aneeshas/imsdb-500tokenhorror-movie-scripts

Horror stringlengths 0 500
tunning violence. Looped. Soldiers in a foreign war shoot an unarmed civilian at point- blank range; a man is set on by a frenzied crowd wielding clubs and machetes; a woman is necklaced while her killers cheer and howl. ...
TOWN - MAIN ST. - LATE AFTERNOON 1 We come up on... a streetlight. There is no illumination... and no movement. We hold on it for a long moment when suddenly... The streetlight bobs... and then begins to sway. We slowly begin to rise up on the streetlight to reveal... a ...
SHOOTING SCRIPT April 11, 1991 THE ADDAMS FAMILY - 11/6/90 FADE IN: A1 EXT. ADDAMS MANSION FRONT STEPS - CHRISTMAS EVE A1 A GROUP OF CAROLERS, their eager faces upturned, SINGS an endless and cloying roundelay of "Little Drumme...
REVISED 10/07/08 INT. PAUL'S APARTMENT. BEDROOM - DAY BLINDING WHITENESS We hear a MAN GASPING softly. Rhythmically. A LUMINOUS PALE SHAPE slowly forms out of the searing whiteness. Gradually we realize we're moving across the AL...
1976 SYNOPSIS En route back to Earth from a far part of the galaxy, the crew of the starship SNARK intercepts a transmission in an alien language, originating from a nearby storm-shrouded planet. Mankind has waited centuries to contact another form ...
- Hesse ALIEN III THE SCREEN IS BLACK A pinpoint of light appears. Red. An ember. Unseen BELLOWS blow. GLASS FURNACE The embers glow. Flame. The fire GROWS. A RIVER OF MOLTEN GLASS Heated by the furnace to over 1,300 degrees fahrenheit. White Hot. GLASS FACTORY Flickering fl...
ne of them picking up acceleration and racing toward us. Our perspective changes, and we catch a quick glimpse as it HURTLES past, and into the gravitational pull of a large brownish planet. Kicking up SPARKS of FRICTION as it hits atmosphere. It seems to be manmade. Or at least artificial. EXT. PLANET ...
URIGA along the silent, empty corridors, coming at last to a door with two guards standing rigid in front of it. Full armour, powerful shockrifles, expressions empty and cold. INT. MEDLAB Along a row of screens, where we see the first signs of life readouts, lights, data -- all shifting and collating on...
ay 28, 1985 ----------------------------------------------------------------------------- ALIENS FADE IN SOMETIME IN THE FUTURE - SPACE 1 Silent and endless. The stars shine like the love of God...cold and remote...
1 EXT. FOREST - NIGHT A dense forest on a dark, misty night. YOUNG EDWARD CARNBY (age 10), small, thin, and terrified, runs for his life. 2 The forest is pitch black. Young Edward ducks between trees, ...
e decor is a mixture of chi-chi and rustic, with swagged silk curtains, handwritten menus and pale pink tablecloths decorated with arrangements of moss, twigs and hideous exotic flowers. The clientele is young, wealthy and confident, dressed in the height of late-eighties style: pouffy Lacroix dresses, slinky...
, the main title is superimposed. An American Werewolf in London We continue to retreat from the moon, looking on as it grows farther from us, continuing credits until the full moon is the size it appears to us from earth. 2 EXT. CROSSROADS ON THE MOORS - NIGHT ...
27TH JULY 2012 Against BLACK SCREEN a TITLE CARD appears: "The boundaries which divide Life from Death are at best shadowy and vague. Who shall say where the one ends, and where the other begin...
July 30, 1986 FADE IN EXT. FERRY LANDING - NEW ENGLAND SHORE - DAY The sparkling waters. The chirping spring day. We are on an isolated stretch of country shore , and a quiet, sheltered island is visib...
n Raimi. All rights reserved. Shooting Script 2/26/91 ------------------------------------------------------------------------------ 1 GRAINY BLACK AND WHITE - CLOSE-UP - A MAN'S DESPERATE FACE 1 This is Ash, mid twenties, square jaw firmly set and a pair of haunted eyes which dart about quickly in fe...
d the mountains. In the middle of a field stands a bare-chested man facing the sunset. He is HARRIS, forty-ish, greying but handsome, and very fit. His hands are outstretched as if embracing an invisible entity. He seems filled with some sort of transcendental power. Now, an air of fulfillmen...
Daphne Du Maurier FINAL DRAFT 2nd Revision March 2, 1962 FADE IN: FULL SHOT - GRANT STREET - SAN FRANCISCO - DAY It is mid-afternoon, and there is a tempo and pace to the people walking, the doorman HOOTING for taxicabs, the policemen directing traffic. ...
its roll as we FADE UP ON: INT. HOSPITAL, INNER-CITY TRAUMA WARD - NIGHT It's 1967, the Summer of Love and -- BOOM! Entry doors swing open as PARAMEDICS wheel in a FEMALE BLEEDER, VANESSA (20s, black, nine months pregnant). She's deathly pale, spewing founts of blood from a savagely slashed throat -- ...
, snowy pavement. ANGLE ON a PALE FIGURE standing across the street. He looks feverish and strung-out, in serious need of a fix. This is JARED NOMAK, 20s. He starts towards the clinic. INT. COMMUNITY BLOOD BANK - ENTRANCE - NIGHT Potential DONORS...
l unexplored because there are as yet no words to enable us to get there. (beat) But I was there for the end. I took part in it. And I think my words can help shed light on what hap...
ts left on the block. A MIDDLE-AGED AFRICAN-AMERICAN MAN carries his single bag of groceries. The man listens and watches carefully, as he negotiates the darkness between the few pools of light on the street. We won't see his face until he reaches th...
e see an Italian village at the height of the plague. Funeral processions, decrepit houses with their windows boarded up... the stench of death all around. TITLE: EUROPE. THE DARK AGES Through the filth a KNIGHT walks his horse. He is weary but ...
re of a piece of solid matter, less of a mystery. It's the EXT. WHITE BUNGALOW (OR HOUSE) DAY 1. FILLING THE FRAME like a picture postcard. Modest, old-fashioned, spotless a vision of small town normalcy and virtue. This is the home of MARGARET WHITE and her daughter CARRIE. It seems to h...
INSPIRED BY REAL EVENTS 1. Pitch black. We hear FOOTSTEPS sneaking up an old wooden staircase. Two people moving as one. Topping the stairs, they creep down the hall to the closed doo...
her exquisite face and she drinks it in, as if the wind itself were telling something to her... Catherine sees a FLICKERING LIGHT in the sand. She pulls the reins and the horse stops moments before the dune drops into nothingness. She dismounts, affectionately scratches the horse's neck, and follows the L...
ir from the pillow and examines it curiously. There is a noise outside and Ed gets up to investigate. INT. HALLWAY - NIGHT Ed walks through the dark hallway and into the living room of his small house. INT. LIVING ROOM By the front door, hanging on the wall, is a framed picture of Eve, Ed's w...
kwell land, red barns on dirt roads, a square in the center of town. But things are hidden here. The barns are locked, the shades are drawn. Dissolve to: EXT. LOVER'S LANE A romantic turn-off used exclusively for parking. A river gushes by. Crickets chirp. The trees blow in the autumn wind. A single ca...
Frank Cappello EARLY PRODUCTION DRAFT November 14, 2002 FADE IN: EXT. ISTANBUL - DUSK Glimpses of an ancient city. Almost motionless against the tide of time. Sea swelled along an endless wall. Billowing s...
PREDISPOSITION, DISSOCIATION, TRAUMA, FANTASY, VIOLENT FANTASY, FACILITATORS, MURDER, and TRAUMA-REINFORCEMENT which she can point to with a laser pointing device. We see her from a considerable distance... the back of the balcony. Her voice is crisp and assured. HELEN Our society creates these so...
ently wielded. INT. MYSTERY ROOM - DIMNESS X-CLOSE. A SCALPEL returned to its place in a neat array of TAXIDERMY TOOLS. Long surgical TWEEZERS taken. A steady HAND grasps a CLAY BIRD FORM. Then sets the second eye. Unhurried. Meticulous...
of a perched crow large in the f.g. TIGHT ANGLE - FRESH GRAVE As a spade smooths the walls of a new double-decker plot. DIMITRI (O.S.) We're losing the light; let's pack it in. ANGLE - DIMITRI AND ALEXI TWO GRAVEDIGGERS. Scoop digger parked f.g. towering gothic- style church b.g. Roll...
ke a cube. There is a kind of door on each side. Each door has a handle. On the walls are weird-looking pictures. They doesn't seem to look like anything seen before. The man stands up in the middle of the room. The camera pans around him. Then he makes some sounds and opens a door in one of the walls. As he looks...
ate. A mix of subtle sounds begin to fade in. As they get louder, we can discern what sounds like a busy office area. It is actually a frantic television studio with the hum of panic in a national emergency. The woman's moans get louder and more desperate as the background sounds reach full volume and t...
ITY - DAY We hear THE SOUND OF A STRONG WIND. DEBRIS flutters through the streets. A LARGE ALLIGATOR slithers into frame, stops and looks around. MONTAGE: as MORE GATORS explore the empty streets, knocking over GARBAGE CANS, upsetting the MANNEQUINS in A DEPARTMENT STORE WINDOW. A GATOR crawls out through...
ed Draft Jan. 1st, 1996 OPEN TO: A FLASH OF LIGHTNING rips the HOLLYWOOD PICTURES LOGO away, and we find ourselves in the middle of... 1 STORMY SEA - NIGHT 1 ...
FOR EDUCATIONAL PURPOSES ONLY DEVIL'S ADVOCATE - Rev. 11/2/96 FADE IN: 1 INT. FLORIDA COURTROOM - DAY 1 Northern Florida in the midst of a heat wave. Air conditioners fighting a losing battle. The gallery is full. The JUDGE a stern, old hand...
anie Browne is jarred from a peaceful sleep as the alarm clock BUZZES. She hits the snooze button and plops back down onto the pillow. After a few seconds of pure sleeping bliss, she wills herself up. She moves through her Ikea furnished bedroom, past a "Hang in th...
HIGHWAY (DESERT) - NIGHT Three trucks from Chemical Technologies carry barrels of toxic waste. They pass a sign: PROSPERITY, NEVADA, POP 454. INT. THIRD TRUCK (HIGHWAY, DESERT) - NIGHT A sleepy trucker called PIG PEN drives the third truck. SELF-HELP TAPE (V.O.) I wi...
s. The gas giant Neptune slowly spins into view. Brilliant and blue and cold against the void. EXT. NEPTUNE - MODEL A BLACK SILHOUETTE stands out against the planet, tiny against Neptune's scale. EXT. NEPTUNE - MODEL DRIFT CLOSER t...
r - I Exterior - E Day - D Night - N Twilight - T LOCATION CODING CAR - Car B - Bridge CAB - Surrounding area outside cabin W - Woods M.R. - Main Room D.R. - Dining Room K - Kitchen C - Cellar W.S. - Work Shed L.B. - Linda's Bedroom S.B. - Shelly's Bedroom C.B. - Cheryl's Be...
DE IN: DE LAURENTIIS ENTERTAINMENT GROUP LOGO FADE OUT. FADE IN: RENAISSANCE PICTURES LOGO FADE OUT. 00 BLACKNESS ...
EXT. DESERT -- DAY The white sun beats down on the rocky terrain. There's not a cloud in the blue sky and the wind is at a standstill. Far in the distance, a MEDIUM SIZED FLAT-BED TRUCK makes its way to the entrance of a large cavern opening. Two VUL...
e. The BLACK SILENT SCREEN senses this moment before a distant blues harp introduces a contemporary band's cover of Blood, Sweat, and Tears' campy, yet haunting, gospel, "And When I Die." As the Introduction closes, RESONATES... A FLASH OF LIGHTING! A CRACK OF THUNDER! ...
r "FOWLER BROTHERS KILLED IN COAL MINE MISHAP." Another series of articles reads, "JEWISH PROFESSOR DENIED ADMITTANCE TO HINDENBURG" and "PROFESSOR RABINOWITZ KILLED IN AVALANCHE." Etc... Continuing along the wall, the newspaper articles all focus on the fates of the original SURVIVORS of the FLIGHT 180 CRASH. ...

of CHILDREN CHANTING increases. DREAM CHILDREN (in chorus) One... two... Freddy's coming for you. On "you" there is a RUMBLE and a flash -- like quick lightning only evil. (Choice flashes from Nightmare on Elm Street 1 & 2). Meagan turns at 1665. A beautiful white, two-story house, thic...
Gradually we can begin to hear, in the BG, the SOUNDS of CHILDREN playing. CUT TO: 2 EXT. SOFTBALL FIELD - DAY In the BG a few dozen CHILDREN, in camp uniforms, are enjoying a game of softball. ...
view. A few scattered streetlights. Dilapidated cabins. An abandoned campsite. CAMP CRYSTAL LAKE. We continue to drift towards it, hearing the faint sound of seductive music and an occasional giggle. A small HOUSEBOAT floats into our foreground, its interior light flickering as TWO BODIES move around i...
- the basic elements are all the same, just mixed differently. A gloomy night, no moon. And a slightly ominous pattern emerges... Green, thriving lawns and meticulously tended homes abut brown yards and porches littered with old newspapers and pizza join...
Sep 6th, 1984 1. FADE IN: EXT. FULL MOON - NIGHT (AND CREDITS. ROLL) Clouds obscure the starless heavens for a moment, heavy and ominous in the black firmament. Then suddenly they clear, exposing a full m...
read and formatted by ueli riegg email: webmaster@studiour.tsx.org; url: http://studiour.tsx.org Cast List: Quentin Tarantino Richard Gecko George Clooney Seth Gecko Brenda Hillhouse Hostage Gloria Harvey Keitel Jacob Juliette Lewis ...
present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship. Do not be conformed to this world, but be transformed by the renewal of your mind, that by testing you may discern what is the will of God, what is good and acceptable and ...
FADE IN INT. BARGE - DAY Crewman EPPS (29), wearing a life vest and tool belt, jumps down into the darkness. She stands in a great hollow cavern, oily, wet, resonant with the sound of creaking, rusty steel and WATER MOVING OVER ITS HULL on the other side. INT. BARGE - LATER - DAY Epps comes to ...
FADE IN INT. BARGE - DAY Crewman EPPS (29), wearing a life vest and tool belt, jumps down into the darkness. She stands in a great hollow cavern, oily, wet, resonant with the sound of creaking, rusty steel and WATER MOVING OVER ITS HULL on the other side. INT. BARGE - LATER - DAY Epps comes to ...
for male and female psychiatric patients. Its primary clientele are those who have histories of committing criminal offenses and are either committed to the Department of Mental Health by the Circuit Courts of the State or who are admitted under authority of an appointed guardian. FADE IN: ...
PRODUCTION DRAFT November 10, 2010 Production Draft - PINK Revised, November 16, 2010 Production Draft - BLUE ...
thing. RAND PELTZER walks through the owd. An American businessman.1-He wears a tas eful g3,y suit. He's thin, with distinguished good looks and thin brown hair. He's 56 years old. Rand looks around; fascinated by the vast array of people and merchandi...
ltzer first found Gizmo the Mogwai. As LOCALS bustle past, ANGLE FAVORS the stairs to the basement curiosity shop. 2 INT. MR. WING'S STORE MR. WING, the storekeeper who took Gizmo home after the Gremlins' night of carnage, opens the door, beginning his day. ...
By Takashi Shimizu Production Draft - BLUE Revised, January 26, 2004 1 INT. PETER & MARIA'S BEDROOM - DAY ...
, ILLINOIS OCTOBER 30 EXT. SMITH'S GROVE STATE HOSPITAL. DAY A cold brick building. Isolated. Surrounded on all sides by ...
DUNGEON - TUNNELS - NIGHT (DISTORTED) The agonizing SCREAMS continue as we MOVE rapidly through a labyrinth of winding underground tunnels. Glowing torches light the way. Blurry, indistinct silhouettes of grim FIGURES wearing black-cowled robes flash along the dank, craggy walls. As we BLAST around dark c...
September 8, 1999 INT MIDWIVES OFFICE DAY. FAIRLY RUNDOWN OFFICE. OLD AND DIRTY HEALTH NOTICES TACKED TO A BULLETIN BOARD. "COMMON SENSE FOR NURSING MOTHERS," ET CETERA. A LOWER-CLASS WOMAN, PREGNANT, WITH A SMALL CHILD IN TOW, OPENS THE DOOR, AND ...
11/10/98 Initial Shooting Script NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS. THEY HAVE BEEN REMOVED FOR THIS SOFT COPY. BEGIN MAIN TITLE SEQUENCE. At the very edge of hearing, the tone of human VOICES. Unintelligible, babbling, eerie. Then a l...
irs of feet running up the track, slipping in the mud . . . desperate. WIDE SHOT . . . reveals TWO GIRLS running up the track, distraught. JULIET HULME: nearly 16 - tall, blond and willowy, and PAULINE RIEPER: 16 - dark-haired, shorter and stockier than Juliet. It is 1954. Both girls are dressed in overc...
at glistens in the morning sun. As the camera skims overtop, titles start to roll. Ahead of us an odd-looking service van comes into view, sputtering along a dirt road. Getting closer, we can see the driver, a thin, bookish man with a neat mustache. This is AUSTIN GRIMALDI. The truck pulls up to a strange Vic...
November 1, 1987 FADE IN: 1 TITLES The screen is composed of large, straight-edge areas of black and white that rest against each other in a manner that suggests some kind of pattern, without making a final sense; it is as if we are too close to something that, could we see it from a distance, would b...
M - INTERVIEW 1 In a photographic DARKROOM: old optical enlargers, porcelain trays, timers, and stills hanging out to dry. GEORGE MATLIN, a slightly obese, nearsighted man in his seventies. OLD MATLIN ...
an Film Productions Ltd (C) Clive Barker 28.7.86 115 Flood Street, London. SW3 01-352-4195 1 TITLE SEQUENCE In darkness, a blood-curdling cacophony: the squeal of unoiled winches, the rasp of hooks and razor...
& Tony Randel 1st Draft May 8 1991 Bobbi Thomson Revised May 29 1991 William Morris Agency Revised June...
begins to shake. Slow motion. Graceful. WE HEAR a low rhythmic THUMP, THUMP, THUMP... The surface slowly peels off like flecks of dried old paint as we pull back a little wider and realize that we're looking at an OLD DOOR. THUMP, THUMP, THUMP... The door continues to rattle. Something o...
tractive, late twenties, warmly sophisticated. Something makes her smile. She turns to the driver and thinks real hard as she says this. KIRSTY Okay. Cubic root of nine thousand two hundred and sixty one. TREVOR is her husband, late twenties as well. God gave him brain...
EXT. DESERT HILLS - DAY Open on a GEIGER COUNTER scanning over a rocky terrain. A SAND STORM blows over the landscape. We are lost somewhere in the middle of the New Mexico desert. According to the instrument, the area contains high levels of radiation... ...
gloved hand dangling a rat. The hand shoves the frightened rat into the tube and closes the door behind it. The rat s stark white fur bristles and it begins to pad down the tube s length. After several feet, the tube opens up into a dimly lit cubicle. The rat hesitates and stops. The SOUNDS of gentle BR...
We see a LITTLE GIRL dancing around in a grainy super 8 home movie. A LITTLE BOY wearing a monster MASK enters the frame. He struggles to lift a double barrel shotgun. He points it at the girl and pretends to SHOOT. GIRL (V.O.) ...
lling along behind her. Even dressed down, this city girl can't hide her natural beauty and panache. She makes her way across the street and to an SUV. she opens the trunk and tosses in the suitcase among several other bags. She closes it, and walks to...
ges of STAINED GLASS and lead. FOOTSTEPS ECHO across the marble floor. REVEAL - JULIE JAMES A little older, a little wiser, yet still very pretty, no doubt. But she's all alone in the house of the Lord. And those doleful eyes of hers clearly telegraph a very heavy burden still rests upon her soul. ...
advancing himself stays the further ahead of himself, By not confining himself to himself, sustains himself outside himself. --LAOZI 2. FADE IN...
hen Rea Santiago Christian Slater Daniel Malloy Kirsten Dunst Claudia FADE IN: INT. ROOM - NIGHT (SAN FRANCISCO) A small bare room, illuminated only by the streetlight coming through the window. A hand presses a cassette into a recorder and fiddles with a small micr...
STUDIO DRAFT 3-18-2014 OPEN ON: Rain. Lashing a windowpane. A PIANO PLAYS somewhere off screen. Beethoven's Fur Elise. ...
The 13ths. AGAIN, DARKNESS. OPEN ON: The year is 2455. The place is Old Earth. Barren, void of life, a hazardous and violent planet. The sky is blood red with spiked clouds of dark gray. It is beautiful, but frighteningly foreign. BLUE LIGHTNING CRACKLES as several figures rush through a...
Peter Benchley From the novel by Peter Benchley OVER BLACK Sounds of the innerspaces rushing forward. Then a splinter...
Howard Sackler FADE IN: UNDERWATER - DAY Dramatically lit by sunlight filtering down from the surface. A dim shape, massive, threatening, swims towards us from the distance. Then it divides -- what was one is tw...
WOMEN'S CORRECTIONAL HOSPITAL - DAY ANITA "NEEDY" LESNICKI, 17, sits on her hospital bed in pajamas. She's a plain-faced girl with a haunted expression. As she stares out the window, she winds colored yarn around a pair of Popsicle sticks to create a "g...
SCOTCH MARMO 3/14/92 ------------------------------------------------------------------------------ EXTREME CLOSEUP of glowing honey-colored stones. Their shapes ABSTRACT as THE CAMERA EXAMINES air bubbles and crystalline patterns. MOVING UP AND OVER this amber abstractio...
EXT. BOAT - DAY 2 Illegal Costa Rican parasail operator ENRIQUE CARDOSO helps Americans BEN HILDEBRAND and twelve-year-old ERIC KIRVY -- already wearing life-vests -- strap themselves into a two- person PARASAIL HARNESS. 3 EXT. BOAT - DAY 3 Ben and Eric clamber onto a makeshift PLATFOR...
escent of white sand at the jungle fringe, utterly deserted. ISLA SORNA 87 miles southeast of Nublar Two SHIP HANDS, dressed in white uniforms, have set up a picnic table with three chairs on the sand and are carefully laying out luncheon service -- fine china, silver, crystal decanters with red a...
ic CRY of a LOON. SLOWLY FADE IN TO: EXT. BLACK LAKE - NIGHT The loon continues its hypnotic call, as the steamy mist lifts off the dark water, which doesn't even ripple. The loon continues her nocturnal cry, as we savor the beauty of the lake, the elegance of the bird, and ...
S Copyright 2004 All Rights Reserved BLACK. THE SOUND OF CHANNELS BEING TURNED ON A TV. TITLE UP: "SOME TIME AGO". NEWSCASTER (O.S.) It's hard for us...
"Come, ye children, listen to me. I will teach you the fear of the LORD." PSALM 34:11 THE MOJAVE DESERT - DUSK Vast. Barren. No signs of life. A BLOOD RED SUN is sinking behind the d...
tuart Revised Draft September 8, 1987 FACE IN ON THE SURFACE OF THE OCEAN sunny and placid then slowly WE BEGIN DESCENDING UNDERWATER Moving down from the brigh...
a limb. He has a bottle of wine, some sandwiches, a Walkman. Suddenly the lights turn on. PEEPER (whispering) Showtime! We see a young mother walk into the room outside the Peeper's window. She is wearing business attire. PEEPER (CONT'D) Rough day at the office Mrs. Dunleavy? (t...
Disturbing. WE LAP DISSOLVE between details of their twisted anatomies: headlamp eyes, bright metal claws, broken glass teeth. EXT. NEVADA ROADS - DESERT - DAY Two vehicles, one a Volkswagen "bus" decorated with stylized flames, the other a '66 Thunderbird, speeding along a series of eerily empty deser...
L EXT. TWO-LANE HIGHWAY - NIGHT We see a clean moving POV illuminated by headlights. We're floating down an old two-lane highway through a desolate, desert landscape. This gliding, eerie POV continues as credits roll. when the credits end, the headlights seem to dim and soon we're moving through BLACKNE...
FLORIDA, BEACH - GRAHAM + CRAWFORD - DAY The highlit aqua water burns out sections of the two men imposed in front of it. The beach is white sand. JACK CRAWFORD -- mid-forties, large -- came down from Washington. His suitcoat over the driftwood log and his rolled-up white sleeves says City, not Florida Keys. W...
Guillermo del Toro June 19th 1996 NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS. THEY HAVE BEEN REMOVED FOR THIS SOFT COPY. FADE IN: THE SCREEN...
rrors are the gates through which death comes and goes. Tell no one." Orphée, Jean Cocteau 1 OMITTED 1 1A INT. NIGHT - HARLEM SUBWAY STATION 1A A sub...
n King FADE IN ON: A SINGLE CIGARETTE. A MATCH. A HOTEL ICE BUCKET that holds a bottle of champagne. The cigarette is unlit. The match is of the kitchen variety. The champagne, unopened, is Dom Perignon. There is ...
he closer sound of a car - its headlights illumine an oleander bush and the limbs of an Eucalyptus tree. Then the headlights turn - a street sign is suddenly brightly lit. The words on the sign read... "Mulholland Drive." The car moves under the sign as it turns and the words fall once again into darkness. ...
rises up. WE PUSH IN on it, towards a CITY along the Nile, it's name written in hierarchic. WE KEEP PUSHING IN until the golden map turns to golden sand and we find ourselves DESCENDING on this ancient Egyptian city. Only it's not ancient. ...
channels. After we've heard different channels, the scanning stops on a channel with jazz music. With a loud sound, the credits stop, the black screen moves away to the right and is replaced by : FILM SET - BEDROOM - INTERIOR DAY (it is actually day-time, but the scene in the film being shot is suppos...

tunning violence. Looped. Soldiers in a foreign war shoot an unarmed civilian at point- blank range; a man is set on by a frenzied crowd wielding clubs and machetes; a woman is necklaced while her killers cheer and howl. ...

TOWN - MAIN ST. - LATE AFTERNOON 1 We come up on... a streetlight. There is no illumination... and no movement. We hold on it for a long moment when suddenly... The streetlight bobs... and then begins to sway. We slowly begin to rise up on the streetlight to reveal... a ...

SHOOTING SCRIPT April 11, 1991 THE ADDAMS FAMILY - 11/6/90 FADE IN: A1 EXT. ADDAMS MANSION FRONT STEPS - CHRISTMAS EVE A1 A GROUP OF CAROLERS, their eager faces upturned, SINGS an endless and cloying roundelay of "Little Drumme...

REVISED 10/07/08 INT. PAUL'S APARTMENT. BEDROOM - DAY BLINDING WHITENESS We hear a MAN GASPING softly. Rhythmically. A LUMINOUS PALE SHAPE slowly forms out of the searing whiteness. Gradually we realize we're moving across the AL...

1976 SYNOPSIS En route back to Earth from a far part of the galaxy, the crew of the starship SNARK intercepts a transmission in an alien language, originating from a nearby storm-shrouded planet. Mankind has waited centuries to contact another form ...

- Hesse ALIEN III THE SCREEN IS BLACK A pinpoint of light appears. Red. An ember. Unseen BELLOWS blow. GLASS FURNACE The embers glow. Flame. The fire GROWS. A RIVER OF MOLTEN GLASS Heated by the furnace to over 1,300 degrees fahrenheit. White Hot. GLASS FACTORY Flickering fl...

ne of them picking up acceleration and racing toward us. Our perspective changes, and we catch a quick glimpse as it HURTLES past, and into the gravitational pull of a large brownish planet. Kicking up SPARKS of FRICTION as it hits atmosphere. It seems to be manmade. Or at least artificial. EXT. PLANET ...

URIGA along the silent, empty corridors, coming at last to a door with two guards standing rigid in front of it. Full armour, powerful shockrifles, expressions empty and cold. INT. MEDLAB Along a row of screens, where we see the first signs of life readouts, lights, data -- all shifting and collating on...

ay 28, 1985 ----------------------------------------------------------------------------- ALIENS FADE IN SOMETIME IN THE FUTURE - SPACE 1 Silent and endless. The stars shine like the love of God...cold and remote...

1 EXT. FOREST - NIGHT A dense forest on a dark, misty night. YOUNG EDWARD CARNBY (age 10), small, thin, and terrified, runs for his life. 2 The forest is pitch black. Young Edward ducks between trees, ...

e decor is a mixture of chi-chi and rustic, with swagged silk curtains, handwritten menus and pale pink tablecloths decorated with arrangements of moss, twigs and hideous exotic flowers. The clientele is young, wealthy and confident, dressed in the height of late-eighties style: pouffy Lacroix dresses, slinky...

, the main title is superimposed. An American Werewolf in London We continue to retreat from the moon, looking on as it grows farther from us, continuing credits until the full moon is the size it appears to us from earth. 2 EXT. CROSSROADS ON THE MOORS - NIGHT ...

27TH JULY 2012 Against BLACK SCREEN a TITLE CARD appears: "The boundaries which divide Life from Death are at best shadowy and vague. Who shall say where the one ends, and where the other begin...

July 30, 1986 FADE IN EXT. FERRY LANDING - NEW ENGLAND SHORE - DAY The sparkling waters. The chirping spring day. We are on an isolated stretch of country shore , and a quiet, sheltered island is visib...

n Raimi. All rights reserved. Shooting Script 2/26/91 ------------------------------------------------------------------------------ 1 GRAINY BLACK AND WHITE - CLOSE-UP - A MAN'S DESPERATE FACE 1 This is Ash, mid twenties, square jaw firmly set and a pair of haunted eyes which dart about quickly in fe...

d the mountains. In the middle of a field stands a bare-chested man facing the sunset. He is HARRIS, forty-ish, greying but handsome, and very fit. His hands are outstretched as if embracing an invisible entity. He seems filled with some sort of transcendental power. Now, an air of fulfillmen...

Daphne Du Maurier FINAL DRAFT 2nd Revision March 2, 1962 FADE IN: FULL SHOT - GRANT STREET - SAN FRANCISCO - DAY It is mid-afternoon, and there is a tempo and pace to the people walking, the doorman HOOTING for taxicabs, the policemen directing traffic. ...

its roll as we FADE UP ON: INT. HOSPITAL, INNER-CITY TRAUMA WARD - NIGHT It's 1967, the Summer of Love and -- BOOM! Entry doors swing open as PARAMEDICS wheel in a FEMALE BLEEDER, VANESSA (20s, black, nine months pregnant). She's deathly pale, spewing founts of blood from a savagely slashed throat -- ...

, snowy pavement. ANGLE ON a PALE FIGURE standing across the street. He looks feverish and strung-out, in serious need of a fix. This is JARED NOMAK, 20s. He starts towards the clinic. INT. COMMUNITY BLOOD BANK - ENTRANCE - NIGHT Potential DONORS...

l unexplored because there are as yet no words to enable us to get there. (beat) But I was there for the end. I took part in it. And I think my words can help shed light on what hap...

ts left on the block. A MIDDLE-AGED AFRICAN-AMERICAN MAN carries his single bag of groceries. The man listens and watches carefully, as he negotiates the darkness between the few pools of light on the street. We won't see his face until he reaches th...

e see an Italian village at the height of the plague. Funeral processions, decrepit houses with their windows boarded up... the stench of death all around. TITLE: EUROPE. THE DARK AGES Through the filth a KNIGHT walks his horse. He is weary but ...

re of a piece of solid matter, less of a mystery. It's the EXT. WHITE BUNGALOW (OR HOUSE) DAY 1. FILLING THE FRAME like a picture postcard. Modest, old-fashioned, spotless a vision of small town normalcy and virtue. This is the home of MARGARET WHITE and her daughter CARRIE. It seems to h...

INSPIRED BY REAL EVENTS 1. Pitch black. We hear FOOTSTEPS sneaking up an old wooden staircase. Two people moving as one. Topping the stairs, they creep down the hall to the closed doo...

her exquisite face and she drinks it in, as if the wind itself were telling something to her... Catherine sees a FLICKERING LIGHT in the sand. She pulls the reins and the horse stops moments before the dune drops into nothingness. She dismounts, affectionately scratches the horse's neck, and follows the L...

ir from the pillow and examines it curiously. There is a noise outside and Ed gets up to investigate. INT. HALLWAY - NIGHT Ed walks through the dark hallway and into the living room of his small house. INT. LIVING ROOM By the front door, hanging on the wall, is a framed picture of Eve, Ed's w...

kwell land, red barns on dirt roads, a square in the center of town. But things are hidden here. The barns are locked, the shades are drawn. Dissolve to: EXT. LOVER'S LANE A romantic turn-off used exclusively for parking. A river gushes by. Crickets chirp. The trees blow in the autumn wind. A single ca...

Frank Cappello EARLY PRODUCTION DRAFT November 14, 2002 FADE IN: EXT. ISTANBUL - DUSK Glimpses of an ancient city. Almost motionless against the tide of time. Sea swelled along an endless wall. Billowing s...

PREDISPOSITION, DISSOCIATION, TRAUMA, FANTASY, VIOLENT FANTASY, FACILITATORS, MURDER, and TRAUMA-REINFORCEMENT which she can point to with a laser pointing device. We see her from a considerable distance... the back of the balcony. Her voice is crisp and assured. HELEN Our society creates these so...

ently wielded. INT. MYSTERY ROOM - DIMNESS X-CLOSE. A SCALPEL returned to its place in a neat array of TAXIDERMY TOOLS. Long surgical TWEEZERS taken. A steady HAND grasps a CLAY BIRD FORM. Then sets the second eye. Unhurried. Meticulous...

of a perched crow large in the f.g. TIGHT ANGLE - FRESH GRAVE As a spade smooths the walls of a new double-decker plot. DIMITRI (O.S.) We're losing the light; let's pack it in. ANGLE - DIMITRI AND ALEXI TWO GRAVEDIGGERS. Scoop digger parked f.g. towering gothic- style church b.g. Roll...

ke a cube. There is a kind of door on each side. Each door has a handle. On the walls are weird-looking pictures. They doesn't seem to look like anything seen before. The man stands up in the middle of the room. The camera pans around him. Then he makes some sounds and opens a door in one of the walls. As he looks...

ate. A mix of subtle sounds begin to fade in. As they get louder, we can discern what sounds like a busy office area. It is actually a frantic television studio with the hum of panic in a national emergency. The woman's moans get louder and more desperate as the background sounds reach full volume and t...

ITY - DAY We hear THE SOUND OF A STRONG WIND. DEBRIS flutters through the streets. A LARGE ALLIGATOR slithers into frame, stops and looks around. MONTAGE: as MORE GATORS explore the empty streets, knocking over GARBAGE CANS, upsetting the MANNEQUINS in A DEPARTMENT STORE WINDOW. A GATOR crawls out through...

ed Draft Jan. 1st, 1996 OPEN TO: A FLASH OF LIGHTNING rips the HOLLYWOOD PICTURES LOGO away, and we find ourselves in the middle of... 1 STORMY SEA - NIGHT 1 ...

FOR EDUCATIONAL PURPOSES ONLY DEVIL'S ADVOCATE - Rev. 11/2/96 FADE IN: 1 INT. FLORIDA COURTROOM - DAY 1 Northern Florida in the midst of a heat wave. Air conditioners fighting a losing battle. The gallery is full. The JUDGE a stern, old hand...

anie Browne is jarred from a peaceful sleep as the alarm clock BUZZES. She hits the snooze button and plops back down onto the pillow. After a few seconds of pure sleeping bliss, she wills herself up. She moves through her Ikea furnished bedroom, past a "Hang in th...

HIGHWAY (DESERT) - NIGHT Three trucks from Chemical Technologies carry barrels of toxic waste. They pass a sign: PROSPERITY, NEVADA, POP 454. INT. THIRD TRUCK (HIGHWAY, DESERT) - NIGHT A sleepy trucker called PIG PEN drives the third truck. SELF-HELP TAPE (V.O.) I wi...

s. The gas giant Neptune slowly spins into view. Brilliant and blue and cold against the void. EXT. NEPTUNE - MODEL A BLACK SILHOUETTE stands out against the planet, tiny against Neptune's scale. EXT. NEPTUNE - MODEL DRIFT CLOSER t...

r - I Exterior - E Day - D Night - N Twilight - T LOCATION CODING CAR - Car B - Bridge CAB - Surrounding area outside cabin W - Woods M.R. - Main Room D.R. - Dining Room K - Kitchen C - Cellar W.S. - Work Shed L.B. - Linda's Bedroom S.B. - Shelly's Bedroom C.B. - Cheryl's Be...

DE IN: DE LAURENTIIS ENTERTAINMENT GROUP LOGO FADE OUT. FADE IN: RENAISSANCE PICTURES LOGO FADE OUT. 00 BLACKNESS ...

EXT. DESERT -- DAY The white sun beats down on the rocky terrain. There's not a cloud in the blue sky and the wind is at a standstill. Far in the distance, a MEDIUM SIZED FLAT-BED TRUCK makes its way to the entrance of a large cavern opening. Two VUL...

e. The BLACK SILENT SCREEN senses this moment before a distant blues harp introduces a contemporary band's cover of Blood, Sweat, and Tears' campy, yet haunting, gospel, "And When I Die." As the Introduction closes, RESONATES... A FLASH OF LIGHTING! A CRACK OF THUNDER! ...

r "FOWLER BROTHERS KILLED IN COAL MINE MISHAP." Another series of articles reads, "JEWISH PROFESSOR DENIED ADMITTANCE TO HINDENBURG" and "PROFESSOR RABINOWITZ KILLED IN AVALANCHE." Etc... Continuing along the wall, the newspaper articles all focus on the fates of the original SURVIVORS of the FLIGHT 180 CRASH. ...

of CHILDREN CHANTING increases. DREAM CHILDREN (in chorus) One... two... Freddy's coming for you. On "you" there is a RUMBLE and a flash -- like quick lightning only evil. (Choice flashes from Nightmare on Elm Street 1 & 2). Meagan turns at 1665. A beautiful white, two-story house, thic...

Gradually we can begin to hear, in the BG, the SOUNDS of CHILDREN playing. CUT TO: 2 EXT. SOFTBALL FIELD - DAY In the BG a few dozen CHILDREN, in camp uniforms, are enjoying a game of softball. ...

view. A few scattered streetlights. Dilapidated cabins. An abandoned campsite. CAMP CRYSTAL LAKE. We continue to drift towards it, hearing the faint sound of seductive music and an occasional giggle. A small HOUSEBOAT floats into our foreground, its interior light flickering as TWO BODIES move around i...

- the basic elements are all the same, just mixed differently. A gloomy night, no moon. And a slightly ominous pattern emerges... Green, thriving lawns and meticulously tended homes abut brown yards and porches littered with old newspapers and pizza join...

Sep 6th, 1984 1. FADE IN: EXT. FULL MOON - NIGHT (AND CREDITS. ROLL) Clouds obscure the starless heavens for a moment, heavy and ominous in the black firmament. Then suddenly they clear, exposing a full m...

read and formatted by ueli riegg email: webmaster@studiour.tsx.org; url: http://studiour.tsx.org Cast List: Quentin Tarantino Richard Gecko George Clooney Seth Gecko Brenda Hillhouse Hostage Gloria Harvey Keitel Jacob Juliette Lewis ...

present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship. Do not be conformed to this world, but be transformed by the renewal of your mind, that by testing you may discern what is the will of God, what is good and acceptable and ...

FADE IN INT. BARGE - DAY Crewman EPPS (29), wearing a life vest and tool belt, jumps down into the darkness. She stands in a great hollow cavern, oily, wet, resonant with the sound of creaking, rusty steel and WATER MOVING OVER ITS HULL on the other side. INT. BARGE - LATER - DAY Epps comes to ...

for male and female psychiatric patients. Its primary clientele are those who have histories of committing criminal offenses and are either committed to the Department of Mental Health by the Circuit Courts of the State or who are admitted under authority of an appointed guardian. FADE IN: ...

PRODUCTION DRAFT November 10, 2010 Production Draft - PINK Revised, November 16, 2010 Production Draft - BLUE ...

thing. RAND PELTZER walks through the owd. An American businessman.1-He wears a tas eful g3,y suit. He's thin, with distinguished good looks and thin brown hair. He's 56 years old. Rand looks around; fascinated by the vast array of people and merchandi...

ltzer first found Gizmo the Mogwai. As LOCALS bustle past, ANGLE FAVORS the stairs to the basement curiosity shop. 2 INT. MR. WING'S STORE MR. WING, the storekeeper who took Gizmo home after the Gremlins' night of carnage, opens the door, beginning his day. ...

By Takashi Shimizu Production Draft - BLUE Revised, January 26, 2004 1 INT. PETER & MARIA'S BEDROOM - DAY ...

, ILLINOIS OCTOBER 30 EXT. SMITH'S GROVE STATE HOSPITAL. DAY A cold brick building. Isolated. Surrounded on all sides by ...

DUNGEON - TUNNELS - NIGHT (DISTORTED) The agonizing SCREAMS continue as we MOVE rapidly through a labyrinth of winding underground tunnels. Glowing torches light the way. Blurry, indistinct silhouettes of grim FIGURES wearing black-cowled robes flash along the dank, craggy walls. As we BLAST around dark c...

September 8, 1999 INT MIDWIVES OFFICE DAY. FAIRLY RUNDOWN OFFICE. OLD AND DIRTY HEALTH NOTICES TACKED TO A BULLETIN BOARD. "COMMON SENSE FOR NURSING MOTHERS," ET CETERA. A LOWER-CLASS WOMAN, PREGNANT, WITH A SMALL CHILD IN TOW, OPENS THE DOOR, AND ...

11/10/98 Initial Shooting Script NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS. THEY HAVE BEEN REMOVED FOR THIS SOFT COPY. BEGIN MAIN TITLE SEQUENCE. At the very edge of hearing, the tone of human VOICES. Unintelligible, babbling, eerie. Then a l...

irs of feet running up the track, slipping in the mud . . . desperate. WIDE SHOT . . . reveals TWO GIRLS running up the track, distraught. JULIET HULME: nearly 16 - tall, blond and willowy, and PAULINE RIEPER: 16 - dark-haired, shorter and stockier than Juliet. It is 1954. Both girls are dressed in overc...

at glistens in the morning sun. As the camera skims overtop, titles start to roll. Ahead of us an odd-looking service van comes into view, sputtering along a dirt road. Getting closer, we can see the driver, a thin, bookish man with a neat mustache. This is AUSTIN GRIMALDI. The truck pulls up to a strange Vic...

November 1, 1987 FADE IN: 1 TITLES The screen is composed of large, straight-edge areas of black and white that rest against each other in a manner that suggests some kind of pattern, without making a final sense; it is as if we are too close to something that, could we see it from a distance, would b...

M - INTERVIEW 1 In a photographic DARKROOM: old optical enlargers, porcelain trays, timers, and stills hanging out to dry. GEORGE MATLIN, a slightly obese, nearsighted man in his seventies. OLD MATLIN ...

an Film Productions Ltd (C) Clive Barker 28.7.86 115 Flood Street, London. SW3 01-352-4195 1 TITLE SEQUENCE In darkness, a blood-curdling cacophony: the squeal of unoiled winches, the rasp of hooks and razor...

& Tony Randel 1st Draft May 8 1991 Bobbi Thomson Revised May 29 1991 William Morris Agency Revised June...

begins to shake. Slow motion. Graceful. WE HEAR a low rhythmic THUMP, THUMP, THUMP... The surface slowly peels off like flecks of dried old paint as we pull back a little wider and realize that we're looking at an OLD DOOR. THUMP, THUMP, THUMP... The door continues to rattle. Something o...

tractive, late twenties, warmly sophisticated. Something makes her smile. She turns to the driver and thinks real hard as she says this. KIRSTY Okay. Cubic root of nine thousand two hundred and sixty one. TREVOR is her husband, late twenties as well. God gave him brain...

EXT. DESERT HILLS - DAY Open on a GEIGER COUNTER scanning over a rocky terrain. A SAND STORM blows over the landscape. We are lost somewhere in the middle of the New Mexico desert. According to the instrument, the area contains high levels of radiation... ...

gloved hand dangling a rat. The hand shoves the frightened rat into the tube and closes the door behind it. The rat s stark white fur bristles and it begins to pad down the tube s length. After several feet, the tube opens up into a dimly lit cubicle. The rat hesitates and stops. The SOUNDS of gentle BR...

We see a LITTLE GIRL dancing around in a grainy super 8 home movie. A LITTLE BOY wearing a monster MASK enters the frame. He struggles to lift a double barrel shotgun. He points it at the girl and pretends to SHOOT. GIRL (V.O.) ...

lling along behind her. Even dressed down, this city girl can't hide her natural beauty and panache. She makes her way across the street and to an SUV. she opens the trunk and tosses in the suitcase among several other bags. She closes it, and walks to...

ges of STAINED GLASS and lead. FOOTSTEPS ECHO across the marble floor. REVEAL - JULIE JAMES A little older, a little wiser, yet still very pretty, no doubt. But she's all alone in the house of the Lord. And those doleful eyes of hers clearly telegraph a very heavy burden still rests upon her soul. ...

advancing himself stays the further ahead of himself, By not confining himself to himself, sustains himself outside himself. --LAOZI 2. FADE IN...

hen Rea Santiago Christian Slater Daniel Malloy Kirsten Dunst Claudia FADE IN: INT. ROOM - NIGHT (SAN FRANCISCO) A small bare room, illuminated only by the streetlight coming through the window. A hand presses a cassette into a recorder and fiddles with a small micr...

STUDIO DRAFT 3-18-2014 OPEN ON: Rain. Lashing a windowpane. A PIANO PLAYS somewhere off screen. Beethoven's Fur Elise. ...

The 13ths. AGAIN, DARKNESS. OPEN ON: The year is 2455. The place is Old Earth. Barren, void of life, a hazardous and violent planet. The sky is blood red with spiked clouds of dark gray. It is beautiful, but frighteningly foreign. BLUE LIGHTNING CRACKLES as several figures rush through a...

Peter Benchley From the novel by Peter Benchley OVER BLACK Sounds of the innerspaces rushing forward. Then a splinter...

Howard Sackler FADE IN: UNDERWATER - DAY Dramatically lit by sunlight filtering down from the surface. A dim shape, massive, threatening, swims towards us from the distance. Then it divides -- what was one is tw...

WOMEN'S CORRECTIONAL HOSPITAL - DAY ANITA "NEEDY" LESNICKI, 17, sits on her hospital bed in pajamas. She's a plain-faced girl with a haunted expression. As she stares out the window, she winds colored yarn around a pair of Popsicle sticks to create a "g...

SCOTCH MARMO 3/14/92 ------------------------------------------------------------------------------ EXTREME CLOSEUP of glowing honey-colored stones. Their shapes ABSTRACT as THE CAMERA EXAMINES air bubbles and crystalline patterns. MOVING UP AND OVER this amber abstractio...

EXT. BOAT - DAY 2 Illegal Costa Rican parasail operator ENRIQUE CARDOSO helps Americans BEN HILDEBRAND and twelve-year-old ERIC KIRVY -- already wearing life-vests -- strap themselves into a two- person PARASAIL HARNESS. 3 EXT. BOAT - DAY 3 Ben and Eric clamber onto a makeshift PLATFOR...

escent of white sand at the jungle fringe, utterly deserted. ISLA SORNA 87 miles southeast of Nublar Two SHIP HANDS, dressed in white uniforms, have set up a picnic table with three chairs on the sand and are carefully laying out luncheon service -- fine china, silver, crystal decanters with red a...

ic CRY of a LOON. SLOWLY FADE IN TO: EXT. BLACK LAKE - NIGHT The loon continues its hypnotic call, as the steamy mist lifts off the dark water, which doesn't even ripple. The loon continues her nocturnal cry, as we savor the beauty of the lake, the elegance of the bird, and ...

"Come, ye children, listen to me. I will teach you the fear of the LORD." PSALM 34:11 THE MOJAVE DESERT - DUSK Vast. Barren. No signs of life. A BLOOD RED SUN is sinking behind the d...

tuart Revised Draft September 8, 1987 FACE IN ON THE SURFACE OF THE OCEAN sunny and placid then slowly WE BEGIN DESCENDING UNDERWATER Moving down from the brigh...

a limb. He has a bottle of wine, some sandwiches, a Walkman. Suddenly the lights turn on. PEEPER (whispering) Showtime! We see a young mother walk into the room outside the Peeper's window. She is wearing business attire. PEEPER (CONT'D) Rough day at the office Mrs. Dunleavy? (t...

Disturbing. WE LAP DISSOLVE between details of their twisted anatomies: headlamp eyes, bright metal claws, broken glass teeth. EXT. NEVADA ROADS - DESERT - DAY Two vehicles, one a Volkswagen "bus" decorated with stylized flames, the other a '66 Thunderbird, speeding along a series of eerily empty deser...

L EXT. TWO-LANE HIGHWAY - NIGHT We see a clean moving POV illuminated by headlights. We're floating down an old two-lane highway through a desolate, desert landscape. This gliding, eerie POV continues as credits roll. when the credits end, the headlights seem to dim and soon we're moving through BLACKNE...

FLORIDA, BEACH - GRAHAM + CRAWFORD - DAY The highlit aqua water burns out sections of the two men imposed in front of it. The beach is white sand. JACK CRAWFORD -- mid-forties, large -- came down from Washington. His suitcoat over the driftwood log and his rolled-up white sleeves says City, not Florida Keys. W...

Guillermo del Toro June 19th 1996 NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS. THEY HAVE BEEN REMOVED FOR THIS SOFT COPY. FADE IN: THE SCREEN...

rrors are the gates through which death comes and goes. Tell no one." Orphée, Jean Cocteau 1 OMITTED 1 1A INT. NIGHT - HARLEM SUBWAY STATION 1A A sub...

n King FADE IN ON: A SINGLE CIGARETTE. A MATCH. A HOTEL ICE BUCKET that holds a bottle of champagne. The cigarette is unlit. The match is of the kitchen variety. The champagne, unopened, is Dom Perignon. There is ...

he closer sound of a car - its headlights illumine an oleander bush and the limbs of an Eucalyptus tree. Then the headlights turn - a street sign is suddenly brightly lit. The words on the sign read... "Mulholland Drive." The car moves under the sign as it turns and the words fall once again into darkness. ...

rises up. WE PUSH IN on it, towards a CITY along the Nile, it's name written in hierarchic. WE KEEP PUSHING IN until the golden map turns to golden sand and we find ourselves DESCENDING on this ancient Egyptian city. Only it's not ancient. ...

channels. After we've heard different channels, the scanning stops on a channel with jazz music. With a loud sound, the credits stop, the black screen moves away to the right and is replaced by : FILM SET - BEDROOM - INTERIOR DAY (it is actually day-time, but the scene in the film being shot is suppos...

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