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Who leaves the nest to fish? | Norma Jean. | Norma Jean | Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate. |
What can't Mumble do? | Sing. | He can't sing. | Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate. |
What is the group of Adelie penguins known as? | The Amigos. | The Amigos. | Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate. |
What does Lovelace have around his neck? | The plastic ring from a six pack. | a six pack ring, which he called a talisman | Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate. |
Why is Mumbles exiled? | He refuses to stop dancing. | He will not stop dancing | Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate. |
What kind of boat does Mumbles find at the Forbidden shore? | A fishing boat. | A fishing boat. | Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate. |
Where is Mumbles kept in Australia? | Marine World. | Marine World. | Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate. |
What does the research teams footage lead to? | A ban on Antarctic fishing. | People realize they are overfishing | Every emperor penguin sings a unique song called a "heartsong" to attract a mate. If the male penguin's heartsong matches the female's song, the two penguins mate. Norma Jean, a female penguin, falls for Memphis, a male penguin and they become mates. They lay an egg, which is left in Memphis' care, while Norma Jean leaves with the other females to fish. While the males struggle through the harsh winter, Memphis briefly drops the egg. The resulting chick, Mumble, is unable to sing but can tap dance. Nevertheless, he is enamored with Gloria, a female penguin who is regarded as the most talented of her age. One day, Mumble encounters a group of hostile skua, with a leader who is tagged with a yellow band, which he says is from an alien abduction. Mumble narrowly escapes the hungry birds by falling into a crevice.
Years later, a young adult Mumble is ridiculed by the elders. After being isolated during the graduates' song, he is attacked by a leopard seal. After escaping, he befriends a group of Adelie penguins called "the Amigos", who embrace Mumble's dance moves and assimilate him into their group. After seeing a hidden human excavator in an avalanche, they opt to ask Lovelace, a rockhopper penguin, about its origin. Lovelace has the plastic rings of a six pack entangled around his neck, which he claims to have been bestowed upon him by mystic beings.
For the emperor penguins, it is mating season and Gloria is the center of attention. Ram贸n, one of the Amigos, attempts to help Mumble win her affection by singing a Spanish version of "My Way", with Mumble lip syncing, but the plan fails. In desperation, Mumble begins tap dancing in synch with her song. She falls for him and the youthful penguins join in for singing and dancing to "Boogie Wonderland". The elders are appalled by Mumble's conduct, which they see as the reason for their lean fishing season. Memphis begs Mumble to stop dancing, for his own sake, but when Mumble refuses, he is exiled.
Mumble and the Amigos return to Lovelace, only to find him being choked by the plastic rings. Lovelace confesses they were snagged on him while swimming off the forbidden shores, beyond the land of the elephant seals. Not long into their journey, they are met by Gloria, who wishes to join with Mumble as his mate. Fearing for her safety, he ridicules Gloria, driving her away.
At the forbidden shore, the group finds a fishing boat. Mumble pursues it solo to the brink of exhaustion. He is eventually washed up on the shore of Australia, where he is rescued and kept at Marine World with Magellanic penguins. After a long and secluded confinement in addition to fruitlessly trying to communicate with the humans, he nearly succumbs to madness. When a girl attempts to interact with Mumble by tapping the glass, he starts dancing, which attracts a large crowd. He is released back into the wild, with a tracking device attached to his back. He returns to his colony and challenges the will of the elders. Memphis reconciles with him, just as a research team arrives, proving the claims of the existence of "aliens" to be true. The whole of the colony, even Noah the leader of the elders, engages in dance.
The research team returns their expedition footage, prompting a worldwide debate. The governments realize they are overfishing, leading to the banning of all Antarctic fishing. At this, the emperor penguins and the Amigos celebrate. |
How can A Shropshire Lad be read? | A Shropshire Lad can be read as an allegory of the hero's emotional journey through life. | An account of the hearts journey through life | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
What is the name of the authorial voice in some of the poems? | Terence. | Terence | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
To whom does the first poem in the collection pay tribute? | The first poem pays tribute to the Shropshire soldiers who died in the service of Queen Victoria. | Shropshire lads | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
When did Queen Victoria's golden jubilee take place? | In 1887. | 1887 | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Which are some of the recurring themes in A Shropshire Lad? | Some of the themes in A Shropshire Lad are death, sacrifice, and unrequited love. | unrequited love, a broken heart | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
What sports does one of the poems suggest as helping to console a broken heart? | Cricket or football. | Football | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
In poem XXVIII, which groups of ancestors are evoked? | The Britons and the Saxons. | Ancient Saxon and Briton | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
What city is described as being full of fear and hatred? | London. | London | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
How is death portrayed in one of the final poems? | Death is described as a journey towards the light. | as a journey | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
How did Terence VIII, a Shropshire lad, die? | he was hanged | old | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
What two people's blood did hostility come through? | Saxon and Briton | Saxon and Britian | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
What is one main theme in these poems? | death or love | dying young | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Where is the golden jubilee celebrated? | Clee | Clee | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
What color does the broom flower? | gold | Gold | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
What is the cure for all Shropshire lads? | the grave | Death | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
How does Terence LXII, a Shropshire lad, die? | from old age | suicide | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Who are these poems giving tribute to? | the Shropshire lads who died as soldiers in service to Queen Victoria | Shropshire lads | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
What country do these poems originate? | England | England | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Where is the storm? | Wenlock Edge. | Wenlock edge | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Where does his spirit wander? | His home fields. | Home fields | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Where is Ned? | Jail. | Jail | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Who sampled the poisons? | Mithridates | Mithridates | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Where was the beacon bonfire? | Clee. | Clee | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
What awaits the soldier? | Death. | Death | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Where are the cold-hearted men? | London. | London | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Where were the lads from? | Shropshire. | Shropshire | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Who died on the gallows? | The carpenter's son. | The soldiers | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Who were the Shropshire lads serving? | Queen Victoria. | Queen Victoria | A Shropshire Lad contains several repeated themes. It is not a connected narrative, though it can be read as an allegory of a heart's journey through life. The "I" of the poems, the authorial person, is in two cases named as Terence (VIII, LXII), the "Shropshire Lad" of the title. However, the poems are not all in the same voice and the stories they tell are not intended as a single coherent narrative.
The collection begins by paying tribute to the Shropshire lads who have died as soldiers in the service of Queen Victoria, as her golden jubilee (1887) is celebrated with a beacon bonfire at Clee (I). There is little time for a lad to live and enjoy the spring (II). Death awaits the soldier (III-IV). Maids are not always kind (V-VI) and the farmer also comes to the grave (VII). Some lads murder their brothers and are hanged (VIII-IX). Love may be unrequited (X). A dead lad's ghost begs the consolation of a last embrace (XI). Unattainable love leaves the lad helpless and lost (XIII-XVI). The playing of a game of cricket or football consoles a broken heart (XVII).
The athlete who died young was lucky, for he did not outlive his renown (XIX). The poet exchanges a glance with a marching soldier and wishes him well, though thinking they will never cross paths again (XXII). He envies the country lads who die young and do not grow old (XXIII). Quick, while he is alive and young, allow him to work beside you! (XXIV). A lover may die, and his girl will walk out with another (XXV-XXVII). The hostility of the ancient Saxon and Briton are in his blood, and he owes his life to violence and rape (XXVIII). The storm on Wenlock Edge symbolizes the same turmoil in his soul as the Romans knew at Wroxeter (XXXI). He is here but for a moment â take this hand! (XXXII) But if he is of no use to them that he loves, he will go away, perhaps to be a soldier (XXXIV, XXXV). Or one may live an exile from home in London, but without forgetting home and friends (XXXVII, XXXVIII).
The wind sighs across England to him from Shropshire, but he will not see the broom flowering gold on Wenlock Edge (XXXVIII-XL). London is full of cold-hearted men who fear and hate one other, but he will make the best of life while he has a living will (XLIII). The suicide is wise, for he prefers to die cleanly than live in shame (XLIV). Bring him no flowers, but only what will never flower again (XLVI). A carpenter's son once died on the gallows, so that other lads might live (XLVII). He was happy before he was born, but he will endure life for a while: the cure for all sorrows will come in time (XLVIII). If crowded and noisy London has its troubles, so do quiet Clun and Knighton, and the only cure for any of them is the grave (L).
Though he is in London, his spirit wanders about his home fields (LII). From the unquiet grave the suicide's ghost visits the beloved (LIII). Those he loved are dead, and other youths eternally re-live his own experiences (LV). Like the lad that becomes a soldier, one can choose death and face it (LVI). Dick is in the graveyard, and Ned is long in jail, as he comes home to Ludlow (LVIII). Take your pack and go: death will be a journey into eternal night (LX). It matters not if he sleeps among the suicides, or among those who died well â they were all his friends(LXI). Do you mock his melancholy thoughts? He has used them like the poisons sampled by Mithridates, and shall die old (LXII). Perhaps these poems are not fashionable, but they will always please other lads like him (LXIII). |
Who occupied Cloomber Hall? | John Berthier Heatherstone | John Heatherstone | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What do people hear when they are around Heatherstone? | The tolling of a bell. | A bell | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
On what date does Heatherstone become the most paranoid? | October 5th | October 5 | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Who were the three shipwreck survivors? | Three Buddhist Monks | Buddhist priests | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What did the priest do to Heatherstone and Smith? | Order them to jump into a bottomless pit. | He took them to the Hole of Cree and either threw them in or ordered them to jump in | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Why did the general tell his son to do if her went missing? | Deliver a parcel to West | give the parcel to John Fothergill West | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What is in the parcel? | Pages from Heatherstone's diary. | A letter and some old papers | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What war did Heatherstone participate in? | The First Afghan War | The First Afghan War | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Who was the old man that Heatherstone and Smith killed? | A Buddhist Priest | He was the arch-adept. | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
How did the three monks know the old man? | The old man was their teacher. | they were his students | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What was Heatherstone's former job? | A general in the Indian Army. | He was a general in the Indian Army. | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What are Heatherstone's fears connected to? | Some people in India whom he has offended. | The fears are connected to some people in India that Heatherstone offended | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What happens on the fifth of October every year? | Heatherstone's paranoia peaks | he became very fearful | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Who are the survivors of the shipwreck at the bay? | Three Buddhist priests. | three Buddhist priests | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Which two people do the Buddhist priests summon out of Cloomber Hall? | General Heatherstone and Colonel Rufus Smith | General Heatherstone and Coolnel Rufus Smith | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Where do the priests take the two men? | Hole of Cree | Hole of Cree | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What do the priests order the men to do when they reach their destination? | They order them to jump in or else be thrown in. | jump in | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Who does the General leave a parcel for? | West. | his son | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What is in the parcel left for West? | A letter and some old papers. | a letter and some old papers | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Why did the chelas allow the General to live for 40 years? | To prolong his misery. | to extend his misery | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Why was General Heatherstone allowed to live by the old man's students? | The chelas want the General to suffer in misery for forty years to avenge the death of the old man. | To prolong his misery | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What is Cloomber Hall? | The residence settled into by General Heatherstone. | A home that was empty for years | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Who is John Fothergill West? | The fiance of General Heatherstone's daughter Gabriel. | the general's daughter's finace | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What controls General Heatherstone and Colonel Smith when they are summoned from Cloomer Hall? | The psychic powers of Buddhist priests. | Pyschic powers from the Buddist monks. | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What is the source of General Heatherstone's dismay? | He fears retribution from his past actions while in the army during the First Afghan War. | His guilt for killing. | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What was to be given to West in the event of the General's death? | Journal pages that detail the atrocities committed against the Afridis by the General and Colonel Smith. | General Heatherstone's diary. | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
What was the purpose of the bells sounding above the General's head? | To keep the general in a constant state of fear about the chelas' intention to always avenge the old man's death. | To remind the General that he can never escape the chelas' wrath | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Why did General Heatherstone kill the old man during the war? | The old man tried to thwart the General's attempt to kill the fleeing Afridis. | He want to kill what remaing of his enemies. | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Why was the old man revered? | He had reached the highest level of the Buddhist priesthood. | said to have Psychic powers | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
How did the Buddhist priests travel to Branksome? | They were passengers on a ship that wrecked in the bay. | by boat | Near their residence, Branksome, is Cloomber Hall, for many years untenanted. After a little while it is settled in by John Berthier Heatherstone, late of the Indian Army. General Heatherstone is nervous to the point of being paranoid. As the story unfolds, it becomes evident that his fears are connected with some people in India whom he has offended somehow. People hear a strange sound, like the tolling of a bell, in his presence, which seems to cause the general great discomfort. Every year his paranoia reaches its climax around the fifth of October, after which date his fears subside for a while. After some time there is a shipwreck in the bay and among the survivors are three Buddhist priests who had boarded the ship from Kurrachee.
When John Fothergill West tells the general (to whose daughter Gabriel he is engaged) about the priests, he resigns himself to his fate and refuses any help from West. One night the three Buddhist priests summon General Heatherstone and Colonel Rufus Smith (who had been together with the general in India and apparently was under the same threat that was faced by the general) out of Cloomber Hall. With their psychic powers, they have a complete hold over the two erstwhile soldiers. The priests take them through the marshes to the Hole of Cree, a bottomless pit in the centre of the marsh and either throw the soldiers in or order them to jump in. The General had given his son a parcel and instructed him to hand it over to West in case of his death or disappearance. When West opens the parcel he finds a letter and some old papers. In the letter the general tells West to read the papers, which are pages from a diary that the general had kept in his days in the army of the English East India Company. As West reads the papers he understands the mystery of Cloomber. When he was in the army forty years ago, during the First Afghan War, the general was fighting against the Afridis in the passes of the Hindu-Kush.
After defeating the Afridis in a battle, he chases them to a cul de sac to slaughter them. As the general was closing in on the remnants of the enemy forces, an old man emerges from a cave and stops him from killing them. The general, together with Rufus Smith, kills the old man and proceeds with the massacre. As it turns out, the old man was an arch-adept, who had reached the zenith of Buddhist priesthood. His chelas (students) vow to avenge his death. The three chelas let the general live on for forty years to prolong his misery. The sound that appeared to emanate from above the general's head was the tolling of the astral bell by the chelas to remind him that wherever he goes, he will never escape their wrath. |
Why does Deirdre want to stay in the countryside? | She does not want to be married to the old king, Conchubor. | She doesn't want to marry an old man. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Who does Deirdre marry? | She marrys Naoise, son of Usna. | Naoise | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
How many years are Deirdre and Naoise married before Conchubor sends for them? | Seven years. | 7 years | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Why does Deirdre fear for Naoise's life if they return to Ulster? | The spy Owen tells her that death awaits him there. | There's a prophecy that she will his doom. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What does the prophesy fortell for the sons of Usna? | It fortells that Deirdre is their doom. | Doom. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
How does Naoise respond to Fergus when he arrives with the peace offering? | He wants to stay on the island with Deirdre. | He will live the rest of his life with Deidre | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
How does Lavarcham try to decieve the old king Conchubor? | He says that Deirdre has grown old and ugly. | He tells him Deirdre looks old and is not beautiful. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Who tells Conchubor that Deirdre is still beautiful? | The soldiers. | Soldiers of Conchubor's | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
How does the prophesy come true? | Naoise and his brothers are killed by Conchubor's soldiers. | conchubor and his soldiers arrive to try to steal Deirdre | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
How does Deirdre react to her husbands death? | She stabs herself. | She stabs herself | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What prophecy is maid about Deirdre? | She will be the doom of the sons of Usna. | she will doom the sons of Usna | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
How does Deirdre convince Naoise that they should accept Conchubor's offering of peace? | She says it is better to die while they are young and at the peak of their love. | By telling him its better to die young | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What does Lavarcham tell Conchubor to try and convince him to give up on Deirdre? | Lavarcham says that Deirdre is now old and no longer beautiful. | Deidre is an old hag. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What does Deirdre do at the end of the story? | She kills herself with Naoise's dagger. | Deidre kills herself. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
How is the High King of Ulster? | Conchubor is the High King of Ulster. | Old. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Where do Deirdre and Naoise live after marrying? | The live in Alban. | on a remote island | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Who is Owen? | Owen is a spy working for Conchubor. | A spy. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What do Fergus and his men do when they find out what the kind has done? | The set the king's palace on fire. | Set fire to Emain Macha. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What does Conchubor want Lavarcham to do at the beginning of the story? | Conchubor wants Lavarcham to raise Deirdre to be his queen when she is grown. | To raise Deirdre to be his queen. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What does Lavarcham try to convince Deirdre to do at the end of the story? | Lavarcham tries to convince Deirdre to run away from Ulster. | To flee. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Who is Conchubor? | The High King of Ulster | The Old King of Ulster | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What does Conchubor make Lavarcham in charge of? | Raising Deirdre to be his wife by the time she is old enough | He charged him with raising the child to be the old King's wife. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What does the prophecy regarding Deirdre reveal? | She will be the death of the sons of Usna | She will be the doom off the sons of Ulsna | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Who does Deirdre marry? | Naoise | Naoise | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Where did Deirdre and the sons of Usna before going to Emain? | Alban | They went to Alban | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Who pressures Deirdre into returning to Emain? | Owen | Fergus | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Who warns Deirdre not to accept Conchubor's offer of peace? | Lavarcham | Lavarcham | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
How does Deirdre convince Naoise to accept Conchubor's offer? | She tells him that it's better they die young madly in love | she talks about them going to die. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What does Lavarcham say to convince Conchubor to give up on his pursuit of Deirdre? | She is old and ugly | He says that she has grown old and lost her beauty. | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
Who sets Emain Macha on fire? | Fergus and his men | Fergus and his men | Act I: Lavarcham's house on Slieve Fuadh. Conchubor, the aging High King of Ulster, has charged Lavarcham to raise the child Deirdre to be his queen when she comes of age. Lavarcham finds that the now-beautiful Deirdre is a willful young woman, without interest in marrying an old man. Conchubor comes to Slieve Fuadh to bring Deirdre to his palace, Emain Macha, ignoring her pleas to remain in the countryside for another year. After he leaves, Naoise, son of Usna, and his brothers come to the cottage seeking Deirdre, and she tells them of her summons. Deirdre is aware of a prophecy that she will be the doom of the sons of Usna; nonetheless she asks Naoise to take her away from Ulster. He agrees, and Ainnle weds them in an impromptu ceremony.
Act II: Alban. Deirdre and the sons of Usna have lived happily on a remote island for seven years. Fergus arrives bearing an offer of peace from Conchubor, and asks Deirdre and Naoise to return with him to Emain Macha. Lavarcham warns Deirdre not to accept, and Owen, a spy in the service of Conchubor, intimidates Deirdre with suggestions that death awaits Naoise in Ulster. Naoise tells Fergus that he plans to live the rest of his life with Deirdre in Alban, but Deirdre convinces him to accept Conchubor's offer, reasoning that it is better to die young, at the peak of their love, than to grow old and live in the shadow of their past happiness.
Act III: A tent near Emain. Lavarcham arrives at Conchubor's tent and tries to convince him to give up his pursuit of Deirdre, claiming that she has grown old and lost her beauty. His soldiers arrive and contradict her claims, and he leaves just before Deirdre and Naoise enter. They discuss the possibility of their impending deaths until Conchubor returns. Deirdre nearly convinces him to put aside past grievances and let them live in peace when the sound of a battle between Conchubor's men and Naoise's brothers reaches them. Conchubor and Naoise go to join the fray and Naoise is killed. Fergus and his men arrive, enraged by the king's treachery, and set Emain Macha ablaze. Lavarcham tries to convince Deirdre to flee Ulster, and Conchubor tries to take her to a different castle, but she stays and mourns her dead lover and his brothers. In the end, Deirdre takes Naoise's dagger, stabs herself, and falls into his open grave, leaving Conchubor with nothing. |
What does Gin tell Cruz when she calls him from the payphone? | She informs Cruz of Mac's location. | The location of where her and Mac are hiding out. | Virginia "Gin" Baker (Catherine Zeta-Jones) is an investigator for "Waverly Insurance". Robert "Mac" MacDougal (Sean Connery) is a professional thief who specializes in international art. A priceless Rembrandt painting is stolen from an office one night, and Gin is sent undercover to investigate Mac as the chief suspect. She tries to entrap him with a proposition, claiming that she is a professional thief herself, and promises that she will help him steal a priceless Chinese mask from the well-guarded Bedford Palace. Before agreeing, Mac tells Gin his 'Rule Number One': "Never carry a gun: You carry a gun, you may be tempted to use it." They travel to Scotland and plan the complicated theft at Mac's hideout, an isolated castle. Aaron Thibadeaux (Ving Rhames), apparently the only ally that Mac trusts, arrives with supplies for the heist. While Mac is busy making final preparations, Gin contacts her boss, Hector Cruz (Will Patton), from a payphone, and informs him of Mac's whereabouts. Little does she know that the island is bugged, allowing Mac to eavesdrop on their conversation. Mac also makes sure to keep Gin's romantic advances at bay, unsure if she is a true partner in crime or an ambitious career woman on a mission.
After they have stolen the mask, Mac accuses Gin of planning to sell the mask to a buyer in Kuala Lumpur and then turn him in. Gin convinces him that her insurance agency job is the real cover and that she has planned an even bigger heist in Kuala Lumpur: $8 billion from the "International Clearance Bank" in the North Tower of the Petronas Towers. During their set-up, Cruz and his team (with the guidance of the stealthy Thibadeaux) track down Gin and confirm that she is still on mission to bring Mac in. Despite the presence of Cruz and other security watching the building, the theft takes place in the final seconds of the new 2000 millennium countdown. Gin pulls the plug on her laptop prematurely and sets off alarms. They narrowly escape the computer vault and are forced to cross the lights hung from the bottom of the bridge linking the two towers. Following a death-defying escape when the cable breaks, Gin and Mac make their way to a ventilation shaft, where Mac explains "Plan B." Using mini-parachutes, they were going to escape down the shaft. Gin has lost her parachute earlier in the escape, so Mac gives her his. He tells her to meet him the next morning at the Pudu train station.
Gin arrives at the station waiting for Mac. He shows up late with Aaron Thibadeaux, who reveals himself with fellow FBI agents. He explains that Cruz is here and that the FBI has been looking for her for some time. Two years ago when Agent Thibadeaux caught and arrested him, Mac made a deal to help the FBI arrest Gin, as she was the primary target all along. However, the aging thief has another plan: to help her escape. Mac slips Gin a gun and quietly explains that he returned only seven of the eight billion dollars they had stolen electronically in the heist. Gin then pretends to hold Mac hostage at gunpoint, threatening to shoot him if the agents follow her. She boards a train and the FBI heads to the next station. Gin jumps trains mid-station and arrives back at Pudu. She tells Mac that she needs him for another job and they both board a train. |
How much money does Mac allegedly keep from the heist at the International Clearance Bank? | One billion dollars. | 1 billion dollars | Virginia "Gin" Baker (Catherine Zeta-Jones) is an investigator for "Waverly Insurance". Robert "Mac" MacDougal (Sean Connery) is a professional thief who specializes in international art. A priceless Rembrandt painting is stolen from an office one night, and Gin is sent undercover to investigate Mac as the chief suspect. She tries to entrap him with a proposition, claiming that she is a professional thief herself, and promises that she will help him steal a priceless Chinese mask from the well-guarded Bedford Palace. Before agreeing, Mac tells Gin his 'Rule Number One': "Never carry a gun: You carry a gun, you may be tempted to use it." They travel to Scotland and plan the complicated theft at Mac's hideout, an isolated castle. Aaron Thibadeaux (Ving Rhames), apparently the only ally that Mac trusts, arrives with supplies for the heist. While Mac is busy making final preparations, Gin contacts her boss, Hector Cruz (Will Patton), from a payphone, and informs him of Mac's whereabouts. Little does she know that the island is bugged, allowing Mac to eavesdrop on their conversation. Mac also makes sure to keep Gin's romantic advances at bay, unsure if she is a true partner in crime or an ambitious career woman on a mission.
After they have stolen the mask, Mac accuses Gin of planning to sell the mask to a buyer in Kuala Lumpur and then turn him in. Gin convinces him that her insurance agency job is the real cover and that she has planned an even bigger heist in Kuala Lumpur: $8 billion from the "International Clearance Bank" in the North Tower of the Petronas Towers. During their set-up, Cruz and his team (with the guidance of the stealthy Thibadeaux) track down Gin and confirm that she is still on mission to bring Mac in. Despite the presence of Cruz and other security watching the building, the theft takes place in the final seconds of the new 2000 millennium countdown. Gin pulls the plug on her laptop prematurely and sets off alarms. They narrowly escape the computer vault and are forced to cross the lights hung from the bottom of the bridge linking the two towers. Following a death-defying escape when the cable breaks, Gin and Mac make their way to a ventilation shaft, where Mac explains "Plan B." Using mini-parachutes, they were going to escape down the shaft. Gin has lost her parachute earlier in the escape, so Mac gives her his. He tells her to meet him the next morning at the Pudu train station.
Gin arrives at the station waiting for Mac. He shows up late with Aaron Thibadeaux, who reveals himself with fellow FBI agents. He explains that Cruz is here and that the FBI has been looking for her for some time. Two years ago when Agent Thibadeaux caught and arrested him, Mac made a deal to help the FBI arrest Gin, as she was the primary target all along. However, the aging thief has another plan: to help her escape. Mac slips Gin a gun and quietly explains that he returned only seven of the eight billion dollars they had stolen electronically in the heist. Gin then pretends to hold Mac hostage at gunpoint, threatening to shoot him if the agents follow her. She boards a train and the FBI heads to the next station. Gin jumps trains mid-station and arrives back at Pudu. She tells Mac that she needs him for another job and they both board a train. |
What was Mac's number one rule? | To never carry a gun. | "Never carry a gun" | Virginia "Gin" Baker (Catherine Zeta-Jones) is an investigator for "Waverly Insurance". Robert "Mac" MacDougal (Sean Connery) is a professional thief who specializes in international art. A priceless Rembrandt painting is stolen from an office one night, and Gin is sent undercover to investigate Mac as the chief suspect. She tries to entrap him with a proposition, claiming that she is a professional thief herself, and promises that she will help him steal a priceless Chinese mask from the well-guarded Bedford Palace. Before agreeing, Mac tells Gin his 'Rule Number One': "Never carry a gun: You carry a gun, you may be tempted to use it." They travel to Scotland and plan the complicated theft at Mac's hideout, an isolated castle. Aaron Thibadeaux (Ving Rhames), apparently the only ally that Mac trusts, arrives with supplies for the heist. While Mac is busy making final preparations, Gin contacts her boss, Hector Cruz (Will Patton), from a payphone, and informs him of Mac's whereabouts. Little does she know that the island is bugged, allowing Mac to eavesdrop on their conversation. Mac also makes sure to keep Gin's romantic advances at bay, unsure if she is a true partner in crime or an ambitious career woman on a mission.
After they have stolen the mask, Mac accuses Gin of planning to sell the mask to a buyer in Kuala Lumpur and then turn him in. Gin convinces him that her insurance agency job is the real cover and that she has planned an even bigger heist in Kuala Lumpur: $8 billion from the "International Clearance Bank" in the North Tower of the Petronas Towers. During their set-up, Cruz and his team (with the guidance of the stealthy Thibadeaux) track down Gin and confirm that she is still on mission to bring Mac in. Despite the presence of Cruz and other security watching the building, the theft takes place in the final seconds of the new 2000 millennium countdown. Gin pulls the plug on her laptop prematurely and sets off alarms. They narrowly escape the computer vault and are forced to cross the lights hung from the bottom of the bridge linking the two towers. Following a death-defying escape when the cable breaks, Gin and Mac make their way to a ventilation shaft, where Mac explains "Plan B." Using mini-parachutes, they were going to escape down the shaft. Gin has lost her parachute earlier in the escape, so Mac gives her his. He tells her to meet him the next morning at the Pudu train station.
Gin arrives at the station waiting for Mac. He shows up late with Aaron Thibadeaux, who reveals himself with fellow FBI agents. He explains that Cruz is here and that the FBI has been looking for her for some time. Two years ago when Agent Thibadeaux caught and arrested him, Mac made a deal to help the FBI arrest Gin, as she was the primary target all along. However, the aging thief has another plan: to help her escape. Mac slips Gin a gun and quietly explains that he returned only seven of the eight billion dollars they had stolen electronically in the heist. Gin then pretends to hold Mac hostage at gunpoint, threatening to shoot him if the agents follow her. She boards a train and the FBI heads to the next station. Gin jumps trains mid-station and arrives back at Pudu. She tells Mac that she needs him for another job and they both board a train. |
What did Mac believe the consequence of carrying a gun would be? | The temptation to use it. | If you carry it you'll be tempted to use it. | Virginia "Gin" Baker (Catherine Zeta-Jones) is an investigator for "Waverly Insurance". Robert "Mac" MacDougal (Sean Connery) is a professional thief who specializes in international art. A priceless Rembrandt painting is stolen from an office one night, and Gin is sent undercover to investigate Mac as the chief suspect. She tries to entrap him with a proposition, claiming that she is a professional thief herself, and promises that she will help him steal a priceless Chinese mask from the well-guarded Bedford Palace. Before agreeing, Mac tells Gin his 'Rule Number One': "Never carry a gun: You carry a gun, you may be tempted to use it." They travel to Scotland and plan the complicated theft at Mac's hideout, an isolated castle. Aaron Thibadeaux (Ving Rhames), apparently the only ally that Mac trusts, arrives with supplies for the heist. While Mac is busy making final preparations, Gin contacts her boss, Hector Cruz (Will Patton), from a payphone, and informs him of Mac's whereabouts. Little does she know that the island is bugged, allowing Mac to eavesdrop on their conversation. Mac also makes sure to keep Gin's romantic advances at bay, unsure if she is a true partner in crime or an ambitious career woman on a mission.
After they have stolen the mask, Mac accuses Gin of planning to sell the mask to a buyer in Kuala Lumpur and then turn him in. Gin convinces him that her insurance agency job is the real cover and that she has planned an even bigger heist in Kuala Lumpur: $8 billion from the "International Clearance Bank" in the North Tower of the Petronas Towers. During their set-up, Cruz and his team (with the guidance of the stealthy Thibadeaux) track down Gin and confirm that she is still on mission to bring Mac in. Despite the presence of Cruz and other security watching the building, the theft takes place in the final seconds of the new 2000 millennium countdown. Gin pulls the plug on her laptop prematurely and sets off alarms. They narrowly escape the computer vault and are forced to cross the lights hung from the bottom of the bridge linking the two towers. Following a death-defying escape when the cable breaks, Gin and Mac make their way to a ventilation shaft, where Mac explains "Plan B." Using mini-parachutes, they were going to escape down the shaft. Gin has lost her parachute earlier in the escape, so Mac gives her his. He tells her to meet him the next morning at the Pudu train station.
Gin arrives at the station waiting for Mac. He shows up late with Aaron Thibadeaux, who reveals himself with fellow FBI agents. He explains that Cruz is here and that the FBI has been looking for her for some time. Two years ago when Agent Thibadeaux caught and arrested him, Mac made a deal to help the FBI arrest Gin, as she was the primary target all along. However, the aging thief has another plan: to help her escape. Mac slips Gin a gun and quietly explains that he returned only seven of the eight billion dollars they had stolen electronically in the heist. Gin then pretends to hold Mac hostage at gunpoint, threatening to shoot him if the agents follow her. She boards a train and the FBI heads to the next station. Gin jumps trains mid-station and arrives back at Pudu. She tells Mac that she needs him for another job and they both board a train. |
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