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ure us ▁degree ▁in ▁ 1 8 8 1 ▁from ▁the ▁University ▁of ▁Tennessee ▁and ▁read ▁law ▁in ▁ 1 8 8 2 . ▁He ▁was ▁editor ▁of ▁the ▁Tennessee ▁Republican ▁in ▁ 1 8 8 2 . ▁He ▁was ▁admitted ▁to ▁the ▁bar ▁and ▁entered ▁private ▁practice ▁in ▁Hun ting don , ▁Tennessee ▁in ▁ 1 8 8 2 . ▁He ▁continued ▁private ▁practice ▁in ▁Lex ington , ▁Tennessee ▁starting ▁in ▁ 1 8 8 3 . ▁He ▁was ▁an ▁un success ful ▁candidate ▁for ▁district ▁att orney ▁in ▁ 1 8 8 6 . ▁He ▁was ▁a ▁member ▁of ▁the ▁Tennessee ▁House ▁of ▁Representatives ▁from ▁ 1 8 8 7 ▁to ▁ 1 8 8 9 . ▁He ▁was ▁a ▁delegate ▁to ▁the ▁Republican ▁National ▁Convention ▁in ▁ 1 8 8 8 ▁and ▁ 1 9 0 0 . ▁He ▁was ▁an ▁Ass istant ▁United ▁States ▁Att orney ▁for ▁the ▁Western ▁District ▁of ▁Tennessee ▁from ▁ 1 8 9 0 ▁to ▁ 1 8 9 1 . ▁He ▁was ▁an ▁un success ful ▁candidate ▁for ▁nom ination ▁as ▁Governor ▁of ▁Tennessee ▁in ▁ 1 8 9 2 . ▁ ▁Cong r essional ▁service ▁ ▁Mc Call ▁was ▁elected ▁as ▁a ▁Republican ▁from ▁Tennessee ' s ▁ 8 th ▁con gression al ▁district ▁to ▁the ▁United ▁States ▁House ▁of ▁Representatives ▁of ▁the ▁ 5 4 th ▁United ▁States ▁Congress ▁and ▁served ▁from ▁March ▁ 4 , ▁ 1 8 9 5 ▁to ▁March ▁ 3 , ▁ 1 8 9 7 . |
▁He ▁was ▁an ▁un success ful ▁candidate ▁for ▁re e lection ▁in ▁ 1 8 9 6 ▁to ▁the ▁ 5 5 th ▁United ▁States ▁Congress . ▁He ▁was ▁an ▁un success ful ▁Republican ▁candidate ▁for ▁Governor ▁of ▁Tennessee ▁in ▁ 1 9 0 0 . ▁He ▁was ▁collect or ▁of ▁internal ▁re venue ▁for ▁the ▁fifth ▁district ▁of ▁Tennessee ▁ 1 9 0 2 ▁to ▁ 1 9 0 5 . ▁ ▁Federal ▁jud icial ▁service ▁ ▁Mc Call ▁was ▁nominated ▁by ▁President ▁The odore ▁Ro ose vel t ▁on ▁January ▁ 9 , ▁ 1 9 0 5 , ▁to ▁a ▁seat ▁on ▁the ▁United ▁States ▁District ▁Court ▁for ▁the ▁Western ▁District ▁of ▁Tennessee ▁vac ated ▁by ▁Judge ▁Eli ▁Sh el by ▁Hamm ond . ▁He ▁was ▁confirmed ▁by ▁the ▁United ▁States ▁Senate ▁on ▁January ▁ 1 7 , ▁ 1 9 0 5 , ▁and ▁received ▁his ▁commission ▁the ▁same ▁day . ▁His ▁service ▁terminated ▁on ▁August ▁ 8 , ▁ 1 9 2 0 , ▁due ▁to ▁his ▁death ▁in ▁Hun ting don . ▁He ▁was ▁inter red ▁in ▁Forest ▁Hill ▁C emetery ▁in ▁M emph is , ▁Tennessee . ▁ ▁References ▁ ▁External ▁links ▁ ▁Category : 1 8 5 9 ▁birth s ▁Category : 1 9 2 0 ▁death s ▁Category : M embers ▁of ▁the ▁United ▁States ▁House ▁of ▁Representatives ▁from ▁Tennessee ▁Category : M embers ▁of ▁the ▁Tennessee ▁House ▁of ▁Representatives ▁Category : J ud ges ▁of ▁the ▁United ▁States ▁District ▁Court ▁for ▁the ▁Western |
▁District ▁of ▁Tennessee ▁Category : American ▁pro sec utors ▁Category : Un ited ▁States ▁district ▁court ▁jud ges ▁appointed ▁by ▁The odore ▁Ro ose vel t ▁Category : 2 0 th - century ▁American ▁jud ges ▁Category : T ennessee ▁Republic ans ▁Category : Rep ublic an ▁Party ▁members ▁of ▁the ▁United ▁States ▁House ▁of ▁Representatives ▁Category : Ass istant ▁United ▁States ▁Att or ne ys ▁Category : Pe ople ▁from ▁Car roll ▁County , ▁Tennessee ▁Category : Pe ople ▁from ▁Hun ting don , ▁Tennessee <0x0A> </s> ▁Peter ▁D rew ▁H utton ▁( born ▁ 1 9 4 7 ) ▁is ▁an ▁Australian ▁activ ist , ▁academic , ▁campaign er ▁and ▁past ▁political ▁candidate . ▁H utton ▁co - f ounded ▁the ▁Queensland ▁Gre ens ▁( in ▁ 1 9 9 0 ) ▁and ▁Australian ▁Gre ens ▁( in ▁ 1 9 9 1 ) ▁and ▁ran ▁in ▁elections ▁in ▁Queensland ▁and ▁Australia ▁at ▁all ▁three ▁levels ▁of ▁government . ▁ ▁Social ▁activ ist ▁H utton ▁has ▁been ▁a ▁social ▁activ ist ▁all ▁his ▁adult ▁life . ▁" Since ▁ 1 9 8 4 ▁I ▁have ▁been ▁part ▁of ▁the ▁process ▁that ▁has ▁moved ▁green ▁politics ▁from ▁the ▁marg ins ▁to ▁the ▁main stream ▁of ▁Australian ▁political ▁life . ▁Al ong ▁the ▁way ▁I ▁have ▁been ▁privile ged ▁to ▁represent ▁the ▁Party ▁as ▁a ▁sp ok esp erson ▁and ▁as ▁a ▁candidate . ▁The ▁Gre ens ▁are ▁now ▁po ised ▁to ▁enter ▁that ▁main stream ▁as ▁a ▁powerful ▁force , ▁representing ▁the |
▁hopes ▁and ▁asp ir ations ▁of ▁many , ▁many ▁Austral ians ." ▁ ▁Edu c ator ▁He ▁worked ▁as ▁a ▁high ▁school ▁teacher ▁and ▁then ▁a ▁college ▁lect urer ▁from ▁the ▁ 1 9 6 0 s ▁to ▁the ▁ 1 9 8 0 s . ▁In ▁the ▁ 1 9 7 0 s ▁he ▁joined ▁the ▁anti - V ietnam ▁War ▁campaign ▁and ▁civil ▁libert ies ▁campaign s ▁and ▁in ▁the ▁ 1 9 8 0 s ▁he ▁was ▁active ▁in ▁the ▁peace ▁movement . ▁H utton ▁became ▁involved ▁in ▁campaign s ▁on ▁u ran ium ▁min ing , ▁Ind igen ous ▁land ▁rights ▁and ▁nuclear ▁dis arm ament . ▁He ▁also ▁used ▁his ▁position ▁as ▁a ▁teacher ▁educ ator ▁to ▁champion ▁peace ▁and ▁environmental ▁education ▁in ▁schools ▁and ▁more ▁dem ocr atic ▁school ▁environments ▁and ▁teaching ▁practices . ▁ ▁For ▁many ▁years , ▁H utton ▁was ▁a ▁lect urer ▁at ▁t ert i ary ▁institutions ▁in ▁South ▁East ▁Queensland ▁including ▁Queensland ▁University ▁of ▁Technology ▁( Q UT ) ▁and ▁University ▁of ▁Southern ▁Queensland . ▁H utton ▁has ▁published ▁books ▁and ▁numerous ▁articles , ▁especially ▁on ▁green ▁philosophy , ▁history ▁and ▁eth ics . ▁He ▁brought ▁together ▁the ▁first ▁book ▁on ▁green ▁politics ▁in ▁Australia ▁in ▁ 1 9 8 7 ▁and ▁with ▁his ▁partner ▁Lib by ▁Con n ors ▁wrote ▁A ▁History ▁of ▁the ▁Australian ▁Environment ▁Mov ement ▁published ▁by ▁Cambridge ▁University ▁Press ▁in ▁ 1 9 9 9 . ▁H utton ▁and ▁Dr ▁Con ners ▁were ▁married ▁in ▁ 1 |
9 8 6 , ▁and ▁have ▁two ▁adult ▁sons . ▁ ▁Organ iser ▁Over ▁the ▁last ▁ 2 9 ▁years ▁H utton ▁has ▁been ▁a ▁key ▁organ iser ▁or ▁sp ok esp erson ▁for ▁campaign s ▁against ▁fre ew ays , ▁the ▁storage ▁and ▁transport ▁of ▁ha z ard ous ▁waste , ▁against ▁ev ict ions ▁of ▁poor er ▁residents ▁in ▁inner - city ▁Br is b ane ▁sub ur bs , ▁nuclear ▁dis arm ament , ▁public ▁transport ▁and ▁mar iju ana ▁legal isation . ▁He ▁fought ▁against ▁the ▁B jel ke - P eters en ▁government ▁and ▁ended ▁up ▁in ▁court ▁on ▁many ▁occasions ▁as ▁a ▁result . ▁ ▁H utton ' s ▁work ▁against ▁poll ution ▁resulted ▁in ▁a ▁ 1 9 9 4 ▁C riminal ▁Justice ▁Commission ▁inqu iry ▁into ▁to xic ▁waste ▁dump ing ▁in ▁Queensland , ▁an ▁inqu iry ▁which ▁highlight ed ▁massive ▁problems ▁and ▁led ▁to ▁pressure ▁on ▁the ▁Wayne ▁G oss ▁Government ▁to ▁introduce ▁the ▁Environment al ▁Prote ction ▁Act . ▁He ▁has ▁been ▁active ▁on ▁many ▁environmental ▁campaign s ▁such ▁as ▁land ▁clear ing ▁and ▁was ▁involved ▁in ▁the ▁campaign ▁against ▁the ▁war ▁in ▁Ira q . ▁H utton ' s ▁highest ▁vote ▁as ▁a ▁candidate ▁was ▁ 2 5 . 6 4 % ▁in ▁the ▁w ard ▁of ▁The ▁Gab ba ▁in ▁the ▁ 2 0 0 8 ▁Br is b ane ▁City ▁Council ▁elections . ▁ ▁Lock ▁the ▁Gate ▁Alliance ▁In ▁June ▁ 2 0 1 1 , ▁H utton ▁was ▁elected |
▁president ▁of ▁the ▁Lock ▁the ▁Gate ▁Alliance , ▁an ▁organisation ▁he ▁helped ▁establish ▁the ▁previous ▁year . ▁On ▁ 9 ▁December ▁ 2 0 1 1 ▁H utton ▁was ▁found ▁guilty ▁in ▁the ▁Dal by ▁Mag istr ates ▁Court ▁of ▁' ob struct ing ▁a ▁coal ▁se am ▁gas ▁company ▁without ▁reasonable ▁exc use ' ▁under ▁s 8 0 4 ▁of ▁the ▁Pet role um ▁and ▁Gas ▁Act . ▁▁ ▁He ▁was ▁protest ing ▁against ▁the ▁Queensland ▁Gas ▁Company ▁entering ▁a ▁property ▁in ▁Queensland ' s ▁Dar ling ▁Down s ▁when ▁he ▁was ▁arrested ▁in ▁March ▁of ▁that ▁year . ▁H utton ▁has ▁seen ▁the ▁Lock ▁the ▁Gate ▁Alliance ▁member ▁base ▁grow ▁to ▁represent ▁over ▁ 3 0 , 0 0 0 ▁individuals ▁and ▁ 2 8 0 ▁communities ▁nation wide , ▁and ▁has ▁become ▁a ▁regular ▁sp ok esp erson ▁on ▁the ▁impact s ▁of ▁invas ive ▁min ing ▁activities ▁on ▁agricult ural ▁land , ▁water ▁resources , ▁regional ▁communities ▁and ▁e colog ically ▁sensitive ▁areas . ▁ ▁See ▁also ▁▁ ▁Australian ▁Gre ens ▁▁ 2 0 0 4 ▁Australian ▁Gre ens ▁candidates ▁ ▁References ▁ ▁External ▁links ▁ ▁D rew ▁H utton ▁for ▁The ▁Gab ba ▁ ▁History ▁of ▁the ▁Australian ▁Environment ▁Mov ement ▁- ▁by ▁D rew ▁H utton , ▁Lib by ▁Con n ors ▁( C amb ridge ▁University ▁Press ) ▁ ▁Queensland ▁Gre ens ▁- ▁About ▁Us ▁ ▁D rew ▁H utton ▁for ▁the ▁Senate ▁( Q ld ) ▁ 1 4 ▁August ▁ 2 0 0 4 |
▁ ▁D rew ▁H utton ' s ▁Facebook ▁profile ▁ ▁D rew ▁H utton ' s ▁Mys pace ▁profile ▁ ▁D rew ▁H utton ▁on ▁Australian ▁Story ▁ ▁D rew ▁H utton , ▁how ▁he ▁gal van ised ▁the ▁Gre ens ▁and ▁his ▁unlikely ▁al liance ▁with ▁Alan ▁Jones ▁ ▁Category : L iving ▁people ▁Category : 1 9 4 7 ▁birth s ▁Category : Austral ian ▁Gre ens ▁candidates ▁Category : Que ens land ▁University ▁of ▁Technology ▁fac ulty ▁Category : Univers ity ▁of ▁Southern ▁Queensland ▁fac ulty ▁Category : Date ▁of ▁birth ▁missing ▁( l iving ▁people ) ▁Category : Place ▁of ▁birth ▁missing ▁( l iving ▁people ) <0x0A> </s> ▁R aving ▁R abb ids : ▁Tra vel ▁in ▁Time ▁is ▁a ▁party ▁video ▁game ▁developed ▁and ▁published ▁by ▁U b iso ft ▁for ▁the ▁W ii . ▁It ▁was ▁released ▁in ▁North ▁America ▁on ▁November ▁ 2 1 , ▁ 2 0 1 0 , ▁in ▁Europe ▁on ▁November ▁ 2 6 , ▁ 2 0 1 0 , ▁in ▁Australia ▁on ▁November ▁ 2 5 , ▁ 2 0 1 0 ▁and ▁in ▁Japan ▁on ▁January ▁ 2 7 , ▁ 2 0 1 1 . ▁It ▁is ▁the ▁fifth ▁install ment ▁in ▁the ▁R abb ids ▁series ▁and , ▁unlike ▁the ▁previous ▁entry , ▁R abb ids ▁Go ▁Home , ▁it ▁returns ▁to ▁the ▁party ▁game ▁genre . ▁ ▁Plot ▁summary ▁ ▁W ii ▁version ▁The ▁R abb ids ▁use ▁a ▁time ▁machine ▁( which ▁looks ▁like |
▁a ▁was hing ▁machine ) ▁to ▁go ▁through ▁different ▁times ▁to ▁change ▁the ▁history ▁of ▁the ▁World ▁According ▁to ▁the ▁tra iler , ▁first ▁they ▁go ▁to ▁The ▁Pre history ▁in ▁ 1 0 , ▁ 0 0 0 ▁BC ▁and ▁help ▁a ▁cav eman ▁discover ▁fire , ▁but ▁end ▁up ▁giving ▁him ▁a ▁l ighter . ▁Then ▁they ▁go ▁to ▁middle - aged ▁An cient ▁Egypt ▁in ▁ 2 5 0 0 ▁BC ▁to ▁disturb ▁work ▁on ▁the ▁S ph inx ▁and ▁make ▁the ▁nose ▁fall ▁off . ▁And ▁last , ▁they ▁go ▁to ▁Middle ▁A ges ▁in ▁ 5 2 0 ▁but ▁they ▁end ▁up ▁under ground ▁holding ▁down ▁the ▁legend ary ▁sword ▁Ex cal ib ur ▁when ▁Arthur ▁tries ▁to ▁pull ▁it ▁off ▁the ▁stone , ▁but ▁he ▁gives ▁up ▁and ▁leaves . ▁When ▁the ▁R abb ids ▁leave , ▁Gran nie ▁ended ▁up ▁pulling ▁the ▁sword ▁instead ▁of ▁Arthur . ▁ ▁In ▁the ▁intro ▁for ▁the ▁game , ▁a ▁R abb id ▁is ▁seen ▁inside ▁the ▁was hing ▁machine / time ▁machine ▁alter ing ▁pre histor ic ▁times , ▁ancient ▁Egypt , ▁Middle ▁A ges , ▁Vienna ▁in ▁ 1 8 0 3 ▁Be eth oven ' s ▁composition ▁of ▁the ▁Fif th ▁Sym phony ▁and ▁Street ▁Punk ▁in ▁ 1 9 8 0 s ▁a ▁Punk ▁Sub c ulture , ▁before ▁sm ash ing ▁a ▁v ase ▁in ▁the ▁modern ▁day . ▁The ▁player ▁then ▁teams ▁up ▁with ▁the ▁R abb id ▁to ▁mess ▁with ▁history ▁( by |
▁accessing ▁paint ings ▁related ▁to ▁each ▁min ig ame ) ▁in ▁order ▁to ▁repair ▁the ▁time ▁machine ▁( which ▁was ▁dam aged ▁on ▁the ▁tri ps ▁to ▁the ▁a for ement ioned ▁time ▁periods ). ▁Upon ▁alter ing ▁time ▁and ▁accessing ▁the ▁was hing ▁machine , ▁the ▁R abb id ▁and ▁the ▁player ▁are ▁war ped ▁to ▁the ▁Fut ur istic ▁City ▁in ▁year ▁ 4 0 9 6 ▁A . D ▁( although ▁the ▁time ▁machine ▁says ▁the ▁player ▁and ▁the ▁rabb id ▁were ▁transport ed ▁to ▁a ▁museum ▁in ▁ 2 0 1 2 ▁A . D , ▁( 8 ▁years ▁ago )), ▁where ▁Professor ▁Bar ran co ▁ 3 ▁( the ▁ult ra - int ellig ent ▁R abb id ▁commander ▁from ▁Ray man ▁R aving ▁R abb ids ▁ 2 ) ▁is ▁dr illing ▁various ▁R abb ids ▁to ▁use ▁time ▁machines ▁to ▁take ▁absolute ▁control ▁over ▁the ▁space - time ▁continu um . ▁However , ▁the ▁player ' s ▁R abb id ▁literally ▁pull s ▁the ▁plug ▁on ▁one ▁of ▁the ▁machines ▁and ▁causes ▁all ▁the ▁time ▁machines ▁to ▁disappear . ▁This ▁action ▁in ad vert ently ▁initi ates ▁a ▁time ▁par ado x ▁( which ▁results ▁in ▁a ▁sp ed - up ▁version ▁of ▁the ▁game ▁intro ). ▁ ▁N intendo ▁ 3 DS ▁version ▁T aking ▁place ▁after ▁the ▁events ▁of ▁the ▁W ii ▁version ▁of ▁R aving ▁R abb ids ▁Tra vel ▁In ▁Time , ▁the ▁R abb ids ▁are ▁playing ▁in ▁the ▁museum , |
▁when ▁the ▁same ▁Time ▁Machine ▁appears , ▁this ▁time ▁containing ▁a ▁R abb id ▁with ▁a ▁du ck ▁ring . ▁After ▁the ▁R abb ids ▁fight ▁for ▁the ▁du ck ▁ring , ▁the ▁player ▁and ▁the ▁R abb id ▁get ▁war ped ▁to ▁the ▁past , ▁in ▁which ▁the ▁player ▁once ▁again ▁teams ▁up ▁with ▁the ▁R abb id ▁to ▁get ▁back ▁to ▁the ▁Pres ent ▁while ▁making ▁mess ▁of ▁history ▁again . ▁ ▁The ▁game ' s ▁ending ▁shows ▁the ▁R abb id ▁the ▁player ▁te amed ▁up ▁with ▁finding ▁a ▁re fr iger ator , ▁in ▁which ▁the ▁R abb id ▁attempts ▁to ▁use ▁it ▁as ▁a ▁Time ▁Machine , ▁but ▁he ▁only ▁put ▁some ▁stuff ▁on ▁himself , ▁and ▁is ▁z apped ▁by ▁a ▁light ing ▁spark , ▁and ▁the ▁cred its ▁roll . ▁ ▁Setting ▁The ▁setting ▁is ▁a ▁history ▁museum . ▁From ▁there , ▁the ▁R abb ids ▁can ▁play ▁qu iz , ▁singing , ▁and ▁dan cing ▁games . ▁They ▁can ▁also ▁custom ize ▁their ▁R abb ids ▁with ▁historical ▁cost umes . ▁The ▁R abb ids ▁can ▁also ▁go ▁into ▁museum ' s ▁main ▁areas : ▁the ▁B ounce arium , ▁Sho ot arium , ▁Fly arium , ▁Run arium ▁and ▁Hook arium ; ▁to ▁ru in ▁history ▁with ▁their ▁Time ▁W ash ing ▁Machine . ▁ ▁Game play ▁Game play ▁revol ves ▁around ▁several ▁min ig ames ▁for ▁up ▁to ▁four ▁players ▁( with ▁computer ▁A I ▁cont rolling ▁un used ▁players ) ▁set ▁during |
▁various ▁segments ▁of ▁time . ▁Some ▁levels ▁feature ▁co - oper ative ▁play , ▁such ▁as ▁a ▁level ▁where ▁two ▁players ▁are ▁t ether ed ▁by ▁to ile t ▁paper . ▁U b iso ft ▁has ▁stated ▁this ▁game ▁int ends ▁to ▁be ▁' w ag gle - free ', ▁and ▁rather ▁than ▁having ▁players ▁sh ake ▁the ▁controller ▁as ▁hard ▁as ▁they ▁can , ▁the ▁design ers ▁hoped ▁to ▁create ▁mini - g ames ▁with ▁more ▁depth . ▁ ▁Each ▁min ig ame ▁is ▁set ▁in ▁one ▁of ▁five ▁different ▁sections ▁of ▁a ▁history ▁museum : ▁the ▁B ounce arium , ▁involving ▁man eu ver ing ▁the ▁R abb ids ▁through ▁side - scroll ing ▁platform er ▁min ig ames ; ▁the ▁Sho ot arium , ▁using ▁first - person ▁shooting ▁style ▁min ig ames ; ▁the ▁Fly arium , ▁allowing ▁R abb ids ▁to ▁fly ▁and ▁comp ete ▁against ▁one ▁another ▁in ▁races ▁and ▁sc aven ger ▁hun ts ; ▁the ▁Run arium , ▁which ▁has ▁two ▁teams ▁race ▁or ▁collect ▁items ; ▁and ▁the ▁Hook arium , ▁which ▁is ▁them ed ▁around ▁the ▁use ▁of ▁the ▁W ii M otion ▁Plus ▁access ory ▁as ▁a ▁fish ing ▁rod . ▁ ▁World s ▁ ▁B ounce arium ▁T itan ic ▁in ▁ 1 9 1 2 ▁W r angel ▁Island ▁in ▁ 4 0 0 , ▁ 0 0 0 ▁BC ▁Hollywood ▁in ▁ 1 9 2 3 ▁Ford ▁Cre ates ▁Assembly ▁Line ▁in ▁ 1 9 0 8 ▁C ret |
ace ous ▁Period ▁in ▁ 1 0 0 , ▁ 0 0 0 ▁BC ▁ ▁Sho ot arium ▁Georgia ▁Gold ▁R ush ▁in ▁ 1 7 9 9 ▁First ▁Man ▁on ▁the ▁Moon ▁in ▁ 1 9 6 9 ▁An cient ▁Egypt ▁in ▁ 2 5 0 0 ▁BC ▁An cient ▁Rome ▁in ▁ 4 4 ▁BC ▁ ▁Fly arium ▁K ite ▁Ex periment ▁in ▁ 1 7 5 2 ▁Apol lo – So y uz ▁Test ▁Project ▁in ▁ 1 9 7 5 ▁Mount ▁R ush more ▁in ▁ 1 9 3 9 ▁Disc overy ▁of ▁America ▁in ▁ 1 4 9 2 ▁First ▁Fl ight ▁in ▁ 1 9 0 3 ▁Italian ▁Renaissance ▁in ▁ 1 5 0 6 ▁ ▁Run arium ▁Med ieval ▁Britain ▁in ▁ 5 2 0 ▁The ▁Bank ▁( Gre at ▁De pression ) ▁in ▁ 1 9 2 9 ▁American ▁Old ▁West ▁in ▁ 1 8 6 1 ▁C ave ▁P ain ting ▁in ▁ 3 2 , ▁ 0 0 0 ▁BC ▁Cambridge ▁in ▁ 1 7 6 1 ▁ ▁Hook arium ▁Jur ass ic ▁Period ▁in ▁ 4 0 0 , ▁ 0 0 0 , ▁ 0 0 0 ▁BC ▁Paris ▁in ▁ 1 8 8 5 ▁Stone ▁W heel ▁in ▁ 3 0 0 0 ▁BC ▁ ▁N intendo ▁ 3 DS ▁version ▁A ▁N intendo ▁ 3 DS ▁version ▁of ▁this ▁game ▁was ▁released ▁as ▁a ▁platform ▁game ▁in ▁ 2 0 1 1 . ▁This ▁version ▁is ▁titled ▁as ▁R |
abb ids : ▁Tra vel ▁in ▁Time ▁ 3 D ▁in ▁North ▁America , ▁and ▁simply ▁R abb ids ▁ 3 D ▁in ▁Europe . ▁It ▁has ▁only ▁ 4 ▁historical ▁periods ▁containing ▁ 6 0 ▁maps . ▁ ▁The ▁player ▁must ▁progress ▁in ▁bonus - filled ▁levels , ▁fight ▁some ▁enemies ▁and ▁do ▁j umps ▁or ▁sli pp ery ▁s lop es ▁for ▁dynamic ▁action . ▁The ▁advantage ▁of ▁ 3 D ▁in ▁R abb ids ▁ 3 D ▁is ▁to ▁provide ▁an ▁immediate ▁g aming ▁pleasure ▁without ▁comp lication ▁or ▁innov ation . ▁There ▁are ▁many ▁check points , ▁and ▁lives ▁and ▁energy ▁points ▁( roll s ▁of ▁to ile t ▁paper , ▁spher es ▁of ▁force ) ▁are ▁gener ously ▁distributed , ▁so ▁the ▁player ▁is ▁never ▁disc ou rag ed ▁by ▁the ▁difficulties ▁present ▁in ▁the ▁game . ▁ ▁The ▁title ▁was ▁later ▁re - re leased ▁in ▁a ▁compilation ▁pack ▁called ▁Ray man ▁& ▁R abb ids ▁Family ▁Pack , ▁alongside ▁Ray man ▁Orig ins ▁and ▁R abb ids ▁R umble . ▁The ▁pack ▁was ▁released ▁exclus ively ▁in ▁Europe ▁on ▁October ▁ 2 , ▁ 2 0 1 4 . ▁ ▁In ▁return , ▁the ▁game ▁received ▁mixed ▁to ▁negative ▁reviews , ▁with ▁the ▁criticism ▁focused ▁in ▁the ▁lack ▁of ▁original ity , ▁low ▁difficulty ▁and ▁repet itive ▁action . ▁ ▁Plot ▁T aking ▁place ▁after ▁the ▁events ▁of ▁the ▁W ii ▁version ▁of ▁R aving ▁R abb ids ▁Tra vel ▁In ▁Time , ▁the ▁R abb |
ids ▁are ▁playing ▁in ▁the ▁museum , ▁when ▁the ▁same ▁Time ▁Machine ▁appears , ▁this ▁time ▁containing ▁a ▁R abb id ▁with ▁a ▁du ck ▁ring . ▁After ▁the ▁R abb ids ▁fight ▁for ▁the ▁du ck ▁ring , ▁the ▁player ▁and ▁the ▁R abb id ▁get ▁war ped ▁to ▁the ▁past , ▁in ▁which ▁the ▁player ▁once ▁again ▁teams ▁up ▁with ▁the ▁R abb id ▁to ▁get ▁back ▁to ▁the ▁Pres ent ▁while ▁making ▁mess ▁of ▁history ▁again . ▁ ▁The ▁game ' s ▁ending ▁shows ▁the ▁R abb id ▁the ▁player ▁te amed ▁up ▁with ▁finding ▁a ▁re fr iger ator , ▁in ▁which ▁the ▁R abb id ▁attempts ▁to ▁use ▁it ▁as ▁a ▁Time ▁Machine , ▁but ▁he ▁only ▁put ▁some ▁stuff ▁on ▁himself , ▁and ▁is ▁z apped ▁by ▁a ▁light ing ▁spark , ▁and ▁the ▁cred its ▁roll . ▁ ▁Re ception ▁ ▁R aving ▁R abb ids : ▁Tra vel ▁in ▁Time ▁was ▁met ▁with ▁mixed ▁reviews . ▁N intendo ▁Power ▁gave ▁the ▁game ▁a ▁ 6 . 5 , ▁while ▁Video G amer ▁gave ▁it ▁a ▁score ▁of ▁ 8 / 1 0 . ▁Official ▁N intendo ▁Magazine ▁critic ized ▁the ▁game , ▁giving ▁it ▁a ▁ 4 0 / 1 0 0 . ▁I GN ▁review ed ▁the ▁game , ▁pra ising ▁the ▁graphics ▁and ▁the ▁museum ▁hub ▁included , ▁and ▁gave ▁the ▁game ▁a ▁ 7 / 1 0 . ▁Other ▁websites , ▁such ▁as ▁N intendo ▁Life ▁and ▁Game Style , ▁gave ▁it |
▁the ▁same ▁score ▁as ▁well . ▁The Bit Block . com ▁was ▁more ▁positive , ▁giving ▁the ▁game ▁ 8 / 1 0 , ▁pra ising ▁the ▁inclusion ▁of ▁online ▁play , ▁graphics , ▁and ▁multi player , ▁but ▁critic ized ▁the ▁disappoint ing ▁use ▁of ▁W ii M otion Plus , ▁the ▁shooting ▁games , ▁and ▁the ▁historical ▁theme ▁of ▁the ▁game . ▁The Bit Block . com ▁called ▁it ▁" a ▁party ▁game ▁that ▁offers ▁up ▁content ▁that ▁you ' ve ▁never ▁seen ▁before ▁in ▁the ▁party ▁genre ." ▁The ▁game ▁was ▁not ▁well ▁received ▁by ▁fans ▁ ▁and ▁was ▁critic ized ▁for ▁the ▁return ▁to ▁the ▁party ▁roots . ▁ ▁References ▁ ▁External ▁links ▁Official ▁Global ▁website ▁ ▁Category : 2 0 1 0 ▁video ▁games ▁Category : N intendo ▁ 3 DS ▁games ▁Category : N intendo ▁ 3 DS ▁e Sh op ▁games ▁Category : N intendo ▁Wi - Fi ▁Connection ▁games ▁Category : Part y ▁video ▁games ▁Category : Platform ▁games ▁Category : R aving ▁R abb ids ▁Category : Video ▁games ▁about ▁time ▁travel ▁Category : U b iso ft ▁games ▁Category : Video ▁games ▁developed ▁in ▁France ▁Category : Video ▁games ▁developed ▁in ▁Mor oc co ▁Category : W ii ▁games ▁Category : W ii ▁Mot ion Plus ▁games ▁Category : W ii ▁Wi - Fi ▁games <0x0A> </s> ▁And ries ▁Be e ck man ▁( b apt ized ▁ 3 1 ▁August ▁ 1 6 2 8 , ▁Hass elt ▁ ▁- ▁buried ▁ |
9 ▁August ▁ 1 6 6 4 , ▁Amsterdam ) ▁was ▁a ▁Dutch ▁painter ▁of ▁the ▁ 1 7 th ▁century . ▁He ▁is ▁especially ▁famous ▁for ▁his ▁paint ings ▁of ▁S out heast ▁Asia ▁and ▁Bat avia ▁c . ▁ 1 6 6 0 . ▁In ▁ 1 6 5 7 ▁he ▁was ▁known ▁as ▁And ries ▁Be e ck man ▁from ▁Z ut phen ▁and ▁is ▁last ▁mentioned ▁as ▁finishing ▁two ▁paint ings ▁in ▁Amsterdam ▁in ▁ 1 6 6 3 . ▁An ▁And ries ▁Be e ck man ▁was ▁buried ▁on ▁August ▁ 9 , ▁ 1 6 6 4 ▁in ▁the ▁N ieu we ▁K erk ▁( Am sterdam ) ▁ ▁See ▁also ▁History ▁of ▁Jak arta ▁ ▁Public ation ▁ ▁Men no ▁Jon ker , ▁Er l end ▁de ▁G root ▁en ▁Caroline ▁de ▁Hart , ▁Van ▁vel er lei ▁pl u image . ▁Ze vent iende - ee uw se ▁water ver fte ken ingen ▁van ▁And ries ▁Be e ck man . ▁N ij m egen , ▁U it ge ver ij ▁Van ▁T ilt , ▁ 2 0 1 4 . ▁ ▁Notes ▁ ▁External ▁links ▁ ▁Category : 1 6 2 8 ▁birth s ▁Category : 1 6 6 4 ▁death s ▁Category : D utch ▁Golden ▁Age ▁pain ters ▁Category : D utch ▁male ▁pain ters ▁Category : Pe ople ▁from ▁Z ut phen ▁Category : 1 7 th - century ▁Dutch ▁East ▁Ind ies ▁people ▁Category : B ur ial s ▁at |
▁the ▁N ieu we ▁K erk ▁( Am sterdam ) ▁Category : D utch ▁East ▁India ▁Company ▁people <0x0A> </s> ▁Emer gency ▁medical ▁services ▁in ▁Australia ▁are ▁provided ▁by ▁state ▁amb ul ance ▁services , ▁which ▁are ▁a ▁division ▁of ▁each ▁state ▁or ▁territorial ▁government , ▁and ▁by ▁St ▁John ▁Am bul ance ▁in ▁both ▁Western ▁Australia ▁and ▁the ▁Northern ▁Territ ory . ▁ ▁Organisation ▁ ▁Land ▁amb ul ance ▁ ▁Am bul ance ▁service ▁within ▁Australia ▁can ▁be ▁divided ▁into ▁two ▁basic ▁groups ; ▁the ▁stat ut ory ▁services ▁and ▁also ▁volunte er ▁groups . ▁ ▁In ▁all ▁Australian ▁states , ▁with ▁the ▁exception ▁of ▁Western ▁Australia , ▁and ▁in ▁the ▁Northern ▁Territ ory , ▁stat ut ory ▁amb ul ance ▁services ▁are ▁provided ▁by ▁the ▁state / ter rit orial ▁government , ▁as ▁a ▁single - entity , ▁third - service ▁model , ▁government ▁department . ▁ ▁In ▁Western ▁Australia , ▁and ▁in ▁the ▁Northern ▁Territ ory , ▁all ▁stat ut ory ▁amb ul ance ▁service ▁is ▁provided ▁by ▁St ▁John ▁Am bul ance ▁Australia , ▁under ▁contract ▁to ▁the ▁state / ter rit orial ▁government . ▁ ▁In ▁all ▁other ▁states ▁and ▁territ ories , ▁the ▁activities ▁of ▁St ▁John ▁Am bul ance ▁are ▁limited ▁to ▁first ▁aid ▁training ▁and ▁special ▁events ▁support , ▁with ▁the ▁occas ional ▁dis aster ▁response . ▁ ▁In ▁all ▁states ▁with ▁the ▁exception ▁of ▁Queensland ▁and ▁Tas mania , ▁users ▁who ▁are ▁not ▁on ▁w elf are ▁benefits ▁are ▁bil led ▁directly ▁for ▁their |
▁usage ▁of ▁an ▁amb ul ance . ▁ ▁In ▁addition , ▁while ▁not ▁strictly ▁amb ul ance ▁services , ▁some ▁juris dict ions ▁also ▁have ▁private ▁companies ▁offering ▁medical ▁transport ation ▁services ▁on ▁a ▁fee - for - service ▁basis . ▁ ▁Am bul ance ▁services ▁in ▁Australia ▁operate ▁on ▁the ▁Ang lo - American ▁( as ▁opposed ▁to ▁the ▁Franco - G erman ) ▁E MS ▁service ▁delivery ▁model . ▁ ▁Air ▁amb ul ance ▁ ▁Air ▁amb ul ance ▁service ▁is ▁accomplished ▁in ▁Australia ▁by ▁means ▁of ▁a ▁variety ▁of ▁arrang ements ▁and ▁prov iders . ▁ ▁In ▁New ▁South ▁Wales ▁rescue ▁hel ic op ters ▁are ▁split ▁into ▁two ▁districts ▁with ▁West p ac ▁Res cue ▁Hel ic opter ▁Service ▁and ▁T oll ▁Air ▁Am bul ance ▁serv icing ▁the ▁entire ▁state . ▁The ▁Sydney - based ▁West p ac ▁Res cue ▁Hel ic opter ▁is ▁sole ly ▁used ▁for ▁search ▁and ▁rescue ▁task ings . ▁Some ▁states , ▁such ▁as ▁Queensland ▁share ▁air ▁amb ul ance ▁resources ▁with ▁other ▁public ▁ag encies ; ▁in ▁the ▁case ▁of ▁Queensland , ▁air ▁amb ul ance ▁services ▁are ▁primarily ▁provided ▁by ▁Emer gency ▁Management ▁Queensland ▁( EM Q ▁Hel ic opter ▁Res cue ) ▁and ▁a ▁mixture ▁of ▁other ▁prov iders ▁such ▁as ▁R AC Q ▁Care F light , ▁R AC Q ▁C Q ▁Res cue , ▁R AC Q ▁Cap ric orn ▁Hel ic opter ▁Res cue , ▁R AC Q ▁N Q ▁Res cue ▁and ▁A GL ▁Action ▁Res |
cue ▁Hel ic opter ▁may ▁fill ▁service ▁g aps . ▁ ▁In ▁other ▁states , ▁such ▁as ▁South ▁Australia ▁a ▁mix ▁of ▁service ▁prov iders , ▁including ▁other ▁emer gency ▁services ▁such ▁as ▁the ▁police , ▁continue ▁to ▁operate ▁but ▁medical ▁cre ws ▁are ▁provided ▁by ▁Med Star , ▁a ▁government ▁entity ▁which ▁provide ▁do ctors , ▁n urs es ▁and ▁flight ▁param ed ics ▁to ▁MAC ▁Res cue ▁( Hel ic opter ) ▁and ▁R F DS ▁( Fixed ▁Wing ). ▁ ▁While ▁hel ic op ters ▁provide ▁good ▁service ▁in ▁coast al ▁areas ▁with ▁high ▁population ▁density , ▁in ▁the ▁more ▁sp ars ely ▁settled ▁interior , ▁distances ▁can ▁be ▁vast , ▁and ▁fixed - wing ▁aircraft ▁are ▁the ▁preferred ▁mode ▁of ▁transport . ▁ ▁In ▁these ▁cases , ▁the ▁stat ut ory ▁amb ul ance ▁services ▁often ▁operate ▁the ▁aircraft , ▁in ▁co operation ▁with ▁Australia ' s ▁Royal ▁F lying ▁Doctor ▁Service . ▁ ▁First ▁respond ers ▁There ▁are ▁a ▁number ▁of ▁different ▁first ▁respond ers ▁in ▁Australia ▁that ▁supp lement ▁amb ul ance ▁services . ▁First ▁respond ers ▁provide ▁a ▁rapid ▁response ▁to ▁the ▁scene ▁but ▁do ▁not ▁transport ▁patients . ▁ ▁Many ▁metropol itan ▁amb ul ance ▁services ▁have ▁single ▁param ed ics ▁in ▁vehicles ▁and ▁on ▁motor cy cles . ▁ ▁In ▁Melbourne ▁and ▁Sydney , ▁H atz ol ah ▁provides ▁first ▁respond ers ▁to ▁the ▁Jewish ▁Community . ▁ ▁Since ▁ 1 9 9 8 ▁in ▁Melbourne , ▁the ▁Metropolitan ▁Fire ▁Service ▁respond ▁to ▁sus |
pected ▁card iac ▁or ▁resp ir atory ▁arrest ▁medical ▁emer gen cies . ▁ ▁In ▁rural ▁South ▁Australia ▁some ▁towns ▁have ▁Community ▁Emer gency ▁Response ▁Teams ▁such ▁as ▁Port ▁Mc D onn ell ▁and ▁Mar ion ▁Bay ▁and ▁histor ically ▁M ead ows . ▁ ▁Fire fig h ter ▁Emer gency ▁Medical ▁Res pond ers ▁In ▁Melbourne ▁the ▁Metropolitan ▁Fire ▁Brigade , ▁Melbourne ▁( M FB ) ▁provides ▁a ▁fully ▁professional ▁Emer gency ▁Medical ▁Response ▁( EM R ) ▁cap ability ▁for ▁the ▁metropol itan ▁fire ▁district . ▁ ▁Com men cing ▁in ▁ 1 9 9 8 ▁the ▁M FB ' s ▁E MR ▁program ▁is ▁run ▁in ▁partners hip ▁with ▁Am bul ance ▁Victoria ▁( AV ) ▁to ▁ensure ▁rapid ▁trained ▁response ▁to ▁Computer - a ided ▁Dis patch ▁( C AD ) ▁" p riority ▁ 0 " ▁( s us pected ▁card iac ▁or ▁resp ir atory ▁arrest ) ▁medical ▁emer gen cies ▁across ▁Melbourne . ▁ ▁Training ▁To ▁qual ify ▁as ▁a ▁Fire fig h ter ▁Emer gency ▁Medical ▁Res ponder , ▁M FB ▁professional ▁fire fig h ters ▁undert ake ▁a ▁ 1 2 - month ▁training ▁program ▁provided ▁by ▁Mon ash ▁University ▁following ▁a ▁training ▁curr icul um ▁developed ▁specifically ▁for ▁professional ▁fire fig h ters ▁by ▁the ▁M FB ▁and ▁Mon ash ▁University ▁Fac ulty ▁of ▁Community ▁Emer gency ▁Health ▁& ▁Par amed ic ▁Pract ice . ▁ ▁M FB ▁Fire fig h ters ▁are ▁trained ▁to ▁provide ▁advanced ▁life ▁support ▁care ▁including ▁o xygen |
▁res usc itation ▁and ▁air way ▁management , ▁C PR , ▁def ibr ill ation , ▁sp inal ▁and ▁tra uma ▁care . ▁When ▁required , ▁fire fig h ters ▁may ▁also ▁provide ▁assistance ▁to ▁amb ul ance ▁param ed ics . ▁ ▁Program me ▁benefits ▁Under ▁the ▁E MR ▁program , ▁M FB ▁fire fig h ters ▁are ▁simultaneously ▁dispatch ed ▁with ▁AV ▁param ed ics ▁to ▁all ▁priority ▁ 0 ▁medical ▁emer gen cies ▁within ▁the ▁metropol itan ▁fire ▁district . ▁ ▁In ▁ 6 0 % ▁of ▁these ▁E MR ▁events , ▁M FB ▁fire fig h ters ▁arrive ▁first ▁on ▁scene ▁and ▁commence ▁initial ▁patient ▁assess ment ▁and ▁provide ▁care ▁as ▁required . ▁ ▁On ▁arrival , ▁AV ▁param ed ics ▁take ▁over ▁responsibility ▁for ▁patient ▁care ▁with ▁M FB ▁fire fig h ters ▁then ▁providing ▁assistance ▁as ▁required . ▁▁ ▁As ▁a ▁result ▁of ▁E MR ▁response , ▁two ▁minutes ▁have ▁been ▁cut ▁from ▁the ▁response ▁time ▁to ▁card iac ▁arrest ▁cases ▁in ▁the ▁metropol itan ▁fire ▁district ▁covered ▁by ▁the ▁M FB . ▁This ▁program ▁and ▁the ▁expansion ▁of ▁emer gency ▁and ▁M IC A ▁amb ul ance ▁services ▁in ▁Melbourne ▁in ▁recent ▁years ▁is ▁providing ▁the ▁Melbourne ▁community ▁with ▁a ▁higher ▁card iac ▁arrest ▁surv ival ▁rate ▁than ▁other ▁Australian ▁capital ▁cities . ▁Due ▁to ▁the ▁reported ▁success ▁of ▁this ▁program ▁it ▁has ▁been ▁expanded ▁to ▁include ▁some ▁full - time ▁stations ▁run ▁by ▁Victoria ' s ▁Country ▁Fire ▁Author ity . ▁The ▁NS W ▁Government |
▁has ▁recently ▁proposed ▁a ▁similar ▁program ▁util ising ▁Fire ▁and ▁Res cue ▁NS W ▁but ▁has ▁faced ▁strong ▁opposition ▁from ▁the ▁Fire ▁Brigade ▁Emp loy ees ▁Union . ▁ ▁Stand ards ▁ ▁Training ▁and ▁staff ing ▁Am bul ance ▁services ▁in ▁Australia ▁use , ▁for ▁the ▁most ▁part , ▁well ▁educated ▁professional ▁staff , ▁supp lement ed ▁in ▁low ▁volume ▁rural ▁areas ▁by ▁volunte ers . ▁ ▁The ▁level ▁of ▁training ▁for ▁volunte ers ▁is ▁considered ▁to ▁be ▁a ▁high ▁level ▁of ▁skill ▁at ▁advanced ▁first ▁aid . ▁ ▁Pa id ▁staff ▁fall ▁into ▁two ▁categories ; ▁Transport ▁Offic ers ▁and ▁Par amed ics . ▁ ▁Transport ▁Offic ers ▁complete ▁certificate ▁level ▁training , ▁and ▁are ▁normally ▁only ▁used ▁for ▁the ▁non - emer gency ▁inter fac ility ▁transport ation ▁of ▁patients . ▁ ▁Anyone ▁employed ▁on ▁an ▁emer gency ▁amb ul ance ▁must ▁be ▁trained ▁as ▁a ▁param edic . ▁ ▁There ▁are ▁several ▁levels ▁of ▁param ed ics ▁in ▁Australia . ▁ ▁The ▁term ▁‘ par amed ic ’ ▁is ▁now ▁leg ally ▁protected ▁in ▁Australia ; ▁with ▁param ed ics ▁requiring ▁registration ▁with ▁the ▁Australian ▁Health ▁Pract ition er ▁Reg ulation ▁Agency ▁( A HP RA ) ▁starting ▁ 1 ▁October ▁ 2 0 1 8 . ▁ ▁The ▁preferred ▁level ▁of ▁entry ▁into ▁practice ▁for ▁new ▁param ed ics ▁is ▁a ▁multi - year , ▁Bach elor ' s ▁degree ▁program ▁in ▁either ▁Emer gency ▁Health , ▁Par amed ic ine ▁or ▁C lin ical ▁Pract ice ▁( Par |
amed ic ), ▁including ▁class room ▁lect ures , ▁clin ical ▁practice , ▁and ▁intern ship ▁components . ▁The ▁intent ▁is ▁to ▁make ▁this ▁qual ification ▁the ▁only ▁path ▁of ▁entry ▁into ▁the ▁field ▁but ▁so ▁far ▁only ▁the ▁states ▁of ▁Victoria ▁and ▁Tas mania ▁have ▁ph ased ▁out ▁all ▁other ▁methods ▁of ▁entry . ▁ ▁Am bul ance ▁services ▁in ▁South ▁Australia ▁and ▁Queensland ▁now ▁draw ▁the ▁majority ▁of ▁their ▁param ed ics ▁from ▁degree ▁programs ▁and ▁continue ▁to ▁use ▁the ▁older - style , ▁internal ▁di pl oma ▁programs ▁only ▁to ▁fill ▁service ▁g aps ▁and ▁short ages ▁in ▁forec asted ▁requirements ▁. ▁ ▁These ▁older ▁programs ▁continue ▁to ▁be ▁necessary ▁to ▁ensure ▁amb ul ance ▁services ▁are ▁able ▁to ▁directly ▁train ▁additional ▁staff ▁to ▁fill ▁short ages ▁and ▁as ▁the ▁numbers ▁of ▁degree ▁gradu ate ▁param ed ics ▁being ▁produced ▁by ▁the ▁university ▁system ▁are ▁ins u fficient ▁to ▁meet ▁amb ul ance ▁services ’ ▁requirements ▁for ▁new ▁employees . ▁NS W ▁Am bul ance ▁is ▁transition ing ▁to ▁t ert i ary ▁entrance ▁but ▁this ▁process ▁will ▁be ▁ph ased ▁in ▁over ▁several ▁years ▁and ▁may ▁be ▁achieved ▁by ▁ 2 0 2 0 . ▁ ▁Training ▁as ▁a ▁Mobile ▁Int ensive ▁Care ▁Am bul ance ▁Par amed ic ▁in ▁Victoria , ▁and ▁equivalent ▁Int ensive ▁Care ▁Par amed ic ▁programs ▁in ▁other ▁states ▁involves ▁the ▁completion ▁of ▁a ▁post - grad uate ▁certificate ▁program . ▁ ▁The ▁program , ▁which ▁typically ▁takes ▁an ▁additional ▁year ▁to ▁complete , |
▁involves ▁theory , ▁clin ical ▁and ▁super vised ▁practice ▁components . ▁ ▁Gr adu ates ▁possess ▁an ▁expanded ▁skill ▁set ▁which ▁may ▁include ▁int ub ation , ▁Rap id ▁Se quence ▁Int ub ation ▁( R SI ), ▁additional ▁dru gs , ▁and ▁in ▁some ▁cases , ▁cert ification ▁of ▁death . ▁Those ▁cert ified ▁as ▁M IC A - Par amed ics ▁in ▁Victoria ▁function ▁on ▁protocol s , ▁working ▁independently ▁and ▁with ▁minimal ▁medical ▁super vision . ▁ ▁Ve h icles ▁ ▁Am bul ance ▁services ▁in ▁Australia ▁provide ▁emer gency ▁medical ▁services ▁by ▁means ▁of ▁a ▁number ▁of ▁service ▁delivery ▁methods . ▁ ▁These ▁include ▁both ▁conventional ▁amb ul ances ▁and ▁aircraft , ▁but ▁also ▁include ▁a ▁variety ▁of ▁rapid ▁response ▁vehicles ▁with ▁single ▁param ed ics , ▁including ▁both ▁all - w heel ▁drive ▁type ▁vehicles ▁( SU V s ) ▁and ▁motor cy cles . ▁ ▁Super vis ory ▁vehicles ▁are ▁also ▁equ ipped ▁with ▁medical ▁equipment , ▁and ▁capable ▁of ▁providing ▁first ▁response ▁service , ▁when ▁required . ▁ ▁Some ▁services , ▁most ▁not ably ▁New ▁South ▁Wales , ▁provided ▁the ▁stat ut ory ▁rescue ▁service ▁in ▁addition ▁to ▁their ▁role ▁in ▁pre - h ospital ▁care , ▁this ▁has ▁recently ▁changed ▁however , ▁AS NS W ▁Res cue ▁Units ▁are ▁currently ▁in ▁the ▁process ▁of ▁being ▁dis band ed ▁with ▁their ▁rescue ▁duties ▁and ▁resources ▁being ▁re ass igned ▁to ▁the ▁NS W ▁Fire ▁Brigade . ▁▁▁ ▁There ▁is ▁no ▁national ▁standard ▁for ▁the ▁design ▁of |
▁conventional ▁amb ul ances ▁in ▁Australia . ▁ ▁All ▁amb ul ance ▁services ▁have ▁their ▁vehicles ▁built ▁to ▁their ▁own ▁internal ▁specific ations . ▁ ▁That ▁being ▁said , ▁the ▁amb ul ances ▁are ▁roughly ▁similar ▁from ▁one ▁state ▁to ▁another , ▁and ▁all ▁generally ▁comp ly ▁with ▁the ▁European ▁Standard ▁C EN ▁ 1 7 8 9 ▁as ▁published ▁by ▁the ▁European ▁Committee ▁for ▁Stand ards , ▁apart ▁from ▁the ▁visual ▁identity ▁prov isions . ▁ ▁This ▁comp liance ▁is , ▁however , ▁incident al . ▁ ▁Dis patch ▁Am bul ances ▁and ▁param ed ics ▁in ▁Australia ▁are ▁cent r ally ▁dispatch ed . ▁ ▁Australia ' s ▁national ▁emer gency ▁number ▁is ▁ 0 0 0 . ▁ ▁This ▁number ▁rings ▁at ▁the ▁Tel stra ▁Global ▁Oper ations ▁Centre , ▁where ▁an ▁operator ▁determ ines ▁the ▁caller ' s ▁needs ▁and ▁then ▁direct s ▁the ▁caller ▁to ▁the ▁appropriate ▁emer gency ▁service ▁( pol ice , ▁fire , ▁amb ul ance ). ▁ ▁Call ers ▁then ▁speak ▁to ▁an ▁operator ▁at ▁a ▁dispatch ▁centre , ▁managed ▁by ▁the ▁relevant ▁state ▁amb ul ance ▁service ▁( E . g . ▁AF COM ▁in ▁Br is b ane , ▁Q LD ) ▁or ▁may ▁even ▁speak ▁to ▁an ▁individual ▁officer ▁in ▁the ▁case ▁of ▁rural / remote ▁stations . ▁ ▁Dis patch ▁techn ologies , ▁including ▁autom ated ▁vehicle ▁loc ating ▁( AV L ) ▁and ▁decision - support ▁software ▁are ▁either ▁identical ▁( as ▁with ▁A MP DS ▁and ▁Computer - |
a ided ▁Dis patch ) ▁or ▁compar able ▁with ▁those ▁found ▁in ▁North ▁America ▁and ▁Europe . ▁ ▁Response ▁times ▁Australian ▁amb ul ance ▁services ▁generally ▁public ise ▁a ▁response ▁time ▁standard ▁of ▁' around ▁ 1 0 ▁minutes ' ▁on ▁high ▁priority ▁emer gency ▁calls . ▁O ng o ing ▁monitoring ▁suggests ▁that ▁comp liance ▁is ▁impro ving , ▁many ▁" Code ▁one " ▁( i . e . ▁L ights ▁and ▁Sir en ) ▁calls ▁are ▁reached ▁well ▁within ▁ 1 0 ▁minutes . ▁ ▁See ▁also ▁ ▁Health ▁care ▁in ▁Australia ▁ ▁References <0x0A> </s> ▁Co ih ue co ▁() ▁is ▁a ▁Chile an ▁commune ▁and ▁city ▁in ▁P un illa ▁Province , ▁ Ñ ub le ▁Region . ▁It ▁is ▁located ▁near ▁Ch ill án , ▁the ▁provincial ▁capital . ▁Co ih ue co ▁borders ▁San ▁Carlos ▁and ▁San ▁Fab i án ▁on ▁the ▁north , ▁Argentina ▁on ▁the ▁east , ▁P into ▁on ▁the ▁South , ▁and ▁Ch ill án ▁on ▁the ▁west . ▁ ▁Dem ograph ics ▁According ▁to ▁the ▁ 2 0 0 2 ▁census ▁of ▁the ▁National ▁Statistics ▁Institute , ▁Co ih ue co ▁sp ans ▁an ▁area ▁of ▁ ▁and ▁has ▁ 2 3 , 5 8 3 ▁inhabitants ▁( 1 2 , 2 1 1 ▁men ▁and ▁ 1 1 , 3 7 2 ▁women ). ▁Of ▁these , ▁ 7 , 2 3 0 ▁( 3 0 . 7 %) ▁lived ▁in ▁urban ▁areas ▁and ▁ 1 6 , 3 5 3 |
▁( 6 9 . 3 %) ▁in ▁rural ▁areas . ▁The ▁population ▁grew ▁by ▁ 4 . 4 % ▁( 9 9 8 ▁persons ) ▁between ▁the ▁ 1 9 9 2 ▁and ▁ 2 0 0 2 ▁cens uses . ▁ ▁Administration ▁As ▁a ▁commune , ▁Co ih ue co ▁is ▁a ▁third - level ▁administrative ▁division ▁of ▁Chile ▁admin ister ed ▁by ▁a ▁municipal ▁council , ▁head ed ▁by ▁an ▁al cal de ▁who ▁is ▁directly ▁elected ▁every ▁four ▁years . ▁The ▁ 2 0 0 8 - 2 0 1 2 ▁al cal de ▁is ▁Arnold o ▁Manuel ▁Jim é nez ▁Ven eg as ▁( PP D ). ▁ ▁Within ▁the ▁elect oral ▁divisions ▁of ▁Chile , ▁Co ih ue co ▁is ▁represented ▁in ▁the ▁Chamber ▁of ▁Deput ies ▁by ▁Carlos ▁Ab el ▁Jar pa ▁ ▁( PR SD ) ▁and ▁Ros au ro ▁Martínez ▁( R N ) ▁as ▁part ▁of ▁the ▁ 4 1 st ▁elect oral ▁district , ▁( t ogether ▁with ▁Ch ill án , ▁P into , ▁San ▁Ig na cio , ▁El ▁Car men , ▁P emu co , ▁Y ung ay ▁and ▁Ch ill án ▁Vie jo ). ▁The ▁commune ▁is ▁represented ▁in ▁the ▁Senate ▁by ▁Victor ▁Pérez ▁V are la ▁( U DI ) ▁and ▁Mar iano ▁Ru iz ▁- Es qu ide ▁J ara ▁( P DC ) ▁as ▁part ▁of ▁the ▁ 1 3 th ▁sen atorial ▁constitu ency ▁( B io b ío - Co ast ). ▁ ▁References |
▁▁▁ ▁Wikipedia , ▁la ▁enc iclopedia ▁libre , ▁Co ih ue co ▁Co ih ue co , ▁Chile ▁Page . ▁Fall ing ▁Rain ▁Gen om ics . ▁Retrieved ▁on ▁ 2 0 0 8 - 0 5 - 0 2 . ▁ ▁External ▁links ▁▁ ▁Municip ality ▁of ▁Co ih ue co ▁ ▁Category : Comm unes ▁of ▁Chile ▁Category : Pop ulated ▁places ▁in ▁P un illa ▁Province <0x0A> </s> ▁The ▁ 1 9 9 3 ▁Georgia ▁Bul ld ogs ▁football ▁team ▁represented ▁the ▁University ▁of ▁Georgia ▁during ▁the ▁ 1 9 9 3 ▁NCAA ▁Division ▁I - A ▁football ▁season . ▁Georgia ▁completed ▁the ▁season ▁with ▁a ▁ 5 – 6 ▁record . ▁ ▁Sch edule ▁ ▁R oster ▁ ▁Season ▁summary ▁ ▁Georgia ▁Te ch ▁ ▁A ▁fight ▁broke ▁out ▁late ▁in ▁the ▁fourth ▁quarter ▁following ▁a ▁touch down ▁pass ▁by ▁Georgia . ▁ ▁References ▁ ▁Georgia ▁Bul ld ogs ▁Category : Ge org ia ▁Bul ld ogs ▁football ▁seasons ▁Bul ld ogs ▁football <0x0A> </s> ▁Erd vil as ▁( Er dy wi ł , ▁Е р ди ви л , ▁Er di wi ł , ▁Er dw il ) ▁was ▁one ▁of ▁the ▁ 2 1 ▁early ▁du kes ▁of ▁Lith u ania ▁who ▁signed ▁a ▁treat y ▁with ▁Gal icia – Vol h yn ia ▁in ▁ 1 2 1 9 . ▁He ▁and ▁V yk int as ▁are ▁the ▁two ▁du kes ▁of ▁Sam og it ia ▁mentioned ▁in ▁the ▁treat y . ▁This ▁is ▁supported ▁by |
▁the ▁fact ▁that ▁the ▁eastern ▁part ▁of ▁Sam og it ia ▁supported ▁King ▁of ▁Lith u ania ▁Mind aug as , ▁while ▁the ▁western ▁part , ▁ruled ▁by ▁V yk int as , ▁was ▁more ▁host ile . ▁That ▁is ▁the ▁only ▁mention ▁of ▁him ▁in ▁written ▁sources . ▁F ew ▁histor ians ▁consider ▁that ▁T ren i ota , ▁Mind aug as ' ▁nep hew , ▁was ▁son ▁of ▁Erd vil as . ▁However ▁more ▁prefer ▁V yk int as ▁as ▁T ren i ota ' s ▁father . ▁ ▁By ch owie c ▁Chron icle ▁The ▁By ch owie c ▁Chron icle ▁presents ▁a ▁legend ary ▁version ▁of ▁Erd vil as ' ▁life . ▁He ▁was ▁a ▁son ▁of ▁Sam og it ian ▁Duke ▁Mant v ila , ▁who ▁sent ▁him ▁to ▁conquer ▁Black ▁Ruth enia . ▁Erd vil as ▁established ▁his ▁capital ▁in ▁Nav ah rad ak , ▁founded ▁H rod na , ▁and ▁helped ▁to ▁re build ▁other ▁cities ▁pl under ed ▁by ▁the ▁Tat ars . ▁Ref using ▁to ▁pay ▁t ribute , ▁Erd vil as ▁gathered ▁a ▁large ▁army , ▁whose ▁leader ▁was ▁Gr um pis ▁G ost aut as , ▁and ▁defeated ▁the ▁Tat ars ▁on ▁the ▁banks ▁of ▁the ▁D nie per ▁River . ▁According ▁to ▁this ▁account ▁V yk int as ▁was ▁Erd vil as ' ▁brother ▁and ▁ruled ▁Sam og it ia . ▁When ▁V yk int as ▁died ▁without ▁leaving ▁an ▁he ir , ▁Erd vil as ▁inherited ▁Sam og it ia |
. ▁ ▁This ▁account ▁has ▁no ▁historical ▁basis ▁and ▁is ▁part ▁of ▁the ▁Pale mon ids ▁legend . ▁Erd vil as ▁would ▁belong ▁to ▁the ▁fifth ▁generation ▁of ▁a ▁noble ▁family ▁from ▁the ▁Roman ▁Empire ▁who ▁settled ▁in ▁the ▁Grand ▁Duch y ▁of ▁Lith u ania ▁and ▁gave ▁rise ▁to ▁the ▁state . ▁ ▁See ▁also ▁ ▁House ▁of ▁Mind aug as ▁ ▁List ▁of ▁early ▁Lith uan ian ▁du kes ▁ ▁References ▁▁▁▁ ▁Category : L ith uan ian ▁nob ility <0x0A> </s> ▁Antonio ▁Cast ri ani ▁( s urname ▁also ▁given ▁as ▁Cr ast ini ) ▁( c . 1 4 6 0 ▁– ▁August ▁ 1 1 , ▁ 1 5 1 0 ) ▁was ▁an ▁Italian ▁Roman ▁Catholic ▁bishop . ▁ ▁Biography ▁On ▁March ▁ 1 7 , ▁ 1 5 0 6 , ▁Antonio ▁Cast ri ani ▁was ▁appointed ▁as ▁Bishop ▁of ▁C agli ▁but ▁this ▁term ▁was ▁short - l ived . ▁He ▁was ▁re app oint ed ▁to ▁become ▁the ▁first ▁Bishop ▁of ▁Monte f elt ro ▁on ▁May ▁ 2 1 , ▁ 1 5 0 7 , ▁a ▁position ▁he ▁held ▁until ▁his ▁death ▁on ▁August ▁ 1 1 , ▁ 1 5 1 0 . ▁ ▁References ▁ ▁External ▁links ▁and ▁additional ▁sources ▁ ▁( for ▁Chron ology ▁of ▁B ish ops ) ▁▁ ▁( for ▁Chron ology ▁of ▁B ish ops ) ▁▁ ▁( for ▁Chron ology ▁of ▁B ish ops ) ▁▁ ▁( for ▁Chron ology ▁of ▁B ish ops ) |
▁▁ ▁Category : B ish ops ▁of ▁Monte f elt ro ▁Category : Year ▁of ▁birth ▁missing ▁Category : 1 5 1 0 ▁death s <0x0A> </s> ▁John ▁Joseph ▁L yd on ▁( born ▁ 3 1 ▁January ▁ 1 9 5 6 ), ▁also ▁known ▁by ▁his ▁stage ▁name ▁Johnny ▁Rotten , ▁is ▁an ▁English ▁singer , ▁song writer ▁and ▁music ian . ▁He ▁is ▁best ▁known ▁as ▁the ▁lead ▁singer ▁of ▁the ▁late - 1 9 7 0 s ▁British ▁punk ▁band ▁the ▁Sex ▁P ist ols , ▁which ▁last ed ▁from ▁ 1 9 7 5 ▁until ▁ 1 9 7 8 , ▁and ▁again ▁for ▁various ▁rev iv als ▁during ▁the ▁ 1 9 9 0 s ▁and ▁ 2 0 0 0 s . ▁He ▁is ▁also ▁the ▁lead ▁singer ▁of ▁post - p unk ▁band ▁Public ▁Image ▁Ltd ▁( Pi L ), ▁which ▁he ▁founded ▁and ▁front ed ▁from ▁ 1 9 7 8 ▁until ▁ 1 9 9 3 , ▁and ▁again ▁since ▁ 2 0 0 9 . ▁ ▁L yd on ' s ▁out sp oken ▁persona , ▁reb elli ous ▁image ▁and ▁fashion ▁style ▁led ▁to ▁his ▁being ▁asked ▁to ▁become ▁the ▁singer ▁of ▁the ▁Sex ▁P ist ols ▁by ▁their ▁manager , ▁Mal col m ▁Mc L aren . ▁With ▁the ▁Sex ▁P ist ols , ▁he ▁p enn ed ▁singles ▁including ▁" An archy ▁in ▁the ▁U . K ., " ▁" G od ▁Save ▁the ▁Queen ", ▁" Pre tty |
▁V ac ant " ▁and ▁" H olid ays ▁in ▁the ▁Sun ", ▁the ▁content ▁of ▁which ▁precip itated ▁what ▁one ▁comment ator ▁described ▁as ▁the ▁" last ▁and ▁greatest ▁out break ▁of ▁pop - based ▁moral ▁pan dem on ium " ▁in ▁Britain . ▁The ▁band ▁sc andal ised ▁much ▁of ▁the ▁media , ▁and ▁L yd on ▁was ▁seen ▁as ▁a ▁figure head ▁of ▁the ▁bur geon ing ▁punk ▁movement . ▁Because ▁of ▁their ▁controvers ial ▁lyr ics ▁and ▁dis re put e ▁at ▁the ▁time , ▁they ▁are ▁regarded ▁as ▁one ▁of ▁the ▁most ▁influ ential ▁acts ▁in ▁the ▁history ▁of ▁popular ▁music . ▁ ▁After ▁the ▁Sex ▁P ist ols ▁dis band ed ▁in ▁ 1 9 7 8 , ▁L yd on ▁founded ▁his ▁own ▁band , ▁Public ▁Image ▁Ltd , ▁which ▁was ▁far ▁more ▁experimental ▁in ▁nature ▁and ▁described ▁in ▁a ▁ 2 0 0 5 ▁N ME ▁review ▁as ▁" arg u ably ▁the ▁first ▁post - rock ▁group ." ▁The ▁band ▁produced ▁eight ▁albums ▁and ▁a ▁string ▁of ▁singles , ▁including ▁" Public ▁Image ", ▁" De ath ▁Dis co ", ▁and ▁" R ise ", ▁before ▁they ▁went ▁on ▁hi atus ▁in ▁ 1 9 9 3 , ▁reform ing ▁in ▁ 2 0 0 9 . ▁In ▁subsequent ▁years , ▁L yd on ▁has ▁hosted ▁television ▁shows ▁in ▁the ▁UK , ▁US , ▁and ▁Belg ium , ▁appeared ▁on ▁I ' m ▁a ▁C ele br ity ▁... ▁Get ▁Me ▁Out ▁of ▁Here |
! ▁in ▁the ▁UK , ▁appeared ▁in ▁advert is ements ▁on ▁UK ▁television ▁prom oting ▁D air y ▁C rest , ▁a ▁brand ▁of ▁British ▁but ter , ▁written ▁two ▁aut obi ograph ies , ▁and ▁produced ▁some ▁solo ▁musical ▁work , ▁such ▁as ▁the ▁album ▁Ps y cho ' s ▁Path ▁( 1 9 9 7 ). ▁In ▁ 2 0 0 5 , ▁he ▁released ▁a ▁compilation ▁album , ▁The ▁Best ▁of ▁British ▁£ 1 ▁Notes . ▁ ▁In ▁ 2 0 1 5 , ▁there ▁was ▁a ▁rev ival ▁of ▁a ▁ 1 9 8 0 s ▁movement ▁to ▁have ▁L yd on ▁kn ight ed ▁for ▁his ▁achiev ements ▁with ▁the ▁Sex ▁P ist ols , ▁even ▁though ▁he ▁has ▁decl ined ▁efforts ▁to ▁award ▁him ▁an ▁MB E ▁for ▁his ▁services ▁to ▁music . ▁Q ▁magazine ▁remarked ▁that ▁" some how ▁he ' s ▁assumed ▁the ▁status ▁of ▁national ▁tre asure ". ▁In ▁ 2 0 0 2 , ▁he ▁was ▁named ▁among ▁the ▁ 1 0 0 ▁Great est ▁Brit ons ▁following ▁a ▁UK - wide ▁vote . ▁ ▁Career ▁ ▁Early ▁life : ▁ 1 9 5 6 – 1 9 7 4 ▁ ▁John ▁Joseph ▁L yd on ▁was ▁born ▁in ▁London ▁on ▁ 3 1 ▁January ▁ 1 9 5 6 . ▁His ▁parents , ▁E ile en ▁L yd ia ▁( née ▁Barry ) ▁( d ied ▁ 1 9 7 8 ) ▁and ▁John ▁Christopher ▁L yd on , ▁were ▁working - |
class ▁em igr ants ▁from ▁Ireland ▁who ▁moved ▁into ▁a ▁two - room ▁Victor ian ▁flat ▁in ▁Ben well ▁Road , ▁in ▁the ▁H ollow ay ▁area ▁of ▁north ▁London . ▁The ▁flat ▁is ▁adjacent ▁to ▁the ▁High bury ▁Stadium , ▁the ▁former ▁home ▁of ▁Premier ▁League ▁football ▁club ▁Ar sen al ▁F . C . ▁of ▁which ▁L yd on ▁has ▁been ▁an ▁av id ▁fan ▁since ▁the ▁age ▁of ▁four . ▁At ▁the ▁time , ▁the ▁area ▁was ▁largely ▁imp over ished , ▁with ▁a ▁high ▁crime ▁rate ▁and ▁a ▁population ▁consisting ▁pre domin antly ▁of ▁working - class ▁Irish ▁and ▁J ama ican ▁people . ▁L yd on ▁spent ▁summer ▁hol id ays ▁in ▁his ▁mother ' s ▁native ▁County ▁C ork , ▁where ▁he ▁suffered ▁name - call ing ▁for ▁having ▁an ▁English ▁acc ent , ▁a ▁pre jud ice ▁he ▁claims ▁he ▁still ▁receives ▁today ▁even ▁though ▁he ▁travel s ▁under ▁an ▁Irish ▁pass port . ▁ ▁L yd on , ▁the ▁el dest ▁of ▁four ▁brothers , ▁had ▁to ▁look ▁after ▁his ▁sib lings ▁due ▁to ▁his ▁mother ' s ▁regular ▁ill ness es . ▁As ▁a ▁child , ▁he ▁lived ▁on ▁the ▁edge ▁of ▁an ▁industrial ▁estate ▁and ▁would ▁often ▁play ▁with ▁friends ▁in ▁the ▁fact ories ▁when ▁they ▁were ▁closed . ▁He ▁belonged ▁to ▁a ▁local ▁gang ▁of ▁neighbourhood ▁children ▁and ▁would ▁often ▁end ▁up ▁in ▁f ights ▁with ▁other ▁groups , ▁something ▁he ▁would ▁later ▁look ▁back ▁on ▁with ▁fond ▁mem ories : ▁" |
H il ari ous ▁f ias co es , ▁not ▁at ▁all ▁like ▁the ▁kn ives ▁and ▁guns ▁of ▁today . ▁The ▁me ann ess ▁wasn ' t ▁there . ▁It ▁was ▁more ▁like ▁y elling , ▁shout ing , ▁throwing ▁stones , ▁and ▁running ▁away ▁gig g ling . ▁Maybe ▁the ▁reality ▁was ▁col oured ▁by ▁my ▁youth ." ▁Descri bing ▁himself ▁as ▁a ▁" very ▁sh y " ▁and ▁" very ▁ret iring " ▁kid ▁who ▁was ▁" ner vous ▁as ▁hell ", ▁he ▁h ated ▁going ▁to ▁school , ▁where ▁he ▁would ▁get ▁can ed ▁as ▁pun ishment ▁and ▁where ▁he ▁" had ▁several ▁embar rass ing ▁inc idents ▁... ▁I ▁would ▁sh it ▁my ▁p ants ▁and ▁be ▁too ▁sc ared ▁to ▁ask ▁the ▁teacher ▁to ▁leave ▁the ▁class . ▁I ' d ▁sit ▁there ▁in ▁a ▁p ants ▁load ▁of ▁po o ▁all ▁day ▁long ." ▁ ▁At ▁the ▁age ▁of ▁seven , ▁L yd on ▁contract ed ▁sp inal ▁men ing itis ▁and ▁spent ▁a ▁year ▁in ▁St ▁Ann ' s ▁Hospital ▁in ▁Har ing ey , ▁London . ▁Through out ▁the ▁entire ▁experience , ▁he ▁suffered ▁from ▁hall uc in ations , ▁n ause a , ▁head aches , ▁periods ▁of ▁com a , ▁and ▁a ▁severe ▁memory ▁loss ▁that ▁last ed ▁for ▁four ▁years , ▁whilst ▁the ▁treat ments ▁admin ister ed ▁by ▁the ▁n urs es ▁involved ▁drawing ▁fluid ▁out ▁of ▁his ▁sp ine ▁with ▁a ▁surg ical ▁need le , ▁leaving ▁him ▁with |
▁a ▁permanent ▁sp inal ▁curv ature . ▁The ▁men ing itis ▁was ▁responsible ▁for ▁giving ▁him ▁what ▁he ▁would ▁later ▁describe ▁as ▁the ▁" L yd on ▁st are "; ▁this ▁experience ▁was ▁" the ▁first ▁step ▁that ▁put ▁me ▁on ▁the ▁road ▁to ▁Rotten ". ▁ ▁With ▁his ▁father ▁often ▁away , ▁employed ▁various ly ▁on ▁building ▁sites ▁or ▁oil ▁rig s , ▁L yd on ▁got ▁his ▁first ▁job ▁aged ▁ten ▁as ▁a ▁min ic ab ▁dispatch er , ▁something ▁he ▁kept ▁up ▁for ▁a ▁year ▁while ▁the ▁family ▁was ▁in ▁financial ▁difficulty . ▁He ▁dis lik ed ▁his ▁secondary ▁school , ▁the ▁St ▁William ▁of ▁York ▁Roman ▁Catholic ▁School ▁in ▁Is ling ton , ▁where ▁initially ▁he ▁was ▁bul lied , ▁but ▁at ▁four teen ▁or ▁fifteen ▁he ▁" bro ke ▁out ▁of ▁the ▁m ould " ▁and ▁began ▁to ▁fight ▁back ▁at ▁what ▁he ▁saw ▁as ▁the ▁opp ress ive ▁nature ▁of ▁the ▁school ▁teachers , ▁who ▁he ▁felt ▁inst ig ated ▁and ▁encourag ed ▁the ▁children ▁to ▁all ▁be ▁the ▁same ▁and ▁be ▁" anti - any one - who - does n ' t - qu ite - fit - the - m ould ." ▁Following ▁the ▁completion ▁of ▁his ▁O - level s ▁at ▁school , ▁he ▁got ▁into ▁a ▁row ▁with ▁his ▁father , ▁who ▁dis lik ed ▁L yd on ' s ▁long ▁hair , ▁and ▁so , ▁agree ing ▁to ▁get ▁it ▁cut , ▁the ▁te en ager ▁not ▁only ▁had ▁it ▁cut |
, ▁but ▁in ▁an ▁act ▁of ▁re bell ion , ▁he ▁dy ed ▁it ▁bright ▁green . ▁As ▁a ▁te en ager ▁he ▁listened ▁to ▁rock ▁bands ▁like ▁Haw kw ind , ▁Captain ▁Be ef heart , ▁Alice ▁Cooper ▁and ▁the ▁Sto og es ▁– ▁bands ▁his ▁mother ▁also ▁used ▁to ▁like , ▁which ▁somewhat ▁embar rass ed ▁him ▁– ▁as ▁well ▁as ▁more ▁main stream ▁acts ▁such ▁as ▁T . ▁R ex ▁and ▁Gary ▁Gl itter . ▁ ▁L yd on ▁was ▁k icked ▁out ▁of ▁school ▁at ▁age ▁fifteen ▁after ▁a ▁run - in ▁with ▁a ▁teacher , ▁and ▁went ▁on ▁to ▁attend ▁H ack ney ▁College , ▁where ▁he ▁be fri ended ▁John ▁Simon ▁R itch ie , ▁and ▁Kings way ▁Pr inc eton ▁College . ▁L yd on ▁gave ▁R itch ie ▁the ▁nick name ▁" S id ▁V icious ", ▁after ▁his ▁parents ' ▁pet ▁ham ster . ▁L yd on ▁and ▁V icious ▁began ▁squ atting ▁in ▁a ▁house ▁in ▁the ▁H amp st ead ▁area ▁with ▁a ▁group ▁of ▁age ing ▁hi pp ies ▁and ▁stopped ▁bother ing ▁to ▁go ▁to ▁college , ▁which ▁was ▁often ▁far ▁away ▁from ▁where ▁they ▁were ▁living . ▁Meanwhile , ▁he ▁began ▁working ▁on ▁building ▁sites ▁during ▁the ▁summer , ▁assist ed ▁by ▁his ▁father . ▁Fri ends ▁recommended ▁him ▁for ▁a ▁job ▁at ▁a ▁children ' s ▁play ▁centre ▁in ▁F ins bury ▁Park , ▁teaching ▁wood work ▁to ▁some ▁of ▁the ▁older ▁children , ▁but ▁he ▁was ▁s |
ack ed ▁when ▁parents ▁compla ined ▁that ▁somebody ▁" we ird " ▁with ▁bright - green ▁hair ▁was ▁teaching ▁their ▁children . ▁L yd on ▁and ▁his ▁friends , ▁including ▁V icious , ▁John ▁Gray , ▁Jah ▁W ob ble , ▁Dave ▁Cro we ▁and ▁Tony ▁Pur cell , ▁began ▁going ▁to ▁many ▁of ▁the ▁London ▁clubs , ▁such ▁as ▁the ▁L acy ▁Lady ▁in ▁Seven ▁Kings , ▁and ▁frequ ented ▁both ▁reg ga e ▁and ▁gay ▁clubs , ▁enjo ying ▁the ▁latter ▁because ▁" you ▁could ▁be ▁yourself , ▁nobody ▁bother ed ▁you " ▁there . ▁▁ 1 9 7 5 – 1 9 7 8 : ▁Sex ▁P ist ols ▁and ▁the ▁punk ▁movement ▁ ▁In ▁ 1 9 7 5 , ▁L yd on ▁was ▁among ▁a ▁group ▁of ▁youth s ▁who ▁regularly ▁hung ▁around ▁Mal col m ▁Mc L aren ▁and ▁Viv ienne ▁West wood ' s ▁fet ish ▁cl othing ▁shop ▁SE X . ▁Mc L aren ▁had ▁returned ▁from ▁a ▁brief ▁st int ▁trav elling ▁with ▁American ▁pro top unk ▁band ▁the ▁New ▁York ▁D oll s , ▁and ▁he ▁was ▁working ▁on ▁prom oting ▁a ▁new ▁band ▁formed ▁by ▁Steve ▁Jones , ▁Glen ▁Mat lock ▁and ▁Paul ▁Cook ▁called ▁the ▁Sex ▁P ist ols . ▁Mc L aren ▁was ▁im pressed ▁with ▁L yd on ' s ▁ra gg ed ▁look ▁and ▁unique ▁sense ▁of ▁style , ▁particularly ▁his ▁orange ▁hair ▁and ▁modified ▁P ink ▁F loyd ▁T - sh irt ▁( with ▁the ▁band ▁members |
' ▁eyes ▁scratch ed ▁out ▁and ▁the ▁words ▁I ▁H ate ▁sc raw led ▁in ▁felt - tip ▁pen ▁above ▁the ▁band ' s ▁logo ). ▁After ▁tun eless ly ▁singing ▁Alice ▁Cooper ' s ▁" I ' m ▁E igh teen " ▁to ▁the ▁accompan iment ▁of ▁the ▁shop ' s ▁ju ke box , ▁L yd on ▁was ▁chosen ▁as ▁the ▁band ' s ▁front man . ▁In ▁ 1 9 7 7 , ▁the ▁band ▁released ▁" G od ▁Save ▁the ▁Queen " ▁during ▁the ▁week ▁of ▁Queen ▁Elizabeth ▁II ' s ▁Silver ▁J ub ile e . ▁At ▁the ▁time , ▁August ▁ 1 9 7 7 , ▁L yd on ▁commented : ▁" Turn ▁the ▁other ▁che ek ▁too ▁often ▁and ▁you ▁get ▁a ▁raz or ▁through ▁it ." ▁ ▁L yd on ▁was ▁interested ▁in ▁dub ▁music . ▁Mc L aren ▁was ▁said ▁to ▁have ▁been ▁ups et ▁when ▁L yd on ▁revealed ▁during ▁a ▁radio ▁interview ▁that ▁his ▁influ ences ▁included ▁progress ive ▁experimental ists ▁like ▁Mag ma , ▁Can , ▁Captain ▁Be ef heart ▁and ▁Van ▁der ▁Gra af ▁Gener ator . ▁T ensions ▁between ▁L yd on ▁and ▁bass ist ▁Glen ▁Mat lock ▁arose . ▁The ▁reasons ▁for ▁this ▁are ▁disput ed , ▁but ▁L yd on ▁claimed ▁in ▁his ▁aut obi ography ▁that ▁he ▁believed ▁Mat lock ▁to ▁be ▁too ▁white - col lar ▁and ▁middle - class ▁and ▁that ▁Mat lock ▁was ▁" always ▁going ▁on ▁about ▁nice ▁things ▁like ▁the ▁Beat |
les ". ▁Mat lock ▁stated ▁in ▁his ▁own ▁aut obi ography ▁that ▁most ▁of ▁the ▁t ension ▁in ▁the ▁band , ▁and ▁between ▁himself ▁and ▁L yd on , ▁was ▁orch estr ated ▁by ▁Mc L aren . ▁Mat lock ▁quit ▁and ▁as ▁a ▁replacement , ▁L yd on ▁recommended ▁his ▁school ▁friend ▁John ▁Simon ▁R itch ie , ▁who ▁used ▁the ▁stage ▁name ▁Sid ▁V icious . ▁Although ▁R itch ie ▁was ▁an ▁in comp et ent ▁bass ist , ▁Mc L aren ▁agreed ▁that ▁he ▁had ▁the ▁look ▁the ▁band ▁wanted : ▁pale , ▁e ma ci ated , ▁sp ike - ha ired , ▁with ▁ri pped ▁clothes ▁and ▁a ▁perpet ual ▁s ne er . ▁In ▁ 1 9 7 7 , ▁the ▁Sex ▁P ist ols ▁released ▁their ▁only ▁and ▁highly ▁influ ential ▁studio ▁album ▁Never ▁Mind ▁the ▁Bol lock s , ▁Here ' s ▁the ▁Sex ▁P ist ols . ▁ ▁V icious ' ▁cha otic ▁relationship ▁with ▁girl friend ▁Nancy ▁Sp ungen , ▁and ▁his ▁w ors ening ▁hero in ▁add iction , ▁caused ▁a ▁great ▁deal ▁of ▁fr iction ▁among ▁the ▁band ▁members , ▁particularly ▁with ▁L yd on , ▁whose ▁sar cast ic ▁remarks ▁often ▁ex ac erb ated ▁the ▁situation . ▁L yd on ▁closed ▁the ▁final ▁Sid ▁V icious - era ▁Sex ▁P ist ols ▁concert ▁in ▁San ▁Francisco ' s ▁Winter land ▁in ▁January ▁ 1 9 7 8 ▁with ▁a ▁r het or ical ▁question ▁to ▁the ▁audience : ▁" |
E ver ▁get ▁the ▁feeling ▁you ' ve ▁been ▁che ated ?" ▁Short ly ▁there after , ▁Mc L aren , ▁Jones , ▁and ▁Cook ▁went ▁to ▁Brazil ▁to ▁meet ▁and ▁record ▁with ▁former ▁train ▁rob ber ▁Ron nie ▁Big gs . ▁L yd on ▁decl ined ▁to ▁go , ▁der iding ▁the ▁concept ▁as ▁a ▁whole ▁and ▁feeling ▁that ▁they ▁were ▁attempting ▁to ▁make ▁a ▁hero ▁out ▁of ▁a ▁criminal ▁who ▁attacked ▁a ▁train ▁driver ▁and ▁st ole ▁" working - class ▁money ". ▁ ▁The ▁Sex ▁P ist ols ' ▁dis integration ▁was ▁documented ▁in ▁Julian ▁Temple ' s ▁sat ir ical ▁pseudo - bi ographical ▁film , ▁The ▁Great ▁Rock ▁' n ' ▁Roll ▁Sw ind le , ▁in ▁which ▁Jones , ▁Cook ▁and ▁V icious ▁each ▁played ▁a ▁character . ▁Mat lock ▁only ▁appeared ▁in ▁previously ▁recorded ▁live ▁foot age ▁and ▁as ▁an ▁animation ▁and ▁did ▁not ▁particip ate ▁personally . ▁L yd on ▁refused ▁to ▁have ▁anything ▁to ▁do ▁with ▁it , ▁feeling ▁that ▁Mc L aren ▁had ▁far ▁too ▁much ▁control ▁over ▁the ▁project . ▁Although ▁L yd on ▁was ▁highly ▁critical ▁of ▁the ▁film , ▁many ▁years ▁later ▁he ▁agreed ▁to ▁let ▁Temple ▁direct ▁the ▁Sex ▁P ist ols ▁document ary ▁The ▁Fil th ▁and ▁the ▁F ury . ▁That ▁film ▁included ▁new ▁inter views ▁with ▁the ▁band ▁members ' ▁faces ▁hidden ▁in ▁sil hou ette . ▁It ▁featured ▁an ▁un character ist ically ▁emot ional ▁L yd on ▁ch oking ▁up ▁as ▁he ▁discussed ▁V |
icious ' ▁decl ine ▁and ▁death . ▁L yd on ▁den ounced ▁previous ▁journal istic ▁works ▁regarding ▁the ▁Sex ▁P ist ols ▁in ▁the ▁introduction ▁to ▁his ▁aut obi ography , ▁Rotten ▁– ▁No ▁Irish , ▁No ▁Black s , ▁No ▁D ogs , ▁which ▁he ▁described ▁as ▁" as ▁close ▁to ▁the ▁truth ▁as ▁one ▁can ▁get ". ▁▁ 1 9 7 8 – 1 9 9 3 : ▁Public ▁Image ▁Ltd ▁( Pi L ) ▁ ▁In ▁ 1 9 7 8 , ▁L yd on ▁formed ▁the ▁post - p unk ▁out fit ▁Public ▁Image ▁Ltd ▁( Pi L ). ▁The ▁first ▁line up ▁of ▁the ▁band ▁included ▁bass ist ▁Jah ▁W ob ble ▁and ▁former ▁The ▁Cl ash ▁guitar ist ▁Keith ▁Le ven e . ▁They ▁released ▁the ▁albums ▁Public ▁Image : ▁First ▁Issue ▁( 1 9 7 8 ), ▁Metal ▁Box ▁( 1 9 7 9 ) ▁and ▁the ▁live ▁album ▁Paris ▁au ▁Print em ps ▁( 1 9 8 0 ). ▁W ob ble ▁left ▁and ▁L yd on ▁and ▁Le ven e ▁made ▁The ▁Flow ers ▁of ▁Rom ance ▁( 1 9 8 1 ). ▁It ▁followed ▁by ▁This ▁Is ▁What ▁You ▁W ant ... ▁This ▁Is ▁What ▁You ▁Get ▁( 1 9 8 4 ) ▁featuring ▁Martin ▁At kins ▁on ▁drums ▁( he ▁had ▁also ▁appeared ▁on ▁Metal ▁Box ▁and ▁The ▁Flow ers ▁of ▁Rom ance ); ▁it ▁featured ▁their ▁biggest ▁hit , ▁" This ▁Is ▁Not ▁a ▁Love ▁Song ", ▁which ▁hit ▁No . |
5 ▁in ▁the ▁UK ▁Singles ▁Chart ▁in ▁ 1 9 8 3 . ▁ ▁In ▁ 1 9 8 3 , ▁L yd on ▁co - star red ▁with ▁Har vey ▁Ke itel ▁in ▁the ▁film ▁Cop k iller , ▁also ▁released ▁as ▁' Cor rupt ▁and ▁The ▁Order ▁of ▁Death . ▁He ▁had ▁a ▁small ▁role ▁in ▁the ▁ 2 0 0 0 ▁film ▁The ▁Independent . ▁ ▁In ▁ 1 9 8 4 , ▁L yd on ▁worked ▁with ▁Time ▁Zone ▁on ▁their ▁single ▁" World ▁Dest ruction ". ▁A ▁collaboration ▁between ▁L yd on , ▁A frika ▁B amba ata a ▁and ▁producer / b ass ist ▁Bill ▁Las well , ▁the ▁single ▁was ▁an ▁early ▁example ▁of ▁" rap ▁rock ", ▁along ▁with ▁Run - D MC . ▁The ▁song ▁appears ▁on ▁A frika ▁B amba ata a ' s ▁ 1 9 9 7 ▁compilation ▁album ▁Z ulu ▁Gro ove . ▁It ▁was ▁arranged ▁by ▁Las well ▁after ▁L yd on ▁and ▁B amba ata a ▁had ▁acknowled ged ▁respect ▁for ▁each ▁other ' s ▁work , ▁as ▁described ▁in ▁an ▁interview ▁from ▁ 1 9 8 4 : ▁ ▁The ▁single ▁featured ▁Bern ie ▁Wor rell , ▁Nick y ▁Sk op el itis ▁and ▁A ï y b ▁D ien g , ▁all ▁of ▁whom ▁would ▁later ▁play ▁on ▁Pi L ' s ▁Album ; ▁Las well ▁played ▁bass ▁and ▁produced . ▁In ▁ 1 9 8 6 , ▁Public ▁Image ▁Ltd ▁released ▁Album ▁( also |
▁known ▁as ▁Comp act ▁Disc ▁and ▁Cass ette ▁depending ▁on ▁the ▁format ). ▁Most ▁of ▁the ▁tracks ▁on ▁this ▁album ▁were ▁written ▁by ▁L yd on ▁and ▁Bill ▁Las well . ▁The ▁mus icians ▁were ▁session ▁mus icians ▁including ▁bass ist ▁Jon as ▁Hell borg , ▁guitar ist ▁Steve ▁V ai ▁and ▁C ream ▁drum mer ▁G inger ▁Baker . ▁ ▁In ▁ 1 9 8 7 , ▁a ▁new ▁line up ▁was ▁formed ▁consisting ▁of ▁L yd on , ▁former ▁Si ou xs ie ▁and ▁the ▁B ans he es ▁guitar ist ▁John ▁Mc Ge och , ▁All an ▁D ias ▁on ▁bass ▁guitar ▁in ▁addition ▁to ▁drum mer ▁Bruce ▁Smith ▁and ▁Lu ▁Edmund s . ▁This ▁line up ▁released ▁Happy ? ▁and ▁all ▁except ▁Lu ▁Edmund s ▁released ▁the ▁album ▁ 9 ▁in ▁ 1 9 8 9 . ▁In ▁ 1 9 9 2 , ▁L yd on , ▁D ias ▁and ▁Mc Ge och ▁were ▁joined ▁by ▁Curt ▁Bis qu era ▁on ▁drums ▁and ▁Gre gg ▁Ar reg u in ▁on ▁rh ythm ▁guitar ▁for ▁the ▁album ▁That ▁What ▁Is ▁Not . ▁This ▁album ▁also ▁features ▁the ▁Tower ▁of ▁Power ▁horn s ▁on ▁two ▁songs ▁and ▁J imm ie ▁Wood ▁on ▁harm onica . ▁L yd on , ▁Mc Ge och ▁and ▁D ias ▁wrote ▁the ▁song ▁" C riminal " ▁for ▁the ▁film ▁Point ▁Break . ▁After ▁this ▁album , ▁in ▁ 1 9 9 3 , ▁L yd on ▁put ▁Pi L ▁on ▁in defin ite ▁hi |
atus . ▁▁ 1 9 9 3 – 2 0 0 6 : ▁Solo ▁album , ▁aut obi ography ▁and ▁celebr ity ▁status ▁In ▁ 1 9 9 3 , ▁L yd on ' s ▁first ▁aut obi ography , ▁Rotten : ▁No ▁Irish , ▁No ▁Black s , ▁No ▁D ogs , ▁was ▁published . ▁A ided ▁by ▁Keith ▁and ▁Kent ▁Z imm erman , ▁and ▁featuring ▁contributions ▁from ▁figures ▁including ▁Paul ▁Cook , ▁Chr iss ie ▁Hy nde , ▁Billy ▁Id ol ▁and ▁Don ▁Let ts , ▁the ▁work ▁covered ▁his ▁life ▁up ▁until ▁the ▁collapse ▁of ▁the ▁Sex ▁P ist ols . ▁Descri bing ▁the ▁book , ▁he ▁stated ▁that ▁it ▁" is ▁as ▁close ▁to ▁the ▁truth ▁as ▁one ▁can ▁get , ▁looking ▁back ▁on ▁events ▁from ▁the ▁inside . ▁All ▁the ▁people ▁in ▁this ▁book ▁were ▁actually ▁there , ▁and ▁this ▁book ▁is ▁as ▁much ▁their ▁point ▁of ▁view ▁as ▁it ▁is ▁mine . ▁This ▁means ▁contradict ions ▁and ▁ins ult s ▁have ▁not ▁been ▁edited , ▁and ▁neither ▁have ▁the ▁compl iments , ▁if ▁any . ▁I ▁have ▁no ▁time ▁for ▁lies ▁or ▁fant asy , ▁and ▁neither ▁should ▁you . ▁En jo y ▁or ▁die ." ▁In ▁December ▁ 2 0 0 5 , ▁L yd on ▁told ▁Q ▁that ▁he ▁was ▁working ▁on ▁a ▁second ▁aut obi ography ▁to ▁cover ▁the ▁Pi L ▁years . ▁ ▁In ▁the ▁mid - 1 9 9 0 s , ▁L yd on ▁hosted ▁Rotten ▁Day , ▁a ▁daily |
▁synd ic ated ▁US ▁radio ▁feature ▁written ▁by ▁George ▁G im arc . ▁The ▁format ▁of ▁the ▁show ▁was ▁a ▁look ▁back ▁at ▁events ▁in ▁popular ▁music ▁and ▁culture ▁occurr ing ▁on ▁the ▁particular ▁broadcast ▁calendar ▁date ▁about ▁which ▁L yd on ▁would ▁offer ▁c yn ical ▁comment ary . ▁The ▁show ▁was ▁originally ▁developed ▁as ▁a ▁radio ▁vehicle ▁for ▁G im arc ' s ▁book , ▁Punk ▁Di ary ▁ 1 9 7 0 – 7 9 , ▁but ▁after ▁bringing ▁L yd on ▁on board ▁it ▁was ▁expanded ▁to ▁cover ▁notable ▁events ▁from ▁most ▁of ▁the ▁second ▁half ▁of ▁the ▁ 2 0 th ▁century . ▁ ▁In ▁ 1 9 9 7 ▁L yd on ▁released ▁a ▁solo ▁album ▁on ▁Virgin ▁Records ▁called ▁Ps y cho ' s ▁Path . ▁He ▁wrote ▁all ▁the ▁songs ▁and ▁played ▁all ▁the ▁instruments . ▁In ▁one ▁song , ▁" S un ", ▁he ▁sang ▁the ▁vocals ▁through ▁a ▁to ile t ▁roll . ▁The ▁US ▁version ▁included ▁a ▁Chem ical ▁Brothers ▁rem ix ▁of ▁the ▁song ▁" Open ▁Up " ▁by ▁Left field ▁with ▁vocals ▁by ▁L yd on . ▁It ▁was ▁a ▁club ▁hit ▁in ▁the ▁US ▁and ▁a ▁big ▁hit ▁in ▁the ▁UK . ▁L yd on ▁has ▁recorded ▁a ▁second ▁solo - album ▁but ▁it ▁has ▁not ▁been ▁released , ▁except ▁for ▁one ▁song ▁that ▁appeared ▁on ▁The ▁Best ▁of ▁British ▁£ 1 ▁Notes . ▁In ▁November ▁ 1 9 9 7 , ▁L yd on ▁appeared ▁on ▁Judge ▁Jud |
y ▁fighting ▁a ▁suit ▁file d ▁by ▁his ▁former ▁tour ▁drum mer ▁Robert ▁Williams ▁for ▁bre ach ▁of ▁contract , ▁assault ▁and ▁battery . ▁ ▁In ▁January ▁ 2 0 0 4 , ▁L yd on ▁appeared ▁on ▁the ▁British ▁reality ▁television ▁programme ▁I ' m ▁a ▁C ele br ity ▁... ▁Get ▁Me ▁Out ▁of ▁Here !, ▁which ▁took ▁place ▁in ▁Australia . ▁He ▁proved ▁he ▁still ▁had ▁the ▁cap ability ▁to ▁shock ▁by ▁calling ▁the ▁show ' s ▁view ers ▁" f uck ing ▁c un ts " ▁during ▁a ▁live ▁broadcast . ▁The ▁television ▁reg ulator ▁and ▁I TV , ▁the ▁channel ▁broadcast ing ▁the ▁show , ▁between ▁them ▁received ▁only ▁ 9 1 ▁compla ints ▁about ▁L yd on ' s ▁language . ▁ ▁In ▁a ▁February ▁ 2 0 0 4 ▁interview ▁with ▁the ▁Scottish ▁Sunday ▁Mir ror , ▁L yd on ▁said ▁that ▁he ▁and ▁his ▁wife ▁" should ▁be ▁dead ", ▁since ▁on ▁ 2 1 ▁December ▁ 1 9 8 8 , ▁thanks ▁to ▁del ays ▁caused ▁by ▁his ▁wife ' s ▁pack ing , ▁they ▁missed ▁the ▁Pan ▁Am ▁Fl ight ▁ 1 0 3 ▁that ▁crash ed ▁in ▁L ocker bie , ▁Scotland . ▁ ▁After ▁I ' m ▁a ▁C ele br ity ▁... ▁, ▁he ▁presented ▁a ▁document ary ▁about ▁insect s ▁and ▁sp iders ▁called ▁John ▁L yd on ' s ▁Meg ab ugs ▁that ▁was ▁shown ▁on ▁the ▁Disc overy ▁Channel . ▁Radio ▁Times ▁described ▁him ▁as ▁" more |
▁an ▁enthus iast ▁than ▁an ▁expert ". ▁He ▁went ▁to ▁present ▁two ▁further ▁program mes : ▁John ▁L yd on ▁Go es ▁A pe , ▁in ▁which ▁he ▁searched ▁for ▁g or illas ▁in ▁Central ▁Africa , ▁and ▁John ▁L yd on ' s ▁Sh ark ▁Att ack , ▁in ▁which ▁he ▁sw am ▁with ▁sh arks ▁off ▁South ▁Africa . ▁ ▁In ▁late ▁ 2 0 0 8 ▁L yd on ▁appeared ▁in ▁an ▁advert ising ▁campaign ▁for ▁" Country ▁Life ", ▁a ▁brand ▁of ▁but ter , ▁on ▁British ▁television . ▁L yd on ▁def ended ▁the ▁move ▁by ▁stating ▁that ▁the ▁main ▁reason ▁he ▁accepted ▁the ▁offer ▁was ▁to ▁raise ▁money ▁to ▁reform ▁Public ▁Image ▁Ltd ▁without ▁a ▁record ▁deal . ▁The ▁advert ising ▁campaign ▁proved ▁to ▁be ▁highly ▁successful , ▁with ▁sales ▁of ▁the ▁brand ▁raising ▁ 8 5 % ▁in ▁the ▁quarter ▁following , ▁which ▁many ▁in ▁the ▁media ▁attributed ▁to ▁L yd on ' s ▁presence ▁in ▁the ▁advert . ▁▁ 2 0 0 6 – 2 0 0 9 : ▁Pot ential ▁Sex ▁P ist ols ▁rev ival ▁ ▁Although ▁L yd on ▁spent ▁years ▁den ying ▁that ▁the ▁Sex ▁P ist ols ▁would ▁ever ▁perform ▁together ▁again , ▁the ▁band ▁re - un ited ▁( with ▁Mat lock ▁returning ▁on ▁bass ) ▁in ▁the ▁ 1 9 9 0 s , ▁and ▁continues ▁to ▁perform ▁occasionally . ▁In ▁ 2 0 0 2 , ▁the ▁year ▁of ▁Queen ▁Elizabeth ' s ▁Golden ▁J ub ile |
e , ▁the ▁Sex ▁P ist ols ▁reform ed ▁again ▁to ▁play ▁the ▁Cry stal ▁Palace ▁National ▁Sports ▁Centre ▁in ▁London . ▁In ▁ 2 0 0 3 , ▁their ▁P iss ▁Off ▁Tour ▁took ▁them ▁around ▁North ▁America ▁for ▁three ▁weeks . ▁Further ▁performances ▁took ▁place ▁in ▁Europe ▁in ▁ 2 0 0 7 - 0 8 . ▁ ▁In ▁ 2 0 0 6 , ▁the ▁Rock ▁and ▁Roll ▁Hall ▁of ▁Fame ▁induct ed ▁the ▁Sex ▁P ist ols , ▁but ▁the ▁band ▁refused ▁to ▁attend ▁the ▁ceremony ▁or ▁acknow ledge ▁the ▁induction , ▁compla ining ▁that ▁they ▁had ▁been ▁asked ▁for ▁large ▁sums ▁of ▁money ▁to ▁attend . ▁▁ 2 0 0 9 ▁to ▁present : ▁Public ▁Image ▁Limited ▁re formation ▁ ▁In ▁September ▁ 2 0 0 9 ▁it ▁was ▁announced ▁that ▁Pi L ▁would ▁reform , ▁including ▁earlier ▁members ▁Bruce ▁Smith ▁and ▁Lu ▁Ed mond s , ▁for ▁a ▁number ▁of ▁Christmas ▁concert s ▁in ▁the ▁UK . ▁L yd on ▁fin anced ▁the ▁re union ▁using ▁money ▁he ▁earned ▁doing ▁a ▁UK ▁television ▁commercial ▁for ▁Country ▁Life ▁but ter . ▁L yd on ▁commented ▁" The ▁money ▁that ▁I ▁earned ▁from ▁that ▁has ▁now ▁gone ▁completely ▁— ▁lock ▁stock ▁and ▁bar rel ▁— ▁into ▁reform ing ▁Pi L ". ▁ ▁In ▁August ▁ 2 0 1 0 , ▁L yd on ▁played ▁with ▁Public ▁Image ▁Ltd ▁in ▁Tel ▁Av iv , ▁Israel ▁despite ▁protest s . ▁L yd on ▁was ▁critic ized ▁for ▁a ▁statement ▁to ▁newspaper |
▁The ▁Independent : ▁" I ▁really ▁res ent ▁the ▁pres umption ▁that ▁I ' m ▁going ▁there ▁to ▁play ▁to ▁right - wing ▁Naz i ▁Jews . ▁If ▁El vis - f uck ing - Cost ello ▁wants ▁to ▁pull ▁out ▁of ▁a ▁gig ▁in ▁Israel ▁because ▁he ' s ▁suddenly ▁got ▁this ▁comp ass ion ▁for ▁Palest ini ans , ▁then ▁good ▁on ▁him . ▁But ▁I ▁have ▁absolutely ▁one ▁rule , ▁right ? ▁Until ▁I ▁see ▁an ▁Arab ▁country , ▁a ▁Muslim ▁country , ▁with ▁a ▁dem ocracy , ▁I ▁won ' t ▁understand ▁how ▁anyone ▁can ▁have ▁a ▁problem ▁with ▁how ▁they ' re ▁treated ." ▁ ▁In ▁October ▁ 2 0 1 3 , ▁L yd on ▁clar ified ▁in ▁an ▁interview . ▁ ▁During ▁an ▁April ▁ 2 0 1 3 ▁tour ▁of ▁Australia , ▁L yd on ▁was ▁involved ▁in ▁a ▁television ▁interview ▁for ▁The ▁Project ▁that ▁resulted ▁in ▁a ▁public ised ▁controvers y , ▁as ▁he ▁was ▁label led ▁" a ▁flat ▁out , ▁sex ist , ▁mis og yn ist ▁p ig " ▁by ▁one ▁of ▁the ▁pan ell ists ▁on ▁the ▁Australian ▁programme . ▁The ▁alter cation ▁occurred ▁with ▁host ▁Car rie ▁B ick more , ▁and ▁the ▁description ▁was ▁provided ▁by ▁pan ell ist ▁Andrew ▁Ro ch ford ▁after ▁the ▁interview ▁was ▁prem ature ly ▁terminated ▁by ▁B ick more ' s ▁colle ague ▁Dave ▁Hugh es . ▁L yd on ▁conducted ▁the ▁interview ▁from ▁Br is b ane ▁while ▁on ▁Pi L |
' s ▁first ▁tour ▁of ▁Australia ▁in ▁twenty ▁years ▁— ▁first ▁announced ▁in ▁December ▁ 2 0 1 2 ▁— ▁during ▁which ▁concert s ▁were ▁held ▁in ▁the ▁capital ▁cities ▁of ▁Sydney ▁and ▁Melbourne . ▁ ▁L yd on ▁was ▁cast ▁to ▁play ▁the ▁role ▁of ▁King ▁Her od ▁for ▁the ▁North ▁American ▁ar ena ▁tour ▁of ▁Andrew ▁Lloyd ▁Web ber ' s ▁rock ▁opera ▁Jesus ▁Christ ▁Super star . ▁He ▁was ▁to ▁play ▁the ▁role ▁starting ▁ 9 ▁June ▁through ▁ 1 7 ▁August , ▁and ▁be ▁joined ▁by ▁Ben ▁For ster ▁as ▁Jesus , ▁Br andon ▁Bo yd ▁of ▁rock ▁band ▁Inc ub us ▁as ▁Jud as ▁Is c ari ot , ▁Dest iny ' s ▁Child ▁singer ▁Mich elle ▁Williams ▁as ▁Mary ▁Mag dal ene , ▁and ▁former ▁' N ▁S ync ▁singer ▁J C ▁Ch ase z ▁as ▁Pont ius ▁Pil ate . ▁On ▁ 3 1 ▁May ▁ 2 0 1 4 , ▁the ▁produ cers ▁announced ▁that ▁the ▁tour ▁of ▁the ▁production ▁was ▁cancel led , ▁because ▁of ▁poor ▁advance ▁ticket ▁sales . ▁ ▁A ▁compilation ▁of ▁L yd on ' s ▁lyr ics , ▁Mr . ▁Rotten ' s ▁Song book , ▁was ▁published ▁in ▁ 2 0 1 7 . ▁The ▁limited - ed ition ▁book ▁includes ▁the ▁words ▁to ▁every ▁song ▁he ▁wrote ▁during ▁his ▁entire ▁career , ▁pun ctu ated ▁by ▁his ▁own ▁original ▁sketch es ▁and ▁cart o ons . ▁ ▁Origin ▁of ▁stage ▁name ▁L yd on ▁explained ▁the ▁origin ▁of |
▁his ▁stage ▁name , ▁Johnny ▁Rotten , ▁in ▁a ▁Daily ▁Te legraph ▁feature ▁interview ▁in ▁ 2 0 0 7 : ▁he ▁was ▁given ▁the ▁name ▁in ▁the ▁mid - 1 9 7 0 s , ▁when ▁his ▁lack ▁of ▁or al ▁h yg iene ▁led ▁to ▁his ▁teeth ▁turning ▁green . ▁One ▁version ▁says ▁the ▁name ▁came ▁from ▁the ▁Sex ▁P ist ols ' ▁guitar ist ▁Steve ▁Jones , ▁who ▁saw ▁L yd on ' s ▁teeth ▁and ▁exclaimed , ▁" You ' re ▁ro tt en , ▁you ▁are !" ▁ ▁Dutch ▁song writer ▁and ▁transl ator ▁Jan ▁Rot ▁has ▁been ▁telling ▁an ▁alternative ▁origin ▁story . ▁He ▁claims ▁that ▁he ▁met ▁L yd on ▁at ▁the ▁Mar que e ▁Club ▁in ▁the ▁mid - 1 9 7 0 s : ▁" We ▁struck ▁up ▁a ▁conversation . ▁He ▁told ▁me ▁his ▁name ▁was ▁John , ▁so ▁I ▁explained ▁that ▁my ▁name , ▁literally ▁translated ▁to ▁English , ▁was ▁John ▁Rotten . ▁That ▁kid , ▁John ▁L yd on , ▁who ▁later ▁became ▁the ▁lead ▁singer ▁of ▁The ▁Sex ▁P ist ols , ▁thought ▁that ▁was ▁very ▁fun ny . ▁' That ▁is ▁a ▁great ▁f uck ing ▁name ' ▁he ▁said ." ▁ ▁In ▁ 2 0 0 8 , ▁L yd on ▁had ▁extensive ▁dent al ▁work ▁performed ▁in ▁Los ▁Angeles , ▁at ▁a ▁reported ▁cost ▁of ▁US $ 2 2 , 0 0 0 . ▁He ▁explained ▁that ▁it ▁was ▁not ▁done ▁out ▁of ▁van ity : ▁" |
It ▁was ▁necessity ▁... ▁all ▁those ▁ro tt en ▁teeth ▁were ▁seriously ▁beginning ▁to ▁cor rupt ▁my ▁system ". ▁ ▁Personal ▁life ▁L yd on ▁married ▁N ora ▁For ster , ▁a ▁publishing ▁he ir ess ▁from ▁Germany , ▁in ▁ 1 9 7 9 . ▁He ▁was ▁the ▁step father ▁of ▁For ster ' s ▁daughter ▁Ari ▁Up , ▁who ▁had ▁been ▁the ▁lead ▁singer ▁in ▁the ▁post - p unk ▁band ▁The ▁Sl its ▁until ▁her ▁death ▁in ▁ 2 0 1 0 . ▁In ▁ 2 0 0 0 , ▁L yd on ▁and ▁N ora ▁became ▁legal ▁guard ians ▁of ▁Ari ' s ▁tw in ▁te en aged ▁boys ; ▁as ▁L yd on ▁explained ▁"[ A ri ] ▁let ▁them ▁run ▁free . ▁They ▁couldn ' t ▁read , ▁write ▁or ▁form ▁proper ▁sentences . ▁One ▁day ▁Ari ▁said ▁she ▁couldn ' t ▁co pe ▁with ▁them ▁any ▁more . ▁I ▁suggested ▁they ▁came ▁to ▁us ▁because ▁I ▁wasn ' t ▁having ▁them ▁abandoned . ▁They ▁gave ▁us ▁hell , ▁but ▁I ▁loved ▁having ▁k ids ▁around ." ▁In ▁ 2 0 1 0 , ▁they ▁became ▁guard ians ▁of ▁Ari ' s ▁third ▁child , ▁Wil ton . ▁L yd on ▁and ▁For ster ▁primarily ▁live ▁in ▁Ven ice , ▁California ▁where ▁they ▁have ▁res ided ▁since ▁the ▁early ▁ 1 9 8 0 s , ▁but ▁keep ▁a ▁residence ▁in ▁London . ▁In ▁ 2 0 1 8 , ▁L yd on ▁revealed ▁that ▁For ster |
▁was ▁in ▁the ▁mid - st ages ▁of ▁Al z heimer ' s ▁D ise ase . ▁ ▁L yd on ▁became ▁an ▁American ▁citiz en ▁in ▁ 2 0 1 3 , ▁in ▁addition ▁to ▁his ▁British ▁and ▁Irish ▁citizens hips . ▁He ▁later ▁spoke ▁of ▁how ▁he ▁would ▁never ▁have ▁considered ▁becoming ▁a ▁U . S . ▁citiz en ▁during ▁the ▁" B ush ▁years " ▁because ▁of ▁the ▁" hor rible " ▁way ▁America ▁presented ▁itself ▁abroad , ▁but ▁the ▁Ob ama ▁presiden cy ▁had ▁changed ▁his ▁mind , ▁in ▁particular ▁because ▁" America ▁has ▁the ▁potential ▁to ▁be ▁a ▁nation ▁that ▁actually ▁car es ▁for ▁its ▁aff lic ted ▁and ▁wounded ▁and ▁ill ▁and ▁dis enf ranch ised " ▁as ▁a ▁result ▁of ▁the ▁Pat ient ▁Prote ction ▁and ▁Aff ord able ▁Care ▁Act ▁(" Ob am ac are "). ▁ ▁L yd on ' s ▁parents ▁raised ▁their ▁sons ▁as ▁Roman ▁C athol ics ▁and ▁L yd on ▁calls ▁himself ▁a ▁Catholic . ▁He ▁has ▁stated ▁that ▁he ▁" ne ver ▁had ▁any ▁god like ▁e pi phan ies ▁or ▁thought ▁that ▁God ▁had ▁anything ▁to ▁do ▁with ▁this ▁dis mal ▁occurrence ▁called ▁life ". ▁On ▁the ▁l iner ▁notes ▁of ▁Public ▁Image ▁Ltd ' s ▁single , ▁" C ru el ", ▁L yd on ▁included , ▁" Where ▁is ▁God ? ▁I ▁see ▁no ▁evidence ▁of ▁God . ▁God ▁is ▁probably ▁Barry ▁Man il ow ." ▁ ▁L yd on ▁has ▁been ▁a ▁fan ▁of ▁Oscar |
▁Wil de ▁since ▁he ▁studied ▁his ▁works ▁at ▁school , ▁when ▁he ▁came ▁to ▁the ▁conclusion ▁that ▁" his ▁stuff ▁was ▁f uck ing ▁brilliant . ▁What ▁an ▁attitude ▁to ▁life !... he ▁turned ▁out ▁to ▁be ▁the ▁biggest ▁po of ▁on ▁earth ▁at ▁a ▁time ▁when ▁that ▁was ▁completely ▁un accept able . ▁What ▁a ▁genius ." ▁ ▁L yd on ▁is ▁a ▁visual ▁artist . ▁His ▁draw ings , ▁paint ings ▁and ▁other ▁related ▁works ▁have ▁featured ▁prom in ently ▁in ▁the ▁works ▁of ▁Pi L ▁and ▁his ▁solo ▁career ▁throughout ▁the ▁years , ▁the ▁most ▁recent ▁example ▁being ▁the ▁cover ▁to ▁This ▁is ▁Pi L . ▁ ▁Since ▁ 2 0 1 3 , ▁L yd on ▁has ▁held ▁British , ▁Irish ▁and ▁American ▁citizens hip . ▁ ▁In ▁ 2 0 1 4 ▁he ▁admitted ▁to ▁sp ending ▁£ 1 0 , 0 0 0 ▁on ▁i Pad ▁games . ▁ ▁Political ▁and ▁social ▁criticism ▁ ▁United ▁Kingdom ' s ▁class ▁structure ▁Since ▁his ▁rise ▁to ▁public ▁attention , ▁L yd on ▁has ▁remained ▁an ▁out sp oken ▁critic ▁of ▁much ▁in ▁British ▁politics ▁and ▁society . ▁He ▁comes ▁from ▁an ▁em igr ant ▁working ▁class ▁background ▁and ▁is ▁opposed ▁to ▁the ▁class ▁system , ▁describing ▁how ▁private ▁schools ▁" t end ▁to ▁turn ▁out ▁little ▁sn obs . ▁They ' re ▁taught ▁a ▁sense ▁of ▁superior ity , ▁which ▁is ▁the ▁kiss ▁of ▁death ▁... ▁They ' re ▁absolutely ▁sc rew ed ▁up ▁for ▁life ." ▁He ▁is |
▁critical ▁of ▁the ▁upper ▁class , ▁stating ▁that ▁they ▁" par as ite ▁off ▁the ▁population ▁as ▁their ▁friends ▁help ▁them ▁along " ▁but ▁he ▁equally ▁critic ises ▁the ▁working ▁class , ▁claim ing ▁that ▁" We ' re ▁lazy , ▁good - for - nothing ▁bast ards , ▁absolute ▁cop - outs ▁[ who ] ▁never ▁accept ▁responsibility ▁for ▁our ▁own ▁lives ▁and ▁that ' s ▁why ▁we ' ll ▁always ▁be ▁dow nt rod den ." ▁He ▁oppos es ▁all ▁forms ▁of ▁seg reg ation ▁in ▁schools , ▁not ▁only ▁through ▁the ▁private ▁and ▁state ▁school ▁division ▁but ▁also ▁with ▁single - sex ▁schools ; ▁" It ▁doesn ' t ▁make ▁sense . ▁It ' s ▁a ▁much ▁better ▁environment ▁with ▁girls ▁in ▁the ▁class . ▁You ▁learn ▁a ▁lot ▁more , ▁as ▁divers ity ▁makes ▁things ▁more ▁interesting ." ▁ ▁The ▁Tr ou bles , ▁ 1 9 6 9 – 1 9 9 4 ▁L yd on ▁critic ised ▁the ▁par amil it ary ▁organis ations ▁involved ▁in ▁The ▁Tr ou bles ▁in ▁Northern ▁Ireland , ▁remark ing ▁that ▁the ▁Pro vis ional ▁Irish ▁Republican ▁Army ▁and ▁the ▁Ul ster ▁Def ence ▁Association ▁were ▁" like ▁two ▁ma f ia ▁gang s ▁p unch ing ▁each ▁other ▁out ▁... ▁They ▁both ▁run ▁their ▁ext ort ion ▁ra ckets ▁and ▁pl ague ▁people ▁to ▁no ▁end ." ▁He ▁remarked ▁that ▁" The ▁Northern ▁Ireland ▁problem ▁is ▁a ▁terrible ▁thing , ▁and ▁it ' s ▁only ▁the ▁ignor ance ▁of ▁the |
▁people ▁living ▁outside ▁of ▁it ▁that ▁keeps ▁it ▁going " ▁but ▁that ▁ultimately ▁the ▁British ▁government ' s ▁explo itative ▁attitude ▁to ▁the ▁problem ▁was ▁in ▁his ▁opinion ▁the ▁main ▁cause . ▁ ▁An arch ism ▁Despite ▁the ▁fact ▁that ▁he ▁wrote ▁and ▁sang ▁" An archy ▁in ▁the ▁U . K ." ▁with ▁the ▁Sex ▁P ist ols , ▁L yd on ▁said ▁that ▁he ▁was ▁not ▁an ▁an arch ist , ▁calling ▁it ▁" mind ▁games ▁for ▁the ▁middle - class ". ▁ ▁Bank ing ▁and ▁the ▁ 2 0 0 8 ▁global ▁financial ▁crisis ▁App ear ing ▁on ▁the ▁BBC ' s ▁Question ▁Time ▁on ▁ 5 ▁July ▁ 2 0 1 2 , ▁L yd on ▁question ed ▁the ▁notion ▁of ▁a ▁parliament ary ▁inqu iry ▁into ▁the ▁bank ing ▁industry , ▁saying ▁" How ▁on ▁earth ▁is ▁Parliament ▁going ▁to ▁discuss ▁this ▁really ▁when ▁both ▁sides , ▁left ▁and ▁right , ▁are ▁connected ▁to ▁this ? ▁This ▁doesn ' t ▁just ▁go ▁back ▁to ▁Brown , ▁this ▁is ▁part ▁of ▁the ▁on going ▁problem . ▁Mr ▁Diam ond ▁comes ▁from ▁Wall ▁Street ▁... ▁hello . ▁Both ▁parties ▁love ▁this ▁idea . ▁They ▁are ▁f idd ling ▁with ▁rates . ▁They ▁are ▁affect ing ▁the ▁world ▁and ▁everything ▁we ▁used ▁to ▁count ▁on ▁as ▁being ▁depend able ▁and ▁accurate ▁is ▁being ▁discussed ▁by ▁these ▁argument ative ▁ch aps . ▁If ▁I ▁nick ▁a ▁motor ▁I ' m ▁going ▁to ▁be ▁up ▁before ▁the ▁judge , ▁the ▁ro zz ers |
. ▁Hello , ▁same ▁thing ." ▁ ▁Institution s ▁of ▁the ▁United ▁Kingdom ▁On ▁the ▁same ▁episode ▁of ▁Question ▁Time , ▁L yd on ▁was ▁critical ▁of ▁the ▁announ cement ▁that ▁the ▁British ▁Army ▁was ▁to ▁be ▁reduced ▁in ▁size , ▁saying : ▁" One ▁of ▁the ▁most ▁beautiful ▁things ▁about ▁Britain , ▁apart ▁from ▁the ▁[ National ▁Health ▁Service ] ▁and ▁the ▁free ▁education , ▁is ▁the ▁British ▁Army ." ▁He ▁has ▁been ▁a ▁supp orter ▁of ▁the ▁N HS ▁since ▁receiving ▁treatment ▁for ▁men ing itis ▁aged ▁ 7 , ▁stating ▁in ▁ 2 0 1 4 : ▁" I ▁want ▁national ▁health ▁and ▁education ▁to ▁always ▁be ▁of ▁the ▁highest ▁ag enda ▁and ▁I ▁do ▁not ▁mind ▁pay ing ▁tax ▁for ▁that ." ▁ ▁Pac if ism ▁L yd on ▁describes ▁himself ▁as ▁a ▁" p ac if ist ▁by ▁nature " ▁and ▁express es ▁adm iration ▁for ▁Mah at ma ▁Gand hi . ▁ ▁Gay ▁marriage ▁L yd on ▁expressed ▁his ▁ob jection ▁to ▁gay ▁cou ples ▁raising ▁children ▁in ▁a ▁ 1 0 ▁February ▁ 2 0 0 5 ▁interview ▁on ▁the ▁BBC ' s ▁Sunday ▁morning ▁religious ▁show , ▁The ▁Heaven ▁and ▁Earth ▁Show . ▁L yd on ▁said , ▁" I ▁don ' t ▁like ▁the ▁idea ▁of ▁one - parent ▁families . ▁It ' s ▁very ▁t ough ▁on ▁the ▁k ids . ▁They ▁grow ▁up ▁missing ▁something . ▁I ▁find ▁the ▁same ▁with ▁same - sex ▁mar ri ages ; ▁there ▁is ▁something ▁missing |
. ▁There ▁is ▁a ▁point ▁to ▁male ▁and ▁female — and ▁for ▁a ▁child ▁to ▁develop , ▁it ▁needs ▁both ▁those ▁aspects ." ▁ ▁Jimmy ▁Sav ile ▁ab use ▁sc andal ▁In ▁a ▁ 1 9 7 8 ▁interview ▁broadcast ▁on ▁BBC ▁Radio ▁ 1 , ▁L yd on ▁all ud ed ▁to ▁the ▁sexual ▁ab uses ▁committed ▁by ▁Jimmy ▁Sav ile , ▁as ▁well ▁as ▁the ▁supp ression ▁of ▁negative ▁information ▁about ▁Sav ile ▁by ▁main stream ▁social ▁forces , ▁many ▁dec ades ▁in ▁advance ▁of ▁it ▁becoming ▁a ▁public ▁sc andal . ▁L yd on ▁stated : ▁" I ' d ▁like ▁to ▁kill ▁Jimmy ▁Sav ile ; ▁I ▁think ▁he ' s ▁a ▁hyp oc rite . ▁I ▁bet ▁he ' s ▁into ▁all ▁kinds ▁of ▁seed iness ▁that ▁we ▁all ▁know ▁about , ▁but ▁are ▁not ▁allowed ▁to ▁talk ▁about . ▁I ▁know ▁some ▁rum ours ." ▁He ▁added : ▁" I ▁bet ▁none ▁of ▁this ▁will ▁be ▁allowed ▁out ." ▁After ▁the ▁inter v iewer ▁suggested ▁lib el ▁might ▁be ▁an ▁issue , ▁L yd on ▁replied , ▁" Nothing ▁I ' ve ▁said ▁is ▁lib el ." ▁ ▁The ▁UK ▁and ▁the ▁European ▁Union ▁L yd on ▁public ly ▁supported ▁the ▁United ▁Kingdom ▁remaining ▁in ▁the ▁European ▁Union ▁during ▁the ▁refer endum ▁on ▁EU ▁membership ▁in ▁June ▁ 2 0 1 6 , ▁stating ▁that ▁being ▁outside ▁of ▁the ▁European ▁Union ▁would ▁be ▁" ins ane ▁and ▁suic idal " ▁for ▁the ▁United ▁Kingdom , ▁" We |
' re ▁never ▁going ▁to ▁go ▁back ▁to ▁that ▁rom antic ▁del usion ▁of ▁Victor ian ▁isol ation , ▁it ▁isn ' t ▁going ▁to ▁happen . ▁There ' ll ▁be ▁no ▁industry , ▁there ' ll ▁be ▁no ▁trade , ▁there ' ll ▁be ▁nothing ▁– ▁a ▁slow ▁dis mal , ▁collapse . ▁It ' s ▁lud ic r ous ." ▁ ▁During ▁an ▁interview ▁on ▁Good ▁Mor ning ▁Britain ▁in ▁March ▁ 2 0 1 7 , ▁L yd on ▁stated ▁that ▁he ▁supported ▁Bre x it : ▁" Well , ▁here ▁it ▁goes , ▁the ▁working - class ▁have ▁spoke ▁and ▁I ' m ▁one ▁of ▁them ▁and ▁I ' m ▁with ▁them ." ▁L yd on ▁described ▁Bre x it ▁advoc ate ▁N ig el ▁Far age ▁as ▁" f ant astic " ▁and ▁that ▁he ▁wanted ▁to ▁sh ake ▁his ▁hand ▁after ▁his ▁alter cation ▁on ▁the ▁River ▁Th ames ▁with ▁anti - Bre x it ▁campaign er ▁Bob ▁G eld of . ▁ ▁American ▁politics ▁L yd on ▁became ▁a ▁U . S . ▁citiz en ▁in ▁ 2 0 1 3 ▁because ▁he ▁" bel ieved ▁in ▁Bar ack ▁Ob ama " ▁and ▁his ▁health ▁care ▁reform , ▁on ▁which ▁he ▁states , ▁" his ▁health care ▁thing ▁didn ' t ▁quite ▁work ▁out ▁what ▁we ▁all ▁want , ▁but ▁there ▁is ▁a ▁great ▁potential ▁there . ▁Now ▁we ' re ▁looking ▁at ▁dis m ant ling ▁and , ▁you ▁know , ▁[ a ] ▁cra |
zy ▁lo ony ▁mon ster ▁party ." ▁Before ▁his ▁election , ▁L yd on ▁said ▁in ▁response ▁to ▁questions ▁about ▁Donald ▁Trump ' s ▁prospect s ▁for ▁being ▁elected ▁President ▁of ▁the ▁United ▁States : ▁" No , ▁I ▁can ' t ▁see ▁it ▁happening , ▁it ' s ▁a ▁minor ity ▁that ▁support ▁him ▁at ▁best , ▁and ▁it ' s ▁so ▁h ateful ▁and ▁ignor ant ." ▁In ▁ 2 0 1 7 , ▁though , ▁he ▁said ▁" I ' m ▁up ▁for ▁anyone ▁sh aking ▁up ▁the ▁j aded ▁world ▁of ▁polit icians ". ▁During ▁a ▁Good ▁Mor ning ▁Britain ▁interview ▁in ▁March ▁ 2 0 1 7 , ▁L yd on ▁described ▁Trump ▁as ▁a ▁" comp licated ▁fellow " ▁who ▁" ter rif ies ▁polit icians ". ▁L yd on ▁said ▁that ▁there ▁were ▁" many , ▁many ▁problems ▁with ▁( Tr ump ) ▁as ▁a ▁human ▁being " ▁but ▁def ended ▁him ▁against ▁accus ations ▁of ▁rac ism : ▁" What ▁I ▁dis like ▁is ▁the ▁left - wing ▁media ▁in ▁America ▁are ▁trying ▁to ▁sm ear ▁the ▁blo ke ▁as ▁a ▁rac ist ▁and ▁that ' s ▁completely ▁not ▁true ." ▁He ▁elabor ated ▁to ▁N PR : ▁" He ' s ▁a ▁total ▁cat ▁amongst ▁the ▁p ige ons ▁... ▁[ He ' s ] ▁got ▁everybody ▁now ▁involving ▁themselves ▁in ▁a ▁political ▁way . ▁And ▁I ' ve ▁been ▁struggling ▁for ▁years ▁to ▁get ▁people ▁to ▁w ake ▁up ▁and ▁do ▁that ." |
▁ ▁Books ▁ ▁L yd on , ▁John ▁( 1 9 9 3 ). ▁Rotten : ▁No ▁Irish , ▁No ▁Black s , ▁No ▁D ogs . ▁H od der ▁& ▁St ought on ▁▁ ▁With ▁Andrew ▁Bol ton . ▁Punk : ▁Cha os ▁to ▁C out ure ▁Y ale ▁University ▁Press ▁▁ ▁L yd on , ▁John ▁( 2 0 1 4 ). ▁An ger ▁Is ▁an ▁Energy : ▁My ▁Life ▁Un c ens ored . ▁Simon ▁& ▁Sch uster ▁▁ ▁Disc ography ▁All ▁chart ▁positions ▁are ▁UK . ▁ ▁Sex ▁P ist ols ▁Studio ▁albums ▁ ▁Never ▁Mind ▁the ▁Bol lock s , ▁Here ' s ▁the ▁Sex ▁P ist ols ▁( V ir gin , ▁ 1 9 7 7 ) ▁No . 1 ▁ ▁Comp il ations ▁and ▁live ▁albums ▁ ▁The ▁Great ▁Rock ▁' n ' ▁Roll ▁Sw ind le ▁( V ir gin , ▁ 1 9 7 9 ) ▁ ▁Some ▁Product : ▁Car ri ▁on ▁Sex ▁P ist ols ▁( V ir gin , ▁ 1 9 7 9 ) ▁ ▁F logging ▁a ▁Dead ▁Hor se ▁( V ir gin , 1 9 8 0 ) ▁ ▁K iss ▁This ▁( V ir gin , ▁ 1 9 9 2 ) ▁ ▁Never ▁Mind ▁the ▁Bol lock s ▁/ ▁Sp unk ▁( aka ▁This ▁is ▁C rap ) ▁( V ir gin , ▁ 1 9 9 6 ) ▁ ▁Fil thy ▁Lu cre ▁Live ▁( V ir gin , ▁ 1 9 |
9 6 ) ▁ ▁The ▁Fil th ▁and ▁the ▁F ury ▁( V ir gin , ▁ 2 0 0 0 ) ▁ ▁J ub ile e ▁( V ir gin , ▁ 2 0 0 2 ) ▁ ▁Sex ▁P ist ols ▁Box ▁Set ▁( V ir gin , ▁ 2 0 0 2 ) ▁ ▁Singles ▁ ▁" An archy ▁in ▁the ▁UK " ▁– ▁ 1 9 7 6 ▁No . 3 8 ▁ ▁" G od ▁Save ▁the ▁Queen " ▁– ▁ 1 9 7 7 ▁No . 2 ▁ ▁" Pre tty ▁V ac ant " ▁– ▁ 1 9 7 7 ▁No . 6 ▁ ▁" H olid ays ▁in ▁the ▁Sun " ▁– ▁ 1 9 7 7 ▁No . 8 ▁ ▁"( I ' m ▁Not ▁Your ) ▁Ste pping ▁Stone " ▁– ▁ 1 9 8 0 ▁No . 2 1 ▁ ▁" An archy ▁in ▁the ▁UK " ▁( re - issue ) ▁– ▁ 1 9 9 2 ▁No . 3 3 ▁ ▁" Pre tty ▁V ac ant " ▁( live ) ▁– ▁ 1 9 9 6 ▁No . 1 8 ▁ ▁" G od ▁Save ▁the ▁Queen " ▁( re - issue ) ▁– ▁ 2 0 0 2 ▁No . 1 5 ▁ ▁Public ▁Image ▁Ltd ▁Studio ▁albums ▁ ▁Public ▁Image : ▁First ▁Issue ▁( V ir gin , ▁ 1 9 7 8 ), ▁No . 2 2 |
▁ ▁Metal ▁Box ▁( a . k . a . ▁Second ▁Edition ) ▁( V ir gin , ▁ 1 9 7 9 ) ▁# 1 8 , ▁US ▁No . 1 7 1 ▁ ▁The ▁Flow ers ▁of ▁Rom ance ▁( V ir gin , ▁ 1 9 8 1 ) ▁# 1 1 , ▁US ▁No . 1 1 4 ▁ ▁Com mer cial ▁Zone ▁( Pi L ▁Records , ▁ 1 9 8 3 ) ▁ ▁This ▁Is ▁What ▁You ▁W ant ... ▁This ▁Is ▁What ▁You ▁Get ▁( V ir gin , ▁ 1 9 8 4 ) ▁ ▁Album ▁( V ir gin , ▁ 1 9 8 6 ) ▁ ▁Happy ? ▁( V ir gin , ▁ 1 9 8 7 ) ▁▁ 9 ▁( V ir gin , ▁ 1 9 8 9 ) ▁ ▁That ▁What ▁Is ▁Not ▁( V ir gin , ▁ 1 9 9 2 ) ▁ ▁This ▁is ▁Pi L ▁( Pi L ▁Official , ▁ 2 0 1 2 ) ▁ ▁What ▁the ▁World ▁Ne eds ▁Now ... ▁( Pi L ▁Official , ▁ 2 0 1 5 ) ▁ ▁Comp il ations ▁and ▁live ▁albums ▁ ▁Paris ▁au ▁Print em ps ▁( V ir gin , ▁ 1 9 8 0 ) ▁ ▁Live ▁in ▁Tokyo ▁( V ir gin , ▁ 1 9 8 3 ) ▁ ▁The ▁Great est ▁H its , ▁So ▁Far ▁( V ir gin , ▁ 1 9 9 0 |
) ▁ ▁Pl astic ▁Box ▁( V ir gin , ▁ 1 9 9 9 ) ▁ ▁The ▁Public ▁Image ▁is ▁Rotten ▁- ▁Songs ▁from ▁the ▁Heart ▁( V ir gin , ▁ 2 0 1 8 ) ▁ ▁Singles ▁ ▁" Public ▁Image " ▁– ▁ 1 9 7 8 ▁No . 9 ▁ ▁" De ath ▁Dis co " ▁– ▁ 1 9 7 9 ▁No . 2 0 ▁ ▁" Mem ories " ▁– ▁ 1 9 7 9 ▁No . 6 0 ▁ ▁" Flow ers ▁of ▁Rom ance " ▁– ▁ 1 9 8 1 ▁No . 2 4 ▁ ▁" This ▁Is ▁Not ▁a ▁Love ▁Song " ▁– ▁ 1 9 8 3 ▁No . 5 ▁ ▁" Bad ▁Life " ▁– ▁ 1 9 8 4 ▁No . 7 1 ▁ ▁" R ise " ▁– ▁ 1 9 8 6 ▁No . 1 1 ▁ ▁" Home " ▁– ▁ 1 9 8 6 ▁No . 7 5 ▁ ▁" Se attle " ▁– ▁ 1 9 8 7 ▁No . 4 7 ▁ ▁" The ▁Body " ▁– ▁ 1 9 8 7 ▁No . 1 0 0 ▁ ▁" Dis app oint ed " ▁– ▁ 1 9 8 9 ▁No . 3 8 ▁ ▁" Don ' t ▁Ask ▁Me " ▁– ▁ 1 9 9 0 ▁No . 2 2 ▁ ▁" C ru el " ▁– ▁ 1 |
9 9 2 ▁No . 4 9 ▁ ▁" One ▁Drop " ▁– ▁ 2 0 1 2 ▁ ▁" Out ▁of ▁the ▁Wood s " /" Reg gie ▁Song " ▁- ▁ 2 0 1 2 ▁ ▁" Double ▁Tr ouble " ▁– ▁ 2 0 1 5 ▁ ▁Time ▁Zone ▁Singles ▁ ▁" World ▁Dest ruction " ▁– ▁ 1 9 8 4 ▁ ▁Solo ▁Studio ▁albums ▁ ▁Ps y cho ' s ▁Path ▁( V ir gin , ▁ 1 9 9 7 ) ▁ ▁Comp il ations ▁ ▁The ▁Best ▁of ▁British ▁£ 1 ▁Notes '' ▁( L yd on , ▁Pi L ▁& ▁Sex ▁P ist ols ) ▁( V ir gin / E MI , ▁ 2 0 0 5 ) Sing les ' ▁ ▁" Open ▁Up " ▁( with ▁Left field ) ▁– ▁ 1 9 9 3 ▁– ▁No . 1 1 ▁ ▁" S un " ▁– ▁ 1 9 9 7 ▁– ▁No . 4 2 ▁ ▁Film ography ▁ ▁References ▁ ▁External ▁links ▁▁▁▁ ▁John ▁L yd on ▁disc ography ▁on ▁Discogs ▁ ▁Johnny ▁Rotten ▁on ▁The ▁H our ▁▁▁ ▁Inter view ▁in ▁Hard ▁Times , ▁ 1 9 8 4 ▁ ▁Category : 1 9 5 6 ▁birth s ▁Category : 2 0 th - century ▁English ▁pain ters ▁Category : English ▁male ▁pain ters ▁Category : 2 1 st - century ▁English ▁pain ters ▁Category : B rit ish ▁alternative ▁rock ▁mus icians ▁Category : English |
▁ly ric ists ▁Category : English ▁male ▁film ▁actors ▁Category : English ▁male ▁sing ers ▁Category : English ▁punk ▁rock ▁sing ers ▁Category : English ▁people ▁of ▁Irish ▁descent ▁Category : English ▁singer - song writ ers ▁Category : English ▁television ▁personal ities ▁Category : L iving ▁people ▁Category : M ale ▁actors ▁from ▁London ▁Category : Mus icians ▁from ▁London ▁Category : N ME ▁Awards ▁w inners ▁Category : Pe ople ▁from ▁F ins bury ▁Park ▁Category : Pe ople ▁from ▁H ollow ay , ▁London ▁Category : Pe ople ▁from ▁Ven ice , ▁Los ▁Angeles ▁Category : B rit ish ▁post - p unk ▁mus icians ▁Category : Public ▁Image ▁Ltd ▁members ▁Category : S ex ▁P ist ols ▁members ▁Category : Sing ers ▁from ▁London ▁Category : S qu at ters ▁Category : The ▁Golden ▁Pal omin os ▁members ▁Category : Part icip ants ▁in ▁British ▁reality ▁television ▁series ▁Category : 2 1 st - century ▁American ▁pain ters ▁Category : 2 0 th - century ▁English ▁sing ers ▁Category : 2 1 st - century ▁English ▁sing ers ▁Category : 2 1 st - century ▁American ▁sing ers ▁Category : American ▁male ▁pain ters ▁Category : American ▁alternative ▁rock ▁mus icians ▁Category : American ▁ly ric ists ▁Category : American ▁male ▁film ▁actors ▁Category : American ▁male ▁sing ers ▁Category : American ▁punk ▁rock ▁sing ers ▁Category : American ▁people ▁of ▁Irish ▁descent ▁Category : American ▁singer - song writ ers ▁Category : B rit ish ▁em igr ants |
▁to ▁the ▁United ▁States ▁Category : Pe ople ▁with ▁acquired ▁American ▁citizens hip <0x0A> </s> ▁Ris al pur ▁C anton ment ▁railway ▁station ▁() ▁is ▁located ▁in ▁Ris al pur , ▁Pakistan . ▁ ▁See ▁also ▁ ▁List ▁of ▁railway ▁stations ▁in ▁Pakistan ▁ ▁Pakistan ▁Rail ways ▁ ▁Pakistan ▁Lo comot ive ▁Factory ▁ ▁References ▁ ▁External ▁links ▁Official ▁Web ▁Site ▁of ▁Pakistan ▁Rail ways ▁ ▁Category : Def unct ▁railway ▁stations ▁in ▁Pakistan ▁Category : R ail way ▁stations ▁in ▁Now sh era ▁District ▁Category : R ail way ▁stations ▁on ▁Now sh era – D arg ai ▁Railway ▁Line <0x0A> </s> ▁Jo ana ▁V aya ▁Mal ina o ▁Michael son ▁( born ▁ 1 2 ▁February ▁ 1 9 9 0 ), ▁n ée ▁Hou pl in , ▁is ▁a ▁Filip ino - American ▁association ▁football ▁coach ▁and ▁former ▁international ▁footballer ▁who ▁played ▁as ▁a ▁mid f iel der ▁for ▁Seattle ▁Sound ers ▁Women . ▁Hou pl in ▁was ▁also ▁the ▁top ▁sc orer ▁at ▁the ▁ 2 0 1 3 ▁A FF ▁Women ' s ▁Championship ▁scoring ▁ 8 ▁goals . ▁ ▁Early ▁life ▁and ▁education ▁Jo ana ▁Hou pl in ▁was ▁born ▁in ▁the ▁Philippines ▁on ▁February ▁ 1 2 , ▁ 1 9 9 0 . ▁She ▁has ▁both ▁Philipp ine ▁and ▁United ▁States ▁citizens hip . ▁Hou pl in ▁later ▁moved ▁to ▁England ▁at ▁age ▁ 4 ▁and ▁later ▁to ▁the ▁United ▁States ▁at ▁ 1 2 . ▁ ▁She ▁attended ▁the ▁Olymp ia ▁High ▁School ▁and |
▁also ▁the ▁Western ▁Washington ▁University ▁where ▁she ▁obtained ▁a ▁b ach elor ' s ▁degree ▁in ▁k ines i ology ▁in ▁ 2 0 1 2 . ▁She ▁purs ued ▁gradu ate ▁studies ▁in ▁sports ▁science ▁in ▁the ▁same ▁university . ▁ ▁Compet itive ▁career ▁ ▁High ▁School ▁Hou pl in ▁played ▁s occer ▁for ▁Olymp ia ▁High ▁School . ▁On ▁her ▁senior ▁year ▁she ▁was ▁named ▁part ▁of ▁the ▁first - team ▁Class ▁ 4 A ▁all - state ▁selection . ▁She ▁was ▁also ▁named ▁the ▁Ta com a ▁News ▁Trib une ▁all - Area ▁and ▁N arrow s ▁League ▁M VP ▁and ▁The ▁Olymp ian ▁Area ▁M VP ▁for ▁her ▁st int ▁with ▁her ▁high ▁school . ▁ ▁Colleg iate ▁Hou pl in ▁played ▁for ▁the ▁Western ▁Washington ▁Vik ings , ▁the ▁s occer ▁team ▁of ▁her ▁college ▁from ▁ 2 0 0 8 ▁to ▁ 2 0 1 2 . ▁As ▁a ▁senior ▁in ▁ 2 0 1 2 ▁she ▁was ▁named ▁part ▁of ▁the ▁second - team ▁National ▁Soccer ▁Co aches ▁Association ▁of ▁America ▁West ▁Region ▁all - star ▁selection . ▁She ▁led ▁team ▁in ▁a ▁Far ▁West ▁Regional ▁final ▁and ▁won ▁both ▁the ▁Great ▁North west ▁Athlet ic ▁Conference ▁regular - season ▁and ▁tournament ▁titles . ▁In ▁her ▁four ▁year ▁st int ▁with ▁her ▁college ' s ▁team , ▁she ▁scored ▁ 1 2 ▁goals ▁and ▁made ▁ 1 1 ▁ass ists ▁for ▁ 3 5 ▁points . ▁ ▁Club ▁She ▁played ▁as ▁part ▁of ▁the ▁res erves |
▁team ▁of ▁Seattle ▁Re ign ▁FC ▁from ▁ 2 0 1 3 ▁to ▁ 2 0 1 5 . ▁Sim ult ane ously , ▁she ▁played ▁for ▁the ▁Iss aqu ah ▁G unn ers ▁of ▁the ▁Women ' s ▁Premier ▁Soccer ▁League ▁from ▁ 2 0 1 2 ▁to ▁ 2 0 1 5 . ▁In ▁ 2 0 1 4 , ▁she ▁was ▁part ▁of ▁the ▁Seattle ▁Sound ers ▁Women . ▁ ▁International ▁In ▁late - M arch ▁ 2 0 1 3 , ▁she ▁took ▁part ▁in ▁a ▁week ▁long ▁training ▁camp ▁by ▁the ▁Philippines ▁national ▁football ▁team ▁in ▁Cor ona , ▁California ▁which ▁led ▁to ▁her ▁selection ▁as ▁part ▁of ▁the ▁squad ▁that ▁will ▁later ▁particip ate ▁at ▁the ▁ 2 0 1 4 ▁A FC ▁Women ' s ▁Asian ▁Cup ▁qual ifiers . ▁She ▁last ▁played ▁for ▁the ▁Philippines ▁in ▁ 2 0 1 5 . ▁ ▁International ▁goals ▁Sc ores ▁and ▁results ▁list ▁the ▁Philippines ' ▁goal ▁t ally ▁first . ▁ ▁Co aching ▁career ▁Since ▁ 2 0 1 4 , ▁she ▁is ▁the ▁head ▁coach ▁of ▁North west ▁United ▁FC . ▁She ▁is ▁a ▁holder ▁of ▁at ▁least ▁a ▁USS F ▁National ▁" D " ▁License . ▁Hou pl in ▁is ▁also ▁involved ▁with ▁the ▁women ' s ▁s occer ▁team ▁of ▁the ▁Western ▁Washington ▁University , ▁her ▁al ma ▁mater , ▁as ▁a ▁volunte er ▁assistant ▁coach ▁ ▁References ▁ ▁Category : 1 9 9 0 ▁birth s ▁Category : L iving ▁people ▁Category : |
American ▁sports people ▁of ▁Filip ino ▁descent ▁Category : West ern ▁Washington ▁University ▁al umn i ▁Category : Fil ip ino ▁women ' s ▁football ers ▁Category : American ▁women ' s ▁s occer ▁players ▁Category : Ph ili pp ines ▁women ' s ▁international ▁football ers ▁Category : W omen ' s ▁association ▁football ▁for wards <0x0A> </s> ▁T ad met la , ▁also ▁known ▁as ▁T ad met ala ▁is ▁a ▁village ▁in ▁Ch h att is gar h ▁state , ▁India . ▁It ▁is ▁located ▁in ▁the ▁Kont a ▁te hs il ▁of ▁Su k ma ▁in ▁the ▁Bast ar ▁division . ▁ ▁The ▁village ▁is ▁known ▁for ▁its ▁connection ▁with ▁the ▁ab du ction ▁of ▁Alex ▁Paul ▁Men on ▁of ▁the ▁Indian ▁Administr ative ▁Service ▁who ▁was ▁ab duct ed ▁by ▁the ▁N ax als ▁on ▁ 2 1 ▁April ▁ 2 0 1 2 ▁while ▁he ▁was ▁posted ▁as ▁the ▁district ▁collect or ▁of ▁Su k ma ▁district . ▁ ▁References ▁▁ ▁Category : V ill ages ▁in ▁Su k ma ▁district <0x0A> </s> ▁The ▁following ▁are ▁the ▁Ph en omen al ▁Box ▁Office ▁Star ▁Awards ▁given ▁by ▁the ▁Box ▁Office ▁Entertainment ▁Awards . ▁ ▁Box ▁Office ▁Entertainment ▁Award ▁for ▁Ph en omen al ▁Box ▁Office ▁Star ▁▁▁▁ ▁The ▁Box ▁Office ▁Entertainment ▁Award ▁for ▁Ph en omen al ▁Box ▁Office ▁Star ▁is ▁the ▁highest - acc laimed ▁award ▁presented ▁ann ually ▁by ▁the ▁Memorial ▁Sch olar ship ▁Foundation , ▁led ▁by ▁Cor azon ▁Sam anie go . ▁It |
▁was ▁first ▁awarded ▁at ▁the ▁ 4 3 rd ▁Box ▁Office ▁Entertainment ▁Awards ▁ceremony , ▁held ▁in ▁ 2 0 1 2 ; ▁Vice ▁G anda ▁first ▁received ▁the ▁award ▁for ▁his ▁work ▁The ▁Un k ab og able ▁P ray be yt ▁Benjamin ▁which ▁gross ed ▁PHP ▁ 3 3 2 , 0 0 0 , 0 0 0 . 0 0 ▁and ▁was ▁the ▁highest ▁gross ing ▁Filip ino ▁film ▁of ▁year ▁ 2 0 1 1 . ▁ ▁The ▁first ▁title ▁holder ▁of ▁this ▁award , ▁Vice ▁G anda , ▁retain s ▁his ▁reign ▁up ▁to ▁now ▁by ▁receiving ▁the ▁award ▁for ▁ 8 ▁consecutive ▁years . ▁ ▁Multiple ▁awards ▁for ▁Ph en omen al ▁Box ▁Office ▁Star ▁The ▁following ▁is ▁a ▁list ▁of ▁actors / act ress es ▁who ▁received ▁more ▁than ▁one ▁Ph en omen al ▁Box ▁Office ▁Star ▁Award . ▁ ▁Box ▁Office ▁Entertainment ▁Award ▁for ▁Ph en omen al ▁Box ▁Office ▁Tan dem ▁The ▁Box ▁Office ▁Entertainment ▁Award ▁for ▁Ph en omen al ▁Box ▁Office ▁Tan dem ▁is ▁an ▁award ▁presented ▁by ▁the ▁Memorial ▁Sch olar ship ▁Foundation , ▁led ▁by ▁Cor azon ▁Sam anie go . ▁It ▁was ▁first ▁awarded ▁at ▁the ▁ 4 5 th ▁Box ▁Office ▁Entertainment ▁Awards ▁ceremony , ▁held ▁in ▁ 2 0 1 2 ; ▁actors ▁Vic ▁S otto ▁& ▁A i ▁A i ▁del as ▁Al as ▁first ▁received ▁the ▁award ▁for ▁their ▁work ▁Ent eng ▁ng ▁In a ▁Mo . ▁ ▁Box ▁Office ▁Entertainment ▁Award ▁for ▁Ph en |
omen al ▁Box ▁Office ▁Child ▁Star ▁ ▁The ▁Box ▁Office ▁Entertainment ▁Award ▁for ▁Ph en omen al ▁Box ▁Office ▁Child ▁Star ▁is ▁an ▁award ▁presented ▁by ▁the ▁Memorial ▁Sch olar ship ▁Foundation , ▁led ▁by ▁Cor azon ▁Sam anie go . ▁It ▁was ▁first ▁awarded ▁at ▁the ▁ 4 5 th ▁Box ▁Office ▁Entertainment ▁Awards ▁ceremony , ▁held ▁in ▁ 2 0 1 4 ; ▁B im by ▁Aqu ino ▁Y ap ▁& ▁Ry zza ▁Ma e ▁D izon ▁first ▁received ▁the ▁award ▁for ▁their ▁work ▁My ▁Little ▁B oss ings ▁which ▁gross ed ▁PHP ▁ 4 0 1 , 0 0 0 , 0 0 0 . 0 0 ▁and ▁was ▁the ▁ 2 nd ▁highest ▁gross ing ▁Filip ino ▁film ▁of ▁year ▁ 2 0 1 3 . ▁ ▁References ▁ ▁Category : Fil m ▁awards ▁for ▁lead ▁actress ▁Category : Fil m ▁awards ▁for ▁lead ▁actor ▁Category : Box ▁Office ▁Entertainment ▁Awards <0x0A> </s> ▁Eugen ia ▁ac un ai ▁is ▁a ▁species ▁of ▁plant ▁in ▁the ▁family ▁My rt aceae . ▁It ▁is ▁en demic ▁to ▁Cuba . ▁ ▁References ▁ ▁Category : End em ic ▁fl ora ▁of ▁Cuba ▁ac un ai ▁Category : End anger ed ▁plants ▁Category : T ax onomy ▁articles ▁created ▁by ▁Pol bot <0x0A> </s> ▁D rama ▁annotation ▁is ▁the ▁process ▁of ▁annot ating ▁the ▁metadata ▁of ▁a ▁drama . ▁Given ▁a ▁drama ▁expressed ▁in ▁some ▁medium ▁( text , ▁video , ▁audio , ▁etc .), ▁the ▁process ▁of ▁metadata ▁annotation ▁ident ifies ▁what |
▁are ▁the ▁elements ▁that ▁character ize ▁the ▁drama ▁and ▁annot ates ▁such ▁elements ▁in ▁some ▁metadata ▁format . ▁For ▁example , ▁in ▁the ▁sentence ▁" La ert es ▁and ▁Pol on ius ▁warn ▁O ph elia ▁to ▁stay ▁away ▁from ▁Ham let ." ▁from ▁the ▁text ▁Ham let , ▁the ▁word ▁" La ert es ", ▁which ▁refers ▁to ▁a ▁drama ▁element , ▁namely ▁a ▁character , ▁will ▁be ▁annot ated ▁as ▁" Char ", ▁taken ▁from ▁some ▁set ▁of ▁metadata . ▁This ▁article ▁addresses ▁the ▁drama ▁annotation ▁projects , ▁with ▁the ▁sets ▁of ▁metadata ▁and ▁annotations ▁proposed ▁in ▁the ▁scientific ▁literature , ▁based ▁markup ▁languages ▁and ▁ont ologies . ▁ ▁D rama ▁across ▁media ▁and ▁gen res ▁▁ ▁D rama ▁ ▁en comp ass es ▁different ▁media ▁and ▁languages , ▁r anging ▁from ▁Greek ▁tra ged y ▁and ▁musical ▁drama ▁to ▁action ▁mov ies ▁and ▁video ▁games : ▁despite ▁their ▁huge ▁differences , ▁these ▁examples ▁share ▁tra its ▁of ▁the ▁cultural ▁construct ▁that ▁we ▁recogn ise ▁as ▁drama . ▁drama ▁can ▁be ▁considered ▁as ▁a ▁form ▁of ▁int ang ible ▁cultural ▁her itage , ▁since ▁it ▁is ▁character ised ▁by ▁an ▁evol ving ▁nature , ▁with ▁form ▁and ▁function ▁that ▁change ▁in ▁time : ▁for ▁example , ▁consider ▁the ▁difference ▁between ▁the ▁Greek ▁T rag edy ▁O ed ip us ▁and ▁the ▁modern ist ▁play ▁Six ▁Char acters ▁in ▁Search ▁of ▁an ▁Author . ▁The ▁exponential ▁spread ▁of ▁drama ▁in ▁contemporary ▁culture ▁has ▁led ▁Martin ▁Ess lin ▁to ▁for ge ▁the ▁definition |
▁of ▁“ d ram atic ▁media ", ▁i . e . ▁media ▁that ▁display ▁characters ▁performing ▁live ▁actions , ▁such ▁as ▁theatre , ▁cinema ▁and ▁vide og ames . ▁ ▁The ▁discrete ▁manifest ations ▁of ▁drama ▁are ▁documented ▁in ▁different ▁media , ▁including ▁text , ▁score , ▁video , ▁audio , ▁etc . ▁The ▁dram atic ▁content ▁underlying ▁these ▁manifest ation , ▁however , ▁does ▁not ▁depend ▁on ▁the ▁specific ▁medium : ▁take , ▁for ▁example , ▁the ▁Ar den ▁edition ▁of ▁the ▁written ▁drama ▁of ▁Ham let ▁ ▁and ▁Laur ence ▁Oliv ier ' s ▁movie ▁Ham let , ▁two ▁examples ▁of ▁the ▁drama ▁her itage ▁which ▁share ▁the ▁same ▁drama ▁content ▁despite ▁the ▁differences ▁of ▁the ▁media ▁support . ▁The ▁annotation ▁of ▁the ▁content ▁of ▁media ▁that ▁convey ▁dram atic ▁content ▁requires ▁the ▁use ▁of ▁an ▁annotation ▁schema ▁expressed ▁in ▁a ▁formal ▁language , ▁which ▁makes ▁the ▁annotation ▁compar able , ▁and , ▁possibly , ▁machine ▁readable . ▁ ▁The ▁first ▁attempts ▁at ▁att aching ▁content ▁metadata ▁to ▁media ▁concerned ▁text ▁documents ▁and ▁were ▁carried ▁out ▁by ▁using ▁markup ▁languages , ▁such ▁as ▁XML , ▁which ▁allow ▁to ▁embed ▁content ▁tags ▁into ▁the ▁document ▁text . ▁With ▁the ▁advent ▁of ▁the ▁Sem antic ▁Web ▁project , ▁descript ive ▁tools ▁have ▁evol ved ▁towards ▁the ▁use ▁of ▁ont ologies , ▁thanks ▁to ▁the ▁languages ▁and ▁resources ▁provided ▁by ▁the ▁Sem antic ▁Web ▁project . ▁In ▁particular , ▁semantic ▁annotation ▁re lies ▁on ▁the ▁use ▁of ▁the ▁Resource ▁Description ▁Framework ▁language , ▁specifically |
▁designed ▁to ▁described ▁Web ▁content ▁of ▁any ▁type . ▁ ▁The ▁semantic ▁annotation ▁of ▁drama ▁consists ▁of ▁representing ▁the ▁knowledge ▁about ▁drama ▁in ▁a ▁machine - read able ▁format ▁to ▁serve ▁the ▁task ▁of ▁annot ating ▁the ▁dram atic ▁content ▁coh er ently ▁across ▁different ▁media ▁and ▁languages , ▁abstract ing ▁at ▁the ▁same ▁time ▁from ▁the ▁technical ities ▁of ▁signals ▁and ▁text ▁encoding . ▁The ▁annotation ▁of ▁dram atic ▁content ▁across ▁media ▁and ▁gen res ▁is ▁a ▁way ▁to ▁preserve , ▁compare ▁and ▁study ▁the ▁nature ▁of ▁drama ▁and ▁of ▁its ▁manifest ations . ▁Moreover , ▁the ▁avail ability ▁of ▁content ▁metadata ▁about ▁drama ▁is ▁a ▁pre condition ▁for ▁a ▁range ▁of ▁gener ative ▁tasks ▁that ▁range ▁from ▁automat ising ▁the ▁generation ▁of ▁drama ▁to ▁supporting ▁human ▁cre ativity ▁in ▁this ▁task . ▁ ▁Story ▁and ▁D rama ▁An notation ▁through ▁markup ▁languages ▁and ▁lingu istic ▁sch em ata ▁▁ ▁Story ▁annotation ▁consists ▁of ▁annot ating ▁the ▁content ▁of ▁narr atives . ▁In ▁most ▁cases , ▁this ▁effort ▁is ▁undert aken ▁with ▁the ▁goal ▁of ▁construct ing ▁corpor a ▁of ▁annot ated ▁narr atives , ▁or ▁story ▁corpor a , ▁final ised ▁at ▁the ▁study ▁of ▁the ▁relationship ▁between ▁the ▁lingu istic ▁expression ▁of ▁the ▁story ▁in ▁the ▁narr ative ▁and ▁its ▁content . ▁ ▁In ▁the ▁last ▁de cade , ▁to ▁a ▁number ▁of ▁research ▁initi atives ▁especially ▁orient ed ▁to ▁the ▁description ▁of ▁story ▁and ▁characters . ▁ ▁For ▁example , ▁consider ▁the ▁N arr ative ▁Know ledge ▁Represent ation |
▁Language ▁( N K RL ) ▁and ▁the ▁D rama B ank ▁project , ▁specifically ▁orient ed ▁to ▁the ▁representation ▁of ▁story ▁content ▁in ▁natural ▁language ▁texts . ▁ ▁The ▁annotation ▁of ▁narr ative ▁texts ▁has ▁been ▁prompt ed ▁and ▁influenced ▁by ▁two ▁main ▁lines ▁of ▁research . ▁On ▁the ▁one ▁side , ▁the ▁tradition ▁of ▁knowledge ▁representation ▁in ▁A I ▁has ▁contributed ▁the ▁concept ual ▁tools ▁for ▁describing ▁the ▁content ▁of ▁stories , ▁with ▁languages ▁that ▁span ▁from ▁scripts ▁[ Sch ank ▁ 1 9 7 5 ] ▁to ▁frames . ▁ ▁The ▁lingu istic ▁counter part ▁of ▁this ▁line ▁of ▁research ▁has ▁resulted ▁in ▁resources ▁situated ▁at ▁the ▁lex ical - sem antic ▁level ▁( such ▁as ▁Frame Net ▁and ▁at ▁the ▁interface ▁between ▁syntax ▁and ▁semantics ▁( such ▁as ▁Prop B ank , ▁which ▁offer ▁tools ▁for ▁representing ▁the ▁connection ▁between ▁the ▁expression ▁of ▁the ▁narr ative ▁through ▁the ▁text ▁and ▁the ▁narr ative ▁content ▁itself ). ▁For ▁example , ▁the ▁Story ▁Work ben ch ▁tool ▁en comp ass es ▁a ▁layer ed ▁annotation ▁scheme , ▁which ▁uses ▁these ▁resources ▁for ▁the ▁multi - layer ▁annotation ▁of ▁narr atives . ▁On ▁the ▁other ▁side , ▁the ▁annotation ▁of ▁narr atives ▁has ▁benef ited ▁from ▁the ▁tr end , ▁established ▁during ▁the ▁last ▁three ▁dec ades , ▁of ▁representing ▁the ▁content ▁of ▁documents ▁in ▁a ▁machine - read able ▁form . ▁With ▁the ▁advent ▁of ▁markup ▁languages ▁such ▁as ▁Text ▁Enc oding ▁In iti ative ▁( TE I ) ▁for ▁encoding |
▁text ▁in ▁digital ▁form ▁and ▁annot ating ▁their ▁structure , ▁the ▁use ▁of ▁markup ▁has ▁soon ▁become ▁the ▁standard ▁ ▁in ▁text ▁annotation ▁projects . ▁ ▁In ▁particular , ▁projects ▁such ▁as ▁N arr ative ▁Know ledge ▁Represent ation ▁Language ▁( N K RL ) ▁lever aged ▁the ▁use ▁of ▁markup ▁languages ▁for ▁the ▁representation ▁of ▁the ▁narr ative ▁content ▁of ▁text , ▁rev amp ing ▁the ▁use ▁of ▁frames ▁into ▁the ▁emer ging ▁scenario ▁of ▁media ▁indexing ▁and ▁retr ieval . ▁ ▁More ▁recently , ▁as ▁part ▁of ▁the ▁more ▁general ▁effort ▁of ▁construct ing ▁resources ▁for ▁the ▁autom ation ▁of ▁language ▁processing ▁and ▁generation , ▁El son ▁has ▁proposed ▁a ▁template ▁based ▁language ▁for ▁describing ▁the ▁narr ative ▁content ▁of ▁text ▁documents , ▁with ▁the ▁goal ▁of ▁creating ▁a ▁cor pus ▁of ▁annot ated ▁narr ative ▁texts , ▁called ▁D rama B ank ▁project . ▁In ▁recent ▁years , ▁the ▁annotation ▁of ▁narr ative ▁text ▁has ▁evol ved ▁towards ▁minimal ▁sch em ata ▁target ed ▁at ▁grasp ing ▁the ▁regular ities ▁of ▁written ▁and ▁or al ▁narr atives ▁at ▁the ▁disc ourse ▁level . ▁These ▁initi atives , ▁however , ▁root ed ▁in ▁narr ative ▁theories , ▁tend ▁to ▁focus ▁on ▁the ▁real ization ▁of ▁narr atives ▁though ▁a ▁specific ▁medium , ▁i . e ., ▁text , ▁leaving ▁behind ▁the ▁universal ▁elements ▁of ▁dram atic ▁narr ation ▁that ▁go ▁behind ▁the ▁express ive ▁characteristics ▁of ▁each ▁medium . ▁ ▁Story ▁and ▁drama ▁annotation ▁through ▁computational ▁ont ologies ▁▁ ▁Most ly |
▁orient ed ▁to ▁the ▁indexing ▁and ▁retr ieval ▁of ▁media , ▁ont ologies ▁and ▁voc ab ular ies ▁have ▁appeared ▁that ▁support ▁the ▁representation ▁of ▁the ▁content ▁of ▁media ▁according ▁to ▁a ▁shared ▁semantics , ▁available ▁across ▁the ▁Web . ▁In ▁particular , ▁semantic ▁resources ▁such ▁as ▁V ER L ▁( the ▁Video ▁Event ▁Represent ation ▁Language ▁and ▁LO DE ▁( Link ed ▁Open ▁Description ▁of ▁Events ) ▁ ▁provide ▁struct ured ▁description ▁of ▁events ▁ ▁that ▁can ▁be ▁applied ▁to ▁the ▁description ▁of ▁inc idents ▁in ▁stories . ▁ ▁In ▁the ▁parad ig m ▁of ▁Linked ▁Data , ▁these ▁resources ▁become ▁the ▁infrastr ucture ▁for ▁content - based ▁applications ▁in ▁the ▁field ▁of ▁media : ▁for ▁example , ▁consider ▁the ▁project ▁Event Media , ▁where ▁different ▁voc ab ular ies ▁have ▁been ▁aligned ▁with ▁automatic ▁methods ▁to ▁create ▁an ▁illustrated ▁catalog ▁of ▁media ▁representing ▁events . ▁ ▁A ▁media - in dependent ▁model ▁of ▁story ▁is ▁provided ▁by ▁the ▁On to Media ▁ont ology , ▁explo ited ▁across ▁different ▁projects ▁( such ▁as ▁the ▁Context us ▁Project ▁ ▁to ▁annot ate ▁the ▁narr ative ▁content ▁of ▁different ▁media ▁objects , ▁r anging ▁from ▁written ▁literature ▁to ▁com ics ▁and ▁TV ▁fiction . ▁This ▁project ▁en comp ass es ▁some ▁concepts , ▁such ▁the ▁notion ▁of ▁character , ▁that ▁are ▁relevant ▁for ▁the ▁description ▁of ▁drama , ▁but , ▁being ▁mainly ▁focused ▁on ▁the ▁representation ▁of ▁events ▁and ▁the ▁order ▁in ▁which ▁they ▁are ▁exposed ▁in ▁media ▁for ▁cross - media ▁comparison , |
▁it ▁la cks ▁the ▁cap ability ▁of ▁representing ▁the ▁core ▁not ions ▁of ▁drama . ▁In ▁the ▁field ▁of ▁cultural ▁her itage ▁dis sem ination , ▁the ▁Story Space ▁ont ology , ▁an ▁ont ology ▁of ▁story , ▁supports ▁museum ▁cur ators ▁in ▁linking ▁the ▁content ▁of ▁art works ▁through ▁stories , ▁with ▁the ▁ult imate ▁goal ▁of ▁en abling ▁the ▁generation ▁of ▁user ▁tail ored ▁content ▁retr ieval . ▁ ▁A ▁line ▁of ▁research ▁has ▁tack led ▁the ▁use ▁of ▁logical ▁representations ▁to ▁describe ▁stories , ▁with ▁the ▁goal ▁of ▁creating ▁gener ative ▁systems ▁that ▁le verage ▁the ▁ax iom at ization ▁of ▁narr ative ▁structures . ▁Finally , ▁some ▁sch ol ars ▁have ▁created ▁represent ational ▁tools ▁for ▁specific ▁narr ative ▁theories , ▁r anging ▁from ▁literary ▁struct ural ism ▁to ▁script writing ▁practices ▁ ▁D ram mar ▁is ▁an ▁ont ology ▁of ▁drama , ▁specifically ▁conce ived ▁to ▁annot ate ▁dram atic ▁media . ▁D ram mar ▁a ims ▁at ▁extending ▁the ▁use ▁of ▁ont ologies ▁to ▁describe ▁the ▁content ▁metadata ▁of ▁dram atic ▁media ▁in ▁a ▁theory - neut ral , ▁media - in dependent ▁way . ▁The ▁use ▁of ▁the ▁ont ology ▁format ▁not ▁only ▁allows ▁specifying ▁the ▁concept ual ▁model ▁of ▁drama ▁in ▁a ▁formal , ▁un ambigu ous ▁way ▁but ▁also ▁makes ▁the ▁knowledge ▁about ▁drama ▁available ▁as ▁a ▁voc ab ul ary ▁for ▁the ▁inter change ▁of ▁annotations ▁across ▁different ▁projects ▁and ▁readily ▁us able ▁for ▁applications ▁that ▁en comp ass ▁the ▁manip ulation ▁of |
▁annotations ▁by ▁automatic ▁reason ers ▁and ▁other ▁software ▁types ▁ ▁References ▁ ▁External ▁links ▁▁ ▁Story ▁Work ben ch ▁tool ▁ ▁Context us ▁Project ▁ ▁D ram mar ▁project ▁w iki ▁ ▁Category : Metadata <0x0A> </s> ▁J eg lia ▁ ▁is ▁a ▁village ▁in ▁the ▁administrative ▁district ▁of ▁G mina ▁Ry b no , ▁within ▁D ział d owo ▁County , ▁W arm ian - M as ur ian ▁Vo iv odes hip , ▁in ▁northern ▁Poland . ▁It ▁lies ▁approximately ▁ ▁north - west ▁of ▁Ry b no , ▁ ▁north - west ▁of ▁D ział d owo , ▁and ▁ ▁south - west ▁of ▁the ▁regional ▁capital ▁O ls zt yn . ▁ ▁References ▁ ▁J eg lia <0x0A> </s> ▁Alex ▁Sad kin ▁( A pril ▁ 9 , ▁ 1 9 4 9 ▁– ▁July ▁ 2 5 , ▁ 1 9 8 7 ) ▁was ▁an ▁American ▁record ▁producer , ▁engineer , ▁mix er ▁and ▁master ing ▁engineer . ▁ ▁Sad kin ▁grew ▁up ▁in ▁Fort ▁La ud erd ale , ▁Florida ▁across ▁the ▁street ▁from ▁Ben nett ▁Element ary ▁School , ▁and ▁played ▁sa x oph one ▁in ▁Sun r ise ▁Junior ▁High ▁School ▁and ▁Fort ▁La ud erd ale ▁High ▁School . ▁Sad kin ▁attended ▁the ▁University ▁of ▁Miami ▁in ▁Cor al ▁G ables ▁for ▁his ▁first ▁year ▁of ▁college ▁as ▁a ▁bi ology ▁major . ▁He ▁attended ▁Florida ▁State ▁University ▁in ▁T alla has see ▁where ▁he ▁played ▁bass ▁guitar ▁with ▁child hood ▁friends ▁L |
yle ▁La Bar ber a ▁( rh ythm ▁guitar ) ▁and ▁Jim ▁H ende e ▁( d rum s ), ▁and ▁singer ▁Phil ▁Turk . ▁He ▁eventually ▁received ▁his ▁Bach elor ▁of ▁Science ▁degree ▁in ▁ge ology ▁in ▁ 1 9 7 1 . ▁He ▁got ▁his ▁start ▁in ▁the ▁music ▁industry ▁as ▁a ▁sa x oph on ist ▁for ▁the ▁Las ▁O las ▁Br ass ▁in ▁Fort ▁La ud erd ale . ▁ ▁After ▁gradu ation , ▁Sad kin ▁worked ▁with ▁Jim ▁H ende e ▁at ▁a ▁sea ▁t urt le ▁farm ▁called ▁Mar icult ure , ▁Ltd . ▁on ▁Grand ▁C ay man ▁Island , ▁where ▁they ▁both ▁lived ▁on ▁Seven ▁M ile ▁Beach , ▁a ▁few ▁miles ▁from ▁the ▁town ▁of ▁Hell . ▁During ▁their ▁six ▁months ▁of ▁living ▁and ▁sc uba ▁div ing ▁there , ▁they ▁got ▁their ▁first ▁taste ▁of ▁playing ▁reg ga e ▁at ▁several ▁clubs ▁around ▁the ▁island . ▁ ▁When ▁Sad kin ▁returned ▁to ▁South ▁Florida ▁he ▁began ▁his ▁recording ▁career . ▁ ▁He ▁was ▁first ▁trained ▁as ▁a ▁master ing ▁engineer ▁but ▁eventually ▁moved ▁into ▁recording ▁studio ▁work ▁as ▁a ▁" ta pe - op " ▁( Ass istant ▁Engine er ) ▁at ▁C riteria ▁Studios ▁in ▁Miami , ▁Florida . ▁ ▁He ▁got ▁his ▁first ▁big ▁break ▁after ▁impress ing ▁Neil ▁Young ▁with ▁his ▁mixing ▁ability , ▁and ▁he ▁eventually ▁became ▁head ▁engineer ▁at ▁Com pass ▁Point ▁Studio ▁in ▁N ass au , ▁Bah am as . ▁ ▁He ▁worked ▁alongside ▁Island ▁Records |
▁b oss ▁Chris ▁Black well ▁on ▁many ▁of ▁the ▁label ' s ▁projects , ▁most ▁fam ously ▁with ▁Bob ▁Mar ley ▁and ▁the ▁W ail ers , ▁including ▁the ▁sem inal ▁R ast aman ▁V ibration . ▁ ▁A ▁full ▁member ▁of ▁the ▁Com pass ▁Point ▁All ▁Stars ▁from ▁day ▁one , ▁he ▁began ▁producing ▁artists ▁for ▁Island ▁Records ▁( G race ▁Jones , ▁Marian ne ▁Fa ith full , ▁Robert ▁Pal mer , ▁Joe ▁C ocker ), ▁while ▁doing ▁mixing ▁work ▁for ▁other ▁labels ▁( T alk ing ▁He ads ). ▁Among ▁the ▁other ▁artists ▁he ▁produced ▁in ▁the ▁ 1 9 8 0 s ▁are ▁James ▁Brown , ▁the ▁J . ▁Ge ils ▁Band , ▁Thompson ▁Tw ins , ▁Class ix ▁N ouve aux , ▁Foreign er , ▁Dur an ▁Dur an , ▁Sim ply ▁Red , ▁Arc ad ia ▁and ▁Paul ▁Ha ig . ▁ ▁Sad kin ▁produced ▁the ▁first ▁two ▁of ▁the ▁Thompson ▁Tw ins ' ▁( as ▁a ▁tri o ) ▁albums , ▁Quick ▁Step ▁& ▁Side ▁K ick ▁( 1 9 8 3 ) ▁and ▁In to ▁the ▁G ap ▁( 1 9 8 4 ) ▁as ▁well ▁as ▁the ▁original ▁UK ▁single ▁release ▁of ▁" L ay ▁Your ▁H ands ▁on ▁Me ", ▁in ▁late ▁ 1 9 8 4 . ▁However , ▁the ▁band ▁part ed ▁company ▁with ▁him ▁as ▁the ▁producer ▁for ▁their ▁next ▁album ▁and ▁opt ed ▁to ▁produce ▁Here ' s ▁to ▁Future ▁Days ▁by ▁themselves ▁in ▁Paris ; ▁right ▁before ▁its |
▁release ▁after ▁the ▁collapse ▁of ▁the ▁singer ▁Tom ▁Ba iley , ▁the ▁release ▁was ▁post pon ed . ▁The ▁post pon ement ▁caused ▁them ▁to ▁re th ink ▁the ▁project ▁and ▁producer ▁N ile ▁Rod gers ▁was ▁subsequently ▁called ▁in ▁to ▁re work ▁the ▁album ▁with ▁them ▁along ▁with ▁Sad kin ' s ▁production ▁of ▁the ▁single ▁" L ay ▁Your ▁H ands ▁on ▁Me " ▁and ▁released ▁in ▁ 1 9 8 5 . ▁ ▁Sad kin ▁was ▁a ▁ment or ▁to ▁engineer ▁and ▁producer ▁Phil ▁Th ornal ley , ▁who ▁would ▁go ▁on ▁to ▁work ▁with ▁The ▁C ure , ▁Johnny ▁H ates ▁Jazz , ▁and ▁Natal ie ▁Im bru gl ia . ▁He ▁had ▁a ▁special ▁gift ▁of ▁being ▁able ▁to ▁sense ▁and ▁analyze ▁an ▁artist ' s ▁inner ▁cre ative ▁ab ilities ▁and ▁tal ents , ▁even ▁if ▁the ▁artist ▁couldn ' t . ▁Compos er - key board ist ▁W ally ▁Bad ar ou ▁had ▁this ▁to ▁say ▁about ▁Sad kin : ▁" H is ▁dedic ation ▁to ▁maintain ing ▁genu ine ▁' mix es ▁in ▁progress ' ▁from ▁the ▁word ▁go , ▁was ▁a ▁great ▁less on . ▁I ▁made ▁it ▁a ▁system ▁for ▁my ▁subsequent ▁production ▁from ▁then ▁on ." ▁ ▁Sad kin ▁died ▁in ▁a ▁motor ▁accident ▁in ▁N ass au ▁at ▁the ▁age ▁of ▁ 3 8 , ▁shortly ▁after ▁comple ting ▁production ▁work ▁on ▁Bo om ▁Cr ash ▁Opera ' s ▁e pon ym ous ▁ 1 9 8 7 ▁album , ▁and |
▁just ▁before ▁he ▁was ▁due ▁to ▁begin ▁working ▁with ▁Z ig gy ▁Mar ley . ▁The ▁songs ▁" Do ▁You ▁Bel ieve ▁in ▁Sh ame ?" ▁by ▁Dur an ▁Dur an , ▁" G one ▁To o ▁So on " ▁by ▁Rob bie ▁Ne vil , ▁and ▁Grace ▁Jones ' ▁" Well ▁Well ▁Well " ▁are ▁all ▁dedicated ▁to ▁his ▁memory . ▁Also ▁Joe ▁C ocker ' s ▁album ▁Un chain ▁My ▁Heart ▁( 1 9 8 7 ) ▁is ▁dedicated ▁to ▁the ▁memory ▁of ▁Alex ▁Sad kin . ▁ ▁Selected ▁production ▁cred its ▁▁ ▁Stephen ▁St ills ▁– ▁Il legal ▁St ills ▁( 1 9 7 6 ) — M ix ing ▁ ▁St ills - You ng - B and ▁– ▁Long ▁May ▁You ▁Run ▁( 1 9 7 6 ) — M ix ing ▁ ▁Third ▁World ▁– ▁J our ney ▁to ▁Add is ▁( 1 9 7 8 ) ▁ ▁Bob ▁Mar ley ▁and ▁the ▁W ail ers ▁– ▁Sur v ival ▁( 1 9 7 9 ) ▁ ▁Grace ▁Jones ▁– ▁W arm ▁Le ather ette ▁( 1 9 8 0 ) ▁ ▁Robert ▁Pal mer ▁– ▁Cl ues ▁( 1 9 8 0 ) — M ix ing ▁ ▁Grace ▁Jones ▁– ▁Night club bing ▁( 1 9 8 1 ) ▁ ▁Grace ▁Jones ▁– ▁Living ▁My ▁Life ▁( 1 9 8 2 ) ▁ ▁Joe ▁C ocker ▁– ▁She ff ield ▁Ste el ▁( 1 9 8 2 ) ▁ ▁Thompson ▁Tw ins ▁– ▁Quick ▁Step |
▁& ▁Side ▁K ick ▁( 1 9 8 3 ) ▁ ▁Paul ▁Ha ig ▁( ex - Jose f ▁K ) ▁– ▁Rh ythm ▁of ▁Life ▁( 1 9 8 3 ) ▁ ▁T alk ing ▁He ads ▁– ▁Spe aking ▁in ▁T ong ues ▁( 1 9 8 3 ) — M ix ing ▁Cred it ▁ ▁Dur an ▁Dur an ▁– ▁Is ▁There ▁Something ▁I ▁Should ▁Know ? ▁( 1 9 8 4 ) — M ix ing ▁Cred it ▁ ▁Dur an ▁Dur an ▁– ▁Seven ▁and ▁the ▁R ag ged ▁T iger ▁( 1 9 8 3 ) ▁ ▁Class ix ▁N ouve aux ▁- ▁Secret ▁( 1 9 8 3 ) ▁ ▁Thompson ▁Tw ins ▁– ▁In to ▁the ▁G ap ▁( 1 9 8 4 ) ▁ ▁Thompson ▁Tw ins ▁– ▁" L ay ▁Your ▁H ands ▁on ▁Me " ▁( 1 9 8 4 ) — Original ▁Single ▁Production , ▁later ▁re to o led ▁by ▁N ile ▁Rod gers ▁( 1 9 8 5 ) ▁ ▁Foreign er ▁– ▁Agent ▁Prov oc ateur ▁( 1 9 8 4 ) ▁ ▁Arc ad ia ▁– ▁So ▁Red ▁the ▁Rose ▁( 1 9 8 5 ) ▁ ▁Rob bie ▁Ne vil ▁– ▁Rob bie ▁Ne vil ▁( 1 9 8 6 ) ▁ ▁Bo om ▁Cr ash ▁Opera ▁– ▁Bo om ▁Cr ash ▁Opera ▁( 1 9 8 7 ) ▁ ▁Sim ply ▁Red ▁– ▁Men ▁and ▁Women ▁( 1 9 8 7 ) ▁ ▁References ▁ |
▁External ▁links ▁▁▁▁▁ ▁Category : 1 9 4 9 ▁birth s ▁Category : 1 9 8 7 ▁death s ▁Category : Record ▁produ cers ▁from ▁Florida ▁Category : American ▁audio ▁engine ers ▁Category : F ort ▁La ud erd ale ▁High ▁School ▁al umn i ▁Category : F lor ida ▁State ▁University ▁al umn i ▁Category : Ro ad ▁incident ▁death s ▁in ▁the ▁Bah am as ▁Category : 2 0 th - century ▁American ▁business people ▁Category : 2 0 th - century ▁American ▁engine ers <0x0A> </s> ▁Luis ▁En rique ▁Mé nd ez ▁( born ▁November ▁ 1 6 , ▁ 1 9 7 3 ) ▁is ▁a ▁former ▁world ▁champion ▁in ▁Gre co - R oman ▁Wrestling ▁compet ing ▁for ▁Cuba . ▁ ▁Mé nd ez ▁represented ▁Cuba ▁at ▁the ▁ 2 0 0 0 ▁Olympics , ▁as ▁well ▁as ▁ 5 ▁World ▁Championships . ▁His ▁greatest ▁accomplish ment ▁was ▁a ▁gold ▁medal ▁at ▁the ▁ 1 9 9 9 ▁World ▁Wrestling ▁Championships . ▁ ▁References ▁ ▁Category : 1 9 7 3 ▁birth s ▁Category : L iving ▁people ▁Category : W rest lers ▁at ▁the ▁ 2 0 0 0 ▁Summer ▁Olympics ▁Category : C ub an ▁male ▁sport ▁wrest lers ▁Category : O lymp ic ▁wrest lers ▁of ▁Cuba ▁Category : World ▁Wrestling ▁Championships ▁medal ists ▁Category : W rest lers ▁at ▁the ▁ 1 9 9 9 ▁Pan ▁American ▁Games ▁Category : W rest lers ▁at ▁the ▁ 2 0 0 3 ▁Pan ▁American ▁Games ▁Category |
: Pan ▁American ▁Games ▁gold ▁medal ists ▁for ▁Cuba ▁Category : Pan ▁American ▁Games ▁medal ists ▁in ▁wrest ling <0x0A> </s> ▁{{ Inf obox ▁C riminal ▁organization ▁| ▁name ▁▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁= ▁P ink ▁Pan thers ▁| ▁image ▁▁▁▁▁▁▁▁▁▁▁▁▁▁ ▁= ▁| ▁ca ption ▁▁▁▁▁▁▁▁▁▁▁▁ ▁= ▁Ser bian ▁P ink ▁Pan thers ▁Inter pol ▁Post er ▁| ▁found ing ▁location ▁▁ ▁= ▁Bel grade , ▁Ser bia ▁| ▁founded ▁by ▁▁▁▁▁▁▁▁▁ ▁= ▁Raj ko ▁C ause vić ▁| ▁years ▁active ▁▁▁▁▁▁▁ ▁= ▁ 1 9 9 0 ' s – present ▁| ▁eth nic ▁make up ▁▁▁▁▁▁ ▁= ▁Ser bs , ▁Mont en egr ins ▁| ▁criminal ▁activities ▁= ▁Rob ber y , ▁art ▁the ft , ▁burg l ary , ▁possession ▁of ▁st olen ▁property ▁▁ ▁N amed ▁after ▁The ▁P ink ▁Pan ther ▁series ▁of ▁crime ▁comedy ▁films , ▁P ink ▁Pan thers ▁is ▁the ▁name ▁given ▁by ▁Inter pol ▁to ▁an ▁international ▁j ew el ▁th ief ▁network , ▁consisting ▁of ▁ 2 0 0 - 2 5 0 ▁members ▁from ▁Ser bia , ▁Mont en eg ro , ▁Cro atia , ▁Mac ed onia ▁and ▁Bos nia ▁and ▁Herz egov ina . ▁The ▁organization ▁is ▁responsible ▁for ▁some ▁of ▁the ▁most ▁a uda cious ▁the ft s ▁in ▁the ▁history ▁of ▁crime . ▁They ▁are ▁responsible ▁for ▁what ▁have ▁been ▁term ed ▁some ▁of ▁the ▁most ▁gl am orous ▁he ists ▁ever , ▁and ▁one ▁cr imin ologist ▁even ▁described ▁their ▁cr imes ▁as ▁" art istry ". ▁They ▁have ▁operated |
▁in ▁numerous ▁countries ▁and ▁on ▁several ▁contin ents , ▁and ▁include ▁Japan ' s ▁most ▁successful ▁rob ber y ▁amongst ▁their ▁the ft s . ▁A ▁film ▁document ary ▁based ▁upon ▁their ▁the ft s , ▁Sm ash ▁& ▁Grab , ▁was ▁released ▁in ▁July ▁the ▁ 2 nd ▁ 2 0 1 3 . ▁ ▁Some ▁law ▁enfor cement ▁ag encies ▁suspect ▁that ▁the ▁group ▁is ▁responsible ▁for ▁over ▁US $ 5 0 0 ▁million ▁in ▁rob ber ies ▁of ▁gold ▁and ▁diam onds ▁from ▁the ▁following ▁countries : ▁United ▁Arab ▁Em ir ates , ▁Switzerland , ▁Japan , ▁France , ▁Lie chten stein , ▁Germany , ▁United ▁States ▁of ▁America , ▁Luxemb ourg , ▁Cy pr us , ▁Spain , ▁Mon aco , ▁Austria ▁and ▁Australia , ▁as ▁well ▁as ▁Netherlands , ▁Portugal ▁and ▁Belg ium . ▁Law ▁enfor cement ▁authorities ▁suspect ▁their ▁invol vement ▁in ▁the ▁he ist ▁of ▁the ▁j ew el ry ▁store ▁Harry ▁W inst on ▁in ▁Paris , ▁on ▁ 9 ▁December ▁ 2 0 0 8 . ▁The ▁th ieves ▁escaped ▁with ▁more ▁than ▁€ 8 0 mill ion ▁worth ▁of ▁j ew ell ry . ▁ ▁Ra ids ▁Inter pol ▁has ▁said ▁it ▁estimates ▁that ▁there ▁are ▁several ▁hundred ▁th ieves ▁in ▁the ▁group , ▁and ▁that ▁many ▁come ▁from ▁Cro atia , ▁Mac ed onia , ▁Mont en eg ro ▁and ▁Ser bia . ▁However , ▁other ▁sources ▁say ▁the ▁gang ▁is ▁sus pected ▁of ▁having ▁at ▁least ▁si xty ▁members , |
▁around ▁thirty ▁of ▁whom ▁are ▁thought ▁to ▁be ▁from ▁Mont en eg ro . ▁Several ▁gang ▁members ▁are ▁former ▁soldiers ▁with ▁violent ▁past s . ▁A ▁great ▁amount ▁are ▁fl uent ▁in ▁many ▁different ▁languages ▁and ▁possess ▁pass ports ▁which ▁have ▁been ▁given ▁to ▁others . ▁ ▁In ▁ 2 0 0 3 , ▁the ▁gang ▁first ▁came ▁to ▁attention ▁and ▁earned ▁the ▁nick name ▁" P ink ▁Pan thers " ▁following ▁the ▁the ft ▁of ▁a ▁£ 5 0 0 , 0 0 0 ▁diam ond ▁from ▁a ▁j ew ellers ▁in ▁the ▁May f air ▁area ▁of ▁central ▁London ▁in ▁the ▁United ▁Kingdom . ▁The ▁th ieves ▁hid ▁the ▁diam ond ▁in ▁a ▁jar ▁of ▁face ▁cre am , ▁m im ick ing ▁an ▁act ▁seen ▁in ▁the ▁film ▁The ▁Return ▁of ▁the ▁P ink ▁Pan ther . ▁In ▁May ▁ 2 0 0 5 , ▁Gra ff , ▁a ▁diam ond ▁special ist ▁in ▁London , ▁was ▁target ed ▁by ▁P ink ▁Pan thers ▁and ▁lost ▁a ▁total ▁of ▁£ 1 ▁million ▁in ▁j ew ell ery . ▁Three ▁men ▁were ▁sus pected ▁of ▁being ▁behind ▁the ▁the ft ; ▁one ▁was ▁in ▁possession ▁of ▁a ▁fire arm . ▁Gra ff ▁had ▁been ▁target ed ▁in ▁ 2 0 0 2 ▁and ▁lost ▁£ 2 3 ▁million ▁on ▁that ▁occasion , ▁£ 3 ▁million ▁of ▁which ▁was ▁recovered ▁two ▁years ▁later . ▁One ▁of ▁the ▁th ieves ▁was ▁sent enced ▁to ▁fifteen ▁years ▁in ▁prison ▁in ▁July ▁ 2 0 |
0 4 . ▁ ▁In ▁the ▁space ▁of ▁six ▁years ▁during ▁the ▁twenty - first ▁century , ▁the ▁P ink ▁Pan thers ▁ro bb ed ▁ 1 2 0 ▁stores ▁in ▁twenty ▁different ▁countries . ▁Japan , ▁London , ▁Den mark , ▁Mon aco , ▁Paris , ▁Switzerland , ▁the ▁United ▁Arab ▁Em ir ates ▁and ▁the ▁United ▁States ▁have ▁all ▁been ▁target ed ▁by ▁the ▁gang . ▁Their ▁attention ▁to ▁detail ▁has ▁ens ured ▁this ▁high ▁rate ▁of ▁success . ▁Before ▁ro bb ing ▁a ▁j ew ell ery ▁store ▁in ▁Bi ar ritz , ▁the ▁gang ▁covered ▁a ▁nearby ▁ben ch ▁in ▁fresh ▁paint ▁to ▁d eter ▁anyone ▁from ▁sitting ▁on ▁it ▁and ▁seeing ▁them ▁in ▁action . ▁ ▁The ▁gang ▁is ▁sus pected ▁of ▁particip ating ▁in ▁at ▁least ▁two ▁sm ash - and - gra b ▁j ew ell ery ▁rob ber ies ▁in ▁Tokyo ' s ▁G in za ▁district . ▁ ▁The ▁first , ▁in ▁ 2 0 0 4 , ▁n ett ed ▁ ¥ 3 . 5 ▁million ▁in ▁g ems . ▁The ▁second , ▁in ▁June ▁ 2 0 0 7 , ▁took ▁j ew ell ery ▁val ued ▁at ▁ ¥ 2 8 4 ▁million . ▁In ▁that ▁he ist , ▁R if at ▁Had ž iah met ović ▁and ▁Rad ovan ▁J el u š ić ▁sp rayed ▁te ar ▁gas ▁at ▁three ▁sales w omen ▁then ▁took ▁a ▁ti ara , ▁neck laces , ▁and ▁other ▁j ew els ▁and ▁fled |
▁the ▁store ▁( see ▁below ▁for ▁details ▁of ▁their ▁subsequent ▁arrest ). ▁ ▁The ▁gang ▁is ▁also ▁known ▁for ▁its ▁d aring ▁esc apes ▁and ▁attempts ▁to ▁break ▁into ▁their ▁chosen ▁store . ▁They ▁ro bb ed ▁a ▁j ew ell ery ▁store ▁in ▁Saint - T ro pez ▁in ▁ 2 0 0 5 ▁we aring ▁T - sh ir ts ▁emb la zon ed ▁with ▁flow ery ▁designs ▁then ▁made ▁their ▁escape ▁on ▁a ▁speed bo at . ▁Prior ▁to ▁one ▁ 2 0 0 8 ▁rob ber y ▁of ▁Gra ff ▁j ew ellers ▁in ▁Dub ai , ▁eight ▁gang ▁members ▁drove ▁a ▁pair ▁of ▁Aud is ▁through ▁a ▁window , ▁taking ▁watch es ▁and ▁other ▁items ▁worth ▁a ▁total ▁of ▁£ 8 ▁million . ▁In ▁a ▁further ▁rob ber y , ▁four ▁gang ▁members ▁dressed ▁themselves ▁up ▁as ▁women ▁in ▁December ▁ 2 0 0 8 ▁before ▁breaking ▁into ▁France ' s ▁Harry ▁W inst on ▁j ew ellers ▁in ▁Paris . ▁ ▁The ▁gang ▁escaped ▁from ▁the ▁store ▁with ▁items ▁worth ▁over ▁US $ 1 0 0 ▁million ▁( £ 6 0 ▁million ). ▁There ▁is ▁growing ▁spec ulation ▁that ▁the ▁US $ 6 5 ▁million ▁he ist ▁on ▁ 6 ▁August ▁ 2 0 0 9 ▁of ▁an ▁exclusive ▁London ▁j ew ell ery ▁store ▁was ▁the ▁work ▁of ▁the ▁same ▁group . ▁A ▁key ▁element ▁in ▁the ▁spec ulation ▁is ▁that ▁the ▁men ▁who ▁lo oted ▁Gra ff ▁Diam onds ▁on ▁New ▁Bond ▁Street ▁made ▁no |
▁effort ▁to ▁hide ▁their ▁faces , ▁suggesting ▁that ▁they ▁had ▁been ▁able ▁to ▁alter ▁their ▁looks ▁with ▁" M ission ▁Im possible " ▁style ▁prost h etic ▁make - up . ▁ ▁In ▁ 2 0 1 3 , ▁the ▁gang ▁was ▁sus pected ▁to ▁have ▁struck ▁again ▁when ▁a ▁man ▁we aring ▁a ▁baseball ▁cap ▁and ▁a ▁scar f ▁covering ▁his ▁face ▁broke ▁into ▁the ▁Carl ton ▁Hotel ▁in ▁C annes ▁and ▁made ▁off ▁with ▁US $ 1 3 6 ▁million ▁worth ▁of ▁diam onds , ▁g ems , ▁and ▁j ew el ry ▁being ▁stored ▁by ▁the ▁Lev iev ▁diam ond ▁house ▁for ▁an ▁exhib it ▁( see ▁Carl ton ▁Inter cont inental ▁Hotel ▁he ist ). ▁Nice - Mat in ▁spec ulated ▁that ▁this ▁may ▁have ▁been ▁the ▁most ▁cost ly ▁j ew el ry ▁the ft ▁in ▁history . ▁ ▁Ar rest s ▁and ▁break outs ▁The ▁th ieves ▁have ▁been ▁identified ▁and ▁linked ▁through ▁DNA ▁matching , ▁according ▁to ▁Inter pol . ▁In ▁ 2 0 0 5 , ▁three ▁Ser bs , ▁two ▁men ▁and ▁one ▁woman , ▁were ▁arrested ▁in ▁Bel grade . ▁In ▁October ▁ 2 0 0 7 , ▁they ▁were ▁sent enced ▁to ▁j ail ▁terms ▁by ▁a ▁court ▁in ▁Ser bia ▁for ▁the ▁the ft ▁of ▁the ▁Com tes se ▁de ▁V end ome ▁neck lace , ▁worth ▁approximately ▁£ 1 5 ▁million ▁( US $ 3 0 ▁million ), ▁from ▁a ▁Tokyo ▁j ew ell ery ▁bout ique , ▁in ▁what |
▁was ▁Japan ' s ▁biggest ▁ever ▁j ew el ▁rob ber y ▁in ▁March ▁ 2 0 0 4 . ▁The ▁gang ▁leader ▁was ▁sent enced ▁to ▁seven ▁years ▁of ▁imprison ment ▁while ▁the ▁other ▁two ▁were ▁handed ▁less er ▁sentences . ▁ ▁Three ▁P ink ▁Pan thers ▁from ▁Ser bia ▁were ▁declared ▁guilty ▁of ▁rob ber ies ▁carried ▁out ▁in ▁Bi ar ritz , ▁C annes , ▁Cour che vel ▁and ▁Saint - T ro pez ▁by ▁one ▁court ▁in ▁Ch amb é ry ▁in ▁ 2 0 0 8 . ▁Two ▁were ▁given ▁j ail - ter ms ▁of ▁six ▁and ▁ten ▁years . ▁ ▁One ▁suspect ▁in ▁a ▁June ▁ 2 0 0 7 ▁G in za ▁he ist , ▁a ▁Mont en egr in - n ational ▁named ▁R if at ▁Had ž iah met ović , ▁trav elling ▁on ▁a ▁for ged ▁Bulgar ian ▁pass port , ▁was ▁arrested ▁in ▁March ▁ 2 0 0 9 ▁by ▁C yp ri ot ▁police ▁at ▁L arn aca ▁International ▁Airport . ▁Had ž iah met ović ▁was ▁due ▁to ▁serve ▁a ▁sentence ▁in ▁Cy pr us ▁for ▁trav elling ▁on ▁a ▁for ged ▁pass port ▁before ▁being ▁extr ad ited ▁to ▁Spain . ▁He ▁was ▁extr ad ited ▁from ▁Spain ▁to ▁Japan ▁and , ▁in ▁September ▁ 2 0 1 1 , ▁was ▁sent enced ▁to ▁ 1 0 ▁years ▁in ▁prison . ▁His ▁accomp lice , ▁Rad ovan ▁J el u š ić , ▁was ▁arrested ▁in ▁Italy ▁in |
▁ 2 0 1 0 ▁over ▁a ▁separate ▁crime , ▁then ▁was ▁extr ad ited ▁to ▁Mont en eg ro ▁to ▁stand ▁trial ▁on ▁ 1 8 ▁May ▁ 2 0 1 2 . ▁ ▁On ▁ 2 0 ▁June ▁ 2 0 0 9 , ▁French ▁police ▁in ▁Monte ▁Carlo ▁det ained ▁another ▁three ▁members ▁of ▁the ▁gang ▁seen ▁lo iter ing ▁near ▁j ew ell ery ▁sh ops ▁in ▁Mon aco . ▁The ▁gang ▁members ▁drove ▁up ▁outside ▁a ▁cas ino ▁in ▁Cas ino ▁Square ▁on ▁ 1 8 ▁June ▁ 2 0 0 9 . ▁The ▁men ▁were ▁told ▁to ▁lie ▁down ▁and ▁were ▁then ▁hand c uff ed ▁before ▁being ▁wh isk ed ▁away ▁from ▁the ▁scene ▁quickly . ▁ ▁One ▁of ▁the ▁three ▁arrested , ▁Drag an ▁M iki ć , ▁is ▁of ▁special ▁interest ▁to ▁the ▁police ▁investigation . ▁He ▁is ▁from ▁Ser bia ▁and ▁is ▁on ▁the ▁Inter pol ' s ▁" M ost ▁W anted " ▁list , ▁possibly ▁being ▁a ▁senior ▁member ▁of ▁the ▁P ink ▁Pan thers . ▁ ▁M iki ć ▁has ▁been ▁on ▁the ▁run ▁since ▁ 2 0 0 5 ▁after ▁breaking ▁out ▁of ▁j ail ▁via ▁a ▁lad der ▁whilst ▁other ▁people ▁fired ▁machine ▁guns ▁at ▁the ▁prison . ▁ ▁A ▁head ▁figure ▁of ▁the ▁P ink ▁Pan thers , ▁M itar ▁Mar jan ović , ▁was ▁arrested ▁on ▁ 8 ▁March ▁ 2 0 1 2 ▁in ▁Rome , ▁after ▁two ▁of ▁his ▁accomp lices ▁in ▁a ▁bank |
▁rob ber y , ▁committed ▁a ▁month ▁earlier , ▁dropped ▁st olen ▁items ▁containing ▁Mar jan ov ic ' s ▁finger print s . ▁ ▁On ▁ 1 4 ▁March ▁ 2 0 1 2 , ▁three ▁more ▁members ▁of ▁the ▁gang ▁were ▁arrested ▁in ▁Ath ens , ▁Greece . ▁Two ▁of ▁the ▁three ▁were ▁male ▁Ser bi ans , ▁aged ▁ 2 0 ▁and ▁ 3 6 , ▁and ▁were ▁arrested ▁while ▁recon no iter ing ▁a ▁j ew ell ery ▁store ▁rob ber y . ▁Pat rolling ▁police ▁were ▁prompt ed ▁to ▁question ▁them ▁due ▁to ▁their ▁we aring ▁w igs . ▁The ▁two ▁men ▁fled ▁and ▁the ▁ 3 6 - year - old ▁fired ▁and ▁injured ▁a ▁police ▁officer ▁during ▁the ▁purs uit ▁that ▁followed . ▁Both ▁were ▁arrested ▁and ▁led ▁the ▁police ▁to ▁the ▁arrest ▁of ▁the ▁third ▁person , ▁a ▁ 4 3 - year - old ▁Ser bian ▁female , ▁Oliver a ▁V asi ć ▁ Ć irk ović . ▁On ▁ 1 2 ▁July ▁ 2 0 1 2 ▁Oliver a ▁escaped ▁from ▁Ath ens ' ▁prison ▁by ▁knock ing ▁out ▁a ▁guard ▁and ▁ste aling ▁her ▁keys . ▁ ▁On ▁ 1 4 ▁May ▁ 2 0 1 3 , ▁a ▁member ▁of ▁the ▁gang ▁escaped ▁from ▁the ▁" Bo is - M erm et " ▁prison ▁in ▁La us anne , ▁Switzerland . ▁He ▁has ▁not ▁yet ▁been ▁caught . ▁He ▁escaped ▁with ▁the ▁help ▁of ▁three ▁outside ▁accomp lices ▁who ▁met icul |
ously ▁prepared ▁the ▁operation . ▁Four ▁other ▁prisoners ▁got ▁away ▁at ▁the ▁same ▁time . ▁On ▁ 2 5 ▁July ▁ 2 0 1 3 , ▁Milan ▁Pop ari ć , ▁who ▁was ▁serving ▁a ▁sentence ▁of ▁almost ▁seven ▁years ▁for ▁a ▁ 2 0 0 9 ▁rob ber y ▁at ▁a ▁j ew ell ery ▁store , ▁was ▁the ▁third ▁P ink ▁Pan ther ▁to ▁escape ▁from ▁a ▁Swiss ▁prison ▁since ▁May ▁ 2 0 1 3 . ▁Also ▁esc aping ▁was ▁Swiss ▁kid n apper , ▁ar son ist ▁and ▁money ▁la under er ▁Ad rian ▁Al bre cht . ▁They ▁were ▁helped ▁out ▁of ▁the ▁prison ▁at ▁Or be , ▁in ▁western ▁Switzerland , ▁by ▁accomp lices ▁who ▁broke ▁through ▁the ▁per imeter ▁f ence ▁and ▁brought ▁l add ers ▁for ▁the ▁escape es ▁while ▁keeping ▁the ▁prison ▁gu ards ▁at ▁bay ▁with ▁fire ▁from ▁A K - 4 7 s . ▁ ▁References ▁ ▁Further ▁reading ▁ ▁Category : J ew el ▁th ieves ▁Category : Organ ized ▁crime ▁groups ▁in ▁Europe ▁Category : Ser bian ▁crim inals ▁Category : Ser bian ▁M af ia <0x0A> </s> ▁The ▁Academy ▁of ▁Military ▁Science ▁( A MS ) ▁was ▁an ▁ 8 - week ▁( former ly ▁ 6 ▁as ▁of ▁March ▁ 2 0 1 4 ) ▁officer ▁commission ing ▁program ▁of ▁the ▁United ▁States ▁Air ▁Force . ▁A MS ▁was ▁held ▁at ▁Max well ▁Air ▁Force ▁Base ▁in ▁Mont gom ery , ▁Alabama , ▁with ▁the ▁purpose ▁of ▁training |
▁and ▁commission ing ▁Air ▁National ▁Guard ▁officers ▁only . ▁ ▁A MS ▁was ▁originally ▁located ▁at ▁McG he e ▁T ys on ▁Air ▁National ▁Guard ▁Base , ▁outside ▁Kno x ville , ▁Tennessee . ▁It ▁was ▁moved ▁to ▁Max well ▁in ▁ 2 0 0 9 . ▁The ▁move ▁was ▁initi ated ▁by ▁a ▁question ▁in ▁ 2 0 0 6 ▁from ▁the ▁Chief ▁of ▁Staff ▁of ▁the ▁Air ▁Force ▁about ▁the ▁potential ▁of ▁a ▁" shared ▁common ▁experience " ▁at ▁a ▁single ▁location ▁among ▁active ▁duty , ▁Guard ▁and ▁Reserve ▁officer ▁candidates . ▁ ▁Although ▁the ▁curr icul um ▁of ▁A MS ▁is ▁very ▁similar ▁to ▁Air ▁Force ▁Officer ▁Training ▁School ▁( OT S ), ▁A MS ▁diff ers ▁from ▁O TS ▁in ▁that ▁it ▁is ▁only ▁six ▁weeks ▁in ▁duration . ▁The ▁primary ▁reason ▁for ▁A MS ▁being ▁a ▁six - week ▁course ▁instead ▁of ▁the ▁traditional ▁O TS ▁nine - week ▁course ▁is ▁that , ▁on ▁average , ▁ 8 5 ▁percent ▁of ▁Air ▁National ▁Guard ▁members ▁have ▁had ▁prior ▁military ▁service ▁when ▁they ▁arrive ▁at ▁the ▁A MS ▁course , ▁versus ▁about ▁ 4 0 ▁percent ▁of ▁O TS ▁students ▁have ▁had ▁the ▁prior ▁experience . ▁Another ▁difference ▁is ▁that ▁the ▁A MS ▁program ▁doesn ' t ▁operate ▁on ▁an ▁upper - class / lower - class ▁structure ▁as ▁does ▁O TS . ▁▁ ▁A MS ▁is ▁run ▁by ▁Air ▁National ▁Guard ▁Det achment ▁ 1 2 ▁for ▁administrative ▁purposes , ▁but ▁daily ▁operation ▁of ▁A MS ▁falls ▁under |
▁the ▁oper ational ▁control ▁of ▁O TS . ▁Det . ▁ 1 2 ▁is ▁a ▁" total ▁force " ▁( mann ed ▁by ▁all ▁three ▁Air ▁Force ▁components ) ▁organization ▁with ▁ 2 5 ▁positions ▁within ▁the ▁a cademy ' s ▁system , ▁plus ▁a ▁position ▁assigned ▁to ▁the ▁Air ▁University ' s ▁Hol m ▁Center ▁and ▁another ▁assigned ▁as ▁deput y ▁commander ▁of ▁the ▁Det . ▁ 1 2 . ▁A MS ▁has ▁been ▁a ▁total ▁force ▁organization ▁since ▁ 1 9 9 4 . ▁Air ▁National ▁Guard ▁personnel ▁serving ▁on ▁the ▁staff ▁come ▁to ▁O TS ▁under ▁a ▁" Title ▁ 1 0 " ▁( f eder al ) ▁assignment ▁that ▁pre cludes ▁them ▁from ▁having ▁to ▁leave ▁Max well ▁A FB ▁for ▁state ▁service . ▁ ▁The ▁memor and um ▁of ▁agreement ▁the ▁Hol m ▁Center ▁commander ▁and ▁the ▁Air ▁National ▁Guard ▁Read iness ▁Center ▁commander ▁was ▁final ized ▁May ▁ 2 6 , ▁ 2 0 0 9 . ▁That ▁agreement ▁specified ▁how ▁A MS ▁would ▁operate ▁at ▁Max well . ▁The ▁first ▁A MS ▁class ▁at ▁Max well ▁began ▁in ▁October ▁ 2 0 0 9 . ▁Each ▁class ▁includes ▁approximately ▁ 1 2 5 ▁students . ▁ ▁A MS ▁was ▁shut down ▁in ▁January ▁ 2 0 1 5 ▁and ▁is ▁now ▁fully ▁integrated ▁into ▁Air ▁Force ▁O TS . ▁ ▁References ▁ ▁Category : Un ited ▁States ▁Air ▁Force ▁military ▁education ▁and ▁training ▁Category : Un ited ▁States ▁Air ▁National ▁Guard <0x0A> </s> ▁The ▁ 2 |
0 1 4 ▁U ST A ▁Player ▁Development ▁Classic ▁was ▁a ▁professional ▁tennis ▁tournament ▁played ▁on ▁out door ▁hard ▁courts . ▁It ▁was ▁the ▁sixth ▁edition ▁of ▁the ▁tournament ▁which ▁was ▁part ▁of ▁the ▁ 2 0 1 4 ▁I TF ▁Women ' s ▁Circ uit , ▁offering ▁a ▁total ▁of ▁$ 5 0 , 0 0 0 ▁in ▁prize ▁money . ▁It ▁took ▁place ▁in ▁Car son , ▁California , ▁United ▁States , ▁on ▁July ▁ 1 4 – 2 0 , ▁ 2 0 1 4 . ▁ ▁Singles ▁main ▁draw ▁entr ants ▁ ▁Se eds ▁▁▁▁ 1 ▁Rank ings ▁as ▁of ▁July ▁ 7 , ▁ 2 0 1 4 ▁ ▁Other ▁entr ants ▁ ▁The ▁following ▁players ▁received ▁wild cards ▁into ▁the ▁singles ▁main ▁draw : ▁▁ ▁Krist ie ▁A hn ▁▁ ▁Jam ie ▁Lo eb ▁▁ ▁Chi ara ▁Sch oll ▁▁ ▁Chan elle ▁Van ▁N gu yen ▁ ▁The ▁following ▁players ▁received ▁entry ▁from ▁the ▁qual ifying ▁draw : ▁▁ ▁Jenn ifer ▁El ie ▁▁ ▁Daniel le ▁La o ▁▁ ▁Tat j ana ▁Maria ▁▁ ▁Alex andra ▁Stevens on ▁ ▁Champions ▁ ▁Singles ▁▁▁▁ ▁N icole ▁Gib bs ▁def . ▁ ▁Mel anie ▁O ud in ▁ 6 – 4 , ▁ 6 – 4 ▁ ▁Dou bles ▁▁▁▁ ▁Mich a ë lla ▁K raj ice k ▁/ ▁ ▁Oliv ia ▁Rog ow ska ▁def . ▁ ▁Sam anth a ▁C raw ford ▁/ ▁ ▁Sach ia ▁V ick ery ▁ 7 – 6 ( 7 – 4 |