Drama stringlengths 0 500 |
|---|
FADE IN:
EXT. NEIGHBORHOOD STREET - MORNING
TWIN BOYS, RUDY AND JACOB CARGES (12), ride their bikes
through a suburban neighborhood.
Rudy, the more athletic of the two, rides at a breakneck
pace. Jacob rides slowly due to a HOCKE... |
TERMINAL - BAY
CLOSE ON A FACE. A nine year old boy, YOUNG COLE, his eyes wide
with wonder. watching something intently. We HEAR the sounds of
the P.A. SYSTEM droning Flight Information mingled with the
sounds of urgent SHOUTS, running FEET, EXCLAMATIONS.
YOUNG COLE'S POV: twenty yards away, a BLONDE M... |
Y APRIL, 1841-
We are close on a PAIR OF BLACK HANDS as they open A
FINELY WRAPPED PACKET OF VIOLIN STRINGS.
WE CUT TO the hands stringing a VIOLIN. It's not a high
end piece, but it is quite nice.
WE CUT TO a wide shot of the study. Sitting in a chair
... |
show or new year's eve on copacabana beach, but whatever it
is there are thousands and thousands of us. A mexican wave
erupts success, celebration, with so many involved it's
impossible to pick out anyone individually. Critical mass
cyclists, easter crowds at st. Peter's basi... |
N:
CREDITS AND MUSIC OVER:
INT. AUDIENCE ROOM - GRANADA - DAY
We start on a man's elegant slipper. He is seated in a
splendid chair. Moving up the stocking leg, we pass the
garter of Castile, coming to rest on a pair of delicate
hands. His fore finger impatiently plays with a large
topaz ring. ... |
EXT. FITCH SENIOR HIGH SCHOOL - DUSK
A few cars scatter the parking lot. WE hear GRUNTS followed
by the distinct sound of basketballs shredding net.
INT. FITCH SENIOR HIGH SCHOOL/GYM - CONTINUOUS
An empty gymnasium except for a ... |
USH HOUR
ON a pair of black Dexter penny loafers diligently
pedaling an old Schwinn mountain bike. ADJUST ANGLE now
to meet the bicyclist...
He's African-American. Anywhere from 33 to 40. Wears
wire-rim glasses, a fresh white oxford shirt, creased
slacks and a solid green tie. An unobt... |
d Draft
February 19th, 2008
OVER BLACK
We listen to the immortal music of Mozart's Adagio of the
Clarinet Concerto in A.
... |
tunning violence. Looped.
Soldiers in a foreign war shoot an unarmed civilian at point-
blank range; a man is set on by a frenzied crowd wielding
clubs and machetes; a woman is necklaced while her killers
cheer and howl.
... |
Pink Revised - April 19, 2012
Yellow Revised - April 24, 2012
Green Revised - April 27, 2012
Goldenrod Revised - May 9, 2012
... |
slicked... darkest slate-grey cobbles...
And on through streets... Narrow. Grimy. Sooty. Rank...
Deserted...
Pastal-disused Victorian broken-windowed, derelict
buildings and wharf side warehouses with rotten oaky loading
beams and rusted iron chains... Mossy, mildewed walls... Dripp... |
7/2/08
FADE IN:
OPENING TITLE SEQUENCE
EXT. SAN DIEGO - DAY
It's another picture perfect day in San Diego. The beaches,
golf courses, and yacht clubs are pac... |
Draft
SIMPLE BLACK ON WHITE CREDITS ROLL TO BIG STAR'S "I'M IN LOVE
WITH A GIRL." When all is said and done, up comes a single
number in parenthesis, like so:
(478)
EXT. PARK - DAY
F... |
SEQ. 05 - PROLOGUE
The Focus Features logo appears on screen and we slide INTO
the "O" in Focus.
Stock dissolves from 35mm to 16mm. BLACK & WHITE. GRAINY,
like OLD DOCUMENTARY FOOTAGE.
SCIENTIST'... |
EXT. A SENTRY TOWER --
-- in the middle of the night, in the middle of nowhere.
Small beams of light coming from lamps attached to the tower
cut through the ground mist. We HEAR all the unidentifiable
sounds of night in the woods. We also HEAR, very,... |
Forcible Rape: 5,405
Violent Crime: 180,235
Aggravated Assault: 60,329
Property: 1,029,749
Vehicle Theft: 133,041
Robbery: 112,273... |
February 23, 2016
"This is a story of one man's fight against himself, knowing
he would never win but trying anyway. Every fucking day of it
was a war."
- Billy Moore
2.
Based on a true story
... |
TOWN - MAIN ST. - LATE AFTERNOON 1
We come up on... a streetlight. There is no illumination...
and no movement. We hold on it for a long moment when
suddenly... The streetlight bobs... and then begins to sway.
We slowly begin to rise up on the streetlight to reveal... a
... |
December 20, 1997
SHOT OF NOTEBOOK PAGE DAPPLED WITH SUNLIGHT
POV of someone skimming a hand-written entry. The
corresponding voice-over is offhand, dispassionate. In the
background, children can be heard laughing and playing.
BOB ARCTOR (V.O.)
La... |
December 20, 1997
SHOT OF NOTEBOOK PAGE DAPPLED WITH SUNLIGHT
POV of someone skimming a hand-written entry. The
corresponding voice-over is offhand, dispassionate. In the
background, children can be heard laughing and playing.
BOB ARCTOR (V.O.)
La... |
.
We are looking at an El Greco drawing. It is a study for
one of his paintings.
PULL BACK TO REVEAL --
A bunch of art students are doing sketches of the eyes,
the elongated fingers, the slender hands El Greco drew so
brilliantly.
Most of the students are around 20. ... |
EXT. ROCKY TERRAIN - DAY
Endless barren landscape. No sign of life. The atmosphere
is hazy, toxic-looking. Volcanoes erupt. Meteors bombard.
Lightning strikes, concussing murky pools of water. Silence.
INT. LARGE EMPTY LIVING ROOM - MORNING
SUBTITLE: HOLLYWOOD, CA, FOUR BILLION AND FORTY YEARS LATER
Beame... |
SHOOTING DRAFT
CREDITS
Still-life tableaus. Lawford, N.H., a town of fifty buildings
on a glacial ridge, neither mountain nor plateau. Developed
as 1880's forestland, discarded in the Depression. Winter
has set in... |
REVISED 10/07/08
INT. PAUL'S APARTMENT. BEDROOM - DAY
BLINDING WHITENESS
We hear a MAN GASPING softly. Rhythmically.
A LUMINOUS PALE SHAPE slowly forms out of the searing
whiteness. Gradually we realize we're moving across the
AL... |
ection
saying the rosary.
DISSOLVE TO:
INT - CHAPEL - DAY
A line of nuns kneeling at prayer. Closeups of various individuals.
DISSOLVE TO:
EXT - CONVENT - NIGHT
A single shot of the building.
INT - TOP CORRIDOR - NIGHT
SISTER MARGUERITE is locking up for the night, shutting doors,
turning off ... |
jump packs and combat gear, stare down the deep end of a
greasy ramp into the night sky. Village lights flicker 19,000
feet below.
The STRIKE FORCE LEADER signals to his team.
Without a moment's hesitation, they dive into the darkness
... |
Gregory Allen Howard
FADE IN:
EXT. MIAMI STREET - MOVEMENT - NIGHT (1964)
in the dark. Coming toward us. Up and down in sync to an
INSTRUMENTAL LEAD-IN from somewhere. A slip of light. A
... |
- Hesse
ALIEN III
THE SCREEN IS BLACK
A pinpoint of light appears.
Red. An ember.
Unseen BELLOWS blow.
GLASS FURNACE
The embers glow. Flame.
The fire GROWS.
A RIVER OF MOLTEN GLASS
Heated by the furnace to over 1,300 degrees fahrenheit.
White Hot.
GLASS FACTORY
Flickering fl... |
NS SHOT of a far distant metallic object hovering
just above the ground -- maybe two or three miles away.
The heat waves and the light refraction off the desert-
scape make the object undulate rhythmically, keeping its
true shape and appearance indistinct.
The VIDEO CAMERA recording this scene zooms back, then
... |
dy. The overall
effect is one of worn elegance and dogged gentility. It is
June.
The CAMERA, as it has been throughout the CREDIT TITLES, is
on the SARAH SIDDONS AWARD. It is a gold statuette, about a
foot high, of Sarah Siddons as The Tragic Muse. Exquisitely
framed in a nest of flowers, it rests on a miniatur... |
NG DRAFT
1949
Interior: Jack Burden's Desk, The Chronicle, Day
Jack Burden is looking over the morning edition of "The
Chronicle." He reads the society page. A man enters and leans
acr... |
"All The President's Men"
by
Carl Bernstein and Bob Woodward
Pre-rehearsal version March, 1975
Start with as few credits as possible. When they're over--
... |
, holding a pencil. For a few moments, we hear only
the soft scratching of pencil on paper, as credits are written
in a series of dissolves. The hand carefully erases and
corrects an error or two along the way. And then the sound of
an old friend... the warm crackle of a vinyl record... as we
now hear Alvi... |
LON - NIGHT - 1823
Total darkness. We hear an old man's voice, distinct and in
distress. It is OLD SALIERI. He uses a mixture of English
and occasionally Italian.
OLD SALIERI
Mozart! Mozart! Mozart. For... |
1
EXT. BAR, LAE, NEW GUINEA - DAY
CLOSE on a mud-streaked AIRFIELD in mist and driving RAIN.
A Lockheed ELECTRA sits. Sleek, twin-engine, state-of-the-
art, its metallic surface battered by the monsoon. Waiting.
PULL BACK to see...
... |
r I bring a girlfriend home
from school.
(snorts)
What a lame-o. Somebody really should put
him out of his misery.
Her mind wanders for a beat.
RICKY (O.C.)
Want me to kill him for you?
Jane looks at us and sits up.
... |
DAY 1
A tall, handsome man in a dark suit emerges from a Lincoln
Towncar and enters a small, basement R&B/Jazz club.
2 INT. JAZZ CLUB - DAY 2
He approaches a booth, says something in the din to the ... |
s and an
electric humming begins. The eerie light glows brighter and
illuminates a single huge number--11. We hear static and a
large vertical band of red floats mysteriously across the
screen.
Pulling back slowly, we watch the glowin... |
the corner and splashes through a puddle from an
earlier rain. TUPAC SHAKUR blares from inside.
INT. HOUSE - TIGHT ON THE EYES
They snap wide as the young woman in the next room MOANS
even louder.
EXT. VENICE BEACH HOUSE - A WET NIGHT
A slight buzz emanates from the power lines and street
lights above th... |
2 INT. PLAZA HOTEL WINDOW NYC - DAY
IRVING ROSENFELD, not a small man, gets dressed and
meticulously constructs his combover. Camera WRAPS AROUND,
see his hands with rings adjust his dark velvet suit, up to
his face, serious, concentrated, intense, he is composing
... |
Of a large, impressive-looking building
on the corner of a busy, New York business
street.
LAP DISSOLVE TO:
2. EXT. BUILDING - DAY - CL... |
EAR shards of
dialogue from various presidential speeches.
MAIN TITLES END ON
EXT. BEAUTIFUL ESTABLISHING SHOT OF THE WHITE HOUSE - DAY
It's an early November morning, and the sun has just come
over this extraordinary building. WE HOLD on this for a moment
before we
... |
e decor is a mixture of chi-chi and rustic, with swagged
silk curtains, handwritten menus and pale pink tablecloths
decorated with arrangements of moss, twigs and hideous
exotic flowers. The clientele is young, wealthy and
confident, dressed in the height of late-eighties style:
pouffy Lacroix dresses, slinky... |
Jim DeFelice
All gave some. Some gave all.
1 OVER BLACK 1
The groan of tank treads drowns out THE CALL TO PRAYER as
an entire MARINE COMPANY advances over the top of us.
2 EXT. STREET, FALLUJAH, IRAQ - DAY 2
... |
A BEDROOM MIRROR.
The room is dark. A perfectly square mirror hangs crooked on
a wall.
Suddenly, out of the darkness, the reflection of a man's
face comes into focus. He stares straight ahead, perhaps
studying his own unrecognizable ... |
Draft 2.1
13.05.09
FADE IN:
1 EXT. DALSLAND, SWEDEN- TWILIGHT 1
A lake.
A forest.
A dacha.
A Saab outside the dacha.
A light within.
2 INT. DACHA- NIGHT ... |
lway is a mess. A window opening onto a light well is
open.
The door to the apartment is suddenly broken open. A plain-
clothes detective, two uniformed police officers and several
firemen - also in uniform - enter and look around. They all
... |
n a south west London suburb. We see
girls doing what girls did in a nice girls' school in 1962:
walking with books on their heads, practising their
handwriting, making cakes, playing lacrosse, dancing with
each other. ... |
and cross-connecting
like blood through the veins of a body --
impressionistic, even beautiful, but what we're hearing
is soulful trumpet-based MUSIC, mellow and haunting, the
modern classic -- JAZZ sound of a Wynton Marsalis,
putting a voice to our story. As CREDITS END, we...
... |
INT. POKROVSKOE--NIGHT
CLOSE--Expert fingers--female, unlovely, capable--shape a small lump of
dough which, with some shreds of cabbage, becomes a filled bun called a pirozhok . . .
which is now placed on a baking tray to join rows of pirozhoki ready for the o... |
SLOWLY
SWINGS ROUND
TIGHT CLOSE - SALLY THERRIAN
She's in her mid-thirties, with large deep eyes. She watches
her husband unguarded in sleep. Her pretty face, alert,
she's barely breathing. Traces the just visible lines around
his eyes, and mouth. Brushes fingertips against his
eyelashes.
TIGH... |
UP:
2 EXT. THEATER DISTRICT OF BROADWAY - DUSK 2
The sidewalks are filled with theater-goers heading for
their shows. Cabs line the streets.
SIDE ALLEY
A cab quickly turns into the alley, coming to a
screeching halt. A Man in a Grey Suit jumps out and
rus... |
it says: "The coolest thing?"
VOICE
Wow. That's hard. I'd have to say
it's the day we launched Outpost
'98.
We hear a (famous) Seattle alternative band.
EXT. OUTPOS... |
ers through
the jungle and across a foul swamp. A mist clings to the
trees. This could be the jungle of a million years ago.
Our VIEW MOVES CLOSER, through the mist, TILTING DOWN to
the tepid water. A small bubble rises to the surface;
then another. Suddenly, but quietly, a form begins to
emerge; a he... |
Stephen King
PRODUCTION DRAFT #4A
4/25/96 rev.
FADE IN:
Through the window of a moving vehicle, we see a series of
small, middle-class houses. This could be any ... |
4/17/11
BLACK.
Over CREDITS we HEAR:
MARIA (O.S.)
...but you took a huge bet on the
housing crisis in the middle of the
biggest boom anybody'd ever seen. Why?
... |
uise" by Antonio Mendez.
FADE IN:
BEGINNING LOGO
The familiar logo WARNER BROS. PRESENTS COMES UP.
After a beat, it is consumed by FIRE.
It becomes AN AMERICAN FLAG, BURNING in the street.
1 ... |
are in
black and white, in format 1.33.
1 TITLES 1
The letters of the titles come up on a title card typical of
the 1920s. Elegant motifs around the edge of the frame, and,
in the background, there are geometrical shapes reminiscent
... |
enormously SWEET-FACED, ELDER WOMAN steps out, bungled up
against the cold -- turning back to call inside to the
unseen love of her long life.
SWEET-FACED WOMAN
I'm just going to get some
flowers, dear. I'll be back in
twenty minutes. It's tulip season
today. I'm so happy.
And now she tur... |
VIRGIL ANDERSON, life ahead of him - someone seemingly at ease with
himself. As we watch. him a moment - SOUNDS become prominent -
whistle of the wind through the grass - a bird's wings as it takes
flight - a tree branch creaking under its own weight. And as he sits
there, listening, we see the last rays of sun... |
BEVERLY (OS)
..."Life is very long..."
2 MILES OF STRAIGHT ROAD 2
Two lanes, not a car in sight. Cracked asphalt undulates over
gentle, browned hills, disappears into an infinite horizon.
BEVERLY (OS)
TS Eli... |
FADE IN:
EXT. CENTRAL PARK -- SEPTEMBER AFTERNOON
A COUPLE moves down a walkway, deep in subdued conversation.
All around them trees explode with autumn color. Birds sing.
Their path is dappled with leafy shadow.
To their left, on t... |
eads up to a dirt road. She is in a great hurry and becomes a little
annoyed and surprised at seeing her father, a meticulously dressed and
elderly gentleman, standing near the curb busily talking to his chauffeur in
front of a black British car.
ANNA
So, there you are... I've been upstairs looking
... |
REV.1 0/25/ 89 (YELLOW)
REV.1 1/6/8 9 (GREEN)
REV.1 1/10/ 89 (GOLDENROD
REV .11/1 4/89 (SALMON)
REV .11/1 6/89 (LAVENDER)
REV .11/2 2/89 (CHERRY)
REV .12/4 /... |
1 EXT. YUSSEF AND AHMED'S HOUSE -- MORNING
Day breaks. Hassan (50) arrives at a solitary house made of
adobe, in the southern deserts of Morocco, carrying a satchel
and a large bundle wrapped in cloth.
He walks past a corral made out ... |
the morning.
DISSOLVE TO:
INTERIOR. CHARLIE'S BEDROOM
The bedroom of a two-and-a-half-room apartment in the housing
project. It is early morning, but the shades are drawn and
the room is dark. CAMERA moves slowly across the room, over
the large double bed on which Charlie and Helen Samson, ... |
en the GLINT of a flashlight. Its beam rocks
crazily to and fro across the inside of a small storage room
as we hear two children arguing.
OLDER KID
You're doing it wrong.
YOUNGER ... |
MAY 2012
TEXT OVER BLACK: "Before all else, be armed"
- Niccolo Machiavelli
FADE IN:
LANDSCAPES
A rusted Chevy El Camino drives against dissolving Louisiana
landscapes - broad, bar... |
by Howard Breslin
SHOOTING DRAFT
FADE IN BEFORE MAIN TITLE
BAD DAY AT BLACK ROCK
ESTABLISHING SHOT - BLACK ROCK - PART OF TOWN: FOCAL POINT:
RAILROAD STATION
... |
ng a World Series between the
Mets and the A's. Canseco plays for Oakland, and Strawberry
is still with New York.
DAY ONE:
GAME THREE: LT WINS
EXT: EARLY MORNING - LT'S HOME - QUEENS
... |
a when I was just a kid. My father had
kept their wedding cake in the freezer for ten whole years. After
the funeral he gave it to the yardman... He tried to act
cheerful, but he could never be consoled by the little stranger
he found in his house. Then, one day, hoping to begin a new life
away from the scene... |
MBOOZLED"
CUT TO CRAWL:
WHITE LETTERS ON BLACK
WE HEAR the VOICE of PIERRE DELACROIX.
DELACROIX (V.O.)
Satire. 1a. A literary work in
which human vice or folly is
ridiculed or attacked scornfully.
B. The branch of literature that
composes such work. 2. Irony,
derision or cau... |
- DAY
Brief shot of duel.
RODERICK (V.O.)
My father, who was well-known to the
best circles in this kingdom under
the name of roaring Harry James, was
killed in a duel, when I was fifteen
years old.
EXT. GARDEN - DAY
Mrs. James, talking with a suitor; Roderick, at a
distance.
RODERICK (... |
man in his thirties, hale but somewhat
bookish. He stands, tuxedoed, in the wings of a theater,
looking out at the stage, listening intently to end of a
performance.
In the shadows behind him an old stagehand leans against a
flat, expressionlessly smoking a cigarette, one hand on a
thick rope that ha... |
OUISIANA BAYOU.
Lush and green only a day ago, the foliage below has been
ripped to shreds. The kind of damage that can only be done
by nature.
SUPERIMPOSE:, FEBRUARY 2 - 0630 HOURS - 32 KILOMETERS NORTH
OF FORT MCKINLEY, LOUISIANA
INT. ARMY HELICOPTER (FLYING) -- SUNRISE
Sitting next to the PILOT is COLONEL WIL... |
The mother is disturbed. Crying.
The boy looks up, confused and frightened, concerned to see his
mother crying in public. She looks at him tenderly.
Her brow furrows. She stops crying. She stares just above his
eyes.
Something's happening: she looks with wonder at the top of his
head... his eyes roll upward... |
the floor of the halls, swirls of whitewash on the
windowpanes, naked light bulbs hung from electric wires. The rooms
contain hardly any furnishings.
The kitchens are still without sinks and stoves.
An agitated bustle, a rhythm of efficiency. Paratroopers go up and
down the stairs, pass along the ha... |
the wet green forest.
The very earth seems to tremble.
A RABBIT
Darts out of a log, lifts itself on its hind legs and sniffs
the air.
LOBBED GRENADE EXPLODES
VOICES and SHOUTS, closer now, mix with the rumbling WA... |
ne of a motorized tricycle ("tuk-tud") and its Thai driver
A young man, Richard, sits in the back, his rucksack beside him, swaying with the motion of the vehicle. He is worn and sweating.
They travel through nocturnal Bangkok: fleets of tuk-tuks, taxis, road works, food vendors, dogs, tourists.
Music and credits.
... |
May 8th, 2014
SHOOTING SCRIPT
FORWARD NOTE:
The dialogue in this screenplay is faithful ... |
FINAL DRAFT
Based on the stage play "Juicy and Delicious" by Lucy Alibar
EXT. HUSHPUPPY'S HOUSE - DAWN
An abandoned looking trailer sits on top of two 15-foot-tall
oil drums. Distant thunder trembles through the peeling
... |
OM
OLIVER FIELDS clicks on the light to the closet. He looks at
the rack of his parents' clothes.
He begins to put some in a box marked "home", some in a box
marked "thrift".
INT. HAL'S BATHROOM
Oliver enters the bathro... |
WARNER BROS. INC.
Burbank, California 91522 All Rights Reserved
"... and as he stared at the sky and listened to a cow
mooing almost dreamily in a distant village, he tried to
understand what it all meant -- the sky, and the fields,
and the humming telegraph pole; he felt that he was just
at th... |
brick wall. At one end stands the rear of a three-story
brick townhouse; at the other, a one story brick building.
CLASSICAL MUSIC is heard in the distance. A MAN, handsomely
dressed in a well-tailored suit of the 1920's, works in the
garden. A gardener's apron protects his suit from the earth
as he turns the... |
Final Shooting Script
BLACK SCREEN
RAV ZINGESSER
"And God said to Abraham, 'Take your
son, your only son, whom you love,
... |
1 *
A series of shots.
Blue sky through shabby windows.
Run down walls. A paint splashed pine floor. Tens of paint
brushes soaking in stained jars.
An artisan's hands - weather-worn, swirling a paint brush
in dirty water that sways at the bottom of one of the jars.
A canvas... |
IN...
EXT. 124 BLUESTONE ROAD - DAWN.
It is winter in Ohio. A house sits isolated beside a barren
field. The field stretches beyond, until a line of distant
woods stops it. Around the back of the house stands a rundown
STORAGE SHED, a cold house, a privy and a water pump. A porch
... |
10/01/11
1 OVER BLACK 1
Muffled music; soothing, generic.
AUTOMATED VOICE
Thank you for your patience.
Your call is important to us. We
will be with you shortly.
... |
aiorca
FADE IN:
EXT. GREEK ISLAND - SUNSET
CREDIT SEQUENCE:
The image is in black and white.
The sun disappears behind arid cliffs which cast giant
shadows on the sea.
A little boy around 8 years old -- tanned from head to toe
-- sprints along the cliffs, scrambles from one rock to
anoth... |
. The pupils are impossibly wide.
Imploring. The watery rims spill a single tear.
We PULL OUT... revealing the eyes belong to a child. A young
girl, fingers clasped pitifully. She's forlorn, alone in a
dirty gray alley. We feel shame. Compassion. Sorrow...
Then -- ... |
This is a Southern story, full of lies and fabrications, but
truer for their inclusion.
FADE IN:
A RIVER.
We're underwater, watching a fat catfish swim along.
This is The Beast.
EDWARD (V.O.... |
!
KUMAIL (V.O.)
Hello. I grew up in Pakistan. And people
are always asking me, what was that like?
Really not that different from here. I
mean we played cricket, which is just a
spicier version of baseball. And we
... |
blowing snow.
INT. POLICE CAR - SAME
A CORPORAL (20s), behind the wheel, with a bored DETECTIVE BOYLE (60s)
at his side.
CORPORAL
So his hand is like, off, right. So he puts on a
tourniquet, puts the hand in his pocket, walks f... |
1
We hear a clock ticking.
FADE IN:
1 INT. RIGGAN'S DRESSING ROOM - THEATER - DAY 1
Close on the brilliant colors of a middle eastern rug, the
center of what seems to be a makeshift "meditation" space.
We slowly ... |
Daphne Du Maurier
FINAL DRAFT 2nd Revision March 2, 1962
FADE IN:
FULL SHOT - GRANT STREET - SAN FRANCISCO - DAY
It is mid-afternoon, and there is a tempo and pace to the
people walking, the doorman HOOTING for taxicabs, the
policemen directing traffic.
... |
theme plays as the low sun catches
her hair. Around her neck is a pair of field binoculars, and
she runs through the meadow with them pressed to her face,
spying butterflies, birds, rabbits. She reaches the top of a
hillock, and jumps into the air, and... |
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