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Mental Health Consequences of Hard Border Closures on FIFO Children
By: Dr Justin Coulson
In March 2020 Western Australia shut its borders. While there may be well-meaning policies behind the border closures, there<|fim_middle|> example. Sometimes it just won't work.
So, what does this mean for the mental health of FIFO children?
Measurable and Significant Impact on Mental Health
Regardless of motives, hard border closures are bound to have a significant mental health impact on the affected families. It's true that FIFO families have long faced the challenge of distance and time apart. They sign up for two, three or even four week stints on the job site, and then a period of time at home with the family.
The difference here is autonomy. Yes FIFO families, have chosen some time apart. They've factored that set amount into their family dynamic and made changes to continue to build their connection and wellbeing individually and within their families. But under the hard border closures, that autonomy – that choice – is gone.
New research shows that our mental health has a strong correlation to the amount of autonomy we have at our job. It also affects our ability to manage and even understand the demands of our job. In other words, when we don't have a choice our mental health suffers, our work suffers and even our ability to think suffers.
For our kids, the impact can be just as devastating. Though studies on this particular situation are still ongoing, we can correlate the effects on children who are separated from a parent due to war time military deployment. In those situations the deployed parent is also at the mercy of the government's decisions, and though has chosen to be in the military, lacks autonomy in when and how they are deployed.
Studies show that children in those circumstances have increased mental health challenges (up 11%), behavioural disorders (up 19%) and stress disorders (up 18%). Another study reports that deployment has a negative effect on the psychosocial outcomes in children. This means feelings, behaviour, self-esteem, body image, social interactions, sexual activities and relationships are all negatively impacted when parents are separated from their children through no choice of their own.
It seems clear that the best way forward for the mental health of Australian families is to simply remove hard border closures, or provide exemptions for FIFO workers. Unfortunately, unless the government changes its policies, that's simply not going to happen. So, what else can we do to help?
First, acknowledge this is a hard situation
This is a genuinely hard situation. There's no easy answer. FIFO workers have to work. And moving the entire family to WA isn't usually an option either. Sometimes families have health needs that keep them in cities, sometimes they aren't able to leave family support and sometimes the further disruption to their children's lives would simply do more harm than good. Acknowledge that to your kids. Let them know you get it.
Second, talk about it
Be honest about what's happening and give your child as much information as they are developmentally ready for. Talk about where mum or dad is, what they're doing every day and why it's important that they're there. Let your children develop a vision of their parent in the other environment. Video chats are excellent for this. The more your child can imagine where their mum or dad is, the less foreign and 'distant' it feels.
Photo by Ketut Subiyanto from Pexels
Third, help them feel a sense of stability
As much as possible maintain routines, activities and even family traditions. If dad usually makes pancakes Sunday morning, maybe dad and the children can have an online pancake cooking session. It won't be perfect, but it will give your kids the feeling that their parent is still involved in their lives. Also, as much as you can, be consistent with discipline. Children thrive when they know boundaries.
Being away from loved ones for a long period of time is not good for anyone. It's just really hard, and unfortunately there's no easy answer. All we can do in this difficult time is keep working on building that connection within your family. And know that we're all behind you.
Article supplied with thanks to Happy Families.
About the Author: A sought after public speaker and author, and former radio broadcaster, Justin has a psychology degree from the University of Queensland and a PhD in psychology from the University of Wollongong.
Feature image: Photo by Flora Westbrook from Pexels
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Main Beach 4217 | 's no escaping the fact that this decision has irrevocably changed people's lives – especially for fly-in-fly-out (FIFO) families.
FIFO families are finding themselves forcibly separated with workers stuck in rural WA, while their partners and children remain behind in other states. Parents have been forced to choose between keeping food on the table and being with their children.
And the other solutions aren't great. While the government has released incentives to encourage FIFO families to relocate to WA this doesn't take into account the other parent's work situation, the kids' schooling or friend and family support, for | 120 |
24 Cape Town singers impress the<|fim_middle|> the official Idols Facebook page at "Idols South Africa". | Idols SA judges
2014-03-17 15:48 Cape Town - Cape Town has taken the lead so far in the historic tenth season of Idols SA, with 24 Golden Tickets handed out at his week's auditions at the GrandWest Casino & Entertainment Centre.
16 Golden Tickets were awarded at the Durban auditions last month and at the Carnival City Casino and Entertainment World on Gauteng's East Rand early in February the tally was 18.
"This was our best judging day of the season so far!" Idols judge Unathi Msengana remarked happily after. "We had a lot of fun and we might even have found the winner here, who knows," she said.
"Cape Town has had a few 'off' years in the past but I think they're back with bang," Gareth Cliff agreed. "We found quite a few contestants who can not only sing but also have something interesting to say for themselves."
Even Randall Abrahams was cautiously optimistic about Cape Town's chances in this year's competition. "There are enough of them who are sufficiently different to make it interesting," he noted.
'Interesting' contestants
An international runway model certainly qualifies as "interesting". 21-year-old Sydney Bailey from Zeekoevlei spent the past four years strutting the catwalks of New York, Paris and London, "but I didn't enjoy it," she confided in the Idols SA judges on Saturday. "They made me feel fat and short and ugly. The runway standard in New York is very, very skinny."
Also included in this year's crop of aspiring superstars is the beautiful Demi Lee, 24, from Durbanville, who actual real name is Demi Moore, as well as sexy soccer star Lyle Tyrell, 21, from Strandfontein, who is trying again after he fell out in the first round at Theatre Week last year.
Singers, between the ages of 16 and 30, who dream of a life in the limelight, have one more chance to enter Idols SA. The final auditions for Idols X are taking place at the State Theatre in Pretoria on Saturday, 22 March. Those younger than 18 have to be accompanied by a parent or guardian and all contestants will be asked to present their ID documents at the registration, which will take place on the day of auditioning. Musical instruments will again be allowed in the audition room.
Once again, Idols is a co-production between the two pay-television channels M-Net and Mzansi Magic, which will simulcast all the episodes starting this July.
To stay on top of Idols news, follow Idols SA on Twitter @IdolsSA and | 570 |
NASA's New Horizons spacecraft is currently speeding through the outer solar system toward its July 2015 date with Pluto, when it will take a good close look at the dwarf planet's mysterious surface, atmosphere, moons, and… rings?
Less than three-quarters the size of our moon, Pluto nevertheless has no shortage of fascinating features. It has a curiously mottled coloration that seems to<|fim_middle|> These could be the remains of a small moon or even ejected material from one of the existing ones.
In fact, concerns over the existence of such rings have recently arisen, as running into unseen debris at 14 kilometers a second — the velocity at which New Horizons will pass by Pluto — would pose a serious risk to the spacecraft and its sensitive suite of instruments.
"Even particles less than a milligram can penetrate our micrometeoroid blankets and do a lot of damage to electronics, fuel lines and sensors," said New Horizons Principal Investigator Alan Stern.
While it's not known if Pluto has such rings, or perhaps even more moons in tow, Throop's team is using occultation data gathered with the four-meter Anglo-Australian Telescope in Australia to search for any hints of hidden ring structures.
Although no conclusive evidence for rings has yet been found, Throop's research is still valuable to the New Horizons mission. After all, knowing where rings aren't is just as important as knowing where they are when planning a safe path for the spacecraft.
Read more about this research on PhysOrg.com. | change with its seasons, an atmosphere that expands and falls back onto its surface, a system of four moons in orbit around it — the most recent of which, currently called "P4", was announced just last summer — and, according to Planetary Science Institute senior scientist Henry Throop, possibly even a system of rings.
Astronomers have suggested before that Pluto could have rings… probably not an elaborate system like Saturn's, of course, but rather a thin ring made up of small bits of rock, dust, gas and ice. | 110 |
Flying Over Mars
October 29, 2013, 12:28 PM ET
In 2003, on Christmas Day â Dec. 25 â the Mars Express space probe slid into orbit around the red planet. Since that time, it has returned vast amounts of data about Mars: It has mapped the surface, taken altimetry data, looked at the mineral composition of the surface, investigated the atmosphere, and even looked into how the planet interacts with the solar wind
To celebrate a decade of success of this ambitious spacecraft, the European Space Agency has released a pretty cool video created from Mars Express images and topographical data⦠allowing you, the viewer to see what itâs like to fly over Mars!
OOoooo, pretty.<|fim_middle|>, is very cold, and is extremely dry. But its beauty is undeniable, and this video makes me wish I could hop the nearest interplanetary cruiser and take a tour of this small but incredibly fascinating world. Maybe, just maybe, someday people really will be able to do that. If and when that happens, itâll be in part due to the work by probes like Mars Express.
55 sec ago | I saw quite a few landmarks in there, including Olympus Mons, the tallest volcano in the solar system; Valles Marineris, the longest rift valley in the solar system (itâs wider than the Grand Canyon is long!); an elongated crater Iâve written about before (at the 2:20 mark, and shown at the top of this article); and the ridiculously gorgeous and very weird swirls in the terrain at the Martian north pole (though the south pole of the planet is even more jaw-droppingly beautiful).Â
I was also intrigued by a crater shown at the 1:50 mark, which looks like it got filled by a landslide off a nearby hill. Mars isnât what you might call geologically active, but it does commonly suffer landslides and avalanches when the frozen carbon dioxide ice under the surface sublimates (turns directly from a solid into a gas), which can dislodge material. If that happens at the top of a hill or cliff, material can cascade down dramatically. I strongly suspect thatâs what weâre seeing in this video.
Mars has little air | 234 |
9-11 Memorial Over View & Reports
9-11 FACTS
9/11: Timeline of Events
The September 11, 2001, terrorist attacks began at 8:46 am EDT, when terrorists crashed American Airlines Flight 11, with 92 people aboard, into the World Trade Center's North Tower.
Ground Zero was the name given to the area where New York City's World Trade Center collapsed after the attacks of September 11, 2001.
9/11 Commission
The 9/11 Commission was charged investigating the circumstances surrounding the terrorist attacks of September 11, 2001.
9/11 Memorial and the Rebuilding of Ground Zero
The enormously complex rebuilding of the World Trade Center site includes a striking memorial to the victims of 9/11.
September 11, 2001, was the deadliest day in history for New York City firefighters: 343 were killed.
On September 11, 2001, at 8:45 a.m. on a clear Tuesday morning, an American Airlines Boeing 767 loaded with 20,<|fim_middle|> 11th attacks, remained at large until May 2, 2011, when he was finally tracked down and killed by U.S. forces at a hideout in Abbottabad, Pakistan. In June 2011, President Barack Obama announced the beginning of large-scale troop withdrawals from Afghanistan, with a final withdrawal of U.S. forces tentatively scheduled for 2014.
tagged with WP, WP CrossFit, wpcrossfit, Warehouse Performance CrossFit, Warehouse Performance | 000 gallons of jet fuel crashed into the north tower of the World Trade Center in New York City. The impact left a gaping, burning hole near the 80th floor of the 110-story skyscraper, instantly killing hundreds of people and trapping hundreds more in higher floors. As the evacuation of the tower and its twin got underway, television cameras broadcasted live images of what initially appeared to be a freak accident. Then, 18 minutes after the first plane hit, a second Boeing 767–United Airlines Flight 175–appeared out of the sky, turned sharply toward the World Trade Center and sliced into the south tower near the 60th floor. The collision caused a massive explosion that showered burning debris over surrounding buildings and the streets below. America was under attack.
The attackers were Islamic terrorists from Saudi Arabia and several other Arab nations. Reportedly financed by Saudi fugitive Osama bin Laden's al-Qaeda terrorist organization, they were allegedly acting in retaliation for America's support of Israel, its involvement in the Persian Gulf War and its continued military presence in the Middle East. Some of the terrorists had lived in the United States for more than a year and had taken flying lessons at American commercial flight schools. Others had slipped into the country in the months before September 11 and acted as the "muscle" in the operation. The 19 terrorists easily smuggled box-cutters and knives through security at three East Coast airports and boarded four flights bound for California, chosen because the planes were loaded with fuel for the long transcontinental journey. Soon after takeoff, the terrorists commandeered the four planes and took the controls, transforming ordinary commuter jets into guided missiles.
As millions watched the events unfolding in New York, American Airlines Flight 77 circled over downtown Washington, D.C., and slammed into the west side of the Pentagon military headquarters at 9:45 a.m. Jet fuel from the Boeing 757 caused a devastating inferno that led to the structural collapse of a portion of the giant concrete building. All told, 125 military personnel and civilians were killed in the Pentagon, along with all 64 people aboard the airliner.
Less than 15 minutes after the terrorists struck the nerve center of the U.S. military, the horror in New York took a catastrophic turn for the worse when the south tower of the World Trade Center collapsed in a massive cloud of dust and smoke. The structural steel of the skyscraper, built to withstand winds in excess of 200 miles per hour and a large conventional fire, could not withstand the tremendous heat generated by the burning jet fuel. At 10:30 a.m., the other Trade Center tower collapsed. Close to 3,000 people died in the World Trade Center and its vicinity, including a staggering 343 firefighters and paramedics, 23 New York City police officers and 37 Port Authority police officers who were struggling to complete an evacuation of the buildings and save the office workers trapped on higher floors. Only six people in the World Trade Center towers at the time of their collapse survived. Almost 10,000 others were treated for injuries, many severe.
Meanwhile, a fourth California-bound plane–United Flight 93–was hijacked about 40 minutes after leaving Newark International Airport in New Jersey. Because the plane had been delayed in taking off, passengers on board learned of events in New York and Washington via cell phone and Airfone calls to the ground. Knowing that the aircraft was not returning to an airport as the hijackers claimed, a group of passengers and flight attendants planned an insurrection. One of the passengers, Thomas Burnett Jr., told his wife over the phone that "I know we're all going to die. There's three of us who are going to do something about it. I love you, honey." Another passenger–Todd Beamer–was heard saying "Are you guys ready? Let's roll" over an open line. Sandy Bradshaw, a flight attendant, called her husband and explained that she had slipped into a galley and was filling pitchers with boiling water. Her last words to him were "Everyone's running to first class. I've got to go. Bye."
The passengers fought the four hijackers and are suspected to have attacked the cockpit with a fire extinguisher. The plane then flipped over and sped toward the ground at upwards of 500 miles per hour, crashing in a rural field in western Pennsylvania at 10:10 a.m. All 45 people aboard were killed. Its intended target is not known, but theories include the White House, the U.S. Capitol, the Camp David presidential retreat in Maryland or one of several nuclear power plants along the eastern seaboard.
At 7 p.m., President George W. Bush, who had spent the day being shuttled around the country because of security concerns, returned to the White House. At 9 p.m., he delivered a televised address from the Oval Office, declaring, "Terrorist attacks can shake the foundations of our biggest buildings, but they cannot touch the foundation of America. These acts shatter steel, but they cannot dent the steel of American resolve." In a reference to the eventual U.S. military response he declared, "We will make no distinction between the terrorists who committed these acts and those who harbor them."
Operation Enduring Freedom, the American-led international effort to oust the Taliban regime in Afghanistan and destroy Osama bin Laden's terrorist network based there, began on October 7. Within two months, U.S. forces had effectively removed the Taliban from operational power, but the war continued, as U.S. and coalition forces attempted to defeat a Taliban insurgency campaign based in neighboring Pakistan. Osama bin Laden, the mastermind behind the September | 1,194 |
Meet Marie Claire's 2017 New Guard
New Guard 2017: Meet the Women Changing the World We Live In
Our fifth-annual list of female visionaries.
By Sara Holzman and Colleen Leahey McKeegan
Power used to be measured by the size of your office and the balance of your bank account. Today, it's all about making an impact. From the big screen to the mobile screen, from the workplace to your wardrobe, women are at the front lines of revolutions in technology, politics, and culture. Meet our fifth-annual list of 50 forward-marching visionaries taking the way we live our lives now to the next level.
The Do-Gooder: Karissa Bodnar
Founder & CEO, Thrive Causemetics
Bodnar developed Thrive Causemetics' vegan, 100 percent cruelty-free cosmetics in her kitchen before officially launching the company, which counts celebrity makeup artists including Jamie Greenberg, Ashley Donovan, and Tina Turnbow as collaborators, in 2015.
Heart of the matter: When Bodnar was 24, she
lost her best friend to cancer; for every Thrive product purchased, one is donated to a woman going through cancer treatment and survivors of domestic abuse.
The Zen Master: Yunha Kim
Founder & CEO, Simple Habit
After selling her first company, Locket, to digital marketplace Wish in 2015, Kim launched Simple Habit, dubbed the Spotify of meditation. The stress of her first career—investment banking—sparked her devotion to the practice.
Ka-ching!: Simple Habit, which offers a library of more than 1,000 guided meditations, raised $2.5 million last spring.
The Healer: Jini Kim
Founder and CEO, Nuna
Kim's company, which built a digital database of America's 74 million Medicaid patients and their treatments, will greatly inform health-care spending. Her inspiration? Growing up, Kim's autistic brother suffered frequent seizures and her Korean immigrant parents struggled in filing for Medicaid.
Mogul moment: Kleiner Perkins Caufield & Byers partner John Doerr, an investor in Nuna, picked Kim to accompany him to the White House's tech summit in June.
The Wellness Guru: Katerina Markov Schneider
Founder and CEO, Ritual
Ritual's Insta-worthy vitamins encase nine essential nutrients, released after they travel through your stomach thanks to Schneider's vegan capsule. Before starting the company in 2016, she spent about three years asa startup investor alongside Troy Carter, Lady Gaga's former manager.
Deal maker: Ritual closed its $10.5 million Series A in August, bringing total funding to more than $15 million.
The Early Adopter: Alicia Yoon
Founder and CEO, Peach & Lily
<|fim_middle|> the 20 Women Who Are Changing Your World
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The Marie Claire New Guard Playlist | Yoon was one of the first to identify Americans' growing obsession with Korean beauty masks. In 2012, she launched Peach & Lily, an e-commerce site offering hard-to-get (but super-affordable) Korean beauty brands to U.S. consumers, with about 1 million visitors a month. Up next: She's curating K-beauty pop-ups within select CVS retailers nationwide next year.
The Hitmaker: Patty Jenkins
Remember when Hollywood bros said a superheroine movie would never perform well at the box office? Neither do we. Jenkins silenced the naysayers by directing 2017's Wonder Woman, which broke records as the largest-grossing live-action film with a female director (more than $800 million in ticket sales). The feat earned Jenkins, who gained critical acclaim after directing 2003's Oscar-winning Monster, even more cred in Tinseltown and solidified lead Gal Gadot as a household name.
Up next: Wonder Woman 2 hits theaters in December 2019.
The Stigma Slayer: Chrissy Metz
Actress, This Is Us
Starring in one of NBC's premier TV dramas, Emmy-nominated Metz has becomea major player in the plus-size- acceptance movement. Her character, Kate, struggles with emotional issues tied to her weight, meets her on-screen love interest at Overeaters Anonymous, debates the merits of weight-loss surgery, and offers a candid look at her roller-coaster relationship with food—in an authentic and empowering way.
The Futurist: Lisa Joy
Cocreator & Executive Producer, Westworld
When die-hard HBO fans aren't obsessing over Game of Thrones, they're obsessing over Westworld. Joy created the Emmy-nominated series with her husband.
Game changer: Exploring moral and ethical questions about the impact of robots on society, the show took the country
by storm with an average of 13 million viewers per episode, making it the most-watched first season in HBO history.
The Muse: Hari Nef
Model, Actress
In a year plagued by contentious identity politics, IMG Worldwidemodel Hari Nef used her platform to fight for transgender rights and other marginalized communities.
Hot gig: Alongside Petra Collins and Dakota Johnson, Nef was named the face of Gucci for the brand's new fragrance Gucci Bloom.
The Stream Queen: Issa Rae
Actress, Writer, and Producer, Insecure
Rae's brainchild, HBO series Insecure, is in its second season and earned her a Golden Globe nominationlast December. The hilariously relatable show followed her cult Web series, The Misadventures of Awkward Black Girl, which racked up 25 million-plus views.
Up next: Rae is reportedly writing the script of a buddy movie starring Rihanna and Lupita Nyong'o (the duo sat together, front-row, at Miu Miu's fall show in 2014. Twitter went nuts, and the Hollywood gods responded).
The Funny Girl: Franchesca Ramsey
Writer, Actress, Comedian
Ramsey hosts MTV's weekly Web series Decoded, a news show that tackles culture through comedy.
Up next: The one-time YouTube vlogger and former writer and correspondent for The Nightly Show with Larry Wilmore, has a late-night pilot in development with Comedy Central.
The Advocate: Ty Stiklorius
Founder and CEO, Friends at Work
In 2015, John Legend's longtime manager (the two met as undergraduates at the University of Pennsylvania) launched Friends at Work, a media agency that partners with artists to promote innovation and social impact, after several years at buzzy talent- management firm Atom Factory. She also executive-produced Oscar-nominated La La Land and HBO's Southern Rites. Up next: Get Lifted, the production company Stiklorius runs with Legend and producer Mike Jackson, signed a multiyear development deal with studio Critical Content.
The Impresario: Ava DuVernay
The writer, producer, and director's next project is the female-powered A Wrinkle in Time, Disney's $120 million-budget blockbuster, out next March. It makes her the first black woman to direct a live-action film with a budget over $100 million.
Up next: That Rihanna/Lupita Nyong'o movie we mentioned earlier? (See Issa Rae.) Oscar-nominated DuVernay is rumored to be directing.
Career Highlight: "My parents watching Selma [which DuVernay directed in 2014] with President and First Lady Obama in the White House."
The Pipeline Builder: Erica Baker
Senior Engineering Manager, Patreon
A champion for equality in tech (she created the infamous spreadsheet of employee salaries at Google, where she was
an engineer), Baker teamed up with Ellen Pao to establish Project Include, a nonprofit that promotes diversity at startups.
The Data Wiz: Joelle Emerson
Founder & CEO, Paradigm
Emerson's company, Paradigm, uses data to determine how businesses have missed—and how they can seize— opportunities to hire with diversity in mind. Her client roster includes Airbnb, Pinterest, Lyft, and Slack.
The Equalizer: Stephanie Lampkin
Founder & CEO, Blendoor
In 2016, Lampkin (who learned to code at 13) launched a "blind" recruiting app that conceals non-crucial information—for example, a candidate's name—from job recruiters that might create bias in the hiring process.
The Equal Opportunist: Nadia Boujarwah
Founder and CEO, Dia&Co
Frustrated with the lack of stylish clothing options
in the plus-size market, Boujarwah founded Dia&Co, a subscription-based clothing service for fashion-forward women sizes 14 to 32, in 2014.
Miss popular: This year, Boujarwah's company sur- passed a serious professional bar—1 million customers.
The New Martha: Ayesha Curry
Chef, Author & Host of Ayesha's Home Kitchen on Food Network
The wife of NBA sensation Steph Curry has built a mini-empire that includes a cookbook, a Food Network show, and a meal-kit delivery service, Homemade, whose preview line sold out in hours.
Up next: She's quickly making her mark on the San Francisco scene, and her first freestanding restaurant, International Smoke, opens its doors there this month.
The Tastemaker: Ghizlan Guenez
Founder and CEO, The Modist
The former financier's Dubai- and London-based e-commerce site, The Modist, is tapping into the growing demand for chic, conservative clothing by designers like Marni and Rachel Comey.
Girl power: From the buyers to the engineers to the COO, Guenez's team is more than 75 percent female.
The Minimalist: Tyler Haney
Founder and CEO, Outdoor Voices
Austin, Texas– based Outdoor Voices, founded
by Haney in 2014, makes athletic gear for those who don't take their workouts too seriously. Its low-key aesthetic, technical design, and "get offline and go outside!" vibe have landed it almost $30 million from major investors.
Famous fans: The line is popular with Lena Dunham, Chloë Grace Moretz, Allison Williams, and Jonah Hill.
The Retail Ace: Katrina Lake
Founder and CEO, Stitch Fix
Lake's light-bulb moment to create Stitch Fix, a digital department store that pairs users with stylists and allows them to try on clothes at home before purchasing, struck while she was an MBA student at Harvard in 2011.
Up next: Rumors of an IPO, valuing the company at around $3 billion, are swirling.
The Streamliner: Shan-Lyn Ma
Founder and CEO, Zola
With more than $40 million in funding, Zola and its
digital suite of wedding-planning and registry tools act as a one- stop shop for brides-to-be.
Watch her work: Our advisers say Ma, a former Gilt Groupe executive, and her plans to revolutionize the $58 billion U.S. wedding industry, are the real deal.
The Highfliers: Steph Korey and Jen Rubio
Cofounders, Away Travel
Rubio (right) and Korey, who met while working at Warby Parker, used friends' travel stories to inform their simple yet smart arsenal of luggage. Each item—ranging from $225 to $295—is equipped with a hard shell, silk lining, and USB chargers.
Get packing: Though the company is just under 2 years old, it's already sold 150,000 suitcases and raised more than $31 million.
The Whistle-Blower: Susan Fowler
Editor-in-Chief, Increment
Fowler outed her former employer Uber for ignoring the multiple reports of internal harassment and sexism
she faced while working in the company's engineering department. Her detailed blog post with jaw-dropping anecdotes exploded the Internet in February.
Change maker: Her candid takedown forced Uber to launch an internal investigation, which led to the ousting of 20 employees, including the CEO.
The Activist: Brittany Packnett
Vice President of National Community Alliances, Teach for America; Cofounder, Campaign Zero; Founder, Love + Power
Packnett helped plan and coordinate 2014's historic Black Lives Matter protests in Ferguson, Missouri, and now aims to end police violence in America with Campaign Zero. After Election Day 2016, the platform announced new tools to help minorities navigate and resist various Trump administration policies.
Up next: Through her day job at Teach for America, Packnett focuses on creating education opportunities for communities of color, and she recently launched Love + Power, an apparel line that donates proceeds to organizations run by women of color.
The Outfitter: Rebecca Lee Funk
Founder and CEO, The Outrage
Where does one suit up to fight the patriarchy? The Outrage, natch. The D.C.-based shop and e-commerce site, initially a pop-up that sold protest merchandise to raise funds for the Women's March in January, has become a hangout for local feminists—Funk regularly hosts book clubs and support groups—with plans to open outposts in Philadelphia and NYC before the end of 2017.
The Riot Girls: Carmen Perez, Bob Bland, Tamika D. Mallory, and Linda Sarsour
National Cochairs, Women's March
The foursome, along with thou-sands of volunteers, organized a march on Washington the day after the inauguration. The result? A spark—powered by several millions of women across the country and around the world—that ignited The Resistance.
Up next: After their Women's Convention, hosted in Detroit in October, the cochairs will begin coordinating a plan around the 2018 midterm elections.
The One to Watch: Kamala Harris
Senator for California, U.S. Senate
The Oakland native won a Senate seat last year, making her the first Indian-American woman to serve. Harris, a former prosecutor who spent six years as California's top lawyer before heading to D.C., burst onto the national scene last summer: Her tough questioning of Attorney General Jeff Sessions during Senate Intelligence Committee hearings regarding his relations with Russia during the 2016 presidential campaign captured the country's attention. Her actions and summer tour of the Hamptons in support of midterm candidates sparked rumors of a bigger (oval-shaped) office in the near future.
MC predicts: We see a 2020 presidential run.
The Contender: Stacey Abrams
Gubernatorial Candidate and State Representative, Georgia
Before announcing that she was running for governor of Georgia in June, the Yale Law graduate spent 11 years as a Democratic representative in the state's General Assembly. Should Abrams win her party's ticket in the race, and then the election, she would become the first African-American female governor in the United States. Fun fact: Abrams has written eight romantic suspense novels under the name Selena Montgomery.
The Fresh Face: Mia Love
Congresswoman, U.S. House of Representatives, Utah's 4th Congressional District
The country's first-ever black Republican congresswoman was recently lauded for working across the aisle, introducing the Over-the-Counter Access to Safe, Effective Contraception Bill in March.
Personal history: The daughter of Haitian immigrants grew up in Connecticut as a Roman Catholic but converted to Mormonism in the '90s and moved out West.
The Resistance: Sally Yates
Former Acting Attorney General, Department of Justice
When Loretta Lynch resigned as attorney general in January, Yates was promoted from deputy to acting AG. Her tenure
was brief: After she said President Trump's so-called Muslim travel ban was unlawful, adding that the Department of Justice would not defend it, the White House fired her. Up next: Yates shot down rumors about a run for governor of Georgia, but murmurs about her bright future on Capitol Hill abound.
The Insta-Wonder: Maryellis Bunn
Founder and Creative Director, Museum of Ice Cream
When Bunn opened her now-famous Museum of Ice Cream in L.A. in May, the world screamed—on Instagram.The vibrantly decorated space (think: rainbow-sprinkles pool) attracted celebrities like Beyoncé, Gwyneth Paltrow, and David Beckham.
The scoop: Bunn's eyeing New York and Miami for thenext two locations, and she has plans to launch her own ice cream line.
The Top Recruit: Amy Chang
Founder & CEO, Accompany
Chang quit her engineering job at Google to create Accompany, an app that bills itself as a digital chief of staff. The company has raised more than $40 million, with a mass launch slated for later this year.
Big moves: Her tech prowess has made Chang something of a Silicon Valley darling. She joined Cisco's board of directors last October and was named a member of Procter & Gamble's board in April.
The Rainmaker: Falon Fatemi
Founder & CEO, Node.io
Since launching in July, Node, a predictive search
platform that uses artificial intelligence to find potential new customers in milliseconds, has helped its corporate clients realize more than $100 million in revenue. Bragging rights: Fatemi was Google's youngest-ever employee (she joined the company's global expansion strategy team when she was 19) and counts Mark Cuban as an investor.
The Community Builder: Gina Ma
Senior Director of Brand Strategy, Lyft
Ma helped Lyft capitalize on Uber's management bumbles,
positioning itself as the "ethical" alternative.
CV: Ma joined Lyft in its earliest days back in 2012, when the ride-hailing app's fleet of cars sported fuzzy pink mustaches on their grilles. She was employee number one (and the company's first female, since its two founders are male), tasked with building its driver-recruitment strategy and community playbook, and launching its first four markets.
Sarah Friar
Chief Financial Officer, Square
Team player: Friar took the payment platform public in 2015, and its stock is up 150 percent since last year. She was also named Slack's first independent board member in March.
Claire Hughes Johnson
Chief Operating Officer, Stripe
Killer résumé: Before joining Stripe, a payment company valued at $9.2 billion, Johnson spent years bringing organization to Google's wildest divisions, including driverless cars.
Belinda Johnson
Chief Business Affairs and Legal Officer, Airbnb
MC predicts: Johnson has past experience taking companies public. Stay tuned for an Airbnb IPO led by Johnson in the company's near(ish) future.
Marne Levine
Chief Operating Officer, Instagram
MC predicts: Since Levine joined Instagram in 2014, the photo- sharing site has become one of Facebook's shining stars. Is an all-female executive team, with Sandberg as CEO and Levine as COO, next? Like!
Maria Renz
Vice President of Delivery Experience, Amazon
Mogul moment: Renz spent about two years as Amazon founder and CEO Jeff Bezos' first female technical adviser. Now, she handles how orders reach customers.
April Underwood
Vice President of Product, Slack
MC predicts: She's led fast-growing messaging app Slack's product team for over two years; word on the street
is she's a prime candidate for a CEO spot.
Bozoma Saint John
Chief Brand Officer, Uber
Risk-taker: This summer, Saint John left her high-profile marketing job at Apple to help turn around an embattled management team at Uber.
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Meet | 3,596 |
L to R: City Clerk, Melissa Kelly, Chuck Thompson (Council), Jann Seidenfaden (City Attorney), Ron Dill (City Administrator) listen to Chris Manning on the next steps on the city's visioning process. FTM file.
Members of Fort Thomas City Council met on Monday evening, September 19th, to discuss a new visioning process for the city. Two residents are leading the planning, Chris Manning and Tom Fernandez ,(Fernandez was not present for this meeting). Fernandez, who is on the Board of Adjustment and was a former city councilman, was not present. Manning is principal at the Human Nature Company, and is also on the city's Design Review Board.
Manning was involved in the street-scaping plans in Fort Thomas Forward in 2000, as well.
Ron Dill City Administrator said that the two residents could help lead and facilitate discussions that started in December of last year to move the city to the next level.
"Chris and Tom have come forward as partners and we bring them on board in a professional capacity as facilitators to walk us through the process. We are very happy to have Chris and Tom on board. They've put their heads together to help us in this endeavor."
Manning shared what he feels makes Fort Thomas a standout community; the timeless values that make us who we are, our strong leadership, and the fact that we are always striving to be better.
"Even when things are going well, they could<|fim_middle|> as 'living organisms that go through stages of development just like a human being' and believes that employing a tactic known as trajectory mapping is the best approach because it is more of an act of celebration as opposed to a problem solving process. This means that, like parenting, there is a lot of positive reinforcement.
"Our city is blessed with a lot of assets, so we should be talking about asset mapping and synergies."
While discussing possible enhancements, more public restrooms throughout the city and an upgrade to the city building were two items mentioned. Manning added, "We've grown beyond the city of beautiful homes. Putting a brand on who we want to be helps us more toward that, whatever that is. We are more than a city of a beautiful homes."
Dill elaborated, "We got away from that on purpose. It's a little braggadocios and can seem condescending, and it's a little dated, too. There are a lot of cities with beautiful homes and we're not the only one."
The time frame includes a strategic planning wrap up before the end of this year. The next meeting is October 10th at 5:30 pm. The comprehensive plan will pick up after the first of the year and will incorporate the the planning commission.
Manning added, "This is a very generous community. If they are inspired by the direction we are going, they'll participate."
Manning and Fernandez will be paid for their services to the city, but an amount was not discussed. | always be better," he said.
The framework, according to Manning, will begin with a sequence of three steps: a strategic plan, a comprehensive plan update, and a master plan. Community members will have opportunities to participate in the comprehensive plan, and the strategic plan would consist of input from the staff, council, and key city stakeholders.
"In the past sixteen years, steps have been taken to make Fort Thomas a more walk-able city. Street-scapes and pocket parks have been added and have changed the aesthetic considerably, " said Manning.
Manning describes communities | 113 |
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Appel Farm will be with you every step of the way! Your goals are our goals.
Contact Kerri Sullivan, Director of Arts Education & Outreach for more information. | However, during the academic year arrangements can be made for you to visit Appel Farm and have a program at our beautiful, professional visual arts, theatre or dance studios, turning your residency into a memorable field trip.
Process, product, history, artistic expression and fun are all essential elements of Creative Connections. Our programs are taught by highly qualified, professional teaching artists whose top priority is connecting with students. All of our programs are aligned with the New Jersey Core Curriculum Content Standards in the Visual and Performing Arts, and other content areas when applicable. At Appel Farm, we believe that all people have innate artistic ability waiting to be discovered and cultivated. It is our mission to provide people of all ages, cultures | 141 |
Tag Archives: death and dying
April 8, 2016 By Valorie Grace Hallinan in Books, Medical Humanities, Memoir, Nonfiction Tags: autobiography, biography, cancer, death and dying, health, medicine, narrative medicine, neurosurgeons, patients, Paul Kalanithi, When Breath Becomes Air 25 Comments
"There is perhaps only one thing to say to this infant, who is all future, overlapping briefly with me, whose life, barring the improbable, is all but past.
That message is simply:
When you come to one of the many moments in life where you must give an account of yourself, provide a ledger of what you have been, and done, and meant to the world, do not, I pray, discount that you filled a dying man's days with a sated joy, a joy unknown to me in all my prior years, a joy that does not hunger for more and more but rests, satisfied. In this time, right now, that is an enormous thing." Paul Kalanithi, in a letter to his daughter. Excerpt from When Breath Becomes Air
My brother passed away from pancreatic cancer last fall, and I didn't feel quite ready for When Breath Becomes Air, a Stanford neurosurgery resident's memoir about his cancer diagnosis. Also, in my work as a clinical librarian, I'd spent time supporting and rounding with clinical staff in neurology/neurosurgery. I had a special affection and respect for the brilliant, hard-working residents, who were about the same age as my sons. So to read about the death of a young resident from lung cancer….
But if you are a living, breathing person who likes to read memoir and nonfiction, and if you consider yourself an engaged participant in our death-denying culture, I would say When Breath Becomes Air is required reading.
One of my favorite authors, Ann Patchett, who owns a bookstore that practices the art of making personal recommendations to readers based on their interests, says, "This is one of the handful of books I consider to be a universal donor – I would recommend it to anyone, everyone."
On publication, When Breath Becomes Air shot to number 1 on the New York Times Nonfiction Bestseller List. So when I saw Paul Kalanithi's memoir on our library's "Most Wanted Book" shelf, I decided to grab it.
Paul Kalanithi set out to be a writer and then switched to medicine and neurosurgery, one of the most challenging and consuming of all clinical disciplines. He believed that a person's brain determines his identity, which is inseparable from his values and sense of life's meaning.
Finding meaning was all-important to Kalanithi. During his residency, Paul came to<|fim_middle|> that, among other things, explores living and dying from the unique perspective of someone who is both a patient and healer.
He and his wife decided to have a child, too. Paul writes of becoming a father with great joy. It reminded me of last summer, when my brother (and our extended family) lived with end-of-life illness, even as we celebrated his daughter's wedding.
As you can see from the memoir excerpt above, Paul was an extraordinary writer. Medical humanities literature, also known as narrative medicine, written by patients, doctors, nurses, and clinicians, is really coming into its own, and I think When Breath Becomes Air will become a classic.
Paul Kalanithi stands right alongside Anthony Verghese, Danielle Ofri, Sherwin B. Nuland, Tilda Shalof, Theresa Brown, Atul Gawande, Oliver Sachs, and others as one of the best. Really, his memoir is not to be missed.
"The fact of death is unsettling. Yet there is no other way to live." Paul Kalanithi
Below is the trailer for When Breath Becomes Air.
Have you read When Breath Becomes Air, and what did you think? Have you read another medical humanities or health related memoir, novel, or essay that you have especially liked? Please share your thoughts and recommendations in the comments. | see it was his responsibility to do his best to give his patients the quality of life that would allow them to live according to their most precious values.
We need more doctors who have both the time and desire to get to know and serve their patients in this way, wouldn't you say?
In his memoir, Kalanithi says the twin pursuits of caring for patients with brain illnesses and writing as a way to explore the meaning of life's joys and traumas was his perfect calling.
It's just that he hadn't planned on doing the writing part until much later in his career. Many months after his diagnosis, when he could no longer work as a neurosurgeon, Paul chose to use his remaining time to write a memoir | 148 |
QuPS.org Performance Measures provides thumbnail sketches with links to more in-depth information resources for healthcare performance measures and the organizations that develop them.
Please Select one of the topics within the 4 sections in the left navigation column.
Performance Measures provide a means of measuring Quality of healthcare.1 While several quality organizations have issued exhaustive statements regarding the principles or classifications involved with Performance measures, the classification utilized in this website is a simplified perspective of the five domains identified by AHRQ's National Quality Measurement Clearinghouse (NQMC).2 While the validity of these 5 domains of measurement (Access, Outcome, Patient Experience, Process, Structure) provide a valid classification, most identified performance measures in use in 2006 lie within the Outcomes and Process domains. Outcomes and process measures comprise the predominate quality measures discussed in these web pages.
Process Measures are garnered from data that<|fim_middle|>1] that was signed into law on July 29, 2005, establishes voluntary, confidential, and non-discoverable reporting of adverse events / medical errors to non-federally funded Patient Safety Organizations, which will function as the the entities through which voluntary reporting is channeled.
Healthcare quality performance measures that are defined by public (CMS, AHRQ, CDC) or private quality organizations are predominantly outcomes and process measures. They do not include 'adverse events' or 'medical errors' that are addressed in depth on this website in the section on Medical Errors. Most of the 200+ performance measures that have been endorsed by the National Quality Forum (NQF) through 2006 measure processes of care, but outcome measures are also present. Several non-NQF-endorsed measures that are assessed by AHRQ's Quality Indicators are outcome measures that pertain to carefully stipulated patient populations. Many more performance measures lack NQF endorsement, and may receive endorsement as NQF projects and processes evolve.
Quality performance measurement is evolving, and new performance measures will necessarily appear and old ones will change. Increasingly performance measures will reflect national standards and require endorsement by the NQF. Measures addressing patients' satisfaction and/or experience with healthcare, including access to care, will increasingly receive NQF endorsement. | demonstrate the implementation of activities, including the products of activities and indicators of services that are provided. There is a numerator and a denominator that is defined as part of the measure, and the indicator(s) of the process is(are) monitored on every eligible patient. Process measures are usually reported in aggregate over a defined patient population as proportions, averages, or rates. As currently employed in the United States, process measures assess adherence to recommendations for clinical practice based on evidence or consensus, and data are almost always generated from hospital administrative databases, using HIPAA Standard codes. Process measures are usually reported by facility or groups of providers, since most process measures identify specific areas of system-related care that may require improvement rather than identifying individual provider performance.
Outcome Measures assess and measure specifically defined endpoint(s) reflecting the health state of a patient. A numerator and a denominator are defined as part of the measure. Outcomes are usually reported in aggregate over a defined patient population as proportions, averages, or rates, based on data that is reported for all eligible patients. Since incidence of outcomes vary according to recognized clinical characteristics of patients (e.g. age, gender), risk adjustment for multiple clinical characteristics may be included, so as to account for reporting of disparate patient groups by individual providers or facilities. Data may be generated from hospital administrative databases, using HIPAA Standard codes, or from clinical databases designed to capture specifically defined events. Outcome reports, which require data from all eligible patients in the denominator, are typically reported retrospectively quarterly or annually.
Adverse Event Measures are special types of outcome events that are not included in this section as Performance Measures. They are addressed in depth on this website in the section on Medical Errors.
Adverse events require prospective monitoring by healthcare providers of all eligible patients, and each event is measured and reported for individual patients as it is detected. Except for the States of Tennessee and New York who monitor adverse events by reporting of E-codes for specifically-defined ICD-9 diagnostic groups or procedures, administrative databases have no primary role in the identification process, which generally falls to individual healthcare providers who witness delivery of healthcare. Examples of adverse event reporting programs targeted to specific tasks include U.S. Pharmacopeia's MedMARx program, the USP/ISMP-sponsored Medication Error Reporting Program (MERP), the CDC's National Nosocomial Infection Surveillance System (NNIS), and the Toxic Exposure Surveillance System (TESS), sponsored by the American Association of Poison Control Centers. The only broad-based adverse event reporting programs are maintained by States, although federal legislation calling for voluntary reporting of adverse events to Patient Safety Organizations may increase reporting participation over time.3 Results are generally reported in aggregate, if they are reported at all, and reporting is done according to standards established by the State that collects them. There is no reporting of a denominator for these reported measures for any of the 13 States that currently report adverse events, except by inference.
1 The Institute of Medicine's definition of quality of care is "the degree to which health care services for individuals and populations increase the likelihood of desired health outcomes and are consistent with current professional knowledge." A quality measure is a mechanism that enables the user to quantify the quality of a selected aspect of care by comparing it to a criterion.
2 The AMA, JCAHO, and NCQA have published a consensus statement on principles of performance measures [PDF].
3 The Patient Safety and Quality improvement Act of 2005 [P.L. 109-4 | 705 |
H ome delivered meals offer nutritious balanced meals prepared by a local caterer. Meals are delivered Monday through Friday, with the exception of holidays. Residents can elect to have meals delivered from three to five days per week. It is a low sodium diet. The meals are prepared in microwaveable containers and are delivered by volunteers around noon.
This program is designed to offer temporary assistance, however, if a resident who qualifies and has an extended need, the City will attempt to continue this service as long as necessary.
There are two options. (1) For a hot meal only the cost is $5.50/day. (2) A hot meal with a cold sandwich and juice costs $6.50/day. Billing is monthly. No money is exchanged at the time of delivery, as the drivers are not responsible for accepting payment.
Arrangements for home delivered meals must be made the<|fim_middle|> being terminated. To schedule or cancel service, call Community Services at (216) 524-7373. | Friday of the week prior to the first day of scheduled delivery. Any cancellation must be made as soon as possible, but no later than the Friday of the week prior to service delivery | 36 |
Published: Mar 19, 2018 at 10:23 p.m.
Updated: Mar 20, 2018 at 10:59 a.m.
SY<|fim_middle|> Cape Breton Post and the Chronicle Herald.
Want more on the weather? Bookmark our Cape Breton Post weather page.
The weather profile Day refers to is the path this past winter's storms have taken as they tracked across Atlantic Canada.
"The jet stream is to the west of Cape Breton, so the good, old-fashioned nor'easter that used to come up along the Eastern Seaboard, stay south of Sable Island and then clip off toward Newfoundland would keep Cape Breton on the colder side of the system and because of the cold air that would sit over Cape Breton you would get as much snow as anybody else," she said.
However, Day acknowledges that Mother Nature sometimes has a tendency to deliver winter weather in the spring. And, she says for proof we only have to look back to last March when the CBRM received almost 40 cm of snow over the last three days of the month.
Day doesn't expect that this year, but she isn't ruling out a messy spring that is likely to include lots of unsettled weather, pockets of showers, heavy cloud cover and cooler than normal temperatures.
"If we had a mild winter, then before we get to summer you could be very much guaranteed a sloppy, lingering spring and that's what it looks like we'll be getting over the next month and a half or so," she said.
Summer officially begins on June 21 and for those counting that's only 93 days away!
• The length of day and night is nearly equal all over the world during an equinox. | DNEY, N.S. — The sun may have shone bright on the last full day of winter, but that doesn't necessarily mean Cape Breton will enjoy a mild spring.
In fact, forecasters are calling for another blast of wintry weather on Wednesday.
But, fear not, well-known meteorologist Cindy Day says that if recent winter trends continue then the island will likely be spared most of the expected snowfall and will instead receive a mix of sleet and rain.
"Cape Breton's only been getting about a third of the snow that the systems have had to offer, so say a system is coming into the area with 10 or 15 cm of snow, then you are only getting 3 to 5 cm or 5 to 7 cm before it turns to rain," said Day, who now serves as the chief meteorologist with the SaltWire Network, whose publications include the | 185 |
Full Sun - but shield from direct sun in hot summers as it can sorch the leaves.
<|fim_middle|> | Daily through out the growing season. Make sure water does not fall on the leaves as they will sorch. Do not let plant dry out, especially on grafted stock as the plants very quicky die above the graft and revert to the root stock.
Once every week when growing season starts and then every two weeks.
Pruning is the primary means of shaping A. rubrum. Pruning and leaf trimming can be used to induce branches to grow where none grow now, and to create valuable open spaces. Trim new growth to one or two pairs of leafs in spring. Pinch of large leafs through out the growing season.
Best to do root pruning and repotting in autumn. In yonger trees once every two years and then as necessary. When repotting younger specimens may be bare rooted, however, larger and older specimens must be earh balled, remove at most 30% of earth around earthe ball. | 192 |
'Footloose' remake missing charm of original
Jessica Froula|November 3, 2011
Usually, the general public comes to a consensus that the original always outshines the remake. The 2011 version of Footloose is no different, bringing with it only minimal changes to its counterpart from the 1980s. Director Craig Brewer seemed to have intended for this film to be practically identical to the original apart from its more modernized flair, with racing school buses instead of tractors and Kenneth Wormald instead of Kevin Bacon. The movie matches the well-known story told in the 1984 version: newcomer Ren MacCormack (Wormald) reawakens a quiet town that has banned dancing and loud music. Ren meets the uptight minister's daughter Ariel Moore (Julianne Hough) and falls for her instantly, causing a feverish desire in the town for them to cut loose and dance again. The dancing in the movie, however, leaves something to be desired. Although a two-time champion of Dancing With the Stars plays Ariel, the dancing includes little of the spunk one would expect out of a group of talented teenagers. Music included in the film may be the most unique attribute of this 21 st century replica<|fim_middle|> Loggins's title track "Footloose," in an arrangement that works together to create a catchy soundtrack. Also, as is often the case in a remake, the actors do not seem to carry as much personality as the initial cast list. Kevin Bacon is, unfortunately, nowhere to be found, and neither is his charm. Overall, the new Footloose seems to add nothing more to the original allure created by the first film. If you've already seen the 1984 edition, there is little reason to rush to the theater to see this one. Overall rating: 3.5/10 | , as it provides new foot tapping tunes along with the comfort of Kenny | 14 |
Perfect for the<|fim_middle|> Typhoon Haiyan brought to Samar and Leyte. Their bags are all handcrafted by artisans and made with local fibers such as ticog and buri. Not only that, but their proceeds go towards rebuilding the communites ravaged by the calamity. By buying their bags, not only are you going to get a great piece to go with your outfit, you'll also be helping people in need! What could be better?
Wear and Bare is a lifestyle brand selling caps (check out their suede millennial pink caps!), swimsuits, and of course, bags. Their backpacks come in a variety of cute colors from salmon pink to (pepper)mint green. Super Instagram worthy!
Inspired by wanderlust, The Lost Nomad's bags are spacious and durable. And while they may make you miss those summer months when you weren't in school, at least now you have a bag that can go great in the classroom and on the beach.
Katre specializes in selling leather bags, so while some of them may be a little pricey, you can bet that they're worth the investment!
Fino Leatherware is another local store specializing in leather bags. Their products come in lots of fun, vibrant colors that you can mix and match with whatever you want!
What bag are you carrying on your first day back to school? | first day!
There's no better opportunity for you to showcase your style (and your new school bag) than on the first day of school. Summer break's just gone and while that may be a bummer for some, it's also the beginning of another school year, which means getting to see your friends again after the long break! Make sure that you're heading back to school in style with some of these locally made bags we've scouted just for you!
Abre Linea is a social enterprise founded by three friends as a response to the destruction | 112 |
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2. Click on spin. By doing so, you will start playing and having fun! If you wish to play the game multiple times without being interrupted, then don't forget to select the "expert" and "autoplay" options.
3. Click on bet max. By picking this option, before clicking "spin", you'll be betting the maximum!
These steps are easy to follow and assure you that you'll have the best experience possible. There's also a "gamble" feature in the platform that's available to all players, and it helps players increase their winnings.
By playing this game, you can have access to plenty of features, including free spins, which | 176 |
Verizon-Yahoo-AOL: A New Or Duplicative Ad Stack?
by Kelly Liyakasa // Tuesday, July 26th, 2016 – 2:11 pm
Verizon won't complete its $4.8 billion acquisition of Yahoo until next year, but that hasn't stopped speculation about which pieces of ad tech will come along for the ride.
As Yahoo and AOL built their respective ad stacks to serve publishers and advertisers over time, obvious crossovers have occurred.
So what's complementary, what's redundant and what will help Verizon take the fight to Google and Facebook? Industry experts predict that the most natural fit between AOL and Yahoo's respective offerings starts with mobile.
Millennial Vs. Flurry
AOL's biggest mobile acquisition to date was Millennial Media, which it bought for about $300 million in September 2015. At the time, AOL billed that deal as a play for more mobile app monetization opportunities for developers.
About a year prior, in July 2014, Yahoo acquired mobile ad marketplace Flurry, which gave it mobile analytics chops. This platform, sources say, will be among the MVPs of Verizon's move for Yahoo, from an ad tech standpoint. Flurry is also likely to be among the deal's first points of integration.
Flurry has a "hardcore monetization structure for mobile apps, which is additive to the platform when you think about consumer interactions between apps," said Tom Edwards, chief digital officer for Epsilon.
Millennial also dropped $107.5 million on Nexage back in September 2014, which added a mobile supply-side platform and access to new inventory to the mix.
As a result, Brian Shin, CEO of Visible Measures, predicts that Verizon will need to offer a common front end for all of its mobile supply sources.
"AOL/Yahoo will need to move toward a single exchange tech platform that would include mobile as well," he said. "I would [bet it's] Nexage that carries a lot of the load on the supply side. On the demand side, it could be Brightroll's DSP or Adap.tv's console or others."
Adap.tv Vs. BrightRoll
Here's where the redundancies start to rear up.
AOL united a number of video technologies under a single umbrella dubbed ONE by AOL: Video, which includes the video ad marketplace Adap.tv and connected TV targeting firm PrecisionDemand. It rolled other video-related assets, such as Vidible and AOL On, into a publisher-focused solution called ONE by AOL: Publishers.
"If you look at Advertising.com and AOL's whole cross-screen network vs. BrightRoll's programmatic web and connected device piece, overall there will be some overlap," Edwards said.
Shin predicts that BrightRoll's video ad exchange will be integrated into ONE by AOL as simply another supply source. BrightRoll also emphasized its private marketplace support over the years, as has AOL.
Will BrightRoll's sell-side business suffer the same fate as its LiveRail, its former competitor on the supply side?<|fim_middle|>'s), but we'll see," predicts Shin. "ONE by AOL was meant to bring things together, but in reality, there is a lot of tech still not fully integrated."
Gemini Brings Native
Although AOL doesn't own an exact complement to Yahoo's Gemini on the native side, it has experimented with native mobile ad formats within the AdLearn Open Platform and via new video ad formats since the Microsoft/MSN integration.
Given Gemini's main value prop – combining mobile search with native ad formats across sites and apps – Epsilon's Edwards predicts AOL's content properties will benefit from the native ad delivery component.
"It becomes a really compelling offering for consumers when you layer in native on top of both search and contextual display," Edwards said.
Because AOL has also invested in personalized content in the past through its acquisitions of Gravity, Pictela and Kanvas Labs, Edwards envisions a connection between Yahoo' s search and discovery strength – and Verizon and AOL's own mobile video distribution efforts.
Future Stack Outlook: Unclear
AOL CEO Tim Armstrong has been a huge believer in ad tech over the years, and many seem to agree that AOL/Verizon bought Yahoo at least in part for its platforms.
"We believe there are some nice opportunities to roll YHOO video assets into Go90 and lump the ad tech/offsite volume with AOL's," wrote Dan Salmon, analyst for CMO Capital Markets, in a research note.
But he doesn't think a combined Yahoo-AOL ad stack poses "a particularly new competitive challenge" to other leading exchanges, such as Google's DoubleClick, Facebook's Audience Network or AppNexus.
The value-add is likely to come not from the combined tech, but from the combined media and consumer data assets. But extracting that value will depend on getting the integration right.
Scott Ferber, who sold digital ad network Advertising.com to AOL in 2004, says that shouldn't be a problem for Verizon.
"Acquisitions in this space almost always create some level of overlap," he said. "AOL and Yahoo have experience in evaluating and managing these types of mergers. If this acquisition goes through, it will be up to AOL and Yahoo to determine what combination of products provides the greatest value to their clients and then begin the process of integration." | After acquiring that firm, Facebook more or less shut it down.
Another source hypothesizes AOL will migrate BrightRoll Exchange's best SSP customers to Adap.tv and shutter BRX's buy side entirely.
Martin Kihn, a research VP at Gartner, said, "I'm sure there's a lot of potential overlap and a technical nightmare to [overcome]. BrightRoll might be history."
Meanwhile, AOL is still working to integrate its own acquisitions, both pre- and post-Verizon.
"Eventually, AOL will want to move to a single ad exchange tech platform (likely to be the Nexage technology and not Adap.tv | 129 |
Here's my entry for Scrap-it-Lah's 6th and last blog hop challenge for April. Go here to<|fim_middle|>cake was pretty cool so I used yellow Prima flowers and backed with them with a brown one to tone in with the Hambly & used yellow brads for the centres instead of pearls. The butterfly's I glimmer misted with Tattered Angels daffodil.
Here's a close up of flower & butterfly.
I love that colour combo and the butterflys and flowers are beautiful. Love your take on this challenge. Nice Hambly overlay.
This is great! love the yellow - it's a colour that doesn't get much use in scrapbooking I think but it's so cheerful. | read about the challenge - you still have a couple of days to submit - entries close on the 30th of April.
Jessy's challenge was to draw inspiration from a photo of a cupcake. For some reason as soon as I saw the wrapping around the cupcake I immediately thought of Hambly overlays :-) So that's what I used at the top and bottom of my LO - I painted the back of them bright yellow and I think it really makes a statement!! heheee. The flower on the top of the cup | 109 |
The Ritz-Carlton, Budapest, is the company's first property in Hungary and as part of its strategy has set its sights on attracting the MENA market.
Located on historic Elizabeth Square, close to the Danube River and vibrant Fashion Street, with its luxury boutiques and seasonal market, the recently-opened hotel, is located in a historic, protected building dating back over one hundred years.
The Ritz-Carlton Hotel Company has a legacy of catering to guests<|fim_middle|>ates up to four people. Featuring the same exquisite style and number of rooms, this suite also features a furnished outdoor balcony overlooking Fashion Street, which maximises the incredible view from the top floor of the hotel, with a far-reaching vista over the city.
Other accommodation options on the property include include Junior, Club and Carlton suites, plus deluxe and superior rooms. | from the Middle East throughout its global properties, and this new hotel is no exception, providing the utmost comfort and care, tailored to the needs of MENA travellers.
The hotel awaits Arab guests with a wide-range of amenities and services that will make their stay more pleasant from Middle Eastern refreshments to prayer accessories.
With two restaurants to choose from, the Kupola Lounge, situated beneath the magnificent stained glass cupola, and Deak St Kitchen, a relaxed eatery with outside terrace, guests may also enjoy Halal meals, supplied upon request.
With thirty suites, ranging in size from 58m2 to 115 m2, the hotel is perfectly placed for visitors looking to experience luxury in the capital of Hungary. The Ritz-Carlton Suite is the pinnacle of the property for those looking for the very best in style and elegance. At 115 m2, this is the largest suite, with magnificent windows and balcony, all offering views of Elizabeth Square, across the city and high into the lush, green, Buda Hills. Inspired by the Danube River, and showcasing bespoke carpets and furnishings, the suite features a separate living room, bedroom and dining area. With a marble full master bathroom featuring a bathtub, separate walk-in rainforest shower and underfloor heating, there is also a half guest bathroom for visitors. The suite offers exclusive Club Lounge access with culinary offerings, complementary business services, private check-in options, and dedicated personal service from the Club Concierge.
The hotel also boasts The Chairman Suite, which accommod | 313 |
Community»Grade Creek Road on north shore of Lake Chelan temporarily closed
Grade Creek Road on north shore<|fim_middle|>liking' us on Facebook, or following us on Twitter @OkaWenNF. The mission of the USDA Forest Service is to sustain the health, diversity, and productivity of the nation's forests and grasslands to meet the needs of present and future generations.
Grade creek | of Lake Chelan temporarily closed
Published by admin on Thu, 05/24/2018 - 11:01am
Closed Mondays through Thursdays for six weeks
Grade Creek Road No. 8200 will be closed Mondays through Thursdays for approximately six weeks. The closure starts May 16 and is estimated to end by June 30. The road will be open Thursdays starting at 6 p.m. and remain open all day long on Fridays, Saturdays and Sundays.
Submitted by USFS
"Large dump trucks will be traveling on the road hauling gravel to the sites where the road was damaged during the fire," said Project Engineer Lori McAllister.
WENATCHEE —The Grade Creek Road No. 8200 will be closed Mondays through Thursdays for approximately six weeks. The closure is for public safety while gravel is hauled on the road and repairs are made to fire suppression related damage to the road during the Uno Peak Fire in 2017.
The closure started May 16 and is estimated to end by June 30. The road will be open Thursdays starting at 6 p.m. and remain open all day long on Fridays, Saturdays and Sundays.
"Large dump trucks will be traveling on the road hauling gravel to the sites where the road was damaged during the fire," said Project Engineer Lori McAllister. "Gravel will be applied to segments of the 40-mile stretch of road from just past Antilon Lake to the junction of the Gold Creek Road No. 4330-600."
Over a dozen loads of gravel will be applied to the road daily, work on drainage dip improvements will also occur.
"The road maintenance activities being conducted are part of fire suppression rehabilitation efforts that began after the Uno Peak Fire was contained in September 2017. The high volume of vehicle traffic on this road during the Uno Peak Fire resulted in road damage. However, due to inclement weather all road maintenance activities associated with fire suppression rehabilitation were not completed in 2017," said Chelan District Ranger Kari Grover-Wier
For more information contact Resource Assistant Paul Willard at 509-682-4960.
Get the latest forest news and alerts by texting 'follow OkaWenNF' to 40404, ' | 493 |
LHC Group and Geisinger announce definitive agreement for home health and hospice joint venture
Feb 26, 2019 | Industry News | 0 comments
LAFAYETTE, La. and DANVILLE, Pa., Feb. 26, 2019 (GLOBE NEWSWIRE) — LHC Group, Inc. (NASDAQ: LHCG<|fim_middle|> services for the communities we serve."
Healthcare joint venture partnerships are a key component in helping patients manage their conditions and receive efficient and effective care. Working together, LHC Group and its partners deliver a level of in-home healthcare service that is recognized industry-wide for consistent quality. They provide affordable care options that offer the guidance, support, and resources patients and families need to make an informed decision for themselves or a loved one.
LHC Group is a leading national provider of in-home healthcare services and the joint venture partner of choice for 340 hospitals across the United States.
This article originally appeared in an article in GlobeNewswire. | ), Geisinger Home Health and Hospice, and AtlantiCare Home Health and Hospice announced today they have entered into a definitive agreement for a joint venture partnership to enhance home health and hospice services at Geisinger locations in Pennsylvania and at AtlantiCare – A Member of Geisinger in Atlantic County, New Jersey.
It is anticipated that the joint venture agreement will be completed by April 1 for the Pennsylvania locations, and by June 1 for New Jersey, subject to customary closing conditions, at which time LHC Group will purchase majority ownership of Geisinger's home health and hospice services and assume management responsibility. LHC Group expects annualized revenue from this joint venture of approximately $35 million and that it will not materially affect its 2019 diluted earnings per share.
The Home Health and Hospice service of Geisinger and AtlantiCare delivers patient-centered care for those needing 24/7 access to healthcare in the comfort of their home and for patients in need of end-of-life care. It has locations in Danville, Bloomsburg, Wilkes-Barre, Northumberland, Montoursville, Lewistown, Lewisburg and Camp Hill, Pennsylvania, and in Atlantic County, New Jersey.
"We are pleased to join forces with one of the nation's leading healthcare organizations to deliver high-quality patient care," said Keith G. Myers, LHC Group's chairman and CEO. "LHC Group has a proven history of successful hospital partnerships, helping patients recover in the comfort of home and preventing costly and avoidable hospital readmissions. We look forward to serving patients and families in cooperation with our new partners at Geisinger."
"This joint venture is great news for the patients and communities we serve and a wonderful opportunity for us to expand the services we offer," said Jaewon Ryu, M.D., J.D., Geisinger interim president and CEO. "We have a long history of providing high quality and compassionate home health and hospice care, and we are excited to find a partner with a similar commitment to quality and service. Patients and families can continue to look to us for these important healthcare services."
"Home health and hospice care is an important part of our commitment to providing access to quality, compassionate care and serving our patients at all stages of life," said Lori Herndon, president and CEO of AtlantiCare – A Member of Geisinger. "Partnering with LHC Group enables us to enhance these | 500 |
Yesterday morning, I woke up early and went up on the foredeck to do some laundry and wash my hair. It was a beautiful time of the day (5am). Absolutely no one else was around, it was low tide, birds were chirping, jellyfish were floating by and the sun was rising. You would think it couldn't get better! Unless you were curled up warm in bed... And you would be right! After years and years of wishing I could be a morning person, I am somehow unable to sleep past 5am these days. It's great for productivity. Anyway, I heard some splashing nearby and looked up thinking it was someone swimming only to see a couple of dolphins lazily frolicking by!
A couple of turtles popped their heads up and announced their presence with their big spurt of air before going back on their way. It was a great start to the day!
There is a place in Tin Can Bay were you can go and feed the wild dolphins that show up there every morning. As far as mixing the general public with wildlife goes, I think that this place does it pretty well. They have rangers coordinating the feeding, you are not allowed to touch the dolphins, and they are careful to only feed the dolphins 1/8 of their daily dietary requirement so that the dolphins don't become dependent on this food source. Bryce and I had been planning on going over there that morning to check it out and it just so happens the dolphins that I saw earlier were on their way over there for breakfast. We thought it was a bit overpriced for what it was but still worth doing! We were able to each feed them one fish and then have our photo taken with them. Afterwards, we had a shower at the public pool and morning tea at a local cafe. Bryce then made his way back to get Aquabat and Tim, while I made my way into town to resupply. They brought Batty into the fuel dock to<|fim_middle|> add it here.
3. Add water and mix until well combined.
4. Drop tablespoon-sized scoops of dough onto an ungreased baking sheet. Bake for 10-15 minutes at 350 F.
5. When golden brown, remove from baking sheet and eat immediately! | top up her tanks and I met them there. From there we had a quick sail up to Pelican Bay, where we anchored for the night. It was a rough night! The wind came up to the point where water was splashing through out hatches and Bryce was out checking on the anchor several times.
This morning we headed north again, leaving at low tide to give ourselves plenty of the high tide at the other end. For the first time we had the space and the time to put Batty through her paces and see how she responds. We tacked and jibed our way up the waterway and did a few man-over board drills and were happy with how she did! We, on the other hand, are a bit rusty! Coming into Garry's anchorage, we had the autopilot on and a sandbank came out of nowhere. Some new lessons learned! The autopilot is wonderful for longer stretches but in this instance hindered us and how quickly we were able to change our course. Bryce quickly reversed out of it, no harm done. The first of many groundings, I'm sure!
So here we are anchored in the lee of Fraser Island. Fraser Island is the worlds largest sand island and home to so much unique wildlife, including the purest pack of dingoes. Tim and Bryce went ashore this afternoon to get the lay of the land and are now back fishing off the back of the boat. Tomorrow we are going to hike to a nearby freshwater lake.
After not much sleep last night, we woke up at 5 am this morning and right after breakfast weighed anchor and were on our way. Needless to say by 10:30-11 we were pretty hungry. These were amazingly easy to whip up underway. Granted we didn't have any swell and the winds were fair, but I could see them working in circumstances that weren't so favorable. We flipped them over and smeared jam on the flat side while they were still warm. Mmm, delicious! As you can see, there are many options listed as possibilities for the sweetener. If you prefer to use butter or margarine instead of the oil or milk instead of the water, go ahead. My preference when cooking and provisioning is to carry things that can be used in many different capacities, thus simplifying our lives. Also, the less we carry that needs to be refrigerated, the better!
1. In large bowl, mix together flour, baking powder & salt. If using sugar add it here.
2. Add oil to dry mixture and cut through with a fork until coarse crumbles develop. If using a liquid sweetener, | 539 |
Fr. Clem: Led by grace
Posted by Fr. James Connelly, C.S.C. on Nov 25, 2011
Father Leroy Clementich was born in 1924 on a ranch in North Dakota, the oldest of eight children<|fim_middle|>.
Ordained in 1957, Fr. Clem has had a variety of assignments: six years teaching high school in Chicago and three years teaching at the University of Portland in Oregon, a degree in theology from Union Theological Seminary in New York, a year of studies at the Vatican II Institute in Belgium, a summer study in liturgy at the University of Notre Dame, campus ministry for twelve years at St. Edward's University in Texas, nine years as a pastor in Colorado Springs, and 15 years of parish work in the archdiocese of Anchorage, Alaska. He retired to Holy Cross House, Notre Dame, in 2008.
Looking back over his life, Fr. Clem sometimes wonders whether everything that happened to him was by grace or by accident, not only on his road to ordination, but also in the assignments that he has had in his 54 years as a priest. In the words of the dying priest in Bernanos' Diary of a Country Priest, he is inclined to believe that "grace is everywhere."
Fr. James Connelly, C.S.C., is the Superior of Holy Cross House, the medical care for facility for Holy Cross priests and brothers of the United States Province. Along with Fr. Nick Ayo, C.S.C., he profiles some of the heroes in Holy Cross for the Spes Unica blog. Learn more about our heroes in Holy Cross, including our blessed founder and our first canonized saint. | . His eight years of primary education were in a one-room country school; the total enrollment was twenty-five.
His first impulse to become a priest came from his mother. One day as they were milking cows, she said to him that he would be going to a Catholic high school in Minot, North Dakota, because she wanted him to be a priest. It was something he had never thought about.
At St. Leo's High School in Minot, he got to know the parish priests, one of whom was the football coach. "Clem", as he came to be known, was living in a boarding house and started going to daily Mass because he was attracted to things spiritual.
He graduated from high school in 1945, joined the Army and was sent to Germany. Posted to a barracks in Berlin, he again started going to daily Mass at the base chapel. The chaplain was Fr. Maury Powers, C.S.C., and he invited Clem to become his chaplain's assistant. Although they had never spoken about priesthood, when he was ready to be discharged and go back to the United States, Fr. Powers told him that if ever he thought of being a priest, he should contact Fr. John Wilson, C.S.C., at the University of Notre Dame. After working for a year in Minneapolis, Clem called Fr. Wilson and ended up applying to the Congregation of Holy Cross | 287 |
Cut small slits in the skin side of the duck breast, without slicing all the way into the flesh. Season the duck on both sides with the salt and pepper.
Preheat a large skillet over medium-high heat and sear the duck breasts, skin side down, for 7 minutes, reducing the heat to medium-low after 3 minutes. Flip the<|fim_middle|>, or until meat is tender.
Put the flour and salt into a large bowl. Make a well in the center, pour in the eggs and gradually beat them into the flour. As the dough gets thicker add the water gradually until you have a soft, just-runny dough.
Take a small cupful of the soft dough and either rub through a flat Spätzle disk with a flat spatula or rub through a colander with the back of a ladle.
The dough will fall into the water as thick "squiggles". They cook very quickly — when they rise to the surface of the water allow them a few seconds longer, then scoop out with a slotted spoon into another colander.
If cooking ahead, then drop the cooked Spätzle in iced water for a couple of minutes.
Otherwise, dress with a little melted butter and seasoning. | duck breasts over and cook them for an additional 4 to 5 minutes. Transfer them to a plate and cover it with foil to retain warmth in the oven.
Turn the heat up to medium and deglaze the skillet with the honey and balsamic vinegar, scraping up the browned bits as the sauce cooks. Simmer the honey vinegar glaze for 2 to 3 minutes, until it turns slightly thick. Season it with just a dash of salt.
Peel and slice the potatoes.
Mix the milk, the egg, garlic, nutmeg salt and pepper in a bowl.
Place the potatoes in a large saucepan and cover with the milk mixture. Bring to a boil over medium-high heat, stirring occasionally so that the potatoes do not stick to the bottom of the pan. Reduce the heat to medium and cook, stirring from time to time, until the potatoes are tender but not falling apart, about 10 minutes.
Using a slotted spoon, transfer the potatoes to a large gratin dish if your pan cannot go into the oven. Sprinkle grated cheese and put the butter cut in small pieces on the top of the gratin.
Bake, uncovered, until the gratin is crisp and golden on top, about 20 to 30 minutes at 200°C.
Peel and cut the carrots in sliices.
In a pressure cooker, heat olive oil and sauté the onion over low heat then add the carrots, pepper, nutmeg and curry powder.
Mix and cover with chicken broth.
Remove the lid, add the cheese cut into small pieces, mix and blend with a hand blender. Correct the seasoning with salt if necessary. Serve in bowls or plates, sprinkle with cilantro or parsley.
Prepare a pastry with all the ingredients.
Roll out the pastry to a thin layer at least 2.5 cm bigger than the baking pan.
Peel and cut the apple in quarters.
Put the butter and the sugar in a pan which can go into the oven and place on the hob over a medium heat, turning the pan frequently and making sure the sugar doesn't burn. Allow the sugar to caramelise a little and become a pale golden brown, then remove from the heat and arrange the drained apple pieces in one layer over the bottom of the pan.
Place the pan on the hob over a medium heat again for around 10 minutes to allow the apples to soften a bit.
Then lay the pastry over the top. Quickly and carefully tuck the pastry down right into the edges – it's best to use a wooden spoon so you don't touch the caramel. Make a small hole in the middle of the pastry.
Bake the tarte Tatin for about 25 to 30 minutes at 220°C, or until golden, with crispy caramelly pieces bubbling up from under the edges. Take it out of the oven.
Wait 30 minutes then turn it around carefully (be careful with the hot caramel) on a serving dish.
Place the flour in a bowl, make a well in the center. Put the rest of the ingredients.
Mix together until you obtain a smooth dough which detach easily. If too sticky, add some flour.
Allow to stand in a warm place for about 1 hour covered with a dish towel.
Roll out the dough into 1 cm thickness on a floured surface and cut of circles using a glass or cup. Allow the cut-out dough circles to stand for a further 15 minutes covered with the dish towel.
Heat the oil to 170 degrees C in a deep-fryer or large saucepan. Lower the krapfen 2 to 3 at a time into the hot oil and fry until the puff up and turn golden brown (around 2 minutes on each side).
Remove the fried krapfen from the oil with a slotted spoon and allow to drain on paper towels.
Allow the krapfen to cool then fill them with jam using a decorating syringe with a long thin needle. Sprinkle with confectioners sugar and enjoy!
Cut the beef into large cubes.
Peel and cut the onions. Heat oil in a large pot over medium heat. Cook onions in oil until soft, stirring frequently. Remove onions and set aside.
In a medium bowl, combine paprika, marjoran, thyme, cumin, salt and pepper. Coat beef cubes in spice mixture, and cook in the pot until brown on all sides. Add the vinegar.
Return the onions to the pot, and pour in tomato paste, water and garlic.
Reduce heat to low, cover and simmer, stirring occasionally, 1 to 1 1/2 hour | 953 |
Port Vale hadn't run away since August; that was until Saturday afternoon when Rob Page marked his first game as permanent boss with a win at Colchester United.
The 2-1 win at the Weston Homes Community Stadium was the perfect way for Page to make his mark as the fulltime<|fim_middle|> fro saving well from Gavin Massey, and again later on!
Richard Duffy brought down Massey in the area for a penalty, Sears stepped up but Neal saved his spot kick.
Marshall (56) wasn't denied in the second half as he converted Adam Yates' cross to give us a one-nil lead.
Four-minutes later Colin Daniel (60), who had come off the bench just a minute earlier, converted after Marshall turned provider.
The frame of the goal denied Colchester when Gavin Massey went close to reducing the deficit before Sears (79) did late on but we saw through the two-one win. | Vale boss, which was of course confirmed in the lead up to this game.
Freddie Sears almost scored early to give the host the lead before Colchester 'keeper Sam Walker saved well to deny Ben Williamson.
Mark Marshall would have done that had his effort not hit the post.
We had 'keeper Chris Neal to thank | 64 |
The Gravity Wave Bench-Mark of St. Mary's
By Mr. Christopher Graney | 9 Oct 2021
This Saturday we have a guest writer at Sacred Space Astronomy: Fr. Timothy Sauppé of St. Mary's Church in Westville, Illinois. I met Fr. Timothy this summer through work he is doing on a program for the 2024 solar eclipse, whose path of totality will pass midway between Westville and my hometown of Louisville, Kentucky. He told me then about a bench at his church marking the detection of gravity waves. I thought it was one of the best "Faith and Science" ideas I had ever heard of/seen (he had photos).
I edit the VaticanObservatory.org Faith and Science Resource. Certainly, much has been said on the subject of Faith and Science. Much good has been written. Many talks have been given. Many dialogues have been launched.
But I confess that I have found myself thinking, "to what end?" Regardless of all the effort poured into the subject over decades (even centuries), people today persist in seeing some sort of conflict, disconnect, or other difficulty between Faith and Science. Many people today no longer profess any Faith, and many of these people cite Science as a reason why.
My work for the V.O. as Faith and Science editor has led me to believe that the Faith and Science discussion really needs something very different. Something not like discussion. Something like what Fr. Sauppé has done here.
Imagine people walking into their churches, and regularly seeing celebrations of science, set in stone, like they do at St. Mary's in Westville. What would that do for the Faith and Science discussion? More, I think, than all the scholarly papers, the popular articles, the talks, the symposiums, and the Faith and Science Resources of the past decades.
And so, Fr. Timothy Sauppé of St. Mary's Church in Westville, Illinois, thank you for sharing the following with us:
By Fr. Timothy Sauppé (September 29, 2021):
I'm sure you've heard the expression, "What would Jesus do?"
Well, how about "What would Galileo's parish priest do?" Or rather, what should he have done?
I thought about that question when I received a set of emails from my parishioner's son who is an astrophysicist and researcher in Australia/Hawaii. I was on retreat when the first cryptic email came: "I'm working on something big; but I can't say anything just yet."
"Soon," he wrote.
Well that "soon" turned out to be three days later when he announced to his family and me that he was involved in the biggest scientific discovery since… well, I'd better not choose one—I don't want hate mail. But anyway, big. Think cosmic big. Think Einstein's prediction of 1915 big. That's right—Gravity Wave big.
On August 17, 2017, NASA alerted the international community of a gamma ray hit on a satellite, and further, an earthbound hit on the LIGO system. (LIGO is the acronym for Laser Interferometer Gravitational-Wave Observatory.) Using triangulation, NASA gave them a sector of the sky to look for the source of this, now called GW170817. It took the world's astronomers a little digging to find it, but sure enough, they found it.
"It" turned out to have been two neutron stars spinning toward each other and then creating<|fim_middle|> the Starry Night mural a multi-messenger experience too, by adding a motion detector to play Don McLean's "Vincent".
One final item. We had the mayor proclaim a Dr. Jeffrey Cooke day. Here is the proclamation:
Village of Westville, Illinois
WHEREAS, at the beginning of creation, God created the Heavens and the Earth; and
WHEREAS, 130 million years ago, in the galaxy designated NGC 4993, two neutron stars would be caught in a mutual gravitational spiral, and would finally coalesce; and
WHEREAS, in 1915 Albert Einstein hypothesized that in such a merger, a gravitational wave would ripple forth; and
WHEREAS, in 1979, Jeffrey Cooke would graduate from Westville High School, and would go on to become an astrophysicist; and
WHEREAS, the same Jeffrey Cooke, and thousands of other scientists, would, through the years, work to analyze and understand God's creation; and
Whereas, these same scientists, with Jeffrey Cooke and his team controlling 15 of the 70 earth and space based telescopes, would on August 17th in the year of Our LORD 2017, participate in a historic scientific achievement of detecting that 130 million year old cosmic event (viz. a gravitational wave and connecting it to an electromagnetic light source in galaxy NGC 4993), and thereby verifying Einstein's hypothesis and ushering in a new era of 'multi-messenger' astronomy;
I, therefore, Village President, Mike Weese, do proclaim, that June 16th [2018] be Jeffrey Cooke Day,
And further proclaim that all citizens of the Village of Westville are to congratulate him and his team, and appreciate the historic significance that was achieved on August 17, 2017. | a Super Nova-like event. GW170817 created a wave pulse through space that finally reached the earth and was heard on earth by way of a LIGO "chirp." Click here for a link to the first LIGO "chirp", the first Gravity Wave detected on September 15, 2014.
The difference between the August 2017 Gravity Wave hit and the first several LIGO hits is that GW170817 is the first to be associated with a visible light phenomenon; thus ushering in the era of multi-messenger astronomy (light waves and gravity waves). All this was predicted by Albert Einstein back in 1915. All pretty cool. And my parishioner's son, Dr. Jeffrey Cooke, was involved.
He and his team controlled 15 of the 70 telescopes actively looking that day. They, along with thousands of other astronomers, were a part of the monumental discovery that our universe is warpable (I'm not sure if that is a word, but it should be).
Grasping the import of this discovery, I told my parishioners that it is similar to Galileo's discovery of the four moons of Jupiter. GW170817 not only confirms Einstein, but it gives us an understanding of the universe we didn't have before, and this must be commemorated or memorialized here at the parish where Dr. Jeffrey Cooke is from: St. Mary's in Westville, Illinois.
So, what should Galileo's parish priest have done? He should have had a granite bench made for him—a commorative bench for Galileo. A bench that records his scientific discovery.
The bench. Left: Fr. Timothy Sauppé, with a Dr. Who scarf (made by his mother). Right: Fr. Sauppé, Dr. Jeffery Cooke, and Cooke's sister, Gina Scott.
So that is what I did for Dr. Cooke's participation. I designed a layout on the bench's back panel that tells of Einstein's prediction; the story of LIGO; and a picture of Dr. Cooke's team and a few words from him. Hopefully, in the future other Catholic priests will have similar opportunities in their parishes.
I just suggest that they double or triple check the final draft of any memorial. The word "commorative" is a neologism that was the result of a five-minute discussion between me and the monument company representative. We went back and forth on naming the bench either a memorial bench or a commemorative bench and somehow commorative was put on the final draft by mistake before going to the engraver, and I signed off on it. The mistake was also the first thing I saw when the bench arrived. Oh well, commorative it is. Still, it is all so cool—God's design.
Click on the image to enlarge. Left: The back of the bench has information about GW170817. The seat of the bench shows the solar system. Right: While it is not obvious in this photo, the back of the bench features (arrows) a picture of Albert Einstein with Fr. Georges Lemaitre, who first proposed the idea of the Big Bang.
On a separate but sky-related issue, back in 2015, I was part of the first Vatican Observatory Workshop for Priests, Deacons, and Catholic Educators. At the end of that week, Br. Guy challenged us to take what we had learned back to our parishes. I decided on light pollution.
Using resources from the International Dark-Sky Association (they were part of the workshop), I came back and gave talks at our local county park. Working with the park's naturalist, we talked about the effects of light pollution on insects, birds, vegetation, and on people; and of course, on the stars. More and more National Parks and state and local parks are starting to recognize that darkness is an integral part of the park's ecosystem. They have taken steps to both shield their lights and/or put in low-level lights—if not take out lights altogether. I have given ten or so of these talks since 2015.
Anyhow, on a visit to my priest friend's parish in Kenosha, Wisconsin I noticed a huge painting of Vincent Van Gogh's "Starry Night" on the side of a building. I thought that was really neat. When I returned to my parish, I asked my parishioner who owns the local hardware store, if I could have that done on the side of his building.
He said yes. I hired a local muralist to do "Starry Night". He said it is his favorite painting and that it was a joy to do. Someday soon, I want to make | 985 |
Home > Posts tagged "Rod Stewart"
Tours: Rod Stewart Announces Australian Tour. Special Guests Cyndi Lauper And Jon Stevens. Special A Day On The Green Shows Included
Tour Annoucements
by Hear2Zen Magazine - November 11, 2022 November 11, 2022 0
ROD STEWART ANNOUNCES AUSTRALIAN TOUR WITH VERY SPECIAL GUESTS CYNDI LAUPER & JON STEVENS INCLUDING A DAY ON THE GREEN SHOWS INGEELONG, BOWRALAND ONLY QUEENSLAND SHOW AT MOUNT COTTON SIR ROD STEWART<|fim_middle|> playing both arenas and winery dates. Kicking off at the Sandalford Estate in Perth on Saturday October 17 the tour wraps up at Sirromet Wines in Mount Cotton on Saturday November 7, following stops in Sydney, Melbourne, Geelong, Bowral and the Hunter Valley. https://www.youtube.com/watch?v=4wuPCg6aWB4&feature=youtu.be At the very top of his game Stewart has followed a triumphant stadium tour this UK summer with one of his biggest UK tours ever, with live performances running through November and December of 2019. In addition, he has also toured the USA, with highlights including | has today announced he will hit the road in 2023 for a massive Australian tour, with very special guest CYNDI LAUPER.Roundhouse Entertainment, in conjunction with Live Nation, is thrilled to announce the legendary singer will make a welcome return to a day on the green, performing at Geelong's Mt Duneed Estate, VIC on Saturday 18 March; Sirromet Wines, Mount Cotton, QLD on Saturday 25 March (only QLD show); and Centennial Vineyards, Bowral, NSW on Sunday 2 April - as well as a string of shows around the country. SIR ROD STEWART will perform a massive 2-hour set from
Tours: Sir Rod Stewart Announces Return To Australia
by Hear2Zen Magazine - November 11, 2019 0
ROD STEWART RETURNING TO AUSTRALIA IN 2020 FOR THE HITS! TOUR A 50 YEAR CELEBRATION OF HIS STELLAR CAREER SIR ROD STEWART returns to Australia for an eight-date tour across the country, | 232 |
One of several ways in which Maxine Clarke aka Petrona is being remembered is through Margot Kinberg's fabulous idea to put together an anthology with all proceeds going to the Princess Alice Hospice.
She's announced today that the anthology, In a Word: Murder is now available to buy.
Contributors are: Martin Edwards (Author), Pamela Griffiths (Author), Paula K. Randall (Author), Jane Risdon (Author), Elizabeth S. Craig (Author), Sarah Ward (Author), Margot Kinberg (Editor).
Read more about it at Margot's blog.
Thank you, Karen - I appreciate this very much.
This was a great idea and now that it's come to fruition, it's even more of an accomplishment, while being a tribune to the late, but eminent Maxine Clarke.
The crime fiction reading<|fim_middle|> purchase it, knowing the donation is going to a very good cause. | community owes a round of thanks to the editor, writers and illustrator of "In a Word: Murder."
I so look forward to obtaining a paper version when it is published, and will be very glad to | 41 |
Only four of the county's 50 departments and agencies submitted budget requests before Friday's deadline.
-- Four C's, a daycare service funded by the county, which has asked for $35,000.
-- Juvenile Alternative Services Project, $7,000.
-- Orange-Osceola County State Attorney's Office, which asked for $7,645 as a supplement to the budget derived mainly from Orange County and the state.
-- Mental Health Services of Osceola<|fim_middle|> budget is expected to be substantially higher this year.
The Department of Environmental Regulation has told the county that it must decontaminate the Bass Road landfill, which has been replaced by a new facility being built along Southport Road. Engineers estimate that cleanup costs could reach $4 million. | , which requested $82,200.
Finance Director Tom Kessler said all four requests are slightly higher than last year, but that his office did not yet have a comparison of how much more.
County officials have said they expect an increase of between 5 percent and 10 percent over last year's requests.
The 1986 fiscal year begins Oct. 1. Kessler said he will submit a comprehensive budget proposal to the county commissioners by July 8. The board will hold public hearings, which will be scheduled later.
Kessler said he believes he will be able to submit the comprehensive proposal on schedule, even though the larger departments and agencies have not submitted their requests yet. The larger departments, said Kessler, have had to retain consulting agencies to help figure their budget requests.
The Environmental Services Department has asked for an extension. Its | 175 |
AARP AARP States Events
AARP Arkansas hosts award-winning Senior Olympics documentary in Little<|fim_middle|>, 2012 06:20 PM
AARP Arkansas hosts award-winning Senior Olympics documentary Age of Champions in Little Rock
LITTLE ROCK—The Olympic spirit came to Little Rock on Saturday, Dec. 8, with the premiere at Market Street Cinema of the award-winning documentary Age of Champions.
Age of Champions tells the story of five competitors who sprint, leap, and swim for gold at the National Senior Olympics. Viewers will meet a 100-year-old tennis champion, 86-year-old pole vaulter, and rough-and-tumble basketball grandmothers as they discover the power of the human spirit and triumph over the limitations of age.
AARP believes amazing things are possible at any age, and Age of Champions is a perfect example of inspiring, older athletes who pursue their goals and dreams at the National Senior Olympics. That's why AARP was proud to sponsor this screening as part of You've Earned a Say, a national conversation about the future of Social Security and Medicare.
Programs like Medicare and Social Security provide retirement security that help these athletes and Americans across the country live their best lives. The Dec. 8 screening kicked off with a short discussion about protecting Social Security and Medicare for today's seniors and strengthening these important programs for future generations. Following the film, AARP Arkansas hosted a Q&A with Age of Champions director Christopher Rufo.
More information about the film is available at http://ageofchampions.org/
The Washington Post called the film "infectiously inspiring" and it's already shown at more than 1,000 community events around the country. "The characters in the film show us that nothing is impossible," Rufo said. "Whatever your age, it's never too late to pursue your dreams and achieve something great. Senior athletes all over the country show us a way to live longer, healthier, and happier lives."
AARP is a nonprofit, nonpartisan organization, with a membership of more than 37 million, that helps people 50+ have independence, choice and control in ways that are beneficial to them and society as a whole. AARP does not endorse candidates for public office or make contributions to either political campaigns or candidates. We produce AARP The Magazine, the definitive voice for Americans 50+ and the world's largest-circulation magazine; AARP Bulletin, the go-to news source for the 50+ audience; AARP VIVA, a bilingual lifestyle multimedia platform addressing the interests and needs of Hispanic Americans; and national television and radio programming including My Generation and Inside E Street . The AARP Foundation is an affiliated charity that provides security, protection, and empowerment to older persons in need with support from thousands of volunteers, donors, and sponsors. AARP has staffed offices in all 50 states, the District of Columbia, Puerto Rico, and the U.S. Virgin Islands. Learn more at www.aarp.org
you've earned a sayyeasAge of Champions
About AARP States | Rock
By Michael Rowett , December 10 | 11 |
Liz Rivera: Dedicated & Persistent
Liz Rivera, who graduated from the department of English in 2008, is the writer behind the abridged children's version of Disney's Coco and the Youtube Premium show Me and My Grandma. As a successful freelance TV writer and aspiring TV show<|fim_middle|>rea Perry: Led by God
Grace Otieno
Working for Justice: Hannah Bollin
Larissa Church | creator, Rivera shares that her journey took a lot of trial and error.
"I tried technical writing, copyediting, magazine editing, but nothing worked out because I graduated right when the economy crash happened. I ended up working as a receptionist—something I didn't expect to do after graduating with an emphasis in writing—and applied for a lot of writing fellowships. Eventually, I got the National Hispanic Media Coalition Writing Fellowship, and after that, I started making a lot of connections," Rivera says.
Rivera says that, contrary to popular belief, her job isn't solely based on writing. She meets with other writers and executives often, and it's essentially based on social networking, particularly because she's based in the Los Angeles area.
"I'm a comedy writer, so I have to sell myself in a very concise way, and I have to make sure that my jokes are actually funny," Rivera chuckles. "You have to know what humor to write, and you have to be good in a room and get along with other people. It's not just about writing. It's about the collaborative aspects of the job, and even more importantly, word of mouth."
She shares that Coco is a great example of the importance of social networking. Rivera had previously written a script that focused on Latino culture, and someone just happened to read it. That person gave it to Disney Publishing, and Disney eventually asked her to write the children's book for Coco.
Although networking plays an important part in Rivera's work, Rivera states that her writing ability is ultimately grounded in her past experience as an English major at PUC. "All of the writing classes at PUC helped me. I actually took every single one of them, and they're helpful in developing your writing muscles. I realized that there's actually a practical side of writing: You CAN make a living off of it, and it doesn't have to end just as a silly dream."
She continues, "I loved Stauffer Hall. It's truly a 'come as you are' type of place. It's not about pretenses. It's a place that welcomes who you are as a person, and it's a comfy place to be. The professors let me be angsty, and they listened to me and gave me advice. I grew so much as a writer there, and it's such a welcoming place."
Rivera offers advice to student writers: "If you want to be a professional writer, go for it. Go for it hard and with the clear knowledge that it is going to be difficult but that it is doable with persistence and a little luck. Ignore everyone who tells you it's not practical or possible. They don't know what they're talking about. They haven't done it. Talk to people doing the job you want to get real advice. Ask for help. People are really open to helping young writers. And keep writing. The more material you write, the better you get. Be persistent, be patient, and get a day job while you get your big break."
Rivera shares that because it's now development season, she's currently working with a producer to develop a half-hour comedy with Norman Lear's Act III company and Campanario Entertainment. Norman Lear is the force behind hits such as All in the Family, The Jeffersons, and One Day at a Time, which is currently on Netflix.
Eliana Zacarias: No Direct Path
Midori Yoshimura: No Limits
Teacher Hero: Laura Helms
Teacher Hero: Britney Daniel
And | 717 |
Best Things To Do Outdoors In Alnmouth
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Zoos and Wildlife Parks in Alnmouth
Safari Parks in Alnmouth
Aquariums in Alnmouth
Children's Farms in Alnmouth
Petting Zoos in Alnmouth
Sightseeing Attractions in Alnmouth
Theme Parks and Funfairs in Alnmouth
Museums and Art Galleries in Alnmouth
Tourist Attractions in Alnmouth
Landmarks in Alnmouth
Castles and Palaces in Alnmouth
Caves and Mines in Alnmouth
Sports Stadiums in Alnmouth
Tours and River Cruises in Alnmouth
Stately Homes and Gardens in Alnmouth
Railway and Transport Attractions in Alnmouth
Sports and Activities Attractions in Alnmouth
Ice Skating and Rollerskating in Alnmouth
Ten Pin Bowling Alleys in Alnmouth
Go Karting and Driving in Alnmouth
Paintballing in Alnmouth
Skiing and Snowboarding in Alnmouth
Horse Riding and Stables in Alnmouth
Cycling in Alnmouth
Crazy Golf in Alnmouth
Arts and Crafts in Alnmouth
Laser Tag in Alnmouth
Indoor and Soft Play Areas in Alnmouth
Pottery Centres and Ceramic Cafes in Alnmouth
Cinemas and Theatres in Alnmouth
Trampoline Parks in Alnmouth
Indoor Skydiving in Alnmouth
Sports Centres in Alnmouth
Water Attractions in Alnmouth
Swimming Pools and Leisure Centres in Alnmouth
Water Parks in Alnmouth
Water Sports in Alnmouth
Lakes in Alnmouth
Sailing and Kayaking in Alnmouth
Lidos in Alnmouth
Beaches in Alnmouth
Things to do in Alnmouth - All Ages
Things to do in Alnmouth - Babies and Toddlers
Things to do in Alnmouth - Young Children
Things to do in Alnmouth - Older Children
Things to do in Alnmouth - Teenagers
Things to do in Alnmouth - Indoor
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The Alnwick Garden
Suitable for 0-12 •Indoor, Outdoor 3.8 miles from Alnmouth
Puffin Cruises
Tours and River Cruises
Suitable for 4+ •Outdoor 4 miles from Alnmouth
Wicked Wizard of Alnwick Treasure Trail
Suitable for 4+ •Indoor, Outdoor 4.1 miles from Alnmouth
Amble Links Beach
Suitable for all ages •Outdoor 4.5 miles from Alnmouth
Hauxley Nature Reserve
Dunstanburgh Castle
Druridge Bay Country Park
Northumberland Country Zoo
Zoos and Wildlife Parks
Preston Tower
Chathill
Suitable for all ages •Indoor, Outdoor 9.9 miles from Alnmouth
Beadnell Beach
Suitable for all ages •Outdoor 11.3 miles from Alnmouth
Suitable for all ages •Indoor, Outdoor 12 miles from Alnmouth
Slate Hall Riding Centre
Horse Riding and Stables
Suitable for 4+ •Indoor, Outdoor 13.1 miles from Alnmouth
Suitable for 4+ •Outdoor 13.2 miles from Alnmouth
Golden Gate Boat Trips
Suitable for all ages •Indoor, Outdoor 13.4 miles from Alnmouth
Seahouses Treasure Hunt Trail
Dinosaur Encounter Adventure Golf
Suitable for 4+ •Outdoor 14 miles from Alnmouth
Woodhorn Museum
Chillingham Castle
Suitable for 0-12 •Indoor, Outdoor 14.8 miles from Alnmouth
Adventure Attractions in Alnmouth
Parks and Playgrounds in Alnmouth
Climbing in Alnmouth
High Ropes Courses in Alnmouth
Activity Centres in Alnmouth
National Parks in Alnmouth
Animals Attr | 1,025 |
This<|fim_middle|> | August, troves of visitors from all over will flock to the 83rd annual White Pine Fair and Horse Races Western festival in Ely, Nev. Eventgoers can expect the same thrills and nod to Western tradition at this jam-packed, three-day event that has taken place for decades.
This three-day western festival takes place in Ely, Nev., located on US Highway 50 and Highway 93 which is 240 miles from Las Vegas, 240 miles from Salt Lake City and 320 miles from Reno. To discover more about the horse races weekend visit, https://www.elynevada.n et/horse-races/.
There is something for everyone in Ely and nearby attractions. For true National Park adventure seekers, get lost in the natural wilderness of the sprawling Great Basin National Park. Here, trekkers can tackle a variety of trails ranging from mild with the Mountain View Nature Trail to those desiring more extremes with the 13-mile Baker Lake and Johnson Lake Loop.
For those seeking underground exploration, Great Basin National Park houses the Lehman Caves and recently became a designated International Dark Sky Park location. Here, star-gazers can find themselves under some of the darkest skies in America.
Plan a day trip at the Ward Charcoal State Historic Park. Anyone who enjoys wide open spaces and the Old West will appreciate what this site has to offer. Visitors can navigate six historic beehive shaped charcoal ovens, used in the late 1800s to process silver during mining operations. This park is not only optimal for great walks and spectacular views, but it is also dog-friendly and offers fishing access in Willow Creek.
In town, visitors can take a ride on the historic Nevada Northern Railway as well as stroll into the past by staying a night in a caboose or bunkhouse, or even drive a locomotive themselves. Along with Ely's historic railway, visitors can tour Ely Renaissance Village. On the property purchased by Ely Renaissance Society, sightseers can relish in reenactments of what life in Ely was like for original settlers while touring an old general store, barn and miner's cabin.
Make sure to grab some good grub before or after the race. Ely offers a fun night out. Eventgoers can swing by the retro Economy Drug Store and Soda Fountain, All Aboard Cafe or let loose at one of the casinos.
For more information on these sites and other fun Ely adventures including the historic Nevada Northern Railway or for lodging or RV/camping information visit nnry.com or elynevada.net. | 532 |
Local and General News (2)
LOCAL AND GENERAL NEWS
GYMNASTIC DISPLAY.
On the invitation of Mr. J. G. HARTLEY, Wigton, Mr. J. ULLART and Mr. K.
TODD, of Carlisle, visited the Nelson School Physical training class on
Wednesday night when there was a good attendance, and gave an excellent
demonstration of hand balancing, head-springs, and various other clever stunts, which
thrilled the audience. Mr. Nelson HEWITSON, Physical Training Instructor,
proposed a vote of thanks on behalf of the Wigton Class. Afterwards they were
entertained to supper at Mr. J. G. HARTLEY's home.
SEATON WHIST DRIVE.
Welcomed by the president, Mr. James OSBORNE, the members of the
Workington and District Grocer's Association and friends, numbering fifty-six, had
an enjoyable Whist Drive in the British Legion Hall, on Thursday night. Mr.
Sam CROSS<|fim_middle|> Mr. J. FEARON, Crosby Villa
3. Mr. John JOHNSTONE
Consolation: Mr. J. COOPER, Crosby.
Door keeper, Mr. Jack BLAND | and Mr. T. B. LINDSAY were M.C.'s and the prizes were distributed by
Mrs. Jos. PARKER, Workington, to the following winners:
1. Mrs. Geo. SEWELL, Seaton
2. Mrs. John McVENNON, Low Seaton
3. Mrs. HEATHCOTE, Workington
Consolation, Mrs. WILLIAMSON, High Seaton.
1. Mr. Thomas A. ROBINSON
2. Mr. Wm. Sandwith, Workington
3. Mr. Geo. SMART, Workington
Consolation, Mr. W. P. HODGSON, Derwent View.
Mr. LINDSAY moved a comprehensive vote of thanks. Miss. E. IRVING catered
the refreshments.
CROSBY WHIST DRIVE.
A Whist drive, promoted by the committee of the Crosby Working Men's
Reading Rooms, was held on Friday evening in aid of the piano fund. It was well
patronised, and prizes were given by Messrs. J. DAVIDSON, T. PENRICE, T.
THOMLINSON, and Mrs. HARRINGTON. Mr. Ed RODEN was the M. C. The prizes were won
1. Mrs. A. ROONEY
2. Mrs. R. HARRINGTON
3. Mrs. T. IRVING
Consolation, Miss. PENRICE, Crosby.
Gents:
1. Mr. W. IRVING, Bullgil
2. | 325 |
Relax, laugh, perform, and socialize by the fire light. Our staff will lead silly campfire songs, and each group of students will perform. We finish all camp<|fim_middle|> safety.
Students sit under the Texas night sky and observe the stars above. Our presentation includes information about both the science of the stars and the stories of the constellations observed above. Students will use a telescope to observe the stars and planets visible in the sky.
This is a great nighttime game played in an open field. Cities enables students to become comfortable with traveling without a flashlight in the dark, introduces nocturnal animal behavior, and teaches necessary elements of habitat. This is a favorite of teachers, who are the predators in this exciting and educational game. | fires with marshmallow roasting and S'MORES!
A sensory hike in the dark that provides students with the opportunity to explore and become comfortable with our woods at night in | 35 |
PGRI<|fim_middle|> as New CEO
Bettina Glatz-kremsner, the new CEO of Casinos Austria / Picture: © CASAG Casinos Austria AG / Photo: Christof Wagner
"I am pleased that the Supervisory Board has made a decision today, and I am delighted and honoured to be able to chair the company as CEO and Chairman of the Management Board from May. Together with my new colleagues on the Management Board, I will very quickly dedicate myself with the greatest dedication and commitment to the upcoming tasks and further development of the Group," said Glatz-Kremsner, commenting on her appointment as CEO and Chairman of the Management Board.
How Agencies Are Celebrating International Women's Day and Women's History Month
Future of work: 5 top insights from Davos experts - World Economic Forum Annual Meeting
Recruiting women into technical roles will make machines learn more efficiently
As Oscar nominee Regina King vows to hire '50% women,' here's how to work toward gender parity at your own workplace
4 Reasons Why You Might Be Failing To Attract More Women In Tech
Carolyn Tastad, group president of North America and executive sponsor of Gender Equality at Procter & Gamble
"We have to stop imposing one size fits all leadership stereotypes on women and on men. We need to shift our focus from fixing women to fixing the systems and behaviors that perpetuate bias in the workplace." Carolyn Tastad, group president of North America and executive sponsor of Gender Equality at Procter & Gamble
To start the year, the women's network FDJ hashtag# AEllesDeJouer organized a conference with Florence Sandis , feminine leadership specialist
WLA Platinum Contributor IGT hosted a reception for the Women's Initiative in Lottery Leadership (WILL)
Nevada Governor Steve Sisolak (D) has appointed Sandra Douglass Morgan the next chairperson of the state's Gaming Control Board (NGCB)
WILL SEMINAR was held February 28, 2019
Marilyn Spiegel assumes role of president at WYNN Las Vegas as Maurice Wooden is stepping down at the end of the year
Marilyn Spiegel becoming president of Wynn Las Vegas is the company's continued effort to have more women in leadership capacities. "Her deep experience in human resources and knowledge of what it takes to deliver the Wynn promise make her the ideal person to lead Wynn Las Vegas into the future," Wynn Resorts CEO Matt Maddox stated
Rebecca Paul Hargrove elected WLA President
At the 13th General Meeting of the World Lottery Association (WLA), held this past Wednesday November 21 in Buenos Aires, Argentina, Rebecca Paul Hargrove, President and CEO of the Tennessee Education Lottery Corporation, was unanimously elected President of the WLA. She succeeds outgoing WLA President Jean-Luc Moner-Banet, Director General of Switzerland's Société de la Loterie de la Suisse Romande.
The election of the first woman to the position of president of the WLA was a landmark occasion both for the Association and the global lottery community. Ms. Hargrove is a 33-year lottery industry veteran and has served as the Chief Executive of four U.S. lotteries: Illinois Lottery, Florida Lottery, Georgia Lottery and, since September 2003, the Tennessee Education Lottery Corporation. Her resume includes a long list of lottery industry, business, and civic accomplishments and honors. In particular, she has served as Senior Vice President of the World Lottery Association (September 2012¬-November 2018), and is a Past President of the North American Association of State and Provincial Lotteries (NASPL), the Multi-State Lottery Association (MUSL), and of AILE (International Association of State Lotteries). She remains one of the most respected, experienced, and admired leaders in the lottery industry.
Thank you to IGT for hosting the fabulous WILL reception during WLS2018 in Buenos Aires, Argentina
Thank you to IGT for hosting the fabulous WILL reception during WLS2018 in Buenos Aires, Argentina. Rebecca Hargrove, Chair of WILL, thanked IGT and their team for hosting this reception in support of Women's Initiative in Lottery Leadership! WOW What a wonderful turnout! Many women and men who attended wanted to learn more - please visit womeninlotteryleadership.com to learn more about this initiative and to download your application to become a MENTEE or MENTOR.
LONDON, July 31, 2019 /PRNewswire/ -- International Game Technology PLC ("IGT") (NYSE:IGT) today announced the appointment of Dr. Samantha Ravich as an independent director to IGT's board of directors effective July 30, 2019. Dr. Ravich was also appointed to IGT's nominating and corporate governance committee.
Dr. Ravich is the Chair of the Center on Cyber and Technology Innovation at the Foundation for Defense of Democracies and its Transformative Cyber Innovation Lab; the Vice Chair of the President's Intelligence Advisory Board; a Commissioner on the Congressionally-mandated Cyberspace Solarium Commission; and a member of the Secretary of Energy's Advisory Board. Dr. Ravich is also a managing partner at A2P, LLC and a Board Governor at GIA. Previously, among other roles, she served as Deputy National Security Advisor for Vice President Cheney. Dr. Ravich received her Ph.D. in Policy Analysis from the RAND Graduate School and her MCP/BSE from the University of Pennsylvania/Wharton School.
"Samantha's extensive experience, and focus on cybersecurity, are welcome complements to the existing expertise of our board members," said Lorenzo Pellicioli, Chairperson of the Board of Directors of IGT."We look forward to working with her."
About IGT
IGT (NYSE:IGT) is the global leader in gaming. We enable players to experience their favorite games across all channels and regulated segments, from Gaming Machines and Lotteries to Digital and Social Gaming. Leveraging a wealth of premium content, substantial investment in innovation, in-depth customer intelligence, operational expertise and leading-edge technology, our gaming solutions anticipate the demands of consumers wherever they decide to play. We have a well-established local presence and relationships with governments and regulators in more than 100 countries around the world, and create value by adhering to the highest standards of service, integrity, and responsibility. IGT has over 12,000 employees. For more information, please visit www.IGT.com.
Phil O'Shaughnessy, Global Communications, toll free in U.S./Canada +1 (844) IGT-7452; outside U.S./Canada +1 (401) 392-7452
Francesco Luti, +39 3485475493; for Italian media inquiries
James Hurley, Investor Relations, (401) 392-7190
View original content to download multimedia:http://www.prnewswire.com/news-releases/international-game-technology-plc-announces-appointment-of-dr-samantha-ravich-to-board-of-directors-300893554.html
Inaugural WILL Educational Seminar at the Grand Hyatt Buckhead Hotel October 25th
Mentorship Training Program
The Mentor/Mentee program was launched in the U.S. in April. Now, watch Rebecca Hargrove, Chair of WILL (Women's Initiative in Lottery Leadership ), CEO of the Tennessee Lottery, President of the WLA, as she announces the Mentor Training Program Launch for European Lottery executives. This event was held Tuesday June 5th in Prague during 'Industry Days' and sponsored by the European Lottery Association. Also speaking Catherine Barba, Pioneer of the digital revolution, who was Keynote speaker at Industry Days.
MENTEE TRAINING PROGRAM HAS STARTED- Rebecca Hargrove, CEO, Tennessee Lottery is inviting lottery directors and CEOs of the major corporations to work with their HR Directors to encourage the women in your organizations to sign up as Mentees. The first WILL Training program was held in a webinar format May 3rd. Thank you so much to Rebecca Hargrove, CEO of the Tennessee Lottery and Wanda Wilson, Chief of Staff, Tennessee Lottery as the presenters of the Preliminary Training: Mentorship Program Webinar and Ryann Petit-Frere, Marketing Manager at IGT as the driver of the webinar and moderator. If you missed this webinar you can watch it by clicking on the link. Watch a replay of the webinar that took place May 3, 2018 click here. View the slides from this event please download here.
Women's Initiative in Lottery Leadership Event in Nashville, TN July 27, 2017
Rebecca Hargrove & Stéphane Pellez speak at the (WILL) Event Sponsored by the European Lotteries Association, London, February 2018
WILL Meeting in Kraków, Poland June 2017
Rebecca Hargrove & Stéphane Pellez kick-off the (WILL) Event Sponsored by European Lotteries Assoc
Women's Initiative in Lottery Leadership Inaugural Education Program- Watch the presentations here
Women's Initiative in Lottery Leadership Inaugural Education Final Program
Women's Initiative in Lottery Leadership Inaugural Education Program October 25th 2pm-5pm
Venue: Grand Hyatt Buckhead, Atlanta HIGHLAND BALLROOM Lobby Level
2:00pm Opening Remarks
Rebecca Hargrove, President & CEO Tennessee Education Lottery Corporation
2:05pm Introduction of Monica Kaufman Pearson
Debbie Alford, President & CEO Georgia Lottery Corporation
Keynote Presentation—Navigating Biases Monica Kaufman Pearson
3:00pm Panel Discussion—Overcoming Challenges in Your Professional Career
Veronica Biggins, Managing Partner, Diversified Search
Deborah Denechaud, Director of Sales, WSB-TV
Deborah Riley Draper, Executive Director, Ogilvy & Mather Advertising Agency
Theresa Wenzel, President, Atlanta Dream
4:00pm Building an Inclusive Corporate Culture
Teresa Chapman, District Manager for the Atlanta Market, Home Depot, Inc.
4:15pm The Value of a Mentor/Mentee Relationship View the Powerpoint Slides here
Christie Eickleman, Vice President of Global Marketing, Gaming Laboratories International, Founding Board Member of Global Gaming Women
4:30pm Embracing the Many Forms of Mentorship
Wanda Young Wilson, COO & General Counsel, Tennessee Education Lottery Corporation
4:35pm The Role of Mentorship in my Personal, Professional Journey
Jennifer Seymour, VP Aurora Product Management, IGT, Inc.
4:40pm Developing a Global Lottery Mentorship Program - View the Powerpoint slides here
Rebecca Hargrove & Connie Laverty O'Connor, Sr Vice President and Chief Customer Officer IGT, Inc.
5:00pm Thank You & Closing Remarks
Rebecca Hargrove & Debbie Alford
WILL EVENT - Wednesday October 25th, Grand Hyatt Buckhead, Atlanta
WILL Meeting in Krakow, Poland June 2017
WILL Training Program Timeline
To celebrate the International Women's Day, let me talk to you about W.I.L.L
It's Time for a New Discussion on "Women in Leadership"
Women and Leadership Public Says Women are Equally Qualified, but Barriers Persist
PGRI's Women's Initiative in Lottery Leadership © 2020
More News Portal Joomla Templates at TemplateMonster.com | 's Women's Initiative in Lottery Leadership
Thank you so much for attending the WILL Women's Initiative in Lottery Leadership Session October 30th, 2019
UP NEXT!
The Women's Initiative in Lottery Leadership afternoon Session at the fabulous Eden Roc Hotel Thursday March 5th, 2020 at 1:30pm held during PGRI's SMART-TECH 2020
Moderated by WILL Chairperson Rebecca Hargrove, President & CEO Tennessee Lottery & President of the World Lottery Association.
Questions: Call or e-mail Paul Jason This email address is being protected from spambots. You need JavaScript enabled to view it.
To participate in the Mentorship Program
DOWNLOAD NEW MENTEE FORM HERE
DOWNLOAD NEW MENTOR FORM HERE
Scientific Games' Board Director Fran Townsend to Inspire Women at October 30th Leadership Event in New York City
Pat McHugh, Lottery Group CEO for Scientific Games, said, "We are honored that Fran Townsend, who has served as such a strong leader for our country and Scientific Games, will be sharing her unique and empowering experiences to inspire women in the lottery industry. As one of the largest employers of talented women in the industry, we are a strong supporter of the Women's Initiative in Lottery Leadership and its mission." "We look forward to another meaningful gathering of leaders from throughout the lottery industry at our WILL event in New York City," said Rebecca Hargrove, World Lottery Association President and Tennessee Lottery CEO, "The event is highlighted by Fran Townsend from Scientific Games' Board of Directors, who is joining us to share her experiences as a very successful leader. Mentoring and advocating for women has been one of my passions since I began my career. WILL is very proud to be at the forefront of supporting advancement for women in the lottery sector."
WILL SCHOLARSHIP PROGRAM
The first WILL Scholarship Grant sponsored by JUMBO Interactive
JUMBO Interactive's gift of $50,000 to fund scholarships will enable emerging female leaders to participate in training and educational seminars. The first recipient, to be announced September 30, will receive an all-expense-paid trip including round-trip airfare and hotel, breakfasts, lunches, and receptions to attend the WILL session in NYC on October 30. THANK YOU JUMBO Interactive! We have started a tradition of holding a WILL session on the afternoon of the second day of PGRI conferences. Thank you to IGT for sponsoring the WILL session at PGRI SMART-Tech Florida last February, and to Lottery Directors/CEO's Rebecca Hargrove (TN), Gretchen Corbin (GA), Sue van der Merwe (Tabcorp Lotteries, Australia), May Scheve Reardon (MO), Lynne Roiter (Quebec), Sarah Taylor (IN), and Keynote Speaker Ann Simmons Nicholson, for leading a wonderfully entertaining afternoon that was both inspiring and enlightening.
DOWNLOAD NEW MENTEE FORM HERE DOWNLOAD NEW MENTOR FORM HERE
Global Gaming Women Names GLI's Christie Eickelman its New President
"Global Gaming Women has a strong mission statement, and our guiding principles of courage, integrity, and leadership continue to inspire our Board and the women we serve. We are grateful to the many companies and individuals who back GGW, and as we broaden our donor structure, we will ensure we will have the resources necessary to support the development of women at all levels throughout the industry," Eickelman said.
International Game Technology PLC Announces Appointment of Dr. Samantha Ravich to Board of Directors
Sarah Alter, President & CEO of The Network of Executive Women, nominated to Lottery Control Board
Stephanie Huckel, Senior Global Program Manager, Diversity & Inclusion, named one of 2019 40 Under Forty by the Providence Business News
Aston Martin appoints first-ever female president
New York Stock Exchange to Have First Female Leader in 226-Year History
CALL FOR PARTICIPATION | WOMEN'S LOTTERY LEADERSHIP PILOT PROGRAMME IN EUROPE
Scientific Games Becomes Founding Partner of All-In Diversity Project to Foster Diversity and Inclusion in the Gaming Industry
Panel Discussion: 'A Conversation with Sarah & Ryann' The WILL Mentorship Program
Women's Initiative in Lottery Leadership Program (WILL) Seminar February 2019
Thank you to IGT for Sponsoring this WILL Seminar
Moderator: Rebecca Hargrove, CEO Tennessee Lottery, President World Lottery Association and Chair of WILL
Sarah Taylor, Executive Director, Hoosier Lottery (IN)
Ryann Petit-Frere, Marketing Manager, IGT (Tennessee Lottery)
Recorded live @ SMART-TECH 2019 February 2019 in Ft. Lauderdale, Florida
Panel Discussion: Women's Initiative in Lottery Leadership Program (WILL) - 'How You Become Who You Are'
Women's Initiative in Lottery Leadership Program (WILL)
Ø Panel Discussion: 'How You Become Who You Are'
Gretchen Corbin, President & CEO, Georgia Lottery
Sue van der Merwe, CEO, Tabcorp Lotteries, Australia
May Scheve Reardon, Executive, Director, Missouri Lottery
Ann Simmons Nicholson, CEO, Simmons Group
Casinos Austria Appoints Bettina Glatz-Kremsner | 1,098 |
Billy Reid's Southern Sensibility Continues To Flourish As Retail Footprint Expands
Mario Abad Former Contributor
I write about global fashion<|fim_middle|>Tom Ford, Michael Kors, and Marc Jacobs all have at least three). But unlike many of his peers, most of which continue to show on the official fashion calendar in New York, Reid operates on his own terms and doesn't feel pressured to show in New York each season. His last runway show was held in August for Spring '19, and it took place in his hometown of Florence during Shindig, his annual festival of music, food, and fashion.
Billy Reid store in Georgetown.
"There's so much noise out there regarding how and where to show," he says. "For us, showing in Alabama during shindig was a great opportunity. We could bring in key editors to help cover the show from a media standpoint. But the main thing we get out of that is we've got 500 of our best customers sitting in one spot where could have a runway show, and there's no replacement for that. We took the approach of a little bit of see-now-buy-now and a little bit of future product while combining the media aspect with the direct customer aspect, but the customer interaction is the main thing."
Reid adds that they also have plans to do other things with Pitti Uomo (the menswear trade show in Florence, Italy). He also points out that they're certainly not ruling out NYFW in the future, but that they're not going to bind themselves to do that every time. "We may want to take it on the road and do something in California," he says. "We've also talked about doing things in other markets where we have shops. It's a little disruptive some ways but I think that's a good spot to be right now. From a financial standpoint, a show pays for itself based on the sales you can make from putting it in front of the customer. They're not jaded. An editor will go to 300 shows in 10 days, while the customer will maybe go to one in their lifetime. They're excited to be there and it's good to feed off that energy."
The facade of Billy Reid's store in New York's Bond St.
As it stands now, the stores generate about 40% of total revenue, with wholesale another 40% and e-commerce making up the rest. "We see the wholesale growing slower than the store business and e-comm and a lot of it is because we want to make sure we're with the right partners," he explains. "We're trying to be less promotional, and with a lot of wholesale, you lose a little bit of control with the pricing. The digital part has just been growing YOY for us, as well as the store business. We will do a cleanup of wholesale and get ourselves set up with the right people and strategy for that." In addition, the women's offering (which doesn't wholesale) currently makes up anywhere between 20-25% of sales, whereas three years ago that number was around 12%.
Going forward, Reid will continue to adapt his business model to reflect today's consumer behavior. "Online right now, 70% of our business has been from new customers," he says. "The one thing we're constantly about is newness. What we've done is change how we delivered product. Typically we would do four seasons, and we changed that to where it's now 10 drops of fresh product throughout the year. It's not that we're making more product, we've just spread it out. It's helped with the cash flow and the flow with customers who want newness."
However, despite his growing store footprint, he is no rush to scale at a frenzied pace. His personal interactions with his customers, creating a home-like retail experience, and maintaining his Southern sensibility will continue to set him apart from the rest. "It's definitely a slower approach," he says. "But hopefully slow and steady wins the race."
Check out my website.
Mario Abad
I'm passionate about the intersection of fashion, retail and business. From legacy megabrands to independent luxury designers, I cover all facets of how brands are opera... | businesses in the designer/luxury market.
Inside of Billy Reid's Store in Charleston, South Carolina.
Billy Reid just celebrated his 20th year in business last year. After his eponymous brand endured several setbacks in its earlier stages, it is now a fully-developed operation with a healthy store network, wholesale distribution, and growing e-commerce business. And now, the independent fashion label has its eyes set on expanding its retail footprint in the U.S., with five new stores slated to be opened in the next 12 months, including Fort Worth, TX and Birmingham, AL. And as with all of its stores, the Southern hospitality framework Reid has developed for the brand remains a vital part of the retail experience.
Indeed, food, drinks, music, and art play an integral role in his world. Reid has always wanted his customers to feel at home in his stores, recalling how, when he was younger, clients would come to his mother's Louisiana clothing store to socialize as much as shop. His goal is for his customers to feel at home in his stores. To drive this community-oriented point home, all of Reid's upcoming stores will have a dedicated restaurant attached for special dinners with VIP customers.
Billy Reid attends an event to unveil Super Bowl 50 designer footballs in collaboration with the... [+] CFDA. (Photo by Charles Sykes/Invision/AP)
Reid says that the hospitality and entertainment factor gives customers an experience they maybe don't get at other places. "We'll have different high-profile chef friends in the food business and bring 25-40 people for a dinner party and create space in our building where the kitchen is attached to the store to open the whole place up," he explains. "It's something my mom did when she had a store years ago in my grandmother's old house; she had a kitchen and it was constantly entertaining— and this was back in the days of Gloria Vanderbilt jeans. She had a cool mix of product, but what she really had was a way to entertain people in her store where it became a hangout. When we started building our own stores, that became an inspiration where we should be entertaining people."
As such, Reid recently embarked on a new partnership with The Balvenie, Scotland's premier single malt Scotch whisky, which sponsor a series of in-store events for Reid's customers in key markets this year. Ambassadors from The Balvenie will co-host the
events, offering whisky tastings and education at each location.
The Florence, Alabama-based designer is a 3-time CFDA award winner, one of only four other designers who also hold that honor ( | 539 |
Holiday spirit starts early for one Reservist
By Natalie Stanley, 926th Wing / Published November 03, 2020
Master Sgt. Caleb Fishell, 926th Aircraft Maintenance Squadron's unit training manager, poses with toys he plans to donate to a local nonprofit, Oct. 29, at Nellis Air Force Base, Nev. Fishell has been giving back to local Las Vegas families since 2012.
NELLIS AIR FORCE BASE, Nev. --
The holidays are a time of giving and for Master Sgt. Caleb Fishell, 926th Aircraft Maintenance Squadron unit training manager, giving back to local Las Vegas families has been something he's been involved with since 2012.
It all began when an Airman at the 926th Wing was going through a cancer battle and wing leadership wanted to show their support by donating to the community, specifically to kids with cancer.
Fishell volunteered to spearhead a toy donation for a local nonprofit and, along with other wing members, arranged to deliver the donated toys to make the children's holiday brighter.
"The whole purpose was to help the burden of treatment, especially during the holidays," said Fishell. "I'm sure the last thing the families in that situation are thinking about is toys."
Although Fishell and his team weren't able to interact directly with the children the first year, the experience was so impactful he has been gathering toys and other gifts every holiday season since.
"I love it, even when you can't see it, you know you're helping somebody in need<|fim_middle|> deliver the toys directly to the children and he said the look on their faces was priceless.
"It was really cool to see the direct impact," he said. "You would never guess they were fighting an illness, they were running around like normal, wanting to open toys."
Over the years, Fishell has encouraged his Airmen to be a part of the process, hoping it will show them how just a little time can make a huge impact.
"Just the smallest donation goes a long way," he said. "People don't realize putting a can of food in a box or donating a toy can bring someone to tears."
Fishell is also involved in gathering donations for local nonprofits that help homeless school children with food and other necessary supplies.
While COVID-19 precautions will change the way Fishell and his team gather and deliver their donations this year, it won't bring an end to the holiday spirit.
Seeing the impact on the kids and the nonprofit program leaders is what motivates Fishell to keep serving his community and empowering others to get involved.
"I just don't want to see this fail," he said. "All it takes is one good cause to change someone's world."
926th Wing AFRC Air Force Reserve Command reserve resilient | ," he said.
In 2016 Fishell and his volunteers were able to | 18 |
YALE UNIVERSITY ORGANIST THOMAS MURRAY PERFORMS AT WALT DISNEY CONCERT HALL
California Native Highlights "The Transcriber's Art" in Program of Works
Arranged for Organ
SUNDAY, APRIL 3, at 7:30 PM
Media support provided by 105.1 K-MOZART
Thomas Murray, a Professor of Music at Yale University, teaches Los Angeles audiences about organ transcriptions during his Walt Disney Concert Hall recital on Sunday, April 3, at 7:30 p.m. Murray's appearance is the fifth of six performances presented by the Los Angeles Philharmonic Association in its Organ Recital series, which debuted early this season. His recital features Cook's Fanfare (Psalm 81, vs. 1 - 3), Vivaldi's Concerto Grosso in D minor (transcribed by J. S. Bach), Schumann's Six Canonic Studies, Op. 56, Mendelssohn's Overture to Ruy Blas (transcribed by Edwin H. Lemare), Grieg's Peer Gynt Suite No. 1 (transcribed by Lemare) and Elgar's Severn Suite, Op. 87 (transcribed by the recitalist himself, Thomas Murray).
The poetry which inspired Cook's Fanfare is from Psalm 81: "Sing aloud unto God our strength: make a joyful noise unto the God of Jacob. Take a psalm, and bring hither<|fim_middle|>) are on sale now at the Walt Disney Concert Hall Box Office, online at LAPhil.com, or via credit card phone order at 323.850.2000. A limited number of $10 rush tickets for seniors and full time students may be available at the Walt Disney Concert Hall Box Office two hours prior to the performance. Valid identification is required; one ticket per person; cash only. Groups of 12 or more may be eligible for special discounts for selected concerts and seating areas. For all information, please call 323.850.2000.
Sabrina Skacan, 213.972.3408; photos: 213.972.3034 | the timbrel, the pleasant harp with the psaltery. Blow up the trumpet in the new moon, in the time appointed on our solemn feast day." Fittingly, the trumpets in the Llamarada (literally translated "blaze") division of the Walt Disney Concert Hall organ, ending with the Trompeta de Los Angeles, declaim the fanfares and flourishes in Cook's energetic piece.
Upbeat Live pre-concert events take place one hour prior to each concert in BP Hall at Walt Disney Concert Hall, and are free to all ticket holders. Musicologist Thomas Neenan hosts with Murray.
A visual centerpiece in the auditorium, the Walt Disney Concert Hall organ was designed by architect Frank Gehry and built by Manuel J. Rosales of Rosales Organ Builders. The 6,134 pipes range in size from a pencil to a telephone pole, and are voiced with a wide dynamic range from super pianissimo to a breathtaking fortissimo.
The specially curved wood façade pipes were made and installed by Glatter-Götz Orgelbau, Germany of solid,
vertical-grain Douglas fir that comprise the Violone and Basson basses. Behind the façade are three levels of pipes, including metal pipes made of tin and lead alloys and wood pipes made of Norwegian pine.
The Organ Recital Series concludes on May 8 with Olivier Latry, the organist at the Cathedral of Notre Dame in Paris.
THOMAS MURRAY, concert organist and recording artist, is University Organist and Professor of Music at Yale University, where he teaches and performs on the renowned Skinner organ in Woolsey Hall. Widely known for his interpretations of Romantic repertoire and orchestral transcriptions, his recordings (on JAV, Gothic, Arkay, Priory and other labels) are highly acclaimed. A notable release on the JAV label is a 2-CD set performed on the Newberry Memorial Organ in Woolsey Hall at Yale University. High Fidelity has credited him with " . . . consummate skill and artistry in treating the organ as a great orchestra" and American Record Guide said of his newly-released Elgar CD: "Murray's performance and his handling of the immense resources of the Woolsey Hall organ are beyond superlatives . . . the shape of every phrase, the use of every color . . . could not be more perfect." A California native, Professor Murray's major teacher in organ was Clarence Mader. As a young performer he was a first-place winner of the American Guild of Organists national competition. He has appeared in recitals and lectures at six national conventions of the A.G.O., which named him International Artist of the Year for 1986. As the recipient of this award he followed such luminaries as Marie-Claire Alain, Jean Guillou and Dame Gillian Weir. In 2003 he was named an honorary fellow of the Royal College of Organists in England. His career is increasingly international in scope. His first performance in Japan came in 1990 with a recital at Suntory Hall in Tokyo. Among his appearances in Europe have been recitals at the International Congress of Organists in Cambridge England and the Lahti Organ Festival in Finland, where he also performed with the Moscow Chamber Orchestra. He has appeared in South America in two recitals for the Festival Permanente de Organo de Buenos Aires, and in Australia, where he presented four solo recitals including a performance on the famous organ at Sydney Town Hall.
SUNDAY, APRIL 3, 2005 AT 7:30 PM
Thomas Murray, organ
COOK Fanfare (Psalm 81, vs. 1 - 3)
VIVALDI Concerto Grosso in D Minor (transcribed by J. S. Bach)
SCHUMANN from Six Canonic Studies, Op. 56, No. 1 - 3
MENDELSSOHN Overture to Ruy Blas (transcribed by Edwin H. Lemare)
GRIEG Peer Gynt Suite No. 1 (transcribed by Edwin H. Lemare)
SCHUMANN from Six Canonic Studies, Op. 56, Nos. 4 -6)
ELGAR Severn Suite, Op. 87 (transcribed by Thomas Murray)
Upbeat Live pre-concert events take place one hour prior to the concert in BP Hall at Walt Disney Concert Hall, and is free to all ticket holders. Musicologist Tom Neenan hosts with Murray.
Tickets ($15-$41 | 953 |
Smith's Verdict: **1/2
Maybe it's because I'm noticing more of Christopher Nolan's film trademarks (and frankly, getting a little tired of them) that I didn't like his latest film, "Interstellar," very much. Christopher Nolan has made some truly impressive, groundbreaking films, such as "Memento," the "Dark Knight" trilogy, and "Inception"…but watching them again, I feel like these already-terrific films could be even better if the characters acted like real people. The characters' emotions are always present, but what Nolan always seems to ask from his actors is that they always know how heavy the weight of their situations are, and so they say their lines in a sort-of monotone way while saying dialogue that is mostly made up of philosophical insight and plot exposition. Nolan never seems to want audiences to feel for themselves what it means for his characters to do what they do; he seems to want the characters to talk about it themselves.
Before anyone attacks me, "The Dark Knight" and "Memento" happen to be two of my all-time favorite films. I admire the in-depth conversations in both films because most of them do give the material more power. Why do I appreciate his most glaring trademark in those films and not in "Interstellar?"
I'm getting ahead of myself. Let's start with the story. It's in the future (though a specific year isn't mentioned), and the world is falling apart due to famine and blight, causing dust storms to appear and crops to die. Former NASA test pilot Cooper (Matthew McConaughey) and his family farm acres of corn that he owns and do their best to adapt in this world where humanity most likely is getting closer to its doom.
Cooper's daughter, Murph (Mackenzie Foy), keeps noticing a strange occurrence in her bedroom that she thinks is caused by a ghost. She brings her father in on the discovery and interprets these signs as Morse code (this child is either very intelligent or has had a lot of time to think about this—hey, that's another Nolan trademark). Well, she's right, and it draws Cooper to a secret location, where NASA is operating as a think-tank to save humanity. One of their solutions is to get people off the planet and into a space station. The only problem is overcoming gravity to send the ship into outer space. But Professor Brand (Michael Caine) has an idea to send Cooper and a small crew, including Brand's daughter, Amelia (Anne Hathaway), and a sarcastic robot named TARS (voiced by Bill Irwin), through a wormhole near Saturn that was most likely placed there by a superior intelligence presumably to give humanity a chance of survival. With Cooper as pilot, he and his group set out to see what's out there. The main drawback to attempt saving the world: the mission will most likely take decades to complete, which is how long Cooper will be separated from his family. Murph is particularly upset and resentful as she feels she's being abandoned.
The first-third of "Interstellar," which is 45 minutes of a 170-minute film, is fine and it does give us a good look at what it's like for these people (Cooper, his kids, and his father-in-law, played by John Lithgow) live in this ominous scenario and having to deal with this world every day. Though, there are some parts that I found laughable—for example, the public-school system has new science textbooks that explain how the NASA moon-landing was all fake and staged. Why? Well, because they don't want the students to even think about the possibility of leaving Earth. (I don't know; schools are weird. Apparently, nowadays, you get in trouble for saying "bless you" when someone sneezes.) Another odd moment is when the characters attend a ball game and apparently no one notices the approaching massive dust cloud right away. But aside from those parts, it does a good job at establishing the relationship between Cooper and Murph, so that when Cooper has to tell Murph that he's leaving, it's very moving. Cooper is not willing to abandon his family, but he knows the chance to save the human race, and his family, is his to take when it's offered. (But did he really have to make the situation worse by joking that maybe he and Murphy will be the same age when he gets back, because seemingly he won't age in space? I mean, come on; that was kind of cruel.) And the first act has a pretty good buildup of a mystery involving who made the wormhole, who or what is out there, who or what was causing the anomaly in the first place, what's the significance of the "ghost," etc.
I have to give credit to a great transition to the second-third, which goes into the "space" portion of the film, as Cooper and crew blast off into outer space. It shows Cooper driving away from home, as we hear a countdown. At the end of the countdown, there he is, in front of the spacecraft, taking off. No training sequence—just an immediate transition. But unfortunately, the film doesn't have that kind of smooth cutting for the following hour or so, and I'm afraid it needed it.
But again, I'm getting ahead of myself. When Cooper, Amelia, TARS, and the other astronauts, Doyle (Wes Bentley) and Romilly (David Gyasi), set off in space to embark on their journey through the wormhole. But what do they find in the wormhole? A planet covered in water and a planet covered in ice.
Let's get to the good things about this long section of the film. The wormhole is spectacular and definitely deserves to be experienced<|fim_middle|> relationship. Scott McEntire, who has acted in other shorts I've reviewed (such as "Stuck" and "A Matter of Honor"), turns in some of his best work as the father. But I am of two minds about Kyle Wigginton's performance as Derrick. On the one hand, I see it as a poor acting job. His shouting moments seem a little off to me; he sounds like he's forcing the anger. But on the other hand, Derrick is supposed to come across as pathetic, so maybe it was Wigginton's choice to play it like this. I've seen him do well in other shorts, like "Blood Brothers," so I wouldn't doubt it.
I like "Paradigm," but I think it could've been better with tighter editing. Some scenes seem a little long and even make the film somewhat repetitive. But I guess that was the point—to show the slow proceedings of this relationship in a way that we can get why/how it came to this, and to also show as it gets worse. In that respect, I shouldn't complain too much about it. "Paradigm" is an effective short that worked for me.
NOTE: The film can be seen here: http://jessvcarson.wix.com/10th-dimension-pro#!paradigm/c20as
Categories Shorts, Three Stars *** | on the big screen, with the best surround sound. The water-planet makes for a suspenseful moment in which the crew must leave before a massive wave comes along to envelop everything. When I saw that wave coming, I got goosebumps; I'm not going to lie. And that some of the icy mountains on the other planet are upside-down and some are even clouds! That's impressive. And later on, they come across a black hole that is also amazing to look at; maybe even more so than the wormhole. And there is time for legitimately dramatic moments, such as when Cooper realizes how long he's been gone and watches video messages from Earth that show his kids grow older, while he can only sit and weep at what he's lost and probably can't get back.
But unfortunately, this large portion of the film is also the weakest. When all is said and done, these planets are unspectacular; they're just water and ice. Couldn't there have been more imagination to go with these planets in a science-fiction story? The adventurous parts of this "epic" science-fiction film are not very epic as a result, and it only gets worse when half of it is made up of that typical Nolan trademark I mentioned before: lots and lots of dialogue having to do with exposition, philosophy, meaning, etc. Only every now and then do the characters behave like real people, and that's always only for just a few seconds before it's back to explaining and spewing more dramatic ironies and so on. Oh, and lots and lots of scientific babble.
A lot of people have been wondering whether or not the science in this story is accurate, which really fascinates me because I didn't think you were supposed to question science in a science-fiction story. There are a lot of talks about relativity and complex physics and so on, and because there is so much dialogue that gives us theory upon theory upon theory, maybe that's why people who watch this film question it, because they want to know if they should trust it. Well, it's still science-fiction, and I just sort of go with whatever one can think of, when it's executed properly.
Though, I did learn that one of the executive producers of this film is CalTech physicist Kip Thorne, so I don't know; maybe the science is accurate. So there you go.
Oh, and I forgot to mention the Earth scenes that show Murph (now played as an adult by Jessica Chastain), assisting Brand in NASA and still resentful of her father leaving. You would think that after all these years of working for these people who sent him on this mission, she would've gotten over it by now. Doesn't she know the world is at stake and he left to protect the human race? I get it; she feels like her father abandoned her. But sheesh, look at the big picture, why doesn't she?
Nolan is a hell of a storyteller, which is why most of his films work as well as they do. And even when his stories seem uneven, like this one, there is a big payoff. "Interstellar" is no exception. The last third of the film is quite strong and powerful and, being a Nolan film, quite complex. I won't give it away, but it gets the emotions right and provides a satisfying resolution to the story. But even then, it has its questionable moments, such as an ending that I thought went against what it was about.
There are strong elements in "Interstellar," particularly the battle between circumstance and emotion that's always present and has people wondering what's more important and of course, being a Nolan film, what it means. And it is serviceable for audiences who just prefer to turn their brain off and watch some good sci-fi action (I forgot to mention an improbable but riveting scene involving trying to lock a craft in place from underneath a space station) or those who just want to get a good emotional experience. But I feel like the film is overblown by Christopher Nolan's ambition to make it something grand and epic, and as a result, I feel that this is what causes the film's undoing for me. I hate to say this about a filmmaker I often called one of the greats, and to be fair, maybe it's because I'm noticing (and being slightly annoyed by) more of his trademarks, particularly with his directing and writing, that I wasn't getting into "Interstellar" as much as I wanted to as I was entering the theater. But this film just didn't do much for me.
Categories 2014, Two-and-a-Half Stars **1/2
When you really think about it, that determined quest to be "one of the greats" in whatever field or craft is kind of disturbing, because you have to wonder how far that person going for it is willing to go to prove to be "great?" At what point is the line drawn? This can make for an unnerving story, because any artist is going to feel that kind of pressure and maybe even ponder about whether or not it's worth it. Damien Chazelle's "Whiplash" decides to go for it. Here's a film about the progress of a budding musician executed with the intensity and tightness of a thriller. This easily could've been a feel-good story about a mentor pushing his student to the limit and both learning a lesson in a happy ending. But no—this film has a major, upsetting twist on the mentor/student relationship that makes it horrific and yet captivating.
They say with power comes fear, and that's especially true with Terence Fletcher, played powerfully by the always-reliable character actor J.K. Simmons in probably the best performance of his long career. Fletcher is the orchestra instructor from hell. He runs his band with the intensity of a drill sergeant (hell, he'd probably even make R. Lee Ermey's "Full Metal Jacket" character piss his pants!), always pushing his students to their full potential so they satisfy not only him but also themselves. But his methods are beyond unorthodox, in that the best ways he can think of to get through to these people is with bullying and sociopathic behavior.
The latest victim of Fletcher's teachings is Andrew Neiman (Miles Teller, very good), the film's protagonist. Andrew is a 19-year-old Manhattan music-school student who loves drumming and yearns to be one of the great jazz percussionists. One night, his drumming gets the attention of Mr. Fletcher who overhears him playing. First, Fletcher criticizes him, causing Andrew to first lose hope, and then strive to get better. He does earn a spot in Fletcher's jazz band, where he learns from Fletcher's teaching methods head-on.
Due to a teacher's tough approaches, the student is challenged to understand his full potential in order to achieve his goal of being "great." Someone once said artistry can redeem any subject matter, and even with old cinematic resources such as this central premise, it's what is done with the narrative that makes the film what it is. And "Whiplash" doesn't use predictability or fabricated sentiment or even a true bond between the two characters outside of the practice room (save for one scene later on, but even that's more a way of challenging wits). It doesn't even end the way I expect it to; it ends on a note that can be read as either tragic, triumphant, or even both. The bottom line is, "Whiplash" is not an audience-pleaser; writer-director Damien Chazelle is more concerned with telling a cautionary tale and a complex story about obsession and impulse than giving viewers what they want from a story like this. Instead of cheering Andrew on as he becomes a better drummer, we feel pity for him as he beats himself up more and more trying to become "the best," even when the blisters on his hands bust open and bleed as he practices or even performs live.
What really keeps the film's audience on edge throughout the film is that anything could set Fletcher off. He could seem like a nice, understanding person to talk to, but all of a sudden, he could turn on a dime and become a sadist who will chew you up and spit you out. You're always left guessing what he's thinking and also what it would take to cause him to act this way again. It's when he acts nice that I get chills while watching this film. And then, at the end, when he reveals something to Andrew and it's too late to turn back, I was so nervous for this kid that the film had my undivided attention for the remaining final act.
J.K. Simmons deserves a Best Supporting Actor nomination come Oscar-time. His Fletcher portrayal is a powerhouse performance; one of the best I've seen all year. Any actor who can act in such an effective, unpredictable manner must be recognized. "Amazing" doesn't begin to cut it when describing Simmons' work here. He, along with Teller and Chazelle, helps make "Whiplash" a vibrant, riveting film that I won't forget anytime soon.
The Hunger Games: Mockingjay–Part 1 (2014)
Smith's Verdict: ***
The best is yet to come, and until then, we have a lead-in that ends with To Be Continued." "The Hunger Games," based on the Suzanne Collins novels, is the third popular book-to-film-adaptation franchise (following "Harry Potter" and "Twilight") to split its final story in two films. I suppose they do this because otherwise, they'd be adapting a long novel into a 4+-hour movie that they're afraid no one would want to sit through. But let's be honest—they mainly do this to make the studios more money.
However, my problem with this way of building up the final chapter is that the "part 1" leaves an incomplete film that is hard to criticize except to say it's not a complete film. I'm rating "Mockingjay Part 1" three stars, with it amounting to an optimistic "incomplete" status. It's just a film leading us into "Part 2," which will come this summer, and as it is, it's worthwhile for audiences and fans of the original source material. It moves the story forward with interesting developments, particularly with the character arcs, and it just builds up to what I hope will be a strong film for "Part 2."
"Mockingjay Part 1" is the weakest film in the series because of this, though my opinion could change once I see "Part 2" and view both parts as a whole, in which case I may change my rating.
Jennifer Lawrence again returns as Katniss Everdeen, who along with Finnick (Sam Claflin) has been rescued from the Quarter Quell by a band of rebels who live in a secret military bunker known as District 13, run by President Alma Coin (Julianne Moore). Katniss learns her home district has been bombed by order of President Snow (Donald Sutherland) and that her partner and love interest, Peeta (Josh Hutcherson), is held by the Capitol and ordered to warn the rebels on TV to stand down and stop fighting or else worse things will happen to Panem. President Coin decides to use this as reason for Katniss for propaganda reasons and have a TV crew document her reasons for everyone to stand up and fight for the rebellion.
One major problem I have with this entry in the franchise is that Katniss is mostly an overblown "reluctant heroine" type. She's a little too unwilling to participate and is kind of an emotional wreck, even when seeing firsthand how coldblooded Snow can be. It's especially disappointing because the previous film, "Catching Fire," ended with a haunting visual of Katniss staring at the camera, looking angry and vengeful after going through so much hell. It was an ending that got us (or at least, those who haven't read the final Hunger Games book) hyped for the next film to see what Katniss would do to help the rebels in taking down this corrupt dictatorship led by the despicable President Snow. And then this film starts and the first shot is of her crying. She spends most of the film lethargic, withdrawn, and often worried. I realize the best way to characterize a heroine is to make her more human and let us see/feel what she's feeling, but let's also see more of the Katniss we thought we were going to get.
But to the film's credit, she has reason to be this way. For this new entry is easily the darkest in the franchise ("Empire Strikes Back" territory, if you will). There are hardly any soft moments, the film focuses on the consequences of actions (hell, President Snow even orders for the destruction of a building full of people, including children, to prove a point that's pro-Capitol), and the ending provides a shocking twist centered on one of the major characters. It does make me curious about how "Part 2" will turn out to be.
Something I hope continues with this series is the way the love triangle between Katniss, Peeta, and Gale (Liam Hemsworth), who shows up for more moments of protection and broodiness, is downplayed, because God knows I'm tired of love triangles in these young-adult stories. Though, even so, it's the least interesting aspect of the series for me because I really don't see Gale as anything other than a buddy-type; he hardly has any personality or development as anyone else. And that's another problem with the film—Katniss and Peeta are separated for a good chunk of the story, leaving plenty of moments involving Katniss and Gale; and yet, when they kiss, there's still hardly any emotion because there still isn't much we know about Gale.
"Mockingjay Part 2" has the potential to be great, and "Mockingjay Part 1" is a worthy lead-in in that case. It is worth recommending for a big screen, particularly for the superb production design, first-rate effects, and a suspenseful raid sequence late in the film. But a part of me wants to say wait for DVD and watch it around the time "Part 2" is released. That might help give a more complete experience.
Categories 2014, Three Stars ***
Birdman or (The Unexpected Virtue of Ignorance) (2014)
"Birdman" (subtitled "Or the Unexpected Virtue of Ignorance") is one of the most ambitious, unique films to come out this year (or any year). It's a film that shows the mental breakdown of a washed-up actor trying to redeem himself with a comeback through Broadway. It's a darkly funny, nearly spot-on portrait of theater life that goes into the pains of what goes into a show (with some exaggerations, for laughs) and what it will mean to cast members, both newcomer & veteran, while also taking time out to not only go into the main character's disturbing inner psyche but also to attack pop-culture sensibilities that continue to ask for everything similar to the modern blockbusters we get every summer (specifically "Transformers"). The result is a black comedy that's both disturbing to watch and yet fun to watch.
Michael Keaton stars as aging actor Riggan Thomson, who was once famous for playing the star of a superhero franchise called "Birdman" which was a big success. But after refusing to star in a fourth Birdman film, nothing was ever the same, as his life and career went downhill. His attempt at a comeback is to adapt a Raymond Carver short story into a Broadway play. Now in previews for an opening, Thomson writes, directs, and yes, acts in the play. After one of his actors is injured in an accident (which, by the way, results in a hilarious discussion between Thomson and his lawyer/manager/friend Brandon, played effectively against type by Zach Galifianakis), Mike Shiner (Edward Norton) is quickly called in to replace him. Shiner is an undeniably talented actor who brings dedication to his work, but he's also known for upstaging his directors in a pompous, obnoxious manner.
Also included in the play's cast are Lesley (Naomi Watts), who is new to Broadway and sees this as her big stage debut, and Laura (Andrea Riseborough), Thomson's lover who may or may not be pregnant. Thomson's assistant is his daughter, Sam (Emma Stone), is recently out of rehab and tries to convince her father that the best way to make a comeback is by going viral. As Thomson tries to put everything together while his cast faces their own issues, his fear of failure and continuing a reputation as a "celebrity" rather than an "actor" starts to get to him.
"Birdman" is an effectively disturbing character study, showing us an actor who peaked too soon and is obsessed with reliving the fame while also trying something new with his career. He even hears the growling, grumbling voice of Birdman (sounding very similar to Michael Keaton's Batman voice) inside his head, telling him to, in a way, become Birdman again. This is a man who let his life choices haunt him later on because he can't adapt to modern culture and/or he wishes there were a simpler (or better) time when he could make a real impression. Now, he's so laughable or disrespected that a New York Times theater critic (Lindsay Duncan) pretty much tells Thomson right to his face that she's going to write a scathing review about the play before she even sees it. This guy lets it practically consume his life.
By the way, that scene where the critic harshly lets it all out to Thomson is a really weak point in the film. That's because any critic who would slam a work before opening night would lose their job almost immediately!
The cinematography for "Birdman" is unbelievably good. One of the most distinguished qualities of "Birdman" is that, with the exception of an epilogue, looks it was filmed in one long, continuous take. The camera hovers through corridors, goes up and down long flights of stars, even flies from place to place in the city, as Thomson fantasizes himself as Birdman. Emmanuel Lubezki, who shot most of Alfonso Cuaron's work (and also won a cinematography Oscar for "Gravity"), shot this film, and he does a tremendous job at making the audience feel like they're inhabiting the same world as the characters. I think only once did I notice the seams in editing, because I was constantly wondering how they managed to make it all seem like one long take. Not even in Alfred Hitchcock's "Rope" or the 2012 horror film "Silent House" did I question how this style was done. "Birdman" was also directed by Alejandro Gonzalez Inarritu, whose previous films include "21 Grams" and "Babel," and he's known for making films in an unconventional way. Well, how's that for unconventional? In a time with fast editing overpowers quality, it's nice to see something of this style. Even when Thomson fantasizes about being the center of a "modern blockbuster," with explosions, robots, and all sorts of loud mayhem in the city that mainstream audiences keep asking for (at least, according to the movie), it still manages to keep that style without visible cuts. That can't have been easy to pull off.
The acting? Excellent! This is Michael Keaton's big comeback role, if you ask me. He's perfectly cast and conveys a certain flair to his performance that can't be copied. He hasn't been this good in years. Edward Norton deserves Best Supporting Actor consideration for playing a role that pokes fun at Norton's own reputation while making the character his own. He's brilliant here; you just can't take your eyes off him (which is why it's a little disappointing that he disappears almost entirely from the film in the final act). Solid support includes Zach Galifianakis, Emma Stone, Naomi Watts, Andrea Riseborough, and also Amy Ryan as Thomson's ex-wife who still cares for him.
Overall, "Birdman" is a wonderfully-made, well-written, thought-provoking film with brilliant cinematography and acting. It's a riveting change of pace for those who are tired of the usual stuff people like Michael Bay spews out every year, or hell, every season. But more importantly, it's one of the best films of the year.
Paradigm (Short FIlm)
There are two expressions often carried around when someone compared to his/her parent(s), and each has an opposite meaning—"You are not your parents" and "You've become like your parents." When parents make mistakes, kids tend to make an inner sacred pact that they won't make similar mistakes. Some make it through, following that pact while escaping childhood trauma. Others aren't so lucky, even as they try; haunting ghosts from the past tend to get in the way of rational thought, and they find themselves doing almost exactly what they swore they wouldn't do. Writer-director Jess Carson's 26-minute short film "Paradigm" shows an example of the latter possibility. It begins with happy newlyweds and ends with their marriage fallen apart, as they make unforgivable choices that can be traced back to hurtful events from one's childhood. The husband, Derrick (Kyle Wigginton), came from a home of abuse, due to his alcoholic father, Maverick (Scott McEntire) who would abuse him and his mother, Anna (Casondra Witham). By the end of the film, Derrick will have inherited similar traits and behaviors, and his wife, Jocelyn (Mindy Van Kuren), will take it no more.
The film begins with a tender moment in which Derrick and Jocelyn refer to each other playfully as Mr. and Mrs. Peters before Derrick reveals his fear of becoming like his cruel father and hurting her. She assures him that it won't happen, but as time goes on, the Honeymoon stage ends and things start to get worse when they find they can't have children. This puts Derrick in a bitter mood. Five months pass, and we see them barely relating to each other, as Derrick starts a bad habit of drinking and they start having arguments. During one such argument, Derrick hits her…
The short mostly takes place inside Derrick and Jocelyn's house, showing us how their marriage transitions into a disaster. And the film doesn't shy away from some pretty tough material. By the end of the film, I was actually kind of depressed (and the Sheldon Kopp quote shown before the credits didn't help much either).
Flashbacks that show Derrick's father's behavior are effectively handled, as they intersect with situations in the present that mirror the present. There are times when Derrick practically repeats his father's harsh words word for word to Jocelyn. It's a clever move.
"Paradigm" is more of an actor's film, so a lot rides on the performances. Mindy Van Kuren does a great job playing a suffering woman who wonders when the line will be drawn in her | 4,840 |
Home Industry News Broadway blows the whistle on fakes
Broadway blows the whistle on fakes
Broadway Colours has provided a masterbatch additive to ACME Whistles to help detect counterfeit whistles.
ACME Whistles has been making whistles in Birmingham's Jewellery Quarter since 1860. Founded by Joseph Hudson, ACME arms the referees of FIFA, the NFL and Hockey Canada with sports whistles, and supplies police forces across the world.
ACME has made over a billion whistles in its 150-year history, and traditionally stamped them with its marque. Recently an increase in fake ACME whistles from East Asia has made a more innovative anti-counterfeiting method necessary.
Broadway Colours, based in Suffolk, joined ACME to foil the fakers with 'Supra-Sure', an additive for its Process+ Technology.
The additive uses a unique combination of specialist pigments which imperceptibly alters the light refraction of the moulding's surface. The additive can then be detected using two methods, firstly with a laser pen of specific wavelength<|fim_middle|> dot of light when the additive is present. If the product does not contain the additive the dot will not appear.
The second method uses an acoustic detector to emit a sound and show a green light, when Supra-Sure is present. It stays silent and shows a blue light if there is no additive present.
Ben McFarlane, Sales Manager for ACME Whistles, said: "It is important to us that we can ensure our products are safe for public use and are the genuine article. With such a large product range, across varying colours, rolling out an anti-counterfeit protection system was imperative. Broadway Colours stepped up to help us achieve this."
Additives Anti-counterfeit Featured Broadway Colours Masterbatch | , which shows a | 4 |
Reporting is a key component of any remote patient management (RPM) program, crucial in gauging the success of your efforts, as well as helping to re-align the program to achieve even betters results in the future.
In other words, RPM reports not only provide essential insights into the general health of your patient population, but they also offer a valuable look into the operational efficiencies,<|fim_middle|> what types of RPM reports should you be creating and analyzing?
After all, determining what type of RPM reports you'll need to run specifically depends "on what your goals for the program are," as Care Innovations® Chief Financial Officer Bryan Pruden explains in a video from the RPM Academy.
"Typically, you'll have some operational metrics that you'll want to track, like how fast is the solution in getting into the hands of my patient, and how quickly can that patient start using my system productively," Bryan explains.
If you're trying to determine at what level patients or members are engaging with the program — and/or whether they're using the equipment as routinely as desired — "then you would want to look at a data transmission type of report," she says.
Our experts also note that these RPM reporting customization options should include the capability to utilize macro-level RPM reporting to better understand your program's rates of success and level of reach. Just as with all other aspects of RPM reporting, these macro-trend reports should be customizable to measure the specific goals of your RPM program, and adaptable enough to scale up or down as needed.
It's clear, then, that when choosing a telehealth services partner, it's essential to find one with the capability to not only work with you to determine your ideal RPM reporting strategy, but also to see that they're executed properly (whether with you, or on your behalf). These functions should not just be possible, but built into the process of RPM program design and delivery.
If you're interested in learning more about what makes RPM reporting so critical to the success of telehealth and remote patient management services, we encourage you to contact us to schedule a complimentary consultation. | logistics, and overall success of your program.
How, then, can you create a truly effective RPM reporting strategy? What's the best approach to RPM reporting to ensure program success, and | 37 |
Terence Ranger (South Norwood, 29 november 1929 - Oxford, 3 januari 2015) was een Britse geograaf, historicus en antropoloog die bekend werd door zijn werk op het gebied van de geschiedenis van de kolonisatie in Afrika en de geschiedenis van de mensenrechten in Zimbabwe. Als geograaf heeft Ranger onderzoek gedaan naar de manier waarop<|fim_middle|> beïnvloedt. Zijn onderzoek naar de geschiedenis van de kolonisatie in Zimbabwe en de ontwikkeling van de cultuur in deze regio heeft bijgedragen aan een beter begrip van hoe de geografie en de politiek van een land samenhangen.
Brits geograaf
Brits historicus
Brits antropoloog | de geografie van een gebied de ontwikkeling van de cultuur en de politiek van een land beïnvloedt.
Biografie
Ranger begon zijn academische carrière als geograaf aan de Universiteit van Oxford. Hij promoveerde op een studie naar Ierland in de 17e eeuw. In 1957 vestigde hij zich in het toenmalige Rhodesië, nu Zimbabwe. Hierdoor ontwikkelde hij zich als een expert in de geschiedenis van de kolonisatie en de ontwikkeling van de cultuur in deze regio. Hij ontwikkelde ideeën die de regering niet welgevallig waren. In 1963 werd hij door de autoriteiten het land uitgezet in verband met zijn betrokkenheid bij de nationalistische beweging en zijn verzet tegen het systeem van rassenscheiding.
In de jaren 1960 en 1970 publiceerde hij verschillende boeken en artikelen over deze onderwerpen, waaronder "Revolt in Southern Rhodesia 1896-1897" (1967) en "Peasant Consciousness and Guerrilla War in Zimbabwe: A Comparative Study" (1985).
Mensenrechten in Zimbabwe
Ranger heeft ook onderzoek gedaan naar de geschiedenis van de mensenrechten in Zimbabwe, met name de onderdrukking van de zwarte bevolking door de blanke minderheid onder de koloniale regering en later onder de regering van Ian Smith. In zijn boek "The African Voice in Southern Rhodesia 1898-1930" (1970) beschrijft hij hoe de zwarte bevolking zich verzette tegen de onderdrukking en voor hun rechten opkwam.
Ranger's werk is van groot belang voor de geografie, omdat het inzicht geeft in hoe de geografie van een gebied de ontwikkeling van de cultuur en de politiek van een land | 460 |
Couriers returning to work in virus-hit Shijiazhuang
About 25,000 couriers are returning to work to supply daily necessities to stay-at-home residents in the northern city of Shijiazhuang, where more than 200 confirmed COVID-19 cases have emerged since the start of this year.
All residents in Shijiazhuang, capital of Hebei Province, have been told to stay at home to minimize infection risks, while local authorities said efforts had been beefed up to ensure the supply of daily necessities.
Liu Yuan, an official with the postal administration of Shijiazhuang, said the city's courier service basically resumed on Sunday with tightened anti-virus measures, including staff temperature checks and thorough disinfection of postal vehicles and mail.
According to a government notice issued on Saturday, Shijiazhuang has launched a second round of nucleic acid tests among couriers, and those with a negative result and green health code could start working as early as Sunday morning.
At a courier station, Yang Donghai put on a medical mask, single-use rubber gloves and goggles before loading parcels onto his three-wheeler.
"I actually feel proud to be on the front line, to deliver the daily supplies of residents. My family members are a bit worried but they still support my work," said the <|fim_middle|> receiving their parcels, which is more important than anything else."
Authorities also said they have arranged 59 supermarkets and over 300 convenience stores in the city proper to directly supply the over 2,000 residential complexes. A total of 70 supermarkets have answered the government's call by promising not to raise vegetable prices.
On Sunday, Shijiazhuang reported 77 locally transmitted confirmed COVID-19 cases and 49 asymptomatic cases, accounting for the bulk of the province's daily tally.
专家们正在努力恢复中国的圆明园 | 33-year-old courier.
Yang described his current work as heavy and pressing, but he remains motivated as "all clients say thank you to me after | 30 |
Assisted Living facilities, including our own, have a constant desire to allow residents to maintain their dignity. Everyone knows that when a loved one gets to a point where more care is needed, the ability to make daily decisions may be compromised. This unfortunately is worse with those who suffer with any form of Dementia. Think about your daily decisions that you have to make upon waking up in the morning. "What time do I wake up?", "What outfit do I want to wear?", "What am I going to have for breakfast?", etc. Most of us have some sort of routine where the answers to these questions require no thought. What would it feel like to suddenly have those options taken away from you?
The goal is to allow seniors, whether they have dementia or not, continue to keep their dignity to make every day decisions for themselves (within their safety limits). Here are some helpful tips for those who are caring for a loved one struggling with this<|fim_middle|> of embarrassment. For example, do not ask, "What did you have for breakfast?". Instead ask, "Did you have eggs, bacon, and toast for breakfast?" This tip protects both parties from being hurt if the answer is not correct or can not be reached.
Provide privacy. Caregivers and loved ones often forget how important privacy is to an individual. Privacy measures that a person takes with daily activities should not change when regarding those with dementia or other ailments. If you are assisting a person with changing clothes, taking a bath/shower, or simply going to the restroom, always provide privacy by closing doors. An important tip with closing doors is to always ask or tell the individual that you are going to close the door for privacy. Verbalizing every step you take gives a sense of safety and privacy.
Anderson Oaks Assisted Living hopes that these simple tips will help your loved one feel more dignified, even through the difficult aging process. Help us share this information so that aging seniors all around can continue to live a joyful and full life. | .
Provide options, not demands. Your loved one may not be able to come up with an answer on their own, but this does not mean that they do not have the capability to make a decision. If you are asking about which outfit they would like to wear for the day, provide them with 2-3 options to choose from. Same idea for meals, provide 2-3 options for them to make a decision on what THEY want to eat. These easy options allow for dignity to be maintained, and allow for a stress-free decision to be made.
Provide possible answers. Do not overload the individual with questions. Avoid asking questions such as, "Do you know who I am?" or "Do you remember me?". These questions often create stress or emotional pain. Questions like these could remind the individual that their memory is impaired and it will make them feel as if they are in a spot-light to recall information. Instead of asking these questions, simply introduce yourself when approaching a loved one or who you are caring for (even if you are a wife, husband, daughter, or son). Also, avoid asking open-ended questions. "Yes" or "No" questions allow for the individual to answer without the possibility | 247 |
MICKEY ROURKE, What Kind of Woman Does He Try to Avoid Dating???
Mickey Rourke, a Virgo, recently revealed<|fim_middle|> and buy a pack of smokes and people say, "Hey, didn't you used to be that actor?" So it was a very shameful place, and the dogs (he has owned eight chihuahuas) were my friends.
"A lot of people you meet out there turn their backs on you once you're down, but the dogs don't. The one dog I loved, Loki, died last year, and she is deeply missed but with me in spirit," he added.
We love ya Mickey. You may be avoiding the actresses but we KNOW you still love those Victoria Secret Models.
← REAL BOYS CLUB OF ATLANTA, New Reality Show, Which Stars Are on the Down Low??? | that he has sworn off dating actresses. He told the Daily Telegraph, "I don't want to live with an actress again, no matter how they look," quoted him as telling the Mail on Sunday newspaper. "I'm working opposite Megan Fox and Eva Green next, and I'm certainly not complaining. But I'll tell you, once bitten …" he added.
The Wrestler star, who has four pet Chihuahuas, credits his dogs to help him get through the dark times. "My dogs really helped me get through the dark times. I lost everything at the same time – my wife, my career, my house, my credibility – and all I had left was the dogs plus just two or three people who stuck with me," he said.
"I was living under the mat – being known and then being known for being out of work, for having fallen from grace. You go | 181 |
Home Law<|fim_middle|>10% compensation; 10% quality of work; 5% business outlook; 5% career outlook; 5% associate/partner relations; 5% transparency; 5% formal and informal training; 5% pro bono; 5% overall diversity
Like our Vault Law 100 rankings, our quality of life rankings are meant to reflect the subjective opinions of associates. These rankings are based on perceptions of insiders—some of whom may be biased in favor of (or against) their firms.
Vault's 2023 Rankings are derived from Vault's Annual Associate Survey conducted from January 2022 through March 2022.
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Each year Vault invites eligible law firms to participate in our annual Law Survey. Please contact us if you're interested in having your firm considered for inclusion.
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2023 Best Law Firms to Work For
A Chicago institution since the 1930s, McDermott Will & Emery has, in recent decades, broadened its gaze to new markets in the United States and abroad. The strategy has paid off in spades, with McDermott firmly ensconced among the world's...
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O'Melveny & Myers LLP
Long rooted in California—where it maintains a quintet of offices—O'Melveny & Myers has branched out in all directions with offices in seven countries on three continents. The firm is known for its work in antitrust, appellate litigation,...
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Clifford Chance US LLP
With 2,500 lawyers across more than 30 offices around the globe, Clifford Chance is a legal behemoth. The firm boasts a growing practice in the U.S. and a global reputation that shines. Brits and Yanks The modern Clifford Chance was...
Ropes & Gray
With 11 offices across the U.S., Europe, and Asia, Ropes & Gray is an international firm that prides itself in handling cutting-edge work. A regular atop legal industry rankings, the firm is adept at assisting clients in complex, highly...
Eversheds Sutherland is one of the largest firms in the world, with more than 3,000 attorneys practicing in offices in Africa, Asia, Europe, the Middle East and the United States. In addition, a network of more than 200 related law firms,...
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Over the last few decades, Paul Hastings has grown from a mid-market U.S. firm to an international outfit with strengths in employment, tax, and business law and big-name clients in more than 80 countries. With offices in Beijing, Hong Kong,...
To: lawsurveys@vault.com
Subject: We want to participate in Vault's Law Survey | Rankings
Best Law Firms to Work For
Associates assess their own firms on a range of workplace issues related to career development, job satisfaction, and quality of life. Vault's 2023 Rankings are derived from Vault's Annual Associate Survey conducted from January 2022 through March 2022.
Which law firms are the best to work for? For some, this is a far more important consideration than prestige. To determine our Best Law Firms to Work For, we used a formula that weighed the most relevant categories for an overall quality of life ranking. Each firm's overall score was calculated using the following formula:
25% satisfaction; 10% firm culture; 10% hours; | 150 |
1c) an office practitioner is determined to give out vest adequate letter of precautions to the clerical staffs and other development fax.
2i)A delivery note is a document sent with a shipment of goods that describes the goods and the quantities being<|fim_middle|>)Communication also helps in socializing. In todays life the only presence of another individual fosters communication. It is also said that one cannot survive without communication.
An adjournment is the suspension or discontinuance of the proceedings at a meeting in order to allow those proceedings to be reconvened at another time and place while postponement refers to the suspension of the holding of the meeting itself and is to be contrasted with the suspension of proceedings that have already commenced, that is, an adjournment.
Office layout is arrangement of equipment within available floor space.
(i)It is easier for employees to interact with each other on a regular basis.
(ii)The increased collaboration resulting from an open-plan work space can lead to business innovation and advancement.
(iii)The open-plan layout can benefit the business economically by reducing costs tied to construction, utilities and office equipment. | delivered. A delivery note is crucial in the shipment of goods. It will list the products that are contained within the package. Delivery notes generally don't include the prices of the goods being shipped.
2ii)A receipt, is a document acknowledging that a person has received money or property in payment following a sale or other transfer of goods or provision of a service. All receipts must have the date of purchase on them.
2iii) A BIN Card is a table that records the status of a good held in stock. A typical retailing business with a large stock warehouse will use a BIN card to record a running balance of stock on hand, in addition to information about stock received and notes about problems associated with that stock item.
2iv)A quotation is the repetition of one expression as part of another one, particularly when the quoted expression is well-known or explicitly attributed by citation to its original source, and it is indicated by (punctuated with) quotation marks.
Information is the resolution of uncertainty; it is that which answers the question of "what an entity is" and is thus that which specifies the nature of that entity, as well as the essentiality of its properties.
(i)Communication promotes motivation by informing and clarifying the employees about the task to be done, the manner they are performing the task, and how to improve their performance if it is not up to the mark.
(ii)Communication is a source of information to the organizational members for decision-making process as it helps identifying and assessing alternative course of actions.
(iii)Communication also plays a crucial role in altering individual's attitudes, i.e., a well informed individual will have better attitude than a less-informed individual. Organizational magazines, journals, meetings and various other forms of oral and written communication help in moulding employee's attitudes.
(iv | 365 |
Senhance Robotically-Assisted Surgical System Earns FDA Clearance
October 17, 2017 By Daniel Seeger
Intuitive Surgical became one of the behemoths of the healthcare industry due to their absolute dominance of one emerging fixture of the OR: robotically-assisted surgical devices. While the company's da Vinci Surgical System remains the standard, there are a group of upstart manufacturers ready to offer a challenge, and one of them recently cleared an important regulatory hurdle.
Late last week, the FDA announced the Senhance System, manufactured by TransEnterix Surgical, received clearance for use on adult patients.
The manufacturer celebrated the milestone, noting the Senhance becomes the first new abdominal surgical robotics device to enter the U.S. market in 17 years.
"Millions of surgical procedures in the U.S. are performed each year laparoscopically with basic manual tools that limit surgeons' capability, comfort, and control," TransEnterix president and CEO Todd M. Pope said in a press statement accompanying the announcement. "New choices are needed that enhance the senses, control, and comfort of the surgeon, minimize the invasiveness of surgery for the patient, and maximize value for the hospital. Senhance is this new choice."
The general benefits of robotically-assisted surgical devices are familiar to most surgeons by now, leading TransEnterix to emphasize more unique features such as their eye-sensing camera control, which they say is emblematic of the heightened connection between humans and technology that the Senhance provides.
(Image credit: TransEnterix)
Last year, TransEnterix changed the name of the device from the less-descriptive ALF-X to Senhance, specifically to emphasize the system as a tool developed to draw on the talents of a surgeon.
"Senhance is designed to enhance laparoscopic surgery and specifically empowers the senses of the surgeon in ways that were never previously possible," Pope said at the time. "The security of haptics and the convenience of eye sensing camera control are meaningful ways that technology can provide a further extension of the surgeon's skill."
The FDA clearance is especially triumphant for TransEnterix as it represent the end of an extended turnaround. The company was previously rebuffed by the<|fim_middle|> approval. That setback resulted in a class action lawsuit filed by investors who claimed they were misled about the progress of the device. That legal action was dismissed mere days before the FDA gave the green light to U.S. sale of the Senhance.
Even with the cascade of good news, TransEnterix has its work cut out for it to make headway in a highly specialized market where healthcare professionals might be loathe to stray from a rival that is far more well established. Although the Senhance has been approved for sale and use in other parts of the world for some time, The Motley Fool reports that TransEnterix sold only two systems in the first half of 2017. | FDA after submitting the SurgiBot System for U.S. regulatory | 13 |
The elegant Il Palazzo restaurant is located in the most stunning building of the Resort, where style and beauty are the setting for the most sophisticated dining venue. Our original gourmet dishes have been created from a painstaking and expert interpretation of the tradition of creative cooking and local cuisine. For more discerning palates, dishes are paired with meticulous attention to detail, making the most of all their<|fim_middle|> setting of the Villa, combine with a cuisine that exalts noble tastes and a strong local tradition which is also focussed on a new contemporary approach. The five elegant, discreet dining rooms can accommodate up to 50 people, while a separate dining room for 24 may be booked for special occasions.
Our exclusive wine cellar offers a selection of local wines alongside prestigious national and international labels - perfect for accompanying a unique gourmet dining experience. | flavour and nutritional aspects.
The sophisticated, stylish interiors, perfectly accompanying the historical | 15 |
Ed<|fim_middle|> an invitation to slow down and simply listen to the pace of nature around them," explains Mills.
The total commission for the artwork is $126,400. More images of the artwork are available in the Terwillegar Park public art photo gallery.
Learn more about the art piece Resonant Progressions.
Edmonton artist Royden Mills is a sculptor, visual artist, and educator. He continues to work and teach in Edmonton – most notably as a lecturer at the University of Alberta. His work can be seen locally and internationally.
Learn more about Royden Mills.
Public Art is an important part of a city — it contributes to the attractiveness and identity of a city and demonstrates the character of communities.
As part of the Percent for Art Program, public art will be included as part of the River Valley Alliance project. | monton artist Royden Mills was commissioned to create a public artwork for the Terwillegar Park Footbridge site. The artwork, Resonant Progression, consists of three sculptures placed in conceptually linked sites in Terwillegar Park. Entitled Potential, Resonant Point, and Beyond Listening, the sculptures are interactive public artworks that amplify the natural sounds in the park.
The three pieces were installed in the field closest to the main entrance of the park in summer 2017.
The artworks were created using specially selected boulders to highlight the viewer's connection to the park's natural state.
"The sculptural components are intended to link the viewer now with a sense of the pioneers that settled Edmonton; the sounds of nature around them, and | 153 |
Adbert Alzolay
Chicago Cubs • #73 • SP
vs Los Angeles Dodgers
Sloan Park
NL Central Standings
Innings Pitched
Regular Season 125.2 5 13 4.58 128 34
Top Adbert Alzolay News
Cubs' Adbert Alzolay: Continues scoreless streak
Rotowire Oct 2, 2021
Alzolay pitched two scoreless innings in Friday's loss to the Cardinals. He allowed a hit and a walk while striking out two.
Alzolay now has a modest streak of three straight scoreless appearances out of the bullpen, a span that covers 6.2 innings. The righty has lowered his ERA to 4.58 in the process and has looked like someone who could be a valuable option in long relief. However, there's still a decent chance Alzolay works back into the rotation next season, as the Cubs have some question marks behind staff ace Kyle Hendricks.
Cubs' Adbert Alzolay: Looks sharp Sunday
Alzolay pitched 3.2 scoreless innings of relief in Sunday's loss to the Cardinals. He allowed two hits and a walk while striking out three.
Keegan Thompson got the start but was limited to just three innings of work in his second game back from the injured list. That opened the middle innings up for Alzolay, and the righty looked good against a red-hot St. Louis lineup, notching his second straight scoreless appearance. Alzolay should continue to work in relief for the Cubs to close out the season, though he's an option for the rotation next year depending on what moves the organization makes in the offseason.
Cubs' Adbert Alzolay: Picks up win
Alzolay (5-13) allowed just one hit and struck out two over 1.2 scoreless innings as he earned the win over the Pirates on Sunday.
Alzolay entered in the sixth with two men on and one out. He started out a little rocky after allowing both runners to be in scoring position on a passed ball before allowing Brian Reynolds to score on an infield single to give the Pirates an 8-7 advantage. The 26-year-old would settle in thereafter to retire the next five guys he faced. The Cubs would take the lead for good in the bottom of the seventh off a Frank Schwindel grand slam to give Alozolay his first win since June 2. Alzolay has now picked up a save and a win over 5.2 innings in two appearances out of the bullpen since being reinstated from the injured list Sept. 1. He now sits at a 4.90 ERA, 1.16 WHIP and 114:32 K:BB over 112 innings.
Cubs' Adbert Alzolay: Earns first MLB save
Alzolay pitched four scoreless innings of relief and earned the save in Wednesday's win over the Twins. He allowed one hit and struck out five.
Alzolay followed Justin Steele, who pitched five innings, and the two combined to limit the Twins to just two hits and no runs. This was the first career MLB save for Alzolay, and the 26-year-old could potentially see more save opportunities, as he's slated to pitch out of the bullpen the rest of the season to manage his workload. However, he's more likely to simply soak up innings in a middle-relief role, so his fantasy value may be sporadic.
Cubs' Adbert Alzolay: Reinstated by Cubs
Alzolay (hamstring) was reinstated from the 10-day injured list Wednesday, Russell Dorsey of the Chicago Sun-Times reports.
Alzolay has pitched exclusively as a starter to begin the year, but he'll move to a bullpen role in an attempt to manage his workload during the final month of the season. The 26-year-old missed just over two weeks due to a left hamstring strain but made a relief appearance at Triple-A Iowa on Aug. 25 and allowed four runs on three hits and a walk while striking out three in two innings.
Cubs' Adbert Alzolay: Preparing for bullpen role
Cubs manager David Ross said Tuesday that Alzolay (hamstring) will serve as a reliever once he's reinstated from the 10-day injured list, Taylor McGregor of Marquee Sports Network reports. "Try to control his innings out of the pen, unless something changes in our rotation," Ross said of his plans for Alzolay for the rest of the season.
Before a left hamstring strain sent him to the IL on Aug. 14, Alzolay had already tallied 106.1 innings on the season, an increase of 85 innings from his 2020 total. With little at stake for the non-contending Cubs over the final month of the season, limiting the 26-year-old's workload makes sense. Even though he faded in his six starts out of the All-Star break with a 6.52 ERA and 1.52 WHIP, Alzolay's solid first-half numbers (4.66 ERA, 1.09 WHIP, 9.4 K/9) are probably enough to keep his spot in the rotation fairly secure heading into 2022.
Rays are an easy pick over the Red Sox, other best bets
CBS Sports Tom Fornelli Aug 30, 2021
Cubs' Adbert Alzolay: Throwing bullpen Saturday
Alzolay (hamstring) will throw a bullpen session Friday, Jordan Bastian of MLB.com reports.
Alzolay made his first rehab appearance at Triple-A Iowa on Wednesday and allowed four runs on three hits and a walk while striking out three in two innings. The Cubs are expected to determine the next steps in the right-hander's recovery based on how he performs during Friday's throwing session.
Cubs' Adbert Alzolay: Making rehab start Wednesday
Alzolay (hamstring) is scheduled to make a rehab start with Triple-A Iowa on Wednesday, Meghan Montemurro of the Chicago Tribune reports.
Alzolay is set to throw about three innings in his first rehab outing, and he'll be evaluated afterward to make sure there's no soreness in his hamstring. The right-hander has been on the shelf since Aug. 14 with a hamstring strain, and he'll likely need at least one more rehab start after Wednesday's before rejoining the big-league rotation.
Cubs' Adbert Alzolay: Next steps unclear
Alzolay (hamstring) could make a rehab appearance for Triple-A Iowa this week, though the Cubs have yet to fully decide on their plans for him, Jordan Bastian of MLB.com reports.
Alzolay is eligible to return from the 10-day injured list, but it looks as though he's not quite ready to do so. He resumed playing catch two days after landing on the injured list and advanced to agility work the following day and a bullpen session the day after that, so it doesn't seem as though his hamstring strain is a serious one, but the rebuilding Cubs have little reason not to be cautious given their place in the standings.
Cubs' Adbert Alzolay: Throws another bullpen
Alzolay (hamstring) threw another successful bullpen session Friday, Jordan Bastian of MLB.com reports.
Alzolay has been out for a week while dealing with a strained left hamstring, but the issue appears to be a minor one. He played catch just two days after landing on the injured list and quickly advanced to agility work. He's now thrown multiple bullpen sessions. A return Monday against the Rockies after a minimum-length absence appears to be in play.
Cubs' Adbert Alzolay: Goes through agility work
Alzolay (hamstring) did some light jogging and agility work Tuesday, Jordan Bastian of MLB.com reports.
Alzolay hit the injured list with a strained left hamstring Saturday, but he's already making encouraging progress. He played catch Monday before testing his hamstring more directly Tuesday. Whether or not he'll return after the minimum 10 days remains to be seen.
Cubs' Adbert Alzolay: Tosses light bullpen
Alzolay (hamstring) threw a light bullpen session Wednesday, Meghan Montemurro of the Chicago Tribune reports.
Alzolay has continued to participate in light activities since he landed on the 10-day injured list with a left hamstring strain Saturday, and he was able to slightly increase his throwing intensity by playing long toss and doing some mound work Wednesday. Right-hander Adrian Sampson will take his place in the rotation Wednesday against the Reds, but manager David Ross is hopeful that Alzolay will be able to return after a minimum stay on the injured list.
Cubs' Adbert Alzolay: Plays catch
Alzolay (hamstring) played catch Monday, Meghan Montemurro of the Chicago Tribune reports.
Alzolay exited his previous start Friday against the Marlins with a left hamstring strain. His expected return date remains unclear, but the fact that he's throwing again in some capacity just three days later certainly appears to be a good sign.
Cubs' Adbert Alzolay: Exits with trainer
Alzolay was removed from Friday's start against the Marlins in the second inning with an apparent injury, Russell Dorsey of the Chicago Sun-Times reports.
Alzolay allowed a run in the first inning Friday then gave up a grand slam in the second before he was visited by a trainer and immediately removed from the game. In total, the right-hander gave up six runs on five hits and a walk while striking out one in 1.1 innings. The nature and severity of the injury aren't yet clear.
Cubs' Adbert Alzolay: Dealing with hamstring injury
Alzolay was diagnosed with left hamstring tightness after he was removed from Friday's start against the Marlins, Russell Dorsey of the Chicago Sun-Times reports.
Alzolay exited Friday's contest with a trainer in the bottom of the second inning, but it's not yet clear whether the hamstring issue will force him to miss additional time. If the right-hander is able to make his next turn through the rotation, he tentatively lines up to start on the road against Cincinnati on Wednesday.
Cubs' Adbert Alzolay: Lands on IL
The Cubs placed Alzolay on the 10-day injured list Saturday with a left hamstring strain, Andy Martinez of Marquee Sports Network reports.
The strain is considered minor, but it shortened his poor outing Friday, when he allowed six runs on five hits and a walk in 1.1 innings. It's unclear how many starts Alzolay will miss while his hamstring recovers. Trevor Megill was recalled from Triple-A Iowa in a corresponding move Saturday.
Cubs' Adbert Alzolay: Unlucky loss against White Sox
Alzolay (4-12) was tagged with the loss Saturday against the White Sox after allowing two runs on six hits while fanning seven across 6.2 innings.
Alzolay suffered his 12th loss<|fim_middle|> WHIP and has allowed either three or four earned runs eight times. The 26-year-old isn't getting shelled but hasn't dominated hitters in a while, either. Alzolay will carry a 4.85 ERA into his next scheduled start Saturday against the crosstown White Sox.
Cubs' Adbert Alzolay: Handed 11th loss
Alzolay (4-11) allowed four runs across five innings to take the loss Tuesday against the Reds. He gave up seven hits and no walks while striking out four.
For the second straight start, Alzolay was done in by home runs. He allowed three runs on two long balls his last time out and followed that up by allowing three solo bombs Tuesday. Alzolay has now given up 23 home runs in 93.1 innings this season after allowing just a single homer in 2020, albeit in only 21.1 innings. The 26-year-old has pitched decently for the Cubs at times, but he's going to struggle to find consistent success if he can't keep the ball in the yard. Alzolay will look to get back on track in his next scheduled start Sunday against the Nationals.
Birthplace: San Felix, Venezuela | of the season, but he notched a quality start in the process and also ended a run of three straight outings allowing at least three earned runs. The 26-year-old right-hander has a 4.71 ERA and a 1.16 WHIP and is tentatively scheduled to make his next start Thursday at home against the Brewers.
Cubs' Adbert Alzolay: Gets no-decision Sunday
Alzolay allowed four runs across five innings and did not factor into the decision Sunday against the Nationals. He gave up seven hits and four walks while striking out four.
Alzolay managed to avoid his 12th loss of the season but continued a run of mediocre starts, as he hasn't earned a win since June 2. Over his last nine outings, he has a 1.51 | 175 |
Hiffman Earns 2021 Top Workplaces Designation
On Thursday, November 4th, The Chicago Tribune hosted a virtual awards ceremony wherein recipients of their <|fim_middle|> company culture and speaks volumes to our current and future clients and potential employees. It allows us to stand out amongst the crowd for all the right reasons."
Petersen said the employee participation and feedback are vital to the continued evolution of the company.
"These incredible insights help keep us on track with our core values of Accountability, Collaboration, Innovation and Integrity," he said. "We've worked hard to create a culture where employees feel engaged, appreciated and fulfilled, which is not an easy thing to do. But together, we've done it!"
Hiffman will celebrate the honor with events throughout the week of 11/8. | 2021 Top Workplace awards were announced. Hiffman ranked 18th among similar-sized companies with fewer than 249 employees in Chicago, moving up the list from 2020's #22 ranking. View the list.
This marks Hiffman's eighth time earning the designation since the company's first win in 2013. Combined with the 2018 Crain's Best Places to Work win (and various other awards over the years), Hiffman has compiled a nice trophy shelf; however, the hardware is far less significant than the achievements they represent. The award was due in a large part to the level of participation and feedback contributed by 199 Hiffman employees who responded to the Top Workplaces survey.
CEO Dave Petersen said, "This achievement wouldn't have been possible without our valued and trusted employees," said CEO Dave Petersen. "Winning this award is a valuable testament to our | 198 |
This included bands such as Equinox, Pegasus and the unlikely sounding Hitlerz Underpantz – all of which were merely precursors to the formation of THE ID in which many of the classic OMD songs were first given a public airing. In 2002, some of these early versions of songs such as 'Electricity' and 'Julia's Song' were introduced via a remastered CD release.
The history of the band explains a lot about Andy and Paul's musical roots and also outlines the direction that they were about to embark on prior to OMD.
OMD's roots were grounded in the grassroots music scene of 70s Liverpool with both Paul Humphreys and Andy McCluskey developing their particular<|fim_middle|> track by The Teardrop Explodes was also supposed to have been featured, but a studio engineer managed to tape over it by mistake!
The album also featured contributions from Tontrix (featuring Hari Haralambous – later owner of The Pink Museum) and Modern Eon – who also signed to DinDisc.
But by the time the album was released in 1979, the Liverpool music scene had already changed: The Id had become OMD and Echo And The Bunnymen had signed to Zoo Records.
The album remains a rare and popular item for OMD collectors with copies currently fetching up to £30.
This is a revised and updated version of an article that originally appeared in issue 2 of Messages. | musical style through a series of local bands. Equinox and Pegasus were Wirral-based outfits that provided a perfect area for various musicians to grow and develop and it was through bands like these, as well as the bizarrely named Hitlerz Underpantz, that the formation of The Id came about.
At the time, Andy was doing a 1 year foundation course at Wallasey Art College where he met Julia Kneale. Julia had developed an interest in writing and had already published her own book of poetry entitled The Shellfish That Weren't.
Meanwhile, Paul Humphreys was attending Riversdale College alongside Gary Hodgson and Steve Hollas. All were studying electronics and communications, but they also had their eye on musical projects. In fact, Paul had a strong interest in using his knowledge to create sounds and would often experiment with playing with old radios to generate noises. It was these ideas that he took a stage further with Andy as part of their VCLXI partnership.
"We used to get together at weekends with an assortment of other friends and play all kinds of things, mainly stuff that was written by local musicians and friends" recalls bass player Steve Hollas. "Paul mentioned that he was doing some music with Andy, and that maybe we should pool our talents', so I guess that's how The Id got started".
Andy also brought in an additional member in the form of old school friend John Floyd. The idea of having two drummers was also suggested in the shape of Mal Holmes and Simon Bateman, but Simon didn't fancy the idea. At the time, Mally had bailed out of college and was working as a chef. He'd already worked with Liverpool synth pioneers Dalek I Love You and also had some studio experience with local outfit Margox (featuring a young Margi Clark).
The core line-up of The Id emerged with John Floyd (vocals), Andy McCluskey (vocals), Julia Kneale (vocals), Mal Holmes (drums), Gary Hodgson (guitar), Neil Shenton (guitar), Paul Humphreys (keyboards) and Steve Hollas (bass). This loose line-up would often find themselves rehearsing above a fish shop ("nice smell" remembers Gary Hodgson!) or if they were lucky and had enough money, rehearsing at Greasby Library.
"The Id were very popular and the gigs were always full" recalls Gary; "We played Eric's nightclub in Liverpool in the new wave era when all the top punk and new wave bands played – that was a vibe". In fact, it was Eric's owner Roger Eagle who suggested that the band get some of their material recorded.
It was during this period that several songs that would later become OMD classics emerged including Red Frame/White Light , Radio Waves , The Misunderstanding , Electricity and Julia's Song . The Id also helped to hone Andy and Paul's songwriting skills and the influence of artists such as Kraftwerk and Brian Eno were very evident, even though they were quickly developing their own sound.
As The Id developed, its line-up also went through a period of change: Neil Shenton had left and joined a new Liverpool band The Man From UNCLE (an outfit that Mally also drummed for whilst still in The Id). Julia Kneale and John Floyd were also out.
The new Mk II version of The Id now featured Andy, Paul, Mally, Gary and Steve. Taking Roger Eagle's idea of recording some demos seriously, the band clubbed together the necessary £25 and in 1978 they booked in a session at Liverpool's Open Eye Gallery. Three songs were recorded: The Misunderstanding , Electricity and Julia's Song . The songs showed a raw and energetic quality to The Id and although Electricity and Julia's Song wouldn't change that dramatically over the next few years, The Misunderstanding featured a very different sound to the gothic pop of the OMD version.
"Andy had a really clear vision what he wanted to do with the tracks" remembers Mally, "I wasn't expecting anyone to do anything with the tracks, especially putting them on the Street To Street album".
Street To Street was a compilation album put out by the Open Eye Gallery which featured Julia's Song . Street To Street attempted to capture the raw talent of Liverpool's emerging bands at the time. The album included contributions by a range of Liverpool bands including Echo And The Bunnymen, Modern Eon and Big In Japan.
Meanwhile, The Id were starting to fall apart as arguments ranging from the songwriting to the 50p rent for the library took their toll. Andy decided to quit the band and pursued a new direction with Dalek I Love You. Although Andy's time with them was brief, their use of backing tapes and synthesisers had a definite influence on the future OMD.
Gary Hodgson went on to work at RAF Sealand (a Liverpool location that inspired the song on Architecture And Morality) for several years before he switched to assist OMD as part of their road crew, especially in the maintenance of the Fairlight CMI. These days he's built a reputation as a freelance programmer for the likes of Oasis, George Michael and Chris Rea amongst others.
Steve Hollas, meanwhile, decided to put his musical interests to one side: "My parents were keen that I should get a proper job' after I left college and, much to my disappointment, I got offered one". Steve started working for the Marconi Communication Systems Limited but has since worked for a range of companies over the years, mainly on a consultancy basis, as a technical author.
The further exploits of Mal Holmes, Paul Humphreys and Andy McCluskey are well known as OMD emerged from the remains of The Id. They took with them a number of raw songs that were reworked and honed until they became the OMD classics we know today. So despite the short-lived dreams of The Id, their legacy lives on.
Rather than leaving them to gather dust, Andy opted to gather together the songs recorded by The Id during the 1978 Open Eye sessions (Electricity , Julia's Song and The Misunderstanding ) and release them on CD for the first time.
This wasn't an entirely easy task as the quality of the original recordings was quite poor – especially on Electricity . This led to a disclaimer on the sleeve stating that Electricity had to be electronically enhanced but that there was still some "stereo phase incoherence".
Julia's Song featured a co-writing credit for Julia Kneale who had contributed the lyrics, hence the title.
The Misunderstanding is clearly influenced by early Brian Eno, especially by his album Taking Tiger Mountain (By Strategy) (a distinctive guitar sound also revisited on the 1983 single Genetic Engineering ).
This compilation album provided a window on the early Liverpool music scene of the late 70's. The album also includes an early version of Monkeys by Echo And The Bunnymen and also a track by Liverpool's brightest hope at the time, Big In Japan. A | 1,446 |
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Steiff continues to create Teddy bears and other animal friends at their factory in the small town of Giengen, Germany. After 125 years, Steiff continues to lead the world in the finest Teddy bear designs and manufacturing. Their commitment to quality and excellence has brought joy to generations around the world.
Since our doors first opened in 1975, The Toy Shoppe has been your premier Steiff store!
The very first box of merchandise that we opened for our shoppe in 1975 was filled with Steiff Teddy bears and it was exhilarating! We established The Toy Shoppe way back then to bring fine dolls and Teddy bears to our collectors. With their long tradition and commitment to excellence, Steiff bears are a natural fit for our shoppe.
In the early 1900s, Richard Steiff created the modern Teddy bear as we know and love him today. Steiff's continued innovation and commitment to quality has touched generations of children around the world.
Over the years, Steiff collectors in the USA and around the world have turned to The Toy Shoppe for their Steiff bears and animals. Our selection is unmatched. We have worked closely with Steiff both in North America and in Germany to design exclusive editions for our collectors that are compelling to Steiff collectors and Teddy bear lovers alike. We travelled to Giengen, Germany to search for inspiration deep within Steiff's archives, their treasure trove of past editions that reaches into their rich history. Maximilian began our Steiff Teddy bear family over a decade ago and since then we've created a wide array of Steiff editions exclusively for our collectors. From Traveller to Little Bear to GrandPapa to Chub-ling to Polar Cub to little Jocko, each one has brought a unique character of Steiff design often introducing innovative techniques or materials in their production. Collectors have adored our Toy Shoppe exclusives by Steiff!
We at The Toy Shoppe are honored to be the premier Steiff shoppe in North America. Our staff is very friendly and knowledgeable and eager to assist you. Just call us toll free 1 800 447-7995 and we will be glad to help you discover that perfect addition to your Teddy bear collection or that perfect Steiff gift for a child, a baby or even yourself! | around. The inside seating area can hold a number of small items making it functional as well as decorative. Need a smile? Just keep your wooden Bear Cart on your desk at work to make the day more fun!
Crafted to be enjoyed by children ages 12 months and older, our Steiff Bear Cart is a wonderful edition to share your love of Steiff with your children, grandchildren and friends. It also makes an amazing accessory for the Teddy bears and dolls in your collection. Your display will light up with this accessory!
We know how our collectors value their Steiff boxes so we spent extra effort to design the best box ever for our cart!
Your Steiff Bear Cart will arrive neatly packaged in a custom-designed, heavyweight box. Every inch has been designed with the Steiff collector in mind. Solid and durable, it makes a terrific place to store your Steiff tags, certificates, or maybe some personal treasures. Open it up and your box lid can serve as a bench for your bears or a stand to display your cart (as pictured above). Pull out the illustrated bottom of the box to make a cozy little spot for your smaller bears to snuggle and sit upon your shelf. We know you will appreciate the thoughtful touches of detail such as Richard Steiff's beautiful animal illustrations.
Please note: dolls, bears, friends and other accessories shown in photos are sold separately. Suitable for ages 12 months and older.
With this statement, company founder Margarete Steiff established Steiff's commitment to quality.
For over a century, this has remained the Steiff motto.
As the second oldest German toy company still in existence, Steiff has had a very influential role in how the world plays.
Margarete Steiff designed her first soft-filled fabric toy animal, an elephant made of felt, and began the family business. Margarete's nephew Richard Steiff studied art in Stuttgart and brought a heightened sense of realism to Steiff designs. In 1902, Steiff created the 55PB, a mohair plush bear that is the basis for the modern Teddy Bear we know today.
In 1902, Clifford Berryman, a well-know cartoonist for the Washington | 449 |
The 5 Best New Restaurants In Los Angeles That Opened In May
It's summer in Los Angeles all year round, but the season still brings its pleasures, as the days get longer and restaurants prepare for the busy season. These are our picks for the best new places to have a meal in Los Angeles, whether it's to celebrate a birthday, anniversary, or just a Tuesday when you don't feel like cooking.
Ceviche Mixto
Ann Fishbein
Adjacent to the newly opened Sunset Strip darling Bar Moruno, Causita serves Nikkei Peruvian dishes to match the Spanish tapas at its sister restaurant. So what is the Peruvian Nikkei index? A style of cuisine popularized by Japanese immigrants in Peru. The word "Nikkei" refers to the descendants of the Japanese who are scattered around the world, but has become synonymous with Japanese food in Peru. Renowned Peruvian chef Ricardo Zarate is responsible for bringing this world-class cuisine to the heart of Silver Lake, serving up ceviches and tiraditos (raw fish dishes) that are so innovative that they exceed expectations. Stick to small, medium, and large plates that cover everything from peas with labneh to grilled octopus and sea bass tamales. Definitely get a colorful libation from Ramsey Musk – aka dadsdrinks on Insta – who behind the bar might be rocking the kind of shiny studs that Robin Williams would fit in birdcage.
ufo tortellini
Yufu
Does it get more luxurious than pasta that is flown in from Italy? Yes – if you add<|fim_middle|> with its bustling open kitchen, bar stools, and classic red vinyl booths.
outside pizza
Ask most food writers to think of the best pizza in Los Angeles, and the lion's share will be chosen by Chef Daniel Odette Pisana. With its distinctive thin crust—still firm enough not to droop under the weight of the large toppings—and expertly executed Casio e Pepe pizza (which hundreds of imitators have tried and failed to replicate), Uditi has earned the title for a reason. Aside from Uditi's signature white pancake, Diavola is another must-try, with spicy salami, mozzarella cheese latte and honey. There are also vegan options, decadent salads, and plenty of vegan pizza.
Soup from de Buena Planta
salty shutters
In case you missed that folded patio the first few weeks it was open, now's your chance to step into one of the neighborhood's best new parks. Building on Venice's initial De Buena Planta, a pop-up that took over the parking lot of Abbott Kinney during the pandemic, this new Silver Lake location aims to solidify the vegan take on Mexican food from Heather Tierney of The Butcher's Girl. With a dreamy outdoor space built from the ground up, this Mexican coastal staple is so familiar that you might not even notice that it's completely vegan. Chicharrones made with rice paper, combined with homemade chutneys and hot sauces, start things off just right, while aguachile with young coconut, pastor-made portobellos for tacos and mole poblano enchiladas prove these flavors work well with vegetables. Hop on to the boarding bus, La Casita, next for a grueling nightcap—or better yet, a mezcal ride.
This article appeared in Inside Hook Los Angeles the news. Subscribe now to get more from Southland. | some silky, silky tiramisu to the mix. Uovo has already been making headlines in Los Angeles at three other locations, and a fourth outpost in Studio City, at The Shops at Sportsmen's Lodge, promises to be a popular addition to the sometimes lacking North Los Angeles dining scene. Uovo says it's "the only place outside of Italy that serves fresh, made-in-Italy pasta," and a quick casual spin means a couple can go in and order three courses and get out for less than $50. Add in two glasses of wine and you're still under $100 for two – and have some of the best, most authentic pasta available at this price.
Hollywood residents are happy to welcome The Griddle back after a hiatus of several years due to the pandemic. Known for pancakes the size of your head, all kinds of brunch drinks and plenty of celebrity go-tos, The Griddle made its appearance in Yamashiro during the pandemic. This outdoor setting made it easy for them to serve fluffy cakes and crunchy waffles safely in an outdoor environment, but even with the view, this location is a long ride. These essentials are best suited to the relaxed, original diner, | 244 |
We service the whole state of Oklahoma including the Owasso area and will help you with and answer your questions about Generac 22kw for residential and commercial use. Service, repair and installation - we do it all!
Generators are<|fim_middle|>asso!
When you phone us, you can also be directed to our support staff that know your model type and can provide you with the technical specs or details that you need to keep your system running in excellent condition. From wiring to batteries to oil types, you can be guaranteed that when you call us, you will get the most up-to-date details and help offered anywhere.
If you are thinking about buying a brand-new standby generator and getting it set up at your residence or company property, there are great reasons why you should purchase the unit from an authorized Generac dealership like us and not a big-box store.
First of all, a regional dealer will certainly be around to help you with maintenance after the sale. In contrast, you never know who you will speak with when you call a retailer and finding the exact same contractor could be difficult.
Second of all, dealerships are aware of the current promotions and discount rate programs offered. Also important, dealing with a neighborhood Generac dealer means that you won't experience any warranty problems that may arise if a non-authorized installer is employed to install your generator.
Call us today for help with your Generac 22kw questions in Owasso, OK. | incredible machines that permit you to continue on with your life when everyone else is waiting on the power to turn back on. This is especially true if you live in our storm-prone state. Power can be out for days or weeks as a result of the damage caused by one of these catastrophes. Having a supplemental source of electrical power gives comfort, safety, comfort, and benefits for your family members in your home or your workers and clients at the office.
We suggest speaking to us directly for the best option for your concern about Generac 22kw. Our service area in Oklahoma is quite extensive and we have installed and serviced generators from one end of the state to the other - even Ow | 141 |
Search Results: 'copy cat'
79 results for "copy cat"
The Copy-Cat, and Other Stories By Mary Eleanor Wilkins Freeman
Hint: You can preview this book by clicking on "Preview" which is located under the cover of this book. About the author: Mary Eleanor Wilkins Freeman (October 31, 1852 – March 13,... More > 1930) was a prominent 19th-century American author.She was born in Randolph, Massachusetts on October 31, 1852, to Eleanor Lothrop and Warren Edward Wilkins, who originally baptized her as "Mary Ella". Freeman's parents were orthodox Congregationalists, causing her to have a very strict childhood. Religious constraints play a key role in some of her works.In 1867, the family moved to Brattleboro, Vermont, where Freeman graduated from the local high school before attending attended Mount Holyoke College (then, Mount Holyoke Female Seminary) in South Hadley, Massachusetts, for one year, from 1870–71. She later finished her education at Glenwood Seminary in West Brattleboro. Excerpt from: https://en.wikipedia.org/wiki/Mary_Eleanor_Wilkins_Freeman< Less
Copy Me By Laston Kirkland
"Information wants to be free." Laston has been fighting Colon Cancer (metastasized to the liver) and is sharing his Fiction Short-Stories as a means to help offset medical costs. He... More > lives in Washington state in a manufactured home a bit off the beaten path with his wife, three daughters and an old cat. He writes with one hand, gently holding the rest of the world at bay with the other. He's fond of tabletop boardgames and all things nerdy. Thanks for your help!< Less
Fancy Cat By Hannah Carlen
Two eighth grade Creative Writing classes at Southwestern Middle School spent the majority of the second quarter writing and illustrating their own Children's book. Students published two... More > copies of each book through the self-publishing website lulu.com. One copy for the 8th grade author to keep…the other copy to be delivered in person to a Kindergarten through 2nd grade student at one of our feeder schools, Starke Elementary. The eighth grade student will be paired with an elementary student, read the book to the student one-on-one, and answer any questions they have. Thank you for supporting Ms. Peterson's Creative Writing classes!< Less
Reservoir Cats By Mr White
A scathing and irreverent view of birds, the people who watch them, the environment, and the people who screw it up. Funnier than that sounds... Sample pages at: www.reservoircatz.blogspot.com/... More > ................................................................................ £1 will be donated to the RSPB for every copy sold. Bless.< Less
Ex-Betty By Cat Maven
Like the other robots at Betty-Bot Burgers, Betty4 is gorgeous, generously endowed, and scantily clad. But unlike the other Betties, Betty4 has a sleeper program inside her that turns her into a... More > sentient. The trouble is, sentient robots always go crazy and have to be blanked by guys like FBI Agent Ku'oko'a Cedillos. This time, though, as Ku watches the video feed from the restaurant, he finds himself strangely attracted to the green-eyed robot. Betty gets help escaping the restaurant from Truth, a black feminist. Betty's good luck turns bad, however, when Truth's comrade Marcy sells her to a mad robotocist named "Mouse", who wants to sell copies of Betty. Betty is also being hunted by her creators, LifeLike Semi-Sentients, who want<|fim_middle|> everything there is to know about: - Cat Diabetes and how to Care for them - Dental Care for Cats - Cat Care & Health - Cat Care Symptoms that You Need to Know - and More GRAB YOUR COPY TODAY!< Less | her blanked to avoid bad publicity. This is a female Pinocchio, science-fiction, comedy-romance action story, and it's a race to see whether the hunters or the helpers will get to Betty first. Warning: 18+ for language and sexual content.< Less
Advanced Cat Training: The Official Cat Training Book By Matthew Brownie
10 Little Known Facts You Must Know The most popular form of cat training is that of learning them how to use the litterbox. This is especially important for indoor cats, but is also ideal for an... More > indoor/outdoor pet. Many people are surprised to know that cat training can also involve an actual toilet, which will eliminate the expense and odor associated with a litterbox. This type of cat training will consist of several weeks during which time the litterbox is elevated and moved until it is near the toilet. The move should be gradual so as to not cause the cat a great deal of confusion or, even worse, cause him/her to misplace the litterbox. During this type of cat training, the litter can be suspended above the toilet using either a small bowl or box. In this incredible book learn everything there is to know about: - Cat behavior training - Cat door training - Cat playing or fighting - and More GRAB YOUR COPY TODAY!< Less
The Adventures of Pat the Cat By Natalia Arico
Two eighth grade Creative Writing classes at Southwestern Middle School spent the majority of the second quarter writing and illustrating their own Children's book. Students published two... More > copies of each book through the self-publishing website lulu.com. One copy for the 8th grade author to keep…the other copy to be delivered in person to a Kindergarten through 2nd grade student at one of our feeder schools, Starke Elementary. The eighth grade student will be paired with an elementary student, read the book to the student one-on-one, and answer any questions they have. Thank you for supporting Mrs. Dalia's Creative Writing classes!< Less
Cat Warriors and the finding By Joanna Maens
it's a copy of cat warriors it's my favorite book series so I made this book for my book project it's about grey stripe and milie getting lost in a cave.
CHILDREN'S COLORING BOOK - CATS By WHITE BEARD
This coloring book for kids has more than 20 cat pictures that can be colored any way you want. Let children get creative. Create an imagination. Keep the kids occupied and quiet. Let the creative... More > juices in the children's heads flow. Feel free to copy these pages for personal use.< Less
Cat Care Handbook: A Breakthrough Plan for Taking Care of Your Cat By Sheba Williams
Little Known Facts You Must Know If you are one of the many people lucky enough to own a cat or several cats as pets, then you need to take time and make the effort to learn proper cat care. One of... More > my biggest struggles with people is that they choose to have pets but then do nothing to intentionally take good care of them. In this incredible book learn | 631 |
You might have come across the word "fire damage restoration". It is a process through which professionals reverse the damage caused by fire in your home so that you can get back to your normal ways of living. The companies that offer fire damage restoration services also provide several other services including water damage restoration, carpet cleaning, duct cleaning, mold removal etc.
Through this blog, we will acquaint you with the standard fire damage restoration process followed by professionals so that you are not clueless as to what to do in case of fire. Take a look at the steps given below<|fim_middle|> these places causing more damage. Now if you leave your property in this situation for a long time, the damage is likely to increase. So it is better not to wait and get in touch with one of these companies at the earliest.
Next, in the process is fire damage assessment. As a part of it, the professionals will assess the extent of damage caused to your property. They will try to find out the how far the smoke and soot have travelled and the intensity of damage they have caused to your furniture and other areas of your home. By doing so, they will be able to come up with a plan of action as to how to restore your house back to what it was. The professionals will also provide you with a quote and give you with an estimated timeline during which the restoration process will be undertaken.
The first motive of any fire damage restoration company is to stop the damage getting worse. So if there is water leakage due to the burned hole in your roof, the damage restoration will take care of that first. Also, fire damage restoration goes hand in hand with water damage restoration. For eg, if the fire has bursted your water pipes, the source of water has to be curbed first so that water doesn't enter in different areas of your house.
After the sealing process has been taken care of, clean and repair begins. As a part of it, smoke, soot and dust are cleaned up from different corners of your house and unnecessary items are disposed off. Water puddles are cleared with the help of submersible pumps so that the areas can be dried and sanitized.
In the next stage, restoration and repair begins. If your furniture has been destroyed, the professionals will repair the damaged cabinets or replace them with new ones. New carpets are installed, walls are repainted and frames and wallpapers are put back to their places. Restoration companies walk a mile further by not just offering you with restoration but also renovation. A renovated house and new design will make your house look new and is sure to cheer you up.
If your property has been ruined due to fire, getting in touch with a fire restoration company is the best step you can take! | .
After the fire has been taken care of by the fire department, the first thing to do is to get in touch with the nearest restoration company. This is usually done to prevent damage from spreading further through your property. While trying to find the right company, make sure that are open 24/7, easy to approach and come of help at the earliest.
Fire damage can also come with other ramifications. For example, if the fire has burnt holes in your roof and ceilings, water might seep in from | 104 |
Il loadsheet (in italiano Piano di carico) è un documento ufficiale del volo e riport<|fim_middle|> portato a bordo dall'Agente di rampa che provvede anche a verificare che le informazioni contenute siano coerenti con quelle iscritte nel Loading Instruction Report.
È uno dei primi documenti che viene preso in esame in caso di incidente aereo.
Il loadsheet contiene il trimsheet, che comprende una tabella dove vengono evidenziate le posizioni del centro di gravità di un aeromobile in tre momenti: al decollo, all'atterraggio e senza carburante. I dati espressi da questa tabella vengono usati dal comandante per impostare al meglio l'aeromobile durante tutte le fasi del volo.
Aviazione civile | a i pesi strutturali dell'aeromobile, degli accessori di servizio, dell'equipaggio, dei passeggeri, del carico e del carburante.
È un documento importantissimo poiché attesta il reale carico dell'aeromobile ed il suo stesso bilanciamento.
Viene elaborato dall'ufficio Weight and balance e viene | 84 |
Franchising has its origins in the Middle Ages; well before McDonalds!
Franchising is a business relationship that allows the use of a firm's business model and brand for a prescribed period of time for a fee. Franchising has been around since the Middle Ages but rose to prominence in the<|fim_middle|> preparation of financial statements.
Choose from one of our three price packages for small businesses.
Preparation and lodgement of taxation returns for businesses.
© Copyright Success Tax Professionals 2019 . All rights reserved.
27/10/10: STP Tax Agents Pty Ltd. ABN: 30 101 381 471. | 1960s in America with McDonalds and other fast food franchises.
In Australia, franchising is regulated by the Franchising Code of Conduct, a mandatory code of conduct under the Trade Practices Act 1974. This code requires franchisors to produce a disclosure document and also regulates the content of franchise agreements – for example in relation to marketing funds, a cooling-off period, termination, and the resolution of disputes by mediation.
Faster expansion – Franchised networks can be expanded more quickly than company run networks due to simplified management and the franchisee financing the investment costs.
Franchisees finance the business expansion – Each new franchisee makes an initial payment to purchase the franchise and then pays ongoing franchise fees (usually as a percentage of their revenue).
Simpler management – Each franchisee is responsible for the day-to-day running of their business in accordance with the franchise agreement and operations manual.
Better market penetration – Franchisees are normally well established as part of the local community, either on a personal level or as a result of their past business activities.
Greater commitment – Franchisees have invested upfront to acquire their franchise business and so are very committed.
Further information on franchising is available from the Franchise Council of Australia at Franchise.
Efficient and timely | 260 |
The single<|fim_middle|> even knew! | most important piece of advice if I was talking to myself at PhD Day 1 would be to rest more.
To periodically take time off. To schedule it.
I haven't done that. And I have suffered because of it. My writing has suffered because of it.
Having fun actually means that I write better.
I mentioned in This Morning is different that I had a few days off planned.
I just had 6 days completely off.
No electronics. No phone. No computer. No watch.
I admit I took a sneaky peak at my boyfriend's Iphone and Ipad to look at a map, but that was it.
Instead I spent time with my best friend and her 3 month old baby girl, I flew to California, I slept, I cuddled and played with an 8 month old baby boy, I watched a couple of movies, I sat by the pool, I rode a beach cruiser to the frozen yoghurt shop and enjoyed northern Californian wine country and the people I was with.
And then we drove to Southern California via Sequoia National park. The landscape was epic.
For the last week I have focused on the edits for the Introduction and chapter 1 of the thesis. There's a ways to go.
For the first week in a long time I didn't write for anything else. This blog, and all my other writing, lay fallow.
I let my brain ease back in. I waited till I had something to say: until I something I wanted to write about.
Instead I spent the week living the mystery of the quotidian – with my jaw still healing I'm not quite able to run yet — pieces of bone making their way out of your jaw is possibly one of the weirdest and most disconcerting things ever — and so with exercise out and the kitchen of the place where I'm staying being renovated, cleaning was my only outlet. Thus my writing was interspersed with laundry, clean floors, reorganised kitchen cupboards. It was a good thing indeed that my hosts are amenable to such intrusions.
"Laundry, liturgy and women's work all serve to ground us in the world, and they need not grind us down. Our daily tasks, whether we perceive them as drudgery or essential, life-supporting work, do not define who we are as women or as human beings." – Kathleen Norris.
Today though I am in Waco, Texas.
I am at Common Grounds. And I am writing.
In the last 36 hours I have spent time with some of my favourite people. It has been nourishing for my spirit.
I have laughed a lot. I have eaten Tex-mex, I have drunk a lot of water and reacquainted myself with the beverages of Texas, and I have enjoyed my friends.
THAT is truly awesome. I've been gone from writing for a little over a month, not resting, but stressing a bit because my step father is very ill. Just posted a thing today for the first time….feels good to be back.
Even though my break wasn't fun, it was a break, and I'll admit that even that is somewhat therapeutic.
I needed it more than I | 655 |
Today you get to hear from the amazing Laura. Her blog was one of the first I found and I instantly loved it, and her. Her heart for the Lord really shows. And on top of that...she makes beautiful accessories. Thanks for the beautiful post Laura!
Hi! I'm Laura from Along for the Ride. Thanks, Jami, for having me over!
So, Jami asked us to write about what we're thankful for. Gosh, where do I even begin?
The Lord has blessed me in so many ways, and it's a bit overwhelming trying to sum up all that I'm thankful for.
So I'll do what I do best ... I'll make a list.
- I'm thankful for Him. That is provision is bountiful. That is love is unending. And that the life he offers is everlasting. He is my all.
- I'm thankful for the husband that the Lord sent my way. We complete each other in strange and funny and wonderful ways and each day I fall more and more in love with him.
- I'm thankful for our parents. For moms and dads who love us without condition and who have shown me and Kyle generosity that we can never pay back. We can only pay forward and show through the example of our lives the kind of son and daughter they raised.
- I'm thankful for my job and the joy I get in teaching, and mentoring, and living life with college students (literally living with them ... I do this).
- I'm thankful for my talents and my creativity. Some of my favorite times are spent building something, gluing something, creating something beautiful that wasn't there before.
Recently I saw a quote that said "What if you woke up today with only the things you thanked God for yesterday?"
Well, what if that were to happen to me tomorrow; if I woke up with only the things I thanked God for<|fim_middle|>, we can find those things, big or little, that are purely and utterly gifts from God.
Thanks for the refreshing and amazing post!
Thanks Jaime for blessing us with Laura's post!
Thanks so much for having me Jami!
That was a great guest post, Laura. :0) It's nice to see your love of the Lord in all your words! And thanks for sharing that quote. I heard that same thing somewhere else recently. It sure is one to make you think. We SHOULD be thanking God for everything we have, right? But that's rarely the case. I'll be working on that right along with you. That journal sounds like a good idea.
that quote just knocked the wind out of me. thanks! | today. I confess that I don't think I'd wake up with very much.
How do you find time to reflect on those things you're thankful for? In what ways do you thank God for the things He has blessed you with, the things that really matter?
I used to keep a gratitude journal. I think I started back when Oprah talked about it. It was cool then. Well, I think I need to dust it off and spend some serious time in thought and prayer.
Our lives are full of joy and blessings. Whatever situations we find ourselves in | 113 |
The actress said it was rewarding for her to hear from other women after her own experience.
Michelle Williams has said she feels "a responsibility" to other women after her own experiences with a pay gap and the #MeToo campaign.
The Hollywood star was in the headlines last year when it was revealed that Mark Wahlberg earned 1.5 million dollars (£1.1 million) to re-film portions of All The Money In The World to erase disgraced actor Kevin Spacey, while Williams reportedly received less than 1,000 dollars (£728).
Wahlberg then announced that he was donating the money to Time's Up – a defence initiative set up to help those who have suffered sexual assault, harassment or abuse in the workplace.
Discussing the #MeToo movement, Williams told Elle UK: "I do feel a responsibility.
"It's been really heartening and rewarding for me to hear from other women; how they heard what I went through and how it gives them an example [of how] to ask for reparation, and to be able to institute that tiny little model in other scenarios.
"That has been really one of the most rewarding things not just of my career, but of my life.
"Also, to have things flipped. Because I went from feeling very helpless, and now I feel helpful.
The former Dawson's Creek star also discussed her idea of "power" in the wide-ranging interview,<|fim_middle|>, alongside artistic director Nicolas Ghesquiere. | saying it was never something she wanted in the way she has "seen it represented".
"So I think a kind of redefinition of power, what that might mean personally for me, has taken place," she said.
"I guess I could call it power, or just the ability to support my family in a meaningful way.
Williams appears on the cover of Elle UK's March 2019 issue | 80 |
Cities In Motion - Collection
Rendered in rich detail, four of the world's greatest cities - Vienna, Helsinki, Berlin, and Amsterdam - await the steady hand of a planner to manage their transportation needs in Cities in Motion.
Overseeing the changing needs of people from 1920 to 2020, it's up to you to manage everything from buses, trams and subway trains to maximize profits while pleasing commuters.
- Cities in Motion
- Cities in Motion Design Classics
- Cities in Motion Design Marvels
- Cities<|fim_middle|>Graphics: ATI Radeon HD 3850 512MB, Nvidia GeForce 8800 512MB
Storage: 2GB
Languages: English, French, German
Rating system: 3+ (PEGI) | in Motion Design Now
- Cities in Motion Tokyo
- Cities in Motion Metro Station
- Cities in Motion German Cities
Explore four different cities: Vienna, Helsinki, Berlin, and Amsterdam
Engage in a campaign with 12 scenarios, as well as a sandbox mode where all campaign cities are playable
Experience realistic 3D graphics with more than 100 unique, highly detailed buildings
Use the advanced map editor to create your own cities
Play through 100 years of transportation history throughout four eras spanning from 1920 to 2020
Choose between more than 30 different vehicles based on real-life models of buses, trams, water buses, helicopters, and subways, complete with an underground view
Experience a real-time city and traffic simulator as each location's bustling population commutes between their homes, jobs, and leisure sites
Operation system: Windows XP, Windows 7, Windows Vista
CPU: Dual Core 2GHz
| 203 |
ENP 19.3 Yosemite: John Muir and Theodore Roosevelt Camping Trip Told Through Song, An Interview with Tom Bopp
A visit to Yosemite National Park is incomplete without an evening of entertainment listening to musician and historian Tom Bopp perform in the piano lounge of the Wawona Hotel.
View of Tom Bopp performing in the piano lounge from outside the Wawona Hotel. Photo credit: Dino Vournas
In episode 19.3, Tom, Bryan and Danielle talk about the famous 1903 three-day wilderness camping trip with President Theodore Roosevelt and John Muir. The camping buddies sidelined the media. Therefore, what we know about the trip is pieced together from research and anecdotes from government ranger Charlie Leidig, who accompanied the gentlemen on this trip. Tom recounts the trip that took the two naturalists from Mariposa Grove to Sentinel Dome and Glacier Point to Yosemite Valley. Tom has spent a lot of time thinking about the songs the two men may have sung together on their rides on horseback in between campsites. Listen to the podcast to hear Tom sing some of these timeless songs.
Tom Bopp performing in the piano lounge at the Wawona Hotel. Photo credit: Carol Bliss Sheetz
Tom Bopp has been performing at the Wawona Hotel and The Ahwahnee since 1983. Tom performs an eclectic range of music as well as programs on Wawona history, Theodore Roosevelt and John Muir's 1903 camping trip to Yosemite, Yosemite music and culture, and a film documentary called Vintage Songs of Yosemite.
An Old-Fashioned Lobbying Effort
Nowadays, John Muir would have to hire a lobbying firm to advocate for his conservation interests. In 1903, President Roosevelt met with John Muir not in an office in Washington or San Francisco, but in Yosemite camping for 3 days while keeping the media away and everyone else away except for the 3 people who accompanied them.
Roosevelt and Muir, Two Naturalists, Go On A Camping Trip
President Theodore Roosevelt and John Muir at Glacier Point in May of 1903. Photo credit: NPS
President Roosevelt's visit to Yosemite National Park was part of a larger trip across the country. Throughout all of the planning, Roosevelt insisted that John Muir be his guide while he was in Yosemite and that they go camping together rather than stay in hotels. Roosevelt had many public appearances all along his railroad route from Washington, DC to California. Roosevelt was a naturalist himself so he knew that Muir would have a lot of interesting things to say. Roosevelt wanted to interface not with politicians in Yosemite, but with people who are not connected with the government service to get an insider's perspective on what really was going on at Yosemite National Park.
Joining Two Parks Under One Jurisdiction
Muir had an ulterior motive on the trip. At that time, Yosemite Valley and Mariposa Grove were protected public lands under the jurisdiction of the state of California dating back to a grant signed by President Abraham Lincoln in 1864. In 1890, Yosemite National Park was created to protect the surrounding area run by the federal government. Muir felt that the park commissioners appointed by California's governor were mishandling the land and wanted to see the valley and the grove as part of Yosemite National Park.
Singing As A Past Time
The two men and their coterie traveled by horseback from one site to the next over 3 days. It took many hours to reach each destination. Singing was something that people did naturally 150 years ago. Music was participatory. Roosevelt and Muir were bonding together. It wasn't just talk. It was connecting on a deeper level. These two men were becoming friends. Theodore Roosevelt did everything that a president needs to do, discovering facts from different sides of an issue, but he did in his style, which means having a grand time on the trails in the wilderness.
The five men went from Mariposa Grove to Sentinel Dome on May 16. There must have been some singing to help pass the time. It is well documented that John Muir loved Robert Burns. We can imagine John Muir singing while observing nature, taking notes and enjoying the flowers. In John Muir's book, The Mountains of<|fim_middle|> the Yosemite commissioners and to transfer the valley and Mariposa Grove from state control, back to federal control. Under his leadership Roosevelt protected as much as 230 million acres across the country.
"Hetch Hetchy, I love you"
John Muir succeeded in his lobbying efforts to incorporate Yosemite Valley and Mariposa Grove into Yosemite National Park, but he was not successful a few years later with his lobbying to protect Hetch Hetchy.
Don Neely wrote a song about the obscure Hetch Hetchy valley, called "Hetch Hetchy, I love you". Many visitors to Yosemite have never heard of this second U-shaped glacial valley in Yosemite National Park. Music is another way of interpreting a visit to the park.
You get a much fuller picture of what the park is really all about, when you combine science, history, experiences, poetry, paintings, photography, and music that is associated with people's impressions of Yosemite.
Where to see Tom Bopp perform at Yosemite National Park
Photo credit: Mark A. Vieira
The Wawona Hotel season goes generally from some time just before spring break until the end of the year. Tom has been performing there five nights a week from 5:30-9:30 PM, Tuesday through Saturday since 1983. He is off Sunday and Monday. Tom says, "I tell people no reason to come to the park on Sunday and Monday."
In the winter time, from January through March when the Wawona Hotel is typically closed, Tom play at the Ahwahnee Hotel at least one or two nights per week. Check Tom's schedule online.
If you would like Tom to perform one of his special Yosemite presentations on old Yosemite songs, the Roosevelt - Muir camping trip, or the history of the Wawona Hotel, stop by the piano with your request before 8:00 PM. Tom will usually do the presentation around 8:30 PM.
Songs performed in the episode (Note, all songs are public domain unless otherwise indicated)
"Bonny Doon" by Robert Burns' song called (18:10)
"Danny Deaver" based on a poem written by Rudyard Kipling and set to music by Walter Damn Mirage. (20:24)
"Scott why Hey" by Robert Burns (21:45)
"Tenting on the Old Camp Ground" by Walter Kittredge (composer)
"Yosemite, O Land of Cliffs and Waterfalls." (words adapted by Carsten Ahrens; Tune: Traditional) (48:44)
"Hetch Hetchy, I Love You" by Don Neely (40:45) (Note, Don Neely granted us permission to use his song on this podcast)
"Yosemite" by Harry Maybry (58:30)
https://www.theodorerooseveltcenter.org/Research/Digital-Library/Record?libID=o274452.
CATEGORIES: Podcasts, Yosemite | California, he describes how he tried singing to a Dougass Squirrel to see how it would react. Tom said, "I love that...he's a scientist and a poet at the same time and he wants to… mess with a squirrel's head." Muir sang a Robert Burns' song called "Bonny Doon".
Tom can envision Muir singing "Bonny Doon" during the trip and Roosevelt demanding a song that is more manly. Roosevelt loved a song called "Danny Deaver" based on a poem written by Rudyard Kipling and set to music by Walter Damrosch. Tom imagines that Roosevelt sang that song to let Muir know what real music sounds like. Tom loves to concoct the picture of Roosevelt and Muir riding side by side in Yosemite singing another song by Robert Burns, "Scots wa hae".
A lot of Yosemite songs have been written and published as sheet music going back to the 1870s. People are still writing campfire songs. People should bring their popular culture to places like Yosemite, singing and dancing around campfires goes back in Yosemite Valley, as long as people have been in Yosemite 8000 years. It may be our oldest ongoing cultural tradition. It's primal.
The Journey on Horseback to Mariposa Grove and Glacier Point
President Theodore Roosevelt and John Muir riding horses along a road in Yosemite Valley, with Half Dome in the distance, accompanied by Park Rangers Archie Leonard and Charles Leidig, followed by unidentified man on foot; left to right, Leonard, Muir, Roosevelt, Leidig. Photo Credit: NPS
Roosevelt and his entourage came in on the train from Oakland across California down what is now highway 99 and then up to the little foothill to the town of Raymond. They got off the train on Friday, May 15 and took horse-drawn stages up to the Mariposa Grove of Giant Sequoias. They were accompanied by the Buffalo Soldiers, the African American ninth cavalry out of the Presidio in San Francisco. Roosevelt had pictures taken with the presidential party and with Muir. According to Ranger Charlie Liedig, Roosevelt dismissed the troops and everybody else and sent them down to the Wawona Hotel for evening festivities. Roosevelt, Muir, two rangers and a packer guide named Alder camped alone that night underneath the Grizzly Giant. It is said that night that Roosevelt quizzed Muir on bird identification. Roosevelt was disappointed with Muir's answers because Muir didn't know much about birds at all.
Theodore Roosevelt and his distinguished party, before the "Grizzly Giant," big trees of California. Theodore Roosevelt Digital Library. Dickinson State University. Photo Credit: LOC
They got up early the next morning and headed out on horseback. Roosevelt instructed Ranger Charlie Leidig to circumvent the Wawona Hotel to avoid running into the people he snubbed the night before, including the park commissioners. Instead of crossing the famous Wawona covered bridge, Leidig directed them a mile upstream to cross the Merced River. On the evening of Saturday, May 16, they camped somewhere near Glacier Point, nobody knows exactly where.
What would they have sang? There was a song that came out of the Civil War, which very naturally became a favorite campfire song. Tom loves the idea that some of the Yosemite commissioners are off in the distance hearing Roosevelt and Muir having a grand time together and thinking, "Oh no, Muir is going to get us all fired!"
The Camping Trip That Paved The Way For National Parks and Conservation
It was far more than a camping trip, but actually furthered federal policy. We had national parks going back to Yellowstone (1872) and Yosemite (1864 – state park, 1890 – national park) was already a national park. Roosevelt was involved with refining the national park system. Because of their camping trip together, Roosevelt sought to fire all of | 827 |
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The Return of the "Care Cloth" at the Traditional Nuptial Mass
On May 1, 2021, I had the great privilege of leading the choir and schola for the wedding of a dear friend and former student of mine, who used to sing in my college choir. The liturgy was a Solemn High Nuptial Mass—the kind of thing one could barely imagine back when I first got involved in the movement for the restoration of the Roman Rite. (My own Nuptial Missa Cantata was difficult enough to pull off back in 1998!) The church where the Mass was held, St. Mary's Catholic Church in Fennimore, Wisconsin, was a perfect home for this grand event.
The bride and bridegroom took great care in planning their wedding—so much so, in fact, that they chose to incorporate into the ceremony an old custom called the "care cloth."
The velatio nuptialis is an ancient tradition of the Catholic Church, well established since at<|fim_middle|> in the 300s (or perhaps earlier) but put the man under it as well, to stress the fact that both bride and groom were expected to live up to their marital obligations. This explains why it came to be called a carecloth in English, as "to care" once meant "to lay a burden on." After the Renaissance, the carecloth was itself overshadowed by the bridal veil in most parts of Europe (a pale substitute, in our humble opinion), though it continues to be used in several areas of the world today. (p. 77)
After the Lord's Prayer, the bride and bridegroom ascend the steps into the sanctuary and kneel; the priest stands at the corner of the altar to say the nuptial blessing, during which the cloth is held above the couple by two altar servers:
Let us pray. Be gracious, O Lord, to our humble supplications: and graciously assist this Thine institution, which Thou hast established for the increase of mankind: that what is joined together by Thine authority, may be preserved by Thine aid. Through our Lord Jesus Christ, Thy Son, who liveth and reigneth with Thee in the unity of the Holy Ghost, world without end.
Let us pray. O God, who by Thine own mighty power, didst make all things out of nothing: who having set in order the beginnings of the world, didst appoint Woman to be an inseparable helpmate to Man, made like unto God, so that Thou didst give to woman's body its beginnings in man's flesh, thereby teaching that what it pleased Thee to form from one substance, might never be lawfully separated: O God, who, by so excellent a mystery hast consecrated the union of man and wife, as to foreshadow in this nuptial bond the union of Christ with His Church: O God, by whom Woman is joined to Man, and the partnership, ordained from the beginning, is endowed with such blessing, that it alone was not withdrawn either by the punishment of original sin, or by the sentence of the flood: graciously look upon this Thy handmaid, who, about to be joined in wedlock, seeks Thy defense and protection. May it be to her a yoke of love and peace: faithful and chaste, may she be wedded in Christ, and let her ever be the imitator of holy women: let her be dear to her husband, like Rachel: wise, like Rebecca: long-lived and faithful, like Sara. Let not the author of deceit work any of his evil deeds in her. May she continue, clinging to the faith and to the commandments. Bound in one union, let her shun all unlawful contact. Let her protect her weakness by the strength of discipline; let her be grave in behavior, respected for modesty, well-instructed in heavenly doctrine. Let her be fruitful in offspring; be approved and innocent; and come to the repose of the blessed and the kingdom of heaven. May they both see their children's children to the third and fourth generation, and may they reach the old age which they desire. Through the same Jesus Christ, Thy Son, our Lord, Who with Thee in the unity of the Holy Ghost liveth and reigneth God.
The couple return to their kneelers and the priest continues into the embolism.
The care cloth used in this nuptial Mass, which was sewn and embroided by a close friend, is fittingly made from linen, the same material used for altar cloths. Pope John Paul II describes the family as the ecclesia domestica (the domestic church), so the cloth symbolizes that the family coming into being is a participation in the fruitful union Christ and His Church. The veil is, as it were, the altar cloth of the new family. The Marian auspice is embroided on the cloth in blue; the design includes symbols from Mary, Star of the Sea, who "makes our way secure till we find in Jesus joy forevermore," as the ancient prayer says. The auspice is flanked by lace, which belonged to the bridegroom's grandmother.
The "auspice"
For more information on the care cloth, see M. Henri de Villiers, "The Velatio Nuptialis: An Ancient (and Forgotten) Part of the Latin Marriage Rite."
Although it was not in itself the most important moment in the ceremony (there are surely several others that would, theologically, lay superior claim to that honor), it was for me the most strikingly beautiful; the photos will, I think, suggest just how special a custom it is. I hope others who are planning their Latin Mass weddings will take it up, as well. To my mind, in this period of new incomprehension and persecution directed at our patrimony as Latin rite Catholics, young people must bend the stick in the opposite direction and go for uncompromising maximalism: a Solemn High Nuptial Mass with polyphony and pipe organ—and a care cloth. That is a beautiful and decisive way of saying: I choose the old ways, and I am content with them, in fact, they lift my soul. Introibo ad altare Dei, ad Deum qui laetificat juventutem meam.
(All photos by Mattson Photography LLC.)
Posted Monday, September 13, 2021
Labels: Customs, Nuptial Mass, Peter Kwasniewski, veiling, weddings | least the fourth century. During the nuptial blessing, which is said between the Canon and Communion, a white cloth (pallium) is held over the couple. St. Ambrose, fourth-century bishop of Milan, writes, "It is fitting that the marriage be sanctified by the imposition of the veil and the blessing of the priest." The white cloth signifies the bright cloud, which is at once a sign of God's protection accompanying the chosen people wandering in the desert (Ex. 13:20–22), the Holy Spirit overshadowing Mary (Lk. 1:35), and the bright cloud of the Transfiguration on Mt. Tabor (Lk. 9:28-36; 2 Pt. 1:17–18). It also signifies that the couple becomes one flesh through marriage. In France, the poêle, which is another word for the veil, is also used to honor the Blessed Sacrament on the feast of Corpus Christi, which appropriately connects the wedding of the couple to the wedding feast of Christ and the Church, represented and effected by the Blessed Sacrament. While the velatio nuptialis experienced widespread use in the Middle Ages in the Roman Rite, it fell out of use almost everywhere outside of France, although the tradition is seeing a slow revival.
As for where the name "care cloth" comes from, we read in Michael Foley's book Wedding Rites:
The couple's wedding veil, or carecloth, was once so important in the Western imagination that it literally gave the wedding event its name. When a woman in ancient Rome was married, she put on a fiery red veil as a sign of the new obligations and dignity she was taking on as a matron. In Latin this act of covering oneself with a veil was known as nubere, from which comes our word "nuptial." Latin Christians adopts the veil | 398 |
Parliaments, politics and people seminar: Gary Rivett, Information regimes and governance in the English Revolution: Parliament and the case of the Committee for Plundered Ministers
At the last 'Parliaments, Politics and People' Seminar of the academic year, Dr Gary Rivett (York St John University) spoke on 'Information regimes and governance in the English Revolution: Parliament and the case of the Committee for Plundered Ministers.' Here he gives us an overview of his paper… Established towards the end of 1642 and increasingly formalised as a parliamentary body in early 1643, the … Continue reading Parliaments, politics and people seminar: Gary Rivett, Information regimes and governance in the English Revolution: Parliament and the case of the Committee for Plundered Ministers
The History of Parliament June 29, 2016 June 20, 2016 Leave a comment
18th Century history, Early modern history, House of Lords 1660-1715, social history
House of Lords 1660-1715… and bowls
Next month the History of Parliament will publish our first set of volumes focussing on the House of Lords. Covering the period 1660-1715, this five-volume work is now available for pre-order at Cambridge University Press, at a special pre-publication price. This month we're publishing a series of blogposts inspired by research from the volumes. In the fourth of this series, Dr Stuart Handley explores more … Continue reading House of Lords 1660-1715… and bowls
House of Lords 1660-1715… for Father's Day
Next month the History of Parliament will publish our first set of volumes focussing on the House of Lords. Covering the period 1660-1715, this<|fim_middle|>5…duelling
Next month the History of Parliament will publish our first set of volumes focussing on the House of Lords. Covering the period 1660-1715, this five-volume work is now available for pre-order at Cambridge University Press, at a special pre-publication price. This month we're publishing a series of blogposts inspired by research from the volumes. In the second of this series, Dr Robin Eagles discusses a … Continue reading House of Lords 1660-1715…duelling
The History of Parliament June 9, 2016 June 6, 2016 Leave a comment
Early modern history, military history
Writing Parliamentary Biography, the Commons 1640-1660. Part 4: Oliver Cromwell (1599-1658), the Parliament making, Parliament breaking MP
In the final of his four-part series, Dr Stephen Roberts, editor of the Commons 1640-60 section, discusses parliament's most famous figure… John Pym, the subject of the last blog, was exceptional in his elusiveness despite his workaholism, his devotion to the Commons and his constant presence there. These qualities have made him a difficult subject for biographers, and only one conventional biography (as opposed to … Continue reading Writing Parliamentary Biography, the Commons 1640-1660. Part 4: Oliver Cromwell (1599-1658), the Parliament making, Parliament breaking MP
The History of Parliament June 7, 2016 May 20, 2016 Leave a comment
House of Lords 1660-1715… and horseracing
Exciting times at the History of Parliament, as next month we will publish our first set of volumes focussing on the House of Lords. Covering the period 1660-1715, this five-volume work is now available for pre-order at Cambridge University Press, at a special pre-publication price. Over the next month we'll publish a series of blogposts inspired by research from the volumes. First up, and ready … Continue reading House of Lords 1660-1715… and horseracing | five-volume work is now available for pre-order at Cambridge University Press, at a special pre-publication price. This month we're publishing a series of blogposts inspired by research from the volumes. In the third of this series, and in advance of father's … Continue reading House of Lords 1660-1715… for Father's Day
19th Century history, Events, Schools
History of Parliament's Education Competitions: 2015-16
As many of you will know, every year the History of Parliament Trust organises competitions for schoolchildren on aspects of parliamentary history. We recently invited our 2015 A Level competition winner, Josh Travers of St Ambrose College, Altrincham, to Westminster to receive his prize. John was with an essay on 'Bill and Ben the battling statesmen: Gladstone vs. Disraeli'. The competition judges felt that this … Continue reading History of Parliament's Education Competitions: 2015-16
18th Century history, Early modern history, House of Lords 1660-1715, military history, social history
House of Lords 1660-171 | 253 |
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Faculty of Arts - Papers (Archive)
Vampiric Decolonization: Fanon, 'Terrorism' and Mudrooroo's Vampire Trilogy
Gerry Turcotte, University of WollongongFollow
Turcotte, G, Vampiric Decolonization: Fanon, 'Terrorism' and Mudrooroo's Vampire Trilogy, in Lopenz, A (ed), Postcolonial Whiteness: A Critical Reader on Race and Empire, State University of New York Press, Albany, 2005, 103–118. Original book available here. This copy is a late draft and might contain inconsistencies with the published version.
[Extract] Long before the fact of Australia was ever confirmed by explorers and cartographers it had already been imagined as a grotesque space, a land peopled by monsters.1 The idea of its existence was disputed, was even heretical for a time, and with the advent of the transportation of convicts its darkness seemed confirmed. The Antipodes was a world of reversals, the dark subconscious of Britain. It was, for all intents and purposes, Gothic par excellence, the dungeon of the world. It is perhaps for this reason that the Gothic as a mode has been a consistent presence in Australia since European settlement. Certainly the fact that settlement began in the eighteenth and nineteenth centuries, during the rise of the Gothic as a sensationalist and resonantly influential form, contributes to its impact on the literatures of Australia. There are other reasons for its appeal. It is certainly possible to argue that the generic qualities of the Gothic mode lend themselves to articulating the colonial experience in<|fim_middle|> This sense of spiritual malaise is often communicated through the Gothic mode, that is, through a literary form that emphasises the horror, uncertainty and desperation of the human experience, and represents the solitariness of that experience through characters trapped in a hostile environment, or pursued by an unspecified or unidentifiable danger. From its inception the Gothic has dealt with fears and themes that are endemic in the colonial experience: isolation, entrapment, fear of pursuit and fear of the unknown. The Gothic, moreover, is itself a hybrid form—a mode delineated by borrowings and conflations, by fragmentation and incompletion, by a rejection of set values and yet a dependence on establishment. In this sense it is ideal to articulate the colonial condition.
Arts and Humanities Commons, Social and Behavioral Sciences Commons | asmuch as each emerges out of a condition of deracination and uncertainty, of the familiar transposed into unfamiliar space, and then forcibly 'naturalised'. It is this very quality which Freud identified as the condition of the uncanny, where the home becomes unhomely—where the heimlich becomes unheimlich—and yet remains sufficiently familiar to disorient and disempower.2 All migrations represent a dislocation of sorts, but Australia posed particularly vexing questions for its European immigrants. Nature, it seemed to many, was out of kilter. To cite the familiar clichés: its trees shed their bark, swans were black rather than white, and the seasons were reversed. And while these features represented a physical perversion, it was widely considered to be metonymic of an attendant spiritual dis/ease. | 167 |
The quantities in this chart are ICv2 estimates of initial raw orders to Diamond North America on titles scheduled for shipment in January 2002.
Marvel, DC, Dark Horse and Image distribute 100% of their comic store orders through Diamond. Some other publishers distribute directly<|fim_middle|> consider is that sales through Diamond and other comic distributors are non-returnable to retailers. That means that there is a considerable unknown percentage of books unsold at the retailer level. If that percentage is 10-20% of sales (a reasonable assumption), the estimates above may be quite close to actual sales to consumers. | to stores or through other distributors and as a result this analysis may underestimate their sales.
The quantities above do not include advance reorders, late orders, or reorders.
Even given the above, however, it is probably safe to say that these quantities reflect 80% or more of the total North American sales by the publisher on most periodical comics.
One other factor to | 76 |
Bank of Canada signalling it won't cut rates anytime soon: CIBC's Tal
Nicole Gibillini , BNN Bloomberg
Bank of Canada signals it's not cutting rates anytime soon: CIBC's Benjamin Tal
The Bank of Canada is signalling that it won't be cutting interest rates in the near future, despite some economists and investors betting that it will, according to CIBC Capital Markets Deputy Chief Economist Benjamin Tal.
"I think what the Bank of Canada is telling us is that in order for us to cut interest rates, it has to be very, very bad – something really bad has to happen," Tal told BNN Bloomberg in an interview. "So the bar for cutting rates is now much more difficult than it was [before Wednesday's decision]."
The Bank of Canada, as widely expected, held its benchmark interest rate steady at 1.75 per cent Wednesday, but struck an optimistic tone as it pointed to "accumulating evidence" of an economic recovery. The bank cited a more stable national housing market, stronger consumer spending, employment gains, and recovery in the oil sector as factors that have reinforced its view that the recent slowdown was temporary.
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Tal said the purpose of highlighting those positive indicators is to tell the market the central bank is not cutting anytime soon.
"All of this positive news is not about raising interest rates, it's about not cutting interest rates," he said. "[Poloz] is very clear: I'm not cutting – read his lips – that's exactly what he's telling you."
Some economists, however, still believe the central bank will lower rates this year.
In a note to clients Wednesday, Stephen Brown, senior Canada economist at Capital Economics, predicted the Bank of Canada will cut three times over the next 12 months, bringing its key rate down to one per cent.
Brown said policymakers may be underestimating the extent to which the housing downturn will weigh on economic<|fim_middle|>, we think investors are underestimating the likelihood of the bank cutting interest rates this year," he wrote.
The next interest rate decision is scheduled for July 10 when the central bank will also release a detailed monetary policy report.
Bank of Canada keeping rate move options open: Economist | growth and that the labour market's strong run will come to an end.
"Given our below-consensus GDP forecasts | 23 |
"Wonder without Land"
at the Orange Art Foundation
"Wonder without Land" is a show brought together by collaborators Kuzma Vostrikov and Ajuan Song at the Orange Art Foundation, located downtown on Wooster Street. The exhibition consists of some twenty photos and a back room devoted to objects that either appeared in the photos or are related to them thematically. Kuzma and Ajuan--they go by their first names as an artistic duo--have been working together for the better part of a decade, producing visually complex, usually surreal images that are stylistically eccentric and are often populated by a female Asian model. These images are devoted, to some extent, to a critique of commerce, via a hyper-realism close to surrealist tradition. They are extravagant examples of a self-sufficient esthetic, whose idiosyncrasies cause them to visually stand out, as well as communicate an ironic reading of current lifestyle expressiveness. So Kuzma and Ajuan's world is their own, albeit one oriented toward the curiosity and wonder of their viewers. They suggest ways in which unorthodox inclusions of unrelated images might well describe the random, nearly anarchic, visual spaces we inhabit today.
The photos are wonders of image juxtapositions. The work titled Simple Architecture of Sadness (2018) is a visually striking composition of an Asian woman, her hair done in as series of tight, small topknots, who ears a black blouse and white pants. She is imprisoned by two chairs, a white with a whole in the seat through which she has inserted her head; and a black chair, with two holes for her legs. The model's hands, coming up beneath the seat, look like they are extended in mild supplication. The title indicates that the image is elegiac, concerning sadness. Like most of the photos, it is also self-sufficiently referential, inhabiting its own world. Stylistically extreme, the image's brightly schematic simplicity adjusts to a visual culture that now makes use more and more of the surface brightness of the computer screen. At the same time, the image works as a parody of Internet culture, its penchant for a sharply detailed but narcissistic vision. In Synergy of Comfortable Circumstances (2018), a model pokes her head, her hands, and her legs through openings of a simple painting of a black armchair with a red seat. Her long hair hides her head, and her legs are clothed with turquoise-blue stockings, on top of which are fishnet stockings. She also wears yellow high-heeled shoes. Is the composition a tribute to the pleasures of affluence? It could be. Like<|fim_middle|> In their exaggerations, and their surrealist critique of mercantile allure, the photos provide viewers with an idiom that is meant to transcend and supplant the commonplace visuals of commercial thinking. And the sculptures re-enact, in three-dimensional realism, such thinking as a way of undermining the small, but inevitable, compromises of material life. It is interesting to consider that Ajuan, a Chinese woman, and Kuzma, a Russian man, are working together in Brooklyn to implicitly criticize American culture. Their studio thus becomes an outpost of subtle judgment, even as they use the tools of a culture they may well be finding fault with. We cannot be sure this is so, for the photos exist without clarifying commentary. But we can speculate on the artists' intentions, which suggestively comment on materialism and beauty. That we, as viewers, are meant to make sense of their motives makes their work ambiguous and evocatory, as well as intellectually compelling.
- Jonathan Goodman, New York, December, 2019 | the images Sadness described above, it belongs to its own cosmos, being believable on its own terms. Yet, at the same time, it relates a set of circumstances that seem to be linked to upper-middle-class culture, even if this is done obliquely.
Surrealism derives more than a small part of its visual power from images that are either indirectly or directly sexual. Kuzma and Ajuan also make use of this orientation to enliven and contemporizes their point of view. Antiquated Lips (2018), for example, depicts a young, attractive Asian woman with a complicated top-knot hairdo and white kabuki facial makeup and bright red lipstick. She wears a single sleeve, tan-gray top that clings to her torso, while surrounding her are a group of large red lips. The figure's demeanor is enigmatic, being of flat affect, but her clothing and surrounding sea of lips sexualize her presence--although this occurs rather mildly. In another photo, called Angry Birds (2018), a pair of woman's bare legs extends upward from a large wooden paint pot, tan with two black stripes. The upper thighs of the legs are decorated with black wings painted on them, while the feet are also embellished with an unidentifiable black image. The legs move upward without evident purpose; the motivation for the image is obscure. But the picture is memorable for its mixture of enigma and sensual feeling. This combination is central to Kuzma and Ajuan's technique and esthetic. It results in imagery that is both obscure and, somehow, memorable.
The Asian model in Wordless Wind (2018) has her hair swept upward, as if taken by a gust of wind. Ovals are drawn around her eyes while her mouth has moved to the right side of her face. Her lips, clearly drawn and not photographed, introduce the inevitable note of artifice we come to expect in the collaborators' art. The model wears a dress consisting of brightly colored vertical stripes. Like so many of Kuzma and Ajuan's works, we see bright hues as an elaboration of stylized effect, meant to dazzle the eye, This leads to the artificial conditions we experience in many of the photographs. In The Last Lucy (2018), a young woman, of somber demeanor, looks off to the side; her hair falls down past the sides of her head, joining together just under her chin. But her left ear sticks out way above its natural placement. This person seems to be an alien despite her mostly normal appearance. The siting of her ear so far above where it should be throws the young person's image into confusion. The dislocation of the lips in Wordless Wind and the ear in The Last Lucy look like a ritualized attempt on the artistic duo's part to undermine our visual expectations; in both cases, the image arrangements don't exactly work. We can only assume, given the repeated nature of such imagery, that the artists are working out a commentary on the frailty of the physical--and metaphysical--nature of our condition.
In the last room, we find elements that were used in the photographs: among them, the large red lips, three bowler hats, and a trumpet painted red. There is also a striking object that is a chair, with a hole in the middle serving as the opening for a guitar partially engrafted onto its seat--the neck and strings extend from the sounding hole into space. Seen by themselves, the objects possess a striking structural distinctiveness. They generate an aura whose three-dimensional nature adds to the already equivocal, obscure nature of the photos. So the three-dimensional pieces are located closely, in artistic terms, to the two-dimensional images via their complexities of realism and eccentric ontologies. This means that the show is of a piece, in the sense that both photos and sculptures relate a vision that is idiosyncratically compelling. | 806 |
The Last Boy: Mickey Mantle and the End of America's Childhood
Written By: Jane Leavy
Narrated By: Jane Leavy
Duration: 33 hours 14 minutes
Jane Leavy, the acclaimed author of the New York Times bestseller Sandy Koufax: A Lefty's Legacy, returns with a biography of an American original'number 7, Mickey Mantle. Drawing on more than five hundred interviews with friends and family, teammates, and opponents, she delivers the definitive account of Mantle's life, mining the mythology of The Mick for the true story of a luminous and illustrious talent with an achingly damaged soul.
Meticulously reported and elegantly written, The Last Boy is a baseball tapestry that weaves together episodes from the author's weekend with The Mick in Atlantic City, where she interviewed her hero in 1983, after he was banned from baseball, with reminiscences from friends and family of the boy from Commerce, Oklahoma, who would lead the Yankees to seven world championships, be voted the American League's Most Valuable Player three times, win the Triple Crown in 1956, and duel teammate Roger Maris for Babe Ruth's home run crown in the summer of 1961'the same boy who would never grow up.
As she did so memorably in her biography of Sandy Koufax, Jane Leavy transcends the hyperbole of hero worship to<|fim_middle|>.
Biography & Memoir >
Last Boy: Mickey Mantle and the End of America's Childhood
by Jane Leavy
This title is due for release on October 12, 2010.
This title is due for release on October 12, 2010 | reveal the man behind the coast-to-coast smile, who grappled with a wrenching childhood, crippling injuries, and a genetic predisposition to alcoholism. In The Last Boy she chronicles her search to find out more about the person he was and, given what she discovers, to explain his mystifying hold on a generation of baseball fans, who were seduced by that lopsided, gap-toothed grin. It is an uncommon biography, with literary overtones: not only a portrait of an icon, but an investigation of memory itself. How long was the Tape Measure Home Run? Did Mantle swing the same way right-handed and left-handed? What really happened to his knee in the 1951 World Series? What happened to the red-haired, freckle-faced boy known back home as Mickey Charles?
"I believe in memory, not memorabilia," Leavy writes in her preface. But in The Last Boy, she discovers that what we remember of our heroes'and even what they remember of themselves'is only where the story begins.
*** Please contact Member Services for additional documents | 226 |
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"The Film Studies Program at Wesleyan made such an enormous impact on my future career in film. Courses on the history of the western, comedy, and auteur directors taught me to look at film on many different levels—as historian and critic, as audience member and lover of the movies. Studying and appreciating the history of film rather than only learning the technical art is what makes the program at Wesleyan particularly strong. Understanding character, story, lighting, editing, camera work, music, acting—essentially understanding the spirit and collaboration behind making a great movie—is what makes good future writers, directors, producers, actors, editors, and even film<|fim_middle|> 2008.
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If you would like to upgrade your browser now, please click here. | executives."
—Trea Hoving, acquisitions executive at Miramax from 1989–1997
"When I encounter a fellow Wesleyan grad, it doesn't tell me they're talented or they're artistic; it tells me they know how to think. I know that a Wesleyan alum is going to be open-minded, passionate, and articulate. Additionally, the Wesleyan people I've worked with as writers, agents, or producers have all been far more concerned with the creative product than the financial product...a rare commodity in Hollywood."
—Jon Turteltaub, director of Cool Runnings, Phenomenon, While You Were Sleeping, and National Treasure
The success of Wesleyan's Film Studies Department is evidenced by the way it inspires its students to incorporate what they learned as undergraduates into the rest of their lives. More than 400 Wesleyan graduates have careers in the film industry. Many others continued their study of film on the graduate level and now teach Film Studies themselves. Others are archivists, journalists, or entrepreneurs. All carry with them the critical skills and love of cinema they developed at Wesleyan.
The Wesleyan alumni network is exceptionally strong within the film industry. Alumni continue to work together long after they have left Wesleyan, offer internships and entry-level positions to recent graduates, return to campus to speak with students and show their work, and tirelessly support the Film Studies Department in myriad ways. It is through the generosity of the alumni and their families that Phase I of the new Center for Film Studies opened its doors in September 2004, and Phase II opened in | 331 |
Hello everyone! This morning I read a beautiful post by /u/potentialPizza about Oda's clever use of panels, it's a fantastic read. This is an aspect of One Piece I've always loved and I do agree that it usually doesn't get as much appreciation as it should. But I wanted to point out that this isn't something that Oda developed only recently, but something he's always excelled at. A lot of people like to say that "One Piece got better over time" and once was only "good" and while in certain technical aspects it did, in my opinion it always was a masterpiece from the very start and things like these are things Oda has always applied.
Before we go onto anything I should mention two fundamental rules Oda uses in his way of drawing. The first is the rule of progression, or the right-to-left rule. This rule is based on the fact that readers read manga from right to left, which means that the action must progress from right to left. If someone is punching, the punch should be coming from the right side towards the left, allowing the reader's gaze to follow it from it's beginning to it's impact. This applies to sound effects, dialogues and other movements as well. The second rule is the 180 degree rule, a well-established rule in cinema that states that when displaying a fight or an established shot with two people, it's important to have explained who is on each side, having someone on the right and someone on the left, never allowing the camera to go beyond 180 degrees and changing the perspective, as that would confuse the watcher/reader. The perspective can change, but only if it's relevant and dynamic, or if transitioned well.
So with that out of the way, I<|fim_middle|> who take the time and effort to enlighten those of us who tend to be more oblivious than not.
How come the ship here has divided into tall vertical panels on the right-side of the page, when the entire picture could easily condensed into one background? What are those two vertical panels emphasizing?
Ah yes, the classic two vertical Oda panels. It's a technique Oda has used throughout the entire manga, it's a very clear indication of a change in location. It indicates that the action is shifting from one place to another.
In the same way that in a movie a camera could slowly pan to show you a larger scene, Oda gives you a few panels before you see where the location has changed. If you ever see those panels being used somewhere in the manga, it means that we are in a different location than before! You can even spot them in last week's chapter if you look closely!
So does it also indicate a change in time? My friends pointed that out when I showed them the same panel. | decided to pull randomly one of the classic fights in One Piece and show how Oda's technique applies to the the entirety of the series. The fight in question, Luffy vs Lucci, specifically the concluding parts.
This is one of the reasons why I can't stand people that dismiss types of art like manga and comics claiming that they don't have the level of detail and effort of written works. In the same way that a poet carefully chooses his syllables, a mangaka carefully places his panels, something that requires a lot more skill than what may appear at first simply translating a story into a visual format.
But of course, even if the majority of all manga follow this, very few truly master it. And of course among them all stands One Piece, which I believe is the supreme example of how ingeniously this can be done, though other mangas can as well provide different styles and different takes that are interesting in their own rights.
Unlike the example provided by /u/potentialPizza where Katakuri is overwhelming Luffy, here the perspective continuously changes, shifting from Luffy to Lucci back and forth. At one point it seems that Luffy has the advantage but Lucci easily retakes the right side, only for Luffy to quickly regain it and so on ans so forth. It's a continuous exchange that shows just how close the battle was, with a complete understanding on how to handle paneling in manga. I hope that with this I showed a little of the attention that Oda puts down on each page of manga he creates. The incredible thing about his art is not just all the details he peppers throughout the chapters, but even the way it's technically displayed as well.
All of that said, I'm super glad that there are people like you | 360 |
The BSE plans to seek market regulator SEBI's approval to launch spot trade in bullion as well as offer futures trading in gold and currencies at its subsidiary India International Exchange (INX) in the Gujarat International Financial Tech (GIFT) City. At a conference organised by Indian Bullion and Jewellers Association (IBJA) in Mumbai, Ashishkumar Chauhan, Managing Director of BSE<|fim_middle|> be soon applying for approval to launch spot trade in bullion, including gold and silver, at INX. He pointed out that the concept of launching a spot exchange was put forth by Shaktikanta Das, Secretary, Department of Economic Affairs, and the BSE took it forward by signing an agreement with IBJA for a joint venture in the exchange. He said that it was possible to have multiple exchanges.
Industry leaders discussed the demand for a spot exchange for the bullion in India. A panel comprising of representatives from institutions such as the BSE, Commodity Exchange – MCX, Kotak and researchers from Pahle India Foundation discussed the key challenges such as ensuring instant delivery of a commodity and financing it and transparency in the last mile. They argued that the government could encourage the setting up of a spot exchange, which is not common worldwide with the exception of Turkey, by trading imported gold on it. Prithviraj Kothari, MD of RiddiSiddhi Bullions, said that Turkey was a success because the government chose to sell imported gold through it and added that the Indian government too could support a spot exchange by doing the same.
BSE, Asia's oldest stock exchange, is the first to establish the country's first International Exchange at IFSC GIFT city in Gujarat. It signed an agreement with GIFT SEZ Limited in January 2015 to set up International Exchange and International Clearing Corporation at the GIFT IFSC. Built over an area of 880 acres, the Gujarat International Finance-Tec City is envisaged as an international hub for capital market trade.
India International Exchange IFSC Limited (India INX) and India International Clearing Corporation IFSC Limited (India ICC) are wholly owned subsidiary of the BSE Limited. The International exchange received final approval from Securities and Exchange Board of India (SEBI) on December 30, 2016. India INX was inaugurated by Prime Minister Narendra Modi on January 9, 2017.
Industry leaders at the event said that various presentations have been made to the government and they expected a positive outcome in the next 3-4 months.
The representatives also discussed setting up of a bullion bank, aided by government intervention and a Gold Policy stating a well-constructed roadmap for the sector. It was argued that perhaps one of the biggest hindrances was that the absence of financialisation of gold and the absence of a regulator in the sector.
The yellow metal is still not perceived as a financial asset in India. It plays various roles such as a commodity for consumption or investment, or as a currency or as a security, but doesn't fit into the traditional definition of a financial asset. The RBI refraining from recognising it as a financial asset has added to the challenge, the panelists stated.
Aram Shishmanian, Chief Executive, World Gold Council (WGC), said that India accounts for 25% of the global gold market, and yet it does not have any say in the world market. He said that the demand is gradually shifting from the West to the East now, and India needs to put its act together and needs to step away from a fragmented market with outdated methods.
Sanjeev Agarwal, Chairman, FICCI Forum on Gems & Jewellery, pointed out that despite being a vital global player, there isn't a single large Indian brand recognized in the global market. | said that they have applied to Securities and Exchange Board of India (SEBI) to launch futures trading in gold and currencies at the exchange located at the International Financial Services Centre (IFSC).
Chauhan said that they would | 45 |
From the entire dane decor family to you and yours, here's wishing you a healthy, happy and (comfortable) 2015! P.S. Lots of amazing new contemporary and modern furniture on the way!
We have been students of Danish and Scandinavian furniture for 41 years. Recently, we researched what, where, and how much did some of the great pieces of furniture we sold cost today. We are proud that our furniture retains much of it's value. And in some cases actually increases in value!
Over at Uniques & Antiques Inc., 2500 Market Street in Aston PA - they recently sold some of our famous pieces: A Dane Decor H. P<|fim_middle|> larger purchase. We hope to see you soon!
A Red-tailed Hawk flew into our Downingtown showroom! Luckily, Mark H. was there to get a spare sheet out and carefully grabbed the Hawk and let the Bird of Prey out safely. | . Hansen Danish Teak Sideboard sold for $1,955. An amazing bargain for handmade furniture today. We sold this in 1976 for $1,499.
Four Koefoed Dining chairs and a Danish Teak refectory dining table sold for $1,265. Originally it was $1999 at dane decor in 1977. That' s over 30 years of use for just over $600.
Stop in today and browse our huge selection of Danish and Scandinavian furniture. A beautiful investment.
New Year. New Style. $25 Gift Card.
http://www.danedecor.com/ Just visit our website, join our eClub and we'll send you a gift certificate good at either showroom for $25. No strings attached. Just use it to by a small gift or toward a | 183 |
(…continued) Moses is thus not only saved from certain death, but he is allowed to live in the palace. His own mother is hired to care for him and will be paid out of the king's treasury to raise her own son; the same king who had ordered that all such babies should be killed. And this baby grew up to be God's chosen leader to deal the nation of Egypt a most crushing defeat, one that would free all the Hebrews from slavery. It is a wonderful story, filled with miracles, surprises, courage, hope for the future, and, a happy ending– and it was made possible by the courage of one little girl, Miriam, who was faithful to her little brother and played her part well.
That was Miriam. She was not the star of the show<|fim_middle|> In his book Radical Son he describes how arrogant and self-righteous he and his friends in the movement were. They saw themselves as great and wonderful people– after all, weren't they trying to bring peace and justice to all the earth, overthrowing the powers of oppression, and creating a new and better world? But Horowitz began to realize that his friends weren't such wonderful people after all. They were mean, selfish, arrogant, and petty just like his parents and the rest of the older generation, and so was he. Today, Horowitz has many regrets about the mistakes he made in those years. | . She was not the main character in the story, but there would have been no story if it wasn't for her. She would go on to stay by Moses' side, supporting him in all his troubles and helping him in his many duties; until she died many years later in the wilderness, on the way to the promised land. She played her part well, served her brother, her God, and her nation. She was a vital part of God's plan to free the Hebrews and establish the people of Israel in their new land.
Miriam and John Parker were similar in that they both were called on to do small acts of service to people in positions of greater authority. But the way Miriam fulfilled her duty in service to her leader was quite the opposite of how John Parker failed in his duty and service; and, with the opposite result. Miriam's service made possible the long career of her brother Moses. John Parker's failure ended the career of America's greatest President at a time when his continued leadership was desperately needed.
We are all called on by God to serve others– some within their own family, some in a classroom, and some, in leadership positions over an entire county, state, or nation. But even presidents depend on the service of others. Jesus taught us that whatever we do for someone else is important and is a way to serve God. We might see the importance of only the more visible positions. God sees the value in all.
David Horowitz was a student radical in the 1960's. | 313 |
B<|fim_middle|> | asant Panchmi is an occasion which marks the onset of the 'Spring Season'. The festival is also celebrated to worship Goddess Saraswati, the symbol of knowledge and wisdom. To mark the occasion, the students and staff of Presidium Raja Nagar, came dressed in bright yellow coloured clothes on 12 February. Beautiful pieces of Art related to Basant Panchmi were decorated in the atrium and a rangoli was made which signified the brilliance of nature and the vibrancy of life.
A special assembly was held with the Grade 5th students performing on the 'Saraswati Vandana'. This was followed by a speech by Kshitij Srivastava of Grade 3rd on the various aspects of the festival. Grade Nursery and Prep gave a delightful group dance performance on the tunes of 'Maa Saraswati Sharde' which was thoroughly enjoyed by everyone. Grade 1st students also presented a spiritual song which was followed by a speech by Angad Tyagi of Grade 2nd. It was a colourful celebration enjoyed by all. | 219 |
KIMBERLEY AND DIST<|fim_middle|> completed a couple of heel clicks and a bit more backwards running for the cameras. We crossed the line in 3:05:55, 10 minutes ahead of our target time. She'd only gone and done it!
There were hugs and tears before we got our medals. Then a couple of marshalls were recruited to record the moment for posterity.
We walked through the race village, collected our goodie bags and headed for the Erdinger stall. It wasn't as nice as I remember it, and a nice cup of tea would have been more welcome.
A shivery walk back to the hotel, beaming smiles and achey legs. A hot shower and into the bar for Guinness. Sarah saved the biggest surprise until the second pint..... "I enjoyed that, wouldn't mind doing another one"
So Sarah's road to Manchester ended with a stonking race. Beating her target time by 10 minutes and actually enjoying the experience. Well done Sarah, you were amazing, but then again, I did tell you that you would be! | RICT STRIDERS - KADS RUNNING CLUB
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Manchester Half Marathon Sunday October 14th 2018
By Paul Nicholls
The journey up to Manchester on Saturday afternoon was pretty uneventful. Well it was for us, not so for Freddie Burns of Bath in the European Cup match against Tolouse, that will teach him to celebrate before he has scored. Talking of rugby, we had booked into the Premier Inn at Old Trafford, very handy for the race. Even handier it turned out, for the Rugby League Cup Final between Wigan and Warrington. The hotel bar was heaving with "proper" Northerners, although I didn't actually see any clogs or whippets. We did, however, see a group of butchers chasing a pig. Seems fancy dress isn't just for the cricket.
We had a walk round outside Old Trafford to soak up the atmosphere, it reminded me very much of a Wembley cup final, back in the days when Forest were good enough to get there. Dinner was taken in the hotel restaurant, where I explained the importance of hydration and carbo loading to Sarah.
Last minute kit check, pin on race numbers, lay out kit for the "apparently" traditional post on Facebook.
It was then a traditional early night before race day. Following tradition, Sarah was too nervous to sleep much.
Race day dawned wet. Very wet! Luckily we had come prepared. The start was only a couple of minutes stroll from the hotel, but we set off early to allow Sarah to soak up the pre-race buzz. All she managed to soak up though was gallons of Manchester's finest rain.
We found our start pen (G), right outside the Hotel Football. I swear you could actually see our hotel room from where we stood waiting patiently in the rain. The pen filled up, 9am came and went. We shuffled forward a few times, but no sign of the start. It was cold. Sarah was getting more nervous by the minute, we really wanted to just crack on with it. After what seemed like hours, we finally approached the start line. Off with the bin liners and fleeces. The race clock read 9.33 as we crossed the line, still wearing our matching red "Santa's little helpers" hats.
The first mile was typical of a big city race, people sprinting past on both sides, someone walking after half a mile, nervous chatter, running far too fast! We made a conscious effort to slow it down, but the mile 2 marker came up too quick as well. By now we had plenty of room to run in, space to find our own rhythm. I was really surprised how many people were walking, I know we had set a very conservative target, but we intended to try and run it all.
Back past the start at 3 miles, discarding the hats in flamboyant style (well, me anyway). We settled into a nice steady slosh up the road to Salford. The crowds were very vocal, a lot sparser than I remember from the marathon, but it was properly chucking it down. Water stations on route dispensed bottles, and also provided bins a bit further down the road with big targets on. I missed every single one!
As we approached the M60 bridge, we started to see the fast runners heading for home on the opposite carriage way. We managed to see Steve Haskard just in front of the 1:30 pacer and I bellowed encouragement. Lots of encouragement was coming our way from the faster runners, but once we passed the Majestic wine shop in Sale, the route took us through a very sparsely supported stretch. For the first time it started to seem like hard work. At 7 miles the puddles seemed more numerous and deeper. Sarah went quiet.
A left turn, followed a couple of hundred yard later by another, meant we had turned for home. The crowds started to re-appear, the mood was lifted. During our longer training runs, Sarah had started to run/walk at around 8 miles, but no such nonsense on race day. She ploughed relentlessly on, slightly slower, slightly more sweary, but on and on. We climbed up the cemetery hill at Sale, with the P.A guy giving us a big shout out at the top. Because I was running just in front of her, and had ny name on my vest, I was getting loads of shouts of "come on Paul". Sarah wasn't getting anything like the same, so every time someone shouted my name, I started running backwards and pointing at the "Sarah's Pacemaker" sign on my back. It worked a treat, suddenly Sarah was the centre of attention, and rightly so.
Mile 10 came and went, and we threw in a little walk break to eat jelly babies. I was expecting it to be hard to get her running again, but she took the initiative and we ran back onto the main drag and could almost smell the finish. Under the M60 bridge, we saw lots of blue lights as police and an ambulance tended to a fallen runner. We walked a little bit more after the 11 mile marker, as Sarah put it "so I have something left to run at the end". We walked hand in hand, something picked up on by the marshalls, who were amazing, supportive and witty all the way round.
We started to run again well before the 12 mile marker, and could soon actually see the finish line in the distance. Sarah kept telling me to slow down, which when we checked the Garmins after the race, was a very accurate assessment, the 13th mile split was the only one in the whole race that was anywhere near target pace! Past the first rank of photographers, more backwards running for me, into the finishing straight. We ran hand in hand for a while, before I sling-shotted Sarah towards the line, I | 1,332 |
My first true vacation was a trip to Paris from New York. I remember obsessing over every little detail. The result was an<|fim_middle|> with new eyes. The trouble with knowing everything about your trip before hand is just that. Where does the need to know everything about our trips stem from? I think it is our complacencies with a certain lifestyle, our rigidity in our beliefs, and our inability lack of willingness to face the unknown. If the idea that vacations are an escape from our humdrum daily affairs is true, it also calls for leaving behind certainties, our views and everything we take for granted. It is only in the new, unchartered experiences that we discover what is beyond our so called second nature.
So I want to suspend my plans, drop the checklists the next time I travel. And I wonder, how do I start to do that? An extreme challenge would be to just show up at the airport, pick a destination, buy the tickets and fly away. This is one of those hopelessly romanticized things that many of us say we want to do, and probably never do.
As I think a little more about it I realize I may do just fine. The thought of having to discover a new place without my blinkers on gives me goose bumps, and in an exciting way. Maybe this time I'll speak with the locals to find out their hangouts (and what to skip), and walk around all day to discover the sights and smells and more. I honestly don't know how, I, as a person would handle this, and would love to find out. It is probably a part of me I don't know.
I am packing my bags and going to the airport. Anyone here to help me out? | itinerary replete with names of restaurants where I would eat, a timetable of "things to do" (surely, a perfect combination of mostly tourist traps and small bits of the "loved by locals", or so I thought) and the amounts I would spend by day. I took pride in this efficiently planned itinerary but more so in how I followed the plan to a T! Unfortunately, years later things haven't changed much. The degree of micromanaging my trip may have reduced, but I still tend to manage it.
I could call myself a dilettante, I think that would be true for many of us. We aspire to "travel" but almost always don't let our instincts guide and let us soak in what comes out of spontaneity.
Discovering new places, new ways of living and culture is one thing, but the self-discovery that probably comes with unconstrained journeys is something to write home about.
Travel rescues me from the quotidian life governed by a strict pattern, or at least that is what I expect from it. If that is so, it is only natural that travel be free from a routine. I've also heard that the real discovery consists not in seeing new places but in seeing | 249 |
I am currently reading the amazing book, The Unstoppable Golfer,<|fim_middle|> just your golf game. The psychology of golf can impact such areas of your life, as confidence, discipline, vision, and drive.
One of my favourite quotes in the book is: "Every golfer has two opponents, the golf course and himself", we all can relate to this truth. As a business person or in your personal life, there are obstacles and challenges that seek to prevent you from achieving your destination. It matters greatly how you master these challenges; you must stand up on the inside before you will find the courage needed to meet the external challenges life throws at you. Bob Rotella mentions the importance of playing your game with no fear, with true passion and a belief that you can do it.
There are different beliefs in the golfing world about how much you should concentrate on your long or short game, and as I read the many theories on this idea, I was reminded that it is also true of the visions and plans I make regarding my own life. Do we have the right long-term goals for our lives? Does my present situation make it easy or difficult for these dreams to become my reality? If I identify obstacles in my way, then I must work and challenge myself to remove them. It is not easy to do, but what is right is not always easy.
So today I encourage you to dig deep inside your heart and search through the myriads of choices, dreams and plans you are cultivating there; are they truly leading you to living an unstoppable life? Are you living other people's dreams or are you genuinely excited about the person you are becoming?
What you do today, whether in your game of golf or your game of life, directly impacts the game you experience a year, or ten years from now. | by Dr. Bob Rotella. For those of you who are not golf lovers let me say that this book will help you gain a greater sense of control over your personal life and career objectives, not | 40 |
Salvatore Ferr<|fim_middle|> Punta Ala.
Inspired by the rich cultural heritage of Tuscany, Ferragamo introduces La Corte.
A sublime quality of jasmine, in its most precious form, the absolute, elegantly opens the fragrance. The opulent floral notes are wrapped in a delicate almond milk, to underline its magnetic and rich texture. The heart is built around two noble and sophisticated flowers which create a superb contrast, with the powdery and refined facets of iris contrasted by the solar nuances of white lily. To sublimate this fragrance, the dry down reveals a rich combination of white amber and voluptuously intense vanilla.
Ferragamo Tuscan Soul La Corte is available now at Harrods in the UK, £130 for 75 ml Eau de Toilette.
Kevin really likes this series…I have not tried them. They're in pretty limited distribution.
thanks. i tried a few last night at saks. not my thing…money saved! | agamo has introduced La Corte, a new addition to the Tuscan Soul Collection. The last fragrances to join the series were Terra Rossa and | 31 |
Sun, Surf, and Earthbag
How Three People Came Together (and Stayed Together) to Make an Earthbag House in Costa Rica
It isn't easy to build a house from scratch for the first time, and when you throw friends and lovers in the mix? Ooh...make or break, I reckon. So when a handsome couple from Costa Rica joined our Mud Home Facebook group in the winter, I did wonder how it would all turn out. There's a lot to learn from this project.
An ambitious project.
The Love Story and the Dream
Our story begins with Sam and Leora from California. A couple often to be seen balancing on surfboards as the sun turns pink, looking enviably tanned and healthy. The pair met three years ago and have been globetrotting ever since. Then they stumbled into Costa Rica. Here the love begins, with the land (it always starts with the land), the surf, and each other.
"After about two years of balancing travel with 'real life', we decided it might be time for a big lifestyle change," says Leora, who spearheaded the design of what was a very ambitious earthbag house for first-time builders.
"One night Sam was cruising the internet and discovered this 'out there' natural building technique. We had briefly discussed, in fantasy form, our dream of leaving the U.S. to build a home and start a family. Sam and I spent the next few months daydreaming, scheming and researching Earthbag Building. We downloaded all of Owen Geigers PDFs and looked into The Cal Earth Institute that was just right down the street in Riverside, California. In many ways, we fell in love with it."
From the outset, this project has been well-planned. Leora had studied interior architecture, so was in a good position to design her new home. "Sam and I spent the next few months concept designing every square inch of the project. We drew up site maps<|fim_middle|> round houses joined by an earthbag corridor. There were circles and straight walls, cupolas, and massive arches. It was going to be naturally plastered, too. When I first laid eyes on it, I gulped, because I knew how much work it would be. But I didn't realise that Sam and Leora had a secret weapon.
"I met Sam on a trip to Costa Rica almost five years ago," says Murat Dirlik, an experienced alternative builder from North Carolina (think Frank Zappa on a surfboard meets Salvador Dali with a hammer, and you'll be riding roughly the right mental wave).
"When Sam and Leora bought the lot here in Playa Peladas, they offered me the opportunity to come be their superintendent on the job. I was already burned out on hospitality management, so I jumped at the chance to do an earthbag project with my friends," he says.
Murat - The Man who Can.
The House Begins
The rest of us in the Facebook group have been watching this build go up since February, and from the word go it was hard not to be impressed. The design was appropriate – buttresses and adjoining walls were going in the right places, windows were well-placed, and the earthbags were looking tidier than a neurotic's bookshelf. But most of all it was the team work that impressed me, because this project could have so easily have gone pear-shaped.
It's really hard to maintain good communication when you are tired and stressed, with any number of limitations (time/weather/money) hanging over you. What I loved about this build is how everyone was valued and had a role. I'm oversimplifying, because in truth there are many overlaps in duties, but Leora is chief designer and on site each day to iron out design issues, Sam usually deals with logistics, planning, supplies and workers, and Murat is head of construction, foreman of the crew, and brings the design into reality. Everyone has a say, and the team meets regularly to discuss.
How to make an arch. Watch and learn.
The Problems
From the outside this project seemed to be running so smoothly I could hardly believe there were any difficulties, but of course there's always trouble somewhere.
"All told, I think the thing that repeatedly wore me down was negotiating the crew," says Murat. Perhaps it is largely my own problem, because I have spent ten years running a very well-oiled crew made up of some of my best friends, so coming here for this project I had to abandon such expectations. Simply put, between the language difficulties (I speak pretty much fluent Spanish but not Guanacaste worker slang) and the cultural aspects of it all, as well as the individual personalities of the workers and their general lack of building experience, things could become pretty overwhelming."
Yes, I hear you Murat. People are hard to manage. And the more people there are, the more trouble there is to negotiate. I'm often asked why I do so much alone. Honestly? Because half the time, even with the best intentions, 'help' just isn't very helpful. People usually aren't trained, and come with a barrel load of needs that you have to attend to.
"There was a palpable change in the stress level once we reduced our number of employees to about three people...so much easier to manage." Wise words from Murat here. Keep your team a manageable size.
Sam and Leora had other issues, and I sympathise here too, because it is stressful when it's your property and you are shelling out a lot of money for a build. "This has not been an easy project for us. I would say the most difficult part has been time, money and design management. This is our first project ever. We have learned a lot about stress control, remaining calm and collected during times of chaos and most importantly, how to remain a team and work together," says Leora, very gracefully if I may say so.
Cupola.
How to do it right
As far as I'm concerned, this was one of the most successful first projects I've ever seen. I know it wasn't easy, but it never is. Watching from the outside, I have my own take on why it succeeded. Here's a list of things this team did right:
Now, I might be a bit of a pantser, but even with my Mud Home in Turkey, even when I was in a tent without power, I still did my research. I bought the books, went to trusted sources, and wrote down information. You need to do your homework.
2. Communication and kindness
This team are excellent communicators. All three of them understand the importance of praise, and of valuing everyone's efforts. All three met weekly to discuss the plan, and all three spent time off site having fun, too. There's a lot of good feeling between them.
I would never normally recommend anyone who is building for the first time to try a project this big. If Murat hadn't had a decent amount of experience...
4. Asking for advice, and mitigating the ego
I tell you, when it comes to construction people are far too slow to ask for advice from an expert. And I get it. There is a continual barrage of opinions (many pretty misinformed) coming at you when you build something, so you get sick of hearing 'advice'. But the truth is, heck, you're building a house! Mistakes cost a lot of money. They might even bankrupt you. So just find an expert you trust and ask!
Who do I consider an expert? Experts are not people who spend all day blabbering. They are not your uncle Bob, or that guy up the road who keeps stopping by and adding his two-penneth worth. Indeed, in my experience real experts rarely give advice unless they are asked. The right person to take advice from is someone who has already done what you are doing. That's it.
With my Mud Home in Turkey back in the day, I went to Owen Geiger for advice about foundations, and I had a friend at the end of the phone who'd already built a string of earthbag bungalows.
With the Costa Rican team, Murat was already extremely well-versed in many kinds of alternative construction, which is why it was running smoothly. But even so, when they weren't sure, Sam, Leora, and Murat never hesitated to ask me questions.
One of the most successful first time builds I've seen.
That's my take. But what do Team Costa Rica think?
Here's what Murat has to say:
"I think that through a combination of my experience and familiarity with the building process (geometric concepts, design, engineering for strength, anticipating and planning ahead, setting up a workspace, and innovating like crazy in a place with little access to certain things we often take for granted) and Leora and Sam's understanding of how they wanted the project to turn out, we had a winner from the start. They knew that they wanted something nice and elegant, and unlike a lot of clients I have worked with, they had a proper vision from the beginning. After some growing pains we have come to trust each other and not hold onto any ideas too rigidly, so the project has been able to grow on its own in a really nice way...It's natural to get frustrated with one another and butt heads on a project as big as this one, so keeping that in mind and making sure to just have fun together is a crucial aspect of it. I would be hard pressed to think of doing this project with/for people whom I did not love, so maybe at the root of it all, that is how we have managed to overcome all of the difficulties and get to where we are now."
Here's Sam and Leora's perspective:
"The most important factor in our success has been our unwavering determination to finish. There has never been a moment where we've even considered throwing our hands up and saying 'we quit'...Through times of great stress and all-time lows, Sam and I manage to love our way through it, sometimes kicking and screaming, but at the end of the day there is always a hug and a 'we're gonna fucking do this!' "
A round of applause for Team Costa Rica. You did well. Very well.
Murat's amazing roof.
Murat also put together this pretty damn amazing roof for the earthbag house. I'll be outlining exactly how he did it in another article. So if you're in the area looking for a man who can make gorgeous and inventive things with his hands, contact Murat.
And if you'd like to follow Sam and Leora's story and see how this project ends, have a look at their blog: https://www.lovestrucktravelers.com/
If you'd like to be a part of our closed Mud Home Facebook group, where all sorts of builds are happening, and where I share what I'm building too, you can learn how to join here. When you join the group you will also get a free copy of The Mud Home Building PDF at the beginning of the month.
If you find these posts inspiring, useful or both, consider chipping in to support The Mud Home on Patreon. It takes quite a while to compile quality posts, and costs a lot of money to run. When you pledge you get to join my private news feed and enjoy email priority.
Philippa Rees
Amazing. Great post Atulya. Oh if I were young.... or just younger!
Thanks Philippa! Like you and the barns in the 70s:)
This has been a great project to follow along. I really like the design and all the great features, arches, roof etc.. It is much like what I have been looking to do the only difference being that I would probably put a third round building in the middle and have all three closely joined. I truly like the domed roofs, they add a lot of style. I think I would also double story two of the buildings. But that is just me and because I have a lot of "stuff" I will not get rid off, but am cutting down on. I do not know if I will live long enough to realize something like this, but I always say, never say never! As always this is great/interesting article and I look forward to continuing to follow along to completion. Atulya, as always your suggestions are spot on and people should pay attention to them to save themselves a lot of heartache and agony. Always be as prepared as you can be, because if something can go wrong it will and a person needs not to let it derail them. Thanks for sharing.
Jehane link
Thanks for sharing always wonderful see what others do with their climate , weather, materials, people mix!
If 3 moons project happened first as show and tell! build learn figure out!
Who will be part, making a year round community at 3 moons? The invitation is out!
So much more can happen ! Hello!!
Yes it will be great to follow this all the way to the end. Thank you as always Sandi for your astute comments and good ideas. | and floor plans and started to see our dream turn into a possible reality!" explains Leora, who is clearly not of the Atulya K Bingham seat-of-your-pants approach.
The dream took hold of them. But the only issue was, Sam and Leora didn't own a place to realise it. No small holding. No land. So they returned to Costa Rica. After a long hunt, they finally found what they were looking for. "A raw piece of jungle, roughly three-quarters of an acre. It was perfect. We closed the land deal a month later, on my birthday," Leora says.
Sam and Leora. But does love and earthbag mix?
The Friend
Dreams are all well and good. But to haul them out of the swampy marshlands of fantasy and into reality, you need a game plan. In most cases of construction you also need help – the right help. As I said, this house was very ambitious for first-time builders. I blinked once or twice when I saw the size of it.
The project included two sizeable earthbag | 224 |
HOME | BIOGRAPHY | PHOTOS | VIDEOS | ORIGINAL SONGS | SONG LIST | EQUIPMENT LIST | TOUR DATES | REVIEWS |
JOEY GRILLO:
Entertainer, Singer, Songwriter, Drummer with the ability to incorporate Guitar, Piano and Harmonica into his performances has been writing, recording and entertaining audiences for many years throughout the country.
Born and raised in Southern California, at the age of 10 Joey started playing<|fim_middle|>, in a tribute to The Who, took Joey to the stage in the Musical Rock Opera "Quad", produced by Bill Aucoin.
2008 brought on a whole new musical adventure with the opening of Joey's Full Service Music Facility, "Wall of Sound Studios" in Southern California. This gave him the opportunity to share his love and passion for the music industry with others. With much success, as an entrepreneur and entertainer, Joey opened a second location in Las Vegas.
Since then, Joey has had a strong presence in Las Vegas performing up and down the Las Vegas Strip, a residency at Station Casinos with Rebel Soul, charity fundraisers, as well as private and major corporate events, which include Photoshop, Discovery Channel's Velocity Live and annual convention SEMA, which he wrote the 2015 theme song for.
Stepping into today, he continues to write, record and tour as a Solo artist and with his band Rebel Soul, as well as performing on drums with the number one Aerosmith Tribute, Aeromyth. His passion as an Entertainer, drives him to embark on new opportunities. Joey can be found throughout the country, always ready to entertain fans and audiences.
This site is dedicated to the loving Memory of
A Great Web Designer, Talented Musician and Friend
© joeygrocks.com 2016 | drums. By the early 80's, he was performing up and down Hollywood's Sunset Strip. As a strong singing drummer, he took the next step to front man vocalist, for many 90's touring bands. This led to being recognized by Rolling Stone Magazine with a feature story, March 1997 issue, radio interviews and newspaper write ups. By 2005, performing as Roger Daltrey | 88 |
Serpentine Galleries →What's On →Serpentine Cinema: On Earth, Missing and Memory
Serpentine Cinema: On Earth, Missing and Memory
Offsite 14 Jan 2019 Free
Pierre Huyghe, Streamside Day, 2003, Super 16 mm film and video transferred to Betacam, color, sound, 26'. Courtesy of the artist and Marian Goodman Gallery New York / Paris
About Images Live
Peckhamplex Cinema, SE15 4ST 14 Jan 2019 Free
As part of the General Ecology project, and on the occasion of Pierre Huyghe's exhibition, Serpentine Cinema presented a programme of artists' films addressing humans' impact on the biosphere and the environment.
In part three of this screening series, on 14 January, artists reflected on ghosts, memorials and the performance of absence. The screening was introduced by architect Godofredo Pereira and included films by Matthew Burdis, Cao Guimarães and Rivane Neuenschwander, Pierre Huyghe, Ana Mendieta, Christelle Lheureux and Apichatpong Weerasethakul, Walid Raad/The Atlas Group and Anna Zett.
FILM PROGRAMME:
Christelle Lheureux and Apichatpong Weerasethakul, Ghost of Asia, Thailand / France 2005, Digital, 4:3, Dolby 5.1, colour, 9'11"
Ana Mendieta, Flower Person, Flower Body, 1975, Super-8mm film transferred to high-definition digital media, color, silent, 6'20"
Matthew Burdis, #4, from the<|fim_middle|>ist and The Contrarian, 2016 – 2018. Courtesy of the artist
Pierre Huyghe, Streamside Day, 2003, Super 16 mm film and video transferred to Betacam, colour, sound 26 minutes. Courtesy of the artist and Marian Goodman Gallery New York / Paris
This Unwieldy Object, 2014. © Anna Zett
The Shape of a Circle in the Mind of a Fish: we have never been one
Offsite 1 Dec 2018 Free
The second instalment of this project addressed interior multitude, swarming organisms, symbiosis and entanglement.
Serpentine Cinema: On Earth and Gardening
The final part of this series turned its attention to questions of care.
Pierre Huyghe: UUmwelt
Serpentine South Gallery 3 October 2018 — 10 February 2019 Free
The exhibition was changed irrevocably and unpredictably over the course of the time in which it existed.
Serpentine Cinema: On Earth, Poison and Place
Offsite 10 Dec 2018 Free
Part 2 of this screening series reflected on toxicity and contagion in the landscape.
Serpentine Cinema: On Earth, Structure and Sadness
Offsite 1 Nov 2018 Free
A programme of artists' films addressing machines, infrastructure and its impact on the biosphere and landscapes. | series The Idealist and The Contrarian, 2016 – 2018, 16mm transferred to HD video, 3' 2"
Matthew Burdis, Lindisfarne One One, 2015, HD Video, 4'25"
Walid Raad/The Atlas Group, I only wish that I could weep, 1997/2002, video (colour/silent), 7'40"
The Atlas Group in collaboration with Yussef Bitar and Georges Semerdjian, We can make rain but no one came to ask, 2003, single channel video, 18'
Cao Guimarães and Rivane Neuenschwander, Blow, 2010, Super-8mm film transferred to digital video, 5'30"
Ana Mendieta, Birth (Gunpowder Works), 1981, Super-8mm film transferred to high-definition digital media, black and white, silent, 2'59"
Pierre Huyghe, Streamside Day, 2003, Super-16 mm film and video transferred to Betacam, colour, sound, 26'
Anna Zett, This Unwieldy Object, 2014, colour, sound, 47', presented on Vdrome from 14 – 27 January 2019.
The screening was introduced by architect and researcher Godofredo Pereira
Part 1 of this screening series, On Earth, Structure and Sadness, and Part 2 On Earth, Posion and Place, took place on 1 November and 10 December 2018 at Peckhamplex, London.
On Earth, Missing and Memory is curated by Lucia Pietroiusti (Curator, General Ecology) and Kostas Stasinopoulos with Holly Shuttleworth. Advisors: Matthew Burdis and Filipa Ramos (co-curator, The Shape of a Circle in the Mind of a Fish and advisor on the Serpentine's General Ecology project). Presented in collaboration with Vdrome.
General Ecology is the galleries' long-term, ongoing investigation into complex systems, interspecies landscapes and environmental questions, which manifests through research, publications, exhibitions, study programmes, radio and events.
The Serpentine Cinema Autumn/Winter season is supported by Hannah Barry Gallery and Edward Campbell (Forth Arts, Australia)
General Ecology Serpentine Cinema
Ana Mendieta, Flower Person, Flower Body, 1975. Super-8mm film transferred to high-definition digital media, color, silent. Running time: 6:20 minutes. © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong & Co.
Christelle Lheureux & Apichatpong Weerasethakul, Ghost of Asia. Thailand / France, 2005, 9'11", Digital, 4:3, Dolby 5.1 / Colour, film still. Courtesy of the artists
Cao Guimarães and Rivane Neuenschwander, Blow. 2000, 5'30", Super8 film transferred to digital video, film still. Courtesy of the artists
Walid Raad/The Atlas Group, I only wish that I could weep, 1997/2002. video (colour/silent), 7'40". Courtesy the artist & Sfeir-Semler Gallery Hamburg / Beirut
Matthew Burdis, Lindisfarne One One, 2015. HD Video, 4' 25". Courtesy of the artist
Ana Mendieta, Birth, 1981. Super-8mm film transferred to high-definition digital media, black and white, silent. Running time: 2:59 minutes. © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong & Co.
The Atlas Group in collaboration with Yussef Bitar and Georges Semerdjian. We can make rain but no one came to ask, 2003, single channel video, 18'. Courtesy the artist & Sfeir-Semler Gallery Hamburg / Beirut
Matthew Burdis, #4, 2016 – 2018. 16mm transferred to HD video, 3' 2" seconds, from the series The Ideal | 935 |
The Liechtenstein Institute on Self-Determination's Project on Gender in the Global Community (GGC) will host Kimberly Bryant, Founder and CEO of Black Girls CODE, as guest speaker at the GGC student fellows bi-monthly meeting on Monday, April 1, 2019. Bryant will be visiting the Woodrow Wilson School on April 1-2 as a Leadership Visitor. Participation in this event is open to Gender in the Global Community student fellows<|fim_middle|> awarded the prestigious Jefferson Award for Community Service for her work to support communities in the Bay Area, named by Business Insider on its list of "The 25 Most Influential African-Americans in Technology," and named to The Root 100 and the Ebony Power 100 lists in 2013. She has been named one of FastCompany's Most Creative People, and was named a White House as a Champion of Change for her work in tech inclusion and for her focus on bridging the digital divide for girls of color. She received an Ingenuity Award in Social Progress from the Smithsonian Institute. | only.
Kimberly Bryant is the Founder and CEO of Black Girls CODE, a non-profit organization dedicated to "changing the face of technology" by introducing girls of color (ages 7-17) to the field of technology and computer science with a concentration on entrepreneurial concepts. She has been nationally recognized as a thought leader for her work to increase opportunities for women and girls in the technology industry and has received numerous awards for her work with Black Girls CODE. Bryant has been | 96 |
CONTACT KICKS OFF NEW AGE OF ELECTRICITY COMPETITON<|fim_middle|>0 per cent, and in some cases more, on their current charges.
"Consumers have benefited greatly from competition the Government created the environment for in other sectors already," Mr Bradford said.
"Think of the difference competition has made in telecommunications and air travel, for example. The same sort of price and service choices will soon be available to electricity consumers.
"Contact Energy will be remembered for kicking off what I am confident is just the start of this new age of real competition in the electricity sector." |
Max Bradford
"The significance of Contact Energy's entry to the retail electricity market seems to have been overlooked," Energy Minister Max Bradford said today.
"This is huge and exciting news for Aucklanders particularly. For the first time hundreds of thousands of householders will have real choice about who they buy their electricity from.
"It is also clear evidence of the benefits of competition in the electricity industry - benefits that are being delivered more quickly than the Government had even dared to hope for when the Electricity Industry Reform Act was passed by Parliament just a matter of weeks ago."
Mr Bradford was commenting on Contact Energy's announcement yesterday afternoon that it would be offering to supply electricity direct to retail customers in Auckland. He has welcomed the news, particularly Contact's prediction that residential customers will save up to 1 | 155 |
Friday, November 22:
Our last Kathmandu morning;
Our first Cal<|fim_middle|>). Now I understood - without that damn bell, we'd be squashed by an oncoming TATA truck or some other form of oncoming traffic. Indian drivers use horns as sonar devices, alerting others of their presence, no matter if it's an emergency or if they're just passing by. Rickshaws were no exception, so the bell jingles and the rickshaw-wallah's precious cargo remain unscathed.
We arrived at the Old Kenilworth 15 minutes later. Let me emphasize the word Old in Old Kenilworth - the place was a decrepit, rundown mansion that was creepy as hell and looked like a backdrop from the Addams Family. We were met inside by Mrs. Purdy, the aforementioned eccentric lady discussed in the LP guide. At first, I thought she was from New York or something - she had an odd, un-British accent, and she looked very Italian or even Jewish. I suppose the blend of an English and a Bengali background will do that. We checked in by signing an enormous old registrar's book that looked like one of those old leather-bound atlases you only see in good libraries. We were given Room 4, a giant suite with antique wood furniture, a vaulted ceiling, and an old-fashioned ceiling fan that hung off a pole that was at least 12 feet long. The room had the potential of being glorious, but the paint was peeling off of the walls, the wood needed a good polishing, and the bathtub, well it just needed to be replaced. No shower for me tonight, thank you very much.
The room was about $30 - typical for big Indian city accommodations. It would have been worth it if the hotel had been kept up, but because of the Kenilworth poor state, I was somewhat frustrated. But it was getting late and we only needed to spend a night there. At least it had character - that much was true.
Next Entry: Oh Calcutta!
Take me back to the journal index.
Take me back to Andy's Waste of Bandwidth.
EdWeb: Exploring Technology and School Reform, by Andy Carvin. All rights reserved. | cutta evening
At 8am, Susanne was well enough to join me for breakfast downstairs. I took this as a very positive sign. The Tibetan woman at the restaurant was very pleased to see Susanne up and around. Susanne thanked her for all of her help. As we ate we talked about sending her something from America as a thank you present - she certainly deserved it.
After breakfast, we began our last mad dash shopping spree in Thamel. Susanne had seen a sweater she liked and she wanted to go back and buy it. I desperately needed some t-shirts for my family. We went back and forth between all of the major t-shirt shops on Thamel's main drag. It was obvious there was some collusion going on between the shops, because every shirt carried the same price from store to store, and bargaining was next to impossible. I eventually bought three shirts for my brother and parents, as well as one for myself. Susanne got that sweater she had liked - it fit perfectly. I also grabbed a nice long wool scarf in the sweater shop - at three dollars, a good deal, I thought.
At our final stop, Susanne had her eye on a beautiful leather shirt and a vest for her mom. The Kashmiri shopowner drove a hard bargain, but he eventually settled with her for a reasonable deal. There was a bit of confusion over the exchange rate, but that only delayed us for a few minutes. Back at the hotel, we packed up our bags. The backpacks appeared as though they were about to burst, thanks to our free spending. But I was pretty sure that by this point we had purchased as much as we had planned to for the entire trip, so our lack of any more room in our bags was of little consequence. My only problem was that Kashmiri papier mache plate - it wasn't safe for packing, so I'd have to carry it by hand for the next week. Ah well - vita brevis, ars longa...
We said our goodbyes to our friends at the hotel restaurant and left for the airport around noon. When we reached the terminal, though, I realized that our flight was scheduled at 3:40, not 2:40. This gave us an extra hour to kill at the overpriced airport lounge. Eventually, though, we checked in and went through the efficient immigration process. This left us in the departure lounge for a couple of hours. I was concerned that our flight wasn't listed on the departure monitors, but the airport staff assured me that there was indeed a flight to Calcutta, and that it would be listed as soon as the flight arrived at the airport. So it was running late, and there was nothing I could do except relax, watch CNN and write in my journal. Our plane arrived at 4pm and our new departure time was set for 5pm. I didn't like the thought of arriving in Calcutta so late in the evening - our reservations at the Fairlawn Hotel had been for the day before (it was screwed up because of that cancelled flight) and we were unable to call from Nepal, so we'd have to keep our fingers crossed.
As we taxied along the tarmac, we caught a spectacular view of Bodnath stupa with Ganesh Himal soaring in the background. The sun was setting so it was particularly enchanting. I was also quite glad to see Bodnath one last time, especially as my last view of Kathmandu on the ground. We had wanted to go back to the stupa one last time before we left, but Susanne's illness prevented us from making it back. Seeing it was we coursed the runway was a special moment.
But our wonderful views were only beginning. We took off facing east, and once in the air, the plane made a slow 360-degree turn before heading southeast to Calcutta. This circle offered us a tremendous above-the-clouds view of the Himalayas - we could easily see from one end of Nepal to another. And with the sun so low in the sky, the shadows that reflected off each jagged peak were particularly breathtaking. As we made our final turn to the south, we got what we had been waiting for - a view of Mount Everest. We recognized it immediately. Though it's set back further north than the surrounding peaks, its profile was unmistakable. For a brief time earlier that day, I had regretted our decision not to take a special mountain flight at $100 each just to see Everest. Well, the sight of the world's highest mountain as we departed Nepal did more than make up for it. We had now seen Everest and the entire Himalayas, all aglow from the setting sun in the west. I was content.
The flight to Calcutta took a little over an hour, and we were on the ground by 6:30pm. Immigration and customs were a snap, but our luggage took a bit longer than I would have preferred. We hired a prepaid taxi for RS100, but our driver, a slimeball named Mr. Singh, said the drive to Calcutta would take at least two hours, but that he knew a shortcut that would take less than an hour, if it was worth it to us. Obviously, this guy was trying to scam more money just to take the regular route to town, but I told him to just get us there quickly. If there were any problems with him liking my tip, tough luck. He then took off like a madman, swerving through traffic and driving in breakdown lanes. Twice he had to slam on the breaks to avoid hitting trucks ("No problem, no problem...") He also wouldn't shut up. We finally got to the Fairlawn, at which point I gave him RS50 extra and walked away. He started to yell at me in Bengali, but I ignored him.
The Fairlawn is a lovely green Victorian establishment run by the same English family since the 1930s. I had heard great things about it, so I hoped we'd still be able to get in for the night, even though our reservations were for the night before. Perhaps playing ignorant would be enough. Unfortunately, my luck ran out at the reception desk. Full booked, no exceptions. I played it up by pretending that our reservations were supposed to have been for that night, and that there must have been a mixup. No dice. There were no rooms left, so we'd have to stay elsewhere. The reception clerk was nice enough to make some phone calls for us, and we asked him to ring up the Old Kenilworth Hotel to see if they had any room. They most certainly did. The LP guide recommended it as an aging mansion full of character, and with an eccentric English/Indian proprietress, a Mrs. Joyce Purdy. We decided to give it a go.
Outside the Fairlawn we tried to hail a cab, but none would accept us for less than 60 rupees- an outrageous fare considering the short distance we had to travel. Then, a rickshaw-wallah approached us on foot and offered us a ride at 30 rupees. Susanne and I looked at each other, dumbfounded - have an old rickshaw-wallah walk us to the hotel with all of our bags? We had previously talked about Calcutta's rickshaws, one of the last bastions in South Asia where these poor skinny men actually pulled a giant rickshaw while they ran on foot. Susanne had said she found it to be a humiliating profession and didn't want to patronize is. I too had serious reservations with it, but I concluded that this is how they make our living, and I'd be sure to give him a generous tip for his troubles (besides, Susanne would kill me if I gave the guy anything less than 50 rupees). So, we decided to go for it.
We climbed on the rickshaw seat and held our bags tight. The man then lifted the two polls on each side of the rickshaw and began to run, jingling a small bell with his right hand as we went. I immediately thought of the film City of Joy, which takes place here in Calcutta. I always wondered why in the movie the rickshaw-wallah always jingled that damn bell (it was very loud in the film and got annoying after an hour or so | 1,744 |
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Annual Fee and APR - The Exxonmobil credit card has no annual fee. The apr is prime rate plus 5.99% for the platinum mastercard version and prime rate plus 9.99% for the normal mastercard. The Exxonmobil credit card uses the average daily balance method (including new purchases)<|fim_middle|> transfer (from date of transfer with no balance transfer fee during the introductory period) for twelve months versus six billing cycles for the BP Visa, which makes it a very good card to transfer a balance as well. The other major difference between the two cards is that with the Citi Dividend Platinum Select Card, you choose how to use the rebates, whereas with the Exxonmobil credit card, your rebates automatically credited for your next purcahse at Exxon Mobil stations.
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If you already have Exxonmobil Credit Card and want to comment on it, you can post your review here. | to compute balances. There is also a very good introductory balance transfer scheme. You get a 0% introductory apr for balance transfers for six months from the date of the first balance transfer. You are allowed six months to transfer your balances and there is no balance transfer fee during the introductory period.
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The Citi Dividend Platinum Select Card is a cash rebate credit card that pays a 5% rebate on purchases from standalone supemarkets, gasoline stations and drugstores. They pay 1% rebate on other purchases. The apr is low and you get a 0% apr on balance | 332 |
THE FOUND<|fim_middle|>10:49 PM | ING PRINCIPLES OF AC/DC ABRUZZO
"I love Italian food" - Brian Johnson
Today is the second anniversary of the official come back of AC/DC almost 5 years for the video shoot of Rock'n'Roll Train in London. After that there was the Black Ice album and the Black Ice World Tour. For us it was the realization of the Rock'n'Roll Dream.
But how did we make it possible? We already told you some of our secrets... But there's more... It was during the first encounter with Brian Johnson in Stockholm that we had the inspiration about our ambitious project. In fact Brian gave us a real lesson on how to build the rockstar lifestyle laying down the founding principles of AC/DC Abruzzo.
During the two hours we spent with him and Cliff, Brian explained everything we had to know about SEX, FOOD (MANGIARE) and ROCK'N'ROLL. In the following 15 months we applied his teachings (together with those of the Kosp and KK and other mentors). And it was a glorious time...
So thank you Brian and thank you AC/DC!
This abridged version of Brian Johnson's lecture and explanatory video is endorsed by KK and the Kosp and his assistants and it is considered as a valuable educational instrument for those about to rock around the world with AC/DC
Pubblicato da ©2008-2016 AC/DC Abruzzo a | 303 |
Trans Europa Express () é o sexto álbum da banda alemã de música electrónica Kraftwerk. Gravado em meados de 1976 em Düsseldorf, o álbum foi lançado em Março de 1977 pela editora Kling Klang Records. As músicas do álbum foram influenciadas por amigos que sugeriram a escrita de canções acerca do Trans Europ Express para espelhar o estilo de música dos Kraftwerk. Os críticos têm descrito o álbum como tendo dois temas específicos: a celebração da Europa e as disparidades entre a imagem e a realidade. Em termos musicais, as canções deste trabalho da banda alemã diferem do anterior estilo krautrock que a caracterizava, com ritmos electrónicos mecanizados, minimalismo e vozes manipuladas em alguns temas.
Trans-Europe Express alcançou a 119.ª posição nas tabelas musicais norte-americanas, e 30.ª na votação Pazz & Jop do Village Voice em 1977. Deste álbum foram saíram dois singles: "Trans-Europa Express" e "Showroom Dummies". Este álbum dos Kraftwerk tem sido comercializado em vários formatos, e continua a receber elogios dos actuais críticos.
Antecedentes
Depois do lançamento e respectiva digressão do álbum Radio-Activity, os Kraftwerk continuaram a afastar-se do seu estilo musical inicial de krautrock improvisado, e a aperfeiçoar o seu trabalho para um formato mais melódico e electrónico. Durante a digressão de Radio-Activity, o grupo começou a estabelecer regras de comportamento como não estar bêbedo em palco ou em festas. Karl Bartos comentou sobre estas regras que "não é fácil girar os botões de um sintetizador se estamos bêbedos ou cheios de drogas. ... Tentámos sempre estar atentos ao que estávamos a fazer enquanto actuávamos em público." Durante estes concertos, Kraftwerk começaram a tocar músicas que, mais tarde, serviriam para a composição de "Showroom Dummies".
Em meados de 1976, os Kraftwerk começaram a trabalhar no álbum que então se designava Europe Endless. Paul Alessandrini sugeriu-lhes que escrevessem uma música sobre o Trans Europ Express para reflectir o seu estilo de música electrónica. Hütter e Schneider encontraram-se com David Bowie e Iggy Pop antes de iniciarem as gravações o que influenciou a letra das canções. Maxime Schmitt encorajou o grupo a gravar uma versão em língua francesa da canção "Showroom Dummies" o que levou a banda a gravar mais tarde várias músicas em francês. O álbum foi gravado nos estúdios Kling Klang Studio em Düsseldorf. O controlo artístico das músicas estava totalmente nas mãos de Ralf Hütter e Florian Schneider, com Bartos e Wolfgang Flür a contribuírem na percussão electrónica. Os Kraftwerk estiveram em pontes ferroviárias a ouvir os sons que os comboios produziam. O grupo achou que o som dos comboios não era dançável e realizou algumas alterações.
Gravação
Um dos novos equipamentos utilizados no álbum foi o Synthanorma Sequenzer, um sequenciador analógico de 32 fases e 16 canais feito para o grupo pela Matten & Wiechers. O sequenciador permitiu a composição mais elaborada de partes das músicas em sintetizador, que surgem de forma mais destacada nas faixas Europe Endless, Franz Schubert e Endless Endless, e libertou o executante da tarefa de tocar padrões repetitivos em teclado.
Enquanto que Radio-Activity incluía uma mistura de alemão e inglês na sua letra ao longo do álbum, Trans-Europe Express foi mais longe e foi remisturada como duas versões separadas, uma cantada em inglês e outra em alemão. Por recomendação de Maxime Schmitt, uma versão em francês de "Showroom Dummies", intitulada "Les Mannequins", também foi gravada. "Les Mannequins" foi a primeira canção do grupo em francês e teria influência nas decisões de gravar outras na mesma língua em álbuns posteriores. Depois de gravar o álbum em Düsseldorf, Hütter e Schneider visitaram Los Angeles para proceder à mistura das faixas nos Record Plant Studios. Algumas partes das sessões de mistura que foram realizadas em Los Angeles foram retiradas do álbum, incluindo a utilização de vocais, para que fossem feitas mais misturas em Düsseldorf e Hamburgo mais tarde.
A ilustração da capa do álbum Trans-Europe Express era para ser uma imagem monocromática do grupo a reflectir-se<|fim_middle|> um optimismo - mesmo que as pessoas o vissem como música de máquinas". Morris também referiu que: "Faz-me lembrar o Cabaret, o filme, com todas aquelas canções dos anos 20. [...] Quando se dá aquele casamento entre humanos e máquinas, e ele corre bem, é fantástico. É o meu álbum preferido dos Kraftwerk."
Honras atribuídas
A informação acerca da honras atribuídas a Trans-Europe Express é uma adaptação de Acclaimed Music, excepto onde indicado.
Faixas
Músicos e técnicos
Adaptado do folheto de Trans-Europe Express.
Kraftwerk
Ralf Hütter – Voz, sintetizador, orchestron, sequenciador-synthanorma, electrónica, produtor
Florian Schneider – voz, vocoder, votrax, sintetizador, electrónica, produtor
Karl Bartos – bateria electrónica
Wolfgang Flür – bateria electrónica
Technical
Peter Bollig – engenheiro de som
Bill Haverson – engenheiro (The Record Plant, Hollywood)
Thomas Kuckuck – engenheiro (Rüssl Studio, Hamburg)
Graphical
Maurice Seymour – fotografia
J. Stara – fotografia
Günther Fröhling – fotografia (edição de 2009)
Ink Studios – desenho tipográfico
Johann Zambryski – reconstrução artística (edição de 2009)
Posição nas tabelas
Bibliografia
Ligações externas
Página oficial dos Kraftwerk
Álbuns de 1977
Álbuns de Kraftwerk | numa série de espelhos. Esta ideia foi afastada e substituída uma fotografia do fotógrafo nova-iorquino Maurice Seymour, com os elementos dos Kraftwerk vestidos como manequins. A imagem do grupo, da autoria de J. Stara, foi tirada em Paris, e é uma foto-montagem da parte superior do tronco dos membros do grupo que posaram como manequins, e constituiu a capa do álbum comercializado nos Estados Unidos. Na capa interior, foi utilizada uma colagem a cores do grupo sentado numa pequena mesa de café desenhada por Emil Schult. A fotografia desta cena foi tirada numa sessão fotográfica de Maurice Seymour, durante a digressão norte-americana. Outras fotografias são da autoria de Schult que mostra os membros da banda a rir e a sorrir. No entanto, estas não foram incluídas no álbum.
Composição
Wolfgang Flür afirmou que os Kraftwerk foram influenciados pela música do período da República de Weimar: "éramos crianças nascidas logo após a Segunda Guerra Mundial ... não tínhamos uma cultura musical ou uma pop própria ... houve a guerra, e antes da guerra apenas tínhamos a música popular alemã. Nas décadas de 1920 ou 1930, as melodias foram desenvolvidas e isso tornou-se a base cultural de onde começamos a trabalhar". Karl Bartos também referiu a influência do pós-guerra pois o grupo achava que "tinham tido este desenvolvimento nos anos 1920 o qual era muito, muito forte e audio visual. Tivemos a escola Bauhaus antes da guerra, e depois da guerra apareceram pessoas extraordinárias como Karlheinz Stockhausen e o desenvolvimento do clássico e do clássico electrónico. Foi algo muito forte e tudo aconteceu muito próximo de Düsseldorf em Colónia, e todos os grandes compositores dirigiram-se para lá." Paul Alessandrini ajudou na concepção do álbum. Alessandrini disse a Hütter e Schneider que "com o género de música que vocês fazem, que é como blues electrónico, e as estações de caminho-de-ferro e comboios são muito importantes no vosso universo, vocês devem fazer uma música sobre o Trans Europe Express". Os Kraftwerk achavam que os críticos do Reino Unido e Estados Unidos os associavam à Alemanha Nazi, por causa de músicas como Autobahn intrinsecamente ligadas aos nazis que construíram as vias rápidas nas décadas de 1930 e 1940. Ao mesmo tempo, o grupo estava disposto a afastar-se da sua herança alemã em direcção a um novo sentimento de identidade europeia, e sentiram que o Trans Europ Express podia ser utilizado para simbolizar as suas ideias de mudança. O site AllMusic refere-se a Trans-Europe Express como um álbum conceptual com dois temas diferentes. O primeiro era a disparidade entre a realidade e a imagem, representada nas canções "The Hall of Mirrors" e '"Showroom Dummies"; o segundo, era acerca da glorificação da Europa. A Slant Magazine descreve o álbum como "um poema sonoro à Europa".
O estilo musical deTrans-Europe Express é caracterizado pelo AllMusic como temas melódicos que "são varias vezes repetidos e pontualmente interligados com ritmos deliberados e vozes manipuladas" e "ritmos minimalistas e mecanizados, e melodias elaboradas e cativantes". Hütter comentou acerca da natureza minimalista do álbum, dizendo que "se pudermos transmitir uma ideia com apenas uma ou duas notas, é melhor do que tocar uma centena de notas". O primeiro lado de Trans-Europe Express tem três músicas. A canção "The Hall of Mirrors" tem sido descrita como contendo vozes sem expressão e letra que que especula sobre as estrelas que olham para si próprias nos espelhos. Hütter e Schneider descrevem a canção como sendo autobiográfica. A terceira faixa, "Showroom Dummies", é caracterizada pelo Allmusic como "melodicamente ritmada de uma forma que Trans-Europe Express o não é" e com letras que são "um pouco paranóicas". A ideia para a música tem origem no facto de Flür e Bartos terem sido comparados com manequins numa crítica britânica a um concerto. Algumas versões da canção começam com uma introdução falada a contar eins zwei drei vier ("um dois três quatro" em alemão), numa paródia à banda Ramones, que começava as suas músicas com uma contagem rápida de one two three four. O segundo lado do álbum Trans-Europe Express é uma suíte com a música "Trans-Europe Express" interligada com "Metal on Metal" antes de fechar com "Franz Schubert" e um breve regresso ao tema principal de "Europe Endless". O Allmusic descreve os elementos musicais da suíte como sendo assustadores, com um "canto inexpressivo do refrão da música" o qual é "lentamente acrescentado sobre aquela base rítmica, num modo muito semelhante ao do que a canção "Autobahn" foi construída". A letra da música faz referência ao álbum Station to Station e ao encontro com Iggy Pop e David Bowie. Hütter e Schneider tinham-se encontrado com Bowie na Alemanha, e ficaram lisonjeados com a atenção que receberam do músico. Ralf Hütter estava interessado no trabalho de Bowie pois este tinha estado a trabalhar com Iggy Pop, o ex-vocalista dos Stooges, uma das bandas preferidas de Hütter.
Lançamento
Trans-Europe Express foi comercializado em Março de 1977. Com a ajuda de Günther Fröhling, os Kraftwerk fizeram um video promocional da música Trans-Europe Express. O video mostra o grupo vestido com casacos compridos a ir de comboio de Düsseldorf para Duisburg. As fotografias tiradas do video foram utilizadas mais tarde no single de "Showroom Dummies". Fröhling voltaria a trabalhar com os Kraftwerk no álbum The Man-Machine, na elaboração fotográfica da sua capa. Para promover o álbum junto da imprensa em França, a EMI Records alugou um comboio com carruagens antigas da década de 1930 para ir de Paris até Reims, enquanto as músicas do álbum iam tocando pelo sistema de som, para os críticos as ouvirem.
Em Outubro de 2009, uma edição remasterizada do álbum foi lançada pela EMI na Alemanha, pela Mute Records na União Europeia, e pela Astralwerks Records Nos Estados Unidos. Esta reedição foi comercializada em CD, via internet e em vinil, e a sua capa é diferente das anteriores versões do álbum. Esta nova versão tem um fundo negro com um Trans Europ Express branco ao centro. A lista das faixas da edição de 2009 apresenta o nome das músicas de acordo com a versão original em alemão. Esta alteração faz com que Metal on Metal tenha apenas dois minutos e que a restante parte tenha a designação de Abzug ("Partida").
Desempenho comercial
O álbum Trans-Europe Express atingiu uma posição mais elevada nas tabelas de vendas dos Estados Unidos do que o anterior Radio-Activity, ao atingir o número 117 na Billboard Top LPs & Tapes."Trans-Europe Express" e "Showroom Dummies" foram lançados como singles. Trans-Europe Express entrou para a tabela Billboard Hot 100 em 1977, onde chegou à 67.ª posição. Trans-Europe Express entrou para as tabelas do Reino Unido nos anos 1980. A sua estreia deu-se em 6 de Fevereiro de 1982, e permaneceu nas tabelas durante sete semanas, onde chegou a 49.º. O single "Showroom Dummies" entrou em 20 de Fevereiro do mesmo ano, permanecendo cinco semanas, e a sua melhor posição foi a 25.ª.
Recepção e crítica
As primeira críticas a Trans-Europe Express foram positivas. O crítico musical Robert Christgau atribui-lhe a classificação "A" ao álbum, afirmando que "os efeitos texturais" do álbum "soam como paródias feitas por estudantes sound like parodies by some cosmic schoolboy of every lush synthesizer surge that's ever stuck in your gullet—yet also work the way those surges are supposed to work". Trans-Europe Express entrou para a lista dos críticos da Pazz & Jop, da revista The Village Voice em 1977, na 30.ª posição.
As actuais análises ao álbum também tem sido favoráveis. Trans-Europe Express têm as classificações mais altas de várias publicações como o AllMusic, Mojo, Rolling Stone e Slant Magazine. Steve Huey do Allmusic escreve que o álbum "é várias vezes citado como talvez sendo o arquétipo (e o mais acessível) dos álbuns dos Kraftwerk ... No geral, Trans-Europe Express oferece a melhor mistura de minimalismo, ritmos mecanizados, e melodias cativantes e bem trabalhadas dos trabalhos do grupo". A imprensa britânica também se mostrou agrada com o álbum. A Q atribuiu quatro estrelas, em cinco, ao trabalho da banda alemã, referindo que o álbum "mudou a face da música de dança norte-americana" e que "foi um dos ritmos mais atractivos desta, ou de outra qualquer, era". Em 2009, a Drowned in Sound classificou o álbum com a nota máxima de 10, referindo que "Trans-Europe Express é, ao mesmo tempo, antigo, intemporal, retro e contemporâneo. O seu estatuto de origem da música electrónica moderna é bem merecido, mas a sua reputação sagrada não deverá, nunca, esconder o seu verdadeiro valor e força como obra-de-arte. Nem deve turvar a sua longevidade que, 32 anos, podemos começar a chamar pelo seu verdadeiro nome: imortalidade".
Trans-Europe Express esteve em várias listas de vendas de várias fontes. em 2001, a rede televisiva VH1 colocou Trans-Europe Express em n.º 56 na sua lista de "100 Melhores Álbuns (de Rock & Roll) de Todos os Tempos". Em 2002, a Slant Magazine escolheu este álbum para o primeiro lugar da sua lista de melhores álbuns electrónicos do século XX. Em 2003, a Rolling Stone colocou Trans-Europe Express em 253.ª lugar na lista de 500 Melhores Álbuns de Todos os Tempos. O Channel 4 classificou-o como 71.ª na sua lista de 100 Melhores Álbuns. Em 2004, o site on-line Pitchfork Media listou Trans-Europe Express em 6.º melhor álbum da década de 1970, referindo que "está para chegar o dia, se é que não chegou já, que Trans-Europe Express se irá juntar a Sgt. Pepper's Lonely Hearts Club Band e Exile on Main St. como simplesmente o álbum de que nada se poderá escrever".
Legado
Sal Cinquemani da Slant Magazine descreveu a influência deste trabalho como "sem precedentes, chegando aonde álbuns de rock (Kid A dos Radiohead), hip-hop (Planet Rock, de Afrika Bambaataa; Big Booty Express de Jay Dee) e pop (Drowned World Tour de Madonna, que incluiu partes de Metal on Metal) chegaram".
No final dos anos 1970, o álbum teve influência na banda de pós-punk Joy Division, tendo o seu baixista, Peter Hook, referido que: "Conhecemos os Kraftwerk através de Ian Curtis, que insistia em tocar Trans Europe Express sempre que íamos entrar em palco. A gravação era passada no local, sobre o sistema de som, para ser ouvida por toda a gente. A primeira vez foi no Pips [um clube de Manchester conhecido pelo seu «Bowie Room» (Quarto de Bowie)]. Ian foi expulso por partir copos na pista de dança, mesmo na altura em que íamos tocar. Demorávamos horas a implorar-lhe que regressasse." O baterista Stephen Morris também confirmou que os Joy Division "costumavam tocar Trans-Europe Express antes de irem para o palco, para nos preparamos psicologicamente. Funcionava bem pois dava-nos aquele impulso necessário. Trans-Europe Express exprimia | 2,979 |
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Red Bull Juniors Edgar and Crawford duel for the ADAC F4 Championship, Van Amersfoort Racing poised to take team title
It is a duel that has dominated the whole season, and it is about to culminate on the final weekend at Oschersleben (6th - 8th November) - Jonny Edgar (16, England) versus Jak Crawford (15, USA), two Red Bull Junior members of the Van Amersfoort squad in pursuit of the ADAC Formula 4 title. Edgar goes into this last fixture of the campaign leading the championship table by a 23-point margin and as clear favourite, but Crawford remains undaunted. So everything is set for a riveting conclusion to the sixth season of the ADAC High-Speed Academy. Racing at Oschersleben will go ahead without any spectators in attendance to comply with the biosecurity measures agreed between the ADAC GT Masters and the relevant authorities. Free-to-air TV channel SPORT1 will be showing the races from the High-Speed Academy, and they can also be watched online as a livestream on SPORT1.de, YouTube.com/adac, the Facebook page of ADAC Formula 4 and on adac.de/motorsport.
"I aim to give my best in all three races, and then the championship will be decided by Jonny's results," says Crawford, who feels comfortable in the role of challenger. He goes into the championship decider as the one without the weight of expectation on his shoulders. Furthermore, current form suggests that the Texan has momentum on his side: the 15-year-old has won two of the last four races, while Edgar came away winless from the Lausitzring last weekend and posted a couple of mediocre results for the first time this season.
On the other hand, Edgar is the master of his own destiny. However, he knows that he cannot afford any major blunders: "I don't have to fight too hard. As long as I finish ahead of Jak or directly behind him, everything should be fine. I'm hopeful of having a good weekend, and I'm absolutely determined to bring the title home." If Edgar does indeed 'bring the title home', he will be the fifth driver in the sixth year of ADAC Formula 4 to go on from winning the first race of the season to later also lift the championship trophy. The only exception came in 2019 when Theo Pourchaire won the title after Brazil's Gianluca Petecof secured victory in the opening race.
The strong performances from Edgar and Crawford have also ensured that Van Amersfoort Racing are poised to claim their first ever title in the team classification. There is still a mathematical chance that the Dutch outfit could be caught by US Racing. But in any case, the Germans from Kerpen, who finished both the 2018 and 2019 seasons as treble winners, have already had their moment of glory this year, with ADAC Sports Foundation protégé Tim Tramnitz (15, Hamburg), wrapping up the Best Rookie classification last weekend with two races to spare.
The youngster from Hamburg is fifth in the general classification, while the best-placed driver of the US Racing contingent is | 1,753 |
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Force due to change in energy
We know change in kinetic energy is equal to total work done by all the forces acting on the object.For work done there should be a force .What's that force.direction?
ex a parallel plate capicitor's dielectric is attached to a mass m which is pulling it downward .We need to find the vale of dielectric so that it stays in it place. The problem is that electric field is horizontal and block is pulling vertical how can we generate a force to prevent dielectric from falling?
newtonian-mechanics
Bhavay
BhavayBhavay
$\begingroup$ It could be any. What is the context? $\endgroup$ – Steeven May 24 at 6:52
The correct relation is that the change in kinetic energy is equal to the total work done on a particle--not the change in mechanical energy. Or, another relation that holds true is that the work done on a particle by conservative forces is equal to the (negative) of the change in its potential energy.
For example, in a conservative system (i.e., the system where there are only conservative forces), such as an apple falling in the gravitational field of the Earth, the mechanical energy of the apple is conserved--its gain in kinetic energy is balanced in its loss of potential energy. However, the work that is done on the apple (by the gravitational force) is not zero--it is precisely equal to the negative of the change in its potential energy, or, equivalently, equal to the change in its kinetic energy.
Now, the direction of the force acting on a particle for a<|fim_middle|> region with curved field lines. The polarization of the dielectric makes the separated charges along that edge subject to the external field in the gap versus the (reduced) field inside the dielectric. Because the plates have constant potential (voltage), it means there's a ripple of induced charge in those plates: the capacitor plates' charge is not uniform.
Ignoring 'edge effects' would mean ignoring the force pulling the dielectric into the gap. In physics, that's the wrong thing to do...
So, the problem is NOT well described as 'field is horizontal'. The dielectric has its own charges, and they change the field.
Whit3rdWhit3rd
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Force required to lift a block | given change in its kinetic energy could be any. The point is that the work performed by a force on a particle is $\int\vec{F}\cdot\vec{dr}$, or, in one dimension, $\int F dx$. This means that it not only depends on the force but also depends on the displacement of the particle. Thus, the same amount of work can be done by a force no matter the direction of the force as long as the direction of the displacement of the particle is adjusted correspondingly.
However, if you are only talking about conservative forces, then, by definition, they are given by the (negative) gradient of the potential. So, the direction of a conservative force is given by the direction in which the potential is decreasing the most rapidly. For example, in the case of the gravitational force of the Earth near the Earth-surface, the gravitational potential is given by $mgh$. So, it increases with the height $h$--so the direction of the gravitational force is towards the decreasing value of $h$, i.e., downwards.
Feynmans Out for Grumpy CatFeynmans Out for Grumpy Cat
$\begingroup$ Are you Dvij Mankad? $\endgroup$ – Unique May 24 at 7:10
$\begingroup$ @Unique Lol, that's a bit of doxxing, but yeah. I temporarily changed by ID to respect the demise of the Grumpy Cat. $\endgroup$ – Feynmans Out for Grumpy Cat May 24 at 7:12
For a dielectric being pulled into a high-E-field region, one cannot make the usual 'E field is perpenducular to the parallel plates' assumption, because the edge of the dielectric is a fringe | 369 |
"The deaths of one<|fim_middle|> Toxins may kill fish or shellfish directly, or may cause one of several human illnesses following ingestion of contaminated seafood. The second category of impacts is high biomass accumulation, which, in turn, leads to environmental damage or degradation. These effects can include light attenuation, clogging of fish gills, or depletion of dissolved oxygen upon decay of the algal cells. Some HABs can even kill fish because of their physical shape, lodging in gill tissues and causing a physiological response leading to death.
The coastal ocean is suffering from overload of nutrients. | million menhaden in North Carolina's Pamlico Sound in 1991, 150 endangered Florida manatees in 1996, and 400 California sea lions along the central California coast in 1998 have all been attributed to harmful algal blooms (McKay and Mulvaney 2001). They disrupt aquaculture, wild fisheries, and coastal tourism. In the past two decades, their effects have expanded from a few scattered coastal areas to nearly all coastal states (Burke et al. 2000)."
Algal blooms occur in both saltwater and freshwater environments and cause harm through two primary mechanisms. The first category of impacts is the production of toxins. | 152 |
How Do Computers Communicate?
By Geoffrey Weed
Although computers do communicate on many different levels and there is a great deal of variation between the different types of computer systems involved, the basic communication process is relatively uniform and standardized. Essentially, computers communicate with one another over networks that are connected via wire or wireless communication methods. There are many different types of networks, and there are many different types of network-connection methods as well.
What Are the DIfferent Types of Networks?
As mentioned before, there are myriad types of networks. From smallest to biggest, the most common network types are personal area network, local area network, campus area network, metropolitan area network, wide area network, global area network and internetwork. The basic difference between these network types are their size (how many remote computer systems are connected to them) and their method of connection.
What Methods of Connection Are Commonly<|fim_middle|> WiFi Internet Activity
How to Make a WiFi Adapter Work With Bluetooth
How to Find an SMTP Port Number
How to Find Your WiFi Information | Used?
There are many different types of connection media that are used in contemporary society to connect computer networks to one another. In terms of wired connections, there is coaxial cable, fiber-optic cable, USB cable and traditional telephone lines. These are the most common network connections. Wireless technologies differ hugely from one another, but the most popular kinds are Bluetooth and WiFi.
How Do Computer Networks Work?
How to Turn on a Wireless Switch on a Gateway Computer
How to Track | 95 |
BBC One Northern Ireland continuity (26th December 1987)
Posted on 3rd May 2021 by The Rewind Team Last updated on 14th June 2021 Filed under Pres
The first time – to the best of our knowledge – that BBC Northern Ireland aired a Christmas ident of their own.
VIDEO: BBC One Northern Ireland continuity<|fim_middle|>1987.
In this example, we have the Boxing Day link into Bob's Christmas Full House.
This ident would've been shown on Christmas Eve and Boxing Day, in the evening only (there was no local continuity in daytime hours). BBC One Northern Ireland took network continuity on Christmas Day.
PICTURED: BBC One Northern Ireland ident. COPYRIGHT: BBC.
Broadcaster/Channel: BBC, BBC One Northern Ireland
Broadcast Area: UK: Northern Ireland
On Air Talent: Michael Nunan | . Announcer: Michael Nunan. TX DATE: 26th December 1987. COPYRIGHT: BBC.
[00:00:00] IDENT: a Christmas cake, placed on a turntable. This was the ident used for local continuity on BBC One Northern Ireland for a portion of the Christmas period in | 70 |
Leadership Edinburg
Fiesta Edinburg
Texas Cook'Em: High Steaks in Edinburg
South Texas Builders Expo
Night of Lights Parade
Installation & Awards Banquet
University Drafthouse BeerFest
Explore Edinburg
Los Lagos Golf Course named Edinburg Chamber's Business of the Month
EDINBURG, TX – Los Lagos Golf Course, located on 1720 S. Raul Longoria Road, is the Edinburg Chamber of Commerce Business of the Month for January.
Los Lagos is a par 72, 18-hole golf course that offers more than 7,188 yards of fun. Los Lagos one of the top courses in the Rio Grande Valley. The public course has been a member of the Edinburg Chamber since 2000.
Because of this, Los Lagos is named "Favorite Golf Course" by The Monitors Readers Choice Awards in 2020 by its community.
The chamber will highlight Los Lagos's<|fim_middle|>inburg.com.
Edinburg Chamber of Commerce
Edinburg Chamber of Commerce © 2017 | All Rights Reserved | new pro shop and restaurant, Putter's Grill. The pro shop now has inventory and offers players the latest gear and apparel. Putter's Grill is now offering breakfast and lunch every day. At this moment dine-in options are unavailable. Players can place an order to go by calling (956) 316-044 starting at 7 A.M. during their next visit.
All golfers are welcome to play the public course and enjoy the great experience at an affordable price. Amenities featured are Putting Green, Chipping Area, Practice Bunker, Driving Range Available, Pull Carts, Rental Clubs, Food and Beverage area available.
At this time, all golfers must respect all COVID-19 guidelines when using its facilities. These guidelines include; practicing social distancing, only one player per golf cart, no gathering inside the clubhouse/restaurant, calling ahead of time to request a tee time.
The Edinburg Chamber is spotlighting Los Lagos throughout the month on various media platforms. For more information please call the Edinburg Chamber of Commerce at 956-383-4974 or visit www.ed | 235 |
Find a Mobile Bar
Bury St Edmunds weddings
Marrying in Ipswich
Suff<|fim_middle|>9.30am - 4pm Mon, Tues, Weds and Fri.
The Town Hall, Old Market Place, Sudbury, Suffolk, CO10 1TL
Wedding Photographers in Sudbury
Justine Ferrari Photography
Justine Ferrari is a professional wedding photographer with a wealth of experience that enables her to capture perfectly the romance, laughter and emotions of your wedding day. Your finished photographs will include behind-the-scenes pictures plus relaxed group shots, and whatever else you require. Justine takes the utmost care in the processing of your photographs and offers images in both colour and black & white, presented in a wedding album and on CD. For more information visit Justine's page now.
Wedding Gift Shops in Sudbury
Jessica Muir Gallery
For the perfect wedding gift, pop along to The Jessica Muir Gallery in nearby Long Melford. You'll will find a number of gorgeous wedding presents on offer, including ceramics, glass, textiles and limited edition prints.
The Gallery also stocks an impressive range of jewellery for the bride-to-be and her bridesmaids, plus cufflinks for the groom and best man, and jewellery sets to accessorise any wedding guest's outfit. To find out more visit the The Jessica Muir Gallery page now.
For more options on where to stay in Sudbury and the surrounding area why not take a look at our sister site the Suffolk Hotels Guide?
Other Wedding services in Sudbury
For more information on Sudbury, please see our Guide to Sudbury.
Our fantastic and comprehensive guide to Suffolk wedding services: Get Married in: Suffolk.
Don't forget your other 'special' day! If you're planning a hen party in Suffolk don't miss our essential guide: Hen Parties in Suffolk.
For the best advice, top tips and ideas for Getting Married in Suffolk, take a look at our full list of Wedding Articles now. | olk Wedding Gifts
Hen weekends in Suffolk
Perfect Wedding Hotels
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Find the perfect reception venue
Suffolk Wedding Venue
Wantisden Valley Barns & Shepherds Cottage
Get married in: Sudbury
Sudbury is a historic market town set in the Stour Valley within an Area of Outstanding Natural Beauty. It's a wonderfully romantic location for your Suffolk Wedding and, as the producer of the silk fabric for Princess Diana's wedding dress, has a heritage that inspires.
Great reasons to get married in Sudbury
Sudbury can be found on the River Stour near the Suffolk/Essex border, and is just 60 miles (97 km) north-east of London. Close to major road and rail routes but a world away in character, Sudbury is a quintessential country town, perfect for an intimate wedding in beautiful surroundings.
The town has a long and fascinating history. It was once famous for it's silk production with the silk for both HM Queen Elizabeth II's coronation dress and Princess Diana's wedding dress being hand-woven in the town
Sudbury is mentioned in the Domesday Book of 1086, as a market town where the local people came to barter their goods. It is the birthplace of Thomas Gainsborough, whose statue dominates the market square (pictured top), & whose landscape paintings offered inspiration to another famous local artist, John Constable, such that the town itself became notable for its art and artists in the 18th century. Read a more in-depth guide to Sudbury here.
Wedding Venues in Sudbury
Hedingham Castle
The 900 year old Norman Keep is a stunning and unique venue close to Sudbury where you can hold your wedding ceremony and entertain your guests where Kings and Queens have dined over many centuries. After the Ceremony lead your guests to the magnificent Georgian Manor House where drinks will be served in the Great Hall, and then on to the Tulip Lawn Marquee for your reception, dinner and dancing. All this is located in the splendid grounds of the Castle, with formal gardens, an ornamental lake and a magnificent Tulip Tree, one of only three in England! Find out more now - Hedingham Castle
Sudbury Registry Office
Situated within Sudbury Town Hall the Registry Office offers couples two ceremony rooms: The Assembly Room has a guest capacity of 80, and The Charterhouse Room has a guest capacity of 2.
Ceremonies are held during weekday opening hours and on Saturdays until 12.30pm. The office is open | 537 |
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