question stringlengths 10 175 | answer1 stringlengths 1 171 | answer2 stringlengths 1 171 | document stringlengths 1.13k 6.04k |
|---|---|---|---|
What did Honore de Daumier do for art? | Political cartoons | Political Cartoons | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
How was the Essays illustrated? | The Essays were illustrated as a drawing of each other. | Drawings of each other by the artist subjects. | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
What is name of the group the essay was about? | Anglo-American Group. | Anglo-American | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
What is the relationship between the group? | They were all personal friends. | Personal friends | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
What was the name of the village where the group held thie gathering? | Village of Broadway. | Broadway | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
Where was village located? | Cotswolds. | Cotswolds | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
Who illustrated James fiction? | Charles Reinhart | Charles Reinhart | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
Who designed Jame's garden at Lamb House? | Alfred Person | Alfred Parsons | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
What did James said about John Singer Sergent ? | James said John Singer Sergent has knowlede and technic. | That he marvels at his knowledge and proficiency. | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
Who was artist consider to be political cartoonist? | Honore de Deumier | Honore de Daumier | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
Where did the illustrators meet every summer? | The Cotswolds | Broadway at Cotswolds | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
Who designed the wall paintings for the Boston Public Library? | Edwin Abbey and John Singer Sargent | Abbey and Sargent | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
What type of illustrations did the first edition have? | Black and white engravings | Monochromatic engravings. | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
What does James admire about Sargent? | His technical proficiency | his portraits of women | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
Who is one of Sargent's subjects? | Burckhardt | Madame x | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
What race are the artists? | Anglo American | Anglo Americans | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
How long has the edition been out of print? | Since its first edition | Since the first edition. | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
Which artist illustrated for James? | Charles Reindhart | Charles Reinhart | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
Who designed the sets on Guy Domville? | Alfred Parsons | Alfred Parsons | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
What is James's relationship with Daumier? | They are friends | Friend | Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations. |
What was Marjory's surname when she buried Don Bernardino? | Marjory Hunter | Drake | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What two wars play a role in this story? | Spanish American and England and Spain | Defeat of the Spanish Armada and the Spanish-American War. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
Who is Marjory's landlord? | Don Bernardino | Don Bernardino | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
Why is Marjory kidnapped? | Spanish plot. | There is a Spanish plot against her. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
Who first entered the cave? | Don Bernardino de Escoban to leave the treasure. | Don Bernandino de Escoban | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What was the full name of the person who assisted in Marjory's kidnapping? | Gormala MacNeil | Archibald Hunter | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
Where was Don Bernardino originally from? | Spain | Spain. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
Where are the Skares? | Cruden Bay | Lammas-tide | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What was the name of the cipher? | Bacon's Cipher | Bacon's cipher. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What does Gormala tell Archibald about himself? | That he is a Seer like her | He is a Seer. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
How does Marjory help Archibald? | She translates the letters he finds in the trunk | She helps decode the letters. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What is significant about the location of the house Archibald is building? | It is on top of the location of Don Bernandino's treasure | The cave is likely below it. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
Why did Marjory flee to Scotland? | Because there is a Spanish plot against her life, and she was tired of the United States government interfering in her life by trying to protect herf | To stop the US from interfering with her freedoms | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
How is the landlord of Castle Crom connected to Archibald? | He is the descendant of Don Bernandino, who hid the treasure Archibald is searching for | His descendant wrote the documents Archibald has. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
How does Archibald eventually find Marjory after she is kidnapped? | He has a vision of her location | He has a vision of the ship. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What happens to Don Bernandino on the ship of the kidnappers? | He is killled | He is killed after being thrown into the water. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
How is Castle Crom connected to the hidden treasure? | There are underground passageways | The treasure was in a cave under the house. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
Who leads the kidnappers to Marjory? | Gormala | Gormala MacNeil | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What do Marjory and Archibald do for Don Bernandino's body after his death? | They have a tomb created to guard over the treasure | Send it back to Spain to be buried with his ancestors | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What vision does Archibald have at the beginning of the story? | He sees a dead child being carried in a coffin. | Of a couple passing him transporting a small coffin | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What power does Archibald find out that he has? | He has premonitions that come true. | He has visions. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
Who has the same power as Archibald? | An old woman named Gormala. | Gormala MacNeil | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
How does Archibald meet Marjory? | He rescues her from the ocean. | She is stranded on a rock in the ocean | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What does Archibald purchase while working in his new house? | A trunk that contains several old letters. | A trunk. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
How does Marjory held Archibald with the letters that he discovered? | She creates a cipher that allows him to read the letters. | She helps decipher them. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What do the letters reveal? | That there is a hidden treasure somewhere in the town. | That the writer was entrusted with treasure that he lost in a sea cave. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
Where do Archibald and Marjory discover the treasure? | In a cave located underneath Archibald's house. | the cave under Archibald's house | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
Why does Don Bernardino agree to help Archibald find Marjory? | To restore his honor. | It is a chance to regain honor. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
How does Archibald learn where Marjory is being held by her kidnappers? | Gormala shares a vision with him right before she dies. | He uses Gormala's Second Sight power. | Archibald Hunter, a young Englishman, is passing his leisure time near Cruden Bay in the small Scottish village of Whinnyfold when he has a vision of a couple walking past him, carrying a tiny coffin. Archibald also notices a strange old woman watching him. Later, he finds out that his vision has come true, and a child in town has died. Archibald encounters the bizarre old woman again on the seashore; this woman, who introduces herself as Gormala MacNeil, knows that Archibald saw something out of the ordinary. She proceeds to explain that she has "Second Sight"—a sort of psychic ability for premonition that comes and goes at random—and that she can tell that Archibald, too, is a Seer. Fluctuating between skepticism and uneasiness over his newfound abilities, Archibald listens to Gormala's insights and sees one of his visions fulfilled at Lammas-tide, when he and Gormala witness Lauchlane Macleod, a local fisherman, wreck his boat on a chain of sharp rocks known as the Skares. Archibald sees a procession of dead spirits emerge from the water near the Skares and make its way up the cliffs.
About a year later, Archibald has returned to Cruden Bay and is preparing a permanent residence there. He buys a trunk from an auctioneer on the street (where he again encounters Gormala) and finds that the trunk contains letters from the late 16th and early 17th centuries. While near the seashore, Archibald notices two ladies stranded on a rock out in the ocean. He helps them get back to shore, and learns that one of the ladies is an elderly woman named Mrs. Jack, and the other a young, beautiful woman named Marjory, an American who has a strong aversion to Spaniards. Archibald feels himself falling in love with Marjory instantly. Later, Marjory helps Archibald decode the letters that he found in the trunk, which are written in a complicated cipher (Bacon's cipher). Archibald soon proposes marriage to Marjory, but she declines with the excuse that she does not know him well enough.
Eventually, Archibald deciphers all of the documents in the trunk and finds that it is a narrative written by a Spaniard named Don Bernardino de Escoban. Don Bernardino was given a trust by Pope Sixtus V in the late sixteenth century, which included the charge of a substantial treasure to use against England after the defeat of the Spanish Armada. The duty to protect this treasure was to be passed down through generations of Don Bernardino's family, but Don Bernardino lost the treasure after hiding it in a seaside cave. Conveniently, Archibald realizes that, based on the documents, the most likely location of this cave is directly under the house he is currently building.
Later, when he is in Aberdeen, Archibald encounters a pair of diplomats, and they inform him that the woman he has been spending time with is really Marjory Drake, an heiress from Chicago who used her fortune to buy a battleship for the U.S. Navy to use against the Spanish during the Spanish–American War. There is a Spanish plot against Marjory's life, and the United States government has been trying to protect her, but she fled to Scotland to keep them from interfering with her liberty. Archibald also finds out from Marjory that she is a descendant of Sir Francis Drake, the pirate behind many Elizabethan schemes against the Spanish.
Archibald wants to help Marjory escape the threat of kidnapping, and the two eventually get married so as to avoid any legal trouble or scandal since Archibald has been coming and going from Castle Crom, Marjory's residence. Archibald soon succeeds in finding the entrance of the treasure cave, and suspects the presence of secret passages on the grounds of Castle Crom.
One afternoon, while Marjory and Archibald are at Castle Crom looking at the Spanish documents, the landlord of the castle arrives and interrupts them. This landlord is a Spaniard named Don Bernardino—the descendant of the man who wrote the documents. He is astounded that Archibald has possession of the documents and asks that Archibald return the documents to their proper place and not disturb them again. Archibald and Marjory nonetheless decide to continue looking for the treasure, which they find (with some danger) in the cave under Archibald's house. Don Bernardino and Archibald almost have a duel over this newfound treasure, but decide against it. Meanwhile, Marjory goes missing.
Archibald decides to ask Don Bernardino for help finding Marjory, and Don Bernardino sees the opportunity of helping to rescue the young woman as a chance to regain the honor he lost in failing to find the treasure. He reveals a secret passage in the castle, and the police determine that Marjory has been kidnapped. Fortunately, Marjory has left a cipher for Archibald, giving him instructions for how to find her. Archibald encounters Gormala during the search and enlists her help, despite the fact that she had previously led the band of kidnappers to Archibald's house, where they stole the treasure. Gormala falls on the cliff, and takes Archibald's hands as she is dying. Through Gormala's power of Second Sight, Archibald sees a vision of the ship and learns of Marjory's location.
While on the ship, Archibald murders two of the kidnappers and releases Marjory. A fight ensues, and Archibald, Marjory, and Don Bernardino are thrown into the water around the Skares. Archibald forces his way to shore, dragging Marjory along with him. Many of the bodies of the other men involved in the struggle are washed up on the shore. Don Bernardino is one of the dead. Marjory and Archibald ensure that his body is taken back to Spain and buried with his ancestors, and they install above his tomb the statue of San Cristobal that guarded over the treasure in the cave. |
What event plunged the world into Ragnarok? | Fenrir the wolf swallowed the sun. | the wolf swallowed the sun | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Where does Erik travel to in order to petition the gods to end Ragnarok? | Asgard | Erik travels to Asgard. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Why do Keitel and Loki oppose Erik's plan to petition the gods for the end of Ragnarok? | Peace would mean the end of demand for Keitel's swords. | Peace would mean that Keitel's swords wouldn't be needed. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
What does Erik use to hide from King Arnulf during one of his romantic encounters with the king's daughter? | a magic cloak of invisibility | cloak of invisitbility | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Who attacks the island of Hy-Brasil? | Halfdan | Hafdan | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
How does Loki plan to keep Erik from being able to use the Horn Resounding? | He steals its mouthpiece. | She steals the horn's mouthpiece. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Who sounds the first note on the Horn Resounding? | Aud | Aud. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Where do Erik and his crew end up after the third note is sounded on the Horn? | their home village | back in their home village | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Why did Halfdan want Erik to fail? | He was afraid that peace would mean the end of his reign. | He is afraid that peace will mean the end of his reign. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
What will the first note blown on the Horn Resounding do? | It will take Erik and his crew to Asgard. | Take Erik and his crew to Asgard. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
What will the second note blown on the Horn Resounding do? | It will awaken the gods. | Awaken the gods | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
What will the third note blown on the Horn Resounding do? | It will bring Erik and his crew home. | Bring the crew home. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Who is Freya? | A wise woman. | wise woman | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
What is the name of the wolf who swallows the sun? | Fenrir. | Fenrir | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Where does Freya tell Erik he must go to seek the Horn Resounding? | The land of Hy-Brasil. | In the land of Hy-Brasil. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
What does King Arnulf refuse to believe? | That the land, the island, is sinking. | He refuses to believe that the island is even sinking. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Who does Erik fall in love with immediately after arriving at the land of Hy-Brasil? | Princess Aud. | Princess Aud | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Who is Princess Aud's father? | King Arnulf. | daughter of king arnault | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Over whose death does Eric suffer? | Helga | Helga | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Who swallowed the sun? | Fenrir the wolf | Fenrir. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Where does Erik travel to petition the gods to stop the Ragnarok? | Asgard | Asguad | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Erik must seek the Horn Resounding in what land? | Hy-Brasil | Hy-Brasil | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
What will the second blow upon the Horn do? | Waken the gods. | It will awaken the gods. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Why does Keitel join Eriks crew? | To ruin Eriks plans. | To sabotage Erik's plan. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Who is the princess Erik falls in love with? | Princess Aud | Aud. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
What does Aud warn the Vikings will happen if blood if shed in Hy-Brasil? | The island would sink. | The entire island would sink beneath the waves. | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Who persuades Fenrir to spit out the sun? | Odin | Odin | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
How are Halfdan and his men killed? | By Erik's ship falling on them. | island sinks | The film is based largely upon Norse mythology. In the film's opening scene Erik (Tim Robbins), a young Viking, discovers that he has no taste for rape and pillage, and suffers guilt over the death of Helga (Samantha Bond), an innocent woman.
Erik learns from the wise woman Freya (Eartha Kitt) that Fenrir the wolf has swallowed the sun, plunging the world into the age of Ragnarรถk. Erik resolves to travel to Asgard to petition the gods to end Ragnarรถk. Freya informs him that to do so he must seek the Horn Resounding in the land of Hy-Brasil. The first note blown upon the Horn will take Erik and his crew to Asgard, the second will awaken the gods, and the third will bring the crew home.
Keitel Blacksmith (Gary Cady) and his underling Loki (Antony Sher) are opposed to Erik's plan, because peace would end the demand for Keitel's swords. Keitel joins Erik's crew to sabotage Erik's plans. Halfdan the Black (John Cleese), afraid that peace will mean the end of his reign, sets sail in pursuit.
Arriving at Hy-Brasil, Erik and crew are astonished to find it a sunlit land whose people are friendly (if musically untalented). Erik promptly falls in love with Princess Aud (Imogen Stubbs), daughter of King Arnulf (Terry Jones). During one of their romantic encounters, Erik hides from Arnulf using Aud's magic cloak of invisibility.
Aud has warned the Vikings that should blood ever be shed upon Hy-Brasil, the entire island would sink beneath the waves. Erik and his crew defend Hy-Brasil against Halfdan's ship. In gratitude for Erik's having saved Hy-Brasil, King Arnulf presents him with the Horn Resounding, which is much larger than Erik had imagined. Loki steals the Horn's mouthpiece, without which it cannot be sounded, and persuades Keitel to throw it in the sea. Snorri, one of Erik's men, catches them in the act, and Loki kills him. A single drop of the man's blood falls from Loki's dagger, triggering an earthquake that causes the island to begin sinking.
Erik's crew, joined by Aud, prepare to escape in their ship with the Horn safely aboard, but Arnulf refuses to join them, denying that the island is sinking up to the very moment he and the other islanders are swallowed by the waves. Aud, who was able to recover the mouthpiece by chance, sounds the first note on the Horn. The ship is propelled over the edge of the flat Earth and into space, coming to rest upon the plain of Asgard. Erik sounds the second note to awaken the gods, and he and his crew approach the great Hall of Valhalla.
Erik and the crew encounter old friends and enemies slain in battle. The gods are revealed to be petulant children who have no interest in answering mortal prayers. Odin persuades Fenrir to spit out the sun, but tells Erik that the end of Ragnarรถk will not bring peace to the world. Odin then informs Erik that he and his crew cannot return home. Nor may they remain in Valhalla, since they were not slain in battle; instead they are to be cast into the fiery Pit of Hel. Some of the Vikings who were killed in the sea-battle with Halfdan attempt to save them, but even as they are drawn into the Pit, they hear the Horn Resounding's third note, which flings them clear.
Erik's crew, including the formerly dead men, immediately find themselves back in their home village. They are dismayed to find that Halfdan and his soldiers have arrived before them and are holding the villagers captive. Halfdan and his men are crushed to death by Erik's ship as it falls out of the sky with Harald the Missionary (Freddie Jones) aboard. As the villagers celebrate Erik's return and Halfdan's defeat, the sun rises, ending the age of Ragnarรถk. |
Who does Deidre meet with at the bistro? | Sam and Larry and Vincent | Sam, Larry and Vincent. | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
What does Deidre tell the men they are to steal? | A large metallic breifcase | metallic briefcase | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
What does Seamus tell Deidre? | The Russian mob is bidding on the case. | That the Russian mob are bidding for the briefcase. | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Who is Gregor? | A fellow mercaniere | German Mercenary | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Who does Gregor try to sell the case to? | The Russians | Russians | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Where is Gregor captured? | Ariles Ampitheater | at the ice arena | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Where does Gregor lead Seamus and Deidre to? | Post Office | A post office | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Who is Natasha's boyfriend? | Mikhi | Mikhi | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
What does Mikhi tell Gregor? | There is a sniper wiating to kill Natasha | There is a sniper in the arena. | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Who shoots Natacha? | Seamus | Sniper. | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
What country do Sam and Larry come from? | America or USA | America | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
What country does Vincent come from? | France | France | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Where is Sam taken after he is shot? | Les Baux-de-Provence | A villa in Les-Baux-de-Provence. | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Who is Sam in attracted to? | Deirde | Deirdre. | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
What is the purpose of the mission? | attack a convoy and retrieve a metal briefcase | Attack a convoy and steal a briefcase. | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Who shoots out Dierde's tires? | Vincent | Vincent | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
What person is Sam pursuing for the CIA? | Sam | Seamus | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Who saved Diedre and Seamus from the vehicle? | roadworkers | roadworkers | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Who tried to sell the case to the Russians? | Gregor | Gregor | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Who kills Seamus? | Vincent | Vincent | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Where does Deirdre and the team of mercenaries initially meet? | A bistro in Paris' Monmatre district. | at a bistro in the Montmarte district of Paris | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
What does Seamus and Deirdre pick up at the post office? | The steel case. | A large metallic briefcase. | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
What does Gregor do after stealing the case? | He tries to sell it to the Russians. | Kills his contact | At a bistro in the Montmartre district of Paris, IRA operative Deirdre (Natascha McElhone) meets with ex-special operatives-turned mercenaries Sam (Robert De Niro) and Larry (Skipp Sudduth), both Americans, and Vincent (Jean Reno), a Frenchman. She takes them to a warehouse where fellow mercenaries, German Gregor (Stellan Skarsgård) and English Spence (Sean Bean), are waiting. There, Deirdre briefs the men on their mission: they have been hired to attack a heavily armed convoy and steal a large metallic briefcase, the contents of which are never revealed. As the team prepares, Deirdre meets with her ex-IRA handler, Seamus O'Rourke (Jonathan Pryce), who reveals that the Russian mob is bidding for the case and the team must intervene. After Spence is exposed as a fraud by Sam and summarily dismissed, the others depart for Nice. Sam and Deirdre develop an attraction to each other during a stakeout. On the day of the sale, Deirdre's team ambush the convoy at La Turbie and pursue the survivors back to Nice. After a gun battle at the port, Gregor steals the case and disappears.
Gregor tries to sell the case to the Russians, but he is forced to kill his contact when he betrays him. He then contacts Mikhi (Féodor Atkine), the Russian mobster in charge of the deal, and makes him agree to another meeting. The rest of the team later track Gregor through one of Sam's old CIA contacts and corner him in the Arles Amphitheatre, where he is meeting two of Mikhi's men. Gregor flees but is captured by Seamus, who kills Larry and escapes with Deirdre. Sam gets shot saving Vincent's life and is taken to a villa in Les Baux-de-Provence owned by Vincent's friend Jean-Pierre (Michael Lonsdale). After removing the bullet and letting Sam recuperate, Vincent asks Jean-Pierre to help them locate Gregor and the Irish.
Back in Paris, Gregor is brutally interrogated into leading Seamus and Deirdre to a post office, where they retrieve the case. Sam and Vincent pursue them in a high-speed chase, which ends when Vincent shoots out Deirdre's tires and sends her car over a highway overpass. Gregor flees with the case while roadworkers save Deirdre and Seamus from the burning vehicle. Sam and Vincent then decide to track down the Russians and learn from one of Jean-Pierre's contacts that they are involved with figure skater Natacha Kirilova (Katarina Witt), who is appearing at Le Zénith arena.
That night during her performance, Natacha's boyfriend Mikhi meets with Gregor, who reveals there is a sniper in the arena who will shoot Natacha if Mikhi betrays him again. Mikhi kills Gregor anyway and leaves with the case, letting the sniper kill Natacha. Sam and Vincent follow the panicked mob out of the arena in time to see Seamus shoot Mikhi and steal back the case. Sam runs ahead and finds Deirdre waiting in the getaway car; he urges her to leave, revealing himself to be an active CIA agent pursuing Seamus, not the case. Deirdre drives away, forcing Seamus to run back to the arena with Sam in pursuit. In the final showdown, Seamus is about to kill Sam when he is fatally shot by Vincent.
Sometime later, in the bistro where they first met, Sam and Vincent talk while a radio broadcast announces that a peace agreement was reached between Sinn Féin and the British government, partly as a result of Seamus' death. Sam looks toward the door expectantly, but Vincent reminds him that Deirdre will not be coming back. After parting, Sam drives off with his CIA contact. Vincent pays the bill and leaves. |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.