EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2
values | Split_Set stringclasses 2
values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
H | 5.615385 | 5.230769 | 5.461538 | 70 | Male | Train | sorry. do you know where game shows are still killing it tough, i think? and this is just an observation when i was overseas last year. great britain. | [
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H | 5.4 | 4.4 | 5.6 | 70 | Male | Train | every other channel you'd see it's like a fucking game show. right. they love game shows over there. they're all about game shows. | [
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H | 6 | 5.363636 | 6.090909 | 70 | Male | Train | [inaudible] american ninja warrior? right. they always get oddly high ratings for being a summer show that's on a monday. american ninja warrior does really well. | [
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H | 5.916667 | 5.5 | 5.5 | 70 | Male | Train | i love american ninja warrior. i love it. i love the original. | [
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N | 4.4 | 3.8 | 4.4 | 70 | Male | Train | american ninja warrior is a bit more accessible beyond nbc. | [
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A | 6 | 1.833333 | 5.916667 | 70 | Male | Train | lebron, you're replaced. you're replaced. sorry, cleveland, you're the worse. you know, fucking who does that? | [
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U | 6.75 | 4.833333 | 6.083333 | 70 | Male | Train | tormend? all right, cool. it's fine. tormend's the wyndham wizard. have you seen them? | [
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U | 5.4 | 3.6 | 5 | 70 | Male | Train | the wyndham resorts, the company, they have a mascot... not mascot, but you know how flo is for progressive? what would you call that? | [
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H | 6.666667 | 5.416667 | 6.333333 | 70 | Male | Train | that would have been the worst omen if we... [crosstalk]. they had him with no beard. ... saw him without the beard. we'd be like, "oh, no." | [
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H | 6.117647 | 4.411765 | 5.470588 | 70 | Male | Train | a couple of [crosstalk]. send a few suggestions though. send some of those are way. send your suggestions. | [
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X | 5.615385 | 2.615385 | 5.384615 | 70 | Male | Train | [crosstalk]. he hates on john wall so much. he's like, "no, no, man. don't do that to me." | [
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C | 5.2 | 3.4 | 4.2 | 404 | Male | Train | he is the worst. he's a bad guy. yeah. and we have | [
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H | 5 | 6 | 4.769231 | 512 | Male | Train | a wonderful guest, a returning guest, his second | [
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N | 3.6 | 4.4 | 4.6 | 513 | Male | Train | time at the director's club website. we'll be sure to post the link to that. i'm not going to talk about prometheus and what we watched. | [
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D | 5.538462 | 2.923077 | 5.307692 | 512 | Male | Train | oh, what a shame now. the internet is not talking enough about it. | [
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H | 6 | 5.333333 | 5.25 | 513 | Male | Train | puppetry of the penis, you just don't know. i don't know. | [
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H | 6.818182 | 6.545455 | 6.545455 | 513 | Male | Train | maybe because we're so psyched about the episode, jane kim. | [
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H | 4.4 | 4 | 4.4 | 513 | Male | Train | it's not actually coming out of my canal. it's my ear. | [
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X | 5.375 | 4.4375 | 5.0625 | 512 | Male | Train | jim's going to jab a sedative needle in the back of my neck because what he's really asked- | [
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H | 4.769231 | 5.538462 | 5 | 513 | Male | Train | me, it's anthony bourdain, no reservations. i'm like, "oh, what do they eat in bangkok?" | [
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X | 4.833333 | 4.833333 | 4.666667 | 514 | Male | Train | i guess for me, the appeal is that... | [
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H | 4.6 | 4.4 | 4.6 | 512 | Male | Train | and i was almost tempted at this point in the show to do a little, you know on wayne's world, | [
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N | 4.6 | 3.6 | 4.4 | 513 | Male | Train | a scream? but it is crazy either way. | [
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D | 5.083333 | 3.166667 | 5.166667 | 513 | Male | Train | i don't have a problem with that. but i agree now with... i don't think that his character should have done that at all. | [
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H | 5.916667 | 5.833333 | 5.5 | 513 | Male | Train | i don't think- where people are doing aerobics. | [
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H | 5.545455 | 5.363636 | 5.363636 | 513 | Male | Train | right. just about every 15 minutes throughout the movie, you'll see more people doing aerobics and it's a really | [
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D | 4.2 | 3.2 | 3.8 | 513 | Male | Train | bad movie. honestly, the dvd i saw had no subtitles and i'm | [
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H | 4.818182 | 5.090909 | 4.545455 | 513 | Male | Train | when i did theater, i was in a production of the importance of being earnest. that sort of thing i can deal with. | [
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D | 5.5 | 2.333333 | 5.25 | 513 | Male | Train | it's sexual assault of some kind. | [
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H | 6.461538 | 5.769231 | 6.076923 | 513 | Male | Train | wow. it's real life. and they're like, "let's get them." | [
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N | 3.6 | 3.4 | 4.2 | 514 | Male | Train | i mean, i think maybe it's her... maybe anna [inaudible] when doing the accent. maybe that's why they felt like she deserved. | [
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N | 4.2 | 4.2 | 4 | 514 | Male | Train | holly hunter is 54. | [
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N | 4 | 3.4 | 4.4 | 513 | Male | Train | being in director jail as i... | [
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H | 5.75 | 3.666667 | 5.333333 | 513 | Male | Train | african american males when he's like, "yo, is your book a dis?" | [
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U | 5.083333 | 4.833333 | 4.666667 | 513 | Male | Train | yeah. i mean it, towards the end, it does become an actual mystery as opposed to... | [
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H | 5.2 | 5 | 5.2 | 513 | Male | Train | wow. that would have made the movie way worse. i'm glad that they changed the ending. | [
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H | 5.916667 | 5.333333 | 5.25 | 513 | Male | Train | i was about to say it is the most phallic sort of placement. | [
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X | 5.333333 | 4.75 | 5.083333 | 513 | Male | Train | yeah. her height was probably in the late '80s, early '90s. and i was born in '87. i imagine you were born around the same time. | [
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N | 4.583333 | 3.5 | 5.083333 | 513 | Male | Train | well, no. detached [inaudible] was one thing, but i can't see her doing those scenes with mark ruffalo and feeling that desperation and passion. | [
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N | 3.666667 | 3.833333 | 4.166667 | 512 | Male | Train | sort of escaping into her imagination in a way, i guess, when she was dealing with- | [
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H | 5.5 | 4.666667 | 5 | 513 | Male | Train | [crosstalk]. it'll be our anniversary tree. yeah. but it's only for poetic... if you give two seconds of thought to it, you go, "oh, that's really forced." | [
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X | 4.2 | 4.6 | 4 | 514 | Male | Train | no, i didn't actually see all of it, but i did see part of it. and just coming around the internet, again, harvey keitel. | [
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C | 4.6 | 3.6 | 4.4 | 512 | Male | Train | more literal, the confrontational dialogue is very like, "oh, men think this." | [
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X | 4.4 | 4.6 | 4.2 | 513 | Male | Train | can everyone be quiet? jim can say, there's some cunnilingus again in the method boys. and that way we can put it in the director's club soundboard. all right. | [
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N | 4 | 3.8 | 4.4 | 512 | Male | Train | i don't necessarily always see as being a problem when i watch her movies. | [
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N | 4 | 4.2 | 4.3 | 514 | Male | Train | that's so constrained by having to tell abc beginning, middle, end narrative in just one thing or who knows? it could just be all. | [
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D | 4.4 | 3.4 | 4.6 | 513 | Male | Train | yeah. sometimes it gets to be a mad man [inaudible] | [
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N | 4.6 | 4.4 | 4.8 | 514 | Male | Train | that's the transaction. they have to miss something that they really wanted to see in order to listen to this. | [
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C | 4.6 | 2.6 | 4.8 | 512 | Male | Train | well, i don't recommend portrait of a lady, patrick, it's really slow and kind of impenetrable in my opinion, anyway. | [
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N | 3.8 | 3.8 | 3.4 | 512 | Male | Train | [inaudible] version of the piano stretched for two and a half hours without really those | [
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H | 6 | 4 | 5.4 | 513 | Male | Train | things. fuck it, let's burn the whole episode to the ground. | [
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H | 4.8 | 4.8 | 4.4 | 513 | Male | Train | wow. isn't it interesting? after prometheus came out. | [
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H | 6.058824 | 6.176471 | 5.764706 | 513 | Male | Train | i believe the name wasn't taken. jim is at twitter. | [
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N | 4.2 | 4 | 4.4 | 437 | Male | Train | they could, but those registration details are going to be unblinded to the person you trade with. so if you don't give your... that's why it's your payment details, | [
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H | 5.416667 | 5.5 | 5.083333 | 437 | Male | Train | but you can get a flavor for it. i do encourage people to just download it or you can go and get help if you want to build it yourself. look through the code, | [
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X | 3.4 | 5 | 3.4 | 437 | Male | Train | putting this on a cell phone would be great, getting a mobile app. i mean, that's more like a longterm aspect for us. | [
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H | 4.8 | 6.4 | 5 | 542 | Male | Train | i mean the luminic hand with the taser and it's like the most awesome thing you'd ever see. | [
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U | 4.8 | 4.6 | 4.8 | 542 | Male | Train | then the guy on the screen falls down and then he looks at our participants and said, anybody want to give it a shot? | [
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N | 2.8 | 5 | 4.2 | 542 | Male | Train | how do we do that? fabulous. our engineering department actually made a movie that was real high quality. | [
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H | 4 | 5.2 | 4 | 542 | Male | Train | brought it there. nice. yeah. our underground utilities guys. they had a cutaway section of a fire hydrant and it was just cool stuff like that, where we got all this stuff. | [
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H | 5 | 4.888889 | 5 | 542 | Male | Train | we did it. whatever we set out to accomplish didn't include cookies, | [
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H | 5.642857 | 6.142857 | 5.5 | 542 | Male | Train | but because the cookies are here, we knew we made a dif- | [
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N | 2.8 | 3.8 | 4 | 542 | Male | Train | well, it's no cost. that was one of the biggest challenges had at the beginning. we just put out a lot of press releases. we use social media a lot to let people know what happened. | [
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X | 3.4 | 4 | 4.2 | 542 | Male | Train | yep. first come, first serve. we were very lucky. | [
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X | 5.4 | 4.2 | 5 | 1,692 | Female | Train | okay. because that was one thing i was going to ask you about, with whether media has been involved in this- | [
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H | 4.307692 | 6 | 5 | 82 | Male | Train | and people should also follow you on twitter because you post a lot of good audio related stories. | [
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O | 5 | 4 | 4.2 | 82 | Male | Train | i'm curious where you find all of these stories, steve. | [
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N | 3.8 | 4 | 3.8 | 82 | Male | Train | are they just things that you run across, you read in the newspaper? or are you following some other people that put out a lot of good articles? | [
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H | 4.2 | 5.2 | 4.6 | 254 | Male | Train | i follow a lot of people on twitter, actually. i think twitter's fantastic. | [
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N | 3.8 | 4.2 | 3.8 | 254 | Male | Train | i mean, i get most of my audio news off twitter now | [
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N | 4.2 | 4 | 4.4 | 254 | Male | Train | or i use something called scoop.it where i store all this information. | [
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N | 3.6 | 4 | 4.4 | 254 | Male | Train | which i do selfishly, really, because i think it's all going to be useful to me at some point. | [
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N | 4.4 | 4.8 | 4.6 | 82 | Male | Train | can you tell us some other good people to follow for audio related things on twitter? | [
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N | 3.6 | 4 | 3.4 | 254 | Male | Train | pop icon in the seventies, in the uk with bands like heaven 17 and human league. | [
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N | 3.4 | 4.8 | 3.6 | 254 | Male | Train | he's now a sound artist and involved in all sorts of other stuff. he's fascinating to follow. | [
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X | 3.6 | 5.2 | 4.6 | 254 | Male | Train | scanner is quite interesting, but he doesn't post very many links, but he's always quite lively. | [
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X | 4.4 | 3.8 | 4 | 254 | Male | Train | there's [coolum 00:06:36], | [
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N | 4.8 | 4.6 | 4.6 | 254 | Male | Train | an audio recordist, an englishman who lives in paris | [
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H | 4 | 6.4 | 5.2 | 254 | Male | Train | and his posts are just fantastic. i mean, he just posts some wonderful ambient sounds from paris that are just... you can just lose yourself in completely. | [
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H | 5 | 5.384615 | 4.692308 | 82 | Male | Train | tell me about your main gig at the royal exchange theater company in manchester. | [
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N | 3.8 | 4.4 | 3.6 | 82 | Male | Train | this is a large multi-room performance space just from the photos that i saw online and the information on the website. | [
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N | 3.2 | 4.8 | 4.2 | 82 | Male | Train | so do you supervise a team of technicians there or do you design all of their shows? what are your responsibilities? | [
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N | 3.6 | 4.6 | 4.8 | 254 | Male | Train | well, i'm head of sound for the royal exchange theater company in manchester. | [
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... |
H | 4.2 | 5.8 | 4.2 | 254 | Male | Train | fantastically talented team of young sound designers, young technicians. | [
{
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N | 3 | 4.4 | 3.8 | 254 | Male | Train | i don't design all the shows there. i've designed, probably near enough, 100 shows there in my time, | [
{
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X | 4 | 4.6 | 4.6 | 254 | Male | Train | but we get in a lot of guest sound designers now. | [
{
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N | 3.2 | 4.2 | 4.6 | 254 | Male | Train | my job really is to supervise their work. | [
{
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H | 4.85 | 5.65 | 4.7 | 254 | Male | Train | it's an amazing theater. it's a seven-sided theater in the round | [
{
"feats": [
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N | 4.2 | 5.2 | 4.4 | 254 | Male | Train | and it's worth looking up online to have a look at some pictures of it. constructed completely out of steel and glass | [
{
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N | 4.2 | 4.8 | 5.2 | 254 | Male | Train | in the center of manchester. it actually sits in the old cotton exchange in manchester city center | [
{
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X | 4.583333 | 4.666667 | 4.916667 | 254 | Male | Train | and it looks a bit like a lunar module has landed in the middle of this very old | [
{
"feats": [
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... |
N | 4 | 4.2 | 4.8 | 254 | Male | Train | room, which is arguably the largest room in the world. | [
{
"feats": [
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N | 4 | 4 | 4 | 254 | Male | Train | and it seats 700 people, as i say, on three levels. | [
{
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H | 4.4 | 5.2 | 4.6 | 254 | Male | Train | as a sound designers dream, in many ways we can put sound above the audience, below the audience, | [
{
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... |
N | 3.6 | 4.2 | 4.4 | 254 | Male | Train | inside the theater or outside the theater. it's about 400 tie lines around the building. | [
{
"feats": [
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... |
U | 4.4 | 5 | 4.4 | 254 | Male | Train | wow. we can put loudspeakers virtually anywhere, | [
{
"feats": [
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N | 3.8 | 4.4 | 3.8 | 254 | Male | Train | to hopefully create a fully immersive. | [
{
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... |
N | 2.8 | 4.2 | 4.2 | 254 | Male | Train | it's not a place where you'd probably want to design a show if you're new to sound design. there's a lot of choices. you have to make a lot of | [
{
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... |
N | 3.2 | 3.8 | 4.2 | 254 | Male | Train | very critical decisions, very quickly. | [
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... |
N | 4.272727 | 4.545455 | 3.909091 | 82 | Male | Train | what would you say is the most challenging thing for the guest sound designers that are coming in? they're most surprised, what they say, oh, i have to decide this and that? | [
{
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... |
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