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1eNRgAiXWD0@3@Liz@intention@second | videos/1eNRgAiXWD0.mp4 | intention_questions | second-order | What does Liz think the man intends by raising his hands slightly? | C | The man's reaction, including his raised hands and expression of surprise, suggests he is processing Liz's apology and offer. Liz interprets this as a sign of cautious openness, indicating he is considering her sincerity. | the man | Liz | Liz, woman in yellow cardigan | when he first reacts to her saying sorry and offering hot sauce | He intends to playfully downplay the situation by exaggerating a surprised gesture, hinting he doesn't take her seriously. | He intends to dismiss her apology and make it clear that he is not willing to reconcile at this moment. | He intends to signal cautious openness but remains unsure about trusting her | He intends to convey uncertainty about what she's saying, without revealing whether he cares about the outcome. |
1eNRgAiXWD0@5@Liz@intention@second | videos/1eNRgAiXWD0.mp4 | intention_questions | second-order | What does Liz think the man expects from her when he says 'What do you want, Liz?'? | B | Liz perceives the man's question as a test of her sincerity, indicated by his neutral expression and slight head shake. She believes he expects a straightforward answer to assess her trustworthiness. | man | Liz | Liz, dark skin, yellow cardigan | when the man speaks to Liz | She thinks he expects her to respond with irritation, challenging his motives and possibly starting an argument. | She thinks he expects a sincere and straightforward answer to judge her trustworthiness. | She thinks he expects her to openly admit to making a mistake right away so he can see if she feels guilty. | She thinks he expects her to sidestep the question, giving vague responses that leave him feeling exasperated. |
1FAUqrJnsMs@2@John@intention@second | videos/1FAUqrJnsMs.mp4 | intention_questions | second-order | What does John think Mary intends by talking to him about his eating habits? | C | John perceives Mary's comment as a subtle expression of dissatisfaction, possibly using Greg's presence as a reason to bring up the topic. | Mary | John | John, man in white shirt | when Mary says 'Honey, you eat, like, four chickens a day.' | John thinks Mary intends to use the conversation about his eating habits to refer indirectly to Greg, suggesting Greg should also change his behavior without confronting him. | John thinks Mary intends to shift the group's focus away from Greg by bringing up his eating habits, hoping to avoid discussing Greg altogether. | John thinks Mary intends to subtly express dissatisfaction with his habits, possibly using Greg's presence as a pretext. | John thinks Mary intends to make a lighthearted jab at him about his eating habits to get a rise out of him, but not to start a serious discussion. |
1FAUqrJnsMs@4@John@belief@second | videos/1FAUqrJnsMs.mp4 | belief_questions | second-order | What does John think Mary believes about his feelings toward the bathroom redo task? | C | John interprets Mary's sarcastic suggestion as a sign that she is aware of his reluctance and insecurity about the task. Her tone and his defensive posture indicate that she might be mocking his perceived lack of ability. | Mary | John | John, man in white shirt | while Mary talks to him about overseeing the bathroom redo | John thinks Mary believes he doesn't mind and will go along with the bathroom redo easily. | John thinks Mary believes he doesn't fully grasp why the bathroom redo matters to her. | John thinks Mary believes he feels reluctant or insecure about the task. | John thinks Mary believes he is motivated and self-assured about handling the bathroom redo. |
1FAUqrJnsMs@3@John@belief@second | videos/1FAUqrJnsMs.mp4 | belief_questions | second-order | What does John think Mary believes about his ability to do the renovation? | A | Mary's warm praise of Jimmy and lack of direct support for John suggest she doubts John's capability, which he perceives as a preference for Jimmy's help. | Mary | John | John, man in white shirt | after Mary praises Jimmy and John speaks | She believes John is not capable and prefers Jimmy’s help | She believes John wants to take on the renovation to prove a point to Jimmy. | She believes the renovation is unnecessary because they might move soon. | She believes John is experienced but still prefers Jimmy’s approach. |
1Igt8Zl7xwM@5@Young Woman@intention@first | videos/1Igt8Zl7xwM.mp4 | intention_questions | first-order | What does Young Woman intend by saying the line again with a lowered gaze? | D | The Young Woman repeats the line with a lowered gaze to emphasize its emotional significance, aiming to engage the older man more deeply. Her steady yet emotional voice and reflective gaze suggest she is not avoiding eye contact but rather highlighting the passage's importance. | Young Woman | Young Woman | Young Woman, glasses, light jacket | Young Woman says the line again with a lowered gaze while reading the passage aloud. | She intends to express her uncertainty about the passage's interpretation by repeating the line while lowering her gaze. | She intends to conceal her nervousness from the older man by looking down and repeating the line softly. | She intends to shift the older man's attention away from the passage's literal meaning by subtly drawing focus to her personal reaction. | She intends to emphasize the emotional weight of the passage to engage the older man more deeply. |
1Igt8Zl7xwM@1@Young Woman@intention@first | videos/1Igt8Zl7xwM.mp4 | intention_questions | first-order | What does Young Woman intend by putting her arms around the older man from behind while saying she has something for him? | D | The Young Woman's warm smile and gentle embrace indicate her intention to create a moment of emotional closeness, setting the stage for a surprise gift she believes will please the older man. | Young Woman | Young Woman | Young Woman, long dark hair | Young Woman: 'I got you something. Hold on.' (She puts her arms around the man's neck.) | To ease potential tension by initiating physical contact, as she is unsure how he will interpret her actions and wants to test his comfort level. | To divert his attention from an object or event she is organizing nearby, hoping he remains unaware of her true preparations. | To subtly signal that she is leading the situation, demonstrating her influence and setting the tone for their interaction. | To create a moment of emotional closeness and prepare him for a surprise gift she believes will please him |
1Igt8Zl7xwM@2@Young Woman@intention@first | videos/1Igt8Zl7xwM.mp4 | intention_questions | first-order | What does the young woman intend by showing the book to the older man? | D | The young woman shows the book with a smile, indicating her eagerness to share something meaningful. Her actions suggest she wants to engage the older man and create a moment of connection. | Young Woman | Young Woman | Young Woman, long dark hair, cardigan | when she holds up the book and smiles | She intends to steer the conversation away from a sensitive subject by introducing the book as a way to shift his focus. | She intends to find out whether the man has any recollection of the book or recognizes its importance from the past. | She intends to demonstrate that her familiarity with the man's possessions surpasses his, highlighting her superior awareness. | She intends to capture the man's attention and share a meaningful discovery to evoke a connection. |
1Igt8Zl7xwM@4@Young Woman@intention@first | videos/1Igt8Zl7xwM.mp4 | intention_questions | first-order | What does the Young Woman intend by saying the poem title aloud? | B | The Young Woman reads the poem title calmly to gently introduce the Older Man to a potentially serious topic, ensuring the atmosphere remains controlled and composed. Her steady voice suggests she is mindful of the emotional impact the poem might have. | Older Man | Young Woman | Young Woman, glasses, gray cardigan | Young Woman says the poem title aloud. | She intends to lighten the mood and make the situation less formal, using the poem's title as a playful gesture. | She intends to prepare the man gently for a serious or emotional topic, maintaining control over the atmosphere. | She intends to elicit a noticeable reaction from the man, using a forceful delivery of the poem's title to heighten its impact. | She intends to steer the conversation away from a previous subject by drawing attention to the poem's title at that moment. |
1uw20slrGZw@2@David@desire@second | videos/1uw20slrGZw.mp4 | desire_questions | second-order | What does David think Anna desires when she gives a short answer and looks at him? | D | David interprets Anna's brief response and reserved demeanor as a sign that she wants to maintain a positive relationship without committing to a deeper involvement. Her subtle body language suggests she is avoiding confrontation or commitment. | Anna | David | David, man in beige jacket | right after Anna’s verbal reply | He thinks she desires to move the relationship forward quickly by expressing strong feelings right away. | He thinks she desires to be ambiguous on purpose, hoping to see how he will interpret her actions. | He thinks she desires to finish their conversation as soon as possible because she is not interested in continuing. | He thinks she desires to avoid confrontation or commitment while still keeping the relationship positive. |
1uw20slrGZw@3@Anna@intention@first | videos/1uw20slrGZw.mp4 | intention_questions | first-order | What does Anna intend by saying she agrees to meet David's family at this moment? | D | Anna's intention to deepen the relationship is evident from her sincere words and the contrast between her smile and earlier nervousness. Despite feeling anxious, her commitment to moving forward is genuine. | Anna | Anna | Anna, woman in red jacket | immediately after Anna says 'I'd love to.' | Anna intends to reassure David in the moment, even though she feels unsure about meeting his family. | Anna intends to agree now to keep things peaceful, but she is considering changing her mind if she feels uncomfortable later. | Anna intends to see how David responds to her agreement, to gauge his seriousness before she fully commits. | Anna intends to genuinely deepen the relationship despite her nervousness about future questions. |
1uw20slrGZw@3@Anna@intention@second | videos/1uw20slrGZw.mp4 | intention_questions | second-order | What does Anna think David intends when he hesitates after she agrees to meet his family? | B | Anna perceives David's hesitation as a sign of surprise and caution, indicated by his searching gaze and pause. She interprets this as him processing the seriousness of her response. | David | Anna | Anna, woman in red jacket | right after Anna says 'I'd love to.' and David starts to speak but stops | Anna thinks David intends to subtly challenge her enthusiasm, wondering if she truly wants to meet his family right now. | Anna thinks David intends to express surprise and maybe caution about the seriousness of her answer. | Anna thinks David intends to backtrack on his offer, feeling uncertain about her response and possibly regretting inviting her. | Anna thinks David intends to steer the conversation toward lighter subjects, signaling discomfort with talking about their relationship's next steps. |
1uw20slrGZw@1@Anna@belief@second | videos/1uw20slrGZw.mp4 | belief_questions | second-order | What does Anna think David believes about her reaction to the truth he is avoiding? | D | Anna senses that David is cautious and downplaying his actions because he anticipates she will be upset or disappointed by the truth he is avoiding. | David | Anna | Anna, woman in red jacket | Anna says 'Please just ask. You’re beginning to terrify me.' | David believes Anna will be unaffected and simply move on after he reveals the truth. | David believes Anna will dismiss the truth because she has complete confidence in him. | David believes Anna will find his honesty entertaining or will appreciate it in a lighthearted way. | David believes Anna will be upset or disappointed by the truth |
1uw20slrGZw@2@Anna@intention@first | videos/1uw20slrGZw.mp4 | intention_questions | first-order | What does Anna intend by saying 'That's it' in response to David's invitation? | D | Anna's response 'That's it' suggests she is tentatively agreeing to the invitation but is not fully committed due to her nervousness about the implications of meeting David's family. Her reserved tone and slight wince indicate underlying hesitation. | Anna | Anna | Anna, woman in red jacket | immediately after David talks to Anna about coming for dinner and meeting his family | To politely decline David's invitation, making it clear she does not wish to participate. | To subtly shift focus to another topic so she doesn’t have to reveal her true feelings about the invitation. | To express clear excitement and immediately accept the invitation, showing she is fully on board. | To signal tentative agreement while withholding full commitment due to underlying nervousness |
1zYhWRGd7xQ@4@character_2@belief@second | videos/1zYhWRGd7xQ.mp4 | belief_questions | second-order | What does Man think the woman believes about his feelings when he says 'Can't you tell?' | B | The man's gentle tone and the woman's searching gaze indicate she believes he loves her but is unsure about trusting or accepting it. Her emotional struggle is evident as she weighs his sincerity against her fears. | Woman | character_2 | Man, gentle demeanor | right after she asks if he loves her | She believes he is being lighthearted and not revealing his true feelings, treating the conversation as a joke. | She believes he loves her but is unsure whether to trust or accept it | She believes he is exaggerating or pretending to have feelings for her in order to get a reaction. | She believes he is emotionally distant, not expressing any genuine affection or concern for her. |
1zYhWRGd7xQ@1@character_1@desire@second | videos/1zYhWRGd7xQ.mp4 | desire_questions | second-order | What does Mary think Matt desires by saying his plan and allowing refusal? | A | Mary perceives Matt's calm presentation and allowance for refusal as a sign that he desires to express his ideas and hopes, even if she might refuse. His demeanor suggests he is hopeful and wants to communicate his thoughts. | Matt | character_1 | Mary, blonde woman in white jacket | as Matt says his plan and invites feedback | Mary thinks Matt desires to express his hope and ideas even if she might refuse. | Mary thinks Matt desires to find a compromise together, even though he expects she may not support it. | Mary thinks Matt desires to observe her reactions to his plan, gauging how she responds to his openness. | Mary thinks Matt desires to influence her decision by appearing relaxed, so she will feel comfortable agreeing. |
1zYhWRGd7xQ@1@character_1@intention@first | videos/1zYhWRGd7xQ.mp4 | intention_questions | first-order | What does Mary intend regarding her response to Matt's plan during the conversation? | A | Mary's concerned expression and direct eye contact suggest she is considering Matt's plan despite her initial concern. Her posture indicates internal conflict rather than outright rejection. | Mary | character_1 | Mary, blonde woman in white jacket | while Matt is explaining his plan and asking her to respond | Mary intends to consider Matt's plan despite her initial concern. | Mary intends to subtly support Matt's plan while pretending to oppose it. | Mary intends to decline Matt's plan because she feels it would conflict with her values. | Mary intends to sidestep making a decision by changing the topic whenever Matt brings up his plan. |
1zYhWRGd7xQ@3@character_1@intention@first | videos/1zYhWRGd7xQ.mp4 | intention_questions | first-order | What does Mary intend by her silence and looking down during the man's remarks? | B | Mary's silence and downward gaze suggest she is taking time to process the man's playful remarks. Her contemplative posture indicates she is hesitant and needs to understand the implications before responding. | Mary | character_1 | Mary, blonde woman in white jacket | while the man is talking about photo ops | She intends to signal her quiet approval, but masks it by avoiding direct eye contact. | She intends to process the implications of his words before responding, showing hesitation. | She intends to show that his comment doesn't matter to her, using silence to convey indifference. | She intends to steer the conversation away immediately, looking for a way out of the current topic. |
1zYhWRGd7xQ@4@character_2@emotion@second | videos/1zYhWRGd7xQ.mp4 | emotion_questions | second-order | What does Man think the woman feels when she talks about his intentions and looks down? | B | The woman's soft questioning and downward gaze indicate she is feeling overwhelmed and anxious. Her gestures and tone suggest uncertainty about the future, aligning with the man's perception of her emotional state. | Woman | character_2 | Man, gentle demeanor | during her talking about the man’s love | She feels frustrated, disappointed, and hurt by the man's actions | She feels overwhelmed, anxious, and uncertain about the future | She feels hopeful, optimistic, and excited to see what the man will say next | She feels emotionally distant, distracted, and unconcerned about the man's intentions |
27-iN-FP-4s@1@Petra@desire@second | videos/27-iN-FP-4s.mp4 | desire_questions | second-order | What does Petra think the man desires by saying with a smile? | C | The man's calm correction, accompanied by a smile, suggests he wants to assert his knowledge without disrupting the harmony of the interaction. His demeanor indicates a desire to be seen as correct but also considerate of Petra's feelings. | man | Petra | Petra, red hair, bright blue top | after his response, while maintaining gaze on Petra | To subtly establish authority over Petra and guide the discussion his way | To mask his nervousness about the topic and shift attention away from himself | To assert his correctness while preserving harmony | To steer clear of direct disagreement by making his correction seem lighthearted |
27-iN-FP-4s@1@Petra@intention@first | videos/27-iN-FP-4s.mp4 | intention_questions | first-order | What does Petra intend by saying about the bird's identity? | D | Petra's question about the bird seems to be a subtle way to gauge the man's reaction, possibly to understand his knowledge or to see how he engages with her. Her neutral expression and stillness suggest she is not merely curious but has a deeper intention behind the question. | Petra | Petra | Petra, red hair, bright blue top | while standing still and speaking | To intentionally spark a playful debate in order to see how the man responds to challenges | To redirect the conversation toward a neutral topic because she feels uncomfortable with the previous subject | To sincerely verify the bird's species, focusing solely on factual information, without any underlying motive | To subtly test the man's reaction or knowledge without revealing her own uncertainty |
27-iN-FP-4s@4@Man@intention@second | videos/27-iN-FP-4s.mp4 | intention_questions | second-order | What does Man think Petra intends by speaking and gathering courage to say 'You know I love you'? | C | The man's interpretation of Petra's serious tone and courage suggests he believes she is trying to reassure him of her commitment. Her demeanor indicates a sincere attempt to connect emotionally. | Petra | Man | Man, young man in dark suit | Petra talks to the man, gathering her courage | He thinks Petra intends to bring up unresolved issues between them by saying 'You know I love you', possibly starting a difficult conversation. | He thinks Petra intends to shift the topic away from something uncomfortable by expressing her love, hoping to change the mood. | He thinks Petra intends to reassure him of her commitment despite any doubts he may have. | He thinks Petra intends to sway his feelings by using her declaration as a way to influence his reaction, making him feel pressured. |
2qLtqZOlSEg@1@character_1@intention@second | videos/2qLtqZOlSEg.mp4 | intention_questions | second-order | What does Emma think Liam intends by putting her on the bar stool and giving her a small kiss? | C | Emma perceives Liam's actions as an attempt to calm her down and provide reassurance. His gentle demeanor and the act of seating her suggest he wants to create a comforting environment. | Liam | character_1 | Emma, woman in green shirt | after Emma talks about whether the mom will get upset about the kitchen | Emma thinks Liam intends to minimize her worries and show that he isn't worried about the situation. | Emma thinks Liam intends to set boundaries by physically placing her apart from the situation. | Emma thinks Liam intends to calm her anxiety and create a safe, intimate space. | Emma thinks Liam intends to shift her attention away from the argument by using affection. |
2qLtqZOlSEg@2@character_1@intention@second | videos/2qLtqZOlSEg.mp4 | intention_questions | second-order | What does Emma think Liam intends by rummaging through the fridge while talking about his cooking? | D | Emma perceives Liam's confident demeanor and engagement with the fridge as an attempt to impress her with his cooking skills. | Liam | character_1 | Emma, dark hair, green top | Liam looks through the fridge and smiles | She thinks Liam intends to lighten the mood by making playful comments about cooking while searching in the fridge. | She thinks Liam intends to steer the conversation away from their current topic by drawing attention to food and the fridge. | She thinks Liam intends to distract her from the cooking discussion by secretly putting something away in the fridge. | She thinks Liam intends to impress her by showing he can actually cook and be casual about it. |
2qLtqZOlSEg@3@character_1@intention@second | videos/2qLtqZOlSEg.mp4 | intention_questions | second-order | What does Emma think Liam intends by presenting the pancakes with a 'Ta-da!' flourish? | A | Emma perceives Liam's 'Ta-da!' flourish as an attempt to impress her and seek approval, using exaggerated pride to mask his modesty. | Liam | character_1 | Emma, dark hair, playful | Liam stands near the stove and shows the plate | To impress Emma and seek approval through exaggerated pride | To highlight his own cooking skills in a self-congratulatory way, expecting praise for his effort | To lighten the mood and cover up his nervousness by turning the moment into a joke | To playfully respond to Emma's earlier comments by exaggerating for comedic effect |
2qLtqZOlSEg@4@character_1@intention@second | videos/2qLtqZOlSEg.mp4 | intention_questions | second-order | What does Emma think Liam intends by saying 'Waffles' while showing the box? | B | Liam's triumphant posture and vocal emphasis on 'Waffles' suggest he is trying to impress Emma by presenting the waffles as a valuable find. Emma's feigned shock indicates she understands his intention to lighten the mood. | Liam | character_1 | Emma, woman with long dark hair | when Liam says 'Waffles' holding the box | He intends to distract Emma from noticing that there is hardly any other food left by showing her the waffles box. | He intends to impress Emma by making the waffles seem like a valuable find | He intends to steer the conversation away from a tense topic by bringing up the waffles as a diversion. | He intends to gauge Emma's feelings about waffles by watching how she reacts when he presents the box. |
2qLtqZOlSEg@1@character_1@emotion@first | videos/2qLtqZOlSEg.mp4 | emotion_questions | first-order | What complex emotion is Emma experiencing as she speaks and looks over her shoulder? | B | Emma's quick speech and worried glances suggest she is anxious and seeking reassurance. Her behavior indicates a mix of anxiety and a desire for control over the situation. | Emma | character_1 | Emma, woman in green shirt | as she talks about whether the mom will get mad about the kitchen | Detachment from the conversation, as if she doesn't care about what's being said or its outcome. | Anxiety mixed with a need for reassurance and control. | Eager anticipation, thrilled by what she expects to happen next as she glances back. | Frustration with Liam, believing he's deliberately complicating things yet again. |
2S8FhT1CLOQ@2@character_1@belief@second | videos/2S8FhT1CLOQ.mp4 | belief_questions | second-order | What does Man in gray suit think Bob believes about Man in gray suit's reaction to Jim Young's accomplishments? | C | Bob's slight smile and direct eye contact suggest he anticipates a positive reaction from the Man in gray suit, indicating he believes the Man in gray suit will be impressed by Jim Young's accomplishments. | Bob | character_1 | Man in gray suit | after Bob talks about Jim Young being a deacon in his church | He thinks Bob believes Man in gray suit will be surprised and seek more information. | He thinks Bob believes Man in gray suit will question the validity of Jim Young's accomplishments. | He thinks Bob believes Man in gray suit will be impressed and approve. | He thinks Bob believes Man in gray suit will not care and shift the conversation elsewhere. |
2S8FhT1CLOQ@3@character_1@intention@second | videos/2S8FhT1CLOQ.mp4 | intention_questions | second-order | What does Man in gray suit think Bob intends by starting his critique with 'Listen, Bob, no offense' before saying Jim Young is an idiot? | D | The man in gray suit perceives Bob's initial polite phrase as a strategic move to soften the impact of his harsh critique, aiming to provoke a reaction by challenging the man's admiration for Jim Young. | Bob | character_1 | Man in gray suit | just before Bob starts speaking about his judgment | Bob is trying to steer the conversation in a different direction by mentioning Jim Young, believing I might not realize he wants to avoid my opinions. | Bob wants to make sure he doesn't upset me, thinking I will agree with his criticism and endorse his negative view of Jim Young. | Bob feels unsure about criticizing Jim Young and is seeking validation from me, hoping I will back up his strong opinion. | Bob tries to soften the blow to appear polite but actually aims to provoke a strong reaction by contradicting my admiration |
2S8FhT1CLOQ@3@character_2@belief@second | videos/2S8FhT1CLOQ.mp4 | belief_questions | second-order | What does Bob think the man in gray believes about Jim Young when Bob talks to him? | C | Bob perceives the man in gray suit's serious demeanor as indicative of admiration for Jim Young, which contrasts with Bob's own negative opinion. Bob's sharp critique is aimed at challenging this perceived admiration. | Man in gray suit | character_2 | Bob, red shirt, seated | when Bob calls Jim Young 'an idiot' and the man in gray listens | Bob thinks the man in gray doubts Jim Young's abilities and frequently challenges his decisions. | Bob thinks the man in gray is uncertain about Jim Young's skills and isn't sure if he can trust his judgment. | Bob thinks the man admires Jim Young and believes in his competence. | Bob thinks the man in gray neither cares nor pays much attention to Jim Young's performance or reputation. |
2S8FhT1CLOQ@4@character_1@intention@first | videos/2S8FhT1CLOQ.mp4 | intention_questions | first-order | What is Man in gray suit's intention when he says, 'Well, maybe you just don't know what to look for'? | B | The Man in gray suit aims to make Bob question his trust in Jim Young by suggesting that Bob's judgment is flawed. This is indicated by his serious gaze and focused tone, which are intended to cast doubt on Bob's perspective. | Bob | character_1 | Man in gray suit | when Man in gray suit looks downward during the argument | To subtly shift the focus of the discussion so that the disagreement is glossed over, avoiding direct conflict with Bob. | To make Bob question his trust in Jim Young by implying his judgment is flawed. | To vent his annoyance at Bob, signaling dissatisfaction but not truly aiming to influence Bob's stance. | To suggest that Bob could be correct and admit his own possible misunderstanding of what is happening. |
2tug1F9IHEc@1@character_1@intention@second | videos/2tug1F9IHEc.mp4 | intention_questions | second-order | What does the Older Woman with short curly dark hair think the man with gray hair believes about her intentions when she talks to him? | D | The Older Woman's intense gaze and repeated emphasis on Steve's name suggest she is scrutinizing him, leading Steve to believe she is judging or challenging him. | Man with short gray hair, Steve | character_1 | Older Woman with short curly dark hair | while she repeats his last name and watches his reactions | She thinks Steve believes she is puzzled and only wants to find out where he is from, since his name sounds unusual to her. | She thinks Steve believes she is being welcoming and making an effort to learn more about him, even though his name stands out. | She thinks Steve believes she is detached and not paying attention to him, barely noticing his unusual name or why he is there. | She thinks Steve believes she is trying to judge or challenge him because of his unfamiliar name and presence. |
2tug1F9IHEc@2@character_1@belief@second | videos/2tug1F9IHEc.mp4 | belief_questions | second-order | What does the Older Woman with short curly dark hair think Steve believes about her intentions in talking to him? | D | The Older Woman believes Steve perceives her questioning as an attempt to expose any falsehoods in his engagement claim, given her focused and probing demeanor. | Steve | character_1 | Older Woman with short curly dark hair | character_1 (Older Woman with short curly dark hair): 'Steve?' She leans forward. | She thinks Steve believes she intends to be genuinely happy for his engagement and has no suspicions. | She thinks Steve believes she intends to avoid mentioning his engagement at all during their conversation. | She thinks Steve believes she intends to steer the conversation toward more neutral topics instead of focusing on his engagement. | She thinks Steve believes she intends to expose any falsehood in his engagement claim. |
2tug1F9IHEc@3@character_1@intention@second | videos/2tug1F9IHEc.mp4 | intention_questions | second-order | What does the Older Woman with short curly dark hair think Steve believes about her question on marriage? | A | Steve's attentive but neutral demeanor suggests he is cautious and aware of an underlying judgment, leading the Older Woman to think he believes she is judging him and trying to find flaws. | Steve | character_1 | Older Woman with short curly dark hair | immediately after asking the question | She thinks Steve believes she is judging him and trying to find flaws. | She thinks Steve believes she is making casual conversation and is only mildly interested. | She thinks Steve believes she completely accepts him and sees no need for further questions. | She thinks Steve believes she wants to avoid discussing his relationships or background. |
2tug1F9IHEc@4@character_1@intention@second | videos/2tug1F9IHEc.mp4 | intention_questions | second-order | What does the Older Woman think Steve intends by saying 'Three times, actually'? | B | Steve's calm demeanor and steady posture suggest he is trying to project confidence and control in the interaction, rather than being confused or evasive. | Steve | character_1 | Older Woman with short curly dark hair | right after Steve talks to her | She thinks Steve intends to impress her by highlighting his experience without actually explaining what happened. | She thinks Steve intends to appear confident and unshaken to maintain control of the interaction. | She thinks Steve intends to acknowledge some fault in a way that minimizes his responsibility, hoping she will be less upset. | She thinks Steve intends to sidestep her question by steering the conversation toward a less sensitive topic. |
2tug1F9IHEc@5@character_3@belief@second | videos/2tug1F9IHEc.mp4 | belief_questions | second-order | What does Woman with long red hair think Steve believes about the Woman with short curly dark hair’s attitude during this exchange? | C | Steve perceives the woman's gesture with her cigarette as a sign that she is testing him, expecting him to prove his competence. His engaged posture indicates he is aware of the subtle challenge and is trying to maintain his composure. | Steve | character_3 | Woman with long red hair | when the woman gestures with her cigarette after Steve's response | Steve believes she is uncertain, struggling to clarify her own position in the conversation. | Steve believes she is uninterested, not really paying attention to what he says or does. | Steve believes she is testing him and expects him to justify his competence. | Steve believes she is encouraging, trying to motivate him with positive reinforcement and reassurance. |
2uVdxC_gCro@1@character_1@desire@second | videos/2uVdxC_gCro.mp4 | desire_questions | second-order | What does the man think the pharmacist desires when she greets him and looks around? | B | The pharmacist's behavior of looking around while greeting suggests she is verifying the identity or expecting someone else, indicating a desire to ensure she serves the correct person. | Pharmacist | character_1 | Man, bald, beard, dark shirt | when the pharmacist first greets the man | He thinks she desires to subtly distance herself from him, possibly because she is unsure about his request or feels uneasy. | He thinks she desires to confirm she is serving the correct person or find someone else involved. | He thinks she desires to shift his attention to something else, maybe to cover up an error she made earlier in the process. | He thinks she desires to speed through the encounter without carefully checking details, perhaps to quickly move on to the next customer. |
2uVdxC_gCro@1@character_1@desire@first | videos/2uVdxC_gCro.mp4 | desire_questions | first-order | What does the man desire when he says he is picking up for Rivers but appears distracted? | D | The man appears slightly distracted and gives a brief response, indicating he wants to complete the transaction quickly without further interaction. | Man | character_1 | Man, bald, beard, dark shirt | when responding to the pharmacist's question about the last name | He desires to divert the pharmacist’s attention away from the prescription details. | He desires to avoid revealing the specific reason he is picking up the medication for Rivers. | He desires to maintain a polite conversation with the pharmacist so as not to seem rude, even while distracted. | He desires to receive the medication without delay or additional questions. |
2uVdxC_gCro@2@character_1@intention@second | videos/2uVdxC_gCro.mp4 | intention_questions | second-order | What does the man think the pharmacist believes about his reaction to the ID request? | A | The man quickly complies with the ID request, showing slight surprise, which suggests he is caught off guard but willing to cooperate. The pharmacist's professional demeanor likely leads him to believe she perceives his reaction as compliant yet unexpected. | pharmacist | character_1 | Man, bald, beard, dark shirt | when he hands over his ID | He thinks she believes he is compliant but somewhat caught off guard by the request. | He thinks she believes he is hesitant to show his ID because he might be hiding something. | He thinks she believes he is unconcerned about the ID request and views it as routine. | He thinks she believes he is irritated and only reluctantly provides his ID in response to her request. |
2uVdxC_gCro@4@character_1@emotion@first | videos/2uVdxC_gCro.mp4 | emotion_questions | first-order | What emotion does Man most likely feel as the pharmacist turns away to check further? | A | The man's composed yet attentive demeanor suggests he feels a mix of hope and apprehension, as he is uncertain about the resolution of the situation. | pharmacist | character_1 | Man, bald with beard | when the pharmacist says 'Give me a sec' and turns away | Man feels a mix of hope and apprehension, uncertain if the situation will be resolved quickly. | Man feels disappointment and mild acceptance, assuming the pharmacist won't be able to help but willing to wait regardless. | Man feels relaxed and unconcerned, believing the pharmacist will handle everything efficiently and that there's nothing to worry about. | Man feels irritation and restlessness, bothered by the lack of immediate answers and perceiving the pharmacist's actions as dismissive. |
2Yu8jVX4588@1@character_1@emotion@first | videos/2Yu8jVX4588.mp4 | emotion_questions | first-order | What emotion is Chuck most likely experiencing during his initial greeting? | C | Chuck is likely experiencing cautious optimism and determination, as shown by his steady tone and open gesture, despite the staff member's serious demeanor. | Chuck Wepner | character_1 | Chuck Wepner, plaid coat | while extending his hand and speaking | Calm neutrality and a lack of personal investment in how the greeting unfolds | Annoyance and irritation over the staff member’s slow or distracted acknowledgment | A mix of cautious optimism and determination to make a positive impression | Nervous apprehension and worry that his greeting will not be well received |
2Yu8jVX4588@1@character_2@belief@first | videos/2Yu8jVX4588.mp4 | belief_questions | first-order | What does Staff Member believe about Chuck Wepner's sincerity during the handshake offer? | D | The staff member believes Chuck is sincere, as indicated by Chuck's steady eye contact and calm tone, but remains cautious about fully trusting him. | Chuck Wepner | character_2 | Staff Member, striped garment, beard | when Chuck extends his hand and introduces himself | Staff Member believes Chuck is being overly assertive, possibly trying to intimidate or dominate through the handshake. | Staff Member believes Chuck is simply going through the motions of politeness, without any real investment in the gesture. | Staff Member believes Chuck is pretending to be friendly in order to gain favor or deflect suspicion from himself. | Staff Member believes Chuck is sincere but cautious about fully trusting him at this point |
326RvY72nmE@2@character_1@emotion@first | videos/326RvY72nmE.mp4 | emotion_questions | first-order | What complex emotion does Man experience when making the comment with a slight smile? | A | Man feels nervous yet confident, using humor to mask his insecurity. His smile and gesture show he is trying to appear lighthearted despite underlying tension. | Woman | character_1 | Man, young man gray shirt | while saying the 'real tight with your dad' comment | A mix of nervousness and playful confidence to mask insecurity | A sense of detachment from the woman's response, using humor mainly for his own entertainment. | Genuine amusement and lightheartedness, with no signs of underlying unease or self-doubt. | Subtle irritation at the woman's reaction, which he attempts to conceal by making a joking remark. |
326RvY72nmE@1@character_1@emotion@second | videos/326RvY72nmE.mp4 | emotion_questions | second-order | What emotion does Man think Woman is experiencing when she speaks over the lawnmower noise? | C | The woman's raised voice and focused gaze indicate urgency and frustration due to the noise, as she wants to ensure her invitation is clearly communicated. | Woman | character_1 | Man, young man gray shirt | when Woman says the party invitation again | Indifference toward both the conversation and the noise, as if neither really matters to her. | Playfulness, as she finds Man’s confusion and the noisy interruption entertaining. | Urgency mixed with frustration at the noise interfering with communication | Annoyance at Man, believing he is intentionally being difficult rather than missing her point due to the noise. |
3B_rRmkbA9I@5@character_1@desire@first | videos/3B_rRmkbA9I.mp4 | desire_questions | first-order | What does Anton Chigurh desire in making the storekeeper call the coin? | B | Anton Chigurh desires to instill fear and maintain psychological dominance. His calm demeanor and silence about the stakes highlight his control over the situation. | Anton Chigurh | character_1 | Anton Chigurh, man in black jacket | when asking the storekeeper to call it | He desires to unsettle the storekeeper by creating a sense of unpredictability and watching his reaction to the unusual situation. | He desires to instill fear and maintain psychological dominance without revealing his own intentions | He desires to end the encounter swiftly, using the coin toss as a way to terminate the conversation and move on without escalation. | He desires to create a sense of shared experience with the storekeeper, making the coin toss a moment of connection and mutual participation. |
3KKXeTAyFHU@1@character_1@emotion@first | videos/3KKXeTAyFHU.mp4 | emotion_questions | first-order | What emotion does Ethan most likely feel when he stands near the table? | D | Ethan's focused eyes and slight tension indicate he is cautiously anticipating the interaction, aiming to assert himself without causing conflict. | Ethan | character_1 | Ethan, dark hair, plaid shirt | as he approaches and talks to the group | He feels irritated and defensive, expecting criticism from the others at the table. | He feels at ease and lighthearted, eager to make the group laugh with a story. | He feels emotionally detached, uninterested in the group's conversation or presence. | He feels cautious anticipation mixed with a need to assert himself carefully. |
3SGIHbvcTRc@1@Elderly Woman@belief@second | videos/3SGIHbvcTRc.mp4 | belief_questions | second-order | What does the elderly woman think the young man believes about her explanation of 'protective ice' when he reacts? | D | The elderly woman thinks the young man believes she is making up a silly or unnecessary term to justify the ice cream’s appearance. His incredulous smile and tone suggest he finds the term humorous rather than serious. | young man | Elderly Woman | Elderly Woman, beige vest, blonde hair tied back | right after she says 'Look under the protective ice' | She thinks he believes she is providing a technical explanation that sounds implausible or exaggerated to him. | She thinks he believes she is misinformed and lacks understanding about the ice cream, so he questions her credibility. | She thinks he believes she is attempting to cover up the real reason for the ice cream’s state in order to avoid blame. | She thinks he believes she is making up a silly or unnecessary term to justify the ice cream’s appearance. |
47mT0jC_aXA@1@character_4@belief@first | videos/47mT0jC_aXA.mp4 | belief_questions | first-order | What does the woman in blue believe about the sincerity of the man's Thanksgiving greeting? | A | The woman in blue believes the greeting is more performative than sincere due to the forced cheerfulness in the atmosphere, which contrasts with her own subdued demeanor. | Woman with blue dress and headscarf | character_4 | Woman with blue dress and headscarf | when the man calls out from the yard | She believes the greeting is more performative than sincere because of the forced cheerfulness in the atmosphere. | She believes the greeting is intended as a subtle jab at the family, using irony to highlight underlying tensions. | She believes the greeting is just a customary statement repeated for appearances, lacking authentic emotion. | She believes the greeting expresses genuine appreciation for the family gathering, showing true happiness. |
47mT0jC_aXA@1@character_1@emotion@first | videos/47mT0jC_aXA.mp4 | emotion_questions | first-order | What does the man in dark green coat feel while saying 'Happy Thanksgiving, Earth people!'? | C | The man in the dark green coat feels a mix of forced enthusiasm and underlying tension because his elevated tone contrasts with the neutral mood, suggesting emotional complexity beyond pure joy. | man in dark green coat | character_1 | Man in dark green coat, short light hair | at the moment of saying the greeting | He feels somewhat awkward and out of place, delivering the greeting as a formality while trying to avoid drawing attention to himself. | He feels genuinely pleased to be with his family and offers the greeting with honest warmth, eager to celebrate together. | He feels a mix of forced enthusiasm and underlying tension because the cheerfulness seems strained and not fully natural. | He feels frustrated by the situation at home, covering up his irritation with an exaggeratedly friendly greeting to keep the atmosphere light. |
48aXQ4h-nK4@2@Veronica@emotion@first | videos/48aXQ4h-nK4.mp4 | emotion_questions | first-order | What complex emotions is Veronica likely experiencing while hearing about her coma and current situation? | D | Veronica is likely experiencing confusion and fear, but also holds a fragile hope for recovery, as shown by her worried expression and tense demeanor. | Veronica | Veronica | Veronica, blonde in white top | during the explanation of her medical history by the professional woman | Frustration and suspicion directed at the medical staff for possibly holding back information about her coma | Emotional numbness and a sense of distance from what is being explained to her | A sense of optimism and gratitude upon learning about the circumstances of her coma | Confusion mixed with fear and a fragile hope for recovery |
48aXQ4h-nK4@1@Veronica@emotion@first | videos/48aXQ4h-nK4.mp4 | emotion_questions | first-order | What does Veronica feel internally when she hears the doctor say her name? | C | Veronica feels apprehension and sadness because the doctor's calm tone contrasts with her inner turmoil, highlighting her emotional struggle. | Veronica | Veronica | Veronica, blonde woman in bed | immediately after the doctor speaks to her | She feels irritation because she thinks the doctor is minimizing her experience and ignoring her concerns. | She feels emotionally distant, as if she is observing the conversation from outside herself and is unaffected by what the doctor says. | She feels a mix of apprehension and sadness because the doctor's calm tone contrasts with her inner turmoil. | She feels reassured and hopeful, believing the doctor's calm tone means everything will work out favorably for her. |
48aXQ4h-nK4@3@Veronica@emotion@first | videos/48aXQ4h-nK4.mp4 | emotion_questions | first-order | What emotional state does Veronica experience while the doctor says the name of the psychiatric facility? | D | Veronica experiences confusion mixed with fear as the doctor's calm demeanor contrasts with her inner turmoil, highlighting her emotional conflict. | Veronica | Veronica | Veronica, blonde woman in bed | immediately after hearing 'Villette' | A sense of relief and cautious optimism, as Veronica believes knowing the facility's name offers hope for a positive outcome. | A sense of emotional numbness, as if Veronica is disconnected from the doctor's words and unable to process what is happening. | Frustration directed at the doctor for being so clinical, feeling upset that he doesn't acknowledge her anxiety or distress. | Confusion mixed with fear, because the calmness of the doctor contrasts with her own inner turmoil. |
4qEJTg4Gc-g@4@character_1@belief@first | videos/4qEJTg4Gc-g.mp4 | belief_questions | first-order | What does Bearded Man believe about Rob's outward behavior versus his internal qualities during the conversation? | D | The Bearded Man believes Rob's outward kindness masks a negative internal energy because he senses something unsettling beneath the surface. His nervous tone and contradictory statements reveal his ambivalence about Rob's true nature. | Rob | character_1 | Bearded Man, seated with tie | while describing Rob's nature and presence | He believes Rob's calm and reserved exterior reflects indecision, making it hard to judge whether Rob is trustworthy or not. | He believes Rob is genuine and consistently positive, trusting that Rob's words and actions are always well-intentioned. | He believes Rob's friendly demeanor is a cover for possible antagonism, suspecting Rob might be acting nice to hide a confrontational agenda. | He believes Rob's outward kindness masks a negative internal energy because he senses something unsettling beneath the surface. |
4RBnTZELQX8@1@Don Shirley@belief@second | videos/4RBnTZELQX8.mp4 | belief_questions | second-order | What does Don Shirley believe the standing man thinks about Don Shirley’s own feelings regarding their imprisonment? | A | Don Shirley believes the standing man thinks he is mostly unrepentant and defensive, which contributes to the standing man's frustration and dismissiveness. | standing man | Don Shirley | Don Shirley, African American man in dark suit | Don Shirley talks to the standing man about the officers outside the cell | He thinks Don Shirley is mostly unrepentant and defensive about their situation | He thinks Don Shirley is anxious to get out and willing to admit fault in order to fix things, even if it means compromising. | He thinks Don Shirley feels guilty and regretful about what happened and wishes he could undo his actions. | He thinks Don Shirley is calm and emotionally distant, acting as if their predicament does not affect him at all. |
4RBnTZELQX8@1@Don Shirley@desire@first | videos/4RBnTZELQX8.mp4 | desire_questions | first-order | What does Don Shirley desire regarding the standing man's emotional state during their interaction? | B | Don Shirley desires to calm the standing man's frustration and redirect his anger constructively, aiming to prevent escalation and encourage a broader perspective. | Don Shirley | Don Shirley | Don Shirley, African American man in dark suit | Don Shirley speaks to the standing man inside the prison cell | To express his disappointment directly and encourage the standing man to acknowledge the consequences of his actions, hoping for understanding | To calm the standing man’s frustration and redirect his anger constructively | To prompt the standing man to recognize how his choices negatively affected both of them, even if it increases tension | To hold back from engaging with the standing man's anger, preferring to maintain a sense of detachment for self-preservation |
4RBnTZELQX8@1@Don Shirley@emotion@first | videos/4RBnTZELQX8.mp4 | emotion_questions | first-order | What complex emotions is Don Shirley likely experiencing while sitting in the prison cell and talking to the standing man? | C | Don Shirley experiences a mix of shame for his past actions and defensiveness, as he tries to justify himself while addressing the standing man. | Don Shirley | Don Shirley | Don Shirley, African American man in dark suit | Don Shirley talks to the standing man | Frustration with the standing man for not understanding the consequences of his actions and for making light of the situation | A sense of satisfaction from being able to express his opinions to the standing man, even though they are in a difficult situation | A mix of shame for his past actions and defensiveness to justify himself | Emotional detachment from both the officers and the standing man, choosing not to engage with the seriousness of the moment |
4wdeBJ39Cuw@4@character_1@desire@first | videos/4wdeBJ39Cuw.mp4 | desire_questions | first-order | What does the woman desire by acknowledging her urge to punch the man but saying it has nothing to do with him? | D | The woman desires to express her frustration without harming the relationship, using humor and reassurance to maintain emotional safety. | Woman | character_1 | Woman with reddish-brown hair | Woman: 'It has nothing to do with him,' [Pointing at the man] | She desires to express her frustration in a way that keeps her feelings ambiguous, even though she attempts to clarify her intent. | She desires to elicit a defensive response from the man by mentioning her urge, despite her effort to reassure him. | She desires to distance herself from her emotional impulse by downplaying its importance, while still drawing attention to it. | She desires to relieve her emotional tension without damaging their relationship. |
4wdeBJ39Cuw@3@character_1@emotion@first | videos/4wdeBJ39Cuw.mp4 | emotion_questions | first-order | What does Woman truly feel about being back home during this moment? | D | The woman feels a mix of relief and irritation because being home provides comfort, but it doesn't completely alleviate her internal stress. Her expressions and tone suggest she is still processing her emotions. | Woman | character_1 | Woman with reddish-brown hair | while talking to the camera | She feels a deep sense of calm and happiness as if all her worries have disappeared upon returning home. | She feels mostly frustrated with the man, blaming him for her discomfort and annoyance since she left home. | She feels emotionally detached from being home, attributing her discomfort only to outside circumstances rather than anything within herself. | She feels relief mixed with lingering irritation because home soothes but doesn’t erase her internal stress. |
4zMKv8OVbMY@3@character_1@emotion@first | videos/4zMKv8OVbMY.mp4 | emotion_questions | first-order | What emotion is Woman most likely feeling when she says 'What about you?' | D | The woman is likely feeling a mix of curiosity and concern, wanting to understand the man's feelings while being cautious not to overstep. Her thoughtful expression indicates she is engaged and attentive. | Man | character_1 | Woman, seated with mug | just before the man talks about his sleep troubles | Mild irritation at Travis for not immediately sharing, as if she's frustrated by his vague responses. | Detached politeness, as if she's asking just to keep the conversation going without genuine interest. | Pleasure at reconnecting with Travis, finding happiness in their late-night talk regardless of his troubles. | Curious concern mixed with caution. |
4zMKv8OVbMY@1@character_2@belief@first | videos/4zMKv8OVbMY.mp4 | belief_questions | first-order | What does Man believe about the woman's thoughts when she laughs and covers her mouth after being startled? | B | The man believes the woman is embarrassed by her own startled reaction, as indicated by her laughter combined with covering her mouth, which signals embarrassment rather than hostility. | Woman | character_2 | Man, short dark hair, dark shirt | immediately after her surprised reaction | He believes she is playfully teasing him about sneaking up on her and finds the situation amusing. | He believes she is embarrassed by her own startled reaction and trying to cover it up | He believes she is momentarily upset with him for surprising her, and wants to let him know it bothered her. | He believes she is trying to hide her discomfort and is unsure whether she wants to continue the conversation. |
5ctQIheACWk@3@Character_1@desire@first | videos/5ctQIheACWk.mp4 | desire_questions | first-order | What does Man in dark suit desire when he says 'I want to feel like Cinderella for one night'? | B | The man in the dark suit desires to experience a different identity without the burden of external expectations. His serious yet wistful tone and gestures suggest a longing for transformation while maintaining authenticity. | Man in dark suit and white shirt | Character_1 | Man in light-colored shirt and dark pants | just after saying no to borrowing the suit | He desires to be embraced by the group by going along with their ideas, even though he was hesitant at first. | He desires to experience a different identity but without the burden of external expectations. | He desires to make fun of the notion of transformation by ironically mentioning Cinderella, revealing his discomfort. | He desires to avoid participating by making light of fairy tales, using a joke to divert attention from himself. |
5ctQIheACWk@2@Character_1@desire@first | videos/5ctQIheACWk.mp4 | desire_questions | first-order | What does the man in the light-colored shirt desire regarding the outcome of this interaction? | B | The man in the light-colored shirt desires to avoid conflict and reach an understanding, as indicated by his concerned posture and attentive listening. | Man in dark suit with red tie, white hair, glasses | Character_1 | Man in light-colored shirt, brown hair/beard | while the man in the dark suit speaks | He desires to quietly withdraw from the conversation, hoping to minimize his involvement and not draw attention. | He desires to avoid conflict and reach an understanding without damage to his reputation. | He desires to steer the discussion toward his own opinions, aiming to control its direction even if it risks escalating tension. | He desires to subtly pressure the man in the dark suit into taking responsibility, so he can improve his own standing in the situation. |
5dgeyv_fCO4@2@Nick@emotion@first | videos/5dgeyv_fCO4.mp4 | emotion_questions | first-order | What emotion is Nick primarily experiencing when he says, 'I don't need your help' loudly? | B | null | Nick | Nick | Nick, male, short dark hair | Nick talks loudly after Kate says she was trying to help | Emotional detachment from Kate’s worries, minimizing her feelings and ignoring her attempts to connect | Frustration mixed with vulnerability masked by defensiveness | A composed sense of self-reliance, projecting steadiness and confidence in managing alone | Satisfaction in reclaiming authority, feeling pleased to reestablish dominance in the conversation |
5dgeyv_fCO4@2@Nick@belief@first | videos/5dgeyv_fCO4.mp4 | belief_questions | first-order | What does Nick believe about Kate’s emotional state when she says, 'Oh, you could have fooled me'? | B | null | Nick | Nick | Nick, male, short dark hair | Kate speaks after Nick says something | He believes she is frustrated and defensive, preparing to challenge his authority directly | He believes she is hurt and skeptical about his rejection, feeling misunderstood | He believes she is emotionally distant, unwilling to engage with his concerns or worries | He believes she is being dismissively sarcastic, treating his words as a joke rather than genuinely responding |
5hXXFQLDsoA@1@Boy@desire@first | videos/5hXXFQLDsoA.mp4 | desire_questions | first-order | What does the boy desire regarding his interaction with the man at this moment? | B | The boy desires to maintain a neutral interaction to avoid any potential conflict or unwanted attention. His non-committal expression indicates a preference for calmness. | Boy | Boy | Boy with short dark hair | immediately after the man starts speaking to greet | He desires to excuse himself politely so he can leave without drawing attention. | He desires to avoid conflict and keep the interaction neutral. | He desires to trust the man enough to discuss what has been troubling him lately. | He desires to question the man’s motives and see how the man reacts to pressure. |
5hXXFQLDsoA@2@Boy@belief@first | videos/5hXXFQLDsoA.mp4 | belief_questions | first-order | What does the boy believe about the man’s reason for starting the conversation with a cigarette request? | C | The boy believes the man is trying to initiate a social connection indirectly through the cigarette request. The man's casual tone suggests a motive beyond the literal request. | Man | Boy | Boy, dark-haired youth | right after the man asks for a cigarette | That the man is evaluating whether the boy will admit if he has cigarettes, paying close attention to his answer | That the man is simply making small talk by asking for a cigarette, with no hidden motives involved | That the man wants to initiate a social connection in an indirect way | That the man is deliberately surprising the boy with his request to observe how the boy responds under pressure |
5I8SQFfh73U@1@character_2@emotion@first | videos/5I8SQFfh73U.mp4 | emotion_questions | first-order | What emotion does Dark-haired Man primarily experience during the light-haired man's description of 'constant yelling'? | D | The Dark-haired Man feels concern as he listens to the Light-haired Man's story about 'constant yelling.' His serious expression and attentive posture suggest he senses underlying distress despite the calm delivery. | light-haired man | character_2 | Dark-haired Man, black shirt | while hearing about the past experience | Annoyance, because the Dark-haired Man feels the light-haired man is overreacting about the situation. | Amusement, because the Dark-haired Man finds the way the light-haired man tells the story to be overly dramatic. | Indifference, because the Dark-haired Man is preoccupied with his own issues and doesn’t pay close attention to the story. | Concern, because he senses the light-haired man is troubled but not fully expressing it. |
5I8SQFfh73U@3@character_1@emotion@first | videos/5I8SQFfh73U.mp4 | emotion_questions | first-order | What complex emotional state does Light-haired Man experience while talking about writings on manipulating light and sound waves? | D | The combination of Light-haired Man's vacant gaze and concerned expression indicates a complex emotional state, likely involving nostalgia and anxiety about the topic's connection to his past. | Light-haired Man | character_1 | Light-haired Man, dark sweater | while holding the cup and talking | He feels confident and slightly amused as he explains the theories, enjoying the opportunity to display his intellectual abilities. | He feels emotionally distant, treating the discussion as a purely academic exercise without personal investment. | He feels mild frustration and restlessness, sensing the conversation is going off track and preferring to move on to something else. | He feels a mixture of nostalgia, anxiety, and unresolved curiosity about the topic connected to his past. |
5I8SQFfh73U@4@character_1@emotion@first | videos/5I8SQFfh73U.mp4 | emotion_questions | first-order | What complex emotion does Light-haired Man likely feel after being called 'Monsters.'? | D | The Light-haired Man likely feels a mix of hurt and controlled frustration but hides it behind neutrality. His serious expression and firm grip on the mug suggest emotional tension beneath calmness. | Dark-haired Man | character_1 | Light-haired Man, light brown hair, dark sweater | immediately after the word 'Monsters.' is spoken | Light-haired Man feels a surge of indignation and irritation, trying to mask his annoyance while maintaining a calm exterior. | Light-haired Man experiences a moment of surprise and faint amusement, as if the accusation is both shocking and slightly entertaining to him. | Light-haired Man reacts with emotional distance and a sense of resignation, deciding not to reveal any strong feelings or react openly. | Light-haired Man feels a mix of hurt and controlled frustration but hides it behind neutrality. |
5rkVGXHv2Ow@1@character_1@belief@first | videos/5rkVGXHv2Ow.mp4 | belief_questions | first-order | What does Mom believe about Grace’s true feelings despite her polite acknowledgment of Rachel’s scholarship? | C | Mom believes that Grace is masking her true feelings, which are conflicted or uneasy, despite her polite acknowledgment. Grace's subtle expressions suggest she is not entirely comfortable. | Grace | character_1 | Mom, curly blonde hair, purple blouse | while Grace listens and responds to Mom’s news | Mom believes Grace is disappointed and jealous, even if she tries to act normal. | Mom believes Grace is sincerely excited for Rachel, showing honest encouragement. | Mom believes Grace feels conflicted or uneasy but is hiding it | Mom believes Grace is uninterested and emotionally distant, not invested in Rachel's news. |
5rkVGXHv2Ow@1@character_2@emotion@first | videos/5rkVGXHv2Ow.mp4 | emotion_questions | first-order | What is Grace feeling internally while responding with a smile and speaking to Mom about the news? | B | Grace feels a mix of concern and cautious optimism, as indicated by her slight smile and neutral tone. Her expression suggests she is not entirely at ease with the news. | Grace | character_2 | Grace, blonde, red cardigan | immediately after Mom says Rachel's scholarship | Genuine happiness and enthusiasm, feeling completely confident about the news | A mix of concern and cautious optimism | A sense of detachment and lack of interest, paying little attention to what Mom is saying | Underlying annoyance and irritation, masking her true feelings with a polite smile |
5rkVGXHv2Ow@2@character_1@emotion@first | videos/5rkVGXHv2Ow.mp4 | emotion_questions | first-order | What emotion does Mom likely feel when she stands with hands on hips and looks at Grace before leaving? | D | Mom likely feels a mix of warmth and restrained disappointment, as indicated by her smile and hands on hips posture. This suggests she is trying to maintain a positive demeanor while managing underlying tension. | Mom | character_1 | Mom, purple blouse | just before Mom says 'Good night, sweetheart.' | A sense of annoyance and impatience, concealed behind a reassuring expression. | Genuine contentment and relaxation after a long day, downplaying the earlier conflict. | A detached attitude toward the family discussion, appearing emotionally uninvolved. | A mix of warmth and restrained disappointment. |
5VPK1NPQGUs@2@Josie@belief@second | videos/5VPK1NPQGUs.mp4 | belief_questions | second-order | What does Josie think Hank believes about her reason for being there? | A | Josie perceives Hank's cautious demeanor and partial retreat as signs that he might doubt her sincerity, suspecting she could be manipulating him to gain his help. | Hank | Josie | Josie, blonde woman, choker | while Josie is talking about Romero and describing her moving in | Josie thinks Hank believes she is exaggerating or manipulating to gain his assistance, despite her friendly demeanor. | Josie thinks Hank believes she is genuinely introducing herself as a new neighbor and sincerely asking for help because Romero suggested it. | Josie thinks Hank is mostly uninterested in her explanation and assumes he doesn't pay attention to the details she provides. | Josie thinks Hank is wary because he suspects she might be someone with ambiguous intentions, possibly not even a resident. |
5VPK1NPQGUs@2@Josie@emotion@second | videos/5VPK1NPQGUs.mp4 | emotion_questions | second-order | What emotion does Josie think Hank is feeling as he watches her from inside? | A | Josie interprets Hank's reserved posture and limited exposure as signs of caution and uncertainty about her intentions. | Hank | Josie | Josie, blonde woman, choker | while Hank is looking from inside and Josie is talking | Josie thinks Hank feels cautious and unsure about her intentions. | Josie thinks Hank feels irritated and defensive, possibly upset that she disturbed him. | Josie thinks Hank feels enthusiastic and pleased to meet her, looking forward to helping out. | Josie thinks Hank feels uninterested and detached, barely paying attention to her request. |
65NCcXriUTI@1@Blonde Woman@belief@first | videos/65NCcXriUTI.mp4 | belief_questions | first-order | What does Blonde Woman believe about the situation when she pauses with her mouth open before speaking? | D | The Blonde Woman believes the situation is more complex and requires careful thought before responding. Her open mouth pause and finger pointing indicate active mental processing and hesitation. | Blonde Woman | Blonde Woman | Blonde Woman, gray top, blonde hair | after hearing the Woman in Pink's response and pausing | That the Woman in Pink is exaggerating aspects of the situation to make herself look better. | That it would be best to steer the conversation in a lighter direction to keep things pleasant. | That the issue at hand is simple and doesn't warrant hesitation or deeper analysis. | That the situation is more complex and requires careful thought before responding |
6AJH6b91rF8@3@Assistant@emotion@first | videos/6AJH6b91rF8.mp4 | emotion_questions | first-order | What emotion does Assistant primarily experience while talking about his health issues to Mr. McCall? | D | Assistant feels anxious and vulnerable while explaining his health issues, as indicated by his stammering tone and hesitant body language. He fears judgment or rejection from Mr. McCall. | Assistant | Assistant | Assistant, man with glasses | when Assistant talks about stomach problems and therapy | He feels resigned and tries to downplay the situation, as if his health issues are trivial. | He feels frustrated and perceives Mr. McCall’s questions as intrusive, leading him to respond curtly. | He feels optimistic and reassured after discussing his health, assuming Mr. McCall will offer a solution. | He feels anxious and vulnerable about revealing personal information. |
6N_wxYN_H3A@1@character_1@belief@first | videos/6N_wxYN_H3A.mp4 | belief_questions | first-order | What does Nicky believe about Melissa's expectations when she asks him about taking her out? | C | Nicky believes Melissa is seeking a personal favor or outing, which makes him cautious about her intentions. | Melissa | character_1 | Nicky, young man dark jacket | when Melissa first talks to Nicky | Nicky believes Melissa is hoping he will prioritize her over his other commitments, potentially disrupting his schedule. | Nicky believes Melissa is trying to subtly gauge how much authority or influence she has over him by making this request. | Nicky believes Melissa expects a personal favor or social outing from him despite their professional relationship. | Nicky believes Melissa is making a playful suggestion without any expectation of follow-through, intending to create a friendly atmosphere. |
6N_wxYN_H3A@2@character_1@belief@first | videos/6N_wxYN_H3A.mp4 | belief_questions | first-order | What does Nicky believe about Michael’s attitude during the conversation? | C | Nicky perceives Michael's repeated questioning and slow actions as signs of reluctance to end the conversation, which contrasts with Nicky's urgency to leave. | Michael | character_1 | Nicky, dark jacket, impatient | while Nicky is preparing to leave | Nicky believes Michael is anxious for the conversation to finish, suggesting he is restless. | Nicky believes Michael is disengaged and waiting for Nicky to finish, showing minimal enthusiasm. | Nicky believes Michael is reluctant and wants to prolong the interaction. | Nicky believes Michael is uncertain about what Nicky wants, appearing unsure about the discussion. |
6N_wxYN_H3A@3@character_1@desire@first | videos/6N_wxYN_H3A.mp4 | desire_questions | first-order | What does Nicky desire by nodding when Michael mentions the restaurant’s success before the money topic arises? | B | Nicky desires to appear supportive and maintain a positive relationship with Michael by nodding approvingly. His polite but not overly warm tone suggests he wants to keep interactions smooth. | Nicky | character_1 | Nicky, dark jacket, short hair | during the initial business conversation | To subtly encourage Michael to acknowledge Nicky's own contributions to the restaurant's success, hoping this will make Michael more generous during the upcoming money discussion. | To appear supportive and maintain a positive relationship with Michael. | To give the impression of sincere pride in Michael’s accomplishments, while secretly masking his own anxiety about the upcoming conversation about money. | To preemptively deflect Michael’s concerns about money by highlighting their shared achievements, attempting to shift the conversation toward mutual successes. |
6omsUi4dKuk@1@character_1@emotion@first | videos/6omsUi4dKuk.mp4 | emotion_questions | first-order | What emotion does Woman with sunglasses primarily feel during the brief encounter? | D | The woman with sunglasses feels insecure and self-conscious during the encounter, as shown by her guarded expression and minimal response. She is embarrassed about dropping the grapefruit. | Woman with sunglasses | character_1 | Woman with sunglasses, black coat | while receiving the grapefruit back | She feels calm and unbothered, acting as though the incident is of no consequence. | She feels pleased and thankful for the assistance, offering a warm smile in response. | She feels mildly irritated by the interruption, displaying annoyance in her expression. | She feels insecure and self-conscious about dropping the grapefruit. |
6omsUi4dKuk@2@character_1@desire@first | videos/6omsUi4dKuk.mp4 | desire_questions | first-order | What does Woman with sunglasses desire regarding the outcome of this exchange about the dropped grapefruit? | A | The woman with sunglasses desires to be recognized as not at fault to maintain her social dignity. Her serious demeanor indicates she is focused on protecting her image rather than reconciling. | Woman with tied-back hair | character_1 | Woman with sunglasses | while engaging in the conversation and listening | To be recognized as not at fault and maintain social dignity | To end the conversation swiftly by downplaying the incident and sidestep any potential awkwardness | To create a sense of camaraderie by making light of the situation and suggesting both parties share responsibility | To encourage the other woman to admit fault and offer reassurance that the mistake is understood |
6qIBzPrHoVk@3@Ben@desire@second | videos/6qIBzPrHoVk.mp4 | desire_questions | second-order | What does Ben think Clara desires by sharing the story about the guy throwing her phone in the fish tank? | D | Clara's sincere tone and direct eye contact indicate she seeks reassurance from Ben, contrasting her past negative experience with his understanding demeanor. She desires comfort and acceptance. | Clara | Ben | Ben, man with glasses | Clara shares her story with gestures | She desires to subtly hint that I should be more careful with my phone, using her past as a lesson. | She desires to distract me from a tense topic by bringing up an unrelated incident. | She desires to lighten the mood by showing she's comfortable making fun of herself. | She desires reassurance that I won't react angrily to her phone use |
76l88OPEZ6E@1@character_2@emotion@first | videos/76l88OPEZ6E.mp4 | emotion_questions | first-order | What emotion does Marybeth most likely experience while presenting the $75,543 figure to Ray? | B | Marybeth feels urgency mixed with determination as she presents the figure to Ray. Her brisk pace and intense tone reflect her resolve to convey the importance of the information. | Marybeth | character_2 | Marybeth, dark blazer, tied-back hair | while briskly walking towards Ray and speaking | She feels cautious optimism, hoping Ray will appreciate the significance of the number. | She feels urgency mixed with determination to convey importance. | She feels nervousness and apprehension about Ray's reaction to the $75,543 figure. | She feels skepticism and uncertainty about whether the $75,543 figure will persuade Ray. |
7a9g6mvCGWU@5@character_1@desire@second | videos/7a9g6mvCGWU.mp4 | desire_questions | second-order | What does the man in white stripes think the other person desires in this interaction? | C | The man in white stripes perceives that the other person wants to protect sensitive information, as indicated by their guarded demeanor and reluctance to share openly. This suggests a desire to avoid vulnerability. | Other person at the table | character_1 | Man in white striped shirt | while talking to the other person | He thinks the other person wants to test his loyalty by seeing if he will reveal personal or family secrets. | He thinks the other person is trying to see if he will slip up and admit to having betrayed confidences before. | He thinks the other person desires to protect sensitive information and avoid vulnerability. | He thinks the other person wants to shift the conversation to appear more relaxed while actually observing his reactions closely. |
7a9g6mvCGWU@1@character_1@emotion@first | videos/7a9g6mvCGWU.mp4 | emotion_questions | first-order | What emotion does the man in white striped shirt primarily experience during the conversation about the secret recipe? | C | The man in white striped shirt exhibits pride and amusement through his expressions and gestures, enjoying the exclusive knowledge he holds and the playful interaction it fosters. | himself | character_1 | Man in white striped shirt | while talking and responding to questions about the recipe | Mild annoyance, acting as though the questions about the recipe are a bother he would rather avoid | Defensiveness, feeling pressured by persistent questioning and trying to protect the family recipe from being exposed | Pride mixed with amusement at holding exclusive knowledge | Unease, worrying that sharing the recipe could lead to unintended consequences or compromise his trustworthiness |
7czG5jr71Q8@1@Older Man@desire@second | videos/7czG5jr71Q8.mp4 | desire_questions | second-order | What does the Older Man think the girl desires when she sighs and responds? | D | The girl's sigh and quiet response suggest she wants to avoid discussing her writing due to feelings of embarrassment or insecurity. Her body language indicates a desire to protect herself from potential judgment. | Young Girl | Older Man | Older Man, bearded, plaid shirt | immediately after the man’s question about her writing | To shift the topic so she can talk about her other interests instead of her writing | To show the man that she is dedicated and thoughtful about her creative process | To see if the man will encourage her to go deeper by expressing uncertainty | To avoid discussing her writing because she feels embarrassed or insecure |
7czG5jr71Q8@1@Older Man@emotion@second | videos/7czG5jr71Q8.mp4 | emotion_questions | second-order | What emotion does the Older Man think the girl feels based on her sigh and gaze downward? | A | The girl's sigh and downward gaze suggest she feels embarrassed or doubtful about her writing. Her non-verbal cues indicate discomfort rather than excitement or confidence. | Young Girl | Older Man | Older Man, bearded, plaid shirt | immediately after she answers the question | Embarrassment or self-doubt about her writing | Eagerness to impress him with her writing and anticipation of his praise | Frustration at being asked to explain her thoughts and a desire to avoid the conversation | Satisfaction with her writing and assurance in presenting her ideas |
7czG5jr71Q8@2@Older Man@desire@second | videos/7czG5jr71Q8.mp4 | desire_questions | second-order | What does the Older Man think the girl desires when she answers? | C | The Older Man perceives the girl's quiet and uncertain response as a desire to avoid embarrassment and protect herself from potential judgment. Her body language indicates vulnerability. | Young Girl | Older Man | Older Man, bearded, plaid shirt | when she responds 'I don't know' to his probing question | He thinks she desires to show independence by not giving a straightforward answer and asserting her own perspective. | He thinks she desires to keep the conversation brief because she is feeling uneasy about discussing her feelings. | He thinks she desires to avoid embarrassment and protect herself from judgment | He thinks she desires to give a thoughtful answer in hopes of receiving recognition or praise from him. |
7hyT8HAb6ZU@1@Marty@belief@first | videos/7hyT8HAb6ZU.mp4 | belief_questions | first-order | What does Marty believe about the woman's feelings when she says, 'You always do that'? | A | Marty perceives the woman's frustration but questions its intensity due to her calm tone and neutral expression, which contrasts with her accusatory words. | Woman | Marty | Marty, man in dark suit | during the initial exchange | Marty believes the woman is frustrated but doubts the severity of her feelings because of her calm tone and neutral expression. | Marty believes the woman is upset and expects her to press the issue further because of her pointed examples and the ongoing tension between them. | Marty believes the woman is unaffected and simply making conversation, interpreting her calm delivery and measured gestures as a sign of detachment. | Marty believes the woman is being sarcastic and isn’t genuinely upset, focusing on her steady tone and the public setting to dismiss her criticism. |
7hyT8HAb6ZU@3@Marty@emotion@second | videos/7hyT8HAb6ZU.mp4 | emotion_questions | second-order | What emotion does Marty think the woman is feeling while following him with a gaze? | B | Marty perceives the woman's fixed gaze as indicative of frustration and exasperation, reflecting her dissatisfaction with his dismissive attitude. | woman | Marty | Marty, man in dark suit | during the walk after his remark | Resigned acceptance of their dynamic, choosing to go along with his comments despite underlying conflict. | Frustration and exasperation at his lack of sympathy. | A sense of ironic amusement at his remarks, interpreting the exchange as playful banter. | A deliberate attempt to appear unaffected by his responses, masking any strong feelings she might have. |
7hyT8HAb6ZU@4@Marty@desire@second | videos/7hyT8HAb6ZU.mp4 | desire_questions | second-order | What does Marty think the woman desires when she says 'Nothing. I want nothing'? | A | Marty perceives the woman's statement as masking deeper unmet needs, using resignation to protect herself emotionally. Her distant eyes and slight body turn suggest she is not being entirely truthful. | Woman | Marty | Marty, man in dark suit | right after Marty talks to her about what she wants | To express resignation and mask deeper unmet needs, avoiding vulnerability | To see if Marty will contradict her and reveal his own feelings, using denial as a way to prompt honesty from him | To convince Marty that she truly doesn't require anything from him, suggesting she feels satisfied with her current situation | To distance herself emotionally from Marty by shutting down the conversation, demonstrating her irritation through withdrawal |
7i0FfjF3Iaw@4@character_1@desire@second | videos/7i0FfjF3Iaw.mp4 | desire_questions | second-order | What does White T-shirt think the man in the patterned jacket desires in this interaction? | A | White T-shirt perceives that the man in the patterned jacket desires to avoid additional responsibilities while minimizing conflict. His passive listening posture suggests a reluctance to engage or accept blame. | man in patterned jacket | character_1 | White T-shirt, young male | while being talked to | To avoid work and responsibility while minimizing conflict and maintaining his current lifestyle. | To confront White T-shirt directly and push back against any criticism, trying to assert his independence. | To win approval by demonstrating his talents and convincing others of his worth. | To seek forgiveness from White T-shirt and show willingness to change his behavior to improve their rapport. |
7i0FfjF3Iaw@1@character_1@desire@first | videos/7i0FfjF3Iaw.mp4 | desire_questions | first-order | What does White T-shirt desire regarding the other man's understanding of their situation? | D | White T-shirt desires the other man to understand and accept the gravity of their situation, hoping for a shared recognition of their predicament. | White T-shirt | character_1 | White T-shirt, short brown hair | while explaining their status as assets | He desires the other man to believe that everything will work out on its own and there's no need to talk further. | He desires the other man to downplay the seriousness of their situation and act as if it's just a temporary setback. | He desires the other man to remain confident that their difficulties will soon be resolved and encourage positive thinking. | He desires the other man to recognize the gravity and accept their harsh reality. |
7lNo_GO4CH0@4@character_1@desire@second | videos/7lNo_GO4CH0.mp4 | desire_questions | second-order | What does Mary think Linda desires when she shows off the puppy? | C | Mary perceives Linda's proud display of the puppy as a way to assert her role as the primary caretaker, ensuring others acknowledge her authority over the animals. | Linda | character_1 | Mary, blonde in dark sequined dress | when Linda holds the puppy and speaks | To indicate openness to collaboration by letting others help with the puppy, suggesting she wants to share responsibilities. | To elicit admiration or perhaps a bit of envy from the group by drawing attention to the puppy, seeking to impress her peers. | To assert her role as the primary caretaker or owner of the animals, making sure everyone recognizes her authority. | To express pure happiness about the puppy, focusing on the fun rather than making any statement about her status or role. |
7MF2IgjAjjA@1@Mary@belief@first | videos/7MF2IgjAjjA.mp4 | belief_questions | first-order | What does Mary believe about the man's ability to infer the truth despite her silence? | C | Mary believes the man can infer some of the truth from her expressions and tone, even though she cannot verbally disclose it. | Mary | Mary | Mary, floral-patterned blouse | when Mary says her face is an 'open book' but cannot reveal details | She believes he is unlikely to grasp the truth unless she explicitly tells him, even if she tries to hint. | She believes he recognizes her hints but deliberately avoids engaging with them out of caution. | She believes he can partially understand the truth through her expressions and tone. | She believes he has already guessed the entire truth just by observing her behavior, without needing further clues. |
7MF2IgjAjjA@2@Mary@emotion@first | videos/7MF2IgjAjjA.mp4 | emotion_questions | first-order | What does Mary truly feel about holding this dangerous information while being unable to share it? | B | Mary feels tortured by the information she holds, as evidenced by her frantic gestures and cracking voice, indicating her intense inner turmoil. | Mary | Mary | Mary, patterned top | while gesturing and raising her voice | She feels composed and determined, believing that keeping the secret is the only way to protect both herself and Charles from harm. | She feels tortured and suffocated by the knowledge, as if it is physically harming her. | She feels emotionally numb, distancing herself from the weight of the secret and refusing to acknowledge its significance to her or anyone else. | She feels lighthearted and mischievous, joking about the situation to distract from any sense of seriousness or urgency. |
7oi9IQwXhHQ@1@character_2@emotion@first | videos/7oi9IQwXhHQ.mp4 | emotion_questions | first-order | What emotion does Man likely feel when the woman approaches and talks neutrally? | A | The man likely feels curious concern mixed with cautious attentiveness, as he notices the woman's concerned expression despite her neutral tone. | Man | character_2 | Man, bearded, plaid shirt | when the woman first talks about her request | Curious concern mixed with cautious attentiveness. | Mild irritation at the woman's ambiguous approach, feeling slightly defensive. | Disinterest and mild distraction, paying little attention to the conversation. | Expectation that the conversation will be routine and unremarkable, feeling self-assured. |
7oi9IQwXhHQ@1@character_1@emotion@first | videos/7oi9IQwXhHQ.mp4 | emotion_questions | first-order | What emotion does the woman primarily experience during this exchange? | B | The woman primarily experiences anxiety and fear, which she tries to mask with neutrality, as evidenced by her concerned expression and hurried tone. | Woman | character_1 | Woman, blonde hair, light top | when she walks to the counter and talks about a phone | She feels detached and unconcerned, maintaining a passive demeanor throughout the conversation. | She feels anxious and fearful but tries to mask it with neutrality. | She feels optimistic and curious about the possibility of upgrading her phone, displaying keen interest in the discussion. | She feels frustrated and defensive in response to the man's comments, preparing herself for a potential disagreement. |
7oi9IQwXhHQ@1@character_1@belief@first | videos/7oi9IQwXhHQ.mp4 | belief_questions | first-order | What does the woman believe about the man’s perception of her behavior? | C | The woman believes the man perceives her as somewhat unusual or uneasy, despite her attempts to appear neutral, as indicated by her hurried tone and concerned demeanor. | Woman | character_1 | Woman, blonde hair, light top | while she is interacting with him | She believes he perceives her as self-assured and decisive, appearing as though she has already made up her mind. | She believes he interprets her actions as being frustrated and confrontational, expecting her to challenge him soon. | She believes he sees her as somewhat unusual or uneasy despite her neutral appearance. | She believes he thinks she is indifferent to the conversation and distracted by something else in the room. |
7TDp3USwyww@3@character_2@emotion@first | videos/7TDp3USwyww.mp4 | emotion_questions | first-order | What complex emotions is the young man experiencing as he talks about watching the person walk out the door? | C | The young man's mix of regret, self-blame, and helplessness is evident through his trembling voice and broken speech, indicating an emotional breakdown rather than relief or outward anger. | young man in light blue shirt | character_2 | Young man in light blue shirt | while talking about the moment the person left | He feels resentment and frustration mainly toward Liz for trying to comfort him, believing she doesn't understand his feelings. | He feels uncertainty and emotional numbness, struggling to process the event without fully engaging with his emotions. | He feels a mix of regret, self-blame, and helplessness, causing emotional breakdown. | He feels a sense of resignation mixed with resignation toward the outcome, telling himself it's no longer his responsibility. |
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