EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
N | 3 | 4.8 | 3.8 | 238 | Female | Train | for this ability to let people know how sort of the kinship you felt with them. i think that still existed. that sense of- | [
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N | 2.8 | 4.2 | 4.6 | 238 | Female | Train | i think really fosters that and really makes that more pronounced where i do get a sense that people feel a connection and that's- | [
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N | 3.4 | 4.4 | 3.8 | 238 | Female | Train | hopefully is insightful, and self-aware that people think like, "well- | [
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N | 4.090909 | 4.636364 | 4 | 235 | Female | Development | if i would be living the sort of creative life that i live now, and i was like- | [
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N | 2.8 | 4 | 3.8 | 235 | Female | Development | i thought that was my place in the dichotomy. | [
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N | 1.8 | 4.8 | 3.6 | 235 | Female | Development | but i think it's interesting when you grow older and the lines are so blurred. | [
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H | 4.909091 | 5.272727 | 4.636364 | 238 | Female | Train | first, by the ways that they've been fans and the ways that they've professed their fandom. that's an exciting time. | [
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N | 4 | 3.6 | 3.6 | 238 | Female | Train | and i guess i do ask questions, but that would be where my next question is- | [
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N | 4 | 4.2 | 4 | 235 | Female | Development | to wrap. i think about someone like... even someone like makonnen or someone earlier than that, like soulja boy, who took- | [
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C | 4.8 | 3.4 | 4.8 | 235 | Female | Development | before, the art was ready, but does that matter? does it matter if your process, | [
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C | 4.2 | 3.6 | 4.2 | 235 | Female | Development | what makes you an artist, what gets into the canon, all of that stuff is... i think it needs to be re-evaluated anyways. | [
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N | 4.2 | 4 | 4 | 238 | Female | Train | when that is coming to me, mediated through the same screen as some [inaudible 00:00:22]. | [
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H | 5.7 | 5.3 | 5.4 | 235 | Female | Development | is that more than a scullery made in a whole year? fuck yeah it is. | [
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H | 5.4 | 5 | 5.2 | 235 | Female | Development | all they're getting into. they're just like the kardashians. yes. they've all had so much... | [
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N | 4.4 | 4.8 | 4.6 | 235 | Female | Development | apparently the reason they ate them almost to extinction is because they're so good. in his diaries, he wrote that they taste better than beef, | [
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U | 4.6 | 3.8 | 4.6 | 235 | Female | Development | chicken, lamb, marrow, butter. they tastes better than butter? do you know what i mean? | [
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H | 4 | 3.8 | 4.2 | 235 | Female | Development | i got to eat this. we need some fresh water and some of this delicious turtle. so, humans are the worse. | [
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D | 4 | 3.8 | 4.2 | 238 | Female | Train | you would just think any of us could end up with this turtle, like a tortoise. | [
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X | 4.8 | 5 | 4.4 | 235 | Female | Development | oh man, who doesn't? well, who is the one michelangelo that painted the ceiling. | [
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U | 4.4 | 4.4 | 4 | 235 | Female | Development | pacific northwest as a character. and i wonder if that was intentional or if it just is. historically... | [
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N | 2.6 | 3.8 | 4.2 | 238 | Female | Train | unfortunately that make them a little bit more homogenous, but up until very recently. | [
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N | 4.8 | 4.8 | 4.2 | 235 | Female | Development | i think it's interesting to do in a tv or film. | [
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N | 3.8 | 4.4 | 4.6 | 238 | Female | Train | impression like, oh, someone has messed this up before. someone has not met you in the lobby at 10. | [
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X | 4.6 | 4.2 | 4 | 238 | Female | Train | you've had to go to a room before and get the concierge. | [
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N | 4.6 | 4.8 | 4 | 235 | Female | Development | how many crazy stories i heard about writers. | [
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X | 4.833333 | 5.416667 | 4.916667 | 235 | Female | Development | i love to read, i think of writers as they're like celebrities to me, like drake's a celebrity to me. me too. yeah. but i was like, man, | [
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U | 5 | 4.6 | 4.4 | 235 | Female | Development | there's stories that bosses of mine would tell me that i was like, "that person acted like what?" | [
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X | 3.2 | 4.6 | 4 | 238 | Female | Train | and so they're just kind of stepping into that role and overplaying it a little bit. kind of | [
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H | 4.9 | 5 | 4.7 | 238 | Female | Train | the midwest, and then we hit detroit and the rest of the band had a day off and i flew up and did a reading in montreal and then joined up with the tour. so, right now... | [
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H | 3.8 | 4.6 | 5.2 | 238 | Female | Train | the autonomy is a little bit refreshing because moving in a large group of people is very clunky. | [
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N | 4.4 | 3 | 4.6 | 238 | Female | Train | it's just, it's never graceful. obviously we can separate from each other and do our own things. | [
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N | 4 | 3.8 | 4.4 | 238 | Female | Train | okay everyone needs to meet in the lobby at 3:30. there's a car coming to get us to the venue. | [
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H | 4.4 | 5 | 3.8 | 238 | Female | Train | but i forgot how nice it is to just go, | [
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H | 5 | 4.4 | 4.8 | 235 | Female | Development | right? yeah, yeah. really break up the beef industry. you get the cat beef industry going. yeah. | [
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N | 4.2 | 3.6 | 4.4 | 238 | Female | Train | people haven't really thought about this. supposedly we're, running out of a food supply, but they always talk about how. | [
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H | 5.333333 | 5.916667 | 5.416667 | 235 | Female | Development | i was the prime minister and then we just amalgamated north america, wait for it. and then we made all of north america, a big cat farm. | [
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U | 4.4 | 5.2 | 4.6 | 235 | Female | Development | literally yesterday. one of my colleagues was telling me that a friend of hers from high school keeps posting these pictures on facebook about, he's a hunter, but one of the things that he hunts is squirrels. | [
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X | 4.2 | 4.4 | 4 | 235 | Female | Development | this guy also was making a hat. | [
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X | 4.6 | 2.6 | 5.2 | 235 | Female | Development | a hat and then a [inaudible 00:03:30]. i was like, "how many squirrels squirrels had to die?" i feel like that sounds like an insult, | [
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H | 5.166667 | 5.5 | 4.75 | 235 | Female | Development | but that's also the guy that we need to find for the, we need to rope that guy into our business. | [
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H | 4 | 4.8 | 3.6 | 238 | Female | Train | yeah. 2036 seems good. okay. i'll be older than you. | [
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N | 4 | 3.6 | 4.2 | 25 | Female | Train | unknown americans brought to vivid life is state of wonder on opb. | [
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N | 3 | 3.8 | 3.6 | 367 | Female | Train | back then, all we wanted was the simplest things. to eat good food, to sleep at night, to smile, to laugh- | [
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N | 2.8 | 3.2 | 3.8 | 367 | Female | Train | ... to be well. we felt it was our right, as much as it was anyone's to have those things. of course- | [
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S | 3 | 3 | 3.6 | 367 | Female | Train | ... i see that i was naive. i was blinded by the swell of hope. | [
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S | 3.6 | 2.6 | 4 | 367 | Female | Train | i assumed that everything that would go wrong in our lives already had. | [
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D | 3.272727 | 2.545455 | 3.363636 | 367 | Female | Train | the driver parked the truck and lit another cigarette. he's been smoking the whole trip. | [
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S | 3.875 | 2.125 | 3.625 | 367 | Female | Train | ... i guess, since he'd made it clear from the moment he picked us up in laredo, that he wasn't interested in conversation. | [
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N | 3.8 | 4.4 | 3.8 | 367 | Female | Train | an outdoor walkway that ran the length of the second floor with metal staircases at either end, pieces of broken styrofoam in the grass, a chain link fence along the perimeter of the lot- | [
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N | 3.4 | 3.6 | 4 | 367 | Female | Train | ... something with white shutters and red bricks, something with manicured shrubs and flower boxes in the windows- | [
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N | 3.363636 | 3.636364 | 2.909091 | 367 | Female | Train | ... silently in the dim and unfamiliar air. | [
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N | 3.4 | 3.6 | 3.8 | 367 | Female | Train | later, when he stopped again and pointed to a discarded kitchen table. and later again at- | [
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N | 2.8 | 3.8 | 3.8 | 367 | Female | Train | ... mattress propped up like a sliding board against someone's mailbox. | [
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N | 3.166667 | 3.333333 | 4 | 367 | Female | Train | we understood what to do and loaded them into the truck. | [
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X | 3.4 | 2.8 | 4 | 364 | Male | Train | after we carried everything up, the rusted metal staircase to our apartment, after we found the key, the landlord had left for- | [
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X | 3 | 2.8 | 3.4 | 364 | Male | Train | taped to the threshold of the door. [arthuro 00:03:13] went back down to pay the driver. he gave him half the money we had— | [
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N | 4.4 | 5.2 | 5 | 364 | Male | Train | but she had to say, [christina henrika 00:03:22] has said that when she was trying to find her writing voice, she was deeply influenced by sandra cisneros' 1984, novel the house on mango street. | [
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H | 3.8 | 5.2 | 5.4 | 364 | Male | Train | the story of a girl trying to escape her low income neighborhood in chicago. it's a classic. widely read in college classrooms and book clubs. | [
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