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MSP_POD_NLP

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well, let me just jump in and say, horror has become a genre probably since probably,
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i guess you could say- it's kind of the first one in some ways [crosstalk] since the novels of...
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i would guess that if you were to read up on it, but there's probably some things that predate
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edgar allen poe, and also we're talking about western society.
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it's become codified genre.
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and so when we say horror, we mean this codified genre.
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and what you're suggesting gabe, is
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that armoire, is another kind of horror... by saying armoire is another kind of horror is a little bit like saying,
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i can't think of a great example, but let's say it would be a little bit like
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taking transcendental meditation.
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it's just such a different- i hear you- such a different
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experience that it doesn't even
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any... a documentary on the holocaust is another kind of horror.
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it's a million miles away from being codified as a genre.
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maybe something like the scene in the shining where
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the woman in the bathtub
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is all of a sudden aged and it's horrifying or maybe some david lynch scenes where... david lynch
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somehow introduced the horror of aging into a film. then i could see it being codified as part of the horror genre.
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i would say, i understand what you're saying about that... you talk about horror as a core, and then
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in the peripheral way of looking at it, you can draw so many other genres and things in that it's worthless to call armoire horror. but it is a
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potentially a slow horror. but then again, you guys just covered it.
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when you guys kept repeating the word horror,
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i had the great, good fortune of going to see the author of horror speak, adam rockoff
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and his new book is entitled the horror of it all.
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and so this is incredible coincidence.
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it is an immensely readable book on the horror genre, and he was just here in milwaukee
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and if you gentlemen will allow me to briefly explain- of course.
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boswell book company, the great book company here in milwaukee. like riverwest radio,
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riverwest film and video, it's a vital cultural nexus of the community.
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my heart would break in a million pieces when [inaudible]
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was indicating a potential non longevity, and i just... just not good.
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i'll put it that way. and then we have the radio station emerging and so on and so forth [crosstalk]
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. and so i am just so happy and thankful on a daily basis that
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riverwest film and video continues to thrive, and now that riverwest radio is firmly entrenched in here because it would just be ripping,
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literally ripping out the heart of riverwest.
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and so a million-million heartfelt thanks, not in just in a time of "oh my god",
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but when the times are decent now, thank you so much for doing this because this would rip...
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like gravity, all of a sudden just stopping dead in its track on earth and everything went haywire.
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let's bring this back to media in a second because this is a media... if there's
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any tying thread between riverwest radio and riverwest film video, it's media. riverwest radio is a media
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generating, content generating platform, let's say.
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and then riverwest film video is a content distribution platform.
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that's the two things they have in common. otherwise, there's obviously
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music sound and lots of oral stimulation in a dvd, but
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it's mostly visual stimulation. and then reverse radio is of course an oral experience.
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and there is a visual element. but
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those things are all merging. they're all collapsing together.
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i've said this many times that the difference between cbs news,
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the new york times
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and... oh wait, okay. cbs, the new york times,
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national public radio
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up until the 1980s, these were very distinct things.
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you went to national public radio to listen to the radio.
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you went to the new york times to read your newspaper in the
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morning or on your way to work on the subway and so on.
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and you tuned into cvs to watch the news.
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now, today, if you go to cbs news website,
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things happening, you will find video, images, texts, and sound clips.
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and like all fallacies, they eventually will dissipate and fall.
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i mean, this is terrible. my entire business model is at risk. instead, the thing is to say, wait a second.
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why is this happening? why do we all need to sort of...
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but i'm stubbornly digging my heels in against this manic need to throw away the past and move on to the new thing and
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live in this united states of amnesia as gore vidal coined it.
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everyone has this idea that this problem, and there is, and it's valid.
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i always wonder, what problem am i contributing to that someone else [crosstalk] validly thinks "oh, that's just the worst."
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you know, i try and watch a movie once, but there are times when my time must be devote... i like spending time with people more than i ever have in my entire life, rather than...
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i've spent the majority of my life spending all this time, watching movies,
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and this works totally fine. it's a smaller screen. i do love those, those big samsung screens to watch. because you can validly watch a movie on those screens. on the new samsungs, you can.
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but i'm fine with this. i don't need to move on. this is good enough. and this works good enough.
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for other people like mike [oferowski 00:09:09], he watches a lot of movies.
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there's an element of addiction and an element of edification that takes place within one's consumption of media.
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charlie sheen is maybe the dark version of martin downey jr.
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and they're just filling themselves up on the wealth that they've basically just been... they're people who have way too much.
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they're stars. the people that they want to emulate are are getting super rich off of these movies that are being made.
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yeah. everybody wants to live that life.
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even though it's excessive and there's obviously very tempting as well.
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..a undercurrent about their work that taps into the everything-ness, the totality of our culture and the excess of our culture
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is brilliant in some ways because he is so un-compromising to his own... and reading his book, catching the big fish, which mark...
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but the horror of it all, and it hadn't occurred to me until we were talking on how amour could be considered... i think about that once in a while, how there's other kinds of horror.
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gabe... you'd be in heaven, not because it's horror, but because of his sense of humor
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for always are making... saying that films like night of the living dead is all about society and about racism and all kinds of things.
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you may be happy in analyzing all of this stuff. and again, like i say, as [inaudible 00:00:45], for me, the verdict is out. i just want to...
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let it come by one here, nobody on the road, nobody on the beach. what would your answer be? nobody on the street.
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we just going to do this. the next one is, i'm driving by your house.
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i can see you naked in the window.
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see this is why i told you not to get me so drunk.
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well, mr. [kiosque] it's clear that you did not earn your prestigious doctorate by identifying lyrics.
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[casey kisoque 00:01:17] you should be doing a lot of learning all of the time.
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it was to do with the hands or lack of hands.
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oh, i'm not sure you can say that. that's a good point, i'm not allowed to say that.
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war as it was put, and he was speaking to us via microphone,
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join out. oh,
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listening to that clip-
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for such a skinny, strange dream. do you know what this means?
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and also because of the deposition of the ace,
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i don't know, but well, you'd return this spot or maybe, maybe he just didn't like alcohol. that's a good point.
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i'm going to say about 200 pounds.
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sorry. let's preload it again.
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friends being sold on ebay, nothing like shortcoming it to what's been sold on country.
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i'd probably... you've put a lot of thought into this, haven't you?
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