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you seem to be in a hurry so don't let me detain you <|entity:per|>peter<|entity|> said <|entity:per|>cresty<|entity|> before <|entity:per|>peter<|entity|> could find his tongue i just want to ask one little favor of you what is it asked peter who
YOU SEEM TO BE IN A HURRY SO DONT LET ME DETAIN YOU PETER SAID CRESTY BEFORE PETER COULD FIND HIS TONGUE I JUST WANT TO ASK ONE LITTLE FAVOR OF YOU WHAT IS IT ASKED PETER WHO
[ "peter", "cresty", "peter" ]
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<|entity:per|>jenny<|entity|> called <|entity:per|>peter<|entity|> <|entity:per|>jenny<|entity|> <|entity:per|>wren<|entity|> <|entity:per|>jenny<|entity|> <|entity:per|>wren<|entity|> no one answered him he could hear mister <|entity:per|>wren<|entity|> singing in another tree but he couldn't see him <|entity:per|>jen...
JENNY CALLED PETER JENNY WREN JENNY WREN NO ONE ANSWERED HIM HE COULD HEAR MISTER WREN SINGING IN ANOTHER TREE BUT HE COULDNT SEE HIM JENNY JENNY WREN JENNY WREN CALLED PETER AGAIN
[ "jenny", "peter", "jenny", "wren", "jenny", "wren", "wren", "jenny", "jenny", "wren", "jenny", "peter" ]
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go to for what snapped <|entity:per|>jenny wren<|entity|> what is it you've come to me for snake skins replied <|entity:per|>peter snake<|entity|> skins snake skins shrieked <|entity:per|>jenny wren<|entity|>
GO TO FOR WHAT SNAPPED JENNY WREN WHAT IS IT YOUVE COME TO ME FOR SNAKE SKINS REPLIED PETER SNAKE SKINS SNAKE SKINS SHRIEKED JENNY WREN
[ "jenny wren", "peter snake", "jenny wren" ]
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it didn't take <|entity:per|>peter long<|entity|> to find pewee he just followed the sound of that voice and presently saw <|entity:per|>pewee<|entity|> fly out and make the same kind of a little circle as the other members of the family make when they are hunting flies
IT DIDNT TAKE PETER LONG TO FIND PEWEE HE JUST FOLLOWED THE SOUND OF THAT VOICE AND PRESENTLY SAW PEWEE FLY OUT AND MAKE THE SAME KIND OF A LITTLE CIRCLE AS THE OTHER MEMBERS OF THE FAMILY MAKE WHEN THEY ARE HUNTING FLIES
[ "peter long", "pewee" ]
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but he wasn't sad as <|entity:per|>peter well<|entity|> knew it was his way of expressing how happy he felt he was a little bigger than his cousin <|entity:per|>chebec<|entity|> but looked very much like him there was a little notch in the end of his tail
BUT HE WASNT SAD AS PETER WELL KNEW IT WAS HIS WAY OF EXPRESSING HOW HAPPY HE FELT HE WAS A LITTLE BIGGER THAN HIS COUSIN CHEBEC BUT LOOKED VERY MUCH LIKE HIM THERE WAS A LITTLE NOTCH IN THE END OF HIS TAIL
[ "peter well", "chebec" ]
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but most of all <|entity:per|>peter<|entity|> thought about that queer request of cresty's and a dozen times that day he found himself peeping under old logs in the hope of finding a cast off coat of mister black snake
BUT MOST OF ALL PETER THOUGHT ABOUT THAT QUEER REQUEST OF CRESTYS AND A DOZEN TIMES THAT DAY HE FOUND HIMSELF PEEPING UNDER OLD LOGS IN THE HOPE OF FINDING A CAST OFF COAT OF MISTER BLACK SNAKE
[ "peter" ]
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then as <|entity:per|>peter<|entity|> shook his head her tongue ran on without waiting for him to reply <|entity:per|>cresty<|entity|> and his wife always insist upon having a piece of snake skin in their nest said she why they want it goodness knows but
THEN AS PETER SHOOK HIS HEAD HER TONGUE RAN ON WITHOUT WAITING FOR HIM TO REPLY CRESTY AND HIS WIFE ALWAYS INSIST UPON HAVING A PIECE OF SNAKE SKIN IN THEIR NEST SAID SHE WHY THEY WANT IT GOODNESS KNOWS BUT
[ "peter", "cresty" ]
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then there are killy the sparrow hawk and spooky the screech owl <|entity:per|>peter<|entity|> looked surprised i didn't suppose they nested in holes in trees he exclaimed they certainly do more's the pity snapped <|entity:per|>jenny<|entity|>
THEN THERE ARE KILLY THE SPARROW HAWK AND SPOOKY THE SCREECH OWL PETER LOOKED SURPRISED I DIDNT SUPPOSE THEY NESTED IN HOLES IN TREES HE EXCLAIMED THEY CERTAINLY DO MORES THE PITY SNAPPED JENNY
[ "peter", "jenny" ]
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<|entity:per|>jenny<|entity|> paused and jerked her tail impatiently well what is it now she demanded have you got two homes asked <|entity:per|>peter<|entity|> goodness gracious no exclaimed <|entity:per|>jenny<|entity|>
JENNY PAUSED AND JERKED HER TAIL IMPATIENTLY WELL WHAT IS IT NOW SHE DEMANDED HAVE YOU GOT TWO HOMES ASKED PETER GOODNESS GRACIOUS NO EXCLAIMED JENNY
[ "jenny", "peter", "jenny" ]
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i'll just run over and pay my respects to grandfather frog and to redwing the blackbird redwing was one of the first birds to arrive and i've neglected him shamefully when <|entity:per|>peter<|entity|> thinks of something to do he wastes no time
ILL JUST RUN OVER AND PAY MY RESPECTS TO GRANDFATHER FROG AND TO REDWING THE BLACKBIRD REDWING WAS ONE OF THE FIRST BIRDS TO ARRIVE AND IVE NEGLECTED HIM SHAMEFULLY WHEN PETER THINKS OF SOMETHING TO DO HE WASTES NO TIME
[ "peter" ]
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from right under his very nose something shot up into the air with a whistling sound it startled <|entity:per|>peter<|entity|> so that he stopped short with his eyes popping out of his head
FROM RIGHT UNDER HIS VERY NOSE SOMETHING SHOT UP INTO THE AIR WITH A WHISTLING SOUND IT STARTLED PETER SO THAT HE STOPPED SHORT WITH HIS EYES POPPING OUT OF HIS HEAD
[ "peter" ]
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he had just a glimpse of a brown form disappearing over the tops of some tall bushes then <|entity:per|>peter<|entity|> chuckled
HE HAD JUST A GLIMPSE OF A BROWN FORM DISAPPEARING OVER THE TOPS OF SOME TALL BUSHES THEN PETER CHUCKLED
[ "peter" ]
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i didn't mean to scare him apologized <|entity:per|>peter<|entity|> i really didn't mean to do you think he was really very much scared
I DIDNT MEAN TO SCARE HIM APOLOGIZED PETER I REALLY DIDNT MEAN TO DO YOU THINK HE WAS REALLY VERY MUCH SCARED
[ "peter" ]
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he was quite a little bigger than welcome <|entity:per|>robin<|entity|> his tail was short his legs were short and his neck was short but his bill was long enough to make up
HE WAS QUITE A LITTLE BIGGER THAN WELCOME ROBIN HIS TAIL WAS SHORT HIS LEGS WERE SHORT AND HIS NECK WAS SHORT BUT HIS BILL WAS LONG ENOUGH TO MAKE UP
[ "robin" ]
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and how is it possible for you to open your bill down there to take him in asked <|entity:per|>peter longbill<|entity|> chuckled
AND HOW IS IT POSSIBLE FOR YOU TO OPEN YOUR BILL DOWN THERE TO TAKE HIM IN ASKED PETER LONGBILL CHUCKLED
[ "peter longbill" ]
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missus <|entity:per|>teeter<|entity|> stood up and stepped aside then <|entity:per|>peter<|entity|> saw right in a little hollow in the sand with just a few bits of grass for a lining four white eggs with big dark blotches on them
MISSUS TEETER STOOD UP AND STEPPED ASIDE THEN PETER SAW RIGHT IN A LITTLE HOLLOW IN THE SAND WITH JUST A FEW BITS OF GRASS FOR A LINING FOUR WHITE EGGS WITH BIG DARK BLOTCHES ON THEM
[ "teeter", "peter" ]
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bets were freely offered and taken regarding the result three to five that <|entity:per|>sal<|entity|> would get through with it even that the child would survive side bets as to the sex and complexion of the coming stranger
BETS WERE FREELY OFFERED AND TAKEN REGARDING THE RESULT THREE TO FIVE THAT SAL WOULD GET THROUGH WITH IT EVEN THAT THE CHILD WOULD SURVIVE SIDE BETS AS TO THE SEX AND COMPLEXION OF THE COMING STRANGER
[ "sal" ]
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a silver tobacco box a doubloon a navy revolver silver mounted a gold specimen a very beautifully embroidered lady's handkerchief from <|entity:loc|>oakhurst<|entity|> the gambler
A SILVER TOBACCO BOX A DOUBLOON A NAVY REVOLVER SILVER MOUNTED A GOLD SPECIMEN A VERY BEAUTIFULLY EMBROIDERED LADYS HANDKERCHIEF FROM OAKHURST THE GAMBLER
[ "oakhurst" ]
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half curiously the child turned and in a spasm of pain caught at his groping finger and held it fast for a moment <|entity:per|>kentuck<|entity|> looked foolish and embarrassed
HALF CURIOUSLY THE CHILD TURNED AND IN A SPASM OF PAIN CAUGHT AT HIS GROPING FINGER AND HELD IT FAST FOR A MOMENT KENTUCK LOOKED FOOLISH AND EMBARRASSED
[ "kentuck" ]
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and <|entity:per|>kentuck<|entity|> had the weaknesses of the nobler sex when everybody else had gone to bed
AND KENTUCK HAD THE WEAKNESSES OF THE NOBLER SEX WHEN EVERYBODY ELSE HAD GONE TO BED
[ "kentuck" ]
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but the unlucky suggestion met with fierce and unanimous opposition it was evident that no plan which entailed parting from their new acquisition would for a moment be entertained besides said <|entity:per|>tom ryder<|entity|>
BUT THE UNLUCKY SUGGESTION MET WITH FIERCE AND UNANIMOUS OPPOSITION IT WAS EVIDENT THAT NO PLAN WHICH ENTAILED PARTING FROM THEIR NEW ACQUISITION WOULD FOR A MOMENT BE ENTERTAINED BESIDES SAID TOM RYDER
[ "tom ryder" ]
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but when questioned he averred stoutly that he and <|entity:per|>jinny<|entity|> the mammal before alluded to could manage to rear the child there was something original independent and heroic about the plan that pleased the camp
BUT WHEN QUESTIONED HE AVERRED STOUTLY THAT HE AND JINNY THE MAMMAL BEFORE ALLUDED TO COULD MANAGE TO REAR THE CHILD THERE WAS SOMETHING ORIGINAL INDEPENDENT AND HEROIC ABOUT THE PLAN THAT PLEASED THE CAMP
[ "jinny" ]
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almost imperceptibly a change came over the settlement the cabin assigned to <|entity:per|>tommy<|entity|> luck or the luck as he was more frequently called first showed signs of improvement
ALMOST IMPERCEPTIBLY A CHANGE CAME OVER THE SETTLEMENT THE CABIN ASSIGNED TO TOMMY LUCK OR THE LUCK AS HE WAS MORE FREQUENTLY CALLED FIRST SHOWED SIGNS OF IMPROVEMENT
[ "tommy" ]
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the men conversed in whispers or smoked with indian gravity profanity was tacitly given up in these sacred precincts and throughout the camp a popular form of expletive known as
THE MEN CONVERSED IN WHISPERS OR SMOKED WITH INDIAN GRAVITY PROFANITY WAS TACITLY GIVEN UP IN THESE SACRED PRECINCTS AND THROUGHOUT THE CAMP A POPULAR FORM OF EXPLETIVE KNOWN AS
[]
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and so they did <|entity:per|>harry<|entity|> was as clever at stable work as a much older boy and always wanted to do what he could then polly and dolly used to come in the morning to help with the cab to brush and beat the cushions
AND SO THEY DID HARRY WAS AS CLEVER AT STABLE WORK AS A MUCH OLDER BOY AND ALWAYS WANTED TO DO WHAT HE COULD THEN POLLY AND DOLLY USED TO COME IN THE MORNING TO HELP WITH THE CAB TO BRUSH AND BEAT THE CUSHIONS
[ "harry" ]
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and a good horse who understand each other are of one mind it is wonderful what they can do i had a very good mouth that is i could be guided by the slightest touch of the rein and that is a great thing in <|entity:loc|>london<|entity|>
AND A GOOD HORSE WHO UNDERSTAND EACH OTHER ARE OF ONE MIND IT IS WONDERFUL WHAT THEY CAN DO I HAD A VERY GOOD MOUTH THAT IS I COULD BE GUIDED BY THE SLIGHTEST TOUCH OF THE REIN AND THAT IS A GREAT THING IN LONDON
[ "london" ]
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if you want to get through <|entity:loc|>london<|entity|> fast in the middle of the day it wants a deal of practice <|entity:per|>jerry<|entity|> and i were used to it and no one could beat us at getting through when we were set upon it i was quick and bold
IF YOU WANT TO GET THROUGH LONDON FAST IN THE MIDDLE OF THE DAY IT WANTS A DEAL OF PRACTICE JERRY AND I WERE USED TO IT AND NO ONE COULD BEAT US AT GETTING THROUGH WHEN WE WERE SET UPON IT I WAS QUICK AND BOLD
[ "jerry", "london" ]
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so glad we hit the time sir but don't stay now sir the bell is ringing here <|entity:per|>porter<|entity|> take this gentleman's luggage dover line twelve o'clock train that's it and without waiting for another word
SO GLAD WE HIT THE TIME SIR BUT DONT STAY NOW SIR THE BELL IS RINGING HERE PORTER TAKE THIS GENTLEMANS LUGGAGE DOVER LINE TWELVE OCLOCK TRAIN THATS IT AND WITHOUT WAITING FOR ANOTHER WORD
[ "porter" ]
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and if <|entity:per|>jack<|entity|> and i choose to have a quick run now and then to please ourselves that's our business and not yours well said <|entity:per|>larry you'll<|entity|> never be a rich man most likely not said <|entity:per|>jerry<|entity|>
AND IF JACK AND I CHOOSE TO HAVE A QUICK RUN NOW AND THEN TO PLEASE OURSELVES THATS OUR BUSINESS AND NOT YOURS WELL SAID LARRY YOULL NEVER BE A RICH MAN MOST LIKELY NOT SAID JERRY
[ "jack", "larry you'll", "jerry" ]
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the flames leaping from tree to tree in continuous belts that go surging and racing onward above the bending wood like prairie grass fires during the calm season of indian summer the fire creeps quietly along the ground
THE FLAMES LEAPING FROM TREE TO TREE IN CONTINUOUS BELTS THAT GO SURGING AND RACING ONWARD ABOVE THE BENDING WOOD LIKE PRAIRIE GRASS FIRES DURING THE CALM SEASON OF INDIAN SUMMER THE FIRE CREEPS QUIETLY ALONG THE GROUND
[]
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and as ready as a hospital rabbit for my fate he emerged behind the corner for i heard him shout <|entity:per|>prendick<|entity|> then he began to run after me shouting things as he ran this time running blindly
AND AS READY AS A HOSPITAL RABBIT FOR MY FATE HE EMERGED BEHIND THE CORNER FOR I HEARD HIM SHOUT PRENDICK THEN HE BEGAN TO RUN AFTER ME SHOUTING THINGS AS HE RAN THIS TIME RUNNING BLINDLY
[ "prendick" ]
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and an old one behind who was familiar with farming there was a constant succession of christian names in smock frocks and white coats who were invited to have a lift by the guard and who knew every horse and hostler on the road and off it and there was a dinner
AND AN OLD ONE BEHIND WHO WAS FAMILIAR WITH FARMING THERE WAS A CONSTANT SUCCESSION OF CHRISTIAN NAMES IN SMOCK FROCKS AND WHITE COATS WHO WERE INVITED TO HAVE A LIFT BY THE GUARD AND WHO KNEW EVERY HORSE AND HOSTLER ON THE ROAD AND OFF IT AND THERE WAS A DINNER
[]
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<|entity:org|>bantam mister pickwick<|entity|> know each other
BANTAM MISTER PICKWICK KNOW EACH OTHER
[ "bantam mister pickwick" ]
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<|entity:per|>angelo cyrus<|entity|> bantam esquire m c stepped into a very elegant chariot that waited at the door and rattled off at the appointed hour mister <|entity:per|>pickwick<|entity|> and his friends escorted by <|entity:per|>dowler<|entity|> repaired to the assembly rooms and wrote their names down in the bo...
ANGELO CYRUS BANTAM ESQUIRE M C STEPPED INTO A VERY ELEGANT CHARIOT THAT WAITED AT THE DOOR AND RATTLED OFF AT THE APPOINTED HOUR MISTER PICKWICK AND HIS FRIENDS ESCORTED BY DOWLER REPAIRED TO THE ASSEMBLY ROOMS AND WROTE THEIR NAMES DOWN IN THE BOOK
[ "angelo cyrus", "pickwick", "dowler" ]
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i hope we shall meet again sir said the powdered headed footman rubbing his hands and following <|entity:per|>sam<|entity|> out to the door step you are wery obligin sir replied <|entity:per|>sam<|entity|> now don't allow yourself to be fatigued beyond your powers
I HOPE WE SHALL MEET AGAIN SIR SAID THE POWDERED HEADED FOOTMAN RUBBING HIS HANDS AND FOLLOWING SAM OUT TO THE DOOR STEP YOU ARE WERY OBLIGIN SIR REPLIED SAM NOW DONT ALLOW YOURSELF TO BE FATIGUED BEYOND YOUR POWERS
[ "sam", "sam" ]
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if he played a wrong card miss <|entity:per|>bolo<|entity|> looked a small armoury of daggers if he stopped to consider which was the right one lady <|entity:per|>snuphanuph<|entity|> would throw herself back in her chair and smile with a mingled glance of impatience and pity
IF HE PLAYED A WRONG CARD MISS BOLO LOOKED A SMALL ARMOURY OF DAGGERS IF HE STOPPED TO CONSIDER WHICH WAS THE RIGHT ONE LADY SNUPHANUPH WOULD THROW HERSELF BACK IN HER CHAIR AND SMILE WITH A MINGLED GLANCE OF IMPATIENCE AND PITY
[ "bolo", "snuphanuph" ]
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come you'll go on with us <|entity:per|>adam<|entity|> mister <|entity:per|>poyser<|entity|> said when they reached the turning and as soon as they were in the fields <|entity:per|>adam<|entity|> ventured to offer his arm to hetty the children soon gave them an opportunity of lingering behind a little and then <|entity...
COME YOULL GO ON WITH US ADAM MISTER POYSER SAID WHEN THEY REACHED THE TURNING AND AS SOON AS THEY WERE IN THE FIELDS ADAM VENTURED TO OFFER HIS ARM TO HETTY THE CHILDREN SOON GAVE THEM AN OPPORTUNITY OF LINGERING BEHIND A LITTLE AND THEN ADAM SAID
[ "adam", "poyser", "adam", "adam" ]
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she was really as anxious as <|entity:per|>adam<|entity|> was that she should have some private talk with him she wondered what he thought of her and <|entity:per|>arthur<|entity|> he must have seen them kissing she knew but she had no conception of the scene that had taken place between arthur and <|entity:per|>adam<|...
SHE WAS REALLY AS ANXIOUS AS ADAM WAS THAT SHE SHOULD HAVE SOME PRIVATE TALK WITH HIM SHE WONDERED WHAT HE THOUGHT OF HER AND ARTHUR HE MUST HAVE SEEN THEM KISSING SHE KNEW BUT SHE HAD NO CONCEPTION OF THE SCENE THAT HAD TAKEN PLACE BETWEEN ARTHUR AND ADAM
[ "adam", "arthur", "adam" ]
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<|entity:per|>hetty's<|entity|> little brain was busy with this combination as she hung on adam's arm and said yes or no to some slight observations of his
HETTYS LITTLE BRAIN WAS BUSY WITH THIS COMBINATION AS SHE HUNG ON ADAMS ARM AND SAID YES OR NO TO SOME SLIGHT OBSERVATIONS OF HIS
[ "hetty's" ]
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but the uncertainty of the future the possibilities to which she could give no shape began to press upon her like the invisible weight of air she was alone on her little island of dreams and all around her was the dark unknown water where <|entity:per|>arthur<|entity|> was gone
BUT THE UNCERTAINTY OF THE FUTURE THE POSSIBILITIES TO WHICH SHE COULD GIVE NO SHAPE BEGAN TO PRESS UPON HER LIKE THE INVISIBLE WEIGHT OF AIR SHE WAS ALONE ON HER LITTLE ISLAND OF DREAMS AND ALL AROUND HER WAS THE DARK UNKNOWN WATER WHERE ARTHUR WAS GONE
[ "arthur" ]
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with and <|entity:per|>totty<|entity|> was watching them with a puppylike air of contemplation it was but a short time hardly two months since <|entity:per|>adam<|entity|> had had his mind filled with delicious hopes as he stood by <|entity:per|>hetty's<|entity|> side in this garden
WITH AND TOTTY WAS WATCHING THEM WITH A PUPPYLIKE AIR OF CONTEMPLATION IT WAS BUT A SHORT TIME HARDLY TWO MONTHS SINCE ADAM HAD HAD HIS MIND FILLED WITH DELICIOUS HOPES AS HE STOOD BY HETTYS SIDE IN THIS GARDEN
[ "totty", "adam", "hetty's" ]
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the red bunches <|entity:per|>hetty's<|entity|> sweet blush it came importunately now on this sad evening with the low hanging clouds but he tried to suppress it lest some emotion should impel him to say more than was needful for <|entity:per|>hetty's sake<|entity|>
THE RED BUNCHES HETTYS SWEET BLUSH IT CAME IMPORTUNATELY NOW ON THIS SAD EVENING WITH THE LOW HANGING CLOUDS BUT HE TRIED TO SUPPRESS IT LEST SOME EMOTION SHOULD IMPEL HIM TO SAY MORE THAN WAS NEEDFUL FOR HETTYS SAKE
[ "hetty's", "hetty's sake" ]
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adam's words relieved one of <|entity:per|>hetty's<|entity|> fears but they also carried a meaning which sickened her with a strengthened foreboding she was pale and trembling and yet she would have angrily contradicted <|entity:per|>adam<|entity|> if she had dared to betray her feelings
ADAMS WORDS RELIEVED ONE OF HETTYS FEARS BUT THEY ALSO CARRIED A MEANING WHICH SICKENED HER WITH A STRENGTHENED FOREBODING SHE WAS PALE AND TREMBLING AND YET SHE WOULD HAVE ANGRILY CONTRADICTED ADAM IF SHE HAD DARED TO BETRAY HER FEELINGS
[ "hetty's", "adam" ]
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but she was silent you're so young you know <|entity:per|>hetty<|entity|> he went on almost tenderly
BUT SHE WAS SILENT YOURE SO YOUNG YOU KNOW HETTY HE WENT ON ALMOST TENDERLY
[ "hetty" ]
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when he knew he could never make you the right amends he's been trifling with you and making a plaything of you and caring nothing about you as a man ought to care yes he does care for me i know better nor you <|entity:per|>hetty<|entity|> burst out
WHEN HE KNEW HE COULD NEVER MAKE YOU THE RIGHT AMENDS HES BEEN TRIFLING WITH YOU AND MAKING A PLAYTHING OF YOU AND CARING NOTHING ABOUT YOU AS A MAN OUGHT TO CARE YES HE DOES CARE FOR ME I KNOW BETTER NOR YOU HETTY BURST OUT
[ "hetty" ]
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they had much better be at home in bed i believe people are losing their minds please'm may i go asked <|entity:per|>norah<|entity|> again <|entity:per|>norah<|entity|> had no puritanic traditions to her account
THEY HAD MUCH BETTER BE AT HOME IN BED I BELIEVE PEOPLE ARE LOSING THEIR MINDS PLEASEM MAY I GO ASKED NORAH AGAIN NORAH HAD NO PURITANIC TRADITIONS TO HER ACCOUNT
[ "norah", "norah" ]
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half unconsciously she pressed the spring and a hideous <|entity:per|>jack<|entity|> in the box sprang out to confront her with a squeak a leering smile and a red nose miss <|entity:per|>terry<|entity|> eyed him with disfavor
HALF UNCONSCIOUSLY SHE PRESSED THE SPRING AND A HIDEOUS JACK IN THE BOX SPRANG OUT TO CONFRONT HER WITH A SQUEAK A LEERING SMILE AND A RED NOSE MISS TERRY EYED HIM WITH DISFAVOR
[ "jack", "terry" ]
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here's the first show of the beautiful christmas spirit that is supposed to be abroad look at the little beasts fighting over something that neither of them really wants
HERES THE FIRST SHOW OF THE BEAUTIFUL CHRISTMAS SPIRIT THAT IS SUPPOSED TO BE ABROAD LOOK AT THE LITTLE BEASTS FIGHTING OVER SOMETHING THAT NEITHER OF THEM REALLY WANTS
[]
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about laying fires as about most other things miss <|entity:per|>terry<|entity|> had her own positive theories taking the bellows in hand she blew furiously and was presently rewarded with a brisk blaze
ABOUT LAYING FIRES AS ABOUT MOST OTHER THINGS MISS TERRY HAD HER OWN POSITIVE THEORIES TAKING THE BELLOWS IN HAND SHE BLEW FURIOUSLY AND WAS PRESENTLY REWARDED WITH A BRISK BLAZE
[ "terry" ]
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none of them noticed the <|entity:per|>noah's<|entity|> ark lying at the foot of the steps miss <|entity:per|>terry<|entity|> began to grow impatient are they all blind she fretted what is the matter with them
NONE OF THEM NOTICED THE NOAHS ARK LYING AT THE FOOT OF THE STEPS MISS TERRY BEGAN TO GROW IMPATIENT ARE THEY ALL BLIND SHE FRETTED WHAT IS THE MATTER WITH THEM
[ "noah's", "terry" ]
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prince andrew felt that an invisible power was leading him forward and experienced great happiness the french were already near prince <|entity:per|>andrew walking<|entity|> beside <|entity:loc|>bagration<|entity|>
PRINCE ANDREW FELT THAT AN INVISIBLE POWER WAS LEADING HIM FORWARD AND EXPERIENCED GREAT HAPPINESS THE FRENCH WERE ALREADY NEAR PRINCE ANDREW WALKING BESIDE BAGRATION
[ "andrew walking", "bagration" ]
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as noon approaches other birds warm up the reedy notes of the <|entity:per|>robin<|entity|> and a musical passage of two parts one a clear delicious gurgle with several other birds i cannot place to which is join'd yes i just hear it
AS NOON APPROACHES OTHER BIRDS WARM UP THE REEDY NOTES OF THE ROBIN AND A MUSICAL PASSAGE OF TWO PARTS ONE A CLEAR DELICIOUS GURGLE WITH SEVERAL OTHER BIRDS I CANNOT PLACE TO WHICH IS JOIND YES I JUST HEAR IT
[ "robin" ]
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the wheels were armed with those long offensive axles which keep other vehicles at a distance and which may still be seen on the road in <|entity:loc|>germany<|entity|> the despatch box an immense oblong coffer was placed behind the vehicle and formed a part of it
THE WHEELS WERE ARMED WITH THOSE LONG OFFENSIVE AXLES WHICH KEEP OTHER VEHICLES AT A DISTANCE AND WHICH MAY STILL BE SEEN ON THE ROAD IN GERMANY THE DESPATCH BOX AN IMMENSE OBLONG COFFER WAS PLACED BEHIND THE VEHICLE AND FORMED A PART OF IT
[ "germany" ]
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after the mail from <|entity:loc|>paris<|entity|> had passed
AFTER THE MAIL FROM PARIS HAD PASSED
[ "paris" ]
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that he must know what took place that no decision could be arrived at without having observed and scrutinized that one made mountains out of everything from a distance that at any rate when he should have seen that <|entity:per|>champmathieu<|entity|> some wretch
THAT HE MUST KNOW WHAT TOOK PLACE THAT NO DECISION COULD BE ARRIVED AT WITHOUT HAVING OBSERVED AND SCRUTINIZED THAT ONE MADE MOUNTAINS OUT OF EVERYTHING FROM A DISTANCE THAT AT ANY RATE WHEN HE SHOULD HAVE SEEN THAT CHAMPMATHIEU SOME WRETCH
[ "champmathieu" ]
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his conscience would probably be greatly relieved to allow him to go to the galleys in his stead that <|entity:per|>javert<|entity|> would indeed be there
HIS CONSCIENCE WOULD PROBABLY BE GREATLY RELIEVED TO ALLOW HIM TO GO TO THE GALLEYS IN HIS STEAD THAT JAVERT WOULD INDEED BE THERE
[ "javert" ]
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it was broad daylight when he arrived at <|entity:loc|>hesdin<|entity|> he halted in front of the inn to allow the horse a breathing spell and to have him given some oats the horse belonged as <|entity:per|>scaufflaire<|entity|> had said to that small race of the boulonnais which has too much head
IT WAS BROAD DAYLIGHT WHEN HE ARRIVED AT HESDIN HE HALTED IN FRONT OF THE INN TO ALLOW THE HORSE A BREATHING SPELL AND TO HAVE HIM GIVEN SOME OATS THE HORSE BELONGED AS SCAUFFLAIRE HAD SAID TO THAT SMALL RACE OF THE BOULONNAIS WHICH HAS TOO MUCH HEAD
[ "scaufflaire", "hesdin" ]
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he felt an immense joy it was evident that <|entity:loc|>providence<|entity|> was intervening that it was it who had broken the wheel of the <|entity:loc|>tilbury<|entity|> and who was stopping him on the road he had not yielded to this sort of first summons
HE FELT AN IMMENSE JOY IT WAS EVIDENT THAT PROVIDENCE WAS INTERVENING THAT IT WAS IT WHO HAD BROKEN THE WHEEL OF THE TILBURY AND WHO WAS STOPPING HIM ON THE ROAD HE HAD NOT YIELDED TO THIS SORT OF FIRST SUMMONS
[ "providence", "tilbury" ]
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he paid what was asked left the <|entity:loc|>tilbury<|entity|> with the wheelwright to be repaired intending to reclaim it on his return had the white horse put to the cart climbed into it and resumed the road which he had been travelling since morning
HE PAID WHAT WAS ASKED LEFT THE TILBURY WITH THE WHEELWRIGHT TO BE REPAIRED INTENDING TO RECLAIM IT ON HIS RETURN HAD THE WHITE HORSE PUT TO THE CART CLIMBED INTO IT AND RESUMED THE ROAD WHICH HE HAD BEEN TRAVELLING SINCE MORNING
[ "tilbury" ]
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his breakfast was served he seized the bread took a mouthful and then slowly replaced it on the table and did not touch it again a <|entity:per|>carter<|entity|> was eating at another table he said to this man why is their bread so bitter here
HIS BREAKFAST WAS SERVED HE SEIZED THE BREAD TOOK A MOUTHFUL AND THEN SLOWLY REPLACED IT ON THE TABLE AND DID NOT TOUCH IT AGAIN A CARTER WAS EATING AT ANOTHER TABLE HE SAID TO THIS MAN WHY IS THEIR BREAD SO BITTER HERE
[ "carter" ]
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in the meantime <|entity:per|>fantine<|entity|> was staring at the tester of her bed she seemed to be endeavoring to recall something all at once she began to sing in a voice as feeble as a breath the nun listened this is what <|entity:per|>fantine<|entity|> was singing
IN THE MEANTIME FANTINE WAS STARING AT THE TESTER OF HER BED SHE SEEMED TO BE ENDEAVORING TO RECALL SOMETHING ALL AT ONCE SHE BEGAN TO SING IN A VOICE AS FEEBLE AS A BREATH THE NUN LISTENED THIS IS WHAT FANTINE WAS SINGING
[ "fantine", "fantine" ]
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in a little <|entity:loc|>tilbury<|entity|> harnessed to a white horse cold as the weather was that he had gone alone without even a driver that no one knew what road he had taken that people said he had been seen to turn into the road to <|entity:loc|>arras<|entity|>
IN A LITTLE TILBURY HARNESSED TO A WHITE HORSE COLD AS THE WEATHER WAS THAT HE HAD GONE ALONE WITHOUT EVEN A DRIVER THAT NO ONE KNEW WHAT ROAD HE HAD TAKEN THAT PEOPLE SAID HE HAD BEEN SEEN TO TURN INTO THE ROAD TO ARRAS
[ "tilbury", "arras" ]
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that others asserted that they had met him on the road to <|entity:loc|>paris<|entity|> that when he went away he had been very gentle as usual and that he had merely told the portress not to expect him that night
THAT OTHERS ASSERTED THAT THEY HAD MET HIM ON THE ROAD TO PARIS THAT WHEN HE WENT AWAY HE HAD BEEN VERY GENTLE AS USUAL AND THAT HE HAD MERELY TOLD THE PORTRESS NOT TO EXPECT HIM THAT NIGHT
[ "paris" ]
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the sister drew the curtains together again hoping that she would fall into a doze between seven and eight o'clock the doctor came not hearing any sound he thought <|entity:per|>fantine<|entity|> was asleep entered softly and approached the bed on tiptoe he opened the curtains a little
THE SISTER DREW THE CURTAINS TOGETHER AGAIN HOPING THAT SHE WOULD FALL INTO A DOZE BETWEEN SEVEN AND EIGHT OCLOCK THE DOCTOR CAME NOT HEARING ANY SOUND HE THOUGHT FANTINE WAS ASLEEP ENTERED SOFTLY AND APPROACHED THE BED ON TIPTOE HE OPENED THE CURTAINS A LITTLE
[ "fantine" ]
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in truth you did not know it i am cured <|entity:per|>cosette<|entity|> will arrive to morrow the doctor was surprised she was better the pressure on her chest had decreased her pulse had regained its strength a sort of life had suddenly supervened
IN TRUTH YOU DID NOT KNOW IT I AM CURED COSETTE WILL ARRIVE TO MORROW THE DOCTOR WAS SURPRISED SHE WAS BETTER THE PRESSURE ON HER CHEST HAD DECREASED HER PULSE HAD REGAINED ITS STRENGTH A SORT OF LIFE HAD SUDDENLY SUPERVENED
[ "cosette" ]
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not as a tribute to the distinguished mathematician but as a recognition of the excellence of some orange marmalade which the distinguished mathematician had prepared with her own hands and presented to the ships before they left <|entity:loc|>england<|entity|>
NOT AS A TRIBUTE TO THE DISTINGUISHED MATHEMATICIAN BUT AS A RECOGNITION OF THE EXCELLENCE OF SOME ORANGE MARMALADE WHICH THE DISTINGUISHED MATHEMATICIAN HAD PREPARED WITH HER OWN HANDS AND PRESENTED TO THE SHIPS BEFORE THEY LEFT ENGLAND
[ "england" ]
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that it almost amounts to a distinction however <|entity:per|>phyllis browne<|entity|> has managed to crowd into the narrow limits at her disposal a great many interesting anecdotes
THAT IT ALMOST AMOUNTS TO A DISTINCTION HOWEVER PHYLLIS BROWNE HAS MANAGED TO CROWD INTO THE NARROW LIMITS AT HER DISPOSAL A GREAT MANY INTERESTING ANECDOTES
[ "phyllis browne" ]
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the countess of <|entity:loc|>albany<|entity|> who after talking with her for some time exclaimed so you don't speak italian you must have had a very bad education
THE COUNTESS OF ALBANY WHO AFTER TALKING WITH HER FOR SOME TIME EXCLAIMED SO YOU DONT SPEAK ITALIAN YOU MUST HAVE HAD A VERY BAD EDUCATION
[ "albany" ]
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the proper basis for morals using the word in its wide hellenic signification is to be found in architecture
THE PROPER BASIS FOR MORALS USING THE WORD IN ITS WIDE HELLENIC SIGNIFICATION IS TO BE FOUND IN ARCHITECTURE
[]
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and the plot is extremely dramatic and ingenious <|entity:per|>godfrey mauleverer<|entity|> a reckless young irishman runs away with <|entity:per|>ismay d'arcy<|entity|> a pretty penniless governess and is privately married to her in <|entity:loc|>scotland<|entity|>
AND THE PLOT IS EXTREMELY DRAMATIC AND INGENIOUS GODFREY MAULEVERER A RECKLESS YOUNG IRISHMAN RUNS AWAY WITH ISMAY DARCY A PRETTY PENNILESS GOVERNESS AND IS PRIVATELY MARRIED TO HER IN SCOTLAND
[ "godfrey mauleverer", "ismay d'arcy", "scotland" ]
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the boy who is called <|entity:per|>godfrey<|entity|> after his father is a fascinating study with his swarthy foreign beauty his fierce moods of love and hate his passionate pride and his passionate tenderness
THE BOY WHO IS CALLED GODFREY AFTER HIS FATHER IS A FASCINATING STUDY WITH HIS SWARTHY FOREIGN BEAUTY HIS FIERCE MOODS OF LOVE AND HATE HIS PASSIONATE PRIDE AND HIS PASSIONATE TENDERNESS
[ "godfrey" ]
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this note of realism in dealing with national types of character has always been a distinguishing characteristic of irish fiction from the days of miss edgeworth down to our own days
THIS NOTE OF REALISM IN DEALING WITH NATIONAL TYPES OF CHARACTER HAS ALWAYS BEEN A DISTINGUISHING CHARACTERISTIC OF IRISH FICTION FROM THE DAYS OF MISS EDGEWORTH DOWN TO OUR OWN DAYS
[]
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i feel quite sure that all english women of culture and position will set their faces against such stupid and dangerous practices as are related by miss leffler arnim fashion's motto is
I FEEL QUITE SURE THAT ALL ENGLISH WOMEN OF CULTURE AND POSITION WILL SET THEIR FACES AGAINST SUCH STUPID AND DANGEROUS PRACTICES AS ARE RELATED BY MISS LEFFLER ARNIM FASHIONS MOTTO IS
[]
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he was charged along with <|entity:per|>boileau<|entity|> with the task of revising the text of the constitution and rules of madame <|entity:per|>de maintenon's<|entity|> great college
HE WAS CHARGED ALONG WITH BOILEAU WITH THE TASK OF REVISING THE TEXT OF THE CONSTITUTION AND RULES OF MADAME DE MAINTENONS GREAT COLLEGE
[ "boileau", "de maintenon's" ]
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has been won by miss story the daughter of a north of <|entity:loc|>ireland<|entity|> clergyman it is pleasant to be able to chronicle an item of irish news that has nothing to do with the violence of party politics or party feeling and that shows how worthy women are of that higher culture
HAS BEEN WON BY MISS STORY THE DAUGHTER OF A NORTH OF IRELAND CLERGYMAN IT IS PLEASANT TO BE ABLE TO CHRONICLE AN ITEM OF IRISH NEWS THAT HAS NOTHING TO DO WITH THE VIOLENCE OF PARTY POLITICS OR PARTY FEELING AND THAT SHOWS HOW WORTHY WOMEN ARE OF THAT HIGHER CULTURE
[ "ireland" ]
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also brings to the empress a letter of formal and respectful remonstrance from the english rational dress society i trust that even if the empress rejects the sensible arguments of this important society
ALSO BRINGS TO THE EMPRESS A LETTER OF FORMAL AND RESPECTFUL REMONSTRANCE FROM THE ENGLISH RATIONAL DRESS SOCIETY I TRUST THAT EVEN IF THE EMPRESS REJECTS THE SENSIBLE ARGUMENTS OF THIS IMPORTANT SOCIETY
[]
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then as <|entity:per|>toad<|entity|> was hustled through the door struggling and protesting he turned to the chauffeur in charge of the new motor car i'm afraid you won't be wanted to day he said mister toad has changed his mind
THEN AS TOAD WAS HUSTLED THROUGH THE DOOR STRUGGLING AND PROTESTING HE TURNED TO THE CHAUFFEUR IN CHARGE OF THE NEW MOTOR CAR IM AFRAID YOU WONT BE WANTED TO DAY HE SAID MISTER TOAD HAS CHANGED HIS MIND
[ "toad" ]
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i'll make one more effort to bring you to reason you will come with me into the smoking room and there you will hear some facts about yourself and we'll see whether you come out of that room the same toad that you went in
ILL MAKE ONE MORE EFFORT TO BRING YOU TO REASON YOU WILL COME WITH ME INTO THE SMOKING ROOM AND THERE YOU WILL HEAR SOME FACTS ABOUT YOURSELF AND WELL SEE WHETHER YOU COME OUT OF THAT ROOM THE SAME TOAD THAT YOU WENT IN
[]
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i rose from my granite bed and went out to enjoy the magnificent spectacle that lay unrolled before me i stood on the very summit of the southernmost of <|entity:loc|>snaefell's<|entity|> peaks the range of the eye extended over the whole island
I ROSE FROM MY GRANITE BED AND WENT OUT TO ENJOY THE MAGNIFICENT SPECTACLE THAT LAY UNROLLED BEFORE ME I STOOD ON THE VERY SUMMIT OF THE SOUTHERNMOST OF SNAEFELLS PEAKS THE RANGE OF THE EYE EXTENDED OVER THE WHOLE ISLAND
[ "snaefell's" ]
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the fanciful creation of scandinavian superstitions i felt intoxicated with the sublime pleasure of lofty elevations without thinking of the profound abysses into which i was shortly to be plunged
THE FANCIFUL CREATION OF SCANDINAVIAN SUPERSTITIONS I FELT INTOXICATED WITH THE SUBLIME PLEASURE OF LOFTY ELEVATIONS WITHOUT THINKING OF THE PROFOUND ABYSSES INTO WHICH I WAS SHORTLY TO BE PLUNGED
[]
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are carried even into <|entity:loc|>iceland<|entity|>
ARE CARRIED EVEN INTO ICELAND
[ "iceland" ]
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now it is our turn now i ask any sensible man if it was possible to hear those words without a shudder the professor fastened his package of instruments upon his shoulders <|entity:per|>hans<|entity|> took the tools i took the arms
NOW IT IS OUR TURN NOW I ASK ANY SENSIBLE MAN IF IT WAS POSSIBLE TO HEAR THOSE WORDS WITHOUT A SHUDDER THE PROFESSOR FASTENED HIS PACKAGE OF INSTRUMENTS UPON HIS SHOULDERS HANS TOOK THE TOOLS I TOOK THE ARMS
[ "hans" ]
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there was light enough to distinguish surrounding objects well axel what do you say to it cried my uncle rubbing his hands did you ever spend a quieter night in our little house at <|entity:loc|>koenigsberg<|entity|>
THERE WAS LIGHT ENOUGH TO DISTINGUISH SURROUNDING OBJECTS WELL AXEL WHAT DO YOU SAY TO IT CRIED MY UNCLE RUBBING HIS HANDS DID YOU EVER SPEND A QUIETER NIGHT IN OUR LITTLE HOUSE AT KOENIGSBERG
[ "koenigsberg" ]
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i then remembered that we had searched for it in vain the evening before my uncle questioned <|entity:per|>hans<|entity|> who after having examined attentively with the eye of a huntsman replied
I THEN REMEMBERED THAT WE HAD SEARCHED FOR IT IN VAIN THE EVENING BEFORE MY UNCLE QUESTIONED HANS WHO AFTER HAVING EXAMINED ATTENTIVELY WITH THE EYE OF A HUNTSMAN REPLIED
[ "hans" ]
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the order to halt therefore gave me pleasure <|entity:per|>hans<|entity|> laid our provisions upon a block of lava and we ate with a good appetite but one thing troubled me our supply of water was half consumed
THE ORDER TO HALT THEREFORE GAVE ME PLEASURE HANS LAID OUR PROVISIONS UPON A BLOCK OF LAVA AND WE ATE WITH A GOOD APPETITE BUT ONE THING TROUBLED ME OUR SUPPLY OF WATER WAS HALF CONSUMED
[ "hans" ]
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such as the mines of <|entity:loc|>kitz bahl<|entity|> in <|entity:loc|>tyrol<|entity|> and those of <|entity:loc|>wuttembourg<|entity|> in <|entity:loc|>bohemia<|entity|>
SUCH AS THE MINES OF KITZ BAHL IN TYROL AND THOSE OF WUTTEMBOURG IN BOHEMIA
[ "kitz bahl", "tyrol", "wuttembourg", "bohemia" ]
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you've always had a wonderful way with you in dealing with servants you mustn't let poor old merrit go of course she shan't go said <|entity:per|>saunders<|entity|> she's probably only angling for a rise in salary
YOUVE ALWAYS HAD A WONDERFUL WAY WITH YOU IN DEALING WITH SERVANTS YOU MUSTNT LET POOR OLD MERRIT GO OF COURSE SHE SHANT GO SAID SAUNDERS SHES PROBABLY ONLY ANGLING FOR A RISE IN SALARY
[ "saunders" ]
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excuse me sir it was the note i picked up here on the floor on the day you and mister <|entity:per|>saunders<|entity|> left i have it in my pocket now it certainly seemed to be in <|entity:loc|>eustace's<|entity|> handwriting it was written in pencil
EXCUSE ME SIR IT WAS THE NOTE I PICKED UP HERE ON THE FLOOR ON THE DAY YOU AND MISTER SAUNDERS LEFT I HAVE IT IN MY POCKET NOW IT CERTAINLY SEEMED TO BE IN EUSTACES HANDWRITING IT WAS WRITTEN IN PENCIL
[ "saunders", "eustace's" ]
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that's what i told her but we couldn't get her to stop you don't believe all this said <|entity:per|>eustace<|entity|> turning suddenly towards the butler me sir oh no sir i've not seen anything nor heard anything
THATS WHAT I TOLD HER BUT WE COULDNT GET HER TO STOP YOU DONT BELIEVE ALL THIS SAID EUSTACE TURNING SUDDENLY TOWARDS THE BUTLER ME SIR OH NO SIR IVE NOT SEEN ANYTHING NOR HEARD ANYTHING
[ "eustace" ]
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well said <|entity:per|>saunders<|entity|> in that case we have at least an explanation of the legacy it was the hand which wrote unknown to your uncle that letter to your solicitor bequeathing itself to you your uncle had no more to do with that request than i
WELL SAID SAUNDERS IN THAT CASE WE HAVE AT LEAST AN EXPLANATION OF THE LEGACY IT WAS THE HAND WHICH WROTE UNKNOWN TO YOUR UNCLE THAT LETTER TO YOUR SOLICITOR BEQUEATHING ITSELF TO YOU YOUR UNCLE HAD NO MORE TO DO WITH THAT REQUEST THAN I
[ "saunders" ]
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we shall have to wait till the bally clockwork runs down after all if it's flesh and blood it can't live for ever for two days nothing happened then <|entity:per|>saunders<|entity|> saw it sliding down the banister in the hall
WE SHALL HAVE TO WAIT TILL THE BALLY CLOCKWORK RUNS DOWN AFTER ALL IF ITS FLESH AND BLOOD IT CANT LIVE FOR EVER FOR TWO DAYS NOTHING HAPPENED THEN SAUNDERS SAW IT SLIDING DOWN THE BANISTER IN THE HALL
[ "saunders" ]
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the fingers crept over the page feeling the print as if it were reading but before he had time to get up from his seat it had taken the alarm and was pulling itself up the curtains <|entity:per|>eustace<|entity|> watched it grimly
THE FINGERS CREPT OVER THE PAGE FEELING THE PRINT AS IF IT WERE READING BUT BEFORE HE HAD TIME TO GET UP FROM HIS SEAT IT HAD TAKEN THE ALARM AND WAS PULLING ITSELF UP THE CURTAINS EUSTACE WATCHED IT GRIMLY
[ "eustace" ]
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as finger and thumb squeezed the neck the bird's eyes rolled up to show the whites and there was a faint half choked gurgle but before the fingers had time to loose their hold <|entity:per|>eustace<|entity|> had them in his own
AS FINGER AND THUMB SQUEEZED THE NECK THE BIRDS EYES ROLLED UP TO SHOW THE WHITES AND THERE WAS A FAINT HALF CHOKED GURGLE BUT BEFORE THE FINGERS HAD TIME TO LOOSE THEIR HOLD EUSTACE HAD THEM IN HIS OWN
[ "eustace" ]
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he took up a nail and before <|entity:per|>saunders<|entity|> had realised what he was doing had driven it through the hand deep into the board oh my aunt he giggled hysterically look at it now for the hand was writhing in agonized contortions
HE TOOK UP A NAIL AND BEFORE SAUNDERS HAD REALISED WHAT HE WAS DOING HAD DRIVEN IT THROUGH THE HAND DEEP INTO THE BOARD OH MY AUNT HE GIGGLED HYSTERICALLY LOOK AT IT NOW FOR THE HAND WAS WRITHING IN AGONIZED CONTORTIONS
[ "saunders" ]
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squirming and wriggling upon the nail like a worm upon the hook well said <|entity:per|>saunders<|entity|> you've done it now i'll leave you to examine it don't go in heaven's name cover it up man cover it up shove a cloth over it here
SQUIRMING AND WRIGGLING UPON THE NAIL LIKE A WORM UPON THE HOOK WELL SAID SAUNDERS YOUVE DONE IT NOW ILL LEAVE YOU TO EXAMINE IT DONT GO IN HEAVENS NAME COVER IT UP MAN COVER IT UP SHOVE A CLOTH OVER IT HERE
[ "saunders" ]
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one of them was careless enough not to wear gloves and i'm bothered if i know what he was trying to do i've traced his finger marks on the new varnish on the window sashes in every one of the downstairs rooms they are very distinct ones too
ONE OF THEM WAS CARELESS ENOUGH NOT TO WEAR GLOVES AND IM BOTHERED IF I KNOW WHAT HE WAS TRYING TO DO IVE TRACED HIS FINGER MARKS ON THE NEW VARNISH ON THE WINDOW SASHES IN EVERY ONE OF THE DOWNSTAIRS ROOMS THEY ARE VERY DISTINCT ONES TOO
[]
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i felt <|entity:per|>allan's<|entity|> step on the carpeted stair outside <|entity:per|>theresa<|entity|> felt it too but how for it was not audible she gave a start swept the black envelopes out of sight and pretended to be writing in a little book
I FELT ALLANS STEP ON THE CARPETED STAIR OUTSIDE THERESA FELT IT TOO BUT HOW FOR IT WAS NOT AUDIBLE SHE GAVE A START SWEPT THE BLACK ENVELOPES OUT OF SIGHT AND PRETENDED TO BE WRITING IN A LITTLE BOOK
[ "allan's", "theresa" ]
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<|entity:per|>theresa<|entity|> told him and he sat down to wait for her no spirit still unreleased can understand the pang that i felt with <|entity:per|>allan<|entity|> sitting almost within my touch
THERESA TOLD HIM AND HE SAT DOWN TO WAIT FOR HER NO SPIRIT STILL UNRELEASED CAN UNDERSTAND THE PANG THAT I FELT WITH ALLAN SITTING ALMOST WITHIN MY TOUCH
[ "theresa", "allan" ]
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and none the less so that in another moment she had prompted by some belated thought of me renounced him <|entity:per|>allan<|entity|> was hers yet she put him from her and it was my part to watch them both
AND NONE THE LESS SO THAT IN ANOTHER MOMENT SHE HAD PROMPTED BY SOME BELATED THOUGHT OF ME RENOUNCED HIM ALLAN WAS HERS YET SHE PUT HIM FROM HER AND IT WAS MY PART TO WATCH THEM BOTH
[ "allan" ]
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then to his whispered urging to tell the reason of her cry <|entity:per|>theresa<|entity|> said <|entity:per|>frances<|entity|> was here
THEN TO HIS WHISPERED URGING TO TELL THE REASON OF HER CRY THERESA SAID FRANCES WAS HERE
[ "theresa", "frances" ]
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