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Who is Richards tutor?	Mr. Allen	Mr Allen	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Who does Richard fight a duel with?	Lord Comyn	Lord Comyn	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Where are volumes five and six located?	London	london	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Who is Richard introduced to in volume five?	Dorthy	London Society	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Where does Richard visit in volume six?	The House of Commons	The House of Commons.	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Where is Richard tricked into a duel?	Vauxhall Gardens	Vauxhall Gardens.	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Where is Richard when he learns his grandfather is dead?	America	London	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
What does Richard do at the onset of the war?	Fights for his country	join the fight for his country	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Who nurses Richard back to health?	Dorthy	Dorothy	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
How is the memoirs' editor related to Richard Carvel?	The editor is Richard's grandson.	His Richard Carvel grandson.	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Why is Richard raised by his grandfather?	His parents died.	he was orphaned at a young age	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Where does Richard find out Dorothy is moving to?	England	He found out at his eighteenth birthday party.	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
What pirate ship does Richard board?	the Black Moll	The Black Moll.	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Who does Richard duel with in volume 3?	Lord Comyn	Lord Comyn.	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Who inherited Richard's grandfather's estate?	Richard's uncle Grafton	Uncle Grafton.	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Who rescues Richard from the pirate ship?	John Paul	John Paul	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Where does Richard hear Edmund Burke and Fox speak?	The House of Commons	the house of commons	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
What estate does Richard tend to after returning to America?	Swain's estate, Gordon's Pride	Carvel Hall	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
What branch of the military does Richard serve in?	the Navy	navy	Foreword The novel opens with a fictitious foreword, a brief note dated 1876, in which the purported editor of the memoirs, Daniel Clapsaddle Carvel, claims that they are just as his grandfather, Richard Carvel, wrote them, all the more realistic for their imperfections. Volume One The first volume concerns Richard Carvel's boyhood and schooldays. Orphaned at an early age, Richard is raised by his grandfather, Lionel Carvel of Carvel Hall, a wealthy loyalist respected by all sections of the community. Richard describes their way of life, his growing love for his neighbor, Dorothy Manners, and the hostility of his uncle, Grafton Carvel. Richard witnesses a demonstration against a tax collector in Annapolis as a result of the Stamp Act 1765 and grieves his grandfather by his adoption of revolutionary political views. Volume Two Mr Allen, Richard's new tutor, tricks him into deceiving his ailing grandfather. Richard is tormented by the coquettishness of Dorothy. At Richard's eighteenth birthday party, he learns that she is to go to England. Volume Three With the third volume, the main action of the novel begins. Through the scheming of Grafton Carvel and Mr Allen, Richard fights a duel with Lord Comyn. He is wounded, but becomes fast friends with the lord. His grandfather learns that his political opinions are unchanged but forgives him, partly through the intercession of Colonel Washington. After his recovery, Richard is attacked on the road and kidnapped. He is taken aboard a pirate ship, the Black Moll. There is a fight with a brigantine, in which the pirate ship sinks. Volume Four In the fourth volume, the protagonist continues to meet with sudden reversals of fortune. Richard is rescued and befriended by the captain of the brigantine, John Paul, who is sailing to Solway. In Scotland, John Paul is shunned, and vows to turn his back on his country. They take a post chaise to London, and in Windsor meet Horace Walpole. In London they are imprisoned in a sponging-house, from where they are rescued by Lord Comyn and Dorothy. Volume Five Volumes five and six are set in London, where the glamor and corruption of fashionable society forms a contrast with the plain and honest values of the emerging republic, embodied in the protagonist. Richard is introduced to London society, where Dorothy is an admired beauty. He makes friends with Charles James Fox and incurs the enmity of the Duke of Chartersea. Richard declares his love to Dorothy but is rejected. Volume Six Richard risks his life in a wager but survives against the odds. He visits the House of Commons, and hears Edmund Burke and Fox speak. At Vauxhall Gardens he is tricked into a duel with the Duke, while Lord Comyn is injured saving him from a second assailant. Later he hears that his grandfather has died, and that his uncle Grafton has inherited the estate, leaving him penniless. Volume Seven Richard returns to America, where he learns his grandfather had believed him dead. Rejecting Grafton's overtures, he accepts a place as Mr Swain's factor, and for the next few years faithfully tends the Swain estate, Gordon's Pride. In 1774, the discontent among the colonists begins to escalate. Volume Eight The final volume sees the dual, interlinked fruition of the two principal aspects of the novel: the political and the romantic. With the coming of war, Richard sets out to fight for his country. He meets John Paul, now calling himself John Paul Jones, and plans to join the nascent American navy. The early years of the war are represented by a summary by Daniel Clapsaddle Carvel, and Richard's narrative resumes at the start of the North Sea action between the Bonhomme Richard, captained by Jones, and the Serapis. Richard is severely wounded, and Jones arranges for him to be nursed by Dorothy. The end of the book sees Richard back in Maryland as master of Carvel Hall, married to his childhood sweetheart.
Why does Mussburger hire an incompetent president?	To be able to purchase the controlling interest in the company.	He wants to depress stock shares so he can buy the lion share.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What is Norville assigned to deliver?	A "Blue Letter."	A blue letter.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Who does Norville have to deliver the "Blue Letter" to?	To Mussburger.	Mussburger	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Why do the executives want to produce Norville's invention?	To depress the company stock.	They hope it will fail.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What did Mussburger convince a mob of?	That Norville stole the hula hoop idea.	That Norville stole the idea of the hula hoop	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What does Amy do regarding Norville's new attitude?	Breaks up with him.	She leaves him.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Where does Mussburger want Norville sent to?	The psychiatric hospital.	a psychiatric hospital	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
When does Buzz get fired?	After he shows Norville his invention of the flexi-straw.	After he pitches a flexi straw idea.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Who is sent to the asylum?	Mussburger.	Mussburger.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What job does Norville take on after arriving in New York?	Mailroom clerk.	mailroom clerk	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What year did Norville Barnes move to New York in search of a job?	1958	December 1958	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What was Norville's first job in New York?	A mailroom clerk	mailroom clerk	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What happened to the president of Hudsucker Industries?	He committed suicide	He committed suicide.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What is supposed to happen to Hudsucker's stock shares?	They will be sold to the public	Be sold to the public.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What is Norville asked to deliver to Mussburger?	A blue letter	"Blue Letter" top secret communication.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Who thinks Norville is an idiot?	Mussburger	Mussburger.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Who does Mussburger believe should be committed to a psychiatric hospital?	Norville	Norville.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Who was in control of the giant clock?	Moses	Moses	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Who locked Norville out of the building?	Aloysius	Aloysius	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Who was ultimately sent to an asylum?	Mussburger	Mussburger.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Where was Barnes basically from?	Barnes was from Muncie, Indiana.	Muncie, Indiana	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Why does Barnes struggle to get a job?	Lack of experience	Lack of experience.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
How does Waring Hudsucker commit suicide?	Hudsucker jumps from the top-floor window	jumps out of a window	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What does Barnes do instead of delivering the "Blue Letter" to Mussburger?	Barnes pitches his invention to Mussburger.	Pitches his invention to Mussburger.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Who does Mussburger select as Hudsucker's proxy?	Barnes	Norville Barnes	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What job does Amy Archer find for herself at Hudsucker Industries?	Barnes' personal secretary	Norville's personal secretary.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What does Moses do at Hudsucker Industries?	Moses operates the giant clock	He operates the tower's giant clock.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What happens when Amy Archer tells about Mussburger's plan to her Chief?	The Chief does not believe it.	He doesn't believe her.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What did Barnes do when Buzz pitched his new invention?	Barnes fired Buzz	Fired him.	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
Who reveals Archer's real identity to Barnes?	Mussburger	Mussburger	In December 1958, Norville Barnes (Tim Robbins), a business college graduate from Muncie, Indiana, arrives in New York City looking for a job. He struggles due to lack of experience and becomes a mailroom clerk at Hudsucker Industries. Meanwhile, the company's founder and president, Waring Hudsucker (Charles Durning), unexpectedly commits suicide during a business meeting by jumping out of a top-floor window. Afterwards, Sidney J. Mussburger (Paul Newman), a ruthless member of the board of directors, learns Hudsucker's stock shares will be soon sold to the public; he mounts a scheme to buy the controlling interest in the company by temporarily depressing the stock price by hiring an incompetent president to replace Hudsucker. In the mailroom, Norville is assigned to deliver a "Blue Letter", a top-secret communication from Hudsucker, sent shortly before his death, to Mussburger. However, Norville takes the opportunity to pitch an invention he's been working on which turns out to be a simple drawing of a circle and his cryptic explanation, "you know, for kids." Believing Norville to be an idiot, Mussburger selects him as a proxy for Hudsucker. Across town, Amy Archer (Jennifer Jason Leigh), a brassy Pulitzer Prize-winning reporter for the Manhattan Argus, is assigned to write a story about Norville and find out what kind of man he really is. She gets a job at Hudsucker Industries as his personal secretary, pretending to be yet another desperate graduate from Muncie. One night, Amy searches the building to find clues and meets Moses, a man who operates the tower's giant clock and knows "just about anything if it concerns Hudsucker". He tells her Mussburger's plot, and she takes the story back to her Chief (John Mahoney), but he does not believe a word of it. The other executives decide to produce Norville's invention in hopes that it will flop and depress the company's stock. The invention turns out to be the hula hoop, which initially fails but then turns into an enormous success. Norville allows success to go to his head and becomes yet another uncaring tycoon. Amy, who had fallen for his naive charm, is infuriated over Norville's new attitude and leaves him. Buzz, the eager elevator operator, pitches a new invention: the flexi-straw. Norville dismisses it and fires Buzz. Meanwhile, Aloysius (Harry Bugin), a Hudsucker janitor, discovers Amy's true identity and informs Mussburger. Mussburger reveals Amy's secret identity to Norville and tells him he will be dismissed as president after the new year. Mussburger also convinces the board that Norville is insane and must be sent to the local psychiatric hospital. On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the hula hoop idea. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight. All of a sudden, Moses stops the clock and time freezes. Waring Hudsucker appears to Norville as an angel and tells him the Blue Letter that was supposed to be delivered to Mussburger contains a legal document indicating that Hudsucker's shares would go to his immediate successor, who is now Norville. Moses fights and defeats Aloysius inside the tower, allowing Norville to fall safely to the ground. Norville and Amy reconcile. As 1959 progresses, it is Mussburger who is sent to the asylum while Norville develops a new invention "for kids", an enigmatic circle on a folded sheet of paper that will ultimately turn out to be a frisbee.
What is the title of the story?	Margot at the Wedding	Margot at the wedding	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who plays the character Margot?	Nicole Kidman	Nicole Kidman	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who is Claude in relation to Margot?	Her son	Her son	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Where is Pauline and Malcom's home located?	Long Island	Long Island	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Why did Margot's interview goes disastrously wrong?	Dicks questions became personal	Dick's questions became personal	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What state was Claude sent to by bus, to live with his father?	Vermont	Vermont	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who ends up going to Vermont with Claude?	Margot	Margot	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who is pregnant?	Pauline	Margot	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What does Dick do after finding out about the innapropriate behavior between Malcom and Maisie?	He beats Malcolm	He beats up Malcom	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Why does Margot visit Pauline?	Pauline is getting married.	Pauline is getting married	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Which sister is neurotic?	Margot.	Margot	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Which sister is free spirited?	Pauline.	Pauline	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What secret is Pauline hiding from Ingrid?	Pauline is pregnant.	She's pregnant	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What is the relationship between Margot and Dick?	Collaborators on a screenplay.	Dick is interviewing Margot for a screenplay.	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Why does Pauline resent Margot's writing?	Margot uses personal life situations for her writing.	Because Margot uses Pauline's life for her writing	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Why does Dick beat up Malcolm?	Malcolm kisses his daughter, Maisie.	He kissed his daughter	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Why doesn't Margot like Malcolm?	Margot feels that Pauline can do better.	She feels her sister could do better.	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
After Dick beats up Malcolm, where do Margot and Pauline go?	Margot and Pauline flee to a motel.	a motel	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What is Margot's change of heart?	Margot leaves with her son, Claude.	She went home with Claude	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who are Margot and Claude visiting?	Margot's sister, Pauline	Margot's sister	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Why do Margot and Claude visit Pauline?	To see Pauline get married to Malcolm	She is getting married	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What does Malcolm come off as to Margot?	A lazy uninspired person that is completely unattractive	A loser	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who gets the brunt of the tension between Margot and Pauline?	Claude and Malcolm	Claude	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What did Margot do to cause Pauline to resent her?	Margot used Pauline's secrets for her writing.	write about her life	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
How did Pauline find out Malcolm kissed Maisie?	By interrogating him after finding emails from Pauline's students	he admitted it	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who beats up Malcolm?	Dick	Dick	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Where do the sisters and their children flee to?	A motel.	Motel	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What does Margot plan to do at the end?	Stay with Pauline in Vermont	Leaves with Claude	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Why does Margot chase after the bus with Claude in it?	She changes her mind about staying with Pauline.	She decides she doesn't want to send Claude to live with his dad.	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What is Margot's profession?	writer	writer	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Where is the wedding taking place?	Long Island	Malcolm's home on Long Island.	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What will Margot be doing in addition to attending the wedding?	Being interviewed	She is collaborating on a screenplay.	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What does Margot disapprove of regarding Pauline?	She is pregnant	That she used her life in her writing.	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What angers Pauline?	Margot reveals her secrets	Margot using Pauline for her writing	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who does Margot target for criticism?	Her son	Claude	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Whom does Malcom admit to kissing?	Maisie	Maisie	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What does Dick do to Malcom?	Beats him	Beats him	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Where does Margot send Claude?	To Vermont	on a bus to Vermont.	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What does Margot do for a living?	She is a writer	Writer	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
How old is Margot's son?	He's eleven	11 years old	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Where does Pauline reside?	Long Island	Long Island	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who is Pauline marrying?	Malcolm	Malcolm	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who is set to interview Margot?	Dick Koosman	Dick	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What is Dick's daughter's name?	Maisie	Maisie	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who does Malcolm admit kissing?	Maisie	Maisie	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who beats Malcolm?	Dick	Dick	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
What state is Claude sent to?	Vermont	Vermont	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Who is Claude going to live with?	His father	His father.	Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fiancĂŠ, which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (CiarĂĄn Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house. Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fiancĂŠ's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation. Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude. Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him. Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
How do Bonnie and Clyde meet?	When Clyde attempts to steal Bonnie's mother's car.	They meet when Clyde tries to steal Bonnie's mother's car.	In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. They pull off some holdups, but their amateur efforts, while exciting, are not very lucrative. The duo's crime spree shifts into high gear once they hook up with a dim-witted gas station attendant, C.W. Moss (Michael J. Pollard), then with Clyde's older brother Buck (Gene Hackman) and his wife, Blanche (Estelle Parsons), a preacher's daughter. The women dislike each other on first sight, and their feud only escalates from there: shrill Blanche has nothing but disdain for Bonnie, Clyde and C.W., while gun-moll Bonnie sees Blanche's flighty presence as a constant danger to the gang's well-being. Bonnie and Clyde turn from pulling small-time heists to robbing banks. Their exploits also become more violent. When C.W. botches a bank robbery by parallel parking the getaway car, Clyde shoots the bank manager in the face after he jumps onto the slow-moving car's running board. The gang is pursued by law enforcement, including Texas Ranger Frank Hamer (Denver Pyle), who is captured and humiliated by the outlaws, then set free. A raid later catches the outlaws off guard, mortally wounding Buck with a gruesome shot to his head and injuring Blanche. Bonnie, Clyde and C.W. barely escape with their lives. With Blanche sightless and in police custody, Hamer tricks her into revealing C.W.'s name, who was up until now still only an "unidentified suspect." Hamer locates Bonnie, Clyde and C.W. hiding at the house of C.W.'s father Ivan Moss (Dub Taylor), who thinks the coupleâand an ornate tattooâhave corrupted his son. The elder Moss strikes a bargain with Hamer: In exchange for leniency for the boy, he helps set a trap for the outlaws. When Bonnie and Clyde stop on the side of the road to help Mr. Moss fix a flat tire, the police in the bushes open fire and riddle them with bullets. Hamer and his posse then come out of hiding, looking pensively at the couple's bodies.
What was Bonnie's job when she met Clyde?	She was a waitress.	she was a waitress	In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. They pull off some holdups, but their amateur efforts, while exciting, are not very lucrative. The duo's crime spree shifts into high gear once they hook up with a dim-witted gas station attendant, C.W. Moss (Michael J. Pollard), then with Clyde's older brother Buck (Gene Hackman) and his wife, Blanche (Estelle Parsons), a preacher's daughter. The women dislike each other on first sight, and their feud only escalates from there: shrill Blanche has nothing but disdain for Bonnie, Clyde and C.W., while gun-moll Bonnie sees Blanche's flighty presence as a constant danger to the gang's well-being. Bonnie and Clyde turn from pulling small-time heists to robbing banks. Their exploits also become more violent. When C.W. botches a bank robbery by parallel parking the getaway car, Clyde shoots the bank manager in the face after he jumps onto the slow-moving car's running board. The gang is pursued by law enforcement, including Texas Ranger Frank Hamer (Denver Pyle), who is captured and humiliated by the outlaws, then set free. A raid later catches the outlaws off guard, mortally wounding Buck with a gruesome shot to his head and injuring Blanche. Bonnie, Clyde and C.W. barely escape with their lives. With Blanche sightless and in police custody, Hamer tricks her into revealing C.W.'s name, who was up until now still only an "unidentified suspect." Hamer locates Bonnie, Clyde and C.W. hiding at the house of C.W.'s father Ivan Moss (Dub Taylor), who thinks the coupleâand an ornate tattooâhave corrupted his son. The elder Moss strikes a bargain with Hamer: In exchange for leniency for the boy, he helps set a trap for the outlaws. When Bonnie and Clyde stop on the side of the road to help Mr. Moss fix a flat tire, the police in the bushes open fire and riddle them with bullets. Hamer and his posse then come out of hiding, looking pensively at the couple's bodies.
Which gang-member was a gas-station attendant?	C.W. Moss	C.W. Moss	In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. They pull off some holdups, but their amateur efforts, while exciting, are not very lucrative. The duo's crime spree shifts into high gear once they hook up with a dim-witted gas station attendant, C.W. Moss (Michael J. Pollard), then with Clyde's older brother Buck (Gene Hackman) and his wife, Blanche (Estelle Parsons), a preacher's daughter. The women dislike each other on first sight, and their feud only escalates from there: shrill Blanche has nothing but disdain for Bonnie, Clyde and C.W., while gun-moll Bonnie sees Blanche's flighty presence as a constant danger to the gang's well-being. Bonnie and Clyde turn from pulling small-time heists to robbing banks. Their exploits also become more violent. When C.W. botches a bank robbery by parallel parking the getaway car, Clyde shoots the bank manager in the face after he jumps onto the slow-moving car's running board. The gang is pursued by law enforcement, including Texas Ranger Frank Hamer (Denver Pyle), who is captured and humiliated by the outlaws, then set free. A raid later catches the outlaws off guard, mortally wounding Buck with a gruesome shot to his head and injuring Blanche. Bonnie, Clyde and C.W. barely escape with their lives. With Blanche sightless and in police custody, Hamer tricks her into revealing C.W.'s name, who was up until now still only an "unidentified suspect." Hamer locates Bonnie, Clyde and C.W. hiding at the house of C.W.'s father Ivan Moss (Dub Taylor), who thinks the coupleâand an ornate tattooâhave corrupted his son. The elder Moss strikes a bargain with Hamer: In exchange for leniency for the boy, he helps set a trap for the outlaws. When Bonnie and Clyde stop on the side of the road to help Mr. Moss fix a flat tire, the police in the bushes open fire and riddle them with bullets. Hamer and his posse then come out of hiding, looking pensively at the couple's bodies.

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