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59.533.1642(24) | false | false | true | 789,270 | null | Drawings and Prints | 1959 | Print | Quae Genus & Creditors | null | null | null | null | The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax | 16509592565782967647 | Artist|Printer|Author|Publisher | |Letterpress by| | | Thomas Rowlandson|J. Diggens|William Combe|Rudolph Ackermann, London | British, London 1757–1827 London|London|British, London 1742–1823 London|British, active 1794–1829 | | | | | Rowlandson, Thomas|Diggens, J.|Combe, William|Ackermann, Rudolph | British|British|British|British | 1757 |1800 |1742 |1764 | 1827 |1900 |1823 |1834 | ||| | http://vocab.getty.edu/page/ulan/500006930||(not assigned)|(not assigned) | https://www.wikidata.org/wiki/Q318584||https://www.wikidata.org/wiki/Q4229432|https://www.wikidata.org/wiki/Q70993 | December 1, 1821 | 1,821 | 1,821 | Hand-colored etching and aquatint | Sheet: 5 1/2 × 8 13/16 in. (13.9 × 22.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789270 | null | null | Metropolitan Museum of Art, New York, NY | Interiors|Men|Dogs | http://vocab.getty.edu/page/aat/300391239|http://vocab.getty.edu/page/aat/300025928|http://vocab.getty.edu/page/aat/300265714 | https://www.wikidata.org/wiki/Q2998430|https://www.wikidata.org/wiki/Q8441|https://www.wikidata.org/wiki/Q144 |
59.533.1642(25) | false | false | true | 789,271 | null | Drawings and Prints | 1959 | Print | Quae Genus Discovers His Father | null | null | null | null | The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax | 92565165095764787829 | Printer|Artist|Publisher|Author | Letterpress by| | | | J. Diggens|Thomas Rowlandson|Rudolph Ackermann, London|William Combe | London|British, London 1757–1827 London|British, active 1794–1829|British, London 1742–1823 London | | | | | Diggens, J.|Rowlandson, Thomas|Ackermann, Rudolph|Combe, William | British|British|British|British | 1800 |1757 |1764 |1742 | 1900 |1827 |1834 |1823 | ||| | |http://vocab.getty.edu/page/ulan/500006930|(not assigned)|(not assigned) | |https://www.wikidata.org/wiki/Q318584|https://www.wikidata.org/wiki/Q70993|https://www.wikidata.org/wiki/Q4229432 | January 1, 1822 | 1,822 | 1,822 | Hand-colored etching and aquatint | Sheet: 5 9/16 × 8 11/16 in. (14.1 × 22.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789271 | null | null | Metropolitan Museum of Art, New York, NY | Men|Women | http://vocab.getty.edu/page/aat/300025928|http://vocab.getty.edu/page/aat/300025943 | https://www.wikidata.org/wiki/Q8441|https://www.wikidata.org/wiki/Q467 |
2018.781 | false | false | false | 789,272 | null | Costume Institute | 2018 | T-shirt | "Destroy" T-shirt | British | null | null | null | null | 33006228312027 | Retailer|Designer|Designer | | | | Seditionaries|Malcolm McLaren|Vivienne Westwood | British, 1976–1980|British, London 1946–2010 Switzerland|British, 1941–2022 | | | | Seditionaries|McLaren, Malcolm|Westwood, Vivienne | British|British|British | 1976 |1946-01-22|1941 | 1980 |2010-04-08|2022 | ||Female | |(not assigned)|http://vocab.getty.edu/page/ulan/500287029 | |https://www.wikidata.org/wiki/Q325377|https://www.wikidata.org/wiki/Q158067 | 1977 | 1,977 | 1,977 | cotton | null | Purchase, Friends of The Costume Institute Gifts, 2018 | null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789272 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.782 | false | false | false | 789,273 | null | Costume Institute | 2018 | Shirt | "Anarchy Karl Marx" shirt | British | null | null | null | null | 228312027 | Designer|Designer | | | Malcolm McLaren|Vivienne Westwood | British, London 1946–2010 Switzerland|British, 1941–2022 | | | McLaren, Malcolm|Westwood, Vivienne | British|British | 1946-01-22|1941 | 2010-04-08|2022 | |Female | (not assigned)|http://vocab.getty.edu/page/ulan/500287029 | https://www.wikidata.org/wiki/Q325377|https://www.wikidata.org/wiki/Q158067 | 1976–77 | 1,976 | 1,977 | cotton | null | Purchase, Friends of The Costume Institute Gifts, 2018 | null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789273 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
26.72.152 | false | false | false | 789,274 | null | Drawings and Prints | 1926 | Print | Vertical Landscape with Two Travelers | null | null | null | null | null | 9356 | Artist | Gillis Neyts | Flemish, Overijse 1623–1687 Antwerp | Neyts, Gillis | Flemish | 1623 | 1687 | null | http://vocab.getty.edu/page/ulan/500017107 | https://www.wikidata.org/wiki/Q3106622 | ca. 1643–87 | 1,638 | 1,692 | Etching | Sheet: 5 11/16 × 4 5/16 in. (14.5 × 11 cm) | Harris Brisbane Dick Fund, 1926 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789274 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
17.61.15 | false | false | false | 789,275 | null | Drawings and Prints | 1917 | Print | Landscape with a Horseman and Three Travelers | null | null | null | null | null | 2044509356 | Publisher|Artist | | | Joan Huysens|Gillis Neyts | Flemish, active 1638–87|Flemish, Overijse 1623–1687 Antwerp | | | Huysens, Joan|Neyts, Gillis | Flemish|Flemish | 1638 |1623 | 1687 |1687 | | | |http://vocab.getty.edu/page/ulan/500017107 | |https://www.wikidata.org/wiki/Q3106622 | ca. 1643–87 | 1,638 | 1,692 | Etching; third state of four | Sheet: 5 9/16 × 7 3/8 in. (14.2 × 18.7 cm)
Plate: 5 1/8 × 6 7/8 in. (13 × 17.4 cm) | Rogers Fund, 1917 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789275 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.783 | false | false | false | 789,276 | null | Costume Institute | 2018 | T-shirt | "Cambridge Rapist" T-shirt | British | null | null | null | null | 22831202753300 | Designer|Designer|Retailer | | | | Malcolm McLaren|Vivienne Westwood|Seditionaries | British, London 1946–2010 Switzerland|British, 1941–2022|British, 1976–1980 | | | | McLaren, Malcolm|Westwood, Vivienne|Seditionaries | British|British|British | 1946-01-22|1941 |1976 | 2010-04-08|2022 |1980 | |Female| | (not assigned)|http://vocab.getty.edu/page/ulan/500287029| | https://www.wikidata.org/wiki/Q325377|https://www.wikidata.org/wiki/Q158067| | 1978 | 1,978 | 1,978 | cotton | null | Purchase, Friends of The Costume Institute Gifts, 2018 | null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789276 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
17.50.15-339 | false | false | false | 789,277 | null | Drawings and Prints | 1917 | Print | Landscape with the Little Bridge | null | null | null | null | null | 9356 | Artist | Gillis Neyts | Flemish, Overijse 1623–1687 Antwerp | Neyts, Gillis | Flemish | 1623 | 1687 | null | http://vocab.getty.edu/page/ulan/500017107 | https://www.wikidata.org/wiki/Q3106622 | ca. 1643–87 | 1,638 | 1,692 | Etching | Sheet (trimmed within borderline): 4 9/16 × 6 5/16 in. (11.6 × 16 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789277 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
2018.784 | false | false | false | 789,278 | null | Costume Institute | 2018 | Handkerchief | "Anarchy in the UK" handkerchief | British | null | null | null | null | 22831317862027 | Designer|Designer|Designer | | | | Malcolm McLaren|Jamie Reid|Vivienne Westwood | British, London 1946–2010 Switzerland|British, born 1947|British, 1941–2022 | | | | McLaren, Malcolm|Reid, Jamie|Westwood, Vivienne | British|British|British | 1946-01-22|1947 |1941 | 2010-04-08| |2022 | ||Female | (not assigned)||http://vocab.getty.edu/page/ulan/500287029 | https://www.wikidata.org/wiki/Q325377||https://www.wikidata.org/wiki/Q158067 | 1977 | 1,977 | 1,977 | synthetic fiber | null | Purchase, Friends of The Costume Institute Gifts, 2018
| null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789278 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.785 | false | false | false | 789,279 | null | Costume Institute | 2018 | T-shirt | "God Save the Queen" T-shirt | British | null | null | null | null | 20275228313178 | Designer|Designer|Designer | | | | Vivienne Westwood|Malcolm McLaren|Jamie Reid | British, 1941–2022|British, London 1946–2010 Switzerland|British, born 1947 | | | | Westwood, Vivienne|McLaren, Malcolm|Reid, Jamie | British|British|British | 1941 |1946-01-22|1947 | 2022 |2010-04-08| | Female|| | http://vocab.getty.edu/page/ulan/500287029|(not assigned)| | https://www.wikidata.org/wiki/Q158067|https://www.wikidata.org/wiki/Q325377| | 1977 | 1,977 | 1,977 | cotton | null | Purchase, Friends of The Costume Institute Gifts, 2018 | null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789279 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.786 | false | false | false | 789,280 | null | Costume Institute | 2018 | T-shirt | "God Save the Queen" T-shirt | British | null | null | null | null | 20275228313178 | Designer|Designer|Designer | | | | Vivienne Westwood|Malcolm McLaren|Jamie Reid | British, 1941–2022|British, London 1946–2010 Switzerland|British, born 1947 | | | | Westwood, Vivienne|McLaren, Malcolm|Reid, Jamie | British|British|British | 1941 |1946-01-22|1947 | 2022 |2010-04-08| | Female|| | http://vocab.getty.edu/page/ulan/500287029|(not assigned)| | https://www.wikidata.org/wiki/Q158067|https://www.wikidata.org/wiki/Q325377| | 1977 | 1,977 | 1,977 | cotton, metal | null | Purchase, Friends of The Costume Institute Gifts, 2018 | null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789280 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.787 | false | false | false | 789,281 | null | Costume Institute | 2018 | T-shirt | "God Save the... Sex Pistols" T-shirt | British | null | null | null | null | 3178 | Designer | Jamie Reid | British, born 1947 | Reid, Jamie | British | 1947 | null | null | null | 1977 | 1,977 | 1,977 | cotton | null | Purchase, Friends of The Costume Institute Gifts, 2018 | null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789281 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | |||
24.69.15 | false | false | false | 789,282 | null | Drawings and Prints | 1924 | Print, Ornament & Architecture | Mythological Scene set inside of an Oval Design | null | null | null | null | null | 7336 | Artist | Antoine Jacquard | French, active Poitiers 1615-1624 | Jacquard, Antoine | French | 1610 | 1630 | null | null | null | ca. 1610–30 | 1,605 | 1,635 | Engraving and blackwork | Sheet (Trimmed): 3 11/16 × 2 3/4 in. (9.4 × 7 cm) | Harris Brisbane Dick Fund, 1924 | null | null | null | null | null | null | null | null | null | null | null | Prints|Ornament & Architecture | null | http://www.metmuseum.org/art/collection/search/789282 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
59.533.1784 | false | false | true | 789,284 | null | Drawings and Prints | 1959 | Print | Not at Home, or a Disappointed Dinner Hunter | null | null | null | null | null | 8074916509 | Publisher|Artist | | | John Fairburn|Thomas Rowlandson | British, active 1789–1840|British, London 1757–1827 London | | | Fairburn, John|Rowlandson, Thomas | British|British | 1789 |1757 | 1840 |1827 | | | |http://vocab.getty.edu/page/ulan/500006930 | |https://www.wikidata.org/wiki/Q318584 | June 13, 1823 | 1,823 | 1,823 | Hand-colored etching | Plate: 14 × 9 15/16 in. (35.5 × 25.3 cm)
Sheet: 14 1/2 × 10 3/8 in. (36.8 × 26.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789284 | https://www.wikidata.org/wiki/Q97853465 | null | Metropolitan Museum of Art, New York, NY | Satire|Men | http://vocab.getty.edu/page/aat/300055934|http://vocab.getty.edu/page/aat/300025928 | https://www.wikidata.org/wiki/Q128758|https://www.wikidata.org/wiki/Q8441 |
59.533.1797 | false | false | true | 789,285 | null | Drawings and Prints | 1959 | Print | The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries | null | null | null | null | null | 807491650959860 | Publisher|Artist|Subject | | | | John Fairburn|Thomas Rowlandson|Frederick John Robinson | British, active 1789–1840|British, London 1757–1827 London|British, Yorkshire 1782–1859 Putney, London | | | | Fairburn, John|Rowlandson, Thomas|Robinson, Frederick John | British|British|British | 1789 |1757 |1782 | 1840 |1827 |1859 | || | |http://vocab.getty.edu/page/ulan/500006930|(not assigned) | |https://www.wikidata.org/wiki/Q318584|https://www.wikidata.org/wiki/Q312591 | September 18, 1823 | 1,823 | 1,823 | Hand-colored etching | Plate: 9 9/16 × 13 3/4 in. (24.3 × 34.9 cm)
Sheet: 10 3/4 × 15 1/16 in. (27.3 × 38.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789285 | https://www.wikidata.org/wiki/Q97853466 | null | Metropolitan Museum of Art, New York, NY | Satire|Men|Women|Politics | http://vocab.getty.edu/page/aat/300055934|http://vocab.getty.edu/page/aat/300025928|http://vocab.getty.edu/page/aat/300025943|http://vocab.getty.edu/page/aat/300055537 | https://www.wikidata.org/wiki/Q128758|https://www.wikidata.org/wiki/Q8441|https://www.wikidata.org/wiki/Q467|https://www.wikidata.org/wiki/Q7163 |
59.533.1798 | false | false | true | 789,286 | null | Drawings and Prints | 1959 | Print | The Chance Seller of the Exchequer Putting an Extinguisher on Lotteries | null | null | null | null | null | 986038074916509 | Subject|Publisher|Artist | | | | Frederick John Robinson|John Fairburn|Thomas Rowlandson | British, Yorkshire 1782–1859 Putney, London|British, active 1789–1840|British, London 1757–1827 London | | | | Robinson, Frederick John|Fairburn, John|Rowlandson, Thomas | British|British|British | 1782 |1789 |1757 | 1859 |1840 |1827 | || | (not assigned)||http://vocab.getty.edu/page/ulan/500006930 | https://www.wikidata.org/wiki/Q312591||https://www.wikidata.org/wiki/Q318584 | September 18, 1823 | 1,823 | 1,823 | Hand-colored etching | Sheet: 9 5/8 × 13 3/4 in. (24.4 × 35 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789286 | https://www.wikidata.org/wiki/Q97853468 | null | Metropolitan Museum of Art, New York, NY | Satire|Men|Women|Politics | http://vocab.getty.edu/page/aat/300055934|http://vocab.getty.edu/page/aat/300025928|http://vocab.getty.edu/page/aat/300025943|http://vocab.getty.edu/page/aat/300055537 | https://www.wikidata.org/wiki/Q128758|https://www.wikidata.org/wiki/Q8441|https://www.wikidata.org/wiki/Q467|https://www.wikidata.org/wiki/Q7163 |
2018.935.1 | false | false | false | 789,287 | null | Arts of Africa, Oceania, and the Americas | 2018 | Cloth | Ceremonial textile (pua) | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th – early 20th century | 1,870 | 1,930 | Cotton (both handspun and factory spun), commercial and natural dyes | H. (without fringe) 77 3/4 × W. 41 5/8 in. at widest (197.5 × 105.7 cm)
H. (with fringe) 81 1/4 in. (206.4 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Textiles | null | http://www.metmuseum.org/art/collection/search/789287 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.1785 | false | false | true | 789,288 | null | Drawings and Prints | 1959 | Print | The Tooth-Ache, or, Torment & Torture | null | null | null | null | null | 1650958074 | Artist|Publisher | | | Thomas Rowlandson|John Fairburn | British, London 1757–1827 London|British, active 1789–1840 | | | Rowlandson, Thomas|Fairburn, John | British|British | 1757 |1789 | 1827 |1840 | | | http://vocab.getty.edu/page/ulan/500006930| | https://www.wikidata.org/wiki/Q318584| | August 1, 1823 | 1,823 | 1,823 | Hand-colored etching; reprint | Sheet: 10 3/8 × 7 11/16 in. (26.3 × 19.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789288 | https://www.wikidata.org/wiki/Q97853471 | null | Metropolitan Museum of Art, New York, NY | Satire|Illness|Men|Women|Dogs | http://vocab.getty.edu/page/aat/300055934|http://vocab.getty.edu/page/aat/300189799|http://vocab.getty.edu/page/aat/300025928|http://vocab.getty.edu/page/aat/300025943|http://vocab.getty.edu/page/aat/300265714 | https://www.wikidata.org/wiki/Q128758|https://www.wikidata.org/wiki/Q814207|https://www.wikidata.org/wiki/Q8441|https://www.wikidata.org/wiki/Q467|https://www.wikidata.org/wiki/Q144 |
2018.935.2 | false | false | false | 789,289 | null | Arts of Africa, Oceania, and the Americas | 2018 | Cloth | Ceremonial textile (pua) | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Cotton (both handspun and factory spun), commercial and natural dyes | H. 81 1/4 × W. 36 1/2 in. at widest (206.4 × 92.7 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Textiles | null | http://www.metmuseum.org/art/collection/search/789289 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.3 | false | false | false | 789,290 | null | Arts of Africa, Oceania, and the Americas | 2018 | Cloth | Ceremonial textile (pua) | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Cotton (both handspun and factory spun), commercial and natural dyes | H. (without fringe) 79 1/2 × 46 in. at widest (201.9 × 116.8 cm)
H. (with fringe) 83 in. (210.8 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Textiles | null | http://www.metmuseum.org/art/collection/search/789290 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.4 | false | false | false | 789,291 | null | Arts of Africa, Oceania, and the Americas | 2018 | Cloth | Ceremonial textile (pua) | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Cotton (both handspun and factory spun), commercial and natural dyes | H. (without fringe) W. 72 3/4 × 33 1/2 in. (184.8 × 85.1 cm)
H. (with fringe) 75 3/4 in. (192.4 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Textiles | null | http://www.metmuseum.org/art/collection/search/789291 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.5 | false | false | false | 789,292 | null | Arts of Africa, Oceania, and the Americas | 2018 | Cloth | Ceremonial textile (pua) | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Cotton (both handspun and factory spun), commercial and natural dyes | H. 76 (without fringe) × D. 37 3/8 in. (193 × 94.9 cm)
H. (with fringe) 79 in. (200.7 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Textiles | null | http://www.metmuseum.org/art/collection/search/789292 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.6 | false | false | false | 789,293 | null | Arts of Africa, Oceania, and the Americas | 2018 | Cloth | Ceremonial textile (pua) | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Cotton (both handspun and factory spun), commercial and natural dyes | H. (without fringe) 77 × W. 41 1/2 in. (195.6 × 105.4 cm)
H. (with fringe) 80 in. (203.2 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Textiles | null | http://www.metmuseum.org/art/collection/search/789293 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.7 | false | false | false | 789,294 | null | Arts of Africa, Oceania, and the Americas | 2018 | Cloth | Ceremonial textile (pua) | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Cotton (both handspun and factory spun), commercial and natural dyes | H. 76 × W. 40 in. (193 × 101.6 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Textiles | null | http://www.metmuseum.org/art/collection/search/789294 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.8 | false | false | false | 789,295 | null | Arts of Africa, Oceania, and the Americas | 2018 | Cloth | Ceremonial textile (pua) | Iban people, Kantu group | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Cotton (both handspun and factory spun), commercial and natural dyes | H. 66 5/8 × W. 37 in. at widest (169.2 × 94 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Textiles | null | http://www.metmuseum.org/art/collection/search/789295 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.9 | false | false | false | 789,296 | null | Arts of Africa, Oceania, and the Americas | 2018 | Loincloth | Ceremonial loincloth (sarat) | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Woven textile, cotton, wool(?), dyes | H. 41 × W. 12 in. (104.1 × 30.5 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Textiles-Costumes | null | http://www.metmuseum.org/art/collection/search/789296 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.10 | false | false | false | 789,297 | null | Arts of Africa, Oceania, and the Americas | 2018 | Jacket | Ceremonial jacket (kalambi) | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Woven textile, cotton, dyes | H. 19 × W. 17 in. (48.3 × 43.2 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Textiles-Costumes | null | http://www.metmuseum.org/art/collection/search/789297 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.11 | false | false | false | 789,298 | null | Arts of Africa, Oceania, and the Americas | 2018 | Headscarf | Ceremonial headwrapper | Minangkabau people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | 19th century | 1,800 | 1,899 | Silk, metal-wrapped silk, dyes | H. 11 ft. 9 1/2 in. × W. (without fringe) 26 3/4 in. (359.4 × 67.9 cm)
W. (with fringe) 28 1/2 in. (72.4 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Indonesia | Western Sumatra | null | null | null | null | null | Textiles-Costumes-Accessories | null | http://www.metmuseum.org/art/collection/search/789298 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.12 | false | false | false | 789,299 | null | Arts of Africa, Oceania, and the Americas | 2018 | Spindle | Weaving spindle | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Cane | L. 12 × Diam. 7/8 in. (30.5 × 2.2 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Wood-Implements | null | http://www.metmuseum.org/art/collection/search/789299 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.935.13 | false | false | false | 789,300 | null | Arts of Africa, Oceania, and the Americas | 2018 | Spindle | Weaving spindle | Iban people | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | null | Late 19th–early 20th century | 1,870 | 1,930 | Wood | H. 1 × W. 1 5/8 × L. 20 7/8 in. (2.5 × 4.1 × 53 cm) | Gift of Sheldon and Barbara Kent, 2018 | null | null | null | null | Malaysia | Borneo | null | null | null | null | null | Wood-Implements | null | http://www.metmuseum.org/art/collection/search/789300 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.1764 | false | false | true | 789,301 | null | Drawings and Prints | 1959 | Print | A Counselor's Opinion After He Had Retired From Practice – The Legal Consultation | null | null | null | null | null | 7586016509 | Publisher|Artist | |After | Robert Sayer|Thomas Rowlandson | British, Sunderland 1725–1794 Bath|British, London 1757–1827 London | | | Sayer, Robert|Rowlandson, Thomas | British|British | 1725 |1757 | 1794 |1827 | | | |http://vocab.getty.edu/page/ulan/500006930 | |https://www.wikidata.org/wiki/Q318584 | 1780–94 | 1,780 | 1,794 | Hand-colored etching and engraving | Sheet: 8 3/16 × 8 15/16 in. (20.8 × 22.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789301 | null | null | Metropolitan Museum of Art, New York, NY | Men|Women | http://vocab.getty.edu/page/aat/300025928|http://vocab.getty.edu/page/aat/300025943 | https://www.wikidata.org/wiki/Q8441|https://www.wikidata.org/wiki/Q467 |
59.533.1763 | false | false | true | 789,302 | null | Drawings and Prints | 1959 | Print | A Counselor's Opinion After He Had Retired From Practice – The Legal Consultation | null | null | null | null | null | 16509 | Artist | Thomas Rowlandson | British, London 1757–1827 London | Rowlandson, Thomas | British | 1757 | 1827 | null | http://vocab.getty.edu/page/ulan/500006930 | https://www.wikidata.org/wiki/Q318584 | ca. 1780–94 | 1,775 | 1,799 | Pen and ink with gray wash and watercolor | Sheet: 8 5/16 × 10 3/8 in. (21.1 × 26.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789302 | null | null | Metropolitan Museum of Art, New York, NY | Men|Women | http://vocab.getty.edu/page/aat/300025928|http://vocab.getty.edu/page/aat/300025943 | https://www.wikidata.org/wiki/Q8441|https://www.wikidata.org/wiki/Q467 | ||
59.533.764(1) | false | false | true | 789,306 | null | Drawings and Prints | 1959 | Print | Title page, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 818188285120445716509 | Author|Artist|Publisher|Artist | | | |After | Henry Wigstead|John Hill|W. Wigstead|Thomas Rowlandson | British, 1745?–1800 Margate|British, ca. 1714–1775|British, active London, ca. 1799–1805|British, London 1757–1827 London | | | | | Wigstead, Henry|Hill, John|Wigstead, W.|Rowlandson, Thomas | British|British|British|British | 1740 |1714 |1750 |1757 | 1800 |1775 |1850 |1827 | ||| | http://vocab.getty.edu/page/ulan/500000783|||http://vocab.getty.edu/page/ulan/500006930 | https://www.wikidata.org/wiki/Q5730140|||https://www.wikidata.org/wiki/Q318584 | 1800 | 1,800 | 1,800 | Letterpress | Sheet: 8 7/16 × 5 3/4 in. (21.4 × 14.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789306 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(2) | false | false | true | 789,307 | null | Drawings and Prints | 1959 | Print | Ragland, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 818188285120445716509 | Author|Artist|Publisher|Artist | | | |After | Henry Wigstead|John Hill|W. Wigstead|Thomas Rowlandson | British, 1745?–1800 Margate|British, ca. 1714–1775|British, active London, ca. 1799–1805|British, London 1757–1827 London | | | | | Wigstead, Henry|Hill, John|Wigstead, W.|Rowlandson, Thomas | British|British|British|British | 1740 |1714 |1750 |1757 | 1800 |1775 |1850 |1827 | ||| | http://vocab.getty.edu/page/ulan/500000783|||http://vocab.getty.edu/page/ulan/500006930 | https://www.wikidata.org/wiki/Q5730140|||https://www.wikidata.org/wiki/Q318584 | February 1, 1800 | 1,800 | 1,800 | Etching and aquatint | Sheet: 5 1/4 × 7 7/8 in. (13.4 × 20 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789307 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(3) | false | false | true | 789,308 | null | Drawings and Prints | 1959 | Print | Nantz Mill, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 818188285116509520445 | Author|Artist|Artist|Publisher | | |After| | Henry Wigstead|John Hill|Thomas Rowlandson|W. Wigstead | British, 1745?–1800 Margate|British, ca. 1714–1775|British, London 1757–1827 London|British, active London, ca. 1799–1805 | | | | | Wigstead, Henry|Hill, John|Rowlandson, Thomas|Wigstead, W. | British|British|British|British | 1740 |1714 |1757 |1750 | 1800 |1775 |1827 |1850 | ||| | http://vocab.getty.edu/page/ulan/500000783||http://vocab.getty.edu/page/ulan/500006930| | https://www.wikidata.org/wiki/Q5730140||https://www.wikidata.org/wiki/Q318584| | September 1, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 3/8 in. × 8 in. (13.6 × 20.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789308 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(4) | false | false | true | 789,309 | null | Drawings and Prints | 1959 | Print | A Welsh Landlady, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 818181650958285120445 | Author|Artist|Artist|Publisher | |After| | | Henry Wigstead|Thomas Rowlandson|John Hill|W. Wigstead | British, 1745?–1800 Margate|British, London 1757–1827 London|British, ca. 1714–1775|British, active London, ca. 1799–1805 | | | | | Wigstead, Henry|Rowlandson, Thomas|Hill, John|Wigstead, W. | British|British|British|British | 1740 |1757 |1714 |1750 | 1800 |1827 |1775 |1850 | ||| | http://vocab.getty.edu/page/ulan/500000783|http://vocab.getty.edu/page/ulan/500006930|| | https://www.wikidata.org/wiki/Q5730140|https://www.wikidata.org/wiki/Q318584|| | January 1, 1800 | 1,800 | 1,800 | Etching and aquatint | Sheet: 8 3/8 × 4 7/8 in. (21.3 × 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789309 | null | null | Metropolitan Museum of Art, New York, NY | Women | http://vocab.getty.edu/page/aat/300025943 | https://www.wikidata.org/wiki/Q467 |
59.533.764(5) | false | false | true | 789,310 | null | Drawings and Prints | 1959 | Print | Snowdon from Llanberris Lake, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 828512044578181816509 | Artist|Publisher|Author|Artist | | | |After | John Hill|W. Wigstead|Henry Wigstead|Thomas Rowlandson | British, ca. 1714–1775|British, active London, ca. 1799–1805|British, 1745?–1800 Margate|British, London 1757–1827 London | | | | | Hill, John|Wigstead, W.|Wigstead, Henry|Rowlandson, Thomas | British|British|British|British | 1714 |1750 |1740 |1757 | 1775 |1850 |1800 |1827 | ||| | ||http://vocab.getty.edu/page/ulan/500000783|http://vocab.getty.edu/page/ulan/500006930 | ||https://www.wikidata.org/wiki/Q5730140|https://www.wikidata.org/wiki/Q318584 | September 1, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 3/8 × 7 15/16 in. (13.7 × 20.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789310 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(6) | false | false | true | 789,311 | null | Drawings and Prints | 1959 | Print | The Hanging Tower at Caerphilly, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 204457818181650958285 | Publisher|Author|Artist|Artist | | |After| | W. Wigstead|Henry Wigstead|Thomas Rowlandson|John Hill | British, active London, ca. 1799–1805|British, 1745?–1800 Margate|British, London 1757–1827 London|British, ca. 1714–1775 | | | | | Wigstead, W.|Wigstead, Henry|Rowlandson, Thomas|Hill, John | British|British|British|British | 1750 |1740 |1757 |1714 | 1850 |1800 |1827 |1775 | ||| | |http://vocab.getty.edu/page/ulan/500000783|http://vocab.getty.edu/page/ulan/500006930| | |https://www.wikidata.org/wiki/Q5730140|https://www.wikidata.org/wiki/Q318584| | January 1, 1800 | 1,800 | 1,800 | Etching and aquatint | Sheet: 5 1/4 × 8 1/16 in. (13.3 × 20.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789311 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(7) | false | false | true | 789,312 | null | Drawings and Prints | 1959 | Print | Tintern Abbey, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 828511650958181820445 | Artist|Artist|Author|Publisher | |After| | | John Hill|Thomas Rowlandson|Henry Wigstead|W. Wigstead | British, ca. 1714–1775|British, London 1757–1827 London|British, 1745?–1800 Margate|British, active London, ca. 1799–1805 | | | | | Hill, John|Rowlandson, Thomas|Wigstead, Henry|Wigstead, W. | British|British|British|British | 1714 |1757 |1740 |1750 | 1775 |1827 |1800 |1850 | ||| | |http://vocab.getty.edu/page/ulan/500006930|http://vocab.getty.edu/page/ulan/500000783| | |https://www.wikidata.org/wiki/Q318584|https://www.wikidata.org/wiki/Q5730140| | January 1, 1800 | 1,800 | 1,800 | Etching and aquatint | Sheet: 8 5/16 × 4 13/16 in. (21.1 × 12.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789312 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(8) | false | false | true | 789,313 | null | Drawings and Prints | 1959 | Print | Swansey, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 828518181820445716509 | Artist|Author|Publisher|Artist | | | |After | John Hill|Henry Wigstead|W. Wigstead|Thomas Rowlandson | British, ca. 1714–1775|British, 1745?–1800 Margate|British, active London, ca. 1799–1805|British, London 1757–1827 London | | | | | Hill, John|Wigstead, Henry|Wigstead, W.|Rowlandson, Thomas | British|British|British|British | 1714 |1740 |1750 |1757 | 1775 |1800 |1850 |1827 | ||| | |http://vocab.getty.edu/page/ulan/500000783||http://vocab.getty.edu/page/ulan/500006930 | |https://www.wikidata.org/wiki/Q5730140||https://www.wikidata.org/wiki/Q318584 | February 1, 1800 | 1,800 | 1,800 | Etching and aquatint | Sheet: 5 5/16 × 7 3/4 in. (13.5 × 19.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789313 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(9) | false | false | true | 789,314 | null | Drawings and Prints | 1959 | Print | Cardiff Castle, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 818181650958285120445 | Author|Artist|Artist|Publisher | |After| | | Henry Wigstead|Thomas Rowlandson|John Hill|W. Wigstead | British, 1745?–1800 Margate|British, London 1757–1827 London|British, ca. 1714–1775|British, active London, ca. 1799–1805 | | | | | Wigstead, Henry|Rowlandson, Thomas|Hill, John|Wigstead, W. | British|British|British|British | 1740 |1757 |1714 |1750 | 1800 |1827 |1775 |1850 | ||| | http://vocab.getty.edu/page/ulan/500000783|http://vocab.getty.edu/page/ulan/500006930|| | https://www.wikidata.org/wiki/Q5730140|https://www.wikidata.org/wiki/Q318584|| | August 26, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 7/16 × 8 1/4 in. (13.8 × 21 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789314 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(10) | false | false | true | 789,315 | null | Drawings and Prints | 1959 | Print | Aberistwith, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 204457828518181816509 | Publisher|Artist|Author|Artist | | | |After | W. Wigstead|John Hill|Henry Wigstead|Thomas Rowlandson | British, active London, ca. 1799–1805|British, ca. 1714–1775|British, 1745?–1800 Margate|British, London 1757–1827 London | | | | | Wigstead, W.|Hill, John|Wigstead, Henry|Rowlandson, Thomas | British|British|British|British | 1750 |1714 |1740 |1757 | 1850 |1775 |1800 |1827 | ||| | ||http://vocab.getty.edu/page/ulan/500000783|http://vocab.getty.edu/page/ulan/500006930 | ||https://www.wikidata.org/wiki/Q5730140|https://www.wikidata.org/wiki/Q318584 | November 2, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 3/8 × 8 1/16 in. (13.6 × 20.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789315 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(11) | false | false | true | 789,316 | null | Drawings and Prints | 1959 | Print | The Kings Apartments Conway Castle, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 204457818188285116509 | Publisher|Author|Artist|Artist | | | |After | W. Wigstead|Henry Wigstead|John Hill|Thomas Rowlandson | British, active London, ca. 1799–1805|British, 1745?–1800 Margate|British, ca. 1714–1775|British, London 1757–1827 London | | | | | Wigstead, W.|Wigstead, Henry|Hill, John|Rowlandson, Thomas | British|British|British|British | 1750 |1740 |1714 |1757 | 1850 |1800 |1775 |1827 | ||| | |http://vocab.getty.edu/page/ulan/500000783||http://vocab.getty.edu/page/ulan/500006930 | |https://www.wikidata.org/wiki/Q5730140||https://www.wikidata.org/wiki/Q318584 | 1799–1800 | 1,799 | 1,800 | Etching and aquatint | Sheet: 5 3/8 × 7 15/16 in. (13.6 × 20.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789316 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(12) | false | false | true | 789,317 | null | Drawings and Prints | 1959 | Print | Inside of a Kitchen at Newcastle, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 165095828518181820445 | Artist|Artist|Author|Publisher | After| | | | Thomas Rowlandson|John Hill|Henry Wigstead|W. Wigstead | British, London 1757–1827 London|British, ca. 1714–1775|British, 1745?–1800 Margate|British, active London, ca. 1799–1805 | | | | | Rowlandson, Thomas|Hill, John|Wigstead, Henry|Wigstead, W. | British|British|British|British | 1757 |1714 |1740 |1750 | 1827 |1775 |1800 |1850 | ||| | http://vocab.getty.edu/page/ulan/500006930||http://vocab.getty.edu/page/ulan/500000783| | https://www.wikidata.org/wiki/Q318584||https://www.wikidata.org/wiki/Q5730140| | January 1, 1800 | 1,800 | 1,800 | Etching and aquatint | Sheet: 5 3/8 × 8 1/8 in. (13.7 × 20.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789317 | null | null | Metropolitan Museum of Art, New York, NY | Kitchens|Men|Women|Dogs|Cooking | http://vocab.getty.edu/page/aat/300004514|http://vocab.getty.edu/page/aat/300025928|http://vocab.getty.edu/page/aat/300025943|http://vocab.getty.edu/page/aat/300265714| | https://www.wikidata.org/wiki/Q43164|https://www.wikidata.org/wiki/Q8441|https://www.wikidata.org/wiki/Q467|https://www.wikidata.org/wiki/Q144|https://www.wikidata.org/wiki/Q38695 |
59.533.764(13) | false | false | true | 789,318 | null | Drawings and Prints | 1959 | Print | Caerphilly Castle, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 828518181816509520445 | Artist|Author|Artist|Publisher | | |After| | John Hill|Henry Wigstead|Thomas Rowlandson|W. Wigstead | British, ca. 1714–1775|British, 1745?–1800 Margate|British, London 1757–1827 London|British, active London, ca. 1799–1805 | | | | | Hill, John|Wigstead, Henry|Rowlandson, Thomas|Wigstead, W. | British|British|British|British | 1714 |1740 |1757 |1750 | 1775 |1800 |1827 |1850 | ||| | |http://vocab.getty.edu/page/ulan/500000783|http://vocab.getty.edu/page/ulan/500006930| | |https://www.wikidata.org/wiki/Q5730140|https://www.wikidata.org/wiki/Q318584| | January 1, 1800 | 1,800 | 1,800 | Etching and aquatint | Sheet: 5 1/2 × 7 13/16 in. (14 × 19.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789318 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(14) | false | false | true | 789,319 | null | Drawings and Prints | 1959 | Print | Cardigan, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 818188285116509520445 | Author|Artist|Artist|Publisher | | |After| | Henry Wigstead|John Hill|Thomas Rowlandson|W. Wigstead | British, 1745?–1800 Margate|British, ca. 1714–1775|British, London 1757–1827 London|British, active London, ca. 1799–1805 | | | | | Wigstead, Henry|Hill, John|Rowlandson, Thomas|Wigstead, W. | British|British|British|British | 1740 |1714 |1757 |1750 | 1800 |1775 |1827 |1850 | ||| | http://vocab.getty.edu/page/ulan/500000783||http://vocab.getty.edu/page/ulan/500006930| | https://www.wikidata.org/wiki/Q5730140||https://www.wikidata.org/wiki/Q318584| | January 1, 1800 | 1,800 | 1,800 | Etching and aquatint | Sheet: 5 3/8 × 7 11/16 in. (13.7 × 19.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789319 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(15) | false | false | true | 789,320 | null | Drawings and Prints | 1959 | Print | Water Fall near Dolghelly, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 818188285120445716509 | Author|Artist|Publisher|Artist | | | |After | Henry Wigstead|John Hill|W. Wigstead|Thomas Rowlandson | British, 1745?–1800 Margate|British, ca. 1714–1775|British, active London, ca. 1799–1805|British, London 1757–1827 London | | | | | Wigstead, Henry|Hill, John|Wigstead, W.|Rowlandson, Thomas | British|British|British|British | 1740 |1714 |1750 |1757 | 1800 |1775 |1850 |1827 | ||| | http://vocab.getty.edu/page/ulan/500000783|||http://vocab.getty.edu/page/ulan/500006930 | https://www.wikidata.org/wiki/Q5730140|||https://www.wikidata.org/wiki/Q318584 | January 1, 1800 | 1,800 | 1,800 | Etching and aquatint | Sheet: 8 5/16 × 4 7/8 in. (21.1 × 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789320 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(16) | false | false | true | 789,321 | null | Drawings and Prints | 1959 | Print | Pont Aberglasslyn, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 818181650952044578285 | Author|Artist|Publisher|Artist | |After| | | Henry Wigstead|Thomas Rowlandson|W. Wigstead|John Hill | British, 1745?–1800 Margate|British, London 1757–1827 London|British, active London, ca. 1799–1805|British, ca. 1714–1775 | | | | | Wigstead, Henry|Rowlandson, Thomas|Wigstead, W.|Hill, John | British|British|British|British | 1740 |1757 |1750 |1714 | 1800 |1827 |1850 |1775 | ||| | http://vocab.getty.edu/page/ulan/500000783|http://vocab.getty.edu/page/ulan/500006930|| | https://www.wikidata.org/wiki/Q5730140|https://www.wikidata.org/wiki/Q318584|| | September 1, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 5/16 × 8 1/8 in. (13.5 × 20.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789321 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(17) | false | false | true | 789,322 | null | Drawings and Prints | 1959 | Print | Langollen, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 818188285116509520445 | Author|Artist|Artist|Publisher | | |After| | Henry Wigstead|John Hill|Thomas Rowlandson|W. Wigstead | British, 1745?–1800 Margate|British, ca. 1714–1775|British, London 1757–1827 London|British, active London, ca. 1799–1805 | | | | | Wigstead, Henry|Hill, John|Rowlandson, Thomas|Wigstead, W. | British|British|British|British | 1740 |1714 |1757 |1750 | 1800 |1775 |1827 |1850 | ||| | http://vocab.getty.edu/page/ulan/500000783||http://vocab.getty.edu/page/ulan/500006930| | https://www.wikidata.org/wiki/Q5730140||https://www.wikidata.org/wiki/Q318584| | September 1, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 5/16 × 8 1/16 in. (13.5 × 20.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789322 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(18) | false | false | true | 789,323 | null | Drawings and Prints | 1959 | Print | Festiniog, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 828511650958181820445 | Artist|Artist|Author|Publisher | |After| | | John Hill|Thomas Rowlandson|Henry Wigstead|W. Wigstead | British, ca. 1714–1775|British, London 1757–1827 London|British, 1745?–1800 Margate|British, active London, ca. 1799–1805 | | | | | Hill, John|Rowlandson, Thomas|Wigstead, Henry|Wigstead, W. | British|British|British|British | 1714 |1757 |1740 |1750 | 1775 |1827 |1800 |1850 | ||| | |http://vocab.getty.edu/page/ulan/500006930|http://vocab.getty.edu/page/ulan/500000783| | |https://www.wikidata.org/wiki/Q318584|https://www.wikidata.org/wiki/Q5730140| | September 1, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 1/4 × 8 1/8 in. (13.4 × 20.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789323 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(19) | false | false | true | 789,324 | null | Drawings and Prints | 1959 | Print | Penmanmawr, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 828511650952044578181 | Artist|Artist|Publisher|Author | |After| | | John Hill|Thomas Rowlandson|W. Wigstead|Henry Wigstead | British, ca. 1714–1775|British, London 1757–1827 London|British, active London, ca. 1799–1805|British, 1745?–1800 Margate | | | | | Hill, John|Rowlandson, Thomas|Wigstead, W.|Wigstead, Henry | British|British|British|British | 1714 |1757 |1750 |1740 | 1775 |1827 |1850 |1800 | ||| | |http://vocab.getty.edu/page/ulan/500006930||http://vocab.getty.edu/page/ulan/500000783 | |https://www.wikidata.org/wiki/Q318584||https://www.wikidata.org/wiki/Q5730140 | September 1, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 1/4 × 7 7/8 in. (13.4 × 20 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789324 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(20) | false | false | true | 789,325 | null | Drawings and Prints | 1959 | Print | Woolverhampton, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 818188285116509520445 | Author|Artist|Artist|Publisher | | |After| | Henry Wigstead|John Hill|Thomas Rowlandson|W. Wigstead | British, 1745?–1800 Margate|British, ca. 1714–1775|British, London 1757–1827 London|British, active London, ca. 1799–1805 | | | | | Wigstead, Henry|Hill, John|Rowlandson, Thomas|Wigstead, W. | British|British|British|British | 1740 |1714 |1757 |1750 | 1800 |1775 |1827 |1850 | ||| | http://vocab.getty.edu/page/ulan/500000783||http://vocab.getty.edu/page/ulan/500006930| | https://www.wikidata.org/wiki/Q5730140||https://www.wikidata.org/wiki/Q318584| | August 26, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 9/16 × 8 1/4 in. (14.1 × 21 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789325 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(21) | false | false | true | 789,326 | null | Drawings and Prints | 1959 | Print | Coventry, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 828518181816509520445 | Artist|Author|Artist|Publisher | | |After| | John Hill|Henry Wigstead|Thomas Rowlandson|W. Wigstead | British, ca. 1714–1775|British, 1745?–1800 Margate|British, London 1757–1827 London|British, active London, ca. 1799–1805 | | | | | Hill, John|Wigstead, Henry|Rowlandson, Thomas|Wigstead, W. | British|British|British|British | 1714 |1740 |1757 |1750 | 1775 |1800 |1827 |1850 | ||| | |http://vocab.getty.edu/page/ulan/500000783|http://vocab.getty.edu/page/ulan/500006930| | |https://www.wikidata.org/wiki/Q5730140|https://www.wikidata.org/wiki/Q318584| | August 27, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 3/8 × 8 3/16 in. (13.6 × 20.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789326 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(22) | false | false | true | 789,327 | null | Drawings and Prints | 1959 | Print | The Union of the Wye with the Severn from Chepstow, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 204457828511650958181 | Publisher|Artist|Artist|Author | | |After| | W. Wigstead|John Hill|Thomas Rowlandson|Henry Wigstead | British, active London, ca. 1799–1805|British, ca. 1714–1775|British, London 1757–1827 London|British, 1745?–1800 Margate | | | | | Wigstead, W.|Hill, John|Rowlandson, Thomas|Wigstead, Henry | British|British|British|British | 1750 |1714 |1757 |1740 | 1850 |1775 |1827 |1800 | ||| | ||http://vocab.getty.edu/page/ulan/500006930|http://vocab.getty.edu/page/ulan/500000783 | ||https://www.wikidata.org/wiki/Q318584|https://www.wikidata.org/wiki/Q5730140 | September 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 1/2 × 8 1/8 in. (13.9 × 20.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789327 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
59.533.764(23) | false | false | true | 789,328 | null | Drawings and Prints | 1959 | Print | Caernarvon, from "Remarks on a Tour to North and South Wales, in the year 1797" | null | null | null | null | "Remarks on a Tour to North and South Wales, in the year 1797" | 828511650958181820445 | Artist|Artist|Author|Publisher | |After| | | John Hill|Thomas Rowlandson|Henry Wigstead|W. Wigstead | British, ca. 1714–1775|British, London 1757–1827 London|British, 1745?–1800 Margate|British, active London, ca. 1799–1805 | | | | | Hill, John|Rowlandson, Thomas|Wigstead, Henry|Wigstead, W. | British|British|British|British | 1714 |1757 |1740 |1750 | 1775 |1827 |1800 |1850 | ||| | |http://vocab.getty.edu/page/ulan/500006930|http://vocab.getty.edu/page/ulan/500000783| | |https://www.wikidata.org/wiki/Q318584|https://www.wikidata.org/wiki/Q5730140| | November 2, 1799 | 1,799 | 1,799 | Etching and aquatint | Sheet: 5 5/16 × 8 1/16 in. (13.5 × 20.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789328 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
62.662.20 | false | false | false | 789,329 | null | Drawings and Prints | 1962 | Print, Ornament & Architecture | Scene from the Story of Adonis set inside of an Oval Design | null | null | null | null | null | 7336 | Artist | Antoine Jacquard | French, active Poitiers 1615-1624 | Jacquard, Antoine | French | 1610 | 1630 | null | null | null | ca. 1610–40 | 1,605 | 1,645 | Engraving and blackwork | Sheet (Trimmed): 2 3/8 × 1 15/16 in. (6 × 4.9 cm) | Anne and Carl Stern Fund, 1962 | null | null | null | null | null | null | null | null | null | null | null | Prints|Ornament & Architecture | null | http://www.metmuseum.org/art/collection/search/789329 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
62.662.21 | false | false | false | 789,330 | null | Drawings and Prints | 1962 | Print, Ornament & Architecture | Scene from the Story of Adonis set inside of an Oval Design | null | null | null | null | null | 7336 | Artist | Antoine Jacquard | French, active Poitiers 1615-1624 | Jacquard, Antoine | French | 1610 | 1630 | null | null | null | ca. 1610–40 | 1,605 | 1,645 | Engraving and blackwork | Sheet (Trimmed): 2 3/8 × 1 15/16 in. (6 × 5 cm) | Anne and Carl Stern Fund, 1962 | null | null | null | null | null | null | null | null | null | null | null | Prints|Ornament & Architecture | null | http://www.metmuseum.org/art/collection/search/789330 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
61.663.325 | false | false | false | 789,333 | null | Drawings and Prints | 1961 | Print | The Dowager Queen of Edward the 4th Parting with the Duke of York to the Two Archbishops by Order of Richard the III | null | null | null | null | null | 164276913299835 | Engraver|Artist|Publisher | |After| | Francesco Bartolozzi|Giovanni Battista Cipriani|Anthony Molteno | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, died 1845 | | | | Bartolozzi, Francesco|Cipriani, Giovanni Battista|Molteno, Anthony | Italian|Italian|British | 1728 |1727 |1745 | 1815 |1785 |1845 | || | http://vocab.getty.edu/page/ulan/500032318|http://vocab.getty.edu/page/ulan/500031736| | https://www.wikidata.org/wiki/Q734889|https://www.wikidata.org/wiki/Q2687759| | 1803 | 1,803 | 1,803 | Stipple engraving, printed in brown ink; fifth state | Sheet (trimmed): 12 15/16 × 15 1/4 in. (32.8 × 38.7 cm) | Gift of Harry G. Friedman, 1961 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789333 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
61.633.323 | false | false | false | 789,335 | null | Drawings and Prints | 1961 | Print | Captain Bennett | null | null | null | null | null | 8536 | Artist | Anonymous, British, early 19th century | Anonymous, British, 19th century early | British | 1800 | 1850 | null | null | null | 1795–1820 | 1,795 | 1,820 | Stipple engraving | Sheet: 15 13/16 × 10 15/16 in. (40.2 × 27.8 cm) | Gift of Harry G. Friedman, 1961 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789335 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | |||
49.40.103 | false | false | false | 789,336 | null | Drawings and Prints | 1949 | Print | His Royal Highness Albert Edward, Prince of Wales | null | null | null | null | null | 866247717816274420446416636 | Lithographer|Publisher|Artist|Publisher|Sitter | | |After| | | John Alfred Vinter|Day & Son, Ltd., London|Franz Xaver Winterhalter|B. Dawson, Montreal|Albert Edward, Prince of Wales | British, 1828–1905| |German, Menzenschwand 1805–1873 Frankfurt| |British, London 1841–1910 London | | | | | | Vinter, John Alfred|Day & Son, Ltd.|Winterhalter, Franz Xaver|Dawson, B.|Albert Edward | British|British|German|Canadian|British | 1828 |1850 |1805 |1850 |1841 | 1905 |1867 |1873 |1870 |1910 | |||| | (not assigned)||http://vocab.getty.edu/page/ulan/500007953||http://vocab.getty.edu/page/ulan/500243348 | https://www.wikidata.org/wiki/Q21460132||https://www.wikidata.org/wiki/Q168659||https://www.wikidata.org/wiki/Q100250171 | 1860 | 1,860 | 1,860 | Lithograph on chine collé | Image: 15 9/16 × 11 3/16 in. (39.5 × 28.4 cm)
Sheet: 20 7/8 × 14 13/16 in. (53 × 37.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789336 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
41.137.2 | false | false | false | 789,337 | null | Drawings and Prints | 1941 | Print, Ornament & Architecture | Musicians in an Oval Design | null | null | null | null | null | 7336 | Artist | Possibly | Antoine Jacquard | French, active Poitiers 1615-1624 | Jacquard, Antoine | French | 1610 | 1630 | null | null | null | ca. 1610–40 | 1,605 | 1,645 | Engraving and blackwork | Sheet (Trimmed): 2 3/16 × 1 15/16 in. (5.5 × 4.9 cm) | Harris Brisbane Dick Fund, 1941 | null | null | null | null | null | null | null | null | null | null | null | Prints|Ornament & Architecture | null | http://www.metmuseum.org/art/collection/search/789337 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | |
41.137.3 | false | false | false | 789,338 | null | Drawings and Prints | 1941 | Print, Ornament & Architecture | Musicians in an Oval Design | null | null | null | null | null | 7336 | Artist | Possibly | Antoine Jacquard | French, active Poitiers 1615-1624 | Jacquard, Antoine | French | 1610 | 1630 | null | null | null | ca. 1610–40 | 1,605 | 1,645 | Engraving and blackwork | Sheet (Trimmed): 2 3/16 × 1 15/16 in. (5.6 × 5 cm) | Harris Brisbane Dick Fund, 1941 | null | null | null | null | null | null | null | null | null | null | null | Prints|Ornament & Architecture | null | http://www.metmuseum.org/art/collection/search/789338 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | |
41.137.1 | false | false | false | 789,339 | null | Drawings and Prints | 1941 | Print, Ornament & Architecture | Figures Lounging with Fruit in an Oval Design | null | null | null | null | null | 7336 | Artist | Possibly | Antoine Jacquard | French, active Poitiers 1615-1624 | Jacquard, Antoine | French | 1610 | 1630 | null | null | null | ca. 1610–40 | 1,605 | 1,645 | Engraving and blackwork | Sheet (Trimmed): 1 7/8 × 1 3/8 in. (4.7 × 3.5 cm) | Harris Brisbane Dick Fund, 1941 | null | null | null | null | null | null | null | null | null | null | null | Prints|Ornament & Architecture | null | http://www.metmuseum.org/art/collection/search/789339 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | |
41.137.4 | false | false | false | 789,340 | null | Drawings and Prints | 1941 | Print, Ornament & Architecture | Man on a Horse in an Oval Design | null | null | null | null | null | 7336 | Artist | Possibly | Antoine Jacquard | French, active Poitiers 1615-1624 | Jacquard, Antoine | French | 1610 | 1630 | null | null | null | ca. 1610–40 | 1,605 | 1,645 | Engraving and blackwork | Sheet (Trimmed): 2 3/16 × 1 15/16 in. (5.5 × 5 cm) | Harris Brisbane Dick Fund, 1941 | null | null | null | null | null | null | null | null | null | null | null | Prints|Ornament & Architecture | null | http://www.metmuseum.org/art/collection/search/789340 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | |
2018.788 | false | false | false | 789,341 | null | Costume Institute | 2018 | Dress | "Prick Up Your Ears" dress | British | null | null | null | null | 202752283 | Designer|Designer | | | Vivienne Westwood|Malcolm McLaren | British, 1941–2022|British, London 1946–2010 Switzerland | | | Westwood, Vivienne|McLaren, Malcolm | British|British | 1941 |1946-01-22 | 2022 |2010-04-08 | Female| | http://vocab.getty.edu/page/ulan/500287029|(not assigned) | https://www.wikidata.org/wiki/Q158067|https://www.wikidata.org/wiki/Q325377 | ca. 1977 | 1,974 | 1,979 | cotton | null | Purchase, Friends of The Costume Institute Gifts, 2018
| null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789341 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.789 | false | false | false | 789,342 | null | Costume Institute | 2018 | T-shirt | "Snow White and the Sir Punks" T-shirt | British | null | null | null | null | 22831202753300 | Designer|Designer|Retailer | | | | Malcolm McLaren|Vivienne Westwood|Seditionaries | British, London 1946–2010 Switzerland|British, 1941–2022|British, 1976–1980 | | | | McLaren, Malcolm|Westwood, Vivienne|Seditionaries | British|British|British | 1946-01-22|1941 |1976 | 2010-04-08|2022 |1980 | |Female| | (not assigned)|http://vocab.getty.edu/page/ulan/500287029| | https://www.wikidata.org/wiki/Q325377|https://www.wikidata.org/wiki/Q158067| | ca. 1977 | 1,974 | 1,979 | cotton, metal | null | Purchase, Friends of The Costume Institute Gifts, 2018
| null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789342 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
1986.1180.1629 | false | false | false | 789,343 | null | Drawings and Prints | 1986 | Print | The Monk's Entrance Ely Cathedral, Cambridgeshire | null | null | null | null | Antiquities of Saint Mary's Chapel, at Stourbridge, near Cambridge, etc. etc. | 16623 | Artist and publisher | John Sell Cotman | British, Norwich 1782–1842 London | Cotman, John Sell | British | 1782 | 1842 | null | http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q1288248 | 1819 | 1,819 | 1,819 | Etching | Plate: 12 13/16 × 9 3/4 in. (32.6 × 24.7 cm)
Sheet: 14 15/16 × 10 13/16 in. (38 × 27.5 cm) | Bequest of Grace M. Pugh, 1985
| null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789343 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
2018.790 | false | false | false | 789,344 | null | Costume Institute | 2018 | T-shirt | "Oliver Twist Manifesto" T-shirt | British | null | null | null | null | 228312027516545 | Designer|Designer|Artist | | | | Malcolm McLaren|Vivienne Westwood|George Cruikshank | British, London 1946–2010 Switzerland|British, 1941–2022|British, London 1792–1878 London | | | | McLaren, Malcolm|Westwood, Vivienne|Cruikshank, George | British|British|British | 1946-01-22|1941 |1792 | 2010-04-08|2022 |1878 | |Female| | (not assigned)|http://vocab.getty.edu/page/ulan/500287029|http://vocab.getty.edu/page/ulan/500115604 | https://www.wikidata.org/wiki/Q325377|https://www.wikidata.org/wiki/Q158067|https://www.wikidata.org/wiki/Q360466 | 1978 | 1,978 | 1,978 | cotton, metal | null | Purchase, Friends of The Costume Institute Gifts, 2018 | null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789344 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.791 | false | false | false | 789,345 | null | Costume Institute | 2018 | T-shirt | "Friends of Vicious" T-shirt | British | null | null | null | null | 202752283 | Designer|Designer | | | Vivienne Westwood|Malcolm McLaren | British, 1941–2022|British, London 1946–2010 Switzerland | | | Westwood, Vivienne|McLaren, Malcolm | British|British | 1941 |1946-01-22 | 2022 |2010-04-08 | Female| | http://vocab.getty.edu/page/ulan/500287029|(not assigned) | https://www.wikidata.org/wiki/Q158067|https://www.wikidata.org/wiki/Q325377 | 1979–80 | 1,979 | 1,980 | cotton | null | Purchase, Friends of The Costume Institute Gifts, 2018 | null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789345 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.792 | false | false | false | 789,346 | null | Costume Institute | 2018 | Handkerchief | "Anarchy in the UK" handkerchief | British | null | null | null | null | 20275228313178 | Designer|Designer|Designer | | | | Vivienne Westwood|Malcolm McLaren|Jamie Reid | British, 1941–2022|British, London 1946–2010 Switzerland|British, born 1947 | | | | Westwood, Vivienne|McLaren, Malcolm|Reid, Jamie | British|British|British | 1941 |1946-01-22|1947 | 2022 |2010-04-08| | Female|| | http://vocab.getty.edu/page/ulan/500287029|(not assigned)| | https://www.wikidata.org/wiki/Q158067|https://www.wikidata.org/wiki/Q325377| | 1977 | 1,977 | 1,977 | cotton | null | Purchase, Friends of The Costume Institute Gifts, 2018 | null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789346 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(50) | false | false | false | 789,347 | null | Drawings and Prints | 1922 | Print | Vale Crucis Abbey, North Wales | null | null | null | null | null | 16623 | Artist | Etched and published by | John Sell Cotman | British, Norwich 1782–1842 London | Cotman, John Sell | British | 1782 | 1842 | null | http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q1288248 | September 8, 1818 | 1,818 | 1,818 | Etching | Plate: 8 7/16 × 5 11/16 in. (21.4 × 14.4 cm)
Sheet: 13 in. × 9 5/16 in. (33 × 23.7 cm) | Rogers Fund, 1922 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789347 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | |
22.100(1) | false | false | false | 789,350 | null | Drawings and Prints | 1922 | Print | Frontispiece: View of a Garden House on the Banks of the River Yare | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 8316216623 | Publisher|Artist | | | Henry George Bohn|John Sell Cotman | British, London 1796–1884 Twickenham|British, Norwich 1782–1842 London | | | Bohn, Henry George|Cotman, John Sell | British|British | 1796 |1782 | 1884 |1842 | | | (not assigned)|http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q5580808|https://www.wikidata.org/wiki/Q1288248 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 11 3/4 × 8 9/16 in. (29.8 × 21.7 cm)
Sheet: 13 1/2 × 9 3/4 in. (34.3 × 24.7 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789350 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(51a-e) | false | false | false | 789,352 | null | Drawings and Prints | 1922 | Print | Liber Studiorum: Printed title page and List of Plates; also: Letter from E. G. Cundall of Thomas Agnew & Sons to Mr. Brocklebank (May 3, 1917); Bookplate of Ralph Brocklebank; and Leather binding label | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 1662354998 | Artist|Publisher | Relates to work by| | John Sell Cotman|Henry G. Bohn | British, Norwich 1782–1842 London| | | | Cotman, John Sell|Bohn, Henry G. | British| | 1782 | | 1842 | | | | http://vocab.getty.edu/page/ulan/500014103| | https://www.wikidata.org/wiki/Q1288248| | 1838–1917 | 1,838 | 1,917 | a-b: Letterpress; c: pen and ink; d: engraving printed in red ink; e: leather stamped with gold | Title page: 13 5/16 × 9 1/4 in. (33.8 × 23.5 cm)
List of plates: 13 5/16 × 9 7/16 in. (33.8 × 24 cm)
Letter: 7 9/16 × 4 15/16 in. (19.2 × 12.6 cm)
Bookplate: 4 5/16 × 3 1/16 in. (10.9 × 7.7 cm)
Leather label: 3 5/8 × 5 1/4 in. (9.2 × 13.4 cm) | Rogers Fund, 1922 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789352 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(2) | false | false | false | 789,353 | null | Drawings and Prints | 1922 | Print | View of Clifton | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 1662358316 | Artist|Publisher | | | John Sell Cotman|Henry George Bohn | British, Norwich 1782–1842 London|British, London 1796–1884 Twickenham | | | Cotman, John Sell|Bohn, Henry George | British|British | 1782 |1796 | 1842 |1884 | | | http://vocab.getty.edu/page/ulan/500014103|(not assigned) | https://www.wikidata.org/wiki/Q1288248|https://www.wikidata.org/wiki/Q5580808 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 7 13/16 × 6 7/8 in. (19.9 × 17.4 cm)
Sheet: 13 3/8 × 9 5/8 in. (34 × 24.5 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789353 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(3) | false | false | false | 789,354 | null | Drawings and Prints | 1922 | Print | Trees Near Twickenham | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 8316216623 | Publisher|Artist | | | Henry George Bohn|John Sell Cotman | British, London 1796–1884 Twickenham|British, Norwich 1782–1842 London | | | Bohn, Henry George|Cotman, John Sell | British|British | 1796 |1782 | 1884 |1842 | | | (not assigned)|http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q5580808|https://www.wikidata.org/wiki/Q1288248 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 6 7/8 × 11 9/16 in. (17.4 × 29.4 cm)
Sheet: 9 1/2 × 13 7/16 in. (24.2 × 34.2 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789354 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(4) | false | false | false | 789,355 | null | Drawings and Prints | 1922 | Print | View on the Yare, Norfolk | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 8316216623 | Publisher|Artist | | | Henry George Bohn|John Sell Cotman | British, London 1796–1884 Twickenham|British, Norwich 1782–1842 London | | | Bohn, Henry George|Cotman, John Sell | British|British | 1796 |1782 | 1884 |1842 | | | (not assigned)|http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q5580808|https://www.wikidata.org/wiki/Q1288248 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 6 × 7 15/16 in. (15.2 × 20.1 cm)
Sheet: 9 3/4 × 13 3/8 in. (24.7 × 34 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789355 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(5) | false | false | false | 789,356 | null | Drawings and Prints | 1922 | Print | View on the Walsingham, Norfolk | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 1662358316 | Artist|Publisher | | | John Sell Cotman|Henry George Bohn | British, Norwich 1782–1842 London|British, London 1796–1884 Twickenham | | | Cotman, John Sell|Bohn, Henry George | British|British | 1782 |1796 | 1842 |1884 | | | http://vocab.getty.edu/page/ulan/500014103|(not assigned) | https://www.wikidata.org/wiki/Q1288248|https://www.wikidata.org/wiki/Q5580808 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 6 × 8 3/4 in. (15.2 × 22.2 cm)
Sheet: 9 3/4 × 13 7/16 in. (24.7 × 34.2 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789356 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(6) | false | false | false | 789,357 | null | Drawings and Prints | 1922 | Print | The Judgment of Midas | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 1662358316 | Artist|Publisher | | | John Sell Cotman|Henry George Bohn | British, Norwich 1782–1842 London|British, London 1796–1884 Twickenham | | | Cotman, John Sell|Bohn, Henry George | British|British | 1782 |1796 | 1842 |1884 | | | http://vocab.getty.edu/page/ulan/500014103|(not assigned) | https://www.wikidata.org/wiki/Q1288248|https://www.wikidata.org/wiki/Q5580808 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 7 13/16 × 9 13/16 in. (19.8 × 24.9 cm)
Sheet: 9 3/4 × 13 7/16 in. (24.8 × 34.1 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789357 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(7) | false | false | false | 789,358 | null | Drawings and Prints | 1922 | Print | Postwick Grove, Norfolk | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 8316216623 | Publisher|Artist | | | Henry George Bohn|John Sell Cotman | British, London 1796–1884 Twickenham|British, Norwich 1782–1842 London | | | Bohn, Henry George|Cotman, John Sell | British|British | 1796 |1782 | 1884 |1842 | | | (not assigned)|http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q5580808|https://www.wikidata.org/wiki/Q1288248 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 5 7/8 × 8 3/4 in. (15 × 22.2 cm)
Sheet: 9 5/8 × 13 7/16 in. (24.5 × 34.2 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789358 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(8) | false | false | false | 789,359 | null | Drawings and Prints | 1922 | Print | Millbank on the Thames | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 8316216623 | Publisher|Artist | | | Henry George Bohn|John Sell Cotman | British, London 1796–1884 Twickenham|British, Norwich 1782–1842 London | | | Bohn, Henry George|Cotman, John Sell | British|British | 1796 |1782 | 1884 |1842 | | | (not assigned)|http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q5580808|https://www.wikidata.org/wiki/Q1288248 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 6 3/8 × 9 3/4 in. (16.2 × 24.8 cm)
Sheet: 9 3/4 × 13 3/8 in. (24.7 × 34 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789359 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(10) | false | false | false | 789,361 | null | Drawings and Prints | 1922 | Print | The Devil's Bridge, Cardiganshire | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 8316216623 | Publisher|Artist | | | Henry George Bohn|John Sell Cotman | British, London 1796–1884 Twickenham|British, Norwich 1782–1842 London | | | Bohn, Henry George|Cotman, John Sell | British|British | 1796 |1782 | 1884 |1842 | | | (not assigned)|http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q5580808|https://www.wikidata.org/wiki/Q1288248 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 7 5/16 × 4 7/8 in. (18.6 × 12.4 cm)
Sheet: 13 7/16 × 9 9/16 in. (34.2 × 24.3 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789361 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(9) | false | false | false | 789,362 | null | Drawings and Prints | 1922 | Print | A Study | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 8316216623 | Publisher|Artist | | | Henry George Bohn|John Sell Cotman | British, London 1796–1884 Twickenham|British, Norwich 1782–1842 London | | | Bohn, Henry George|Cotman, John Sell | British|British | 1796 |1782 | 1884 |1842 | | | (not assigned)|http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q5580808|https://www.wikidata.org/wiki/Q1288248 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 5 7/8 × 7 15/16 in. (15 × 20.2 cm)
Sheet: 9 3/4 × 13 3/8 in. (24.7 × 34 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789362 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(11) | false | false | false | 789,363 | null | Drawings and Prints | 1922 | Print | Parson's Bridge, Cardiganshire | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 1662358316 | Artist|Publisher | | | John Sell Cotman|Henry George Bohn | British, Norwich 1782–1842 London|British, London 1796–1884 Twickenham | | | Cotman, John Sell|Bohn, Henry George | British|British | 1782 |1796 | 1842 |1884 | | | http://vocab.getty.edu/page/ulan/500014103|(not assigned) | https://www.wikidata.org/wiki/Q1288248|https://www.wikidata.org/wiki/Q5580808 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 6 13/16 × 4 15/16 in. (17.3 × 12.5 cm)
Sheet: 13 7/16 × 9 3/4 in. (34.2 × 24.7 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789363 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(12) | false | false | false | 789,364 | null | Drawings and Prints | 1922 | Print | Dolbadern Castle, Llanberris Lake, North Wales | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 1662358316 | Artist|Publisher | | | John Sell Cotman|Henry George Bohn | British, Norwich 1782–1842 London|British, London 1796–1884 Twickenham | | | Cotman, John Sell|Bohn, Henry George | British|British | 1782 |1796 | 1842 |1884 | | | http://vocab.getty.edu/page/ulan/500014103|(not assigned) | https://www.wikidata.org/wiki/Q1288248|https://www.wikidata.org/wiki/Q5580808 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 6 3/4 × 5 in. (17.2 × 12.7 cm)
Sheet: 13 3/8 × 9 5/8 in. (34 × 24.4 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789364 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(13) | false | false | false | 789,365 | null | Drawings and Prints | 1922 | Print | Duncomb Park, Yorkshire | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 8316216623 | Publisher|Artist | | | Henry George Bohn|John Sell Cotman | British, London 1796–1884 Twickenham|British, Norwich 1782–1842 London | | | Bohn, Henry George|Cotman, John Sell | British|British | 1796 |1782 | 1884 |1842 | | | (not assigned)|http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q5580808|https://www.wikidata.org/wiki/Q1288248 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 8 3/8 × 5 5/8 in. (21.3 × 14.3 cm)
Sheet: 13 7/16 × 9 3/4 in. (34.2 × 24.7 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789365 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(14) | false | false | false | 789,366 | null | Drawings and Prints | 1922 | Print | Tan-y-Bwlch, Merionethshire, North Wales | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 1662358316 | Artist|Publisher | | | John Sell Cotman|Henry George Bohn | British, Norwich 1782–1842 London|British, London 1796–1884 Twickenham | | | Cotman, John Sell|Bohn, Henry George | British|British | 1782 |1796 | 1842 |1884 | | | http://vocab.getty.edu/page/ulan/500014103|(not assigned) | https://www.wikidata.org/wiki/Q1288248|https://www.wikidata.org/wiki/Q5580808 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 4 15/16 × 6 7/8 in. (12.5 × 17.4 cm)
Sheet: 9 9/16 × 13 1/4 in. (24.3 × 33.6 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789366 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
22.100(15) | false | false | false | 789,367 | null | Drawings and Prints | 1922 | Print | Cader Iris [sic], North Wales | null | null | null | null | Liber Studiorum: A Series of Sketches and Studies | 8316216623 | Publisher|Artist | | | Henry George Bohn|John Sell Cotman | British, London 1796–1884 Twickenham|British, Norwich 1782–1842 London | | | Bohn, Henry George|Cotman, John Sell | British|British | 1796 |1782 | 1884 |1842 | | | (not assigned)|http://vocab.getty.edu/page/ulan/500014103 | https://www.wikidata.org/wiki/Q5580808|https://www.wikidata.org/wiki/Q1288248 | 1838 | 1,838 | 1,838 | Soft-ground etching | Plate: 4 15/16 × 6 13/16 in. (12.5 × 17.3 cm)
Sheet: 9 5/8 × 13 3/8 in. (24.5 × 34 cm) | Rogers Fund, 1922 | null | London | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789367 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.384 | false | false | false | 789,369 | null | The American Wing | 2018 | Watercolor | Henrietta Reubell | American | null | null | null | null | 16237 | Artist | John Singer Sargent | American, Florence 1856–1925 London | Sargent, John Singer | American | 1856 | 1925 | null | http://vocab.getty.edu/page/ulan/500023972 | https://www.wikidata.org/wiki/Q155626 | ca. 1884–85 | 1,884 | 1,885 | Watercolor and graphite on paper | 14 × 10 in. (35.6 × 25.4 cm) | Marguerite and Frank A. Cosgrove Jr. Fund, 2018 | null | null | null | null | null | null | null | null | null | null | null | null | null | http://www.metmuseum.org/art/collection/search/789369 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
2018.616 | false | false | false | 789,370 | null | Modern and Contemporary Art | 2018 | Drawing | The Gion Visitors | null | null | null | null | null | 16275 | Artist | Betty Woodman | American, Norwalk, Connecticut, 1930–2018 New York | Woodman, Betty | American | 1930 | 2018 | Female | http://vocab.getty.edu/page/ulan/500086968 | https://www.wikidata.org/wiki/Q4899015 | 2001 | 2,001 | 2,001 | Clay, ink, wax, watercolor, and dye on handmade Japanese paper | Framed: 58 3/4 × 32 in. (149.2 × 81.3 cm) | Gift of Cynthia Hazen Polsky, 2018 | null | null | null | null | null | null | null | null | null | null | null | Drawings | null | http://www.metmuseum.org/art/collection/search/789370 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
24.63.1982 | false | false | false | 789,371 | null | Drawings and Prints | 1924 | Print | La Mort d'Adonis | null | null | null | null | null | 8493919109 | Engraver|Artist | | | Jacques Jean Pasquier|Gabriel Briard | French, 1718–1785|French, Paris 1725–1777 Paris | | | Pasquier, Jacques Jean|Briard, Gabriel | French|French | 1718 |1725 | 1785 |1777 | | | (not assigned)|http://vocab.getty.edu/page/ulan/500009370 | https://www.wikidata.org/wiki/Q42898554|https://www.wikidata.org/wiki/Q966519 | 18th century | 1,700 | 1,799 | Engraving and etching | Sheet: 23 5/8 × 16 3/16 in. (60 × 41.1 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | null | Paris | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789371 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.888.1 | false | false | false | 789,376 | null | Drawings and Prints | 2018 | null | Bookplate for St. John Hutchinson | null | null | null | null | null | 20447620682 | Artist|Subject | |Relates to | Dora Carrington|St. John Hutchinson | British, Hereford 1893–1932 Newbury|British, 1884–1942 | | | Carrington, Dora|Hutchinson, St. John | British|British | 1893 |1884 | 1932 |1942 | Female| | http://vocab.getty.edu/page/ulan/500005242|(not assigned) | https://www.wikidata.org/wiki/Q242546|https://www.wikidata.org/wiki/Q16750979 | 1918 | 1,918 | 1,918 | Woodcut | 3 3/16 × 2 15/16 in. (8.1 × 7.5 cm) | Gift of Bannon and Barnabas McHenry, 2018 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789376 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.888.2 | false | false | false | 789,377 | null | Drawings and Prints | 2018 | null | Bookplate for John Fothergill | null | null | null | null | null | 20447620696 | Artist|Subject | | | Dora Carrington|John Fothergill | British, Hereford 1893–1932 Newbury|British, 1876–1957 | | | Carrington, Dora|Fothergill, John | British|British | 1893 |1876 | 1932 |1957 | Female| | http://vocab.getty.edu/page/ulan/500005242| | https://www.wikidata.org/wiki/Q242546| | 1917 | 1,917 | 1,917 | Woodcut | 3 7/8 × 3 1/8 in. (9.9 × 8 cm) | Gift of Bannon and Barnabas McHenry, 2018 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789377 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null |
2018.888.3 | false | false | false | 789,378 | null | Drawings and Prints | 2018 | null | Honey Label for David Garnett at Charleston | null | null | null | null | null | 20447620682 | Artist|Subject | | | Dora Carrington|David Garnett | British, Hereford 1893–1932 Newbury|British, 1892–1981 | | | Carrington, Dora|Garnett, David | British|British | 1893 |1892 | 1932 |1981 | Female| | http://vocab.getty.edu/page/ulan/500005242| | https://www.wikidata.org/wiki/Q242546| | 1917 | 1,917 | 1,917 | Colored woodcut | 2 × 2 7/8 in. (5.1 × 7.3 cm) | Gift of Bannon and Barnabas McHenry, 2018 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789378 | null | null | Metropolitan Museum of Art, New York, NY | Bees | http://vocab.getty.edu/page/aat/300310662 | https://www.wikidata.org/wiki/Q7391 |
2018.886.1 | false | false | false | 789,379 | null | Modern and Contemporary Art | 2018 | Drawing | Design for Chair Seat | null | null | null | null | null | 16628 | Artist | Vanessa Stephen Bell | British, London 1879–1961 Charleston, Firle, Sussex | Bell, Vanessa Stephen | British | 1879 | 1961 | Female | http://vocab.getty.edu/page/ulan/500008308 | https://www.wikidata.org/wiki/Q255294 | 1922 | 1,922 | 1,922 | Watercolor and charcoal on paper | 15 × 16 in. (38.1 × 40.6 cm) | Gift of Bannon and Barnabas McHenry, 2018 | null | null | null | null | null | null | null | null | null | null | null | Drawings | null | http://www.metmuseum.org/art/collection/search/789379 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
2018.886.2 | false | false | false | 789,381 | null | Modern and Contemporary Art | 2018 | Painting | Wildflowers with Photograph | null | null | null | null | null | 16628 | Artist | Vanessa Stephen Bell | British, London 1879–1961 Charleston, Firle, Sussex | Bell, Vanessa Stephen | British | 1879 | 1961 | Female | http://vocab.getty.edu/page/ulan/500008308 | https://www.wikidata.org/wiki/Q255294 | 1948–50 | 1,948 | 1,950 | Oil on canvas | 20 × 16 in. (50.8 × 40.6 cm) | Gift of Bannon and Barnabas McHenry, 2018 | null | null | null | null | null | null | null | null | null | null | null | Paintings | null | http://www.metmuseum.org/art/collection/search/789381 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
2018.886.3 | false | false | false | 789,383 | null | Modern and Contemporary Art | 2018 | Painting | Design for Lilypond Table | null | null | null | null | null | 16614 | Artist | Duncan Grant | British, Rothiemurchus, Inverness 1885–1978 Aldermaston, Berkshire | Grant, Duncan | British | 1885 | 1978 | null | http://vocab.getty.edu/page/ulan/500022746 | https://www.wikidata.org/wiki/Q766166 | 1913–14 | 1,913 | 1,914 | Oil and graphite on paper | 18 5/8 × 24 in. (47.3 × 61 cm) | Gift of Bannon and Barnabas McHenry, 2018 | null | null | null | null | null | null | null | null | null | null | null | Paintings | © 2023 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/789383 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
2018.886.4 | false | false | false | 789,384 | null | Modern and Contemporary Art | 2018 | Painting | The Mantelpiece | null | null | null | null | null | 16627 | Artist | Roger Eliot Fry | British, Highgate, Middlesex 1866–1934 London | Fry, Roger Eliot | British | 1866 | 1934 | null | http://vocab.getty.edu/page/ulan/500005106 | https://www.wikidata.org/wiki/Q547470 | 1919 | 1,919 | 1,919 | Oil on paperboard on wood | 16 × 20 in. (40.6 × 50.8 cm) | Gift of Bannon and Barnabas McHenry, 2018 | null | null | null | null | null | null | null | null | null | null | null | Paintings | null | http://www.metmuseum.org/art/collection/search/789384 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
59.533.1684 | false | false | true | 789,385 | null | Drawings and Prints | 1959 | Print | View of a Farm House at Hengar, Cornwall | null | null | null | null | Views in Cornwall | 16509 | Artist and publisher | Thomas Rowlandson | British, London 1757–1827 London | Rowlandson, Thomas | British | 1757 | 1827 | null | http://vocab.getty.edu/page/ulan/500006930 | https://www.wikidata.org/wiki/Q318584 | April 12, 1812 | 1,812 | 1,812 | Hand-colored etching | Plate: 6 5/8 × 9 5/8 in. (16.8 × 24.5 cm)
Sheet: 9 5/8 × 12 3/4 in. (24.4 × 32.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789385 | null | null | Metropolitan Museum of Art, New York, NY | Houses|Cows|Horses | http://vocab.getty.edu/page/aat/300005433|http://vocab.getty.edu/page/aat/300250120|http://vocab.getty.edu/page/aat/300250148 | https://www.wikidata.org/wiki/Q3947|https://www.wikidata.org/wiki/Q830|https://www.wikidata.org/wiki/Q726 | ||
59.533.1685 | false | false | true | 789,387 | null | Drawings and Prints | 1959 | Print | Hengar near Camelford, Cornwall | null | null | null | null | Views in Cornwall | 16509 | Artist | Thomas Rowlandson | British, London 1757–1827 London | Rowlandson, Thomas | British | 1757 | 1827 | null | http://vocab.getty.edu/page/ulan/500006930 | https://www.wikidata.org/wiki/Q318584 | ca. 1812 | 1,807 | 1,817 | Etching | Sheet: 6 13/16 × 9 5/8 in. (17.3 × 24.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789387 | null | null | Metropolitan Museum of Art, New York, NY | null | null | null | ||
22.63.165 | false | false | true | 789,388 | null | Drawings and Prints | 1922 | Print | Portrait of Gustave Courbet | null | null | null | null | null | 1617907110 | Sitter|Artist | | | Gustave Courbet|Marcellin Desboutin | French, Ornans 1819–1877 La Tour-de-Peilz|French, Cérilly 1823–1902 Nice | | | Courbet, Gustave|Desboutin, Marcellin | French|French | 1819 |1823 | 1877 |1902 | | | http://vocab.getty.edu/page/ulan/500010927|http://vocab.getty.edu/page/ulan/500032215 | https://www.wikidata.org/wiki/Q34618|https://www.wikidata.org/wiki/Q1596281 | 1878 | 1,878 | 1,878 | Drypoint | Sheet: 17 3/8 × 13 7/8 in. (44.2 × 35.2 cm)
Plate: 6 1/8 × 4 5/8 in. (15.6 × 11.7 cm) | Rogers Fund, 1922 | null | null | null | null | null | null | null | null | null | null | null | Prints | null | http://www.metmuseum.org/art/collection/search/789388 | null | null | Metropolitan Museum of Art, New York, NY | Men|Portraits|Artists | http://vocab.getty.edu/page/aat/300025928|http://vocab.getty.edu/page/aat/300015637|http://vocab.getty.edu/page/aat/300025103 | https://www.wikidata.org/wiki/Q8441|https://www.wikidata.org/wiki/Q134307|https://www.wikidata.org/wiki/Q483501 |
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