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Which three names did MCA use for LaserDisc technology during its development? | Context: During its development, MCA, which co-owned the technology, referred to it as the Optical Videodisc System, "Reflective Optical Videodisc" or "Laser Optical Videodisc", depending on the document; changing the name once in 1969 to Disco-Vision and then again in 1978 to DiscoVision (without the hyphen), which became the official spelling. Technical documents and brochures produced by MCA Disco-Vision during the early and mid-'70s also used the term "Disco-Vision Records" to refer to the pressed discs. MCA owned the rights to the largest catalog of films in the world during this time, and they manufactured and distributed the DiscoVision releases of those films under the "MCA DiscoVision" software and manufacturing label; consumer sale of those titles began on December 15, 1978, with the aforementioned Jaws.. Answer: {'text': ['Optical Videodisc System, "Reflective Optical Videodisc" or "Laser Optical Videodisc"'], 'answer_start': [82]}. Question: |
To what did MCA change the name to in 1969? | Context: During its development, MCA, which co-owned the technology, referred to it as the Optical Videodisc System, "Reflective Optical Videodisc" or "Laser Optical Videodisc", depending on the document; changing the name once in 1969 to Disco-Vision and then again in 1978 to DiscoVision (without the hyphen), which became the official spelling. Technical documents and brochures produced by MCA Disco-Vision during the early and mid-'70s also used the term "Disco-Vision Records" to refer to the pressed discs. MCA owned the rights to the largest catalog of films in the world during this time, and they manufactured and distributed the DiscoVision releases of those films under the "MCA DiscoVision" software and manufacturing label; consumer sale of those titles began on December 15, 1978, with the aforementioned Jaws.. Answer: {'text': ['Disco-Vision'], 'answer_start': [230]}. Question: |
When did MCA remove the hyphen from the name Disco-Vision? | Context: During its development, MCA, which co-owned the technology, referred to it as the Optical Videodisc System, "Reflective Optical Videodisc" or "Laser Optical Videodisc", depending on the document; changing the name once in 1969 to Disco-Vision and then again in 1978 to DiscoVision (without the hyphen), which became the official spelling. Technical documents and brochures produced by MCA Disco-Vision during the early and mid-'70s also used the term "Disco-Vision Records" to refer to the pressed discs. MCA owned the rights to the largest catalog of films in the world during this time, and they manufactured and distributed the DiscoVision releases of those films under the "MCA DiscoVision" software and manufacturing label; consumer sale of those titles began on December 15, 1978, with the aforementioned Jaws.. Answer: {'text': ['1978'], 'answer_start': [261]}. Question: |
Which company owned the rights to the world's largest collection of films during the 1970s? | Context: During its development, MCA, which co-owned the technology, referred to it as the Optical Videodisc System, "Reflective Optical Videodisc" or "Laser Optical Videodisc", depending on the document; changing the name once in 1969 to Disco-Vision and then again in 1978 to DiscoVision (without the hyphen), which became the official spelling. Technical documents and brochures produced by MCA Disco-Vision during the early and mid-'70s also used the term "Disco-Vision Records" to refer to the pressed discs. MCA owned the rights to the largest catalog of films in the world during this time, and they manufactured and distributed the DiscoVision releases of those films under the "MCA DiscoVision" software and manufacturing label; consumer sale of those titles began on December 15, 1978, with the aforementioned Jaws.. Answer: {'text': ['MCA'], 'answer_start': [505]}. Question: |
Consumer sales of MCA films began in 1978 with what movie? | Context: During its development, MCA, which co-owned the technology, referred to it as the Optical Videodisc System, "Reflective Optical Videodisc" or "Laser Optical Videodisc", depending on the document; changing the name once in 1969 to Disco-Vision and then again in 1978 to DiscoVision (without the hyphen), which became the official spelling. Technical documents and brochures produced by MCA Disco-Vision during the early and mid-'70s also used the term "Disco-Vision Records" to refer to the pressed discs. MCA owned the rights to the largest catalog of films in the world during this time, and they manufactured and distributed the DiscoVision releases of those films under the "MCA DiscoVision" software and manufacturing label; consumer sale of those titles began on December 15, 1978, with the aforementioned Jaws.. Answer: {'text': ['Jaws'], 'answer_start': [811]}. Question: |
What did VLP stand for in English-speaking countries? | Context: Philips' preferred name for the format was "VLP", after the Dutch words Video Langspeel-Plaat ("Video long-play disc"), which in English-speaking countries stood for Video Long-Play. The first consumer player, the Magnavox VH-8000 even had the VLP logo on the player. For a while in the early and mid-1970s, Philips also discussed a compatible audio-only format they called "ALP", but that was soon dropped as the Compact Disc system became a non-compatible project in the Philips corporation. Until early 1980, the format had no "official" name. The LaserVision Association, made up of MCA, Universal-Pioneer, IBM, and Philips/Magnavox, was formed to standardize the technical specifications of the format (which had been causing problems for the consumer market) and finally named the system officially as "LaserVision".. Answer: {'text': ['Video Long-Play'], 'answer_start': [166]}. Question: |
What was the first consumer VLP player? | Context: Philips' preferred name for the format was "VLP", after the Dutch words Video Langspeel-Plaat ("Video long-play disc"), which in English-speaking countries stood for Video Long-Play. The first consumer player, the Magnavox VH-8000 even had the VLP logo on the player. For a while in the early and mid-1970s, Philips also discussed a compatible audio-only format they called "ALP", but that was soon dropped as the Compact Disc system became a non-compatible project in the Philips corporation. Until early 1980, the format had no "official" name. The LaserVision Association, made up of MCA, Universal-Pioneer, IBM, and Philips/Magnavox, was formed to standardize the technical specifications of the format (which had been causing problems for the consumer market) and finally named the system officially as "LaserVision".. Answer: {'text': ['Magnavox VH-8000'], 'answer_start': [214]}. Question: |
Which group officially chose the name "Laservision"? | Context: Philips' preferred name for the format was "VLP", after the Dutch words Video Langspeel-Plaat ("Video long-play disc"), which in English-speaking countries stood for Video Long-Play. The first consumer player, the Magnavox VH-8000 even had the VLP logo on the player. For a while in the early and mid-1970s, Philips also discussed a compatible audio-only format they called "ALP", but that was soon dropped as the Compact Disc system became a non-compatible project in the Philips corporation. Until early 1980, the format had no "official" name. The LaserVision Association, made up of MCA, Universal-Pioneer, IBM, and Philips/Magnavox, was formed to standardize the technical specifications of the format (which had been causing problems for the consumer market) and finally named the system officially as "LaserVision".. Answer: {'text': ['The LaserVision Association'], 'answer_start': [547]}. Question: |
The Laservision Association was comprised of which companies? | Context: Philips' preferred name for the format was "VLP", after the Dutch words Video Langspeel-Plaat ("Video long-play disc"), which in English-speaking countries stood for Video Long-Play. The first consumer player, the Magnavox VH-8000 even had the VLP logo on the player. For a while in the early and mid-1970s, Philips also discussed a compatible audio-only format they called "ALP", but that was soon dropped as the Compact Disc system became a non-compatible project in the Philips corporation. Until early 1980, the format had no "official" name. The LaserVision Association, made up of MCA, Universal-Pioneer, IBM, and Philips/Magnavox, was formed to standardize the technical specifications of the format (which had been causing problems for the consumer market) and finally named the system officially as "LaserVision".. Answer: {'text': ['MCA, Universal-Pioneer, IBM, and Philips/Magnavox'], 'answer_start': [587]}. Question: |
Which company joined a 50/50 partnership with MCA in 1977? | Context: Pioneer Electronics also entered the optical disc market in 1977 as a 50/50 joint-venture with MCA called Universal-Pioneer and manufacturing MCA designed industrial players under the MCA DiscoVision name (the PR-7800 and PR-7820). For the 1980 launch of the first Universal-Pioneer player, the VP-1000 was noted as a "laser disc player", although the "LaserDisc" logo displayed clearly on the device. In 1981, "LaserDisc" was used exclusively for the medium itself, although the official name was "LaserVision" (as seen at the beginning of many LaserDisc releases just before the start of the film). However, as Pioneer reminded numerous video magazines and stores in 1984, LaserDisc was a trademarked word, standing only for LaserVision products manufactured for sale by Pioneer Video or Pioneer Electronics. A 1984 Ray Charles ad for the LD-700 player bore the term "Pioneer LaserDisc brand videodisc player". From 1981 until the early 1990s, all properly licensed discs carried the LaserVision name and logo, even Pioneer Artists titles.. Answer: {'text': ['Pioneer Electronics'], 'answer_start': [0]}. Question: |
In what year was the first Universal-Pioneer player released? | Context: Pioneer Electronics also entered the optical disc market in 1977 as a 50/50 joint-venture with MCA called Universal-Pioneer and manufacturing MCA designed industrial players under the MCA DiscoVision name (the PR-7800 and PR-7820). For the 1980 launch of the first Universal-Pioneer player, the VP-1000 was noted as a "laser disc player", although the "LaserDisc" logo displayed clearly on the device. In 1981, "LaserDisc" was used exclusively for the medium itself, although the official name was "LaserVision" (as seen at the beginning of many LaserDisc releases just before the start of the film). However, as Pioneer reminded numerous video magazines and stores in 1984, LaserDisc was a trademarked word, standing only for LaserVision products manufactured for sale by Pioneer Video or Pioneer Electronics. A 1984 Ray Charles ad for the LD-700 player bore the term "Pioneer LaserDisc brand videodisc player". From 1981 until the early 1990s, all properly licensed discs carried the LaserVision name and logo, even Pioneer Artists titles.. Answer: {'text': ['1980'], 'answer_start': [240]}. Question: |
What was the name of the first Universal-Pioneer player? | Context: Pioneer Electronics also entered the optical disc market in 1977 as a 50/50 joint-venture with MCA called Universal-Pioneer and manufacturing MCA designed industrial players under the MCA DiscoVision name (the PR-7800 and PR-7820). For the 1980 launch of the first Universal-Pioneer player, the VP-1000 was noted as a "laser disc player", although the "LaserDisc" logo displayed clearly on the device. In 1981, "LaserDisc" was used exclusively for the medium itself, although the official name was "LaserVision" (as seen at the beginning of many LaserDisc releases just before the start of the film). However, as Pioneer reminded numerous video magazines and stores in 1984, LaserDisc was a trademarked word, standing only for LaserVision products manufactured for sale by Pioneer Video or Pioneer Electronics. A 1984 Ray Charles ad for the LD-700 player bore the term "Pioneer LaserDisc brand videodisc player". From 1981 until the early 1990s, all properly licensed discs carried the LaserVision name and logo, even Pioneer Artists titles.. Answer: {'text': ['the VP-1000'], 'answer_start': [291]}. Question: |
Which singer did an ad for the LD-700 player in 1984? | Context: Pioneer Electronics also entered the optical disc market in 1977 as a 50/50 joint-venture with MCA called Universal-Pioneer and manufacturing MCA designed industrial players under the MCA DiscoVision name (the PR-7800 and PR-7820). For the 1980 launch of the first Universal-Pioneer player, the VP-1000 was noted as a "laser disc player", although the "LaserDisc" logo displayed clearly on the device. In 1981, "LaserDisc" was used exclusively for the medium itself, although the official name was "LaserVision" (as seen at the beginning of many LaserDisc releases just before the start of the film). However, as Pioneer reminded numerous video magazines and stores in 1984, LaserDisc was a trademarked word, standing only for LaserVision products manufactured for sale by Pioneer Video or Pioneer Electronics. A 1984 Ray Charles ad for the LD-700 player bore the term "Pioneer LaserDisc brand videodisc player". From 1981 until the early 1990s, all properly licensed discs carried the LaserVision name and logo, even Pioneer Artists titles.. Answer: {'text': ['Ray Charles'], 'answer_start': [818]}. Question: |
What other companies did MCA manufacture discs for? | Context: During the early years, MCA also manufactured discs for other companies including Paramount, Disney and Warner Bros. Some of them added their own names to the disc jacket to signify that the movie was not owned by MCA. After Discovision Associates shut down in early 1982, Universal Studio's videodisc software label, called MCA Videodisc until 1984, began reissuing many DiscoVision titles. Unfortunately, quite a few, such as Battlestar Galactica and Jaws, were time-compressed versions of their CAV or CLV Disco Vision originals. The time-compressed CLV re-issue of Jaws no longer had the original soundtrack, having had incidental background music replaced for the video disc version due to licensing cost (the music would not be available until the THX LaserDisc box set was released in 1995). One Universal/Columbia co-production issued by MCA Disco Vision in both CAV and CLV versions, The Electric Horseman, is still not available in any other home video format with its original score intact; even the most recent DVD release has had substantial music replacements of both instrumental score and Willie Nelson's songs. An MCA release of Universal's Howard the Duck, sees only the start credits shown in widescreen before changing to 4:3 for the rest of the film. For many years this was the only disc-based release of the film, until widescreen DVD formats were released with extras. Also, the LaserDisc release of E.T. the Extra-Terrestrial is the only format to include the cut scene of Harrison Ford playing the part of the school headmaster telling off Elliott for letting the frogs free in the biology class.. Answer: {'text': ['Paramount, Disney and Warner Bros'], 'answer_start': [82]}. Question: |
What quirk is present in MCA's release of Howard the Duck? | Context: During the early years, MCA also manufactured discs for other companies including Paramount, Disney and Warner Bros. Some of them added their own names to the disc jacket to signify that the movie was not owned by MCA. After Discovision Associates shut down in early 1982, Universal Studio's videodisc software label, called MCA Videodisc until 1984, began reissuing many DiscoVision titles. Unfortunately, quite a few, such as Battlestar Galactica and Jaws, were time-compressed versions of their CAV or CLV Disco Vision originals. The time-compressed CLV re-issue of Jaws no longer had the original soundtrack, having had incidental background music replaced for the video disc version due to licensing cost (the music would not be available until the THX LaserDisc box set was released in 1995). One Universal/Columbia co-production issued by MCA Disco Vision in both CAV and CLV versions, The Electric Horseman, is still not available in any other home video format with its original score intact; even the most recent DVD release has had substantial music replacements of both instrumental score and Willie Nelson's songs. An MCA release of Universal's Howard the Duck, sees only the start credits shown in widescreen before changing to 4:3 for the rest of the film. For many years this was the only disc-based release of the film, until widescreen DVD formats were released with extras. Also, the LaserDisc release of E.T. the Extra-Terrestrial is the only format to include the cut scene of Harrison Ford playing the part of the school headmaster telling off Elliott for letting the frogs free in the biology class.. Answer: {'text': ['only the start credits shown in widescreen before changing to 4:3 for the rest of the film'], 'answer_start': [1180]}. Question: |
What is unique about the LaserDisc release of E.T.? | Context: During the early years, MCA also manufactured discs for other companies including Paramount, Disney and Warner Bros. Some of them added their own names to the disc jacket to signify that the movie was not owned by MCA. After Discovision Associates shut down in early 1982, Universal Studio's videodisc software label, called MCA Videodisc until 1984, began reissuing many DiscoVision titles. Unfortunately, quite a few, such as Battlestar Galactica and Jaws, were time-compressed versions of their CAV or CLV Disco Vision originals. The time-compressed CLV re-issue of Jaws no longer had the original soundtrack, having had incidental background music replaced for the video disc version due to licensing cost (the music would not be available until the THX LaserDisc box set was released in 1995). One Universal/Columbia co-production issued by MCA Disco Vision in both CAV and CLV versions, The Electric Horseman, is still not available in any other home video format with its original score intact; even the most recent DVD release has had substantial music replacements of both instrumental score and Willie Nelson's songs. An MCA release of Universal's Howard the Duck, sees only the start credits shown in widescreen before changing to 4:3 for the rest of the film. For many years this was the only disc-based release of the film, until widescreen DVD formats were released with extras. Also, the LaserDisc release of E.T. the Extra-Terrestrial is the only format to include the cut scene of Harrison Ford playing the part of the school headmaster telling off Elliott for letting the frogs free in the biology class.. Answer: {'text': ['only format to include the cut scene of Harrison Ford playing the part of the school headmaster'], 'answer_start': [1458]}. Question: |
Which film is only available with its original score in LD format , even today? | Context: During the early years, MCA also manufactured discs for other companies including Paramount, Disney and Warner Bros. Some of them added their own names to the disc jacket to signify that the movie was not owned by MCA. After Discovision Associates shut down in early 1982, Universal Studio's videodisc software label, called MCA Videodisc until 1984, began reissuing many DiscoVision titles. Unfortunately, quite a few, such as Battlestar Galactica and Jaws, were time-compressed versions of their CAV or CLV Disco Vision originals. The time-compressed CLV re-issue of Jaws no longer had the original soundtrack, having had incidental background music replaced for the video disc version due to licensing cost (the music would not be available until the THX LaserDisc box set was released in 1995). One Universal/Columbia co-production issued by MCA Disco Vision in both CAV and CLV versions, The Electric Horseman, is still not available in any other home video format with its original score intact; even the most recent DVD release has had substantial music replacements of both instrumental score and Willie Nelson's songs. An MCA release of Universal's Howard the Duck, sees only the start credits shown in widescreen before changing to 4:3 for the rest of the film. For many years this was the only disc-based release of the film, until widescreen DVD formats were released with extras. Also, the LaserDisc release of E.T. the Extra-Terrestrial is the only format to include the cut scene of Harrison Ford playing the part of the school headmaster telling off Elliott for letting the frogs free in the biology class.. Answer: {'text': ['The Electric Horseman'], 'answer_start': [893]}. Question: |
How many horizontal TVL lines did LaserDisc have in comparison to VHS's 240? | Context: LaserDisc had a number of advantages over VHS. It featured a far sharper picture with a horizontal resolution of 425 TVL lines for NTSC and 440 TVL lines for PAL discs, while VHS featured only 240 TVL lines with NTSC. It could handle analog and digital audio where VHS was mostly analog only (VHS can have PCM audio in professional applications but is uncommon), and the NTSC discs could store multiple audio tracks. This allowed for extras like director's commentary tracks and other features to be added onto a film, creating "Special Edition" releases that would not have been possible with VHS. Disc access was random and chapter based, like the DVD format, meaning that one could jump to any point on a given disc very quickly. By comparison, VHS would require tedious rewinding and fast-forwarding to get to specific points.. Answer: {'text': ['425'], 'answer_start': [113]}. Question: |
Which medium was chapter based like DVD format, Laserdisc or VHS? | Context: LaserDisc had a number of advantages over VHS. It featured a far sharper picture with a horizontal resolution of 425 TVL lines for NTSC and 440 TVL lines for PAL discs, while VHS featured only 240 TVL lines with NTSC. It could handle analog and digital audio where VHS was mostly analog only (VHS can have PCM audio in professional applications but is uncommon), and the NTSC discs could store multiple audio tracks. This allowed for extras like director's commentary tracks and other features to be added onto a film, creating "Special Edition" releases that would not have been possible with VHS. Disc access was random and chapter based, like the DVD format, meaning that one could jump to any point on a given disc very quickly. By comparison, VHS would require tedious rewinding and fast-forwarding to get to specific points.. Answer: {'text': ['LaserDisc'], 'answer_start': [0]}. Question: |
Which medium allowed for multiple audio tracks, Laserdisc or VHS? | Context: LaserDisc had a number of advantages over VHS. It featured a far sharper picture with a horizontal resolution of 425 TVL lines for NTSC and 440 TVL lines for PAL discs, while VHS featured only 240 TVL lines with NTSC. It could handle analog and digital audio where VHS was mostly analog only (VHS can have PCM audio in professional applications but is uncommon), and the NTSC discs could store multiple audio tracks. This allowed for extras like director's commentary tracks and other features to be added onto a film, creating "Special Edition" releases that would not have been possible with VHS. Disc access was random and chapter based, like the DVD format, meaning that one could jump to any point on a given disc very quickly. By comparison, VHS would require tedious rewinding and fast-forwarding to get to specific points.. Answer: {'text': ['LaserDisc'], 'answer_start': [0]}. Question: |
Were Laserdiscs initially cheaper or more costly to produce than their VHS counterparts? | Context: LaserDiscs were initially cheaper than videocassettes to manufacture, because they lacked the moving parts and plastic outer shell that are necessary for VHS tapes to work, and the duplication process was much simpler. A VHS cassette has at least 14 parts including the actual tape while LaserDisc has one part with five or six layers. A disc can be stamped out in a matter of seconds whereas duplicating videotape required a complex bulk tape duplication mechanism and was a time-consuming process. However, by the end of the 1980s, average disc-pressing prices were over $5.00 per two-sided disc, due to the large amount of plastic material and the costly glass-mastering process needed to make the metal stamper mechanisms. Due to the larger volume of demand, videocassettes quickly became much cheaper to duplicate, costing as little as $1.00 by the beginning of the 1990s.. Answer: {'text': ['cheaper'], 'answer_start': [26]}. Question: |
How many parts does a VHS tape have that must be manufactured? | Context: LaserDiscs were initially cheaper than videocassettes to manufacture, because they lacked the moving parts and plastic outer shell that are necessary for VHS tapes to work, and the duplication process was much simpler. A VHS cassette has at least 14 parts including the actual tape while LaserDisc has one part with five or six layers. A disc can be stamped out in a matter of seconds whereas duplicating videotape required a complex bulk tape duplication mechanism and was a time-consuming process. However, by the end of the 1980s, average disc-pressing prices were over $5.00 per two-sided disc, due to the large amount of plastic material and the costly glass-mastering process needed to make the metal stamper mechanisms. Due to the larger volume of demand, videocassettes quickly became much cheaper to duplicate, costing as little as $1.00 by the beginning of the 1990s.. Answer: {'text': ['at least 14'], 'answer_start': [238]}. Question: |
How much did LaserDiscs cost to produce by the end of the 1980s? | Context: LaserDiscs were initially cheaper than videocassettes to manufacture, because they lacked the moving parts and plastic outer shell that are necessary for VHS tapes to work, and the duplication process was much simpler. A VHS cassette has at least 14 parts including the actual tape while LaserDisc has one part with five or six layers. A disc can be stamped out in a matter of seconds whereas duplicating videotape required a complex bulk tape duplication mechanism and was a time-consuming process. However, by the end of the 1980s, average disc-pressing prices were over $5.00 per two-sided disc, due to the large amount of plastic material and the costly glass-mastering process needed to make the metal stamper mechanisms. Due to the larger volume of demand, videocassettes quickly became much cheaper to duplicate, costing as little as $1.00 by the beginning of the 1990s.. Answer: {'text': ['$5.00 per two-sided disc'], 'answer_start': [573]}. Question: |
How much did VHS cost to produce by the 1990s? | Context: LaserDiscs were initially cheaper than videocassettes to manufacture, because they lacked the moving parts and plastic outer shell that are necessary for VHS tapes to work, and the duplication process was much simpler. A VHS cassette has at least 14 parts including the actual tape while LaserDisc has one part with five or six layers. A disc can be stamped out in a matter of seconds whereas duplicating videotape required a complex bulk tape duplication mechanism and was a time-consuming process. However, by the end of the 1980s, average disc-pressing prices were over $5.00 per two-sided disc, due to the large amount of plastic material and the costly glass-mastering process needed to make the metal stamper mechanisms. Due to the larger volume of demand, videocassettes quickly became much cheaper to duplicate, costing as little as $1.00 by the beginning of the 1990s.. Answer: {'text': ['as little as $1.00'], 'answer_start': [828]}. Question: |
Were Laserdiscs or VHS more durable in the long run? | Context: LaserDiscs potentially had a much longer lifespan than videocassettes. Because the discs were read optically instead of magnetically, no physical contact needs to be made between the player and the disc, except for the player's clamp that holds the disc at its center as it is spun and read. As a result, playback would not wear the information-bearing part of the discs, and properly manufactured LDs would theoretically last beyond one's lifetime. By contrast, a VHS tape held all of its picture and sound information on the tape in a magnetic coating which is in contact with the spinning heads on the head drum, causing progressive wear with each use (though later in VHS's lifespan, engineering improvements allowed tapes to be made and played back without contact). Also, the tape was thin and delicate, and it was easy for a player mechanism, especially on a low quality or malfunctioning model, to mishandle the tape and damage it by creasing it, frilling (stretching) its edges, or even breaking it.. Answer: {'text': ['LaserDiscs'], 'answer_start': [0]}. Question: |
Why is physical contact with a VHS tape less desirable than an optical reading? | Context: LaserDiscs potentially had a much longer lifespan than videocassettes. Because the discs were read optically instead of magnetically, no physical contact needs to be made between the player and the disc, except for the player's clamp that holds the disc at its center as it is spun and read. As a result, playback would not wear the information-bearing part of the discs, and properly manufactured LDs would theoretically last beyond one's lifetime. By contrast, a VHS tape held all of its picture and sound information on the tape in a magnetic coating which is in contact with the spinning heads on the head drum, causing progressive wear with each use (though later in VHS's lifespan, engineering improvements allowed tapes to be made and played back without contact). Also, the tape was thin and delicate, and it was easy for a player mechanism, especially on a low quality or malfunctioning model, to mishandle the tape and damage it by creasing it, frilling (stretching) its edges, or even breaking it.. Answer: {'text': ['progressive wear with each use'], 'answer_start': [624]}. Question: |
Where do VHS tapes store their information? | Context: LaserDiscs potentially had a much longer lifespan than videocassettes. Because the discs were read optically instead of magnetically, no physical contact needs to be made between the player and the disc, except for the player's clamp that holds the disc at its center as it is spun and read. As a result, playback would not wear the information-bearing part of the discs, and properly manufactured LDs would theoretically last beyond one's lifetime. By contrast, a VHS tape held all of its picture and sound information on the tape in a magnetic coating which is in contact with the spinning heads on the head drum, causing progressive wear with each use (though later in VHS's lifespan, engineering improvements allowed tapes to be made and played back without contact). Also, the tape was thin and delicate, and it was easy for a player mechanism, especially on a low quality or malfunctioning model, to mishandle the tape and damage it by creasing it, frilling (stretching) its edges, or even breaking it.. Answer: {'text': ['magnetic coating'], 'answer_start': [537]}. Question: |
How is data stored on DVDs? | Context: LaserDisc was a composite video format: the luminance (black and white) and chrominance (color) information were transmitted in one signal, separated by the receiver. While good comb filters can do so adequately, these two signals cannot be completely separated. On DVDs, data is stored in the form of digital blocks which make up each independent frame. The signal produced is dependent on the equipment used to master the disc. Signals range from composite and split, to YUV and RGB. Depending upon which format is used, this can result in far higher fidelity, particularly at strong color borders or regions of high detail (especially if there is moderate movement in the picture) and low-contrast details like skin tones, where comb filters almost inevitably smudge some detail.. Answer: {'text': ['digital blocks which make up each independent frame'], 'answer_start': [302]}. Question: |
What device seperated the black and white and color signals in LaserDiscs? | Context: LaserDisc was a composite video format: the luminance (black and white) and chrominance (color) information were transmitted in one signal, separated by the receiver. While good comb filters can do so adequately, these two signals cannot be completely separated. On DVDs, data is stored in the form of digital blocks which make up each independent frame. The signal produced is dependent on the equipment used to master the disc. Signals range from composite and split, to YUV and RGB. Depending upon which format is used, this can result in far higher fidelity, particularly at strong color borders or regions of high detail (especially if there is moderate movement in the picture) and low-contrast details like skin tones, where comb filters almost inevitably smudge some detail.. Answer: {'text': ['the receiver'], 'answer_start': [153]}. Question: |
Are comb filters exact, or is some data smudged? | Context: LaserDisc was a composite video format: the luminance (black and white) and chrominance (color) information were transmitted in one signal, separated by the receiver. While good comb filters can do so adequately, these two signals cannot be completely separated. On DVDs, data is stored in the form of digital blocks which make up each independent frame. The signal produced is dependent on the equipment used to master the disc. Signals range from composite and split, to YUV and RGB. Depending upon which format is used, this can result in far higher fidelity, particularly at strong color borders or regions of high detail (especially if there is moderate movement in the picture) and low-contrast details like skin tones, where comb filters almost inevitably smudge some detail.. Answer: {'text': ['comb filters almost inevitably smudge some detail'], 'answer_start': [732]}. Question: |
In what areas are comb filters most likely to lose detail? | Context: LaserDisc was a composite video format: the luminance (black and white) and chrominance (color) information were transmitted in one signal, separated by the receiver. While good comb filters can do so adequately, these two signals cannot be completely separated. On DVDs, data is stored in the form of digital blocks which make up each independent frame. The signal produced is dependent on the equipment used to master the disc. Signals range from composite and split, to YUV and RGB. Depending upon which format is used, this can result in far higher fidelity, particularly at strong color borders or regions of high detail (especially if there is moderate movement in the picture) and low-contrast details like skin tones, where comb filters almost inevitably smudge some detail.. Answer: {'text': ['low-contrast details like skin tones'], 'answer_start': [688]}. Question: |
Do LaserDiscs or DVD use analog video? | Context: In contrast to the entirely digital DVD, LaserDiscs use only analog video. As the LaserDisc format is not digitally encoded and does not make use of compression techniques, it is immune to video macroblocking (most visible as blockiness during high motion sequences) or contrast banding (subtle visible lines in gradient areas, such as out-of-focus backgrounds, skies, or light casts from spotlights) that can be caused by the MPEG-2 encoding process as video is prepared for DVD. Early DVD releases held the potential to surpass their LaserDisc counterparts, but often managed only to match them for image quality, and in some cases, the LaserDisc version was preferred. However, proprietary human-assisted encoders manually operated by specialists can vastly reduce the incidence of artifacts, depending on playing time and image complexity. By the end of LaserDisc's run, DVDs were living up to their potential as a superior format.. Answer: {'text': ['LaserDiscs'], 'answer_start': [41]}. Question: |
Are DVDs partially or entirely digital? | Context: In contrast to the entirely digital DVD, LaserDiscs use only analog video. As the LaserDisc format is not digitally encoded and does not make use of compression techniques, it is immune to video macroblocking (most visible as blockiness during high motion sequences) or contrast banding (subtle visible lines in gradient areas, such as out-of-focus backgrounds, skies, or light casts from spotlights) that can be caused by the MPEG-2 encoding process as video is prepared for DVD. Early DVD releases held the potential to surpass their LaserDisc counterparts, but often managed only to match them for image quality, and in some cases, the LaserDisc version was preferred. However, proprietary human-assisted encoders manually operated by specialists can vastly reduce the incidence of artifacts, depending on playing time and image complexity. By the end of LaserDisc's run, DVDs were living up to their potential as a superior format.. Answer: {'text': ['entirely'], 'answer_start': [19]}. Question: |
What is contrast banding? | Context: In contrast to the entirely digital DVD, LaserDiscs use only analog video. As the LaserDisc format is not digitally encoded and does not make use of compression techniques, it is immune to video macroblocking (most visible as blockiness during high motion sequences) or contrast banding (subtle visible lines in gradient areas, such as out-of-focus backgrounds, skies, or light casts from spotlights) that can be caused by the MPEG-2 encoding process as video is prepared for DVD. Early DVD releases held the potential to surpass their LaserDisc counterparts, but often managed only to match them for image quality, and in some cases, the LaserDisc version was preferred. However, proprietary human-assisted encoders manually operated by specialists can vastly reduce the incidence of artifacts, depending on playing time and image complexity. By the end of LaserDisc's run, DVDs were living up to their potential as a superior format.. Answer: {'text': ['subtle visible lines in gradient areas'], 'answer_start': [288]}. Question: |
What step of the DVD production process causes contrast banding? | Context: In contrast to the entirely digital DVD, LaserDiscs use only analog video. As the LaserDisc format is not digitally encoded and does not make use of compression techniques, it is immune to video macroblocking (most visible as blockiness during high motion sequences) or contrast banding (subtle visible lines in gradient areas, such as out-of-focus backgrounds, skies, or light casts from spotlights) that can be caused by the MPEG-2 encoding process as video is prepared for DVD. Early DVD releases held the potential to surpass their LaserDisc counterparts, but often managed only to match them for image quality, and in some cases, the LaserDisc version was preferred. However, proprietary human-assisted encoders manually operated by specialists can vastly reduce the incidence of artifacts, depending on playing time and image complexity. By the end of LaserDisc's run, DVDs were living up to their potential as a superior format.. Answer: {'text': ['MPEG-2 encoding process'], 'answer_start': [427]}. Question: |
How does LaserDisc operation vary from DVD? | Context: LaserDisc players can provide a great degree of control over the playback process. Unlike many DVD players, the transport mechanism always obeys commands from the user: pause, fast-forward, and fast-reverse commands are always accepted (barring, of course, malfunctions). There were no "User Prohibited Options" where content protection code instructs the player to refuse commands to skip a specific part (such as fast forwarding through copyright warnings). (Some DVD players, particularly higher-end units, do have the ability to ignore the blocking code and play the video without restrictions, but this feature is not common in the usual consumer market.). Answer: {'text': ['the transport mechanism always obeys commands from the user'], 'answer_start': [108]}. Question: |
What are "User Protected Options" on DVDs? | Context: LaserDisc players can provide a great degree of control over the playback process. Unlike many DVD players, the transport mechanism always obeys commands from the user: pause, fast-forward, and fast-reverse commands are always accepted (barring, of course, malfunctions). There were no "User Prohibited Options" where content protection code instructs the player to refuse commands to skip a specific part (such as fast forwarding through copyright warnings). (Some DVD players, particularly higher-end units, do have the ability to ignore the blocking code and play the video without restrictions, but this feature is not common in the usual consumer market.). Answer: {'text': ['where content protection code instructs the player to refuse commands to skip a specific part'], 'answer_start': [312]}. Question: |
Where are User Protected Options commonly found on DVDs? | Context: LaserDisc players can provide a great degree of control over the playback process. Unlike many DVD players, the transport mechanism always obeys commands from the user: pause, fast-forward, and fast-reverse commands are always accepted (barring, of course, malfunctions). There were no "User Prohibited Options" where content protection code instructs the player to refuse commands to skip a specific part (such as fast forwarding through copyright warnings). (Some DVD players, particularly higher-end units, do have the ability to ignore the blocking code and play the video without restrictions, but this feature is not common in the usual consumer market.). Answer: {'text': ['copyright warnings'], 'answer_start': [439]}. Question: |
Which format, LaserDisc or DVD, gives the user the most control over playback? | Context: LaserDisc players can provide a great degree of control over the playback process. Unlike many DVD players, the transport mechanism always obeys commands from the user: pause, fast-forward, and fast-reverse commands are always accepted (barring, of course, malfunctions). There were no "User Prohibited Options" where content protection code instructs the player to refuse commands to skip a specific part (such as fast forwarding through copyright warnings). (Some DVD players, particularly higher-end units, do have the ability to ignore the blocking code and play the video without restrictions, but this feature is not common in the usual consumer market.). Answer: {'text': ['LaserDisc'], 'answer_start': [0]}. Question: |
What does the repair+skip feature on newer DVD players do? | Context: Damaged spots on a LaserDisc can be played through or skipped over, while a DVD will often become unplayable past the damage. Some newer DVD players feature a repair+skip algorithm, which alleviates this problem by continuing to play the disc, filling in unreadable areas of the picture with blank space or a frozen frame of the last readable image and sound. The success of this feature depends upon the amount of damage. LaserDisc players, when working in full analog, recover from such errors faster than DVD players. Direct comparison here is almost impossible due to the sheer size differences between the two media. A 1 in (3 cm) scratch on a DVD will probably cause more problems than a 1 in (3 cm) scratch on a LaserDisc, but a fingerprint taking up 1% of the area of a DVD would almost certainly cause fewer problems than a similar mark covering 1% of the surface of a LaserDisc.[citation needed]. Answer: {'text': ['filling in unreadable areas of the picture with blank space or a frozen frame of the last readable image and sound'], 'answer_start': [244]}. Question: |
Which format, DVD or Laserdisc, can become unreadable with damage? | Context: Damaged spots on a LaserDisc can be played through or skipped over, while a DVD will often become unplayable past the damage. Some newer DVD players feature a repair+skip algorithm, which alleviates this problem by continuing to play the disc, filling in unreadable areas of the picture with blank space or a frozen frame of the last readable image and sound. The success of this feature depends upon the amount of damage. LaserDisc players, when working in full analog, recover from such errors faster than DVD players. Direct comparison here is almost impossible due to the sheer size differences between the two media. A 1 in (3 cm) scratch on a DVD will probably cause more problems than a 1 in (3 cm) scratch on a LaserDisc, but a fingerprint taking up 1% of the area of a DVD would almost certainly cause fewer problems than a similar mark covering 1% of the surface of a LaserDisc.[citation needed]. Answer: {'text': ['DVD'], 'answer_start': [778]}. Question: |
Will the same size scratch cause more problems for a DVD or LaserDisc? | Context: Damaged spots on a LaserDisc can be played through or skipped over, while a DVD will often become unplayable past the damage. Some newer DVD players feature a repair+skip algorithm, which alleviates this problem by continuing to play the disc, filling in unreadable areas of the picture with blank space or a frozen frame of the last readable image and sound. The success of this feature depends upon the amount of damage. LaserDisc players, when working in full analog, recover from such errors faster than DVD players. Direct comparison here is almost impossible due to the sheer size differences between the two media. A 1 in (3 cm) scratch on a DVD will probably cause more problems than a 1 in (3 cm) scratch on a LaserDisc, but a fingerprint taking up 1% of the area of a DVD would almost certainly cause fewer problems than a similar mark covering 1% of the surface of a LaserDisc.[citation needed]. Answer: {'text': ['DVD'], 'answer_start': [508]}. Question: |
Which format is considered to look most realistic, LaserDisc or DVD? | Context: Similar to the CD versus LP sound quality debates common in the audiophile community, some videophiles argue that LaserDisc maintains a "smoother", more "film-like", natural image while DVD still looks slightly more artificial. Early DVD demo discs often had compression or encoding problems, lending additional support to such claims at the time. However, the video signal-to-noise ratio and bandwidth of LaserDisc are substantially less than that of DVDs, making DVDs appear sharper and clearer to most viewers.. Answer: {'text': ['LaserDisc'], 'answer_start': [114]}. Question: |
Which format, LaserDisc or DVD, is said to appear sharper and clearer to most viewers? | Context: Similar to the CD versus LP sound quality debates common in the audiophile community, some videophiles argue that LaserDisc maintains a "smoother", more "film-like", natural image while DVD still looks slightly more artificial. Early DVD demo discs often had compression or encoding problems, lending additional support to such claims at the time. However, the video signal-to-noise ratio and bandwidth of LaserDisc are substantially less than that of DVDs, making DVDs appear sharper and clearer to most viewers.. Answer: {'text': ['DVDs'], 'answer_start': [465]}. Question: |
What features do LaserDiscs lack in, causing DVDs to appear sharper and clearer? | Context: Similar to the CD versus LP sound quality debates common in the audiophile community, some videophiles argue that LaserDisc maintains a "smoother", more "film-like", natural image while DVD still looks slightly more artificial. Early DVD demo discs often had compression or encoding problems, lending additional support to such claims at the time. However, the video signal-to-noise ratio and bandwidth of LaserDisc are substantially less than that of DVDs, making DVDs appear sharper and clearer to most viewers.. Answer: {'text': ['video signal-to-noise ratio and bandwidth'], 'answer_start': [361]}. Question: |
What was the vertical blanking interval used for in LaserDiscs, preventing Macrovision signal to be implemented? | Context: Another advantage, at least to some consumers, was the lack of any sort of anti-piracy technology. It was claimed that Macrovision's Copyguard protection could not be applied to LaserDisc, due to the format's design. The vertical blanking interval, where the Macrovision signal would be implemented, was also used for the internal timing on LaserDisc players, so test discs with Macrovision would not play at all. There was never a push to redesign the format despite the obvious potential for piracy due to its relatively small market share. The industry simply decided to engineer it into the DVD specification.. Answer: {'text': ['internal timing'], 'answer_start': [322]}. Question: |
Why wasn't there a need to redesign the LaserDisc format to prevent piracy? | Context: Another advantage, at least to some consumers, was the lack of any sort of anti-piracy technology. It was claimed that Macrovision's Copyguard protection could not be applied to LaserDisc, due to the format's design. The vertical blanking interval, where the Macrovision signal would be implemented, was also used for the internal timing on LaserDisc players, so test discs with Macrovision would not play at all. There was never a push to redesign the format despite the obvious potential for piracy due to its relatively small market share. The industry simply decided to engineer it into the DVD specification.. Answer: {'text': ['relatively small market share'], 'answer_start': [512]}. Question: |
What protection could not be applied to LaserDiscs, making them prone to piracy? | Context: Another advantage, at least to some consumers, was the lack of any sort of anti-piracy technology. It was claimed that Macrovision's Copyguard protection could not be applied to LaserDisc, due to the format's design. The vertical blanking interval, where the Macrovision signal would be implemented, was also used for the internal timing on LaserDisc players, so test discs with Macrovision would not play at all. There was never a push to redesign the format despite the obvious potential for piracy due to its relatively small market share. The industry simply decided to engineer it into the DVD specification.. Answer: {'text': ["Macrovision's Copyguard protection"], 'answer_start': [119]}. Question: |
LaserDisc was the first format to provide what type of releases to consumers? | Context: LaserDisc's support for multiple audio tracks allowed for vast supplemental materials to be included on-disc and made it the first available format for "Special Edition" releases; the 1984 Criterion Collection edition of Citizen Kane is generally credited as being the first "Special Edition" release to home video,[citation needed] and for setting the standard by which future SE discs were measured. The disc provided interviews, commentary tracks, documentaries, still photographs, and other features for historians and collectors.. Answer: {'text': ['"Special Edition"'], 'answer_start': [152]}. Question: |
What was the first "Special Edition" film to be released to home video? | Context: LaserDisc's support for multiple audio tracks allowed for vast supplemental materials to be included on-disc and made it the first available format for "Special Edition" releases; the 1984 Criterion Collection edition of Citizen Kane is generally credited as being the first "Special Edition" release to home video,[citation needed] and for setting the standard by which future SE discs were measured. The disc provided interviews, commentary tracks, documentaries, still photographs, and other features for historians and collectors.. Answer: {'text': ['the 1984 Criterion Collection edition of Citizen Kane'], 'answer_start': [180]}. Question: |
What bonus features were available on the first home video "Special Edition"? | Context: LaserDisc's support for multiple audio tracks allowed for vast supplemental materials to be included on-disc and made it the first available format for "Special Edition" releases; the 1984 Criterion Collection edition of Citizen Kane is generally credited as being the first "Special Edition" release to home video,[citation needed] and for setting the standard by which future SE discs were measured. The disc provided interviews, commentary tracks, documentaries, still photographs, and other features for historians and collectors.. Answer: {'text': ['interviews, commentary tracks, documentaries, still photographs'], 'answer_start': [420]}. Question: |
What feature, unique to LaserDisc, made bonus content possible? | Context: LaserDisc's support for multiple audio tracks allowed for vast supplemental materials to be included on-disc and made it the first available format for "Special Edition" releases; the 1984 Criterion Collection edition of Citizen Kane is generally credited as being the first "Special Edition" release to home video,[citation needed] and for setting the standard by which future SE discs were measured. The disc provided interviews, commentary tracks, documentaries, still photographs, and other features for historians and collectors.. Answer: {'text': ['support for multiple audio tracks'], 'answer_start': [12]}. Question: |
What was required of a LaserDisc to continue playback after 60 minutes? | Context: The space-consuming analog video signal of a LaserDisc limited playback duration to 30 minutes (CAV) or 60 minutes (CLV) per side because of the hardware manufacturer's refusal to reduce line count for increased playtime. After one side was finished playing, a disc has to be flipped over in order to continue watching a movie, and some titles fill two or more discs. Many players, especially units built after the mid-1980s, can "flip" discs automatically by rotating the optical pickup to the other side of the disc, but this is accompanied by a pause in the movie during the side change. If the movie is longer than what could be stored on two sides of a single disc, manually swapping to a second disc is necessary at some point during the film. One exception to this rule is the Pioneer LD-W1, which features two disc platters. In addition, perfect still frames and random access to individual still frames is limited only to the more expensive CAV discs, which only had a playing time of approximately 30 minutes per side. In later years, Pioneer and other manufacturers overcame this limitation by incorporating a digital memory buffer, which "grabbed" a single frame from a CLV disc.. Answer: {'text': ['a disc has to be flipped over in order to continue watching'], 'answer_start': [259]}. Question: |
Which LaserDisc player solves the disc switching dilemma? | Context: The space-consuming analog video signal of a LaserDisc limited playback duration to 30 minutes (CAV) or 60 minutes (CLV) per side because of the hardware manufacturer's refusal to reduce line count for increased playtime. After one side was finished playing, a disc has to be flipped over in order to continue watching a movie, and some titles fill two or more discs. Many players, especially units built after the mid-1980s, can "flip" discs automatically by rotating the optical pickup to the other side of the disc, but this is accompanied by a pause in the movie during the side change. If the movie is longer than what could be stored on two sides of a single disc, manually swapping to a second disc is necessary at some point during the film. One exception to this rule is the Pioneer LD-W1, which features two disc platters. In addition, perfect still frames and random access to individual still frames is limited only to the more expensive CAV discs, which only had a playing time of approximately 30 minutes per side. In later years, Pioneer and other manufacturers overcame this limitation by incorporating a digital memory buffer, which "grabbed" a single frame from a CLV disc.. Answer: {'text': ['Pioneer LD-W1'], 'answer_start': [784]}. Question: |
What must be reduced in order to allow LaserDisc playback time to increase? | Context: The space-consuming analog video signal of a LaserDisc limited playback duration to 30 minutes (CAV) or 60 minutes (CLV) per side because of the hardware manufacturer's refusal to reduce line count for increased playtime. After one side was finished playing, a disc has to be flipped over in order to continue watching a movie, and some titles fill two or more discs. Many players, especially units built after the mid-1980s, can "flip" discs automatically by rotating the optical pickup to the other side of the disc, but this is accompanied by a pause in the movie during the side change. If the movie is longer than what could be stored on two sides of a single disc, manually swapping to a second disc is necessary at some point during the film. One exception to this rule is the Pioneer LD-W1, which features two disc platters. In addition, perfect still frames and random access to individual still frames is limited only to the more expensive CAV discs, which only had a playing time of approximately 30 minutes per side. In later years, Pioneer and other manufacturers overcame this limitation by incorporating a digital memory buffer, which "grabbed" a single frame from a CLV disc.. Answer: {'text': ['line count'], 'answer_start': [187]}. Question: |
Which format allows for more playback tie per side, CLV or CAV? | Context: The space-consuming analog video signal of a LaserDisc limited playback duration to 30 minutes (CAV) or 60 minutes (CLV) per side because of the hardware manufacturer's refusal to reduce line count for increased playtime. After one side was finished playing, a disc has to be flipped over in order to continue watching a movie, and some titles fill two or more discs. Many players, especially units built after the mid-1980s, can "flip" discs automatically by rotating the optical pickup to the other side of the disc, but this is accompanied by a pause in the movie during the side change. If the movie is longer than what could be stored on two sides of a single disc, manually swapping to a second disc is necessary at some point during the film. One exception to this rule is the Pioneer LD-W1, which features two disc platters. In addition, perfect still frames and random access to individual still frames is limited only to the more expensive CAV discs, which only had a playing time of approximately 30 minutes per side. In later years, Pioneer and other manufacturers overcame this limitation by incorporating a digital memory buffer, which "grabbed" a single frame from a CLV disc.. Answer: {'text': ['CLV'], 'answer_start': [116]}. Question: |
What video problems on a LaserDisc can be caused by dust or scratches? | Context: The analog information encoded on LaserDiscs does not include any form of built-in checksum or error correction. Because of this, slight dust and scratches on the disc surface can result in read-errors which cause various video quality problems: glitches, streaks, bursts of static, or momentary picture interruptions. In contrast, the digital MPEG-2 format information used on DVDs has built-in error correction which ensures that the signal from a damaged disc will remain identical to that from a perfect disc right up until the point at which damage to the disc surface is so substantial that it prevents the laser from being able to identify usable data.. Answer: {'text': ['glitches, streaks, bursts of static, or momentary picture interruptions'], 'answer_start': [246]}. Question: |
Which format used in DVDs has built-in error correction? | Context: The analog information encoded on LaserDiscs does not include any form of built-in checksum or error correction. Because of this, slight dust and scratches on the disc surface can result in read-errors which cause various video quality problems: glitches, streaks, bursts of static, or momentary picture interruptions. In contrast, the digital MPEG-2 format information used on DVDs has built-in error correction which ensures that the signal from a damaged disc will remain identical to that from a perfect disc right up until the point at which damage to the disc surface is so substantial that it prevents the laser from being able to identify usable data.. Answer: {'text': ['digital MPEG-2'], 'answer_start': [336]}. Question: |
What type of encoding, analog or digital, causes LaserDiscs to be succeptable to damages? | Context: The analog information encoded on LaserDiscs does not include any form of built-in checksum or error correction. Because of this, slight dust and scratches on the disc surface can result in read-errors which cause various video quality problems: glitches, streaks, bursts of static, or momentary picture interruptions. In contrast, the digital MPEG-2 format information used on DVDs has built-in error correction which ensures that the signal from a damaged disc will remain identical to that from a perfect disc right up until the point at which damage to the disc surface is so substantial that it prevents the laser from being able to identify usable data.. Answer: {'text': ['analog'], 'answer_start': [4]}. Question: |
When does "crosstalk" occur? | Context: In addition, LaserDisc videos sometimes exhibit a problem known as "crosstalk". The issue can arise when the laser optical pickup assembly within the player is out of alignment or because the disc is damaged or excessively warped, but it could also occur even with a properly functioning player and a factory-new disc, depending on electrical and mechanical alignment problems. In these instances, the issue arose due to the fact that CLV discs require subtle changes in rotating speed at various points during playback. During a change in speed, the optical pickup inside the player might read video information from a track adjacent to the intended one, causing data from the two tracks to "cross"; the extra video information picked up from that second track shows up as distortion in the picture which looks reminiscent of swirling "barber poles" or rolling lines of static.. Answer: {'text': ['when the laser optical pickup assembly within the player is out of alignment or because the disc is damaged or excessively warped'], 'answer_start': [100]}. Question: |
What problem can be caused by a player becoming out of alignment? | Context: In addition, LaserDisc videos sometimes exhibit a problem known as "crosstalk". The issue can arise when the laser optical pickup assembly within the player is out of alignment or because the disc is damaged or excessively warped, but it could also occur even with a properly functioning player and a factory-new disc, depending on electrical and mechanical alignment problems. In these instances, the issue arose due to the fact that CLV discs require subtle changes in rotating speed at various points during playback. During a change in speed, the optical pickup inside the player might read video information from a track adjacent to the intended one, causing data from the two tracks to "cross"; the extra video information picked up from that second track shows up as distortion in the picture which looks reminiscent of swirling "barber poles" or rolling lines of static.. Answer: {'text': ['"crosstalk"'], 'answer_start': [67]}. Question: |
How does "crosstalk" appear to the viewer? | Context: In addition, LaserDisc videos sometimes exhibit a problem known as "crosstalk". The issue can arise when the laser optical pickup assembly within the player is out of alignment or because the disc is damaged or excessively warped, but it could also occur even with a properly functioning player and a factory-new disc, depending on electrical and mechanical alignment problems. In these instances, the issue arose due to the fact that CLV discs require subtle changes in rotating speed at various points during playback. During a change in speed, the optical pickup inside the player might read video information from a track adjacent to the intended one, causing data from the two tracks to "cross"; the extra video information picked up from that second track shows up as distortion in the picture which looks reminiscent of swirling "barber poles" or rolling lines of static.. Answer: {'text': ['swirling "barber poles" or rolling lines of static'], 'answer_start': [827]}. Question: |
In which format does crosstalk generally not occur? | Context: Assuming the player's optical pickup is in proper working order, crosstalk distortion normally does not occur during playback of CAV format LaserDiscs, as the rotational speed never varies. However, if the player calibration is out of order or if the CAV disc is faulty or damaged, other problems affecting tracking accuracy can occur. One such problem is "laser lock", where the player reads the same two fields for a given frame over and over again, causing the picture to look frozen as if the movie were paused.. Answer: {'text': ['CAV'], 'answer_start': [129]}. Question: |
Why does the CAV format prevent crosstalk? | Context: Assuming the player's optical pickup is in proper working order, crosstalk distortion normally does not occur during playback of CAV format LaserDiscs, as the rotational speed never varies. However, if the player calibration is out of order or if the CAV disc is faulty or damaged, other problems affecting tracking accuracy can occur. One such problem is "laser lock", where the player reads the same two fields for a given frame over and over again, causing the picture to look frozen as if the movie were paused.. Answer: {'text': ['the rotational speed never varies'], 'answer_start': [155]}. Question: |
What happens during "laser lock"? | Context: Assuming the player's optical pickup is in proper working order, crosstalk distortion normally does not occur during playback of CAV format LaserDiscs, as the rotational speed never varies. However, if the player calibration is out of order or if the CAV disc is faulty or damaged, other problems affecting tracking accuracy can occur. One such problem is "laser lock", where the player reads the same two fields for a given frame over and over again, causing the picture to look frozen as if the movie were paused.. Answer: {'text': ['the player reads the same two fields for a given frame over and over again, causing the picture to look frozen'], 'answer_start': [376]}. Question: |
Is LaserDisc quality consistent or inconsistent between player brands? | Context: Another significant issue unique to LaserDisc is one involving the inconsistency of playback quality between different makers and models of player. On most televisions, a given DVD player will produce a picture that is visually indistinguishable from other units. Differences in image quality between players only becomes easily apparent on large televisions and substantial leaps in image quality are generally only obtained with expensive, high-end players that allow for post-processing of the MPEG-2 stream during playback. In contrast, LaserDisc playback quality is highly dependent on hardware quality. Major variances in picture quality appear between different makers and models of LD players, even when tested on a low to mid-range television. The obvious benefits of using high quality equipment has helped keep demand for some players high, thus also keeping pricing for those units comparably high. In the 1990s, notable players sold for anywhere from US$200 to well over $1,000, while older and less desirable players could be purchased in working condition for as little as $25.. Answer: {'text': ['inconsistency'], 'answer_start': [67]}. Question: |
What is LaserDisc playback quality dependent on? | Context: Another significant issue unique to LaserDisc is one involving the inconsistency of playback quality between different makers and models of player. On most televisions, a given DVD player will produce a picture that is visually indistinguishable from other units. Differences in image quality between players only becomes easily apparent on large televisions and substantial leaps in image quality are generally only obtained with expensive, high-end players that allow for post-processing of the MPEG-2 stream during playback. In contrast, LaserDisc playback quality is highly dependent on hardware quality. Major variances in picture quality appear between different makers and models of LD players, even when tested on a low to mid-range television. The obvious benefits of using high quality equipment has helped keep demand for some players high, thus also keeping pricing for those units comparably high. In the 1990s, notable players sold for anywhere from US$200 to well over $1,000, while older and less desirable players could be purchased in working condition for as little as $25.. Answer: {'text': ['hardware quality'], 'answer_start': [591]}. Question: |
How cheaply could an older LaserDisc player be purchased in the 1990s? | Context: Another significant issue unique to LaserDisc is one involving the inconsistency of playback quality between different makers and models of player. On most televisions, a given DVD player will produce a picture that is visually indistinguishable from other units. Differences in image quality between players only becomes easily apparent on large televisions and substantial leaps in image quality are generally only obtained with expensive, high-end players that allow for post-processing of the MPEG-2 stream during playback. In contrast, LaserDisc playback quality is highly dependent on hardware quality. Major variances in picture quality appear between different makers and models of LD players, even when tested on a low to mid-range television. The obvious benefits of using high quality equipment has helped keep demand for some players high, thus also keeping pricing for those units comparably high. In the 1990s, notable players sold for anywhere from US$200 to well over $1,000, while older and less desirable players could be purchased in working condition for as little as $25.. Answer: {'text': ['$25'], 'answer_start': [1088]}. Question: |
What range of prices were high-end LaserDisc players in the 1990s? | Context: Another significant issue unique to LaserDisc is one involving the inconsistency of playback quality between different makers and models of player. On most televisions, a given DVD player will produce a picture that is visually indistinguishable from other units. Differences in image quality between players only becomes easily apparent on large televisions and substantial leaps in image quality are generally only obtained with expensive, high-end players that allow for post-processing of the MPEG-2 stream during playback. In contrast, LaserDisc playback quality is highly dependent on hardware quality. Major variances in picture quality appear between different makers and models of LD players, even when tested on a low to mid-range television. The obvious benefits of using high quality equipment has helped keep demand for some players high, thus also keeping pricing for those units comparably high. In the 1990s, notable players sold for anywhere from US$200 to well over $1,000, while older and less desirable players could be purchased in working condition for as little as $25.. Answer: {'text': ['US$200 to well over $1,000'], 'answer_start': [964]}. Question: |
What substandard product was used in LD manufacturing that caused "laser rot"? | Context: Many early LDs were not manufactured properly; sometimes a substandard adhesive was used to sandwich together the two sides of the disc.[citation needed] The adhesive contained impurities that were able to penetrate the lacquer seal layer and chemically attack the metalized reflective aluminium layer, causing it to oxidize and lose its reflective characteristics. This was a problem that was termed "laser rot" among LD enthusiasts, also called "color flash" internally by LaserDisc-pressing plants. Some forms of laser rot could appear as black spots that looked like mold or burned plastic which cause the disc to skip and the movie to exhibit excessive speckling noise. But, for the most part, rotted discs could actually appear perfectly fine to the naked eye.. Answer: {'text': ['adhesive'], 'answer_start': [71]}. Question: |
What was the internal name for "laser rot" within LD processing plants? | Context: Many early LDs were not manufactured properly; sometimes a substandard adhesive was used to sandwich together the two sides of the disc.[citation needed] The adhesive contained impurities that were able to penetrate the lacquer seal layer and chemically attack the metalized reflective aluminium layer, causing it to oxidize and lose its reflective characteristics. This was a problem that was termed "laser rot" among LD enthusiasts, also called "color flash" internally by LaserDisc-pressing plants. Some forms of laser rot could appear as black spots that looked like mold or burned plastic which cause the disc to skip and the movie to exhibit excessive speckling noise. But, for the most part, rotted discs could actually appear perfectly fine to the naked eye.. Answer: {'text': ['"color flash"'], 'answer_start': [447]}. Question: |
What problems could occur with laser rot? | Context: Many early LDs were not manufactured properly; sometimes a substandard adhesive was used to sandwich together the two sides of the disc.[citation needed] The adhesive contained impurities that were able to penetrate the lacquer seal layer and chemically attack the metalized reflective aluminium layer, causing it to oxidize and lose its reflective characteristics. This was a problem that was termed "laser rot" among LD enthusiasts, also called "color flash" internally by LaserDisc-pressing plants. Some forms of laser rot could appear as black spots that looked like mold or burned plastic which cause the disc to skip and the movie to exhibit excessive speckling noise. But, for the most part, rotted discs could actually appear perfectly fine to the naked eye.. Answer: {'text': ['black spots that looked like mold or burned plastic which cause the disc to skip and the movie to exhibit excessive speckling noise'], 'answer_start': [542]}. Question: |
Why didn't LaserDiscs become popular in North America? | Context: LaserDisc did not have high market penetration in North America due to the high cost of the players and discs, which were far more expensive than VHS players and tapes, and due to marketplace confusion with the technologically inferior CED, which also went by the name Videodisc. While the format was not widely adopted by North American consumers, it was well received among videophiles due to the superior audio and video quality compared to VHS and Betamax tapes, finding a place in nearly one million American homes by the end of 1990. The format was more popular in Japan than in North America because prices were kept low to ensure adoption, resulting in minimal price differences between VHS tapes and the higher quality LaserDiscs, helping ensure that it quickly became the dominant consumer video format in Japan. Anime collectors in every country the LD format was released, which includes both North America and Japan, also quickly became familiar with this format, and sought the higher video and sound quality of LaserDisc and the availability of numerous titles not available on VHS. LaserDiscs were also popular alternatives to videocassettes among movie enthusiasts in the more affluent regions of South East Asia, such as Singapore, due to their high integration with the Japanese export market and the disc-based media's superior longevity compared to videocassette, especially in the humid conditions endemic to that area of the world.. Answer: {'text': ['high cost of the players and discs'], 'answer_start': [75]}. Question: |
By 1990, how many American homes were estimated to use LD? | Context: LaserDisc did not have high market penetration in North America due to the high cost of the players and discs, which were far more expensive than VHS players and tapes, and due to marketplace confusion with the technologically inferior CED, which also went by the name Videodisc. While the format was not widely adopted by North American consumers, it was well received among videophiles due to the superior audio and video quality compared to VHS and Betamax tapes, finding a place in nearly one million American homes by the end of 1990. The format was more popular in Japan than in North America because prices were kept low to ensure adoption, resulting in minimal price differences between VHS tapes and the higher quality LaserDiscs, helping ensure that it quickly became the dominant consumer video format in Japan. Anime collectors in every country the LD format was released, which includes both North America and Japan, also quickly became familiar with this format, and sought the higher video and sound quality of LaserDisc and the availability of numerous titles not available on VHS. LaserDiscs were also popular alternatives to videocassettes among movie enthusiasts in the more affluent regions of South East Asia, such as Singapore, due to their high integration with the Japanese export market and the disc-based media's superior longevity compared to videocassette, especially in the humid conditions endemic to that area of the world.. Answer: {'text': ['nearly one million'], 'answer_start': [486]}. Question: |
Why were LaserDiscs more popular in Japan? | Context: LaserDisc did not have high market penetration in North America due to the high cost of the players and discs, which were far more expensive than VHS players and tapes, and due to marketplace confusion with the technologically inferior CED, which also went by the name Videodisc. While the format was not widely adopted by North American consumers, it was well received among videophiles due to the superior audio and video quality compared to VHS and Betamax tapes, finding a place in nearly one million American homes by the end of 1990. The format was more popular in Japan than in North America because prices were kept low to ensure adoption, resulting in minimal price differences between VHS tapes and the higher quality LaserDiscs, helping ensure that it quickly became the dominant consumer video format in Japan. Anime collectors in every country the LD format was released, which includes both North America and Japan, also quickly became familiar with this format, and sought the higher video and sound quality of LaserDisc and the availability of numerous titles not available on VHS. LaserDiscs were also popular alternatives to videocassettes among movie enthusiasts in the more affluent regions of South East Asia, such as Singapore, due to their high integration with the Japanese export market and the disc-based media's superior longevity compared to videocassette, especially in the humid conditions endemic to that area of the world.. Answer: {'text': ['prices were kept low to ensure adoption'], 'answer_start': [607]}. Question: |
Which format was more popular in high humidity areas such as Singapore? | Context: LaserDisc did not have high market penetration in North America due to the high cost of the players and discs, which were far more expensive than VHS players and tapes, and due to marketplace confusion with the technologically inferior CED, which also went by the name Videodisc. While the format was not widely adopted by North American consumers, it was well received among videophiles due to the superior audio and video quality compared to VHS and Betamax tapes, finding a place in nearly one million American homes by the end of 1990. The format was more popular in Japan than in North America because prices were kept low to ensure adoption, resulting in minimal price differences between VHS tapes and the higher quality LaserDiscs, helping ensure that it quickly became the dominant consumer video format in Japan. Anime collectors in every country the LD format was released, which includes both North America and Japan, also quickly became familiar with this format, and sought the higher video and sound quality of LaserDisc and the availability of numerous titles not available on VHS. LaserDiscs were also popular alternatives to videocassettes among movie enthusiasts in the more affluent regions of South East Asia, such as Singapore, due to their high integration with the Japanese export market and the disc-based media's superior longevity compared to videocassette, especially in the humid conditions endemic to that area of the world.. Answer: {'text': ['LaserDiscs'], 'answer_start': [1098]}. Question: |
How much did a LD cost in Hong Kong in the 1990s? | Context: The format also became quite popular in Hong Kong during the 1990s before the introduction of VCDs and DVD; although people rarely bought the discs (because each LD was priced around USD100), high rental activity helped the video rental business in the city grow larger than it had ever been previously. Due to integration with the Japanese export market, NTSC LaserDiscs were used in the Hong Kong market, in contrast to the PAL standard used for broadcast (This anomaly also exists for DVD). This created a market for multi-system TVs and multi-system VCRs which could display or play both PAL and NTSC materials in addition to SECAM materials (which were never popular in Hong Kong). Some LD players could convert NTSC signals to PAL so that most TVs used in Hong Kong could display the LD materials.. Answer: {'text': ['USD100'], 'answer_start': [183]}. Question: |
Broadcast in Hong Kong used which standard formatting? | Context: The format also became quite popular in Hong Kong during the 1990s before the introduction of VCDs and DVD; although people rarely bought the discs (because each LD was priced around USD100), high rental activity helped the video rental business in the city grow larger than it had ever been previously. Due to integration with the Japanese export market, NTSC LaserDiscs were used in the Hong Kong market, in contrast to the PAL standard used for broadcast (This anomaly also exists for DVD). This created a market for multi-system TVs and multi-system VCRs which could display or play both PAL and NTSC materials in addition to SECAM materials (which were never popular in Hong Kong). Some LD players could convert NTSC signals to PAL so that most TVs used in Hong Kong could display the LD materials.. Answer: {'text': ['PAL standard'], 'answer_start': [426]}. Question: |
In contrast to broadcast, which format did consumers use in Hong Kong? | Context: The format also became quite popular in Hong Kong during the 1990s before the introduction of VCDs and DVD; although people rarely bought the discs (because each LD was priced around USD100), high rental activity helped the video rental business in the city grow larger than it had ever been previously. Due to integration with the Japanese export market, NTSC LaserDiscs were used in the Hong Kong market, in contrast to the PAL standard used for broadcast (This anomaly also exists for DVD). This created a market for multi-system TVs and multi-system VCRs which could display or play both PAL and NTSC materials in addition to SECAM materials (which were never popular in Hong Kong). Some LD players could convert NTSC signals to PAL so that most TVs used in Hong Kong could display the LD materials.. Answer: {'text': ['NTSC'], 'answer_start': [356]}. Question: |
By what year had DVD taken over the LaserDisc market? | Context: Although the LaserDisc format was supplanted by DVD by the late 1990s, many LD titles are still highly coveted by movie enthusiasts (for example, Disney's Song of the South which is unavailable in the US in any format, but was issued in Japan on LD). This is largely because there are many films that are still only available on LD and many other LD releases contain supplemental material not available on subsequent DVD versions of those films. Until the end of 2001, many titles were released on VHS, LD, and DVD in Japan.. Answer: {'text': ['late 1990s'], 'answer_start': [59]}. Question: |
Which collector group highly values LaserDisc for their rareness? | Context: Although the LaserDisc format was supplanted by DVD by the late 1990s, many LD titles are still highly coveted by movie enthusiasts (for example, Disney's Song of the South which is unavailable in the US in any format, but was issued in Japan on LD). This is largely because there are many films that are still only available on LD and many other LD releases contain supplemental material not available on subsequent DVD versions of those films. Until the end of 2001, many titles were released on VHS, LD, and DVD in Japan.. Answer: {'text': ['movie enthusiasts'], 'answer_start': [114]}. Question: |
Until the end of what year were movies released in VHS, LD, and DVD in Japan? | Context: Although the LaserDisc format was supplanted by DVD by the late 1990s, many LD titles are still highly coveted by movie enthusiasts (for example, Disney's Song of the South which is unavailable in the US in any format, but was issued in Japan on LD). This is largely because there are many films that are still only available on LD and many other LD releases contain supplemental material not available on subsequent DVD versions of those films. Until the end of 2001, many titles were released on VHS, LD, and DVD in Japan.. Answer: {'text': ['2001'], 'answer_start': [463]}. Question: |
What country was the only to receive a LD release of Disney's Song of the South? | Context: Although the LaserDisc format was supplanted by DVD by the late 1990s, many LD titles are still highly coveted by movie enthusiasts (for example, Disney's Song of the South which is unavailable in the US in any format, but was issued in Japan on LD). This is largely because there are many films that are still only available on LD and many other LD releases contain supplemental material not available on subsequent DVD versions of those films. Until the end of 2001, many titles were released on VHS, LD, and DVD in Japan.. Answer: {'text': ['Japan'], 'answer_start': [518]}. Question: |
In what decade did Philips produce a "professional" LD model for computer? | Context: In the early 1980s, Philips produced a LaserDisc player model adapted for a computer interface, dubbed "professional". In 1985, Jasmine Multimedia created LaserDisc Juke Boxes featuring music videos from Michael Jackson, Duran Duran, and Cyndi Lauper. When connected to a PC this combination could be used to display images or information for educational or archival purposes, for example thousands of scanned medieval manuscripts. This strange device could be considered a very early equivalent of a CD-ROM.. Answer: {'text': ['early 1980s'], 'answer_start': [7]}. Question: |
In what year were LD jukeboxes created? | Context: In the early 1980s, Philips produced a LaserDisc player model adapted for a computer interface, dubbed "professional". In 1985, Jasmine Multimedia created LaserDisc Juke Boxes featuring music videos from Michael Jackson, Duran Duran, and Cyndi Lauper. When connected to a PC this combination could be used to display images or information for educational or archival purposes, for example thousands of scanned medieval manuscripts. This strange device could be considered a very early equivalent of a CD-ROM.. Answer: {'text': ['1985'], 'answer_start': [122]}. Question: |
Who created LD Jukeboxes in 1985? | Context: In the early 1980s, Philips produced a LaserDisc player model adapted for a computer interface, dubbed "professional". In 1985, Jasmine Multimedia created LaserDisc Juke Boxes featuring music videos from Michael Jackson, Duran Duran, and Cyndi Lauper. When connected to a PC this combination could be used to display images or information for educational or archival purposes, for example thousands of scanned medieval manuscripts. This strange device could be considered a very early equivalent of a CD-ROM.. Answer: {'text': ['Jasmine Multimedia'], 'answer_start': [128]}. Question: |
Which musical artists were featured on LD Jukeboxes in 1985? | Context: In the early 1980s, Philips produced a LaserDisc player model adapted for a computer interface, dubbed "professional". In 1985, Jasmine Multimedia created LaserDisc Juke Boxes featuring music videos from Michael Jackson, Duran Duran, and Cyndi Lauper. When connected to a PC this combination could be used to display images or information for educational or archival purposes, for example thousands of scanned medieval manuscripts. This strange device could be considered a very early equivalent of a CD-ROM.. Answer: {'text': ['Michael Jackson, Duran Duran, and Cyndi Lauper'], 'answer_start': [204]}. Question: |
How many EditDroid systems were ever built? | Context: In the mid-1980s Lucasfilm pioneered the EditDroid non-linear editing system for film and television based on computer-controlled LaserDisc players. Instead of printing dailies out on film, processed negatives from the day's shoot would be sent to a mastering plant to be assembled from their 10-minute camera elements into 20-minute film segments. These were then mastered onto single-sided blank LaserDiscs, just as a DVD would be burnt at home today, allowing for much easier selection and preparation of an Edit Decision List. In the days before video assist was available in cinematography, this was the only other way a film crew could see their work. The EDL went to the negative cutter who then cut the camera negative accordingly and assembled the finished film. Only 24 EditDroid systems were ever built, even though the ideas and technology are still in use today. Later EditDroid experiments borrowed from hard-drive technology of having multiple discs on the same spindle and added numerous playback heads and numerous electronics to the basic jukebox design so that any point on each of the discs would be accessible within seconds. This eliminated the need for racks and racks of industrial LaserDisc players since EditDroid discs were only single-sided.. Answer: {'text': ['24'], 'answer_start': [777]}. Question: |
Were EditDroid discs single or multi-sided? | Context: In the mid-1980s Lucasfilm pioneered the EditDroid non-linear editing system for film and television based on computer-controlled LaserDisc players. Instead of printing dailies out on film, processed negatives from the day's shoot would be sent to a mastering plant to be assembled from their 10-minute camera elements into 20-minute film segments. These were then mastered onto single-sided blank LaserDiscs, just as a DVD would be burnt at home today, allowing for much easier selection and preparation of an Edit Decision List. In the days before video assist was available in cinematography, this was the only other way a film crew could see their work. The EDL went to the negative cutter who then cut the camera negative accordingly and assembled the finished film. Only 24 EditDroid systems were ever built, even though the ideas and technology are still in use today. Later EditDroid experiments borrowed from hard-drive technology of having multiple discs on the same spindle and added numerous playback heads and numerous electronics to the basic jukebox design so that any point on each of the discs would be accessible within seconds. This eliminated the need for racks and racks of industrial LaserDisc players since EditDroid discs were only single-sided.. Answer: {'text': ['single-sided'], 'answer_start': [1256]}. Question: |
Which production company engineered the EditDroid machines in the 1980s? | Context: In the mid-1980s Lucasfilm pioneered the EditDroid non-linear editing system for film and television based on computer-controlled LaserDisc players. Instead of printing dailies out on film, processed negatives from the day's shoot would be sent to a mastering plant to be assembled from their 10-minute camera elements into 20-minute film segments. These were then mastered onto single-sided blank LaserDiscs, just as a DVD would be burnt at home today, allowing for much easier selection and preparation of an Edit Decision List. In the days before video assist was available in cinematography, this was the only other way a film crew could see their work. The EDL went to the negative cutter who then cut the camera negative accordingly and assembled the finished film. Only 24 EditDroid systems were ever built, even though the ideas and technology are still in use today. Later EditDroid experiments borrowed from hard-drive technology of having multiple discs on the same spindle and added numerous playback heads and numerous electronics to the basic jukebox design so that any point on each of the discs would be accessible within seconds. This eliminated the need for racks and racks of industrial LaserDisc players since EditDroid discs were only single-sided.. Answer: {'text': ['Lucasfilm'], 'answer_start': [17]}. Question: |
In what year did the Doomsday project occur? | Context: In 1986, a SCSI-equipped LaserDisc player attached to a BBC Master computer was used for the BBC Domesday Project. The player was referred as an LV-ROM (LaserVision Read Only Memory) as the discs contained the driving software as well as the video frames. The discs used the CAV format, and encoded data as a binary signal represented by the analog audio recording. These discs could contain in each CAV frame video/audio or video/binary data, but not both. "Data" frames would appear blank when played as video. It was typical for each disc to start with the disc catalog (a few blank frames) then the video introduction before the rest of the data. Because the format (based on the ADFS hard disc format) used a starting sector for each file, the data layout effectively skipped over any video frames. If all 54,000 frames are used for data storage an LV-ROM disc can contain 324 MB of data per side. The Domesday Project systems also included a genlock, allowing video frames, clips and audio to be mixed with graphics originated from the BBC Master; this was used to great effect for displaying high resolution photographs and maps, which could then be zoomed into.. Answer: {'text': ['1986'], 'answer_start': [3]}. Question: |
Which equipment was used for the Doomsday Project? | Context: In 1986, a SCSI-equipped LaserDisc player attached to a BBC Master computer was used for the BBC Domesday Project. The player was referred as an LV-ROM (LaserVision Read Only Memory) as the discs contained the driving software as well as the video frames. The discs used the CAV format, and encoded data as a binary signal represented by the analog audio recording. These discs could contain in each CAV frame video/audio or video/binary data, but not both. "Data" frames would appear blank when played as video. It was typical for each disc to start with the disc catalog (a few blank frames) then the video introduction before the rest of the data. Because the format (based on the ADFS hard disc format) used a starting sector for each file, the data layout effectively skipped over any video frames. If all 54,000 frames are used for data storage an LV-ROM disc can contain 324 MB of data per side. The Domesday Project systems also included a genlock, allowing video frames, clips and audio to be mixed with graphics originated from the BBC Master; this was used to great effect for displaying high resolution photographs and maps, which could then be zoomed into.. Answer: {'text': ['a SCSI-equipped LaserDisc player attached to a BBC Master computer'], 'answer_start': [9]}. Question: |
What does LV-ROM stand for? | Context: In 1986, a SCSI-equipped LaserDisc player attached to a BBC Master computer was used for the BBC Domesday Project. The player was referred as an LV-ROM (LaserVision Read Only Memory) as the discs contained the driving software as well as the video frames. The discs used the CAV format, and encoded data as a binary signal represented by the analog audio recording. These discs could contain in each CAV frame video/audio or video/binary data, but not both. "Data" frames would appear blank when played as video. It was typical for each disc to start with the disc catalog (a few blank frames) then the video introduction before the rest of the data. Because the format (based on the ADFS hard disc format) used a starting sector for each file, the data layout effectively skipped over any video frames. If all 54,000 frames are used for data storage an LV-ROM disc can contain 324 MB of data per side. The Domesday Project systems also included a genlock, allowing video frames, clips and audio to be mixed with graphics originated from the BBC Master; this was used to great effect for displaying high resolution photographs and maps, which could then be zoomed into.. Answer: {'text': ['LaserVision Read Only Memory'], 'answer_start': [153]}. Question: |
The Doomsday Project discs used which formatting? | Context: In 1986, a SCSI-equipped LaserDisc player attached to a BBC Master computer was used for the BBC Domesday Project. The player was referred as an LV-ROM (LaserVision Read Only Memory) as the discs contained the driving software as well as the video frames. The discs used the CAV format, and encoded data as a binary signal represented by the analog audio recording. These discs could contain in each CAV frame video/audio or video/binary data, but not both. "Data" frames would appear blank when played as video. It was typical for each disc to start with the disc catalog (a few blank frames) then the video introduction before the rest of the data. Because the format (based on the ADFS hard disc format) used a starting sector for each file, the data layout effectively skipped over any video frames. If all 54,000 frames are used for data storage an LV-ROM disc can contain 324 MB of data per side. The Domesday Project systems also included a genlock, allowing video frames, clips and audio to be mixed with graphics originated from the BBC Master; this was used to great effect for displaying high resolution photographs and maps, which could then be zoomed into.. Answer: {'text': ['CAV'], 'answer_start': [275]}. Question: |
Which of Apple's programming languages allowed users to ceatively manipulate LaserDiscs? | Context: Apple's HyperCard scripting language provided Macintosh computer users with a means to design databases of slides, animation, video and sounds from LaserDiscs and then to create interfaces for users to play specific content from the disc through software called LaserStacks. User-created "stacks" were shared and were especially popular in education where teacher-generated stacks were used to access discs ranging from art collections to basic biological processes. Commercially available stacks were also popular with the Voyager company being possibly the most successful distributor.. Answer: {'text': ['HyperCard'], 'answer_start': [8]}. Question: |
What did LaserStacks software enable Mac users to do? | Context: Apple's HyperCard scripting language provided Macintosh computer users with a means to design databases of slides, animation, video and sounds from LaserDiscs and then to create interfaces for users to play specific content from the disc through software called LaserStacks. User-created "stacks" were shared and were especially popular in education where teacher-generated stacks were used to access discs ranging from art collections to basic biological processes. Commercially available stacks were also popular with the Voyager company being possibly the most successful distributor.. Answer: {'text': ['play specific content from the disc'], 'answer_start': [202]}. Question: |
Where were "stacks" created with the LaserStack software used? | Context: Apple's HyperCard scripting language provided Macintosh computer users with a means to design databases of slides, animation, video and sounds from LaserDiscs and then to create interfaces for users to play specific content from the disc through software called LaserStacks. User-created "stacks" were shared and were especially popular in education where teacher-generated stacks were used to access discs ranging from art collections to basic biological processes. Commercially available stacks were also popular with the Voyager company being possibly the most successful distributor.. Answer: {'text': ['in education'], 'answer_start': [337]}. Question: |
Which commercial company was LaserStack's most successful distributor? | Context: Apple's HyperCard scripting language provided Macintosh computer users with a means to design databases of slides, animation, video and sounds from LaserDiscs and then to create interfaces for users to play specific content from the disc through software called LaserStacks. User-created "stacks" were shared and were especially popular in education where teacher-generated stacks were used to access discs ranging from art collections to basic biological processes. Commercially available stacks were also popular with the Voyager company being possibly the most successful distributor.. Answer: {'text': ['Voyager'], 'answer_start': [524]}. Question: |
A combination computer/LD player was comissioned by what government entity? | Context: Under contract from the U.S. Military, Matrox produced a combination computer/LaserDisc player for instructional purposes. The computer was a 286, the LaserDisc player only capable of reading the analog audio tracks. Together they weighed 43 lb (20 kg) and sturdy handles were provided in case two people were required to lift the unit. The computer controlled the player via a 25-pin serial port at the back of the player and a ribbon cable connected to a proprietary port on the motherboard. Many of these were sold as surplus by the military during the 1990s, often without the controller software. Nevertheless, it is possible to control the unit by removing the ribbon cable and connecting a serial cable directly from the computer's serial port to the port on the LaserDisc player.. Answer: {'text': ['the U.S. Military'], 'answer_start': [20]}. Question: |
How much did Matrox's computer/LD combo weigh? | Context: Under contract from the U.S. Military, Matrox produced a combination computer/LaserDisc player for instructional purposes. The computer was a 286, the LaserDisc player only capable of reading the analog audio tracks. Together they weighed 43 lb (20 kg) and sturdy handles were provided in case two people were required to lift the unit. The computer controlled the player via a 25-pin serial port at the back of the player and a ribbon cable connected to a proprietary port on the motherboard. Many of these were sold as surplus by the military during the 1990s, often without the controller software. Nevertheless, it is possible to control the unit by removing the ribbon cable and connecting a serial cable directly from the computer's serial port to the port on the LaserDisc player.. Answer: {'text': ['43 lb (20 kg)'], 'answer_start': [239]}. Question: |
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