</pre>
|
| 28 |
+
<p>
|
| 29 |
+
"So then I flip this one... right?"
|
| 30 |
+
</p>
|
| 31 |
+
<p>
|
| 32 |
+
"Yup."
|
| 33 |
+
</p>
|
| 34 |
+
<p>
|
| 35 |
+
<pre>
|
| 36 |
+
........E6
|
| 37 |
+
F5......G6
|
| 38 |
+
G5......G4
|
| 39 |
+
</pre>
|
| 40 |
+
</p>
|
| 41 |
+
<p>
|
| 42 |
+
"Errr... ummm..."
|
| 43 |
+
</p>
|
| 44 |
+
<p>
|
| 45 |
+
"Try thinking about what moves you leave open for me, and what
|
| 46 |
+
those will leave for you. It's not just about how many pieces you
|
| 47 |
+
flip each turn. It's only mostly about that."
|
| 48 |
+
</p>
|
| 49 |
+
<p>
|
| 50 |
+
<pre>
|
| 51 |
+
F6......E7
|
| 52 |
+
H5......C3
|
| 53 |
+
H7......H6
|
| 54 |
+
G7......G8
|
| 55 |
+
</pre>
|
| 56 |
+
<p>
|
| 57 |
+
"This is cool. A piece could be flipped a whole lot of times in a
|
| 58 |
+
game."
|
| 59 |
+
</p>
|
| 60 |
+
<p>
|
| 61 |
+
"You have a keen grasp of the obvious."
|
| 62 |
+
</p>
|
| 63 |
+
<p>
|
| 64 |
+
"I wonder how many times this one over here will get flipped in a
|
| 65 |
+
game..."
|
| 66 |
+
</p>
|
| 67 |
+
<p>
|
| 68 |
+
"So keep count. But for now, play."
|
| 69 |
+
</p>
|
| 70 |
+
<p>
|
| 71 |
+
<pre>
|
| 72 |
+
F7......H8
|
| 73 |
+
D3......C5
|
| 74 |
+
F3......G3
|
| 75 |
+
C4......E3
|
| 76 |
+
D7......E8
|
| 77 |
+
C6......F8
|
| 78 |
+
G2......H4
|
| 79 |
+
</pre>
|
| 80 |
+
</p>
|
| 81 |
+
<p>
|
| 82 |
+
"Hey, what are you up to there?..."
|
| 83 |
+
</p>
|
| 84 |
+
<p>
|
| 85 |
+
"Oh, nothing. Just a bit of strategy. Hehehehehehehehehe"
|
| 86 |
+
</p>
|
| 87 |
+
<p>
|
| 88 |
+
<pre>
|
| 89 |
+
F2......F4
|
| 90 |
+
D2......E1
|
| 91 |
+
H2......B5
|
| 92 |
+
F1
|
| 93 |
+
</pre>
|
| 94 |
+
<p>
|
| 95 |
+
"Heh."
|
| 96 |
+
</p>
|
| 97 |
+
<p>
|
| 98 |
+
<pre>
|
| 99 |
+
........H3
|
| 100 |
+
</pre>
|
| 101 |
+
</p>
|
| 102 |
+
<p>
|
| 103 |
+
"Ack!"
|
| 104 |
+
</p>
|
| 105 |
+
<p>
|
| 106 |
+
<pre>
|
| 107 |
+
B2......C7
|
| 108 |
+
C2......G1
|
| 109 |
+
E2......H1
|
| 110 |
+
B6......A6
|
| 111 |
+
B7......A1
|
| 112 |
+
</pre>
|
| 113 |
+
<p>
|
| 114 |
+
"Ha! I see what you're doing now!"
|
| 115 |
+
</p>
|
| 116 |
+
<p>
|
| 117 |
+
"What?"
|
| 118 |
+
</p>
|
| 119 |
+
<p>
|
| 120 |
+
"You expect me to tell you that?!"
|
| 121 |
+
</p>
|
| 122 |
+
<p>
|
| 123 |
+
<pre>
|
| 124 |
+
B3......A3
|
| 125 |
+
D8......B1
|
| 126 |
+
A2......D1
|
| 127 |
+
</pre>
|
| 128 |
+
</p>
|
| 129 |
+
<p>
|
| 130 |
+
"Crap. Pass me another beer."
|
| 131 |
+
</p>
|
| 132 |
+
<p>
|
| 133 |
+
"We're all out of Rolling Rock."
|
| 134 |
+
</p>
|
| 135 |
+
<p>
|
| 136 |
+
"Any Coors?"
|
| 137 |
+
</p>
|
| 138 |
+
<p>
|
| 139 |
+
"Nope."
|
| 140 |
+
</p>
|
| 141 |
+
<p>
|
| 142 |
+
"Then give me a Cider Jack."
|
| 143 |
+
</p>
|
| 144 |
+
<p>
|
| 145 |
+
<pre>
|
| 146 |
+
B4......A8
|
| 147 |
+
C8......A7
|
| 148 |
+
B8......A4
|
| 149 |
+
</pre>
|
| 150 |
+
</p>
|
| 151 |
+
<p>
|
| 152 |
+
"Errrrr... 1 2 3... 24 25... 40... 50 51... and I have 11... so if I
|
| 153 |
+
did this, then you did this... no, that doesn't work... that doesn't
|
| 154 |
+
work either... okay, you win. Let's watch Seinfeld."
|
| 155 |
+
</p>
|
| 156 |
+
<p><a href="solution.html">Solution</a></p>
|
| 157 |
+
</body><script type="module" src="/checkanswer.js"></script>
|
| 158 |
+
</html>
|
| 159 |
+
|
| 160 |
+
|
benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r410_MIT_Mystery_Hunt_1999_Perth/_solution_assets/solution.html
ADDED
|
@@ -0,0 +1,49 @@
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<html>
|
| 2 |
+
<head>
|
| 3 |
+
<title>Perth: Solution</title>
|
| 4 |
+
</head>
|
| 5 |
+
<body>
|
| 6 |
+
|
| 7 |
+
<h1>Perth: Solution</h1>
|
| 8 |
+
<p>
|
| 9 |
+
Rearrange the columns to read:
|
| 10 |
+
</p>
|
| 11 |
+
<p>
|
| 12 |
+
LISTEN TO WEEKEND EDITION WITH LIANE HANSEN. REPLACE KN WITH H IN ONE RHYMING PAIR AND SOLVE. REPLACE THE LAST TWO LETTERS IN THE ANSWER WITH X TO FORM ANOTHER WORD.
|
| 13 |
+
</p>
|
| 14 |
+
<p>
|
| 15 |
+
Weekend Edition is an NPR program that airs on Saturday and Sunday mornings. The Sunday program is hosted by Liane Hansen and airs in Boston on WBUR (90.9 FM) at 8:00. One regular segment on the program features 'puzzle master' Will Shortz (the New York Times crossword puzzle editor), which always airs about 40 minutes into the show. One piece of his segment involves posing word puzzles to a
|
| 16 |
+
listener who submitted a correct answer to the previous week's 'challenge puzzle'.
|
| 17 |
+
The piece went something like this (answers to clues are inline):</p>
|
| 18 |
+
|
| 19 |
+
<blockquote>
|
| 20 |
+
<p>
|
| 21 |
+
"I'm going to give you 2 rhyming words. You give a 3rd word that can follow each of mine to complete a compound word or familiar 2-word phrase. For example, if I said "Wish" and "Fish," you'd say BONE (as in Wishbone and fishbone)."
|
| 22 |
+
</p>
|
| 23 |
+
<ol>
|
| 24 |
+
<li>Early, Whirly: BIRD</li>
|
| 25 |
+
<li>Pool, School: ROOM</li>
|
| 26 |
+
<li>Band, Grand: STAND</li>
|
| 27 |
+
<li>Fair, Stair: WAY</li>
|
| 28 |
+
<li>Knot, Pot: HOLE</li>
|
| 29 |
+
<li>View, Dew: POINT</li>
|
| 30 |
+
<li>Cue, Screw: BALL</li>
|
| 31 |
+
<li>Jack, Crack: POT</li>
|
| 32 |
+
<li>[a triple] Dead, Head, Bread: LINE</li>
|
| 33 |
+
</ol>
|
| 34 |
+
</blockquote>
|
| 35 |
+
|
| 36 |
+
<p>Replacing the "kn" in "knot" with 'h' gives the pair "hot, pot" with answer "head". Replacing the last two letters of "head" with 'x' gives the final puzzle answer of <strong>HEX</strong>.</p>
|
| 37 |
+
|
| 38 |
+
<hr>
|
| 39 |
+
|
| 40 |
+
<p>
|
| 41 |
+
<strong><em>Author's notes:</em></strong>
|
| 42 |
+
<ol>
|
| 43 |
+
<li>I am acquainted (as are some others in Acme) with Will Shortz through the National Puzzlers' League (NPL). He is VERY nice.
|
| 44 |
+
<li>An interesting coincidence was pointed out by an Ygology member (thanks, Squonk) - the NPL nom (see note below) for the composers of the challenge puzzle given in the broadcast is HEX.</li>
|
| 45 |
+
<li>Note: Almost all NPL members have pseudonyms, referred to as "noms". In the case of HEX, it's actually a pair of people - Emily Cox and Henry Rathvon, who compose the Boston Globe Sunday crossword that appears every other week and the Atlantic Monthly puzzle. In fact we pointed hunters to a web site which is a guide by them to solving cryptic crosswords.</li>
|
| 46 |
+
</ol>
|
| 47 |
+
</p>
|
| 48 |
+
</body>
|
| 49 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r410_MIT_Mystery_Hunt_1999_Perth/solution.html
ADDED
|
@@ -0,0 +1,49 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<html>
|
| 2 |
+
<head>
|
| 3 |
+
<title>Perth: Solution</title>
|
| 4 |
+
</head>
|
| 5 |
+
<body>
|
| 6 |
+
|
| 7 |
+
<h1>Perth: Solution</h1>
|
| 8 |
+
<p>
|
| 9 |
+
Rearrange the columns to read:
|
| 10 |
+
</p>
|
| 11 |
+
<p>
|
| 12 |
+
LISTEN TO WEEKEND EDITION WITH LIANE HANSEN. REPLACE KN WITH H IN ONE RHYMING PAIR AND SOLVE. REPLACE THE LAST TWO LETTERS IN THE ANSWER WITH X TO FORM ANOTHER WORD.
|
| 13 |
+
</p>
|
| 14 |
+
<p>
|
| 15 |
+
Weekend Edition is an NPR program that airs on Saturday and Sunday mornings. The Sunday program is hosted by Liane Hansen and airs in Boston on WBUR (90.9 FM) at 8:00. One regular segment on the program features 'puzzle master' Will Shortz (the New York Times crossword puzzle editor), which always airs about 40 minutes into the show. One piece of his segment involves posing word puzzles to a
|
| 16 |
+
listener who submitted a correct answer to the previous week's 'challenge puzzle'.
|
| 17 |
+
The piece went something like this (answers to clues are inline):</p>
|
| 18 |
+
|
| 19 |
+
<blockquote>
|
| 20 |
+
<p>
|
| 21 |
+
"I'm going to give you 2 rhyming words. You give a 3rd word that can follow each of mine to complete a compound word or familiar 2-word phrase. For example, if I said "Wish" and "Fish," you'd say BONE (as in Wishbone and fishbone)."
|
| 22 |
+
</p>
|
| 23 |
+
<ol>
|
| 24 |
+
<li>Early, Whirly: BIRD</li>
|
| 25 |
+
<li>Pool, School: ROOM</li>
|
| 26 |
+
<li>Band, Grand: STAND</li>
|
| 27 |
+
<li>Fair, Stair: WAY</li>
|
| 28 |
+
<li>Knot, Pot: HOLE</li>
|
| 29 |
+
<li>View, Dew: POINT</li>
|
| 30 |
+
<li>Cue, Screw: BALL</li>
|
| 31 |
+
<li>Jack, Crack: POT</li>
|
| 32 |
+
<li>[a triple] Dead, Head, Bread: LINE</li>
|
| 33 |
+
</ol>
|
| 34 |
+
</blockquote>
|
| 35 |
+
|
| 36 |
+
<p>Replacing the "kn" in "knot" with 'h' gives the pair "hot, pot" with answer "head". Replacing the last two letters of "head" with 'x' gives the final puzzle answer of <strong>HEX</strong>.</p>
|
| 37 |
+
|
| 38 |
+
<hr>
|
| 39 |
+
|
| 40 |
+
<p>
|
| 41 |
+
<strong><em>Author's notes:</em></strong>
|
| 42 |
+
<ol>
|
| 43 |
+
<li>I am acquainted (as are some others in Acme) with Will Shortz through the National Puzzlers' League (NPL). He is VERY nice.
|
| 44 |
+
<li>An interesting coincidence was pointed out by an Ygology member (thanks, Squonk) - the NPL nom (see note below) for the composers of the challenge puzzle given in the broadcast is HEX.</li>
|
| 45 |
+
<li>Note: Almost all NPL members have pseudonyms, referred to as "noms". In the case of HEX, it's actually a pair of people - Emily Cox and Henry Rathvon, who compose the Boston Globe Sunday crossword that appears every other week and the Atlantic Monthly puzzle. In fact we pointed hunters to a web site which is a guide by them to solving cryptic crosswords.</li>
|
| 46 |
+
</ol>
|
| 47 |
+
</p>
|
| 48 |
+
</body>
|
| 49 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r4w4_MIT_Mystery_Hunt_1999_Warrant_4.4/_solution_assets/solution.html
ADDED
|
@@ -0,0 +1,39 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<html>
|
| 2 |
+
<head>
|
| 3 |
+
<title>Warrant 4.4: Solution</title>
|
| 4 |
+
</head>
|
| 5 |
+
<body>
|
| 6 |
+
|
| 7 |
+
<h1>Warrant 4.4: Solution</h1>
|
| 8 |
+
|
| 9 |
+
<p>The magical thing you're supposed to realise, after futzing with it for a long time, is that *all of these things have something in common*, which is to say, each of these can be taken as a word-association thingie for a phrase either starring the word "Carmen" or "Sandiego". (Hence, the theme of this puzzle
|
| 10 |
+
matches the theme of the hunt.)</p>
|
| 11 |
+
<p>
|
| 12 |
+
<ul>
|
| 13 |
+
<li>baseball: San Diego Padres. [You probably had to realise the "Carmen/Sandiego" link before you would have figured this one out.]</li>
|
| 14 |
+
<li>duck boats: Boston Common. [Pronounced in a proper Bostonian accent, of course.]</li>
|
| 15 |
+
<li>fruit: Carmen Miranda. [Doesn't she wear fruit on her head?]</li>
|
| 16 |
+
<li>hooked the worm: Carmen Electra. [A few months ago, she married Dennis Rodman in Las Vegas to much controversy. Rodman's lawyer claimed that he was drunk at the time. Yeesh! On http://headlines.yahoo.com/Full_Coverage/Sports/Dennis_Rodman/, Rodman is already twice referred to as the "Worm". And I swear there were all sorts of headlines about Carmen Electra hooking the worm in Las Vegas. *sigh*]</li>
|
| 17 |
+
<li>Marc Tanner: Santiago, Chile. [A bit tricky, but you might have recalled reading about Marc on http://web.mit.edu/puzzle/www/acme.html. He's listed as "Marc 'Glad it's not so Chile out anymore' Tanner".]</li>
|
| 18 |
+
<li>roller hockey international: San Diego Barracudas. [This one was kinda like "baseball", but a simple Yahoo! search on "Carmen" and "San Diego" or "Sandiego" would have yielded all of these.]</li>
|
| 19 |
+
<li>Aztecs: San Diego State. [The San Diego State mascot is (are?) the Aztecs.]</li>
|
| 20 |
+
<li>cheesey-poofs: Eric Cartman. [Being myself not a viewer of South Park, I have no idea what this means, but Various People insisted Eric Cartman would be identifiable by "cheesey-poofs".]</li>
|
| 21 |
+
</ul>
|
| 22 |
+
</p>
|
| 23 |
+
|
| 24 |
+
<p>What next? Well, remove all the Carmens and Sandiegos. You're left with a bunch of words and those numbers on the puzzle; ie,<p>
|
| 25 |
+
<p>
|
| 26 |
+
<ul style="list-style-type:none;">
|
| 27 |
+
<li>Padres (4)</li>
|
| 28 |
+
<li>Boston (4)</li>
|
| 29 |
+
<li>Miranda (5)</li>
|
| 30 |
+
<li>Electra (5)</li>
|
| 31 |
+
<li>Chile (3)</li>
|
| 32 |
+
<li>Barracudas (2)</li>
|
| 33 |
+
<li>State (5)</li>
|
| 34 |
+
<li>Eric (4)</li>
|
| 35 |
+
</ul>
|
| 36 |
+
</p>
|
| 37 |
+
<P>That's just a simple "take the nth letter of the word" -- so you get R T N T I A E C which, if properly reassembled, spells the answer: <strong>INTERACT</strong>.</p>
|
| 38 |
+
</body>
|
| 39 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/1999/mit1999r4w4_MIT_Mystery_Hunt_1999_Warrant_4.4/solution.html
ADDED
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|
| 1 |
+
<html>
|
| 2 |
+
<head>
|
| 3 |
+
<title>Warrant 4.4: Solution</title>
|
| 4 |
+
</head>
|
| 5 |
+
<body>
|
| 6 |
+
|
| 7 |
+
<h1>Warrant 4.4: Solution</h1>
|
| 8 |
+
|
| 9 |
+
<p>The magical thing you're supposed to realise, after futzing with it for a long time, is that *all of these things have something in common*, which is to say, each of these can be taken as a word-association thingie for a phrase either starring the word "Carmen" or "Sandiego". (Hence, the theme of this puzzle
|
| 10 |
+
matches the theme of the hunt.)</p>
|
| 11 |
+
<p>
|
| 12 |
+
<ul>
|
| 13 |
+
<li>baseball: San Diego Padres. [You probably had to realise the "Carmen/Sandiego" link before you would have figured this one out.]</li>
|
| 14 |
+
<li>duck boats: Boston Common. [Pronounced in a proper Bostonian accent, of course.]</li>
|
| 15 |
+
<li>fruit: Carmen Miranda. [Doesn't she wear fruit on her head?]</li>
|
| 16 |
+
<li>hooked the worm: Carmen Electra. [A few months ago, she married Dennis Rodman in Las Vegas to much controversy. Rodman's lawyer claimed that he was drunk at the time. Yeesh! On http://headlines.yahoo.com/Full_Coverage/Sports/Dennis_Rodman/, Rodman is already twice referred to as the "Worm". And I swear there were all sorts of headlines about Carmen Electra hooking the worm in Las Vegas. *sigh*]</li>
|
| 17 |
+
<li>Marc Tanner: Santiago, Chile. [A bit tricky, but you might have recalled reading about Marc on http://web.mit.edu/puzzle/www/acme.html. He's listed as "Marc 'Glad it's not so Chile out anymore' Tanner".]</li>
|
| 18 |
+
<li>roller hockey international: San Diego Barracudas. [This one was kinda like "baseball", but a simple Yahoo! search on "Carmen" and "San Diego" or "Sandiego" would have yielded all of these.]</li>
|
| 19 |
+
<li>Aztecs: San Diego State. [The San Diego State mascot is (are?) the Aztecs.]</li>
|
| 20 |
+
<li>cheesey-poofs: Eric Cartman. [Being myself not a viewer of South Park, I have no idea what this means, but Various People insisted Eric Cartman would be identifiable by "cheesey-poofs".]</li>
|
| 21 |
+
</ul>
|
| 22 |
+
</p>
|
| 23 |
+
|
| 24 |
+
<p>What next? Well, remove all the Carmens and Sandiegos. You're left with a bunch of words and those numbers on the puzzle; ie,<p>
|
| 25 |
+
<p>
|
| 26 |
+
<ul style="list-style-type:none;">
|
| 27 |
+
<li>Padres (4)</li>
|
| 28 |
+
<li>Boston (4)</li>
|
| 29 |
+
<li>Miranda (5)</li>
|
| 30 |
+
<li>Electra (5)</li>
|
| 31 |
+
<li>Chile (3)</li>
|
| 32 |
+
<li>Barracudas (2)</li>
|
| 33 |
+
<li>State (5)</li>
|
| 34 |
+
<li>Eric (4)</li>
|
| 35 |
+
</ul>
|
| 36 |
+
</p>
|
| 37 |
+
<P>That's just a simple "take the nth letter of the word" -- so you get R T N T I A E C which, if properly reassembled, spells the answer: <strong>INTERACT</strong>.</p>
|
| 38 |
+
</body>
|
| 39 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/2003/mit2003facility4364_MIT_Mystery_Hunt_2003_Ballroom/all-r.html
ADDED
|
@@ -0,0 +1,44 @@
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|
| 1 |
+
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
|
| 2 |
+
<HTML>
|
| 3 |
+
<HEAD>
|
| 4 |
+
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
|
| 5 |
+
<META NAME="Author" CONTENT="VILE">
|
| 6 |
+
<META NAME="GENERATOR" CONTENT="?">
|
| 7 |
+
<TITLE>ACMECorp: Shortcuts to R puzzles</TITLE>
|
| 8 |
+
<!---<BASE HREF="">--->
|
| 9 |
+
</HEAD>
|
| 10 |
+
<BODY BGCOLOR="CCCCCC" TEXT="#666666"><FONT FACE="helvetica">
|
| 11 |
+
<h1>Shortcuts to R puzzles</h2>
|
| 12 |
+
<ul>
|
| 13 |
+
<li><a href="../teamGuest/R/0_000/index.html">0.000</a> Entryway</li>
|
| 14 |
+
<li><a href="../teamGuest/R/1_102/index.html">1.102</a> Corridor</li>
|
| 15 |
+
<li><a href="../teamGuest/R/1_248/index.html">1.248</a> Pavilion</li>
|
| 16 |
+
<li><a href="../teamGuest/R/1_534/index.html">1.534</a> Shop</li>
|
| 17 |
+
<li><a href="../teamGuest/R/1_655/index.html">1.655</a> Machine Room</li>
|
| 18 |
+
<li><a href="../teamGuest/R/1_853/index.html">1.853</a> Screening Room</li>
|
| 19 |
+
<li><a href="../teamGuest/R/2_195/index.html">2.195</a> Lounge</li>
|
| 20 |
+
<li><a href="../teamGuest/R/2_426/index.html">2.426</a> Barn</li>
|
| 21 |
+
<li><a href="../teamGuest/R/2_723/index.html">2.723</a> Tea Room</li>
|
| 22 |
+
<li><a href="../teamGuest/R/2_828/index.html">2.828</a> Studio</li>
|
| 23 |
+
<li><a href="../teamGuest/R/3_232/index.html">3.232</a> Breezeway</li>
|
| 24 |
+
<li><a href="../teamGuest/R/3_361/index.html">3.361</a> Print Room</li>
|
| 25 |
+
<li><a href="../teamGuest/R/3_671/index.html">3.671</a> Cockpit</li>
|
| 26 |
+
<li><a href="../teamGuest/R/3_805/index.html">3.805</a> Art Gallery</li>
|
| 27 |
+
<li><a href="../teamGuest/R/4_127/index.html">4.127</a> Garage</li>
|
| 28 |
+
<li><a href="../teamGuest/R/4_364/index.html">4.364</a> Ballroom</li>
|
| 29 |
+
<li><a href="../teamGuest/R/4_748/index.html">4.748</a> Geological Garden</li>
|
| 30 |
+
<li><a href="../teamGuest/R/4_943/index.html">4.943</a> Biological Gargen</li>
|
| 31 |
+
<li><a href="../teamGuest/R/5_092/index.html">5.092</a> Cubicle</li>
|
| 32 |
+
<li><a href="../teamGuest/R/5_519/index.html">5.519</a> The Hall of Chess</li>
|
| 33 |
+
<li><a href="../teamGuest/R/5_815/index.html">5.815</a> Attic</li>
|
| 34 |
+
<li><a href="../teamGuest/R/6_305/index.html">6.305</a> Chapel</li>
|
| 35 |
+
<li><a href="../teamGuest/R/6_553/index.html">6.553</a> Chemistry Lab</li>
|
| 36 |
+
<li><a href="../teamGuest/R/6_689/index.html">6.689</a> Classroom</li>
|
| 37 |
+
<li><a href="../teamGuest/R/7_175/index.html">7.175</a> Gnireenigne Lab</li>
|
| 38 |
+
<li><a href="../teamGuest/R/7_413/index.html">7.413</a> Break Room</li>
|
| 39 |
+
<li><a href="../teamGuest/R/7_702/index.html">7.702</a> Auditorium</li>
|
| 40 |
+
</ul>
|
| 41 |
+
<hr>
|
| 42 |
+
</FONT>
|
| 43 |
+
</BODY>
|
| 44 |
+
</HTML>
|
benchmark/MIT_Mystery_Hunt/puzzles/2004/mit2004r_MIT_Mystery_Hunt_2004_Final_Runaround/neotokyo
ADDED
|
@@ -0,0 +1,74 @@
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|
| 1 |
+
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
|
| 2 |
+
<html xmlns="http://www.w3.org/1999/xhtml">
|
| 3 |
+
|
| 4 |
+
<head>
|
| 5 |
+
<meta http-equiv="Content-Type" content="text/html">
|
| 6 |
+
<title>Neo-Tokyo</title>
|
| 7 |
+
<link rel="stylesheet" href="mh04-5417.css" type="text/css">
|
| 8 |
+
</head>
|
| 9 |
+
|
| 10 |
+
<body>
|
| 11 |
+
|
| 12 |
+
<div id="puzzheader">
|
| 13 |
+
<div id="puzztitle">
|
| 14 |
+
<img src="NeoTokyo-title.jpg" alt="NeoTokyo"><br>
|
| 15 |
+
<a href='../'>(back to the map)</a>
|
| 16 |
+
</div>
|
| 17 |
+
<div id="puzzcall">
|
| 18 |
+
<!--img src="callbuttonTop-5417.jpg" alt="Contact HQ" border="0"-->
|
| 19 |
+
</div>
|
| 20 |
+
</div>
|
| 21 |
+
|
| 22 |
+
<div id="puzzbody">
|
| 23 |
+
<table border=0 cellpadding=0 cellspacing=0><tr>
|
| 24 |
+
<td><img SRC=1.gif></td>
|
| 25 |
+
<td><a HREF=Ili/><img BORDER=0 SRC=Ili/img.gif></a></td>
|
| 26 |
+
<td><a HREF=gE5/><img BORDER=0 SRC=gE5/img.gif></a></td>
|
| 27 |
+
<td><a HREF=XmZ/><img BORDER=0 SRC=XmZ/img.gif></a></td>
|
| 28 |
+
<td><img SRC=5.gif></td>
|
| 29 |
+
</tr><tr><td><a HREF=YVq/><img BORDER=0 SRC=YVq/img.gif></a></td>
|
| 30 |
+
<td><a HREF=3Ow/><img BORDER=0 SRC=3Ow/img.gif></a></td>
|
| 31 |
+
<td><a HREF=rxA/><img BORDER=0 SRC=rxA/img.gif></a></td>
|
| 32 |
+
|
| 33 |
+
<td><img SRC=9.gif></td>
|
| 34 |
+
<td><a HREF=3wX/><img BORDER=0 SRC=3wX/img.gif></a></td>
|
| 35 |
+
</tr><tr><td><img SRC=11.gif></td>
|
| 36 |
+
<td><a HREF=qFw/><img BORDER=0 SRC=qFw/img.gif></a></td>
|
| 37 |
+
<td><a HREF=0Kd/><img BORDER=0 SRC=0Kd/img.gif></a></td>
|
| 38 |
+
<td><a HREF=Qd9/><img BORDER=0 SRC=Qd9/img.gif></a></td>
|
| 39 |
+
<td><a HREF=n6h/><img BORDER=0 SRC=n6h/img.gif></a></td>
|
| 40 |
+
</tr><tr><td><a HREF=om4/><img BORDER=0 SRC=om4/img.gif></a></td>
|
| 41 |
+
<td><a HREF=yIR/><img BORDER=0 SRC=yIR/img.gif></a></td>
|
| 42 |
+
<td><img SRC=18.gif></td>
|
| 43 |
+
<td><img SRC=19.gif></td>
|
| 44 |
+
<td><a HREF=4IS/><img BORDER=0 SRC=4IS/img.gif></a></td>
|
| 45 |
+
</tr><tr></tr></table>
|
| 46 |
+
<br /><hr><ul>
|
| 47 |
+
<li><a HREF=Ili/>Nagano</a>
|
| 48 |
+
<li><a HREF=gE5/>Reminder's World</a>
|
| 49 |
+
|
| 50 |
+
<li><a HREF=XmZ/>Dingy Dark Reality</a>
|
| 51 |
+
<li><a HREF=YVq/>Fair Trade</a>
|
| 52 |
+
<li><a HREF=3Ow/>Ritual Yell Ceremony</a>
|
| 53 |
+
<li><a HREF=rxA/>Building a Better Future</a>
|
| 54 |
+
<li><a HREF=3wX/>Noise in the Air</a>
|
| 55 |
+
<li><a HREF=qFw/>That's a Big Pig! <b>(TIMEHOLE)</b></a>
|
| 56 |
+
<li><a HREF=0Kd/>Interior Decorating</a>
|
| 57 |
+
<li><a HREF=Qd9/>Assembly Line</a>
|
| 58 |
+
<li><a HREF=n6h/>Turning Japanese</a>
|
| 59 |
+
|
| 60 |
+
<li><a HREF=om4/>Shogun Trivia <b>(META)</b></a>
|
| 61 |
+
<li><a HREF=yIR/>English Class</a>
|
| 62 |
+
<li><a HREF=4IS/>True Unholy Puzzle</a>
|
| 63 |
+
</ul> </div>
|
| 64 |
+
|
| 65 |
+
<div id="puzzfooter">
|
| 66 |
+
<hr>
|
| 67 |
+
<p class="footer">
|
| 68 |
+
2004 MIT Mystery Hunt <br>
|
| 69 |
+
|
| 70 |
+
</p>
|
| 71 |
+
</div>
|
| 72 |
+
|
| 73 |
+
</body>
|
| 74 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/2004/mit2004r_MIT_Mystery_Hunt_2004_Final_Runaround/yukon
ADDED
|
@@ -0,0 +1,74 @@
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|
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|
|
|
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|
|
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|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
|
| 2 |
+
<html xmlns="http://www.w3.org/1999/xhtml">
|
| 3 |
+
|
| 4 |
+
<head>
|
| 5 |
+
<meta http-equiv="Content-Type" content="text/html">
|
| 6 |
+
<title>YUKON</title>
|
| 7 |
+
<link rel="stylesheet" href="mh04-5413.css" type="text/css">
|
| 8 |
+
</head>
|
| 9 |
+
|
| 10 |
+
<body>
|
| 11 |
+
|
| 12 |
+
<div id="puzzheader">
|
| 13 |
+
<div id="puzztitle">
|
| 14 |
+
<img src="Yukon-title.jpg" alt="YUKON"><br>
|
| 15 |
+
<a href='../'>(back to the map)</a>
|
| 16 |
+
</div>
|
| 17 |
+
<div id="puzzcall">
|
| 18 |
+
<!--img src="callbuttonTop-5413.jpg" alt="Contact HQ" border="0"-->
|
| 19 |
+
</div>
|
| 20 |
+
</div>
|
| 21 |
+
|
| 22 |
+
<div id="puzzbody">
|
| 23 |
+
<table border=0 cellpadding=0 cellspacing=0><tr>
|
| 24 |
+
<td><img SRC=1.gif></td>
|
| 25 |
+
<td><a HREF=r2m/><img BORDER=0 SRC=r2m/img.gif></a></td>
|
| 26 |
+
<td><img SRC=3.gif></td>
|
| 27 |
+
<td><a HREF=cow/><img BORDER=0 SRC=cow/img.gif></a></td>
|
| 28 |
+
</tr><tr><td><a HREF=bRu/><img BORDER=0 SRC=bRu/img.gif></a></td>
|
| 29 |
+
<td><a HREF=929/><img BORDER=0 SRC=929/img.gif></a></td>
|
| 30 |
+
<td><a HREF=Kiz/><img BORDER=0 SRC=Kiz/img.gif></a></td>
|
| 31 |
+
<td><a HREF=icx/><img BORDER=0 SRC=icx/img.gif></a></td>
|
| 32 |
+
|
| 33 |
+
</tr><tr><td><a HREF=zMC/><img BORDER=0 SRC=zMC/img.gif></a></td>
|
| 34 |
+
<td><a HREF=T6o/><img BORDER=0 SRC=T6o/img.gif></a></td>
|
| 35 |
+
<td><a HREF=7yQ/><img BORDER=0 SRC=7yQ/img.gif></a></td>
|
| 36 |
+
<td><a HREF=hr0/><img BORDER=0 SRC=hr0/img.gif></a></td>
|
| 37 |
+
</tr><tr><td><img SRC=13.gif></td>
|
| 38 |
+
<td><a HREF=piL/><img BORDER=0 SRC=piL/img.gif></a></td>
|
| 39 |
+
<td><a HREF=HCm/><img BORDER=0 SRC=HCm/img.gif></a></td>
|
| 40 |
+
<td><a HREF=ZTv/><img BORDER=0 SRC=ZTv/img.gif></a></td>
|
| 41 |
+
</tr><tr><td><img SRC=17.gif></td>
|
| 42 |
+
<td><img SRC=18.gif></td>
|
| 43 |
+
<td><a HREF=5Kn/><img BORDER=0 SRC=5Kn/img.gif></a></td>
|
| 44 |
+
<td><img SRC=20.gif></td>
|
| 45 |
+
</tr><tr></tr></table>
|
| 46 |
+
<br /><hr><ul>
|
| 47 |
+
<li><a HREF=r2m/>Snowfield</a>
|
| 48 |
+
<li><a HREF=cow/>The Private Diaries of <b>(META)</b></a>
|
| 49 |
+
|
| 50 |
+
<li><a HREF=bRu/>South Carmacks</a>
|
| 51 |
+
<li><a HREF=929/>Farewell to Bitter Cold <b>(TIMEHOLE)</b></a>
|
| 52 |
+
<li><a HREF=Kiz/>Who's There?</a>
|
| 53 |
+
<li><a HREF=icx/>Grizzly Ale</a>
|
| 54 |
+
<li><a HREF=zMC/>Wire Stories</a>
|
| 55 |
+
<li><a HREF=T6o/>Sage of the Arctic</a>
|
| 56 |
+
<li><a HREF=7yQ/>Girl</a>
|
| 57 |
+
<li><a HREF=hr0/>Lawman</a>
|
| 58 |
+
<li><a HREF=piL/>Pinecone Creek</a>
|
| 59 |
+
|
| 60 |
+
<li><a HREF=HCm/>Campfire Stories</a>
|
| 61 |
+
<li><a HREF=ZTv/>Lost in Translation</a>
|
| 62 |
+
<li><a HREF=5Kn/>Shindig</a>
|
| 63 |
+
</ul> </div>
|
| 64 |
+
|
| 65 |
+
<div id="puzzfooter">
|
| 66 |
+
<hr>
|
| 67 |
+
<p class="footer">
|
| 68 |
+
2004 MIT Mystery Hunt <br>
|
| 69 |
+
|
| 70 |
+
</p>
|
| 71 |
+
</div>
|
| 72 |
+
|
| 73 |
+
</body>
|
| 74 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/2011/mit2011w2blackberryman5_MIT_Mystery_Hunt_2011_The_Least_You_Could_Do_Is_Phone_Me/answer
ADDED
|
@@ -0,0 +1,37 @@
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|
| 1 |
+
<body><h1>Solution to The Least You Could Do Is Phone Me</h1>
|
| 2 |
+
<h3>by Aaron Dinkin</h3>
|
| 3 |
+
<p>The answer to each clue is a single word that differs in exactly one phoneme from one of the words in the clue. The following list shows the clue answers, the clue word with which the answer forms a minimal pair, and the pair of phonemes that differ:</p>
|
| 4 |
+
<table>
|
| 5 |
+
<tr><td>HERE</td><td>we're</td><td>/h/</td><td>/w/</td></tr>
|
| 6 |
+
<tr><td>SLED</td><td>slide</td><td>/ɛ/</td><td>/ai/</td></tr>
|
| 7 |
+
<tr><td>GOLD</td><td>goals</td><td>/d/</td><td>/z/</td></tr>
|
| 8 |
+
<tr><td>LAST</td><td>laughed</td><td>/s/</td><td>/f/</td></tr>
|
| 9 |
+
<tr><td>TRAM</td><td>cram</td><td>/t/</td><td>/k/</td></tr>
|
| 10 |
+
<tr><td>RINGS</td><td>things</td><td>/ɹ/</td><td>/θ/</td></tr>
|
| 11 |
+
<tr><td>FEAST</td><td>fast</td><td>/i:/</td><td>/æ/</td></tr>
|
| 12 |
+
<tr><td>WORM</td><td>word</td><td>/m/</td><td>/d/</td></tr>
|
| 13 |
+
<tr><td>SNACK</td><td>snake</td><td>/æ/</td><td>/ei/</td></tr>
|
| 14 |
+
<tr><td>TAIL</td><td>whale</td><td>/t/</td><td>/w/</td></tr>
|
| 15 |
+
<tr><td>THOU</td><td>now</td><td>/ð/</td><td>/n/</td></tr>
|
| 16 |
+
<tr><td>SCUBA</td><td>Scooby</td><td>/ə/</td><td>/i:/</td></tr>
|
| 17 |
+
<tr><td>SLIT</td><td>slim</td><td>/t/</td><td>/m/</td></tr>
|
| 18 |
+
<tr><td>STOP</td><td>step</td><td>/ɒ/</td><td>/ɛ/</td></tr>
|
| 19 |
+
<tr><td>PRY</td><td>try</td><td>/p/</td><td>/t/</td></tr>
|
| 20 |
+
<tr><td>PITA</td><td>Peter</td><td>/ə/</td><td>/ɚ/</td></tr>
|
| 21 |
+
<tr><td>STOVE</td><td>stoke</td><td>/v/</td><td>/k/</td></tr>
|
| 22 |
+
<tr><td>CANOLA</td><td>cannoli</td><td>/ə/</td><td>/i:/</td></tr>
|
| 23 |
+
<tr><td>ROAM</td><td>home</td><td>/ɹ/</td><td>/h/</td></tr>
|
| 24 |
+
<tr><td>WIN</td><td>one</td><td>/ɪ/</td><td>/ʌ/</td></tr>
|
| 25 |
+
<tr><td>LIVER</td><td>liquor</td><td>/v/</td><td>/k/</td></tr>
|
| 26 |
+
<tr><td>TERM</td><td>time</td><td>/ɚ/</td><td>/ai/</td></tr>
|
| 27 |
+
<tr><td>ZOO</td><td>you</td><td>/z/</td><td>/j/</td></tr>
|
| 28 |
+
<tr><td>CANNIBAL</td><td>Hannibal</td><td>/k/</td><td>/h/</td></tr>
|
| 29 |
+
<tr><td>PORT</td><td>part</td><td>/ɔ/</td><td>/a/</td></tr>
|
| 30 |
+
<tr><td>ROGER</td><td>Dodger</td><td>/ɹ/</td><td>/d/</td></tr>
|
| 31 |
+
<tr><td>LICE</td><td>like</td><td>/s/</td><td>/k/</td></tr>
|
| 32 |
+
</table><p>
|
| 33 |
+
|
| 34 |
+
<p>The third column of this chart—the phonemes which appear in the answers and distinguish them from the words in the clues—read as follows:<br><br>
|
| 35 |
+
/hɛdstɹi:m æt ðə tɒp əv ə ɹɪvɚz kɔɹs/<br><br>
|
| 36 |
+
i.e., HEADSTREAM AT THE TOP OF A RIVER'S COURSE. This clue can be solved to yield an answer that differs in one phoneme from one of the words in the clue, namely <span class="answer">SOURCE</span>, the answer to the puzzle.</p>
|
| 37 |
+
</body>
|
benchmark/MIT_Mystery_Hunt/puzzles/2013/mit201306_MIT_Mystery_Hunt_2013_Open_Secrets/grid.png
ADDED
|
Git LFS Details
|
benchmark/MIT_Mystery_Hunt/puzzles/2013/mit201306_MIT_Mystery_Hunt_2013_Open_Secrets/index.html
ADDED
|
@@ -0,0 +1,108 @@
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|
| 1 |
+
<!DOCTYPE html>
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<title>Open Secrets -- Enigma Valley Investment & Loan</title>
|
| 5 |
+
<link rel="stylesheet/less" href="../static/less/base.less"/>
|
| 6 |
+
|
| 7 |
+
|
| 8 |
+
<link rel="stylesheet/less" type="text/css" media="all" href="../static/less/enigmavalley.less" />
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
<script type='text/javascript' src='https://ajax.googleapis.com/ajax/libs/jquery/1.8.3/jquery.min.js'></script>
|
| 12 |
+
<script src="../static/js/less-1.3.0.min.js" type="text/javascript"></script>
|
| 13 |
+
|
| 14 |
+
|
| 15 |
+
<script type="text/javascript" src="../static/js/fixie-nav.js"></script>
|
| 16 |
+
<link href='http://fonts.googleapis.com/css?family=Crete+Round:400,400italic' rel='stylesheet' type='text/css'>
|
| 17 |
+
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
<!-- handy bit of code for making IE browsers act normal -->
|
| 21 |
+
<!-- [if lt IE 8]>
|
| 22 |
+
<script src="http://ie7-js.googlecode.com/svn/version/2.0(beta3)/IE8.js" type="text/javascript"></script>
|
| 23 |
+
<![endif]-->
|
| 24 |
+
|
| 25 |
+
|
| 26 |
+
|
| 27 |
+
|
| 28 |
+
|
| 29 |
+
<style>
|
| 30 |
+
img.p {width: 500px; height: auto;}
|
| 31 |
+
</style>
|
| 32 |
+
|
| 33 |
+
|
| 34 |
+
</head>
|
| 35 |
+
|
| 36 |
+
<body id="enigmavalley" class=" puzzle">
|
| 37 |
+
<div id="pre-container">
|
| 38 |
+
|
| 39 |
+
<div id="container">
|
| 40 |
+
|
| 41 |
+
<div id="stuff">
|
| 42 |
+
<div id="header">
|
| 43 |
+
|
| 44 |
+
<a href="../index.html">
|
| 45 |
+
<img src="../static/img/evillogo.png" align="left"/>
|
| 46 |
+
<h1>Enigma Valley Investment & Loan</h1>
|
| 47 |
+
</a>
|
| 48 |
+
<h2>Corporate Intranet</h2>
|
| 49 |
+
|
| 50 |
+
</div>
|
| 51 |
+
|
| 52 |
+
<div id="content">
|
| 53 |
+
|
| 54 |
+
<img src="grid.png" align="right" class="gridimage" />
|
| 55 |
+
<h2>Open Secrets</h2>
|
| 56 |
+
|
| 57 |
+
<div><img class="p" src="1.png"></div>
|
| 58 |
+
<div><img class="p" src="2.png"></div>
|
| 59 |
+
<div><img class="p" src="3.png"></div>
|
| 60 |
+
<div><img class="p" src="4.png"></div>
|
| 61 |
+
<div><img class="p" src="5.png"></div>
|
| 62 |
+
<div><img class="p" src="6.png"></div>
|
| 63 |
+
<div><img class="p" src="7.png"></div>
|
| 64 |
+
<div><img class="p" src="8.png"></div>
|
| 65 |
+
<div><img class="p" src="9.png"></div>
|
| 66 |
+
|
| 67 |
+
|
| 68 |
+
|
| 69 |
+
</div>
|
| 70 |
+
|
| 71 |
+
<div id="footer">
|
| 72 |
+
|
| 73 |
+
|
| 74 |
+
</div>
|
| 75 |
+
</div>
|
| 76 |
+
</div>
|
| 77 |
+
</div>
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
<div id="fixie-nav">
|
| 81 |
+
<h3>Status:</h3>
|
| 82 |
+
|
| 83 |
+
<div id="fixie-nav-expanded">
|
| 84 |
+
<ul class="team-status">
|
| 85 |
+
<li>Name: Manic Sages</li>
|
| 86 |
+
|
| 87 |
+
</ul>
|
| 88 |
+
<ul class="nav">
|
| 89 |
+
<li><a href="../index.html">Home</a></li>
|
| 90 |
+
|
| 91 |
+
|
| 92 |
+
<li><strong><a href="answer/index.html">Solution</a></strong></li>
|
| 93 |
+
|
| 94 |
+
<li><strong><a href="../contact_hq/index.html" id="contact-hq-link">Contact HQ</a></strong></li>
|
| 95 |
+
</ul>
|
| 96 |
+
</div>
|
| 97 |
+
</div>
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
|
| 102 |
+
|
| 103 |
+
|
| 104 |
+
|
| 105 |
+
|
| 106 |
+
</body><script type="module" src="/checkanswer.js"></script>
|
| 107 |
+
|
| 108 |
+
</html>
|
benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013107_MIT_Mystery_Hunt_2013_Random_Walk/4.png
ADDED
|
Git LFS Details
|
benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013231_MIT_Mystery_Hunt_2013_Cambridge_Waldo/CW05.jpg
ADDED
|
Git LFS Details
|
benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013231_MIT_Mystery_Hunt_2013_Cambridge_Waldo/CW09.jpg
ADDED
|
Git LFS Details
|
benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013231_MIT_Mystery_Hunt_2013_Cambridge_Waldo/CW22.jpg
ADDED
|
Git LFS Details
|
benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013231_MIT_Mystery_Hunt_2013_Cambridge_Waldo/CW24.jpg
ADDED
|
Git LFS Details
|
benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013283_MIT_Mystery_Hunt_2013_Lost_in_Translation/7-1.png
ADDED
|
Git LFS Details
|
benchmark/MIT_Mystery_Hunt/puzzles/2013/mit2013311_MIT_Mystery_Hunt_2013_Travels_with_Charlie/86.jpg
ADDED
|
Git LFS Details
|
benchmark/MIT_Mystery_Hunt/puzzles/2014/mit2014r1c4_MIT_Mystery_Hunt_2014_Black_and_White/index.html
ADDED
|
@@ -0,0 +1,75 @@
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|
| 1 |
+
<!DOCTYPE html>
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<title>Black and White (MIT)</title>
|
| 5 |
+
<link rel="stylesheet" type="text/css" href="puzzle.css">
|
| 6 |
+
<link href="https://fonts.googleapis.com/css?family=Alice" rel="stylesheet" type="text/css">
|
| 7 |
+
<script src="https://ajax.googleapis.com/ajax/libs/jquery/1.10.2/jquery.min.js"></script>
|
| 8 |
+
</head>
|
| 9 |
+
<body class="mh-fancy">
|
| 10 |
+
<div id="mh-outer">
|
| 11 |
+
<div id="mh-controls">
|
| 12 |
+
<a id="mh-back" href="../../round/mit/">
|
| 13 |
+
Back to MIT
|
| 14 |
+
</a>
|
| 15 |
+
<a id="mh-elsewhere" href="javascript:mh.nav()">
|
| 16 |
+
Elsewhere
|
| 17 |
+
</a>
|
| 18 |
+
|
| 19 |
+
<a id="mh-answer" href="../../puzzle-solution/black_and_white/">
|
| 20 |
+
Solution
|
| 21 |
+
</a>
|
| 22 |
+
|
| 23 |
+
</div>
|
| 24 |
+
<div id="mh-page">
|
| 25 |
+
|
| 26 |
+
|
| 27 |
+
<div id="mh-banner">
|
| 28 |
+
<div id="mh-mit-card">
|
| 29 |
+
<img src="card.png" />
|
| 30 |
+
|
| 31 |
+
</div>
|
| 32 |
+
<div id="mh-title">
|
| 33 |
+
Black and White
|
| 34 |
+
</div>
|
| 35 |
+
</div>
|
| 36 |
+
|
| 37 |
+
<div id="mh-content">
|
| 38 |
+
<p>Please contact HQ to pick up this puzzle.</p>
|
| 39 |
+
|
| 40 |
+
<hr>
|
| 41 |
+
<p><i>Note: During the actual Mystery Hunt, teams visited HQ and were given two grids of letters. The first was enlarged and printed on 44"x44" plotter paper and the second was reduced and printed on a 2"x2" square of paper. We've reproduced the images below -- click on them for full size versions.</i></p>
|
| 42 |
+
|
| 43 |
+
<div><a href="big.png"><img src="big.png" width=780 style="vertical-align:middle"></a><a href="little.png"><img src="little.png" width=100 style="vertical-align:middle"></a></div>
|
| 44 |
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| 45 |
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| 46 |
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| 47 |
+
</div>
|
| 48 |
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| 49 |
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| 50 |
+
</div>
|
| 51 |
+
</div>
|
| 52 |
+
<div id="mh-submit-answer-bg" style="display: none;"></div>
|
| 53 |
+
<div id="mh-submit-answer" style="display: none;">
|
| 54 |
+
<div id="mh-submit-answer-inner" style="white-space: nowrap; overflow-x: hidden;">
|
| 55 |
+
<iframe src="javascript:void 0;" id="mh-submit-answer-iframe"></iframe>
|
| 56 |
+
</div>
|
| 57 |
+
</div>
|
| 58 |
+
|
| 59 |
+
<div id="mh-nav-bg" style="display: none;"></div>
|
| 60 |
+
<div id="mh-nav" style="display: none;">
|
| 61 |
+
<div id="mh-nav-inner" style="white-space: nowrap; overflow-x: hidden;">
|
| 62 |
+
</div>
|
| 63 |
+
<iframe id="mh-nav-iframe" src="../../elsewhere.html" style="display: none;"></iframe>
|
| 64 |
+
</div>
|
| 65 |
+
<div id="mh-submit-contact-bg" style="display: none;"></div>
|
| 66 |
+
<div id="mh-submit-contact" style="display: none;">
|
| 67 |
+
<div id="mh-submit-contact-inner" style="white-space: nowrap; overflow-x: hidden;">
|
| 68 |
+
<iframe src="javascript:void 0;" id="mh-submit-contact-iframe"></iframe>
|
| 69 |
+
</div>
|
| 70 |
+
</div>
|
| 71 |
+
|
| 72 |
+
<script src="puzzle.js"></script>
|
| 73 |
+
</body><script type="module" src="/checkanswer.js"></script>
|
| 74 |
+
</html>
|
| 75 |
+
|
benchmark/MIT_Mystery_Hunt/puzzles/2014/mit2014r1c9_MIT_Mystery_Hunt_2014_Local_Shorts/index.html
ADDED
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@@ -0,0 +1,93 @@
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|
| 1 |
+
<!DOCTYPE html>
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<title>Local Shorts (MIT)</title>
|
| 5 |
+
<link rel="stylesheet" type="text/css" href="puzzle.css">
|
| 6 |
+
<link href="https://fonts.googleapis.com/css?family=Alice" rel="stylesheet" type="text/css">
|
| 7 |
+
<script src="https://ajax.googleapis.com/ajax/libs/jquery/1.10.2/jquery.min.js"></script>
|
| 8 |
+
</head>
|
| 9 |
+
<body class="mh-fancy">
|
| 10 |
+
<div id="mh-outer">
|
| 11 |
+
<div id="mh-controls">
|
| 12 |
+
<a id="mh-back" href="../../round/mit/">
|
| 13 |
+
Back to MIT
|
| 14 |
+
</a>
|
| 15 |
+
<a id="mh-elsewhere" href="javascript:mh.nav()">
|
| 16 |
+
Elsewhere
|
| 17 |
+
</a>
|
| 18 |
+
|
| 19 |
+
<a id="mh-answer" href="../../puzzle-solution/local_shorts/">
|
| 20 |
+
Solution
|
| 21 |
+
</a>
|
| 22 |
+
|
| 23 |
+
</div>
|
| 24 |
+
<div id="mh-page">
|
| 25 |
+
|
| 26 |
+
|
| 27 |
+
<div id="mh-banner">
|
| 28 |
+
<div id="mh-mit-card">
|
| 29 |
+
<img src="card.png" />
|
| 30 |
+
|
| 31 |
+
</div>
|
| 32 |
+
<div id="mh-title">
|
| 33 |
+
Local Shorts
|
| 34 |
+
</div>
|
| 35 |
+
</div>
|
| 36 |
+
|
| 37 |
+
<div id="mh-content">
|
| 38 |
+
<div style="text-align: center;">
|
| 39 |
+
<img src="01.jpg">
|
| 40 |
+
<img src="02.jpg">
|
| 41 |
+
<img src="03.jpg">
|
| 42 |
+
<img src="04.jpg">
|
| 43 |
+
<img src="05.jpg">
|
| 44 |
+
<img src="06.jpg">
|
| 45 |
+
<img src="07.jpg">
|
| 46 |
+
<img src="08.jpg">
|
| 47 |
+
<img src="09.jpg">
|
| 48 |
+
<img src="10.jpg">
|
| 49 |
+
<img src="11.jpg">
|
| 50 |
+
<img src="12.jpg">
|
| 51 |
+
<img src="13.jpg">
|
| 52 |
+
<img src="14.jpg">
|
| 53 |
+
<img src="15.jpg">
|
| 54 |
+
<img src="16.jpg">
|
| 55 |
+
<img src="17.jpg">
|
| 56 |
+
<img src="18.jpg">
|
| 57 |
+
<img src="19.jpg">
|
| 58 |
+
<img src="20.jpg">
|
| 59 |
+
<img src="21.jpg">
|
| 60 |
+
<img src="22.jpg">
|
| 61 |
+
<img src="23.jpg">
|
| 62 |
+
<img src="24.jpg">
|
| 63 |
+
</div>
|
| 64 |
+
|
| 65 |
+
</div>
|
| 66 |
+
|
| 67 |
+
|
| 68 |
+
</div>
|
| 69 |
+
</div>
|
| 70 |
+
<div id="mh-submit-answer-bg" style="display: none;"></div>
|
| 71 |
+
<div id="mh-submit-answer" style="display: none;">
|
| 72 |
+
<div id="mh-submit-answer-inner" style="white-space: nowrap; overflow-x: hidden;">
|
| 73 |
+
<iframe src="javascript:void 0;" id="mh-submit-answer-iframe"></iframe>
|
| 74 |
+
</div>
|
| 75 |
+
</div>
|
| 76 |
+
|
| 77 |
+
<div id="mh-nav-bg" style="display: none;"></div>
|
| 78 |
+
<div id="mh-nav" style="display: none;">
|
| 79 |
+
<div id="mh-nav-inner" style="white-space: nowrap; overflow-x: hidden;">
|
| 80 |
+
</div>
|
| 81 |
+
<iframe id="mh-nav-iframe" src="../../elsewhere.html" style="display: none;"></iframe>
|
| 82 |
+
</div>
|
| 83 |
+
<div id="mh-submit-contact-bg" style="display: none;"></div>
|
| 84 |
+
<div id="mh-submit-contact" style="display: none;">
|
| 85 |
+
<div id="mh-submit-contact-inner" style="white-space: nowrap; overflow-x: hidden;">
|
| 86 |
+
<iframe src="javascript:void 0;" id="mh-submit-contact-iframe"></iframe>
|
| 87 |
+
</div>
|
| 88 |
+
</div>
|
| 89 |
+
|
| 90 |
+
<script src="puzzle.js"></script>
|
| 91 |
+
</body><script type="module" src="/checkanswer.js"></script>
|
| 92 |
+
</html>
|
| 93 |
+
|
benchmark/MIT_Mystery_Hunt/puzzles/2014/mit2014r1d10_MIT_Mystery_Hunt_2014_Down_the_Rabbit_Hole_2_Super_Magic_Samurai_Ro/img42.jpg
ADDED
|
Git LFS Details
|
benchmark/MIT_Mystery_Hunt/puzzles/2014/mit2014r1s8_MIT_Mystery_Hunt_2014_Ring_Around_the_Music/index.html
ADDED
|
@@ -0,0 +1,82 @@
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|
| 1 |
+
<!DOCTYPE html>
|
| 2 |
+
<html>
|
| 3 |
+
<head>
|
| 4 |
+
<title>Ring Around the Music (MIT)</title>
|
| 5 |
+
<link rel="stylesheet" type="text/css" href="puzzle.css">
|
| 6 |
+
<link href="https://fonts.googleapis.com/css?family=Alice" rel="stylesheet" type="text/css">
|
| 7 |
+
<script src="https://ajax.googleapis.com/ajax/libs/jquery/1.10.2/jquery.min.js"></script>
|
| 8 |
+
</head>
|
| 9 |
+
<body class="mh-fancy">
|
| 10 |
+
<div id="mh-outer">
|
| 11 |
+
<div id="mh-controls">
|
| 12 |
+
<a id="mh-back" href="../../round/mit/">
|
| 13 |
+
Back to MIT
|
| 14 |
+
</a>
|
| 15 |
+
<a id="mh-elsewhere" href="javascript:mh.nav()">
|
| 16 |
+
Elsewhere
|
| 17 |
+
</a>
|
| 18 |
+
|
| 19 |
+
<a id="mh-answer" href="../../puzzle-solution/ring_around_the_music/">
|
| 20 |
+
Solution
|
| 21 |
+
</a>
|
| 22 |
+
|
| 23 |
+
</div>
|
| 24 |
+
<div id="mh-page">
|
| 25 |
+
|
| 26 |
+
|
| 27 |
+
<div id="mh-banner">
|
| 28 |
+
<div id="mh-mit-card">
|
| 29 |
+
<img src="card.png" />
|
| 30 |
+
|
| 31 |
+
</div>
|
| 32 |
+
<div id="mh-title">
|
| 33 |
+
Ring Around the Music
|
| 34 |
+
</div>
|
| 35 |
+
</div>
|
| 36 |
+
|
| 37 |
+
<div id="mh-content">
|
| 38 |
+
<img src="t1.png" width="400"><br>
|
| 39 |
+
<img src="t2.png" width="400"><br>
|
| 40 |
+
<img src="t3.png" width="400"><br>
|
| 41 |
+
<img src="t4.png" width="400"><br>
|
| 42 |
+
<img src="t5.png" width="400"><br>
|
| 43 |
+
<img src="t6.png" width="400"><br>
|
| 44 |
+
<img src="t7.png" width="400"><br>
|
| 45 |
+
<br><br>
|
| 46 |
+
<img src="b1.png" width="400"><br>
|
| 47 |
+
<img src="b2.png" width="400"><br>
|
| 48 |
+
<img src="b3.png" width="400"><br>
|
| 49 |
+
<img src="b4.png" width="400"><br>
|
| 50 |
+
<img src="b5.png" width="400"><br>
|
| 51 |
+
<img src="b6.png" width="400"><br>
|
| 52 |
+
<img src="b7.png" width="400"><br>
|
| 53 |
+
|
| 54 |
+
</div>
|
| 55 |
+
|
| 56 |
+
|
| 57 |
+
</div>
|
| 58 |
+
</div>
|
| 59 |
+
<div id="mh-submit-answer-bg" style="display: none;"></div>
|
| 60 |
+
<div id="mh-submit-answer" style="display: none;">
|
| 61 |
+
<div id="mh-submit-answer-inner" style="white-space: nowrap; overflow-x: hidden;">
|
| 62 |
+
<iframe src="javascript:void 0;" id="mh-submit-answer-iframe"></iframe>
|
| 63 |
+
</div>
|
| 64 |
+
</div>
|
| 65 |
+
|
| 66 |
+
<div id="mh-nav-bg" style="display: none;"></div>
|
| 67 |
+
<div id="mh-nav" style="display: none;">
|
| 68 |
+
<div id="mh-nav-inner" style="white-space: nowrap; overflow-x: hidden;">
|
| 69 |
+
</div>
|
| 70 |
+
<iframe id="mh-nav-iframe" src="../../elsewhere.html" style="display: none;"></iframe>
|
| 71 |
+
</div>
|
| 72 |
+
<div id="mh-submit-contact-bg" style="display: none;"></div>
|
| 73 |
+
<div id="mh-submit-contact" style="display: none;">
|
| 74 |
+
<div id="mh-submit-contact-inner" style="white-space: nowrap; overflow-x: hidden;">
|
| 75 |
+
<iframe src="javascript:void 0;" id="mh-submit-contact-iframe"></iframe>
|
| 76 |
+
</div>
|
| 77 |
+
</div>
|
| 78 |
+
|
| 79 |
+
<script src="puzzle.js"></script>
|
| 80 |
+
</body><script type="module" src="/checkanswer.js"></script>
|
| 81 |
+
</html>
|
| 82 |
+
|