text stringlengths 0 353 | EmoClass stringclasses 10 values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID stringlengths 1 7 | Gender stringclasses 3 values |
|---|---|---|---|---|---|---|
i'm a balance of both. i'm a fair balance of both because i appreciate, and i try to perform on a lyrical depth, like kweli. | C | 5.6 | 4.8 | 5.2 | 74 | Male |
the main band, and orin isaacs was one of the main players. and what they were playing as a band is what influenced my style. | H | 4.48 | 4.92 | 4.64 | 74 | Male |
and it just made it seem not so far away. | H | 3.5 | 4.833333 | 4.333333 | 74 | Male |
white fang, chuggo. | N | 3.333333 | 4.5 | 3.833333 | 74 | Male |
decided to be a win on his behalf, but because i got disqualified | A | 4.166667 | 1.833333 | 4.333333 | 74 | Male |
for saying some line about pus. i said pus like pink lotion or some shit and got disqualified, you know what i mean? i'd beat mans from freaking point blank at a car show battle, | X | 4.888889 | 3.5 | 4.777778 | 74 | Male |
and he joined the squad. and silver fox was basically our dj sound. that's our dj crew within the fam, | N | 5 | 4.846154 | 4.461538 | 74 | Male |
by rob taggart. so if you're not a part of the rob taggart talent agency, you can't book a stage for yourself. | C | 4.75 | 3.1875 | 5.375 | 74 | Male |
you know, i would've started that two years ago, man. pretty much when i started to work on just junior. | X | 4.454545 | 4.090909 | 4.818182 | 74 | Male |
i was just on my quincy jones productions, bringing in mad musicians and shit, | N | 5.2 | 4.6 | 4.6 | 74 | Male |
and i was gearing up to drop every day. | N | 3.6 | 3.6 | 3.6 | 74 | Male |
i don't have that type of richness. my richness is life forever. yeah. tell me about the significance of that to you. | N | 4 | 4.4 | 4 | 38 | Male |
never have. i've always had enough to survive. money's always showed up when i needed it. | H | 3.888889 | 4.111111 | 4.666667 | 74 | Male |
and people telling me i smile all the fucking time, so i guess i'm doing something right, | A | 5.538462 | 3.076923 | 5.769231 | 74 | Male |
you know what i mean? and i need to find the strong person that said that, and i just found that miraculously. it just encompassed it all in a nutshell, i wanted people to know out the gate. | O | 5.5 | 4.833333 | 5.5 | 74 | Male |
i wrote that record shortly after my grandmother died. | N | 4.4 | 3.6 | 4.6 | 74 | Male |
so i wrote that at a dark time for me, but that was a little bit of a release. | N | 3 | 3.8 | 4.2 | 74 | Male |
and she didn't even blink, i don't even know where she got the money. she just handed it to me. | U | 4.461538 | 2.846154 | 4.846154 | 74 | Male |
just because i'm a rapper that produces, don't expect a rap album that i produced. | A | 5.153846 | 3 | 5.307692 | 74 | Male |
that's why there's some funk music. that's why there's some 90's r&b, some slower soul. i wanted that. but my divine time project that i'm leading towards, | H | 5.058824 | 5.352941 | 5.117647 | 74 | Male |
he was like, "yo bro, how come your monitor's red?" and i'm like, yo, i'm baited. | X | 5.166667 | 4 | 5.333333 | 74 | Male |
we got booked to perform at celebration square at mississauga. | X | 4.2 | 5.4 | 4.8 | 74 | Male |
we jumped off stage, heard the kids running over to buy albums and get their signatures and shit, | H | 5.684211 | 5 | 5.526316 | 74 | Male |
and then supporting [inaudible 00:06:04], because you guys are making sure people get to find out about quality music and give them options and not just feel stuck with the fucking radio shit. | A | 5.230769 | 2.846154 | 5.461538 | 74 | Male |
itunes will have them and you can also listen or download them from... | N | 4 | 4.4 | 4.6 | 84 | Male |
all right, well welcome jonathan brewer, | H | 4.210526 | 5.263158 | 4.578947 | 84 | Male |
being here, being the first ever guest on this podcast, the frito show. | H | 4.166667 | 4.833333 | 4.833333 | 84 | Male |
so the plan with this podcast is to... | H | 4.2 | 4.6 | 4 | 84 | Male |
the artist from, well, mainly the oslo art scene. | H | 3.6 | 4.4 | 4.2 | 84 | Male |
in two galleries from the oslo art scene or people from the museums, or curators or... but not limiting to hear that. | N | 4.2 | 4.4 | 4.4 | 84 | Male |
i spend about half my time here, and about half of my time, either in new york or la. | N | 3.4 | 4 | 4.4 | 83 | Male |
i remember the first time i came into your studio, and i thought, "what the fuck is this guy doing?" at that time, you made the most ugly paintings ever. | D | 4 | 2.4 | 4.8 | 84 | Male |
or ugly in a very specific way, but i heard that a lot. | S | 2.8 | 2.6 | 3 | 83 | Male |
so i met a couple of these painters who kind of were beyond descaling, but in a different kind of way. and so you reminded me of that. | N | 3 | 4.2 | 3.4 | 84 | Male |
yeah, because you came straight from new york when you came to oslo i lived in new york for two years before i came to oslo | N | 2.8 | 4.2 | 3 | 84 | Male |
from there. yeah. | N | 2.2 | 3.8 | 3.4 | 83 | Male |
but you didn't have your schooling from new york, did you? | N | 2.363636 | 3.545455 | 3 | 84 | Male |
i studied liberal arts. undergrad. yeah. so the academy was really my first art school. | N | 3.818182 | 4.545455 | 4.363636 | 83 | Male |
i jumped in feet first and you know... | X | 3.4 | 4.2 | 3.6 | 84 | Male |
no. so as i said, i was really intrigued by your paintings because they were so ugly and you were | N | 4.8 | 5.2 | 3.8 | 84 | Male |
yeah. i mean, you also looked like the typical painter. with all the paint on the floor, the big mess. and, i mean, it looked like. | N | 3.4 | 3.8 | 3.8 | 84 | Male |
i mean, we're talking partly about a period in which i was still doing my masters. | N | 4 | 4.2 | 4.4 | 83 | Male |
you know, as i see your work, you tend also to kind of work in i say almost... | X | 3.6 | 4.8 | 4.4 | 83 | Male |
i spent six months in the studio, all day, every day. and then i spent six months at the coffee shop, doing nothing. | N | 4.2 | 4.8 | 3.6 | 83 | Male |
julio le parc, he's got a... he's an old artist. he's working mostly, | N | 2.5 | 4 | 3.5 | 83 | Male |
that is, as cynical. i think that it's true that you have to have that, but i also think that it's sometimes more | N | 2.125 | 3.6875 | 3.3125 | 83 | Male |
genuinely interesting when you try not to have that, try not to have that logo. | N | 2.416667 | 3.916667 | 3.083333 | 83 | Male |
yeah, i completely agree with you but... | N | 3.181818 | 4.272727 | 3.272727 | 84 | Male |
so reinventing yourself every year or so is professionally, sort of, disastrous, but... | N | 2.5 | 3.4 | 3.1 | 83 | Male |
no, i have a dual relation to that idea, because i | N | 3 | 3.6 | 3.2 | 84 | Male |
like to try stuff i can't do, but the truth is, in reality, i do stuff i can do. | N | 3.2 | 4.6 | 3.4 | 84 | Male |
and so even though i would wish to kind of push myself further in reality, often there is not enough time to push yourself. | N | 3.833333 | 4 | 4.666667 | 84 | Male |
my big example for that is jack lohman who kind of works 19 hours a day. did his day job, did his writing after that and | N | 3.5 | 4.166667 | 3.666667 | 84 | Male |
[crosstalk 00:08:46]. and i mean, in the end, it's hard to beat that. the benefits of labor. | N | 4 | 3.6 | 3.8 | 83 | Male |
but also the limitations of labor i think, as you said it's you take the time to kind of... | N | 2.6 | 3.4 | 3.6 | 83 | Male |
sit on a cafe and think, and read, and recharge, and... | N | 2.230769 | 4 | 2.538462 | 84 | Male |
yeah, i've discovered plenty of times that if i'm really in the studio a lot and in the studio day after day, after day, after day, it's even hard to make small talk at the bar or... | N | 3.058824 | 3.470588 | 3.823529 | 83 | Male |
your shape, you don't fit my painting. | U | 5 | 4.4 | 4.4 | 83 | Male |
and also that's a... | N | 2.333333 | 4 | 1.777778 | 84 | Male |
oh, you're here. you're here for a couple of weeks. | H | 5 | 4.6 | 4 | 83 | Male |
and so the last year you spent basically, well, you said you spent it in los angeles, but whenever i talked to you, you were in florida, you were in... | X | 2.916667 | 3.416667 | 3.166667 | 84 | Male |
i tell people i live in la, but it's sort of a lie. i've been in la about six months out of last year, but not straight. i go to la and i go somewhere else, and i go back to la for a little bit. | N | 2.2 | 4 | 3 | 83 | Male |
the york motel and eagle rock. if anybody knows los angeles. | X | 4.4 | 3.8 | 4.4 | 84 | Male |
lot of drug addicts and families. drug addict families. | S | 3.181818 | 2.727273 | 3.363636 | 83 | Male |
so i've been living there and just to avoid having to commit to a lease. | N | 3.052632 | 3.473684 | 3.368421 | 83 | Male |
yeah. raid projects is this great gallery space. they don't put on exhibitions that regularly, but [crosstalk 00:09:50]. | H | 4.2 | 5.4 | 4.4 | 83 | Male |
and after that, they stopped doing the shows, but normally it was... | N | 2.846154 | 3.538462 | 3.076923 | 84 | Male |
that's a beautiful, it's really close to downtown and close to chinatown. | H | 2.882353 | 5.117647 | 3.941176 | 84 | Male |
yeah, it's close to downtown, it's in lincoln heights. they're actually ending the residency | N | 3.2 | 4.2 | 3.4 | 83 | Male |
in 2014, i think. i think they've already stopped accepting applications. | N | 2.705882 | 3.764706 | 3.117647 | 83 | Male |
but i mean, it's been going on for a number of years, and i think that the guy that's running it, the guy that's actually doing the day-to-day running it now- who is that now? jason. | X | 3.8 | 3.8 | 3.6 | 83 | Male |
but anyway, i think he's moving on to something else, and i think they just decided they don't have anybody | N | 3.083333 | 3.416667 | 3.416667 | 83 | Male |
[crosstalk 00:00:34]. it's [crosstalk] together. yeah? yeah. it was cypress college in cyprus. | N | 3.2 | 4.6 | 3.2 | 84 | Male |
well, that too. but also, basically my whole body of work started there. it started with one picture i took in- | N | 2.8 | 4.2 | 2.8 | 84 | Male |
well, what i found most surprising was just how small the los angeles arts... | N | 2.6 | 4.2 | 4 | 83 | Male |
i mean, new york is a city of 10 plus million people, los angeles as a city of- | N | 2.875 | 4.25 | 3.75 | 83 | Male |
it's less accessible, so kind of the infrastructure, you have to get there by car. so i mean, there's a certain routine [crosstalk 00:01:08]. | N | 3 | 3.4 | 3.6 | 84 | Male |
you can discover galleries in new york. and in la, you basically have to go to the area where the galleries are. | N | 2.8 | 4.2 | 3.4 | 84 | Male |
mm-hmm (affirmative). so, there's a little bit of a lack of accessibility, in that sense. as an outsider, you can't just... | N | 2.4 | 3.8 | 3.4 | 83 | Male |
didn't seem like people were trying to glean a lot from them, about what's happening in europe. | S | 2.727273 | 3.181818 | 3.363636 | 83 | Male |
it's just a different kind of vibe you have to... | N | 2.636364 | 3.818182 | 3.272727 | 83 | Male |
yeah. but so back to you avoiding la. i mean, | N | 4 | 3.8 | 4.6 | 84 | Male |
yeah, you got the residency and whole bunch of artists been there lately. and especially two years ago, everybody was going to [inaudible 00:01:41], | N | 2.315789 | 3.947368 | 2.789474 | 84 | Male |
too, one and a half years ago. yeah. yeah. i was quite envious. i want to go back. i love my los angeles. | S | 1.727273 | 3.818182 | 2.363636 | 84 | Male |
you look to any european city, of course they've been founded a lot earlier, but they've been rebuilt 20 times, as well. | N | 3.6 | 4.2 | 3.4 | 84 | Male |
well, we've both been in detroit last summer, and i thought it was a fantastic city. | N | 3.4 | 5 | 4.2 | 84 | Male |
i don't think so, but i mean... | H | 4.333333 | 5.166667 | 3 | 84 | Male |
one thing i've been hearing about detroit, and it seemed that way to me when we were there, is that once you get that | N | 2.5625 | 4.3125 | 3.1875 | 83 | Male |
low, you can really completely reinvent yourself. and it seems like detroit's... | N | 2.5 | 3.444444 | 3.277778 | 83 | Male |
no, but... | N | 2 | 3.6 | 3 | 84 | Male |
i would love to be able to work in detroit and produce in detroit, because it's so cheap there. and then spend half time here. | N | 3 | 4.4 | 4.2 | 83 | Male |
but isn't that also kind of... | N | 2.555556 | 3.555556 | 3.111111 | 84 | Male |
still new york and london, and it's going to be that way for a long time, i think. but i see that as a really... | N | 4 | 4 | 4 | 83 | Male |
i see that as a good thing, though. i mean, i'm interested in being able to have a foot in two cities, and... | H | 2.777778 | 4.777778 | 3.277778 | 83 | Male |
you're three months there. you're three months there. you're three months there. and i mean, i think two studios is realistic. three studios becomes- | N | 3.4 | 3 | 3.8 | 84 | Male |
two studios isn't even all that uncommon. no. i mean, a lot of artists do that. but | N | 2.555556 | 3.888889 | 2.444444 | 83 | Male |
still, i mean, i love the idea, and you were seriously considering, also, this just now, to kind of set it up more. | N | 4.2 | 4.6 | 3.4 | 84 | Male |
well, i mean unless some disaster occurs, that's what i'm going to be doing over the next year because i've been traveling for the last year, basically without... | N | 2.352941 | 4.352941 | 3.411765 | 83 | Male |
yeah. talking about traveling, you've just | N | 3.2 | 3.8 | 3.4 | 84 | Male |
been in france lately, to visit our good friend. | N | 2.666667 | 4.833333 | 3.25 | 84 | Male |
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