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Fording the stream, on its western bank, they discover signs which cause them to come to a halt, for some time perplexing them. Nothing more than the tracks of the troop they have been all the while pursuing, which entered the river on its left side. Now on its right they are seen the same, up the sloping causeway of t...
Unquestionably the Mexican colonel had here divided his troop, the main body proceeding due west, the detachment striking up stream.
The route taken by this last would be the old Spanish road for Santa Fe, the first party proceeding on to Albuquerque.
For a time the pursuing Texans are at fault, as foxhounds by a fence, over which Reynard has doubled back to mislead them. They have halted at the bifurcation of the trails, and sit in their saddles, considering which of the two they should take.
Not all remain mounted. Cully and Wilder have flung themselves to the ground, and, in bent attitudes, with eyes close to the surface, are scanning the hoof-marks of the Mexican horses.
The others debate which of the two troops they ought to take after, or whether they should themselves separate and pursue both. This course is opposed by a majority, and it is at length almost decided to continue on after the main body, which, naturally enough, they suppose to have Uraga at its head, with the captives ...
In the midst of their deliberations a shout calls the attention of all, concentrating it on Walt Wilder. For it is he who has uttered the cry. The ex-Ranger is seen upon his knees, his great body bent forward, with his chin almost touching the ground. His eyes are upon the hoof-marks of a horse -- one of those that wen...
That he has identified the track is evident from the speech succeeding his ejaculation.
"Yur hoss, Hamersley! Hyar's his futprint, sure. An', as he's rud by Urager, the scoundrel's goed this way to a sartinty. Eqwally sartin, he's tuk the captives along wi' him."
On hearing their old comrade declare his prognosis, the Rangers wheel their horses and ride towards him.
Before reaching the spot where he is still prospecting, they see him give a sudden spring forward, like a frog leaping over meadow sward, then pause again, scrutinising a track.
A second examination, similar to the first, tells of another discovery. In like manner explained, by his speech close following, --
"An' hyar's the track o' the mare -- the yeller mustang as war rid by the saynorita. An', durn me, that's the hoof-mark o' the mule as carried my Concheter. Capting Haynes! Kumrades! No use botherin' 'bout hyar any longer. Them we want to kum up wi' are goed north 'long this trail as leads by the river bank."
Not another word is needed. The Rangers, keen of apprehension and quick to arrive at conclusions, at once perceive the justness of those come to by their old comrade. They make no opposition to his proposal to proceed after the smaller party.
Instead, all signify assent; and in ten seconds after they are strung out into a long line, going at a gallop, their horses' heads turned northward up the right bank of the Rio Pecos.
Chapter Sixty Four.
A Sylvan Scene.
Perhaps no river on all the North American continent is marked with interest more romantic than that which attaches to the Rio Grande of Mexico. On its banks has been enacted many a tragic scene -- many an episode of Indian and border war -- from the day when the companions of Cortez first unfurled Spain's pabellon til...
Heading in the far-famed "parks" of the Rocky Mountains, under the name of Rio Bravo del Norte, it runs in a due southerly direction between the two main ranges of the Mexican "Sierre Madre;" then, breaking through the Eastern Cordillera, it bends abruptly, continuing on in a south-easterly course till it espouses ocea...
Only its lower portion is known as the "Rio Grande;" above it is the "Bravo del Norte."
The Pecos is its principal tributary, which, after running through several degrees of latitude parallel to the main stream, at length unites with it below the great bend.
In many respects the Pecos is itself a peculiar river. For many hundred miles it courses through a wilderness rarely traversed by man, more rarely by men claiming to be civilised. Its banks are only trodden by the savage, and by him but when going to or returning from a raid. For this turbid stream is a true river of t...
On the side of the Staked Plain the Pecos receives but few affluents, and these of insignificant character. From the Sierras, however, several streams run into it through channels deeply cut into the plain, their beds being often hundreds of feet below its level. While the plateau above is often arid and treeless, the ...
On the edge of one of these affluents, known as the Arroyo Alamo (Anglice "Cottonwood Creek"), two tents are seen standing -- one a square marquee, the other a "single pole," of the ordinary conical shape.
Near by a half score of soldiers are grouped around a bivouac fire, some broiling bits of meat on sapling spits, others smoking corn-husk cigarettes, all gaily chatting. One is some fifty paces apart, under a spreading tree, keeping guard over two prisoners, who, with legs lashed and hands pinioned, lie prostrate upon ...
As the soldiers are in the uniform of Mexican lancers, it is needless to say they belong to the troop of Colonel Uraga. Superfluous to add that the two prisoners under the tree are Don Valerian Miranda and the doctor.
Uraga himself is not visible, nor his adjutant, Roblez. They are inside the conical hut, the square one being occupied by Adela and her maid.
After crossing the Pecos, Uraga separated his troop into two parties. For some time he has sent the main body, under command of his alferez, direct to Albuquerque, himself and the adjutant turning north with the captives and a few files as escort and guard. Having kept along the bank of the Pecos till reaching the Alam...
A pretty spot has he selected for the site of his encampment. A verdant mead, dotted with groves of leafy alamo trees, that reflect their shadows upon crystal runlets silently coursing beneath, suddenly flashing into the open light like a band of silver lace as it bisects a glade green with gramma grass. A landscape no...
It is a scene at once soft and sublime -- an Eden of angels beset by a serried phalanx of fiends; below, sweetly smiling; above, darkly frowning and weirdly picturesque. A wilderness, with all its charms, uninhabited; no house in sight; no domestic hearth or chimney towering over it; no smoke, save that curling aloft f...
Uraga has pitched his tents in an open glade of about ten acres in superficial extent, and nearly circular in shape, lying within the embrace of an umbrageous wood, the trees being mostly cotton woods of large dimensions. Through its midst the streamlet meanders above, issuing out of the timber, and below again enterin...
On one side the bluffs are visible, rising darkly above the tree-tops, and in the concavity underneath stand the tents, close to the timber edge, though a hundred paces apart from each other. The troop horses, secured by their trail-ropes, are browsing by the bank of the stream; and above, perched upon the summit of th...
Had Uraga been influenced by a sense of sylvan beauty, he could not have chosen a spot more suitable for his camping-place.
Scenic effect has nought to do with his halting there. On the contrary, he has turned up the Alamo, and is bivouacking on its bank, for a purpose so atrocious that no one would give credit to it unacquainted with the military life of Mexico in the days of the Dictator Don Antonio Lopez de Santa Anna. This purpose is de...
But before shadowing the bright scene we have painted by thoughts of the dark scheme so disclosed, let us seek society of a gentler kind. We shall find it in the marquee set apart for Adela Miranda and her maid.
It scarce needs to say that a change is observable in the appearance of the lady. Her dress is travel-stained, bedraggled by dust and rain; her hair, escaped from its coif, hangs dishevelled; her cheeks show the lily where but roses have hitherto bloomed. She is sad, drooping, despondent.
The Indian damsel seems to suffer less from her captivity, having less to afflict her -- no dread of that terrible calamity which, like an incubus, broods upon the mind of her mistress.
In the conversation passing between them Conchita is the comforter.
"Don't grieve so, senorita," she says, "I'm sure it will be all right yet. Something whispers me it will. It may be the good Virgin -- bless her! I heard one of the soldiers say they're taking us to Santa Fe, and that Don Valerian will be tried by a court martial -- I think that's what he called it. Well, what of it? Y...
At the words "assassinate him," the young lady gives a start. It is just that which is making her so sad. Too well she knows the man into whose hands they have unfortunately fallen. She remembers his design, once nigh succeeding, only frustrated by that hurried flight from their home. Is it likely the fiend will be con...
"Besides," pursues Conchita, in her consolatory strain, "your gallant Francisco and my big, brave Gualtero have gone before us. They'll be in Albuquerque when we get there, and will be sure to hear of our arrival. Trust them for doing something to save Don Valerian."
"No, no," despondingly answers Adela, "they can do nothing for my brother. That is beyond their power, even if he should ever reach there. I fear he never will -- perhaps, none of us."
"Santissima! What do you mean, senorita? Surely these men will not murder us on the way?"
"They are capable of doing that -- anything. Ah! Conchita, you do not know them. I am in as much danger as my brother, for I shall choose death rather than -- "
She forbears speaking the word that would explain her terrible apprehension. Without waiting for it, Conchita rejoins --
"If they kill you, they may do the same with me. Dear duena, I'm ready to die with you."
The duena, deeply affected by this proffer of devotion, flings her white arms around the neck of her brown-skinned maid, and imprints upon her brow a kiss, speaking heartfelt gratitude.
For a time the two remain enlocked in each other's arms, murmuring words of mutual consolation. Love levels all ranks, but not more than misery -- perhaps not so much. In the hour of despair there is no difference between prince and peasant, between the high-born dame and the lowly damsel accustomed to serve her capric...
Adela Miranda has in her veins the purest sangre azul of Andalusia. Her ancestors came to New Spain among the proud conquistadores; while those of Conchita, at least on the mother's side, were of the race conquered, outraged, and humiliated.