question stringlengths 14 1.69M | answer stringlengths 1 40.5k | meat_tokens int64 1 8.18k |
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They stock a wide collection of high quality hookahs and hookah accessories at a very amazing price. With a huge amount of experience selling smoking products online, they always have a solution for your smoking needs. You can contact them using the information on their site to discuss your requirements in detail. When it comes to smoking accessories, you can order nearly everything associated with a hookah such as foils and punchers, hookah bowls, hookah hoses, hookah tongs, hookah grommets, mob accessories, mouth tips, hookah vases, charcoal holders, hookah trays, hookah filters, hookah brushes, heat management devices, wind guards, and more.
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| 346 |
Beat the cream cheese in a bowl using a hand mixer until it's creamy.
Add the eggs, juice, zest and beat for 1 minute. Add the rest of the ingredients and beat for one more minute. Let sit for 5 minutes.
Heat 1 tablespoon of vegetable oil in a large saucepan of over medium-low heat. For each pancake, pour 1/3 cup of the mixture onto the saucepan. Cook until bubble appear on the surface then flip and cook for 1 to 2 minutes.
Serve with a side of maple syrup or your favorite jam. Enjoy!
For a complete breakfast, serve the pancakes with a fresh fruit salad and a cup of milk or<|fim_middle|> recipe for pancakes that was on the backside of a box of Bisquick™. I was only 9 years old and since I had no idea what a measuring cup or measuring spoon was, I found it easier to follow the instructions to prepare the whole content of the box. I don't remember the size of the box, but I do remember preparing stacks and stacks of pancakes. Being surrounded by so many pancakes was a dream come true because I absolutely loved them. Thirty years later, I still love them all the same. I prepare them every weekend for my family and they love this recipe most. These cream cheese and lemon pancakes are spongy, light and they're the perfect breakfast for a sunny spring morning. | juice.
The first recipe I prepared was a | 9 |
Leila Dizon Wins The David Cohen Nine Core Values Award at The First Tee College Golf Prep Academy
The award acknowledged Leila's comittment to courtesy, judgement, honesty, integrity, sportsmanship, respect, confidence, responsibility and perseverance throughout the week.
Leila Dizon, currently a Junior at Marlborough, attended The First Tee College Golf Prep Academy in Reno, Nevada, from July 20th - 27th.
Twenty-four junior golfers ages 15 - 18 were selected by a national panel of judges to participate<|fim_middle|> David Cohen Nine Core Values Award, acknowledging her embodiment of these core values throughout the week.
"I had no idea I was going to win!" said Leila. "I was a little bit down because I got second place at the tournament, so this was a good consolation."
Leila has been playing golf since she was nine years old and has participated in other The First Tee events including last year's Nature Valley First Tee Open where she received the Core Value Cup Award for her second place tournament finish. Leila also volunteers with The First Tee as a junior coach.
Keeping Her in the Game
Varsity Tennis Walks Away as CIF-SS Division 1 Runner-Up
Join us at Marlborough's Wellness Festival
Q+A: Claire B. '20
Varsity Soccer Team are Tournament Champions
Jordan H. '19 and Arianna '21 Reach CIF-SS Finals | in this year's Academy where they experienced golf instruction, guest speakers and life skills focused on increasing their ability to compete at a higher level, both athletically and academically. The Academy's interactive sessions included golf technique, education, career exploration, physical fitness, nutrition, and golf equipment fitting.
"I definitely want to play in college," said Leila. "That's basically what the whole camp was. You have to go practice in the morning, then attend some classes or listen to a guest speaker, then practice and play more and be with the team."
The First Tee program is built around nine core values: courtesy, judgment, honesty, integrity, sportsmanship, respect, confidence, responsibility, and perseverance. Leila won the | 149 |
"Could outer space be endangering Toyota's drivers", the magazine DailyTech asked in 2010, and referred to the possibility that cosmic radiation may be responsible for the malfunctioning of certain electronics. Cosmic radiation and the resulting transient hardware errors, the so-called "soft errors", are indeed a reason why hardware vendors set up their test labs sometimes at<|fim_middle|> Software Methodologien and Systems. Zur TUHH kam sie 2009. | higher altitudes. For software engineers, soft errors qualify as a challenging class of bugs since they are expensive to track and hard to protect against. Using formal notations and algorithms from program analysis, however, it is possible to automate many of the steps that are needed for either testing for soft errors or hardening against them.
The talk characterizes soft errors from the application's point of view, introduces the field of program analysis, and presents selected, type-based program analyses for soft errors. Since soft errors are a comparatively recent topic in Computer science, many important questions are still unanswered and may constitute interesting topics also beyond program analysis.
Sibylle Schupp ist Professorin und Leiterin des Instituts für Softwaresysteme an der TUHH. Sie promovierte in Informatik an der Universität Tübingen 1996 und war von 1996 bis 2003 erst PostDoc, danach Assistant Professor in Rensselaer, New York. Im Sommer 2003 wechselte sie als Associate Professor an die Chalmers Tekniska Högskola (CTH) in Göteborg und leitete dort die Gruppe | 245 |
Windows <|fim_middle|> all the other solutions. | 10 users have been getting the Bad_Module_Info error when running certain Steam games. For some, this problem began after the Fall Creators Update while others say it surface in December, 2017. The error essentially crashes the app either when it's running or when a user launches it. The apps that are affected by this are games, specifically, CS:GO and Playerunknown's Battleground. Here's how to fix the Bad_Module_Info error.
This error is a by-product of the fullscreen optimization feature in Windows 10. After the Fall Creators Update, there is no simple, one-switch method, to disable fullscreen optimization. To fix the Bad_Module_Info error, you need to disable fullscreen optimization for the app that's generating it.
To do so, right-click the EXE or shortcut of the app. Select 'Properties' from the context menu. Go to the Compatibility tab and check the 'Disable fullscreen optimizations' option. Click Apply, and for good measure, restart your system. The Bad_Module_Info error should go away.
For some users, especially those with an Nvidia GPU, disabling fullscreen optiizations might not be enough. In fact, fullscreen optimizations may not even be the cause of the problem. Check to see if your GPU drivers are up to date, and if they aren't, update them right away.
Open Device Manager, right-click your GPU, and select 'Update Driver'. Windows updates don't always find the latest drivers so it's a good idea to check the manufacturer i.e. Nvidia or AMD websites for driver updates for your GPU model.
Right-click the EXE or shortcut for the problematic app and select Properties from the context menu. Go to the Compatibility tab, and enable 'Run this program in compatibility mode for' option. You will need to try both Windows 8 and Windows 7, and see which one fixes the problem.
If compatibility mode alone doesn't fix the problem, try running the app in compatibility mode with fullscreen optimizations disabled.
It might be worth having your hardware checked out. Specifically, you want to see if your GPU has been damaged. If it has, the above solutions will not work unless you fix your hardware first. If you've been having trouble with games in the past, the Bad_Module_Info error might just be a symptom of the greater problem i.e. a damaged GPU.
Users have been able to fix the Bad_Module_Info error via one of the above solutions however, in certain isolated cases, users had to uninstall and install the game, or app, again to fix it. We recommend you try that only after you've exhausted | 528 |
WSWA Lays Out Road Map For Federal Cannabis Legalization
With drinks wholesalers eager to capitalize on the green wave of cannabis legalization sweeping the U.S., the Wine & Spirits Wholesalers of America (WSWA) is looking to take an active role in shaping the regulatory environment for the emerging consumer category. In recent days the WSWA laid out a series of recommendations for federal legalization in a policy brief called Principles for Federal Oversight of the Adult-Use Cannabis Supply Chain. WSWA has officially supported cannabis legalization in states that choose to regulate it like alcohol since 2018.
The report lays out four principles the WSWA sees as critical, drawn from the blueprint of alcohol regulation that dates back to the repeal of Prohibition. They include: 1. Federal permitting of cannabis producers, importers, testing facilities, and distributors; 2. The approval and regulation of cannabis products; 3. Efficient and effective tax collection; and 4. Effective measures to ensure public safety.
"For nearly 90 years, the U.S. wine, beer, and spirits marketplace has been a global leader in product safety, industry innovation, and consumer choice," the report's authors write. "This result follows from a shared state-federal regulatory structure that has placed oversight of permitting, product approval, tax collection, and intra-industry conduct with the federal government while allowing<|fim_middle|>. Similar education campaigns will be necessary for cannabis as it's further normalized and destigmatized in American culture. WSWA's report calls on the government to embrace a comprehensive anti-impaired driving message that can extend the success of anti-drunk driving campaigns outward to other substances and mental states.—Danny Sullivan
Subscribe to Shanken News Daily's Email Newsletter, delivered to your inbox each morning. You will also receive the Cannabis edition as part of your subscription.
Tagged : cannabis, WSWA
Previous : Green Thumb's Yearly Sales More Than Double To $557 Million Next : News Briefs for March 23, 2021 | states to establish independent systems that supplement these provisions to address local needs and priorities."
In addition to product safety and accurate labeling, a regime based on alcohol's example would have numerous economic benefits, WSWA's Michael Bilello told SND. In fact, beyond adopting alcohol's regulatory model, WSWA recommends that the Alcohol and Tobacco Tax and Trade Bureau (TTB) have its mission expanded to include cannabis oversight. "The TTB is uniquely qualified to assume oversight of adult-use cannabis," Bilello said. "Looking at the statistics year after year, the TTB acts as one of the most efficient tax collecting entities in the federal government. And, under the TTB, the industry has an unparalleled safety record."
While WSWA's proposal goes into specifics for licensing and testing standards for cannabis, it also prioritizes flexibility. Safety and labeling standards can be rigorous without being rigid, as the wine and spirits industry's example attests. By allowing for new product types and giving the TTB the discretion to approve products that meet their standards, the U.S. has been able to lead the way on drinks innovation, and a similar opportunity beckons in cannabis.
"The cannabis industry will be set up to succeed under these principles by cultivating innovation," Bilello said. "You want a thriving, innovative marketplace that's smartly regulated. When you look at the TTB's oversight of the alcohol industry, you see a boom in both new producers of wine and spirits and in the variety of products. The TTB has helped foster the creation of the most diverse marketplace in the world, in terms of consumer selection and value."
One of the chief concerns over legalization is a potential rise in intoxicated driving. Here, too, WSWA believes that the example of the alcohol industry is instructive. Through concerted effort on the part of drinks marketers and others, drunk driving is at record lows in the U.S | 389 |
The Aspire Spryte Starter Kit is an all in one vape kit<|fim_middle|> 2ml capacity and two coils options to support a variety of eliquids.
The lightweight construction of the Spryte makes it a mod ideal for using on the go. An ergonomic firing button is located on the side of the device, which also serves to lock the device making it safer to travel with. The plastic cap fits over the mouthpiece protecting the eliquid pod. The 650mAh battery can be charged via USB, with the lead that comes with the kit.
The 2ml refillable pod has been designed to use a variety of eliquid types thanks to the two coil options. The Aspire 1.8 Ohm BVC Coil has been designed for standard eliquid with a PG content of 40% or higher. The Aspire 1.2 Ohm BVC Coil works best with salt nicotine eliquids, for a smooth throat hit and increased nicotine hit.
Both coils allow for mouth to lung vaping, with a draw similar to a cigarette. The coil change design makes fitting BVC replacement coils quick and clean. Located on the pod you'll find an adjustable airflow vent, allowing you to configure your draw to suit your vaping style.
Overall, the Aspire Spryte is lightweight and easy to use: making it not only a reliable entry level vape, but also as a compact device for experienced vapers who enjoy mouth to lung vaping. | , that's been designed for new users and mouth to lung vapers. Powered by a built-in 650mAh battery, this is a sleek and compact vape device featuring one button operation. The refillable pods have a | 46 |
Every job inquiry is based on a specific need that they<|fim_middle|> client is asking for. | are trying to get met. Figure out what the need is and it will allow for better designs to be constructed.
For example, are they in need of a complete redesign? Maybe they want to revamp and venture to a new target market. Or are they in need of a single marketing piece for a upcoming event. You'll need to figure this out so you know what you are designing for.
This checklist will tell you what to look for when choosing the right marketing and design studio. Download here!
What are the goals you wish to accomplish?
Each job has a different expectation - its best to really understand what they need accomplish to be able to effectively design something to achieve their goal.
For example, is their goal to reach a broader audience, maybe even sell more to their existing clients in a new creative way that they haven't tried before?
What is the budget you are allowed for this project?
Determine a budget will help you in terms of factoring the allocated time to spend on the job. A budget of $100 vs a budget of $10,000 is a big difference and changes what is expected out of you as a designer. More money = more time spent to make the project outstanding.
Knowing this information allows the designer to know which design methods work best for which demographic. If you have analytics it helps to identify or at least give you a target range of your audience. Each demographic is attracted to different marketing styles so it'd be bad to design for an older audience when your trying target a younger audience.
Any examples of designs that you like?
Getting an idea of designs that the client already likes helps in gearing similarities to your own design. Adding elements from designs that they like allows for their likes to be considered while also designing to those that are the actual audience.
In conclusion, its important to get all the information before designing for better results. Don't jump to designing then ask questions - thats just working backwards and takes up time and money from both the client and your self. Give your best in each design so if you need more then the above questions don't be afraid to ask more to get a better idea of what it is the | 439 |
Pursuant to the Privacy Rules established by the Health Insurance Portability and Accountability Act of 1996, we are legally required to protect the privacy of your health information. We call this information "protected health information," or "<|fim_middle|> to request in writing that we limit how we use and disclose your PHI. You may not limit the uses and disclosures that we are legally required to make. We will consider your request but are not legally required to accept it. Notwithstanding the foregoing, effective for services provided to you after February 16, 2010, you have the right to ask us to restrict the disclosure of your PHI to your health plan for a service we provide to you where you have directly paid us (out of pocket, in full) for that service, in which case we are required to honor your request. If we accept your request, we will put any limits in writing and abide by them except in emergency situations. Under certain circumstances, we may terminate our agreement to a restriction.
The Right to Choose How We Send PHI to You. You have the right to ask that we send information to you at an alternate address (for example, sending information to your work address rather than your home address) or by alternate means (for example, via e-mail instead of regular mail). We must agree to your request so long as we can easily provide it in the manner you requested.
If you think that we may have violated your privacy rights, or you disagree with a decision we made about access to your PHI, you may file a complaint with the person listed in Section VI below. You also may send a written complaint to the Secretary of the Department of Health and Human Services at 200 Independence Ave., S.W.; Room 615F; Washington, DC 20201, or the Regional Office for Civil Rights office at Office for Civil Rights, U.S. Department of Health and Human Services, Jacob Javits Federal Building, 26 Federal Plaza - Suite 3312, New York, NY 10278. We will take no retaliatory action against you if you file a complaint about our privacy practices.
If you have any questions about this notice or any complaints about our privacy practices, or would like to know how to file a complaint with the Secretary of the Department of Health and Human Services, please contact our HIPAA Privacy Officer at (609) 585-8800, ext: 2831/ or Corporate Compliance Officer at (609) 585-8800, ext: 2700/. | PHI" for short. It includes information that can be used to identify you and that we've created or received about your past, present, or future health condition, the provision of health care to you, or the payment for this health care. We are required to provide you with this notice about our privacy practices. It explains how, when, and why we use and disclose your PHI. With some exceptions, we may not use or disclose any more of your PHI than is necessary to accomplish the purpose of the use or disclosure. We are legally required to follow the privacy practices that are described in this notice. We reserve the right to change the terms of this notice and our privacy policies at any time. Any changes will apply to the PHI we already have. Whenever we make an important change to our policies, we will promptly change this notice and post a new notice in the main reception area. You can also request a copy of this notice from the contact person listed in Section VI below at any time and can view a copy of this notice on our Web site at www.4rai.com.
Uses and Disclosures Which Do Not Require Your Authorization.
For treatment. We may disclose your PHI to hospitals, physicians, nurses, and other health care personnel in order to provide, coordinate or manage your health care or any related services, except where the PHI is related to HIV/AIDS, genetic testing, or federally funded drug or alcohol abuse treatment facilities, or where otherwise prohibited pursuant to State or Federal law. For example, if you're being treated for a knee injury, we may disclose your PHI to an x-ray technician in order to coordinate your care.
To coroners, funeral directors, and for organ donation. We may disclose PHI to organ procurement organizations to assist them in organ, eye, or tissue donations and transplants. We may also provide coroners, medical examiners, and funeral directors necessary PHI relating to an individual's death.
Sale of PHI. We will disclose your PHI in a manner that constitutes a sale only upon receiving your prior authorization. Sale of PHI does not include a disclosure of PHI for: public health purposes; research; treatment and payment purposes; sale, transfer, merger or consolidation of all or part of our entity and for related due diligence activities; the individual; disclosures required by law; any other purpose permitted by and in accordance with HIPAA.
Incidental Uses and Disclosures. Incidental uses and disclosures of information may occur. An incidental use or disclosure is a secondary use or disclosure that cannot reasonably be prevented, is limited in nature, and that occurs as a by-product of an otherwise permitted use or disclosure. However, such incidental uses or disclosure are permitted only to the extent that we have applied reasonable safeguards and do not disclose any more of your PHI than is necessary to accomplish the permitted use or disclosure. For example, disclosures about a patient within the office that might be overheard by persons not involved in your care would be permitted.
Business Associates. We may engage certain persons to perform certain of our functions on our behalf and we may disclose certain health information to these persons. For example, we may share certain PHI with our billing company or computer consultant in order to facilitate our healthcare operations or payment for services provided in connection with your care. We will require our business associates to enter into an agreement to keep your PHI confidential and to abide by certain terms and conditions.
The Right to Request Limits on Uses and Disclosures of Your PHI. You have the right | 699 |
Although I've never witnessed either in-person, I'm sure that the running of the bulls in Spain's Pamplona and the return of the swallows each spring to their nesting grounds in Southern California are wonderful sights to see. And yet, I think I'm still happiest with what we get here in Yokohama: an annual visit from packs of Pikachus!
Just like they did last year, the loveable Pokémon once again overran the Minato Mirai harbor district for a week this August, But just like Nintendo's Pocket Monsters routinely acquire enhanced abilities with each new video game or anime installment, in the time since their last appearance in Yokohama our adorable visitors had learned some new moves…dance moves!
Read on for all of our videos and photos of Pikachus grooving and swaying to hip-hop, hula, and more, with costumes to match!
Nintendo may be headquartered in Kyoto, and Tokyo is of course the center of Japan's entertainment and media world, but Yokohama is where the very first Pokémon Center superstore was opened. Maybe that's why the Pikachus choose to summer here, and this year they joined in with Yokohama's annual dance festival with a weeklong event titled Dancing? An Outbreak of Pikachus (Odoru? Pikachu T<|fim_middle|> Warehouse, where it was Pikachu ears and bottoms as far as the eye could see, thanks to the free sun visors being passed out and Pikachu tails and hairbands being sold.
Decking yourself out in Pikachu gear had benefits beyond just creating a festive atmosphere, too. During the event, numerous shops and restaurants in the neighborhood offered discounts to customers dressed up like the most famous Pocket Monster.
But even if you didn't have any costume bits, this cleverly decorated wall in the Mark Is shopping center let anyone transform into Pikachu while resting their feet.
As the event was winding down, I tried asking one of the Pikachus for his impression of Yokohama.
Sadly, I'm not completely fluent in Pikachuruvian, so I don't feel qualified to give a professional translation that would properly cover the myriad nuances of the phrase. Still, I think this photo shows that the Pocket Monsters definitely returned the warm sentiments of the fans who were thrilled to spend the week with them.
Evangelion exhibit-inspired figure gives us Asuka in a beautiful kimono!
I have a very active inner child who enjoys watching, My little Pony, Steven Universe and Pokémon so this is just pure fun for those who also enjoy dancing pikachus! | airyou Hassei Chu in Japanese), held from August 8 to 16, coinciding with Japan's summer vacation period.
…for Minato Mirai Station, where I started my hunt for dancing Pocket Monsters. And while hunting for Pokémon in the games can be a time-consuming, often tedious task, the Pikachus definitely weren't hiding in Yokohama.
Want an earful of the music these Pikachus were dancing to, plus dozens of people shouting "Kawaii!"? Here you go!
You might not expect Pikachus to be such great dancers, considering that their bodies are almost entirely composed of a cuddly torso. But despite their short arms and legs, they kept up with their human counterparts, energetically twirling and stomping, with smiles on their faces the whole time.
The Pocket Monsters performed on five different stages set up around Minato Mirai. In front of the Nihonmaru, a training vessal for the Japan Coast Guard, they donned sailor costumes for a pop, stomp, and tap session with backup from a beatboxer and percussionists.
Nearby, the Queen's Square entertainment complex had some gigantic decorations promoting its mixed-genre show.
To make sure even Pikachus who weren't up for something as strenuous as dancing still got plenty of exercise, periodic parades and walks were held in both Queen's Square and the adjacent Landmark Plaza.
Across the canal, the World Porters shopping center has an enclave of Hawaiian-themed stores and restaurants, so these Pikachus slipped on leis and grass skirts to shake to their hips in a hula show.
…the girls' end with a heart-shaped cleft, as seen on these lovely Pokémon hula dancers and ballerina.
Lucky fans also would occasionally come across groups of Pikachus roaming the neighborhood who were suddenly overcome by dance fever, and would stage impromptu performances in open spaces like the park bordering the Nihonmaru.
That same park was also covered with Pikachu statutes to relax and snap photos next to.
▼ Pensive plastic (possibly Plexiglas) Pikachu ponders perpetually.
Each day culminated with an extra-large-scale performance in front of Aka Renga | 455 |
A few weeks ago Maddison was running high, high, high. It used to be that "high" was 200-250's for Maddison, but nowadays the threshold of "high" has changed since the TWEEN years are here. 280's-380's is now not uncommon for high spells. GASP!!!
After 2-3 days of high patterns I get on those numbers!! I start by increasing basals around the clock, and if that doesnt work in 2 days or so, I also adjust the ratios with MORE added basal power. Right now Maddison is at 80% more insulin per day than she was a few weeks ago!! Logging. Tracking. Studying. I used to be able to "flip flop" between 2 different basal settings in her pump. One for "normal" and one for "high spells" so everything would fall into place with just a simple pattern change set in the pump memory. Not so much anymore! I tell you this Diabetes and hormone resistance is some scary stuff!!
143 before PE and 54 after. Of course, I blamed PE for "causing" the low, although I was starting to question if it was about time her insulin needs (basal rate mostly) were dropping again.
Guilt is a HUGE manifestation of this disease. Even if we know better than to place blame.
I could beat myself up over "inflicting" this low on my poor kid, or I can blow it off and sit down with the numbers tonight.
I have to choose the numbers. Just sit down with the numbers and fix it!! Stop feeling guilty!!! Because, I know better. Because I have to. Because we ALWAYS pick ourselves back up and shrug off the guilt for our own best interest. I believe Diabetes is a 50/50% mental disease, SERIOUSLY!!!
Do you know what I suspect? Maybe this is too much information....but, I suspect Maddison's hormone levels are following her older Sisters menstrual cycle. YEP. Add another variable to the blood sugar drama of a growing girl! (she hasnt actually "started yet") Ive been aware of this reality for years now, but lately its becoming a very<|fim_middle|> Lather, rinse, repeat. | clear picture!! The older Sisters PMS was some CRAZINESS over the weekend, then "the day" came, and.....BOOM! Maddison started with the LOWS. Very interesting indeed.
Lucky me, I had surgery to end mine back in 2010 and let me tell you, I dont have the same highs and lows each month like I used to! Once that PMS would start my blood sugars would be bonkers. Much higher than normal. Unpredictable. Then as soon as the "time came" my blood sugars would drop like a rock. Out of no where. Usually while I was sleeping. Today with this crazy low I am reminded that any month now my poor sweet little girl will be CLOSER to more of a woman. Nooooooo!!!!Im feeling a bit traumatized actually!
IOB, or Insulin on board is the amount of insulin you still have working to bring down your blood sugar. Tonight at bedtime Maddison needed a correction dose. She was 210 but entered 280 into her pump. She was simply careless I guess. For some reason tonight I decided to look over her pump history for the second time....I usually do every night as she sleeps...but I already did earlier in the day, so it was just by chance that I caught this error of her entry just an hour after she fell asleep.
What if that tiny extra amount of insulin were to cause a low? A low that she would never wake up from? It COULD happen. It does happen. And sometimes, it happens without explanation. But could you imagine if you were the parent that made a mistake? Or the parent that missed your childs mistake? Its simply unfathomable.
So, I just set a temp reduction to Maddi's basals to balance things out. We shall see what the next hour brings. Tonight this little mishap reminds me of just how careful we ALWAYS need to be. Parents NEED to be the watchful eye, esecially while independance flourishes. Always. No matter what. Insulin pumps make our lives so much easier, in so many ways....yet they can be dangerous when not closely monitored. So for those that question why we still need to watch over our child's Diabetes management, this is why.
This morning I left for work after giving Maddison yet another correction dose for a high blood sugar. Dad was home with the girls today. Maddi knows to check her blood sugar before eating breakfast. Dad reminded her. She told him she would check....but overlooking her pump history today I see that she didnt. Why? Because, without constant reminding it seems most D kids just dont want to poke their fingers. They just dont. Even though they know they NEED to. Dad should have verified that she checked. But, he didnt.
I text Maddison from work at Noon for her blood sugar number. She was 398. Dad said she "forgot" to bolus an extra 15c he suggested at breakfast. Of course.
At 5pm when I got home from work I asked Maddison when she checked last. It was at Noon. She corrected the 398, but never rechecked a few hours later and never ate lunch. She KNOWS to recheck a crazy high two hours later, but without my constant "reminding" she sometimes fails to be responsible. Even Dad failed to be responsible and ask her where her numbers stood. This is typical. He leaves the responsibility to her.
While Maddison will face a consequence for not doing what she needs to be doing....Dad just shrugs it off and places the "blame" on her. Something is incredibly fucked up there if you ask me. Yes, Im bitter. I have every right to be. Ive discussed this with HIM until Im blue in the face, and broken at heart. And nothing ever changes. I dont understand why.
These days Maddison is quite resistant to insulin. What used to be a total daily dose of around 18-20 units a day is now around 40 units a day. Hormones. Puberty. Growing. This girl of mine is growing like a weed. Diabetes is becoming something it never was before. It isnt "fun" or talked about by Maddison anymore. It just IS. Just there. Ignored mostly. Exactly what most tweens/teens with Diabetes want most in their life. Normalcy. Its a great thing actually, when Maddi is being responsible that is. While most days she is very responsible, the days she struggles or "forgets" are the hardest for me.
I dont blog much anymore. There isnt much to say. Nothing is surprising anymore. We have ups, downs and everything in between. Mostly, I just dont want to talk about it anymore, and I cant seem to find the words even if I do! Often while I am awake waiting on blood sugars at night I will type out a post, only to delete it when Im done. Just venting to myself I guess.
We have been doing GREAT actually, even though this post seems otherwise! I started on the Omnipod back in December, and simply said, I miss my Medtronic Pump dearly! But, insurance issues win and with the Pod I am forced to stay whether I like it or not.
Time to check Maddi. 162. I'm 135. I'll set the alarm for 3hours from now. | 1,127 |
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Welcome<|fim_middle|> the Art Institute of Chicago (SAIC) has been a leader in educating the world's most influential artists, designers, and scholars. Located in downtown Chicago with a fine arts graduate program ranked number two in the nation by U.S. News and World Report, SAIC provides an interdisciplinary approach to art and design as well as world-class resources, including the Art Institute of Chicago museum, on-campus galleries, and state-of-the-art facilities. SAIC's undergraduate, graduate, and post-baccalaureate students have the freedom to take risks and create the bold ideas that transform Chicago and the world, and adults, teens, and kids in our Continuing Studies classes have the opportunity to explore their creative sides, build portfolios, and advance their skills. Notable alumni and faculty include Georgia O'Keeffe, Nick Cave, David Sedaris, LaToya Ruby Frazier, Cynthia Rowley, Michelle Grabner, Richard Hunt, Apichatpong Weerasethakul, and Jeff Koons.
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About SAIC
by Troy Pieper (MA 2015)
When Martin Horner and Shea Soucie studied interior architecture together at SAIC, they never imagined it would lead to the development of a successful Chicago design firm with clients around the globe. Both Soucie (BIA 1996) and Horner (BIA 1997) were undergrads together at SAIC, and, during that time, on an interior architecture study trip to Paris, their friendship solidified. After graduating, Soucie took a position at a Chicago design firm, and Horner got an internship there as well. Already working together in the professional world, says Horner, "That was when we started dreaming of the future."
Starting their own firm in 2000 was a natural choice for both designers; Soucie's father had been a contractor, and he helped her become interested in the architectural side of design. Horner's father owned a furniture store, which often employed interior designers whose work got him interested in fabrics and furniture. "Our parents also taught us a lot about running a small business," says Horner.
Soucie Horner began in an extra bedroom and a basement and grew quickly. By 2003, they had bought space in the River North neighborhood of Chicago, and now the firm has more than 20 employees. They began by designing high-end residential interiors on the north shore of Lake Michigan. Now they work with clients around Chicago, Los Angeles, New York City, and internationally. They attribute that growth to maintaining a reputation as excellent designers, as well as having business skills. "The ability to run a small business in the art of design is crucial," says Soucie. "We often think of design as just the art form, but there is a lot of business skill that goes into each design project."
It is one of the reasons the two also teach at SAIC. In their Professional Practices class, they discuss how to put together a portfolio and a résumé and "how not to be terrified in interviews," Horner jokes. "You sell your art form no matter what your practice is," Soucie says. "And somebody has to teach you how to look at your practice from more than just a purely aesthetic standpoint. As designers, we constantly look at how our art form creates value for our consumer."
Horner is informed by his business background, having worked in finance for a decade before going back to school. He came to SAIC not only for its reputation as a top-tier design school but because he wanted to experience the art and design capital that is Chicago. "Chicago is a huge resource. You walk by architecture and design every day on the street."
Soucie was interested in the School's curriculum. "SAIC really focuses on the conceptual part of design," she says. "I felt if I could be taught how to think about design, I could figure out the practical skills, which are what other design schools seem to focus on."
The two host regular salon discussions for people working in the field, whether they are architecture writers, designers, property developers, or publicists. In one discussion, former SAIC president Tony Jones talked about teaching students "to think," Soucie says, versus teaching practical skills. "Drawing is one thing," acknowledges Horner, "but you have to be able to think and conceptualize something that you can sell to a client."
Martin Horner and Shea Soucie. Photo: Sara Condo
SAIC faculty members, many of whom are practitioners working in the design industry in Chicago, are where Horner found value as a student. "There are so many people working in the field in Chicago, and the School connects students to them in several ways." Now that he and Soucie are themselves SAIC design instructors, they can provide the same benefits to students. But there are benefits for them as designers, as well. "Students are not yet inhibited by budgets and other things that can contain their ideas later," says Soucie. "To be able to see those new ideas is a great way for us to stay fresh and make contact with potential new employees."
Teaching is one way Soucie and Horner stay on top of the changes they have seen in the design world over the years. One of the biggest changes has been the influence of technology on design. "It's sort of pushed space and how people use their homes," says Soucie. The other big change is greater collaboration between designers of all kinds. European firms are more comfortable with the notion of collective design, says Horner. Interior designers work with product designers, lighting designers work with architects, and so on. "We're starting to see that more here, too. We share employees with different firms, and we call each other when we're looking for information or resources."
Soucie attributes some of that willingness to collaborate and move among different disciplines to SAIC's weaving together of different practices. "All of it goes back to the core principles of design, but at an interdisciplinary school, you get to see all of the perspectives people have, and this is happening more and more in the real world." Soucie and Horner have indeed branched out both in their work as artists and in business. A few years ago, they began partnering with real estate developers to put together entire conceptual plans for the interiors of large developments. And recently they launched Soucie Horner Collections, a signature line of home furnishings, hand-woven rugs, and lighting.
Their goal, Horner says, is to design "something beautifully put together that's perfect for the place and the people who living there." There is no Soucie Horner stamp on the homes they design. Just as their body of work describes how Soucie and Horner's practice as designers has changed, each of the homes they design, says Soucie, is "a scrapbook of the people who live there."
For more than 155 years, the School of | 1,713 |
Singtel To Invest $45M In Digital Skills Training Over Next 3 Years - 12,600 Staff<|fim_middle|> added.
Features Image Credit: Asia Nikkei
Capitaland Invests $5M To Upskill Workforce – Staff Will Get Up To $500, 1 Day Leave
Tags: digital skillsemployee trainingsingaporesingtel
Budget 2021 Is Coming: What Support Measures Do S'pore Entrepreneurs Want To See This Year?
How This S'porean Transformed His Family's Snack Store Into A Popular Brunch Cafe At Only 20
This S'pore Family Biz Strikes Gold With White Bee Hoon – Its Revenue Hits Over S$1M A Month
TPG Launches New SIM-Only Plan For Heavy Data Users: 80GB Data For Only S$18/Month
Grab's Fintech Arm Raises Over US$300M In Series A Funding Round – Now Valued At US$3B | To Benefit
Alanna Tan
Singtel today announced plans to set aside $45 million over the next three years to equip employees with deeper digital skills.
The telco has signed a Memorandum of Understanding (MOU) with the Union of Telecoms Employees of Singapore (UTES) to form a committee to oversee the project and organise its training programmes.
The initiative is coined ACT, short for Accelerate, Co-create and Transform.
Through its investment, Singtel aims to help its 12,600 employees in Singapore go further in their skill pathways, or grow to take on new roles to adapt to changing needs in the digital economy.
Singtel's network engineers, for example, can go through a '4G to 5G Pathways' course that will prepare them with suitable skills for the arrival of 5G connectivity in Singapore next year.
This announcement came along with the official opening of the telco's newest office Singtel@8George on the same day.
The four-storey office located along Pickering Street contains training facilities and classrooms that will hold some of the ACT workshops and courses.
The space will also be able to host team building activities, townhalls and hackathons.
Singtel Group Chief Human Resources Officer Aileen Tan said the training initiative aims to spur employees toward continuous learning, and help them "actively manage their professional development in anticipation of longer career spans".
"This will ensure we have an agile, future-ready workforce that can meet the demands of the new economy," she | 307 |
Janet Jackson Shows She's "Made For Now" In New Video
Daddy Yankee joins the icon for a block party bop
Michael Cerio
© PictureGroup
Janet Jackson, Miss Janet if you're nasty, is back to kick off a new era with some help from Daddy Yankee.
The icon just released<|fim_middle|> need reminding, Jackson has five GRAMMY awards and has sold over 100 million albums. She's scheduled to return to the stage for the Global Citizen Festival in New York on September 29th.
Made For Now | her new single and video "Made For Now", and it's an uplifting dance through the streets. The song is Jackson's first since 2015's Unbreakable album, as well as her first as a new mom. Janet gave birth to son Eissa last year.
The song features an updated, dancehall vibe for the "All For You" singer. We'll see it live when Janet returns to the late night stage for the first time in over a decade as she stops by The Tonight Show With Jimmy Fallon on Friday night.
Related: Janet Jackson Sends Tribute To Joe Jackson At Essence Festival
In case you | 127 |
Secretary of State Elaine Marshall Honors Craig Olive
Register<|fim_middle|> visionaries to keep up with the changing pace of our ever changing business world. I am honored to be a public servant for the people of Johnston County."
Secretary Marshall also pointed out that Johnston County's work to modernize recordkeeping made those filings easier for the public to see and to use.
"I take great pride in maintaining our public records and providing easy accessibility to the citizens and business sector." Registrar Olive said. | of Deeds Olive honored at annual surveyors convention
RALEIGH– Johnston County Register of Deeds Craig Olive was the guest of honor last Thursday at the annual North Carolina Surveyors Society convention in Greenville in a gathering where the future of mapmaking was on display.
Surveyors spent most of their day learning how to record maps electronically with county governments versus using the ages-old paper based system which often results in delaying projects and leaving property owners and lenders frustrated with the pace of real estate transactions.
North Carolina Secretary of State Elaine F. Marshall was a keynote speaker to the convention, where she pointed out that North Carolina is leading the country through establishing the legal foundation, security measures, and standard setting for the use of this technology. She noted her Department's leadership to improve North Carolina's business climate through technology.
Secretary Marshall paused in her remarks to describe how the Johnston County Register of Deeds Office has already recorded surveyor maps electronically—the first county in the nation to have achieved that status.
"Once again North Carolina becomes a national leader in a new area of electronic commerce," Secretary Marshall told the crowd. "And once again, we tell the business people of this nation why our state keeps winning national titles for business climate."
Secretary Marshall then surprised Registrar Craig Olive with an Honorary Keeper of the Constitution award for his continuing leadership modernizing how registers of deeds offices can use technology to speed up government recordkeeping.
"It is an honor to receive this prestigious award from Secretary of State Elaine Marshall," Registrar Olive said after the event. "We must be | 309 |
Do you keep a positive attitude during difficult situations?
Do you have skills to help you relax and manage stress?
Do you have a network of<|fim_middle|>ience mentoring sessions via phone or online via Skype. Participants learn to better handle stress reactions and develop more intelligent approaches to self-regulating and renewing their energy. As individuals increase their energy reserves, they are better able to bounce back from stressful events and build a cushion that prepares and protects them from the damaging effects of many of life's typical stressors.
Is This Program For Individuals? No! | people who offer you support?
Do you keep your eyes on the big picture even in challenging situations?
We understand the needs of participants and help them quickly learn and apply practical techniques so they can take charge of their work and personal lives.
The series of four Building Personal Resilience mentoring sessions, provided via telephone or online via Skype, teaches individuals several core skills that build resilience and boost performance. Participants learn to better handle stress reactions and develop more intelligent approaches to self-regulating and renewing their energy. As individuals increase their energy reserves, they are better able to bounce back from stressful events and build a cushion that prepares and protects them from the damaging effects of many of life's typical stressors.
Resilience is ability to deal with perceived adverse situations in a positive and creative way to transform challenge into an opportunity and to absorb any learning offered by setbacks quickly and at the minimum physical and mental cost.
We provide Building Personal Resil | 187 |
In addition to traditional optometric equipment, Eyetek Optometrists offer patients the latests technology available to assess vision and eye health.
OCT is the latest imaging technology used to scan and photograph the structures of the eye. It is similar to an ultrasound but uses light rather than sound to create detailed pictures of the eye structures.
Three-dimensional images assist optometrists in making early diagnoses of glaucoma, macular degeneration, diabetic eye disease and many other conditions.
A Fundus camera is a camera with a specialized microscope, used for photographing the retina at the back of the eye. Retinal photographs give the opt<|fim_middle|> optic nerve, macula (central vision) and blood vessels.
At Eyetek, every patient's retina is photographed and assessed as part of the comprehensive eye examination.
A procedure optometrists use to evaluate the intra-ocular pressure, the pressure of the fluid inside the eye. It is an important test in the evaluation of patients at risk of glaucoma. At Eyetek, the eye pressure test is performed on all adolescent and adult patients as part of the comprehensive eye exam.
No all babies are willing participants in eye exams but the Plus Opix does assist in making the experience more fun and fast for the little ones! The Plus Optix gives the optometrist a guideline or estimate of a young patient's prescription and it serves as an excellent starting point for the complete eye exam. | ometrist an excellent view of the | 7 |
The Top Grossing
The Top Grossing Games On Google Play Store
Sep 12, 2020 Games
We've listed some of the top grossing games on the Google Play Store, as they all are online multiplayer titles.
Gaming has come a long way since the introduction of smartphones in the market. Phones were typically used for social media purposes back then, with only small, offline games on people's mobile phones at max. Nowadays, online gaming has become extremely popular - which seems like a win-win for all stakeholders involved, as gamers love to have competition from other real players instead of the CPU, and these games bring in more money for the developers as well. That's why in our list of the top 4 grossing games in the Google Play Store, all of them are online multiplayer games. Let's get into the full list.
Free Fire is one of the biggest games on the Play Store, as it sits comfortably at the top of the highest grossing games chart. The game follows a battle royale genre inside, which is based on multiple players dropping in a game, and the person who remains the last one standing wins it. The game has different ways to earn revenue, including buying character and gun skins, battle pass and a lot more. None of it affects your ability to play in a game<|fim_middle|> Fire saw even more users on its platform after PUBG got banned in India, which will only add to the revenue the game is already making. | though, as nothing is pay-to-win in the game. Free | 13 |
Suspended Browns QB Deshaun Watson allowed to start practicing
Deshaun Watson, the Cleveland Browns' suspended quarterback,
can begin practicing on Monday as part of his settlement with the NFL after he was accused of sexual misconduct by two dozen women when he played for Houston.
Watson, who was acquired by the Browns in a controversial trade in March,
was banned for 11 games<|fim_middle|> as he goes through these different tests, medically,
making sure that he's able to check the boxes in a progression to where we can see if we can proceed through the course of the day here."
Packers' Eric Stokes likely out for season
Packers coach Matt LaFleur says cornerback Eric Stokes probably won't play again this season after getting injured Sunday in a 15-9 loss at Detroit.
"It's looking unlikely, but I don't have an exact update for that," LaFleur said.
Stokes, a 2021 first-round draft pick, hurt his ankle and knee in the loss at Detroit.
Packers outside linebacker Rashan Gary, who has a team-high six sacks,
suffered a season-ending knee injury in the same game.
TOP 10 LARGEST COLLEGE FOOTBALL STADIUMS IN THE COUNTRY 2022 | in August for violating the league's personal conduct policy.
He agreed to the suspension, a $5 million fine and to undergo counseling and treatment.
He returned to the team last month, but the three-time Pro Bowler has been limited to attending meetings,
weight-room workouts and conditioning sessions with members of Cleveland's training staff.
That changes on Monday, when he'll be allowed to practice.
The Browns (3-5) play at Miami on Sunday and won't have their next on-field workout until Wednesday when Watson,
who will be eligible to play on Dec. 4 — against Houston — can rejoin his teammates.
Josh Allen tests throwing elbow, listed as questionable
Bills quarterback Josh Allen tested his injured throwing elbow for the first time in practice this week,
and is listed as questionable to play against the Vikings on Sunday.
The Bills referred to Allen's practice time as being limited,
which is still considered a step in the right direction since he sat out the first two sessions after hurting his right elbow in the final minutes of a loss to the Jets last weekend.
Speaking before practice, coach Sean McDermott expected the decision on Allen's playing status to come down to game time.
"We are literally in an hour-to-hour situation here," McDermott said. "
Just looking at how he's going to progress through the day, and | 270 |
For those who are looking for a presentation template with clean and creative design, you might need to have a look at this Elegant PowerPoint presentation template. As the name implies, the template is designed creatively to create a presentation with elegant design. With a host of features available, the template is the right choice for multipurpose presentation. To find out more about it, have a look at our review below.
The Elegant PowerPoint presentation template comes with a number of great features. The features are meant to help users in creating an impressive presentation in a more effective way.<|fim_middle|> comes with a total of 4000 slides and 100 multipurpose slides. The slides are designed in a way to make them look simple yet still enchanting. With the various slides available, users are able to personalize their presentation. The many slides available also help users in selecting the ones which meet their needs the most.
The template is available in two aspect ratios; 4:3 and 16:9 aspect ratio. For users to be able to create an interesting presentation, this Elegant PowerPoint presentation template also comes with 10 premade colors and 10 theme colors. The premade colors are especially helpful for those who do not have much time in their hands. With the premade colors, they can simply opt for the one which suits their preference the most. In addition to it, the template also comes with fully editable content which can be easily edited via Microsoft Office PowerPoint.
As mentioned previously, this Elegant PowerPoint presentation template comes in editable content. All the objects included are vector and smart objects. It means that users can effortlessly change the size as well as the colors of all objects and icons available. Among many icons available in the icon library are icons related to travel, ecology, architecture, law, weather, fashion, education and business. For those who work in medical industry, the icon library also contains medical icons which may be helpful for the presentation. In addition to it, other icons are also obtainable in the icon library including management icons, calendar icons, fitness icons and miscellaneous icons.
Besides the various icons included in the icon library, this elegant presentation template also comes with a host of animations and transitions to choose from. With these features, the users are given opportunities to make the presentation more interesting. In addition to it, portfolios sections, special infographic, maps infographic, and project timelines are also available. Moreover, the template also comes with many layouts options. This helps users in getting the right layouts they need to deliver their content well. Furthermore, the right layouts will also help them attract the audience attention.
When purchasing this Elegant PowerPoint presentation template, the users will obtain 20 files PowerPoint both PPTX and PPT. With many features included in the package, it would make it easier for users to create an impressive presentation. Furthermore, the features will also help them to work faster. Thus, if you are interested in downloading this template or in finding out more about the developer, make sure to visit the link below. | The template | 2 |
Q: Convexity -- reference request I've been reading a few papers on generalized probabilistic theories, and have been struggling through proofs of some results that involve use of convexity and group theory, e.g. this paper on bit symmetry and many others. Is there a set of introductory lecture notes on convexity (as used in quantum theory) online that anyone can refer me to?
A: I am currently dealing with generalized probabilistic theories too, and I had the same problem. For example, I read papers like this one: http://arxiv.org/abs/1012.1215
I don't know a good online reference for this kind of math, but a book that I liked reading very much was
*
*Charalambos D. Aliprantis and Rabee Tourky: Cones and Duality
This book helped me in getting used to the cone structure of generalized probabilistic theories. It tells you, for example, what an extreme point is (which corresponds to pure states), what a cone base is (which corresponds to the normalized states), what an order unit is (which corresponds to the unit effect), what an order interval of the dual cone is (which corresponds to<|fim_middle|> other chapters are probably too mathematical to be helpful in this context.
| the set of effects) and so on. I think reading the first chapter, part of the second chapter and part of the third chapter of this book might be helpful for you. The | 37 |
Giving Blue Devil Athletics
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Send Us a Question / Comment
In the 1940s and 50s Lawrence Tech athletics was a force to be reckoned with. Many considered Lawrence Tech Men's Basketball to be "Detroit's team" and, when national news media spoke of Blue Devil basketball, it was not Duke that they were discussing – it was LIT! Huge dances followed each game and tens of thousands of fans came to games, which were broadcasted on radio and television. The 1950-51 team even reached the National Invitational Tournament, played in New York's Madison Square Guardian.
Varsity athletics became less a part of campus life beginning in the 1960s and eventually disappeared entirely until 2011, when Men's Basketball returned to the University along with four other sports teams. In just a few short years, we have grown to 21 teams across 12 sports and added a dance team and pep band.
A strong Theory & Practice education continues to be the cornerstone of the Lawrence Tech experience and our student-athletes excel both on the field and in the classroom. In fact, LTU athletes hold an average GPA of 3.18 and the majority are active in student or professional organizations, community service, and many other facets of campus life.
As our programs continue to<|fim_middle|> a state-of-the-art athletics complex which will surround the new artificial turf field completed in 2017 thanks to an anonymous $1 Million donation.
By supporting your favorite team or teams, or contributing to the general fund for Athletics enhancement, you will help provide more opportunities for student-athletes to excel and you'll play a critical role in building new traditions and facilities on campus that will define the Blue Devil experience for years to come!
Scott Trudeau
Director of Student Recreation, Athletics and Wellness
View the Giving - Blue Devil Athletics page. | grow, so too do our needs—from facilities and equipment, to team travel, and even student-athlete scholarships. Plans are currently underway for the construction of | 31 |
What an amazing past four days here in Washington, DC. We were fortunate to be here while the Cherry Blossoms were in bloom. That has happened only one other<|fim_middle|> support your clients and your industry and have your voice heard with the State Legislators. Remember, you will not be alone. You will be paired up with a seasoned Veteran when you are visiting your legislators in Sacramento.
Have you been taking advantage of the new home buying program Fannie Mae 97% Home Path loans? Well Fannie Mae is launching a new program to attract more first-time home buyers. Fannie Mae announced the new program which will allow qualifying first-time homebuyers to receive up to 3% of the purchase price of the subject property which can be used towards closing costs.
To advocate on behalf of responsible mortgage professionals and consumers for the availability of competitive financing, while promoting expert knowledge, accountability, sound lending and ethical conduct throughout the mortgage industry.
The Association serves as a forum for financial education, community outreach, innovation, networking, legislative and regulatory advocacy, as well as providing benefits and public relations for its members.
Copyright 2019 . Camp. All rights reserved. | time in the seven years that I've been coming out. The crowds are overwhelming but the Cherry Blossoms are absolutely gorgeous! I really love all the history here. Every year, I learn so much more. My favorite subject when I was in school was history. To be more specific the American Revolution. Today, a few of the CAMP delegates are staying over to do a little site seeing. I have not had a chance to do that. We have 2 tours set up for today, the Bureau of Engraving and Printing (aka the Mint) and the Congressional tour of the Library of Congress. Each year I try to see something new when I go back to DC. One of the most invaluable benefits of this event is to be able to meet loan officers in other states. Quite a few of our states are represented here.
California was well represented at this event. This year, we had 20 delegates from CAMP. We had about 30 appointments with legislators or their staff. There was a lot of buzz on the hill and the consensus from everyone was that they were well received. It is important to note that we received favorable responses from both legislators and staffers. It is empowering to be able to walk the halls of our nation's capital and be an advocate for my clients. We would like to also thank Plaza Home Mortgage for your support of CAMP for our legislative efforts.
It's important to also look to state issues. Here is your chance to make a difference for your borrowers and have your voice heard. CAMP is holding their State Lobby Day on Tuesday, May 12, 2015 this year. Your Government Affairs Vice Chairs met and reviewed the bills that could affect your borrowers and there are a couple that could really be harmful to them. We are currently reaching out to the bill's sponsors before sharing the information but save the date. Take one day to | 385 |
Rug Shine Cleaning is the company to call if you need to have your commercial rug cleaned. Our company's goal is<|fim_middle|> great service. We want to help you keep your rug as long as possible. Contact us today to schedule an appointment.
How Can You Protect Your Rugs From Moth and Bug Damage? | to surpass the expectations of the customers. We know that our customers do not expect anything less than phenomenal service.
Rug cleaning has many benefits. You will be able to preserve your rug by having it cleaned. A thorough cleaning will also help your rug look a lot better. Furthermore, a thorough cleaning will help remove the allergens that may be lurking inside of your rug.
Qualified technicians are one of the many things that make our company a great one. They are not only professional, trained and experienced, but they are focused on the customer. They will do everything they can to make sure your rug gets a thorough cleaning.
Using the right cleaning solutions and equipment is one of the keys to successfully cleaning a rug. Our products are superior and have the ingredients that are necessary for getting the job done right. Furthermore, all of our equipment and cleaning solutions are safe.
Our skilled technicians are committed to giving you | 181 |
Volvo Launches E.V.A Initiative for Road Safety across Social Media Platforms
By ; Ahmed Soluman
Volvo has launched 'Selfie for Safety' initiative raising awareness about road safety. The campaign uses social media encouraging people to participate in the initiative by sharing their selfies while wearing the safety belt. The objective of the campaign is to create a crowd sourced study of car safety and individual road safety and share it with the world. Findings of this study will help in analyzing different ways of wearing the safety belt and thereby help improving its usability as well as enhancing overall driver and passenger protection.
Moreover, Volvo will<|fim_middle|>ars, @volvoegypt, #SelfieForSafety
#سيارات فولفو | also be publishing short movies, easy instruction, as well as spreading educational content and messages on social media through the campaign's hashtag to raise awareness about road safety. Upon participants' approval, Volvo will use their selfies turning them into safety research material, emphasizing that each individual's contribution with just a selfie can help save lives. The main idea of the campaign has been created after accurate information has been gathered that 93 million selfies are being taken daily around the world, of which mostly are inside cars. Hence, Volvo seized the opportunity in using this daily participation for a cause with its innovative campaign that sheds light on the value of road safety, 'Selfie for Safety, part of its large and wide-reaching initiative launched earlier, E.V.A. Volvo consistently aims at conducting studies and researches to gather insights into the value of its own inventions, worth mentioning that Volvo is the pioneer inventor of safety belts that lately have become adopted by all automotive manufacturers across the world. Coming from its strong belief that safety comes first, Volvo sets the highest safety and security measures for its passengers and continuously works on the enhancement of safety standards.
Volvo calls for car owners to contribute in this initiative and help make a change by simply sharing selfies in their cars wearing safety belts while the cars are turned off and safely parked. Selfies then are to be posted on public profiles for ease of access to the selfies with the following social media handles and hashtag: @volvoc | 290 |
Savings Bonds for the Holidays?
Rising interest rates won't affect savings bonds, which makes them a money-smart gift for a young child. Here's our top pick.
Interest rates are rising, but savings bonds are missing the party. In October, a newly issued series EE bond offered a limp 0.1%, the same rate new bonds have carried since November 2015. The composite rate on a new I bond was 2.52%.
If you want to buy a<|fim_middle|> rate includes a fixed rate and an inflation rate that adjusts semiannually. Tumin predicted a composite rate of 2.72% on new I bonds starting November 1.
If you want your gift to go toward college costs, savings bonds aren't the best choice. All or a portion of the interest earned with EE and I bonds may be tax-free if used for qualified education expenses, such as tuition and fees. But among other limitations, including income caps, the bondholder must have been at least 24 years old on the first day of the month in which the bond was purchased to qualify for the tax break when redeeming it—so a child who receives a bond in his or her own name won't benefit.
Instead, consider contributing to a child's 529 college-savings plan, which "is likely to have a better outcome over a 20-year period than buying a savings bond today," says Jill Fopiano, CEO of Boston wealth-management firm O'Brien Wealth Partners. | savings bond as a gift for a young child, the EE bond may actually be a better choice. If accumulated interest doesn't double the value of an EE bond you buy today after 20 years, the Treasury will adjust the bond's value to twice the purchase price at the 20-year mark, for a guaranteed return of about 3.5%.
How they work. EE bonds carry a fixed rate, which the Treasury Department resets for new bonds every May 1 and November 1 (after our press date for this issue). Ken Tumin, of DepositAccounts.com, predicted that the EE bond rate would remain flat at 0.1% with the November 1 adjustment. Federal income tax on interest from EE and I bonds can be deferred until you redeem the bond or it matures. (Interest is not subject to state or local tax.) An I bond's composite | 179 |
Kings Dethroned
Revision as of 22:27, 30 April 2019 by Tom Bishop (talk | contribs)
One work of interest on the matter of the celestial bodies is a book called Kings Dethroned which was published in 1922. Gerrard Hickson assesses the methods used in astronomy and shows them to be flawed and fallacious.
by Gerrard Hickson
Description: "A history of the evolution of astronomy from<|fim_middle|> trust in the public. He felt that the truth and his discovery were the wealth of the whole human species and in this modern age it does the reader only good to contemplate the necessity of constant and honest scientific enquiry. "
Retrieved from 'http://wiki.tfes.org/index.php?title=Kings_Dethroned&oldid=6632' | the time of the Roman Empire up to the present day; showing it to be an amazing series of blunders founded upon an error made in the second century B.C."
The triangulation methods of astronomy described in the book Kings Dethroned are still in use today. The work goes over the methods used to determine the size and distances to the celestial bodies in the solar system and the assumptions used.
" This book is very thought-provoking! I couldn't put it down! Now I am looking everywhere for the promised sequel, "The Universe as it Is". As a former astronomy major, it seems so clear to me that the blunders that Mr. Hickson so ably describes have indeed been made the flawed foundation for a very grand and deadly edifice of error in the subject of astronomy. And yet the world laughs at 'crackpots' like Gerrard Hickson, and condemns his work to MIT's 'Library of Useless Research' because it dares to challenge the underpinnings of this whole imaginary astronomical philosophy. Highly recommended! "
Another review by London-based publisher Forgotten Books:
forgottenbooks.com
" At the turn of the twentieth century, Gerrard Hickson stumbled upon a discovery which convinced him of something shocking. The giants of astronomy had miscalculated the distance of the sun from the Earth, it was closer than we ever thought. The popular estimate of approximately ninety-three million miles appeared to be a mistake, as inconceivable as it seemed.
Hickson pored through the methods that his predecessors had used to calculate the distance and the accounts of their work, searching for the means to disprove his theory but instead he found a mistake in Dr. Hailey's diurnal method. Invented by Hailey in the nineteenth century and used as a basis for many other calculations about our solar system.
We can only imagine that Hickson must have gritted his teeth when he set himself the challenge of proving Dr. Hailey's error. Kings Dethroned is the result of his research, and through his retracing of the steps of astronomers from the Roman Empire all the way up to the present day, we can see an accurate representation of the planets and our sun.
Gerrard Hickson, unlike his predecessors, took his findings to the general public and published this book for the consumption of all. Having been rejected or ignored by experts and scientific societies across the western world, he chose to | 497 |
Birkhäuser Mathematics
The Implicit Function Theorem
History, Theory, and Applications
Authors: Krantz, Steven G, Parks, Harold R.
The implicit function theorem is part of the bedrock of mathematics analysis and geometry. Finding its genesis in eighteenth century studies of real analytic functions and mechanics, the implicit and inverse function theorems have now blossomed into powerful tools in the<|fim_middle|>007/978-1-4612-0059-8 | theories of partial differential equations, differential geometry, and geometric analysis.
There are many different forms of the implicit function theorem, including (i) the classical formulation for Ck functions, (ii) formulations in other function spaces, (iii) formulations for non-smooth function, (iv) formulations for functions with degenerate Jacobian. Particularly powerful implicit function theorems, such as the Nash-Moser theorem, have been developed for specific applications (e.g., the imbedding of Riemannian manifolds). All of these topics, and many more, are treated in the present volume.
The history of the implicit function theorem is a lively and complex store, and intimately bound up with the development of fundamental ideas in analysis and geometry. This entire development, together with mathematical examples and proofs, is recounted for the first time here. It is an exciting tale, and it continues to evolve.
The Implicit Function Theorem is an accessible and thorough treatment of implicit and inverse function theorems and their applications. It will be of interest to mathematicians, graduate/advanced undergraduate stunts, and to those who apply mathematics. The book unifies disparate ideas that have played an important role in modern mathematics. It serves to document and place in context a substantial body of mathematical ideas.
"The authors offer a useful and fascinating manuscript which should be of interest and useful to graduate and postgraduate students, professional mathematicians, teachers as well as researchers. Most of them will be able to find all fundamental ideas in the field and simple and transparent proofs of all main implicit function theorems and theorems closely related to these."
—ZENTRALBLATT MATH
"This unique and worthwhile book deserves an audience ranging from lower-division undergraduate calculus students through graduate students and faculty. "
"For the analyst who uses the Implicit Function Theorem or the instructor who teaches elementary or more advanced variants of it, this book is extremely useful…. The presentation is nice and fluent, and the book is accessible even to undergraduate students with a minimum of background in calculus."
—JOURNAL OF OPERATOR THEORY
"This is an excellent book devoted to the implicit function theorem and related results (like the inverse function theorem) that play one of the most important roles in modern mathematics...The book is mainly self-contained and undoubtedly will serve as a useful resource for advanced undergraduates, graduate students, professional mathematicians, and scientists of other types. The bibiography is extensive, including references to various topics related to the implicit function theorem and its generalizations, both those which are considered and those which are not considered in the book."
---MathSciNet
"The authors collect in this book many variants of the Implicit Function Theorem and various methods of the proof. They emphasize the IFT as a powerful tool in many branches of mathematics."
---Applications of Mathematics
"This small book consists of six chapters and is entirely devoted to one of the most important results in analysis - the implicit function theorem and its variations. The book starts with historical comments on the evolution of ideas leading to the theorem. . .The book will appeal to a large part of the mathematical community since everybody will find there some far going generalizations of classical results in a very readable form."
---EMS Newsletter
Introduction to the Implicit Function Theorem
Krantz, Steven G. (et al.)
Basic Ideas
Variations and Generalizations
Advanced Implicit Function Theorems
Steven G Krantz
Harold R. Parks
Birkhäuser Basel
Springer Science+Business Media New York
10.1 | 715 |
Summit Foundation est une organisation à but non lucratif et reconnue d'utilité publique. Elle est basée à Vevey<|fim_middle|>ages en lien avec des problématiques environnementales
conception de campagnes de sensibilisation du public
Bornes de tri
La Fondation conçoit et produit des bornes permettant le tri des déchets en milieu urbain, en station de montagne ou de façon ponctuelle lors de festivals ou de manifestations sportives. Au travers du système "vertical" développé depuis 2006, la qualité de tri dépasse les 90%.
Ecobox
Summit Foundation propose depuis 2002 une poubelle de poche personnalisable, l'Ecobox. Cette petite boîte en fer blanc recyclé, produite en Suisse, est assemblée et conditionnée au sein d'un atelier protégé, comme l'est l'essentiel du matériel utilisé et proposé par la fondation.
Références
Liens externes
Site officiel
Association ou organisme ayant son siège en Suisse
Organisation non gouvernementale écologiste | en Suisse.
Mission et activités
Summit Foundation a été créée en 2001, avec pour mission de diminuer l'impact environnemental des activités humaines, dans les lieux à forte fréquentation, en particulier en lien avec la pratique des loisirs.
Elle a pour activités:
L'éducation à l'environnement des jeunes générations.
Les actions de sensibilisation du grand public, notamment au travers de campagnes d'affichage, d'opérations de ramassage des déchets en montagne ou encore de stands sur des événements.
Le développement de solutions concrètes, facilitant un comportement écoresponsable, notamment l'Ecobox (poubelle de poche), les bornes de tri et le conseil environnemental.
Programmes et produits
Actions de sensibilisation
Summit Foundation sensibilise le grand public et les jeunes générations à l'impact environnemental des activités humaines, notamment au travers de l'organisation de campagnes d'affichage, d'opérations de ramassage des déchets, de films de sensibilisation ou encore d'outils pédagogiques pour les enseignants et les moniteurs de ski.
Campagnes d'affichage
Les campagnes d'affichage visent à sensibiliser le public à l'écologie dans un cadre touristique (stations de ski, sentiers de randonnées en raquettes à neige, bords de lacs, ports de plaisance, etc.).
La fondation est aujourd'hui agréée par la Société Suisse des remontées mécaniques et est partenaire écologique de 65 stations de ski en Suisse et en France voisine.
Summit Foundation est partenaire de www.sentiers-raquettes.ch sur plus de 180 sentiers balisés (soit environ ) pour la randonnée en raquettes à neige.
Soutien aux manifestations sportives et culturelles
Summit Foundation propose des solutions aux problèmes écologiques liés aux manifestations.
conseils pour l'organisation d'événements plus durables
réalisation de sond | 470 |
What is VM Express Online and how does it work?
VM Express Online is the online banking platform facilitated by the Victoria Mutual Building Society that allows Members and Customers who register for the service to view accounts, transfer funds and/or make bill payments at any time of day. The service is free to all VMBS Members and customers.
What can I do with VM Express Online?
How much does it cost to use VM Express Online?
VM Express Online is free to all Members and Customer of the Victoria Mutual Building Society.
What are the requirements for registering for<|fim_middle|> should I do if I make an error paying a bill? | VM Express Online?
How and where do I Register for VM Express Online?
Click Register on the VM Express Online icon to the top right hand of the home page.
Click Start Now or Register for Online Banking complete and submit the application form.
Please note that all Members and Customers who apply for VM Express Online Banking must have an up-to-date Customer Information Form (CIF).
How do I update my Customer Information?
Once completed, sign and return a copy to the VMBS branch closest to you.
For all Members and customers living overseas, please note that all documents must be notarized.
I have a problem, how do I get assistance?
All requests related to VM Express Online Banking Service should be directed to the VMBS Member Care Centre at JAM 1-888-937-VMBS (8627), USA/CAN 1-866-967-VMBS (8627) and UK 0-800-068-VMBS (8627).
Does VM Express Online offer 24-hour support for issues and queries?
No we do not offer 24-hour assistance. Our Member Care Centre provides support during the following hours.
Monday - Friday: 7:00 a.m. to 8:00 p.m.
How long after I register will I be able to start using VM Express Online?
Once your application has been submitted, you will receive an acknowledgment email. If your application is successful, you will receive subsequent emails with login information within 24 hours. Please note that you must have an updated Customer Information Form (CIF) for your application for VM Express Online Banking Services to be successful.
I have been registered and my application was successful, how do I Login to VM Express Online Banking Services for the first time?
Click Login on the VM Express Online icon to the top right hand of the home page.
How do I get my User ID and Password for VM Express Online?
You will be able to access this information from the email account provided once your application has been approved.
Your User ID cannot be changed once you have successfully registered for VM Express Online.
What should I do if I have forgotten my password or my user ID?
Can I change my password myself?
Yes, but to do this you must be logged in. Click on the "Change Password" link at the top right hand corner of the screen and follow the instructions. This applies to both the Classic and Contemporary views.
I am having trouble with my Login, what should I do?
Can I access VM Express Online using a smartphone or tablet?
Presently we do not offer mobile banking on Smartphones. You may however, access our online banking services using a tablet.
What are the browser requirements for VM Express Online?
Passwords may contain between 8 and 12 characters and should include at least one upper case, lower case and numeric character.
Up to two (2) consecutive characters are allowed (e.g. ab).
Three (3) successive or repeating characters are allowed (e.g. aaa).
Avoid using simple or easily guessed passwords such as your date of birth, UserID, telephone numbers, family birthdays or other personal information.
Whenever a compromise is suspected, passwords should be changed.
While some browsers provide a convenient facility to save passwords on the workstation, only use such features for non-sensitive applications.
Can I transfer funds between my accounts using VM Express Online?
Funds can be transferred between same currency accounts.
Can I transfer funds to someone else's account using VM Express Online?
Third party transfers will not be facilitated at this time.
Can I transfer funds between my VM accounts and other banks using VM Express Online?
Bank to bank transfers will not be facilitated at this time.
When will the money be moved if I transfer funds from one account to another?
All transactions are processed in real time, however transactions done after 7pm will be completed on the next business day.
How do I pay my Share Loan using VM Express Online?
You may access your loan account from the Loan Repayment screen on VM Express Online.
Complete the fields on the loan repayment screen and submit the payment.
Note: Loan payments are only accepted on or after the due date.
What is the difference between my current and available balances?
Your available balance is the balance at your disposal for transactions.
Can I do automatic transfers using VM Express Online?
No, Automatic transfers are not facilitated online.
Can I get Alerts from VM Express Online?
Yes you may register for alerts by selecting the Register for Alerts option on VM Express Online.
How do I sign up to pay bills using VM Express Online?
How do I add or remove billers/payees after they have been registered?
How long after I use VM Express Online to pay a bill will the money be paid over to the payee?
What | 980 |
34 Writing Contests in June 2017 - No entry fees!
There are nearly three dozen free contests in June. They cover the full range of topics, styles and genres, from essays, to poetry, to full-length works.
In addition to the prestige of winning a contest, some of the monetary prizes this month are substantial.
Be sure to check the submission requirements carefully, as some have age and geographical restrictions.
Many contests are offered annually, so if you miss a contest you may be able to catch it next year. For a full month-by-month listing of contests see: Free Contests.
Amy Awards. Poets & Writers presents the Amy Award each year to recognize promising women poets, age 30 and under, living in the New York City metropolitan area or on Long Island. Winners receive a modest honorarium and give a reading in New York City. The award was established in 1995 by Paula Trachtman and Edward Butscher of East Hampton, New York, in memory of Ms. Trachtman's daughter, Amy Rothholz, an actor and poet. Prize: "Modest", but an award from Poets & Writers is prestigious. Genre: Poetry. Deadline: June 1, 2017.
The Society for Humanistic Anthropology Fiction Competition. Genre: Stories that relate to the four fields of anthropology. Restrictions: Stories should not exceed 20 pages typed double-spaced. There is a limit of one story submission per applicant. Prize: The first place story will be published in the Society's journal, Anthropology and Humanism. The first place winner(s) will receive a certificate and award of $100. Deadline: June 1, 2017. Read guidelines HERE. (Scroll down the page.)
Singapore Poetry Contest. Genre: Poetry. The poem may be about any aspect of Singapore. Prize: 1st Prize $100. 2nd Prize $50, 3rd Prize $20; all winners will be published online. Deadline: June 1, 2017.
Governor General's Literary Awards. Restrictions: Books must have been written by Canadian citizens or permanent residents of Canada. They do not need to be residing in Canada. Genre: The Governor General's Literary Awards are given annually to the best English-language book in each of the seven categories of Fiction, Literary Non-fiction, Poetry, Drama, Young People's Literature (Text), Young People's Literature (Illustrated Books). Prize: $25,000. Deadline: June 1, 2017.
Fraser Student Essay Contest. Restrictions: Open to high school, undergraduate and graduate students. International. Genre: Essay. Topic: Regulating the Sharing Economy: Do the Costs Outweigh the Benefits? Prizes: $500 - $1500. Deadline: June 1, 2017.
Proud to Be: Writing by American Warriors. Created by the Missouri Humanities Council, the Warrior Arts Alliance, and Southeast Missouri State University Press, this series of anthologies preserves and shares military service perspectives of our soldiers and veterans of all conflicts and of their families. It is not only an outlet for artistic expression but also a document of the unique aspects of wartime in our nation's history. Genres: Poetry, Short Fiction, Essay, Photography, Interview with a Warrior. Prize: $250 and publication. Deadline: June 1, 2017 (postmarked).
Texas Book Festival Youth Fiction Writing Contest. Hosted by the Texas Book Festival and the Division of Diversity and Community Engagement (DDCE) at the University of Texas at Austin. Restrictions: Junior and high school Texas students. Genre: Original fiction, no more than 2,000 words in length on theme of "Funny Running Into You Here." Prize: Winners receive a cash prize: $250 for first place, $100 for second, and $50 for third. In addition, winners are awarded a plaque, have their stories published on the TBF website, and are invited to participate on a panel during the Texas Book Festival weekend. Deadline: June 1, 2017.
"When I think of My Dad…" Essay Contest. Genre: Essay "We want to know what your father means to you and how he has made your life better. What has he done to lift you up and keep you on the right track? How has he influenced you? How has he helped you stay on the path towards healing?" Prize: $200. Deadline: June 5, 2017.
The Pandeism Collegiate Writing Competition. Restrictions: Open to undergraduate and graduate collegiate students of philosophy, theology, religious studies, social sciences, arts, literature, applied sciences, or comparable disciplines. Genre: Article presenting original thought in exploring implications of the modern theological theory of Pandeism (pantheistic Deism, belief in a Creator wholly becoming our Universe, proposed to be discernible by application of logic and reason). Papers written for course credit are acceptable. Submissions do not need to take a position in favor of or opposed to Pandeism as a theory, but must present original thought about its relative possibility, relation to other areas of theology, or implications for areas such as epistemology, ethics and morality, or science. Submissions must be a minimum of 3,000 words and a maximum of 6,000 words. Only one (1) article may be submitted by each student. Prize: $250 Amazon gift card and publication. Deadline: June 9, 2017.
Peter Blazey Fellowship. Restrictions: Applicants must either be an Australian citizen or have Australian residency. Genre: Non-fiction in the fields of autobiography, biography or life writing. Prize: $15, 000, and a one-month writer-in-residency at The Australia Centre. Deadline<|fim_middle|>2017.
Blue Mountain Poetry Card Contest. "Poems can be rhyming or non-rhyming, although we find that non-rhyming poetry reads better. We suggest that you write about real emotions and feelings and that you have some special person or occasion in mind as you write." Prize: First prize $300. Second prize $150. Third prize $30. Deadline: June 30, 2017.
Drue Heinz Literature Prize. Restrictions: The award is open to writers who have published a book-length collection of fiction or a minimum of three short stories or novellas in commercial magazines or literary journals of national distribution. Online and self-publication does not count toward this requirement. Genre: A manuscript of short stories; two or more novellas (a novella may comprise a maximum of 130 double-spaced typed pages); or a combination of one or more novellas and short stories. Novellas are only accepted as part of a larger collection. Prize: $15,000 and publication by the University of Pittsburgh Press under its standard contract. Deadline: June 30, 2017.
Oregon Literary Fellowships. Fellowships of $3,000 each are given annually to Oregon writers to initiate, develop, or complete literary projects in poetry, fiction, and creative nonfiction. One Women Writers Fellowship and one Writer of Color Fellowship of $3,000 each are also given annually. Submit three copies of up to 15 pages of poetry or 25 pages of prose with the required entry from. Deadline: June 30, 2017.
L. Ron Hubbard's Writers of the Future Contest. Restrictions: Contest is open only to those who have not professionally published a novel or short novel, or more than one novelette, or more than three short stories, in any medium. Professional publication is deemed to be payment and at least 5,000 copies (or 5,000 hits for online publication). Genre: Fantasy, Sci-Fi or Horror. 17,000 words max. Prize: $1,000 1st Prize awarded each quarter; one of those winners also receives the $5,000 annual "Golden Pen Award" grand prize. 2nd Prize $750, 3rd Prize $500. Deadline: June 30, 2017.
Best New Writing (Gover Story Prize). Genre: Short Fiction & Creative Nonfiction. Works of short prose must be less than 10,000 words, previously unpublished. Prize: $250.00. Deadline: June 30, 2017.
Costa Book Awards. Restrictions: Prize is for books first published in the UK or Ireland by authors who have lived in the UK or Ireland for at least six months of each of the preceding three years. Books must be published between November 1 of the previous year and October 31 of the current year. Self-published works not allowed. Genre: Five categories - First Novel, Novel, Biography, Poetry and Children's Book. Prize: £30,000.00 across all genres. 5,000 pounds in each category (poetry, novel, first novel, biography, children's book). Deadline: June 30, 2017.
Ekphrasis: A Journal of Transformative Verse. Genre: Poem. Prize is awarded to the best poem submitted to Ekphrasis during the year. Each poem must address a work of art. Prize: $500. Deadline: June 30, 2017. Snail mail only.
Griffin Trust for Excellence in Poetry, Griffin Poetry Prize. Restrictions: One prize goes to a living Canadian poet or translator, the other to a living poet or translator from any country, which may include Canada. Genre: Poetry. Books must have been published in English during the calendar year preceding the year of the award. Prize: C$200,000, is awarded annually in two categories – International and Canadian. Each prize is worth C$65,000. Deadline: June 30, 2017.
Words and Brushes. Genre: Short story inspired by artwork. Prize: $350 top prize. Deadline: June 30, 2017.
Labels: contests
John Reinhart June 5, 2017 at 9:45 PM
Poetry Nook runs a weekly free contest with $150 first prize and $15 honorable mentions - anything goes: any style, any topic, any theme, any length, reprints ok. Contests start and end Sunday midnight EST.
www.poetrynook.com/contest
Francis Dustin June 15, 2017 at 6:26 PM
onthepremises.com
is a blind read contest formatted publication that accepts almost all types of general fiction entries (erotica and children's stories are the exceptions). They have two contests accepting submissions from 1k to 5k a year (prizes: 1st $220, 2nd $160, 3rd $120, honorable mentions $60) and 4 mini-contests (prizes: 1st $25, 2nd $15, 3rd $10).
The deadline gor their current contest is Sept. 1st.
Knuje August 7, 2017 at 6:55 AM
The editors of the Pandeism Anthology project are pleased to announce that the winner of the 2017 Pandeism Collegiate Writing Competition is Scott Somerville of Trent University, Peterborough, Ontario, Canada, for his submission, "Fractal Divinity, the Purpose of Life, and Romanesco Broccoli." Scott's submission will be published in Pandeism: An Anthology, Volume II, to be published in mid-2018.
Our runner up is Michael Minogue of the Illinois Institute of Technology of Chicago, Illinois, USA, for his submission, "The World of Ideas, Archetypes, and their Pandeistic Ontology"; Michael has been offered publication of his submission as well, as an honorable mention. Thank you to all who participated!!
In keeping with the publication schedule for our Pandeism Anthology series, we will be conducting this competition biennially from now on, so the next competition will be held in the Spring of 2019. Blessings all!!
61 Fabulous Writing Conferences in June 2017!
20 Magazines That Pay for Travel Writing
2 New Agents Seeking Writers NOW
31 Feminist and Women's Publications That Pay Writ...
2 New Agents Seeking Clients - sci-fi/fantasy, hor...
2 Million Page Views ... and All I Got Was This Lo...
52 Calls for Submissions in May 2017 - Paying Mark... | : June 12, 2017.
IUPUI Poetry Contest. Restrictions: High school age students. Genre: Poetry. Prize: $300. 2nd Prize $200, 3rd Prize $100. Deadline: June 15, 2017.
The Eleanor Taylor Bland Crime Fiction Writers of Color Award. Sponsored by Sisters in Crime. Restrictions: Open to emerging writers of color. An unpublished writer is preferred, although publication of one work of short fiction or academic work will not disqualify an applicant. Prize: $1,500. Deadline: June 15, 2017.
Bard Fiction Prize. Genre: Published fiction book. Prize: $30,000 and a one-semester appointment as writer-in-residence at Bard College. Deadline: June 15, 2017.
Scotiabank Giller Prize. Restrictions: Open to books published in Canada in English. Must be nominated by publisher. Genre: Fiction. Full-length novel or collection of short stories published in English, either originally, or in translation. Prize: $100,000 to the winner and $10,000 to each of the finalists. Deadline: Books published between May 1, 2017 and June 30, 2017 must be received on or before June 15, 2017.
Norton Writer's Prize. Sponsored by W.W. Norton & Company. "The Norton Writer's Prize will be awarded annually for an outstanding essay written by an undergraduate. Literacy narratives, literary and other textual analyses, reports, profiles, evaluations, arguments, memoirs, proposals, mixed-genre pieces, and more: any excellent writing done for an undergraduate writing class will be considered." Genres: Creative Nonfiction, Scholarly Essay. Prize: $1,500. Two runner-up prizes of $1,000. Deadline: June 15, 2017.
American-Scandinavian Foundation Translation Prizes. Genre: English translations of poetry, fiction, drama, or literary prose originally written in Danish, Finnish, Icelandic, Norwegian, or Swedish by a Scandinavian author born after 1800. Prize: $2,500. Deadline: June 15, 2017.
Fred Otto Prize for Oz Fiction/Warren Hollister Prize for Oz Nonfiction. Genre: Short Fiction, Art & Creative Nonfiction. All work must be related to the world of Oz. Prize: $100 in each genre. 2nd Prize $50 in each genre. Deadline: June 15, 2017 (electronic submissions only).
Goi Peace Foundation International Essay Contest for Young People. Restrictions: Open to people 25 years of age or less. Genre: Essay (max 700 words). Theme: "Education to Build a Better Future for All." Prize: 1st US$840, 2nd US$420. Deadline: June 15, 2017.
Vermont Studio Center – Full Fellowship Awards. The Vermont Studio Center offers 54 fellowships; open to anyone in the world. Deadline: June 15, 2017.
Towson University Prize for Literature. Restrictions: Open to Maryland writers. Genre: Book-length manuscript of fiction, poetry, drama or imaginative non-fiction. The work must have been published within the three years prior to the year of nomination or must be scheduled for publication within the year in which nominated. Self-published works will not be considered. Prize: $1,000. Deadline: June 15, 2017.
Baltimore Science Fiction Society Amateur Writing Contest. Restrictions: Author must be a Maryland resident or a student at a Maryland 2- or 4-year college. Genre: Speculative fiction short story. Prize: 1st place is $250, 2nd place is $100, 3rd place is $50. Deadline: June 16, 2017.
Linda Flowers Literary Award. Restrictions: Entrants must live in North Carolina. "The North Carolina Humanities Council invites original, unpublished entries of fiction, nonfiction, or poetry for the Linda Flowers Literary Award. Submissions should detail examinations of intimate, provocative, and inspiring portraiture of North Carolina, its people and cultures, bringing to light real men and women having to make their way in the face of change, loss, triumph, and disappointments." Prize: $1,500. Deadline: June 16, 2017.
A Midsummer Tale Narrative Writing Contest. Theme: Summer Love. Length: 1,000 words minimum; 5,000 words maximum. Prize: $35 - $50 Amazon gift card. Deadline: June 21, 2017.
Ocean Awareness Youth Contest. Restrictions: Open to students in grades 6 - 12. Genre: Art, poetry, prose, film. "We want your submission to make viewers reflect on the impact of ocean pollution, inspire them to consider possible solutions, and challenge them to take action." Prizes: $100 - $1,500 Deadline: June 19, 2017.
Utah Division of Arts and Museums Original Writing Competition. Restrictions: Utah writers. Genres: Poetry and prose. Prize: $1,000 top prizes for book-length manuscripts of novels, creative nonfiction & history, collection of poetry or short stories, and juvenile book; $300 top prizes for individual poems, short stories, and personal essays. 2nd Prize $500 for the book-length categories, $150 for poetry. Deadline: June 23, | 1,238 |
U.S. GIRLS' JUNIOR
Second Effort November 7, 2019 | Stevens Point, Wis. By David Shefter, USGA
Lei Ye, 18, Gives China 2nd USGA Champion in Her 2nd Attempt to Win a Title
Lei Ye (right) had a joyous run to the U.S. Girls' Junior title at SentryWorld in July. (USGA/Steven Gibbons)
2019 Championship Recap Home | Results From 2019 U.S. Girls' Junior
This is the second of 15 articles in a series that recaps the 2019 USGA championship season on usga.org over the next seven weeks.
When the International Olympic Committee announced in 2009 that it was bringing golf back to the Summer Games in 2016 following a 102-year hiatus, it opened the door for countries previously underserved by the game to launch development programs.
One of those nations was the People's Republic of China. Although China might not yet be on the same level as Asian counterparts Japan and the Republic of Korea, the country is showing signs of becoming a major player. Shanshan Feng can count one major championship (the 2012 KPMG Women's PGA Championship) among her 10 LPGA Tour victories. Also in 2012, 14-year-old Andy Zhang became the youngest qualifier in U.S. Open history.
And in 2014, Alice (Fumie) Jo won the final U.S. Women's Amateur Public Links Championship to give China its first USGA champion.
The second was crowned in late July in the 71st U.S. Girls' Junior Championship at SentryWorld in Stevens Point, Wis. One week after China's Bo Jin lost in the championship match of the 72nd U.S. Junior Amateur Championship at Inverness Club in Ohio, Lei Ye, 18, held off Jillian Bourdage, of Tamarac, Fla., 1 up, in the 36-hole final.
"China is definitely a growing player in the game, and I think winning this is definitely a huge achievement for us," said Ye, who first came to the U.S. in 2016 to attend a Florida-based golf academy. "I know that it will inspire other juniors back home to work harder. Being able to help grow the game back home, that's really cool."
Ye and Bourdage, an aspiring pilot, both had already experienced a USGA final, albeit with a partner. Ye, an incoming Stanford University freshman, and Ya Chun Chang lost in the 2018 U.S. Women's Amateur Four-Ball final, while Bourdage and Casey Weidenfeld were the runners-up in the 2019 Four-Ball championship match.
Photos: Best Images From 71st U.S. Girls' Junior
Grace Kim warms up on the practice range at SentryWorld prior to the first round of stroke play in the 71st U.S. Girls' Junior Championship. (USGA/Steven Gibbons)
Lauren Beaudreau plays her approach shot on the par-5 ninth hole at SentryWorld during the first round of stroke play. (USGA/Steven Gibbons)
Jillian Bourdage shares a hug with her dad, Tom Bourdage, after posting a 3-under-par 69 in the first round of stroke play. Bourdage would advance to the 36-hole final match. (USGA/Steven Gibbons)
Bohyun Park found a greenside bunker on SentryWorld's famous par-3 16th hole, nicknamed "The Flower Hole," during the first round of stroke play. (USGA/Steven Gibbons)
Lei Ye reacts to a missed putt on the 14th green during the first round of stroke play at SentryWorld. Ye would win the championship five days later. (USGA/Steven Gibbons)
A wide view of SentryWorld's "Flower Hole," the par-3 16th, during the second round of stroke play. The hole was a popular place for spectators to take in the action at the 71st U.S. Girls' Junior. (USGA/Steven Gibbons)
Lauren Beaudreau celebrates with her caddie after she won her Round-of-64 match over Rachel Heck, 1 up, on the 18th hole. (USGA/Steven Gibbons)
Brooke Seay and her caddie/brother, Spencer, discuss strategy on the 15th green during the Round of 64. Seay would advance to the quarterfinals before being eliminated by eventual champion and future Stanford teammate Lei Ye. (USGA/Steven Gibbons)
Lei Ye and caddie Rose Zhang celebrate after winning the 2019 U.S. Girls' Junior title on the 36th hole,1 up, over Jillian Bourdage at SentryWorld. Zhang took over the caddie duties after being eliminated in the quarterfinals. (USGA/Steven Gibbons)
Lei Ye, of the People's Republic of China, holds the Glenna Collett Vare Trophy after winning the 71st U.S. Girls' Junior at SentryWorld. (USGA/Steven Gibbons)
photo gallery Photos: Best Images From 71st U.S. Girls' Junior
Bourdage, 17, proved to be a stingy opponent. Seven times in the final, she managed to win a hole after losing the previous one to Ye. She appeared on the verge of making it eight on the par-4 36th hole after stuffing a hybrid approach to 5 feet. But Bourdage under-read the break and missed to the left. Ye, who had nearly converted a 50-foot birdie from above the hole, closed out the match by converting the most stressful 3-footer of her young career. One hole earlier, she had made a 6-foot birdie for a 1-up lead.
"This tournament is the ultimate achievement of junior golf," said Ye, who became the 13th foreign-born champion to have her name engraved on the Glenna Collett Vare Trophy, while also earning an exemption into the 2020 U.S. Women's Open at Champions Golf Club. "I just told myself [on that last putt], you've practiced this thousands and thousands of times, you could do it in your sleep."
The most dominant player for most of the week was Yuka Saso, of the Philippines. The 18-year-old bested the field by five shots in stroke play (12-under 132) and continued her strong play into the semifinals before<|fim_middle|> the 173-yard 7th hole with a 23-degree hybrid. Kim won the match, 2 and 1.
ICYMI: Other Features From 71st U.S. Girls' Junior
Championships After Arthritis Shatters Tennis Dream, Cee Discovers Golf
Championships Sudjianto Taking Unique Route to College Experience
Championships Catching a Flier: Bourdage Soaring at SentryWorld
Championships Lei Ye's Saturday March to Victory at the U.S. Girls' Junior | falling to Bourdage, 2 up.
Among those eliminated in the Round of 64 were two-time Drive, Chip & Putt champion Alexa Pano and 2017 U.S. Girls' Junior champion Erica Shepherd. Grace Summerhays, whose brother Preston won the U.S. Junior Amateur a week earlier, reached the Round of 16 with her brother on the bag. Bo Jin's sister, Jiarui, also qualified for match play, but lost in the Round of 64.
China, in fact, led the field's international contingent with nine players, six of whom qualified for match play.
All the more reason to believe that Ye's title might be a harbinger of things to come.
FAST FACTS FROM 71st U.S. GIRLS' JUNIOR
Jillian Bourdage's streak of never trailing in match play ended on the first hole of the final, a string of 83 holes.
Lei Ye is the 7th international champion in the last 10 years, a list that includes 2018 U.S. Women's Open winner Ariya Jutanugarn (Thailand) and 5-time LPGA Tour winner Minjee Lee (Australia).
Medalist Yuka Saso lost in the semifinals of a USGA championship for the second time, having reached the final four of the 2016 U.S. Women's Amateur. This was her best finish in four U.S. Girls' Junior starts.
Nine countries were represented in the Round of 32, led by the USA with 23 players. The People's Republic of China had two, while Australia, Canada, Chinese Taipei, Hong Kong China, India, Mexico and Philippines each had one.
Yoona Kim, of Fairlawn, N.J., registered the lone hole-in-one of the week in her Round-of-64 match against Jennifer Koga, on | 398 |
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We have on-site and off-site staff – a network of Heroes who can be called in and deployed on a project at a moment's notice. Our project management | 82 |
Big Issue Magazine to Go UK-wide, Operating out of Glasgow
The weekly news and lifestyle magazine sold by homeless people – The Big Issue – is to have its regional editions amalgamated into a single UK edition, run from Glasgow and with the Scotland editor, Paul McNamee, its editor.
The UK edition will replace separate regional editions covering Scotland, Wales, London, the South-west of England and the rest of England and the first issue will be out next month. There will be regional variations within the content of each issue.
No editorial posts are expected to be lost in Scotland, with some elsewhere in the UK understood to be transferred to an enhanced online presence. There will be magazine editorial presence in both London and Cardiff.
Production and advertising responsibilities are being shifted across to Dennis Publishing, which includes The Week, Men's Fitness Magazine and Maxim in its portfolio. In Scotland, negotiations are<|fim_middle|>] national magazine before, so it's going to be quite challenging."
By Administrator · June 7, 2011 · Comments Off
« Bargeton Named New Deputy Editor at The Courier
Trams Head Reported to have Quit » | ongoing with its four production stuff with a view to them transferring to Dennis.
Paul McNamee was appointed Scotland editor four years ago, having previously been deputy editor for a year. Before that, he was editor of Irish teen mag, Brat, and before that was on the NME in London for several years. He had also worked freelance, including for The Irish Times, the Guardian and the Belfast Telegraph.
He was made Wales editor, in addition to Scotland, three years ago.
The latest set of audited sales figures for the magazine sector had The Big Issue in Scotland at an average 17,583, down 6.6 per cent on 12 months previously. At the recent Scottish Press Awards, the magazine's Adam Forrest was shortlisted in the Magazine Writer of the Year category.
In a statement issued by the magazine HQ, founder and editor-in-chief, John Bird, is quoted saying: "The decision to amalgamate the regional editions of the magazine and to create one unified UK edition was taken to enable greater efficiency and the best use of our skill set. The move will also free up resources, allowing us to focus of new ventures, including development of a digital platform."
This year, The Big Issue celebrated its 20th anniversary. Scottish readers aren't likely to notice too much difference between the new, UK-wide edition and what they currently enjoy. McNamee says he expects the UK format will make it easier to plan for longer, more in-depth and investigative journalism.
He told allmediascotland.com: "It's an incredible honour to be able to do this. I am incredibly excited. There hasn't been one single [Big Issue | 342 |
Wulfgard Illustrated Playing Card Deck
Minifig: Holographic AI
This bundle includes the Wulfgard: Knightfall paperback novel, Wulfgard: Into the North Volume 1 graphic novel, the Tales of Wulfgard eBook, and the illustrated playing card deck! Step into the beginnings of our dark fantasy universe with all these products of our original Kickstarter project!
Total value: $50.96, yours for only $39.95!
Wulfgard: Knightfall - Paperback Novel
A dark fantasy novel set in the world of Wulfgard,
Maegan A. Stebbins
with contributions and illustrations by
Knightfall tells the story of Sir Tom Drake, a knight of the Achaean frontier city of Illikon. Together with his close friends and fellow soldiers, he wants only to protect his city and its people from any who would threaten them. But the Achaean Empire to which they swear loyalty is always seeking out new conflicts that put his city in danger. When Sir Scaevius, Left Hand of the Emperor, arrives in Illikon to recruit Sir Drake to help fight the massing barbarian alliance to the North, Drake has no choice but to obey. But he does not obey without protest, and soon he finds himself fighting not only the barbarians, but his own superiors as well. Meanwhile, strange things begin happening to him. He suffers blackouts, and at night he is plagued by terrifying nightmares. Even worse, he finds himself being stalked by horrific monsters... werewolves. Hated by his superiors, hunted by beasts and assassins, Drake must fight for his home, his life, and even his mind. The events that are about to unfold will change his life, and the world, forever.
Wulfgard: Into the North - Paperback Comic
Set in the world of Wulfgard by
Justin R. R. and Maegan A. Stebbins
A full-color graphic novel set in the fantasy world of Wulfgard, Into the North introduces four sets of characters whose fates are destined to intertwine...
In the frozen North, a lone wanderer stumbles down out of the impassable Jagged Edge mountains, finally returning home after a year of wandering the world... and something - or someone - seems to be hunting him.
In the Imperial capital, a young elven thief chooses the wrong building to burglarize... and finds herself caught up in a dark conspiracy involving an exiled noble lord, his pet demoness, and a cult of assassins, all hunting for a set of ancient artifacts.
In the city of Rimegard, a princess wishes to help her family protect their kingdom from encroaching barbarian raiders... but she also hides a terrifying secret that, if revealed, would make her an enemy in the eyes of their own Imperial law.
In the darkness deep beneath the surface of rhe world, a clan of Dvergar - dwarves - fight an ancient unseen war with a civilization of corrupt demon-worshipers. A noble smith finds himself on the first steps of a path that will take him far from home.
The Limited Edition of Into the North features an alternate, minimalist cover design, and each of the 100 copies is signed and numbered by Justin and Maegan!
NOTE: For best print quality, ordering from Amazon is recommended, because the colors came out slightly too dark on the initial print run and were later corrected for the current Amazon edition.
Version * Choose an optionStandard EditionLimited Edition Clear
This full 54-card deck of standard playing cards features a full-color illustration of a different Wulfgard character on the face of each and every card! Comes in a clear plastic case.
Available only from this website!
Tales of Wulfgard, Vol. 1
NOTE: Download link can only be used twice, and<|fim_middle|> of witchcraft and sorcery. His loving parents protect him and keep him hidden from the sight of other people, who would surely see him killed for his dangerous abilities. But the fearful locals are not the only thing the family has to worry about: something lurks in the shadows of the forest near their home. Something with a taste for blood...
"Potential Energy" - Lord Plutarch's Tale - by Justin
The House of Plutarchus is one of the oldest and most powerful families in all of the Achaean Empire. But its youngest son, Septimus Plutarch, wishes to make his own way in the world. With great care, he begins planning a life of power and prestige, and more importantly, independence. But one day he makes a discovery about himself that brings all his plans crumbling down... and opens up a new, far more dangerous path to even greater power.
"Hunted" - Caiden's Tale - by Maegan
Since before recorded history, the ancient organization known as the Venatori have protected the people of the Achaean Empire from the threat of creatures far more powerful than any man: monsters. Even Caiden and Gwen - both highly trained hunters - find themselves outmatched when confronted with one of the deadliest beasts in the mortal realms: a werewolf. It will take all their experience and cunning to survive.
"Wake Not the Sleeping Bull" - Jörgen's Tale - by Justin
Jörgen the Lone Bull is a proud son of Northrim, despite being an orphan. He wants nothing more than to protect his home from conquest by the ever-expanding Achaean Empire. After fighting skirmishes against them for years as an outlaw, he finally joins a Northern army willing to take the fight to the Imperials directly. But Jörgen finds that real war is not quite as glorious as he had hoped, and he may never be able to go home the same man he was before.
and on Smashwords!
Categories: Fantasy, Category: Wulfgard, Books, Comics, and Cards, Wulfgard (my fantasy world)
Minifig: Elder Series 5 Female Barbarian | expires 1 week after purchase, so save your file!
Tales of Wulfgard, Volume 1 is a digital ebook collection of stories by brother and sister Justin R. R. Stebbins and Maegan A. Stebbins, set in the dark fantasy world of Wulfgard! There are 5 tales, each exploring the background of a particular important character of Wulfgard:
"Speak No Evil" - Whisper's Tale - by Justin
Whisper has never lived anywhere except the City - never even been beyond its walls. She knows it like the back of her hand, knows the long faces of its dark buildings like the faces of old friends - almost her only friends. But there is a new gang in town: a shadowy cult kidnapping young street urchins for an unknown purpose. And Whisper becomes one of their victims.
"A Wolf in Sheep's Clothing" - Chris's Tale - by Maegan
On a lonely farm on the far northern frontier of the Achaean Empire, a young boy is born with stark white hair - a sure sign | 221 |
Lexington author James Lane Allen lived in the main house at Scarlet Gate in the late 1800s. The Lexington School recently purchased the 12.6-acre property.
The Lexington School has bought Scarlet Gate, the estate where Lexington author James Lane Allen lived in the late 1800s.
Charles Baldecchi, head of the Lexington School, said there is no immediate plan for the 12.6-acre property, east of the private school on Lane Allen Road, which is named for the writer. The school, which had held first right of refusal on the land for several years, bought it primarily because of concerns that it might be acquired by developers,<|fim_middle|> and one of our retired teachers takes our fourth-grade science class over there every year to identify native birds and plants."
As part of their service day on Thursday, students Logan Mitchell, left, and Nolan Ramsey, right, cleaned up the creek on the Scarlet Gate property next to The Lexington School. | Baldecchi said.
"The important thing was to have control of the property," he said Thursday. "We just couldn't pass up the opportunity. There are very few properties inside New Circle Road with this kind of history, and we're very pleased to have it."
The Fayette County Property Valuation Administrator's Web site lists the sale price as $1.3 million.
"We probably will form a task force to look at long-range uses, but we've already identified some scientific uses," he said. "There is a creek that runs through the property, | 112 |
Solar Science Observatory/NAOJ (Japan) – Project Research Fellow Position
May 1, 2019, from Richard Morton
Solar Science Observatory (SSO), National Astronomical Observatory of Japan (NAOJ) is inviting applications for one position of project research fellow.
Solar Science Observatory conducts the scientific operation of the Hinode on-orbit solar observatory with ISAS and observes the Sun at a ground-based observatory in the Mitaka campus. Successful<|fim_middle|> the end of the contract term, there is the possibility of extending the contract up to two years, based on a review.
The application documents and the reference letter must be received by 17:00 of 31 May 2019 (JST).
For further information visit: www.nao.ac.jp/en/about-naoj/employment/job-vacancy.html | applicants are expected to actively promote solar physics studies utilizing the data from these instruments with the other observational facilities such as scientific satellites, sounding rockets and balloon payload (SDO, IRIS, CLASP, FOXSI, Sunrise) and ground-based observatories (ALMA, large-aperture solar telescopes), or theoretical researches related to those areas noted above. The project research fellow is expected to participate in the scientific operation of the observational facilities associated with the project and to be involved with science case studies and/or instrument developments for the on-going or planned solar physics projects (Sunrise-3, Solar-C/EUVST, DKIST, etc.).
Project research fellow is a full-time position (discretionary work type: standard work hours is 38h45min working hours/week) employed under the scheme of the annual salary system of NINS.
The term starts at 1 August 2019 or later. The term is for three years, subject to annual review. At | 203 |
Prince William's heartbreak at Diana over Panorama interview: 'Why did you do it?' | Royal | News (Reports)
The Duke of Cambridge broke his silence over allegations surrounding the interview, by demanding the investigation "establish the truth behind the actions" of those involved. A row erupted after Princess Diana's brother questioned Martin Bashir, who hosted the broadcast, and the BBC over how the interview was secured. It led the broadcaster to start an independent investigation into the 1995 interview, which shocked the world and was watched by around 23 million people in the UK.
The aftermath was seismic, and reports show that as a result the Queen told Prince Charles to divorce the Princess of Wales, which he duly did in 1996 – a year before Diana perished in a Parisian car crash.
But according to royal expert Katie Nicholl, Prince William was furious with his mother, and the decision to go public about her personal life, and her relationship with his father Charles.
The interview saw Diana infamously say there were "three people" in her marriage to the Prince of Wales, a nod to the affair Charles had been having with Camilla Parker Bowles.
Ms Nicholl claimed that "William was exposed to everything from the interview", adding that the young royal then "called his mother in a fury and a rage" as he couldn't understand why she'd done it.
Prince William's heartbreak at Diana over Panorama interview: 'Why did you do it?' (Image: GETTY)
Royal Family: Princess Diana with Martin Bashir (Image: GETTY)
The expert then discussed a chat she had with Diana's close friend Simone Simmons, on Amazon Prime documentary William and Harry: Brothers in Arms.
Ms Simmons explained that William was so infuriated that he told Diana "he would never forgive her for what she had done".
Interest in the interview resurfaced earlier this month following a Channel 4 investigation to mark the 25th anniversary of its original broadcast.
William said: "The independent investigation is a step in the right direction.
JUST IN: Michael J Fox details 'nightmare' with Princess Diana at premiere
Princess Diana: William, Harry, Charles and Diana before her death (Image: GETTY)
"It should help establish the truth behind the actions that led to the Panorama interview and subsequent decisions taken by those in the BBC at the time."
His comments came after it was confirmed John Dyson, a former Supreme Court judge, would be in charge of the inquiry, stating he would launch it "straight away".
The 77-year-old vowed to ensure Mr Bashir, who has yet to comment publicly on the allegations against him, faced a "thorough and fair" investigation.
The claims against Mr Bashir involve his use of two fake bank statements in securing the interview with Diana.
Prince Charles' bitter comment to Princess Diana during skiing holiday [ANALYSIS]
The Crown debunked: Charles DID contact Diana during pre-wedding tour [INSIGHT]
King Charles: Prince of Wales' succession can't be 'trampled' [UPDATE]
Royal Family news: Diana and her young boys (Image: GETTY)
Insiders close to the Duke of Cambridge claim that William's intervention is "about protecting his mother's legacy", and described it as a "personal matter" for the future King.
The source added: "He has kept a close eye on what's unfolded but believes things are moving in the right direction.
"The BBC has kept him informed appropriately. In the end, what he wants is the same as everyone else – for the truth to be unearthed and any appropriate action taken."
<|fim_middle|>: "Having sometimes been in those situations, you feel incredibly desperate and it is very unfair that things are being said that are untrue.
"The easiest thing to do is just to say or go to the media yourself. Open that door. [But] once you've opened it you can never close it again."
After his divorce, Charles later married Camilla in 2005.
Though their marriage was plagued with difficulties, Ms Simmons – who was also Diana's healer – argued Charles and the People's Princess' relationship could have survived if they had spent longer getting to know each other.
She told the Daily Mail last year: "After the divorce Charles got a very good friend in Diana because she understood him.
"Nobody is happy if their other half has affairs, but she loved him with all her heart.
"If they had left it 10 years and then got married, I believe they would be together today.
"They would have had their differences, but I think they may have got back together."
Previous articleNHS Test and Trace processes more tests and contacts more positive cases
Next articleCO-OP bosses back law to protect workers after quarter of staff attacked during pandemic | UK | News (Reports) | It isn't the first time William has spoken about the documentary, as he discussed his feelings over its broadcast in 2017.
Royal Family tree (Image: EXPRESS)
Speaking on 'Diana 7 Days' with the BBC, he said he could "understand" why his mother had opted to go public on reflection.
He explained | 70 |
Governor's Global Tourism Summit in Beautiful Lake Las Vegas
Creating solid business development opportunities within the lucrative international travel market is the focus of the Governor's Global Tourism Summit, Nov. 16<|fim_middle|>: Funway Holiday from the United Kingdom, Excite Holidays from Australia, and CVC and Decolar from Brazil.
The Global Tourism Summit is the evolution of the long-running Governor's Conference on Tourism. This shift recognizes the significance of international tourism, an industry that supports about 1.1 million United States jobs and wages of $29.2 billion, according to the U.S. Travel Association. Each overseas traveler spends about $4,300 when he or she visits the United States, and will stay an average 17 nights, according to U.S. Travel.
"Nevada competes with other states and other countries for a share of the international travel market, and this conference provides opportunities to better understand and access that market," Lt. Gov. Mark Hutchison said. "The Global Tourism Summit, with its focus on international marketing, also corresponds to Gov. Sandoval's continued emphasis on global trade."
Keynote presenters Chris Thompson, president/CEO of Brand USA; Kelly Craighead, director, Office of Travel and Tourism Industries; and David Houle, global futurist and author of "Entering the Shift Age," will speak about key trends in international travel and ways to create brands that appeal to audiences from diverse international markets. The conference also will include new research from the U.S. Travel Association, market briefs from Travel Nevada's in-market representative firms and protocol insights.
Conference registration is available at GovernorsConference.org. To get the latest conference news, visit Facebook.com/NevadaTourism. | -17, at Hilton Lake Las Vegas. The conference includes the Nevada Marketplace, where Nevada tourism professionals meet one-on-one with more than 40 international travel agents, wholesale partners and airline representatives.
The Marketplace offers a singular opportunity for Nevada's urban and rural destinations, lodging properties, attractions and others to meet with the world's leading travel buyers. Among those participating in this year's Marketplace | 79 |
"This floor plan benefits from a number of cozy nooks and built-ins that are in tune with the kind of spaces people crave." - Fine Homebuilding Magazine Introducing the Not So Big® Bungalow by award-winning architect and best-selling author Sarah Susanka: it updates the Craftsman bungalow idea for modern living. The neighborly 2 bedroom, 2 bath 1,605 sq. ft plan is packed with thoughtful features that make it feel larger than it is. Built-ins abound, from the wide window seat in the hall (call it a "media passage" since there's room for a flat screen TV on the wall opposite the window seat) to the desk alcove in the living room and the L-shaped banquette in the breakfast area. The ground floor master bedroom also includes a built-in desk. For alfresco dining there's a porch and deck off the living room at the rear of the house. The upstairs bedroom is a flexible space thanks to the Murphy bed in one wall and a wide work counter running under the dormer windows. This space opens to a flexible TV room/home office. A storage loft over the master bedroom can easily be converted into a third bedroom. The design deftly expresses Sarah's philosophy that you don't have<|fim_middle|> Yahoo article on the plan, and the recent Yahoo Homes article on Sarah and this plan -- links below. The house is full of wonderful nooks and crannies. All of the spaces are compact, but still big enough and well enough laid out to work properly. Energy-efficient by virtue of it's size as well as the SIPs construction, this house does not compromise to achieve its cost and energy savings.
PDF Set Best Value! $5000.00 PDF plan sets are best for fast electronic delivery and inexpensive local printing. | to build bigger to build better. These plans are designed to be built with a super efficient and eco-friendly SIPs (structural insulated panel) kit package, and can also be built with conventional wood framing. The SIPs Kit is available through Extreme Panel -- see link here: http://sipsmart.com/bungalow.html. For more, see Sarah's | 71 |
Showing posts with label Interviews. Show all posts
Watch Paul chat about "McCartney III" on Apple Music
Labels: Interviews, McCartney III
Paul McCartney meets Idris Elba on new BBC Radio special - broadcast of 2018 Cavern Club show also planned
A new program announced by the BBC today:
BBC One and BBC Music are proud to announce Idris Elba meets Paul McCartney, a world exclusive show featuring music legend Paul McCartney in conversation with one of the most popular British actors of his generation, Idris Elba, to be broadcast on BBC One and BBC iPlayer in December, and on BBC Radio 2 and BBC Sounds.
This 60-minute entertainment special, to be recorded in London in the coming weeks, will see Idris interview Paul about his peerless career as the most successful musician and composer in pop music history, which began when he wrote his first song at the age of 14. The show will span Paul's incredible history-making journey right up to the present day, as he continues to influence new generations, including Paul's solo material and collaborations.
Paul will talk about his writing process which has produced some of the best loved and most performed songs ever. Idris will seek to find out what inspires Paul to continue to innovate creatively, on the eve of the release of his 26th post-Beatles album McCartney III, the third album in a trilogy of classics featuring Paul playing every instrument and writing and recording every song. Paul launched his solo career in 1970 with the release of McCartney.
Idris is a Golden Globe winning and multi Emmy nominated actor, producer, director, and musician who is the first male actor to receive dual Screen Actors Guild awards in one evening. Elba recently received the Bafta Special Award in recognition of his exceptional career and commitment to championing diversity and new talent in the industry. He can next be seen in Concrete Cowboy, The Suicide Squad and The Harder They Fall and is currently in production on George Miller's Three Thousand Years Of Longing with Tilda Swilton. Idris is best known to BBC One viewers as DCI John Luther in Luther, the psychological crime drama which debuted in 2010. During the five series, Idris has been awarded with a Critic's Choice television award, Golden Globe award and Screen Actors Guild award for his performance as John Luther, as well as four nominations for outstanding Lead Actor in a Miniseries or Movie at the Primetime Emmy awards.
Paul has sold over 100 million solo singles and over 700 million albums, generating over 1 billion worldwide record sales whilst winning over 70 major global awards - including 18 Grammys and 8 Brit awards. In 1990, Paul set the world record for largest concert attendance ever in Brazil 184,000 people and since the turn of the century alone Paul has played almost 500 concerts around the world.
Idris says: "When I was asked if I wanted to speak to Paul McCartney, after I realised it wasn't a joke, I immediately said yes… who wouldn't?! I am a massive fan of Paul's! His work has inspired and driven me as a musician, and once I get through the shock of sharing the stage with him, I'm excited to talk about his music and craft. What an honour! Looking forward to sitting with you Paul."
Paul says: "I'm looking forward to sitting down to a chat with the mighty Idris!"
Kate Phillips, Acting Controller, BBC One, says: "Paul McCartney has undoubtedly created some of the UK's best loved songs, songs which are known throughout the world, so I'm thrilled that he'll lift the lid on how he continues to create lyrics and music that will forever stand the test of time. The must see combination of Paul in conversation with one of our best loved actors and super fan, Idris Elba, as well as an incredible live performance from the Cavern, are the perfect Christmas presents for BBC audiences."
The original Cavern Club in Liverpool was where The Beatles played nearly 300 times between 1961-63. Over 50 years later in July 2018, Paul played a secret gig at the legendary venue, performing a 28-song set to 250 lucky gig-goers. Paul and his band performed songs from the 60s to (his then new album) Egypt Station, which was released 54 years after The Beatles had claimed their first hit Number One on the Billboard Album Charts. BBC One will broadcast this very special performance in December, with viewers being able to enjoy blistering performances of songs including I Saw Her Standing There, Lady Madonna, Band On The Run and Come On To Me.
at November 27, 2020 No comments:
Labels: Cavern Club, Idris Elba, Interviews
Paul visits with Taylor Swift in new Rolling Stone feature
Paul and Taylor Swift cover the new issue of Rolling Stone and engage in a lengthy conversation that you can read here.
Swift: I was wondering about the numerology element to McCartney III. McCartney I, II, and III have all come out on years with zeroes.
McCartney: Ends of decades.
Swift: Was that important?
McCartney: Yeah<|fim_middle|> simply be kinder. There will be a bit of that, of people thinking a bit harder about things, but at the back of it all is the thought that everyone just thinks, "Oh, sod it," and goes back to their old ways.
Video: Paul McCartney interviewed by David Frost, 1964
at July 29, 2020 No comments:
Labels: David Frost, Interviews, Video
Video: More Ringo - Rolling Stone Special Edition
More on video from Ringo today.
In the interview, Starr talks about his longevity (one secret: "broccoli with everything and blueberries in the morning"); life in isolation ("I haven't left the house in 11 weeks now"); hanging out with Keith Moon and John Bonham ("that's two handfuls"); the early years of his solo career; Peter Jackson's upcoming Let It Be-era Beatles documentary; missing George Harrison and John Lennon; and playing "Helter Skelter" on stage with Paul McCartney last year for the first time since he recorded it.
Starr also discussed Ringo's Big Birthday Show, a virtual charity concert that will hit YouTube at 8 p.m. EST July 7th. The show will include a mix of at-home performances and unseen concert footage from Paul McCartney, Sheryl Crow, Gary Clark, Jr., Sheila E, Ben Harper, and others. The YouTube broadcast will benefit four charities: Black Lives Matter Global Network, The David Lynch Foundation, MusiCares, and WaterAid.
at June 30, 2020 No comments:
Labels: Interviews, Rolling Stone magazine, Video
Video: The Beatles interviewed on "Roundup," Scottish television, May 5, 1964
at May 22, 2020 No comments:
Labels: Interviews, Roundup (Scottish TV show), Video
Vintage KRLA Beat interview with George Harrison, 1967
Labels: Interviews, KRLA Beat
Video: John and Yoko ITN News interview Jan. 20, 1970
Listen to the Penguin Podcast with Paul McCartney
Sir Paul McCartney tells Nihal about persuading John Lennon to believe in himself, the one famous person that even he feels nervous around, and his new children's book 'Hey Grandude' and how being a grandad inspires him.
Labels: Hey Grandude (children's book by Paul), Interviews
Video: John Lennon & Yoko Ono Interview with Marshall McLuhan, Dec. 20, 1969
The medium is the message, don't you know.
Labels: Interviews, Marshall McLuhan, Yoko
Listen: New interview with Paul on BBC Radio 4 - reveals unreleased Christmas LP
Ten years ago Sir Paul McCartney set up Meat Free Monday - a campaign to encourage people not to eat meat on one day of the week. It is estimated that up to 5000 schools in the UK now have meat free Mondays.
In an exclusive interview for Radio 4's World at One, Sir Paul tells Sarah Montague how that campaign came about, young climate activists, and his unreleased record of Christmas carols, made just for his family.
He also shares his thoughts about appearing at the Glastonbury Festival in 2020.
Labels: Christmas, Interviews
Video: George Harrison interview Dec. 10, 1969
Labels: Interviews, Video
Video: Unearthed footage of the Beatles on ITN's 1964 election program
Labels: Interviews, Politics
Video: John Lennon "Man of the Decade," 1969
Labels: Interviews, Man of the Decade, Video
Live stream interview with Ringo, David Lynch planned for Oct. 29
Via Parade mag:
...a special, live interview stream featuring legendary musician Ringo Starr, iconic filmmaker David Lynch and renowned photographer Henry Diltz in celebration of Starr's new book, Another Day In The Life. The event takes place in Beverly Hills at the Saban Theater on Tuesday, October 29 at 10 p.m. ET
You can tune in via Parade's website at the appointed time.
Labels: Another Day in the Life (Ringo book), Interviews
See lost 1965 Beatles TV interview
The BBC posted a snippet from a recently rediscovered Beatles TV interview from 1965.
The film shows the band being interviewed in Cardiff and was discovered stored in a bread tin during a house clearance in Wales.
Here's a look: | , well, this was being done in 2020, and I didn't really think about it. I think everyone expected great things of 2020. "It's gonna be great! Look at that number! 2020! Auspicious!" Then suddenly Covid hit, and it was like, "That's gonna be auspicious all right, but maybe for the wrong reasons." Someone said to me, "Well, you put out McCartney right after the Beatles broke up, and that was 1970, and then you did McCartney II in 1980." And I said, "Oh, I'm going to release this in 2020 just for whatever you call it, the numerology.…"
Labels: Interviews, McCartney III, Taylor Swift
Listen: John and Yoko 1971 interviews in Tokyo and New York
From the John Lennon official YouTube channel:
Excerpts from the Limited Edition 10" clear vinyl; available at the 'DOUBLE FANTASY: John & Yoko' Tokyo exhibition. Recorded messages from John & Yoko to their Japanese fans in January and September 1971, talking about their albums (Wedding Album, John Lennon/Plastic Ono Band, Yoko Ono/Plastic Ono Band, Imagine and Fly), their Peace Campaign and Japanese memories: haiku, zen, kabuki, Japanese gardens and various stories that connect them to Japan.
Hear Sean Lennon's interviews with Paul McCartney, Julian Lennon and Elton John for "John Lennon at 80" on BBC Radio 2
Listen now:
Part 1 of Sean Ono Lennon's musical portrait of his dad – with Elton John and Julian Lennon
Part 2 of Sean Ono Lennon's musical portrait of his dad – with Paul McCartney and Julian Lennon
Paul McCartney - full interview with Sean Ono Lennon (BBC Sounds Exclusive)
Elton John - full interview with Sean Ono Lennon (BBC Sounds Exclusive)
Julian Lennon - full interview with Sean Ono Lennon (BBC Sounds Exclusive)
John Lennon at the BBC: From The Beatles' early days to his final interview
Labels: Elton John, Interviews, Julian Lennon, Lennon at 80 (BBC Radio 2 program), Sean Lennon
Britbox to air documentary on John Lennon's final BBC interview
Andy Peebles with John and Yoko, 1980
Variety reports that a documentary about John Lennon's December 1980 interview with BBC broadcaster Andy Peebles is set to air later this year.
"Lennon's Last Weekend" will feature segments from Peebles' radio interview with John along with new interviews.
With a new album to promote, "Double Fantasy" with Yoko Ono, Lennon spoke candidly to Peebles about everything from The Beatles break-up, his relationship with Paul McCartney, political issues in the U.S. and U.K., his family and his homesickness for Liverpool. He also talked about working with Phil Spector, Elton John, Mick Jagger and David Bowie and how he produced many of his solo albums, which included anthems such as "Imagine" and "Give Peace A Chance."
The interview was taped on Dec. 6, 1980, just two days before John was killed.
The documentary is set to air this December.
Labels: Andy Peebles, Interviews
New Paul McCartney interview in British GQ
A fashionable Paul talks and poses for British GQ in a lengthy new interview now online. Paul discusses the COVID crisis, social media and football. And, yes, he tells the "Hey Jude" story again.
Do you think people's behavior is going to change when we come out of this?
I think in the short-term, yes, people will act differently, because it's going to be difficult to just pop along to a football match or a concert or the theatre, so those things are going to change us all. But one thing is true: we're going to value the NHS more. That's great, because people certainly took that for granted. I hope nurses will be looked after a bit better now. People have really understood the value of our health service. I suppose I'd like to think that people will | 874 |
📊 Box Score 📈 Season Stats 📸 Gallery 📝Notes 🗣 Quotes
🏀 KU Defense Silences BYU as Jayhawks Advance to Maui Final
LAHAINA, Hawaii – A stout defensive effort turned a two-point halftime edge into a 15-point victory as No. 4/5 Kansas defeated the BYU Cougars, 71-56, in the semifinals of the Maui Jim Maui Invitational Tuesday night inside the Lahaina Civic Center. Sophomore forward David McCormack led Kansas with 16 points, while senior Udoka Azubuike posted his second double-double of the season.
Kansas advanced to the Maui Invitational Championship game where it will meet the Dayton Flyers on Wednesday, Nov. 27 at 4 p.m. (CT) on ESPN.
It was an offensive struggle for both sides over the first 20 minutes of play, with the Jayhawks and Cougars combining for 18 turnovers and 22 field goals before the intermission. It was a<|fim_middle|> final 20 minutes as well, with the five Jayhawk starters each putting in six or more points. This helped Kansas thwart the upset-minded Cougars by a tally of 42-29 in the second half to close out the 71-56 victory.
McCormack led the squad in scoring for the first time this season via his 16-point outing to go along with five rebounds. Azubuike posted 11 points and 10 rebounds to turn in his second double-double of the season, while Agbaji went 6-of-9 from the field and connected on a pair of 3-pointers to add 14 points.
The Jayhawks were held to under 50 percent shooting for the first time in their last four outings, but not by much. KU went 29-for-61 for a 48 percent clip, but held BYU to 41 percent shooting, as well as a 9-of-33 mark (27 percent) from beyond the 3-point arc. KU also forced 20 BYU turnovers, the second time in as many games that the Jayhawks' opponent has posted 20 or more giveaways.
Kansas will meet Dayton in the Maui Invitational Championship game on Wednesday, Nov. 27, 2019. The Jayhawks, looking for their third Maui Invitational title, will tip-off at 4 p.m. (CT) on ESPN.
DOK throws it down and KU has its largest lead of the game!
DOTSON ⏩ UDOKA for the oop 😳
Points on the board!
New game. Same starting 🖐 pic.twitter.com/loTjGEALLH
Right back at it tonight 🔒
A post shared by Kansas Basketball (@kuhoops) on Nov 26, 2019 at 11:37am PST | trio of KU sophomores that paced the Crimson and Blue in the opening stanza to help their team take a two-point lead into the half. McCormack (eight points), Devon Dotson (seven points) and Ochai Agbaji (seven points) combined for 22 of the team's 29 first-half points as the KU defense held the Cougars to 38 percent from the field on 10-of-26 shooting.
It appeared neither team would gain more than one or two possessions of separation, but the Jayhawks stormed out of the break to quickly flip that script. KU jumped out on a 13-4 run over the first six minutes of the second half to grow its lead to double digits, with Agbaji's second 3-pointer of the night pushing the KU lead to 42-31.
The Kansas defense continued to shut down the potent BYU offense, with the Cougars managing just four field goals over the first 12 minutes of the second stanza. The Jayhawks also forced six BYU turnovers during that span to help build its lead to 19 points with just over seven minutes to play in regulation.
The KU scoresheet was a balanced one over the | 254 |
DirecTV Approved 4X8 Multi-Dish Switch. The switch and power source are included. The switch is brand new and in the original packaging. We guarantee the switch to work as intended when you receive it. Please look at our other auctions for<|fim_middle|> TT, GT, SV, HN, JM. | great deals. The item "DIRECTV SHAW NEW ZINWELL 4X8 POWERED SATELLITE MULTI-DISH SWITCH With POWER SUPPLY" is in sale since Tuesday, June 13, 2017. This item is in the category "Consumer Electronics\TV, Video & Home Audio\TV, Video & Audio Accessories\Satellite Signal Multiswitches". The seller is "shopwithmomandpop" and is located in USA. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Russian federation, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi arabia, Ukraine, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Colombia, Costa rica, Dominican republic, Panama, Trinidad and tobago, Guatemala, El salvador, Honduras, Jamaica.
Zinwell MS4X8WB-Z 4×8 Multi-Switch with Power Supply. Compatible with Directv 18 and 18×20 Multi-Satellite Dish For Satellites 101 and 119 (Standard Definition). Works with standard LNB18 or LNB18x20. Multi-Switch does NOT support HD Satellites 99 or 103. Also works with SHAW Direct Systems and receivers. Item is brand new in original packaging. This DirecTV approved 4X8 Multi-Switch contains specially designed circuity to optimally interface RF, DC voltage and currents, channel/satellite selections, etc. With all DirecTV Dish Antenna Systems and all generations of DirecTV satellite receivers (IRDs). Typical off-the-shelf multi-switches may not be optimally designed for, and therefore may not work properly with all generations of DIRECTV Systems. The 4X8 Multi-Switch is sealed so it can be used either indoors or outdoors. It operates in extreme temperature range from -34 C to +60 C. It contains a power-on indicator to aid installation or troubleshooting. The AC/DC Module is equipped with a re-settable thermal circuit breaker to protect against damage due to shorts during installation. The AC/DC Module is designed for connection to the 4X4 Multi-Switch directly, or remotely via a commonly available RG-6 cable, up to 100′. F-F adapter is included. Compatible with all DIRECTV Satellite Receivers except Genies and H25. Expands 4 inputs to 8 outputs. Compatible with DIRECTV Dish Antenna 18″X24″ and 18″X20″ Multi-Satellite Antennas. The item "NEW DIRECTV SHAW ZINWELL MS4X8WB-Z 4X8 Satellite Multi-Switch WithPower Supply" is in sale since Sunday, December 20, 2015. This item is in the category "Consumer Electronics\TV, Video & Home Audio\TV, Video & Audio Accessories\Satellite Signal Multiswitches". The seller is "californiacarcompany" and is located in Southern California. This item can be shipped to United States, to Canada, to United Kingdom, DK, RO, SK, BG, CZ, FI, HU, LV, LT, MT, EE, to Australia, GR, PT, CY, SI, to Japan, to China, SE, KR, ID, to Taiwan, ZA, TH, to Belgium, to France, to Hong Kong, to Ireland, to Netherlands, PL, to Spain, to Italy, to Germany, to Austria, RU, IL, to Mexico, to New Zealand, PH, SG, to Switzerland, NO, SA, UA, AE, QA, KW, BH, HR, MY, CL, CO, CR, DO, PA, | 866 |
Winter Map and Guide
"Maplewood State Park" by Christine Warner , CC BY 2.0
Winter Map of Maplewood State Park (SP) in Minnesota. Published by the Minnesota Department of Natural Resources (MNDNR).
Minnesota Pocket Maps
Minnesota Department of Natural Resources
MAP AND GUIDE: MAPLEWOOD STATE PARK 39721 PARK ENTRANCE ROAD PELICAN RAPIDS, MN 56572 OTTERTAIL COUNTY 218-863-8383 VISITOR TIPS • The road leading to Hall<|fim_middle|> out your own trail by heading south to the Cow Lake trail loop to experience some of the most difficult trails in the park. This backcountry trail is accessible by the Beers Lake water access. CAMPGROUND QUIET HOURS 10 p.m.– 8 a.m.; only registered campers may be in campground during quiet hours. FIREWOOD Must be purchased at this park or from vendors who sell wood approved for this park; no gathering firewood in the park. BE OUR GUEST Stay awhile at numerous drive-in campsites (electric, non-electric), group camp, or backpack-in campsites. Or, treat yourself to a night at the cabin. Visit mndnr.gov/reservations to reserve your site. WANT TO KNOW MORE ABOUT FISHING REGULATIONS? VISIT MNDNR.GOV/FISHMN MORE INFORMATION • Join the candle-light ski event in late February. Minnesota Department of Natural Resources Information Center 500 Lafayette Rd. , St. Paul, MN 55155-4040 888-646-6367 or mndnr.gov/parks • Reserve one of three year-round camper cabins for a rustic get-away with family or friends. The Minnesota Department of Natural Resources is an Equal Opportunity Employer. • Wildlife observation and bird-watching opportunities abound. Over 150 bird species have been recorded. This information may be available in alternative format upon request. MORE TO EXPLORE • There are three access points for snowmobilers to enter the park using the Grant-In-Aid snowmobile trails network. • Feel free to take your snowshoes off-trail to explore new areas. • As the winter season comes to a close, attend the maple syruping events in early spring (March-April). | away Hill overlook from the park office may not be accessible by vehicle due to high snow levels. Hike or snowshoe 2.5 miles (one way) from the trail center to visit the overlook. • Keep ski trails in great shape. Hiking, snowshoeing, and dogs are not allowed on ski trails. • Snowshoers may go off trail. • Trails are occasionally slippery; ice cleats are recommended for hikers. • In an emergency call 911. ONLY HAVE AN HOUR? • Warm up at the Trail Center. • Bring your skis and take a spin on the groomed ski trails. • Take your snowmobile for a ride on 21 miles of groomed trails. • Rent snowshoes from the park office and explore a snowshoe trail. • Try winter fishing on one of the many park lakes. Call or stop by the park office for fishing conditions. LOOKING FOR MORE TO EXPLORE DURING YOUR STAY? VISIT MNDNR.GOV/MAPLEWOOD ABOUT THE PARK SO EVERYONE CAN ENJOY... Maplewood State Park was created in 1963 to protect the area's unique natural and cultural resources. The 9,200-acre park sits between the state's eastern forests and western prairies. Each autumn, its diverse landscapes share a stunning display of brilliant reds, oranges and gold. A look beneath the rich forests and prairie restoration sites reveals hills left behind during the last ice age. The highest hills in the park approach 1,600 feet. A FULL SET OF STATE PARK RULES AND REGULATIONS IS AVAILABLE AT THE OFFICE OR MNDNR.GOV. Changes in elevation, numerous lakes and ponds, and a mix of forest and prairie offer you a spectacular setting for skiing, snowshoeing, fishing, hiking, camping and more during your stay. PARK OPEN 8 a.m.–10 p.m. daily. VEHICLE PERMITS Permits required; purchase at recreation area office or entrance kiosk. PETS WELCOME Keep on leash; pick up after; attend at all times; not allowed in buildings or on ski trails. Enjoy views of snow-covered hilltops. − TRAIL HIGHLIGHTS Cataract Lake Trail 1.25-mile loop Ski Trail • Moderate hills • Easy Circle Cataract Lake and enjoy the view of forests, wetlands and prairies on this beginner-friendly trail loop. Access the trail from the trail center parking area. Hallaway Hill Trail 2.5-mile Snowshoeing and hiking Trail • Steep terrain Hike or snowshoe up Hallaway Hill from the trail center for an unforgettable views of Lake Lida and the rolling hills throughout the surrounding landscape. Woodland Trail Snowshoeing and hiking Trail • Moderate hills Searching for solitude? Hike or snowshoe the densely forested trail for views of diverse tree species. 0.75-mile loop Grass Lake Ski Loop 4.75-mile loop Ski Trail • Moderate hills • Steep terrain • More difficult Circle Cataract Lake, then head south to the Knoll Loop campground before traveling north between Beers Lake and Grass Lake. This trail has some hills and is recommended for experienced skiers. Cow Lake Loop 4.25-mile loop Ski Trail (ungroomed) • Hilly • Steep terrain • Most difficult Carve | 704 |
Remember Your 2010 Goals? Get Back on Track with Goal Tracker.
Did you know that there are 8,760 hours in a (non-leap) year? So have you decided how you will apply your energy during those hours in order to achieve your goals? I thought it might be worthwhile to share how I go about this process each year; which an ever-evolving exercise for me.
Here is a useful tool that I have created and refined over the years to help me manage my goals. Some people might think that I am too obsessed with time, and frankly these techniques are not for everyone; although I think that everyone can benefit from some level of time management structure, or what I call energy allocation planning, in their lives.
In this Excel Template, you will find my current Exercise Log, which helps me track my goal of exercising at least 300 times in 2010. I set and achieved the very same goal in 2009, with the help of this simple yet effective Goal Tracking tool. The great thing about it for me is the ability to view the big picture goal (300 work-outs out of 365 days), as well as my detailed progress (106 out of 134 days by May 14th, 194 workouts to go), in a one page document. It also allows me to course correct if I've fallen behind, by rescheduling work-outs over the remaining months of 2010.
The second tab of this spreadsheet, called "2005_Timebank" is an actual view from my 2005 Goal Setting exercise, where I mapped out in quite a bit of detail how I would like to spend the 8,760 hours of the year. I included both professional and personal areas of living, including Sleep, Vacation and Family time. It gets pretty granular, which I don't do every year, but found to be very useful in the years or time periods that I did organize myself in this way. It underscores how much I believe in effective time management as being one of the keys to living a productive and meaningful life. Now you certainly don't need spreadsheets to do it – there are other ways. However, I find this type of approach to be very methodical and useful when it comes to matching your dreams and aspirations to a practical road map.
I encourage you to take a look at Goal Tracker, customize it for your own needs and aims, and<|fim_middle|> can grow into a beautiful creation of a person, open minded and strong. | update it on a daily or weekly basis. This tool is constantly being updated based on how I think it can be more useful. I'd love to hear some feedback from those of you that test it out.
I can truely say that having something tangible, that you can review daily will help you stay on track to reach you goal. Thank you for sharing something that is so effective for you. I know this will be a help to others and myself.
Thanks for the note Frank. I've been continuing to update this tool and soon plan to launch it as an app. There will be a free version for sure. Glad you're getting value out of it. Stay tuned!
Peace and love are created with knowledge and a balanced approach to faith.
I really like your approach to all of the above.
When you apply goals to these ideas a person | 171 |
In his inauguration speech, Donald J. Trump basically announced the end of American Exceptionalism — the concept that the United States has a special mission and place in history.
Ronald Reagan inspired us with his soaring rhetoric about America being a "Shining City on the Hill," a beacon of freedom, hope and liberty that was – and always be — the model and example for all the world.
President Obama, in April 2009, publicly acknowledged Americas "extraordinary role in leading the world towards peace and prosperity," while cautioning that such a lofty goal could only be achieved through effective partnerships with other countries. He also often remined us that America is, at its core, a good and caring nation that must work tirelessly in the cause of democracy and human rights around the world.
With Trump, this powerful concept of American Exceptionalism, which has been enshrined in our nation's psyche for almost two hundred years, is dead. Or so Donald Trump would like us to believe.
In the immortal words of Stephen Colbert, Trump basically compared America to a "dumpster fire." America's longstanding mission to preserve and protect the causes of democracy, freedom and human rights around the world has, according to the Trump gospel, virtually devastated the country. In Trump's view, American internationalism and free trade policies, fueled in large measure by a belief in America's special place in the world, has reduced America to a virtual wasteland. Trump painted a dark "Mad Max" picture of a<|fim_middle|>, under President Obama's stewardship, the unemployment has dropped from a high of 10% in January 2009 down to under 5%, that poverty and welfare dependency fell sharply fallen throughout the country, and that 20 million more Americans enjoy health insurance coverage, or at least until the Republican leadership guts the Affordable Care Act.
Questioning the value of America's international alliances such as NATO, which have kept the peace in Europe for at least the past five decades, Trump has latched onto the slogan of "American First," which was used by fascist sympathizers and isolationists such as Charles Lindberg during the late 1930s to try to keep America from coming to the aid of the Western European democracies that were being threatened, reasoning that Hitler's plan to exterminate all European Jews and minority groups was none of America's business.
Trump did make a passing reference to seeking "friendship and good will with the nations of the world," but that our interaction with other nations would be solely motivated by a new commitment to serve America's interests first, which presumably no longer include an interest in promoting freedom and human rights in other parts of the world, or combatting Climate Change, unless – in the unlikely event – that there was some economic or strategic advantage to the United States in promoting such causes.
However, despite President Trump's best efforts to drive a stake through the heart of American Exceptionalism, I strongly believe that it will not die. Indeed, I think it likely that Trump's attack on American core values will serve to energize and invigorate the American Resistance Movement. Today, as hundreds of thousands of Americans participate in the Women's March on Washington, our faith in American Exceptionalism is renewed, and will emerge from the scourge of Trumpism more powerful than ever. American has been a beacon of liberty and protector of human rights throughout the world for generations now, and this shining torch will not – and cannot – ever be extinguished.
As Woodrow Wilson proclaimed over one hundred years ago, "The history of liberty is a history of resistance." Long live the Resistance! | country with "rusted-out factories scattered like tombstones across the landscape of our nation." and rampant "American Carnage" in our inner cities.
Of course, Trump's vision of America is a totally false one, or at least grossly misleading, and he knows it. But this kind of dark rhetoric that he honed on the campaign trail seemed to work, and now that he is President, he seems incapable of letting his distorted vision of America evolve into something that more closely resembles reality.
In the dark parallel universe painted by Trump in his inauguration speech, there was not even one acknowledgment that any of the former Presidents sitting behind him had done anything other than to let America go to hell in a handbasket. Since, according to the Trump Doctrine, only he and he alone can save the country from catastrophe, he could not possibly bring himself to thank the outgoing President – Barrack Obama — for literally saving the country's economy from the virtual freefall that it was in when he took office in January 2009. He could not acknowledge that | 213 |
Provide comfort for the family of Sherlin Vaughan with a meaningful gesture of sympathy.
Mr. Sherlin B. Vaughan, 86, of Cartersville went home to be with his Lord and Savior January 1, 2019.
Born on September 4, 1932, Sherlin was the son of the late Cicero Vaughan and the late Ethel Brooks Vaughan. He was the youngest of six brothers and one sister. His brothers were Felton, Frank, Herman, Dorsey and Ralph along with a sister Lillie Vaughan.
Sherlin graduated from Cass High School and served in the US Army during the Korean Conflict. He retired from Lockheed Martin after thirty-one years where he was a department manager. Sherlin and wife Marie enjoyed traveling, camping, and staying at their cabin in Ellijay. They were active square dancers for many years. He was an avid golfer.
Sherlin worked many hours getting the historic Vaughan home, cabin moved from Peeples Valley to Red Top Mountain State Park. The cabin dates back to 1860; it was disassembled log by log and moved to Red Top<|fim_middle|> ones can always see it. You can upload cherished photographs, or share your favorite stories, and can even comment on those shared by others.
Provide comfort for the family of Sherlin Brooks Vaughan by sending flowers. | Mountain State Park in 1996. It now serves as a focal point for a number of park events such as the summer music in the park series and Christmas at the Cabin.
He is survived by his wife of sixty years, Marie Garrett Vaughan; his niece, Joyce Swinford and husband Wayne; Allan Garland; great niece, Jennifer Vann; and great nephews, Preston Garland, and Tim Vaughan; and several great-great nieces and nephews.
Pallbearers will be Wayne Swinford, Allan Garland, Jeffery Vann, Terry Faust, and Bill Prather. He was a member of Cartersville First Baptist Church and Fellowship Sunday School Class.
Visitation will be held on Friday, January 4, 2019 from 12:00 p.m. – 1:30 p.m. The funeral will follow at 2:00 p.m. at Cartersville First Baptist Church. Interment will follow on Tuesday, January 8, 2019 at Georgia National Cemetery in Canton, GA.
In lieu of flowers the family kindly asks that all those desiring may make memorial donations in Sherlin's honor to Cartersville First Baptist Church, 241 Douthit Ferry Rd., Cartersville, GA 30120.
Parnick Jennings Funeral Home and Cremation Services is honored to serve the family of Mr. Sherlin B. Vaughan; please visit www.parnickjenningsfuneral.com to share memories or to leave a condolence message.
To send flowers in memory of Sherlin Brooks Vaughan, please visit our Heartfelt Sympathies Store.
We encourage you to share your most beloved memories of Sherlin here, so that the family and other loved | 367 |
Kish an Happy ,Beautiful, Peaceful Island
Kish Overview
Kish Highlights
Water & beach Activities
Kish is Located on the north east of the Persian Gulf with a minimum distance of 17 km from the southern offshore of the mainland Iran, the Kish island with an area of 90 square kilometres is one of the most marvelous and most beautiful regions of the Persian Gulf and has attracted the attention of many tribes and nations since times immemorial. Oval in shape, the island is 15 km long and 8 km wide. The island is largely flat, sandy and uncultivated, with a high point of 45 meters above sea level. Although very hot and humid in summer, it has got a pleasant weather from about November to March, with an annual average temperature of 27 degrees centigrade. Its beautiful coast is covered with white silvery sand washed by azure blue waves of the sea. Already a famous island, Kish owes it present flourishing to its status as Irans first and, for a long time, the only free port, and its sweet water.
Kish has a long history of about 3,000 years, being called under various names such as Kamtina, Arakia, Arakata, and Ghiss in the course of time. The island was known for the quality of its pearls; when Marco Polo was visiting the imperial court in China and remarked on the beauty of those worn by one of the Emperors wives, he was told that they had come from Kish. The island fell into decline in the 14th century when it was supplanted by Hormoz. It remained<|fim_middle|> sport in Kish and public cycling day are arranged by K.F.Z.O. in order to encourage people to cycle. Also private regular and electric bike rental stations are available.
Kish Gliding School opened in 1996. It is one the branches of Civil Aviation Training Center (C.A.T.C) which is a member of International Civil Aviation Organization (I.C.A.O). It issues flying licenses and is located in Hormoz square.
Horseback Riding Club:
Kish horseback riding club is located in the northern section of the island, in the Olympic village. Horse-racing is a favorite sport in Kish & races are held throughout wintertime. Kish horseback riding club has a clinic.
Scuba Diving:
Diving is an ideal sport in Kish Island because of the exquisite coral reefs and rare fish species. The Kish Diving School offers also Padi courses with certificate for divers. Interested tourists can experience the world of underwater and its wonders.
Marine Sports Club:
This club is located in the north-eastern side of the Island. The modern facilities and marine sports equipment of Kish Marina club include: Jet Ski, water ski, parachute, yachts & sailboat, scuba diving and windsurfing, etc.
Tennis courts and Sports Facilities:
Sports facilities in Kish are highly revered. Kish Sports Complex has six tennis courts and an international tennis stadium, which is located in the Olympic village at the northern part of the Island.
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Cable skiing
Sailboat ( Just in Marin Darayeh Taban Club )
Small yacht cruise
Glass-Bottom boats
Water tubing ( Shuttle)
Rent boat and small yachts
Electric scooter rent
Camel riding
Toranj Hotel 5 *****
Dariush Hotel 5 *****
Shayan Hotel 5 *****
Marina Park Hotel 5 *****
Kish Hotel 5 *****
Vida Hotel 5 *****
Panorama Hotel 5 *****
Korush Hotel 5 *****
Mirage Hotel 5 *****
Shaygan Hotel 5 *****
Iran Hotel 4 ****
Flamingo Hotel 4 **** top
Sorinet Maryam Hotel 4 ****
Parsian Hotel 3 ***
Sadaf Hotel
Maryam Hotel
Tamasha Hotel
Ana Hotel
Arian Hotel
Jam-e-Jam Hotel
Paniz Hotel
Parmis Hotel
Pars Nik Hotel
Tatilat Hotel
Top Rose Hotel ( Closed )
Venus Hotel
Book and Inquery
Rooms/ units | obscure until just before the victory of the Islamic Revolution, when it was developed as an almost private retreat for the Shah and his privileged guests, with its own international airport, palaces, luxury hotels and restaurants and even a grand casino. Shortly after the Revolution the new government appointed a very abled team of managers under Kish Free Zone Organization, KFZO, (formerly KIDO, and Kish Island Development Organization) to establish Kish as a free zone, taking advantage of the facilities already in place.
Diving in Kish:
We invite you to discover the wonders of the pristine aquatic world beneath the beautiful waters of Iran's Kish Island in the Persian Gulf, along our PADI certified staff. Contact us for related arrangements. PADI being the Professional Association of Diving Instructors is the fastest growing popular scuba diving certification system in the world, with over ten million members.
Underground Town of Kariz:
The Kish qanat is more than 2,500 years old, and currently it has been converted into an underground town at a depth of 16 meters below the surface, with an area of more than 10,000 sq. m.
In the reconstruction of this qanat named Kariz, spaces have been allocated to handicraft stalls, restaurants and traditional teahouses, amphitheaters, conference centers, and art galleries. Efforts have been made to preserve the traditional and historic fabric of the site.
Ancient water cellars:
The inhabitants of Kish, in the past, used a kind of traditional storage system to gather rainwater. These storages were dug in the ground and built with a domed roof. With the emergence of water desalination facilities, these storages lost their significance. But their remnants are still an interesting site for tourists to visit.
The Ancient Town of Harireh:
Most probably the ancient town of Harireh is the same town mentioned by the renowned Persian poet Saadi in his book Golestan.According to the writings of Iranian and Arab historians, the town of Harireh had been located in the center of the northern part of the island, where the ruins of the city can be seen today.
Visiting this ancient town is an opportunity to get acquainted with the islands history while having a nice time at the Green Tree Recreational Complex, situated near the ancient city.
Sports Complexes:
The Olympic complex is the largest in Kish. It is comprised of a football field, tennis courts, swimming pools, volleyball and basketball courts and facilities for many other sports. For easy access to sports facilities, 4 volleyball courts have also been built in different locations. Four additional small and standard size football fields are also available. These are situated near Marjan Bazaar, Saffain District, The Water & Electricity Supply Co. and the Art Center.
Cycling Track:
Kish Island has over 50 km cycling track, which stretches all around the island. Cycling is a popular | 608 |
Banker's Trust, New York, NY
A great example of the insurer recognizing that combining efforts of many contractors without a dedicated Project Manager results in costly work stoppages and chaos. One of several contractors, our effort was so outstanding that the others were excused from the 1993 fire recovery of this three-towered, one million sq. ft. building. This allowed us to complete the balance of the work to the structure, contents and all electronic equipment. The<|fim_middle|>, stairwells and lobbies, as well as the exterior of all the tenant contents. Estimating rent losses at $1 million/day, WTC Operations Management projected it would take at least 60 days to complete. Our unprecedented effort resulted in a successful "white-gloved" cleaning in just sixteen days, by working 24/7 with 3,400 workers each day. Notable savings: $33 million. | last day on this project, the World Trade Center in lower Manhattan suffered the first terrorist attack, which steered the lead insurer to recommend our services as the dedicated Project Managers for the entire restoration work at the famed Twin Towers.
Bank One, Fort Worth, TX
A fierce tornado in 2000 whipped through this 42-story high-rise, blowing out 85% of the glass windows. Managed emergency services until the building was "dried-in" (completely boarded), utilizing crews 24/7. SOW included dehumidification, electronic restoration, cleaning of the HVAC system and all contents, freeze-drying documents, and eventually the pack-out of 60 tenants. This project had many aspects; the duration of the structural components lasted three months.
Bellingrath Gardens & Home, Mobile, AL
Burger King Headquarters, Miami, FL
BK's headquarters for 700 employees was nearly destroyed as record storm surges, reaching 17 ft. from Hurricane Andrew, engulfed the building in 1992. Several hundred crews worked around the clock to remove the debris and secure the building from further damage. All emergency services and dehumidification, including salvaging the main structure, were provided.
First Interstate Bank, Los Angeles, CA
All 62 floors, plus sublevel office areas, had damage from fire, smoke and water in this multimillion-dollar loss from 1988. The scope necessitated viewing the operations on a vertical plane in order to increase efficiency related to its high-rise access issues. Coordinated the operational aspects of the cleanup utilizing over 1,500 personnel per day for the initial cleaning.
Iron Mountain, Los Angeles, CA
The world's largest provider of vital records suffered damage at this facility after the 1994 Northridge earthquake, which made this a highly dangerous project lasting over four months. Directed crews to delicately remove debris from the 40-foot tall racking and retrieve wet documents, which were then freeze dried and returned. Notable about this project were safety protocols established during the work, due to aftershocks from the quake.
Meridian Bank, Philadelphia, PA
Multimillion-dollar contents fire in 1991 for main tenant included removal of restorable items, high-tech decontamination, drying of thousands of boxes of valuable documents by drying in trailers off premises in Camden, New Jersey, as well as PCB decontamination.
NBC Studios and World Headquarters, New York, NY
A mechanical room fire in 1996 dispersed smoke and soot through the ductwork connecting these three historic buildings. Hired as Project Manager to coordinate various trade union laborers, the first priority was to clean the main studio building (100,000 sq. ft.) including all studios, offices and control rooms ASAP as this media giant was literally telecasting from the streets. Short of a week, the studios were back on line, and the other two buildings, which involved one million sq. ft. of space, were completed in just three weeks using 700 workers/day, three shifts per day.
Raynham Hall Museum, Oyster Bay, Long Island
Williamsburg Savings Bank, Brooklyn, NY
In 1990, this historic landmark had fire, smoke and water damage. The multistory bank and office building required decontamination of all building services including HVAC system, elevator shafts, pipe chases and stairwells, as well as content cleaning of all improvements and betterments, files, documents, furniture, carpeting and drapes. Services also included the implementation of special procedures for cleaning the natural limestone in the bank while retaining its aged historical status and appearance.
World Financial Center, New York, NY
Located across from the World Trade Center this complex sustained significant communicated damage related to the collapse of the Twin Towers on 9/11/01. Of the four buildings, only one property escaped significant damages and as a result, the three remaining properties, inclusive of the majority of tenant property, were cleaned and decontaminated as a result of the dust infiltration related to the collapse. One of the most significant phases of the work was the cleaning and decontamination of the first level, retail and restaurant areas of the American Express Tower to facilitate its use as a temporary morgue and medical triage facility in the early stages of the recovery efforts.
WTC Twin Towers, New York, NY
A terrorist bombing in 1993 led to the largest restoration project for a single insured (PA, NY & NJ) ever in recent history. Provided damage assessments,wrote the SOW and a critical path management plan encompassing 14 various union and non-union trades. Coordinated all three phases of this $17,240,000 job, with the first phase involving over 8.8 million sq. ft. of interior space including every office, public hallways, rest rooms | 1,025 |
You are looking for a campsite in the Ardèche?
Sunelia offers a 5-star campsite le Ranc Davaine, located in the southern Ardè<|fim_middle|> to September, so don't wait any longer and book your next holiday now. | che, in the heart of the scrubland of southern France, in the small village of Saint Alban d'Auriolles.
Enjoy a stay on our comfortable campsite in the Ardèche to discover all the treasures of the Ardèche heritage.
In the heart of the Chassezac Valley, our campsite Le Ranc Davaine provides accommodation for 4 to 8 people, all equipped with a terrace, as well as pitches for your tent, caravan or camper, you can choose between our 435 pitches spread over 15 hectares of nature.
Throughout your stay on our campsite in the Ardèche, you can enjoy direct access to the river and practice multiple activities, such as canoeing.
Our guests can eat in the campsite's restaurant and taste the traditional Ardèche cuisine, but also have a drink in our bar and try a delicious cocktail.
Our campsite in the Ardèche welcomes you from April | 192 |
National Recreation Area AZ, UT
Muley Point
While still a part of Glen Canyon National Recreation Area, Muley Point has a unique perspective on the far corner of the San Juan Arm<|fim_middle|> am to 4 pm MST, Monday through Friday. The phone is not monitored when the building is closed. | . Here you can enjoy unrivaled views of Monument Valley, Navajo Mountain, and the deeply entrenched canyons of the San Juan River. To ensure that Muley Point remains a special place for your future visits and future generations please follow all regulations and plan accordingly. Thorough trip planning is not only your first step in having a safe and enjoyable trip, but also in protecting the natural and cultural resources in the area.
Use these tips for your trip planning. Have a beautiful and safe experience.
Friends of Cedar Mesa
Make every attempt to leave Muley Point nicer than you found it. "Take only pictures and leave only footprints" is a good reminder. Do not remove anything from the area. Leave the flowers, rocks and everything else for others to enjoy. Carry all of your trash out of the canyon, including toilet paper and other hygiene items. Do not burn or bury it.
Fires are allowed, but fire rings hurt the natural beauty of the landscape. Use a fire pan. Dead and downed wood is scarce, so bring your own wood. Cutting living trees and other plants for firewood is not permitted.
Pets are permitted at Muley Point. Keep leashes on, no longer than six feet. All pet waste must be carried out, and disposed of properly.
Rock Cairns
Do not build rock cairns. They can mislead other visitors and cause resource damage to build. Rely on your map and compass and know your route. There are no maintained trails.
Do not feed wildlife. Food and trash should be stored in a manner impervious to entry by birds and other wildlife.
Preserve the Soundscape
Your voice carries farther than you think in canyon country. Respect other visitors by keeping your group quiet and not playing amplified music. If you must have music in the backcountry… wear headphones.
No Drones
The use of drone aircraft in Glen Canyon National Recreation Area and every National Park Service site is illegal. Check here for more details about this law.
Human Waste Disposal
There are no toilet facilities at Muley Point
Pack out all human waste, and dispose of it properly.
The rocky nature of the ground prevents sufficient burial of human waste, plus there are many delicate archaeological artifacts on and in the soil. Please don't dig there.
Use of a plastic or paper bag as a receptacle for solid human waste and/or for disposal of solid human waste is prohibited unless part of a specifically engineered bag waste containment system containing enzymes and polymers to treat human solid waste, capable of being sealed securely and state approved for disposal in ordinary trash receptacles. These specialized bags are available at most outfitter stores.
Check with the Friends of Cedar Mesa for more great tips about visiting Muley Point and the surrounding area with respect.
Visit our keyboard shortcuts docs for details
1 minute, 57 seconds
The Friends of Cedar Mesa want to help everyone understand the importance of observing archaeological sites without touching them.
Page , AZ 86040
Receptionist available at Glen Canyon Headquarters from 7 | 623 |
A Lodger In Lockdown
Sunday 15 March 2020. To the Tate Britain for the Aubrey Beardsley exhibition, principally as I suspect it will be the last chance to visit a gallery for some time. I go by myself and am careful to keep my distance in the exhibition rooms, not lingering too long in one place. There is a degree of irony risking a respiratory virus in order to see work by a man who coughed himself to death. But there is a positive lesson too, with Beardsley producing a large amount of work in a short life, all the time coping with a serious illness that he'd had from childhood. Of the works I see today, I especially like his androgynous self-portrait, 'The Art Editor of the Yellow Book'.
The last room is on AB's 1960s influence – the sleeve to Revolver, and a grotesque Gerald Scarfe caricature in which Beardsley has a sinewy nude female body, vagina to the fore, accompanied by a homunculus with an enormous erect penis. Even in 2020 this image is hidden behind its own pair of curtains on the gallery wall, as if it were a plaque waiting to be unveiled by a particularly permissive monarch.
A few years ago, I went to the British Library in St Pancras to consult Brigid Brophy's Black and White, her illustrated monograph on Beardsley. The library filed the book as Restricted Material. This means you must go to a special designated desk in the Rare Books Reading Room, separated from the normal desks and close to the view of a staff member working nearby. I suspect it is unofficially known as the Naughty Desk.
Monday 16 March 2020. Coronavirus cases are now in their thousands. Britain is heading for the unthinkable: a state of national lockdown. I call Mum in Suffolk. Thankfully she's in good health, and has friends and neighbours checking in on her every day, keeping their distance when they do so. We talk on the phone every day (and later, we Skype).
Arguments are circulating over the definition of 'essential', over what is permitted and what is not. The official advice is vague, so it's no wonder everyone on social media has suddenly become an expert on a brand new disease.
Who is happy to admit that their work is not 'essential', though? Particularly in London, the city where everyone, even the lowliest entertainment blogger, thinks that what they do is of vital importance?
And oh, the constant content. The emails reminding one that everyone else is being so fabulously productive, with their new TV programmes on streaming platforms, with their podcasts and their articles and their virtual events. All of which makes it harder for me to write a word. Why add more drops to the tide? Logging on, or picking up the phone, one now goes from a world of stillness into a world of excess and noise.
I've found that one solution is reading more books, away from the screen. Books reset the brain into deeper thinking, forcing the mind into coping with one thing at a time. No scrolling, no live updates. A book never asks you to accept cookies. That is, unless it's a cookbook.
Still, I know that what I write in this diary (and with the thesis, which is essentially a book) is exclusive and original in its own odd little way. It's like Quentin Crisp's description of the party at the end of the world: 'that happy hubbub where everyone is speaking and no one is listening'.
Tuesday 17 March 2020. London's galleries, museums, libraries, cinemas, bars and cafes are either closing today or announcing imminent closure. It's my last day in the carrel at Senate House Library. I empty the little room and return the key.
The meaning of London has changed now. The point of London for me – and many others – is the cultural life. Things to go to. Without those, one might as well be anywhere. If so many people can work from home, where does home need to be? Perhaps when this is over there will finally be reasonable rents, to stop mass homelessness and society grinding to a halt. I idly dream of a great conversion of London's empty offices into flats which even people like me can afford. Or perhaps that is truly thinking the unthinkable.
Wednesday 18 March 2020. First day of working from home in Dalston. The house I live in is shared by myself and my landlady. With the lockdown, both of us are in the house most of the time, which makes me aware of my lodger status more acutely. A lodger shares a space, but cannot fully inhabit. As kind as my landlady is (she sometimes cooks us both dinner), I stay out of the kitchen as much as I can and try to be a minimum presence, to the point of invisibility. I never cook. I live mainly on pre-cooked cold supermarket food in lieu of the café meals I used to have: sandwiches, fruit, snack bars, instant noodles. I do all my eating in my room and stay in there most of the day, working on my PhD. Or trying to work. My days of taking the Tube or going on buses are over for some time.
'A Lodger in Lockdown' sounds like the title of a novel by Ivy Compton-Burnett.
This is my life now. Just the bedroom, and sometimes the bathroom and the kitchen, occasionally going into the immediate neighbourhood of Dalston and Stoke Newington for shopping and exercise. It certainly could be worse. Many people are locked in with children all day, whom they now have to home-school. I do not envy them. There's been some predictions of a baby boom, but also of a rise in divorces.
Thursday 19 March 2020. If children are the least at risk, and there are no schools, perhaps they can just run things. I have seen Bugsy Malone.
Friday 20 March 2020. The government has closed all non-essential shops, including hairdressers. It is going to be an interesting time for hair.
Some inadvertent humour. Stonehenge has been closed, to stop people gathering at sunrise for the spring equinox. From the Guardian today comes the following quote from a frustrated druid:
'Stuart Hannington, a druid, also stayed behind the fence, accepting it was fair to restrict access. "They're closing the churches so it seems okay that they are not allowing us to get to the stones. It's disappointing but we have to make sacrifices."
Saturday 21 March 2020. Email from Paypal saying 'we've noticed you've been particularly impacted by recent customer behaviour'. By which they mean there have been hardly any donations to my diary. If they really noticed, they'd see that this is not much of a change. Talk about rubbing it in.
One of the main reasons I prefer to work in libraries is that the house is too cold to be in all day during the winter months. I am sensitive to the cold more than most (and more than my landlady), and can't afford to put the heating on very often. I am writing this wearing a coat indoors.
Monday 23 March 2020. My GP has suspended face-to-face appointments. Boris Johnson appears on TV to announce the official beginning of the UK lockdown, several days after many of us have made a start. So here we are in history.
One of the new clichés being bandied around by journalists is the phrase 'the new normal'. I find this doubly depressing. The repetition of the phrase indicates insincerity, while the implication is that this situation is permanent. New it might be, but this is not normal. If it were, we would not be holding out hope for a vaccine. The phrase is also a contradiction in terms: if something is new, it cannot be normal. Normality is a state of affairs that have lasted. Perhaps, like capitalism, it is easier to imagine the end of the world than it is to imagine the end of PR.
Tuesday 24 March 2020. The government sends a text message to every UK phone: 'You must stay at home. Protect the NHS. Save lives.' Words chosen for their hardness, shortness, and impact, from the team who brought us 'Get Brexit Done'. This time Britain is trying to exit a global pandemic, a sentiment which at least unites everyone.
Wednesday 25 March 2020. This is the way the world ends, not with a bang but with a Windows Update. I'm spending hours wrestling with a mini-PC, bought cheaply to replace my aging and noisy desktop computer. Normally I use the PCs in university libraries. The only machines I can afford for myself are the ones that don't work. It's not just me: the whole situation has revealed just how many British households are without decent computers, or computers at all. Some poorer parents are home-schooling their children through their smartphones. We are being told that 'we're in this together', but some are more in it than others.
Tonight I had been booked (unpaid) to appear at an event held by the University of London Bibliophile Society, to speak about collecting books on a gay and lesbian theme. Now, of course, it has to be done online. Thankfully the organisers are not expecting me to appear via a web-camera and some sort of software (the current preference is called Zoom), which is a relief as the cheap mini-PC has turned out to be so cheap that it can't cope with web-chatting. As it is, I have no experience in addressing an audience through a web camera and am in no hurry to start.
Instead, the event takes place on Twitter, which I do have experience in. First, I publish my talk online as a Word file (https://uolbibliophiles.wordpress.com/2020/03/25/an-online-panel-discussion-collecting-lgbtq/).
Then I take questions on Twitter via my account there (@dickon_edwards), in tandem with the hashtag #uolbibliophiles. It's a frustrating experience, as not only is my computer slow, but I realise I am so much slower at tweeting than most. I manage about three questions before the 30 mins of questioning is up.
I am a little unhappy about this, feeling forced into a new digital Darwinian era that favours only those who have fast computers and fast computer skills. I worry now that I have even less place in a pandemic-hit world than I did in the one before.
Still, one positive result is that my enforced slowness makes me aware of my own sense of being out of sync with the world, and that this is something I should embrace rather then try to disguise.
The trouble with joining in is that you end up sounding like everyone else. So in this way, computer ineptitude can be a kind of dandyism. In a world of constant availability, it makes sense to play a little hard to get. I hope I can benefit from the value of rarity. The fear, though, is of being so different that no one will want to read my work at all.
Thanks to the event, I learn a new detail about my copy of the 1986 Penguin edition of Ronald Firbank's The Flower Beneath the Foot. The book is inscribed from John Mortimer, who wrote the introduction, to a 'Phyllis'. I am now assured by one of the event attendees, @blackwellrare, that this Phyllis is PD James, whose copy it must have been.
Thursday 26 March 2020. I clap out of my window, trying hard not to shout 'I'm as mad as hell and I'm not going to take it any more.'
I fear my hair may be heading for the Peroxide Broccoli look. Still shaving and wearing a tie every day.
Saturday 28 March 2020. 'Interesting times' can do one. Ronald Firbank's phrase for the First World War was 'that awful persecution'. We could start using that.
Monday 30 March 2020. Getting hold of e-books online has turned out to be rather more time-consuming than I thought. The irony is that print would be quicker, if only the libraries were open. On top of the social inequality, the virus has revealed an inequality in digitised books. Contrary to what Google implies, a large amount of knowledge has never been digitised full stop.
Tuesday 31 March 2020. I go to the Post Office on Dalston High Street. The queue extends right down the street, with people standing at 2 metre distances from each other. It takes at least 30 minutes before I get to the counter, for a transaction of ten seconds. Supermarkets are the same. I find myself resenting people who queue as couples, as they take up more space inside the shop and so make social distancing even harder. What I am really resenting, of course, is that they are couples.
Tuesday 2 April 2020. A current social media idiom is 'the hill to die on', presumably coming from military slang. It means a belief so important that the person holding the belief is willing to fight to the death for it. I suppose the hill I'm happy to die on is Aubrey Beardsley's Under the Hill.
Friday 3 April 2020. I have made myself laugh by using 'untroubled' as an insult.
Saturday 4 April 2020. PhD writing. I compare Gertrude Stein's Tender Buttons (1914) to the 'category is' aspect of drag contests. It makes sense in context, I tell myself.
Monday 6 April 2020. Still shaving, still putting on a tie. As Boris Johnson goes into intensive care, I write about camp in Joyce's 'Circe'.
Tuesday 7 April 2020: 'In 1917 there was nothing that a thinking and sensitive person could do, except to remain human, if possible. And a gesture of helplessness, even of frivolity, might be the best way of doing that.' – Orwell, Inside the Whale (1940).
Saturday 11 April 2020. I am just about to disagree with someone on Twitter when I stop myself. I hope that shows growth.
Wednesday 15 April 2020. A fly-tipper has left a bag of their rubbish outside our door. If they can be identified from it, I may track them down and play Patricia Highsmith-style games with their mind. Criminals often make the mistake of assuming I'm normal.
Later: I resist this impulse and blandly report it to the council. This time. The fly-tipping, not the Highsmithian impulses. This time.
Sunday 19 April 2020. The Sunday Times is now very thin, particularly the sections on travel and sport. In the travel section, what articles there are comprise memories of travelling in the past. Remember travel? A headline in the supplement on home furnishings reads: 'Cheery Lockdown Linens.'
Wednesday 22 April 2020. Some personal good news. My work on the PhD has been deemed good enough to pass the mid-point 'upgrade'. When PhD students start their course, they are registered as doing an MPhil (or more generously, a 'MPhil/PhD'). An MPhil is a qualification halfway between an MA or MSc (ie a Master's) and a PhD. The idea is that if your work isn't good enough by this point you have the option of either redoing it, which takes even more time, or settling for switching to the easier MPhil. If your work is good enough, you are 'upgraded' to PhD student status proper. So I'm relieved and very pleased. Halfway through.
Thursday 23 April 2020. I have one of those days where being weird feels a crippling disadvantage. One must remember what weirdness can also be: a shield.
Thursday 30 April 2020. Not quite going crazy yet. But not quite not, too. Today's slice of self pity: even prisoners can go to a library. The whole point of the bohemian rented room lifestyle is that the room is somewhere to rest one's head, not to live in constantly. Still, even self-pity is a sign of some lust for life. Earlier today I couldn't even be bothered to beat myself up.
Saturday 2 May 2020. Take strength from your own weirdness.
Saturday 9 May 2020. I have just discovered that Bic Orange Fine pens now come in a more comfortable 'grip' version. So it's not all bad.
Sunday 10 May 2020. Another day in the Soft Apocalypse. Mr Johnson's gesture of 'drunkenly inserting the key in the Yale lock after a night out' almost makes one yearn for the days of Mr Blair's 'here's my big fish'.
Monday 11 May 2020. I wish I'd learned about Bentham's theory of the Panopticon when I was at school. If only so I could tell the bullies who always sat on the back seat of the bus why they did such a thing.
Tuesday 12 May 2020. Am getting very little work done. It's hard to be productive when you're surrounded by historical events, major social change, and daily death tolls.
Wednesday 20 May 2020. Warm weather, and I'm finally wearing single layers, but am still feeling cold all the time. I report this to a GP, an appointment which can only be carried out on the phone. She thinks it's more likely to be related to my lack of exercise. 'Sitting is the new smoking', she says. I want to say, 'No it isn't'.
The problem is that no one is allowed to be ill from anything other than COVID-19. The arrogance of this virus. Other illnesses can't get a word in edgeways. Only when you can mention the virus do you exist. Corona is the only game in town, as Karen Carpenter didn't quite sing.
Thursday 21 May 2020. At 8pm I go downstairs and open the front door to clap for the NHS. Standing right in front of the house are three people, two women and a man in their 30s, eating hamburgers from polystyrene cartons, using as a shelf the wall of the house's small yard. These unanchored face-fillers are completely unabashed by my appearance, even though I've suddenly materialised next to them. In fact, they join in the clapping half-heartedly, and we all stand there in silence, clapping away, resident and loitering scoffers alike.
Such is life off Dalston Kingsland High Street. I've occasionally opened the door to find someone sitting on the doorstep, using it to sit and eat, or smoke and drink. Reflecting now, I realise that one should currently be more sympathetic to the eating aspect. London's cafes and restaurants are only allowed to operate in takeaway and delivery form. The pleasure of eating out is rather compromised by not being allowed an 'out' in which to eat out in.
Saturday 23 May 2020. My first proper coffee in eight weeks. Pret a Manger in Dalston is open for takeaways. On the door is a sign requesting six customers at one time. Inside the café there are marks on the floor to ensure the customers stand apart at two metres. The counter now has a perspex screen with holes cut out at the bottom, like a bank. There is no sitting allowed inside, in line with the government rules. All those empty seats and tables, close to hand but forbidden.
I watch a documentary on the comedian Tony Slattery, who has suffered heavily from depression and alcohol addiction. One particular regret of his feels familiar: 'Nothing gets done'. A therapist reminds him that he once gave up cocaine with no problems: 'You've got form, mate'. Slattery ends the film hoping to sort himself out. The documentary's popular reception should surely help him. Recovery is easier if you declare your goals before strangers. It's when you keep them to yourself that they evaporate too easily.
Sunday 24 May 2020. The Prime Minister's advisor, Dominic Cummings, is caught breaking the lockdown rules. A number of people, reportedly his neighbours, protest in his street as he goes to and from his home. It's a pleasant, expensive street in Islington. If they are indeed his neighbours, perhaps some sort of Ballardian middle class riot is on the cards. It would be especially karmic for a PM with roots in the Bullingdon Club.
Monday 25 May 2020. The Cummings saga rolls on. There is something very British in arguing over when it is best to visit a castle.
Thursday 28 May 2020. Some thoughts on craft. When trying to write, and battling the usual insecurities about one's talent, it is useful to think about craft. 'Talent' suggests vanity, glamour, contingency. It suggests Britain's Got Talent, standing up on a stage, only to be told to go away. 'Craft', on the other hand, suggests the opposite of glamour: an invisible artisan, sitting down in a workshop, toiling away with little credit. But it also suggests humility, productivity, accomplishment: qualities essential to any work. Craft shows, talent shows off.
There is a good reason why the phrase 'a waste of craft' is less common than 'a waste of talent'. A crafted work may be deemed underwhelming, but in noting its craft there is still the recognition that new work has been contributed, time invested, labour applied, skills drawn upon. Take the recent film of Cats. On its release last Christmas, film critics overwhelming insisted that it was terrible. Yet craft it remains: work was done, something new was made. It can still be of use, if only as an entertaining example of folly. Or just as something to pass the time that is different. And someone somewhere might disagree with the critics (the director for one, I hope).
Talent says: 'just do it'. Craft says: 'just make it'. Talent lives in fear of being disliked, of being 'cancelled'. Craft shrugs its shoulders and gets on with it.
This online diary was begun in 1997. The archive contains over twenty years of exclusive knowledge, all searchable and free to read without adverts or clickbait. The author is in need of financial support, however. Giving money is a way to indicate that something has value. Thank you!
Tags: aubrey beardsley, coronavirus, covid-19, craft, dalston, depression, PhD life, ronald firbank
Some Passing Maniac
Wednesday 14 August 2019. I renew my passport. This is not because of any panic over Brexit, but because the ten year expiry date happens to be this month. I opt for the no-fuss renewal service offered by the Post Office. Contrary to the stereotype about the British, no true Londoner likes to queue. Queuing in London is for tourists. Real Londoners know there's usually a less busy version of whatever one wants, whether it's a chain of cafes, a Post Office, a bank or an ATM. One quiet Post Office is in Grays Inn Road near Chancery Lane station. It's hidden in the basement of a branch of Ryman's, like a secret members' club. There's no one else there at all when I go today, even during lunchtime. Today I present my old passport, they take my photograph with a machine at one end of the counter, and it's all done in five minutes.
Within the week, a new passport arrives in the post. It looks the same as the old one, with the same burgundy red colour. It takes me a moment before I realise there is one difference, though. The words 'European Union' are missing.
Evening: Drinks and Thai food at the Hemingford Arms with Shanti S., which warrants a selfie:
Friday 16 August 2019. To Bethnal Green Working Men's Club, to DJ for the wedding reception of Maud Young. I play many of my old Beautiful & Damned tracks. It's a fun return to a previous life, but as with making music I don't have any further interest in dj-ing. Passions can wax and wane across a life. Some people are happy doing one thing all their life, and I envy them. Others are drawn to paths not yet travelled, even if it means leaving old worlds behind.
Saturday 17 August 2019. Some old worlds are never quite left behind, though. In Russell Square today I receive a catcall from an older man on a bike: 'Stop dying your hair, you poof.'
I wonder if that happens to Nick Cave?
Sunday 18 August 2019. To the Rio for Marianne and Leonard, Nick Broomfield's documentary about Leonard Cohen and his muse. Mr Broomfield declares an interest early on: like Cohen, he too once dated Marianne. There's a sense of bragging here, and indeed Mr B can't resist showing photos that show just how attractive he was in the 1960s, like Liam Gallagher with a thesaurus.
As with all Nick Broomfield documentaries, the choice of interviewees is wonderfully suspect. We get the testimonies of sacked collaborators, spurned relatives, or just some passing maniac. Still, Mr B always makes his subjectivity clear. The 'official' documentaries try to pretend otherwise.
I visit a new bookshop and café in Dalston, 'Ripley & Lambert'. It specialises in books about film. This might seem rather niche, but then 'niche' is now thought to be the way forward. Magazines on prog rock are thriving, while general music ones like NME have bitten the dust. A display about women in science fiction explains the shop name: Ripley and Lambert are the two female characters in Alien.
Monday 26 August 2019. A stiflingly hot bank holiday. I loaf in Dalston all day, only venturing out to see Once Upon A Time in Hollywood at the Rio. Mr Tarantino is acquiring a Dickensian touch with age. There's an idealised little girl who offers advice on acting for Leonard DiCaprio: 'It's the pursuit that's meaningful'. Sadly, there's not enough of this sort of thing, and the end of the film is the usual Tarantino bloodbath. Except that times have changed, and this sort of trashy violence – particularly against women – is now more of a problem. Or perhaps not. Perhaps this is what his fans just expect. Comfort in the familiar, however problematic. All of which makes Quentin Tarantino the Boris Johnson of cinema.
Wednesday 28 August 2019. Pain and Glory at the Rio, the new Almodovar. In a way, this film is just as indulgent as the Tarantino, with much idolising of the culture of old films. But Almodovar at least nods towards the universal. There's a beautiful scene early on of women washing blankets in a country river while singing, straight out of a painting by Sorolla.
Thursday 29 August 2019. Seahorse at the Rio, being a documentary on a British trans man as he goes about becoming pregnant. The birth itself is in a birthing pool, making a neat extra nod to the seahorse analogy. Though the film is subtitled The Dad Who Gave Birth, the experience is not previously unrecorded. Last year saw a documentary on a different trans male pregnancy, A Deal with The Universe. And in Seahorse Mr McConnell mentions being in a Facebook group for 'seahorse dads', plural. The logical next film would be a portrait of such a group.
The collective noun for seahorses is a 'herd', which seems too commonplace for such an unconventional and ornate creature. A better choice now, given the analogy for pregnant trans men, would surely be a 'pride'.
Sunday 1 September 2019. To the Posy Simmonds exhibition at the House of Illustration. I like her cover design for the 1966 gay-themed novel The Grass Beneath The Wire by John Pollack, with two men in dinner jackets, one with his arm around the other. Her 1981 book True Love is labelled as 'the UK's first modern graphic novel'.
The gallery also shows Marie Neurath's illustrations for 1950s children's science books. One caption has a response from an 8-year-old reader: 'They are wizard books! I can read them by myself. I don't need help from anyone.'
A third exhibition is Quentin Blake's latest work, direct from his studio. There's a John Ruskin children's story, a wordless book of his own called Mouse on a Tricycle, a collaboration with Will Self titled Moonlight Travellers, and drawings for the corridors of Sheffield Children's Hospital. And this is just Mr Blake's work for the first half of 2019.
Tuesday 3 September 2019. My 48th birthday. I go to Rye and Camber Sands, mainly on an EF Benson tip. There is a beach café that does prosecco at eleven o'clock in the morning.
Dinner at the Mermaid Inn, then a look at Radclyffe Hall's house.Back to Dalston in time for the launch of La JohnJoseph's book A Generous Lover,at Burley Fisher. At 48, I am all about books and book-related places.
4 September 2019. I read an Observer review by Peter Conrad, which discusses Benjamin Moser's new biography of Susan Sontag. It seems the woman who gave the world 'Notes on "Camp"' wasn't immune to moments of camp herself: 'When, on one rare occasion, a man chivalrously supplied her with an orgasm, she complained that the sensation made her feel "just like everybody else"'.
The phrase 'a man chivalrously supplied her with an orgasm' also says something about Mr Conrad. All reviews review the reviewer.
Mr Moser's book claims that Sontag's partner in later life, the photographer Annie Leibovitz, treated her to limousines, first class air travel, and an apartment in Paris. As Sontag never earned very much from her books, compared to Leibovitz, her partner served as her 'personal welfare state'. Some welfare. Mr Conrad supplies these details to suggest Sontag was a terrible role model. But I see nothing wrong with being a kept intellectual.
Tuesday 10 September 2019. To Stanford's in Covent Garden for the launch of Travis Elborough's latest, The Atlas of Vanishing Places. I chat to Daniel Rachel. Last time I met him he was telling me he was writing a book on the 1990s Cool Britannia era, Don't Look Back in Anger. The book is now out and has had good press. Mr R tells me tonight that he wanted the subtitle to contain the phrase An Oral History, but the publishers had vetoed this wording, worried that the average reader of a book on Britpop might not know what 'oral history' meant.
I wonder if this is down to the image of Britpop as anti-intellectual and laddish (or laddettish). Both Gallagher brothers still seem happy to perpetuate this image, like the cool boys at school who belittled the geeks. When Brett Anderson of Suede received rave reviews for his memoir recently, the reviews had overtones of surprise. The implication was that, as he was a rock star from the 1990s, it was a miracle he could string a sentence together at all.
Monday 9 September 2019. A useful retort: 'I'm afraid I don't have the budget for any more unpaid work'.
Thursday 12 September 2019. To Kings Place to be in the audience for a recording of the podcast, Girls on Film. The film critic Anna Smith presents three guests – all women – discussing the latest releases. Two are actors, Ingrid Oliver and Tuppence Middleton, the other is the BFI's Director of Festivals, Tricia Tuttle.
The rise of podcasts against mainstream radio hit a tipping point for me when a young guest on Radio 4's A Good Read recently called the programme 'this podcast' – and was not corrected.
Drinking in the Kings Place glass-plated bar afterwards, looking over the canal and Granary Square. This shiny redevelopment, all plate glass and escalators, seems popular and utopian, if still finding its feet.
Tuesday 17 September 2019. All work is acting work. The trick is not to be miscast.
Thursday 19 Sept 2019. I meet Shanthi at a cocktail bar in Islington, only to realise that drinks start at £9 – and that's just for a glass of house wine. There has to be a word for the trick of trying to keep a straight face when such prices are communicated, and indeed for a staffer communicating them with their air of complete normalcy.
Friday 20 Sept 2019. From today I'm being paid the Living Wage (17k) to do a PhD. Less money than the office job I had ten years ago (which was 19k, in 2009), but my gratitude for not being forced to do unsuitable work more than makes up for it.
Monday 23 Sept 2019. I read an article about a young Instagram 'influencer', Caroline Calloway, and the world of pursuing internet fame for its own sake. This is new and yet not new. I'm reading about the Bright Young Things of the 1920s: pretty people whose lives and relationships were documented in the press without them appearing to actually do anything. So perhaps social media has just made that kind of lifestyle more democratic. Today, a 1920s figure like Stephen Tennant would have to maintain an Instagram account. Or rather, as seems to be the case with 'influencers', he'd have staff to ghost-write his posts for him.
Wednesday 25 Sept 2019. I read Olivia Laing's Crudo. The use of Kathy Acker reminds me how Acker has become hip all over again. I think of KA's line 'Dear Susan Sontag, please can you make me famous?', the most honest statement in the history of literature.
Wednesday 25 September 2019. Tonight, my seahorse brooch is described as 'very Lady Hale'.
Saturday 5 October 2019: Checking in on Twitter after a gap one feels besieged by the sheer infinitude of the lives of others. All I can add in response is that I too am alive. Still.
Tuesday 8 Oct 2019. One of the delights of library books is encountering the traces of previous readers. In a London Library copy of Ronald Firbank's Five Novels, from 1949, I recently found a ticket for Carmen at the New York Met opera house, dated October 2014. Today I'm reading a book from 1927, Movements in Modern English Poetry and Prose by Sherard Vines, which has an early assessment of Firbank. A slip of paper falls out. It is a handwritten note from the London Library to an anonymous reader, informing them that a couple of books they ordered are unavailable.
This would normally be dull, but the note is dated 20 April 1954. I can't help scrutinising the handwriting of the librarian – a beautiful looping hand in fountain pen ink, and wondering about the lives of the reader and the staffer, and if this disposable note has now outlived them. I look up the unavailable books it mentions. Time and Place by Lyde and Garnett, a 1930s geography book which was 'not possessed by the Library', and A Myth of Shakespeare by Charles Williams – one of the Inklings – which in 1954 was 'missing from the Library shelves'. I look both up in the Library's catalogue. The Library never did acquire Time and Place, but the Wilkins is back in stock.
Tuesday 15 October 2019. The Booker Prize is awarded jointly. One book is Margaret Atwood's The Testaments, the sequel to The Handmaid's Tale,which has had a huge amount of publicity already, including midnight bookshop openings with actors dressed as Handmaids. The other is Bernadine Evaristo's Girl, Woman, Other, which hasn't. If you can't decide between two books in a prize set up to raise the profile of literary fiction, why not give it to the book that hasn't already had its profile already massively raised? There's something of the spirit of the times in this decision: a misplaced sense of righteousness, and with a terror of divisiveness.
Wednesday 16 October 2019. On a Sontag tip again, this time because of an excellent essay by Johanna Hedva on the White Review website. A quote by Sontag connects with my own thoughts: 'I wanted every kind of life, and the writer's life seemed the most inclusive'.
Saturday 19 October 2019. Finish reading Firbank's New Rythum (sic), his unfinished novel set in New York. There's a couple of superb set pieces, such as the strawberry-picking tea party held in a ballroom, and the arrival at the city harbour of a huge nude male statue. I wonder if the latter inspired the end of Joe Orton's What the Butler Saw, Orton being a Firbank admirer. There was talk lately of a new statue to Orton in his home town of Leicester. He'd have like that to be nude, too, but with his socks on.
Sunday 20 October 2019. I listen to two long interviews with Chris Morris, on the Adam Buxton podcast. The latest Morris project is a feature film, The Day Shall Come, which I've just seen at the Rio. The film is in a similar vein to Four Lions: a conventional comedy drama, scripted and directed by Morris, and based on his research into real life incidents. Morris himself doesn't perform in the film, and I come away missing his greatest asset, the one which made On The Hour so distinctive: his voice.
Wednesday 28 October 2019. To the Tim Walker exhibition at the V&A, which ticks so many of my boxes: Tilda Swinton as Edith Sitwell (who turns out to be a relative of hers), Aubrey Beardsley, Angela Carter, Lord of the Flies, fashion, glamour, camp. In the exhibition shop, there's a display of Mr Walker's favourite books. These include The Swimming-Pool Library and Tintin in Tibet. And inevitably, Orlando.
Tuesday 29 October 2019. To Homerston Hospital for surgery. This is a septoplasty (with 'reduction of turbinates') to correct a deviated septum. The procedure is to address the nasal breathing problems I've been having for some years. I go under general anaesthetic. All is well, though I have to spend the next 14 days at home to minimise the risk of infection. My landlady K is my designated escort, in that she collects me from the hospital and checks up on me during the first 24 hours. It's a level of concern for a tenant that is difficult to imagine from many landlords.
Thursday 31 October 2019. Halloween. It's only today that I notice the first name of Kenneth Williams's vampiric character in Carry On Screaming is Orlando.
Saturday 9 November 2019. Irritations over redundant adjectives. A book review in the Sunday Times refers to 'a little novella'.
Sunday 10 November 2019. Less Boris Johnson, more BS Johnson.
Sunday 17 November 2019. I read about the rise of gender reveal parties, and wonder if fans of Judith Butler hold gender congeal parties.
Sunday 24 November 2019. Today's disproportionate irritation: Eve Sedgwick making the common error of thinking the song 'Over the Rainbow' is called 'Somewhere Over The Rainbow' (Epistemology of the Closet, p. 144).
Sunday 1December 2019. I've turned my PhD thesis into an online Advent calendar. Every day in December I post an image on Instagram and Twitter, relating to camp modernism. Some of these 'windows' are writers like Gertrude Stein. Others are illustrations like Alan Cumming in Cabaret, to represent Christopher Isherwood. The resulting Camp Modernism Advent Calendar bears the hashtag #CaMoAdCal.
Link: https://www.instagram.com/explore/tags/camoadcal/
Thursday 12 December 2019. I cast my vote in the constituency of Hackney North and Stoke Newington. The polling station is Colvestone Primary School, near Ridley Road market. I've voted here twice before for council elections, with barely anyone about. This time there's a long queue that snakes out into the playground, some forty people strong, even at 7.30am. I put my X next to Diane Abbott, for Labour. It's not without some guilt as I'd rather vote Green, but removing the Conservatives has never been more important. The local result is that Ms Abbott is re-elected, while the Greens increase their vote, no thanks to me.
As I walk away I am so convinced of the unsuitability of Mr Johnson and the nobility of Mr Corbyn that I feel even long-standing Tory voters will not bring themselves to vote Tory now. Only masochists.
Friday 13 December 2019. Masochism triumphs.
The subsequent days see constant post-mortems. I have to admit that I was ignorant of Mr Corbyn's complete lack of appeal to voters outside of cities. My mother, who lives in the English countryside, is utterly unsurprised by the result. Whereas I am not immune to social media bubbles, little illusory worlds in which everyone appears to share the same opinion as you.
It seems incredible that between these two men Mr J appealed to more people than Mr C. Between Johnson's Wodehousian blather and Corbyn's inflexible sternness, it was the former that offered more space to more people. I thought that the public might at least give Corbyn a tentative go at the steering wheel, what with a decade of the Tories and several disastrous months of Johnson. But no: better the devil you know.
The overnight TV election coverage does not help. All the presenters and pundits seem unlikely to know what it's like to, say, live in a rented room over the last five years. Channel 4's programme is billed as an 'alternative' election night, but the pundits are equally comfortable and well-off, including Rachel Johnson, sister of Boris. In the 1980s Channel 4 was synonymous with proper ideas of the alternative: seasons of foreign films, a simulcast of Derek Jarman's Blue with Radio 3, the Dennis Potter 'Seeing the Blossom' interview. Today, 'alternative' just means a different member of the Johnson family.
Tuesday 24 December 2019. I'm so easily tired that even the idea of fun exhausts me. Whenever I see an event is sold out, I feel the warm glow of a lucky escape.
Wednesday 25 December 2019. Christmas at Bildeston in Suffolk, visiting Mum, including a visit to Dad's memorial in the village graveyard. Mum finds an old photo of myself where I'm slouching on the sofa in the living room, the cards on the wall dating the image to a Christmas past. I think it's from 1989, so I would be 18. My hair is my natural brown, but I can tell it's from my phase of slightly lightening it with Sun-In spray – my gateway drug to full peroxide. I'm also wearing a black polo-neck jumper, a look I took to during my stage management trainee phase, first as an intern at the Wolsey Theatre in Ipswich (1989-1990), and then formally at the Bristol Old Vic Theatre School (1990-1992). I now think I just wanted a job that allowed me to wear black polo-neck jumpers. By 1992 I had lost interest in the jumpers, and indeed in stage management. But working on productions of Company and Side By Side By Sondheim made me realise that I did want to be a writer of thoughtful and quotable phrases, beginning with lyrics for songs. I still use 'Move On' from Sunday In The Park With George as inspiration. There is also the pleasing irony of not moving on from listening to 'Move On'.
Thursday 26 December 2019. I make the mistake of looking at Twitter over Christmas. Such relentless anger. It's one thing to disagree about something, quite another to devote large amounts of passion arguing with people who have no intention of changing their mind, at least not on Twitter. Less energy on what one dislikes or finds offensive, more on what one likes and finds beautiful.
Tuesday 31 December 2019. The cover of the late Alasdair Gray's Unlikely Stories, Mostly (1983)has as good a New Year's resolution as any: 'Work as if you were living in the early days of a better nation'.
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Tags: bildeston, camoadcal, camp modernism, camp modernism advent calendar, catcalls, dalston, dalston rio, DJ gigs, DJ-ing, elections, maud young, mum, nick broomfield, ripley and lambert, ronald firbank, septoplasty, Shanthi Sivanesan, Susan Sontag, The London Library
How To Be Punk And Camp
Friday 28 September 2018. Further to my wistful renaming of the DLR line as the Delightful Little Railway, my friend Miriam gets in touch with her own interpretation. She thinks of it as the Dave Lee Roth.
Mum is in London. We have lunch in the Stratford Palace of Glittering Delights, otherwise known as the Westfield shopping centre. The place is pure postmodern excess: too many floors of too many shops. Though at least it's above ground, unlike the underground mall at Canary Wharf, which is clearly modelled on the Hell of Beckford's Vathek.
Whoever hires waiters at Wagamama's has a thing for muscular young men. It seems unlikely that a Love Island six pack is the basic requirement for serving pad thai, but it certainly helps with one's digestion.
In the nineteenth century, the department stores in London were spaces that women could feel safe inside, walking about by themselves. (Source: Erika Diane Rappaport, Shopping For Pleasure: Women in the Making of London's West End (2000)). Malls these days are also safe spaces environmentally: safe from traffic and pollution. But the main attraction is the comfort of global brands. Here they are arranged in such proliferation, the experience mimics online shopping. The paradox of a non-place like Westfield is that it makes shoppers feel entirely at home.
Tuesday 2 October 2018. Learned today: Woolf's Orlando was labelled as 'camp' in the mid-1960s, thanks to the articles responding to Sontag's 1964 essay 'Notes on Camp'. Here's Thomas Meehan in the New York Times Magazine, 21 March 1965 (p. 30):
'The favourite parlor game of New York's intellectual set this winter has been to label those things that are Camp and those that are not Camp. Moreover, finding nuances within nuances, they have now divided Camp into high Camp (e.g., Virginia Woolf's Orlando), middle Camp (Winnie the Pooh), low Camp (Batman comic books), intentional Camp (Barbra Streisand), unintentional Camp (Lana Turner in Love Has Many Faces), active Camp (dancing at the Dom), passive Camp (sitting through seven straight days of the Bette Davis film festival at the New Yorker Theater) and summer Camp (Cherry Grove).'
I look up 'The Dom' and 'Cherry Grove' – both are very New York references. The Dom was a trendy hangout for the Beats in St Mark's Place, while Cherry Grove was, and still is, a summer beach resort on the nearby Fire Island, popular with gay men.
Monday 8 October 2018. I watch some of the new Doctor Who, with Jodie Whittaker. I'm intrigued that they've made one of the companions, Ryan, dyspraxic. Another character accuses him of blaming things on his dyspraxia, including an alien invasion. Both actions are understandable. The irritation of being diagnosed as dyspraxic should at least allow one to blame things on it. But of course this only makes others suspicious.
Evening: to the Rio with Ms Shanthi, to see A Star Is Born. For all the glamour of Lady Gaga, the film's focus is really on the troubled masculinity of Bradley Cooper's character, whose music here is a strange form of 90s grunge rock. One theme is the way gender works in showbusiness: Mr Cooper first sees Lady Gaga's character when she's performing as the token 'real' woman on a cabaret bill of drag queens. The film equally suggests that the bad behaviour of famous men might be due to the stresses of trying to be a 'real' man, whatever that may mean.
Tuesday 9 October 2018. History repeats itself. This week the media is full of articles about camp, and it's New York's fault once again. The Met Museum's Costume Institute has announced that 'Camp' will be the theme of their 2019 exhibition and gala, and the 1964 Sontag essay will be the inspiration. Says the curator Andrew Bolton, 'We are going through an extreme camp moment. Trump is a very camp figure — I think it's very timely.' Even The Sun runs a story.
To the Rio to see Female Human Animal. This is an experimental thriller based loosely around the work of Leonora Carrington. It's shot very cheaply, as if on an 1980s camcorder. There's footage from a number of real life arty events. I'm nearly in the film myself: one scene is at a Last Tuesday Society event, at which I'm certain I DJ'd. Viktor Wynd's Shop of Horrors is also in there, for which I've given guided tours. One of the cast is the artist Philippa Horan, who lived at the Boogaloo in Highgate for a while: I used to go to parties with her. At the screening I chat to the man in the seat next to mine. He turns out to be Brian Dillon, author of Essayism, which I read and enjoyed. He asks me about Momus.
The upshot of all this is that I feel I'm in the presence of a club I'm nearly part of, but not quite.
'Disease is reductive in mode, and endeavours to reduce the world to itself' – Oliver Sacks, Awakenings (1973).
I don't have any serious health problems, but I do feel my body is starting to fall apart in various typically aging ways: more aches and pains, more slowness, more tiredness. But I'm also mindful of the reductive aspect of writing about them. The appeal of Derek Jarman's diaries is the art he made despite being ill. One way of dealing with illness is embrace the outer world more forcefully.
I love the way Audre Lorde puts it:
'I want to live the rest of my life, however long or short, doing as much as I can of the work I still have to do. I am going to write fire until it comes out my ears, my eyes, my nose holes — everywhere. I'm going to go out like a f-ing meteor!'
Thursday 11 October 2018. I present a paper on Grant Richards, Ronald Firbank's publisher, at the 'Publishing Queer' conference in Senate House Library. Richards, a monocled London dandy who put out books from the time of Wilde till the early 20th century, is often painted as 'unscrupulous', due to his financial unreliability. He sometimes asked untested authors to pay for the production costs themselves.
Vera Brittain's Testament of Youth devotes a couple of paragraphs defending Richards. Like Firbank, she had to pay for some of the costs of her first book The Dark Tide (1923). But she credits Richards with starting her writing career, and for enabling more lasting happiness. When The Dark Tide came out, she received a fan letter from a reader, George Catlin. This turned into a correspondence, and then a courtship, and then marriage and children. One child was Shirley Williams, the Liberal MP. So it can be argued that just as Grant Richards gave us Ronald Firbank's novels, alongside Joyce's Dubliners and Tressell's Ragged-Trousered Philanthropists, he also gave us Dame Shirley Williams.
On the same theme of queer publishing, today happens to be Orlando Day. Charleston in Sussex is marking the anniversary of the book's publication date, 11 October 1928, with a 9-hour reading of the whole novel, in which different readers take it in turns. I'd forgotten how the date is in the story too, marking the end of the narrative. Woolf must have added it when editing the final proofs. Indeed, these days many books appear on Amazon with a release date and even a cover, long before the text itself has been finished.
Something else that I forget about Orlando is that it was Woolf's biggest selling book at the time. More so than Mrs Dalloway and To The Lighthouse. Despite all the in-jokery between her and Vita Sackville-West, Orlando really connected with the public. It was something about that fantastical gender-shifting premise, combined with the camp tone she adopted from Lytton Strachey's jokey biographies (which aren't nearly as read as Orlando is now). With fantasy, there's also an element of giving readers a new world to play in. This is especially valuable for those who feel the real world isn't built for them.
Friday 12 October 2018. Today's finding. In 1934 Winifred 'South Riding' Holtby wrote to Vera Brittain. She mentions having Sean O'Casey's little son Brian to tea, along with the 5-year-old daughter of her friend John Brophy. I realise that this must be an early appearance in the world of letters by Brigid Brophy. (Source: Selected Letters of Winifred Holtby & Vera Brittain (1960), p. 297).
'He had the vaguely distraught air of a kitten that had seen visions' – Firbank, Concerning the Eccentricities of Cardinal Pirelli.
Sunday 14 October 2018. A copy of the new book Bus Fare arrives. This is an anthology of bus-related writings, edited by Travis Elborough and published by the AA. My diary is in there, along with the bus-related passage in Mrs Dalloway, Amy Levy's poem 'Ballade of an Omnibus' (which I love and which I wrote about for my BA), and a fascinating memoir of Matt Monro, the London bus driver turned pop singer. It's the fourth book to use excerpts from my diary.
Thursday 18 October 2018. The Metro has a paparazzi photograph of the pop star Harry Styles, one of the hosts of next year's Met Gala ball. He is caught in the ultimate transgressive embrace: holding a book. It is Sontag's Against Interpretation, which includes 'Notes on Camp'. This can be no bad thing. The headline is 'Harry Styles Rocks Pink Beanie And Gets Deep With Susan Sontag Book As He Leaves Recording Studio' (Metro 18 Oct 2018). I suppose it's possible that Harry Styles's fans might now discover Ronald Firbank, who is named twice in Sontag's essay. Either that or pink beanies.
The OED announces that it is adding new adjectives to describe styles of filmmaking: 'Wellesian', 'Capraesque', 'Tarantinoesque'. 'Firbankian' has been in the OED since 1972. One goal of my research is explain what 'Firbankian' may mean, and why it might be useful today. Perhaps Harry Styles now uses it.
Friday 19 October 2018. To the Gielgud Theatre with Minna Miller, to see the new revival of Company, the Sondheim musical, originally from 1970. The main character, Bobby, has been gender-switched into 'Bobbie'. In the wake of Doctor Who this might at first smack of some sort of concession to a zeitgeist. In fact it fixes a lot of the problems of doing the original show as it was. The plight of a single thirty-something man is now a lot less interesting, whereas with a woman one only has to point to Bridget Jones and Sex and the City.
There's also an Alice in Wonderland theme, suggesting that an adult woman navigating the world of relationships has to put up with a lot of Carroll-like absurdities: people talking at her rather than to her.
My favourite detail is the switching of the girlfriend who sings 'Another Hundred People' into a male English hipster, complete with beard and skinny jeans. When he 'city-splains' New York to her, the irony is much funnier. And yet there's poignancy too, as sets of figures in subway trains are shown acting out 'Another Hundred People' behind him, suddenly dancing or embracing each other, before separating and returning to their detached reality once more. This could be irksome, but thanks to the inventive spirit of the production it's properly moving.
Sunday 21 October 2018. I'm reading Audre Lorde. 'When we define ourselves, when I define myself, the place in which I am like you and the place in which I am not like you, I'm not excluding you from joining – I'm broadening the joining.' (Sister Outsider, p. 11).
I'm fascinated with the way Lorde's late 1970s writings use a capital B for 'Black', and a small 'a' for 'america'. But I'm also surprised that the term 'homophobia' was in use in the late 1970s at all. I'd previously thought it appeared around the early 1990s, seeing it in films like Mike Leigh's Naked (1993) or in the titles of records like Chumbawamba's Homophobia (1994), or the Senseless Things' Homophobic Asshole (1992).
To the Rio to see Fahrenheit 11/9, the new documentary by Michael Moore. Mr Moore's films no longer have the same 'event' feeling of Bowling for Columbine. On that film's release, around 2002, people in London sat in the aisles of sold-out cinemas rather than miss out. Now, Mr Moore is an establishment figure himself. Unexpectedly, Barack Obama comes under fire, over not doing enough about a water pollution scandal. The overall message is that real hope lies with younger activists rather than the present run of politicians.
Tuesday 23 October 2018. That eternal writing dilemma: knowing I need to explain some points further, while realising that the whole piece is over the word limit as it is. One always needs to say more, and always needs to say less.
Thursday 25 October 2018. To the Ivor Cutler exhibition at Goldsmiths CCA, reviewing for The Wire. Two 1970s easy chairs with headphones are set up as if to illustrate Life in a Scotch Sitting Room, one of his works. One set of headphones is connected to a vinyl turntable. The visitor is encouraged to put on Cutler's LPs: Dandruff, Jammy Smears. There is a brand new LP here too: Gruts For Tea Again, a bootleg compilation on blue vinyl.
The exhibition next door involves some sort of noisy mechanical installation, the clunking and whirring of which leaks into the Cutler show. Cutler himself was a member of the Noise Abatement Society, so I wonder what he would have said about this.
To the Rio with Ewan Bruce for Bohemian Rhapsody, the dramatic film about the band Queen. We only go because Mandy sold out in the other screen.
Queen were one camp gay man who died and three Top Gear presenters who didn't, and films are not made by the dead. This fact shapes the whole film.
The story is partly about sexuality, yet there's no sex in it whatsoever. What it is full of is ludicrous inaccuracies, terrible impressions (apart from the Brian May actor, who is excellent), bad prosthetic teeth, and irksome attempts at pathos. But then, this is the band who gave the world 'Fat Bottomed Girls'. High Art was never going to be high on the list.
The film ends with an extended recreation of the Live Aid gig, even though the real version is available for free on YouTube. But presumably there are lots of people who pay to watch Queen tribute bands, so who I am to deny them? The fairest thing I can say is that this film is not unwatchable.
Friday 26 October 2018. Despite the vast choice of recorded music now available, high street shops in London still insist on imposing the same few songs on their customers. One example is 'Broken Stones', by Paul Weller, from the mid-1990s. I quite like the song, or at least I used to. Today 'Broken Stones' is playing in Boots in Piccadilly Circus, while I look for their least butch deodorant. Then when I queue to buy a coffee in Pret A Manger in Regent Street 'Broken Stones' is playing there too. I wonder how this happens, and who is responsible, and whether they were ever really loved as a child.
'None but those whose courage is unquestionable can venture to be effeminate.' – Ronald Firbank, Valmouth (1919).
Tuesday 30 October 2018. Halloween has changed. The 'een' part has been deemed unfit for consumer purpose, and one evening is not nearly enough. In London, people are on the streets in costumes night after night, particularly on the weekend before October 31st. Still, the upside of this pumpkin-based Lebensraum is that the retreating forces of Christmas have finally been pushed back into early November. Retailers have admitted that even they cannot put fake cobwebs and fake snow on the same windows at the same time. To everything there really is a season; even to seasons.
Thursday 1 November 2018. William Sitwell, the editor of the free food magazine at Waitrose, is under fire for being unkind about vegans. If I could get a message to him, I'd say: 'Why didn't your great-uncle Osbert check his facts when writing his 1929 memoir of Ronald Firbank? It's a mess.'
It is, though. Osbert confuses Vainglory with Inclinations, the fool (They are pretty similar, though).
Friday 2 November 2018. In the British Library reading rooms, St Pancras. When I go to the desk to collect my books, I am recognised by one of the staffers. 'Aren't you on the cover of a queer studies book?' He means Elisa Glick's Materializing Queer Desire: Oscar Wilde to Andy Warhol.
Perhaps I should have denied this to make things more interesting: 'But it really looks like you…!' 'I can't see it myself'.
Saturday 3 November 2018. To the Rio for the London premiere of Something Left Behind, a documentary about the band The Wedding Present. It includes a Q &A with the singer, David Gedge. The film is more specific than I'd realised: it only covers the band's first album, George Best, from 1987, as framed by footage of recent gigs, in which the current Wedding Present line-up play all the George Best songs in order. This event might sound as if it's aimed at a very small audience, but the screening is so popular that the Rio opens up its balcony to provide extra tickets. I've been going to the cinema regularly for over a year, and this is the first time I've seen this happen.
Specialization is the way forward now: the more niche, the better. One can see the evidence in newsagents. The general music magazines like NME have withered away, while magazines on prog rock or metal or just David Bowie are thriving. It is all about recognising that, more than ever before, people want to feel less lonely.
Sunday 4 November 2018. An obituary in the Times about Derrick Sherwin, producer of Doctor Who in the late 1960s. 'He became fed up with television and moved to Thailand where he worked as a bungee-jump proprietor'.
Tuesday 6 November 2018. I go on a binge-watch of Killing Eve, managing five episodes before finally going to bed. Senate House Library is a location once again, this time doubling as MI5. The only other TV series I've enjoyed as much as Killing Eve this year is Please Like Me. They both dare to mix comedy with serious situations, and they do it with an individual own sense of style.
Wednesday 7 November 2018. To the Old Vic with Katie Stone, to see Wise Children. This is Emma Rice's version of the Angela Carter novel. I enjoy it immensely: the performers rattle through the story at high speed, throwing in song, dance, puppetry, colour and pantomime too – reminding me that Carter herself wrote an essay on the latter, 'In Pantoland'. One of the themes of Wise Children is legitimacy, which Ms Rice maps onto the idea of South London being less 'real' than the rest of London, or indeed that The Old Vic is not as 'proper' a theatre as the venues in the West End or on the South Bank.
Perhaps one can compare Ms Rice's productions to Baz Luhrmann's films: that sense of using pop culture as a giddy dressing-up box. Like Luhrmann, she throws a parade of ideas at the audience at such a rate, that if one doesn't please, there'll be another along in a few seconds. And for all her liberties with the text, she still captures that core Carter tone.
Katie tells me that a copy of Woolf's Orlando has a cameo in The Chilling Adventures of Sabrina, the new Netflix series. It's used to hint that the Susie character may be gay, non-binary, or trans (Episode 9 of Series 1, about 20 mins in). What interests me is how this very contemporary topic maps so well onto Woolf's 90-year-old novel. I suppose it's the non-binary aspect of Orlando that most appealed to me when I named my band in 1992. I have always felt like a not-man, but without wanting to be a woman either.
Sunday 11 November 2018: Whenever Noel Coward needed to go to the toilet, he would say: 'I must telephone the Vatican'.
Tuesday 13 November 2018. I'm reading Brigid Brophy's Reads, her book of essays from 1989. On the cover is the Fabritius painting The Goldfinch, the subject of one of her essays. More recently, the painting appeared on the cover of Donna Tartt's hugely popular novel The Goldfinch. I wonder now if Ms Tartt was influenced by Brophy.
Wednesday 14 November 2018. One of those days when I go from wishing I was more like a normal person, to being grateful that I'm not. The working title for the novel I'm writing is The Beautiful and Weird.
Thursday 15 November 2018. The news has become such an unending spiral of Brexit-ity awfulness that I'm doing my best to avoid it full stop. Ideally, a 3-minute morning bulletin on a music station is all one needs. That way, the reminders of humanity at its worst (news) can be quickly compensated with reminders of humanity at its best (music).
Friday 16 November 2018: I think of the title for my chapter on theorising camp modernism: 'Vile Bodies That Matter'.
Sunday 18 November 2018. To the Barbican Cinema 2 for Never Silent, a screening of two Audre Lorde-related films. One is The Edge of Each Other's Battles, a documentary about a 1990 conference. The other is The Body of a Poet, from 1995, a more experimental film which is inspired by Lorde, but actually features the work of other poets. When the old 1990s Channel Four logo goes up at the end, I'm reminded how this sort of thing used to be synonymous with the channel: strange and quiet little arty films, just put on TV for the general good. Still, this screening is sold out, so perhaps that indicates what has happened. Art films now need to be sought out at cinema screenings like this rather than stumbled upon while flicking through channels on the TV.
There's more art than ever before, but it's also more fenced off and carefully 'curated'. While this means one is more likely to find the sort of thing one already likes, it does mean being less likely to stumble upon works that you never realised might speak to you. Serendipity is becoming harder to find.
Saturday 24 November 2018. My landlady Ms K hosts a cheese and wine party in the shared kitchen. I wear the Sebastian Horsley silver velvet suit, if only because it's good for getting conversations going. I wear a seahorse brooch for the same reason. Always wear something a stranger can remark upon. I usually explain that I'm trying to promote the seahorse as a symbol of unusual maleness (because seahorses – and their close relations, like the rather cruelly-named Weedy Sea Dragon – are the only species where the males give birth). One can then talk about seahorses, or the art of weirdness, or just favourite animals.
Even though most people at the party are at least forty, people hang around late into the night. But I weaken and go up to bed at about midnight. With alcohol, I'm getting more tired more easily. But the upside is that my stomach is stronger. Perhaps it's my sterner sense of an aesthetic: I can't pull off vomiting as a look.
Monday 26 November 2018. I hand in Chapter Two of my thesis to my supervisors. It's far too long (20,000 words), and yet not long enough; many of the points need more development. But I had reached the stage where I found everything I'd researched to be interesting, and so was unable to know what to cut. Thankfully, this is what supervisors are for. There's some irony here, too, as Firbank, my main subject, was obsessed with conciseness. His novels are barely a hundred and fifty pages long, but they're highly polished and dense with their brevity. 'Firbank has loaded every rift with ore', said Edmund Wilson.
But there's also the spirit of the times here, with everyone typing so, so much, and saying so, so little in the process. Everyone's writing too much, and everyone's not writing enough. Perhaps, as Quentin Crisp, said, more of us need 'chains of our own making'.
Tuesday 27 November 2018. I see the film Widows with Jon S. Essentially a crime drama – a remake of the Lynda La Plante series from the 1980s, moved to contemporary Chicago and touching on modern issues of race, class, and gender. For all its artistic ambition (there's one unexpected scene in which characters in a car are overheard yet not seen), the story is still rooted to the genre. It can't quite bring itself to be as goofy as Killing Eve. Even the inept people in Widows are still gritty and cool, because the genre demands it. Perhaps I should visit Chicago myself, to prove that someone like me can even be allowed to exist there.
Wednesday 28 November 2018. To the Barbican for their current major exhibition, Modern Couples. It is the exhibition equivalent of Love Actually, partly because it crams a large number of different love stories into one space, but also because it's trying to please as many people as possible. Just like Love Actually, the sheer amount of characters on display means there's an inevitable loss of detail. Once one finishes reading all the captions, it's closing time. All one can do is wolf as much down as possible and try not to feel overstuffed.
In fact, I'm reminded how Love Actually is itself the film equivalent of one of those boxes of assorted chocolates one gets at Christmas. The bits with Emma Thompson and Bill Nighy are the popular chocolates that always get eaten first, while the bit with Keira Knightly standing in her doorway while her husband's friend serenades her with signs, and she doesn't call the police, is the kind of small baffling jelly best left uneaten.
In Modern Couples everything is interesting: there's just so much of it. The actual manuscript of Woolf's Orlando is here, for one. There's also a wonderful photo of Nancy Cunard leaning over a printing press while dressed in a dandyish dinner jacket and bow-tie.
The Barbican gallery shop sells novelty pairs of socks, illustrated with the faces of famous artists. They have punning names: 'Sole-adore Dali', 'Frida Callus', 'Feetasso', 'David Sock-Knee', 'Vincent Van Toe'. The woman behind me in the queue is buying great fistfuls, or rather footfuls, of these nearly amusing items. Perhaps I need to do my own line. 'Dickon Footwards' is the best I can think of. Though that's surely no worse than 'Frida Callus'.
I buy a postcard and hand over some money to the young woman on the till. She says: 'Oh, your hands are really soft!' Buying a postcard in the Barbican shop is the closest someone like me comes to having a sex life.
Monday 3 December 2018. Acquiring two degrees in English literature has made me disproportionately intolerant of errors. I no longer just read: I scrutinise. This week I see an article in a mainstream newspaper, which uses this quotation: 'If you want to know what God thinks of money, just look at the people he gave it to – Dorothy Parker'.
I know that this is not the invention of Dorothy Parker at all. She did say it in an interview in 1956, but she pointed out it wasn't her own:
'I hate almost all rich people, but I think I'd be darling at it. At the moment, however, I like to think of Maurice Baring's remark: "If you would know what the Lord God thinks of money, you have only to look at those to whom he gives it."' (The Paris Review Interviews, Vol 1 (Canongate, 2007))
The quip is much older as it is. There is a version recorded by Alexander Pope in 1727, who in turn is quoting his friend 'D.A.' – Dr John Arbuthnot:
'We may see the small value God has for Riches, by the People he gives them to.' (Thoughts on Various Subjects (1727)).
Friday 7 December 2018. Pete Shelley, singer of the Buzzcocks, dies. I always loved the way Orange Juice's 'Rip It Up' suddenly references the Buzzcocks' 'Boredom', quoting some of the lyrics (rhyming 'dum-dum' with 'humdrum'), then copying the two-note guitar solo. This wasn't just a tip of the hat but a declaration of affinity. Edwyn Collins and Pete Shelley both believed that arch humour could have its place in serious rock music.
In Pete Shelley's case, his archness crosses over into bisexual camp: 'Ever Fallen in Love (With Someone You Shouldn't've)' was written about a boyfriend. He became much more explicit with his solo synth-pop single, 'Homosapien'. There's a 1977 film clip in which he comments on the way punk rock gigs were being cancelled by local authorities. A local education committee spokesman had said that 'punk rock is vile and obscene' (Source: a news article in Sounds, 16 July 1977).
In the film Shelley says: 'These people who are banning us, they're saying that I'm vile and obscene.' Then he smiles, widens his eyes, arches his eyebrows, and tilts his head: 'Do I look vile and obscene?'
It's the tilting of the head that does it, like a human italic. Firbank once said 'I adore italics, don't you?' (Source: Siegfried Sassoon, Siegfried's Journey 1916-1920 (1945), p. 136).
Susan Sontag's idea of camp also applies. For her, camp is 'seeing everything in quotation marks'. In the clip, Pete Shelley uses his whole face as quotation marks, reframing the words 'vile and obscene' with a flirtatious Bet Lynch voice. It was this sort of thing that made him so easy to love. Though, as so often with camp, it also made him easy to underrate.
I keep thinking about an employer who once turned me down with the words 'you have the wrong kind of experience'. Today, brooding on my lack of money, I feel punished for wanting to do different things in my life, as opposed to picking one thing at 18 and sticking to it. Though as Anthony Powell says, growing old in itself is 'like being increasingly penalized for a crime you haven't committed' (Powell, Temporary Kings (1973)).
But to be fair to myself, there is one form of work I have stuck at: this diary. On February 5th, I will be speaking at a British Library event about diaries in general:
https://www.bl.uk/events/diaries-lives-and-times
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Tags: a star is born, anthony powell, audre lorde, barbican, birkbeck, bohemian rhapsody, brigid brophy, Buzzcocks, camp, chilling adventures of sabrina, doctor who, dorothy parker, dyspraxia, female human animal, Harry Styles, killing eve, Love Actually, Modern Couples, Orlando, pete shelley, queen, ronald firbank, Susan Sontag, travis elborough, Westfield, wise children
I Saw The Glitter On His Face
Friday 13 July 2018. I read about a commotion at this year's Pride march. A group of women calling themselves Get the L Out made their own mini-protest against the main march. Before the procession could begin, they lay down in the road, preventing the others from setting off. It appears that they claim the LGBT movement is somehow 'erasing' the 'L' – lesbians – by overly favouring the 'T', as in transgender people. This<|fim_middle|> essays, See What Can Be Done, she quotes a reader who tells her, 'Your pieces in the New York Review of Books are the only ones I can actually understand'. Moore adds that this was not a compliment. The speaker was really admiring the knotty sophistication of the other writers, and was being patronising to her. But Ms Moore took it as a compliment anyway – which is a very Lorrie Moore thing to do.
Quite a few critics talk of having 'crushes' on Ms Moore, or of wanting to be her best friend, without worrying that they too might be thought as condescending. It's the way she writes: intellectual, yet funny and humble. 'Quirky' would be another word: usually thought patronising, but it shouldn't be. 'Quirky' is a slightly tarnished version of 'ludic'.
I'd be happy to be the token 'quirky' guest at a literary festival, say. Better quirky than dreary.
Thursday 9th August 2018. To Gay's The Word to mark the reissue of Smiling in Slow Motion, Derek Jarman's final volume of diaries. The bookshop appears in the diaries (page 270, in the entry for 30 November 1992), though rather unflatteringly. Jarman rages against the shop for declining to stock Love Bites, a book of sexually explicit photographs by Della Grace (now known as Del LaGrace Volcano). Jarman sympathises with Grace, calling the bookshop 'the Jesse Helms of Marchmont Street' and 'the vinegar dregs of the right-on'. Jesse Helms was a homophobic American politician at the time.
I mention this to Jim MacSweeney, the shop owner, who was there in the early 90s. He tells me that GTW would have been still recovering from the mid-80s raid by HM Customs & Excise, who were looking for anything they could claim was illegally obscene. The shop narrowly escaped closure, and for a few years afterwards they couldn't take any risks: they were being watched. What gets me is Jarman's lack of sympathy for both sides, the queer indie shop as much as the queer indie photographer. I like to think he might have changed his mind were he alive today. The shop is still independent and still going strong, even in this age of Amazon, and is still fending off instances of homophobic window-smashing, as recently as this year.
Still, I love that a bookshop is not just stocking but celebrating a book which criticises it. And besides, Jarman was always a difficult figure within the LGBT community. Stonewall and Ian McKellen come in for similar treatment in the diaries. I think many readers today will politely disagree with this side of Jarman, and focus on the more positive and inspirational examples of his life and art. The final words of Smiling in Slow Motion are 'true love', after all. And that's the focus of tonight's event.
As with the new edition of Modern Nature, the cover depicts the landscape around Jarman's garden in Dungeness, this time at sunset. It's interesting that the original books had Jarman himself on the front. His face was his brand – a celebrity of the early 90s. Indeed, the diaries themselves relate people asking him for his autograph (those paper versions of selfies). These days his work takes the focus. One might say his garden is now more Brand Jarman than the films. Certainly the diaries frame his garden as his magnum opus, with the films almost as diversions from the flowers: Edward II, Wittgenstein, Blue.
The new edition has an introduction by Neil Bartlett. Tonight Mr B is at the bookshop to give not just a talk but a tree-planting at the Marchmont Community Garden nearby. I've never noticed the garden was there, though I must have walked past it countlessly. It's in a sliver of land next to the Brunswick Centre, right by Skoob Books and the back of Waitrose. It's also close to the blue plaque for another gay diarist, Kenneth Williams. Something about the juxtaposition of the concrete Brunswick with this defiant little garden seems fitting for a Jarman tribute.
The tree in question is a little black elder, chosen by Bartlett 'as it's hard to kill and has slightly poofy foliage'. The tree is efficiently planted in the north-west corner, with the help of a man from the garden's management team. Mr Bartlett tops up the hole with a spade and poses for photos: 'I'm in Princess Margaret mode'.
Wednesday 15th August 2018. Irritations over ambiguities in English. When describing the use of Google as a verb, Fowler's and the New Oxford Dictionary for Writers and Editors advise 'googling', without capitalising, because you can't trademark a verb. Hence 'hoovering'. But the LRB and the Guardian prefer 'Googling'. This sort of thing keeps me awake at night.
Thursday 16th August 2018. I watch some of the new Celebrity Big Brother. The term 'mystery housemate' is rather redundant in a house of people whose level of celebrity is already a mystery.
Friday 17th August 2018. Reading Jarman's diaries. My favourite flower name in his Dungeness garden has to be jack-go-to-bed-at-noon (tragopogon pratensis). Closely followed by eggs-and-bacon (lotus corniculatus), which I imagine Jack, a night shift worker, having for breakfast before turning in.
Saturday 18th August 2018. Looking for an air-conditioned pub in King's Cross, I venture into Parcel Yard, the station's old sorting office. I don't get far. Three men in football shirts see me, then go into exactly the same kind of homophobic catcalls I've had since I was a teenager: kissing noises with their mouths, 'woo-hoo!' noises. And not meant kindly. I feel threatened and so leave, though a bleakly positive response occurs to me: 'Still got it!'
I suppose my catcallers could well have been from out of town, given that the pub was inside King's Cross Station. As expensive as London is, I still worry that the moment I step outside the M25 I'll be put straight in a wicker man.
What I would have liked to have done is something like the actions of Nick Hurley, a young man whose anecdote became a popular tweet this month. He had been walking in the streets of Manchester on his way to Pride, and was wearing coloured glitter on his face. A passing driver shouted 'faggot' at him. Mr H caught up with the car at the traffic lights, and emptied a tube of glitter through the window.
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Tags: alan hollinghurst, alexander mcqueen, birkbeck, depeche mode, derek jarman, gay's the word, lorrie moore, neil bartlett, open barbers, pet shop boys, pride, ronald firbank, tim chipping, whit stillman
The Freak Manifesto
Sunday 17 June 2018. Breakfast at Dalston Superstore, my regular Sunday habit. I sit there quietly by myself at one of the tables, usually reading the Sunday Times for the book charts, careful to finish before the lunchtime cabaret performance by a drag queen.
Am currently reading The Sound of Nonsense by Richard Elliott, reviewing it for The Wire. The book makes some fascinating links between the nonsense sound-words used in classic children's literature, notably by Edward Lear and Lewis Carroll, and the rather more adult nonsense of Joyce's Ulysses and Finnegans Wake. A 1958 audio version of Alice in Wonderland is singled out for verging on the experimental. It was released on the Argo label, produced by Donald Cleverdon, with a 12-year-old Jane Asher as Alice.
Looking up Mr Cleverdon, I've since found out about a BBC Third Programme broadcast he produced in 1951, featuring 'sequences' from 1920s experimental literature, as chosen by V. S. Pritchett. There's excerpts from Ulysses (Joyce), The Apes of God (Wyndham Lewis), The Flower Beneath the Foot (Firbank), Kangaroo (DH Lawrence), and To the Lighthouse (Woolf). I discover that the British Library owns an analogue recording of this. It will only be digitised and made accessible if someone puts in a request. I put in a request.
Also in the nonsense book, Mr Elliott discusses nonsense in music, both experimental and pop. He brings in Ivor Cutler and the Bonzo Dog Do Dah Band, as well as the 'plunderphonic' albums of John Oswald. Elliott quotes the Bonzos' 'My Pink Half Of The Drainpipe'. I love the section at the end when Vivian Stanshall performs a spoken word ramble. It is a mission statement for misfits; a freak manifesto:
'Oh, who cares anyway because I do not… So, Norman, if you're normal, I intend to be a freak for the rest of my life. And I shall baffle you with cabbages and rhinoceroses in the kitchen and incessant quotations from Now We Are Six through the mouthpiece of Lord Snooty's giant poisoned electric head… So THERE!'
The 'there' goes on forever, until the needle lifts off the record.
Tuesday 19 June 2018. What to believe in, when one writes? Strive for the perfect sentence? Yes, but also: dare to write a sentence that might be of use, if only to the lonely and the strange.
Strive to be quotable, too. I like how Hamlet is essentially a string of quotations. Alice in Wonderland likewise.
Wednesday 20 June 2018. To the Rio to see The Happy Prince, the Rupert Everett film about the last years of Oscar Wilde. Mr Everett writes, acts and directs the whole thing himself: clearly a labour of love.
It's a neat complement to the Wilde of Stephen Fry, because it uses one of the fairy tales as a metaphor: the Fry film used 'The Selfish Giant'. Both films have scenes in which Wilde reads the story to his sons.
But whereas Wilde presented a more public, fairly conventional take on Wilde (the sex scenes notwithstanding), Everett's is much more personal, and more queer. His Wilde is a broken, complicated man at the mercy of his feelings. He is also an aging, single gay man battling an existential crisis, and that is a narrative one still doesn't see very often. Young angsty gay men are fine (Call Me By Your Name), as are older happy ones with partners, or groups of friends, or poodles. But single, angst-ridden gay men of an older age? One gets the sense that the wider world doesn't want to know. So this film does not care who cares for it, and that in itself makes it admirable.
Everett's Bosie is Colin Morgan, who played the young Merlin on TV. With long blond hair he is barely recognisable, and threatens to steal the film. Bosie after the trial: the original toxic boyfriend. Still sexy in a reptilian way, but still destructive. And nice to see Colin Firth as Wilde's pal Reggie Turner, the actor here helping out his real life friend Everett, all those years after they appeared as floppy-haired schoolboys in Another Country.
Actually, I think Another Country has fallen off the radar somewhat. Maybe in time it will only be known as a poster behind Paul Weller's head, on the sleeve of the Style Council's Our Favourite Shop.
Thursday 21 June 2018. Finished writing the review for The Wire. Lunch: tagliatelle at Café Deco in Store Street. A cheap, unfashionable café with tables in the basement, usually empty. All the students prefer the trendier Store Street Espresso nearby, or the café in Waterstones Gower Street, the window of which is usually full of pale bearded children, sitting at their pristine Mac laptops, seemingly all day.
One of the recurring subjects taught at university these days is the concept of utopias (and indeed dystopias, like The Handmaid's Tale). The lack of money aside, student life is a utopia in itself. To sit all day in a Waterstones café, or the huge yet still packed cafe at the British Library, writing endless essays on Margaret Drabble (I imagine). Paradise of a kind. There are whispers of mythical things called offices, but no one here has ever seen one.
To the London College of Fashion, off Oxford Circus, to join the library there, part of the University of Arts. I think I have about twenty library cards now. And yet there's still books which I do need to consult, which can only be found in one library. In this case, an admittedly obscure collection of essays on Sontag and camp.
Bump into Ben Moor in the basement café of Waterstones Tottenham Court Road – another little utopian cafe, with lots of tables. He asks if I am going to any of the many festivals this summer. No is the answer, really. I had a good time as a hanger-on at the Stoke Newington Lit Fest a few weeks ago. It taught me that I was fine with festivals as long as they're in London (and a lot are).
The thing is, so many live events are recorded or podcasted now (Glastonbury on the BBC for instance). It doesn't seem worth the inconvenience and expense purely to be in someone else's audience. And indeed, I'd probably be envious of seeing all the other people who were booked instead of me, and be reminded of my own lack of bookings.
This isn't vanity entirely. At one festival I went to, some young people came up to me to ask what time I was on. They didn't know who I was: they just assumed that someone who looks like me must be a performer or a presenter. Given I hadn't been booked, this was both flattering and depressing.
Still, there do seem to be more events than ever. And Grayson Perry can't appear at all of them.
I really need to get some new work out, if only so it gives me a reason to appear at events.
Friday 22 June 2018. Cheap fish & chips at Birkbeck canteen (5th floor, overlooking RADA). Someone unkind has installed a flat-screen TV in the corner of the college canteen, tuned permanently to the coverage of the World Cup. This evening I'm the only customer in the canteen: the exams are over, and the summer term is nearly at an end. But the football burbles on in the background. If Gareth Southgate falls in a forest, and no one is around to hear him, does he still make a sound? In this instance, sadly for me, he does.
I read McEwan's On Chesil Beach, prompted by the film coming out (which I've yet to see). The repressed sexuality theme is laid on so heavily, to the point where I laugh aloud. I'm not sure if it's meant to be funny.
It's an elongated short story, really, in the same tradition as 'Cat Person' more recently. The familiar narrative of the bad date. Mr McEwan tops up what is essentially a short story by adding details of the backstory of each character, and then gives us a look into the future at the end, though only for the young man. It's odd that he denies the reader the girl's later perspective. Still, McEwan's clear, cold style is perfect for portraying a very English kind of awkwardness.
I contrast this by watching Hannah Gadsby's stand-up show Nanette, hosted online by Netflix. The show has become a word-of-mouth hit – indeed, it had already won awards as a stage act. Her Netflix performance was filmed at the Sydney Opera House, no less.
I was aware of Ms Gadsby before. Like many comedians, her act involved jokes about the way she appears: in her case, a butch-looking lesbian with an Australian-sounding accent – Tasmanian, in fact. But on this occasion she takes the comedy into a questioning of the form itself. What is comedy for?
It's something which only Stewart Lee is really doing at a high profile level, though Ms G adds a twist of female, gay anger. Why, she asks, she should have to play the self-mocking card, given that, as Quentin Crisp would say, she's already at the mercy of the world? We learn that in Tasmania homosexuality was only legalised in the late 1990s. How easy it is to forget that the way things are in the UK are not the way things are everywhere, even in English-speaking countries.
What impresses chiefly is Ms Gadsby's seamless shifting from jokes to politics to memoir to angry rant, and back again. And art history too: 'Picasso wanted to paint a woman from every perspective at once – except the perspective of a woman'.
She's meant to be giving up comedy after this, as proof of her frustration with the medium. I wonder if she'll move into some sort of essay-cum-documentary form. Jonathan Meades and Adam Curtis do it, so why not her?
My landlady is away, so I'm feeding Fergus, her pet albino rat. He eats little specialist biscuits, though he prefers to grab each biscuit and scurry under his layers of blankets to eat it, out of sight. I know the feeling.
Monday 25 June 2018. Mum's birthday. We spend the day in London together. I show her the London Library, though she finds the stacks with the cast iron grills set off her vertigo. If one looks down from the top floor, one can see the four or five floors of shelving beneath one's feet. There's no question of falling, unless one is a small wingless insect. But the awareness of stepping over so much raw vertical space is enough for Mum. Thankfully, there's other sections, such as the rolling stacks in the basement, with their treasure trove of old journals and magazines.
Then to Mildred's in Lexington Street in Soho, which it turns out is best visited at 2pm onwards: no queues. Then to the NPG for the BP portrait show, where we agree on the best effort: A portrait of two female painters by Ania Hobson. Two tough-looking women are shown sitting on a sofa, painted at such an unusual angle that one of the women's high-heeled boots dominates the frame.
Tuesday 3 July 2018. Another hot day in a library, working away on the PhD. Except today I make a trip to Oxford to join the Bodleian. So another library card. 'Yours is more powerful than the standard Oxford undergraduate's card', says the nice lady in Admissions. 'Oxford is your oyster'.
Except that I only want to access the one item: Alan Hollinghurst's M.Litt thesis, on Firbank, Forster and LP Hartley. Written 1979. Despite the feeling that everything old is now available online, there's still documents like this which have never been digitised – I think AH might have specified this. So the only way to read the thing is to make to the trip in person to the David Reading Room, high up on the fifth floor of the Weston Library, the shiny modern part of the Bodleian.
I have to hand over my reader's ticket when collecting the thesis. I also have to sign my name on a sort of visitor's book slip, which is attached to the flyleaf. All the previous borrowers are listed on older layers of slips underneath. It's like the old date stamps on a library book, but with the added benefit of seeing the names of the borrowers too. A palimpsest effect. The history of an object. Handled by all these other people since 1980.
I recognise the names of some of the previous users, because they've written articles about Firbank or Hollinghurst: Allan Johnson, Richard Canning, Paul Vlitos, Emily Horton, Joseph Bristow. And there's my friend and fellow indie musician turned scholar, Martin Wallace. And now, today, I add my name to the list.
The thesis is an A4 black hardback, made of typewritten pages with the odd handwritten correction. Hollinghurst is full of praise for Brigid Brophy's Prancing Novelist (1973). He also writes that Firbank's campness 'dissolves' any sense of moral judgement, due to its inspiration by 'the suzerainty of the libido'.
('If you knew suzerainty of the libido like I knew suzerainty of the libido….')
I break for lunch at the pub opposite, the King's Arms, which I think I've been to before, with Oxford friends, decades ago. The football is on the screens.
Barman: You looking forward to the match?
Me: Not really. Football is… awful.
Actually, I don't say that. I just like the idea of doing so. But the 'Three Lions' song from 1996 is now everywhere, so no one can blame me.
Perhaps 'Three Lions' is the true legacy of Britpop. Yet it's not even a World Cup song: it's a European Cup song. According to David Baddiel, the 'football's coming home' phrase was originally a reference to England's hosting of the Euro 96 tournament, which makes more sense.
But oh, how one hears it now, yelled in that guttural, frightening, tribal manner.
Football's coming home?
Coming?
I'm at home, and I've never heard the end of it.
Still, as with the royal wedding, one mustn't begrudge the joy of others. What gets me far more excited is the discovery at Ryman's that Bic are now selling their fine-tipped biros in packs of four.
Saturday 7 July 2018. I walk through Tavistock Square, past the little plaque marking the explosion of the bus on 7/7. Today is the 13th anniversary. There's fresh bouquets: one from a family to a lost daughter.
England are in the World Cup quarter finals, and the big Pride march is on too. I don't go, but I enjoy the surge on the tube of sparkly boys. My landlady is in the march, which reminds me of something Quentin Crisp says in his one man show, on stage in New York in the late 1970s: 'The other day my landlady got into the wrong march. That'll give you an idea of what's going on there'.
In the British Library I consult the 1929 five-volume set of Firbank's collected works. Osbert Sitwell provides an introductory essay in the first volume, calling RF's books 'the product of the war … more truly than any others in the English language'. Really? More so than Wilfred Owen?
For one artist to champion another involves a degree of vanity. Nothing delights a film critic more than seeing their review quoted on a poster. It makes them feel like they matter after all.
Still, it is true that WW1 forced Firbank into taking writing seriously. I like the idea of the spirit of English camp fiction passing from Saki into Firbank the moment HH Munro was shot dead in the trenches. (Not quite: Munro died in 1916; Firbank's Vainglory came out in 1915).
I'm writing this in Café Route, Dalston Square. The young man next to me on this window bench has just left and been replaced by someone looking exactly the same. Shorts, t-shirt, backpack, laptop, quiff hairdo.
Wednesday 11 July 2018. To Gordon Square for a meeting with my PhD supervisor. This marks the end of my first year as a PhD student. Dr B is more or less happy with my work so far, and gives me plenty of suggestions as to which paths to go down next. My plan is now to get the second chapter finished by the end of September: 15,000 words, of which I already have written 10,000. All being well, I should then have enough material for the 'upgrade' to proper PhD status in my second year, which for a part-timer is quite speedy.
I work in the London Library till 8pm, then take the tube home. The World Cup semi-final with England is taking place this evening. The current manager, Gareth Southgate, is known for wearing a waistcoat with suit trousers. On him it's admittedly quite stylish, but now the media and the fans have all gone a bit silly and started promoting this look as a sign of fandom. Football 'cosplay', I suppose. So today I have to ensure I do not wear a waistcoat, for fear of being engaged in a conversation about football.
Despite the increase in the amount of women football fans, there's still a clear gender bias among those who are defiantly indifferent. This is evidenced by my tube journey home. Most of the other passengers around me are women. It's the same as I walk past restaurant windows: a sudden awareness of women dining with other women. All the men have gone away. It's like being in Y: The Last Man.
At home I check Twitter to learn that England have lost. I am sad about this, but the silver lining is that the song 'Three Lions' is instantly redundant. People in pubs are instead singing the Monty Python song 'Always Look On the Bright Side of Life', from Life of Brian, a film that criticises crowds acting in mindless unison.
To stop myself getting too grumpy, I think of the many intellectual and artistic treatments of the game that I do like, such as the novels of David Peace, or the Tom Stoppard play Professional Foul.
There is an anecdote on Ronald Firbank and football, as told by Vyvyan Holland in 1929:
'Firbank never played games, though he occasionally appeared in the costume of sport, apparently returning from some strenuous and probably purely imaginary form of exercise. Seeing him once clad in a sweater and football shorts, I asked him what on earth he had been doing. 'Oh, football,' he replied. 'Rugger or Soccer?' 'Oh, I don't remember' – and a laugh. 'Well, was the ball round or egg-shaped?' 'Oh! I was never near enough to it to see that!'
(from Ronald Firbank: A Memoir, ed. by I. K. Fletcher, 1930).
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Tags: alan hollinghurst, birkbeck, bodleian library, bonzo dog doo dah band, Dalston superstore, donald cleverdon, football, hannah gadsby, ian mcewan, oscar wilde, oxford, richard elliott, ronald firbank, rupert everett, the happy prince, The London Library, the sound of nonsense, vivian stanshall, vyvyian holland
Thursday 17th May 2018. To the Birkbeck Cinema in Gordon Square for an evening of archive documentaries, all on the subject of Raymond Williams. The co-organiser, Colm McAuliffe, is in the same PhD group as myself. He had wanted to call tonight's event 'Everybody Loves Raymond', but someone had advised him that this would be frivolous. He mentions this anecdote in his spoken introduction, thus getting mileage out of the joke after all.
The documentaries in question are Border Country from 1972, and The Country and The City from 1979. The latter was made to tie in with Mr Williams's book of the same name. The book is a set text at Birkback: I consulted it when writing an essay about London.
Both these films feature Williams wandering around the landscape of England and Wales, on the 1970s. He walks and talks to the camera, and often smokes a pipe while doing so. Sometimes he uses the pipe as a means of punctuation, finishing his sentence, then inserting the pipe into his mouth and walking off into the distance. A fluid, natural movement to him, but one which these days would be rare. Williams's pipe is his prosthetic, much as smartphones are prosthetics today. People regard them as part of their own body. My fellow student Simon King tells me of the verb 'to lunt', meaning to walk while smoking a pipe. The OED regards this meaning as too obscure, though, and only allows 'lunt' to mean 'to smoke a pipe' full stop, regardless of any auxiliary behaviour.
Finally there's a screening of a 1980s TV studio discussion, made just after Williams's death. Possibly BBC2, late night. Or Channel 4, from the time when Channel 4 catered for intellectuals. Terry Eagleton, Stuart Hall and others sit apart from each other in a circle, in an overly lit red-draped TV studio, with a mysterious vase of lilies in the middle. It is the Open University as directed by David Lynch.
Williams's book 'Keywords' is mentioned as one of those life-changing, mind-improving books people buy to press into the hands of others. After the films, there's a panel discussion, and the question arises about where a discussion like the 1980s one might be found today: it seems too highbrow even for BBC4. I'd say possibly a segment in Newsnight, though these days the guests would have been booked purely with a hope to getting a shouting match, and so produce a clickbait clip to pass around on the internet.
Afterwards, some of us repair to a pub in Marston Street, an unpretentious one of the kind that still exists in London. It is covered in union jacks and bunting, with lots of images of Prince Harry and Meghan Markle looking like their own Madame Tussaud's dummies.
Friday 18 May 2018. Working on the paper for the Work in Progress conference at Birkbeck.
A current irritant: the backpack. Perfectly acceptable in its place, such as on the cover of a book by Patrick Leigh Fermor. But today's backpackers are not walking across Europe, or even going to a rock festival. They are merely going to work. The backpack has replaced the briefcase. On the tube, every day is Glastonbury Day.
These things are ugly enough, but the imposture extends when the backpacker gets into a congested tube carriage or a lift, like the ones at Russell Square that I endure every day. Soon, without realising it, the backpack is pushing into the face of a stranger. More considerate wearers take their backpack off, holding the things in front of them until there is more space to become the human version of a long vehicle once again. I long for this fashion to move on.
Saturday 19 May 2018. A British prince and an American divorcee get married, with pleasing historical resonance. I avoid the wedding itself, but glance at some of the reports and photos. Today I'm in the London Library reading Firbank's The Flower Beneath the Foot, a novel which ends with a royal wedding.
There probably will not be another royal wedding on this scale for another 25 years, so I suppose one must not begrudge the pleasure this one provides for so many. I do find it intriguing how the royal-loving public nevertheless likes some royals much more than others. One of the Duchess of York's daughters is also marrying in Windsor later in the year, but it is unlikely that there will be quite the same level of public attention. It seems that even people who like royal weddings have taste.
Sunday 20 May 2018. I'm thinking about Tom Wolfe, who died this week. His dandyism was a hangover from the New Journalism movement, when American writers were encouraged to look as stylish as their prose. Wolfe, Truman Capote, Gay Talese, Hunter S Thompson, Joan Didion – they all played up to the camera as much as the typewriter. They worked on their brand.
When it comes to beach shorts and Hawaiian shirts, Hunter S Thompson is the exception that proves the rule: only he is allowed to dress like that. Joan Didion's photographs indicate hours of learning how to pose – usually with a cigarette angled just so.
And so it was with Tom Wolfe. The white suits kept his writing on the radar. I discover now that he was fairly conservative in his politics. This is true of many dandies and white suit wearers; Trump's friend Roger Stone is the most notorious example. The left wing look, meanwhile, favours a pipe (Raymond Williams, Tony Benn, Umberto Eco, Harold Wilson). Quite why a pipe should signify socialism is beyond me: the odorous things are incredibly anti-social.
The other lefty look is, of course, the Bob Dylan cap. As favoured by Lenin and, indeed, Lennon. And now, Corbyn. Dylan himself did both looks, exchanging the cap and the denims for Swinging London suits when he went electric. In the process, he adopted if not quite a conservative look, certainly a more camp look (an electric guitar is more camp than an acoustic one). Todd Haynes's film has Dylan played by a woman at this point (Cate Blanchett), putting a neat spin on the idea of a 'Judas'.
The trouble is, I'm writing all this while dressed like Jacob Rees-Mogg.
Sunday 20 May 2018. I'm going through old computer files, in the process of backing up my data. I'd been meaning to do so since I went to a talk by a British Library archivist. He warned that hard drives can start to degrade after a mere five years. A new external hard drive is pricier than I thought – £45 is the cheapest one at Argos – but the space it gives, 1000GB, makes the computers of one's youth so laughable. Magazine adverts in the 1980s promising the glories of extra RAM chips of 64k.
I find an old review of the first Fosca album. Quite damning. The critic is an Orlando fan who says I went from articulating universal angst (Orlando) to peddling idiosyncratic misanthropy (Fosca). The truth is that these were not phases but facets. The idea that people are monolithic has never found favour with me. People are complicated, but this does not fit with the instinct to judge someone as one thing only.
Still, no review lasts like a negative review. The original is not online – I think it was just written for a webzine. It may only exist today on this old digital file I've just found. The author may even have forgotten it himself. But years later here I am brooding upon it.
I once saw a documentary on Radiohead's album OK Computer. It was the most praised album of its time. This was mainly because it came on the heels of Britpop, and everyone was just relieved that bands were now allowed to sound different from Oasis. Yet the singer, Mr Yorke, was shown dwelling morosely on a rare negative review he had come across. It was the only one he believed.
Many people flatter their favourite writers or musicians in an attempt to become their friend. This rarely succeeds. If you really want to make an impact on the mind of your hero, give them a bad review.
Wednesday 23 May 2018. To the Rio to see Jeune Femme. French film (obviously), in which a young-ish woman is kicked out of her boyfriend's Paris flat and has to fend for herself, looking for jobs and accommodation on the way. It burbles along pleasantly in this picaresque, if narcissistic fashion; not so much a story as time spent with a character.
Thursday 24 May 2018. To the ICA for 'Queers Read This', an evening of queer-related prose and poetry. The ICA theatre space is unchanged since the days of Kathy Acker: the same scuffed black room. I watch Joanna Walsh and Isabel Waidner perform, and I say hi afterwards. There's a young man in red high heels who's put out a book on Queer Loneliness. He in turn reads a piece by Olivia Laing, who also put out a book on loneliness. Both people seem well connected, so one presumes they're not quite so lonely any more. I'd feel lonely myself, having turned up on my own, but Martin Wallace is here, and he keeps me company. We talk about the dilemma of being Morrissey fans, now that the great man has begged his admirers to vote for an anti-Islamic political party, For Britain. I'm just glad I'm not doing any indie music DJ-ing at the moment.
Friday 25 May 2018. To 30 Russell Square for a Birkbeck talk about careers after the PhD – specifically ones unrelated to academia. One speaker works for the Ministry of Defence. It sounds well paid, but she admits that her heart is really in academia – and she's trying to get academic work published alongside that job.
Owen Hatherley is the other speaker: a foppish Birkbeck PhD graduate who has become a respected author, specialising in architecture. He bemoans not making a huge living as a freelance writing – especially now that freelance rates are frozen or are even getting lower.
The pitfalls of writing a non-fiction book, according to Mr H, are that if it's with a small publisher and it's not a massive seller, there's unlikely to be a new edition. So any factual errors in the book are left seemingly unaddressed, shaming the writer down the years.
Wednesday 30 May 2018. To Covent Garden Odeon with Jon S to see Avengers: Infinity War. Although I'm not a superhero fan, I find this to be a far more entertaining film than the first Avengers one a few years ago. Here the emphasis is on teasing the audience that the good guys might not win after all – indeed that some favourite characters might die. Except they won't, of course. This is the true 'infinity war': the struggle to convince audiences that an immortal character can die. Immortal as in the way Sherlock Holmes is immortal: he is a creature of infinity too.
Genre heroes are also trademarks and franchises, and any franchise similarly exists in a spirit of infinity. How many branches of Pret A Manger can be enough? If it were down to me, I'd open a chain of cafes called Borges Burgers, plus a chain of Hilbert Hotels.
'Infinity? Is that old thing still going?'
Saturday 2 June 2018. Spend all day in Gordon Square, attending the PhD students' in-house-only 'Work in Progress' conference. This is a laid-back affair. It is organised by students in the upper years and generally intended to get us in the habit of academic life. I am on in the morning, and deliver my paper on Firbank's monocled publisher, Grant Richards.
Of the other papers, I am intrigued by one presented by the poet Sogol Sur, on 'The Iranian Queer'. I learn that the language Farsi has genderless pronouns. As progressive as this may sound, it has meant that some Iranian poetry expressing same-sex love has been translated into English with the wrong pronouns, effectively heterosexualising the work.
Helena Esser presents research from her thesis on steampunk, which comes with that very contemporary reference: a Netflix recommendation – the documentary Vintage Tomorrows. I also enjoy Simon King on a psychogeographic walk inspired by Woolf's Orlando. He quotes the passage where the boy Orlando sits by the oak tree on a hill and is able to see 'nineteen English counties […] and on clear days thirty or perhaps forty'. This unlikely calculation is, I'd say, an example of the camp tone of the novel: that playful sense of exaggeration. Camp is not just playing with gender: it is the whole feeling of pumping things up in a knowing way.
Then a couple of talks from Julia Bell, Birkbeck's top creative writing tutor, and Sophie Jones, a youthful tutor who once taught me in a class on the BA, though neither of us can remember the text in question.
Sunday 3 June 2018. Brunch at La Duchesse café on Stoke Newington Church Street, then along the road to pick up a guest pass to the Stoke Newington Literary Festival, courtesy of Travis E. I attend a few events: a performance of Wilfred Owen's war poems by Penny Rimbaud, which takes place in the atmospheric Old Church. I also go to Travis's own event with Margaret Willes, discussing John Evelyn's diaries alongside Pepys, and then diaries in general. They remind me that so many well-known diaries are by gay men: Jarman, Orton, Kenneth Williams, Noel Coward, Keith Vaughan, James Agate, Denton Welch, Alan Bennett. One theory might be the lack of children, though in Orton's case I was always amazed he found the energy alongside all the sex.
Then to 'Juke Box Fury', presented by Richard Boon, in which guests talk about favourite songs. This year the guests are all record sleeve designers. One guest has a t-shirt spoofing John Lennon's ad: 'BREXIT IS OVER (if you want it)'. The thing is, I wonder how Lennon himself, who would be in his seventies now, would vote. Given the musical conservatism of his solo work, I can easily see him supporting the Leave vote.
Finally I attend 'Sex, Love & Monogamy', a comedy lecture by Rosie Wilby, with a poetry slot by Salena Godden. By this point I'm in a pleasant drunken haze – the sort of light hedonism I haven't done for a long while.
I speak to Andy Miller off the Backlisted podcast. Then spend time with Sophie Parkin and Tim Wells, repairing to the Mascara Bar in Stamford Hill, which is rather like the Boogaloo. I also spot Suzanne Moore, the recognisable columnist, closely followed by Thurston Moore, the even more recognisable rock musician. There's a Half Man Half Biscuit song in there somewhere.
The festival green room is an old reference library, now used as the repository for Hackney Council's housebound service. They deliver books & audiobooks to the incapacitated – the most used service of its kind in London. For the festival guests there are not only books to read, but also a free prosecco pump. Borges's quote about paradise being a library acquires a vital detail.
Monday 4 June 2018. I call Mum: her hand is out of the plaster cast and she's gently getting back to normal, via physiotherapy.
I have now watched A Very English Scandal twice and I am still not satisfied.
Tuesday 5 June 2018. Breakfast at L'Atelier, a hip café on the Kingsland Road: stripped walls, dangling light fittings, no sign outside, an unbranded bohemian atmosphere, bearded men with small dogs, a row of Mac laptops, buzzing smartphones among the flat whites.
I join the Wellcome Library in Euston, mainly to read Testo Junkie by Paul B. Preciado, though the library has an older edition with the author's former female name on the cover. At the time of the book's writing (2008), he was a butch woman taking testosterone as part of a philosophical experiment into gender.
The book is written in a poetic, fragmentary style, with much digression into memoir, theory and history, rather like Maggie Nelson's The Argonauts. Though Nelson's book was about the partner of a natal female taking testosterone, whereas Preciado's is from the hormone-taker's point of view. If The Argonauts is a gateway drug, Testo Junkie is the hard stuff.
Wednesday 6 June 2018. To Senate House in Malet Street, to see my mental health counsellor.
Her: What do you think needs to change?
Me: Other people.
In Senate House lobby there are lots of security guards standing around. To each side of the central staircase are groups of young people lying on the floor, blocking the way. Some of them are blowing whistles. These turn out to be protestors in 'Occupy' mode. I presume it's to do with the recent protests against the outsourcing of cleaning staff. The protestors let me pass, thankfully. I am sympathetic with their cause, though not to the point of joining them in the dust.
A few days I later I see photographs of a Free Tommy Robinson march becoming mixed up with this year's Naked Bike Ride. Jokes about arses suggest themselves.
I once thought of going on a march – the cause now forgotten – with a placard saying, 'MY VIEWS ON THIS ISSUE ARE FAR TOO NUANCED FOR ONE PLACARD'.
The only proper protest march I've ever been on was an Anti-Nazi rally in the early 90s. I remember having whistles blown in my ear, and feeling utterly out of place. It felt – perhaps unfairly – that protest was a social pastime first, and a means of change second. It felt like you had to enjoy crowds to do them; all shouting and chanting and the joy of being the one among the many – a joy which I do not share. Perhaps I lack the Mass Protest Gene, in the same way that I lack the Glastonbury Gene. I feel awkward and unsafe in a crowd. As Quentin Crisp said, there is danger in numbers.
Dandyism is the only solution: recognizing one's failure to join the crowd, then turning this into an identity. A protest march made up of one person. And a dandy can still vote, and sign petitions, and raise awareness.
Thursday 7 June 2018. To Hackney Picturehouse with Shanti to see My Friend Dahmer. Followed by a delicious meal at Mildred's in Dalston Square, the trendy chain of vegetarian restaurants. The film is well made, if fairly standard arthouse fare: a character study of a mixed up teenager as he tries to make friends at school. Rather close to home, the murders aside.
Friday 8 June 2018. To the exhibition at the Peltz Gallery, Transitional States, followed by a talk with one of the artists, Raju Rage, plus a woman who's doing a PhD on the work of Paul B. Preciado. I now realise that Preciado must have changed their name and gender identity halfway through this lady's PhD, which must surely have had an effect on her thesis. With a PhD, as opposed to an MA, one is very much at the mercy of one's subject, and a living subject is a moving target.
Monday 11 June 2018. To Gordon Square for my annual 'monitoring' interview, to check on my progress as a doctoral student. This is conducted by a third party tutor, Dr Caroline Edwards, rather than one of my supervisors. It all seems to go well. The failed bid for funding aside, I've had a fairly good first year on the PhD. Four papers accepted at conferences, plus at least 27,000 words written for the PhD itself. The trick now is, as Dr E says, to keep up the momentum.
Wednesday 13 June 2018. Evening: to Gordon Square at the invite of my old MA tutor, Grace Halden. I am one of four PhD students addressing a class of MA students, telling them about my experiences of doing a thesis. Grace encourages me to be honest, so I talk about the idea of worth: how the lack of funding has made me brood on thoughts of my research having no worth, and that this in turn can make me feel that I have no worth as a human being full stop. This is not a rare emotion, though, and a few of the other speakers are equally gloomy about their financial prospects. This society puts so much emphasis on, as Wilde said, 'the price of everything and the value of nothing'.
It's good to be reminded that Wilde himself saw particular 'value' in that quote, using it in both Dorian Gray and Lady Windermere's Fan. In Lady Windermere (Act 3, said by Lord Darlington) it's about the definition of a cynic. In Dorian, Lord Henry says 'Nowadays people know the price of everything and the value of nothing' (Chapter 3 of the 1890 magazine version, Chapter 4 of the 1891 novel version). I rather think it's the Dorian version that applies at the moment.
Thankfully, I'm not quite as energised about this as I was a few months ago. I now focus on what I alone recognise as 'worth', and try to take faith from that – the Van Gogh approach, I suppose. Plus I acknowledge the worth of the fee waiver, and the unpriceable worth of my supervisor.
I still struggle with the fact that I am essentially doing an unpaid internship – for myself. But the positive spin is that this is still preferable to doing an unpaid internship for someone else.
Thursday 14th June 2018. I meet up with Sarah K Marr for a drink in Bloomsbury. Have just finished reading her debut novel, All the Perverse Angels. The book jumps between a contemporary narrative and a Victorian one, via diaries and letters. There is a main theme of lesbian romance, though the twentieth century protagonist's sexuality is entirely matter-of-fact: her more pressing stigma is her mental health. She sees the world, and events and emotions and memories, first as colours, and then more specifically as known paintings. As she is the main narrator, the reader is forced to share her strange, unreliable, dream-like perspective.
The story gets going when she finds a Victorian painting in the attic of a Cotswold cottage. It's a Pre-Raphaelite-style retelling of the Iphis and Ianthe myth from Ovid – which reminds me of Ali Smith's similarly Sapphic version of the myth from a few years ago, Girl Meets Boy. Because of the heavy use of paintings as part of a homosexual narrative, I thought of the tradition of ekphrasis (the rendering of paintings into prose) as a queer literary device. Ekphrasis can reclaim the default framing of the world: a queer eye for the queer guy. The best example is Dorian Gray, but Wilde does it again in his short story The Portrait of Mr W. H. Hollinghurst's latest, The Sparsholt Affair, updates the tradition by comparing it to the present world of Tumblr and Grindr.
All the Perverse Angels is an example of lesbian ekphrasis: women falling in love with women in paintings, driven by curiosity mingled with desire and a need for self-projection. It's closer to The Portrait of Mr W. H. than Dorian Gray, in that there's also a puzzle to be solved. I was reminded of how much I like the genre of historical mysteries – if it's done well. It's a genre lately belittled by the trashy Mr Dan Brown and his imitators. A better example is Josephine Tey's Daughter of Time. The theme of dream-like crushes between girls in historical settings also evokes Charlotte Sometimes and Picnic at Hanging Rock.
The World Cup has begun, and it's hard to find a single pub which isn't commandeered by visible groups of Blokes suddenly appearing everywhere. Blokes with a capital 'B', with their endless reserved tables in front of TV screens. I spend my life going to classes on gender theory, queer theory, feminist issues and transgender issues, and somehow expect everyone else to be doing the same. So it's a shock to me that there's still men like this around today – it's like finding out that Page 3 of the Sun is still going.
Or perhaps these men are really historians dressing up in tribute to the way men used to be, like the Sealed Knot Society (is there a society for reconstructing Civil War reconstructions? A Sealed Knot Society Society?)
I want to stand on a pub table and shout to these men, 'But where do you stand on Judith Butler's theory of gender as performativity?' (Answer: 'It's a bit gassy')
Friday 15 June 2018. Favourite films change behind your back. On re-watching Withnail & I, I find myself siding with the old ladies in the tearoom.
If you enjoy this diary and its twenty years of archives, please note the merciful lack of adverts. Donations to the Diary Fund help to convince the author of his abiding worth. Thank you.
Tags: all the perverse angels, birkbeck, gordon square, my friend dahmer, oscar wilde, Paul Preciado, raymond williams, ronald firbank, royal wedding, sarah k marr, stoke newington literary festival, testo junkie, withnail & I
Inelegant Acronyms
Thursday 28 September 2017. I must record that on the 20th July I contributed to a pop record. At least, I recorded some backing vocals for Tim Benton, he of the band Baxendale, in a Hornsey studio under a railway bridge. The song was called 'Wild Swimming'. Mr B invited me to do it out of the blue, and I said yes.
It's my first contribution to music since I stopped Fosca in 2009. I still have no interest in making new music myself just yet. How funny the way one's passions wax and wane. Still, one silver lining of my failing to make money from music is that there's no temptation to play my old songs in concert purely for the money.
My other excuse is a refusal of that common alibi: 'being in bands was a phase I was going through: I'm more normal now'. I feel I'm more weird now. For now, other boxes await: book-shaped projects, experiments with language, ideas, narrative, the art of words. I look to my award from Birkbeck in 2015, for showing 'the most promise in English Literature', and feel I owe it to myself to do something along those lines.
On a whim, I watch the late 70s Doctor Who serial The Invisible Enemy, with Tom Baker, as rented from iTunes. It's the one that introduces K9, the robot dog who resembles an upturned wash basin on remote-controlled wheels; very slow wheels at that. And yet the TV-watching children of Britain loved him, and he became a regular character. All the special effects are shockingly primitive, needless to say. Yet there's a certain cheapskate charm which makes the programme uniquely attractive now, in these glossy days of production values.
I wonder if it's to do with the dressing-up box aspect: that instinctive need in childhood to tell a quick-moving story using whatever materials are to hand. In the case of The Invisible Enemy, even the story is cheap: a simple fusion of sci-fi cliches. It's like a small child retelling a film using plastic figures. But there is one unique element: Tom Baker. He was already in a world of his own when he was propping up the bars of 70s Soho. It made perfect sense to cast him as a benign alien; someone who takes on his enemies armed with nothing but nerve.
I think I may have even been introduced to the word 'bohemian' in a Target Books description of Baker as the Doctor – I certainly had no interest in the Queen song. Like 'camp', I was too young to understand what 'bohemian' meant. Though I suspected it sort of meant an adult acting like a child – in a good way.
Friday 29 September 2017. I read Ongoingness: The End of a Diary by the US writer Sarah Manguso. A curious short memoir, fragmentary and poetic. It concerns her keeping a diary over decades, from 1990 till today. Yet she does not quote a word of the actual diary.
From Manguso: 'I use my landlady's piano as a writing desk (p. 60)'. I'm starting to look particularly kindly on forty-something writers who live in rented accommodation.
Saturday 30 September 2017. I've always had clumsy and weak hands, something which has led to a lifelong resentment of cricketers. In recent years though my hands have become oddly worse for short amounts of time. A visit to a glamorous NHS neurologist a couple of years ago ruled out anything sinister. Glamorous, because I later found out that she was a consultant on the big film about Stephen Hawking. I was impressed with this implied proximity to Eddie Redmayne's Oscar, even though I would probably drop it.
No, my condition seems to be a mild but irritating combination of anxiety and dyspraxia, one that makes me into a kind of camp Incredible Hulk. At times of extreme stress, I become more limp-wristed.
I suppose I could blame this condition for my uselessness at DIY jobs. When I moved into the new room I bought a self-assembly bedside table for £15, from the Dalston branch of Argos. I felt right at home there, among the crazy, the shouting, the desperate, and the cheap.
Naturally, when I got the table home it did not lend itself to being assembled at all. And despite my careful scrutiny of the Cy Twombly-like hieroglyphics which the makers had the temerity to call instructions, I managed to nail one of the panels on upside down. The world of manual labour and I continue to look upon each other with mutual suspicion.
Sunday 1st October 2017. I'm writing a review of The Sparsholt Affair for the Birkbeck university website. It's a commission by Joe Brooker for Birkbeck's Centre for Contemporary Literature (www.ccl.bbk.ac.uk). I discovered that a couple of the images in the novel are taken from real-life photographs or album sleeves, making my review something of a scoop. It's my first piece of published academic writing.
Monday 2nd October 2017. More work on the Hollinghurst review. I also look over the handbook for the PhD course. I've found that whenever I mention I'm doing a PhD, some people have made little noises of mild awe. Indeed, when I did well at my BA a friend said: 'I should think so too: BAs are for children.' So I had to do an MA for that reason alone. Halfway through that I found myself increasingly curious about a PhD. If only because PhDs get more privileges in academia: special PC rooms, extra access at college libraries, and the sense of being, well, more grown up. Which for me is truly rare. I wonder how I'll do.
Tuesday 3rd October 2017. I meet Laurence Hughes in the top floor bar of Waterstones Piccadilly. The windowed area has spectacular views of the London skyline, but it also has piped music. Laurence, who is older than me, is more sensitive about piped music. So we plump for the area away from the windows, losing the view but gaining freedom from the music.
I did a little research about this sort of thing for my MA. There's some sociological evidence that the intolerance of piped music in public spaces increases with age. This is despite the way one's hearing itself starts to decline – frequencies go missing, hearing aids beckon. One theory is that older people resent the loss of control over public space, which the piped music represents. It's a glimmer of mortality: you are not in charge of this world after all, chum.
In cafes, the music may be designed to soothe customers, but it's also designed to possess and impose the brand on a room, and so reminds the customers that they are at the company's mercy. Younger people tend to mind this sort of thing a lot less, even if it's other people's music. The young are more keen to lap up brands, trends, fashionable haircuts, and of course, ideologies.
Perhaps as evidence of my aversion to trendy things, I get the new Ronald Blythe collection of Church Times columns, Forever Wormingford. It's his last one: he's retired from doing the weekly column at the age of 94. Calming prose, beautiful little mini-essays on Suffolk life, worthy of a much wider audience than the readers of a Christian newspaper. As in Akenfield, Blythe's style favours the sudden comparing of moments across decades, or even centuries, presenting life as a palimpsest on all the lives that came and went before. The similarities are always more startling than the differences.
Thursday 5th October 2017. My PhD officially begins. Tonight at Gordon Square there's an induction talk in the Keynes Library by Sue Wiseman, the course director. A handout with a list of all the new students and their projects goes around, and I'm slightly startled to see my name at the top. It's alphabetical, and unusually for a diverse 'cohort' of twenty students, no one has a surname beginning with A, B, C, or D. So there I am at the start. Meaningless, really, but at this stage, with the fear creeping in about how serious it all is, and with my constant inner questions about whether I've made a good decision, I'll take any good omen I can get.
This year's English and Humanities intake seems a healthy mix: roughly equal genders, all ages, lots of different nationalities, and a good scattering of subject matter from medieval to contemporary, via steampunk, cyberpunk, and graphic novels. One student is doing fairy tales with Marina Warner: the best possible supervisor in the country for that topic. I chat to one student who is also an accomplished poet, Fran Lock.
Friday 6th October 2017. Today sees an induction lecture for the wider School of Arts students, as in not just my fellow English and Humanities researchers, but also their counterparts in History of Art, Film and Media, Languages, and The Arts more generally. The lecture is by Marina Warner, and is on curses and entreaties in storytelling.
Beforehand, I'm in St James's Park looking at some sculptures by Sophie Ryder, which all seem very Marina Warner-esque: nude humans with animal heads dancing with giant dogs, or holding hands in a ring, like an out-take from The Wicker Man.
Spend some time – probably too much – reading about the current online goings on among the 'alt-right'. Buzzfeed have published a long investigation into email exchanges by various journalists from the conservative website Breitbart, linking them with what appears to be actual white supremacists. The figure at the heart of the story is Milo Yiannopoulos, the British writer who saw a gap in the market left by Christopher Hitchens: a charismatic posh British man spouting opinions on American media despite a complete lack of qualifications. Except that Hitchens was at least more considered in his style: Milo Y is more like a camp internet troll, and one who has stolen my look, frankly.
Saturday 7th October 2017. To the Museum of London for a gig by The Fallen Women. It's part of some sort of mini-festival themed around radical art. Like Joanne Joanne, the all-female tribute band who play Duran Duran songs, the Fallen Women are a mostly female band who play the songs of The Fall: 'Hit the North', 'Victoria', 'Mr Pharmacist', 'Big New Prinz' and so forth.
During the gig, three energetic little girls dance unexpectedly down the front. They can't be older than eight. I presume they're the untethered children of someone else here, though I like to think they just escaped and are on the run. They are invited onto the stage to do guest vocals on 'How I Wrote Elastic Man'. Afterwards, while the band pack up, they ask the guitarist – my friend Charley Stone – if they can use the microphones. Charley points out that they've been switched off, because the DJ, Mr Doran from The Quietus, is now playing his set.
'That doesn't matter', says one of the little girls. 'We just want to show off our girl group moves'. And so they do, posing and dancing with the microphones.
Sunday 8th October 2017. I am sent a copy of Travis Elborough's handsome new anthology, Our History of the 20th Century: As Told in Diaries, Journals and Letters. Once again, it includes extracts from my web diary, though just ones from 1997 to 2000. Much of the rest of the book is exclusive material: private diaries never before published. Mr E had asked me if I had kept a paper diary before 1997. I hadn't, sadly: the novelty of the web format was one of the reasons I started.
At 9am I go to the V&A for Pink Floyd: Their Mortal Remains. After the huge success of the David Bowie exhibition, the V&A have attempted something similar with the band behind Dark Side of the Moon and The Wall. The show has proven so popular that the museum has added tickets by opening throughout the night too: I could have gone at 4am in the morning.
So what does that say about Pink Floyd? I thought the band had rather more of a niche following than Bowie. In fact, a statistic I learn at the exhibition is that Dark Side alone sells 7000 copies every week, worldwide.
All kinds of theories suggest themselves. I wonder if it's the band's reputation for anonymity. Music usually divides people, so a lack of personality might mean there's less to get in the way, and so less to dislike (one might say the same about Coldplay). Certainly Dark Side of the Moon was all about the ambience promised by the enigmatic sleeve, the triangular prism against the black background. Then there are the subjects of the song titles, which are so basic they must translate easily around the world: 'Breathe', 'Time', 'Money'. Hardly niche topics. 'Hey, I breathe too! I too have heard about money!'
What interests me, and what justifies this exhibition, is that they went through so many different phases, all of which involved highly visual and theatrical elements. One highlight is the row of face masks used in The Wall live show, as worn by a 'surrogate band' of extra musicians who open the concert. The idea played on the pitfalls of their own success: the concerts were now such a special-effects spectacle, with exploding jet planes, flying inflatable pigs, film projections, and huge grotesque puppets by Gerald Scarfe, the actual band members were secondary concerns. The mask idea is now rich in irony, given that the bassist Roger Waters, who was the band's driving force in the 70s, tried to stop the other members using the name 'Pink Floyd' without him. He was proved wrong. Or rather, he didn't listen to his own ideas.
They had one member with star quality, though: Syd Barrett. The band's first incarnation, the late 1960s line-up with Barrett as frontman, was part of the London psychedelic club scene. Here, the V&A shows many of the gig posters of the time. These illustrated adverts have figures with swirling, distorted proportions rendered in a clear line style, not at all unlike the 1890s work of Aubrey Beardsley. In fact, it's thought that the V&A's 1966 Beardsley show directly influenced such art, and indeed there's a Beardsley on display. This gives the new exhibition a nice sense of symmetry: echoes of influence returning home.
I take a bus into Piccadilly and get off at St James's church. In the church grounds is an exhibition of sculptures by Emily Young, once the inspiration for the 60s Pink Floyd song 'See Emily Play'. Here, one can.
Monday 9th October 2017. To the University of Surrey, in Guildford, for a symposium, New Perspectives on Alan Hollinghurst. Three papers are delivered, each speaker neatly representing one of the three academic books on Hollinghurst, all of which suddenly emerged, like buses, in the last few years. This is followed by a public interview with the author himself, tirelessly promoting The Sparsholt Affair. The interview is also in the university, but as part of the Guildford Literary Festival. Unusually, AH doesn't mention Firbank, so I perk up at the end, mention my PhD, and get him to confirm that he's writing the introduction for a new Picador edition of The Flower Beneath The Foot. The Sparsholt Affair makes the Top 10 bestseller list: there's huge posters for it on the Tube.
Surrey university is a proper campus in the American sense: a self-contained town of glossy modernist buildings that takes a long bus ride to get around. I forget how many universities are like this, physically separate and bubble-like, rather than smuggled across a city in public squares and streets like my own, the University of London.
Tuesday 10th October 2017. To the Members' Room in the London Library for an event concerning the second Travis Elborough book out this month, this one co-edited with Helen Gordon, Being A Writer. No one can say that Mr E is a slouch at the practice himself.
It's a collection of quotes by notable authors: writerly anecdotes mixed with general advice on the craft, and all beautifully designed by the publisher, Frances Lincoln. There's a quote by David Mitchell (the Cloud Atlas one) that reminds me how expensive writing used to be before the net: the era of typewriters and Tippex, of old printers with holes down the side of the paper (which was striped with green for some reason), of bulky manuscripts photocopied and sent in the post. Today it's harder to earn money from writing, but at least it's cheaper to actually write.
Wednesday 11th October 2017. Evening: to Gordon Square for a meeting by a 'collective' of Birkbeck research students. One of the PhDs talks about how she transferred to Birkbeck halfway through her thesis, after her relationship with a supervisor broke down irrevocably. There were no other supervisors in the same field, so she had to move colleges altogether. It's a good lesson in the importance of having the right supervisor, however good the reputation of the college.
Anyone who looks into doing a PhD usually hears a few horror stories on this subject: supervisors who forget their students even exist; supervisors who don't reply to emails for months on end and need to be hunted down in the politest possible way; and neglected students who shrug and think they can submit their PhD without the supervisor's input (and they usually come a cropper). One advantage of sticking with the same college for 'the triple' – BA, MA, PhD – is that my supervisor already knows what I'm like.
There's a London diarist connection here. The definitive edition of Samuel Pepys's diaries was edited by William Matthews (1905-1975), a specialist in British and American diaries. Matthews did 'the triple' at Birkbeck in the 1920s and 30s, before going on to a glittering academic career in the States, hoovering up awards as he went. Birkbeck's English department honour his memory every year with the annual William Matthews lecture. So I like to think I'm 'doing a William Matthews', if only the first bit.
Sunday 15th October 2017. To the 'Esquire Townhouse with Dior' as it's officially called. It's both a pop-up members club and an arts festival, held at the plush building at 10 & 11 Carlton House Terrace, right behind the ICA. I'm here for yet another Alan Hollinghurst event, this time about the ten books that made him who he is. He omits Firbank in favour of, unexpectedly, The Lord of the Rings, which he loved as a teenager. It seems unlikely that AH will venture into writing fantasy novels any time soon. Then again, Kazuo Ishiguro's last book, The Buried Giant, was just that, and they've just given him the Nobel Prize.
I say hello to Martin Wallace, who knows AH. The author himself recognises me from the Guildford talk, and asks me about the scope of my Firbank thesis. When I tell him it's about the concept of camp modernism, he thinks for a moment then tells me it's a very worthwhile line of research. I feel officially blessed.
Tuesday 17th October 2017. The London Review of Books has an excellent article by Jenny Turner on Kathy Acker, by way of the new biography by Chris Kraus. Ms Acker marketed the ink on her skin as much as she did the ink on her pages. It's quite a common look now, but her tattoos and piercings were thought to be fairly daring and punkish in the 80s and 90s, even shocking.
As Ms Turner points out, there hadn't really been a female version of the William Burroughs-style 'Great Writer as Countercultural Hero' role before, and there hasn't really been one since. Jeanette Winterson may have been spiky in her manner when she started out, but she was still part of the literary establishment; one of 'them', not one of 'us'. According to this article, one of Acker's books was accidentally printed with the last two chapters the wrong way around, and no one noticed. That's one definition of the avant-garde.
I note that there's an advert alongside the Acker piece for Stewart Lee's current stand-up comedy show. It's difficult to think of other comedians who might regard the LRB readership as their target audience. And yet I'm reminded that in 1981, when the LRB had photographic covers and a slightly more 'Time Out'-y approach, they put Alexei Sayle on the front. This was to illustrate an article by the poet Ian Hamilton on the alternative comedy scene.
Since then the magazine hasn't expected its readers to take much of an interest in comedy. I know this because in 2011, one LRB piece quoted a joke from Peep Show, but had to qualify this as 'a Channel 4 sitcom', rather than 'the Channel 4 sitcom'. By this time it had been running for eight years, and was on its seventh series. Perhaps, given the Stewart Lee advert, things have changed. Or perhaps, in the same way Kathy Acker is described as an author who had fans 'among people who didn't usually buy books', Lee is a comedian for people who don't usually like comedy.
I admit I've always been intrigued by the way magazines second-guess their readers' tastes, and so have to reach for the words 'a' or 'called' to qualify something, rather than a more flattering 'the'. As in, 'I was listening to a band called the Beatles' (because you, the imagined reader, won't have heard of them). Or 'I was watching a film called Citizen Kane'. The practice is even more curious now, because it assumes the reader hasn't got access to Google.
Wednesday 18th October 2017. To Birkbeck for a training session on archiving 'intractable' objects. I choose Firbankiana, a miniature book published in 1989 by the New York independent press Hanuman, who operated in the 80s and early 90s. The book is part of a quirky series on figures from avant-garde culture. Other subjects include Candy Darling, Burroughs, Richard Hell, and David Hockney. Quite collectable now. In preparing to talk about the Firbank book, I discover that Hanuman operated out of the Chelsea Hotel, and that the books were based on Indian prayer books, hence the idea of carrying about a little book of Burroughs or Firbank by way of demonstrating one's faith. Indeed, they hired the same prayer-book printers in Madras, who in turn used the same local fishermen to hand-stitch the pages together (Source: website for the Hanuman archive, University of Michigan Library). I wonder what the fishermen made of Candy Darling.
Thursday 19th October 2017. Library inductions for the new PhDs. We start with a tour of the historic Senate House Library, followed by a lesson on how to use their online catalogue. Then to Birkbeck's more modern library next door, where we are taught about using the many electronic databases. I come away with my head swimming in inelegant acronyms. Like 'PhD', in fact.
Birkbeck Library has just refurbished its upper floor in Torrington Square. Over the summer they removed whole banks of shelving and replaced them with some fifty or so brand new study desks. The shelves are unlikely to be missed, as they contained ancient periodicals and directories. These materials are now in storage, so people can still request them. But one suspects they're all digitised and available online.
This is very much a sign of the times. In Birkbeck there seems to be more students this year than ever before, despite all the reports of high fees and the difficulties in housing. Last year the free desks in the library ran out completely every day, with the peak time around 4pm. Some clichés about students being late risers never change. Meanwhile the back numbers of academic journals, encyclopaedias, dictionaries and directories have migrated to the electronic ether.
Libraries are now as much about spaces for bodies (and their laptops) as they are about spaces for books. For many students, a library's key role is as a quiet, conducive and above all heated space in which to work at a laptop, away from the piped music of franchise cafes, and away from the unheatable shoebox that a student probably has to call a home.
But some of the old reference materials still manage to lurk among all the bodies and the backpacks. In Senate House today, while on the tour, I spy the Oxford English Dictionary on the shelves in its thick black hardbacks, all twenty volumes of it. I ask a librarian if anyone still consults these out-of-date tomes. 'Probably hardly anyone, but we like to keep them there for nostalgia.'
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Tags: alan hollinghurst, birkbeck, phd, pink floyd, ronald blythe, ronald firbank, v&a
The Artist Known As…
Tuesday 17 May 2016. To Vout-o-Reenee's to take a photo. It's for my entry to a Birkbeck competition, which is asking for photos on the theme of 'London Relocated'. An idea occurred to me, so I thought I'd give it a go. I thought about the way the Vout's club is effectively the spirit of bohemian Soho relocated, in this case a few miles east in Tower Hill. Tonight I get Sophie Parkin to pose at the bar for my hopeful little image, alongside her book on the deceased Soho club, the Colony Room. I also get my own membership card of the Colony into the shot, visible on the counter of the Vout's bar.
Sophie tells me about the charity Little Paper Slipper, which is having a major event at Vout's in June. This is a charity that organises therapeutic art workshops, for women affected by domestic abuse. The end result is a series of exhibitions of the eponymous slippers, each one personalised by the woman who made it. There's about 150 of them now. The event at Vout's is going to be a fundraising auction, featuring shoes specially made for the charity by a group of artists, including Gavin Turk, Molly Parkin, and John Claridge.
I'm happy to help publicise the event. There's further details at Facebook here.
There's some fascinating photos of the workshop slippers at the charity website: www.littlepaperslipper.com/slippers.html
Wednesday 18 May 2016. Evening: my debut as a conceptual artist. I am given a sticker for my lapel which says: 'Dickon Edwards – Artist'. So it must be true.
The venue is Birkbeck's School of Arts, on the east side of Gordon Square, once home to Virginia Woolf. This week is Birkbeck's annual Arts Week, a series of free talks and events that are open to the public. Over the cast iron railings at the main entrance are the words 'ARTS WEEK' rendered as huge, colourful knitted letters. I discover that this display is not, as I'd hoped, the product of an MA course in Comparative Knitting, but the handiwork of two knitting-loving administrators, Claire Adams and Catherine Catrix.
Given the building's history, I wonder what would have happened if those fateful railings in Mrs Dalloway had been similarly wool-clad. Septimus Smith might have ended the novel in better shape. Another thought is The Muppets' Mrs Dalloway. Starring Miss Piggy as Clarissa: 'Moi will buy the flowers myself!'
Inside, Room 112 hosts The Contemporary: An Exhibition. This is a 'pop-up' show by four students of the MA Contemporary Literature and Culture course, and addresses the question: what is 'the contemporary'? The contributors are Kathryn Butterworth (in partnership with James Watkinson), Jassey Parmar, Dylan Williams, and myself. The event is the idea of the main course tutor, Grace Halden, who thought it would be good to have the MA represented during Arts Week.
Kathryn and James's display is a multimedia look at technology and literature: there's large boards covered in texts, computer diagrams, a model of DNA code, and laptops playing audio and video content. Jassey's exhibit is a series of photographs of London shop fronts, which blend different cultures and brands in unexpected ways. Twice during the evening, Dylan performs a selection of his own poetry. And I've contributed a social media installation titled Is It Just Me?
I had the idea some years ago. It was one of those ideas that don't go away. So I thought I'd either put it in a story, or just keep it in reserve, in case someone asked me to contribute to an exhibition.
So one day someone did, and here I am. A debut artist.
At the event, I give out an A4 handout to explain my thinking behind the installation. I've uploaded it here as a PDF:
Is it Just Me – installation handout
I also leave out a sheet of my handwritten notes for the project. I like the juxtaposition of the shifting internet content on the screen, with the fixed artifact of my handwriting on paper. Private traces of the body, versus public traces of the mind.
The event turns out to be decently attended, with tutors stopping by to say kind things. It all seems to go okay, and there's no technical hitches, thanks to the efficiency of Birkbeck's staff. How wonderful it is to have an idea which involves cables and equipment, but not have to worry about the cables and equipment oneself.
Here's some photos from the course's Facebook page (most of them taken by Lee Smith, used with permission):
And here's a link to the Facebook page for the MA in Contemporary Lit and Culture
Thursday 19th May 2016. Thinking more about Prince, and about camp uses of the colour purple, I'm reminded of this anecdote from Gary McMahon's Camp in Literature (2006, p. 144):
'Brigid Brophy notes that [Ronald] Firbank often wrote his tales in purple ink on blue postcards, surface and colour being everything to camp. Brophy reveals that she too wrote her critical biography of the man [Prancing Novelist, 1973] in purple ink. My working copy of Brophy's book is on loan from Manchester University's library. At this purple confession on page 173, a university student […] has written this response in the margin:
"Are you [Brophy] really as besotted as this? If so, we don't want to know. At least maintain a pretence at objectivity, please."
McMahon remarks that this student represents a certain academic sensibility 'that is always going to be exasperated and offended by camp'.
Returning to Prince, I think of a friend's anecdote along the same lines. When this friend was growing up in the 80s, some blokish gentleman known to them – a friend or possibly a dad – took one look at a Prince record sleeve and remarked, quite out of the blue, 'I don't care what he sounds like. I'm not listening to anyone who dresses like that.'
Friday 20th May 2016. I receive the grade for my second essay on the MA. Despite my struggles with it, I am very pleased indeed to get a 76 (a mark over 70 is a Distinction, the MA equivalent of a First). The first essay got a 73. It's a nice boost to my confidence when I needed it most, wracked as I was with Difficult Second Term Syndrome.
For the rest of the summer, I have to get on with postgraduate-y things under my own steam, such as attending open lectures and pursuing my own research. But as far as the big assessments go, the pressure is off until the autumn.
Tags: art, birkbeck, birkbeck arts week, brigid brophy, colony room, little paper slipper, Prince, ronald firbank, sophie parkin, vout-o-reenee's
Diamonds and Beaus
Friday 13th May 2016. Early afternoon: I'm recognised in Jermyn Street by a gentleman who says he enjoys this diary. In fact, he crosses the street to tell me this, narrowly avoiding being run down. Surely no writer can ask for higher praise than this: a reader risking their own life to pass on a good review. Perhaps it should go on the back of a book. 'I enjoyed Dickon Edwards so much, I was nearly hospitalised'.
He adds that he was disappointed I didn't say more about the death of Prince, given what I'd said about Bowie a few months earlier. This is a perfectly good point.
I think one reason might be that, when I was growing up, I'd always regarded Prince as one of my brother Tom's favourites; his territory more than mine. For some reason we divided up singers and bands between us, as if they were soft toy animals. I got to cuddle New Order, the Pixies and the Smiths, Tom had the Cult, the Beastie Boys, and Prince.
But if one loves good pop songs, and believes, as I do, that pop music is at its best when used as a platform for individuality, eccentricity, and indeed dandyism, obviously one has to admire Prince.
It's all the more apt that this request took place on Jermyn Street. The street is something of a dandy Mecca, being home to some of London's most stylish menswear shops, to the church of St James's Piccadilly, where Sebastian Horsley had his funeral in a red squinned coffin, and to a statue to that most influential of London dandies, Beau Brummel. It is a statue close enough to the ground to be hugged, an act which dandyish American friends of mine make a point of doing whenever they visit.
A further coincidence is that I was on my way to the London Library, a block away in St James's Square. After parting company with the reader, I remember that I'd once found a book on dandyism in the library, one which directly compared Prince with Beau Brummell. So today I go straight into the stacks and retrieve the book in question.
The book is called Rising Star: Dandyism, Gender and Performance in the Fin de Siècle, by Rhonda K. Garelick (Princeton, NJ: Princeton University Press, 1998). As part of a chapter on the legacy of dandyism, Garelick reprints a 1995 Esquire cover, on which Prince pulls a definite dandyish pose. It's from his Artist Formerly Known As phase, just after his hit, 'The Most Beautiful Girl In The World'. His hair at this point is short, dark, combed and straightened, with a touch of the silkily feminine (even a Hugh Grant-ish schoolboy floppiness). He has a thin pencil beard that seems an extension of his cheekbones, and wears a slim pinstripe suit, buttoned down, over a white shirt with big cuffs. He sports a dark tie (collar button undone), fingers covered in rings, and leans against a silver cane.
According to Garelick, Prince's image at this point follows in the classic nineteenth-century dandy traits. Prince 'borrows unmistakably from the likes of Beau Brummell, Baudelaire and Jean Lorrain'. The main criteria are his aloofness, his air of contempt for convention, and his highly stylized persona. On top of that, his 1990s adoption of an unpronounceable symbol allies him with Barbey d'Aurevilly's idea of the dandy life: one of pure surface and symbol, an influence beyond language: the dandy is 'that which can hardly be recounted'. Certainly, changing one's name to an actual symbol takes that aspect of dandyism to the limit. Though I'd say Prince had already put his stamp on language by that point, given his love of turning words into single letters or numbers, as in 'I Would Die 4 U'.
The gendered aspects of Prince's dandyism were equally fascinating. Granted, it may not have been original for a male, black, American performer to play with femininity in the rock and pop field; one thinks of Little Richard and Rick James. But Prince used his influences in order to do as Bowie did: make something new. He especially intensified the androgynous aspects of his imagery, imbuing them with that most deviant of colours – purple.
I think of that campest of pre-war dandy writers, Ronald Firbank, and his love of writing with purple ink. I also think of Brigid Brophy taking this detail of Firbank's so much to heart, she apparently switched to using purple ink for the longhand manuscript of Prancing Novelist, her 1973 study of Firbank. The Brophy book is 600 pages long. That's a lot of purple.
Through these deviant codes, Prince's dandyism became an outrageous queering of heterosexuality – a machismo-troubling version of Camp Rock which he shared with such figures as Marc Bolan, Tiny Tim and Russell Brand (who isn't even a musician, but he hasn't let that stop him).
Garelick's book also compares Prince's use of female dancers and co-singers with names as Vanity, Apollonia, and Mayte, as echoing 1890s Decadent 'tableaux', such as 'Aubrey Beardsley's Salome drawings of androgynous, erotic, and nearly twin creatures'. Though in Prince's case, says Garelick, the women were not so much twins as shadows in his wake, a 'merging of the dandy and the danseuse'.
Certainly, any woman appearing with Prince had to become remade in his image. I never saw Prince in concert, but I was interested enough to catch his 1987 concert film Sign o' the Times, when it hit British cinemas. For the song 'U Got The Look', the female role was filled by the Scottish singer Sheena Easton, who'd already had a successful career in her own right. For 'U Got The Look', though, she became well and truly Prince-i-fied. From her singing to her clothes to her poses, she was not so much a guest vocalist as just another interchangeable cog in the man's machine. When in Purple Rome, you do as the Purple Roman does.
More recently, I thought of Prince when I heard the song 'Quicksand' by La Roux, aka Elly Jackson, a young singer who might herself be described as a dandy (the National Portrait Gallery's shop currently has her on a postcard, wearing a very Bowie-esque mustard yellow suit). Musically, 'Quicksand' is clearly influenced by 'When Doves Cry', from the chords to the clipped 80s synths. But Ms Jackson's singing is a very Prince-like style too: shifting across the genders from high feminine falsetto to low, growing boyish swagger. For me, that's when art is at its best: when there's a breaking out of prescribed roles, and the same trappings of said roles are re-used on the artist's own terms, to communicate their individualism. And that's also a definition of dandyism, in my book.
Evening: to the ICA to see Mustang, a Turkish film, set in the present day, about five teenage orphan sisters living in what seems like an idyllic picturesque setting: a hillside village near the Black Sea coast. Their mildly rebellious behaviour during the school holidays, however, sees them dramatically punished by their guardians – first with imprisonment in their own home, complete with bars on the windows, and then into forced marriage to equally reluctant young men. The film's sensualised, slightly surreal atmosphere accentuates the idea of a close-knit group of girls disappearing into a world of their own, thus placing the film in the same tradition as Picnic at Hanging Rock, The Virgin Suicides, and last year's The Falling.
With the added dimension of the conservative Turkish setting, though, Mustang has more complex questions about the role of arranged marriage in a changing world. The girls' captor, their grandmother, is no fairy tale tyrant; she merely believes that, because she herself was married off straight after puberty, that's the way it should be. Indeed, for one of the sisters, her marriage to the boy she was already seeing is shown as a good thing, if a hasty one. For the others, though, freedom comes in the form of escape to the big city – Istanbul – and to the parent they really want: a beloved schoolteacher. The real asset of the film, though, is the utterly naturalistic and convincing performances, particularly by the youngest sister.
Tags: brigid brophy, Dandyism, ICA, jermyn street, la roux, Mustang, Prince, ronald firbank, The London Library
Spoiler Alert: Transparent Architecture
Sunday 17th January 2016.
I'm reading Dave Eggers's The Circle. It's a novel that sounds an Orwellian warning about the rise of Google and Facebook. Much is made about the growing desirability of 'transparency'. This is meant figuratively, in the sense of increased accountability. But it's also implied architecturally, in the sense of modern workplaces tending to be cathedrals of glass. Buildings where the workers can be easily seen, and so easily monitored. The price in both cases is privacy.
Today I walk past the shiny new Central St Giles development, near the east end of Denmark Street. There is now a branch of Caffe Nero there, one so entirely made of glass that I don't know where to put my eyes as I pass by. It's like walking past a display case of knees and hands and lattes. I'm used to seeing this in stations like St Pancras (particularly with the all-glass Starbucks there), because of the obvious security concerns. But in a central London street it feels very odd, and very fragile.
One of my favourite things about the Harry Potter books is the idea of Diagon Alley, the secret wizards' street in London. It seemed so deliciously believable, making imaginative use of London's reputation as an unplanned patchwork of hidden worlds. Now, with the current trend for see-through developments like Central St Giles, the nooks and crannies can only disappear. A surfeit of glass undermines a site's potential for secrets, intrigue, and magic. Transparency is a plot spoiler.
Monday 18th January 2016.
My review of Popkiss, the book about Sarah Records, is published in the new issue (February 2016) of the music magazine The Wire. Quite happy with it: it's full of little points I hope will pique the interest of the casual Wire reader, someone who may be unfamiliar with Sarah. The death of Bowie is a reminder that music – of any level of success – never has a fixed reach. Never one generation, never one era, never one ear.
Bowie tributes are still appearing in the press. Some journalists use the U-word – 'us'. It means well, but it makes me wince. Who is this 'us'? Can you really speak for the entire human race? If so, who appointed you spokesperson? I find 'you' equally suspicious ('you know how it is when you're flying to Monaco in First Class…'). Even though it seems more vain to say 'me', it's more honest and precise. Better to accept that all writing is vanity of a kind.
Tuesday 19th January 2016.
I meet with Shanthi S. in the NPG, and we wander around the National Gallery next door, taking in the free exhibition on Botticini's sublime Assumption of the Virgin. I show S my favourite painting in the gallery, Bronzino's Portrait of a Young Man (1550-5, with the pink curtain). We bump into Sophie Parkin, who is sitting right in front of the painting.
Then to the ICA for The Revenant – a mere £3 each. Currently the most talked-about film in town, having become a favourite for the Oscars. For all its technical innovation, it's really a traditional Western, albeit a snowy one. The story is a simple one of survival against the elements, followed by revenge. There's plenty of stunning set pieces, presumably enhanced by state-of-the-art CGI graphics: the bear attack, the white-water rapids, the gutting of the horse, and the Saving Private Ryan-like opening, as Mr DiCaprio's party are besieged by Native American tribesmen. Whether or not Mr DC is putting in an Oscar-winning performance really depends on one's definition of acting. He certainly suffers, but his character isn't much more than that – just a man who has a terrible time. He grunts, he gasps, he crawls. He does things that regularly has the audience saying 'Ouch!', and 'Goodness, that must be painful!' and 'Don't hurt, though!'
There's been a few articles which employ the irksome trend of adding 'porn' as a suffix. This seems to be a way of judging any film that a critic views as indulgent. The Revenant has been described variously as 'pain porn', 'torture porn', 'wilderness porn', and 'forest porn'. Certainly all those elements are present in the film, and to an intense level, but calling them a form of 'porn' is helpful to precisely no one. Whatever happened to discussions of catharsis?
It's also too long. My father used to judge films on the amount of times he looked at his watch. He once told me how he didn't do this once during Lord of the Rings Part 3 – Return of the King, despite the three hour-plus duration. 'That's how good it was'. I'm afraid I checked my own watch four or five times during The Revenant. For all its focus on immersion, it really doesn't need two and a half hours to tell such a straightforward tale.
Thursday 21st January 2016.
To Gordon Square for this week's MA seminar. The text is Lorrie Moore's A Gate At The Stairs. There's several witty scenes consisting entirely of overheard dialogue between middle-class liberals, on such topics as the state of racism after 9/11. To me, these come close to Ronald Firbank, though it's a style better known from his disciple, Evelyn Waugh. According to DJ Taylor's new book The Prose Factory: Literary Life in Britain Since 1918 (which I've been leafing through), one legacy Firbank 'bequeathed' to fiction in the 1910s and 1920s is his 'talking heads' device. This is a depiction of a conversation as a long series of detached utterations, in which no speaker is named, and where there's a sense of a satirical rhythm at play. The 'chattering classes' in action, then as now.
Not everyone in the seminar is enamoured of Moore's use of humour for serious issues, though: one student even calls it 'irritating'. This is always a risk, but it's why I admire comedy, or comedy drama, over wholly dramatic texts. Comedy is hard to get right, but the best comedy can produce rich, lasting, soaring effects. Tragedy is closer to ground level.
In A Gate At The Stairs there's also some scenes of violent death, and some occasionally grotesque imagery. But Moore manages to control the tone at every stage, and it's never jarring. Knowing what happens also makes a second reading all the more rewarding: early details take on a pleasing new significance. It's not a flawless novel, but it's one of the best I've read in a long time, and it makes me want to read more of Ms Moore.
Tags: a gate at the stairs, central st giles, dave eggers, lorrie moore, ronald firbank, the circle, the revenant
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Click here to receive the DE Newsletter | argument was soon condemned by more established lesbian voices, such as DIVA magazine. Subsequent marches have included banners saying 'L with the T'.
This year marks the 30th anniversary of Clause 28. I remember how lesbian protests back then meant women invading BBC TV news bulletins and handcuffing themselves to Sue Lawley's desk. Or it meant abseiling onto the floor of the House of Lords. These were actions aimed upwards in society, against authority. To protest against trans people, whose lives are much more compromised, is manifestly kicking downwards. There are surely worthier fights for the same passion. Around the world LGBT people as a whole still have a hard time of things. Division among the ranks cannot help.
Picador Classics has published a new edition of Firbank's Flower Beneath the Foot with an introduction by Alan Hollinghurst. The cover is a decadent illustration by Georges Barbier, of fantastical, semi-nude tango dancers circa 1919. They look like Aubrey Beardsley characters updated into the Jazz Age, just as Carl Van Vechten's described Firbank as 'Aubrey Beardsley in a Rolls-Royce'.
Saturday 14 July 2018. A comment from my PhD supervisor on my latest work: 'This sentence is less clear than usual'. It's the one sentence in 30,000 words in which I tried my hardest to write in an academic style. Now I realise that, contrary to the misconception, many academics value the art of elegant prose. It's the lack of care during editing that results in convolution. Still, nice to know that Dr B associates me with good writing.
Sunday 15 July 2018. Lunch at the Salisbury pub in St Martin's Lane. No TV screens, for once. It's the only pub I can find in central London which says 'Sport Free' on the blackboard outside.
Then to the Curzon Soho for McQueen, the documentary on the late fashion designer Alexander McQueen. The film follows the usual arc, rags to riches to the tragic early death, with the bonus that the riches are indeed from rags. I'd forgotten about the phrase 'the rag trade' as slang for the clothes industry, but it's used in the film by members of McQueen's family, who are working class East Londoners. McQueen played up his Cockney background as a career move – his relatives admit as much. Though it's the family's Scottish roots which really fascinated him: hence his Highland Rape show. It is easier to mythologise one's ancestors if they seem a world away. The answer to the family tree show on TV, Who Do You Think You Are, is really: Someone Exotic, I Hope. Still, I find myself drawn to his daring and artistry. He was a rare example of someone in fashion with a sense of individualism, as opposed to joining in and keeping up. I'd love to have a McQueen suit, but for the style rather than the status.
Monday 16 July 2018. I'm trying a new hairdresser: Open Barbers, in Clunbury Street near Old Street tube. Like Barberette in Hackney, they favour a gender neutral approach. With no pun intended, this does appear to be a growth industry. Many high street hairdressers seem stuck in the 1970s. My heart sinks at the implication that in order to have a trim I need to talk knowledgeably about football, or am fine about having The Sun or The Mirror as reading matter while waiting.
Open Barbers has a library of queer A5 fanzines, and even offers its own fanzine on the way in. The general atmosphere of social progressiveness extends to a pay-what-you-can service. In theory you can pay as little as £10, though a poster points out their own costs (£15 per hour to break even, a bit more for colouring). They certainly do a good job with my ludicrous mop, which seems thicker than ever.
Thursday 19 July 2018. Reading a couple of books about books. One is Damon Young's The Art of Reading, which mixes philosophy with references to Star Trek spin-off novels. The other is Alberto Manguel's Packing My Library. 'I've never felt alone in a library' he says, which is very true. And yet, it's funny how reading presents an image of isolation, of not-there-ness. When Big Brother started in the UK, they allowed books. These were soon banned, as images of people reading made for bad TV. This is why appearing on a reality TV show is less appealing than going to prison. In Wormwood Scrubs they at least allow books.
Mr Manguel relates an anecdote about Noah Webster, author of the eponymous dictionary. One day, Webster is caught by his wife locked in an embrace with the family maid.
'Noah, I am surprised!' says Mrs Webster.
'No, madam,' says Webster. 'I am surprised. You are astonished.'
Friday 20 July 2018. London's heatwave continues, to the delight of no one. The green grass in Russell Square is giving way to a rash of yellow. Scenes from The Day the Earth Caught Fire suggest themselves: people abound in sweat-drenched work clothes. Tempers on the tube flare like forest fires.
I'm in a café when Cyndi Lauper's 'Time After Time' comes on the speakers. The original, for once. Franchise cafés tend to favour cover versions, of the kind favoured by John Lewis at Christmas. They fit the franchise theme of replication: the appeal of a Starbucks or a Pret is that it's a space which is a cover version of other spaces. In every branch of Leon, the walls have copies of a family's holiday snapshots. On the walls of Caffe Nero are photographs of people drinking coffee in an idealised Italian setting. It's all fake and artificial and I quite like it, like Warhol liked Coca-Cola ('all the Cokes are the same and all the Cokes are good'). It's only the cover versions in the piped music that irritate, because music plays closer to the heart.
I once asked the staff of a Pret if they had ever thought of tuning the speakers to a local radio station, like greasy spoon cafes do. They looked as if they were going to set fire to me.
Today I sit and listen to the original Cyndi Lauper record, properly. I'm intrigued by the soulful male voice that suddenly appears on the choruses. How tempting to impose a narrative: the spirit of a dead lover, or a figure from a dream. (I look him up: it's the song's co-writer, Rob Hyman, of The Hooters). Bowie's 'Absolute Beginners' is another example: a mysterious female voice accompanying Bowie in the background.
Evening: to the Curzon Soho for a special screening of Whit Stillman's The Last Days of Disco (1998). The film is set in the New York club Studio 54 in the early 80s, but now, twenty years on, I see the film as a nostalgia piece for my own youth in 1998: going out to club nights on a regular basis, living to purely go out. It's my Saturday Night Fever. Tim Chipping is also here, and we spend the time afterwards in the bar chatting – but not too late (we're older). Tim says he's thinking of finally moving out of London, because of the soaring costs of living. He has his sights on Glasgow, 'my second home'. My thought is that, had I the means to do so, I'd also quite like to live in Scotland, but only seasonally, to escape hot summers like this one.
Tuesday 24 July 2018. It occurs to me that at the age of nearly 47, I still have absolutely no idea what I want to do with my life. I was rather hoping something would suggest itself.
It doesn't help that today the PhD students are sent a jargon-splattered 100-page document about the Research Excellence Framework. This is a government initiative designed to make sure (as I understand it) that British universities are doing Good Work with Proven Impact. I can only assume that the main purpose of the REF is to put people off a career in academia.
The irony of acquiring qualifications in English literature is that they give one an increased intolerance of the literature of the workplace.
In your forties, you start to feel like a ghost. Less visible to the swim of things, but able to slip between worlds more easily. And you know more things. I've still yet to solve the puzzle of how best to translate my own abilities into a regular minimum wage, but I can tell more easily what paths would be unsuitable.
I've enrolled for a second year on the part-time PhD. Here's hoping I can find some sort of funding.
Friday 27 July 2018. Today thunderstorms are forecast. I find myself desperately willing them to arrive. 'Let it come down!' – Macbeth.
On the tube the Victoria Line is especially unbearable. There are now adverts on the trains for 'cut-price' cremations, priced at £1195. What with the current temperatures, it would be cheaper to put the body on the Central Line and just give it a couple of hours.
On another tube poster the Mayor announces that he is building 'genuinely affordable housing'. 'Affordable' no longer means 'affordable', just as 'housing' by itself does not mean housing for anyone (because it's not affordable). And soon, 'genuinely' will too become suspect, and the phrase will require, 'no, really'. Linguistic sticking plasters, over gaping social wounds.
Idling on Twitter reveals one's age. I see conversations about the 1990s which are clearly made by people too young to remember them – millennials, as the generation is now known. I want to say, 'Just because you were a child in the 90s doesn't mean that all 90s culture apart from Harry Potter and Friends doesn't exist.'
I wonder if there's a term equivalent to mansplaining. Eldersplaining? Two suggestions are sent to me: 'passéxplaining ', and 'Gen X-plaining'.
Thursday 2nd August 2018. 'At full strength, wit is rage made bearable, and useful'. – Gore Vidal on Evelyn Waugh. This is from a 1962 review in the New York Times. Vidal came to dislike Waugh in later life, but the truth of the quote still stands.
Friday 3rd August 2018. A suggestion for renaming the Death Star in Star Wars: The Bauble of Unkindness.
Sunday 5th August 2018. A headline from an article in Pitchfork: 'How do we support musicians when the easiest way to listen to their music barely pays them at all?'
My answer: PayPal them directly. If you like an artist's work, and they're alive, seek out their website. If they are taking donations, they are struggling. So, donate.
Wednesday 8th August 2018. I'm reviewing some Pet Shop Boys reissues for The Wire and am reading the group's old interviews. Today I learn that Neil Tennant wrote most of the lyrics to Electronic's 'Getting Away With It' (1989), including the title. Also: it's about Morrissey. (Source: liner notes to the 2001 reissue of Behaviour, which is getting a re-re-issue this month).
Also learned: Behaviour was a response to Depeche Mode's 'Enjoy The Silence', which the PSBs were envious of. Depeche Mode became globally massive around this time. Tennant cites an interview with an American journalist, who told him, 'you and New Order make this great music, but then you just whine over the top of it'. Depeche Mode whine in much the same way, and yet are much more popular around the world. I wonder why this is.
Perhaps the Pet Shop Boys' lack of physicality is an obstacle to mass worship. Their image is of two men, one of whom seems embarrassed to be there, while the other one seems even more embarrassed to be there. Whereas Dave Gahan is more giving of his whining English flesh: more blood and sweat. Neil Tennant was never one for tattoos.
Since then, there's been a thousand bands trying to emulate 'Enjoy The Silence'. Ironic, as that song in itself is DM trying to outdo Cure/Smiths/New Order/PSBs all at once. It's a template based on other templates.
In Lorrie Moore's introduction to her new book of | 2,702 |
<|fim_middle|> | June 6 @ 8:00 pm - 11:00 pm
« The 1975 and Phoebe Bridgers will play Spectrum Center on June 6!
Halsey coming to Charlotte with Chvrches and Omar Apollo »
Saturday, June 6, 2020 at 8 p.m.
820 Hamilton St.
Tickets: On sale Friday, Nov. 22
The Airborne Toxic Event has announced North American tour dates in support of their landmark new album. The Los Angeles-based band's sixth LP and first new music in half a decade, Hollywood Park is out Friday, May 8 via Rounder Records.
Hollywood Park arrives alongside a major new literary work of the same name by Airborne Toxic Event founder and frontman Mikel Jollett, to be published by Celadon Books (a division of MacMillan) on May 5, 2020. Hollywood Park sees Jollett chronicling his extraordinary personal journey, from his early childhood in one of the most infamous cults of the 1970s, through a teenage life of poverty and emotional abuse, before finding his voice first as a critically acclaimed writer and then literally as singer and songwriter of The Airborne Toxic Event.
Charlotte, concert, events, Hollywood Park, Mikel Jollett, Music, rock, The Airborne Toxic Event, the underground, tour
Charlotte, NC 28206, NC 28206 United States | 314 |
Home News Profile of USG vice presidential candidate Wawa Gatheru
Profile of USG vice presidential candidate Wawa Gatheru
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Gatheru said though she believes some of that blame falls on the student body for "not keeping up," she believes a lot of it is the fault of USG and is hoping to change that. (Photo provided by writer)
University of Connecticut Undergraduate Student Government (USG) vice presidential candidate Wawa Gatheru said, if elected, she hopes to increase USG's transparency and retention rate.
Gatheru, a fourth-semester environmental studies major, previously served as McMahon Residency's senator. This year<|fim_middle|> internal USG matters, and as such, she's hoping to encourage people to stay in the organization.
"A lot of times people will get involved with USG and burn out quickly because there's so much going on and a lot of work involved," Gatheru said. "Sometimes you spend hours working on an initiative and it ends up not working. It can get frustrating so I want to put more structure in USG to help people through those processes and help them understand how to begin an initiative."
Gatheru said her love of USG led her to decide to run for vice president.
"I genuinely can't imagine my college experience without USG," Gatheru said. "It's given me so many opportunities to understand how the university works, I've been blessed with the people I've met and I've been able to create close relationships with administrators, which makes advocating for students that much easier."
Gatheru said she also hopes to increase UConn students' awareness of USG.
"I think a lot of people don't know what USG is," Gatheru said. "I get asked all the time what USG does. I'm constantly involved with USG things and surrounded by other members so I see how hard we work on various initiatives and people don't know."
Gatheru said though she believes some of that blame falls on the student body for "not keeping up," she believes a lot of it is the fault of USG and is hoping to change that.
"We don't do a good job of advertising, and I think we should be more accessible and more transparent," Gatheru said. "I want to see that happen because I think it's one of the best organizations on campus in terms of advocating for students."
Gabriella DeBenedictis is a staff writer for The Daily Campus. She can be reached via email at gabriella.debenedictis@uconn.edu.
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USG Senate election marked by low voter turnout | , she is chairperson of the Student Services Committee.
"That committee really deals with issues surrounding student wellness, well-being, sustainability, transportation, dining services and mental health," Gatheru said. "I run weekly meetings and meet with administrators a lot."
Gatheru said the USG vice president's role is centered around | 64 |
\section{Introduction}
The COMPASS fixed target experiment~\cite{Compass:1996} at CERN SPS is dedicated to the study of nucleon spin
structure and hadron spectroscopy, addressing the question of how nucleons and hadrons in general are built
up from quarks and gluons~\cite{CompassHadronProposal:2007}.
The COMPASS Collaboration has already collected data scattering a polarised 160\,GeV/c muon beam on polarised
deuteron ($^{6}$LiD) and proton (NH$_{3}$) targets during the years 2002-2004 and 2006-2007.
The gluon contribution to the nucleon spin is one example of physics determined from these data.
During a second phase dedicated to physics with hadron beams, we have collected unprecedented statistics of data
with 190 GeV/c charged hadron beams on a proton and nuclear targets in 2008 and 2009. The feasibility of our
apparatus for light mesons spectroscopy has been studied in a short pilot run in 2004 (190 GeV/c negative pion beam,
lead target).
Based on the few days diffractive pion data included in the 2004 run, pion dissociation into
$\pi^{-}\pi^{-}\pi^{+}$ final states has been analysed showing significant production strength for an exotic $J^{PC}=1^{-+}$ state at
1.66\,GeV/${\rm c^2}$, which can be interpreted as the $\pi_1(1600)$ \cite{Alekseev:2009a}.
The high statistics data sample taken with the improved spectrometer in 2008/09 allows us not only to complete the
search for the $\pi_1$ but also to extent our analyses to further channels of interest (with lower cross section and
higher masses) and further develop our PWA methods. In particular the detection of final states with both charged and neutral particles
is one of the key advantages of COMPASS as compared to previous fixed target experiments.
First preliminary results on the 2008 data for pion dissociation into 3 pion final states, neutral mode:
$\pi^{-}\pi^{0}\pi^{0}$, are presented. The simultaneous study of both modes allows
for important cross-check (acceptances, systematics) and independent confirmation of any new state observed in the charged mode.
\section{Light meson spectroscopy -- Diffractive dissociation}
The naive Constituent Quark Model (CQM) characterises mesons as bound colour-singlet states of a quark $q$ and a anti-quark
$\bar q$ with flavours $u,d$ and $s$ grouped into SU(3)$_{\rm flavour}$ multiplets. Their total angular momentum $J$,
parity $P$ and charge conjugation
$C$ are given by $J=|L-S| ... |L+S|$, $P=(-1)^{L+1}$, and $C=(-1)^{L+S}$~,
where $L$ is the relative orbital angular momentum of $q$ and $\bar q$, and $S$ the total intrinsic spin $(S=0,1)$ of the $q
\bar{q}$ pair. In addition the isospin $I$ and the $G$ parity defined as $G=(-1)^{I+L+S}$ are introduced,
also conserved in strong interactions.
Given the simplicity, the CQM is astonishingly successful in describing part of the meson properties as well as -- to a
large extend -- the observed spectrum.
In QCD, however, interactions between coloured quarks are described by exchange of gluons $g$ carrying colour themselves,
resulting in the prediction of new phenomena. In particular, colour-singlet mesons are not restricted to be composed of $q\bar{q}$ pairs
but may consist of other colour-neutral configurations, like e.g. $qq\bar{q}\bar{q}$ (tetra-quarks), $q\bar{q}g$ (hybrids) or $gg$
(glueballs), which are mostly discussed in this context.
Due to mixing with ordinary $q\bar{q}$ states with same quantum numbers $J^{PC}$, such configurations are extremely
difficult to find experimentally, since it is hardly possible to disentangle the contribution of each configuration.
The experimental observation of spin-exotic mesons with quantum numbers forbidden in the CQM, like e.g.
$J^{PC}=~0^{--}, 0^{+-}, 1^{-+}$, would thus provide a clear evidence for physics beyond the naive quark model and a fundamental confirmation
of QCD.
The lowest-lying hybrid is expected to have $J^{PC}=1^{-+}$. Lattice-QCD simulations \cite{cmcneile:2006} and flux-tube model
calculations \cite{fclose:1995} predict a mass between 1.7 and 2.2\,${\rm GeV/c^2}$, and a preferred decay into $b_{1}\pi$ and $f_{1}\pi$.
Experimentally two candidates for a $1^{-+}$ hybrid have been found, $\pi_{1}(1400)$ and $\pi_{1}(1600)$, however, both are still heavily
disputed in the community.
The $\pi_{1}(1400)$ was mainly seen in $\eta\pi$ decays, by e.g. E852~\cite{dthompson:19<|fim_middle|>\vspace{-0.3cm}
| 97}, VES\cite{gbeladidze:1993}, and Crystal
Barrel~\cite{aabele:1998}.
The $\pi_{1}(1600)$ was observed by both E852 and VES in the decay channels: $\rho\pi$~\cite{gadams:1998,ykhokhlov:2000},
$\eta'\pi$~\cite{gbeladidze:1993,eivanov:2001}, $f_{1}\pi$~\cite{jkuhn:2004,damelin:2005}, and $\omega\pi\pi$~\cite{damelin:2005,mlu:2005}.
Especially the observations of $\pi_{1}(1600)$ into $\rho\pi$ based on analyses of $\pi^{-}\pi^{+}\pi^{-}$ final state events are controversially discussed \cite{schung:2002,adzierba:2006}.
\begin{figure}[tp!]
\begin{minipage}[h]{.39\textwidth}
\begin{center}
\includegraphics[clip,trim= 20 0 0 0,width=0.8\linewidth,
angle=0]{Plots/ab2cd0.pdf}
\vspace{0.3cm}
\includegraphics[clip,trim= 17 10 3 -10,width=0.8\linewidth,
angle=0]{Plots/diffractive_production_isobar_general.pdf}
\end{center}
\end{minipage}
\hfill
\begin{minipage}[h]{.59\textwidth}
\begin{center}
\includegraphics[clip, trim= 75 50 105 110,width=0.9\linewidth]{Plots/ExperimentalSetUp2008-09.pdf}
\caption{Left: \textit{(top)} Meson production in diffractive scattering via t-channel Reggeon exchange.
\textit{(bottom)} Diffractive dissociation into 3$\pi$ final states as described in the isobar model: The diffractively produced resonance
$X^{-}$ with quantum numbers $J^{PC}M^\epsilon$ decays into an isobar with spin $S$ and relative orbital angular momentum $L$
with respect to the $\pi_{\rm bachelor}$, the isobar subsequently decays into two pions.
At high energies, the Pomeron is the dominant Regge-trajectory.
Right: Sketch of the two-stage COMPASS spectrometer ($\sim$ 50\,m long) as used during hadron runs 2008 and 2009.}
\label{fig:diffrProd_Spectro}
\end{center}
\end{minipage}
\end{figure}
In \textit{diffractive pion dissociation} (at high energy), see Fig.~\ref{fig:diffrProd_Spectro} (left/top), the incident beam particle $a$ is excited via (t-channel)
Reggeon exchange to some resonance $c$, which further dissociates into $n$ final state particles, whereas the target particle $b$ remains intact:
$a+b \rightarrow c + d,~{\rm with}~ c \rightarrow 1+...+n$ particles, and $d$ denotes the recoil (target) particle.
Interactions of this type are characterised by two kinematic variables $s$ and $t'=|t|-|t|_{\rm min}$, where $s=(p_{\rm a}+p_{\rm b})^2$ is the
squared centre-of-mass energy and $t=(p_{\rm a}-p_{\rm c})^2$ is the square of the four momentum transfered from the incident beam particle to the outgoing system $c$.
Depending on the produced invariant mass $m_{\rm c}$, a minimum value of $|t|_{\rm min}$ is allowed by kinematics, which is small but larger than zero due to
the longitudinal four-momentum transfer needed ($m_{\rm c} > m_{\rm a}$). In the centre-of-mass system:
\begin{equation}
t'=|t|-|t|_{\rm min}=2|\vec p_{\rm a}||\vec p_{\rm c}|(1-\cos\theta_{\rm 0}) \ge 0
~~~ {\rm with} ~~~
|t|_{\rm min} = 2(E_{\rm a}E_{\rm c} - |\vec p_a||\vec p_b|) - (m_{\rm a}^2 + m_{\rm c}^2) ~~,
\label{Eq:T_prime}
\end{equation}
where $\theta_{\rm 0}$ is the scattering angle. Diffractive reactions have a total cross section in the order of 1--2\,mb. Even though the
differential cross section drops as $1/m_{\rm c}$, states beyond 3\,GeV/c$^2$ can be produced diffractively in a fixed target experiment like
COMPASS (190\,GeV/c$^2$ $\pi$ beam, proton target). Due to the forward kinematics the final state particles have to be detected mostly under small angles
(with respect to the beam) requiring excellent angular resolution.
\section{Experimental set-up in 2008/09}
A detailed description of the COMPASS two-stage spectrometer (Fig.\,\ref{fig:diffrProd_Spectro} (right)) dedicated to a variety
of fixed-target physics programmes can be found in \cite{compass:2007}.
For the measurement with hadron beams started in 2008, a 40\,cm long liquid hydrogen target with a diameter of 35\,mm,
or simple disks of solid material (part of 2009 run) have been used.
\begin{figure}[tp!]
\begin{minipage}[h]{.335\textwidth}
\begin{center}
\includegraphics[clip,trim= 5 15 20 43,width=0.9\linewidth,
angle=90]{Plots/RPDdeltaPhi_c_vs_Etot_c.pdf}
\end{center}
\end{minipage}
\hfill
\begin{minipage}[h]{.33\textwidth}
\begin{center}
\includegraphics[clip,trim= 5 0 30 10,width=0.9\linewidth,
angle=90]{Plots/beamEnergyRPDCuts_noExcl.pdf}
\end{center}
\end{minipage}
\hfill
\begin{minipage}[h]{.335\textwidth}
\begin{center}
\includegraphics[clip,trim= 2 20 28 20,width=0.86\linewidth,
angle=90]{Plots/ggPlotCut_rdm.pdf}
\caption{Exclusive events are selected by three mains cuts: $\Delta\Phi$, exclusivity, and $\pi^{0}$ mass. Left: $\Delta\Phi$ vs.
calculated beam energy (i.e. exclusivity). Centre: Exclusivity before/after $\Delta\Phi$ cut. Right: Invariant mass of
$\gamma_{\rm 1}\gamma_{\rm 2}$ vs. $\gamma_{\rm 3}\gamma_{\rm 4}$, cf. discussion in text.}
\label{fig:EvtSelectionA}
\end{center}
\end{minipage}
\end{figure}
The spectrometer features electromagnetic and hadronic calorimetry in both stages. Photon
detection in a wide angular range with high resolution is crucial for decay channels involving $\pi^{0}$, $\eta$ or $\eta'$.
Therefore, the read-out electronics have been upgraded (from 10 to 12\,bit SADCs) in 2008, allowing for Digital Signal Processing
of the ADC signals, and 800 of the lead glass Cherenkov counters (3000 in total) have been replaced by so-called Shashlik sampling
calorimeters in the central part of ECAL2 to improve the radiation hardness as well as the energy resolution, see e.g.
\cite{fnerling:2008}. A new monitoring laser system for improved gain control of ECAL1 has further been installed in 2009.
A Recoil Proton Detector (RPD) consisting of 2 concentric barrels of scintillator slats read out by PMTs was introduced to trigger
on interactions inside the target and to detect the recoil particle. It performs a time-of-flight measurement at high
accuracy ($\sim$~350\,ps). Finally, two CEDAR were installed, to separate the kaons ($\sim$ 2.5\,\%) in the beam from the pions
(or, in case of proton beam, the pion contribution from protons).
\begin{figure}[bp!]
\begin{minipage}[h]{.33\textwidth}
\begin{center}
\label{fig:exclusivity}
\includegraphics[clip,trim= 5 25 25 7,width=0.91\linewidth,
angle=90]{Plots/invMassTot_c.pdf}
\end{center}
\end{minipage}
\hfill
\begin{minipage}[h]{.33\textwidth}
\begin{center}
\includegraphics[clip,trim= 10 22 20 10,width=0.91\linewidth,
angle=90]{Plots/invMassPimPi0_c.pdf}
\end{center}
\end{minipage}
\hfill
\begin{minipage}[h]{.33\textwidth}
\begin{center}
\includegraphics[clip,trim= 3 20 19 10,width=0.91\linewidth,
angle=90]{Plots/invMassPi0Pi0_c.pdf}
\caption{Invariant mass spectra of -- Left: Total outgoing system. Centre: $\pi^{-}\pi^0$ system. Right: $\pi^{0}\pi^0$ system.}
\label{fig:invMass}
\end{center}
\end{minipage}
\end{figure}
\section{Data selection}
The data presently analysed for diffractively produced $\pi^{-}\pi^{0}\pi^{0}$ final states corresponds to
$\sim$ 10\,\% of the data taken with pion beam in 2008.
The diffractive trigger selected events with one incoming charged beam particle and a recoil proton detected by the RPD.
Non-interacting beam and events out of acceptance were vetoed. Exactly one primary vertex inside the target volume is required
for each event. Events with exactly one outgoing charged track and 4 $\gamma$s, from the two $\pi^{0}$ decays,
detected in ECAL1 and ECAL2 were selected, if they give exactly one $\pi^{0}\pi^{0}$ combination within
a circular cut of $\pm$ 20\,MeV/c$^2$ around the PDG mass (preselection, later tightened). Background events from elastic scattering
have been suppressed by cutting on the energy $E_{\pi^{-}}< 185$\,GeV.
In order to select exclusive events, three main cuts are applied consistently in terms of $\pm 2\,\sigma$ of each distribution of the
three observables after having applied the other two.
\begin{figure}[tp!]
\begin{minipage}[h]{.32\textwidth}
\begin{center}
\label{fig:exclusivity}
\includegraphics[clip,trim= 3 30 42 10,width=0.9\linewidth,
angle=90]{Plots/t_prime_constr.pdf}
\end{center}
\end{minipage}
\hfill
\begin{minipage}[h]{.33\textwidth}
\begin{center}
\includegraphics[clip,trim= 3 12 42 25,width=0.86\linewidth,
angle=90]{Plots/DPa2_c.pdf}
\end{center}
\end{minipage}
\hfill
\begin{minipage}[h]{.35\textwidth}
\begin{center}
\includegraphics[clip,trim= 3 23 42 22,width=0.82\linewidth,
angle=90]{Plots/DPpi2_c.pdf}
\caption{Left: Distribution of squared four-momentum transfer $t'$ (Eq.\ref{Eq:T_prime}).
Centre: Dalitz plot in $a_{\rm 2}$ region ($1.320\pm 0.100$\,GeV/c$^2$).
Right: Dalitz plot in $\pi_{\rm 2}$ region ($1.670\pm 0.100$\,GeV/c$^2$).}
\label{fig:EvtSelectionB}
\end{center}
\end{minipage}
\end{figure}
Those are the angle $\Delta \Phi$ ($\pm 0.2$\,rad), defined as the azimuthal angle between the total momentum of
the outgoing pion system measured with the spectrometer and the one of the recoil proton detected with the RPD, which should be
anti-parallel by momentum conservation, the exclusivity ($\pm 6$\,GeV) applied on the beam energy calculated from the
outgoing system under assumption of energy conservation, and the $\pi^{0}$ mass ($\pm$16\,MeV). The corresponding distributions
are shown in Fig.\,\ref{fig:EvtSelectionA} (left), the exclusive sample appears around the nominal beam energy.
The background below the exclusivity peak is suppressed by applying the cut on $\Delta \Phi$ as clearly seen in
Fig.\,\ref{fig:EvtSelectionA} (centre). The final $\gamma_1\gamma_2$ versus $\gamma_3\gamma_4$ invariant mass distribution after all
three 2\,$\sigma$ cuts is given by Fig.\,\ref{fig:EvtSelectionA} (right).
It should be noticed that demanding exactly 4 ECAL clusters reduces presently the statistics outcome significantly, however,
this will improve once our electromagnetic reconstruction is finalised, taking full advantage of the detector upgrade.
The resultant invariant mass distributions are given in Fig.\,\ref{fig:invMass}: The total 3$\pi$ system (left) looks similar to the charged
mode \cite{fhaas:2009}, clearly visible are the prominent $a_{\rm 1}(1260)$, $a_{\rm 2}(1320)$ and $\pi_{\rm 2}(1670)$.
The $\rho^{-}$ is cleanly seen in the $\pi^{-}\pi^{0}$ mass spectrum (centre) as well as the $f_{\rm 2}(1270)$ in $\pi^{-}\pi^{0}$
(right), also we might see the $f_{\rm 0}(980)$ in the $\pi^{0}\pi^{0}$ spectrum. Fig.\,\ref{fig:EvtSelectionB} (left) shows
the $t'$ distribution for the final sample of 240\,k events. In Fig.\ref{fig:EvtSelectionB} (centre/right)
the Dalitz plots in the $a_{\rm 2}$ and $\pi_{\rm 2}$ region, respectively, are shown. The main decays into the $\rho^{-}(770)$ are seen including the
effect of constructive interference. Otherwise for the $\pi_{\rm 2}$ region, the $f_{\rm 2}(1270)$ is not yet visible due to lack of statistics.
\section{Partial Wave Analysis (mass independent)}
A PWA has been performed restricted to the range $0.1 \le t'\le 1.0$, to stay above the RPD threshold and to ensure diffractive reactions.
In order to determine all resonances present in the data, including the quantum numbers, we perform our PWA in two steps: a mass independent PWA and a subsequent mass dependent fit.
The program used was originally developed in Illinois and modified at Protvino and Munich \cite{jhansen:1973,dima}.
At this first glance, essentially the same model that was used to analyse the 2004 data \cite{Alekseev:2009a} is applied to the 2008
data to the neutral and charged \cite{fhaas:2009} decay modes started to be analysed. Five isobars, the $\rho(770)$, $f_{\rm 0}(980)$, $f_{\rm 2}(1270)$, $\rho_{\rm 3}(1690)$, and
the $(\pi\pi)_{\rm s}$, as a parameterisation of the broad $\sigma(600)$ and $f_{\rm 0}(1370)$ \cite{ikachaev:2001}, are included.
In total 42 partial waves are fitted to the data, including a background wave, which is flat in the relevant Gottfried-Jackson (GJ)
angles and added incoherently. We discuss the first preliminary mass-independent fits, where the angular distributions are fitted in
40\,MeV/$c^2$ bins of the 3$\pi$ invariant mass $m=m_{\rm c}$, assuming the production strength for a given wave to be constant within a given mass bin.
\begin{figure}[tp!]
\begin{minipage}[h]{.49\textwidth}
\begin{center}
\includegraphics[clip,trim= 3 4 22 5,width=0.9\linewidth,
angle=0]{Plots/PlotsPWAlabeled_Final/2pp.pdf}
\end{center}
\end{minipage}
\hfill
\begin{minipage}[h]{.49\textwidth}
\begin{center}
\includegraphics[clip,trim= 3 4 22 5,width=0.9\linewidth,
angle=0]{Plots/PlotsPWAlabeled_Final/1pp.pdf}
\caption{Comparison of PWA intensities of main waves for neutral vs. charged mode.
Left: Intensities of the $a_{\rm 2}$ ($2^{\rm ++}1^{\rm +}$ going into $\rho^{-} \pi$ D wave) used for
normalisation of charged to neutral mode.
Right: ($a_{\rm 1}$) $1^{\rm ++} 0^{\rm +}$ into $\rho^{-} \pi$ D wave. }
\label{fig:PWA}
\end{center}
\end{minipage}
\end{figure}
The underlying formalism is based on two assumptions. The total cross-section is separated into a resonance and a recoil vertex,
and the isobar model, see Fig.\,\ref{fig:diffrProd_Spectro} (left/bottom), is used to describe the $X^{-}$ decay into three pions
as a two-step process, without any further final state interactions among the pions nor with the target.
The decay goes via an intermediate $I=0$ di-pion resonance, the so-called isobar, decaying into a pion pair, and a
so-called bachelor pion. The isobar spin $S$ and relative orbital angular momentum $L$ between the isobar and the bachelor pion
couple to the spin $J$ of the resonance $X^{-}$.
The 3$\pi$ system has isospin $I>0$ in general, and we can assume $I=1$ as no flavour-exotic mesons are known in the light quark sector.
Since the final state under study comprises an odd number of pions (and thus negative G-parity), the charge conjugation is positive.
The amplitudes are constructed in the reflectivity basis \cite{schung:1974} so that the $X^{-}$ spin projection $M \ge 0$ and the
reflectivity $\epsilon = \pm 1$ describes the symmetry under reflection at the production plane. Amplitudes of different
reflectivities do not interfere due to parity conservation. Moreover, at high $\sqrt{s}$ the reflectivity equals naturality
of the exchanged Reggeon, $\epsilon=+1$ corresponds to natural parity exchange like e.g. Pomeron mediated reactions.
The full set of quantum numbers $J^{PC} M^{\epsilon}[isobar~\pi]L$ defines a partial wave, whereas $I$ and $G$ are not explicitly
specified since they are fixed by the incoming pion to $I^G=1^-$.
For the spin density matrix, we allow for rank $N_{\rm r}$=2 to account for helicity flip and non-flip amplitudes at the baryon vertex,
assuming the target nucleon stays intact. Finally, the observed intensities are parameterised as a coherent and incoherent sum over the
partial wave amplitudes \cite{schung:1974}:
\begin{equation}
\sigma_{\rm indep}(\tau,m) = \sum_{\epsilon=\pm 1}\sum_{\rm r = 1}^{N_{\rm r} } ~\biggr|\sum_{i}T^{\epsilon}_{ir} \Psi^{\epsilon}_{i}(\tau,m)
\biggr/ \sqrt{\int |\Psi^{\epsilon}_{i}(\tau',m)|^2{\rm d}\tau'}~\biggr|^2~~,
\end{equation}
where the three body kinematics are described completely by five phase space coordinates represented by $\tau$, measured for each event.
They are the input for calculating the decay amplitudes, $\Psi^{\epsilon}_{i}$ for each partial wave $i$, using the D-function formalism
in the helicity frame.
The complex numbers $T^{\epsilon}_{ir}$, the so-called production amplitudes, contain information of strength and interference of the
waves. They are obtained using an extended maximum-likelihood method. The spectrometer acceptance can be taken into account directly in this procedure.
\section{First results, check of isospin symmetry}
As mentioned before, simultaneous observation of both $(3\pi)^{-}$ modes in the same experiment provides important cross-check. When an
isospin 1 resonance $X^{-}$ is produced, and subsequently decays via an intermediate $I=0$ di-pion resonance, the yield in the neutral mode should be half of that in the charged mode. Otherwise, if the di-pion is an isovector, equal yields are expected for both modes.
\begin{figure}[tp!]
\begin{minipage}[h]{.49\textwidth}
\begin{center}
\includegraphics[clip,trim= 3 4 22 5,width=0.9\linewidth,
angle=0]{Plots/PlotsPWAlabeled_Final/2mp_f2.pdf}
\end{center}
\end{minipage}
\hfill
\begin{minipage}[h]{.49\textwidth}
\begin{center}
\includegraphics[clip,trim= 3 4 22 5,width=0.9\linewidth,
angle=0]{Plots/PlotsPWAlabeled_Final/2mp_rho_f.pdf}
\caption{Comparison of PWA intensities of main waves for neutral vs. charged mode.
Left: ($\pi_{\rm 2}$) $2^{\rm -+} 0^{\rm +}$ into $f_{\rm 2}$(1270) $\pi$ S wave.
Right: ($\pi_{\rm 2}$) $2^{\rm -+} 0^{\rm +}$ into $\rho^{-} \pi$ F wave.}
\label{fig:PWA_b}
\end{center}
\end{minipage}
\end{figure}
This isospin symmetry holds only if the branchings are completely determined by the Clebsch-Gordan coefficients. In general,
however, Bose-Symmetrisation with the bachelor pion is obligatory and might affect the observed branchings. We checked by calculation (using
the wave functions) that the expectation for observed intensities as formulated before are correct for all isobars going to $\rho\pi$.
Here, the effect might indeed not be negligible, but is the same for charged and neutral mode, and therefore cancels out. On the other hand,
the isospin symmetry needs to be modified for isobars going into $f_{0,2}\pi$ due to interference effects from Bose-Symmetrisation. For
example, in case of $0^{-+}$ into $f_{\rm 0}(1400)\pi~S$ wave, this effect doubles the expected suppression factor of two (simply expected
from Clebsch-Gordan coefficients) of intensities observed in the neutral versus the charged mode, see Tab.\ref{tab:isospinCheck}.
\begin{table}[bp]
\centering
\begin{tabular}[]{lll} \hline
BR = N($\pi^-\pi^0\pi^0 $ )/N($\pi^-\pi^-\pi^+ $ ) -- calculated from isobar model amplitudes \\ \hline
BR( $ \rho \pi$) = 1.\\
BR( $ 0^{-+} f_0(1400) \pi$~$ S $) = 0.26 (at 1.3 GeV) = 0.29 (at 1.8 GeV)\\
BR( $ 0^{-+} f_0(980) \pi$~$ S $) = 0.44 (at 1.8 GeV) \\
BR( $ 1^{++} f_0(1400) \pi $~$P $) = 0.80 (at 1.3 GeV) \\
BR( $ 2^{-+} f_2(1270) \pi $~$ S $) = 0.50 (at 1.67 GeV) \\
\hline
\end{tabular}
\caption{Isospin symmetry checks: Calculation of branching ratios (BR) for charged and neutral mode and different
isobar decays.
}
\label{tab:isospinCheck}
\end{table}
In this extreme case, it is rather a factor of 4. Otherwise we find no distortion of the isospin symmetry due to such interference
effects for the example of $2^{-+}$ into $f_{\rm 2}(1270)\pi~S$ wave (at the $\pi_{\rm 2}(1670)$ PDG mass), and expect here
indeed to observe the pure suppression factor of two given by the Clebsch-Gordan coefficients. The calculated branching ratios summarised in Tab.\,\ref{tab:isospinCheck} are in good agreement with the data.
Even though acceptance has not yet been corrected for at this stage of the analysis,
the dominant intensities show the symmetry as described above, and thus the acceptance is proved to be rather
uniform. In order to compare the observed intensities in the neutral to the charged mode, the PWA results have been normalised to the
well-established narrow $a_{\rm 2}(1320)$ observed in both modes, see Fig.\,\ref{fig:PWA} (left).
Looking at $a_{1}$, $1^{++}0^{+}[\rho^{-}(770)\pi]~S$ wave (Fig.\,\ref{fig:PWA} (right)), we find the intensities as well as the widths being quite similar for the different modes, as expected.
For the $\pi_{2}$, $2^{-+}0^{+}[f_{\rm 2}(1270)\pi]~S$ wave (Fig.\,\ref{fig:PWA_b} (left)), we obtain the neutral mode
being suppressed by a factor $\sim 2.2$ relatively to the charged case, which is qualitatively already in good agreement with
our expectation.
On the other hand looking at $\pi_{2}$, $2^{-+}0^{+}[\rho^{-}(770)\pi]~F$ wave (Fig.\,\ref{fig:PWA_b} (right)), we find consistently again about the same intensities.
As a quality check of the fits, we compare real data to Monte Carlo (MC) events, which were generated by weighting phase space events
with the production and decay amplitudes from the fit result under the assumption of a uniform acceptance. Such comparison for the decay
angles ($\cos \theta$ and $\phi$) of the $\rho$ in the GJ frame are depicted for the neutral mode data in Fig.\,\ref{fig:pwa_predict} (left). The angles are shown for the limited mass region
around $a_1$ and $a_2$ (1.22 to 1.38 GeV/$c^2$). Comparing the angles to the corresponding ones of the charged mode data,
Fig.\,\ref{fig:pwa_predict} (right), limited to the same mass range around the $a_2$, one finds similar angular distributions, which is expected, since the physics is the same. Furthermore, for both cases the assumption of a flat acceptance seems to be valid, and therefore the comparison of both modes in terms of isospin symmetry is reasonable, even though the data has not yet been corrected for acceptance.
\begin{figure}[tp!]
\begin{minipage}[h]{0.55\textwidth}
\begin{center}
\includegraphics[clip,trim= -10 15 55 30, width=0.95\linewidth, angle=0]{Plots/PlotsPWAlabeled_Final/angles2.pdf}
\end{center}
\end{minipage}
\begin{minipage}[h]{0.55\textwidth}
\begin{center}
\includegraphics[clip,trim= 20 20 25 35, width=0.95\linewidth, angle=0]{Plots/PlotsPWAlabeled_Final/angles2_3pic_slot3_m_1-22_1-38.pdf}
\caption{Comparison of neutral (left) and charged (right) mode data to a phase space MC weighted with production and decay
amplitudes from the fit result, under assumption of a uniform acceptance: Direction of the $\rho(770)$, $\cos \theta$ and $\phi$, in the
GJ frame - limited to the $a_1/a_2$ region.}
\label{fig:pwa_predict}
\end{center}
\end{minipage}
\end{figure}
\vspace{-0.5cm}
\section{Summary \& outlook}
The COMPASS experiment has a high potential for contributing to light meson spectroscopy. Data with charged hadron beams on different targets with high statistics have been taken in 2008/09 with an upgraded apparatus. One main goal of the spectroscopy program is the
search for $J^{PC}$ exotic states with gluonic degree of freedom, and to illuminate e.g. the disputed hybrid candidate $\pi_{\rm 1}(1600)$.
In particular the detection of final states comprising both charged and neutral particles, allowing for cross-check and independent confirmation
of any new state found, makes COMPASS unique as compared to previous fixed-target experiments.
A first event selection and partial wave analysis of diffractively produced $\pi^{-}\pi^{0}\pi^{0}$ final states of a subset of the 2008 data (pion beam,
proton target) has been performed. The observed main waves are, at this first glance, in good agreement with theoretical expectations
(isospin symmetry), which demonstrates the feasibility of COMPASS for hadron spectroscopy not only of charged but also of channels involving
neutral particles. The data recorded is of sufficient statistics to even study systematically the isobar model itself.
Next steps for this analysis are increasing the statistics, application of acceptance corrections, extension of the waveset, and studying the existence of the exotic $1^{-+}$ wave in the 2008/09 data set.
\vspace{-0.5cm}
\begin{theacknowledgments}
\vspace{-0.2cm}
This work has been supported by the BMBF (Germany),
particularly by the ``BMBF-Nutzungsinitiative CERN''.
\end{theacknowledgments}
\vspace{-0.1cm}
\bibliographystyle{aipproc}
| 7,487 |
As soon as you enter PJ Taste at the top of Glossop Road you know that you are in for a Sheffield food experience. Providing support and creativity with locally sourced food.
The very talented Peter with PJ Taste's Sheffield 'Steel City Buns' - These were HOT stuff!
If 'Sheffield Food' is nearby, your Missie C is never to far away with her smiley fork!
What a lovely evening at the Sheffield Craft City Launch. Tonight's event was a rolling showcase of Sheffield creative arts hosted by PJ Taste on Glossop Road, Sheffield. The first installment (many more to come) featured the works of Lianne Mellor (tea ware with a contemporary feel), James Green (linocut and etching print specialist) and Jessica Flinn! (maker of handmade modern jewellery using traditional metalwork techniques).
On arrival, I was greeted by PJ's lovely waitresses with a choice of drinks from Shirebrook Nettle Spritzer, Woodhouse Rhubarb Bellini to PJ taste Beer (hiccup!). A<|fim_middle|> look at my photos above).
Devised for this first exhibition, not only introduced me to brilliant creative works from our Sheffield's three creatives but also the launch of the 'Steel City Bun' containing 'Steel City Rhubarb', and also on the desserts menu were Mini Butterfly Cakes with Dandelion Marmalde and a Nip of PJ taste Mead! (I know, just reading the names of these foods makes my mouth-water). Unfortunately, I was too busy fooding around and talking to guests, I didn't get the chance to sample the 'Steel City Bun' or butterfly cakes (I'm shocked myself, I must've not been my greedy self!). | big thank you to PJ Taste for tonight's lovely nibbles at the launch (Sheffield's dining scene should never be 'shone away' if PJ's in your City! – always full of creativity with locally sourced food :)…Wow, Asparagus with Cream Cheese on a PJ taste Rye Bread and their Polenta Cup with Caponata and Pickled Ransoms Buds were all thumbs up! (the presentation and flavours in the ingredients were definitely well thought about – just | 98 |
It's Crunch Time: Raising Youth Engagement and Attainment
Dusseldorp Skills Forum (DSF), August 2007
Presented by the Australian Industry Group (AIG) and DSF, the paper suggests that Australia's current economic strength, need for a skilled workforce and demographic trends herald a need to engage youth more effectively in learning and employment. According to the report, engaging youth in learning and employment requires a new approach rather than 'more pathways or more programs'. Ten proposals for reform are outlined, including a second chance to complete Year 12 or its equivalent, incentives for apprentices to complete their training, personal mentoring (or support for every potential early school leaver to make a successful transition to further learning or work), improved teacher support for 'hard to teach' students and an Indigenous presence in schools and support for Indigenous students. (Adapted from report summary.)
Transitions in schooling
Becoming a Language Teacher: A Practical Guide to Second Language Learning and Teaching
Elaine K Horwitz
Allyn & Bacon, 2007
Designed as a<|fim_middle|> in England and Wales. Based on research conducted between 2004 and 2006, the report presents statistics on pupil attainment and draws upon findings from case-studies and interviews from 21 schools and seven local authorities. Schools involved in the EAL programme made better progress in Key Stage 2 (KS2) English results than those not involved, while no significant differences in mathematics and science results were noted. No significant difference in the maths and science improvement rates of EAL and non-EAL learners in participating schools was reported, and little significant difference in KS2 English results. (Adapted from report.)
Language CDROMs
Various contributing authors
Curriculum Corporation,
Individual CDROMS, network licences and lab-pack collections in Greek, German, Chinese, Indonesian and Japanese are available through Curriculum Corporation. Teachers can use each CDROM to revise language already learned in the classroom, or introduce new vocabulary. The CDROMS can be used to meet individual student needs by building on classroom activities or as part of a self-paced program. Each CDROM includes a dictionary and in-built tracking system that measures and records student progress. (Available from distributor.)
Psychopathology and the Family
Jennifer Hudson, Ron Rapee
Elsevier, 2005
The book explores the link between parenting and psychopathology. Drawing on research and discussion from the last fifty years, the authors consider how both the family environment and parental behaviour contribute to a child's early adjustment, and may reduce or increase the risk of developing and/or maintaining psychopathology. Written by lecturers at Macquarie University, the book is divided into three sections. The first addresses broader issues of theory and methodology. The second considers the role of the family in the development and maintenance of specific psychopathologies. A final section discusses the involvement of the family in treatment and prevention. (Adapted from publisher's description.) | resource for mainstream classroom teachers, this book focuses on developing language skills for academic success rather than communication as such. Classroom examples cover both English and foreign language learning. Based on current language acquisition theory and research, the book provides practical guidance on: integrating language and content learning, using technology to support language development, ensuring academic success, and the fundamental concepts of teaching, listening, speaking, reading and writing. The book references curriculum standards for ESL and LOTE from the USA. (Adapted from distributor's description. See also publisher's description.)
Inter-School Collaboration: a Literature Review
Mary Atkinson, Iain Springate, Fiona Johnson, Karen Halsey
NFER, 2007
This literature review is part of a project investigating collaboration between schools in Northern Ireland. The review considers how collaboration promotes connections between the denominational education sectors and can improve community relations. Various collaboration models and effective strategies used by schools are highlighted. The report considers the main drivers and aims of collaborations, ways to manage collaborations, the benefits of inter-school collaboration and effective practice in collaborative working. (Adapted from report.)
Raising the Achievement of Bilingual Learners in Primary School: a Statistical Analysis
Tom Benton, Kerensa White
NFER and Department for Children, Schools and Families, July 2007
The report examines the impact of a pilot program designed to support English as Additional Language Learners (EALs) in primary schools | 295 |
SUM, a digital marketing agency based at Manvers in Rotherham, is celebrating two successful years of trading.
Based on<|fim_middle|> business partners. | the top floor of Unit 2, Concept Court, SUM works with start-up businesses, SME's and corporate companies to deliver online and offline marketing services; including web design, branding, SEO and social media management.
Last month, the design team at SUM created presentation visuals for Greg Dyke, founder of Vine Hotels and former chairman of the FA, who presented in front of 800 people at the Annual Hotel Conference in Manchester.
SUM is also celebrating success from the Barnsley and Rotherham Chamber of Commerce Business Awards earlier this month. The agency was highly commended in the Most Promising New Business Award and a finalist in the Digital and Creative Award.
Hoping to make a real difference to the local community, SUM deliver a programme of free education workshops to help boost digital knowledge within Rotherham organisations.
Working in partnership with NatWest Business and Brearley & Co Accountants, SUM delivered their first sold-out workshop at Rotherham's New York Stadium last month.
Due to demand, the agency will deliver a second workshop at the stadium this week and the final workshop of the year in November. Tickets can be booked via EventBrite here.
Building further on their community engagement, SUM also recently partnered with Rotherham United Football Club. The club's commercial director, Steve Coakley, said: "We are delighted to add such a forward-thinking company to our impressive list of | 284 |
The Fotografia Europea collection was born in 2006, the first year of the Festival, and has developed with every subsequent Festival until today. Every year, the artistic director identifies a subject on which to focus and uses it to set out thematic paths entrusted in turn to various curators<|fim_middle|> also includes a complete list of the works held in the collection. | from the Italian and European photography scene.
The collection has acquired the works of the artists invited to conduct publicly-commissioned projects in Reggio Emilia or their countries of origin, as well as from the projects and exhibits specifically implemented for the various Fotografia Europea festivals. Almost two hundred photographers from different European countries have given their free interpretation of the main theme that has been the focus of each year's Festival. The collection is thus a significant body of works addressing the topics of the urban landscape, the human figure and the gaze, tackled with a particular emphasis on investigation and experimentation.
The collection is held at the Photo Library of the Panizzi Library which, on the occasion of Fotografia Europea 2014, is dedicating an exhibit to Luigi Ghirri's ideas through a selection of his works. The exhibit is to be staged in the Exhibition Room of the Panizzi Library and will be divided in the following sections: the gaze, objects, the urban landscape and the subjective landscape, and will display works by Luigi Ghirri, Benedetta Alfieri, Giorgio Barrera, Gabriele Basilico, Jean Baudrillard, Cristina de Middel, Paola De Pietri, Vittore Fossati, Paolo Gioli, Francois Halard, Jitka Hanzlovà, Valery Jouve, Esko Mannikko, Walter Niedermayr, Bernard Plossu, Martin Parr, Pentti Sammallahti, Ferdinando Scianna, Klavdij Sluban and Marco Zanta.
The exhibit is curated by Laura Gasparini, who also edited the catalogue which includes texts by Elio Grazioli, Francesca Fabiani and Francesco Zanot. The cataloguing data of the collection works has been compiled by Monica Leoni and Giulia Lambertini in collaboration with Ilaria Campioli. The catalogue | 389 |
Fall Bonfire and Chocolate Awesomeness!
Every year around this time we have a bonfire to celebrate the coming of Fall and Toby's B-day. But this year, we are also celebrating Kaia's speedy recovery from the snake bite, and Toby's new job! We have a lot to be thankful for.
When I saw this post a few months ago on painting with chocolate, I knew I<|fim_middle|> bunny, I'm jealous!
This is the coolest thing I've ever seen happen to a cake. I must try it! | had to do it as a topper for Toby's B-day cake!! I can't believe how simple it was and how freaking awesome it turned out!!
I found a good picture and altered it according to the video in the post above. Then taped the picture to cardboard and covered it with wax paper and taped that down too.
I put the dark chocolate in a plastic ziploc bag and melted it in hot water. Then I filled in the larger areas of the darkest parts of the picture. Here you see me using a tooth pick to add chocolate to the detailed areas.
This is the final picture of the dark chocolate before I put it in the fridge to harden.
I mixed the dark chocolate with white (lots of white, only a little dark) to get a nice brown color and filled in the shadowed parts of the picture.
Then, after cooling it again, I used the white to cover everything with a nice thick layer, and returned it to the fridge.
Once it had time to harden I took it out and flipped it over to reveal his chocolate handsomeness!!
Kaia also took her turn making flowers and designs to decorate the cake.
Toby loved it! It now sits in the freezer so that it's staring at you when you open the freezer door! Don't know if we will ever eat it.
This morning we celebrated his real birthday with breakfast in bed and a hike. Happy Birthday Sweet Stuff!
This entry was posted in Do It Yourself, General.
Sorry we missed it. Cake looks great!
What an awesome gift! Talking about real love …. addiction to chocolate and Toby. Both so sweet.
The face turned out so awesome! The cake was delicious too! Party was a lot of fun.
how cool is that?! happy birthay toby, congratulations and hooray for kaia's speeding recovery!
WOW…that is amazing..im definately going to try that…but i have a feeling no matter who's pic it is, its going to wind up coming out like Kermit the Frog!
Very cool, that's hilarious about the cake greeting you when you open the freezer. I think I'd have to eat it though, it looks so tasty! Oh, and I have to come out there and see this | 456 |
A summons was issued for the senatorial candidate and DEA fugitive Guy Philippe to appear before the Court today (Tuesday, May 24, 2016). However, his attorney, Reynold Georges, said his client needs 15 days to prepare his defense before showing.
Guy Philippe made several declarations in the press recently of his intention to go into rebellion and overthrow President Jocelerme Privert if he did not resign on Saturday, May 14, 2016. This was before the attack in early Monday morning, May 16, 2016 on the Police Station in Cayes.
The Haitian government formed the Presidential Commission for the Reform of Justice for the task of updating Haiti's penal code that has now been in existence 180 years. The Commission is composed of Me Jean Joseph Exume, who is president, and colleagues Me Jean Vandal, and Me Sybille Theard Mevs.
Although the Commission worked jointly on bringing the Code current, Me Exume did special work independently, using a technical committee to make some major changes by incorporating the latest penal laws into the reworked Code.
At the National Palace on 3/13/2015 Me Exume turned over the revised Code to President Martelly. On this momentous occasion Prime Minister Evans Paul; Minister Pierre Richard Casmir of Justice and Public Security; President Me Jules Cantave of the Superior Council of the Judiciary; Parliament members; and members of the Diplomatic and Consular Corps and civil institutions were present.
The induction of ten new appointees to the Superior Court of Auditors and Administrative Disputes (CSC/CA) occurred at the new building of CSC/CA. On hand for the swearing-in ceremony was President Martelly and Prime Minister Lamothe. Deputy Stevenson Thimoleon, President of the Lower Chamber of Parliament, and Me Anel Joseph, Judiciary Superior Council President, were also present, along with other high-profile government officials and civil service professionals.
The ten new judges sat solemn-faced during Martelly's induction speech as he talked about the grave responsibility their position brings with it. It is up to them, Martelly said, ". . . to ensure regularity, efficiency, and effectiveness of the use of public funds . . ." He referenced certain clauses of the Haiti Constitution that defines the Judges' role as arbiters of the lawful administration of the states' financial matters. It was the public's trust the Judges would be called upon to honor, Martelly emphasized, and they must always carry out their duties with ". . . vigilance and . . . willingness . . ." and to use the regulatory environment as their guide.
If Jean-Claude "Baby Doc" Duvalier had somehow thought Haitians had forgotten, the recent court ruling that reinstated the criminal case against him taught him otherwise. The despotic ruler, who inherited the presidency from his father at the age of 19, spent his years in power from 1971 to 1986 building his repertoire of fear and tyranny. The era ended with his overthrow in '86 and a 25-year exile he broke with his return in 2011.
With<|fim_middle|>izing man was seemingly greeted with open arms by the current president, who even renewed Duvalier's diplomatic passport.
The Former Dominican President Rafael Hipólito Mejía made public his opinion about the 168-13 judgment of the Constitutional Court denationalizing Dominican Dominicans of Haitian origin. It was not pretty.
Rafael Hipólito Mejía said that this judgment is "a shame and a disgrace"; that he was "sorry". this was one of the strongest critics so far of the 168-13 judgment of the Constitutional Court in Dominican Republic and it came from a former president of that country.
The President of the Republic of Haiti on Monday, October 7th, gave a speech meant to rouse into action the audience of the opening ceremony of the Courts for the 2013 to 2014 judicial year.
Held at the School of Magistrates, the ceremony saw the attendance of Superior Council of the Judiciary (CSPJ) members, Diplomatic Corps representatives, The Minister of Justice and Public Security, Me. Jean Renel Sanon, Council of the Bar of Port-au-Prince members, judges of the Court of Cassation, Basoche personalities and other members of the government.
During his presentation, President Martelly charged the Law and Justice professionals present to follow the mandates of their civic conscience when making those decisions based on acts of law. He reminded all that his administration was committed to creating a rule of law to govern Haiti that would be imperious and irreversible, always doing so with an ear to those who cried out for 'Justice for all'.
Boniface Alexandre, born on July 31, 1936, was the 54th President of Haiti. He served as the acting Haitian President's between February 29, 2004 and May 14, 2006.
Boniface Alexandre was the Chief Justice of the Supreme Court when his predecessor President Jean-Bertrand Aristide was ousted by"2004 Haitian coup d'état". Thus, he was in normal lineage to become the President when Jean-Bertrand Aristide resigned on February 29, 2004.
Boniface Alexandre assumed the charge within a few hours of his resignation in a brief ceremony at the home of Prime Minister Yvon Neptune. Alexandre was raised by his uncle, former Haitian Prime Minister Martial Célestin. He trained himself as an expert lawyer, specializing in business contracts and marriage settlements and worked for twenty five years in a Port-au-Prince law firm named 'Cabinet Lamarre'. He was appointed in Haiti's Supreme Court in the 1990s and President Jean-Bertrand Aristide appointed him as the Chief Justice in 2002. As a Chief Justice, he fought against the incompetence and corruption in the judicial system and earned a reputation for fairness. | his return came the memory of what he is accused of--not to the victims of those crimes, but to the forefront of the law and the news. Many in the nation became greatly incensed when, upon his return, the polar | 47 |
Yale Journal on Regulation
Interstate Banking and Product-Line Freedom: Would Broader Powers Have Help<|fim_middle|> counter-factual exercises in which the author measures the impact the reforms would have had on the banking industry of the 1980s had the reforms been enacted. These exercises suggest that broader interstate powers would be more effective than expanded product-line authority at reducing bank failure, but they also indicate that neither reform would significantly reduce the number of bank failures during the next several years. Nevertheless, it appears that broader interstate authority, coupled with broader product-line freedom subject to suitable safeguards, would strengthen the industry overall by mitigating the risks associated with banking and lowering the prices of financial services. As a result, Mr. Litan concludes that structural reform of the banking system should remain on the congressional agenda. | ed The Banks?
18_9YaleJonReg521_1992_.pdf
Litan, Robert
The banking difficulties of the 1980s prompted Congress to enact the Federal Deposit Insurance Corporation Improvement Act of 1991 (FDICIA). Advocates of structural reform have criticized the FDICIA because it does not include broader interstate banking authority and product-line freedom. In this. Article, Mr. Litan predicts the effect the absence of such reforms can be expected to have on the U.S. banking industry. The predictions are derived from | 121 |
With a few tweaks, it's still an effective scam, experts say.
The robocall epidemic is now hitting closer to home.
More than half of spam calls in 2018 so far have come from a "neighbor scam" — a tactic in which scammers replicate the first six digits of your own phone number down to the area code to trick you into answering a call, an analysis from spam protection company Hiya found.
Many users assume they may know the person calling and are more likely to answer if the number resembles their own. Hiya examined 4.3 billion calls each month and found 56.7% of them used the trick. Some 90% of scam calls show up as U.S. numbers when they are likely originating from other countries, according to Truecaller, a caller ID and spam blocking app.
The trend is just the latest evolution in the ongoing spam call crisis: The number of robocalls reached a record in April, with 3.36 billion calls placed, a 6.5% increase from March and the highest robocall rate to date, according to voicemail and call blocking app YouMail. That amounts to 1,297 calls<|fim_middle|> active cop on the beat and will throw the book at anyone who violates our spoofing and robocall rules and harms consumers," Ajit Pai, chairman of the FCC, said in a statement.
Those affected by the robocall influx can fight the problem by using blocking services like YouMail, Hiya, NoMoRobo, and Next Caller. Experts also suggest never answering calls from an unknown number and obviously blocking numbers that are known to be spam. | placed each second or 112 million calls per day.
Once a user answers the phone, fraudsters will scam them by saying there is a warrant out for their arrest or that they owe the Internal Revenue Service money. Other tactics include offering travel discounts or refinancing credit card debt. Generally, scammers create a false sense of urgency to get victims to pay up faster, experts at Hiya said.
"Our decision sends a loud and clear message: this FCC is an | 95 |
If you have been training for a while<|fim_middle|> | or are just a beginner, you've probably figured out that your inner thighs are not the easiest body part to tone.
It is a spot where most women store fat. You may not see changes as quickly as you would like.
Fitness and personal trainer Rushda Moosajee says women are designed with stronger lower bodies.
However, Moosajee says a huge part of results depends on diet.
Fitness trainer Botle Kayamba says one needs to be realistic about fitness goals.
"Stick to what works for you. I'm not competing with anyone else, but myself. I take my time, so I get to enjoy the maintaining process," says Kayamba.
There are different kinds of cardio to slim thighs.
Moosajee says one does not have to run to tone legs, bums and calves.
She says flat road running sheds the bulk on calves and glute.
Trail running builds calves and glutes, and it strengthens stabilisers and inner thighs.
As an alternative to running, she recommends stairs-running because it is effective to build quads, calves and glutes.
She also recommends high-intensity training and start-stop, explosive and power work to help build muscle in quads and hamstrings. This will add muscle tone, and build power and speed.
Good exercises could include sand drills and beach training, sprints in the mountain, sprints on the treadmill and skipping intervals.
Do this once or twice a week, especially in season - spring and summer - for 30-45 minutes maximum, including warm-up.
Slower, steady work with a hard finish will burn some fat and muscle such as a road jog, trail run, run on the treadmill and elliptical machine.
Jog at a steady state and finish off strong.
Duration of 45-60 minutes maximum, including warm-up, once or twice per week.
If you are just starting exercising, slow, steady and long works will help you burn fat.
Exercise includes a long and brisk walk; long, slow and steady hike: incline walk on the treadmill and a slow session on the elliptical.
Moosajee suggests you set the treadmill on the highest incline of 15 and speed of 5.5-6.
Tip: hold on to the top of the treadmill and take long strides for 45-60 minutes. | 477 |
Fulvio Melia (born 2 August 1956) is an Italian-American astrophysicist, cosmologist and author. He is professor of physics, astronomy and the applied math program at the University of Arizona and was a scientific editor of The Astrophysical Journal and an associate editor of The Astrophysical Journal Letters. A former Presidential Young Investigator and Sloan Research Fellow, he is the author of six English books (and various foreign translations) and 230 refereed articles on theoretical astrophysics and cosmology.
Career
Melia was born in Gorizia, Italy. He was educated at Melbourne University and Massachusetts Institute of Technology, and held a post-doctoral research position at the University of Chicago, before taking an assistant professorship at Northwestern University in 1987. Moving to the University of Arizona as an associate professor in 1991, he became a full professor in 1993. From 1988 to 1995, he was a Presidential Young Investigator (under President Ronald Reagan), and then an Alfred P. Sloan Research Fellow from 1989 to 1992. He became a fellow of the American Physical Society in 2002. He is also a professorial fellow in the School of Physics, Melbourne University, and a distinguished visiting professor at Purple Mountain Observatory in Nanjing, China.
From 1996 to 2002, he was a scientific editor with the Astrophysical Journal, and has later been an associate editor with The Astrophysical Journal Letters. He is also the chief editor of the Theoretical Astrophysics series of books<|fim_middle|> & Francis, ,
References
Fulvio Melia, (2001). Electrodynamics (Chicago Lectures in Physics), University Of Chicago Press.
External links
1956 births
Living people
People from Gorizia
Italian emigrants to the United States
Italian expatriates in Australia
American astrophysicists
Italian astrophysicists
Massachusetts Institute of Technology alumni
University of Chicago faculty
Northwestern University faculty
University of Arizona faculty
Fellows of the American Physical Society | at the University of Chicago Press.
In a career that has seen him publish 260 refereed research papers and seven books, Melia has made important contributions in High Energy Astronomy and the physics of supermassive black holes. He is especially known for his work on the Galactic Center, particularly developing a theoretical understanding of the central supermassive black hole, known as Sagittarius A*. With his students and collaborators, he was the first to propose that imaging this object with millimeter-interferometry would reveal the shape and size of the shadow predicted by general relativity, thereby providing empirical evidence for the validity of the Kerr metric. Fulvio Melia's foundational work on this concept, and associated outreach through several books he has written on this topic, have led to the development of the Event Horizon Telescope, which today is poised to make a mm-wavelength image of this object as predicted almost two decades ago.
Melia and his students have developed the so-called Rh=ct Universe, a cosmological theory that, they argue, has accounted for the observational data better than all other models proposed thus far. In this cosmology, the Universe has no horizon problem, and therefore evolved without inflation.
Melia's cosmology is notable for its simplicity and its adherence to the symmetries implied by the Friedmann-Robertson-Walker metric, which require the comoving frame to be inertial. Its timeline has been confirmed by the discovery of high-redshift quasars, whose billion-solar-mass size is too large to accommodate within the compressed time scale of the standard model. In Rh=ct, these supermassive black holes would instead have easily grown by billions of solar masses via conventional Eddington-limited accretion.
He is a publicist of astronomy and science in general, delivering lectures at public venues, including museums and planetariums. His books have won several awards of distinction, including the designation of Outstanding Academic Books by the American Library Association, and selection as worldwide astronomy books of the year by Astronomy magazine.
In 2014 he presented the Walter Stibbs Lecture at the University of Sydney, the title being "Cracking the Einstein Code".
Books
Electrodynamics (2001), University of Chicago Press, (Cloth), (Paper)
The Black Hole at the Center of Our Galaxy (2003), Princeton University Press, (Cloth)
Il Buco Nero al Centro della Nostra Galassia (2005), Bollati Boringhieri,
The Edge of Infinity. Supermassive Black Holes in the Universe (2003), Cambridge University Press, (Cloth)
Na Skraju Nieskonczonosci] (2005), Wydawnictwo Amber, (Cloth)
The Galactic Supermassive Black Hole (2007), Princeton University Press,
High-Energy Astrophysics] (2009), Princeton University Press, (Paper), (Cloth)
Cracking the Einstein Code] (2009), University of Chicago Press, ,
The Cosmic Spacetime] (2020), Taylor | 654 |
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Team Bean Box
Ryan Fritzky
Founder and Co-Bean
Ryan started his career in marketing and product management, spending years working on products as wide-ranging as ad servers, search, and small business reputation management. He fell in love with fresh coffee at a tiny cafe in Fremont called Espresso To Go, and he is responsible for all of Bean Box marketing and physical product development.
Matthew Berk
Matthew has been a software engineer for the better part of a quarter century, and considers himself a product-focused builder. He is the creator of the first local search engine (2002), and is the author of a wide range of patents on everything from VoIP to data mining<|fim_middle|> coffees at origin, in places such as Peru and Colombia. | . He's an equal-opportunity coffee drinker, but is fondest of fresh crop Geishas from Colombia. He's responsible for all software engineering, as well as manufacturing process and automation.
Maryna Gray
Coffee Curatrix
Maryna is responsible for all coffee curation and content creation. She manages everything from selecting roasters, to determining which coffees we feature, to which roasts work well together in our sampler boxes, to creating all label content and product descriptions. She is an active judge for the prestigious Cup of Excellence, and has been a part of helping them evaluate the world's best | 123 |
The old expression, "It takes two to tango," may be the case when it comes to the relationship between depression and smoking. Project SOAR , a pilot project administered through the Behavioral Research and Treatment Center at MD Anderson, is currently enrolling participants to help determine if this pairing affects a person's efforts to quit smoking.
"There is a fair amount of data that shows a connection between depression and smoking, and that depression interferes with a person's efforts to quit," says Janice Blalock, Ph.D.,<|fim_middle|> or just administer the smoking-cessation treatment? Blalock, her co-investigators and collaborators are hoping the pilot project will provide the answers and open the door for future studies. | associate professor in the Department of Behavioral Science and principal investigator on the project.
Project SOAR tests if it is more effective to combine treatment of depression with traditional smoking-cessation treatment, or if it is better or just as effective to treat the depressed smokers for their smoking habit, without addressing depression.
"The pilot is unique in that this question has never been tested before in smokers who are currently depressed," Blalock says.
Participants are broken into two groups. Both will receive smoking cessation treatment, but only one group will have the additional mood management counseling that treats depression.
Should health practitioners treat the disease and the habit | 123 |
Arrive in Montreal and transfer to your hotel. Enjoy free time to relax or explore the city independently, with our staff available at the hospitality desk to assist with arrangements and reservations. Tonight, gather with your expedition team for a welcome cocktail reception and dinner to celebrate the start of your adventure.
Today, explore this modern and culturally rich Canadian city with a choice of engaging tours. You may set out on a panoramic city tour, beginning with a guided visit of Notre-Dame Basilica, then pausing at the scenic summit of the Mont-Royal and sampling Montreal's fabled bagels. Or, you may instead opt to explore multicultural Old Montreal, enjoying those same beautiful vistas at Mont-Royal before proceeding to Little Italy and its open-air Jean Talon Market, filled with authentic local and international ingredients. As an alternative, explore Old Montreal on foot, learning about its rich French and English heritage; see City Hall, Jacques-Cartier Square, Place d'Armes and Saint Jacques Street with its notable Victorian architecture. As another option, you may take a guided walking tour through the city's downtown, traversing the pedestrian "Underground City" (a network of shop-lined tunnels), the boutique-filled Sainte Catherine Street and Quartier des Spectacles, Montreal's premier entertainment district.
Transfer to the airport for an early morning charter flight to Western Greenland. Arrive this afternoon at Kangerlussuaq (Søndre Strømfjord in Danish), located on the tip of its namesake fjord and once a strategic allied stronghold during World War II. Pause here for lunch. Søndre Strømfjord sits at the base of the edge of the Greenland ice sheet (<|fim_middle|> available in Cat 5&7.
Twin Beds or 1 King Bed. Two toilets, two wardrobes.
Twin Beds or 1 King Bed. Bathroom features double sink vanity. | indlandsis), a vast body of inland ice covering 80 percent of the continent. Later, transfer to the pier to board your luxury expedition mega-yacht, Le Boreal. Throughout your journey, gain rich knowledge both on board and ashore, with an immersive, exciting enrichment program led by your award-winning expedition team. Tonight, join fellow guests and crew for a welcome cocktail reception.
Sisimiut: North of the Arctic Circle, Sisimiut is both the northernmost city in Greenland able to maintain a year-round, ice-free port, as well as the southernmost town with sufficient snow for dogsledding in winter and spring. Visit the local museum with its exhibits on Inuit culture and Greenlandic colonial history, and enjoy an Inuit sea kayak demonstration.
Disko Bay & Ilulissat: Cruise into Disko Bay, a wide inlet off of Baffin Bay first explored by Erik the Red in 985, when he established the first Norse settlements in Western Greenland. Discover the Ilulissat Icefjord, a UNESCO World Heritage Site, at the sea mouth of one of the fastest and most active glaciers in the world, Sermeq Kujalleq. The scene is spectacular with giant icebergs, floating growlers and bergy bits (large chunks of glacial ice), and the sounds of the calving ice-stream. Take a walking tour of Ilulissat, including a visit to the local history museum, and meet with villagers to learn about life in this often-harsh Arctic region. Conditions permitting, board a local vessel for an iceberg cruise of Disko Bay.
Uummannaq Fjords: Located north of Ilulissat, the Uummannaq Fjord System is an awe-inspiring geological wonder teeming with marine life. Visit Karrat to enjoy the stunning view of the iceberg-studded bay and also discover the remains of ancient huts, made of whale bones and sod by traditional Thule hunters (ancestors of the Inuit) some 500 to 1,000 years ago.
Pond Inlet: At the Northern end of Baffin Island, Pond Inlet ("Place of Mittima's Grave") is the gateway to the Northwest Passage and a rich archaeological site. After clearing customs formalities for Nunavut, embark on shore excursion to an area once inhabited by the ancient Thule. Visit the Nattinnak Visitor's Center or Toonoonik Sahoonik Co-op, where you can shop for artisan carvings made from local red and green soapstone, beautiful wall hangings, and other handcrafted goods.
Lancaster Sound: Situated between Devon Island and Baffin Island, this body of water forms the eastern entrance to the Parry Channel and the Northwest Passage. It's also home to a rich abundance of Arctic cod, which draw a seasonal population of sea birds and marine mammals. Beluga and endangered bowhead whales, ringed and bearded seals, as well as northern fulmars, black guillemots and Arctic terns are among some of the wildlife that inhabits the area.
Beechey Island: Historic moments in Arctic exploration define this island, best known for providing a safe haven to British explorer Sir John Franklin in 1845. Look east toward Resolute Bay at the huge silhouette of Cape Riley and imagine what Captain Franklin saw here in Erebus Harbor, where he took shelter for two years before his ill-fated attempt to conquer the Northwest Passage. See the wooden grave markers for three of Franklin's men, now bleached by the sun, and visit the cenotaph memorial erected in memory of the lost explorer. It is an unforgettable experience.
Fort Ross: An abandoned trading post on the tip of Somerset Island, Fort Ross was founded in 1937 as a place for trappers to barter Arctic fox pelts in exchange for food and necessities. Explore the remaining wooden buildings of the post, which closed in 1948, and imagine life in such a barren landscape. Perhaps take a Zodiac excursion to CoBay, keeping watch for local wildlife and learning about residents from expert, accompanying naturalists.
Gjoa Haven: During his first attempt to transit the Northwest Passage on Gjøa, Roald Amundsen used this natural harbor as a respite while waiting for ice conditions to improve. For two years, he lived with the Netsilik Inuits, learning their skills for survival and more efficient travel, which would later prove invaluable in his successful South Pole expedition.
Victoria Island: Cruise along the south coast of Victoria Island, which straddles both Nunavut and the Northwest Territories, voyaging through Queen Maud Gulf, Dease Strait and Coronation Gulf. Expedition stops may include bird sanctuary Jenny Lind Island and Johansen Bay, home to the remains of a nomadic trapper base camp. Your expedition team may also lead you to Ulukhaktok (Holman village) in Queen's Bay for an unforgettable visit with its local Inuit people. Only in contact with the rest of the world since the middle of the 19th century, the people of Holman continue to practice a traditional lifestyle and represent surprising cultural diversity; experience both with a warm welcome at the shore, drum dances, fresh char and bannock rings (fried dough) prepared over an open fire, and a tour of the town art center. Ulukhaktok is famous for its printmaking and you bear witness to the beautiful tradition here; also find carvings, hats made of coveted qiviut (musk ox wool) and ulus: traditional, half-moon-shaped knives used by women to prepare food and skins.
Typically dense with ice floes and fog, the Beaufort Sea opens up a 60-mile-wide coastal pass from August to September. From here, Le Boreal cruises into the U.S. and clears at Point Barrow, Alaska (U.S. Customs clearance only). Sailing in the comfort of your luxury expedition cruiser, continue participating in eye-opening talks led by the expedition team. Still hunted on a sustenance quota basis by local Inuit, sociable bowhead and beluga whales often travel in numbers here and are said to be quite "chatty," with their trills, clicks and squeals audible above the surface. In the late evening, relax on your private balcony or join fellow guests out on deck and, with some luck, witness the northern lights, known for delivering a stunning display in autumn. Your voyage continues through this narrow passage between North America and the ever-changing Arctic ice cap.
Arrive and disembark Le Boreal in Nome, Alaska, among the wildest reaches of mainland America and the final destination for the Iditarod dogsled competition. Gold can still be mined here and you enjoy the opportunity to try gold panning; also experience a dog sled demonstration and a stop at the Bering SeaArrive and disembark in Nome, Alaska, among the wildest reaches of mainland America and the final destination for the Iditarod dogsled competition. Gold can still be mined here and you have the opportunity to try gold panning firsthand; also experience a dogsled demonstration and a stop at the Bering Sea Land Bridge National Monument visitor's center. Following lunch at Old St. Joe's Church, take advantage of time to explore the downtown area of Nome. Transfer to the airport for your charter flight to Anchorage. Continue on your homebound flight or extend your stay with in Anchorage. Land Bridge National Monument visitor's center. Following lunch at Old St. Joe's Church, take advantage of time to explore the downtown area of Nome. Transfer to the airport for your charter flight to Anchorage, where you continue on your home-bound flight or extend your stay in Anchorage.
Book International Air with your Voyage for additional $3,000 discount. Call for Details.
Call for Single Cabin pricing which varies from approximately 1.5x to 2.0x times the twin share prices above depending on cabin category and departure.
There is no share option available on this ship.
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Axel-Springer-Strasse 65, Berlin, 10888, DEU
Type of Company
Employees (Worldwide)
10K - 1M
News & Digital Content
Axel Springer SE is a publishing company, which engages in the provision of print and digital media, and owns and operates digital classifieds portfolio. It operates through the following segments: Classified Ad Models, Paid Models, Marketing Models, and Services/Holding segment. The Classified Ad Models segment predominantly generates revenues in online classified advertising within the areas of jobs, real estate, automobile, and general classified ads. The Paid Models segment encompasses all business models that are primarily used by paying readers. The Marketing Models segment covers all business models involving sales to advertising customers under reach-based or success-based marketing services. The<|fim_middle|> It enables users to share opinions, ideas, photos, videos, and other activities online. The firm's products include Facebook, Instagram, Messenger, WhatsApp, and Oculus. Facebook was founded by Mark Elliot Zuckerberg, Dustin Moskovitz, Chris R. Hughes, Andrew McCollum, and Eduardo P. Saverin on February 4, 2004 and is headquartered in Menlo Park, CA.
Amazon.com, Inc. Retail: Other - Seattle, Washington
Amazon.com, Inc. engages in the provision of online retail shopping services. It operates through the following business segments: North America, International, and Amazon Web Services (AWS). The North America segment includes retail sales of consumer products and subscriptions through North America-focused websites such as www.amazon.com and www.amazon.ca. The International segment offers retail sales of consumer products and subscriptions through internationally-focused websites. The Amazon Web Services segment involves in the global sales of compute, storage, database, and AWS service offerings for start-ups, enterprises, government agencies, and academic institutions. The company was founded by Jeffrey P. Bezos in July 1994 and is headquartered in Seattle, WA.
Alphabet, Inc. Internet Software & Services - MOUNTAIN VIEW, CA
Alphabet, Inc. is a holding company, which engages in the business of acquisition and operation of different companies. It operates through the Google and Other Bets segments. The Google segment includes its main Internet products such as Ads, Android, Chrome, Commerce, Google Cloud, Google Maps, Google Play, Hardware, Search, and YouTube. The Other Bets segment includes businesses such as Access, Calico, CapitalG, GV, Nest, Verily, Waymo, and X. The company was founded by Lawrence E. Page and Sergey Mikhaylovich Brin on October 2, 2015 and is headquartered in Mountain View, CA.
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© 2019 Relationship Science LLC. All Rights Reserved. Certain Information provided by Factset Research System Inc. | Services/Holding segment comprises the group's services, which include the domestic printing plants, and the holding company functions. The company was founded by Hinrich Springer and Axel Springer in 1946 and is headquartered in Berlin, Germany.
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Executives & Employees
Mathias Döpfner
Julian Deutz
Andreas Wiele
Chairman of the Supervisory Board-Xel Springer Digital Classifieds France SAS
Christian Nienhaus
Chairman, Sales Impact GmbH & Co Kg Management Board
Jan Bayer
President, News Media
Peter Würtenberger
Executive Vice President, Corporate Development
Carsten Dorn
Georg Pagenstedt
Christin Martens
Editor-in-Chief, Business Insider Germany-Finanzen.Net
Anton Waitz
Head, Axel Springer Digital Ventures Inc
Friede Springer
Geschäftsführer at Axel Springer Gesellschaft fuer Publizistik GmbH & Co.
Giuseppe Vita
Independent Chairman of the Supervisory Board at Axel Springer SE
Ralph Max Büchi
Managing Director at AS Online Beteiligungs GmbH
Nicola Leibinger-Kammüller
Chairman-Management Board & President at TRUMPF GmbH + Co. KG
Chief Financial Officer at Axel Springer SE
Oliver Heine
Partner at Heine & Partner
Alexander C. Karp
Co-Founder at Palantir Technologies, Inc.
Founder at Prelude Fertility, Inc.
Wolfgang W. Reitzle
Advisory Partner at Perella Weinberg Partners LP
Iris Knobloch
Vice Chairman of the Board, Senior Independent Director at Accor SA
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Tweedy, Browne Co. LLC
Tweedy, Browne Co. pursues a value-oriented investment management approach. They seek investments through in-depth analysis utilizing a staff of in-house analysts. The firm generally focuses on investments in equity securities of domestic, international, and global issuers, but may also invest in warrants, corporate debt securities, commercial paper, mutual fund shares, US government securities and other securities. They also use forward exchange currency contracts to hedge currency exchange risk for certain clients that invest in foreign securities. Tweedy, Browne Co. seeks to construct a widely diversified portfolio of small and medium capitalization stocks from a variety of industries.
Water Island Capital LLC
Water Island Capital specializes in event-driven investing strategies, including strategies focused on merger arbitrage, equity special situations, and credit opportunities. These strategies are available to prospective institutional and retail clients through public mutual funds, institutional separate accounts and private funds. Water Island may use derivatives, such as options, as well as short selling or purchase of related securities and those of peer companies, to isolate the outcome of the investment in a particular \"event\" from the broader directional moves of the securities markets. The Arbitrage Funds currently offer four series: The Arbitrage Fund, The Arbitrage Event-Driven Fund, The Arbitrage Tactical Equity Fund and The Arbitrage Credit Opportunities Fund.
ProfitlichSchmidlin AG
ProfitlichSchmidlin AG is a private company headquartered in Cologne, Germany. The firm provides investment advice. It was founded by Marc Profitlich and Nicolas Schmidlin. Marc Profitlich and Nicolas Schmidlin are the current co-CEOs of the company.
La Poste SA, Mediapost Spain SL purchase Sokoweb Technologies SL from Axel Springer SE
Axel Springer SE, Axel Springer Digital Classifieds GmbH purchase Immowelt Holding AG
Axel Springer SE purchases Falguière Conseil SAS from Alven Capital Partners SA, BPIFrance Investissement SAS, Piton Capital LLP
Transaction Advisors
Clifford Chance LLP
Advised onTelevision Française 1 SA purchases auFeminin SA from Axel Springer SE
PricewaterhouseCoopers AG Wirtschaftsprüfungsgesellschaft
Advised onHellman & Friedman LLC purchases Axel Springer SE from Deutsche Bank AG
Advised onAxel Springer SE, AS Online Beteiligungs GmbH purchase SeLoger.com
Alexander Rinne
Advised onAdidas AG purchases Runtastic GmbH from Axel Springer SE
Andrea Eggenstein
Andreas Austmann
Advised onFUNKE MEDIENGRUPPE GmbH & Co. KGaA purchases Axel Springer AG /Regional Newspaper & Magazine Portfolio from Axel Springer SE
Jens Müffelmann
Manager at Cora Verlag GmbH & Co. KG
Ben Spiers
Partner at Simpson Thacher & Bartlett LLP
TripAdvisor, Inc.
TripAdvisor® is the world's largest travel site, enabling travelers to plan and have the perfect trip. TripAdvisor offers trusted advice from real travelers and a wide variety of travel choices and planning features with seamless links to booking tools. TripAdvisor branded sites make up the largest travel community in the world, with more than 60 million unique monthly visitors*, and over 75 million reviews and opinions. The sites operate in 30 countries worldwide, including China under daodao.com. TripAdvisor also includes TripAdvisor for Business, a dedicated division that provides the tourism industry access to TripAdvisor's millions of monthly visitors.
Vivendi SA
Vivendi is one of the few multimedia groups in the world to operate across the entire digital value chain. It creates and publishes content for which it develops broadcast networks and distribution platforms. In a context of digital revolution and telecommunications industry change, the group capitalizes on both its employees' expertise and its strong brands to continue to create value. Vivendi currently operates a number of companies that are leaders in content, media and telecommunications.
Criteo SA is a global technology company, which specializes in digital performance marketing. The firm enables e-commerce companies to leverage large volumes of granular data to engage and convert their customers. Its solutions include criteo shopper graph; criteo engine; publisher network; client platform; and product portfolio. The company was founded by Jean-Baptiste Rudelle, Franck Le Ouay, Pascal Gauthier, Laurent Quatrefages and Romain Niccoli on November 3, 2005 and is headquartered in Paris, France.
Key Stats and Financials As of 2018
Total Enterprise Value
EBITDAMargin
Enterprise Value Sales
Enterprise Value EBITDAOperating
TEVNet Income
38.88x
Debt TEV
Three Year Compounded Annual Growth Rate Of Revenue
Five Year Compounded Annual Growth Rate Of Revenue
Cringle GmbH
Cringle GmbH develops smartphone app for users who want to send money to friends all over Europe. Its Cringle mobile application connects its users bank accounts with their phone numbers, allowing them to send money to anyone, without knowing their bank account information. The company was founded by Joschka Friedag, Malte Klussmann, Frane Bandov and Konrad Maruszewski in December 2014 and is headquartered in Berlin, Germany.
Axel Springer Digital Classifieds GmbH
Axel Springer Digital Classifieds GmbH operates online classified ads portals. The company was founded in 2012 and is headquartered in Berlin, Germany.
Immowelt Hamburg GmbH
Immowelt Hamburg GmbH engages in the online sale and leasing of houses, apartments, housing for senior citizens, offices, and clinics. The company was founded in May 2003 and is headquartered in Hamburg, Germany.
Gordon Crovitz
Co-Chief Executive Officer at NewsGuard Technologies, Inc.
Jeffrey P. Bezos
Founder at Amazon.com, Inc.
David Wieland
Founder at RIVS, Inc.
Strabag SE Engineering, Construction & Architecture | Villach, WI
STRABAG SE engages in the construction business. It operates its business through the following business segments: North + West, South + East, International + Special Divisions, and Other. The North + West segment engages in the construction activities in Germany, Poland, Benelux, and Scandinavia as well as the ground engineering, hydraulic engineering, and offshore wind activities. The South + East segment is comprised of construction activities in Austria, Switzerland, Hungary, Czech Republic, Slovakia, Adriatic, Rest of Europe and Russia and the environmental engineering business. The International + Special Divisions segment includes the international construction activities, tunneling, services, real estate development and infrastructure development as well as the construction materials business. The Other segment represents central divisions and central staff divisions, which handle services in the areas of accounting, group financing, technical development, machine management, quality management, logistics, legal affairs, and contract management. The company was founded in 1895 and is headquartered in Villach, Austria.
SPORTTOTAL AG Printing | Cologne, NW
SPORTTOTAL AG engages in the provision of media services, which focus on film and television production. It operates through the following segments: Live; Venues; and Digital. The Live segment encompasses the project management, implementation, marketing, and media coverage of sport and corporate events, as well as adventure trips. The Venues segment includes the design, planning, production, supply, and operation of electronic infrastructures for sports stadiums and racing circuits. The Digital segment refers to the digital business with video platforms and communities, which include advertising and sponsoring activities. The company was founded on January 25, 1979 and is headquartered in Cologne, Germany.
AppNexus, Inc. Computer Software | New York, New York
AppNexus, Inc. develops a platform for real-time online advertising. The firm offers AppNexus programmable platform, AppNexus Adserver, AppNexus SSP, Yieldex Analytics, and Audience Extension. The company was founded by Michiel Nolet and Brian O'Kelley in 2007 and is headquartered in New York, NY.
Facebook, Inc. Internet Software & Services - MENLO PARK, CA
Facebook, Inc. operates as a social networking company worldwide. The company engages in the development of social media applications for people to connect through mobile devices, personal computers, and other surfaces. | 2,438 |
When Bad Christians Happen to Good People
Where We Have Failed Each Other and How to Reverse the Damage
By Dave Burchett
Jul 19, 2011 | 256 Pages
About When Bad Christians Happen to Good People
"Dave allowed God to navigate him through the pain of religious moralism to arrive at insightful, compelling, and gracious wisdom. He remains a sincere lover of God's church and people as he directs weary pilgrims to safer lodging."
—John Lynch, coauthor of TrueFaced and Bo's Café
Have you been betrayed by a Christian friend?
Are you disillusioned with the church?
If you have been hurt by Christians, you know all about anger and resentment. But what about a workable solution? How can the words and actions of "bad Christians" be addressed so the mistakes are not repeated?
When Bad Christians Happen to Good People offers a workable response and, ultimately, a new way of living. In this revised and updated edition,<|fim_middle|>olds-barred look at what's right, what's wrong, and what's really weird about the Christian movement in America. At the end of the day, Dave Burchett has a heart for the church, for the gospel, and for people who don't know the Lord. Christians could make a powerful difference in our world. But we ourselves must change. This book points us in the right direction."
—Dr. Ray Pritchard, author, conference speaker, and senior pastor of Calvary Memorial Church in Oak Park, Illinois
"This book is excellent. Dave Burchett sends a wake-up call to all believers that our behavior and our attitudes can have a profound effect on how the Message is received. National research shows that there is a great disparity between how the world views Christians and how it views the person of Jesus Christ. When Bad Christians Happen to Good People challenges people of faith to live a life that shows the world love, hope, and encouragement."
—John Frost, noted strategic broadcast consultant
"Dave allowed God to navigate him through the pain of religious moralism to arrive at insightful, compelling, and gracious wisdom. He remains a sincere lover of God's church and people as he directs weary pilgrims to safer lodging. His self-effacing humor allows us to examine our religious culture without having to defend it."
"After reading this book, I was motivated to take a personal inventory of my daily walk with Jesus. As I read page after page, I jotted down nuggets of wisdom, words of encouragement, and new ways to strengthen my relationship with Jesus, with other Christians, and with those who are not believers."
—Clint Hurdle, manager of the Pittsburgh Pirates
"Dave Burchett strikes out sometimes but happily hits home runs like Sammy Sosa. His comments about the sinner-sensitive church and CSL (Christian as a Second Language), his WJSHTOT question (Would Jesus Spend His Time on This?), and his "Don't Know Much About Theology" song are all terrific."
—Marvin Olasky, editor of World and senior fellow of the Acton Institute
"When I need someone to convince me that there is still hope in spite of the bad Christianity I see all around me, I talk to Dave Burchett. He makes me laugh, makes me cry, and makes me think. And in the end, he helps me fall back in love with the bride of Christ. In the pages of When Bad Christians Happen to Good People, you can join in that conversation."
—Ed Underwood, author of When God Breaks Your Heart and Reborn to Be Wild | you will find healing for hurts infl icted by others. At the same time, you will discover ways to help Christians and church leaders recognize the damage that is done by unexamined assumptions, words, and actions.
After dealing with his own hurt, Dave Burchett now shows believers how to:
■ Live as Jesus followers, not rule enforcers
■ Stop using religious performance as the standard for accepting others
■ Let go of moralism, legalism, and an allegiance to trying harder
■ Discover God's grace as a daily reality, not just a word to use in evangelism
Working toward a solution will benefi t your own life at the same time it helps others. Whether you have been a bad Christian in the past, or have been hurt by one, there is a better way to live.
Discussion Guide Included for Individual and Small-Group Use
Have you been betrayed by a Christian friend? Are you disillusioned with the church?
Also by Dave Burchett
See all books by Dave Burchett
About Dave Burchett
Dave Burchett started his career as a disc jockey in Ohio, and later moved into sports broadcasting. An Emmy Award-winning television sports director, he has directed events ranging from baseball Hall of Famer Nolan Ryan's sixth no-hit game to the… More about Dave Burchett
Published by WaterBrook
Jul 19, 2011 | 256 Pages | 5-3/16 x 8 | ISBN 9780307729927
Jul 19, 2011 | 256 Pages | ISBN 9780307730558
People Who Read When Bad Christians Happen to Good People Also Read
Praise for When Bad Christians Happen to Good People
"In When Bad Christians Happen to Good People, Dave indeed succeeds in making Christians think carefully and in getting us out of our comfort bunkers. I know that Bob would be chuckling with me at Dave's sense of humor as he addresses very tough issues. I recommend it heartily to all who are serious in their commitment to be Jesus to our world."
—Marty Briner, widow of Bob Briner, who authored Roaring Lambs and Final Roar
"Even though I'm not a betting man, I'll bet you've never read a book like this one. Here is a no-h | 507 |
Utilizing texture this season has been one of the best ways to update any style this season, and there's no exception when it comes to new looks! Whether transforming natural texture or adding it with the use of the Textr Iron, we are in love with these styles as inspiration for the season ahead!
Texture comes in various forms – curls, waves, and braids are just a few of these options. The Textr Iron is a great way to add visible texture or invisible volume.
Visible Texture: To create visible texture<|fim_middle|> with tons of invisible texture! | , work in sections and take slices and work the iron from the root down to the ends. You can create this pattern over the entire head or simply in areas you wish to create visible interest.
Invisible Volume: Depending on what style you are creating, invisible volume may be the way to go. Utilizing this tool in underneath layers will allow you to create volume and direction where you need it most. To create volume, it is similar to creating visible texture. Section out the top layers that you will lay over your style and work underneath in sections, slicing and moving the iron down from roots to ends. Then brush through with a Finishing Brush for optimum results!
Consider mixing and matching different types of texture and styles.
We're in love with this twist on a low pony!
Try doubling up on braids and pony's - this half-up style is swoon-worthy!
Make your pony pouty | 182 |
As it does every year, the International Labor Organization (ILO) today organizes the World Day for Safety and Health at Work. It offers Veolia the opportunity to reaffirm its commitment to ensuring a safe and healthy working environment for its 163,000 employees.
The Group's responsibility is to ensure the physical and psychological integrity of all its employees (163,000), with the objective of "zero accidents": "To achieve this objective, every accident is analysed in order to continuously improve our control of occupational risks. The health and safety continuous improvement system is backed by good practices, both internal and external, and by pooling the expertise of our three businesses," explains Frédéric Goetz, Veolia Executive Vice President Health and Safety.
In 2013 at the headquarters of the International Labor Organization, Antoine Frérot, on behalf of Veolia<|fim_middle|>. Veolia has structured a centre of excellence dedicated to health, safety and prevention. It brings together international experts, who jointly determine the orientations to be established at Group level. | , signed the Seoul Declaration, which recognizes the right to a safe and healthy working environment as a fundamental human right | 22 |
Services and Shared Infrastructure Team
Offices and Services-
Information Technology-
Services and Shared Infrastructure
The Services and Shared Infrastructure team works to provide services and support to faculty, staff and students for campus networking and infrastructure, unified communications, application development and operations, system implementation and integration, and research and high-performance computing.
Glenn Packer
Director of Services and Shared Infrastructure
Read about Glenn
Glenn joined Colgate University in 2006 and currently leads the Development and Operations (DevOps) team. He provides leadership, project management, and technical and operational planning for a team<|fim_middle|> of projects and unique challenges it can bring. Rob is really just your friendly neighborhood IT guy.
In his free time Rob enjoys baseball, video/board games, and spending time with his wife and daughter.
E-mail: rgaudreau@colgate.edu
Alan Lawton
Read about Alan
Alan joined Colgate as a Senior Network Engineer in July 2017. He has spent the past twelve years as a network and systems administrator in both the public and private sectors.
In his free time Alan enjoys camping, brewing beer, board games and spending time with his wife and two boys.
E-mail: alawton@colgate.edu
Research and High-Performance Computing Team
Howard Powell
Technical Director of Research and High-Performance Computing
Read about Howard
Howard joined Colgate as a High Performance Computing Specialist in 2016. He currently focuses on connecting researchers with computing assets to enable faculty and students to meet their computer-related research needs and clear roadblocks that prevent research.
Prior to Colgate, Howard worked at the University of Virginia for 12 years in various IT-related roles, and then took a few years to explore the private sector.
Howard does not enjoy the cold weather in Central New York State, so you will often find him somewhere warm, such as behind Colgate's beowulf cluster rack where it's quite pleasant.
E-mail: hpowell@colgate.edu
Dan Wheeler
Senior Research and High-Performance Computing Specialist
Read about Dan
MS, Computer Science, RPI BS, Oceanography, US Naval Academy
A jack-of-all-trades, master-of-none with Colgate ITS since 2000, Dan currently spends much of his time supporting Colgate's Moodle learning management system, instructing and responding to questions and requests from faculty and students and managing the Linux systems where Moodle and other academic services reside. He also helps support mapping efforts; web sites, blogs, and wikis; and poster projects. Professionally Dan is interested in human-computer interaction and collaborative software environments. A scientist at heart, he also loves history and political science and the rest of the liberal arts.
In his free time Dan enjoys reading, hiking, biking, photography, yoga, the Horse Flies, KEXP, WUMB, and driving an ambulance.
E-mail: dwheeler@colgate.edu
Accounting and Control
Dean of Faculty/Provost
Facilities (B&G)
Grants Information
Health Sciences Advising
Workplace Software
Classrooms, Digital Media and Events
Engagement and Support
Learning and Applied Innovation
Institutional Planning and Research | that supports the academic and administrative systems, applications and databases of the university.
In his free time, he frequently returns to the Adirondack mountains to enjoy the great outdoors with his family.
E-mail: gpacker@colgate.edu
Development and Operations (DevOps) Team
Joe Alfonso
Senior Full Stack Programmer/Analyst
Read about Joe
Joe started working at Colgate in 2013, supporting and developing a variety of campus tools. He has previously worked in university research groups to implement citizen science projects at the Cornell Lab of Ornithology and develop information visualization tools at The New School's Center for Data Arts. He has lectured in Computer Science at Cal Poly San Luis Obispo, and has excitedly presented to multiple digital arts classes at Colgate. If you have an interesting research project that needs custom development work, please get in touch with him.
E-mail: jalfonso@colgate.edu
Josh Boiselle
Read about Josh
Josh joined Colgate University in the beginning of 2014 as an intern working with ITS. After completing his internship, Josh remained at Colgate before being hired full-time in November 2014 as an End User Support Specialist. Since then, Josh has been responsible for working on a variety of projects at Colgate – including overhauling the university's Windows images and configurations, creating a self-service portal for software, preparing the university for the transition to Windows 10, and much more. Recently, Josh transitioned to the Systems Engineer role where he hopes to continue improving services, increasing efficiency, and aiding the university in its mission.
In his spare time Josh enjoys PC video games, cars, reading, and just about anything sci-fi related.
E-mail: jboiselle@colgate.edu
Bridget Gaudreau
Systems Analyst and Programmer
Read about Bridget
BS Information Systems, Le Moyne College
Bridget joined Colgate in 2014, supporting the Banner Advancement System and the various integrations to and from the system. She has worked with systems in secondary and higher education since 2004. She enjoys helping the users find and implement the best technical solutions to meet their needs and improve workflows, as well as assisting in getting the data out of the various systems and into a familiar format for users.
In her free time Bridget can be found spending time with her husband and daughter and trying to find time to read, bake and sew.
E-mail: bgaudreau@colgate.edu
Jim Jerome
Senior Systems Analyst and Programmer
Read about Jim
Jim joined Colgate University in 1994 at the onset of the Banner ERP system implementation.
In his current role at Colgate, Jim supports the Colgate mission by analyzing needs, providing technical guidance, helping with process improvement, and recommending and implementing solutions for academic and administrative areas of the university
In his free time, Jim enjoys hiking the Adirondack Mountains and volunteering as a first responder with the Hamilton Fire Department.
E-mail: jjerome@colgate.edu
Vinnie Lentini
Full Stack Progammer/Analyst
Read about Vinnie
BS Software Engineering, Vermont Technical College
Vinnie joined Colgate University in the Summer of 2017 as a Full Stack Programmer/Analyst. Having mostly worked in Higher Education, Vinnie enjoys working with different departments and developing solutions to best fit their needs.
Prior to Colgate, Vinnie worked at multiple colleges including Vermont Technical College, World Learning and Morrisville State College.
In his free time Vinnie enjoys going to the movies, video/board games, camping, and spending time with his wife and son.
E-mail: vlentini@colgate.edu
Don Rhodes
Read about Don
Don came to Colgate in 2003 as an intern with the the CEL team within ITS and was hired in the fall as a Technology Support Analyst. Has been promoted to Network and Systems Administrator within the Network, Services and Operations team, and Systems Engineer in the DevOps team.
In his free time Don enjoys playing video games and board games, being outdoors (camping, hiking, running, walking ) with family and friends, and is an amateur radio since 1996.
E-mail: drhodes@colgate.edu
Networking and Unified Communications Team
John Gattuso
Technical Director of Networking and Unified Communication
Read about John
John joined Colgate University as a Systems & Network Specialist in October 1993. He was promoted to Director of Network, Systems and Operations in 2000 where he served until 2011. In 2011 he accepted the position of Technical Director of infrastructure in charge of budgeting, planning and infrastructure upgrades. In 2017 he accepted the position of Technical Director of Networking and Unified communications. The newly created position is in charge of the network, server, storage and communications hardware supporting the academic, administration, and research computing programs of the University.
E-mail: jgattuso@colgate.edu
Jubel Caudill
Read about Jubel
I started working at Colgate in 1992. My original job was managing the student workforce and computer labs, then moving into desktop support for faculty and staff across campus also doing a lot of training. In 1994 my responsibilities expanded into the network group where I have worked since.
Prior to Colgate, I had a computer consulting business focusing on agricultural based businesses and farming operations.
In my spare time I run an all-natural grass-fed beef farm.
E-mail: jcaudill@colgate.edu
Rob Gaudreau
Read about Rob
BT Information Technology: Network Administration, Morrisville State College
In his second stint at Colgate, Rob builds and fixes networkie things. He has fourteen years in the higher-ed Information Technology field and enjoys the vast array | 1,223 |
Since the weather proved to be gorgeous in Portland this Saturday, Dan and I ventured to brunch at Batter,<|fim_middle|> it was delivered to us in a cheery, pleasant manner.
Costs are affordable and offer great value at just $10 and $9 for the respective dishes above. Together with tip, we walked out of there for under $20 per person. | a new waffle dedicated restaurant in the Northeast. I've been eager to try it for some time, but just haven't had the time to drop in so I was grateful to finally get the opportunity. Still in its soft opening, the restaurant has a few kinks to work out but it's undeniable greatness shined through.
Located on a bustling block on NE Fremont Street near 44th Avenue in the Beaumont-Wilshire neighborhood, Batter completes an area of culinary greatness with Bang Bang Thai, Smallwares among others.
The restaurant itself is spacious and open, with an unfinished industrial look. While this looks like a part of its charm, a few elements inside prove to be a true work in progress which I hope will be tidied up before their official opening. However, there's many positives including a mix of different sized seating arrangements which suit any kind of party, as well as plenty of outdoor space for nice days. Even though we didn't sit inside, the whole front of the restaurant was open, so you felt like you were dining al fresco anyway.
Chicken and Waffles - Being staunch chicken and waffle fans, we couldn't pass this up. Happy to see a generously sized portion, Dan and I quickly realized we could've easily shared this between us and been totally satiated. The chicken was tender on the inside but perfectly crunchy on the outside and to our surprise boneless. This was a big plus, as it allowed us to seamlessly dig in and enjoy big forkfuls of the savory chicken and sweet waffles, which we generously doused with sweet syrup. It provided a perfect brunch combo that I'd order again in a heartbeat.
Waff-lafel - A more non-traditional dish, the waff-lafel actually consisted of chickpea batter waffles topped with generous scoops of hummus, a side of tzatziki and a Greek salad. The chickpea batter was innovative, giving the waffle an earthy taste and if you closed your eyes, you'd almost not know you were eating brunch. Because of its hearty ingredients, a little went a long way and we ended up taking a lot of it home, which made for delicious leftovers.
Dan also ordered the Bloody Mary cocktail you see above, which he praised as being flavorful, peppery and delicious. I liked the unique touch of a pickled asparagus, which I'm not sure I've yet seen in a Bloody.
As I mentioned above, Batter is still getting its footing in this initial soft launch phase. Our waitress was friendly and did her best, but due to the steady crowd (which is a great sign for a new restaurant) got a little overwhelmed. I can't say that the service wasn't affected but when we did get our food, | 564 |
Home Sport Actor Michael Rapaport On Sports Highs, Lows And LeBron
Actor Michael Rapaport On Sports Highs, Lows And LeBron
When actor Michael Rapaport was growing up, he convinced himself he would end up playing professional basketball. There was a major pivotal moment: the legendary 1979 NCAA championship game that featured Magic Johnson and Larry Bird, who both eventually became NBA Hall of Famers.
"That was like a game-changer for me," Rapaport told Morning Edition host David Greene. "I wanted to be like Larry Bird. I wanted to be like Magic Johnson. And I set a goal of being in the NBA, and I would live my life accordingly."
He did live his life accordingly — including a rigid, self-imposed practice schedule. But Rapaport didn't make it as a basketball player. Instead, he continued to be a rabid sports fan as he created a career first as a stand-up comedian, then as an actor with more than 100 TV and film credits, including supporting roles in Friends, True Romance and Beautiful Girls.
Rapaport still acts — currently on Showtime's White Famous — but he has also become known for his podcast, YouTube videos and talk show appearances.
Now he's also an author. Rapaport's This Book Has Balls is a ranting celebration of sports from the self-proclaimed "MVP of talking trash."
nterview<|fim_middle|> I'm speaking out? No. You're going to love me. You're going to understand my experience. And I'm glad that these athletes are not just happy being pieces of meat, essentially.
Ashley Brown is an editor at Morning Edition and Jacob Pinter is a producer at Morning Edition.
Previous articleA Kind Of Chaos: The Science And Sport Of Bobsledding
Next articleNorth Korea's Olympic Hopefuls Include A Pair Of Figure Skaters | Highlights
On LeBron James, whom he pans but also praises in the book
LeBron has done so much off the court. You know, from social issues, speaking out on race and politics — so I wanted to give him that respect and acknowledge him. 'Cause as much as I wanted to break his chops, I wanted to acknowledge that he's been a great star. And I'm sure he's inspired many, many other athletes and many other, sort of famous, people to continue speaking out when necessary and when they feel like it.
On his deep emotional attachment to sports
Sports is one of the only safe places where you can articulate your emotions. That ABC Wide World of Sports motto: the thrill of victory and the agony of defeat. … I definitely feel the thrill of victory, and I feel the agony of defeat.
On why being a sports fan can be cathartic
We get off on the loving; we get off on the hating. We get off on the frustrations, the highs and lows of it. And it's a great thing because we have so much going on with politics and problems in the world, and I think sports has been a safe haven. You know, I'll never forget when the Yankees were in the World Series after 9/11 that year, it was like that's where we went to let our guards down. And that's where we went to sort of forget about what was going on in the world.
On why he likes athletes who stand up for their off-the-field beliefs
Before you get to the arena — before you get the gym — you're a person. And before you put on your Cleveland Cavaliers jersey as LeBron, he's a person. He's a father. He's a black man. And I'm glad that he speaks out. Because people are tired of being, you're going to cheer for me when I'm making plays but you're going to vilify me when | 394 |
Editor: FrancoisTadel
'''[TODO]''' {{attachment:minnorm_details.gif||width="444",height="446"}} <<HTML(<div style="padding: 0px; float: right;">)>> {{attachment:minnorm_details.gif||width="390",height="392"}} <<HTML(</A></div>)>>
==== Measure: PNAI ====
The only option "Pseudo Neural Activity Index" (PNAI), is named after the definition of the Neural Activity Index (NAI). We have modified Van Veen's definition to rely strictly on the data covariance, without need for a separate noise covariance matrix, but the basic premise is the same as in dSPM, sLORETA, and other normalizations.
Viewing the resulting "map," in an identical manner to that with MNE, dSPM, and sLORETA described above, reveals possibly multiple sources as peaks in the map. The PNAI scores analogously to z-scoring.
The PNAI can then be dropped into the Process1 box and the optimal dipole and orientations extracted for every time instance as described in
==== Dipole orientations: Unconstrained ==== * '''Measure''': The only option "Pseudo Neural Activity Index" (PNAI), is named after the definition of the Neural Activity Index (NAI). We have modified Van Veen's definition to rely strictly on the data covariance, without need for a separate noise covariance matrix, but the basic premise is the same as in dSPM, sLORETA, and other normalizations. Viewing the resulting "map," in an identical manner to that with MNE, dSPM, and sLORETA described above, reveals possibly multiple sources as peaks in the map. The PNAI scores analogously to z-scoring.
* '''Dipole orientations''': We recommend you choose "'''unconstrained'''" and let the later [[Tutorials/TutDipScan|Dipole scanning]] process, which finds the best fitting dipole at each time point, optimize the orientation with respect to the data.
* '''Data covariance regularization''': Same definitions as in MNE, only applied to the data covariance matrix, rather than the noise covariance marix. Our recommendation is to use '''median eigenvalue'''.
* '''Post-processing''': You can extract the optimal dipole and orientation from the PNAI results for every time point with the process [[Tutorials/TutDipScan|Dipole scanning]].
=== Dipole orientations: Unconstrained ===
==== Data covariance regularization ==== === Data covariance regularization ===
Tutorial 22: Source estimation
WARNING: The new interface presented here does not include all the options yet. The mixed head models are not supported: to use them, use the old interface (menu "Compute sources" instead of "Compute sources 2016", described in the old tutorials).
Note for beginners
Advanced options: Minimum norm [TODO]
Advanced options: LCMV beamformer
Advanced options: Dipole modeling
Before we start estimating the sources for the recordings available in our database, let's start with an overview of the options available. This section focuses on the options for the minimum norm estimates. The other methods are described in advanced sections at the end of this page.
Minimum norm imaging
Estimates the sources as the solution to a linear imaging problem, than can be interpreted in various ways (Tikhonov regularization, MAP estimation). The method finds a cortical current source density image that approximately fits the data when mapped through the forward model. The "illposedness" is dealt with by introducing a regularizer or prior in the form of a source covariance that favors solutions that are of minimum energy (or L2 norm).
Min norm requires specification of a noise and a source covariance matrix. Users can estimate a noise covariance matrix directly from recordings (for example, using pre-stim recordings in event related studies) or simply assume a white-noise identify matrix covariance as described below.The source covariance prior is generated from the options discussed in detail below.
In contrast to the LCMV beamformer, in which the data covariance is estimated directly from the data, for minimum norm the data covariance is determine by the choice of source and data covariances and the forward model.
Linearly constrained minimum variance (LCMV) beamformers compute an estimate of source activity at each location through spatial filtering. The spatial data are linearly combined with weights (the spatial filter) chosen separately for each location to ensure that the strength of a dipolar source at that location is correctly estimated (assuming a perfect head model).
The remaining degrees of freedom in selecting the weights are used to minimize the total output power. This has the effect of suppressing contributions of sources from other locations to the estimated signal at the location of interest.
It should be noted however, that correlation between sources can at times lead to partial or full signal cancellation and the method can be sensitive to accuracy of the head model as described in (LINK: rl4).
LCMV beamformers require specification of the data covariance matrix, which is assumed to include contributions from background noise and the brain signals of interest. In practice, the data covariance is estimated directly from the recordings. A linear kernel (matrix) is formed from this data covariance matrix and the forward model. This kernel defines the spatial filters applied at each location. Multiplying by the data produces an output beamformer scanning image. These images can either be used directly, as is common practice with LCMV methods, or the largest peak(s) can be fit with a dipolar model at every time instance, as (LINK: rl5). More details.
In some sense the simplest model: we fit a single current dipole at each point in time to the data. We do this by computing a linear kernel (similar to the min norm and LCMV methods) which when multiplied by the data produces a dipole scanning image whose strongest peak represents the most likely location of a dipolar source.
As with LMCV, the dipole scanning images can be viewed directly, or the single best dipole fit (location and orientation) computed, as described in (LINK: rl6). More details.
Still under much debate, even among our Brainstorm team. In cases where sources are expected to be focal (e.g. interictal spikes in epileptic patients, or early components of sensory evoked responses) the single dipole can be precise in terms of localization. For cases where sources are expected to be distributed, the min norm method makes the least restrictive source assumptions. LCMV beamformers fall somewhere between these two cases.
One advantage of Brainstorm is that all three approaches can be easily run and compared. If the results are concordant among all three techniques, then our underlying assumptions of source modeling, head modeling, and data statistics are confirmed. If the results are disparate, then a more in depth study is needed to understand the consequences of our assumptions and therefore which technique may be preferred. The next several sections discuss in detail the options associated with the "mininum norm imaging" method.
The minimum norm estimate computed by Brainstorm represents a measure of the current found in each point of the source grid (either volume or surface). As discussed on the user forum, the units are strictly kept in A-m, i.e. we do not normalize by area (yielding A/m, i.e. a surface density) or volume (yielding A/m^2, i.e. a volume density). Nonetheless, it is common to refer these units as a "source density" or "current density" maps when displayed directly.
More commonly, however, current density maps are normalized. The value of the estimated current density is normalized at each source location by a function of either the noise or data covariance. Practically, this normalization has the effect of compensating for the effect of depth dependent sensitivity and resolution of both EEG and MEG. Current density maps tend to preferentially place source activity in superficial regions of cortex, and resolution drops markedly with sources in deeper sulci. Normalization tends to reduce these effects as nicely shown by (LINK ?). We have implemented the two most common normalization methods: dSPM and sLORETA.
Current density map: Produces a "depth-weighted" linear L2-minimum norm estimate current density using the method also implemented in Matti Hamalainen's MNE software. For a full description of this method, please refer to the MNE manual, section 6, "The current estimates". Units: picoamper-meter (pA-m).
dSPM: Implements dynamical Statistical Parametric Mapping (Dale, 2000). The MNE is computed as above. The noise covariance and linear inverse kernel are then used to also compute estimates of noise variance at each location in the current density map. The MNE current density map is normalized by the square root (standard deviation) of these variance estimates. As a result dSPM gives a z-score statistical map. Units: unitless "z".
sLORETA: Standardized LOw Resolution brain Electromagnetic TomogrAphy (Pasqual-Marqui, 2002). As with dSPM, the MNE current density map is normalized at each point. While dSPM computes the normalization based on the noise covariance, sLORETA replaces the noise covariance with the data covariance. (LINK ?) show an alternative form using a "resolution" kernel that may be calculated instead. We use the "resolution" form here. Units: unitless.
Recommended option: Discussed in the section Source map normalization below.
At each point in the source grid, the current dipole may point arbitrarily in three directions. In this section of the options, we describe alternatives for constraining orientation:
Constrained: Normal to cortex: Only for "surface" grids. At each grid point, we model only one dipole, oriented normally to the cortical surface. This is based on the anatomical observation that in the cortex, the pyramidal neurons are mainly organized in macro-columns that are perpendicular to the cortex surface.
Loose: Only for "surface" grids. As introduced by (LINK ?), at each point in the surface grid the dipole direction is constrained to be normal to the local cortical surface. Two additional elemental dipoles are also allowed, in the two directions tangential to the cortical surface. As contrasted with "unconstrained," these two tangential elemental dipoles are constrained to have an amplitude that is a fraction of the normal dipole, recommended to be between 0.1 and 0.6. Thus the dipole is only "loosely" constrained to be normal to the local cortical surface.
Recommended option: The constrained options use one dipole per grid point instead of three, therefore the source files are smaller, faster to compute and display, and more intuitive to process because we don't have to think about recombining the three values into one. On the other hand, in the cases where its physiological assumptions are not verified, typically when using an MNI template instead of the anatomy of the subject, the normal orientation constraint may fail to represent certain activity patterns. Unconstrained models can help in those cases. See further discussion on constrained vs unconstrained solutions below in section Why does it looks so noisy.
We automatically detect and display the sensors found in your head model. In the example above, only one type of sensors is found ("MEG"). You can select one or all of the sensors found in your model, such as MEG and EEG.
However, cross-modality calculations are quite dependent on the accuracy by which you have provided adequate covariance calculations and consistency of the head models across sensor types. As of Fall of 2016, we have also elected to NOT account for cross-covariances between different sensor types, since regularization and stability of cross-modalities is quite involved. For multiple sensor types, the recommendation is that you try each individually and then combined, to test for discordance.
The other menu "Compute sources" launches the interface that was used previously in Brainstorm. We are going to keep maintaining the two implementations in parallel for a while for compatibility and cross-validation purposes.
The source maps look very noisy and discontinuous, they show a lot of disconnected patches. This is due to the orientation constraint we imposed on the dipoles orientations. Each value on the cortex should be interpreted as a vector, oriented perpendicular to the surface. Because of the brain's circumvolutions, neighboring sources can have significantly different orientations, which also causes the forward model response to change quickly with position. As a result, the orientation-constrained minimum norm solution can produce solutions that vary rapidly with position on the cortex resulting in the noisy and disjointed appearance.
It is therefore important not to always interpret disconnected colored patches as independent sources. You cannot expect high spatial resolution with this technique (~5-10mm at best). Most of the time, a cluster of disconnected source patches in the same neighborhood that show the same evolution in time can be interpreted as "there is some significant activity around here, but with some uncertainty as to its precise location".
For data exploration, orientation-constrained solutions may be a good enough representation of brain activity, mostly because it is fast and efficient. You can often get a better feeling of the underlying brain activity patterns by making short interactive movies: click on the figure, then hold the left or right arrows of your keyboard.
Activity patterns will also look sharper when we compute dSPM or sLORETA normalized measures (later in this tutorial). In most of the screen captures in the following sections, the contrast of the figures has been enhanced for illustration purposes. Don't worry if it looks a lot less colorful on your screen. Of course, ultimately statistical analysis of these maps is required to make scientific inferences from your data.
You should pay attention to the sign of the current amplitudes that are given by the minimum norm method: they can be positive or negative and they oscillate around zero. Display the sources on the surface, set the amplitude threshold to 0%, then configure the colormap to show relative values (uncheck the "Absolute values" option), you will see those typical stripes of positive and negative values around the sulci. Double-click on the colorbar after testing this to reset the colormap.
This pattern is due to the orientation constraint imposed on the dipoles. On both sides of a sulcus, we have defined dipoles that are very close to each other, but with opposite orientations. If we have a pattern of activity on one side of a suclus that can be modeled as a current dipole (green arrow), the limited spatial resolution of the minimum norm model will blur this source using the dipoles that are available in the head model (red and blue arrows). Because of the dipoles' orientations, the minimum norm images produces positive values (red arrows) on one side of the sulcus and negative on the other side (blue arrows).
When displaying the cortical maps at one time point, we are usually not interested in the sign of the minimum norm values but rather by their amplitude. This is why we always display them by default with the colormap option "absolute values" selected.
However, we cannot simply discard the sign of these values because we need these for other types of analysis, typically time-frequency decompositions and connectivity analysis. For estimating frequency measures on the source maps it is essential that we retain the sign of the time course at each location so that the correct oscillatory frequencies are identified.
In cases where the orientation constraint imposed on the dipole orientations produces implausible results, it is possible to relax it partially (option "loose constraints") or completely (option "unconstrained"). This produces a vector (3 component) current source at each location which can complicate interpretation, but avoids some of the noisy and discontinous features in the current map that are often seen in the constrained maps. Unconstrained solutions are particularly appropriate when using the MNI template instead of the subject's anatomy, or when studying deeper or non-cortical brain regions for which the normal to the cortical surface obtained with FreeSurfer or BrainSuite is unlikely to match any physiological reality.
In terms of data representation, the option "unconstrained" and "loose constraints" are very similar. Instead of using one dipole at each cortical location, a base of three orthogonal dipoles is used. Here we will only illustrate the fully unconstrained case.
The maps we observe here look a lot smoother than the constrained sources we computed earlier. This can be explained by the fact that there is no sharp discontinuity in the forward model between two adjacent points of the grid for a vector dipole represented in Cartesian coordinates while the normal to the surface for two nearby points can be very different, resulting in rapidly changing forward models for the constrained case.
They depend a lot on the SNR of the signal, which may vary significantly between subjects. Their amplitude is therefore difficult to interpret directly.
Normalizing the current density maps with respect to a reference level (estimated from noise recordings, pre-stimulus baseline or resting state recordings) can help with all these issues at the same time. In the case of dSPM and sLORETA, the normalizations are computed as part of the inverse routine and based on noise and data covariances, respectively. While dSPM does produce a Z-score map, we also provide an explicit Z-score normalization that offers the user more flexibility in defining a baseline period over which Brainstorm computes the standard deviation for normalization.
The normalization options do not change the temporal dynamics of your results when considering a single location but they do alter the relative scaling of each point in the min norm map. If you look at the time series associated with one given source, it will be exactly the same for all normalizations, except for a scaling factor. Only the relative weights change between the sources, and these weights do not change over time.
sLORETA: Produces smoother maps where all the potentially activated area of the brain (given to the low spatial resolution of the source localization with MEG/EEG) is shown as connected, regardless of the depth of the sources. The maps are unitless, but unlike dSPM cannot be intepreted as Z-scores so are more difficult to interpret.
The Z-transformation converts the current density values to a score that represents the number of standard deviations with respect to a baseline period. We define a baseline period in our file (in this case, the pre-stimulus baseline) and compute the average and standard deviation for this segment. Then for every time point we subtract the baseline average and divide by the baseline standard<|fim_middle|> (amplitude). The default in MNE and in Brainstorm is "3", i.e. the average SNR (power) is 9.
RMS source amplitude: An alternative definition of SNR, but still under test and may be dropped. [TODO]
As mentioned above, these methods create a convenient linear imaging kernel that is "tall" in the number of elemental dipoles (one or three per grid point) and "wide" only in the number of sensors. At subsequent visualization time, we efficiently multiply the kernel with the data matrix to compute the min norm images.
As mentioned in the introduction above, two other methods can be selected for source estimation, a beamformer and dipole modeling. In this section, we review the options for the beamformer. You need to estimate a data covariance matrix in order to enable the option "LCMV beaformer" in the interface.
Measure: The only option "Pseudo Neural Activity Index" (PNAI), is named after the definition of the Neural Activity Index (NAI). We have modified Van Veen's definition to rely strictly on the data covariance, without need for a separate noise covariance matrix, but the basic premise is the same as in dSPM, sLORETA, and other normalizations. Viewing the resulting "map," in an identical manner to that with MNE, dSPM, and sLORETA described above, reveals possibly multiple sources as peaks in the map. The PNAI scores analogously to z-scoring.
Dipole orientations: We recommend you choose "unconstrained" and let the later Dipole scanning process, which finds the best fitting dipole at each time point, optimize the orientation with respect to the data.
Data covariance regularization: Same definitions as in MNE, only applied to the data covariance matrix, rather than the noise covariance marix. Our recommendation is to use median eigenvalue.
Post-processing: You can extract the optimal dipole and orientation from the PNAI results for every time point with the process Dipole scanning.
Dipole orientations: Unconstrained
The definitions here are identical to the MNE above; however, we do not recommend you select "constrained" (although technically allowed). Choose only "unconstrained" and let the later "dipole scanning" process, which finds the best fitting dipole at each time point, optimize the orientation with respect to the data.
Same definitions as in MNE, only applied to the data covariance matrix, rather than the noise covariance marix. Our recommendation is to use median eigenvalue.
Dipole modeling fits a single dipole at each potential source location to produce a dipole scanning map. This map can be viewed as a indication of how well, and where, the dipole fits at each time point; however, we recommend using the subsequent best-dipole fitting routine to determine the final location and orientation of the dipole (one per time point). Please note that this function does not fit multiple simultaneous dipoles.
Although not widely recognized, dipole modeling and beamforming are more alike than they are different – when comparing the inverse operators required to compute the dipole scanning map (dipole modeling) and the beamformer output map (LCMV), we see that they differ only in that the former uses an inverse noise covariance matrix while the latter replaces this with the inverse of the data covariance.
Below is the options screen when dipole modeling is selected.
You will notice that "Measure" is now missing, but the resulting imaging kernel file is directly analogous to the PNAI result from LCMV beamforming. The user can display this scanning measure just as with the LCMV case, where again the normalization and uunits are a form of z-scoring. | deviation. Z = (Data - μ) / σ
This measure tells how much a value deviates from the baseline average, in number of times the standard deviation. This is done independently for each source location, so the sources with a low variability during baseline will be more salient in the cortical maps post-stimulus.
You can see that the cortical maps obtained in this way are very similar to the other normalization approaches, especially with the dSPM maps.
It is difficult to declare that one normalization technique is better than another. They have different advantages and may be used in different cases. Ideally, they should all converge to similar observations and inferences. If you obtain results with one method that you cannot reproduce with the others, you should question your findings.
dSPM and sLORETA are linear measures and can expressed as imaging kernels, therefore they are easier to manipulate in Brainstorm. sLORETA maps can be smoother but they are difficult to interpret. dSPMs, as z-score maps, are much easier to understand and interpret.
Z-normalized current density maps are also easy to interpret. They represent explicitly a "deviation from experimental baseline" as defined by the user. In contrast, dSPM indicates the deviation from the data that was used to define the noise covariance used in computing the min norm map.
Now we have the source maps available for all the recordings, we can average them in source space across runs. This allows us to average MEG recordings that were recorded with different head positions (in this case Run#01 and Run#02 have different channel files so they could potentially have different head positions preventing the direct averaging at the sensor level).
We will use the second option: using the sources for the sensor-level averages. It is a lot faster because it needs to read 4 files (one average file per run and per condition) instead of 456 files (total number of good trials in the two runs).
Everything below is advanced documentation, you can skip it for now.
Averaging normalized source maps within a single subject requires more attention than averaging current density maps. The amplitude of the normalized measures increase with the SNR of the signal, the higher the SNR the higher the normalized score. For instance, the average of the dSPM for the single trials is lower than the dSPM of the averaged trials (by a factor of sqrt(N), where N is the number of trials).
From the expression of the dSPM, we know exactly what factor should be applied to compensate for this effect so that new value reflects the enhanced SNR that results from averaging over trials. When computing the average of dSPM or other normalized values, we have to also multiply the average with the square root of the number of files averaged together.
Briefly, the use of various depth weightings was far more debated in the 1990s, before the introduction of MNE normalization via dSPM, sLORETA, and other "z-scoring" methods, which mostly cancel the effects of depth weighting (put another way, after normalization min norm results tend to look quite similar whether depth weighting is used or not).
By modifing the source covariance model at each point in the source grid, deeper sources are "boosted" to increase their signal strength relative to the shallower dipoles; otherwise, the resulting MNE current density maps are too dominated by the shallower sources. If using dSPM or sLORETA, little difference in using depth weighting should be noted. To understand how to set these parameters, please refer to the MNE manual. (options --depth, --weightexp and --weightlimit).
Noise covariance regularization [TODO]
MNE and dipole modeling are best done with an accurate model of the noise covariance, which is generally computed from experimental data. As such, these estimates are themselves prone to errors that arise from relatively too few data points, weak sensors, and strange data dependencies that can cause the eigenspectrum of the covariance matrix to be illconditioned (i.e. a large eigenvalue spread or matrix condition number). In Brainstorm, we provide several means to "stabilize" or "regularize" the noise covariance matrix, so that source estimation calculations are more robust to small errors.
Diagonal noise covariance: Deficiencies in the eigenspectrum often arise from numerical inter-dependencies found among the channels, particularly in covariance matrices computed from relatively short sequences of data. One common method of stabilization is to simply take the diagonal of the covariance matrix and zero-out the cross-covariances. Each channel is therefore modeled as independent of the other channels. The eigenspectrum is now simply the (sorted) diagonal values.
Recommended option: This author (Mosher) votes for the median eigenvalue as being generally effective. The other options are useful for comparing with other software packages that generally employ similar regularization methods. [TODO]
Regularization parameter [TODO]
In minimum norm estimates, as mentioned above in the comparisons among methods, the data covariance matrix is essentially synthesized by adding the noise covariance matrix to a modeled signal covariance matrix. The signal covariance matrix is generated by passing the source prior through the forward model. The source prior is in turn prescribed by the source model orientation and the depth weighting.
A final regularization parameter, however, determines how much weight the signal model should be given relative to the noise model, i.e. the "signal to noise ratio" (SNR). In Brainstorm, we follow the definition of SNR as first defined in the original MNE software of Hamalainen. The signal covariance matrix is "whitened" by the noise covariance matrix, such that the whitened eigenspectrum has elements in terms of SNR (power). We find the mean of this spectrum, then take the square root to yield the average SNR | 1,193 |
I know, where do I get off writing anything about Martinis? For the longest time I didn't even like gin<|fim_middle|>4 full of cracked ice.
Add the ingredients, then stir for at least 20 seconds.
your glass to Nick and Nora Charles.
For further reading and some terrific ideas for taste-testing different gin-vermouth proportions in a Martini to help you find our own "perfect" Martini, read Robert "DrinkBoy" Hess' most excellent essay on the subject. | , and wouldn't touch a proper gin Martini. Fortunately, we all grow, our palates become more sophisticated, and now I love Martinis. And of course, like any other Martini drinker, I have strong, hardheaded opinions about them.
There are several components -- a good gin, at least some vermouth, and a sufficient amount of dilution. I've seen someone describe his "perfect Martini" made with gin he keeps in the freezer, so you don't have to dilute it with ice. Gadzooks! That'd make a very harsh drink, I should think. Proper cocktails always have water in them that results from dilution during the shaking or stirring (which also serves to chill the cocktail as well). Water takes the harsh edge off the alcohol, opens of the flavors of the base spirit and helps bind everything together; it's really essential to a properly made cocktail.
Use good gin, not bottom-shelf stuff. Beefeater is a good everyday dry gin, and if you're interested in top-shelf brands, usually containing more botanicals in the mix of flavoring components, try Plymouth, Tanqueray No. 10, Bombay Sapphire, Citadelle, or even some of the more exotic gins like Hendrick's (which includes rose and cucumber in its blend of botanicals). Some folks criticize these as being "soft" gins, and they aren't as in-your-face with the juniper as others are. Tanqueray is very popular, and apparently Boodles is for the hardcores -- "like taking a bite out of a pine cone."
Vermouth -- Noilly Prat Extra Dry Vermouth. Accept no substitutes.
Fill a mixing glass 3/ | 354 |
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People, Voice actors, 1960s births,
Canadian people
Disney Channel Actors and Actresses
Disney Post-Renaissance
Michael Andrew Fox
June 9, 1961 (age 59)
Actor, author, film producer, activist
Tracy Pollan (1988-present)
Sam, Aquinnah, Schuyler, and Esmé
Michael Andrew Fox, OC known professionally as Michael J. Fox, is a retired Canadian-American actor, author, film producer, and activist who is best known for his roles as Marty McFly in the Back to the Future trilogy, Alex P. Keaton on the NBC sitcom Family Ties from 1982 to 1989, and Mike Flaherty on the ABC sitcom Spin City from 1996 to 2001. He also voiced the titular character in the Stuart Little film trilogy.
For Disney, he played Scott Larson in the 1980 film, Midnight Madness. He also provided the voice of Chance in the 1993 film Homeward Bound: The Incredible Journey and its 1996 sequel, as well as voiced Milo Thatch in the 2001 animated feature film, Atlantis: The Lost Empire and Michael in the Phineas and Ferb episode "The Curse of Candace". Additionally, he portrayed Michael Chapman in the 1993 Touchstone Pictures film, Life with Mikey and Ethan West in the ABC TV show, Designated Survivor.
In 1991, Fox was diagnosed with Parkinson's disease, and has since become an advocate for the disease's cure.
1 Disney Roles
Disney Roles
(Homeward Bound films)
Milo Thatch
(Atlantis: The Lost Empire)
Michael J. Fox behind the scenes of Atlantis: The Lost Empire.
Michael J. Fox at the premiere of Atlantis: The Lost Empire in June 2001.
Michael J. Fox attending the 2012 Tribeca Film Fest.
Michael J. Fox and his wife Tracy Pollan attending the 65th Annual Emmy Awards in September 2013.
Michael J. Fox attending the 30th anniversary screening of Back to the Future in October 2015.
Michael J. Fox visiting Jimmy Kimmel Live in November 2015.
Michael<|fim_middle|> Little in the 2005 film of the same name, along with Matthew Broderick and David Spade before Zach Braff was chosen.[1]
↑ Hischak, Thomas S. (2011-09-15). Disney Voice Actors: A Biographical Dictionary (in en). McFarland. ISBN 9780786486946.
Retrieved from "https://disney.fandom.com/wiki/Michael_J._Fox?oldid=4370266"
1960s births | J. Fox and Denis Leary attending the 2019 Tribeca Film Fest.
Fox came up with the fake middle initial "J" because there was already another Michael Fox in the union and he didn't want magazine headlines to read "Michael A. Fox". He said that the J stood for "Jenius".
James Arnold Taylor replaced Michael as the voice of Milo Thatch in the 2003 sequel Atlantis: Milo's Return for budgetary reasons.
Fox was considered for the role of Flik in A Bug's Life before Dave Foley was chosen.
Fox was also considered for the role of Chicken | 126 |
"Birdie and Me"
<|fim_middle|>utable quest to find a place they can be their true and best selves. I call it a pass of the Page 69 Test!
Visit J. M. M. Nuanez's website.
Writers Read: J. M. M. Nuanez.
"Sunshield"
"Kazu Jones and the Comic Book Criminal"
"The Silence"
"Camp"
"Things You Would Know If You Grew Up Around Here"
"Brave Girl, Quiet Girl"
"What Lies Between Us"
"The Good Stranger"
"By the Book"
"The Resolutions"
"Dear Universe"
"Little Voices"
"Cursed"
"Dark Tomorrow"
"The Secrets of Bones"
"A Mother's Lie"
"Last Girls"
"Have You Seen Me?"
"The Last Summer of Ada Bloom"
"The Last Blue"
"Tornado Brain"
"Roar Back"
"Vera Violet" | J. M. M. Nuanez's debut middle grade novel, Birdie and Me, was published in February 2020 by Penguin Random House.
In her spare time, she likes to read, garden, and build miniature things. She's a committed fan of cats, pizza, and YouTube.
Nuanez applied the Page 69 Test to Birdie and Me and reported the following:
On page 69, we find our main characters, twelve-year-old Jack and her younger brother, Birdie, on the morning of their disastrous attempt to return home via an unsanctioned nine-hour Greyhound bus ride. Surprisingly, page 69 is a pretty good place to start in terms of getting a sense of the book. Both Jack and Birdie's voices, along with their unique perspectives and desires are represented, and the constant problem of how these kids will find a place to call home is front and center.
"Half an hour?"
"Okay. We'll eat Honey Bunny Buns when we get to the station, okay?"
He nods again and says, "How come you're using that flashlight?"
"I'm worried Patrick will somehow see our room lights. Now remember, bring only what you can carry yourself. I'll have my own stuff to deal with. I'm not sure if we'll ever be back here."
My heart skips a beat saying that out loud.
"I know. You told me last night." Birdie switches on his own flashlight and gets out of bed. I go back to my room and finish my hair. When I'm done, I check my small duffel bag and backpack. I have to leave some clothes and books behind, but there's nothing to do about that. We still have to walk to town, take two buses, and then once we're in Portland, take the city bus to Mrs. Spater's.
As I help Birdie along the side of the house, I already know Birdie is going to be too cold, but he insisted on wearing his zebra-print leggings and skirt, along with his purple jacket. He has his hair separated into two short pigtails and wears a silver and turquoise beanie, which I've never seen before.
"Rosie found it at the thrift shop," he says. "Don't worry, it's washed."
I put my finger to my lips as we pass in front of the house.
Although much of the story's plot is incited by Birdie's choice of clothes, the meat of the drama is really about Jack's protectiveness over Birdie and her conflicted view of her recently passed mother. This all contributes to her struggle to let her new and unconventional family love her. I'm happy that her apprehension about leaving town is shown – she is determined, yes, but her skipping-heart reveals her nervousness about the decision to runaway back home. And the image of her assisting Birdie along the dark side of their estranged uncle's house shows Jack's sense of responsibility and desire to protect him.
All of this truly encapsulates what Jack is all about at this moment in her life.
I am also surprised to find that even Birdie's sense of style is on display here! And even his insistence of fashion over physical comfort or practicality! While the book isn't solely about a gender non-conforming kid, Birdie's clothes play an important role in forcing his new unconventional family to come to grips with all the changes happening around them. Birdie continually receives a lot of (mostly unwanted) attention because of what he wears and I'm happy this important part of his personality is shining quite bright on page 69.
Overall, I think this excerpt does a great job of reflecting my desire to balance authentic, complicated and quirky characters with the sometimes inscr | 773 |
What<|fim_middle|> email, meetings, texts, phone calls. And all of these are SOMEONE ELSE'S PRIORITY. | Behaviors Must Leaders Avoid?
Leadership lessons continue to flow from the recent worst-to-first Red Sox season. Here is a great article from Fast Company on David Ortiz and leadership, "World Series MVP David Ortiz's Big, Bold, On-the-fly Leadership Lessons".
If there are two things we are passionate about here at MOR its Leadership and the Red Sox. Congratulations to the Red Sox, the Boston area and to all of Red Sox Nation on our World Series victory!
Today's Tuesday Reading is "Surprises Are the New Normal; Resilience Is the New Skill," an essay by Rosabeth Moss Kanter, Ernest L. Arbuckle Professor at the Harvard Business School where she specializes in strategy, innovation, and leadership for change. The essay appeared in July 2013 in the HBR blog.
Indeed, as Marshall Goldsmith suggests, "What Got You Here Wont Get You There", but it is still important to understand that what got you here did get you here. We have become the leaders we are today because of a unique set of varying experiences. We've been taught new things, shown the right ways, seen bad ways, been part of amazing teams, struggled at times, been let go, promoted, challenged, led, followed, etc… These all piece together into our own individual leadership journeys.
Today's Tuesday Reading is a guest reading from the pen of Greg Busby, Director, Planning and Program Management, Office of the CIO, Cornell University. It first appeared as a Reflection to the ITLP 2013 cohort.
Let's face it – we live in a Push world. Things to do arrive on our desk all the time, pushed there via | 343 |
Apple Inc. expressed apologies and offered solutions for a FaceTime security glitch in a statement released today.
"We have fixed the group FaceTime security bug on Apple's servers and we will issue a software update to re-enable<|fim_middle|> was causing this bug.
Apple now faces a formal investigation over the eavesdropping breach. Letitia James, New York's Attorney General, announced the investigation Wednesday, saying Apple failed to warn their customers about the security flaw and didn't address the problem fast enough.
The company said they plan for a new iOS update to be released next week, but have yet to explain to consumers why the update is delayed. Until then, group FaceTime has been and will stay disabled for the current iOS and any past updates. | the feature for users next week…We appreciate everyone's patience as we complete this process." said Apple in their public statement.
Earlier this week a flaw was found in Apple's new group FaceTime feature, which allows numerous people at once to chat with video. The glitch triggered widespread consumer anxiety.
Fourteen-year-old Grant Thompson was attempting to do a group FaceTime with his friends when he found a bug in the system that allowed him to eavesdrop without them knowing.
The problem becomes exposed when calling someone on FaceTime. If users were to add an additional phone number to the call using the "Add People" feature, FaceTime would pick up and play sound from the recipient's phone before they answered the call.
Grant informed his mother, Michele Thompson, a lawyer. She attempted to contact Apple to inform them of the security breach.
Thompson said she had reached out to Apple numerous times by phone, email, Facebook and Twitter. She even sent a video demonstrating the flaw, but received no response.
"I tried my best to report it to them, and they didn't listen," said Thompson to news media.
Group FaceTime was released in October 2018 when Apple presented its new iOS 12.1. The feature allows users to have up to 32 people on one FaceTime call.
Although the Thompsons reported the bug to Apple on Jan. 22, the tech company did not address the issue until Jan. 28, when it disabled FaceTime for several hours, long enough to find out what exactly | 314 |
The Forest of Moon and Sword
by Amy Raphael
Illustrated by August Ro
'A wonderful book' PIERS TORDAY
'Very exciting' ANTHONY MCGOWAN
When Art's mother is accused of witchcraft and captured, she is determined to get her back – at any cost. A lyrical adventure with folklore at its heart, for fans of THE HOUSE WITH CHICKEN LEGS.
Twelve-year-old Art lives in a small village in Scotland. Her mother has always made potions that cure the sick, but now the townspeople say she is a witch. One cloudless night, Art's mother is arrested and taken to England.
Art mounts her horse, taking a sword, a tightrope, and a herbal recipe book, and begins a journey through wild forests<|fim_middle|>. Howell, author of The Garden of Lost Secrets
Genre: Children's, Teenage & Educational / Children's / Teenage Fiction & True Stories / Adventure Stories (children's / Teenage)
On Sale: 7th January 2021
Paperback Arrow Icon
Amy Raphael at Wonderland Bookshop
4th Feb 2021 6:30 pm | , using nature's signs and symbols to guide her.
But will she spot the signs from the omens? Will she reach her mother, before it's too late?
'Gripping. I raced through it' – A.M | 47 |
gihyo.jp » WEB+DESIGN STAGE » 連載 » Web Site Expert巻頭レポート(英語) » The Changing Portrait of Web Development Careers
Web, Web Site Expert, Webサイト制作
この記事を読むのに必要な時間:およそ 10 分
The United States government's Bureau of Labor Statistics tracks almost everything you ever wanted to know about employment: what occupations are growing, what those occupations pay, what skills are needed. But when it comes to the growing profession of Web site design and development, the agency has fallen behind. It classifies Web designers simply as graphic designers that work on the Web. That simple description might have been true in the days when the Web was just an interlinked set of HTML pages, but but these days, the employment picture is more complex. With companies living and dying by their Web presence, Web development has become a true professional occupation. Web developers must often know something about marketing, user interfaces, and the nuances of e-commerce. Some developers have cultivated research skills to develop concepts and the presentation skills to sell those concepts to management.
The field is also increasingly one of specialists. In a smaller company, you can still be an all-around Web master who handles everything digital for the organization. But for larger companies, the team is now as diverse as a movie production crew, though the highest demand is for specialists who have gone beyond their specialty. "Specialists come at problems with a hammer regardless of whether the problem is a nail," said Zachary Jean Paradis, director of experience strategy for the multi-national consulting firm Sapient. "We need specialists who think like generalists."
To get a snapshot of Web site development as a career in the United States, I spoke with two people who help train people for the profession, to Sapient's Zachary Jean Paradis, and to Ben Lau, who found his career on the job. Let's begin the tour with him.
Ben Lau, e-commerce manager, True Religion Brand Jeans
When Ben Lau earned his undergaduate degree from San Francisco State University in 1996, his timing couldn't have been better for a career in Web design and development. The "dot.com boom" had just begun--it wouldn't burst until four years later. Companies were just figuring out the value of being online, and if you were talented and interested, you could get in on the ground floor with no other credentials than that. Lau's degree in marketing and communications gave him some basic skills for e-commerce. His long-time interest in computers kept him going.
Lau began his journey doing customer support in a video game company, Total Entertainment Network, which would later become Pogo.com. His Web development days began when he was promoted to product manager. "At that time there were many entry-level positions that quickly led to more responsibility. It was a startup mentality, and I was at the right place at the right time. I worked with some great people, including hard core programmers and designers, and I learned a lot."
When Electronic Arts bought Pogo.com in 2001, Lau returned to Los Angeles where he grew up. He married, and as it would turn out, he pursued a classic Southern California e-commerce career. He co-founded a business doing Web site development. A few years later, he took a full-time job managing the e-commerce site for Pelican Parts, an online retailer specializing in BMWs and Porsches. A couple of years later, he switched industries again, moving to Michael Stars, a "casual couture" clothes company specializing in selling upscale women's T-shirts. "I was the web producer and took care of anything digital, including managing the e-commerce site and looking at new technologies, vendors, and marketing venues," Lau recalls. That job led to a larger company in the same industry: True Religion Brand Jeans, which was a lot bigger than my previous company. "I've been here almost two years. I'm the e-commerce manager―everything digital falls to me, including online marketing."
Lau is a classic case of a self-made Web site expert. He was not formally trained, and got most of his experience on the job. He moved into e-commerce after stints with customer support, product management, and business development. If you want to sell things online, that combination--as much as any technical training--turns out to be a valuable experience. Along the way, Lau did take some classes in HTML. He read books and hung out with friends who were themselves programmers and designers. He learned Adobe Dreamweaver, Photoshop and Illustrator.
"I've always considered myself a hybrid person: I can do a lot of different things, which saves money because I can take care of most everything. I wouldn't say that I'm a 100 percent programmer, but I can speak the language. I don't do coding, but if it's already been done, I can identify what's wrong or what needs to happen next. I'm not a 100 percent graphics designer, either--but I can do it as well. My theory is that in any position you hold, you should be able to do the entire process yourself from beginning to end. That can really help in a tough economy and for companies who are new to e-commerce and don't have a definition of exactly what they are looking for. My advice: learn as much as you can, be adaptable, and cultivate a wide network of people. One thing they didn't teach me at school, and a lot of my younger friends still don't understand, is the value of being connected with your industry peers. Networking really makes a difference. When I go to conferences, I still see a lot of people I know. E-commerce is still a small world."
Rod Berg, Associate Director, Career Services, Parsons The New School for Design
One sign of Web design's becoming a professioon is the number of schools offering courses. One of the most respected is Parsons, one of eight schools at The New School in New York's Greenwich Village. The New School is known for hiring working professionals, and most of the Parsons faculty teaches part-time, spending the rest of their time as in-house and freelance designers. "They know what's going on out there. It helps our students be in tune with the world," says Rod Berg, Parsons associate director, Career Services. "For example, the head of our illustration department was the former op-ed art director for the New York Times. Now he does freelance illustration as well as being full time head of illustration at our school."
Parsons is a design school, not specifically a Web design school. For people interested in the field, it's the medium and tools that change, not the underlying design principals. For the past seven years, Berg has been helping design students, including Web designers, launch their career. The preparation varies. "Some students have a good idea of what kind of career they want," he says. "Others may be very talented, but have no idea of how the process works." But either way, the career path for most students is with an internship. Parsons' New York location and national reputation gives students plenty to chose from: Berg has placed interns in a wide variety of enviable positions: including placement at Apple, Google, Marvel, the United Nations, MTV, and ESPN.
But do internships actually translate into full-time work? Ideally, the internship leads to some freelance assignments. The freelance assignments help prove the designer's worth. "So when a job opening comes up, they've already been tried and tested, and will be among the first to be considered." And if not, there are other opportunities, even in this tight economy, from non-profits to startups, consulting firms and larger companies. "Who doesn't need a website? Animation, advertising, publishing, multimedia are all looking. Fashion designers all need e-commerce sites." Berg thinks that landing a job is like gardening: you plant resumes everywhere you can, and eventually, an opportunity will sprout. As Woody Allen once said, "90 percent of life is just showing up."
While Web development is becoming the realm of specialists, undergraduate training at Parsons is about getting good at the fundamentals. Berg rarely meets students who set out to be, say, a background artist, even though that's a job description companies now post. That degree of specialization comes with post-grad training or on-the-job experience. What has changed is the demand for technology expertise. Ten years ago, Berg says, artistic talent was everything. "Now some talented old school designers and illustrators without computer skills are realizing that going forward will be a struggle."
The ability to communicate well is also becoming important. "Often graduates have to sell their ideas, so you don't want shy, meek people. You have to have a personality to match your computer talents, especially when there is so much competition. If a company sees two fantastic portfolios, the person whose presentation is more vibrant and confidant will get the job offer." Parsons faculty were committed enough to that idea that they renamed the undergraduate program. What was once called "Graphics Design" is now "Communications Design." Graphics is still taught, of course, but it is for a utilitarian purpose, not art for art sake.
Jeremy Alexis, assistant dean and a professor at the Illinois Institute of Technology's Institute of Design
The Illinois Institute of<|fim_middle|> architects, user researchers, creative directors, visual designers, social media specialists, and interactive developers, among other disciplines. Job seekers define themselves by those specialties and the firm lists jobs that way. It's like the medical profession: general practitioners have largely given way to specialists.
But Paradis says that job candidates should still be multi-talented. "I want to see someone who has mastery over their domain, but can also fluidly interact with a larger team. That means having a little bit more breadth of experience and skills. So if I see someone who is an information architect, but who also has experience doing research and content strategy on smaller projects--he or she gets special attention." The degree of specialty depends to some extent on the level of the hire. "Below the manager level, we're just looking for you to have mastered your discipline, or at least be far along the way and show some passion for it. But when you get to the manager level and above, you need to start demonstrating that you can do more. We do have specialists that focus on just one thing, but those people may be less useful for a given project. People can't be zealots―they have to master their craft, find a specialty, and then be comfortable with branching out."
Candidates should also be passionate about an industry or a sales channel. If a candidate is applying as an e-commerce specialist, Paradis looks for someone who loves the experience of shopping online, and is thus immersed enough to think more deeply about it. The same is true for other areas. "For example, any company in the travel industry must have mobile strategy, yet many today do not. That means not only supporting mobile devices, but integrating that experience with the conventional Web experience, as well as the call center.
That, says Paradis, is why Sapient is hiring like mad. "We want problem solvers more than we want pixel pushers. Those skills are in incredibly high demand: there is tons of critical work to do. The work will determine whether companies or organizations fail or succeed. It will require that people think in new ways."
第12回 研修の効果をどう測る?メンバーの能力を誰が評価する?~株式会社アイ・エム・ジェイ川畑隆幸氏が赤裸々に語る!IMJ人材育成への挑戦②
第3回 オウンドメディアとアーンドメディアをプロモーションや制作において,どのように捉える必要があるのか
第9回 自転車で世界周遊したり,VJ体験を満喫!――WebSig1日博でオトナの学園祭を楽しもう! | Technology's Institute of Design has the largest graduate design program in the United States. By the time they are accepted to this Chicago school, most students already have plenty of hands-on design experience. But they are attracted to the school for something else. "Our students aren't necessarily moving pixels around, or designing the final website, or even dealing with the information architecture," said Associate Dean Jeremy Alexis. "Rather, they are responsible for going into the field, understanding how people use a website and how that experience could be improved, as well as evaluating the surrounding business factors. They use their fieldwork to put together recommendations that are handed off to the actual production team." Design research will become part of the job description for some of the school's graduates, a full-time career for others, including those who get hired by large consulting firms like Sapient and Razorfish. "The process plays out differently at different firms, but that's the general idea," Alexis says.
This planning and research may not be what Web site developers think of when they first enter the profession. But the role is a sure sign of the times, an indicator of just how seriously companies take their Web presence. And it's not that the school doesn't value hands-on experience: five years of design work is typical. Rather, it expects students will have already gotten it by the time they arrive. However, the school also accepts students with no design background, but with related skills--in engineering, social science and economics. To catch up with their peers, they spend a year of 60-hour weeks in the school's version of boot camp, learning product and graphic design from a professional faculty. "You'd be surprised at how sophisticated and successful these people can be in a field that's brand new to them," Alexis says.
Why would the Institute of Design accept non-designers? Alexis says that each of these disciplines fit into the design research process. Social scientists are trained to go into the field, talk to people, and summarize what they've learned. Economists understand something about industry trends, and the importance of creating something of value not just for the user, but the organization. Engineers are trained to make sketches and prototypes that can quickly convey the idea behind a design. This third skill is especially important for a related field of study: design leadership, the ability to move an idea from inspiration to implementation. "This is now the critical skill for designers," Alexis says. "It's not enough just to have interesting ideas. A designer's professional responsibilities include making sure those ideas move from the concept stage and actually get implemented. Our design leadership classes teach students how to manage creativity, how to think about the complexity of a large project, how to manage client relations. We have a class that shows how to engage stakeholders by involving them in the design process. People who are part of the early stages of a design are more likely to approve it later on."
The school also teaches students how to integrate a company's digital assets and services, from accounting through customer service to e-commerce and online customer service and support, to create a single Web presence. "That's where a lot of the Web work is going now," says Alexis. "It's less about creating interesting Flash pages, more about looking at the business as a series of activities and creating a single source for accessing all of it."
Design research, leadership, and integration: they all suggest new directions for website developers, and I wondered whether the companies themselves had kept up? "Five to ten years ago when company representatives came to the school, we spent the first 20 minutes just having to explain what design is," Alexis says. " Now, that process is much better understood." A measure of that understanding is the kinds of people who now come to the school to recruit new graduates. In the early days, Alexis says, designers typically hired designers. "It was a small group in a small circle. But over the last five years, traditional human resource people are coming to school as a routine part of their recruiting schedule. That means that designers are no longer an 'exotic' hire, more an expected part of any communications team--something the HR department now understands. That's great for the profession because it legitimizes it."
As does Parsons, the Instutute of Design suggests that students find an internship program. "But we also tell them to work on actual projects that have real clients and real results. That can matter a lot when students seek out their first job, especially in this economy. They should be able to demonstrate to employers that they had an impact on a real organization, that their work has yielded results. For example, I have a group of students working for the City of Chicago on a recycling program. They are working directly with the Department of Sanitation. They are interacting with stakeholders all the time. In the end, they will be able to point to a very specific, implementable solution for the city. They will be able to tell prospective employers: here's how we arrived at it, here's how we interacted with the stakeholders, here's how they are going to implement it." The underlying message to prospective employers: these students haven't just been hanging around the classroom, where any idea seems possible. They have already learned how to deal with the constraints of the real world.
Zachary Jean Paradis, director of experience strategy, Sapient
"We're hiring like mad, " says Zachary Jean Paradis, director of experience strategy at Sapient. Launched in 1991 as a business and IT consulting company ("Two guys; one office") Sapient now employs 7,000 people with more than 30 offices. Sapient's career Web page puts it succinctly: "We want thinkers." The page could have also said: "We want specialists who can think like generalists and problem solvers."
"As a company scales larger, requirements for Web design splits into areas: information architect, content strategist, and art director," says Paradis. "In the mid-1990s, the webmaster did everything. Now there is a lot of different expertise required. Content strategy, for example. Large organizations may have many different websites, different purposes for those sites, and many, many types of content. To help consumers make sense of all that takes a dedicated effort and specialization." Sapient hires art directors, information | 1,318 |
Jalawn Farrell's bucket at the buzzer lifts Racine Park to a non-conference victory on the road.
Racine Park's players and coaches can head into winter break breathing sighs of relief.
The Panthers' boys basketball team ripped victory from the jaws of defeat twice Tuesday night to defeat Milwaukee Hamilton, 68-67, in a non-conference game at Hamilton. It was the team's third straight victory since a 26-point loss to Franklin on Dec. 5 that knocked the Panthers, at least for the moment, from what was expected to be their perch atop the Southeast Conference.
The win sets the stage for a two-week break for Park before it returns Jan. 5 to face conference leader Kenosha Bradford at home.
Sophomore guard Jalawn Farrell's bucket deep in the paint at the buzzer off a pass from junior forward Nobal Days was the difference.
The play capped a second half in which Hamilton rallied from a 10-point deficit to lead and a final minute when the lead changed four times.
Senior forward Nobal Days posted a quadruple double: 10 points, 16 rebounds, 12 assists and 10 blocks to help Park improve to 6-1. Senior guard Rance Kendrick, who hit a three-pointer with 7.6 seconds left to give the Panthers<|fim_middle|> with Franklin and Park, two of the better teams in the conference and two teams it could face in the postseason.
Senior guard Keontae White finished with 26 points and went 14 for 14 from the free-throw line. Junior guard Marquis Barry added 14 points, 12 in the second half, and senior guard Ronnie Woodward added 12.
The Wildcats came back from a five-point deficit in the final 2 minutes with a 7-0 run that featured two free throws from White with 1 minute 47 seconds to play, a three-point play by junior forward Martel Winters with 1:13 to play and a putback by White with about 30 seconds left.
White later hit two free throws with 7.6 seconds left to give Hamilton a 67-66 edge.
"We've been up and down all season, so the fact that we were down early and made a huge run in the second and we competed with a team that will be successful in the postseason is very promising," Hamilton coach Pat Bell said.
Imperfect science: One of the beauties, or perhaps frustrations, with the high school game is that the game isn't called perfectly.
That imperfection hurt Hamilton's shot at the upset. After White's free throws with 7.6 seconds left, it initially appeared that Park was held without a shot in the final seconds. Hamilton's players and fans actually rushed the floor celebrating what they thought was an upset victory.
It turned out Betker called timeout before the buzzer during that chaotic stretch. The question was when.
If this were the pros, the officials would have been able to check replay in order to reset the clock at the correct time. This is far from the pros, though.
The officials reset the clock to 3 seconds when a video taken by one of the onlookers showed that 1.1 seconds would have been the exact time. With only 1.1 seconds left, Park would have had to try a different play to end the game.
Passing the ball: Days is one of the best passing big men in the state and it showed. Time after time he showed his vision in getting the ball to his teammates. His teammates got off track in that regard for a stretch in the second half when Hamilton erased a 10-point lead and took the lead.
In the final 4 minutes, however, the Panthers' offense ran through Days and it was a major reason Park went home with a victory.
Play of the day: Speaking of Days, there may not have been a better play to show his impact than in the first half when he blocked a shot near the basket, grabbed the rebound and then fired a full-court pass to Kendrick for a breakaway layup. Beautiful.
Status update: As bad as Park's loss to Franklin was, it was still just one game. The Panthers aren't going to disappear from the conference race.
"You've got to play your best basketball in February and March," Betker said. "We're a very good team, but it's any given night. We haven't been very good every game and the games we have been really good, we've handled (teams).
"We went down to Ohio and played remarkable. I thought we came back that Tuesday to play Franklin and looked gassed. There's no excuses. They took it to us. They were better than us that night " | a 66-65 lead, led the Panthers with 16 points. Larry Canady, a junior guard, added 15 points. Farrell had 11.
Wildcats oh-so close: The consolation for Hamilton (3-4) is that it can say it has gone toe-to-toe | 65 |
<|fim_middle|>. | "Networked Fitness" Technology and the health & fitness industry "an overview".
Workgroup agenda review, and S.M.A.R.T objective mapping for defining group outcomes.
Introduction to ECO Wireless and other networked fitness systems.
Your equipment is networked … now what? An introduction to API's.
Ant and Bluetooth. What do these protocols enable?
What should our strategy be to make the most out of this technology?
Asset Management – Manufacturer and Facility Based networked systems.
Complete Asset Management Presentation – Enterprise Level Fitness Equipment Asset Management Software demonstration. How these platforms work and how they are enhanced by live data from networked equipment feeding into their systems.
Networked fitness inside and outside facility walls – The new fitness data tracking ecosystem.
The future of wearables and sensor technologies and what this means to the industry.
The Internet of Things and Fitness.
As intelligent, connected systems evolve and the Internet of things grows, consumers increasingly expect new and richer exercise experiences. These changes are driving developers of fitness solutions to pursue new partners to help them meet these demands and capitalize on new opportunities.
The Diamond Field Project - An premium open platform fitness console | 227 |
We are located in Las Vegas , NV. 12,000 feedbacks since 2002. Cocktail Table Multicade 60 GAMES IN ONE! Please look at the list in the pictures! Only the best games from 80s and 90s.
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Also ask what size screen. OUR SCREEN IS 22 INCHES!
Commercial Quality gorgeous space invader graphics!! Imagine having 412 different Arcades in ONE unit!! 412 Of the best classic games in one machine!!
Hours and hours of fun. PLEASE look at the game list i have provided in<|fim_middle|> Cocktail Arcade Machine With 412 Classic games! 135LBS 22inch screen" is in sale since Sunday, August 19, 2018. This item is in the category "Collectibles\Arcade, Jukeboxes & Pinball\Arcade Gaming\Video Arcade Machines". The seller is "savingswear4u" and is located in Las Vegas, Nevada. | the images.
We are offering a brand new, commercial grade, 1980's Style Classic. Cocktail table with 22 INCH high resolution screen. The top graphic will be installed. Side graphics will come separate , we will install the top one. The rest you will have to do.
This is the head to head machine you have always wanted! All units are totally Brand new with all brand new parts. Would make an excellent gift for home or office! Great for home entertainment, also good for bars, cafes, and many other places! A must have for every game room!
A dream come true for every operator! See pictures closely for additional descriptions. Here are the 5 models we have. 60 in 1 with wood finish. 412 in 1 black with top graphics (AS SEEN IN THIS AD).
412 in 1 wood with top graphics. 1162 in 1 4 player top of the line with top graphics.
The item "Amazing | 208 |
The product series MIA presents cute sofa-beds designed for girls in a wide range of colors and in two sizes (164x86sm and 184x93sm). They are made of laminated chipboard (emission class E-0,5) and are perfectly safe for children.
Great feature that brings even more character to the MIA beds are soft removable elements on the armrests and the backrest. A user can<|fim_middle|> (emission class Е 0,5). The fronts are decorated with stylish prints available in different colors. Z3 – cabinet with three pull-out drawers on rollers runners, one swing door and a shelving section inside. Thickness of the side panels 16 mm, thickness of the upper and bottom panels 38 mm.
The Z product line presents modern storage systems made of laminated chipboard (emision class Е 0,5). The fronts are decorated with stylish prints available in different colors. Z4 – cabinet with three pull-out drawers on roller runners (center) and two shelving sections behind two swing doors (sides). Thickness of the side panels 16 mm, thickness of the upper and bottom panels 38 mm.
The Z product line presents modern storage systems made of laminated chipboard (emission class Е 0,5). The fronts are decorated with stylish prints available in different colors. Z5 – wardrobe with a shelving section behind two swing doors in the upper part and three pull-out drawers on roller runners in the base of the furniture piece. Thickness of the side panels 16 mm, thickness of the upper and bottom panels 38 mm.
The Z product line presents modern storage systems made of laminated chipboard (emission class Е 0,5). The fronts are decorated with stylish prints available in different colors. Z6 – wardrobe with a storage system (four shelves and a cross bar) behind two swing doors. Thickness of the side panels 16 mm, thickness of the upper and bottom panels 38 mm.
The Z product line presents modern storage systems made of laminated chipboard (emission class Е 0,5). The fronts are decorated with stylish prints available in different colors. Z7 - wardrobe with a storage system (four shelves and a cross bar) behind four swing doors. Thickness of the side panels 16 mm, thickness of the upper and bottom panels 38 mm.
Airplane-shelf is created for children and features safe design. It has streamlied silhouette and edged with shock-resistant soft plastic band. The wings are made of laminated chipboard; the central element (plane cockpit) with a spinning propeller is made of hypoallergic plastic. The product is available in different colors.
Garage&Parking is made of eco-friendly material – laminated chipboard (emission class E 0.5) and is intended for kids aged from 3 to 14 years old. The edges of the model are brimmed; the decorative stickers are laminated in protective matte coating. The model has a broad and steady base, so you can place the Garage&Parking on the floor or on other surfaces and not be afraid it will fall over. Besides the Garage&Parking can be used as a shelf. A cool option for this item is the plastic roof of any desirable color.
The Doll House is made of eco-friendly material – laminated chipboard (emission class E 0.5) and is intended for kids aged from 3 to 14 years old. The edges of the model are brimmed; the decorative stickers are laminated in protective matte coating. The model has a broad and steady base, so you can place the Doll House on the floor or on other surfaces and not be afraid it will fall over. Besides the Doll House can be used as a shelf. A cool option for this item is the plastic roof of any desirable color.
We created decorative bed linen designed in sport style to complement the impressive look of the car-shaped beds in the LIGHT, UNO, EVO, NEO and DUO product lines. The sheet is made as a cover with stretchy band to perfectly fit the mattress. The duvet and pillow cases are decorated with the print of a portal. The bedlinen is available in three variants of design, made of 100% cotton soft to the touch, with silky sheen.
The "Tenderling" duvet is made of hypo allergic eco-friendly polyester fiber and apart of being very decorative possesses great practical qualities. It is breathable – so a child does not perspire while sleeping and wakes up rested and relaxed. You can wash the duvet in a washing machine. The color of the product may vary depending on the lot.
The "Lamb's curls" duvet is filled with natural lamb wool and possesses great practical qualities. It is breathable – so a child does not perspire while sleeping, stays comfortably warm and wakes up rested and relaxed. The color of the product may vary depending on the lot.
The "Panda" duvet is made of hypo allergic eco-friendly materials and apart of being very decorative possesses great practical qualities. It's breathable – so a child doesn't perspire while sleeping and wakes up rested and relaxed. The color of the product may vary depending on the lot.
Coloring of the fabric may vary depending on the lot.
The stretch mattress cover is designed to protect the mattress from soaking and wear-out. It stops the moisture without affecting the thermoregulation of a child's skin. Wash it at a delicate mode with soft detergent, do not use bleaches and conditioners. Stretch the cover to dry out. Do not iron or spread on a radiator. Do not damage or scratch the membrane lining. Do not dry out in a direct sunlight. Otherwise the product shall lose its qualities.
Among versatile products of the MebeLev Studio you will find cozy and soft pillows created to make the children's beds even more comfortable. We use only eco-friendly, hypo allergic materials to make the goods for children of the best quality. The pillows of different sizes are filled with ortho fiber, artificial swan down, bamboo fiber, upholstered with stylishly designed materials. Choose a cool pillow for a boy or a cute pillow for a girl.
Comfortable pillow provides perfect support to the neck and shoulders, keeps the warmth and doesn't affect the thermoregulation. Made of hypo allergic materials.
The information on the site does not constitute a public offer. The information about the products, their technical specifications, prices is the proposition of the MebeLev company to make offers. The focus of the offer is the confirmation of the order with identification of the product and its price. The photos of the goods in the online catalogue may differ from the original products. The information about the prices in the online catalogue may differ from the actual prices by the moment of the order processing.
We ordered two red mercedeses. Wasn't difficult to assemble. The beds look nice, my children love them! Storage drawers are huge! The delivery took 10 day, but the package was so safe - no scratches or damages on the product. Thank you very much! Wish your factory to succeed!
I ordered the bed for my son. It is great! I was pleased by the quality and attitude. Very responsible people! We are so glad! Our child is happy! | take off decorative cases from the soft parts and wash them if necessary. The mattress is sold separately.
Economy - two-sided springles mattress of a medium hardness made of eco-friendly materials. Mattress filler - extra firm hypo allergic memory foam of good elasticity.
Standard - 3-layered two-sided springles mattress of a medium hardness made of eco-friendly materials. Mattress filler - extra firm hypo allergic memory foam of good elasticity.
Luxe - 5-layered two-sided springless mattress of a medium hardness made of eco-friendly materials. Mattress filler - extra firm hypo allergic memory foam of good elasticity.
You can choose the following options for the MIA bed: a storage drawer or an additional bedsite in the bed base, a safety board, a child's name on the safety board.
The LIGHT car-shaped beds are made of laminated chipboard (emission class E-0,5). The mattress base is equipped with lamellas; mattress for this product is sold separately.
Within the UNO product line we make affordable and stylish beds designed to resemble the most popular vehicle brands – BMW, Audi 4, Mercedes (as well designed as Police and Federal Security cars). Also meet the legendary Chevrolet Camaro in bright yellow and black design – for little fans of the "Transformers" movies all over the world!
Audi-A4 is made for children under 6 years old (the bedsite of a smaller size). The bed is equipped with a build-in spoiler, which can be optionally upholstered. A rare spoiler is not available as an option.
Flock-Alcantara - Alcantara TM fabric from Spanish manufacturer featuring improved qualities - durability, water resistance. Designed in sport style.
Sport-Alcantara - same fabric of an improved design: stripes of contrast color sewn lenghwise the mattress.
3D - velour fabric with a stylish print.
Lift-up gear, storage box – 0.25 m3.
Within the UNO product line we make affordable and stylish beds designed to resemble the most popular vehicle brands – BMW, Audi 6, Mercedes (as well designed as Police and Federal Security cars). Also meet the legendary Chevrolet Camaro in bright yellow and black design – for little fans of the "Transformers" movies all over the world!
Realistic Audi-A6 car-shaped bed is made of laminated chipboard (emission class 0,5) and is equipped with a raisable mattress.
Lifting gear, storage box – 0.3 m3.
Within the UNO product line we make affordable and stylish beds designed to resemble the most popular vehicle brands – BMW, Audi 6, Mercedes (as well designed as Police and Federal Security cars).
Also meet the legendary Chevrolet Camaro in bright yellow and black design – for little fans of the "Transformers" movies all over the world!
Realistic car-shaped bed is made of laminated chipboard (emission class 0,5) and is equipped with a raisable mattress.
Realistic Mercedes-M car-shaped bed is made of laminated chipboard (emission class 0,5) and is equipped with a raisable mattress.
Realistic BMW-M car-shaped bed is made of laminated chipboard (emission class 0,5) and is equipped with a raisable mattress.
The EVO product line gives you the vehicle-shaped bed with 3D plastic forms. We designed a set of cool options to make the product even more impressive. The bed's frame is made of laminated chipboard, mattress base is equipped with lamellas. You can buy a memory foam mattress and other stylish accessories for this bed in our online shop.
The EVO product line gives you the car-shaped bed with 3D plastic forms. We designed a set of cool options to make the product even more impressive. The bed's frame is made of laminated chipboard, mattress base is equipped with lamellas. You can buy a memory foam mattress and other stylish accessories for this bed in our online shop.
The NEO product line combines all the best features of the preceding UNO and EVO lines: the vehicle-shaped bed has never been so stylish, functional and realistic! It is designed to be not only comfortable piece of furniture but also a child's favorite toy.
The bed frame is made of laminated chipboard, additionally featuring cool plastic 3D forms. It has a raisable mattress with a storage space under it. For the mattress we designed several variants of cover.
All NEO beds are equipped with static wheels moulded together with the sides in same color. A user can optionally choose spinning wheels of any color.
The DUO product line is the solution for families with two kids and only one room to accommodate them. "Scania+2" - the bunk bed and a storage system in one piece of furniture, made of laminated chipboard with MDF elements. It features streamlined and completely safe design. The storage system in the cockpit of the lorry consists of a wardrobe and pull-out drawers in the base of it.
"Scania+1" is the bed and a storage system in one piece of furniture, made of laminated chipboard with several MDF elements. It features streamlined and completely safe design. Bed is equipped with a single bedsite but parents can always buy and mount the second level to transform the piece of furniture into a regular bunk bed.
The "Scania" Storage System is a wardrobe and chest-of-drawers designed as a cockpit of a Scania truck. To get the full access to the wardrobe, roll up the blind and organize the space as you like: install one or two shelves, or a cross-bar for clothes. You can transform the storage system into the bunk bed – just buy and mount all necessary details.
The Z product line presents modern storage systems made of laminated chipboard (emission class Е 0,5). The fronts are decorated with stylish prints available in different colors. Z1 – cabinet with three pull-out drawers on roller runners. Thickness of the side panels 16 mm, thickness of the upper and bottom panels 38 mm.
The Z product line presents modern storage systems made of laminated chipboard (emission class Е 0,5). The fronts are decorated with stylish prints available in different colors. Z2 – cabinet with two swing doors and a shelving section inside. Thickness of the side panels 16 mm, thickness of the upper and bottom panels 38 mm.
The Z product line presents modern storage systems made of laminated chipboard | 1,331 |
97 cm of Dutch courage
24 May, 2006 at 4:44 pm (benjamin)
Well, despite my earlier feelings of competence, Star Wars: Jedi Academy has quickly turned into a morass of Sith v. Jedi combat, and I'm just not a skilled enough gamer to actually win battles through any sort of ability. It's essentially a process of quicksaving at each Sith outpost and then screaming, collapsing, and quickloading repeatedly until I get a lucky torso hit. Because my computer has enough lag and because I can't seem to master the combos, every lightsaber battle is less choreagraphed than it is accidental. None of which makes for inspiring or compelling gameplay.
So, I may need to put this back on the shelf until I can afford to acquire a faster computer, or a least a processing accelerator. The main argument for the former is te impending release of the LEGO Star Wars: Original Trilogy game, which will doubtless fail to run on my machine by the time that Aspyr gets around to re-engineering it for the Mac. And a new machine with the dual-boot Intel capability would allow me to not have to wait for Aspyr anyway.
However, while I may need to hang up my lightsaber, I will get to wield a sabre from long, long ago and far, far away: an 18th century Dutch rapier is currently shipping my way from the Netherlands (pictured on the right). While some parents might have thought that an updated computer would be a good practical gift for a recent Masters graduate, mine went for the gloriously useless antique sword option that I'd cavalierly added to my gift list in order to fill it out somewhat. As a deeply impractical person, myself, I am enamored both of the gift and the people who got it for me. Zombies beware! This is the kind of Dutch courage that I prefer: almost a meter of two hundred year old steel. That'll get me through the long dark night of the soulless.
From Brewer's Dictionary of Phrase and Fable (1898) and recorded by Bartleby:
Definition: BENJAMIN
A smart overcoat;
so called from a tailor of the name, and rendered popular by its association with Joseph's "coat of many colours<|fim_middle|>10 November 2010 August 2010 July 2010 June 2010 May 2010 March 2010 October 2009 August 2009 July 2009 May 2009 March 2009 December 2008 November 2008 September 2008 August 2008 July 2008 April 2008 March 2008 February 2008 January 2008 December 2007 September 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 October 2006 September 2006 August 2006 July 2006 June 2006 May 2006 April 2006 March 2006 February 2006 January 2006 December 2005 November 2005 October 2005 September 2005 August 2005 July 2005 June 2005 May 2005 April 2005 March 2005 February 2005 January 2005 December 2004 November 2004 October 2004 August 2004 July 2004 June 2004 May 2004 March 2004 February 2004 January 2004 November 2003 October 2003 July 2003 June 2003 May 2003 April 2003 March 2003 February 2003 January 2003 November 2002 October 2002 September 2002 August 2002 July 2002 May 2002 April 2002 March 2002 February 2002 November 2000 April 1999
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Ceiling Stars ~ A relaxing scent to settle you down after a long day. Cozy strawberry, lavender essential oil, and fluffy vanilla marshmallows.
Solid lotions have a different feel than the<|fim_middle|> Macadamia Butter, Candelilla Wax, Jojoba, Virgin Coconut Oil, Olive Squalane, Colloidal Oatmeal, Fragrance, Vitamin E, Mineral Colorant. | water-based lotions you may be used to. They are long-lasting moisturizers, somewhat like body butters or salves. Although they feel slightly oily when you first apply them, just give them a few minutes and they will absorb while leaving a thin layer that helps protect your skin from cold, dry air. They even last through a few hand-washings. Try a small amount at first – a little goes a long way!
I love solid lotions because, since there is no water added, they don't require any preservatives. They also come in cute portable tins that are 100% reusable and recyclable. No plastic bottles!
Listing is for one 2 oz. tin of solid lotion, measuring 2.5 inches in diameter by 3/4 in. deep.
100% VEGAN INGREDIENTS: | 176 |
Working directly with the CUNY Graduate Center Library, our team of four conducted extensive user research and testing of the library website's information architecture in order to design and develop a responsive high-fidelity prototype of their site. Our goal for the redesign was to improve the findability and understandability of the library's valuable information resources, and to present them in a manner that would provide a seamless and enjoyable user experience. With empathy at the forefront of our approach, we sought to understand the motivations and pain points of the website's users, looking for<|fim_middle|> interested in understanding people, and how technology can make people's experience better. | patterns in the way they respond to the site's organization and presentation of content. By employing a user-centered design process we strived to build a prototype that would make the finding and managing of information more successful and meaningful. Our design is based directly off of feedback from the CUNY Graduate Center Library patrons.
I am an IxD student currently finishing up the first semester at Pratt. I am | 79 |
June 22, 1947: Octavia E. Butler born.
Posted by Deborah Kalb at 6:39 AM No comments:
Q&A with Joanne Lipman
Joanne Lipman is the author of the new book That's What She Said: What Men Need to Know (and Women Need To Tell Them) About Working Together. She also is the co-author of the book Strings Attached. She has been chief content editor of Gannett and editor-in-chief of USA Today, deputy managing editor of The Wall Street Journal, and founding editor-in-chief of Conde Nast Portfolio.
Q: You begin your book with an introduction titled "Men Are Not the Enemy." Why did you feel you needed to start there, and what do you hope to get across in your introduction?
A: It sets the table for the book. The idea for the book is that there's been quite a bit of literature for women, conferences for women, books for women, primarily by women for women. We're preaching to the converted.
It's a great conversation, but it's only half the conversation…We need men to join us. We need a book directed toward men. We're inviting you into the conversation. Otherwise, we're never going to solve the problem.
This is not a man-bashing book. A lot of men feel that books for women are anti-men. We're all in this together.
Q: So who do you see as the audience for this book, and what's been the response to it so far?
A: The sales have been good. I would say the majority of readers and buyers are female, but a significant portion are male. It's encouraging. Because of the #MeToo movement, men are realizing this is an issue we need to deal with.
I'm doing a ton of speaking [about the book]. What's encouraging is now many male-dominated organizations are talking about it, and distributing it to employees. I spoke at the World Economic Forum in Davos. The World Economic Forum created a book club, and chose That's What She Said as the first selection.
The Milken Institute Global Conference had me speak about the book. The Metropolitan Club in Washington, with 92 percent male membership. Banks, law firms. I feel that increasing understanding of this is an issue for all of us.
Q: How did you research this book, and what did you learn that particularly fascinated you?
A: The genesis of the book was an article I wrote three years ago for The Wall Street Journal, called "Women At Work: A Guide for Men."
For the book, I spent three years criss-crossing the country in search of men in leadership positions trying to close the gap. I'd ask what perplexes you about your female colleagues? How are you trying to close the gap? What are your strategies?
I wanted great storytelling, and anecdotal examples—[and something that] comes away with a solution. There are cheat sheets in the back of the book. I've adopted these steps myself.
Q: How did your own experience at work influence your conclusions?
A: There were a lot of things I came across in my academic research about women in the workplace, the belief system, [where I'd] say, This describes me! I always thought that was just me!
I've been a manager for a long time, [and was able] to advocate for my team. I was flummoxed at being an effective advocate for my team, but the worst advocate for myself.
Research backs it up—this is very specific to women. Women advocate for others, and it's seen as within gender norms. When we advocate for ourselves, we're penalized while men are rewarded. For women, it's seen as outside gender norms. It's seen as pushy and selfish.
What I thought was specific to me was not specific to me. I had a lot of "aha" moments when doing the research.
One of the other things that was fascinating—I knew about unconscious bias, but I didn't know how early it starts. It's woven into the fabric of society. Once you're aware of it, you can't unsee it. It starts in infancy. Mothers overestimate the crawling ability of their sons and underestimate for their daughters. It makes you reevaluate.
Q: Given the current political situation and the rise of the #MeToo movement, what do you see looking ahead when it comes to workplace dynamics between men and women?
A: We are at an inflection point with relations between the genders, because of the #MeToo movement. There are two ways it could go. The positive [comes from making] issues discussable. Gender discrimination, whether overt or subtle, [is something] we need to address, and realize it's harming all of us.
The negative would be if there's a backlash, a man saying he doesn't want to hire a woman. I haven't seen this in practice, but you hear it talked about, you hear about men saying they're unfairly targeted, and are afraid any woman working for [him] who's unhappy will try to claim discrimination or harassment.
Men who are saying they don't want to hire women—it's an excuse. We have to get over that. I've heard people wary of it rather than seen that in action.
A: Now I'm on a pretty much full-time book tour. I'm on the road constantly. I'm back from Portugal and I'm going to London. I'm doing a lot of corporate speaking. I have op-eds in the works.
As I speak to audiences, I'm hearing a lot of ideas that are eye-opening for me. I'm going to be updating [the book] for the paperback.
A: It's a best-seller—that was exciting!
--Interview with Deborah Kalb. Here's a previous Q&A with Joanne Lipman.
Q&A with Elizabeth Partridge
Elizabeth Partridge is the author of Boots on the Ground: America's War in Vietnam, a new book for teens. Her other books include This Land Was Made for You and Me and Marching for Freedom. She lives in the San Francisco Bay area.
Q: Why did you decide to write Boots on the Ground?
A: We saw a lot of coverage of the war on television and in magazines and newspapers when I was in high school and college. I was in the San Francisco Bay area where there were a lot of protests, and I often joined them.
I just could not see why our country needed to be in Vietnam, and I wanted us to get out. In the news coverage, I could see that not only were American troops being injured and killed, but Vietnamese military and civilians were as well. It all seemed senseless to me.
After the war, Vietnam veterans and protestors didn't mix. Most veterans rarely spoke about their service, just kept their heads down and tried to get on with their lives.
We had not yet learned as a country to separate the war from the warriors. Many veterans were traumatized, and there was little or no help for them from the Veterans Administration. PTSD (Post Traumatic Stress Disorder) had not yet been invented as term to describe the complex mental health issues that some veterans face.
Several years ago I went to visit the Vietnam Veterans Memorial. It was late afternoon on a cold autumn day, and I was nearly alone at the Wall. I reached out to touch the letters of the names written on the memorial, and my eyes filled with tears.
I thought, why am I crying? I don't know anyone listed on this memorial. That got me thinking about the war, and I realized how little I knew. I needed to understand what the war had been like for the people who served there.
By interviewing seven veterans I was able to hear about their experiences first-hand. All of them had friends or buddies who died in Vietnam and whose names are on the Wall. I added the place on the memorial where their names were located. I also interviewed a refugee and included a chapter on her harrowing story, because there is never a war without refugees.
Q: The book includes chapters on a variety of people, including presidents and Vietnam veterans. How did you decide which figures to include?
A: I structured the book around the veterans, the years they were in Vietnam, and the experiences they had. Then I interspersed their chapters with chapters on what was happening back home -- the presidents, policies, and protestors.
Deciding who to include was partially intentional, and partially intuitive, as I followed one lead to another. This is actually my favorite way to write a good nonfiction book -- the research process will turn up things I have never heard of, which will send me in a new direction.
A: I would like teenagers who read Boots on the Ground to see that war is hell. There is just no way around it. Some young men see war as a great adventure, but it is also suffering, death, and unbelievable destruction.
I am not against anyone who chooses to join the military -- there are many reasons people do -- but I would like young men and women to have a realistic view of war.
A number of Vietnam veterans have come to my book talks. After decades of remaining silent, many are eager talk about their experiences, and to be heard.
We often don't know if it is even okay to ask veterans about their service. A good way to start a conversation is to ask, "Can I ask you a few questions about your time in Vietnam?"
Young people often know one of their grandparents or other family member served in the military, but not if they were in Vietnam. It's okay to ask! It might be just the perfect way to start a conversation.
A: I'm doing a picture book on Frederick Law Olmsted, who built so many terrific public parks in cities across America. This book is a pleasure to write, and gives me a breather from some of the more difficult subjects I like to tackle.
A: I think what most surprised me about writing this book is how courageous I found the veterans to be. Many of them didn't want to go to Vietnam, but they did. Some because they were patriots, and if they were asked to serve, they went. Others went because we had a draft, and they faced compulsive military service.
But once in the military, they were incredibly courageous. Not only in caring for and defending their brothers in the military, but in how they coped with the many obstacles and difficulties they faced.
And once home, they had to work hard to pull their lives together. And it wasn't something they did and moved on. It has been a lifetime issue for many of them. I have profound respect for all of them.
--Interview with Deborah Kalb. This Q&A also appears on www.hauntinglegacy.com.
Q&A with Camille Di Maio
Camille Di Maio is the author of the new novel The Way of Beauty, which focuses on New York's Penn Station. She also has written The Memory of Us and Before the Rain Falls. She lives in Texas and Virginia.
Q: Why did you decide to center your new novel around New York's Penn Station, and what kind of research did you do to recreate New York in the World War I and World War II periods?
A: I knew I wanted to write about New York - my favorite city - and I had a scene in mind of a soldier kissing his girlfriend goodbye in a train station. In order to liven up the details, I chose Penn Station randomly, and saw these gorgeous pictures - marble halls, cathedral ceilings.
Having been to Penn Station several times, I thought, "I must not have gone upstairs, because I've never seen this!" Then, I read further and realized that it had been demolished in the 1960s due to declining train travel.
As I researched what led up to building it, the process, the heyday, and its demise, I was fascinated and knew that I had to write an entire book that mirrored the journey of the station.
Q: How did you come up with your characters Vera and Alice?
A: I wanted two generations of women in the different time periods of the station so that I could show the progression of their lives - as women, as New Yorkers, and as people for whom Penn Station was an integral part of their lives.
Vera was the starting point, and I just knew that she had to be an immigrant. I wanted to tell the story of a New York that was seen through new eyes - and where the harsh reality of the struggle to make a living tarnished her parents' dreams of the city.
But in her story and that of her daughter, Alice, we see how strong women can take adverse conditions and rise above them. Alice has the benefit of being middle class and starting college. But she is also trying to find her place in the world as a woman and as someone in love.
Q: How was the novel's title chosen, and what does it signify for you?
A: It dawned on me that the stages of the building and destruction of Penn Station were much like human lives - our newness and youth, our middle age, and our elderly years. The characters comment on this - somewhat sad about it until another steps in and says that it is the way of beauty - she saw beauty even in the latest years.
But unlike a building, a human being can rise above age and bring about a new kind of beauty. Also as a nod to the title, one of my characters is named Angelo Bellavia - and in Italian, bellavia means beautiful way.
Q: Who are some of your favorite writers?
A: Agatha Christie is my very favorite writer. I have read all of the Poirots, and I have yet to figure out even one of them! A close second is Kate Morton who writes absolutely gorgeous historical fiction. She is the #1 author for whom I will get to the book store on the morning of opening day and pay full price to read.
A: I am editing my fourth book, The Beautiful Strangers, which will come out in March. And I've pitched a few new ideas to my agent and my editor.
A: I love to communicate with readers, and they can most easily find me on Instagram!
Q&A with Danielle Teller
Danielle Teller is the author of the new novel All the Ever Afters, which tells the Cinderella story from the stepmother's perspective. She has written the nonfiction book Sacred Cows: The Truth About Divorce and Marriage, and has written columns for Quartz. She has a medical degree and has taught at Harvard University and the University of Pittsburgh. She lives in Palo Alto, California.
Q: How did you come up with the idea of retelling Cinderella from her stepmother's perspective?
A: When I became a stepmother, I was surprised by how difficult it was to get comfortable in that role. My stepkids and I had to slowly build trust and affection over time.
At first, they chafed under my parental rules and mourned the loss of freewheeling weekends with their dad. I felt as though my stepchildren didn't want me around except to fulfill their various physical needs; I joked that I was a "ghost-servant."
I worried that no matter what I did, my stepchildren would never see me as a net positive in their lives, and that got me thinking about the bad reputation of stepmothers in fairy tales.
What if those stories were inspired by real people who weren't evil but struggling in a fraught relationship with other imperfect human beings? From that thought, the character of Agnes was born.
Q: What did you see as the right balance between your version of Agnes's story and the traditional version told from Cinderella's perspective?
A: The traditional fairy tale is morally unambiguous. We know which characters to root for and which ones to revile, and we can feel happily satisfied when Cinderella marries the prince and birds pluck out the eyes of the ugly stepsisters. This simplicity is comforting and fun, and, like many people, I treasure the versions of Cinderella I read as a child.
At the beginning of All the Ever Afters, the "evil" stepmother says that she will tell her own story and, "As for fables about good and evil and songs about glass slippers, I shall leave those to the minstrels."
The implication is that the familiar fairy tale was inspired by true events, and Agnes's memoir describes those events with the murky moral ambiguity of real life. The fairy tale and novel live side-by-side, not in opposition; my writing was inspired by Cinderella, and in my fictional universe, Cinderella was inspired by the lives of Agnes and her beautiful stepdaughter.
Q: The book is set in medieval England. What type of research did you do to write the novel, and did you learn anything that especially surprised you?
A: I began by reading books about life in medieval villages and castles, as well as an autobiography by Margery Kempe, a 14th-15th century English Christian mystic. The internet was extremely helpful; I took virtual tours of medieval manors on YouTube and read blogs by fanatical hobbyists who brew beer and cook food using strictly medieval methods.
What surprised me most was how little we know about the daily lives of the lower classes; there are virtually no written records other than legal disputes and the reckonings of tax assessors. Most of what we know about the lives of impoverished children comes from the examination of bones in graveyards.
Before I started my research, I worried about getting historical details wrong; I was comforted to realize that it's guesswork even for historians!
Q: What do you think the book says about the role of the "wicked stepmother" in fiction?
A: We read many stories from the perspectives of stepchildren, and doubtless it can be frightening and problematic for an unknown and often unwelcome adult to enter into a child's life.
Power is not evenly distributed in the stepparent-stepchild relationship, and our sympathies lean naturally toward the weaker party. If we hear about a child's miseries, our tendency is to vilify the oppressor, not to wonder if there are mitigating circumstances, or if the child might be misinterpreting events.
Yet there is another side to the story. There are myriad reasons why a child may be unhappy with a parent or stepparent, and not all of those add up to the adult being evil. All the Ever Afters is about looking beyond simplistic explanations and trying to understand the human being behind the evil stepmother trope.
A: The novel I'm working on now is set in Toronto during the massive failure of the electrical grid in the summer of 2003. The book was inspired by the poem The Love Song of J. Alfred Prufrock, in which the narrator despairs that he lacks the courage to change the course of his comfortable life.
The "Prufrock" character in the novel is a woman in her 60s who is preparing to celebrate her mother's 90th birthday; her daughter-in-law has just abandoned her husband to be with another woman.
The story traces the parallel and then diverging paths of the two women's lives until they each have an epiphany during the blackout and come together again for the 90th birthday party.
Q&A with Yermiyahu Ahron Taub
Yermiyahu Ahron Taub is the author of the new story collection Prodigal Children in the House of G-d. His other books include The Education of a Daffodil and Prayers of a Heretic. He lives in Washington, D.C.
Q: Over how long a period did you write the stories in your new collection, and do you see common themes running through them?
A: The bulk of the first draft of this book was written during an artist's residency at The Writers' Colony at Dairy Hollow in Eureka Springs, Arkansas in October and November 2015.
This was a period of intense concentration and creative transformation. Having a significant block of uninterrupted writing time enabled my transition from poetry to prose.
I find that prose requires more time than poetry, not merely to write more words, but to map out the narrative arc of the stories (and the collection) as well as the journeys of the characters.
I may not know that arc beforehand, but each step requires care, consideration, and connectivity to the next. I continued to edit, rework, and wordsmith the stories for several additional years.
I do see common themes in the stories. All of them involve characters on or perilously near the margins — whether through choices made (Beyle in "Flowers for Madame"), actions taken against them (Khane Leventhal in "Night in the Solarium" and "Phoenix, With Hat"), or because of the self seen as transgressive (Efroyem in "Love in the Red").
All of the characters navigate, in different ways, issues of home, waywardness, parental disapproval, and exile. The book, as a whole, is concerned with liberation on a small scale —how to survive meaningfully in a world that often seems indifferent or cruel.
Q: How was the book's title chosen, and what does it signify for you?
A: The online Cambridge Dictionary defines "prodigal son" as "a man or boy who has left his family in order to do something that the family disapprove of and has now returned home feeling sorry for what he has done." Prodigal is also defined as "wasteful, extravagant, spendthrift" as well as "generous, lavish, liberal, unstinting, and unsparing."
The characters in this collection move in the realm of prodigality, although none are exactly prodigal per se. Certainly, few of them have much money to spend extravagantly. On the contrary, most eke out threadbare existences. In addition, most are not particularly sorry for what they have done.
And yet there is an emotional extravagance, or expansiveness, in the protagonists' unsparing commitment to a vision, sometimes only just beginning to be glimpsed. So despite the lack of exact parallelism, "prodigal," with its echoes of moral seriousness and familial rupture as well as its broad recognizability, seemed to be an apt title word.
"The House of G-d" is similarly purposeful. I liked the intimacy involved in the concept of house as well as the multiple uses of house in Jewish tradition (e.g. bet ha-midrash/house of study, bet ha-keneset/house of prayer, etc.).
Similarly, "G-d" rather than "God" refers to the Orthodox tradition of avoiding erasure of God's name. Put another way, we should not erase or destroy God's name and should avoid writing it.
Most rabbinic authorities agree that this applies only when God is written in Hebrew and not in other languages. But growing up in the Orthodox world, I remember seeing "G-d."
Q: The 10 stories are divided into two sections: "Daughters" and "Sons." How did you decide on the organization of the collection?
A: If the "prodigal son" mentioned above was an original inspiration, I sought to widen the narrative framework. I decided to write about female and male children, and to open with daughters.
As the themes of the collection emerged, the overall architecture became clear. Some might consider this division to be an example of "separate seating" as in a synagogue or perhaps a riff on/subversion of that division ... My goal was to explore these themes in discrete sections to see how gender plays (or does not play) a central role, rather than reinscribe gender separation.
Q: Some of the characters appear in more than one story. Did you plan the collection that way, or was it more spontaneous?
A: Yes, the collection includes two sets of interlocking stories. A story in each set begins and ends each of the two sections of the book. I wanted the stories to stand on their own as distinct narratives and link up with other stories. The aspect of connectivity allowed multiple viewings of the protagonists, albeit from different angles.
And I wanted there to be considerable "narrative space" between each of the paired stories so that the reader moves on to other characters, returning only later to a character previously encountered. I didn't plan it that way exactly at the outset; the trajectory became clear to me as the writing progressed.
A: I am a 2018-2019 Translation Fellow at the Yiddish Book Center, where I am translating three memoirs by Rachmil Bryks (1912-1974), a poet and prose writer, a fiction writer and a memoirist.
Bryks masterfully depicts Jewish life in a shtetl in pre-Holocaust Poland as well as his experiences during the approach of war and the Holocaust. The translation program is wonderful, and the process of translation is endlessly stimulating.
Both writing and translation require a process of radical listening. As a writer, I listen to my characters; as a translator, I try to be aware of the writer's ghostly presence, to get as close as possible to authorial intentionality and then to usher those words into another language.
A: I think of writing fiction as a way to spend more time with characters than I do in my poetry. But I don't think of poetry and fiction as utterly separate enterprises. My poetry has often been narrative and prose-y, and my<|fim_middle|> story in Paris in the art world was the book. An older woman had been an artist's model in Paris, in the '20s…She could only live until about the '80s, so [the story] would be set in the '80s.
I had an art story in the '80s, so AIDS could be in the book, but that could be a subplot. I wanted to set the book in Chicago, and as I started doing research, I was learning amazing and devastating stuff. That's where the story wanted to go.
Q: How was the novel's title selected, and what does it signify for you?
A: Part of the epigraph from F. Scott Fitzgerald ["We were the great believers"] is from a posthumous essay. I was thinking about Paris in the '20s and reading a book called Flappers. It came out a few years ago. It follows the lives of six women, and [one of them] quoted Fitzgerald as saying this.
I was so taken by it. You think of the Lost Generation as being so jaded, and he was writing about the hope they all shared. I felt like someone has to have used this as a title. When I found the essay and the quote, I felt it more strongly.
I had the title before I had the book. I could have been writing a much bleaker book, and the title was challenging me to find what these people did believe in. Where was their hope? That was my North Star as I was writing.
Q: The book jumps back and forth in time. Did you write it in the order in which it appears, or did you move things around as you wrote?
A: There was a lot of moving! I wrote about 150 pages just about [my character] Yale. Fiona was a very minor character. I needed someone at this party. I'd written a scene where they were at a benefit. There was something there—I started finding her very interesting.
I wrote about Yale remembering her brother talking about her long dangling earrings. I was having a crisis about my permission to write a book that was just about gay men when I am not a gay man. I thought about broadening the novel, and thought I'd try Fiona's perspective.
I went back and wrote her first chapter and interspersed them. I do have a writing group—we're all published authors. I showed them the first six chapters: Yale, Fiona, Yale, Fiona, without saying anything, and I was really concerned. They had critiques for me, but none of them felt Fiona's perspective wasn't original to the book.
It might have been more born of panic, but it worked for me. I love playing with time. A 30-year span, I knew, was the right move. You change one thing, and it affects the entire storyline. I was playing with notecards.
Q: Did you need to do much research to write the book, and did you learn anything that especially surprised you?
A: It was a five-year process writing the book, and the entire time I was doing research. There's not a lot out there about Chicago during the AIDS crisis. It's all about San Francisco and New York.
Mostly I had to rely on primary sources, gay weeklies from the '890s, and interviews with people—people who were HIV positive, doctors, nurses, an art therapist, lawyers, journalists, historians, survivors. It was factual, but also emotional research, absorbing people's stories.
And in terms of surprises, yeah. I thought everyone understood a lot about the AIDS crisis and it turns out we don't. There were a lot of misrepresentations. I had no idea it was usually five years between infection and first symptoms. That really altered my timeline.
Also, there were things about the details of what people went through with health insurance that were astonishing to me. There's a section where this guy is talking to Yale about all the jobs he had to prove he couldn't do, to go on disability. AIDS itself was not a disability category.
A: Right now, 17,000 essays related to the book.
I had two competing novel ideas going, and I think one has won out. The title is Class of '95. It's not set in the '90s, it's set now. It's a murder mystery. It's probably completely going to change!
A: I'm really excited to be doing a donation campaign for Vital Bridges. The information is on my website.
--Interview with Deborah Kalb. Here's a previous Q&A with Rebecca Makkai.
Q&A with Barbara Dee
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June 2018 Jewish Book Carnival
Q&A with Catherine McKenzie
Q&A with Rosalie Knecht
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Q&A with Jan Von Schleh
Q&A with Sheila O'Connor
Q&A with James Campbell
Q&A with Stephanie Han
Q&A with Johnny Smith
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Q&A with Finn Wilcox | prose is often focused on the interior lives of my characters and is complete with poetic passages.
In the end, I aim to follow the muse, to see where the character goes or wants to go, rather than be concerned about the genre in which s/he "belongs."
--Interview with Deborah Kalb. Here's a previous Q&A with Yermiyahu Ahron Taub.
June 21, 1912: Mary McCarthy born.
Q&A with Ann Mah
Ann Mah is the author of the new novel The Lost Vintage. She has also written the novel Kitchen Chinese and the memoir Mastering the Art of French Eating. Her work has appeared in a variety of publications, including Condé Nast Traveler and Vogue.com. She is based in Paris and Washington, D.C.
Q: You've noted that the inspiration for this novel came from your own work at a wine harvest in France. How did you come up with the idea for your character Kate and her family?
A: I've always been fascinated by professional craftsmen and women who strive to become the very best in their field.
When I learned about the rigorous Master of Wine distinction, it immediately seemed like the perfect way to explore the crossroads of ambition and personal life that affects so many people these days. While Kate is always striving, her French family is almost purposefully unambitious, which she finds both charming and maddening.
Q: The book includes sections set in the present, and chapters from another character's World War II-era diary. Did you write the novel in the order in which it appears, or did you move chapters around as you wrote?
A: I wrote it mostly as it appears – though I tend to write short, so after the first draft I found myself needing to add diary segments to flesh out Hélène's story.
Q: You write, "I think a lot of regret and shame about the war still lingers in France." Did you hear many stories that were reminiscent of the events you describe in the novel?
A: I do not ever enquire about the war among French acquaintances. I wouldn't say the subject is exactly taboo – but over 70 years later, it's still sensitive.
The truth is, France was occupied and a lot of people collaborated – perhaps not actively, but definitely passively. It was a matter of survival and it has caused many scars.
Q: How much research did you need to do to write the book?
A: Along with reading stacks of books about World War II, I took wine classes with the Wine and Spirits Education Trust (WSET), which administers the Master of Wine program.
I wanted to write about wine accurately, and their courses were excellent preparation. It's a very rigorous and competitive program, with blind tastings and exams. I'm proud to say that I received my qualification with distinction!
A: A cookbook! My dad sent me an Instant Pot last year and I fell in love with it. I was surprised to learn that French home cooks have been using pressure cookers for decades.
My cookbook, Instantly French, offers quick and easy French recipes designed for the multifunctional pressure cooker, from boeuf bourguignon to molten chocolate cake. It'll be out in September.
--Interview with Deborah Kalb. Here's a previous Q&A with Ann Mah.
Q&A with Joseph A. Esposito
Joseph A. Esposito is the author of the new book Dinner in Camelot: The Night America's Greatest Scientists, Writers, and Scholars Partied at the Kennedy White House. A historian, writer, and educator, he served in three presidential administrations, and is adjunct associate professor at Northern Virginia Community College. He reviews books for the Washington Independent Review of Books and Kirkus Reviews, and he lives in Virginia.
Q: Why did you decide to write about the night John F. Kennedy hosted an assortment of scientists, writers, and scholars at the White House?
A: I met Senator Kennedy in the waning days of the 1960 campaign. That meeting sparked an interest in public service; I subsequently served in three presidential administrations. So I was interested in writing about him on a topic that had not been given extensive attention.
However, the more I learned about this dinner—with its unprecedented array of distinguished guests and its historical implications—I became mesmerized by the story.
Q: How did you research the book, and did you learn anything that especially surprised you?
A: I was able to use the large amount of material related to the dinner at the Kennedy Library in Boston. Although there were 175 guests at the dinner—the largest of the Kennedy era—I largely focused on about a dozen people.
I was able to access other archives related to them and their attendance that night, such as through Linus Pauling's papers at Oregon State University. I also profited from interviews, notably with Rose Styron, who was a guest, and Clint Hill, Mrs. Kennedy's Secret Service agent. Many secondary sources were also valuable.
I am a historian, I had been in government, and I have lived in Washington, D.C., since 1981 so many aspects of a White House dinner were not surprising. What did surprise me were the details about many of the people that I highlighted and their interactions with one another.
The Pauling-Robert Oppenheimer relationship, which went back to the 1920s, was very interesting. I came away with a greater appreciation for the work of James Baldwin. And Mrs. Kennedy's extensive work in restoring the White House, which I generally knew about, became clearer.
Q: What impact did the dinner have at the time, and what do you see as its legacy today?
A: The dinner was covered extensively in the newspapers and magazines. These accounts focused on the two controversial guests: Pauling, who had picketed President Kennedy over a stalled nuclear test ban agreement with the U.S.S.R. before the dinner, and Oppenheimer, who had lost his security clearance in 1954.
But the glamor of the event also was covered, including its place among the outgoing series of social events at the Kennedy White House.
The legacy is that this was time when people of achievement were honored at the highest level of our government, on behalf of the American people.
At the height of the Cold War, it was a time when the country, despite differences, worked toward consensus in attempting to solve its problems. President Kennedy was an inspirational leader, and this event reflected that role.
Q: In a Washington Post review of the book, Thomas Oliphant writes of the dinner, "And it has resonated through the decades as a symbol of what that 'one brief, shining moment' was capable of on its best days, and of the impact a White House can have on American culture and the creative minds who inhabit it. Comparisons to the disgusting atmosphere of the present are obvious." Do you think such an event could happen now, and how would you compare the cultural tone of JFK's White House to that of today?
A: This dinner, honoring 49 Nobel Prize winners and many equally prominent thinkers and doers, was unique. Nothing even approaching it has been attempted since. It was a much different time, of course, but I believe that its success, again, reflected special leadership at the White House and an appreciation for the symbolism that it represented.
White House dinners in recent decades have included many celebrities; the Nobel dinner honored men and women of tremendous accomplishment—there were no singers or movie stars or even politicians (other than the president, vice president, and attorney general).
A: I am working on book about two somewhat obscure televised debates of the mid-1960s: one between James Baldwin and William F. Buckley, Jr., on race relations, and the other between Ronald Reagan and Robert Kennedy on Vietnam. Baldwin and Reagan were the clear winners.
The interactions were notable, and they speak to us not only about that turbulent decade but also are meaningful today. I'm enjoying the research.
A: Tish Baldrige, the White House social secretary, repeatedly referred to this event of intellectuals as "the Brains' Dinner." French-born chef Rene Verdon was perplexed at first, thinking he was going to be asked to prepare brains for the guests. The main course was beef Wellington.
Q&A with Maryann Macdonald
Maryann Macdonald, photo by Stefan Falke
Maryann Macdonald is the author of the new children's picture book Rosa's Animals: The Story of Rosa Bonheur and Her Painting Menagerie. Her many other books for kids include Odette's Secrets and The Christmas Cat. She lives in New York City.
Q: Why did you decide to write a children's picture book about the artist Rosa Bonheur?
A: While wandering through the Metropolitan Museum one day, I ran across The Horse Fair, a huge painting that shows horses and their handlers parading past. The horses' eyes glinted; the dust kicked up by their hooves was suspended in the air. I was captivated.
I studied the painting for some time, then looked at the attribution. The artist, a woman, had been forced to dress as a man to make preparatory sketches for the painting in 19th century Paris. Women would not have been able to sketch in public without attracting negative attention.
I read more about Bonheur and learned that she was denied a formal art education because of her gender. Despite this, she became the best-known female painter of her day. Here was a story!
Q: How did you choose the artwork to include in the book?
A: I looked for artwork that reflected or enhanced Bonheur's story. Some of what I chose is still and reflective. Some is full of action. I tried to include a little of everything, but there wasn't room for it all.
Q: How did you research this book, and did you learn anything that particularly surprised you?
A: First, I visited the Metropolitan Museum of Art's own library. I read everything I could find there, and then looked at other New York libraries and on the Internet. I visited museums in New York and Washington to see more of Bonheur's work.
I made inquiries at the tourist bureau in Thomery, near Paris, where Bonheur lived, to see whether I could visit her chateau. I also visited Paris to see where Bonheur lived and died and to see some of her most famous paintings. I tried to visit her chateau, but it was unfortunately closed to the public. I approached art historians to see what I could learn from them.
Last of all, I began the lengthy process of tracking down reproducible images for the book. This all took some time, but I discovered my passion for Bonheur and her life sustained me. I never got tired of following her remarkable story.
Q: How would you describe Rosa Bonheur's legacy today?
A: Rosa Bonheur was a woman who was true to herself, who did things her own way. She loved animals more than anything in life, and was devoted to depicting them in her art as they really were. She didn't look over her shoulder to see what the trends were, and was not jealous of the work of others.
"Every kind of painting has its masterpiece," she famously said. This ability to achieve excellence while holding to her own standards is her legacy.
A: I have changed gears and have recently written several picture books: My Playdate is one of them. Playdates are one of the most exciting events in a child's life, yet I had never seen a book about them...so I wrote my own!
I am also a grandmother now, and have discovered the joys of that experience. I recently wrote two picture books, It's Good to Have a Grandma and It's Good to Have a Grandpa, about the fun and closeness that exists in the grandparent/grandchild relationship. All three of these books will be published next year by Albert Whitman.
A: I was sitting on a bench in Central Park the other day when a troupe of policemen rode by on horseback. I couldn't help but admire their beautiful, well-groomed horses, but they passed all too quickly.
I couldn't help but think of Rosa Bonheur and her masterpiece, The Horse Fair, in the Metropolitan Museum nearby. How had Bonheur managed to capture these huge animals in motion with such fire and animation? What an amazing human being! What a powerful artist!
Q&A with Amanda Robson
Amanda Robson is the author of the new psychological suspense novel Guilt. She also has written the novel Obsession. She worked as a medical researcher and co-wrote a book on cyanide poisoning. She lives in London.
Q: How did you come up with the idea for Guilt, and why did you decide to focus on twins?
A: I have wanted to write a triangular story, about two women, and the man who comes between them, for a long time now. This stems from the fact that I have very close girlfriends, and sometimes devilishly wonder what would happen if our relationships were stretched by a third party.
Even though I am not lucky enough to be a twin, I chose twin sisters because I imagine them to have one of the tightest female bonds possible.
Q: The novel includes the theme of sexual harassment. Why did you decide to include that in the novel, and how does this story relate to the #MeToo movement?
A: The idea of sexual harassment came into my head as it just seemed to be the natural Machiavellian power play that a damaged character like Sebastian would use.
Writing it came naturally, as I, like many other women, was sexually harassed at work as a young woman during the early '80s. It does relate to the #MeToo movement because it is my own way of saying #MeToo.
Q: You tell the story from several characters' perspectives. Did you write it in the order in which it appears, or did you move things around as you wrote?
A: I wrote the novel quite deliberately in the order it appears. I love writing through different people's eyes and continuing the story in that way.
Let me explain: Guilt begins with a stabbing, which leaves one twin sister dead, and the other accused of her murder. As well as different character perspectives, past and present storylines are intermingled to gradually reveal the reason for the fight, and at the crescendo of the book, the person who died.
I very much enjoyed using this technique as I feel at every point of our lives we are experiencing a pivotal balance between what has been before, and the anticipation of what is still to come. And we all have a different perspective.
Q: Did you know how the novel would end before you started writing?
A: Yes. I plan my work very carefully before I start.
A: I'm writing my third novel, Envy, which is about a young mother adored by three people. One is her husband. Unfortunately, the other two are stalkers. But it is the publication of Guilt that I am super excited about right now.
June 20, 1858: Charles W. Chesnutt born.
Q&A with Rebecca Makkai
Rebecca Makkai is the author of the new novel The Great Believers. Her other books include Music for Wartime and The Hundred-Year House, and her work has appeared in a variety of publications, including Harper's and Tin House. She lives in the Chicago area.
Q: How did you come up with the idea for The Great Believers, and why did you decide to focus on the AIDS crisis in Chicago?
A: I did not decide to write about the AIDS crisis in Chicago. I set out to write a different book. What's now the subplot of Nora's | 3,271 |
Jennings hauled in three of his five targets for 17 yards in Sunday's 33-17 loss to the Colts.
Jennings caught all three of his targets for 29 yards in Saturday's 25-16 win over Washington. He also added one carry for two yards<|fim_middle|> on 41-yard opening kickoff return.
Tennessee Titans mimic the New England Patriots and quarterback Marcus Mariota catches a pass on this trick play.
Tennessee Titans quarterback Marcus Mariota pinpoints pass to Darius Jennings for 36 yards.
Tennessee Titans wide receiver Corey Davis drops an unbelievable deep pass from Tennessee Titans quarterback Marcus Mariota during overtime against the Philadelphia Eagles. | .
Analysis: Jennings' three targets and receptions both represented season bests and his highest total in a game since 2015. Still best known for his prowess as a kick returner, he maintains no fantasy value as he has tallied only eight receptions for 84 yards through 16 games.
Jennings was not targeted in the passing game but returned one kick for 29 yards in Thursday's 30-9 win over the Jaguars.
Analysis: Jennings battled a knee injury throughout the short week prior to Thursday's game, but maintained his role as a kick-return specialist. He's been a non-factor in the passing attack, hauling in only five catches for 55 yards for the season.
Jennings (knee) is active for Thursday's game against the Jaguars, Turron Davenport of ESPN.com reports.
Analysis: Jennings will see most of his snaps on special teams and serve as the Titans' top kick returner during Thursday's tilt against the Jaguars.
Jennings (knee) is officially listed as questionable for Thursday's game against the Jaguars.
Analysis: Jennings is working to recover from a knee injury sustained during Sunday's win over the Jets, and his status for Thursday Night Football appears truly murky. If Jennings were to miss any time, Adoree' Jackson would serve as the Titans' top kick returner.
Jennings (knee) did not practice Tuesday, Jim Wyatt of the team's official team site reports.
Analysis: Jennings appears to have suffered a knee injury during Sunday's victory over the Jets. While he doesn't provide much to the team on offense, he has served as the Titans' primary kick returner. He'll likely need to get a full practice in Wednesday to have a strong chance of participating in the Titans' Week 14 matchup against the Jaguars on Thursday.
Jennings is listed as a non-participant on Monday's estimated practice report, Paul Kuharsky of 104.5 The Zone Nashville reports.
Analysis: Jennings appears to have picked up a knee injury during Sunday's 26-22 win over the Jets. If the depth wideout were to miss any time, one of Adoree' Jackson (wrist) or Dion Lewis would serve as the Titans' top kick returner.
Jennings caught his lone target for 36 yards in Monday's 28-14 win over the Cowboys.
Analysis: Jennings caught a deep pass, splitting three Cowboys defenders down the middle of the field to record the longest reception of his career. Known mostly for his prowess in the return game, Jennings has just five targets on the season, making him irrelevant in traditional leagues that don't count return yardage.
Tennessee Titans pull out tricky reverse | 565 |
This deluxe edition of Christian Worship: Occasional Services provides pastors with resources to supplement the<|fim_middle|> Easter are also included. Additional resources include settings for liturgical songs and psalms for cantor, choir, or congregation. The page format uses easy-to-read, large print text and melodies for all music sung by the minister. Most of the service texts are provided as electronic RTF files on the CD-ROM. TIF graphic files of music for the congregation are also on the CD-ROM. These components simplify reproduction of rites and services for worship folders. Package includes 2 ribbons, CD-ROM.
This product is also available in black or burgundy leather. | Christian Worship: A Lutheran Hymnal. Included are rites for special occasions (for example, baptisms, weddings, and funerals). Service notes provide background on the rites and special instructions for their use. Special services for Prayer at Close of Day (Compline) and Advent, Christmas, Lent, and | 62 |
NASA's Twitter Wins Shorty Award for Social Media
By SPACE.com Staff 2012-03-27T21:41:38Z
NASA astronaut Mike Massimino, far left, Sesame Street's Elmo and NASA astronaut Doug<|fim_middle|> interact with NASA engineers, scientists and astronauts.
The Shorty Awards, which some call the the Oscars or Grammys of social media, have been held every year since 2009. This year's winners were announced Monday night at the Times Center in New York, during an event hosted by "The Daily Show's" Samantha Bee and Jason Jones.
Other notable Twitter accounts that won a Shorty this year include @Instagram and @justinbieber, which won in the app and celebrity categories, respectively.
Follow SPACE.com for the latest in space science and exploration news on Twitter @Spacedotcom and on Facebook. | Wheelock, far right, speak at the STS-135 Tweetup, Thursday, July 7, 2011, at Kennedy Space Center in Cape Canaveral, Fla. Elmo asked the astronauts questions about living and working in space.
NASA's Twitter feed has won a Shorty Award for the best government use of social media.
The Shorty Awards, which were announced Monday (March 26), honor the best of social media across many different sites, including Twitter, Facebook, YouTube, Tumblr and Foursquare. The nomination for NASA's official Twitter account, @NASA, cited the space agency's efforts to get people — especially kids — interested in science.
"The Obama administration has placed a high priority on openness and on-line communications, and @NASA is honored to be recognized for its social media efforts with a Shorty Award," David Weaver, NASA's associate administrator for communications, said in a statement. "We are inspired by the social media community and their passion for sharing our compelling story of reaching for new heights and keeping America the world leader in space exploration."
The award is NASA's third Shorty overall. The space agency won one in 2009 for its use of Twitter during the Mars Phoenix Lander mission, which found water ice just beneath the dirt near the Red Planet's north pole.
Further, astronaut Doug Wheelock won the Real Time Photo of the Year Shorty in 2011 for his "Moon from Space" snapshot.
@NASA has more than 2 million followers, and the space agency maintains presences on Facebook , Google+, Flickr, and other platforms. NASA also frequently holds events called Tweetups, which allow its social media followers to attend functions and | 351 |
Playing To Learn: Serious Games In The Classroom
By Eliane Alhadeff Sunday, July 29, 2007
Via : Education Futures<|fim_middle|>els' classroom at Northeast Middle School, students intently studied their PlayStations, even pausing the game to take detailed notes.
"It's almost like reading a book," student Hilario Trejo explained. "You've got to take out the setting, the plot and like everything else, you've got to write it down. You've got to write it down from like the moment you start playing.
"Students do still read books in class and link the books to the games in surprising ways.
"He was talking about Sonic the Hedgehog and he said, 'It's much like "The Odyssey" Mr. Dubbels. Sonic has to get home just like Odysseus.' I was like, 'Tony, this is great!'" Dubbels said.
Televisions and video games are not in the budget for an eighth-grade English teacher, but Dubbels got some of the equipment on craigslist. Other equipment seemed to show up from other classrooms in the building.
There was some resistance to the idea at first, but Dubbels teaches a class at the University of Minnesota over the summer, on video games as tools for educators. He said it is a popular class.
Younger teachers have grown up with the games and want to find ways to use them to achieve state standards. | - Video Games in the Classroom
Brock Dubbels, guest blogger at Education Futures, brings nearly two decades of experience in education and instructional design, exploring new technologies for assessment, delivering content, creating engagement with learners, and investigating ways people approach learning.
His current work involves the use of video game technology and activities to develop reading comprehension and increase engagement to help students accelerate beyond benchmarks and minimum learning standards.
At Brock's Website one may find quite a few entries that explore how video games can be used, how he has used them, and what outcomes he has observed.
In Brock Dubb | 119 |
HALOMED dry salt aerosol generators, or halogenerators, produce dry salt aerosol and via a fan disperse it into salt rooms, where clients can relax while they take in the natural benefits of salt therapy. The results created by Halomed's line of halogenerators replicate the hygienic and restorative atmosphere found in natural salt caves – or seacoast air on a dry, breezy day.
What Else Should I Expect from Halomed Devices?
All halogenerators come with installation and maintenance manuals, and are sold with two-year warranties and custom support by phone/e-mail during the warranty period. The price of our halogenerators also INCLUDES custom consultation on the HVAC system for your salt room, which requires that you send your floor<|fim_middle|> sodium chloride (salt) aerosol, which can penetrate exposed electronic, electrical and mechanical devices and systems and salt residue can accumulate on their external and internal surfaces. Salt accumulates on floors, walls, and ceilings and in the HVAC systems of premises where halognerators are used. When wet, salt is corrosive to unprotected metals and is electrically conductive. | plan to us.
Where to purchase salt for your halogenerator.
Balanced distribution of properly micronized particles.
These two factors are necessary to maximize the benefits of salt therapy and authentically replicate the beneficial environment found in natural salt caves.
Consistent DSA composition during sessions, as a result of the constant speed of the generator's grinder.
All Halomed models provide the salt room owners the flexibility to control the DSA concentration and session duration. The HaloSmart-01 also offers the convenience of several preset and custom programs.
Salt-room ambient humidity and temperature, as well as the actual rate of air circulation.
Halomed halogenerators control salt room aerosol concentration and provide confirmation of aerosol conditions in real-time, on a front-panel monitor.
With minimal maintenance, Halomed equipment operates virtually clog free. With routine cleaning, a simple procedure that takes just minutes a day, salt room owners appreciate the consistent, quality performance that Halomed technology dependably provides.
Disclaimer The U.S. Food and Drug Administration and the Canadian Medical Device Bureau of the Therapeutic Product Directorate (TPD) have not evaluated statements of this presentation. Halogenerators are not intended for use in the diagnosis of disease or other conditions, or in the cure, mitigation, treatment, or prevention of disease, in humans or animals.
The halogenerators produce and disperse dry | 278 |
Do you remember trying to wake up on time as a teenager? My parents can attest to the fact that I rarely made it past "trying. Yet when I remember those occasional<|fim_middle|> human being an extremely satisfying pursuit (even though I'm sure she would also enjoy staying in bed for another hour or two). The vision of the long-term pleasure is overriding that temporary satisfaction.
We all are individually programmed to chase what gratifies us. The only way for you to override that very tempting short-term gratification is to envision your long-term pleasure and pursue that.
You must make that future pleasure real to you. You must know that if you continue on the long-term path you will receive that pleasure in the end and it will be delicious.
Ask around, find out, explore; is it worth giving up the temporary pleasure for the long-term satisfaction of success?
I dare you to try it….
Isaac grew up struggling with the painful issue of low self-esteem. After much personal development, he has increased his self-esteem and self-confidence. Now Isaac's passion and profession is coaching entrepreneurs and sales people to achieve their dreams by sharing those proven methods. Isaac is married to his best friend and is blessed with 4 really cute children. He is honored that you have taken the time to read this and thanks you. | exciting days it was the exact opposite; it was 'trying to stay asleep' that was the problem.
My mother, on the other hand, awakens with a smile at 6:00am every single day. She consistently and enthusiastically jumps out of bed, eager to accomplish the day's challenges.
So why did we differ?
We are all driven by pleasure, and are all chasing it on a constant basis. The big question is: Are you chasing short-term temporary pleasure? Or are you willing and able to hold off on the 'now' in order to attain the maximum benefit that comes with the long term achieved reward?
As a teenager I was only pursuing the short term pleasure of my warm cozy bed. The outside cold overrode any consideration of what I could achieve if I got up to conquer the world.
My mother, more mature and wise than I, was and is pursuing the long-term pleasure of accomplishment. She finds getting out of bed, facing her daily challenges, and becoming a better | 204 |
HSEC
Need-Based Requirements
Wyoming Colleges
Hathaway Day
For<|fim_middle|> fund's income would support state government operations – including higher education in Wyoming.
In 2005, state lawmakers created a scholarship fund with a $400 million permanent endowment, whose income funds scholarships for qualified Wyoming high school graduates to attend the University of Wyoming or any of the state's seven community colleges. They honored Hathaway's many contributions to the state and accomplishments by naming the scholarship program for him.
The Hathaway Scholarship program has turned Governor Hathaway's dream of building a better Wyoming into a reality by making attending college possible through merit- and need-based scholarships for qualified Wyoming high school graduates.
Hathaway Makes College Possible
Hathaway offers four individual scholarships, and a need-based scholarship that can supplement these merit-based awards. Thousands of students have used the Hathaway Scholarship to help make college a reality. The award you can get:
How does it work? Every Wyoming middle and high school student is automatically eligible for the Hathaway Scholarship. By maintaining a certain GPA, test scores, and class requirements throughout high school, students have the opportunity to graduate with the Hathaway Scholarship. They can use their Hathaway Scholarship to pay for tuition at the University of Wyoming or a Wyoming community college.
Why Hathaway?
An educated Wyoming is a stronger Wyoming, and we believe that promoting student success is vital to their achievement. We understand that an investment in our students is an investment in Wyoming's future.
To get even more details about the Hathaway Scholarship, download our full brochure here.
If you have any questions about the above requirements, contact your school counselor or the Hathaway Scholarship Program today.
© Wyoming Department of Education
Privacy | Accessibility | Contact The WDE | All rights reserved. | Districts and Colleges
"We must all work together to build a better Wyoming."
– Governor Stanley Hathaway
The Hathaway Scholarship was established to help Wyoming's students prepare for and pursue their post-secondary education in the state.
The scholarship has its roots in Governor Stanley Hathaway's 1974 decision to create the state of Wyoming Permanent Mineral Trust Fund. The | 74 |
Dr. Giuseppe Plazzi Director of the Sleep Laboratory, Department of Neurological Sciences, University of Bologna. Member of the European Narcolepsy Network (EU-NN).
Question. You have researched all aspects of the disease, that is to say, clinical, immunogenetic, therapeutic, legal-medicine, etc., in both children and adults. How have you been able to study such a wide range of patients? Have the brilliant campaigns carried out by the Italian Narcolepsy Association contributed to your work?
Answer. We started to collaborate with the Italian Association of Narcoleptic Patients<|fim_middle|> large number of participants, and concluded with breakout meetings of the various European narcolepsy associations. We learned a great deal in Bologna and were inspired to replicate the structure of that meeting in organising the 4th European Narcolepsy Day in Madrid, on March 16-17.
A. Having the 3rd European Narcolepsy Day in Bologna was a great opportunity for my group and for patients too. The congress was in fact sponsored by the Patients' Association. I wish you even more success for your meeting in Madrid.
Q. The Neurological Clinic of Bologna is an international reference point as a pioneer in the study of sleep pathology in humans. We understand that the sleep clinic is being transferred to Bellaria Hospital and we are wondering whether all the current research areas will be maintained in the new Centre?
A. We hope so… we are now working to create a large modern multidisciplinary centre for the diagnosis, treatment and research on narcolepsy in the new Bellaria Hospital.
Q. Finally, as a member of the EU-NN Board, could you summarise the achievements of the network over the last five years and comment on what you think the future holds?
A. The EU-NN creates an important network involving all the most important European centres and experts on narcolepsy. The database and the GWAS are probably the most important goals of this new scientific group. I think that in the future the EU-NN could work in several directions, involving more centres and European countries, promoting clinical scientific collaborations, genetic studies, translational research, new treatments, but also working with patients' associations to promote disease awareness, and suggest guidelines for school, work, and driving licenses for narcoleptic patients. | (Associazione Italiana Narcolettici – AIN) in 2000 by working jointly on plans for awareness campaigns on narcolepsy for the media. Together with a famous Italian cartoonist we designed a video spot that summarised the cardinal symptoms of narcolepsy, and the cartoon ran on the main Italian television channels. This campaign brought narcolepsy to the fore and we had the opportunity to diagnose hundreds of patients who had previously gone unrecognised as narcoleptics or had been misdiagnosed. We also created a multidisciplinary team to try to address all the multifaceted aspects of narcolepsy: medico-legal (with Francesca Ingravallo), metabolic (with Uberto Pagotto), psychological (with Carlo Cipolli and Christian Franceschini) and paediatrics (Filippo Bernardi, Antonio Balsamo, and Monia Gennari).
Q. On reviewing your numerous publications, in our view we can identify two important dimensions: first, the semiology of child cataplexy, accompanied by extensive audiovisual documentation; and second, the wide spectrum of metabolic disorders examined in your series on infants (Aran A, et al. Sleep 2010). Can you explain the key aspects of each study?
A. On viewing a large number of patients we started to observe that there were also children with narcolepsy close to disease onset. It is very well known that more than 50% of patients with narcolepsy report the onset of their symptoms before they are 15 years old; however, the diagnosis is performed in adulthood in most cases. A long time span between disease onset and diagnosis seems to be another clinical aspect of narcolepsy. This picture raises an important point: can narcolepsy change during its course? What we noticed in a large number of children with narcolepsy is indeed a new clinical picture that was not described previously. Childhood narcolepsy is characterised by an abrupt onset, cataplexy is often associated with complex movement disorders, behavioural problems, remarkable sleepiness or hyperactivity, night-time insomnia, obesity (or very fast weight gain), accelerated puberty or even precocious puberty. My personal feeling is that this picture turns into the classical form of narcolepsy with cataplexy over time and this different presentation can be one of the causes of the diagnostic delay.
Q. Your work on processing emotions in narcoleptics is quite important for the understanding of the psycho-physiological mechanisms of the disease (Tucci V, et al. Sleep 2003). Can you summarise your findings in this study?
A. Narcolepsy with cataplexy is a fascinating abnormal response to emotions, and it is much more than a 'sleep disorder'. In 2003 we performed one of the first psycho-physiological experiments on narcoleptic patients and first we found evidence of an altered emotional response in narcoleptic patients indicating amygdala involvement, as Sophie Schwartz and Claudio Bassetti confirmed in several papers.
Q. Your publications on dimensions of the autonomic nervous system and its implications for human narcolepsy (Donadio V, et al. J Sleep Res 2008) are extremely interesting. Could you elaborate on this?
A. We also studied the autonomic aspects of narcolepsy and, in the paper by Vincenzo Donadio, the paroxysmal autonomic changes during cataplexy by microneurography. Several studies suggest that the autonomic system may be altered in narcoleptic patients but it is unclear whether this could depend on the altered hypocretin system or if it is secondary to sleep alteration. This is a fascinating field and I think that many groups are working on it.
Q. You organised the 3rd European Narcolepsy Day in Bologna, a year ago. It was an excellent meeting. It offered a strong scientific programme, attracted a | 814 |
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