id stringlengths 24 24 | title stringclasses 442 values | context stringlengths 151 3.71k | question stringlengths 12 270 | answers dict |
|---|---|---|---|---|
5a7e596970df9f001a8757ae | Virgil | The Aeneid appears to have been a great success. Virgil is said to have recited Books 2, 4, and 6 to Augustus; and Book 6 apparently caused Augustus' sister Octavia to faint. Although the truth of this claim is subject to scholarly scepticism, it has served as a basis for later art, such as Jean-Baptiste Wicar's Virgil Reading the Aeneid. | What was the name of a scholar that doubted claims that Augustus' sister fainted when Virgil recited the Aeneid? | {
"answer_start": [],
"text": []
} |
5a7e596970df9f001a8757af | Virgil | The Aeneid appears to have been a great success. Virgil is said to have recited Books 2, 4, and 6 to Augustus; and Book 6 apparently caused Augustus' sister Octavia to faint. Although the truth of this claim is subject to scholarly scepticism, it has served as a basis for later art, such as Jean-Baptiste Wicar's Virgil Reading the Aeneid. | What book of the Aeneid is the longest? | {
"answer_start": [],
"text": []
} |
56f89d879b226e1400dd0cc1 | Virgil | According to the tradition, Virgil traveled to Greece in about 19 BC to revise the Aeneid. After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara. After crossing to Italy by ship, weakened with disease, Virgil died in Brundisium harbor on September 21, 19 BC. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be burned, instead ordering it published with as few editorial changes as possible. As a result, the text of the Aeneid that exists may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e. not a complete line of dactylic hexameter). Some scholars have argued that Virgil deliberately left these metrically incomplete lines for dramatic effect. Other alleged imperfections are subject to scholarly debate. | According to tradition, where did Virgil travel in 19 BC to revise the Aeneid? | {
"answer_start": [
47
],
"text": [
"Greece"
]
} |
56f89d879b226e1400dd0cc2 | Virgil | According to the tradition, Virgil traveled to Greece in about 19 BC to revise the Aeneid. After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara. After crossing to Italy by ship, weakened with disease, Virgil died in Brundisium harbor on September 21, 19 BC. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be burned, instead ordering it published with as few editorial changes as possible. As a result, the text of the Aeneid that exists may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e. not a complete line of dactylic hexameter). Some scholars have argued that Virgil deliberately left these metrically incomplete lines for dramatic effect. Other alleged imperfections are subject to scholarly debate. | Where did Virgil die? | {
"answer_start": [
281
],
"text": [
"Brundisium harbor"
]
} |
56f89d879b226e1400dd0cc3 | Virgil | According to the tradition, Virgil traveled to Greece in about 19 BC to revise the Aeneid. After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara. After crossing to Italy by ship, weakened with disease, Virgil died in Brundisium harbor on September 21, 19 BC. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be burned, instead ordering it published with as few editorial changes as possible. As a result, the text of the Aeneid that exists may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e. not a complete line of dactylic hexameter). Some scholars have argued that Virgil deliberately left these metrically incomplete lines for dramatic effect. Other alleged imperfections are subject to scholarly debate. | What date did Virgil die? | {
"answer_start": [
302
],
"text": [
"September 21, 19 BC"
]
} |
56f89d879b226e1400dd0cc4 | Virgil | According to the tradition, Virgil traveled to Greece in about 19 BC to revise the Aeneid. After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara. After crossing to Italy by ship, weakened with disease, Virgil died in Brundisium harbor on September 21, 19 BC. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be burned, instead ordering it published with as few editorial changes as possible. As a result, the text of the Aeneid that exists may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e. not a complete line of dactylic hexameter). Some scholars have argued that Virgil deliberately left these metrically incomplete lines for dramatic effect. Other alleged imperfections are subject to scholarly debate. | Who were Virgil's literary executors? | {
"answer_start": [
369
],
"text": [
"Lucius Varius Rufus and Plotius Tucca"
]
} |
56f89d879b226e1400dd0cc5 | Virgil | According to the tradition, Virgil traveled to Greece in about 19 BC to revise the Aeneid. After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara. After crossing to Italy by ship, weakened with disease, Virgil died in Brundisium harbor on September 21, 19 BC. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be burned, instead ordering it published with as few editorial changes as possible. As a result, the text of the Aeneid that exists may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e. not a complete line of dactylic hexameter). Some scholars have argued that Virgil deliberately left these metrically incomplete lines for dramatic effect. Other alleged imperfections are subject to scholarly debate. | What wish of Virgil's did Lucius Varius Rufus and Plotius Tucca disregard? | {
"answer_start": [
444
],
"text": [
"the poem be burned"
]
} |
5a7e5d5448f7d9001a0635bd | Virgil | According to the tradition, Virgil traveled to Greece in about 19 BC to revise the Aeneid. After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara. After crossing to Italy by ship, weakened with disease, Virgil died in Brundisium harbor on September 21, 19 BC. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be burned, instead ordering it published with as few editorial changes as possible. As a result, the text of the Aeneid that exists may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e. not a complete line of dactylic hexameter). Some scholars have argued that Virgil deliberately left these metrically incomplete lines for dramatic effect. Other alleged imperfections are subject to scholarly debate. | Where did Augustus die? | {
"answer_start": [],
"text": []
} |
5a7e5d5448f7d9001a0635be | Virgil | According to the tradition, Virgil traveled to Greece in about 19 BC to revise the Aeneid. After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara. After crossing to Italy by ship, weakened with disease, Virgil died in Brundisium harbor on September 21, 19 BC. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be burned, instead ordering it published with as few editorial changes as possible. As a result, the text of the Aeneid that exists may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e. not a complete line of dactylic hexameter). Some scholars have argued that Virgil deliberately left these metrically incomplete lines for dramatic effect. Other alleged imperfections are subject to scholarly debate. | What date was the Aeneid published? | {
"answer_start": [],
"text": []
} |
5a7e5d5448f7d9001a0635bf | Virgil | According to the tradition, Virgil traveled to Greece in about 19 BC to revise the Aeneid. After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara. After crossing to Italy by ship, weakened with disease, Virgil died in Brundisium harbor on September 21, 19 BC. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be burned, instead ordering it published with as few editorial changes as possible. As a result, the text of the Aeneid that exists may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e. not a complete line of dactylic hexameter). Some scholars have argued that Virgil deliberately left these metrically incomplete lines for dramatic effect. Other alleged imperfections are subject to scholarly debate. | What did Augustus die from? | {
"answer_start": [],
"text": []
} |
5a7e5d5448f7d9001a0635c0 | Virgil | According to the tradition, Virgil traveled to Greece in about 19 BC to revise the Aeneid. After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara. After crossing to Italy by ship, weakened with disease, Virgil died in Brundisium harbor on September 21, 19 BC. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be burned, instead ordering it published with as few editorial changes as possible. As a result, the text of the Aeneid that exists may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e. not a complete line of dactylic hexameter). Some scholars have argued that Virgil deliberately left these metrically incomplete lines for dramatic effect. Other alleged imperfections are subject to scholarly debate. | Where was the Aeneid first published? | {
"answer_start": [],
"text": []
} |
5a7e5d5448f7d9001a0635c1 | Virgil | According to the tradition, Virgil traveled to Greece in about 19 BC to revise the Aeneid. After meeting Augustus in Athens and deciding to return home, Virgil caught a fever while visiting a town near Megara. After crossing to Italy by ship, weakened with disease, Virgil died in Brundisium harbor on September 21, 19 BC. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be burned, instead ordering it published with as few editorial changes as possible. As a result, the text of the Aeneid that exists may contain faults which Virgil was planning to correct before publication. However, the only obvious imperfections are a few lines of verse that are metrically unfinished (i.e. not a complete line of dactylic hexameter). Some scholars have argued that Virgil deliberately left these metrically incomplete lines for dramatic effect. Other alleged imperfections are subject to scholarly debate. | Exactly how many unfinished lines are in the Aeneid? | {
"answer_start": [],
"text": []
} |
56f89eb29e9bad19000a01e5 | Virgil | The works of Virgil almost from the moment of their publication revolutionized Latin poetry. The Eclogues, Georgics, and above all the Aeneid became standard texts in school curricula with which all educated Romans were familiar. Poets following Virgil often refer intertextually to his works to generate meaning in their own poetry. The Augustan poet Ovid parodies the opening lines of the Aeneid in Amores 1.1.1–2, and his summary of the Aeneas story in Book 14 of the Metamorphoses, the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the Bellum Civile has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic Thebaid engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine Aeneid, but follow afar and ever venerate its footsteps." In Silius Italicus, Virgil finds one of his most ardent admirers. With almost every line of his epic Punica Silius references Virgil. Indeed, Silius is known to have bought Virgil's tomb and worshipped the poet. Partially as a result of his so-called "Messianic" Fourth Eclogue—widely interpreted later to have predicted the birth of Jesus Christ—Virgil was in later antiquity imputed to have the magical abilities of a seer; the Sortes Vergilianae, the process of using Virgil's poetry as a tool of divination, is found in the time of Hadrian, and continued into the Middle Ages. In a similar vein Macrobius in the Saturnalia credits the work of Virgil as the embodiment of human knowledge and experience, mirroring the Greek conception of Homer. Virgil also found commentators in antiquity. Servius, a commentator of the 4th century AD, based his work on the commentary of Donatus. Servius' commentary provides us with a great deal of information about Virgil's life, sources, and references; however, many modern scholars find the variable quality of his work and the often simplistic interpretations frustrating. | Who was one of Virgil's most ardent admirers who referenced Virgil in almost every line of his epic? | {
"answer_start": [
1028
],
"text": [
"Silius Italicus"
]
} |
56f89eb29e9bad19000a01e6 | Virgil | The works of Virgil almost from the moment of their publication revolutionized Latin poetry. The Eclogues, Georgics, and above all the Aeneid became standard texts in school curricula with which all educated Romans were familiar. Poets following Virgil often refer intertextually to his works to generate meaning in their own poetry. The Augustan poet Ovid parodies the opening lines of the Aeneid in Amores 1.1.1–2, and his summary of the Aeneas story in Book 14 of the Metamorphoses, the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the Bellum Civile has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic Thebaid engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine Aeneid, but follow afar and ever venerate its footsteps." In Silius Italicus, Virgil finds one of his most ardent admirers. With almost every line of his epic Punica Silius references Virgil. Indeed, Silius is known to have bought Virgil's tomb and worshipped the poet. Partially as a result of his so-called "Messianic" Fourth Eclogue—widely interpreted later to have predicted the birth of Jesus Christ—Virgil was in later antiquity imputed to have the magical abilities of a seer; the Sortes Vergilianae, the process of using Virgil's poetry as a tool of divination, is found in the time of Hadrian, and continued into the Middle Ages. In a similar vein Macrobius in the Saturnalia credits the work of Virgil as the embodiment of human knowledge and experience, mirroring the Greek conception of Homer. Virgil also found commentators in antiquity. Servius, a commentator of the 4th century AD, based his work on the commentary of Donatus. Servius' commentary provides us with a great deal of information about Virgil's life, sources, and references; however, many modern scholars find the variable quality of his work and the often simplistic interpretations frustrating. | .What was the title of Silius Italicus' epic in which Virgil was referenced in almost every line? | {
"answer_start": [
1126
],
"text": [
"Punica"
]
} |
56f89eb29e9bad19000a01e7 | Virgil | The works of Virgil almost from the moment of their publication revolutionized Latin poetry. The Eclogues, Georgics, and above all the Aeneid became standard texts in school curricula with which all educated Romans were familiar. Poets following Virgil often refer intertextually to his works to generate meaning in their own poetry. The Augustan poet Ovid parodies the opening lines of the Aeneid in Amores 1.1.1–2, and his summary of the Aeneas story in Book 14 of the Metamorphoses, the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the Bellum Civile has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic Thebaid engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine Aeneid, but follow afar and ever venerate its footsteps." In Silius Italicus, Virgil finds one of his most ardent admirers. With almost every line of his epic Punica Silius references Virgil. Indeed, Silius is known to have bought Virgil's tomb and worshipped the poet. Partially as a result of his so-called "Messianic" Fourth Eclogue—widely interpreted later to have predicted the birth of Jesus Christ—Virgil was in later antiquity imputed to have the magical abilities of a seer; the Sortes Vergilianae, the process of using Virgil's poetry as a tool of divination, is found in the time of Hadrian, and continued into the Middle Ages. In a similar vein Macrobius in the Saturnalia credits the work of Virgil as the embodiment of human knowledge and experience, mirroring the Greek conception of Homer. Virgil also found commentators in antiquity. Servius, a commentator of the 4th century AD, based his work on the commentary of Donatus. Servius' commentary provides us with a great deal of information about Virgil's life, sources, and references; however, many modern scholars find the variable quality of his work and the often simplistic interpretations frustrating. | Who bought Virgil's tomb? | {
"answer_start": [
1133
],
"text": [
"Silius"
]
} |
56f89eb29e9bad19000a01e8 | Virgil | The works of Virgil almost from the moment of their publication revolutionized Latin poetry. The Eclogues, Georgics, and above all the Aeneid became standard texts in school curricula with which all educated Romans were familiar. Poets following Virgil often refer intertextually to his works to generate meaning in their own poetry. The Augustan poet Ovid parodies the opening lines of the Aeneid in Amores 1.1.1–2, and his summary of the Aeneas story in Book 14 of the Metamorphoses, the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the Bellum Civile has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic Thebaid engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine Aeneid, but follow afar and ever venerate its footsteps." In Silius Italicus, Virgil finds one of his most ardent admirers. With almost every line of his epic Punica Silius references Virgil. Indeed, Silius is known to have bought Virgil's tomb and worshipped the poet. Partially as a result of his so-called "Messianic" Fourth Eclogue—widely interpreted later to have predicted the birth of Jesus Christ—Virgil was in later antiquity imputed to have the magical abilities of a seer; the Sortes Vergilianae, the process of using Virgil's poetry as a tool of divination, is found in the time of Hadrian, and continued into the Middle Ages. In a similar vein Macrobius in the Saturnalia credits the work of Virgil as the embodiment of human knowledge and experience, mirroring the Greek conception of Homer. Virgil also found commentators in antiquity. Servius, a commentator of the 4th century AD, based his work on the commentary of Donatus. Servius' commentary provides us with a great deal of information about Virgil's life, sources, and references; however, many modern scholars find the variable quality of his work and the often simplistic interpretations frustrating. | Which of Virgil's works was later widely interpreted to have predicted the birth of Jesus Christ? | {
"answer_start": [
1288
],
"text": [
"Fourth Eclogue"
]
} |
5a7e5f7448f7d9001a06367d | Virgil | The works of Virgil almost from the moment of their publication revolutionized Latin poetry. The Eclogues, Georgics, and above all the Aeneid became standard texts in school curricula with which all educated Romans were familiar. Poets following Virgil often refer intertextually to his works to generate meaning in their own poetry. The Augustan poet Ovid parodies the opening lines of the Aeneid in Amores 1.1.1–2, and his summary of the Aeneas story in Book 14 of the Metamorphoses, the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the Bellum Civile has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic Thebaid engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine Aeneid, but follow afar and ever venerate its footsteps." In Silius Italicus, Virgil finds one of his most ardent admirers. With almost every line of his epic Punica Silius references Virgil. Indeed, Silius is known to have bought Virgil's tomb and worshipped the poet. Partially as a result of his so-called "Messianic" Fourth Eclogue—widely interpreted later to have predicted the birth of Jesus Christ—Virgil was in later antiquity imputed to have the magical abilities of a seer; the Sortes Vergilianae, the process of using Virgil's poetry as a tool of divination, is found in the time of Hadrian, and continued into the Middle Ages. In a similar vein Macrobius in the Saturnalia credits the work of Virgil as the embodiment of human knowledge and experience, mirroring the Greek conception of Homer. Virgil also found commentators in antiquity. Servius, a commentator of the 4th century AD, based his work on the commentary of Donatus. Servius' commentary provides us with a great deal of information about Virgil's life, sources, and references; however, many modern scholars find the variable quality of his work and the often simplistic interpretations frustrating. | Which of Virgil's works was the least famous? | {
"answer_start": [],
"text": []
} |
5a7e5f7448f7d9001a06367e | Virgil | The works of Virgil almost from the moment of their publication revolutionized Latin poetry. The Eclogues, Georgics, and above all the Aeneid became standard texts in school curricula with which all educated Romans were familiar. Poets following Virgil often refer intertextually to his works to generate meaning in their own poetry. The Augustan poet Ovid parodies the opening lines of the Aeneid in Amores 1.1.1–2, and his summary of the Aeneas story in Book 14 of the Metamorphoses, the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the Bellum Civile has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic Thebaid engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine Aeneid, but follow afar and ever venerate its footsteps." In Silius Italicus, Virgil finds one of his most ardent admirers. With almost every line of his epic Punica Silius references Virgil. Indeed, Silius is known to have bought Virgil's tomb and worshipped the poet. Partially as a result of his so-called "Messianic" Fourth Eclogue—widely interpreted later to have predicted the birth of Jesus Christ—Virgil was in later antiquity imputed to have the magical abilities of a seer; the Sortes Vergilianae, the process of using Virgil's poetry as a tool of divination, is found in the time of Hadrian, and continued into the Middle Ages. In a similar vein Macrobius in the Saturnalia credits the work of Virgil as the embodiment of human knowledge and experience, mirroring the Greek conception of Homer. Virgil also found commentators in antiquity. Servius, a commentator of the 4th century AD, based his work on the commentary of Donatus. Servius' commentary provides us with a great deal of information about Virgil's life, sources, and references; however, many modern scholars find the variable quality of his work and the often simplistic interpretations frustrating. | Who was the first poet to reference Virgil in his work? | {
"answer_start": [],
"text": []
} |
5a7e5f7448f7d9001a06367f | Virgil | The works of Virgil almost from the moment of their publication revolutionized Latin poetry. The Eclogues, Georgics, and above all the Aeneid became standard texts in school curricula with which all educated Romans were familiar. Poets following Virgil often refer intertextually to his works to generate meaning in their own poetry. The Augustan poet Ovid parodies the opening lines of the Aeneid in Amores 1.1.1–2, and his summary of the Aeneas story in Book 14 of the Metamorphoses, the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the Bellum Civile has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic Thebaid engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine Aeneid, but follow afar and ever venerate its footsteps." In Silius Italicus, Virgil finds one of his most ardent admirers. With almost every line of his epic Punica Silius references Virgil. Indeed, Silius is known to have bought Virgil's tomb and worshipped the poet. Partially as a result of his so-called "Messianic" Fourth Eclogue—widely interpreted later to have predicted the birth of Jesus Christ—Virgil was in later antiquity imputed to have the magical abilities of a seer; the Sortes Vergilianae, the process of using Virgil's poetry as a tool of divination, is found in the time of Hadrian, and continued into the Middle Ages. In a similar vein Macrobius in the Saturnalia credits the work of Virgil as the embodiment of human knowledge and experience, mirroring the Greek conception of Homer. Virgil also found commentators in antiquity. Servius, a commentator of the 4th century AD, based his work on the commentary of Donatus. Servius' commentary provides us with a great deal of information about Virgil's life, sources, and references; however, many modern scholars find the variable quality of his work and the often simplistic interpretations frustrating. | What era did Statius live in? | {
"answer_start": [],
"text": []
} |
5a7e5f7448f7d9001a063680 | Virgil | The works of Virgil almost from the moment of their publication revolutionized Latin poetry. The Eclogues, Georgics, and above all the Aeneid became standard texts in school curricula with which all educated Romans were familiar. Poets following Virgil often refer intertextually to his works to generate meaning in their own poetry. The Augustan poet Ovid parodies the opening lines of the Aeneid in Amores 1.1.1–2, and his summary of the Aeneas story in Book 14 of the Metamorphoses, the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the Bellum Civile has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic Thebaid engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine Aeneid, but follow afar and ever venerate its footsteps." In Silius Italicus, Virgil finds one of his most ardent admirers. With almost every line of his epic Punica Silius references Virgil. Indeed, Silius is known to have bought Virgil's tomb and worshipped the poet. Partially as a result of his so-called "Messianic" Fourth Eclogue—widely interpreted later to have predicted the birth of Jesus Christ—Virgil was in later antiquity imputed to have the magical abilities of a seer; the Sortes Vergilianae, the process of using Virgil's poetry as a tool of divination, is found in the time of Hadrian, and continued into the Middle Ages. In a similar vein Macrobius in the Saturnalia credits the work of Virgil as the embodiment of human knowledge and experience, mirroring the Greek conception of Homer. Virgil also found commentators in antiquity. Servius, a commentator of the 4th century AD, based his work on the commentary of Donatus. Servius' commentary provides us with a great deal of information about Virgil's life, sources, and references; however, many modern scholars find the variable quality of his work and the often simplistic interpretations frustrating. | Who did Silius Italicus buy Virgil's tomb from? | {
"answer_start": [],
"text": []
} |
5a7e5f7448f7d9001a063681 | Virgil | The works of Virgil almost from the moment of their publication revolutionized Latin poetry. The Eclogues, Georgics, and above all the Aeneid became standard texts in school curricula with which all educated Romans were familiar. Poets following Virgil often refer intertextually to his works to generate meaning in their own poetry. The Augustan poet Ovid parodies the opening lines of the Aeneid in Amores 1.1.1–2, and his summary of the Aeneas story in Book 14 of the Metamorphoses, the so-called "mini-Aeneid", has been viewed as a particularly important example of post-Virgilian response to the epic genre. Lucan's epic, the Bellum Civile has been considered an anti-Virgilian epic, disposing with the divine mechanism, treating historical events, and diverging drastically from Virgilian epic practice. The Flavian poet Statius in his 12-book epic Thebaid engages closely with the poetry of Virgil; in his epilogue he advises his poem not to "rival the divine Aeneid, but follow afar and ever venerate its footsteps." In Silius Italicus, Virgil finds one of his most ardent admirers. With almost every line of his epic Punica Silius references Virgil. Indeed, Silius is known to have bought Virgil's tomb and worshipped the poet. Partially as a result of his so-called "Messianic" Fourth Eclogue—widely interpreted later to have predicted the birth of Jesus Christ—Virgil was in later antiquity imputed to have the magical abilities of a seer; the Sortes Vergilianae, the process of using Virgil's poetry as a tool of divination, is found in the time of Hadrian, and continued into the Middle Ages. In a similar vein Macrobius in the Saturnalia credits the work of Virgil as the embodiment of human knowledge and experience, mirroring the Greek conception of Homer. Virgil also found commentators in antiquity. Servius, a commentator of the 4th century AD, based his work on the commentary of Donatus. Servius' commentary provides us with a great deal of information about Virgil's life, sources, and references; however, many modern scholars find the variable quality of his work and the often simplistic interpretations frustrating. | When was the 12 book epic Thebaid written? | {
"answer_start": [],
"text": []
} |
56f89fdc9b226e1400dd0cf3 | Virgil | Even as the Western Roman empire collapsed, literate men acknowledged that Virgil was a master poet. Gregory of Tours read Virgil, whom he quotes in several places, along with some other Latin poets, though he cautions that "we ought not to relate their lying fables, lest we fall under sentence of eternal death." | Who cautioned "we ought not to relate their lying fables, lest we fall under sentence of eternal death"? | {
"answer_start": [
101
],
"text": [
"Gregory of Tours"
]
} |
56f89fdc9b226e1400dd0cf4 | Virgil | Even as the Western Roman empire collapsed, literate men acknowledged that Virgil was a master poet. Gregory of Tours read Virgil, whom he quotes in several places, along with some other Latin poets, though he cautions that "we ought not to relate their lying fables, lest we fall under sentence of eternal death." | Literate men acknowledged Virgil as a master poet despite what empire collapsing? | {
"answer_start": [
12
],
"text": [
"Western Roman"
]
} |
56f89fdc9b226e1400dd0cf5 | Virgil | Even as the Western Roman empire collapsed, literate men acknowledged that Virgil was a master poet. Gregory of Tours read Virgil, whom he quotes in several places, along with some other Latin poets, though he cautions that "we ought not to relate their lying fables, lest we fall under sentence of eternal death." | Did literate men acknowledge Virgil as a master or novice poet? | {
"answer_start": [
88
],
"text": [
"master"
]
} |
5a7e60bd48f7d9001a063687 | Virgil | Even as the Western Roman empire collapsed, literate men acknowledged that Virgil was a master poet. Gregory of Tours read Virgil, whom he quotes in several places, along with some other Latin poets, though he cautions that "we ought not to relate their lying fables, lest we fall under sentence of eternal death." | What was Gregory of Tours profession? | {
"answer_start": [],
"text": []
} |
5a7e60bd48f7d9001a063688 | Virgil | Even as the Western Roman empire collapsed, literate men acknowledged that Virgil was a master poet. Gregory of Tours read Virgil, whom he quotes in several places, along with some other Latin poets, though he cautions that "we ought not to relate their lying fables, lest we fall under sentence of eternal death." | Where did Gregory of Tours live? | {
"answer_start": [],
"text": []
} |
5a7e60bd48f7d9001a063689 | Virgil | Even as the Western Roman empire collapsed, literate men acknowledged that Virgil was a master poet. Gregory of Tours read Virgil, whom he quotes in several places, along with some other Latin poets, though he cautions that "we ought not to relate their lying fables, lest we fall under sentence of eternal death." | Who related to the fables in Virgil's work? | {
"answer_start": [],
"text": []
} |
5a7e60bd48f7d9001a06368a | Virgil | Even as the Western Roman empire collapsed, literate men acknowledged that Virgil was a master poet. Gregory of Tours read Virgil, whom he quotes in several places, along with some other Latin poets, though he cautions that "we ought not to relate their lying fables, lest we fall under sentence of eternal death." | What language did Gregory of Tours write in? | {
"answer_start": [],
"text": []
} |
56f8a0ae9e9bad19000a0201 | Virgil | Dante made Virgil his guide in Hell and the greater part of Purgatory in The Divine Comedy. Dante also mentions Virgil in De vulgari eloquentia, along with Ovid, Lucan and Statius, as one of the four regulati poetae (ii, vi, 7). | In which of Dante's works was Virgil a guide through Hell and Purgatory? | {
"answer_start": [
77
],
"text": [
"Divine Comedy"
]
} |
56f8a0ae9e9bad19000a0202 | Virgil | Dante made Virgil his guide in Hell and the greater part of Purgatory in The Divine Comedy. Dante also mentions Virgil in De vulgari eloquentia, along with Ovid, Lucan and Statius, as one of the four regulati poetae (ii, vi, 7). | Who was the author of the Divine Comedy? | {
"answer_start": [
0
],
"text": [
"Dante"
]
} |
56f8a0ae9e9bad19000a0203 | Virgil | Dante made Virgil his guide in Hell and the greater part of Purgatory in The Divine Comedy. Dante also mentions Virgil in De vulgari eloquentia, along with Ovid, Lucan and Statius, as one of the four regulati poetae (ii, vi, 7). | Who was Dante's guide through Purgatory and Hell in the Divine Comedy? | {
"answer_start": [
11
],
"text": [
"Virgil"
]
} |
5a7e620448f7d9001a06368f | Virgil | Dante made Virgil his guide in Hell and the greater part of Purgatory in The Divine Comedy. Dante also mentions Virgil in De vulgari eloquentia, along with Ovid, Lucan and Statius, as one of the four regulati poetae (ii, vi, 7). | How many books did Dante write? | {
"answer_start": [],
"text": []
} |
5a7e620448f7d9001a063690 | Virgil | Dante made Virgil his guide in Hell and the greater part of Purgatory in The Divine Comedy. Dante also mentions Virgil in De vulgari eloquentia, along with Ovid, Lucan and Statius, as one of the four regulati poetae (ii, vi, 7). | Who was Dante's favorite author? | {
"answer_start": [],
"text": []
} |
5a7e620448f7d9001a063691 | Virgil | Dante made Virgil his guide in Hell and the greater part of Purgatory in The Divine Comedy. Dante also mentions Virgil in De vulgari eloquentia, along with Ovid, Lucan and Statius, as one of the four regulati poetae (ii, vi, 7). | What was Dante's longest book? | {
"answer_start": [],
"text": []
} |
5a7e620448f7d9001a063692 | Virgil | Dante made Virgil his guide in Hell and the greater part of Purgatory in The Divine Comedy. Dante also mentions Virgil in De vulgari eloquentia, along with Ovid, Lucan and Statius, as one of the four regulati poetae (ii, vi, 7). | Which poet was more famous, Lucan or Statius? | {
"answer_start": [],
"text": []
} |
56f8a1fc9b226e1400dd0d13 | Virgil | In the Middle Ages, Virgil's reputation was such that it inspired legends associating him with magic and prophecy. From at least the 3rd century, Christian thinkers interpreted Eclogues 4, which describes the birth of a boy ushering in a golden age, as a prediction of Jesus' birth. As such, Virgil came to be seen on a similar level as the Hebrew prophets of the Bible as one who had heralded Christianity. | Which of Virgil's works was said by some to have predicted Jesus' birth? | {
"answer_start": [
177
],
"text": [
"Eclogues 4"
]
} |
56f8a1fc9b226e1400dd0d14 | Virgil | In the Middle Ages, Virgil's reputation was such that it inspired legends associating him with magic and prophecy. From at least the 3rd century, Christian thinkers interpreted Eclogues 4, which describes the birth of a boy ushering in a golden age, as a prediction of Jesus' birth. As such, Virgil came to be seen on a similar level as the Hebrew prophets of the Bible as one who had heralded Christianity. | Which religion did some consider Virgil to have heralded in? | {
"answer_start": [
394
],
"text": [
"Christianity"
]
} |
56f8a1fc9b226e1400dd0d15 | Virgil | In the Middle Ages, Virgil's reputation was such that it inspired legends associating him with magic and prophecy. From at least the 3rd century, Christian thinkers interpreted Eclogues 4, which describes the birth of a boy ushering in a golden age, as a prediction of Jesus' birth. As such, Virgil came to be seen on a similar level as the Hebrew prophets of the Bible as one who had heralded Christianity. | During which time period did Virgil's reputation inspire legends associating him with magic and prophecy? | {
"answer_start": [
7
],
"text": [
"Middle Ages"
]
} |
5a7e641f48f7d9001a06369f | Virgil | In the Middle Ages, Virgil's reputation was such that it inspired legends associating him with magic and prophecy. From at least the 3rd century, Christian thinkers interpreted Eclogues 4, which describes the birth of a boy ushering in a golden age, as a prediction of Jesus' birth. As such, Virgil came to be seen on a similar level as the Hebrew prophets of the Bible as one who had heralded Christianity. | What did Virgil write about the most? | {
"answer_start": [],
"text": []
} |
5a7e641f48f7d9001a0636a0 | Virgil | In the Middle Ages, Virgil's reputation was such that it inspired legends associating him with magic and prophecy. From at least the 3rd century, Christian thinkers interpreted Eclogues 4, which describes the birth of a boy ushering in a golden age, as a prediction of Jesus' birth. As such, Virgil came to be seen on a similar level as the Hebrew prophets of the Bible as one who had heralded Christianity. | Who was the first to predict Jesus's birth? | {
"answer_start": [],
"text": []
} |
5a7e641f48f7d9001a0636a1 | Virgil | In the Middle Ages, Virgil's reputation was such that it inspired legends associating him with magic and prophecy. From at least the 3rd century, Christian thinkers interpreted Eclogues 4, which describes the birth of a boy ushering in a golden age, as a prediction of Jesus' birth. As such, Virgil came to be seen on a similar level as the Hebrew prophets of the Bible as one who had heralded Christianity. | What religion did Virgil follow? | {
"answer_start": [],
"text": []
} |
5a7e641f48f7d9001a0636a2 | Virgil | In the Middle Ages, Virgil's reputation was such that it inspired legends associating him with magic and prophecy. From at least the 3rd century, Christian thinkers interpreted Eclogues 4, which describes the birth of a boy ushering in a golden age, as a prediction of Jesus' birth. As such, Virgil came to be seen on a similar level as the Hebrew prophets of the Bible as one who had heralded Christianity. | When did Virgil predict Jesus would be born? | {
"answer_start": [],
"text": []
} |
56f8a37b9e9bad19000a023f | Virgil | Possibly as early as the second century AD, Virgil's works were seen as having magical properties and were used for divination. In what became known as the Sortes Vergilianae (Virgilian Lots), passages would be selected at random and interpreted to answer questions. In the 12th century, starting around Naples but eventually spreading widely throughout Europe, a tradition developed in which Virgil was regarded as a great magician. Legends about Virgil and his magical powers remained popular for over two hundred years, arguably becoming as prominent as his writings themselves. Virgil's legacy in medieval Wales was such that the Welsh version of his name, Fferyllt or Pheryllt, became a generic term for magic-worker, and survives in the modern Welsh word for pharmacist, fferyllydd. | Where did the tradition start which regarded Virgil as a great magician? | {
"answer_start": [
304
],
"text": [
"Naples"
]
} |
56f8a37b9e9bad19000a0240 | Virgil | Possibly as early as the second century AD, Virgil's works were seen as having magical properties and were used for divination. In what became known as the Sortes Vergilianae (Virgilian Lots), passages would be selected at random and interpreted to answer questions. In the 12th century, starting around Naples but eventually spreading widely throughout Europe, a tradition developed in which Virgil was regarded as a great magician. Legends about Virgil and his magical powers remained popular for over two hundred years, arguably becoming as prominent as his writings themselves. Virgil's legacy in medieval Wales was such that the Welsh version of his name, Fferyllt or Pheryllt, became a generic term for magic-worker, and survives in the modern Welsh word for pharmacist, fferyllydd. | How long did legends of Virgil's magical powers remain popular? | {
"answer_start": [
499
],
"text": [
"over two hundred years"
]
} |
56f8a37b9e9bad19000a0241 | Virgil | Possibly as early as the second century AD, Virgil's works were seen as having magical properties and were used for divination. In what became known as the Sortes Vergilianae (Virgilian Lots), passages would be selected at random and interpreted to answer questions. In the 12th century, starting around Naples but eventually spreading widely throughout Europe, a tradition developed in which Virgil was regarded as a great magician. Legends about Virgil and his magical powers remained popular for over two hundred years, arguably becoming as prominent as his writings themselves. Virgil's legacy in medieval Wales was such that the Welsh version of his name, Fferyllt or Pheryllt, became a generic term for magic-worker, and survives in the modern Welsh word for pharmacist, fferyllydd. | What is the modern Welsh word for phramacist? | {
"answer_start": [
777
],
"text": [
"fferyllydd"
]
} |
56f8a37b9e9bad19000a0242 | Virgil | Possibly as early as the second century AD, Virgil's works were seen as having magical properties and were used for divination. In what became known as the Sortes Vergilianae (Virgilian Lots), passages would be selected at random and interpreted to answer questions. In the 12th century, starting around Naples but eventually spreading widely throughout Europe, a tradition developed in which Virgil was regarded as a great magician. Legends about Virgil and his magical powers remained popular for over two hundred years, arguably becoming as prominent as his writings themselves. Virgil's legacy in medieval Wales was such that the Welsh version of his name, Fferyllt or Pheryllt, became a generic term for magic-worker, and survives in the modern Welsh word for pharmacist, fferyllydd. | Where did Virgil's name become a generic term for magic-worker? | {
"answer_start": [
601
],
"text": [
"medieval Wales"
]
} |
56f8a37b9e9bad19000a0243 | Virgil | Possibly as early as the second century AD, Virgil's works were seen as having magical properties and were used for divination. In what became known as the Sortes Vergilianae (Virgilian Lots), passages would be selected at random and interpreted to answer questions. In the 12th century, starting around Naples but eventually spreading widely throughout Europe, a tradition developed in which Virgil was regarded as a great magician. Legends about Virgil and his magical powers remained popular for over two hundred years, arguably becoming as prominent as his writings themselves. Virgil's legacy in medieval Wales was such that the Welsh version of his name, Fferyllt or Pheryllt, became a generic term for magic-worker, and survives in the modern Welsh word for pharmacist, fferyllydd. | When did Virgil's reputation as a great magician begin? | {
"answer_start": [
274
],
"text": [
"12th century"
]
} |
5a7e672948f7d9001a0636ad | Virgil | Possibly as early as the second century AD, Virgil's works were seen as having magical properties and were used for divination. In what became known as the Sortes Vergilianae (Virgilian Lots), passages would be selected at random and interpreted to answer questions. In the 12th century, starting around Naples but eventually spreading widely throughout Europe, a tradition developed in which Virgil was regarded as a great magician. Legends about Virgil and his magical powers remained popular for over two hundred years, arguably becoming as prominent as his writings themselves. Virgil's legacy in medieval Wales was such that the Welsh version of his name, Fferyllt or Pheryllt, became a generic term for magic-worker, and survives in the modern Welsh word for pharmacist, fferyllydd. | Where did the tradition of seeing Virgil as a great magician last the longest? | {
"answer_start": [],
"text": []
} |
5a7e672948f7d9001a0636ae | Virgil | Possibly as early as the second century AD, Virgil's works were seen as having magical properties and were used for divination. In what became known as the Sortes Vergilianae (Virgilian Lots), passages would be selected at random and interpreted to answer questions. In the 12th century, starting around Naples but eventually spreading widely throughout Europe, a tradition developed in which Virgil was regarded as a great magician. Legends about Virgil and his magical powers remained popular for over two hundred years, arguably becoming as prominent as his writings themselves. Virgil's legacy in medieval Wales was such that the Welsh version of his name, Fferyllt or Pheryllt, became a generic term for magic-worker, and survives in the modern Welsh word for pharmacist, fferyllydd. | How long did it take for the legends of Virgil's magic powers to spread through Europe? | {
"answer_start": [],
"text": []
} |
5a7e672948f7d9001a0636af | Virgil | Possibly as early as the second century AD, Virgil's works were seen as having magical properties and were used for divination. In what became known as the Sortes Vergilianae (Virgilian Lots), passages would be selected at random and interpreted to answer questions. In the 12th century, starting around Naples but eventually spreading widely throughout Europe, a tradition developed in which Virgil was regarded as a great magician. Legends about Virgil and his magical powers remained popular for over two hundred years, arguably becoming as prominent as his writings themselves. Virgil's legacy in medieval Wales was such that the Welsh version of his name, Fferyllt or Pheryllt, became a generic term for magic-worker, and survives in the modern Welsh word for pharmacist, fferyllydd. | Where did Virgil write his poetry? | {
"answer_start": [],
"text": []
} |
5a7e672948f7d9001a0636b0 | Virgil | Possibly as early as the second century AD, Virgil's works were seen as having magical properties and were used for divination. In what became known as the Sortes Vergilianae (Virgilian Lots), passages would be selected at random and interpreted to answer questions. In the 12th century, starting around Naples but eventually spreading widely throughout Europe, a tradition developed in which Virgil was regarded as a great magician. Legends about Virgil and his magical powers remained popular for over two hundred years, arguably becoming as prominent as his writings themselves. Virgil's legacy in medieval Wales was such that the Welsh version of his name, Fferyllt or Pheryllt, became a generic term for magic-worker, and survives in the modern Welsh word for pharmacist, fferyllydd. | What part of the world did Virgil write the most about? | {
"answer_start": [],
"text": []
} |
5a7e672948f7d9001a0636b1 | Virgil | Possibly as early as the second century AD, Virgil's works were seen as having magical properties and were used for divination. In what became known as the Sortes Vergilianae (Virgilian Lots), passages would be selected at random and interpreted to answer questions. In the 12th century, starting around Naples but eventually spreading widely throughout Europe, a tradition developed in which Virgil was regarded as a great magician. Legends about Virgil and his magical powers remained popular for over two hundred years, arguably becoming as prominent as his writings themselves. Virgil's legacy in medieval Wales was such that the Welsh version of his name, Fferyllt or Pheryllt, became a generic term for magic-worker, and survives in the modern Welsh word for pharmacist, fferyllydd. | When were Virgil's works the most popular? | {
"answer_start": [],
"text": []
} |
56f8a4a59e9bad19000a0249 | Virgil | The legend of Virgil in his Basket arose in the Middle Ages, and is often seen in art and mentioned in literature as part of the Power of Women literary topos, demonstrating the disruptive force of female attractiveness on men. In this story Virgil became enamoured of a beautiful woman, sometimes described as the emperor's daughter or mistress and called Lucretia. She played him along and agreed to an assignation at her house, which he was to sneak into at night by climbing into a large basket let down from a window. When he did so he was only hoisted halfway up the wall and then left him trapped there into the next day, exposed to public ridicule. The story paralleled that of Phyllis riding Aristotle. Among other artists depicting the scene, Lucas van Leyden made a woodcut and later an engraving. | During which time period did the legend of Virgil in his Basket arise? | {
"answer_start": [
48
],
"text": [
"Middle Ages"
]
} |
56f8a4a59e9bad19000a024a | Virgil | The legend of Virgil in his Basket arose in the Middle Ages, and is often seen in art and mentioned in literature as part of the Power of Women literary topos, demonstrating the disruptive force of female attractiveness on men. In this story Virgil became enamoured of a beautiful woman, sometimes described as the emperor's daughter or mistress and called Lucretia. She played him along and agreed to an assignation at her house, which he was to sneak into at night by climbing into a large basket let down from a window. When he did so he was only hoisted halfway up the wall and then left him trapped there into the next day, exposed to public ridicule. The story paralleled that of Phyllis riding Aristotle. Among other artists depicting the scene, Lucas van Leyden made a woodcut and later an engraving. | What is the name of the beautiful woman who Virgil enamoured? | {
"answer_start": [
357
],
"text": [
"Lucretia"
]
} |
56f8a4a59e9bad19000a024b | Virgil | The legend of Virgil in his Basket arose in the Middle Ages, and is often seen in art and mentioned in literature as part of the Power of Women literary topos, demonstrating the disruptive force of female attractiveness on men. In this story Virgil became enamoured of a beautiful woman, sometimes described as the emperor's daughter or mistress and called Lucretia. She played him along and agreed to an assignation at her house, which he was to sneak into at night by climbing into a large basket let down from a window. When he did so he was only hoisted halfway up the wall and then left him trapped there into the next day, exposed to public ridicule. The story paralleled that of Phyllis riding Aristotle. Among other artists depicting the scene, Lucas van Leyden made a woodcut and later an engraving. | Which story did Virgil being left halfway in basket parallel? | {
"answer_start": [
686
],
"text": [
"Phyllis riding Aristotle"
]
} |
56f8a4a59e9bad19000a024c | Virgil | The legend of Virgil in his Basket arose in the Middle Ages, and is often seen in art and mentioned in literature as part of the Power of Women literary topos, demonstrating the disruptive force of female attractiveness on men. In this story Virgil became enamoured of a beautiful woman, sometimes described as the emperor's daughter or mistress and called Lucretia. She played him along and agreed to an assignation at her house, which he was to sneak into at night by climbing into a large basket let down from a window. When he did so he was only hoisted halfway up the wall and then left him trapped there into the next day, exposed to public ridicule. The story paralleled that of Phyllis riding Aristotle. Among other artists depicting the scene, Lucas van Leyden made a woodcut and later an engraving. | Which artist made a woodcut and later an engraving of Virgil and his basket? | {
"answer_start": [
753
],
"text": [
"Lucas van Leyden"
]
} |
5a7e68d448f7d9001a0636b7 | Virgil | The legend of Virgil in his Basket arose in the Middle Ages, and is often seen in art and mentioned in literature as part of the Power of Women literary topos, demonstrating the disruptive force of female attractiveness on men. In this story Virgil became enamoured of a beautiful woman, sometimes described as the emperor's daughter or mistress and called Lucretia. She played him along and agreed to an assignation at her house, which he was to sneak into at night by climbing into a large basket let down from a window. When he did so he was only hoisted halfway up the wall and then left him trapped there into the next day, exposed to public ridicule. The story paralleled that of Phyllis riding Aristotle. Among other artists depicting the scene, Lucas van Leyden made a woodcut and later an engraving. | When did Lucas van Leyden live? | {
"answer_start": [],
"text": []
} |
5a7e68d448f7d9001a0636b8 | Virgil | The legend of Virgil in his Basket arose in the Middle Ages, and is often seen in art and mentioned in literature as part of the Power of Women literary topos, demonstrating the disruptive force of female attractiveness on men. In this story Virgil became enamoured of a beautiful woman, sometimes described as the emperor's daughter or mistress and called Lucretia. She played him along and agreed to an assignation at her house, which he was to sneak into at night by climbing into a large basket let down from a window. When he did so he was only hoisted halfway up the wall and then left him trapped there into the next day, exposed to public ridicule. The story paralleled that of Phyllis riding Aristotle. Among other artists depicting the scene, Lucas van Leyden made a woodcut and later an engraving. | What was Phyllis known as? | {
"answer_start": [],
"text": []
} |
5a7e68d448f7d9001a0636b9 | Virgil | The legend of Virgil in his Basket arose in the Middle Ages, and is often seen in art and mentioned in literature as part of the Power of Women literary topos, demonstrating the disruptive force of female attractiveness on men. In this story Virgil became enamoured of a beautiful woman, sometimes described as the emperor's daughter or mistress and called Lucretia. She played him along and agreed to an assignation at her house, which he was to sneak into at night by climbing into a large basket let down from a window. When he did so he was only hoisted halfway up the wall and then left him trapped there into the next day, exposed to public ridicule. The story paralleled that of Phyllis riding Aristotle. Among other artists depicting the scene, Lucas van Leyden made a woodcut and later an engraving. | Who was one of the writers who wrote about Virgil in his Basket? | {
"answer_start": [],
"text": []
} |
5a7e68d448f7d9001a0636ba | Virgil | The legend of Virgil in his Basket arose in the Middle Ages, and is often seen in art and mentioned in literature as part of the Power of Women literary topos, demonstrating the disruptive force of female attractiveness on men. In this story Virgil became enamoured of a beautiful woman, sometimes described as the emperor's daughter or mistress and called Lucretia. She played him along and agreed to an assignation at her house, which he was to sneak into at night by climbing into a large basket let down from a window. When he did so he was only hoisted halfway up the wall and then left him trapped there into the next day, exposed to public ridicule. The story paralleled that of Phyllis riding Aristotle. Among other artists depicting the scene, Lucas van Leyden made a woodcut and later an engraving. | What form of art did the most artists use to depict Virgil in his Basket? | {
"answer_start": [],
"text": []
} |
5a7e68d448f7d9001a0636bb | Virgil | The legend of Virgil in his Basket arose in the Middle Ages, and is often seen in art and mentioned in literature as part of the Power of Women literary topos, demonstrating the disruptive force of female attractiveness on men. In this story Virgil became enamoured of a beautiful woman, sometimes described as the emperor's daughter or mistress and called Lucretia. She played him along and agreed to an assignation at her house, which he was to sneak into at night by climbing into a large basket let down from a window. When he did so he was only hoisted halfway up the wall and then left him trapped there into the next day, exposed to public ridicule. The story paralleled that of Phyllis riding Aristotle. Among other artists depicting the scene, Lucas van Leyden made a woodcut and later an engraving. | When did Phyllis ride Aristotle? | {
"answer_start": [],
"text": []
} |
56f8a5a89b226e1400dd0d45 | Virgil | The structure known as "Virgil's tomb" is found at the entrance of an ancient Roman tunnel (also known as "grotta vecchia") in Piedigrotta, a district two miles from the centre of Naples, near the Mergellina harbor, on the road heading north along the coast to Pozzuoli. While Virgil was already the object of literary admiration and veneration before his death, in the Middle Ages his name became associated with miraculous powers, and for a couple of centuries his tomb was the destination of pilgrimages and veneration. | During which time period did Virgil's name become associated with miraclous powers? | {
"answer_start": [
370
],
"text": [
"Middle Ages"
]
} |
56f8a5a89b226e1400dd0d46 | Virgil | The structure known as "Virgil's tomb" is found at the entrance of an ancient Roman tunnel (also known as "grotta vecchia") in Piedigrotta, a district two miles from the centre of Naples, near the Mergellina harbor, on the road heading north along the coast to Pozzuoli. While Virgil was already the object of literary admiration and veneration before his death, in the Middle Ages his name became associated with miraculous powers, and for a couple of centuries his tomb was the destination of pilgrimages and veneration. | In which district is "Virgil's tomb" located? | {
"answer_start": [
127
],
"text": [
"Piedigrotta"
]
} |
56f8a5a89b226e1400dd0d47 | Virgil | The structure known as "Virgil's tomb" is found at the entrance of an ancient Roman tunnel (also known as "grotta vecchia") in Piedigrotta, a district two miles from the centre of Naples, near the Mergellina harbor, on the road heading north along the coast to Pozzuoli. While Virgil was already the object of literary admiration and veneration before his death, in the Middle Ages his name became associated with miraculous powers, and for a couple of centuries his tomb was the destination of pilgrimages and veneration. | What is the entrance of the ancient Roman tunnel where "Virgil's tomb" is located also called? | {
"answer_start": [
107
],
"text": [
"grotta vecchia"
]
} |
5a7e71d048f7d9001a0636f7 | Virgil | The structure known as "Virgil's tomb" is found at the entrance of an ancient Roman tunnel (also known as "grotta vecchia") in Piedigrotta, a district two miles from the centre of Naples, near the Mergellina harbor, on the road heading north along the coast to Pozzuoli. While Virgil was already the object of literary admiration and veneration before his death, in the Middle Ages his name became associated with miraculous powers, and for a couple of centuries his tomb was the destination of pilgrimages and veneration. | Where did Virgil die? | {
"answer_start": [],
"text": []
} |
5a7e71d048f7d9001a0636f8 | Virgil | The structure known as "Virgil's tomb" is found at the entrance of an ancient Roman tunnel (also known as "grotta vecchia") in Piedigrotta, a district two miles from the centre of Naples, near the Mergellina harbor, on the road heading north along the coast to Pozzuoli. While Virgil was already the object of literary admiration and veneration before his death, in the Middle Ages his name became associated with miraculous powers, and for a couple of centuries his tomb was the destination of pilgrimages and veneration. | Where did pilgrims pass through on the way to Virgil's tomb? | {
"answer_start": [],
"text": []
} |
5a7e71d048f7d9001a0636f9 | Virgil | The structure known as "Virgil's tomb" is found at the entrance of an ancient Roman tunnel (also known as "grotta vecchia") in Piedigrotta, a district two miles from the centre of Naples, near the Mergellina harbor, on the road heading north along the coast to Pozzuoli. While Virgil was already the object of literary admiration and veneration before his death, in the Middle Ages his name became associated with miraculous powers, and for a couple of centuries his tomb was the destination of pilgrimages and veneration. | Where did most of the pilgrims come from? | {
"answer_start": [],
"text": []
} |
5a7e71d048f7d9001a0636fa | Virgil | The structure known as "Virgil's tomb" is found at the entrance of an ancient Roman tunnel (also known as "grotta vecchia") in Piedigrotta, a district two miles from the centre of Naples, near the Mergellina harbor, on the road heading north along the coast to Pozzuoli. While Virgil was already the object of literary admiration and veneration before his death, in the Middle Ages his name became associated with miraculous powers, and for a couple of centuries his tomb was the destination of pilgrimages and veneration. | When were Virgil's books the most widely read? | {
"answer_start": [],
"text": []
} |
56f8a6f19e9bad19000a0265 | Virgil | In the Late Empire and Middle Ages Vergilius was spelled Virgilius. Two explanations are commonly given for this alteration. One deduces a false etymology associated with the word virgo ("maiden" in Latin) due to Virgil's excessive, "maiden"-like modesty. Alternatively, some argue that Vergilius was altered to Virgilius by analogy with the Latin virga ("wand") due to the magical or prophetic powers attributed to Virgil in the Middle Ages (this explanation is found in only a handful of manuscripts, however, and was probably not widespread). In Norman schools (following the French practice), the habit was to anglicize Latin names by dropping their Latin endings, hence Virgil. In the 19th century, some German-trained classicists in the United States suggested modification to Vergil, as it is closer to his original name, and is also the traditional German spelling.[citation needed] Modern usage permits both, though the Oxford guide to style recommends Vergilius to avoid confusion with the 8th-century grammarian Virgilius Maro Grammaticus. Some post-Renaissance writers liked to affect the sobriquet "The Swan of Mantua".[citation needed] | Besides Virgilius, which other spelling is permitted in modern usage? | {
"answer_start": [
35
],
"text": [
"Vergilius"
]
} |
56f8a6f19e9bad19000a0266 | Virgil | In the Late Empire and Middle Ages Vergilius was spelled Virgilius. Two explanations are commonly given for this alteration. One deduces a false etymology associated with the word virgo ("maiden" in Latin) due to Virgil's excessive, "maiden"-like modesty. Alternatively, some argue that Vergilius was altered to Virgilius by analogy with the Latin virga ("wand") due to the magical or prophetic powers attributed to Virgil in the Middle Ages (this explanation is found in only a handful of manuscripts, however, and was probably not widespread). In Norman schools (following the French practice), the habit was to anglicize Latin names by dropping their Latin endings, hence Virgil. In the 19th century, some German-trained classicists in the United States suggested modification to Vergil, as it is closer to his original name, and is also the traditional German spelling.[citation needed] Modern usage permits both, though the Oxford guide to style recommends Vergilius to avoid confusion with the 8th-century grammarian Virgilius Maro Grammaticus. Some post-Renaissance writers liked to affect the sobriquet "The Swan of Mantua".[citation needed] | During which time period was Vergilius spelled Virgilius? | {
"answer_start": [
7
],
"text": [
"Late Empire and Middle Ages"
]
} |
56f8a6f19e9bad19000a0267 | Virgil | In the Late Empire and Middle Ages Vergilius was spelled Virgilius. Two explanations are commonly given for this alteration. One deduces a false etymology associated with the word virgo ("maiden" in Latin) due to Virgil's excessive, "maiden"-like modesty. Alternatively, some argue that Vergilius was altered to Virgilius by analogy with the Latin virga ("wand") due to the magical or prophetic powers attributed to Virgil in the Middle Ages (this explanation is found in only a handful of manuscripts, however, and was probably not widespread). In Norman schools (following the French practice), the habit was to anglicize Latin names by dropping their Latin endings, hence Virgil. In the 19th century, some German-trained classicists in the United States suggested modification to Vergil, as it is closer to his original name, and is also the traditional German spelling.[citation needed] Modern usage permits both, though the Oxford guide to style recommends Vergilius to avoid confusion with the 8th-century grammarian Virgilius Maro Grammaticus. Some post-Renaissance writers liked to affect the sobriquet "The Swan of Mantua".[citation needed] | In what century did some German-trained classicists in the US suggest modifying the common usage to Vergil? | {
"answer_start": [
690
],
"text": [
"19th"
]
} |
56f8a6f19e9bad19000a0268 | Virgil | In the Late Empire and Middle Ages Vergilius was spelled Virgilius. Two explanations are commonly given for this alteration. One deduces a false etymology associated with the word virgo ("maiden" in Latin) due to Virgil's excessive, "maiden"-like modesty. Alternatively, some argue that Vergilius was altered to Virgilius by analogy with the Latin virga ("wand") due to the magical or prophetic powers attributed to Virgil in the Middle Ages (this explanation is found in only a handful of manuscripts, however, and was probably not widespread). In Norman schools (following the French practice), the habit was to anglicize Latin names by dropping their Latin endings, hence Virgil. In the 19th century, some German-trained classicists in the United States suggested modification to Vergil, as it is closer to his original name, and is also the traditional German spelling.[citation needed] Modern usage permits both, though the Oxford guide to style recommends Vergilius to avoid confusion with the 8th-century grammarian Virgilius Maro Grammaticus. Some post-Renaissance writers liked to affect the sobriquet "The Swan of Mantua".[citation needed] | Which style guide recommends using Vergilius to avoid confusion with Virgilius Maro Grammaticus? | {
"answer_start": [
929
],
"text": [
"Oxford"
]
} |
5a7e776d48f7d9001a063713 | Virgil | In the Late Empire and Middle Ages Vergilius was spelled Virgilius. Two explanations are commonly given for this alteration. One deduces a false etymology associated with the word virgo ("maiden" in Latin) due to Virgil's excessive, "maiden"-like modesty. Alternatively, some argue that Vergilius was altered to Virgilius by analogy with the Latin virga ("wand") due to the magical or prophetic powers attributed to Virgil in the Middle Ages (this explanation is found in only a handful of manuscripts, however, and was probably not widespread). In Norman schools (following the French practice), the habit was to anglicize Latin names by dropping their Latin endings, hence Virgil. In the 19th century, some German-trained classicists in the United States suggested modification to Vergil, as it is closer to his original name, and is also the traditional German spelling.[citation needed] Modern usage permits both, though the Oxford guide to style recommends Vergilius to avoid confusion with the 8th-century grammarian Virgilius Maro Grammaticus. Some post-Renaissance writers liked to affect the sobriquet "The Swan of Mantua".[citation needed] | Why was Virgil called "The Swan of Mantua"? | {
"answer_start": [],
"text": []
} |
5a7e776d48f7d9001a063714 | Virgil | In the Late Empire and Middle Ages Vergilius was spelled Virgilius. Two explanations are commonly given for this alteration. One deduces a false etymology associated with the word virgo ("maiden" in Latin) due to Virgil's excessive, "maiden"-like modesty. Alternatively, some argue that Vergilius was altered to Virgilius by analogy with the Latin virga ("wand") due to the magical or prophetic powers attributed to Virgil in the Middle Ages (this explanation is found in only a handful of manuscripts, however, and was probably not widespread). In Norman schools (following the French practice), the habit was to anglicize Latin names by dropping their Latin endings, hence Virgil. In the 19th century, some German-trained classicists in the United States suggested modification to Vergil, as it is closer to his original name, and is also the traditional German spelling.[citation needed] Modern usage permits both, though the Oxford guide to style recommends Vergilius to avoid confusion with the 8th-century grammarian Virgilius Maro Grammaticus. Some post-Renaissance writers liked to affect the sobriquet "The Swan of Mantua".[citation needed] | Who attributed magical powers to Virgil in the middle ages? | {
"answer_start": [],
"text": []
} |
5a7e776d48f7d9001a063715 | Virgil | In the Late Empire and Middle Ages Vergilius was spelled Virgilius. Two explanations are commonly given for this alteration. One deduces a false etymology associated with the word virgo ("maiden" in Latin) due to Virgil's excessive, "maiden"-like modesty. Alternatively, some argue that Vergilius was altered to Virgilius by analogy with the Latin virga ("wand") due to the magical or prophetic powers attributed to Virgil in the Middle Ages (this explanation is found in only a handful of manuscripts, however, and was probably not widespread). In Norman schools (following the French practice), the habit was to anglicize Latin names by dropping their Latin endings, hence Virgil. In the 19th century, some German-trained classicists in the United States suggested modification to Vergil, as it is closer to his original name, and is also the traditional German spelling.[citation needed] Modern usage permits both, though the Oxford guide to style recommends Vergilius to avoid confusion with the 8th-century grammarian Virgilius Maro Grammaticus. Some post-Renaissance writers liked to affect the sobriquet "The Swan of Mantua".[citation needed] | When was the Oxford guide to style written? | {
"answer_start": [],
"text": []
} |
5a7e776d48f7d9001a063716 | Virgil | In the Late Empire and Middle Ages Vergilius was spelled Virgilius. Two explanations are commonly given for this alteration. One deduces a false etymology associated with the word virgo ("maiden" in Latin) due to Virgil's excessive, "maiden"-like modesty. Alternatively, some argue that Vergilius was altered to Virgilius by analogy with the Latin virga ("wand") due to the magical or prophetic powers attributed to Virgil in the Middle Ages (this explanation is found in only a handful of manuscripts, however, and was probably not widespread). In Norman schools (following the French practice), the habit was to anglicize Latin names by dropping their Latin endings, hence Virgil. In the 19th century, some German-trained classicists in the United States suggested modification to Vergil, as it is closer to his original name, and is also the traditional German spelling.[citation needed] Modern usage permits both, though the Oxford guide to style recommends Vergilius to avoid confusion with the 8th-century grammarian Virgilius Maro Grammaticus. Some post-Renaissance writers liked to affect the sobriquet "The Swan of Mantua".[citation needed] | What language was the Oxford guide to style originally written in? | {
"answer_start": [],
"text": []
} |
5a7e776d48f7d9001a063717 | Virgil | In the Late Empire and Middle Ages Vergilius was spelled Virgilius. Two explanations are commonly given for this alteration. One deduces a false etymology associated with the word virgo ("maiden" in Latin) due to Virgil's excessive, "maiden"-like modesty. Alternatively, some argue that Vergilius was altered to Virgilius by analogy with the Latin virga ("wand") due to the magical or prophetic powers attributed to Virgil in the Middle Ages (this explanation is found in only a handful of manuscripts, however, and was probably not widespread). In Norman schools (following the French practice), the habit was to anglicize Latin names by dropping their Latin endings, hence Virgil. In the 19th century, some German-trained classicists in the United States suggested modification to Vergil, as it is closer to his original name, and is also the traditional German spelling.[citation needed] Modern usage permits both, though the Oxford guide to style recommends Vergilius to avoid confusion with the 8th-century grammarian Virgilius Maro Grammaticus. Some post-Renaissance writers liked to affect the sobriquet "The Swan of Mantua".[citation needed] | What country was the Oxford guide to style written in? | {
"answer_start": [],
"text": []
} |
56f81f0ea6d7ea1400e173d7 | Alps | The Alps (/ælps/; Italian: Alpi [ˈalpi]; French: Alpes [alp]; German: Alpen [ˈʔalpm̩]; Slovene: Alpe [ˈáːlpɛ]) are the highest and most extensive mountain range system that lies entirely in Europe, stretching approximately 1,200 kilometres (750 mi) across eight Alpine countries: Austria, France, Germany, Italy, Liechtenstein, Monaco, Slovenia, and Switzerland. The Caucasus Mountains are higher, and the Urals longer, but both lie partly in Asia. The mountains were formed over tens of millions of years as the African and Eurasian tectonic plates collided. Extreme shortening caused by the event resulted in marine sedimentary rocks rising by thrusting and folding into high mountain peaks such as Mont Blanc and the Matterhorn. Mont Blanc spans the French–Italian border, and at 4,810 m (15,781 ft) is the highest mountain in the Alps. The Alpine region area contains about a hundred peaks higher than 4,000 m (13,123 ft), known as the "four-thousanders". | What Country are the Alps located in? | {
"answer_start": [
190
],
"text": [
"Europe"
]
} |
56f81f0ea6d7ea1400e173d8 | Alps | The Alps (/ælps/; Italian: Alpi [ˈalpi]; French: Alpes [alp]; German: Alpen [ˈʔalpm̩]; Slovene: Alpe [ˈáːlpɛ]) are the highest and most extensive mountain range system that lies entirely in Europe, stretching approximately 1,200 kilometres (750 mi) across eight Alpine countries: Austria, France, Germany, Italy, Liechtenstein, Monaco, Slovenia, and Switzerland. The Caucasus Mountains are higher, and the Urals longer, but both lie partly in Asia. The mountains were formed over tens of millions of years as the African and Eurasian tectonic plates collided. Extreme shortening caused by the event resulted in marine sedimentary rocks rising by thrusting and folding into high mountain peaks such as Mont Blanc and the Matterhorn. Mont Blanc spans the French–Italian border, and at 4,810 m (15,781 ft) is the highest mountain in the Alps. The Alpine region area contains about a hundred peaks higher than 4,000 m (13,123 ft), known as the "four-thousanders". | How many kilometres do the Alps stretch? | {
"answer_start": [
223
],
"text": [
"1,200 kilometres"
]
} |
56f81f0ea6d7ea1400e173d9 | Alps | The Alps (/ælps/; Italian: Alpi [ˈalpi]; French: Alpes [alp]; German: Alpen [ˈʔalpm̩]; Slovene: Alpe [ˈáːlpɛ]) are the highest and most extensive mountain range system that lies entirely in Europe, stretching approximately 1,200 kilometres (750 mi) across eight Alpine countries: Austria, France, Germany, Italy, Liechtenstein, Monaco, Slovenia, and Switzerland. The Caucasus Mountains are higher, and the Urals longer, but both lie partly in Asia. The mountains were formed over tens of millions of years as the African and Eurasian tectonic plates collided. Extreme shortening caused by the event resulted in marine sedimentary rocks rising by thrusting and folding into high mountain peaks such as Mont Blanc and the Matterhorn. Mont Blanc spans the French–Italian border, and at 4,810 m (15,781 ft) is the highest mountain in the Alps. The Alpine region area contains about a hundred peaks higher than 4,000 m (13,123 ft), known as the "four-thousanders". | How long has it taken for the Alps to form? | {
"answer_start": [
475
],
"text": [
"over tens of millions of years"
]
} |
56f81f0ea6d7ea1400e173da | Alps | The Alps (/ælps/; Italian: Alpi [ˈalpi]; French: Alpes [alp]; German: Alpen [ˈʔalpm̩]; Slovene: Alpe [ˈáːlpɛ]) are the highest and most extensive mountain range system that lies entirely in Europe, stretching approximately 1,200 kilometres (750 mi) across eight Alpine countries: Austria, France, Germany, Italy, Liechtenstein, Monaco, Slovenia, and Switzerland. The Caucasus Mountains are higher, and the Urals longer, but both lie partly in Asia. The mountains were formed over tens of millions of years as the African and Eurasian tectonic plates collided. Extreme shortening caused by the event resulted in marine sedimentary rocks rising by thrusting and folding into high mountain peaks such as Mont Blanc and the Matterhorn. Mont Blanc spans the French–Italian border, and at 4,810 m (15,781 ft) is the highest mountain in the Alps. The Alpine region area contains about a hundred peaks higher than 4,000 m (13,123 ft), known as the "four-thousanders". | What is the highest mountain in the Alps? | {
"answer_start": [
732
],
"text": [
"Mont Blanc"
]
} |
56f81f0ea6d7ea1400e173db | Alps | The Alps (/ælps/; Italian: Alpi [ˈalpi]; French: Alpes [alp]; German: Alpen [ˈʔalpm̩]; Slovene: Alpe [ˈáːlpɛ]) are the highest and most extensive mountain range system that lies entirely in Europe, stretching approximately 1,200 kilometres (750 mi) across eight Alpine countries: Austria, France, Germany, Italy, Liechtenstein, Monaco, Slovenia, and Switzerland. The Caucasus Mountains are higher, and the Urals longer, but both lie partly in Asia. The mountains were formed over tens of millions of years as the African and Eurasian tectonic plates collided. Extreme shortening caused by the event resulted in marine sedimentary rocks rising by thrusting and folding into high mountain peaks such as Mont Blanc and the Matterhorn. Mont Blanc spans the French–Italian border, and at 4,810 m (15,781 ft) is the highest mountain in the Alps. The Alpine region area contains about a hundred peaks higher than 4,000 m (13,123 ft), known as the "four-thousanders". | The Alpine region is also known as what? | {
"answer_start": [
936
],
"text": [
"the \"four-thousanders\""
]
} |
56f81fe6aef2371900625df5 | Alps | The altitude and size of the range affects the climate in Europe; in the mountains precipitation levels vary greatly and climatic conditions consist of distinct zones. Wildlife such as ibex live in the higher peaks to elevations of 3,400 m (11,155 ft), and plants such as Edelweiss grow in rocky areas in lower elevations as well as in higher elevations. Evidence of human habitation in the Alps goes back to the Paleolithic era. | What affects the climate in Europe? | {
"answer_start": [
0
],
"text": [
"The altitude and size of the range"
]
} |
56f81fe6aef2371900625df6 | Alps | The altitude and size of the range affects the climate in Europe; in the mountains precipitation levels vary greatly and climatic conditions consist of distinct zones. Wildlife such as ibex live in the higher peaks to elevations of 3,400 m (11,155 ft), and plants such as Edelweiss grow in rocky areas in lower elevations as well as in higher elevations. Evidence of human habitation in the Alps goes back to the Paleolithic era. | What type of animal lives inn the higher peaks? | {
"answer_start": [
185
],
"text": [
"ibex"
]
} |
56f81fe6aef2371900625df7 | Alps | The altitude and size of the range affects the climate in Europe; in the mountains precipitation levels vary greatly and climatic conditions consist of distinct zones. Wildlife such as ibex live in the higher peaks to elevations of 3,400 m (11,155 ft), and plants such as Edelweiss grow in rocky areas in lower elevations as well as in higher elevations. Evidence of human habitation in the Alps goes back to the Paleolithic era. | What plant grows in the rocky areas of the range? | {
"answer_start": [
272
],
"text": [
"Edelweiss"
]
} |
56f81fe6aef2371900625df8 | Alps | The altitude and size of the range affects the climate in Europe; in the mountains precipitation levels vary greatly and climatic conditions consist of distinct zones. Wildlife such as ibex live in the higher peaks to elevations of 3,400 m (11,155 ft), and plants such as Edelweiss grow in rocky areas in lower elevations as well as in higher elevations. Evidence of human habitation in the Alps goes back to the Paleolithic era. | Evidence of human habitation in the Alps goes as far back to what era? | {
"answer_start": [
413
],
"text": [
"Paleolithic era"
]
} |
56f82171a6d7ea1400e173e7 | Alps | A mummified man, determined to be 5,000 years old, was discovered on a glacier at the Austrian–Italian border in 1991. By the 6th century BC, the Celtic La Tène culture was well established. Hannibal famously crossed the Alps with a herd of elephants, and the Romans had settlements in the region. In 1800 Napoleon crossed one of the mountain passes with an army of 40,000. The 18th and 19th centuries saw an influx of naturalists, writers, and artists, in particular the Romantics, followed by the golden age of alpinism as mountaineers began to ascend the peaks. In World War II, Adolf Hitler kept a base of operation in the Bavarian Alps throughout the war. | How old was the mummified man discovered at the Austrian-Italian bored? | {
"answer_start": [
34
],
"text": [
"5,000 years old"
]
} |
56f82171a6d7ea1400e173e8 | Alps | A mummified man, determined to be 5,000 years old, was discovered on a glacier at the Austrian–Italian border in 1991. By the 6th century BC, the Celtic La Tène culture was well established. Hannibal famously crossed the Alps with a herd of elephants, and the Romans had settlements in the region. In 1800 Napoleon crossed one of the mountain passes with an army of 40,000. The 18th and 19th centuries saw an influx of naturalists, writers, and artists, in particular the Romantics, followed by the golden age of alpinism as mountaineers began to ascend the peaks. In World War II, Adolf Hitler kept a base of operation in the Bavarian Alps throughout the war. | What culture was well established by the 6th Century BC? | {
"answer_start": [
142
],
"text": [
"the Celtic La Tène culture"
]
} |
56f82171a6d7ea1400e173e9 | Alps | A mummified man, determined to be 5,000 years old, was discovered on a glacier at the Austrian–Italian border in 1991. By the 6th century BC, the Celtic La Tène culture was well established. Hannibal famously crossed the Alps with a herd of elephants, and the Romans had settlements in the region. In 1800 Napoleon crossed one of the mountain passes with an army of 40,000. The 18th and 19th centuries saw an influx of naturalists, writers, and artists, in particular the Romantics, followed by the golden age of alpinism as mountaineers began to ascend the peaks. In World War II, Adolf Hitler kept a base of operation in the Bavarian Alps throughout the war. | Who famously crossed the Alps with a herd of elephants? | {
"answer_start": [
191
],
"text": [
"Hannibal"
]
} |
56f82171a6d7ea1400e173ea | Alps | A mummified man, determined to be 5,000 years old, was discovered on a glacier at the Austrian–Italian border in 1991. By the 6th century BC, the Celtic La Tène culture was well established. Hannibal famously crossed the Alps with a herd of elephants, and the Romans had settlements in the region. In 1800 Napoleon crossed one of the mountain passes with an army of 40,000. The 18th and 19th centuries saw an influx of naturalists, writers, and artists, in particular the Romantics, followed by the golden age of alpinism as mountaineers began to ascend the peaks. In World War II, Adolf Hitler kept a base of operation in the Bavarian Alps throughout the war. | What person took an army of 40,000 across the mountain passes? | {
"answer_start": [
306
],
"text": [
"Napoleon"
]
} |
56f82171a6d7ea1400e173eb | Alps | A mummified man, determined to be 5,000 years old, was discovered on a glacier at the Austrian–Italian border in 1991. By the 6th century BC, the Celtic La Tène culture was well established. Hannibal famously crossed the Alps with a herd of elephants, and the Romans had settlements in the region. In 1800 Napoleon crossed one of the mountain passes with an army of 40,000. The 18th and 19th centuries saw an influx of naturalists, writers, and artists, in particular the Romantics, followed by the golden age of alpinism as mountaineers began to ascend the peaks. In World War II, Adolf Hitler kept a base of operation in the Bavarian Alps throughout the war. | Where was Adolf Hitlers base of operation during World War 2? | {
"answer_start": [
627
],
"text": [
"Bavarian Alps"
]
} |
56f824aba6d7ea1400e1740f | Alps | The Alpine region has a strong cultural identity. The traditional culture of farming, cheesemaking, and woodworking still exists in Alpine villages, although the tourist industry began to grow early in the 20th century and expanded greatly after World War II to become the dominant industry by the end of the century. The Winter Olympic Games have been hosted in the Swiss, French, Italian, Austrian and German Alps. At present the region is home to 14 million people and has 120 million annual visitors. | The alps is home to how many people? | {
"answer_start": [
450
],
"text": [
"14 million people"
]
} |
56f824aba6d7ea1400e17410 | Alps | The Alpine region has a strong cultural identity. The traditional culture of farming, cheesemaking, and woodworking still exists in Alpine villages, although the tourist industry began to grow early in the 20th century and expanded greatly after World War II to become the dominant industry by the end of the century. The Winter Olympic Games have been hosted in the Swiss, French, Italian, Austrian and German Alps. At present the region is home to 14 million people and has 120 million annual visitors. | How many visitors go to the Alps annually? | {
"answer_start": [
476
],
"text": [
"120 million"
]
} |
56f824aba6d7ea1400e17411 | Alps | The Alpine region has a strong cultural identity. The traditional culture of farming, cheesemaking, and woodworking still exists in Alpine villages, although the tourist industry began to grow early in the 20th century and expanded greatly after World War II to become the dominant industry by the end of the century. The Winter Olympic Games have been hosted in the Swiss, French, Italian, Austrian and German Alps. At present the region is home to 14 million people and has 120 million annual visitors. | What is the dominant industry in the Alpine region? | {
"answer_start": [
162
],
"text": [
"tourist industry"
]
} |
56f82596aef2371900625e2d | Alps | The English word Alps derives from the Latin Alpes (through French). Maurus Servius Honoratus, an ancient commentator of Virgil, says in his commentary (A. X 13) that all high mountains are called Alpes by Celts. The term may be common to Italo-Celtic, because the Celtic languages have terms for high mountains derived from alp. | The English word Alps derives from what Latin Word? | {
"answer_start": [
45
],
"text": [
"Alpes"
]
} |
56f82596aef2371900625e2e | Alps | The English word Alps derives from the Latin Alpes (through French). Maurus Servius Honoratus, an ancient commentator of Virgil, says in his commentary (A. X 13) that all high mountains are called Alpes by Celts. The term may be common to Italo-Celtic, because the Celtic languages have terms for high mountains derived from alp. | Who says that all high mountains are called Alpes by Celts? | {
"answer_start": [
69
],
"text": [
"Maurus Servius Honoratus"
]
} |
56f82596aef2371900625e2f | Alps | The English word Alps derives from the Latin Alpes (through French). Maurus Servius Honoratus, an ancient commentator of Virgil, says in his commentary (A. X 13) that all high mountains are called Alpes by Celts. The term may be common to Italo-Celtic, because the Celtic languages have terms for high mountains derived from alp. | What languages have terms for high mountains derived from alp? | {
"answer_start": [
265
],
"text": [
"Celtic languages"
]
} |
56f827e6aef2371900625e59 | Alps | This may be consistent with the theory that in Greek Alpes is a name of non-Indo-European origin (which is common for prominent mountains and mountain ranges in the Mediterranean region). According to the Old English Dictionary, the Latin Alpes might possibly derive from a pre-Indo-European word *alb "hill"; "Albania" is a related derivation. Albania, a name not native to the region known as the country of Albania, has been used as a name for a number of mountainous areas across Europe. In Roman times, "Albania" was a name for the eastern Caucasus, while in the English language "Albania" (or "Albany") was occasionally used as a name for Scotland. | There is a theory that in Greek Alpes is a name of what origin? | {
"answer_start": [
76
],
"text": [
"Indo-European origin"
]
} |
56f827e6aef2371900625e5a | Alps | This may be consistent with the theory that in Greek Alpes is a name of non-Indo-European origin (which is common for prominent mountains and mountain ranges in the Mediterranean region). According to the Old English Dictionary, the Latin Alpes might possibly derive from a pre-Indo-European word *alb "hill"; "Albania" is a related derivation. Albania, a name not native to the region known as the country of Albania, has been used as a name for a number of mountainous areas across Europe. In Roman times, "Albania" was a name for the eastern Caucasus, while in the English language "Albania" (or "Albany") was occasionally used as a name for Scotland. | What name has been used as a name for a number of mountainous areas across Europe? | {
"answer_start": [
345
],
"text": [
"Albania"
]
} |
56f827e6aef2371900625e5b | Alps | This may be consistent with the theory that in Greek Alpes is a name of non-Indo-European origin (which is common for prominent mountains and mountain ranges in the Mediterranean region). According to the Old English Dictionary, the Latin Alpes might possibly derive from a pre-Indo-European word *alb "hill"; "Albania" is a related derivation. Albania, a name not native to the region known as the country of Albania, has been used as a name for a number of mountainous areas across Europe. In Roman times, "Albania" was a name for the eastern Caucasus, while in the English language "Albania" (or "Albany") was occasionally used as a name for Scotland. | Albania was a name for what during Roman Times? | {
"answer_start": [
533
],
"text": [
"the eastern Caucasus"
]
} |
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